1 00:00:10,280 --> 00:00:11,920 Speaker 1: Any time to get serious. Man, Let's go to work. 2 00:00:12,480 --> 00:00:14,840 Speaker 1: Let's go to work. Bro. We can sit here and 3 00:00:14,880 --> 00:00:18,239 Speaker 1: listen to good music made by this man all day, sneaky, 4 00:00:18,280 --> 00:00:21,560 Speaker 1: don't make bad music. Bro, It's time to go to work. Bro. 5 00:00:21,640 --> 00:00:23,400 Speaker 1: I told him to make sure you put together some 6 00:00:23,440 --> 00:00:27,400 Speaker 1: pemper because I knew you was coming up here. You 7 00:00:27,520 --> 00:00:31,080 Speaker 1: feel me another type of ship you like? So I 8 00:00:31,200 --> 00:00:33,200 Speaker 1: notice your first time in the trap, but if that's 9 00:00:33,320 --> 00:00:38,479 Speaker 1: not be your last. Been my partner. One of the 10 00:00:38,479 --> 00:00:42,880 Speaker 1: really sniggers in the game. Jack represents Nashville very well, 11 00:00:44,640 --> 00:00:47,440 Speaker 1: very unique individual man, independent, hustle, have been in the 12 00:00:47,479 --> 00:00:52,320 Speaker 1: rap game, putting it down for a minute, build a hardcore, 13 00:00:53,040 --> 00:00:56,680 Speaker 1: strong fan base that fun with this and neking a 14 00:00:56,720 --> 00:01:00,320 Speaker 1: long way, Bro, don't even do no ship like this 15 00:01:00,880 --> 00:01:02,960 Speaker 1: I had. I had to put this ship together about 16 00:01:03,000 --> 00:01:07,320 Speaker 1: three years. Finally made it. Finally made it, Bro. He 17 00:01:07,440 --> 00:01:09,840 Speaker 1: coming outside to talk ship just because he fun with 18 00:01:09,880 --> 00:01:13,800 Speaker 1: me like that special special occasion. Man. So I gotta 19 00:01:13,880 --> 00:01:18,280 Speaker 1: make sure we cover enough ground journalistically because this ship 20 00:01:18,360 --> 00:01:22,520 Speaker 1: ain't gonna be happening like that one of them ship 21 00:01:22,600 --> 00:01:25,160 Speaker 1: a handful, he said it ain't remember the last time 22 00:01:25,240 --> 00:01:29,600 Speaker 1: he did an interview I've been putting it down in 23 00:01:29,640 --> 00:01:31,440 Speaker 1: the Red Game for a minute. Man, got one of 24 00:01:31,480 --> 00:01:41,679 Speaker 1: the hardest catalog in the game, my Nigger star leader. 25 00:01:48,160 --> 00:01:51,440 Speaker 1: First of all, welcome to the trap. So appreciate your 26 00:01:51,520 --> 00:01:56,520 Speaker 1: appreciate you now, how the hell you've been. But like, man, 27 00:01:56,600 --> 00:01:59,480 Speaker 1: let's living. That's what's up? Man, what's been going on? 28 00:02:03,040 --> 00:02:10,520 Speaker 1: Father foremost you know my daily I'm I like the thing. 29 00:02:10,560 --> 00:02:14,920 Speaker 1: I'm probably one of the most normal rappers after Like, 30 00:02:14,960 --> 00:02:19,120 Speaker 1: I kind of take pride in that. Now. What is normal, Well, 31 00:02:19,160 --> 00:02:24,720 Speaker 1: I'm saying just on a life level, just kind of 32 00:02:25,440 --> 00:02:30,720 Speaker 1: outgrowing some of the the norms, the standards we like 33 00:02:30,840 --> 00:02:33,959 Speaker 1: build up within the culture of it, you know, try 34 00:02:34,040 --> 00:02:38,239 Speaker 1: to just blend in. And I enjoyed doing regular ship 35 00:02:40,680 --> 00:02:42,560 Speaker 1: growing up so fast as growing up in this ship. 36 00:02:42,600 --> 00:02:44,640 Speaker 1: Like I said, I've been been at it for a while, 37 00:02:44,800 --> 00:02:50,320 Speaker 1: so kind of enjoyed being at a different place. Yeah. 38 00:02:50,560 --> 00:02:54,359 Speaker 1: When did you first started working with the music, uh 39 00:02:55,760 --> 00:03:02,760 Speaker 1: love with? Twenty years ago I put on my first project. Yeah. 40 00:03:02,960 --> 00:03:05,359 Speaker 1: Well yeah, we salute that ship, man. That's why we 41 00:03:05,360 --> 00:03:07,680 Speaker 1: we named that tour to get a legend, because we 42 00:03:07,720 --> 00:03:10,160 Speaker 1: want to give a salute to everybody that we fun 43 00:03:10,280 --> 00:03:12,079 Speaker 1: with all the people that came for us in this 44 00:03:12,280 --> 00:03:16,440 Speaker 1: left being in the entertainment industry. Man. That's that's a mouse, 45 00:03:16,520 --> 00:03:19,480 Speaker 1: don't man, especially when they say they don't give you 46 00:03:19,520 --> 00:03:22,639 Speaker 1: but fifteen minutes. Yeah, that's true. Yeah. I put on 47 00:03:22,720 --> 00:03:25,880 Speaker 1: my first project two three, So it was nineteen years ago. 48 00:03:25,960 --> 00:03:33,200 Speaker 1: But yeah, yeah bad it since high school really but 49 00:03:33,200 --> 00:03:36,360 Speaker 1: but out my first project, like my sophomore in college, 50 00:03:37,800 --> 00:03:40,160 Speaker 1: it was pretty much out of the Six months later, 51 00:03:40,200 --> 00:03:42,520 Speaker 1: I was dropping out of college and getting record Dude, 52 00:03:43,360 --> 00:03:46,800 Speaker 1: the first record then fresh out of college man that 53 00:03:46,840 --> 00:03:51,680 Speaker 1: she hit like, uh, because the line it was like 54 00:03:51,960 --> 00:03:54,480 Speaker 1: college in itself. It was like a line of cart 55 00:03:56,280 --> 00:04:00,920 Speaker 1: some uh some I'm a line from because it was fun. 56 00:04:00,960 --> 00:04:03,880 Speaker 1: It was fun as Yeah. So what did your parents 57 00:04:03,920 --> 00:04:06,560 Speaker 1: say when you like, Hey, you know, mom, I know 58 00:04:06,680 --> 00:04:09,200 Speaker 1: I told you I was gonna go to you know, 59 00:04:09,280 --> 00:04:12,280 Speaker 1: finish the school thing off and whatnot. But yeah, I'm 60 00:04:12,480 --> 00:04:18,640 Speaker 1: gonna be around. Uh. My folks was pretty supportive because 61 00:04:18,640 --> 00:04:21,680 Speaker 1: it was, you know, it was a chasing the dream. 62 00:04:21,800 --> 00:04:24,360 Speaker 1: I only didn't take you to convince themthing not saying 63 00:04:24,400 --> 00:04:26,360 Speaker 1: at that moment when they know that you was good, 64 00:04:26,400 --> 00:04:30,400 Speaker 1: they're wrapping uh. I mean around that time, it was 65 00:04:30,440 --> 00:04:32,320 Speaker 1: like I was making a name for myself. I was 66 00:04:32,400 --> 00:04:36,599 Speaker 1: like the guy round the way with the music between 67 00:04:36,640 --> 00:04:41,200 Speaker 1: the neighborhood and between the school. So you know how 68 00:04:41,240 --> 00:04:43,280 Speaker 1: it is. I mean, when we're building a bus, like 69 00:04:44,360 --> 00:04:48,599 Speaker 1: people coming to them my music that was like physical 70 00:04:48,640 --> 00:04:52,400 Speaker 1: CdSe mix tapes, you know, so people they adn't know 71 00:04:53,360 --> 00:04:56,359 Speaker 1: was that tuned my music. So it wasn't like a secret. 72 00:04:56,440 --> 00:04:59,919 Speaker 1: By the time I was dropping out of school, ain't 73 00:05:00,000 --> 00:05:01,880 Speaker 1: like a lot of convincing because I mean, more times 74 00:05:01,960 --> 00:05:03,640 Speaker 1: or now, you go to school to get a job. 75 00:05:03,960 --> 00:05:06,800 Speaker 1: You go to school to try to you know, figure 76 00:05:06,839 --> 00:05:09,159 Speaker 1: out what you're gonna do with your life, and and 77 00:05:09,320 --> 00:05:12,120 Speaker 1: on creating opportunities on the back end of it. So 78 00:05:13,839 --> 00:05:16,000 Speaker 1: my opportunities like right in front of my face. I'm like, 79 00:05:16,360 --> 00:05:18,120 Speaker 1: I'm gonna keep paying money out of them, out of 80 00:05:18,160 --> 00:05:20,440 Speaker 1: my pocket to go to school. I'm gonna get some money, 81 00:05:20,640 --> 00:05:23,239 Speaker 1: you know. You know a lot of times when people 82 00:05:24,400 --> 00:05:28,080 Speaker 1: parents be cool with them doing music or anything they 83 00:05:28,160 --> 00:05:30,360 Speaker 1: got something to do with the arts, it's because they 84 00:05:30,480 --> 00:05:34,920 Speaker 1: like come from a musical family or you know, entertainment 85 00:05:34,960 --> 00:05:39,160 Speaker 1: type family, or you first generation entertainer, or yeah, it 86 00:05:39,320 --> 00:05:43,440 Speaker 1: wasn't it or none of that. I don't have a 87 00:05:43,600 --> 00:05:48,720 Speaker 1: like super musical like background or lineage. And then that 88 00:05:48,920 --> 00:05:51,480 Speaker 1: I was I was just want to wrap you know. 89 00:05:52,000 --> 00:05:55,479 Speaker 1: It was it was sports. Was basketball one night and 90 00:05:56,640 --> 00:06:01,600 Speaker 1: realize that wasn't take me too far. So next thing 91 00:06:01,640 --> 00:06:03,760 Speaker 1: I was most interested in it was was the rapping, 92 00:06:04,880 --> 00:06:07,520 Speaker 1: like battle rap culture that was. There was a time 93 00:06:07,600 --> 00:06:11,479 Speaker 1: when you know, people were wrapped well you know, ciphers 94 00:06:11,480 --> 00:06:15,039 Speaker 1: outside wrapping the parking lot of the school and the 95 00:06:15,080 --> 00:06:19,440 Speaker 1: student union centers wherever a crowd of people are, you know, 96 00:06:21,000 --> 00:06:24,720 Speaker 1: used to be shopping on niggas, you know, battle rap. Yeah, 97 00:06:24,800 --> 00:06:29,680 Speaker 1: I mean it wasn't just like battle rapping like I'm 98 00:06:29,720 --> 00:06:40,760 Speaker 1: the best rapper in the world, the coldest, oldest, moldest 99 00:06:39,960 --> 00:06:47,920 Speaker 1: you see blue cheeks that type. No, it wasn't that. 100 00:06:48,040 --> 00:06:51,800 Speaker 1: Damned Then I was punchlines and all that thing it was, 101 00:06:51,920 --> 00:06:55,360 Speaker 1: you know, but I mean that's I'm a a knife 102 00:06:55,360 --> 00:06:58,400 Speaker 1: for myself doing that, you know, along with trying to 103 00:06:58,440 --> 00:07:02,039 Speaker 1: figure out to get in the studio. Don't make a song. Actually, 104 00:07:02,160 --> 00:07:06,360 Speaker 1: you know, I guess that's that's still performing art, performance art. 105 00:07:06,400 --> 00:07:10,160 Speaker 1: I guess just being able to around captive at a 106 00:07:10,200 --> 00:07:13,960 Speaker 1: group of people. Then you put pain the pad and 107 00:07:14,760 --> 00:07:17,760 Speaker 1: you know craft songs. I think I'm so far moved 108 00:07:17,760 --> 00:07:23,200 Speaker 1: from that because now it's like really into the song structure, 109 00:07:23,280 --> 00:07:26,360 Speaker 1: song right and making something is that you can feel. 110 00:07:26,920 --> 00:07:29,360 Speaker 1: You know, man, this it is still surprised you that 111 00:07:31,040 --> 00:07:34,160 Speaker 1: half of your fans probably don't even know that you 112 00:07:34,320 --> 00:07:41,520 Speaker 1: changed your name and start. Yeah, it's it's interesting. I 113 00:07:41,600 --> 00:07:45,080 Speaker 1: listened to some some all the music was just he 114 00:07:45,200 --> 00:07:48,080 Speaker 1: was talking about a Super Bowl song a minute ago, 115 00:07:49,160 --> 00:07:53,640 Speaker 1: and when I went by a start and as it 116 00:07:53,720 --> 00:07:55,320 Speaker 1: is kind of a trip because a lot of people 117 00:07:55,360 --> 00:07:57,000 Speaker 1: don't know that, you know, if you got hire to 118 00:07:57,040 --> 00:08:01,560 Speaker 1: my music in the last ten years, so the professionally 119 00:08:01,560 --> 00:08:04,200 Speaker 1: going by star it though since I got out of 120 00:08:04,880 --> 00:08:08,120 Speaker 1: that first do yeah, and we changed our name around 121 00:08:08,160 --> 00:08:17,520 Speaker 1: the same time. You don't want to know you'll never 122 00:08:17,560 --> 00:08:20,640 Speaker 1: look at that nigga this same just just call him Jack. 123 00:08:22,720 --> 00:08:29,400 Speaker 1: It was he made his name, he made his mark, 124 00:08:29,440 --> 00:08:31,360 Speaker 1: though it's still a lot of people that only know 125 00:08:31,520 --> 00:08:34,000 Speaker 1: him as his own name. A lot of people didn't 126 00:08:34,000 --> 00:08:40,160 Speaker 1: accept Jack Thriller. The funny thing about that ship too, 127 00:08:40,360 --> 00:08:42,679 Speaker 1: is the Niggers didn't want to call me that ship 128 00:08:42,760 --> 00:08:46,280 Speaker 1: back in the day, but they matter I'm Jack. They 129 00:08:46,480 --> 00:08:48,720 Speaker 1: would go out of their way they call me the 130 00:08:48,760 --> 00:08:51,760 Speaker 1: old ship. Just you know what I'm saying that as 131 00:08:51,800 --> 00:08:55,200 Speaker 1: a as a reminder. It's funny now I knew then 132 00:08:55,480 --> 00:08:59,280 Speaker 1: when he was such and such. It's some time stamp 133 00:09:00,000 --> 00:09:03,079 Speaker 1: for sure. I mean, that's that's all. Some people agree 134 00:09:03,120 --> 00:09:05,000 Speaker 1: me and let me know aline they've been writing with 135 00:09:05,559 --> 00:09:08,040 Speaker 1: the sign what made you change your name? That? Why? 136 00:09:08,120 --> 00:09:12,040 Speaker 1: Why the why? The face live um? In part it 137 00:09:12,080 --> 00:09:14,480 Speaker 1: was like, like I said, I had the record deal 138 00:09:15,160 --> 00:09:17,800 Speaker 1: and the kind of I feel like it ran this course. 139 00:09:18,480 --> 00:09:21,200 Speaker 1: It was more or less stagnant, and so it was 140 00:09:21,280 --> 00:09:27,440 Speaker 1: rebranding myself and kind of make sure way to get 141 00:09:27,440 --> 00:09:30,760 Speaker 1: out of the deal, if you will. I was just like, okay, 142 00:09:30,880 --> 00:09:35,280 Speaker 1: well little writes to my recordings under this name belong 143 00:09:35,360 --> 00:09:37,840 Speaker 1: to somebody else. I'm just gonna put out music under 144 00:09:37,880 --> 00:09:40,040 Speaker 1: a different name. Almost. I mean, that was me trying 145 00:09:40,080 --> 00:09:42,120 Speaker 1: to guess to be a wise guy about it, and 146 00:09:42,160 --> 00:09:44,000 Speaker 1: then it just stuck. It was kind of catchy. It was, 147 00:09:44,160 --> 00:09:46,560 Speaker 1: you know, I was already like kind of firm on myself. 