WEBVTT - From the Vault: The Doppelganger Network

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<v Speaker 1>Hey, are you welcome to Stuff to Blow Your Mind?

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>it's Saturday. Time to dive into the vault. This time

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<v Speaker 1>we're bringing you an episode that originally aired on May nineteen.

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<v Speaker 1>This one was called The Doppelganger Network. Yeah, this one's

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<v Speaker 1>pretty fun because, you know, obviously we're going to get

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<v Speaker 1>into the idea of a doppel Ganga and what it

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<v Speaker 1>is and fairy impostures and so forth. But but then

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<v Speaker 1>we're getting into something a lot deeper, something that that

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<v Speaker 1>that really is going to play into a lot of

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<v Speaker 1>our every day online interactions. So let's jump right in here.

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<v Speaker 1>Then I repeat and some up. During the Endless train journey,

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<v Speaker 1>which took me from Eisenach to Berlin, across the Thuringia

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<v Speaker 1>and Saxony in Ruins, I noticed for the first time,

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<v Speaker 1>and I don't know how long that man whom I

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<v Speaker 1>call my double to simplify matters, or else my twin

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<v Speaker 1>or again unless theatrically the traveler. Welcome to Stuff to

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<v Speaker 1>Blow Your Mind, a production of I Heeart Radios has

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<v Speaker 1>to works. Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb, and I'm Joe McCormick, And

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<v Speaker 1>today I thought we might have a discussion bringing together

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<v Speaker 1>the seemingly disparate topics of familiarity, doppelgangers or doubles, cap

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<v Speaker 1>gross syndrome, and social media. And I got the idea

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<v Speaker 1>to talk about this today because a few weeks ago

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<v Speaker 1>I read this interesting article that had a very intriguing

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<v Speaker 1>central comparison or image it was. It was a thought

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<v Speaker 1>provoking essay by the Stanford neuro endo chronologist Robert Sapulski.

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<v Speaker 1>It was originally published a few years ago in Nautilus,

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<v Speaker 1>and it was an article pairing the effects of social

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<v Speaker 1>media and and sort of the digital world like Facebook

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<v Speaker 1>and you know, all that to a psychological condition known

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<v Speaker 1>as cap gross syndrome. And so today I thought, maybe

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<v Speaker 1>we should start by explaining and discussing Sepulsky's comparison and

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<v Speaker 1>argument in that article and just see where we go

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<v Speaker 1>from there. Now, capgrass syndrome has definitely come up on

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<v Speaker 1>the show before. I don't know that we've done like

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<v Speaker 1>a designated show on the topic, but it'd certainly come up.

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<v Speaker 1>But either way, we we we do need to, you know,

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<v Speaker 1>provide a brief refresher on its history for our listeners right.

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<v Speaker 1>One of the important cases and which Sapulsky discusses in

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<v Speaker 1>his article is the case of Madam im This. This

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<v Speaker 1>was a woman who lived in France in the early

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<v Speaker 1>twentieth century who had this persistent idea. She was fixated

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<v Speaker 1>on the idea that her loved ones, including her husband

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<v Speaker 1>and family members, people she knew, had been replaced by

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<v Speaker 1>doubles or doppel gangers who looked exactly like them. So

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<v Speaker 1>she would say, my husband is not really my husband.

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<v Speaker 1>He's a man who looks exactly like my husband used

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<v Speaker 1>to and I don't know what happened to my real husband.

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<v Speaker 1>And this wasn't her only symptoms. She had a number

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<v Speaker 1>of symptoms. She believed that all kinds of things were

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<v Speaker 1>happening to UH, to her children. I mean, it's a

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<v Speaker 1>tragic story, but the underlying UH, the underlying cause of

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<v Speaker 1>what would lead someone to believe that people around them

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<v Speaker 1>were being replaced by doppel gangers or doubles is is

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<v Speaker 1>interesting to consider. And so the way Sepulsky in this

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<v Speaker 1>article characterizes the ultimate disconnect under lyon cap Grass syndrome

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<v Speaker 1>is that when the module of the brain used in

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<v Speaker 1>recognition of faces, specifically involving the fusiform gyrus in the

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<v Speaker 1>brain does cognitively recognize someone, but at the same time,

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<v Speaker 1>the different module of the brain that normally responds to

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<v Speaker 1>this recognition with the emotion that we call familiarity does

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<v Speaker 1>not kick in. And this brain function responsible for generating

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<v Speaker 1>the emotion of familiarity is what Sopolski calls the extended

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<v Speaker 1>face processing system. It's quote a diffuse network including a

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<v Speaker 1>variety of cortical and limbic regions. And apparently, when we

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<v Speaker 1>recognize someone but we don't feel the necessary familiarity emotion

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<v Speaker 1>that follows when we normally recognize somebody, what the brain

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<v Speaker 1>often does when faced with this contradiction is to conclude

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<v Speaker 1>that someone has been replaced by a double. It looks

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<v Speaker 1>like them, but this person doesn't feel familiar to me,

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<v Speaker 1>thus they must be a physically identical impostor. In the past,

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<v Speaker 1>I looked at a two thousand four paper from the

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<v Speaker 1>Canadian Journal of Psychiatry titled Capgras Syndrome. A Review of

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<v Speaker 1>the neuro physiological correlates and presenting clinical features in cases

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<v Speaker 1>involving physical violence and uh In this that when the

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<v Speaker 1>delusional identification syndrome generally involves right brain. Anomally is linked

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<v Speaker 1>to a number of illnesses and neurological disorders, ranging from

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<v Speaker 1>UH schizo effective disorder and Alzheimer's disease to severe head injuries,

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<v Speaker 1>pituitary tumors, and migraines. Even alcoholism can play a role.

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<v Speaker 1>You know, basically, each each of us has a visual

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<v Speaker 1>system and olympic system, and the ladder helps us to

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<v Speaker 1>generate and process emotions. Damage or disrupt communication between these

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<v Speaker 1>two systems, and suddenly a familiar face can suspire, can

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<v Speaker 1>inspire suspicion instead of comfort. Now, Fortunately, kept grass syndrome

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<v Speaker 1>usually subsides with the successful treatment of the underlying medical condition.

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<v Speaker 1>You know, the tumor goes away, and thankfully so does this. Uh. This,

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<v Speaker 1>you know, suspicion that people are not what they seem

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<v Speaker 1>to be. Uh. And in some cases doctors can prescribe

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<v Speaker 1>antipsychotic drugs to also achieve the same effect. But you

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<v Speaker 1>can easily see why the idea of someone being replaced

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<v Speaker 1>by a double or doppelganger would be such a captivating one.

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<v Speaker 1>I mean, it's something that it's something that feels very perverted,

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<v Speaker 1>you know, it plays on our great vulnerabilities. And I

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<v Speaker 1>think it is not a coincidence that this kind of

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<v Speaker 1>thing has featured into some of the horror folklore of

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<v Speaker 1>the world. I mean, you think about the idea of

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<v Speaker 1>the changeling uh in in fairy folklore, where there was

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<v Speaker 1>this idea that where the fairy folk would come in

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<v Speaker 1>and replace someone you knew, often a child, but sometimes

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<v Speaker 1>like a husband or wife, or you know, someone you

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<v Speaker 1>knew with a fairy double who looked like them but

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<v Speaker 1>wasn't familiar to you, didn't act like them. And now

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<v Speaker 1>this is often described as something that people would use

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<v Speaker 1>to explain you know, maybe when somebody's behavior changed and

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<v Speaker 1>they didn't seem themselves, they think, oh, maybe they've been

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<v Speaker 1>replaced with a changeling, or used to explain why people

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<v Speaker 1>might feel that their children weren't their own, or something

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<v Speaker 1>like that. But then also you have to wonder if

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<v Speaker 1>some kinds of neurological issues maybe at work here in

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<v Speaker 1>the minds of the people making the accusation that someone

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<v Speaker 1>is is a fairy. Yeah, and this is obviously this

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<v Speaker 1>idea in and not itself has played into some so

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<v Speaker 1>many myths throughout history and also continues to just resound

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<v Speaker 1>in our our popular media. Um. This is slightly older work,

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<v Speaker 1>of course, but Invasion of the Body Snatchers and I

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<v Speaker 1>mean that plays heavily on this trope, right, that people

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<v Speaker 1>are being replaced by something else, People that we think

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<v Speaker 1>we know we're not are not actually those individuals anymore.