148 00:09:46,679 --> 00:09:49,720 Speaker 1: Is that within the music or I had a project 149 00:09:49,720 --> 00:09:53,040 Speaker 1: cost all it those way kind of playing out the 150 00:09:53,080 --> 00:09:55,520 Speaker 1: quality those ways. The movie s hard too, if you 151 00:09:55,520 --> 00:09:57,240 Speaker 1: ain't never heard it, and I know it's a lot 152 00:09:57,280 --> 00:10:00,720 Speaker 1: of people watching from different pockets of the world fun 153 00:10:00,800 --> 00:10:04,880 Speaker 1: with that one. Yeah, So that that project was like 154 00:10:05,080 --> 00:10:08,040 Speaker 1: it was working for me and I just kind of 155 00:10:08,120 --> 00:10:11,400 Speaker 1: ran with it from that from like a concept project 156 00:10:11,480 --> 00:10:15,760 Speaker 1: to like got a ring to it. Because my my 157 00:10:15,840 --> 00:10:19,040 Speaker 1: original name that I like signed was two in long 158 00:10:19,160 --> 00:10:21,319 Speaker 1: It was all Star cast, but it was prints because 159 00:10:21,320 --> 00:10:24,360 Speaker 1: it was like there was already a DJ I think 160 00:10:24,480 --> 00:10:27,880 Speaker 1: name all Star, so we couldn't actually register that name. 161 00:10:28,559 --> 00:10:30,280 Speaker 1: I was like, I don't want this long Day's name, 162 00:10:30,600 --> 00:10:35,080 Speaker 1: and it was kind of like I ain't gonna call 163 00:10:35,240 --> 00:10:38,200 Speaker 1: myself to print some my city forever, like you know 164 00:10:38,280 --> 00:10:41,920 Speaker 1: it nineteen That was I guess the thing it was 165 00:10:42,000 --> 00:10:45,520 Speaker 1: cool at the time was like wow, I was just 166 00:10:45,679 --> 00:10:50,200 Speaker 1: I don't know who was the king of the city. Oh, 167 00:10:50,400 --> 00:10:52,480 Speaker 1: I mean, I think it was just it was kind 168 00:10:52,520 --> 00:10:59,040 Speaker 1: of like uh announcing that I'm next up. May have 169 00:10:59,080 --> 00:11:02,640 Speaker 1: been several if it was just like I said, I was, 170 00:11:02,760 --> 00:11:06,680 Speaker 1: I was a teenager. I was the youngest person putting 171 00:11:06,679 --> 00:11:10,040 Speaker 1: out music around my way at that time, like putting 172 00:11:10,040 --> 00:11:12,760 Speaker 1: out my own music especialist. So how many times you 173 00:11:12,760 --> 00:11:17,160 Speaker 1: have to about yourself out of the contract? Oh I 174 00:11:17,240 --> 00:11:22,319 Speaker 1: think not formally that didn't really happen because my first 175 00:11:22,360 --> 00:11:26,880 Speaker 1: deal didn't. It didn't generate that much money. It wasn't 176 00:11:26,880 --> 00:11:28,439 Speaker 1: you know what I'm saying. It was it was business 177 00:11:28,520 --> 00:11:31,400 Speaker 1: like I got an advance and that was money being spent. 178 00:11:32,200 --> 00:11:35,520 Speaker 1: But they serviced a few singles, and it kind of 179 00:11:35,559 --> 00:11:38,560 Speaker 1: at a point was like just kind of go go 180 00:11:38,840 --> 00:11:41,520 Speaker 1: several ways, just cut all loss this kind of thing. 181 00:11:41,679 --> 00:11:44,960 Speaker 1: So it wasn't like a bio kind of thing. Once 182 00:11:44,960 --> 00:11:47,960 Speaker 1: it ran his course, I just didn't. I didn't continue 183 00:11:47,960 --> 00:11:50,480 Speaker 1: to do business with the people I was doing business without. 184 00:11:50,480 --> 00:11:53,640 Speaker 1: The time when you chose the name Star Leader, what 185 00:11:53,760 --> 00:11:56,240 Speaker 1: was the process of it? And were like, what were 186 00:11:56,280 --> 00:11:59,920 Speaker 1: some things that you had before leading up to Star Lead? Top? 187 00:12:01,360 --> 00:12:03,600 Speaker 1: Like I said, all start, it was a little sports 188 00:12:03,640 --> 00:12:09,120 Speaker 1: thing learned from just being a basketball player and just 189 00:12:09,160 --> 00:12:11,080 Speaker 1: want to be on top of my game, if you will. 190 00:12:11,400 --> 00:12:14,080 Speaker 1: The star little thing kind of kind from that move 191 00:12:14,559 --> 00:12:17,360 Speaker 1: to the time called Its Way, It was one of 192 00:12:17,400 --> 00:12:23,079 Speaker 1: my favorite movies because the main character was trying to 193 00:12:23,120 --> 00:12:25,000 Speaker 1: get out the game, you know, so he was doing 194 00:12:25,040 --> 00:12:27,160 Speaker 1: anything like get out the streets, get out the way, 195 00:12:27,200 --> 00:12:31,560 Speaker 1: and it was you know, the right a little and 196 00:12:31,600 --> 00:12:33,560 Speaker 1: I felt like that was kind of where I was 197 00:12:33,600 --> 00:12:35,160 Speaker 1: in life, you know, like I said, I went to 198 00:12:35,240 --> 00:12:39,360 Speaker 1: college and outa them I running from being educated or 199 00:12:39,920 --> 00:12:43,600 Speaker 1: but I'm still like from where I'm from. And uh, 200 00:12:43,720 --> 00:12:47,880 Speaker 1: I wanted to use wrap as a segway away from 201 00:12:47,880 --> 00:12:50,240 Speaker 1: out that bullshit. So I felt like it was a 202 00:12:50,280 --> 00:12:53,560 Speaker 1: parallel in the character. And like I said, just kind 203 00:12:53,559 --> 00:12:57,000 Speaker 1: of play play on words a playoff that night. And 204 00:12:57,160 --> 00:13:00,960 Speaker 1: uh really didn't have like a I probably went by 205 00:13:01,000 --> 00:13:03,680 Speaker 1: something else when I was probably fifteen, just first rapping, 206 00:13:03,679 --> 00:13:06,200 Speaker 1: but I didn't put out no music under the you 207 00:13:06,240 --> 00:13:09,200 Speaker 1: know whatever the names was then and you weren't done. 208 00:13:09,240 --> 00:13:11,880 Speaker 1: Trip got together and put that put a whole movement 209 00:13:11,920 --> 00:13:15,880 Speaker 1: and played Man, how that ship come together? Uh? I 210 00:13:15,960 --> 00:13:20,679 Speaker 1: think me Trip Lincoln like something like that. Uh yo, 211 00:13:20,720 --> 00:13:22,920 Speaker 1: guy who was trying to sign Trip. I was doing business. 212 00:13:22,960 --> 00:13:26,480 Speaker 1: We all got at the time. And uh it's when 213 00:13:26,640 --> 00:13:29,800 Speaker 1: around the time when Don Trip first signed in the scope. 214 00:13:29,800 --> 00:13:31,760 Speaker 1: But we first just had a big buzz. It was 215 00:13:31,840 --> 00:13:36,400 Speaker 1: like popping on YouTube, three styles going crazy and Uh 216 00:13:36,640 --> 00:13:38,880 Speaker 1: got it. Bought him to Nashville with him, just had 217 00:13:38,920 --> 00:13:42,000 Speaker 1: him on the road. They passed through and we linked. 218 00:13:42,160 --> 00:13:43,560 Speaker 1: You know, I heard the stuff. I thought it was 219 00:13:43,640 --> 00:13:46,880 Speaker 1: cold kind to the spot. We knocked out a few 220 00:13:46,880 --> 00:13:49,320 Speaker 1: songs and it was just kind of like, yeah, we're 221 00:13:49,320 --> 00:13:51,880 Speaker 1: on a song, we should do some more music. And 222 00:13:51,920 --> 00:13:54,439 Speaker 1: at the time, I was just watching the movie Step Brothers, 223 00:13:54,520 --> 00:13:58,000 Speaker 1: like on loop in the studios, just I was just 224 00:13:58,080 --> 00:14:03,160 Speaker 1: a funny as movies ship from put them motherfucking nuts 225 00:14:03,200 --> 00:14:06,800 Speaker 1: on the drum set, and I was like, man, we 226 00:14:06,800 --> 00:14:10,520 Speaker 1: should do you know, we should run with this. You know, 227 00:14:10,600 --> 00:14:13,720 Speaker 1: the camaraderie they had, it was just like grown as 228 00:14:13,800 --> 00:14:18,520 Speaker 1: kids overcron like exactly. And I think that was the 229 00:14:18,559 --> 00:14:21,840 Speaker 1: first song on the project with Carter Bus. It was 230 00:14:21,880 --> 00:14:25,880 Speaker 1: just playing off just just quirking stuff within that movie. 231 00:14:25,960 --> 00:14:30,080 Speaker 1: And then share fast forward over the next seven years, 232 00:14:30,080 --> 00:14:33,120 Speaker 1: we'll put out like three projects tour you know inty 233 00:14:33,200 --> 00:14:37,680 Speaker 1: tours tour nationally offer something just kind of branding out 234 00:14:37,720 --> 00:14:41,320 Speaker 1: that Step Brothers if it would, Man, that's something that's 235 00:14:41,520 --> 00:14:44,120 Speaker 1: it's like that ship just feels so again, yeah, just 236 00:14:44,200 --> 00:14:49,640 Speaker 1: kind of like red type ship. So but it came 237 00:14:49,720 --> 00:14:54,280 Speaker 1: from like being willing um to give props, to give 238 00:14:54,280 --> 00:14:55,960 Speaker 1: it up. You know a lot of times in the 239 00:14:56,040 --> 00:14:58,320 Speaker 1: rat world, man, people like too tough for they are 240 00:14:58,520 --> 00:15:01,720 Speaker 1: good or too full of those else probably across the 241 00:15:01,760 --> 00:15:04,000 Speaker 1: board before what y'all do. It's probably people the cold 242 00:15:04,760 --> 00:15:06,960 Speaker 1: or know y'all cold, but they won't give it up 243 00:15:07,000 --> 00:15:10,040 Speaker 1: for y'all Like now they can't then, and I don't 244 00:15:10,080 --> 00:15:12,480 Speaker 1: know what that ship about. It happens, and so it 245 00:15:12,520 --> 00:15:16,800 Speaker 1: was kind of rare, like crossing paths, likening your code 246 00:15:16,960 --> 00:15:19,520 Speaker 1: and the same thing, willing to give it up, and 247 00:15:19,560 --> 00:15:21,840 Speaker 1: we just put it together rather than being like, Okay, 248 00:15:21,840 --> 00:15:23,880 Speaker 1: I know he's good, and I know I'm good. It's 249 00:15:23,920 --> 00:15:26,760 Speaker 1: gonna be competitive. I'm gonna try to shoot on them 250 00:15:26,800 --> 00:15:28,640 Speaker 1: and act like I don't see what he got going on. 251 00:15:28,760 --> 00:15:31,480 Speaker 1: It was more soult like, but I see you coming up. 252 00:15:31,520 --> 00:15:33,960 Speaker 1: I had been in it at that time with six 253 00:15:34,000 --> 00:15:38,160 Speaker 1: seven years professionally. Also, I didn't want to see somebody 254 00:15:38,240 --> 00:15:41,080 Speaker 1: make the same mistakes I had made beause like whatever 255 00:15:41,160 --> 00:15:43,440 Speaker 1: I could add to what he had going on, and 256 00:15:43,480 --> 00:15:45,560 Speaker 1: for sure it brought me up to because he was, 257 00:15:46,480 --> 00:15:48,680 Speaker 1: I said to YouTube world, he had a different kind 258 00:15:48,680 --> 00:15:51,360 Speaker 1: of buzz than I did. So I was able to 259 00:15:51,480 --> 00:15:57,160 Speaker 1: kind of like take my underground thing, catch it up 260 00:15:57,160 --> 00:15:59,400 Speaker 1: to speed what was going on like on the internet, 261 00:16:00,400 --> 00:16:04,360 Speaker 1: and cross your audience at the time when you actually 262 00:16:04,360 --> 00:16:07,680 Speaker 1: had to go outside and do flys and promo and 263 00:16:07,880 --> 00:16:10,440 Speaker 1: radio and all this ship. Now you're seeing that people 264 00:16:10,440 --> 00:16:15,000 Speaker 1: can just literally jump on left upload some ship, whether 265 00:16:15,040 --> 00:16:17,240 Speaker 1: they know who these people are and not, and the 266 00:16:17,280 --> 00:16:19,760 Speaker 1: ship the sound may go viral and people have to 267 00:16:19,800 --> 00:16:21,880 Speaker 1: find out who the person is that said this ship. 268 00:16:22,680 --> 00:16:25,560 Speaker 1: So yeah, it's different, man, it's different. I mean it's 269 00:16:25,560 --> 00:16:30,360 Speaker 1: a technology. Yeah, time's gonna challenge. It's about stand ahead 270 00:16:30,400 --> 00:16:34,720 Speaker 1: of a carbing forward thinking because i mean, every every 271 00:16:34,760 --> 00:16:36,880 Speaker 1: couple of years we had a new platform, We've got 272 00:16:36,960 --> 00:16:40,720 Speaker 1: a new way of presenting just information. You know, how 273 00:16:40,760 --> 00:16:43,560 Speaker 1: would you and how would you introduce yourself to the 274 00:16:43,640 --> 00:16:47,520 Speaker 1: new generation like a lot of them watch this show? 275 00:16:49,400 --> 00:16:52,480 Speaker 1: Um or do you even care about that? I was 276 00:16:52,560 --> 00:16:54,680 Speaker 1: just about to say, Man, it's it's it's crazy. It 277 00:16:54,800 --> 00:16:59,360 Speaker 1: sounds like I don't like I find you find Yeah, 278 00:16:59,360 --> 00:17:01,480 Speaker 1: I ain't that. I ain't that stuck on myself. As 279 00:17:01,560 --> 00:17:03,960 Speaker 1: far as it GOLs, I feel like I've done what 280 00:17:04,080 --> 00:17:06,119 Speaker 1: I've done at this point. I'm gonna continue to do 281 00:17:06,240 --> 00:17:08,600 Speaker 1: it as it makes sense. I was just like kind 282 00:17:08,640 --> 00:17:10,520 Speaker 1: of go out for feeling. So if it finds you 283 00:17:11,480 --> 00:17:14,000 Speaker 1: and it moves you like I mean, I'm I'm started, 284 00:17:14,040 --> 00:17:17,719 Speaker 1: Oh I made music kind of starts and then it's 285 00:17:18,000 --> 00:17:22,440 Speaker 1: because everything I fear about it. Yeah, it's like I 286 00:17:22,960 --> 00:17:25,680 Speaker 1: listened to some stuff and I'm like, damn, I I 287 00:17:25,720 --> 00:17:27,600 Speaker 1: don't feel like that no more. I ain't in the 288 00:17:27,840 --> 00:17:30,240 Speaker 1: head space. But I was right then. It was you know, 289 00:17:30,320 --> 00:17:34,080 Speaker 1: it was like a snap snapshot time capsule. Yeah. Do 290 00:17:34,200 --> 00:17:39,040 Speaker 1: you ever find yourself trying to like the feeling like, damn, 291 00:17:39,119 --> 00:17:41,800 Speaker 1: I wish I could catch that that that same hunger, 292 00:17:42,320 --> 00:17:45,359 Speaker 1: or be that guy one more time. Sometimes when I 293 00:17:45,400 --> 00:17:49,680 Speaker 1: look at my old ship, I admire him, but I, 294 00:17:49,880 --> 00:17:51,640 Speaker 1: like you just said, I don't got it no more. 295 00:17:52,840 --> 00:17:55,879 Speaker 1: Or when people ask me, can I do that? Why 296 