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<v Speaker 1>It's been a huge You often find it also not

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<v Speaker 1>only in speculative fiction, but in literary fiction as well. Um.

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<v Speaker 1>The quote that a right at the top of this

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<v Speaker 1>episode is from a two thousand and four novel titled

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<v Speaker 1>Repetition by one of my favorite French authors, Alan robue Gerle,

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<v Speaker 1>who often this is one of This is a trope

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<v Speaker 1>that he often threw into his books, like the idea

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<v Speaker 1>of a double or some sort of an alter ego,

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<v Speaker 1>and this book in particular been in particular like starts

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<v Speaker 1>off with a character on a train having glimpsed his

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<v Speaker 1>double once more. Yeah, it's a very unsettling image. Yeah,

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<v Speaker 1>the plurality of self right. Um, well, and because so

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<v Speaker 1>they are double way so that it can be unsettling.

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<v Speaker 1>There's the idea that someone you know is replaced by

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<v Speaker 1>a double. Obviously, if you were to come to believe

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<v Speaker 1>that through you know, whether you had like a brain

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<v Speaker 1>injury or a neurological condition that caused you to believe that,

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<v Speaker 1>or I don't know, if you just believed in fairies

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<v Speaker 1>and thought maybe that this was happening because your cultural conditioning.

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<v Speaker 1>Either way, that would be a terrifying thing. It's another

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<v Speaker 1>thing entirely to see it, to believe that you see

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<v Speaker 1>another version of yourself, you know, to think that you

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<v Speaker 1>had your own double or there was a doppelganger of you.

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<v Speaker 1>So I think most of us are probably familiar with this,

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<v Speaker 1>the the the idea of a doppelganger. Um. I you know,

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<v Speaker 1>I would love to say that I learned about doppelgangers

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<v Speaker 1>for the first time by either consulting a nice, you know,

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<v Speaker 1>book on Germanic mythology, and certainly I I read a

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<v Speaker 1>lot of different mythology books and as a kid. Also,

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<v Speaker 1>I would love to say that my first encounter with

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<v Speaker 1>doppelgangers was a Dungeons and Dragons monster manual, because it's

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<v Speaker 1>another huge place that they're highly visible, as they've long

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<v Speaker 1>been a staple of Dungeons and Dragons, so they're in there.

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<v Speaker 1>Oh yeah, I mean, it's a great way to introduce

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<v Speaker 1>a little um, suspense and chaos into a campaign, Right,

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<v Speaker 1>somebody you know an MPC that the character's trust has

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<v Speaker 1>been replaced, or a doppelganger is trying to or even

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<v Speaker 1>successfully replaces a member of the party. Uh. So you know,

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<v Speaker 1>there's a lot of fun to be had with a doppelganger. Um,

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<v Speaker 1>but I have to admit that neither of these cases

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<v Speaker 1>is true. I heard about them initially in the ninety

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<v Speaker 1>via the Drew Barrymore movie that aired on the Sci

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<v Speaker 1>Fi Channel back when this is the old days, back

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<v Speaker 1>when before there were wise in sci Fi Wise inside.

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<v Speaker 1>Ohh Siffy you mean Siffy Yeah, Siffy Channel. Yes. Um,

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<v Speaker 1>I remember next to nothing about this film, but it

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<v Speaker 1>was heavily promoted on the channel, and it introduced the

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<v Speaker 1>idea to me initially, and then I you know, followed

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<v Speaker 1>up by you know, asking around, Hey, Dad, what's a doppelganger?

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<v Speaker 1>And then I looked it up, etcetera. Well, wait a minute,

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<v Speaker 1>so it was called Doppelgangers the name of the movie.

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<v Speaker 1>That was at least that was the title if the film,

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<v Speaker 1>as was promoted on Sci Fi Channel at the time.

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<v Speaker 1>So of course it often the case, with films of

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<v Speaker 1>this caliber, they may have had multiple titles, and who knows,

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<v Speaker 1>they may have been promoted elsewhere under a different title.

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<v Speaker 1>I just looked it up. It's also known as doppelgang

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<v Speaker 1>or colon the evil within. Just to be clear, that

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<v Speaker 1>was for the people who didn't know what a doppel

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<v Speaker 1>ganger was. Always got to have a colon, real title.

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<v Speaker 1>So but here here's an interesting thing that I didn't

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<v Speaker 1>realize until I was researching this episode. I just kind

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<v Speaker 1>of assumed, you know, obviously, the doppel ganger itself, the

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<v Speaker 1>term is Germanic origins, and I figured this is a

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<v Speaker 1>creature that emerges from German folk traditions, you know, uh,

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<v Speaker 1>you know, and in the same way that that crampus

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<v Speaker 1>came down from the mountains and uh an alpine traditions.

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<v Speaker 1>I just figured the doppelganger was just a standard and

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<v Speaker 1>because the again, the idea of a mysterious double, either

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<v Speaker 1>of self or other, is long established, but this does

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<v Speaker 1>not seem to be the case. Apparently, the word doppelganger

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<v Speaker 1>wasn't coined to know the eighteenth century, and it was

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<v Speaker 1>coined by German novelist Jean Paul in his seventeen nine

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<v Speaker 1>novel Uh Seben Cos, in which the main character encounters

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<v Speaker 1>his own doppel ganger or double goer uh in the

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<v Speaker 1>In this case, the doupel ganger convinces him to fake

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<v Speaker 1>his own death and start a new life. Uh. And

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<v Speaker 1>I had to I had to look in closer on this.

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<v Speaker 1>It's it's not as straightforward as I would like it

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<v Speaker 1>to be, where he's just like, hey, this is the doppelganger.

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<v Speaker 1>Apparently he invents two similar words in this book. He

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<v Speaker 1>invinced the word doppeled ganger. Um, so this would be

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<v Speaker 1>the name for people who see themselves. But then he

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<v Speaker 1>also talks about doppel ganger as a as a word

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<v Speaker 1>for the second course when the second course of a

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<v Speaker 1>meal arrives alongside the first course, because gang or all

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<v Speaker 1>means both you know, go or walker as well as

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<v Speaker 1>course in a meal. So technically doppeled ganger would be

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<v Speaker 1>the mysterious double idea that he introduces. And doppelganger itself

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<v Speaker 1>is just a weird mishap of ordering a multi course

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<v Speaker 1>meal at a restaurant. But nobody's gonna say doubled ganger,

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<v Speaker 1>not anymore, No duffeld ganger. But this is this is

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<v Speaker 1>a good idea. Next time someone introduces the daffel ganger

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<v Speaker 1>in your dn D campaign, remind the d M that

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<v Speaker 1>that's a culinary term sort of. Uh. But anyway, the

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<v Speaker 1>termines up resonating in German literature, and it became popular

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<v Speaker 1>in romantic horror literature in general by the mid eighteen hundreds.

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<v Speaker 1>So I think originally the the this idea was always

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<v Speaker 1>something scary or dangerous, right, Well, yeah, they're not as much.

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<v Speaker 1>It's seemingly in the original And I didn't read the

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<v Speaker 1>original German novel This is Stress, so you know, feel

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<v Speaker 1>free to correct me if anyone out there is more

0:12:43.240 --> 0:12:46.040
<v Speaker 1>familiar with the with the literature we're talking about here.