00:17:55,920 --> 00:18:00,400 Speaker 1: don't you do that anymore? Uh? I don't ain't got 297 00:18:00,960 --> 00:18:02,960 Speaker 1: I do look at it like damn, it's different. I 298 00:18:03,040 --> 00:18:07,760 Speaker 1: feel different about the ship, like, but I'm not necessarily 299 00:18:07,800 --> 00:18:10,760 Speaker 1: like chastening and I'm not chanting no light. I once 300 00:18:10,760 --> 00:18:13,720 Speaker 1: ahead or otherwise because I just realized that that's what 301 00:18:13,920 --> 00:18:17,040 Speaker 1: that was, whatever I was going through, you know, viron 302 00:18:17,080 --> 00:18:21,760 Speaker 1: mentally or just it's a time capsule like music I 303 00:18:21,880 --> 00:18:24,560 Speaker 1: made and to give a moment, I just I wanted 304 00:18:24,600 --> 00:18:28,160 Speaker 1: to be pure. I wanted to reflect something that it's 305 00:18:28,240 --> 00:18:32,200 Speaker 1: just like the human experience. So like I sound different 306 00:18:32,320 --> 00:18:36,159 Speaker 1: than I did. You know, probably a few you know, 307 00:18:36,320 --> 00:18:39,800 Speaker 1: smoked the few or whatever, like things to change your voide, 308 00:18:39,920 --> 00:18:44,399 Speaker 1: change you know, your temperament, everything everything, like like you said, 309 00:18:44,800 --> 00:18:46,800 Speaker 1: if it's hungry, Like once the point a time I 310 00:18:46,920 --> 00:18:49,320 Speaker 1: wanted to be heard so bad. Now I got to 311 00:18:49,440 --> 00:18:52,280 Speaker 1: the point where like I ain't really talking unless I 312 00:18:52,320 --> 00:18:56,720 Speaker 1: got something to say, like I ain't just check me out. 313 00:18:56,880 --> 00:18:59,760 Speaker 1: I'm you know, like now do you still feel like 314 00:18:59,840 --> 00:19:05,679 Speaker 1: you underground? For sure? For sure? Yeah? Why isn't that? Um? 315 00:19:07,440 --> 00:19:11,160 Speaker 1: Because I feel like my buzz or or my audiences 316 00:19:11,560 --> 00:19:14,920 Speaker 1: is like homegrown. I feel like I feel like I 317 00:19:15,040 --> 00:19:17,720 Speaker 1: earned my fans, my my audience, I should say, like 318 00:19:17,840 --> 00:19:21,600 Speaker 1: one by one almost and like it's non traditional like 319 00:19:21,680 --> 00:19:24,800 Speaker 1: I had a song on the radio and twelve years 320 00:19:24,920 --> 00:19:29,520 Speaker 1: or something like that. Um, I mean I've had music 321 00:19:29,640 --> 00:19:34,640 Speaker 1: videos playing on TV. I use a lot of uh networks, 322 00:19:34,720 --> 00:19:39,240 Speaker 1: and I form at my stuff like a mainstream artist 323 00:19:39,520 --> 00:19:41,920 Speaker 1: or you know, I place it in the same marketplace. 324 00:19:42,720 --> 00:19:46,960 Speaker 1: But my whole thing since I went independent was to 325 00:19:47,080 --> 00:19:50,600 Speaker 1: go Againstagram and do it my way and and uh, 326 00:19:51,480 --> 00:19:53,680 Speaker 1: if you build it, they come kind of kind of thing. 327 00:19:53,920 --> 00:19:57,879 Speaker 1: So it's not like I mean our partner in the 328 00:19:58,040 --> 00:20:00,879 Speaker 1: dump business with with companies, but it's nobody really like 329 00:20:01,119 --> 00:20:03,720 Speaker 1: empowering what you know, what it is that I do. 330 00:20:05,440 --> 00:20:09,560 Speaker 1: No corporate interest. No, not really, not really. I mean, 331 00:20:09,680 --> 00:20:12,000 Speaker 1: like I said, I work with people, but it's it's 332 00:20:12,000 --> 00:20:18,600 Speaker 1: gonna be on my time and all my times, like 333 00:20:18,760 --> 00:20:21,560 Speaker 1: working with people on some music ship. Like you said, 334 00:20:21,600 --> 00:20:23,400 Speaker 1: you've been in the game for a minute, who left 335 00:20:23,480 --> 00:20:25,240 Speaker 1: on your list the people you want to work with? 336 00:20:26,680 --> 00:20:36,960 Speaker 1: Uh it was hard to say. Uh, probably singers and 337 00:20:38,240 --> 00:20:41,920 Speaker 1: not not too much on the rapping, Like yeah, like 338 00:20:42,359 --> 00:20:45,240 Speaker 1: you know, to work with r and b artists. I 339 00:20:45,320 --> 00:20:47,679 Speaker 1: grew up like I was was a Tony Town tone 340 00:20:47,920 --> 00:20:50,760 Speaker 1: whatever on the on the ride down about I was 341 00:20:50,840 --> 00:20:54,480 Speaker 1: like that music donna sound like this normal? My work 342 00:20:54,600 --> 00:20:57,040 Speaker 1: was like somebody in that in that length. You know. 343 00:20:58,720 --> 00:21:01,800 Speaker 1: If anything, I just I'd like to work with people. 344 00:21:01,800 --> 00:21:03,480 Speaker 1: Don't want to worry with me. That what I'm saying. 345 00:21:03,680 --> 00:21:06,040 Speaker 1: I don't know. That's why I work with Jack. I 346 00:21:06,160 --> 00:21:08,480 Speaker 1: know that love work with me, man, man, I'm with 347 00:21:08,600 --> 00:21:12,280 Speaker 1: all my heart. You man, don't talk to this man, 348 00:21:13,359 --> 00:21:17,720 Speaker 1: y'a don't overstand myrself too much. Things that about they're 349 00:21:17,720 --> 00:21:25,520 Speaker 1: supposed to two thousand and three when you was all 350 00:21:25,680 --> 00:21:29,440 Speaker 1: starcash real friends, what did the dream look like? And 351 00:21:29,840 --> 00:21:33,040 Speaker 1: what does it look like now for you? So it 352 00:21:33,160 --> 00:21:38,240 Speaker 1: was it was just like being hired, trying to get 353 00:21:38,240 --> 00:21:41,000 Speaker 1: out into the worlds, like coming to edge like I was, 354 00:21:41,760 --> 00:21:45,000 Speaker 1: I said with eighteen nineteen years old I put on 355 00:21:45,119 --> 00:21:48,520 Speaker 1: my first project. Was just just figuring life up. You know. 356 00:21:48,960 --> 00:21:52,119 Speaker 1: But is at a certain level of a place that 357 00:21:52,240 --> 00:21:55,359 Speaker 1: you saw yourself that you like, if you was the 358 00:21:55,920 --> 00:21:59,080 Speaker 1: did you want to be the next uh fifty cent? 359 00:21:59,240 --> 00:22:02,800 Speaker 1: Did you want to be the next Tupac dreams? It 360 00:22:02,840 --> 00:22:05,639 Speaker 1: is like that how big did you wanted to do it? 361 00:22:05,760 --> 00:22:08,080 Speaker 1: Or did you just was it really about being hurt? 362 00:22:09,160 --> 00:22:12,400 Speaker 1: On one level, it was about being heard. I think 363 00:22:15,160 --> 00:22:16,960 Speaker 1: I could say this is like looking back when I 364 00:22:17,080 --> 00:22:20,360 Speaker 1: just take them all journey in. I think once upon 365 00:22:20,400 --> 00:22:23,119 Speaker 1: a time I was like afraid of being successful. And 366 00:22:23,200 --> 00:22:27,120 Speaker 1: it's like a real thing, like you think you want 367 00:22:27,760 --> 00:22:33,600 Speaker 1: a certain levels success or appeal or whatever you get, yeah, 368 00:22:34,040 --> 00:22:36,840 Speaker 1: ship like it's it's a lot, it's damning too much 369 00:22:37,040 --> 00:22:40,639 Speaker 1: kind of thing. And so someone in my mind, you know, 370 00:22:40,800 --> 00:22:45,240 Speaker 1: it was that moment though, uh probably like sign on 371 00:22:45,359 --> 00:22:48,159 Speaker 1: cash money even like I can remember being at the 372 00:22:49,160 --> 00:22:51,840 Speaker 1: the House that was on Cribs or How I'm Living 373 00:22:51,960 --> 00:22:54,639 Speaker 1: or whatever b two MTV shows like It's at the 374 00:22:55,520 --> 00:22:59,000 Speaker 1: House and uh in New Orleans the Jacuz in the 375 00:22:59,080 --> 00:23:02,000 Speaker 1: middle of the of the room and Ship. I remember 376 00:23:02,080 --> 00:23:05,439 Speaker 1: like pulling up the seeing these cards. I was at 377 00:23:05,480 --> 00:23:08,960 Speaker 1: a pool party. I think essence fist like somehow four 378 00:23:10,119 --> 00:23:13,400 Speaker 1: and I'm like, I'm around all these people that I've 379 00:23:13,440 --> 00:23:16,400 Speaker 1: been watching on TV the less like five six years 380 00:23:16,480 --> 00:23:19,359 Speaker 1: or people like I really listened almost of that music 381 00:23:19,520 --> 00:23:21,600 Speaker 1: exclusively at the time, Like you know, I was from 382 00:23:22,080 --> 00:23:26,200 Speaker 1: the South, from the midst, like that was soundtrack to 383 00:23:26,359 --> 00:23:28,680 Speaker 1: the hood. I'm like, damn, don't run here amongst these people, 384 00:23:28,800 --> 00:23:32,600 Speaker 1: like and it's like you almost ask you something, what 385 00:23:32,640 --> 00:23:35,920 Speaker 1: the hell I'm doing here? Like I mean time around 386 00:23:35,960 --> 00:23:38,520 Speaker 1: this Nick, I always feel like, man, I don't listen, 387 00:23:38,600 --> 00:23:42,240 Speaker 1: I don't belong and Uh. I remember being at a 388 00:23:42,320 --> 00:23:47,359 Speaker 1: pool party like probably like you're meeting you're making peers 389 00:23:47,400 --> 00:23:50,159 Speaker 1: of people that you you know, held up in a 390 00:23:50,640 --> 00:23:55,320 Speaker 1: certain esteem and respected ship was they had to respect it, 391 00:23:55,560 --> 00:23:59,720 Speaker 1: like people got the utmost so eventually working with them, yeah, 392 00:24:00,000 --> 00:24:04,359 Speaker 1: and they become you like with made shoot you know, comrade, 393 00:24:05,560 --> 00:24:09,639 Speaker 1: like traveling and like damn, you know, it seems at 394 00:24:09,680 --> 00:24:12,480 Speaker 1: that age like like ship. To that point it was 395 00:24:12,560 --> 00:24:15,520 Speaker 1: a dreaming like it was almost like surreal. And then 396 00:24:15,520 --> 00:24:18,440 Speaker 1: you don't have no training and practice for the ship, 397 00:24:18,600 --> 00:24:22,639 Speaker 1: so you're just coming out. Yeah, And I mean I 398 00:24:22,760 --> 00:24:27,399 Speaker 1: think being amongst people that have had that like that 399 00:24:27,560 --> 00:24:31,359 Speaker 1: was that level of success, you can kind of almost 400 00:24:31,400 --> 00:24:35,119 Speaker 1: find yourself feeling out of place. Like I think if 401 00:24:35,160 --> 00:24:38,439 Speaker 1: I had to like view anything is it's not regret 402 00:24:38,560 --> 00:24:41,639 Speaker 1: but like a mistake. It's like trying to fit in 403 00:24:42,440 --> 00:24:45,240 Speaker 1: instead of trying to stand up, you know what I'm saying, 404 00:24:45,240 --> 00:24:49,600 Speaker 1: because like you're amongst at this, like damn, I need 405 00:24:49,680 --> 00:24:52,080 Speaker 1: to move like this, so I want to I want 406 00:24:52,119 --> 00:24:54,280 Speaker 1: to do what they've already done, when in fact I 407 00:24:54,480 --> 00:24:57,320 Speaker 1: was doing some some ship and you know, my own 408 00:24:57,400 --> 00:25:00,440 Speaker 1: way or my own line. I look back, I should 409 00:25:00,440 --> 00:25:04,879 Speaker 1: have just kept shipping away, approaching things the way that 410 00:25:04,960 --> 00:25:07,760 Speaker 1: I was doing it that got me in those rooms, 411 00:25:07,840 --> 00:25:10,520 Speaker 1: that got me around those people, versus like, all right, 412 00:25:10,600 --> 00:25:14,000 Speaker 1: how can I make something that fits in with that 413 00:25:14,200 --> 00:25:16,200 Speaker 1: brand and stuff? And eventually, you know I figured that 414 00:25:16,200 --> 00:25:18,520 Speaker 1: out for myself. Slight man, I'm gonna I'm gonna be 415 00:25:18,560 --> 00:25:23,280 Speaker 1: the best version of me. I'm there's nobody that could 416 00:25:23,960 --> 00:25:26,399 Speaker 1: be me better than me kind of thing, you know, 417 00:25:26,880 --> 00:25:29,880 Speaker 1: I think I, Um, I met a lot of progress 418 00:25:30,040 --> 00:25:31,760 Speaker 1: once I figured it out for myself and and and 419 00:25:32,359 --> 00:25:34,480 Speaker 1: there's nothing to be afraid of the time of success 420 00:25:34,520 --> 00:25:38,040 Speaker 1: because I don't I don't measure to against when anybody 421 00:25:38,080 --> 00:25:40,879 Speaker 1: else got going on, you know. And that's back to 422 00:25:40,920 --> 00:25:46,359 Speaker 1: the underground thing, like yeah, yeah, the ship even even 423 00:25:46,440 --> 00:25:49,160 Speaker 1: still though you wanted the motherucker's who made the underground 424 00:25:49,240 --> 00:25:52,960 Speaker 1: ship work for them, like you're successful at and like 425 00:25:53,119 --> 00:25:55,800 Speaker 1: that ship the hardest fun Like what kind of tips 426 00:25:55,840 --> 00:25:59,280 Speaker 1: and tricks anybody would you give to the next generation 427 00:26:00,040 --> 00:26:01,760 Speaker 1: who want to fall in who see you do it 428 00:26:01,840 --> 00:26:03,719 Speaker 1: and say, shot, I want to do it like la 429 00:26:03,760 --> 00:26:09,359 Speaker 1: though he made that ship work. Um, you gotta figure 430 00:26:09,359 --> 00:26:12,359 Speaker 1: out what works for you. I mean, I think for sure, 431 00:26:12,480 --> 00:26:18,000 Speaker 1: like being innovative, Like I mean, I understand the question, 432 00:26:18,080 --> 00:26:19,840 Speaker 1: but like you're doing it, you know what I'm saying 433 00:26:19,880 --> 00:26:23,280 Speaker 1: A brand that the child building. It's like have your 434 00:26:23,320 --> 00:26:27,240 Speaker 1: own times or your owner standards, and I say you 435 00:26:27,359 --> 00:26:30,879 Speaker 1: build it, They're come Like I don't think I have 436 00:26:31,080 --> 00:26:34,480 Speaker 1: a like a blueprint for nobody to follow because so 437 00:26:34,640 --> 00:26:37,639 Speaker 1: much of this kind with no rules, like so it 438 00:26:37,840 --> 00:26:42,399 Speaker 1: was figuring out, like I think this is a good idea. 439 00:26:42,480 --> 00:26:44,840 Speaker 1: I'm just just mash with it. I'm gonna go with 440 00:26:44,960 --> 00:26:48,200 Speaker 1: it and see if the stick kind of thing. I mean, 441 00:26:48,640 --> 00:26:52,879 Speaker 1: you ain't had a deal though in twelve years, right, Uh? 442 00:26:53,040 --> 00:26:56,160 Speaker 1: I had like distribution deals distribution did You've been independent 443 00:26:56,359 --> 00:26:59,560 Speaker 1: pretty much since then? When at what point did you say, 444 00:26:59,640 --> 00:27:03,000 Speaker 1: you know, I'm gonna do this myself fucking deal. I 445 00:27:03,040 --> 00:27:05,680 Speaker 1: don't need I'm not signing with nobody else. I think 446 00:27:05,720 --> 00:27:08,760 Speaker 1: I got this now. Oh, I know what they were 447 00:27:08,840 --> 00:27:12,160 Speaker 1: doing over there, man, just figuring out. Like I said, 448 00:27:13,200 --> 00:27:16,800 Speaker 1: I started to understand the like the the power to 449 00:27:16,920 --> 00:27:21,760 Speaker 1: reach other of the Internet and just like direct the consumer. 