0:12:46.080 --> 0:12:51.640
<v Speaker 1>But it certainly took on sinister connotations within the literary tradition.

0:12:51.960 --> 0:12:54.599
<v Speaker 1>But then I was reading about the term on websters

0:12:54.840 --> 0:12:58.000
<v Speaker 1>and the sinister connotations have apparently dropped off somewhat in

0:12:58.040 --> 0:13:01.640
<v Speaker 1>its English language usage, which is surprising to me. But

0:13:01.679 --> 0:13:04.360
<v Speaker 1>then again, I'm coming from the standpoint of knowing them

0:13:04.400 --> 0:13:07.360
<v Speaker 1>mostly through Dungeons and Dragons and Horrible Drew Barrymore movies,

0:13:07.840 --> 0:13:12.520
<v Speaker 1>so I'm probably not like the the key candidate here. Um,

0:13:12.679 --> 0:13:15.160
<v Speaker 1>I guess the other thing, too, is I really don't

0:13:15.360 --> 0:13:18.640
<v Speaker 1>use the term outside of a fantasy context. Like if

0:13:18.640 --> 0:13:23.079
<v Speaker 1>I encounter someone who looks a lot like someone I know,

0:13:24.160 --> 0:13:27.080
<v Speaker 1>I don't say, oh, hey, I saw your doppelganger today.

0:13:27.120 --> 0:13:29.640
<v Speaker 1>I'm more like, hey I saw your Maybe I'll say

0:13:29.679 --> 0:13:33.600
<v Speaker 1>evil twin, which is, you know, another variation on this trope.

0:13:33.720 --> 0:13:35.440
<v Speaker 1>Or I'll say, oh, I just I saw someone who

0:13:35.480 --> 0:13:37.720
<v Speaker 1>looked just about like you, Or I I'm in another city,

0:13:37.720 --> 0:13:41.080
<v Speaker 1>I might say, oh I saw your Chicago you or whatever.

0:13:41.160 --> 0:13:43.720
<v Speaker 1>You know. So that's the other thing. I just don't

0:13:43.800 --> 0:13:47.400
<v Speaker 1>use doppelganger outside of fantastic settings myself. I think most

0:13:47.400 --> 0:13:50.800
<v Speaker 1>people just use it to me and they look alike. Now, Yeah,

0:13:50.840 --> 0:13:52.720
<v Speaker 1>but I guess I don't even use it that way.

0:13:52.960 --> 0:13:55.640
<v Speaker 1>Like for me, I just if I think of doppelganger,

0:13:55.720 --> 0:13:58.800
<v Speaker 1>I think of something like that creature and Kroll which

0:13:58.800 --> 0:14:00.760
<v Speaker 1>pretends to be the Wizard, you know. I think something

0:14:00.760 --> 0:14:04.439
<v Speaker 1>that when you reveal it, it's a horrible, pallid creature

0:14:04.520 --> 0:14:07.600
<v Speaker 1>with jet black eyes. So if I'm not specifically talking

0:14:07.600 --> 0:14:11.440
<v Speaker 1>about like a monstrous scenario, I'm not gonna use a doppelganger. Okay,

0:14:11.480 --> 0:14:14.240
<v Speaker 1>that's just me. I also think that part of but

0:14:14.480 --> 0:14:16.520
<v Speaker 1>I think part of this whole idea of the sinister

0:14:16.559 --> 0:14:19.040
<v Speaker 1>connotations fading away, It might have to do with the

0:14:19.040 --> 0:14:21.560
<v Speaker 1>fact that if it is used by and large for

0:14:21.720 --> 0:14:24.040
<v Speaker 1>just somebody's double Like if someone is to say, hey,

0:14:24.080 --> 0:14:28.000
<v Speaker 1>I saw your doppelganger today at Showny's, they're not gonna

0:14:28.560 --> 0:14:30.640
<v Speaker 1>you know, there's there's not gonna be a creepy connotation

0:14:30.680 --> 0:14:33.920
<v Speaker 1>to that that sighting. We're not gonna say, oh my god,

0:14:33.960 --> 0:14:36.120
<v Speaker 1>I saw your doppelganger at Showny's and I was super

0:14:36.160 --> 0:14:39.360
<v Speaker 1>creeped out. I think we need to call somebody. No,

0:14:39.560 --> 0:14:41.160
<v Speaker 1>you're You're just gonna it's just gonna be a point

0:14:41.160 --> 0:14:44.800
<v Speaker 1>of whimsy. And the other thing is that more than

0:14:45.000 --> 0:14:49.160
<v Speaker 1>likely it was a first glance situation, like at first glance,

0:14:49.280 --> 0:14:51.440
<v Speaker 1>I thought it was you. At second glance, I saw

0:14:51.480 --> 0:14:54.200
<v Speaker 1>that it was clearly another person and nothing to freak

0:14:54.200 --> 0:14:57.360
<v Speaker 1>out about. Well, I would be shocked though, if people

0:14:57.400 --> 0:14:59.960
<v Speaker 1>didn't still interpret this kind of thing is some kind

0:15:00.000 --> 0:15:03.320
<v Speaker 1>a weird omen or demon or whatever. Oh yeah, And

0:15:03.440 --> 0:15:05.120
<v Speaker 1>I was glancing around on the internet and there's still

0:15:05.160 --> 0:15:07.920
<v Speaker 1>plenty of that. Um And I think a large part

0:15:07.960 --> 0:15:12.040
<v Speaker 1>of that is, you know, as with all paranormal UH

0:15:12.400 --> 0:15:20.280
<v Speaker 1>experiences or supernatural explanations for mundane UH encounters, the supernatural

0:15:20.280 --> 0:15:23.080
<v Speaker 1>explanation is going to be more appealing. It's going, you know,

0:15:23.120 --> 0:15:25.960
<v Speaker 1>it makes us feel more important, Like you want to

0:15:26.000 --> 0:15:28.560
<v Speaker 1>feel like you're in an island rogue relea novel and

0:15:28.560 --> 0:15:31.240
<v Speaker 1>you saw your mysterious double and it, you know, reveals

0:15:31.280 --> 0:15:34.440
<v Speaker 1>something about your you know, your your inner subconscious nature

0:15:34.520 --> 0:15:37.040
<v Speaker 1>or something, or that you you saw a ghost that

0:15:37.120 --> 0:15:38.760
<v Speaker 1>looked like you. I mean, all these are four more

0:15:38.800 --> 0:15:41.000
<v Speaker 1>interesting than Yeah, they're you know, there are a whole

0:15:41.040 --> 0:15:42.520
<v Speaker 1>bunch of people in the world, and it was bound

0:15:42.520 --> 0:15:44.640
<v Speaker 1>to happen sooner or later. But I saw somebody that

0:15:44.720 --> 0:15:46.880
<v Speaker 1>kind of looked like me and had some more facial hair.

0:15:47.000 --> 0:15:49.600
<v Speaker 1>The way that you look isn't all that unique. That's

0:15:49.640 --> 0:15:51.560
<v Speaker 1>like the worst news of all. Yeah, that's that's just

0:15:51.720 --> 0:15:55.400
<v Speaker 1>nothing exciting about that. That story. You don't run rush

0:15:55.440 --> 0:15:58.200
<v Speaker 1>home to tell that to your significant other. But it

0:15:58.200 --> 0:16:00.080
<v Speaker 1>does bring up the question, what are your chance is

0:16:00.120 --> 0:16:03.520
<v Speaker 1>of running into your own unrelated double, or for that matter,

0:16:03.640 --> 0:16:06.760
<v Speaker 1>running into an unrelated double with someone you know well.