450 00:27:22,000 --> 00:27:25,680 Speaker 1: Like that's where it was going. Like out we used 451 00:27:25,720 --> 00:27:27,600 Speaker 1: to go to record store every Friday and get the 452 00:27:27,960 --> 00:27:29,920 Speaker 1: abams to come out on Tuesdays, but we had record 453 00:27:29,960 --> 00:27:32,879 Speaker 1: stores that would sell them music early on Fridays. We 454 00:27:33,000 --> 00:27:34,840 Speaker 1: just go to the regular store and like physically pick 455 00:27:34,920 --> 00:27:39,760 Speaker 1: up CDs. Eventually I started getting my music from download 456 00:27:39,880 --> 00:27:43,800 Speaker 1: links and on your phone, right, And I'm like, well, 457 00:27:44,160 --> 00:27:45,840 Speaker 1: I mean I can I don't go to press up 458 00:27:45,880 --> 00:27:47,399 Speaker 1: c d s no more. I'm cutting out a lot 459 00:27:47,440 --> 00:27:51,080 Speaker 1: of overhead, you know, so like I'm just a regular 460 00:27:51,119 --> 00:27:54,119 Speaker 1: label with not in general it's artists are doing now 461 00:27:54,320 --> 00:27:56,600 Speaker 1: more so. But they wouldn't let you drop a project 462 00:27:56,680 --> 00:27:59,480 Speaker 1: every month. We had a studio with the Spot, so 463 00:28:00,440 --> 00:28:02,760 Speaker 1: I could record music as fast as I could come 464 00:28:02,840 --> 00:28:04,520 Speaker 1: up with it, as long as it's some beats or whatever. 465 00:28:05,440 --> 00:28:08,280 Speaker 1: And I was just like, man, I'm just gonna just 466 00:28:08,680 --> 00:28:10,720 Speaker 1: keep trying and keep shipping away and just you know, 467 00:28:12,000 --> 00:28:14,800 Speaker 1: I think I'm gonna use what's right in front of them. 468 00:28:14,960 --> 00:28:18,080 Speaker 1: It was my resources. Um, I'm like, I don't really 469 00:28:18,800 --> 00:28:21,400 Speaker 1: because at the point, it wasn't even about selling them music, 470 00:28:21,960 --> 00:28:24,679 Speaker 1: and it was just about being heard. Like we used 471 00:28:24,720 --> 00:28:26,840 Speaker 1: to press upo the CDs to jump out and traffic 472 00:28:26,920 --> 00:28:28,240 Speaker 1: and hand them out and get my what I mean, 473 00:28:28,280 --> 00:28:31,840 Speaker 1: we saw CDs locally, but a lot of those promo 474 00:28:32,080 --> 00:28:35,560 Speaker 1: you were saying, you gotta promo disc Yeah, It's like 475 00:28:36,320 --> 00:28:38,480 Speaker 1: I know for a fact, I had them ships all 476 00:28:38,520 --> 00:28:45,360 Speaker 1: way up until about uh until my first my Cali 477 00:28:45,600 --> 00:28:47,920 Speaker 1: caught on fire. I can't remember that year, but I know, 478 00:28:48,120 --> 00:28:50,960 Speaker 1: and I've moved to Atlanta. I brought all that ship 479 00:28:51,080 --> 00:28:54,680 Speaker 1: up him. I wanted to ask you this. You said, 480 00:28:54,840 --> 00:28:58,240 Speaker 1: Trip introduced you to a whole new audience, the digital audience, 481 00:28:58,320 --> 00:29:01,600 Speaker 1: the YouTube audience. When did you start seeing the impact 482 00:29:01,720 --> 00:29:08,040 Speaker 1: and effects of that. Uh, immediately, immediately, like Bro had 483 00:29:08,120 --> 00:29:15,160 Speaker 1: a viral moment almost like started his career. You know. Yeah, 484 00:29:15,520 --> 00:29:17,600 Speaker 1: And I mean he did a bunch of free styles 485 00:29:17,680 --> 00:29:19,880 Speaker 1: kind of the same format. It was just like him 486 00:29:20,440 --> 00:29:23,880 Speaker 1: the most basic handheld camera and a booth recording itself, 487 00:29:24,000 --> 00:29:27,880 Speaker 1: rapping on very basic set up, but it's like no frills. 488 00:29:28,680 --> 00:29:31,120 Speaker 1: This was wrapping as pure as for him and he 489 00:29:31,280 --> 00:29:34,080 Speaker 1: was having like millions of views out there at the time. 490 00:29:34,720 --> 00:29:40,600 Speaker 1: I probably hadn't shot three videos five like actual music videos. 491 00:29:40,640 --> 00:29:42,440 Speaker 1: I might be had a couple, like they had some 492 00:29:42,600 --> 00:29:45,640 Speaker 1: kind of production quality to it because being on the 493 00:29:45,760 --> 00:29:49,040 Speaker 1: label and at the time, like music videos just a 494 00:29:49,120 --> 00:29:53,719 Speaker 1: cost like five figures on the lower end. So if 495 00:29:53,800 --> 00:29:56,560 Speaker 1: you if you gotta deal, it's gonna chew your budget 496 00:29:56,640 --> 00:30:00,040 Speaker 1: up to to shoot one video. At that time, it 497 00:30:00,120 --> 00:30:03,320 Speaker 1: was like you got crewis and set ups they had. 498 00:30:03,760 --> 00:30:06,440 Speaker 1: It was like exactly it was. It was huge a 499 00:30:06,520 --> 00:30:10,920 Speaker 1: set up for it was huge. As technology went to 500 00:30:11,080 --> 00:30:14,320 Speaker 1: handheels and you know a lot of I don't even say, 501 00:30:14,360 --> 00:30:17,000 Speaker 1: corners get cut. It's just the standard of how you 502 00:30:17,120 --> 00:30:18,960 Speaker 1: do stuff is different. Like I said, Bro had the 503 00:30:19,040 --> 00:30:21,680 Speaker 1: most basic set up you could possibly have, and it 504 00:30:21,760 --> 00:30:24,960 Speaker 1: was drawing people in. So it was like, damn, I 505 00:30:25,560 --> 00:30:29,280 Speaker 1: don't even that's not where my appeal comes from. But like, 506 00:30:29,680 --> 00:30:32,040 Speaker 1: we went from doing that music and we went and 507 00:30:32,080 --> 00:30:35,160 Speaker 1: shot a bunch of music videos. We shot like five 508 00:30:35,280 --> 00:30:38,920 Speaker 1: videos for the first project and got like tens of 509 00:30:39,000 --> 00:30:42,280 Speaker 1: millions of views. And that was new to me. You know, 510 00:30:42,400 --> 00:30:45,200 Speaker 1: I didn't think I may have one video that had 511 00:30:45,240 --> 00:30:50,720 Speaker 1: a million views at the time and versus everything was 512 00:30:50,760 --> 00:30:53,600 Speaker 1: putting out just like out of here. You know, how 513 00:30:53,680 --> 00:30:56,360 Speaker 1: much was the videos that you was shooting? How much 514 00:30:56,440 --> 00:31:00,400 Speaker 1: that they cost? Not five figures? Right? I went in 515 00:31:00,680 --> 00:31:03,520 Speaker 1: right now Now at the time, I can't say exactly. 516 00:31:03,560 --> 00:31:08,680 Speaker 1: I'm not sure, but um, it wasn't like damn they're 517 00:31:08,720 --> 00:31:10,920 Speaker 1: free like it is now, especially if you're back camera 518 00:31:11,080 --> 00:31:13,800 Speaker 1: you had. I was gonna say we bought camera. That 519 00:31:13,880 --> 00:31:16,720 Speaker 1: was because he was done trump with shooting and ended 520 00:31:16,760 --> 00:31:19,960 Speaker 1: in his videos, right, the original stuff when he was 521 00:31:20,000 --> 00:31:22,200 Speaker 1: in a booth. Yeah, I think he was. I'm pretty 522 00:31:22,200 --> 00:31:24,760 Speaker 1: sure he was putting that together. So yeah, all the 523 00:31:24,800 --> 00:31:27,400 Speaker 1: way across. But by the time we was doing videos 524 00:31:27,440 --> 00:31:31,160 Speaker 1: for that project, we were working with videographers and working 525 00:31:31,200 --> 00:31:34,400 Speaker 1: with people like buying some of those cameras, buying the 526 00:31:34,520 --> 00:31:38,600 Speaker 1: cannon cameras, the handhelds, and we shot a couple of 527 00:31:38,680 --> 00:31:42,640 Speaker 1: them on like like red cameras and you know, this 528 00:31:42,840 --> 00:31:46,080 Speaker 1: was two thousand eleven, So that was that was some 529 00:31:46,240 --> 00:31:49,200 Speaker 1: of the they changed the game with the videos. Some 530 00:31:49,360 --> 00:31:53,040 Speaker 1: of those cameras and set ups were like nice and elaborate, 531 00:31:53,080 --> 00:31:55,360 Speaker 1: but like I said, it wasn't it didn't cause it 532 00:31:55,360 --> 00:31:58,800 Speaker 1: what it caused the deck Probably people were shooting like 533 00:31:58,880 --> 00:32:01,680 Speaker 1: on sevent d s. Yeah, I think I bought a 534 00:32:01,760 --> 00:32:04,960 Speaker 1: couple of seventies during that time. Think about it. You 535 00:32:05,120 --> 00:32:07,520 Speaker 1: get you buy one and then you walk around and 536 00:32:07,560 --> 00:32:09,680 Speaker 1: get the video they go viral. Yeah, you get them 537 00:32:09,760 --> 00:32:13,240 Speaker 1: paid for it, and now it's worth it is worth it. 538 00:32:13,760 --> 00:32:16,640 Speaker 1: You're creating a job for somebody around, because what was 539 00:32:16,720 --> 00:32:20,240 Speaker 1: binding stuff? Just to give people around something to do. 540 00:32:20,800 --> 00:32:23,360 Speaker 1: Figure I how to work this camp? Exactly? Are you 541 00:32:23,400 --> 00:32:26,800 Speaker 1: gonna be around anyway? Were sitting there here while I'm recording, Like, 542 00:32:27,080 --> 00:32:32,400 Speaker 1: let's you know, you got a job. Yeah, Jack No. 543 00:32:32,600 --> 00:32:35,920 Speaker 1: Jack used to direct a few videos and ship. Oh yeah, 544 00:32:36,960 --> 00:32:40,200 Speaker 1: I did. My president is black Jeezy. You have assistant 545 00:32:40,200 --> 00:32:44,120 Speaker 1: directed on that. A couple of them brought up to 546 00:32:44,200 --> 00:32:46,840 Speaker 1: Jesus Man, you had you and Jesus had a hit 547 00:32:46,920 --> 00:32:49,880 Speaker 1: when he was first really getting successful in the game. Man. 548 00:32:51,080 --> 00:32:53,000 Speaker 1: You got to you got to catch that way with 549 00:32:53,160 --> 00:32:57,320 Speaker 1: him too, Man, what was that moment? Like, yeah, that 550 00:32:57,480 --> 00:33:01,440 Speaker 1: was part of that. Everything happened in fast. It was 551 00:33:02,480 --> 00:33:07,239 Speaker 1: the Greg Goose uh Greg Goose song and ended up 552 00:33:07,280 --> 00:33:10,880 Speaker 1: on a little bit of everybody's mixtapes and otherwise it 553 00:33:11,480 --> 00:33:13,880 Speaker 1: was cool. It was a different line in there was 554 00:33:14,080 --> 00:33:15,880 Speaker 1: I mean, I'm from Nashville just comeing to the line 555 00:33:15,920 --> 00:33:18,600 Speaker 1: of to kick it and parties I always you know, 556 00:33:18,680 --> 00:33:21,320 Speaker 1: a part of city and just a different paste and 557 00:33:21,440 --> 00:33:24,040 Speaker 1: back on. So that was cool to be a part 558 00:33:24,120 --> 00:33:27,360 Speaker 1: of that. That hallway. It was kind of a tail 559 00:33:27,520 --> 00:33:32,680 Speaker 1: in or the crunk era thing. And then then trapped 560 00:33:32,800 --> 00:33:36,000 Speaker 1: music and street music was going and it kind of 561 00:33:36,080 --> 00:33:40,760 Speaker 1: went somewhere. So because that was on Trappic that it 562 00:33:41,000 --> 00:33:46,840 Speaker 1: was so I mean, it's it's cool to um have 563 00:33:48,400 --> 00:33:51,440 Speaker 1: my journey like overlap with with a lot of other people's. 564 00:33:51,720 --> 00:33:55,400 Speaker 1: Yeah that you know, done something some big things and 565 00:33:55,560 --> 00:33:58,840 Speaker 1: just even though It's just a small part of that 566 00:33:58,960 --> 00:34:01,480 Speaker 1: was the latest is wars like this. This is cool. 567 00:34:01,880 --> 00:34:04,360 Speaker 1: It's a cool thing to have to worked with the 568 00:34:05,400 --> 00:34:08,640 Speaker 1: biggest artists in certain moments of hip hop over the 569 00:34:08,719 --> 00:34:12,520 Speaker 1: course of like fifteen years or so. Yeah, man, I 570 00:34:12,600 --> 00:34:15,120 Speaker 1: see you and spend of putting together a nice movement. 571 00:34:15,320 --> 00:34:17,400 Speaker 1: Now you don't even know that people have been asking 572 00:34:17,520 --> 00:34:19,719 Speaker 1: for that for a long time. I know you get 573 00:34:19,800 --> 00:34:22,520 Speaker 1: on social media every so often and you see you 574 00:34:22,760 --> 00:34:26,520 Speaker 1: get probably fifteen mensing man going they pass up every 575 00:34:26,600 --> 00:34:29,400 Speaker 1: time they sent it straight damn me. Like later, come 576 00:34:29,440 --> 00:34:33,520 Speaker 1: moments what you and sped of cooking up? Man? Uh? 577 00:34:34,800 --> 00:34:37,719 Speaker 1: We do to make someone music? Ween, we're touring. We're 578 00:34:37,760 --> 00:34:41,960 Speaker 1: done quite a few showers together this year, and hopefully 579 00:34:42,040 --> 00:34:47,040 Speaker 1: we might getting a studio tomorrow, a concert die in 580 00:34:47,120 --> 00:34:51,320 Speaker 1: the line of tomorrows just working. I mean we go 581 00:34:51,480 --> 00:34:57,319 Speaker 1: back oh five oh six. Here's that's what I'm saying, 582 00:34:57,360 --> 00:35:00,719 Speaker 1: to come up together and want time. We was on 583 00:35:01,000 --> 00:35:05,160 Speaker 1: cash money at the same time. We used to We 584 00:35:05,280 --> 00:35:08,000 Speaker 1: used to have like photo shoots and shift for like 585 00:35:08,280 --> 00:35:10,880 Speaker 1: we had something for a couple of shoots for like 586 00:35:11,040 --> 00:35:15,120 Speaker 1: magazines and doing press and things like that together, way 587 00:35:15,280 --> 00:35:18,200 Speaker 1: way way back, in the day. What's your fondest memory 588 00:35:18,239 --> 00:35:22,359 Speaker 1: of being on cash Money? Oh, one of them ones 589 00:35:22,400 --> 00:35:30,279 Speaker 1: you never forget and a memory you still got that chain? 