0:16:06.800 --> 0:16:11.440
<v Speaker 1>According to ananimous Dr Tiggan Lucas quoted in the BBC

0:16:11.600 --> 0:16:14.720
<v Speaker 1>future article, you're surprisingly likely to have a doppel game,

0:16:15.200 --> 0:16:18.520
<v Speaker 1>which I think is slightly confusing title given the contents

0:16:18.520 --> 0:16:21.400
<v Speaker 1>of the article, but still uh said that the chances

0:16:21.440 --> 0:16:24.840
<v Speaker 1>of sharing just eight dimensions with someone else are less

0:16:24.880 --> 0:16:27.600
<v Speaker 1>than one in a trillion, and with a seven point

0:16:27.640 --> 0:16:29.840
<v Speaker 1>four billion people on the planet, it was only there

0:16:29.880 --> 0:16:32.640
<v Speaker 1>was only a one in on five chants that there's

0:16:32.680 --> 0:16:35.160
<v Speaker 1>a single pair of true doppel gangers. The wait, what

0:16:35.200 --> 0:16:38.280
<v Speaker 1>are these dimensions you're talking about? Like eight facial dimensions?

0:16:38.280 --> 0:16:40.320
<v Speaker 1>Like if you take you take facial features and you

0:16:40.360 --> 0:16:42.120
<v Speaker 1>divide them up into eight dimensions and go to mac

0:16:42.200 --> 0:16:46.520
<v Speaker 1>match those up. So yeah, not like eight spatial dimensions.

0:16:46.600 --> 0:16:49.040
<v Speaker 1>I'm not sure how that would work. Okay, basically the

0:16:49.080 --> 0:16:54.240
<v Speaker 1>eight sliders on your character creator right now most of

0:16:54.240 --> 0:16:57.160
<v Speaker 1>the time, though again we're not talking about exact doubles.

0:16:57.440 --> 0:16:59.720
<v Speaker 1>You know, generally, these are just faces that are similar

0:16:59.800 --> 0:17:02.160
<v Speaker 1>to our own or similar to someone we know when

0:17:02.160 --> 0:17:04.400
<v Speaker 1>we focus on the familiarity in a way that may

0:17:04.440 --> 0:17:08.000
<v Speaker 1>be tied to a means of identifying close skin. Uh,

0:17:08.000 --> 0:17:10.760
<v Speaker 1>you know, in early human history, like that's what this

0:17:11.080 --> 0:17:15.120
<v Speaker 1>recognition system is perhaps four um and you know, think

0:17:15.160 --> 0:17:18.199
<v Speaker 1>again about how generally, how you know, generally doubles are

0:17:18.320 --> 0:17:21.280
<v Speaker 1>kind of a first glance thing. The similarities may be jarring,

0:17:21.800 --> 0:17:26.159
<v Speaker 1>but the differences will be pronounced as well. Now, the

0:17:26.200 --> 0:17:28.280
<v Speaker 1>thing is, there are so many humans on the planet

0:17:28.280 --> 0:17:31.560
<v Speaker 1>now and we live in you know, closer confines in

0:17:31.640 --> 0:17:35.480
<v Speaker 1>many situations, seeing familiar features, it doesn't necessarily mean that

0:17:35.480 --> 0:17:40.080
<v Speaker 1>there's any shared genetic heritage between two given individuals, you know,

0:17:40.280 --> 0:17:42.480
<v Speaker 1>except in the sense that all humans share mostly in

0:17:42.520 --> 0:17:45.360
<v Speaker 1>the grander yeah, and the grander scheme. Yes, but yeah,

0:17:45.400 --> 0:17:47.000
<v Speaker 1>if you just if you're in another city you see

0:17:47.000 --> 0:17:48.919
<v Speaker 1>someone who looks kind of like you or looks kind

0:17:48.920 --> 0:17:51.480
<v Speaker 1>of like a friend, it doesn't mean their your long

0:17:51.560 --> 0:17:54.600
<v Speaker 1>last cousin or their long last cousin of an your friend.

0:17:56.080 --> 0:17:58.399
<v Speaker 1>But it's a situation where we kind of broke the

0:17:58.400 --> 0:18:01.480
<v Speaker 1>system through population growth in the birth of cities and

0:18:01.920 --> 0:18:06.040
<v Speaker 1>and self facial recognition and facial recognition abilities. They're also

0:18:06.080 --> 0:18:10.360
<v Speaker 1>going to vary from person to person, so your doppel

0:18:10.359 --> 0:18:13.480
<v Speaker 1>ganger alarms just may not be as easy to set

0:18:13.480 --> 0:18:16.800
<v Speaker 1>off as someone else's. So anyway, that's that's doppel ganger's

0:18:17.359 --> 0:18:19.800
<v Speaker 1>in a nutshell, both the origin of the term, but

0:18:19.960 --> 0:18:22.959
<v Speaker 1>then a little bit about the the science and the

0:18:22.960 --> 0:18:26.840
<v Speaker 1>potent that the potentiality of seeing a double or near

0:18:26.880 --> 0:18:30.400
<v Speaker 1>double uh somewhere in the world. But thinking about what

0:18:30.600 --> 0:18:34.480
<v Speaker 1>is at work with the the erroneous detection of doubles

0:18:34.480 --> 0:18:37.560
<v Speaker 1>in cop Cross syndrome, UH is I guess maybe what

0:18:37.600 --> 0:18:39.920
<v Speaker 1>we should get back to when we come back after

0:18:39.960 --> 0:18:44.600
<v Speaker 1>a break. All Right, we're back and it's really us.

0:18:44.640 --> 0:18:48.040
<v Speaker 1>We weren't replaced by strange creatures from the Monster Manual

0:18:48.200 --> 0:18:50.920
<v Speaker 1>over the course of the advertisement. Now we're here, it's

0:18:50.960 --> 0:18:54.000
<v Speaker 1>really us and we're going to continue our exploration. You know.

0:18:54.080 --> 0:18:56.359
<v Speaker 1>I wanted to answer that with the body snatchers noise,

0:18:56.400 --> 0:18:58.240
<v Speaker 1>but I don't know if I can make it exactly

0:18:58.240 --> 0:19:01.080
<v Speaker 1>from the Donald Sutherland version, which is a great version

0:19:01.080 --> 0:19:03.080
<v Speaker 1>by ill haven't seen that. I've only seen the old

0:19:03.080 --> 0:19:06.040
<v Speaker 1>black and white original. Oh, the Donald Sutherland one is great.

0:19:06.160 --> 0:19:11.320
<v Speaker 1>He's got Lambert from Alien, it's got Jeff Goldblum, He's

0:19:11.400 --> 0:19:14.920
<v Speaker 1>he's feisty. It's got oh and it's got from another

0:19:14.960 --> 0:19:18.040
<v Speaker 1>sci fi classic. It's got what's his name who played

0:19:18.080 --> 0:19:22.720
<v Speaker 1>spok Literary, Yeah, Literary. Nimoy is fantastic in it. I

0:19:22.760 --> 0:19:25.320
<v Speaker 1>think it's his it's his great performance. Well, that's a

0:19:25.320 --> 0:19:27.600
<v Speaker 1>great cast, but the nineteen fifty six original had had

0:19:28.119 --> 0:19:31.000
<v Speaker 1>had Kevin McCarthy in the lead role. He was terrific.