590 00:35:31,280 --> 00:35:36,239 Speaker 1: Hell no, I ain't saying like that. Who knows what 591 00:35:36,360 --> 00:35:40,920 Speaker 1: it is. It's lost on the sauce somewhere. It's like that, man. 592 00:35:40,960 --> 00:35:43,479 Speaker 1: I think I probably left on somebody addresser or something 593 00:35:43,640 --> 00:35:46,680 Speaker 1: like just living fast. I was. I was stuken at 594 00:35:46,719 --> 00:35:49,479 Speaker 1: the time. When once it was gone, it was gone. 595 00:35:49,680 --> 00:35:51,719 Speaker 1: I heard, Yeah, I heard plenty of are you thinking 596 00:35:51,760 --> 00:35:53,480 Speaker 1: of that? I just wanted to tell you, man, it's 597 00:35:53,520 --> 00:35:57,440 Speaker 1: like you always rapped about independence and you know what 598 00:35:57,480 --> 00:35:59,560 Speaker 1: I'm saying, the business part of it too, man, And 599 00:35:59,600 --> 00:36:02,280 Speaker 1: we look there. It's certain artists that I always pushed 600 00:36:02,360 --> 00:36:05,040 Speaker 1: that type of ship with the music gonna be good, 601 00:36:05,120 --> 00:36:07,239 Speaker 1: and they're still gonna be saying some good ship. So 602 00:36:07,400 --> 00:36:09,680 Speaker 1: I wanted to let you know that that's why I 603 00:36:09,800 --> 00:36:12,799 Speaker 1: funk with it, because that's what getting me the type 604 00:36:12,800 --> 00:36:15,279 Speaker 1: of motivation to do ship like this. Man. There's people 605 00:36:15,400 --> 00:36:18,719 Speaker 1: like pushing for for like Nigga's to own their own 606 00:36:18,840 --> 00:36:23,080 Speaker 1: ship and have their own ship. And my father's memory 607 00:36:23,760 --> 00:36:26,040 Speaker 1: the cash Money, I was just trying to make sure 608 00:36:26,080 --> 00:36:32,400 Speaker 1: to answer that question was probably uh, working alongside of 609 00:36:32,520 --> 00:36:37,239 Speaker 1: being able to like witness Little Wine and uh in 610 00:36:37,360 --> 00:36:40,960 Speaker 1: his element of you know, him becoming a super super 611 00:36:41,040 --> 00:36:45,000 Speaker 1: superstar because I grew up on his music and so 612 00:36:45,040 --> 00:36:47,960 Speaker 1: it's a huge fan already working with him, you know, 613 00:36:48,200 --> 00:36:51,800 Speaker 1: have collaborating being ficial on the album and went platinum. 614 00:36:53,040 --> 00:36:55,480 Speaker 1: But like seeing him through the I was like, it 615 00:36:55,640 --> 00:36:59,919 Speaker 1: was that was an experience I was own and death 616 00:37:00,040 --> 00:37:02,719 Speaker 1: the soak up some things like working ethic wise, and 617 00:37:04,680 --> 00:37:07,960 Speaker 1: also just like I said, witnessing it because it was 618 00:37:08,120 --> 00:37:12,799 Speaker 1: like it went from in my generation or the era 619 00:37:12,880 --> 00:37:16,200 Speaker 1: that I came up in. It was at least from 620 00:37:16,239 --> 00:37:19,800 Speaker 1: my media appears. It was kind of like our favorite 621 00:37:19,880 --> 00:37:22,160 Speaker 1: rapper because it was close to our age or whatever. 622 00:37:23,040 --> 00:37:25,920 Speaker 1: And to see him kind of become everybody's favorite rapper 623 00:37:26,640 --> 00:37:29,040 Speaker 1: more or less. And I used to listen to his 624 00:37:29,160 --> 00:37:32,560 Speaker 1: first album, Driving the High School. Yeah, that's it great, 625 00:37:33,080 --> 00:37:37,000 Speaker 1: and uh, just to be like amongst it, like whenever 626 00:37:37,080 --> 00:37:41,040 Speaker 1: you had that run of seventy eighty songs, you know, 627 00:37:41,400 --> 00:37:43,960 Speaker 1: features and whatever it was, it was some crazy stats. 628 00:37:44,000 --> 00:37:46,600 Speaker 1: But like I was around, you know what I'm saying. 629 00:37:46,680 --> 00:37:49,719 Speaker 1: I was around during that time. It was like, damn 630 00:37:50,920 --> 00:37:53,560 Speaker 1: you know, there's some of that I took with me 631 00:37:53,719 --> 00:37:56,360 Speaker 1: and apply to my own way, not in a suicier 632 00:37:57,120 --> 00:38:00,960 Speaker 1: now like you were recording process in the daytime or 633 00:38:01,000 --> 00:38:05,040 Speaker 1: the nighttime. Man, whenever, whenever I get the arths like uh, 634 00:38:06,400 --> 00:38:08,799 Speaker 1: that's kind of always has been. I try to keep 635 00:38:09,360 --> 00:38:12,399 Speaker 1: a set up wherever I live, so if I roll 636 00:38:12,520 --> 00:38:15,080 Speaker 1: over the bed, I can go press the buttons and 637 00:38:15,640 --> 00:38:20,080 Speaker 1: if I just get ideal on them, drop four lines 638 00:38:20,160 --> 00:38:22,279 Speaker 1: down and just put this down so I don't forget it. 639 00:38:23,040 --> 00:38:25,040 Speaker 1: But I mean sometimes I like to get outside of 640 00:38:25,080 --> 00:38:29,120 Speaker 1: the crib and go to you know, nicer studios, bigger studios, 641 00:38:29,239 --> 00:38:32,360 Speaker 1: and feel like a rapper if you will, or whatever. 642 00:38:33,120 --> 00:38:35,839 Speaker 1: But itsn't it ain't really a daytime a nighttime thing. 643 00:38:37,080 --> 00:38:42,560 Speaker 1: You need some girls in the studio not that's not 644 00:38:42,719 --> 00:38:47,520 Speaker 1: necessarily I mean, that's you know, it depends on what 645 00:38:47,760 --> 00:38:50,919 Speaker 1: the what the vibe is, what kind of music making. 646 00:38:50,960 --> 00:38:56,279 Speaker 1: I for sure having people around you know it's inspiring 647 00:38:56,480 --> 00:38:59,200 Speaker 1: or you know, just even just kicking ship. This was 648 00:38:59,280 --> 00:39:01,960 Speaker 1: the studios. That is something that we're saying might end 649 00:39:02,080 --> 00:39:04,440 Speaker 1: up on the track or you know, make for a 650 00:39:04,600 --> 00:39:09,600 Speaker 1: concept or and sometimes the women, of course it's give 651 00:39:09,600 --> 00:39:12,200 Speaker 1: you something the playoffs and the energy to be different. 652 00:39:13,239 --> 00:39:15,359 Speaker 1: We gotta make sure we asked the questions because we'll 653 00:39:15,400 --> 00:39:18,480 Speaker 1: be doing a terrible job of asking the fans question 654 00:39:18,560 --> 00:39:21,279 Speaker 1: and ship. So we want to ask questions that the 655 00:39:21,360 --> 00:39:23,320 Speaker 1: fans are black man, why are you asking? So, like, 656 00:39:23,719 --> 00:39:25,919 Speaker 1: I gotta ask you this. As a creative person, there's 657 00:39:25,960 --> 00:39:29,600 Speaker 1: a talented person. How do you abhord to get over 658 00:39:29,719 --> 00:39:34,120 Speaker 1: writer's block or creative block? Um, I don't saying I 659 00:39:34,280 --> 00:39:39,719 Speaker 1: never did ship for y'all, trying not to focus on 660 00:39:39,840 --> 00:39:43,879 Speaker 1: it as far as a block, like because I don't 661 00:39:43,880 --> 00:39:46,080 Speaker 1: really even think about it like that, Like I'm either 662 00:39:46,320 --> 00:39:49,680 Speaker 1: like own it or I'm not. And I don't really 663 00:39:49,760 --> 00:39:53,200 Speaker 1: trip when i'm not because I feel like some of 664 00:39:53,280 --> 00:39:57,040 Speaker 1: the best music, the best material I'll come up with, 665 00:39:57,800 --> 00:40:01,440 Speaker 1: was like impromptu, just was a feeling. It was just 666 00:40:01,600 --> 00:40:04,320 Speaker 1: like I got the idea and I want to just 667 00:40:04,920 --> 00:40:08,320 Speaker 1: try it or whatever. So and you never know what 668 00:40:08,719 --> 00:40:11,719 Speaker 1: whether come from are gonna be. I've written a lot 669 00:40:11,760 --> 00:40:14,080 Speaker 1: of reps like in the car, you know, and I 670 00:40:14,320 --> 00:40:19,239 Speaker 1: wasn't intentionally writing it's just maybe because I wasn't sitting still, 671 00:40:19,480 --> 00:40:23,040 Speaker 1: wasn't focused on it by myself, and something coming I 672 00:40:23,120 --> 00:40:25,640 Speaker 1: got it because a lot of young upcoming rappers gonna 673 00:40:25,680 --> 00:40:28,080 Speaker 1: hear you on here and they listening, Actually they hear 674 00:40:28,120 --> 00:40:30,040 Speaker 1: what you're saying is you know, one of their need. 675 00:40:30,280 --> 00:40:32,560 Speaker 1: So I wanted to ask you what kind of like 676 00:40:33,840 --> 00:40:37,760 Speaker 1: recording cheats can you give out to the young upcoming rappers. 677 00:40:38,480 --> 00:40:40,359 Speaker 1: You've been up you've been an up and coming rapper, 678 00:40:40,440 --> 00:40:43,680 Speaker 1: like some ship that you figured out fucking around and 679 00:40:43,760 --> 00:40:46,640 Speaker 1: you're like, Okay, if I do this, it'll it'll improved this. 680 00:40:47,800 --> 00:40:51,000 Speaker 1: Any recording secrets that you can give the give the 681 00:40:51,080 --> 00:40:55,360 Speaker 1: people out there, I don't know if it's secrets because 682 00:40:55,440 --> 00:41:01,560 Speaker 1: everything is everything so automated. Everything is a lot easier 683 00:41:01,640 --> 00:41:05,200 Speaker 1: to navigate. As far as the recording, the biggest thing 684 00:41:05,320 --> 00:41:08,160 Speaker 1: for me was getting finding an engineer, somebody that could 685 00:41:08,280 --> 00:41:12,600 Speaker 1: um made me sound. I wanted to sound, you know, because, 686 00:41:12,680 --> 00:41:14,920 Speaker 1: like I said, as my voice has changed over time, 687 00:41:15,800 --> 00:41:20,479 Speaker 1: I got like more or relaxed tone and like being 688 00:41:20,560 --> 00:41:24,440 Speaker 1: able to wrap like I talked and it'll still be audible. 689 00:41:24,560 --> 00:41:27,799 Speaker 1: It's still be you know, getting the levels together. They 690 00:41:27,840 --> 00:41:30,560 Speaker 1: don't a cheek call to that it's in a mix. 691 00:41:31,280 --> 00:41:36,320 Speaker 1: But I went back to college and studied the recording industry, 692 00:41:36,840 --> 00:41:39,080 Speaker 1: you know, I think like two thousand nine and I 693 00:41:39,200 --> 00:41:42,279 Speaker 1: was sitting in class like learning how to read like 694 00:41:42,719 --> 00:41:46,560 Speaker 1: e q s and this part of the grab, you know, 695 00:41:47,160 --> 00:41:49,600 Speaker 1: looking at it from from almost like a science level 696 00:41:49,920 --> 00:41:51,960 Speaker 1: levels and ship and um, I had been at it. 697 00:41:52,040 --> 00:41:54,840 Speaker 1: I have been professional for maybe six seven years at 698 00:41:54,840 --> 00:41:58,279 Speaker 1: that time, but I wanted to understand it better and 699 00:41:58,840 --> 00:42:01,400 Speaker 1: study your crap. To me, that was that was almost 700 00:42:01,440 --> 00:42:04,520 Speaker 1: a cheak. It's not like man users plug in or 701 00:42:04,880 --> 00:42:08,480 Speaker 1: because it's about you wanted to sign but like your 702 00:42:08,560 --> 00:42:12,480 Speaker 1: sound yea. But to me, it was like trying to 703 00:42:12,600 --> 00:42:16,000 Speaker 1: just understand it on different levels. Helped me because it 704 00:42:16,160 --> 00:42:17,920 Speaker 1: helped me getting I can work. I can work with 705 00:42:17,960 --> 00:42:20,640 Speaker 1: almost any engineer because I know I describe what it 706 00:42:20,840 --> 00:42:22,759 Speaker 1: is that I'm trying to get out of. You know, 707 00:42:22,840 --> 00:42:25,239 Speaker 1: I can kind of speak that language. I know what's 708 00:42:25,280 --> 00:42:28,120 Speaker 1: going on on the screen. I think that the same 709 00:42:28,200 --> 00:42:29,600 Speaker 1: thing like you said, good, It was like I know 710 00:42:29,800 --> 00:42:32,439 Speaker 1: the edy videos and all that. I don't I don't 711 00:42:32,760 --> 00:42:34,759 Speaker 1: like to. It was time with something, but I know 712 00:42:34,880 --> 00:42:37,239 Speaker 1: how to ask for I know how to get what 713 00:42:37,360 --> 00:42:42,200 Speaker 1: I'm trying to get out of, you know, a project over. Yeah, 714 00:42:44,360 --> 00:42:48,880 Speaker 1: he was talking about earlier about you know you appreciate 715 00:42:49,040 --> 00:42:51,600 Speaker 1: being able to do normal things now and you just 716 00:42:51,680 --> 00:42:54,120 Speaker 1: move on the side of a relaxed mode. So you know, 717 00:42:54,239 --> 00:42:57,759 Speaker 1: with that being saying, uh saying, you said you talking 718 00:42:57,800 --> 00:43:00,880 Speaker 1: about being a normal rapper on what was some of 719 00:43:00,960 --> 00:43:03,960 Speaker 1: the heels of the game, that you would do it 720 00:43:04,040 --> 00:43:15,520 Speaker 1: out like man like the whole like status him like 721 00:43:15,719 --> 00:43:17,879 Speaker 1: like a lot of this ends up feeling like you're 722 00:43:17,880 --> 00:43:22,200 Speaker 1: wearing a mask almost, and uh, think about it. When 723 00:43:22,239 --> 00:43:23,960 Speaker 1: you're wearing the mask, we got to keep it on 724 00:43:24,160 --> 00:43:28,440 Speaker 1: all the time because in this uh, as an entire 725 00:43:28,560 --> 00:43:31,120 Speaker 1: or public figure or whatever. It's not like I can 726 00:43:31,200 --> 00:43:35,719 Speaker 1: go outside and just today and decide I'm not who 727 00:43:35,800 --> 00:43:38,160 Speaker 1: I've been this entire time. You know. So I was 728 00:43:38,239 --> 00:43:40,680 Speaker 1: pumping gas before I jumped on the roar or list 729 00:43:40,719 --> 00:43:44,160 Speaker 1: abody the card next to him, We don't grown, you know, 730 00:43:44,640 --> 00:43:48,200 Speaker 1: And as to me, it's great and nobody nobody knew 731 00:43:48,239 --> 00:43:50,680 Speaker 1: me and nobody cared I ain't doing a very good job. 732 00:43:51,400 --> 00:43:56,120 Speaker 1: But you know you, uh, you gotta you know what 733 00:43:56,160 --> 00:43:59,160 Speaker 1: I'm saying. That's that's like ever present. That's just what 734 00:43:59,360 --> 00:44:01,680 Speaker 1: it is. You know what I'm saying. You can't run 735 00:44:01,760 --> 00:44:04,120 Speaker 1: from if I just we'll go tomorrow like I ain't 736 00:44:04,160 --> 00:44:06,719 Speaker 1: doing music no more. That don't mean I'm not gonna 737 00:44:06,760 --> 00:44:10,520 Speaker 1: have that same appeal to somebody that's been tuned in already. 738 00:44:10,640 --> 00:44:14,160 Speaker 1: So out sight of the eels or the downside of 739 00:44:14,280 --> 00:44:18,120 Speaker 1: it is like when you put yourself out there for 740 00:44:18,239 --> 00:44:22,680 Speaker 1: the public, like it ain't necessarily all positive. Everybody ain't 741 00:44:22,680 --> 00:44:26,440 Speaker 1: gonna like the kind of thing like being popular or 742 00:44:26,680 --> 00:44:30,800 Speaker 1: whatever comes with another side to it, like be it 743 00:44:31,000 --> 00:44:34,479 Speaker 1: uh envy or whatever, Like I mean, just like hood 744 00:44:34,560 --> 00:44:38,880 Speaker 1: stuff like everybody don't like is everybody's not gonna like 745 00:44:39,719 --> 00:44:41,560 Speaker 1: you'll come up, you know what I'm saying. On on 746 00:44:41,640 --> 00:44:44,200 Speaker 1: the other side of that, it is like people will 747 00:44:44,239 --> 00:44:47,480 Speaker 1: go out their way, you know what I'm saying, because 748 00:44:47,520 --> 00:44:50,319 Speaker 1: you're up or because you're coming up just to they 749 00:44:50,400 --> 00:44:52,239 Speaker 1: just make theself comfortable on the other side of that, 750 00:44:53,080 --> 00:44:55,520 Speaker 1: And so I was like, I mean you gotta just like, yeah, yeah, 751 00:44:55,560 --> 00:44:57,960 Speaker 1: you gotta take a bitter with the sweet. It's not 752 00:44:58,120 --> 00:45:03,080 Speaker 1: as ifbout would trading and its success is just to 753 00:45:03,200 --> 00:45:05,520 Speaker 1: avoid that. But it's just that's the eels over there 754 00:45:05,600 --> 00:45:07,960 Speaker 1: come with it, like, and there's just a lot of 755 00:45:08,080 --> 00:45:11,840 Speaker 1: levels to you know, been through a lot mm hm, 756 00:45:13,520 --> 00:45:16,200 Speaker 1: you know, the game Jack, it's the same all the 757 00:45:16,280 --> 00:45:19,600 Speaker 1: way around. They don't. There's a lot of people out 758 00:45:19,640 --> 00:45:26,120 Speaker 1: there on would have been some of the eels of 759 00:45:26,200 --> 00:45:30,319 Speaker 1: the game for you, Jack, some of your ups and downs. Man, 760 00:45:32,040 --> 00:45:44,759 Speaker 1: um uh hose you chose that. I chose them. Yeah, 761 00:45:45,160 --> 00:45:47,880 Speaker 1: and I did that, and uh yeah, if if I 762 00:45:48,000 --> 00:45:53,040 Speaker 1: could do it over again, I would have been homeless. Yeah, 763 00:45:53,600 --> 00:45:56,239 Speaker 1: that would have that. I said, that's the only one 764 00:45:56,280 --> 00:45:58,680 Speaker 1: of the only things that and I would have focused 765 00:45:58,680 --> 00:46:00,480 Speaker 1: a little bit more. I would not a little bit more, 766 00:46:00,520 --> 00:46:02,800 Speaker 1: a lot more on the business. That's somebody would go 767 00:46:02,920 --> 00:46:07,879 Speaker 1: back into old Jack thrilling. Get the business, parks, get 768 00:46:08,000 --> 00:46:11,480 Speaker 1: that ship right. It wasn't we're fuck dumb house. Yeah, 769 00:46:12,120 --> 00:46:14,640 Speaker 1: I thought you was out here goddamn handling business that 770 00:46:15,040 --> 00:46:17,920 Speaker 1: now I was out here. I was just I was 771 00:46:18,040 --> 00:46:21,359 Speaker 1: on a I was just working. And like I said, 772 00:46:21,560 --> 00:46:24,239 Speaker 1: like he was saying earlier, it wasn't even about the 773 00:46:24,320 --> 00:46:26,800 Speaker 1: business for me. I was trying to be heard. And 774 00:46:26,880 --> 00:46:29,520 Speaker 1: then to the point where I was being heard so 775 00:46:29,760 --> 00:46:33,200 Speaker 1: much time with just was going by like that. And 776 00:46:33,280 --> 00:46:35,920 Speaker 1: then next thing, you know, like you'd be one of 777 00:46:36,000 --> 00:46:39,359 Speaker 1: the most famous broke niggers. You know what I'm saying. 778 00:46:39,400 --> 00:46:41,800 Speaker 1: So you gotta be you gotta be cognizant of that 779 00:46:42,080 --> 00:46:44,080 Speaker 1: and pay attention to what's going on, because I was 780 00:46:44,160 --> 00:46:45,920 Speaker 1: one of the first of my kind, you know, with 781 00:46:46,080 --> 00:46:49,840 Speaker 1: that trends, trends set up pioneer and so you know, 782 00:46:49,960 --> 00:46:56,319 Speaker 1: it's a good question. Did the money changed later? Did 783 00:46:56,360 --> 00:46:58,160 Speaker 1: you go from like you said, you go from chasing 784 00:46:58,200 --> 00:47:00,880 Speaker 1: the dream to having more than you thought you You're like, 785 00:47:00,960 --> 00:47:03,399 Speaker 1: you have a number, then you get past that number. 786 00:47:03,480 --> 00:47:07,960 Speaker 1: Now you're like, yeah, change you change your standards and change, 787 00:47:08,280 --> 00:47:12,480 Speaker 1: you know, change what you think and change not necessarily 788 00:47:12,560 --> 00:47:17,480 Speaker 1: like you know, change you for the worst, but yeah, 789 00:47:17,560 --> 00:47:20,680 Speaker 1: for sure, Yeah, I mean I should do this for free. 790 00:47:21,040 --> 00:47:23,600 Speaker 1: You should do this for nothing. And like I catch 791 00:47:23,680 --> 00:47:26,920 Speaker 1: myself in certain moments like damn, I'm I'm getting this 792 00:47:27,160 --> 00:47:30,160 Speaker 1: to do that. But you know, for something I would 793 00:47:30,200 --> 00:47:31,920 Speaker 1: have done for free, you would have done it just 794 00:47:32,080 --> 00:47:35,200 Speaker 1: for the sport of it or just the love of it. 795 00:47:36,000 --> 00:47:39,880 Speaker 1: And you know, certain times I'm like, man, I gotta 796 00:47:41,040 --> 00:47:43,480 Speaker 1: I gotta get off that and just hustle, you know, 797 00:47:43,760 --> 00:47:47,080 Speaker 1: because you can get spoiled. You get spoiled, but you 798 00:47:47,200 --> 00:47:49,520 Speaker 1: get used to, like you said, once you figure out 799 00:47:49,560 --> 00:47:52,800 Speaker 1: the business and figure out to capitalize and make it 800 00:47:52,840 --> 00:47:56,160 Speaker 1: work for you. Then it's like I catched myself and 801 00:47:56,520 --> 00:47:58,040 Speaker 1: I've done it a couple of times this year where 802 00:47:58,040 --> 00:48:01,560 Speaker 1: I'm like, man, what I'm doing of features? You know? 803 00:48:02,680 --> 00:48:05,799 Speaker 1: And and I'm trying to work with under dollars. I'm 804 00:48:05,800 --> 00:48:08,399 Speaker 1: trying to work with people that are heard of trying 805 00:48:08,440 --> 00:48:11,160 Speaker 1: to work with people's budgets because I'm like, what's the 806 00:48:11,280 --> 00:48:13,960 Speaker 1: process of getting the lead off feature? There? Day? I 807 00:48:14,080 --> 00:48:16,840 Speaker 1: just tapping in with whatever the content. I'll put a 808 00:48:16,880 --> 00:48:21,279 Speaker 1: contact out there, you know, profiles and otherwise, like there's 809 00:48:21,320 --> 00:48:24,640 Speaker 1: people that work with meal represent me in that regard, 810 00:48:24,680 --> 00:48:27,480 Speaker 1: answer the phone and mediate that kind of stuff. I 811 00:48:27,520 --> 00:48:30,760 Speaker 1: don't really like to deal with it hands on person 812 00:48:30,840 --> 00:48:33,240 Speaker 1: unless I know. Yeah, that's why I don't do interviews 813 00:48:33,239 --> 00:48:36,840 Speaker 1: and I don't like talking to starting. But the business 814 00:48:36,920 --> 00:48:40,200 Speaker 1: of it is like I catch myself, like, man, I'm 815 00:48:40,239 --> 00:48:42,080 Speaker 1: gonna work with you. I'm gonna work with your budget 816 00:48:42,200 --> 00:48:44,840 Speaker 1: because like I said, I just do this for nothing, 817 00:48:45,000 --> 00:48:50,440 Speaker 1: like just pay my dollar tuition like go wrap a 818 00:48:50,600 --> 00:48:56,319 Speaker 1: sweet you know, but sweet lick almost. But I mean 819 00:48:56,360 --> 00:48:58,840 Speaker 1: it is work, and for sure I built it up 820 00:48:58,920 --> 00:49:03,479 Speaker 1: to where's work for whatever or whoever? You know? But yeah, 821 00:49:03,640 --> 00:49:07,600 Speaker 1: I mean, it doesn't and we'll change you. That's I 822 00:49:07,719 --> 00:49:10,400 Speaker 1: feel like it's any job when you get to the 823 00:49:10,480 --> 00:49:15,840 Speaker 1: point where your professional or you a nobody working not 824 00:49:16,080 --> 00:49:20,440 Speaker 1: working for money on um you know, most levels. So 825 00:49:23,280 --> 00:49:26,280 Speaker 1: you know, the money sometimes can change how you approach 826 00:49:26,520 --> 00:49:33,480 Speaker 1: the work. Yeah, how you react to ship too. You 827 00:49:33,520 --> 00:49:36,520 Speaker 1: remember your first big purchase, Man, when you start getting 828 00:49:36,520 --> 00:49:39,080 Speaker 1: the money that you wanted, He's got them cool azy. 829 00:49:43,400 --> 00:49:47,080 Speaker 1: I mean, part is a few things I'm buying, like 830 00:49:47,440 --> 00:49:51,320 Speaker 1: at the time, like a dream car, stuff like that 831 00:49:51,920 --> 00:49:56,720 Speaker 1: dream Man. At the time, I was wanting to Porsch. 832 00:49:56,800 --> 00:50:01,000 Speaker 1: I wanted to afford to Porsch. That was just you know, 833 00:50:01,360 --> 00:50:03,759 Speaker 1: coming up when I was the first time I wrote 834 00:50:03,800 --> 00:50:05,040 Speaker 1: and One, I was like, I'm gonna get one of 835 00:50:05,080 --> 00:50:09,400 Speaker 1: these and to eventually you know, get one, was like 836 00:50:10,160 --> 00:50:13,960 Speaker 1: I'm I came up because I remember just seeing it 837 00:50:14,120 --> 00:50:18,120 Speaker 1: like in it driving and like damn versus and truthfully, 838 00:50:18,680 --> 00:50:23,000 Speaker 1: a lot of stuff once you get it. It's just 839 00:50:23,200 --> 00:50:26,200 Speaker 1: the thing, you know what I'm saying. I think just 840 00:50:26,360 --> 00:50:29,080 Speaker 1: growing up, growing out of certain material things. I mean, 841 00:50:29,120 --> 00:50:31,800 Speaker 1: I'm still on that. It's things that I want and 842 00:50:31,880 --> 00:50:35,640 Speaker 1: I'll go get it. Well, I grind you know, up 843 00:50:35,680 --> 00:50:37,279 Speaker 1: to the point of being able to get it or 844 00:50:37,400 --> 00:50:40,040 Speaker 1: to get you know, aspiration, to give you something to 845 00:50:40,880 --> 00:50:43,920 Speaker 1: something to work for. But I still want one. The 846 00:50:44,000 --> 00:50:46,120 Speaker 1: only reason they don't get one cooking my dog got one. 847 00:50:46,960 --> 00:50:52,000 Speaker 1: I was like, I can't get one. Now I almost 848 00:50:52,040 --> 00:50:58,360 Speaker 1: got enough to get mine. I want a batmobile, like 849 00:50:58,440 --> 00:51:03,560 Speaker 1: a replica batmobile. Roll real bad about to let you 850 00:51:03,680 --> 00:51:07,799 Speaker 1: draft ship brothers. Hold, I just wanted you driving. I'm 851 00:51:07,800 --> 00:51:09,560 Speaker 1: gonna have a yell. Just have me a little alf 852 00:51:09,719 --> 00:51:15,040 Speaker 1: that's nigga driving me around your car, sir, Thank you? 853 00:51:16,480 --> 00:51:20,840 Speaker 1: Think Jack on one man, And the crazy part is 854 00:51:20,920 --> 00:51:24,920 Speaker 1: he would wear Batman suit every time he rabbing the motherfucker. 855 00:51:25,520 --> 00:51:29,360 Speaker 1: I don't want him to know it was me. You 856 00:51:29,400 --> 00:51:34,839 Speaker 1: don't think they're gonna know what you a nigger Batman? Yeah, 857 00:51:34,880 --> 00:51:37,160 Speaker 1: then if they're gonna see the story in mine, That's 858 00:51:37,200 --> 00:51:42,680 Speaker 1: what I'm saying, you too, fucking obvious man. Somebody dropped 859 00:51:42,760 --> 00:51:46,560 Speaker 1: Jack Thriller with a Batman suit on. Make him look 860 00:51:46,640 --> 00:51:49,800 Speaker 1: like the real Batman too, but keep him as the 861 00:51:49,880 --> 00:51:54,200 Speaker 1: same him. No, they caught my body out a little bit. 862 00:51:54,960 --> 00:51:58,840 Speaker 1: No fu, give him some most of the lader stomach 863 00:51:58,920 --> 00:52:02,879 Speaker 1: and ship. It's gonna you don't have stomach muscles and ship. 864 00:52:05,640 --> 00:52:08,319 Speaker 1: You know, man, you're working went in of this media ship. Now. Man, 865 00:52:10,360 --> 00:52:12,200 Speaker 1: I'm trying to figure it out. Man. The same thing 866 00:52:12,239 --> 00:52:13,960 Speaker 1: he said, like I'm trying to figure out the hustle 867 00:52:14,000 --> 00:52:18,440 Speaker 1: lover it like trying to. I mean I'm learning, I'm 868 00:52:18,520 --> 00:52:22,880 Speaker 1: studying up on it, but I mean it's we're in 869 00:52:23,080 --> 00:52:26,799 Speaker 1: uh information that It was also like on the Mari 870 00:52:26,960 --> 00:52:32,320 Speaker 1: culture like yeah, I mean I got traditional cable, but 871 00:52:32,680 --> 00:52:34,440 Speaker 1: I don't use it. You know what I'm saying. I 872 00:52:34,520 --> 00:52:36,279 Speaker 1: watched what I want to watch when I want to 873 00:52:36,320 --> 00:52:38,640 Speaker 1: watch it. Like we got everything. That's the best part 874 00:52:38,680 --> 00:52:41,520 Speaker 1: about this ship, bro. I never thought that you would 875 00:52:41,520 --> 00:52:42,960 Speaker 1: be able to pick what the funk you want to 876 00:52:43,000 --> 00:52:46,399 Speaker 1: watch on TV. I gotta fist ten dollars a month. 