0:19:31.440 --> 0:19:34.760
<v Speaker 1>You also had Carol and Jones, who had played more

0:19:34.800 --> 0:19:37.560
<v Speaker 1>Tisha on The Adams Family. Oh cool. Yeah, But also

0:19:37.560 --> 0:19:40.160
<v Speaker 1>it was just black and white and it just it really,

0:19:40.400 --> 0:19:42.040
<v Speaker 1>at least the version I saw of it, like the

0:19:42.160 --> 0:19:47.160
<v Speaker 1>darkness felt just so murky and uh and dirty somehow,

0:19:47.200 --> 0:19:50.040
<v Speaker 1>Like it was just a very nightmare inducing film when

0:19:50.080 --> 0:19:51.920
<v Speaker 1>I saw it as a kid. You know, the paranoid

0:19:52.000 --> 0:19:54.359
<v Speaker 1>visual vibe. It's got a it's got a kind of

0:19:54.400 --> 0:19:58.360
<v Speaker 1>a communist infiltration thing. Oh, definitely, definitely, that's a that's

0:19:58.400 --> 0:20:00.879
<v Speaker 1>a very strong element of it, which just goes to

0:20:00.880 --> 0:20:04.400
<v Speaker 1>show like the ideas of like why this concept of

0:20:04.400 --> 0:20:07.439
<v Speaker 1>of doubles resonates so because you're can apply it to

0:20:07.480 --> 0:20:10.960
<v Speaker 1>all these other scenarios social and political. Well yeah, I

0:20:10.960 --> 0:20:13.240
<v Speaker 1>mean it's a common thing for people to say when

0:20:13.359 --> 0:20:16.040
<v Speaker 1>they don't literally think that someone they know has been

0:20:16.040 --> 0:20:20.600
<v Speaker 1>physically bodily replaced by a by a supernatural double, they

0:20:20.680 --> 0:20:23.080
<v Speaker 1>might often think, I don't know this person anymore. I

0:20:23.080 --> 0:20:25.520
<v Speaker 1>mean it's a similar like, you know, they've been replaced

0:20:25.600 --> 0:20:28.680
<v Speaker 1>with somebody, somebody replaced you with a different person. Yeah,

0:20:28.720 --> 0:20:32.239
<v Speaker 1>like so just would really you just found out you're

0:20:32.240 --> 0:20:35.160
<v Speaker 1>getting to know them better, You found not something about

0:20:35.200 --> 0:20:37.719
<v Speaker 1>them you didn't know before, and now you think that

0:20:37.760 --> 0:20:40.760
<v Speaker 1>they're like a different being entirely, and now it's just

0:20:40.800 --> 0:20:44.040
<v Speaker 1>because it turns out that they were maybe communists or

0:20:44.359 --> 0:20:46.840
<v Speaker 1>like a different football team. Well, to be fair, also,

0:20:46.880 --> 0:20:49.600
<v Speaker 1>it could be a case of um, you know, people

0:20:49.760 --> 0:20:54.159
<v Speaker 1>over emphasizing disposition a traits thinking that people thinking that

0:20:54.200 --> 0:20:57.000
<v Speaker 1>they should expect their loved ones to be incredibly consistent

0:20:57.119 --> 0:21:01.000
<v Speaker 1>and trait predictable, when in fact people inconsistent that it

0:21:01.160 --> 0:21:04.680
<v Speaker 1>depends on the circumstances how they behave. Maybe sometimes you

0:21:05.040 --> 0:21:08.000
<v Speaker 1>are used to seeing someone only in one type of context,

0:21:08.080 --> 0:21:10.719
<v Speaker 1>maybe used to only seeing them at work, and then

0:21:10.720 --> 0:21:12.679
<v Speaker 1>when you see them in a different context, when you

0:21:12.680 --> 0:21:14.480
<v Speaker 1>see them, you know, out with their friends or with

0:21:14.560 --> 0:21:16.960
<v Speaker 1>their family, they seem like a totally different person to you.

0:21:17.200 --> 0:21:19.359
<v Speaker 1>It can be jarring when you see those differences, and

0:21:19.560 --> 0:21:21.920
<v Speaker 1>yet they're there for almost all of us, almost none

0:21:21.920 --> 0:21:25.479
<v Speaker 1>of us, like really behave the same way in all contexts. Well,

0:21:25.520 --> 0:21:30.399
<v Speaker 1>let's talk about the about those contexts, especially the social contexts. Yeah,

0:21:30.560 --> 0:21:32.320
<v Speaker 1>so I want to come back to So we've talked

0:21:32.320 --> 0:21:34.880
<v Speaker 1>about doppelgangers a bit and the idea of doubles and

0:21:34.880 --> 0:21:37.680
<v Speaker 1>and familiarity and recognition. But I want to come back

0:21:37.720 --> 0:21:40.280
<v Speaker 1>to uh that article I mentioned at the beginning where

0:21:40.520 --> 0:21:45.639
<v Speaker 1>Robert Sapolski makes this comparison between what is made clear

0:21:45.800 --> 0:21:49.880
<v Speaker 1>about the brain basis of familiarity with cop Cross syndrome

0:21:50.400 --> 0:21:55.159
<v Speaker 1>and the ways that technology is changing our social relationships.

0:21:55.200 --> 0:21:58.399
<v Speaker 1>So in in Sapolski's words, Capcross syndrome makes clear the

0:21:58.440 --> 0:22:02.399
<v Speaker 1>brain basis for quote, the offerences between the thoughts that

0:22:02.520 --> 0:22:05.920
<v Speaker 1>give rise to recognition. Remember recognition as cognitive. You see

0:22:05.960 --> 0:22:09.399
<v Speaker 1>somebody and you cognitively know who they are, and the

0:22:09.480 --> 0:22:13.960
<v Speaker 1>feelings that give rise to familiarity. That's the emotion that says, yes,

0:22:14.000 --> 0:22:18.080
<v Speaker 1>I know this person. They're different things. And Sapolski's main

0:22:18.200 --> 0:22:22.399
<v Speaker 1>point is quote, these functional fault lines in the social brain,

0:22:22.560 --> 0:22:26.080
<v Speaker 1>when coupled with advances in the online world, have given

0:22:26.200 --> 0:22:30.480
<v Speaker 1>rise to the contemporary Facebook generation. They have made cop

0:22:30.480 --> 0:22:33.920
<v Speaker 1>Gross syndrome a window on our culture and minds today

0:22:34.160 --> 0:22:38.639
<v Speaker 1>where nothing is quite recognizable but everything seems familiar. And

0:22:38.680 --> 0:22:40.560
<v Speaker 1>I would actually go further than that and say I

0:22:40.560 --> 0:22:43.119
<v Speaker 1>think that's an interesting point. But the the inverse is

0:22:43.160 --> 0:22:46.919
<v Speaker 1>true as well, that the online world creates these situations

0:22:47.200 --> 0:22:51.840
<v Speaker 1>where you have familiarity without recognition and recognition without familiarity.

0:22:52.440 --> 0:22:55.720
<v Speaker 1>So to further explore the point, he makes a little

0:22:55.720 --> 0:22:58.520
<v Speaker 1>bit so he points out that, you know, essentially, for

0:22:58.640 --> 0:23:02.480
<v Speaker 1>all of our evolutionary story are only social relationships have

0:23:02.560 --> 0:23:05.120
<v Speaker 1>been face to face ones. And I'm struggling to think

0:23:05.119 --> 0:23:08.320
<v Speaker 1>of a counter example. I can't really think of a

0:23:08.359 --> 0:23:12.479
<v Speaker 1>counter example for relationships with real people. But for tens

0:23:12.480 --> 0:23:14.879
<v Speaker 1>of thousands of years, of course we have had language,

0:23:15.160 --> 0:23:18.000
<v Speaker 1>and we could have felt as if we had relationships

0:23:18.040 --> 0:23:21.600
<v Speaker 1>with people we only heard about in stories for example. Now,

0:23:21.640 --> 0:23:23.840
<v Speaker 1>obviously we do eventually reach the point where we have

0:23:23.840 --> 0:23:26.680
<v Speaker 1>the ability to engage in activities like having a pin pal,

0:23:27.240 --> 0:23:29.040
<v Speaker 1>and that may. You know, that's a case where you

0:23:29.080 --> 0:23:33.120
<v Speaker 1>can have certainly a non face to face example. But

0:23:33.280 --> 0:23:37.320
<v Speaker 1>prior to uh, you know, the advent of the necessary um,

0:23:37.359 --> 0:23:40.560
<v Speaker 1>you know, systems and technology. Yeah, I struggle to think

0:23:40.560 --> 0:23:42.640
<v Speaker 1>of an example as well. I mean, even sort of

0:23:43.080 --> 0:23:47.639
<v Speaker 1>semi imagined situations such as speaking to the spirit of

0:23:47.680 --> 0:23:52.080
<v Speaker 1>a dead ancestor or dead relative, like you're still depending

0:23:52.119 --> 0:23:55.760
<v Speaker 1>upon a previous face to face relationship. Yes, and even

0:23:55.800 --> 0:23:59.120
<v Speaker 1>even with pin pals, I mean even the oldest versions

0:23:59.119 --> 0:24:03.119
<v Speaker 1>of this, the non digital communications just writing to people

0:24:03.160 --> 0:24:06.119
<v Speaker 1>with letters, even if you've never met them before, that

0:24:06.119 --> 0:24:09.399
<v Speaker 1>that is anatomically recent. I mean, the vast majority of

0:24:09.400 --> 0:24:11.960
<v Speaker 1>the time our species has been around, we didn't have writing.