877 00:52:47,560 --> 00:52:50,800 Speaker 1: I can watch everything, all the fights, all the pinto, 878 00:52:51,160 --> 00:52:54,440 Speaker 1: but I don't watch the point o. It's the fun. 879 00:52:55,600 --> 00:53:01,160 Speaker 1: You know this only what up? Like my boy Sam 880 00:53:01,520 --> 00:53:04,759 Speaker 1: Sam Audio. If you need a five stick, you need one, 881 00:53:05,040 --> 00:53:08,080 Speaker 1: get me one. I got you already appreciate that. How 882 00:53:08,120 --> 00:53:10,279 Speaker 1: many how many TVs you've got? I got a gag. 883 00:53:10,800 --> 00:53:13,239 Speaker 1: Give me about five of them? Five TVs? Okay? Cool? 884 00:53:13,360 --> 00:53:15,920 Speaker 1: About five and sounds like Hey, it's on me. I 885 00:53:16,000 --> 00:53:19,040 Speaker 1: got you appreciate, And so how you feel about it, 886 00:53:19,320 --> 00:53:22,680 Speaker 1: like obviously like you exist in that space, um like 887 00:53:22,840 --> 00:53:25,239 Speaker 1: what we're doing now, even how you feel about it 888 00:53:25,320 --> 00:53:30,960 Speaker 1: being on such a populated space, not like it's underpopulated. 889 00:53:31,440 --> 00:53:34,239 Speaker 1: You still think that's the case. Yeah, because you gotta 890 00:53:34,280 --> 00:53:36,839 Speaker 1: think about it. It's black people, man, We at least 891 00:53:36,880 --> 00:53:40,520 Speaker 1: two hundred years behind the communication. I was just about 892 00:53:40,560 --> 00:53:44,920 Speaker 1: to just watch people talk all the time. This is 893 00:53:45,000 --> 00:53:47,160 Speaker 1: were at that time right now where we got the 894 00:53:47,320 --> 00:53:50,520 Speaker 1: freedom to communicate with each other, even if we don't 895 00:53:50,719 --> 00:53:54,719 Speaker 1: necessarily like or agree with the content, we still need 896 00:53:54,840 --> 00:53:57,600 Speaker 1: to hear the other opinions of other people who look 897 00:53:57,719 --> 00:54:01,719 Speaker 1: like you get what I'm saying, because let them tell it, like, 898 00:54:03,080 --> 00:54:07,960 Speaker 1: we only let one percent of us represent us because 899 00:54:08,000 --> 00:54:11,520 Speaker 1: we don't have no way to rebuttle so you know 900 00:54:11,520 --> 00:54:13,600 Speaker 1: what I'm saying. So when ship happens and they picked 901 00:54:14,320 --> 00:54:17,200 Speaker 1: the black story of the week, we don't get we 902 00:54:17,320 --> 00:54:20,080 Speaker 1: don't have no platform when we could be black. That's 903 00:54:20,160 --> 00:54:22,680 Speaker 1: not true, right, Well, that's not the real story. That's 904 00:54:22,719 --> 00:54:25,200 Speaker 1: not it. That's not all of us. I mean, like 905 00:54:25,360 --> 00:54:28,719 Speaker 1: we need platforms like this where we can express ourselves. 906 00:54:28,760 --> 00:54:31,600 Speaker 1: And give our opinions, man, because we don't like we're 907 00:54:31,640 --> 00:54:35,360 Speaker 1: not represented in a lot of places. Yeah, I feel that. 908 00:54:36,120 --> 00:54:39,560 Speaker 1: I just I watched so many things of like people, 909 00:54:39,760 --> 00:54:42,360 Speaker 1: you know, it's like almost history, Like I mean, like 910 00:54:42,560 --> 00:54:44,960 Speaker 1: you you're asking me questions to catch people of the 911 00:54:45,000 --> 00:54:47,839 Speaker 1: speed on my story, but just so many things. Watch 912 00:54:47,920 --> 00:54:50,839 Speaker 1: people get out of jail and then they tell they're 913 00:54:50,880 --> 00:54:54,880 Speaker 1: given their war stories of like you might hurt this person, 914 00:54:55,080 --> 00:54:59,040 Speaker 1: but now let's give them a you know what I'm saying, 915 00:54:59,080 --> 00:55:01,520 Speaker 1: they got a whole in a series of Yeah, this 916 00:55:01,600 --> 00:55:04,120 Speaker 1: is all the crazy stuff I was doing to make 917 00:55:04,200 --> 00:55:07,040 Speaker 1: that name for myself. And it's like, man, that's better 918 00:55:07,160 --> 00:55:11,440 Speaker 1: than not necessarily better, but that's as captivating as watching 919 00:55:11,480 --> 00:55:14,000 Speaker 1: the sitcom or you're laying a whole lot of blanks. 920 00:55:14,160 --> 00:55:17,040 Speaker 1: It gives you it feel out the character profile, like yeah, 921 00:55:17,320 --> 00:55:19,239 Speaker 1: so many levels like yeah, this is what you've been 922 00:55:19,280 --> 00:55:23,520 Speaker 1: through that Okay, now that makes sense. Now it's like okay, 923 00:55:23,640 --> 00:55:25,719 Speaker 1: that's the way that that's that's why you are the 924 00:55:25,800 --> 00:55:28,040 Speaker 1: way you are because you've been through so much sh it. 925 00:55:28,920 --> 00:55:30,839 Speaker 1: Of course you don't want to talk about that type 926 00:55:30,840 --> 00:55:34,920 Speaker 1: of ship. Look at look at what you survived, Like 927 00:55:35,080 --> 00:55:38,160 Speaker 1: we uh, you grow up like big in Tupac. Even 928 00:55:38,200 --> 00:55:40,200 Speaker 1: that was a that was an error, that was a time. 929 00:55:40,840 --> 00:55:44,080 Speaker 1: But here we are for twenty five so years later, 930 00:55:44,600 --> 00:55:47,000 Speaker 1: and you're getting first hand accounts to so many people 931 00:55:47,080 --> 00:55:50,080 Speaker 1: that were right there. You know, that's like damn, I 932 00:55:50,160 --> 00:55:52,720 Speaker 1: mean they're gone. Of course they can't tell the only story, 933 00:55:52,840 --> 00:55:57,320 Speaker 1: but it's like, damn, this is this is ver. Obviously 934 00:55:57,360 --> 00:55:59,600 Speaker 1: we didn't, like you said, we couldn't chronicle it, and 935 00:56:00,239 --> 00:56:03,719 Speaker 1: times wasn't like people walking around with camera phones like 936 00:56:04,239 --> 00:56:08,160 Speaker 1: and think about it, you said twenty five years, thinking 937 00:56:08,239 --> 00:56:10,359 Speaker 1: how many people have come and gone in the last 938 00:56:10,400 --> 00:56:14,200 Speaker 1: twenty five years that haven't been mentioned in twenty four years. 939 00:56:15,600 --> 00:56:18,239 Speaker 1: These Look how much ship they were able to accomplish 940 00:56:18,360 --> 00:56:22,000 Speaker 1: in twenty five years. It was was youngest here when 941 00:56:22,000 --> 00:56:25,279 Speaker 1: they that. Yeah, and look how much ship they got. 942 00:56:25,480 --> 00:56:28,880 Speaker 1: They're still trying to put out pieces of versus and 943 00:56:29,840 --> 00:56:32,560 Speaker 1: outtakes and you know what I mean, still trying to 944 00:56:32,640 --> 00:56:37,760 Speaker 1: put something together and keep that legacy going. Man, that impact. 945 00:56:37,880 --> 00:56:41,839 Speaker 1: I didn't think about it as underpopular space because it's 946 00:56:41,880 --> 00:56:44,480 Speaker 1: so much to the song. But that's just as also 947 00:56:44,640 --> 00:56:50,359 Speaker 1: like the Internet and it's so much dope content then 948 00:56:50,480 --> 00:56:54,759 Speaker 1: put out by black people. That's not being recognized. That's like, 949 00:56:56,280 --> 00:57:00,600 Speaker 1: there's so many other other people that can just ripped 950 00:57:00,640 --> 00:57:03,400 Speaker 1: the content off for free and do their version of 951 00:57:03,520 --> 00:57:06,320 Speaker 1: the content that they saw because they know that the 952 00:57:06,360 --> 00:57:08,600 Speaker 1: people that they're stealing from that ain't gonna never get 953 00:57:08,640 --> 00:57:12,719 Speaker 1: the same opportunities as them. You hear, you see it 954 00:57:12,880 --> 00:57:16,080 Speaker 1: every day. But it's black people. We are we like 955 00:57:16,640 --> 00:57:19,360 Speaker 1: everybody like, man, everybody got a podcast. It's not even 956 00:57:19,440 --> 00:57:24,960 Speaker 1: that we are very underrepresenting the media space period. Man. 957 00:57:25,920 --> 00:57:29,440 Speaker 1: We need to take over media with the most entertaining people. 958 00:57:30,280 --> 00:57:32,800 Speaker 1: Do you think that that kind of comes with It 959 00:57:32,960 --> 00:57:34,920 Speaker 1: is almost like a stigma or just a thought that 960 00:57:35,080 --> 00:57:38,080 Speaker 1: or everybody's doing it because a lot of stuff is 961 00:57:38,160 --> 00:57:42,000 Speaker 1: like parallel or similar, Like a lot of a lot 962 00:57:42,080 --> 00:57:45,160 Speaker 1: of platforms, a lot of people are are kind of 963 00:57:45,200 --> 00:57:48,400 Speaker 1: doing the same or similar virgin or the I don't 964 00:57:48,400 --> 00:57:51,439 Speaker 1: want to say the same thing is, but I don't 965 00:57:51,480 --> 00:57:55,280 Speaker 1: know what works think about it. You don't think it's 966 00:57:55,320 --> 00:57:58,479 Speaker 1: some motherfucker's out here in college? Who do some black 967 00:57:58,600 --> 00:58:03,560 Speaker 1: kids doing cares about physics and graduating and dropping out 968 00:58:03,600 --> 00:58:06,280 Speaker 1: of college. Look, the ship that goes viral is the 969 00:58:06,320 --> 00:58:09,760 Speaker 1: ship that's picked by the people. Of course, the podcast 970 00:58:09,880 --> 00:58:12,720 Speaker 1: with all them finding strip is gonna go viral, So 971 00:58:12,880 --> 00:58:16,440 Speaker 1: you're gonna think that every podcast is this type of content. 972 00:58:17,200 --> 00:58:21,160 Speaker 1: But if you like ship, you have to find it. 973 00:58:22,520 --> 00:58:24,520 Speaker 1: And that's what I'm saying, Like, can you imagine what 974 00:58:24,640 --> 00:58:27,040 Speaker 1: it would be like if you can flip the fucking 975 00:58:27,120 --> 00:58:30,800 Speaker 1: TV and as opposed to being just BT and a 976 00:58:30,880 --> 00:58:33,400 Speaker 1: couple of channels with some black people on it, it 977 00:58:33,560 --> 00:58:36,880 Speaker 1: was a whole fucking channel of black people, every one 978 00:58:36,960 --> 00:58:40,880 Speaker 1: of these eight hundred thousand channels that you've got seven 979 00:58:41,040 --> 00:58:44,640 Speaker 1: hundred thousand hums Like we we don't have enough variety 980 00:58:44,720 --> 00:58:46,720 Speaker 1: of ship to pick the ship that we don't like. 981 00:58:47,560 --> 00:58:50,680 Speaker 1: There's only one or one or one of one on one. 982 00:58:53,120 --> 00:58:56,000 Speaker 1: So yeah, I I encourage everybody to make a podcast 983 00:58:56,160 --> 00:59:00,240 Speaker 1: or just some some kind of media or content, some thing, 984 00:59:00,360 --> 00:59:02,240 Speaker 1: even if it's like I said, it don't have to 985 00:59:02,320 --> 00:59:05,400 Speaker 1: be my favorite, but that don't mean that it don't 986 00:59:05,440 --> 00:59:08,320 Speaker 1: have to exist. We got this thing about it only 987 00:59:08,400 --> 00:59:12,840 Speaker 1: being one. We need variety, man, We need to be 988 00:59:13,000 --> 00:59:17,080 Speaker 1: seen as much as possible. Yeah, I guess for myself 989 00:59:17,120 --> 00:59:21,280 Speaker 1: because the ideas are add for like one, the corporate 990 00:59:21,400 --> 00:59:25,200 Speaker 1: sports and like I said, just current things with my interests. 991 00:59:26,440 --> 00:59:30,800 Speaker 1: I'm just not dead. I'm not dead like Howurd or 992 00:59:30,920 --> 00:59:35,439 Speaker 1: that candid um. I don't really personally like I feel 993 00:59:35,480 --> 00:59:37,840 Speaker 1: like we we do have all those tools, but I 994 00:59:37,840 --> 00:59:40,040 Speaker 1: don't like the over share. I actually be in a 995 00:59:40,120 --> 00:59:41,760 Speaker 1: space to feeling like I don't want to care what 996 00:59:41,840 --> 00:59:45,320 Speaker 1: I think about it. I'm sure somebody does somewhere, but 997 00:59:45,640 --> 00:59:49,160 Speaker 1: to make that that's what makes people go by music. Yeah, 998 00:59:49,280 --> 00:59:51,200 Speaker 1: but I feel like one of you. I feel like 999 00:59:51,520 --> 00:59:54,720 Speaker 1: I've always done it through the music. Yeah, and at 1000 00:59:54,720 --> 00:59:57,920 Speaker 1: the point if I'm for sure, like you said, it's 1001 00:59:58,720 --> 01:00:01,480 Speaker 1: a space for But I'm like, if I commit out 1002 01:00:01,560 --> 01:00:07,480 Speaker 1: this energy to doing it as a talking personality, am 1003 01:00:07,520 --> 01:00:09,240 Speaker 1: I going to take away from what goes and some 1004 01:00:09,280 --> 01:00:13,440 Speaker 1: of my artistry because I have always like tried to 1005 01:00:13,520 --> 01:00:17,960 Speaker 1: weave what was going on around me, like in the 1006 01:00:18,160 --> 01:00:21,840 Speaker 1: current sense, like some of my projects, as some of 1007 01:00:21,920 --> 01:00:25,439 Speaker 1: my wraps, so even the time caps was like I'm 1008 01:00:25,560 --> 01:00:27,960 Speaker 1: like referencing things that are very much of the now. 1009 01:00:28,120 --> 01:00:31,320 Speaker 1: The kind of thing I'm like, well, if I, you know, 1010 01:00:32,120 --> 01:00:34,920 Speaker 1: do it on this level, is that gonna take me 1011 01:00:35,040 --> 01:00:37,880 Speaker 1: away from being able to do it as a writer, 1012 01:00:38,120 --> 01:00:40,240 Speaker 1: as an artist or see, this is one thing that 1013 01:00:40,360 --> 01:00:44,200 Speaker 1: I noticed about the Internet. Though the Internet gave ship layers, 1014 01:00:44,840 --> 01:00:47,520 Speaker 1: you haven't seen the way that this ship works. It's 1015 01:00:47,600 --> 01:00:50,160 Speaker 1: like they got this show right where artists be in 1016 01:00:50,240 --> 01:00:52,880 Speaker 1: their neighborhood, are just on the spot, but they just 1017 01:00:53,040 --> 01:00:55,720 Speaker 1: dropped a microphone down and they're wrapper verse or perform 1018 01:00:55,800 --> 01:00:58,720 Speaker 1: a whole song, and then they'll go to this other 1019 01:00:58,800 --> 01:01:03,040 Speaker 1: show where they can break down the lyrics land by 1020 01:01:03,160 --> 01:01:06,280 Speaker 1: Lad by Lad. Then you can go do tiny desks 1021 01:01:06,800 --> 01:01:09,240 Speaker 1: where you can just perform the same song, whether you 1022 01:01:09,320 --> 01:01:13,000 Speaker 1: saw a raw version the same song where you just 1023 01:01:13,120 --> 01:01:15,720 Speaker 1: broke down the lyrics. Now they want to see you 1024 01:01:15,880 --> 01:01:19,120 Speaker 1: perform it on tiny desk. Then they want to see 1025 01:01:19,200 --> 01:01:22,760 Speaker 1: you perform it at the award show. Then they want 1026 01:01:22,840 --> 01:01:24,880 Speaker 1: to see you do the remix and do a whole 1027 01:01:24,880 --> 01:01:28,920 Speaker 1: another video and add leado to the second version. Then 1028 01:01:29,000 --> 01:01:31,840 Speaker 1: they wanted to see the techno version, and the TikTok 1029 01:01:31,960 --> 01:01:35,240 Speaker 1: got another version, and then the Instagram got It's like, 1030 01:01:36,280 --> 01:01:39,400 Speaker 1: this ship ain't just a song no more. It's never 1031 01:01:39,520 --> 01:01:41,920 Speaker 1: too much. It's what have you done for me lately? 1032 01:01:42,480 --> 01:01:44,520 Speaker 1: You gotta keep on pound them inside of the head 1033 01:01:44,880 --> 01:01:47,760 Speaker 1: and whatnot. And one thing about you know, doing interviews 1034 01:01:47,920 --> 01:01:52,320 Speaker 1: and exposing yourself and whatnot. It's some people that hadn't 1035 01:01:52,360 --> 01:01:54,840 Speaker 1: heard your music, but they'll see you on an interview, 1036 01:01:55,000 --> 01:01:58,920 Speaker 1: Like Man, I like leaders, you know, this is this 1037 01:01:59,080 --> 01:02:04,600 Speaker 1: the digital a motherfucker's that have a TikTok of your 1038 01:02:04,720 --> 01:02:07,800 Speaker 1: voice of a land from your song, no idea what 1039 01:02:08,000 --> 01:02:12,080 Speaker 1: this song is? No idea? That is your song? The 1040 01:02:12,280 --> 01:02:16,360 Speaker 1: May twelve videos, the tradition. This sound alone of your 1041 01:02:16,480 --> 01:02:21,320 Speaker 1: voice then got two hundred and twenty million likes this 1042 01:02:21,560 --> 01:02:24,240 Speaker 1: last week. They don't need to need the whole song 1043 01:02:24,400 --> 01:02:28,200 Speaker 1: no more. They will take three seconds of you saying 1044 01:02:28,600 --> 01:02:35,120 Speaker 1: now and that ship is the trend. Bitches be tripping. 1045 01:02:35,240 --> 01:02:40,360 Speaker 1: It's you out of them, dude. But I mean, for 1046 01:02:40,520 --> 01:02:42,360 Speaker 1: sure that's that's what's going on, is the way it is. 1047 01:02:42,480 --> 01:02:49,040 Speaker 1: But like Man, as an artist, it almost like there's 1048 01:02:49,080 --> 01:02:52,760 Speaker 1: a part of me that almost feels like those processes 1049 01:02:52,920 --> 01:02:57,800 Speaker 1: kind of doll or I don't know how to describe it, 1050 01:02:57,960 --> 01:03:01,280 Speaker 1: kind of doles out some of the you're a pure Yeah, 1051 01:03:01,280 --> 01:03:04,240 Speaker 1: I was gonna say the pure value of it. Like, 1052 01:03:04,760 --> 01:03:07,160 Speaker 1: my goal as an artist is to be the breaking point. 1053 01:03:08,720 --> 01:03:10,480 Speaker 1: I don't want to know. I don't have to be 1054 01:03:10,640 --> 01:03:13,400 Speaker 1: the number one. I don't have to be the best. 1055 01:03:14,240 --> 01:03:18,160 Speaker 1: But when the conversation comes up in my field, I 1056 01:03:18,280 --> 01:03:21,240 Speaker 1: want to be the nigger that changed the conversation when 1057 01:03:21,280 --> 01:03:23,880 Speaker 1: they'd be like, oh, such and such was a great comedian. 1058 01:03:24,200 --> 01:03:28,640 Speaker 1: Oh he wasn't fucking with Bernie mcdougheh. But y'all, but 1059 01:03:28,840 --> 01:03:34,040 Speaker 1: Carlos Miller, shut your ways up. That's all I'm That's 1060 01:03:34,080 --> 01:03:36,960 Speaker 1: what I'm aiming for. I want to be the motherfucking 1061 01:03:37,080 --> 01:03:40,680 Speaker 1: ship in the conversation. I want to be the breaking 1062 01:03:40,720 --> 01:03:43,920 Speaker 1: point that make everybody start. He was a motherfucking they 1063 01:03:44,080 --> 01:03:47,400 Speaker 1: fucking Carlos. Yeah, I can do that. I think. Um 1064 01:03:48,040 --> 01:03:50,920 Speaker 1: like how he was talking about how music is consumed, 1065 01:03:51,000 --> 01:03:55,120 Speaker 1: how like how things stick you know what I'm saying, 1066 01:03:55,160 --> 01:03:57,200 Speaker 1: maybe three seconds, it might be a cliper, maybe a 1067 01:03:57,280 --> 01:04:01,480 Speaker 1: sound Like. I feel like there's just different things, different 1068 01:04:01,520 --> 01:04:05,080 Speaker 1: ways to go with the music. And when I kind 1069 01:04:05,120 --> 01:04:09,120 Speaker 1: of set aside the idea of making my music programmable 1070 01:04:10,480 --> 01:04:13,600 Speaker 1: and wanting to make music to be felt, it's like, 1071 01:04:14,200 --> 01:04:20,920 Speaker 1: I just don't care about the the trendiness of right, Like, 1072 01:04:21,320 --> 01:04:23,120 Speaker 1: I making a lot of niggas that here cooning on 1073 01:04:23,240 --> 01:04:26,680 Speaker 1: these uh these interviews and ship. I look at it 1074 01:04:26,960 --> 01:04:31,040 Speaker 1: like wearing wearing a mask was wearing a mask, and 1075 01:04:31,200 --> 01:04:34,040 Speaker 1: I mean something of it is it's environmental. Some of 1076 01:04:34,120 --> 01:04:37,520 Speaker 1: it this is we're doing. We've done what we've seen that. 1077 01:04:37,680 --> 01:04:39,959 Speaker 1: Like I said, I'm in a space where I'm like, ship, 1078 01:04:40,040 --> 01:04:41,760 Speaker 1: how do how do I make this work? From me? 1079 01:04:42,200 --> 01:04:44,840 Speaker 1: Like I see, like I said, I want one of those? 1080 01:04:45,640 --> 01:04:48,200 Speaker 1: What I gotta do to get the you know, and 1081 01:04:48,440 --> 01:04:51,040 Speaker 1: a lot of times you can lose yourself. You can 1082 01:04:51,120 --> 01:04:53,840 Speaker 1: look like really, how you gotta do is like you said, 1083 01:04:54,080 --> 01:04:58,120 Speaker 1: like be the ship, like make it, bring something new 1084 01:04:58,200 --> 01:05:00,760 Speaker 1: to the type of right, like in a sation or whatever. 1085 01:05:01,320 --> 01:05:03,800 Speaker 1: But a lot of times it's like, oh, he got 1086 01:05:03,880 --> 01:05:06,680 Speaker 1: on some tough first ships, so I gotta be. I 1087 01:05:06,760 --> 01:05:08,760 Speaker 1: gotta be tough first. I gotta be you know, I 1088 01:05:08,840 --> 01:05:12,720 Speaker 1: gotta take it. And they had he has five guns 1089 01:05:12,760 --> 01:05:14,880 Speaker 1: in that video, Bro, bring some more guns. I mean, 1090 01:05:15,280 --> 01:05:17,360 Speaker 1: for example, you know what I'm saying, it's just like 1091 01:05:18,200 --> 01:05:21,680 Speaker 1: where it's kind of and that's I mean, that's one 1092 01:05:21,720 --> 01:05:25,439 Speaker 1: example or whatever it is. And it's like, man, you'll 1093 01:05:25,560 --> 01:05:29,360 Speaker 1: you'll losers, so you will lose the purity of it, 1094 01:05:29,560 --> 01:05:36,320 Speaker 1: Like yeah, I commit nigging Matt. That's what we say. 1095 01:05:37,240 --> 01:05:38,760 Speaker 1: You won't to know what we say over the rest 1096 01:05:38,800 --> 01:05:41,400 Speaker 1: of this video, go to that. Just in case you 1097 01:05:41,440 --> 01:05:44,280 Speaker 1: wonder what we're doing, we are now showing you just 1098 01:05:44,360 --> 01:05:46,640 Speaker 1: how important having the eighty five South Show app is 1099 01:05:46,720 --> 01:05:48,840 Speaker 1: because you was watching this show thinking, oh, they did 1100 01:05:48,960 --> 01:05:52,080 Speaker 1: finally put the ship back on you too. They was listening. 1101 01:05:52,160 --> 01:05:56,280 Speaker 1: We weren't, We weren't. It's that the rest of this 1102 01:05:56,440 --> 01:06:03,080 Speaker 1: listen the rest of the audience on happen. Yeah, yeah, 1103 01:06:13,160 --> 01:06:15,200 Speaker 1: all right, Now you gotta know what we're saying. You 1104 01:06:15,280 --> 01:06:18,280 Speaker 1: gotta go get the app. That's the Ana Show app. 1105 01:06:18,600 --> 01:06:23,160 Speaker 1: It's available on Amazon, Biastick, Apple TV, wherever you get yourself, 1106 01:06:25,080 --> 01:06:29,080 Speaker 1: available directly where they sell apps, or they don't sell 1107 01:06:29,080 --> 01:06:31,560 Speaker 1: apps on Apple TV when y'all should with us to 1108 01:06:31,680 --> 01:06:35,040 Speaker 1: Apple TV. It is put on real coup. Don't say 1109 01:06:35,120 --> 01:06:38,560 Speaker 1: fun nobody, no, I say put it. Oh we do 1110 01:06:39,000 --> 01:06:43,840 Speaker 1: full of real couse real Cooper. Yeah, so subscribe to 1111 01:06:43,920 --> 01:06:46,280 Speaker 1: the app. It's only eight ninety nine a month or 1112 01:06:46,360 --> 01:06:49,040 Speaker 1: eighty five dollars a year, so you get a whole 1113 01:06:49,120 --> 01:06:52,040 Speaker 1: year for eighty five dollars. Did you know that it's 1114 01:06:52,080 --> 01:06:54,920 Speaker 1: eight fifty and then you gotta pay tax. Yeah, so 1115 01:06:55,280 --> 01:06:57,280 Speaker 1: you know eight No, we get on all types of 1116 01:06:57,320 --> 01:07:00,160 Speaker 1: content you know what, We're not even going to them 1117 01:07:00,160 --> 01:07:02,919 Speaker 1: who you got your glasses from until they get on app. 1118 01:07:03,240 --> 01:07:06,479 Speaker 1: I mean, hey, you gotta watch the app. The app 1119 01:07:06,680 --> 01:07:08,919 Speaker 1: is available. All of these people that say we should 1120 01:07:09,000 --> 01:07:11,400 Speaker 1: keep putting this on YouTube for free, what about the 1121 01:07:11,560 --> 01:07:15,360 Speaker 1: years of freeness that we've already provided upon you. We 1122 01:07:15,520 --> 01:07:18,800 Speaker 1: gave this away for free for years. Let's moved together 1123 01:07:18,960 --> 01:07:22,360 Speaker 1: and this is the show and put it on another 1124 01:07:22,520 --> 01:07:26,360 Speaker 1: network and you're buying their subscription. You don't ask them 1125 01:07:26,920 --> 01:07:30,680 Speaker 1: why you're buying their ship, So don't ask us. We're 1126 01:07:30,760 --> 01:07:35,240 Speaker 1: putting it on the app. Who's over the app? Nobody 1127 01:07:35,360 --> 01:07:45,080 Speaker 1: knows get that. Yeah, we saw what you said in 1128 01:07:45,160 --> 01:07:51,240 Speaker 1: the comments. We saw it the good, the bad, and 1129 01:07:51,360 --> 01:07:55,600 Speaker 1: the ugly. So you know what, we're folding under this pressure. 1130 01:07:56,080 --> 01:08:00,760 Speaker 1: We hear you, We hear you. Just get the funk 1131 01:08:00,840 --> 01:08:03,680 Speaker 1: on that, y'all. Way, just for an hour, though, That's 1132 01:08:03,680 --> 01:08:05,760 Speaker 1: all you get? Is it out so that you can't 1133 01:08:05,760 --> 01:08:09,720 Speaker 1: complain with with the rest of it? That something I'll see. 1134 01:08:09,840 --> 01:08:11,960 Speaker 1: We got with a whole bunch of ads in between, 1135 01:08:12,120 --> 01:08:15,720 Speaker 1: like and like I've been there. Hey, how you doing 1136 01:08:18,240 --> 01:08:25,360 Speaker 1: slow motion? Waste? Motherfucking Yeah, let's just uh go ahead, 1137 01:08:25,360 --> 01:08:27,920 Speaker 1: and make sure Channel eighty five dot com. I want 1138 01:08:27,920 --> 01:08:29,719 Speaker 1: to make sure I read what they wrote. They wrote 1139 01:08:29,760 --> 01:08:32,800 Speaker 1: some ship out for us. These niggers don't know how 1140 01:08:32,840 --> 01:08:36,240 Speaker 1: to spell or type proper sentences, but they try it 1141 01:08:37,000 --> 01:08:38,880 Speaker 1: to get us to get y'all to buy the app. 1142 01:08:38,960 --> 01:08:40,760 Speaker 1: What you think we want to read this ship kind 1143 01:08:40,760 --> 01:08:43,559 Speaker 1: of five man, so we can talk that ship man, 1144 01:08:43,800 --> 01:08:50,960 Speaker 1: Ladies don't eat like that's right on the app, uncensored, 1145 01:08:51,400 --> 01:08:55,519 Speaker 1: unfiltered and edit it. Can you believe that I'm talking 1146 01:08:55,520 --> 01:09:00,840 Speaker 1: about what actual production and jump cuts clips tax type 1147 01:09:00,840 --> 01:09:03,000 Speaker 1: of like exclusive ship that they don't even know that. 1148 01:09:03,600 --> 01:09:05,519 Speaker 1: They don't even know that. We gotta show where we'll 1149 01:09:05,560 --> 01:09:10,080 Speaker 1: be cooking like anxiety foods and ship that's on the app. Yep, 1150 01:09:11,840 --> 01:09:13,800 Speaker 1: Chico got a head right and clams that he too. 1151 01:09:16,640 --> 01:09:19,040 Speaker 1: Nobody passed it, so that's why the ship looked like this. 1152 01:09:19,439 --> 01:09:21,040 Speaker 1: But we're working on it and you can see it 1153 01:09:21,200 --> 01:09:23,920 Speaker 1: on the app. They didn't didn't even tell them about 1154 01:09:23,960 --> 01:09:26,960 Speaker 1: the text courts that we had uploaded on that. They 1155 01:09:27,000 --> 01:09:28,880 Speaker 1: don't even know that. We got a whole show about 1156 01:09:28,920 --> 01:09:33,519 Speaker 1: Long Street on the app, right, and we got the 1157 01:09:33,600 --> 01:09:37,080 Speaker 1: alternate end until the color purple up there? Oh man, 1158 01:09:37,840 --> 01:09:40,320 Speaker 1: We got the raw audish, all the hood cook, all 1159 01:09:40,560 --> 01:09:43,960 Speaker 1: blueful rights on the app. So if you want to 1160 01:09:44,040 --> 01:09:46,360 Speaker 1: see some ship that you know they're trying to have 1161 01:09:46,560 --> 01:09:51,479 Speaker 1: from that, I'm leaving the dot com Bokada. You got 1162 01:09:51,560 --> 01:09:53,400 Speaker 1: an hour for free. We gave you what you wanted. 1163 01:09:53,479 --> 01:09:59,880 Speaker 1: Now give us some subscriptions to the app. Eighty five 1164 01:10:00,040 --> 01:10:03,040 Speaker 1: dollars a year. Channel Waity five dot Com tay five 1165 01:10:03,080 --> 01:10:06,080 Speaker 1: south Shore. Get that. This is what they don't know. 1166 01:10:07,240 --> 01:10:12,120 Speaker 1: Really three dollars, but adjusting for inflation is an Get 1167 01:10:12,160 --> 01:10:14,479 Speaker 1: that man, stop bullshing it. Were out of here. Man, 1168 01:10:15,240 --> 01:10:17,160 Speaker 1: We're not about to keep working all this time for 1169 01:10:17,600 --> 01:10:26,280 Speaker 1: we're working for Maybe we are only well your way too, 1170 01:10:26,280 --> 01:10:27,800 Speaker 1: fly oh