0:24:12.000 --> 0:24:14.920
<v Speaker 1>We couldn't do that. The only relationships we had were

0:24:14.960 --> 0:24:18.199
<v Speaker 1>face to face relationships. And so it's entirely clear that

0:24:18.280 --> 0:24:21.639
<v Speaker 1>our bodies and our brains have been shaped by an

0:24:21.680 --> 0:24:24.800
<v Speaker 1>evolutionary niche and when in which all relationships were face

0:24:24.880 --> 0:24:28.040
<v Speaker 1>to face ones. Right, Even our history is a symbolic uh.

0:24:28.080 --> 0:24:32.920
<v Speaker 1>Species is mostly based on almost exclusively based on face

0:24:32.920 --> 0:24:36.400
<v Speaker 1>to face communication. Yeah, And so when our only social

0:24:36.440 --> 0:24:40.560
<v Speaker 1>relationships were face to face relationships, it was natural for

0:24:41.000 --> 0:24:46.040
<v Speaker 1>facial recognition and familiarity at an in person body sensing

0:24:46.160 --> 0:24:49.040
<v Speaker 1>level to be one of our main mediators of how

0:24:49.119 --> 0:24:55.000
<v Speaker 1>we conceptualized, evaluated, and formed beliefs about our relationships. I mean,

0:24:55.040 --> 0:24:58.040
<v Speaker 1>if you live in this non technological world where your

0:24:58.080 --> 0:25:01.520
<v Speaker 1>only relationships are face to face, it totally makes sense

0:25:01.560 --> 0:25:05.160
<v Speaker 1>for you to use moment to moment, face to face

0:25:05.240 --> 0:25:08.439
<v Speaker 1>a visual and touch data and things like that. To

0:25:08.600 --> 0:25:11.199
<v Speaker 1>get the best idea of what your relationships are and

0:25:11.240 --> 0:25:13.240
<v Speaker 1>how you should feel about them, right, I mean some

0:25:13.280 --> 0:25:15.240
<v Speaker 1>of that goes back to the you know we're discussing

0:25:15.280 --> 0:25:19.080
<v Speaker 1>earlier about uh, you know, can identification being able to

0:25:19.080 --> 0:25:21.760
<v Speaker 1>tell like this, this is a relative, I can see

0:25:21.760 --> 0:25:24.879
<v Speaker 1>it in their face exactly. But of course there have

0:25:24.920 --> 0:25:28.560
<v Speaker 1>been these technological changes that now allow relationships to exist

0:25:28.680 --> 0:25:32.879
<v Speaker 1>and persist under circumstances other than face to face interaction.

0:25:33.119 --> 0:25:35.600
<v Speaker 1>Of course, we already mentioned writing in literacy. Now this

0:25:35.640 --> 0:25:38.920
<v Speaker 1>allows you to maybe send letters, though I'd say even

0:25:39.400 --> 0:25:41.320
<v Speaker 1>for most of the time that's been around, that has

0:25:41.359 --> 0:25:45.560
<v Speaker 1>been something that is limited to a small percent of humans,

0:25:46.040 --> 0:25:49.040
<v Speaker 1>you know, because for most of human history most people

0:25:49.080 --> 0:25:51.560
<v Speaker 1>have not been literate, That's true. And then and then

0:25:51.560 --> 0:25:54.240
<v Speaker 1>of course again I feel I feel like the pinpal,

0:25:54.320 --> 0:25:57.680
<v Speaker 1>like the the pinpal situation in which there is never

0:25:57.760 --> 0:26:00.680
<v Speaker 1>a face to face meeting. Like that's as a slim

0:26:00.960 --> 0:26:03.840
<v Speaker 1>slice of the overall pie. Most of the other um

0:26:03.840 --> 0:26:06.680
<v Speaker 1>written communications are going to be carried out with individuals

0:26:07.119 --> 0:26:09.720
<v Speaker 1>um in which there was at least a previous face

0:26:09.760 --> 0:26:13.479
<v Speaker 1>to face communication. Yeah, but then think about how hard

0:26:13.720 --> 0:26:17.879
<v Speaker 1>this kind of thing can make relationships. I bet every

0:26:17.960 --> 0:26:24.480
<v Speaker 1>single person listening has had the experience of relationships strife

0:26:24.720 --> 0:26:29.200
<v Speaker 1>caused by a feeling by a misunderstanding, or some kind

0:26:29.200 --> 0:26:32.680
<v Speaker 1>of feeling of emotional estrangement brought on by the media

0:26:32.720 --> 0:26:35.320
<v Speaker 1>through which you communicate. A lot of us don't feel

0:26:35.400 --> 0:26:38.080
<v Speaker 1>very comfortable talking to people on the phone. A lot

0:26:38.119 --> 0:26:40.439
<v Speaker 1>of us, don't you know, we have the experience of

0:26:40.480 --> 0:26:43.680
<v Speaker 1>sending emails and being misunderstood, having people not read your

0:26:43.720 --> 0:26:47.840
<v Speaker 1>tone correctly, or getting worried about the way somebody punctuated

0:26:47.880 --> 0:26:50.000
<v Speaker 1>a sentence and an email. I mean, I bet you've

0:26:50.000 --> 0:26:52.439
<v Speaker 1>had this experience. Oh yeah, absolutely, and I think we

0:26:52.480 --> 0:26:57.119
<v Speaker 1>all have both in personal contacts and work contacts. You know, um,

0:26:57.200 --> 0:27:00.359
<v Speaker 1>you know, says I guess you know. Hopefully if you have,

0:27:00.480 --> 0:27:03.560
<v Speaker 1>if you're dealing a lot uh via email with someone,

0:27:03.600 --> 0:27:06.160
<v Speaker 1>you'll kind of get a feel for their tone and

0:27:06.200 --> 0:27:08.960
<v Speaker 1>how they tend to speak. But even then there's so

0:27:09.040 --> 0:27:11.680
<v Speaker 1>much room for miscommunication, Like even when you you feel

0:27:11.680 --> 0:27:14.280
<v Speaker 1>like you you really uh you know, or or up

0:27:14.320 --> 0:27:18.840
<v Speaker 1>to speed on how they present themselves in a textual manner. Robert,

0:27:18.880 --> 0:27:20.439
<v Speaker 1>if you don't mind me saying you're kind of a

0:27:20.520 --> 0:27:23.719
<v Speaker 1>terse emailer, am I I can see people getting worried

0:27:23.760 --> 0:27:25.920
<v Speaker 1>when they get an email from you that maybe you're

0:27:25.960 --> 0:27:28.600
<v Speaker 1>mad at them or something. I don't think that's necessarily

0:27:28.600 --> 0:27:30.480
<v Speaker 1>always the king. Maybe sometimes you're mad at me, But

0:27:30.560 --> 0:27:33.240
<v Speaker 1>I mean, I think you just tend to not spend

0:27:33.280 --> 0:27:36.119
<v Speaker 1>a whole lot of time, you know, worrying about how

0:27:36.119 --> 0:27:37.880
<v Speaker 1>to phrase stuff on email. You just kind of bang

0:27:37.960 --> 0:27:40.679
<v Speaker 1>it out, and which I admire because you know, I

0:27:41.040 --> 0:27:44.080
<v Speaker 1>it is, you know, the amount of time that people

0:27:44.119 --> 0:27:47.720
<v Speaker 1>waste trying to phrase stuff on email is is it's

0:27:47.760 --> 0:27:50.880
<v Speaker 1>a horror. The thing is I used I remember when

0:27:50.920 --> 0:27:53.720
<v Speaker 1>I was younger, I would have these these long email

0:27:53.760 --> 0:27:56.840
<v Speaker 1>correspondence is we're going on with friends where we would

0:27:56.880 --> 0:28:01.400
<v Speaker 1>respond like like sometimes ence by sentence or atleast paragraph

0:28:01.400 --> 0:28:05.320
<v Speaker 1>by care paragraph where we'd respond to specific points and

0:28:05.440 --> 0:28:09.000
<v Speaker 1>uh and and right at length in response. And at

0:28:09.040 --> 0:28:12.840
<v Speaker 1>some point this just faded away. I haven't really I

0:28:12.840 --> 0:28:14.479
<v Speaker 1>haven't really thought about it too much to to try

0:28:14.520 --> 0:28:16.840
<v Speaker 1>and figure out exactly like at what point, like which

0:28:17.280 --> 0:28:22.880
<v Speaker 1>like technological or communications change altered that or and or

0:28:22.920 --> 0:28:27.000
<v Speaker 1>what life changes led to that occurring. But at the

0:28:27.000 --> 0:28:29.239
<v Speaker 1>same time, you know, it used to have of, you know,

0:28:29.520 --> 0:28:32.520
<v Speaker 1>long phone conversations with people and now it's really it's

0:28:32.680 --> 0:28:35.359
<v Speaker 1>it's extremely rare for me to have a long phone conversation.

0:28:35.359 --> 0:28:38.560
<v Speaker 1>It's basically like two people in the world that I

0:28:38.600 --> 0:28:41.560
<v Speaker 1>have phone conversations within a regular basis and once my

0:28:41.640 --> 0:28:43.920
<v Speaker 1>wife and once and my mother, and then that's pretty

0:28:43.960 --> 0:28:47.120
<v Speaker 1>much it. Do you think maybe these changes have been

0:28:47.200 --> 0:28:49.960
<v Speaker 1>brought on by other technological changes, like the rise of

0:28:50.000 --> 0:28:53.600
<v Speaker 1>social media. I suspect they have. Yeah, Like instead of

0:28:54.200 --> 0:28:58.480
<v Speaker 1>having this this more, this longer, more thoughtful stream of

0:28:58.520 --> 0:29:01.320
<v Speaker 1>communication with some body that you know now lives in

0:29:01.360 --> 0:29:04.760
<v Speaker 1>another city, you just have a continual trickle, you know,

0:29:05.360 --> 0:29:08.200
<v Speaker 1>so again we just have that familiarity, like a tripical

0:29:08.280 --> 0:29:13.000
<v Speaker 1>familiarity going on instead of like an actual stream of communication. Well,

0:29:13.040 --> 0:29:17.280
<v Speaker 1>and it also I think that the way that technology

0:29:17.360 --> 0:29:21.320
<v Speaker 1>has changed our communication sometimes forces us to become a

0:29:21.400 --> 0:29:24.080
<v Speaker 1>version of ourselves that we don't recognize. I mean, I

0:29:24.120 --> 0:29:28.760
<v Speaker 1>was talking about how we write work emails. I actually

0:29:28.880 --> 0:29:32.000
<v Speaker 1>don't love the way that I write work emails. I

0:29:32.040 --> 0:29:37.040
<v Speaker 1>feel like often I have to I overuse like exclamation

0:29:37.120 --> 0:29:39.920
<v Speaker 1>points and smiley faces and all that. And it's mainly

0:29:39.960 --> 0:29:43.840
<v Speaker 1>just because I don't ever want to accidentally make somebody

0:29:43.840 --> 0:29:46.120
<v Speaker 1>feel bad over email or make them get the wrong

0:29:46.200 --> 0:29:48.280
<v Speaker 1>idea that I'm at them or something like that. On

0:29:48.440 --> 0:29:51.120
<v Speaker 1>the emotional intention, Yeah, and the statement I hate it

0:29:51.160 --> 0:29:55.240
<v Speaker 1>because I can feel myself feeling insipid and feeling not

0:29:55.400 --> 0:29:58.880
<v Speaker 1>like myself as I type it. But I would rather

0:29:59.160 --> 0:30:02.560
<v Speaker 1>feel like that then worry that I'm giving people the

0:30:02.560 --> 0:30:04.840
<v Speaker 1>wrong idea or letting them think I'm mad at them

0:30:04.920 --> 0:30:07.080
<v Speaker 1>or something like that. You know, Yeah, I mean, but

0:30:08.080 --> 0:30:10.040
<v Speaker 1>I totally understand it. Yeah, sometimes you feel like you

0:30:10.080 --> 0:30:12.720
<v Speaker 1>have to really make it clear. And I do find

0:30:12.720 --> 0:30:15.000
<v Speaker 1>myself doing more and more of that with texts when

0:30:15.000 --> 0:30:18.080
<v Speaker 1>I'm sending a text, you know, via my tiny pocket computer.

0:30:18.240 --> 0:30:22.200
<v Speaker 1>Oh your pocket god, yes, tiny pocket guy. Yes. Yeah,

0:30:22.240 --> 0:30:24.520
<v Speaker 1>And so we've got to obviously, you know, all the

0:30:24.520 --> 0:30:28.120
<v Speaker 1>stuff we're talking about email, phone, uh, text messages and

0:30:28.200 --> 0:30:32.000
<v Speaker 1>internet communications. The photograph in a way kind of kind

0:30:32.040 --> 0:30:35.720
<v Speaker 1>of a modern communication method sort of, Yeah, is it's become,

0:30:35.920 --> 0:30:39.920
<v Speaker 1>you know, increasingly easy to to take digital photographs and

0:30:39.960 --> 0:30:42.200
<v Speaker 1>send them to other people. It becomes a form of

0:30:42.200 --> 0:30:45.720
<v Speaker 1>communication as does you know. You mentioned emoticons as being

0:30:45.720 --> 0:30:50.240
<v Speaker 1>like a way of of of tweaking textual content, but

0:30:50.320 --> 0:30:54.840
<v Speaker 1>in many cases like they're the prime uh language that

0:30:54.960 --> 0:30:58.120
<v Speaker 1>is used in communicating to say nothing of memes. Oh

0:30:58.160 --> 0:31:01.200
<v Speaker 1>I shudder at this thought. Memes or there's gonna be

0:31:01.280 --> 0:31:03.960
<v Speaker 1>a day in which the English language is replaced by memes.

0:31:04.400 --> 0:31:06.520
<v Speaker 1>It's just like, instead of an alphabet, you have a meme,

0:31:06.560 --> 0:31:08.640
<v Speaker 1>a bet and you just like put you paste the

0:31:08.680 --> 0:31:11.920
<v Speaker 1>memes together to form ideas. Yeah, I mean I already

0:31:11.960 --> 0:31:13.959
<v Speaker 1>feel um, you know, and maybe this is just me

0:31:14.080 --> 0:31:17.720
<v Speaker 1>feeling old, but um, I feel we we've already reached

0:31:17.720 --> 0:31:20.040
<v Speaker 1>the point where there'll be a threat about something sound

0:31:20.120 --> 0:31:23.880
<v Speaker 1>Reddit and there'll be a meme and I have to

0:31:24.040 --> 0:31:26.200
<v Speaker 1>I have to research what the meme means, Like it's

0:31:26.200 --> 0:31:28.200
<v Speaker 1>a new meme, and I have to figure out like

0:31:28.200 --> 0:31:30.520
<v Speaker 1>where it came from, how it's used, and how it's

0:31:30.520 --> 0:31:33.360
<v Speaker 1>potentially being misused, and how it's like evolving out of

0:31:33.360 --> 0:31:37.480
<v Speaker 1>that misuse to understand like what the prevailing idea is

0:31:38.360 --> 0:31:41.480
<v Speaker 1>that is being um expressed. Memes as a whole are

0:31:41.520 --> 0:31:44.240
<v Speaker 1>exactly like words in the sense that you can try

0:31:44.240 --> 0:31:46.360
<v Speaker 1>to write down a definition for a word, but where

0:31:46.520 --> 0:31:50.239
<v Speaker 1>uses changes over time. I mean, words don't actually have

0:31:50.480 --> 0:31:54.440
<v Speaker 1>fixed definitions. You can't control how people use them. Yeah,

0:31:54.520 --> 0:31:57.320
<v Speaker 1>it kind of like the whole like literally, right, um,

0:31:57.480 --> 0:31:59.760
<v Speaker 1>it's like, yeah, sorry, you lost that battle, that words changed.

0:32:00.120 --> 0:32:01.920
<v Speaker 1>You can cling to the past, but sorry, it was

0:32:02.000 --> 0:32:04.440
<v Speaker 1>just misused into a new usage. So I try not

0:32:04.480 --> 0:32:06.800
<v Speaker 1>to correct people on that one, but that does it

0:32:06.880 --> 0:32:12.000
<v Speaker 1>still gets me. My blood was literally boiling and it

0:32:12.200 --> 0:32:15.360
<v Speaker 1>literally took his head off. Yes, but yeah, So we're

0:32:15.440 --> 0:32:17.840
<v Speaker 1>talking about the you know, the technological media on which

0:32:17.840 --> 0:32:22.280
<v Speaker 1>our relationships happened. And I think many of our relationships,

0:32:22.400 --> 0:32:26.200
<v Speaker 1>especially in the last you know, ten years now, happened

0:32:26.240 --> 0:32:30.600
<v Speaker 1>primarily on these media. And on one hand, that can

0:32:30.640 --> 0:32:33.520
<v Speaker 1>be a good thing because it allows us to maintain

0:32:33.600 --> 0:32:36.640
<v Speaker 1>relationships with people who we want to have relationships with,

0:32:37.080 --> 0:32:40.400
<v Speaker 1>but can't, you know, people we can't practically arrange to

0:32:40.400 --> 0:32:42.760
<v Speaker 1>see in person as often as we'd like to. Several

0:32:42.800 --> 0:32:45.680
<v Speaker 1>of my best friends live in different cities and we've

0:32:45.680 --> 0:32:48.520
<v Speaker 1>been friends for years and I'm only able to maintain

0:32:48.560 --> 0:32:51.560
<v Speaker 1>friendships with them because of this technology. So I would

0:32:51.600 --> 0:32:54.680
<v Speaker 1>hate to lose those friendships. But also I wonder about

0:32:54.680 --> 0:32:56.640
<v Speaker 1>the fact that what is it doing to our culture

0:32:56.720 --> 0:32:59.640
<v Speaker 1>when there's a substantial number of people who, like, I

0:32:59.640 --> 0:33:04.120
<v Speaker 1>don't know, maybe seventy percent of their friendly social interactions

0:33:04.160 --> 0:33:08.120
<v Speaker 1>happen over a machine. Yeah. I mean even people like

0:33:08.200 --> 0:33:11.080
<v Speaker 1>flesh and blood friends that I have in the city

0:33:11.120 --> 0:33:13.000
<v Speaker 1>with me, Like, we still have to do like a

0:33:13.120 --> 0:33:16.040
<v Speaker 1>like a you know, a thirty email chain to plan

0:33:16.160 --> 0:33:18.760
<v Speaker 1>to meet each other in real life. Like even if

0:33:18.760 --> 0:33:21.200
<v Speaker 1>it's like a semi regular thing, like we know where

0:33:21.240 --> 0:33:23.440
<v Speaker 1>we're gonna go, we know when we're going to do it,

0:33:23.640 --> 0:33:25.720
<v Speaker 1>but we still have to coordinate all of these things.

0:33:25.720 --> 0:33:28.760
<v Speaker 1>So how much of the relationship is truly face to

0:33:28.840 --> 0:33:32.280
<v Speaker 1>face versus digital? Yeah? And so, Sapolsky says in this

0:33:32.440 --> 0:33:36.200
<v Speaker 1>article that this technological reality has conditioned us in a

0:33:36.240 --> 0:33:41.920
<v Speaker 1>way to dissociate our traditional pathways of recognition and familiarity.

0:33:42.040 --> 0:33:44.880
<v Speaker 1>Uh so, he writes, quote, Thus, not only has modern

0:33:44.920 --> 0:33:49.840
<v Speaker 1>life increasingly dissociated recognition and familiarity, but it has impoverished

0:33:49.880 --> 0:33:54.160
<v Speaker 1>the latter in the process. So impoverished familiarity this is

0:33:54.200 --> 0:33:58.520
<v Speaker 1>worsened buy our frantic skill at multitasking, especially social multitasking.

0:33:58.760 --> 0:34:01.480
<v Speaker 1>A recent Pew study parted that eighty nine percent of

0:34:01.520 --> 0:34:04.400
<v Speaker 1>cell phone owners use their phones during the most recent

0:34:04.440 --> 0:34:08.480
<v Speaker 1>social gathering. That sounds low to me. Um, we reduce

0:34:08.560 --> 0:34:11.600
<v Speaker 1>our social connotations to mere threads so that we can

0:34:11.680 --> 0:34:15.239
<v Speaker 1>maintain as many of them as possible. This leaves us

0:34:15.280 --> 0:34:19.360
<v Speaker 1>with signposts of familiarity that are frail remnants of the

0:34:19.440 --> 0:34:22.640
<v Speaker 1>real thing. And I think he's really onto something there

0:34:22.680 --> 0:34:26.520
<v Speaker 1>about the idea of um maintaining it's almost like putting

0:34:26.600 --> 0:34:31.040
<v Speaker 1>up the scarecrows of things like these technological stand ins

0:34:31.280 --> 0:34:36.560
<v Speaker 1>for relationships that are not really functioning biologically and psychologically

0:34:36.600 --> 0:34:40.800
<v Speaker 1>for us the way relationships should. But we'd rather maintain

0:34:40.920 --> 0:34:43.759
<v Speaker 1>as many of those as we can rather than have

0:34:43.920 --> 0:34:47.200
<v Speaker 1>fewer relationships but more face to face interaction, you know,

0:34:47.320 --> 0:34:49.839
<v Speaker 1>quality time and all that. Yeah, so we we end

0:34:49.920 --> 0:34:53.920
<v Speaker 1>up maintaining these trickles of of of actual social connections

0:34:53.920 --> 0:34:56.799
<v Speaker 1>as opposed to streams of social connection. So he's saying

0:34:56.800 --> 0:35:01.480
<v Speaker 1>there that we essentially degrade our sensitivity to the familiarity

0:35:01.600 --> 0:35:04.880
<v Speaker 1>aspect of of what knowing somebody is a social interaction.

0:35:04.920 --> 0:35:09.279
<v Speaker 1>It's recognition and familiarity. And when we degrade the familiarity thing,

0:35:09.600 --> 0:35:15.000
<v Speaker 1>he says, quote, uh, that we become increasingly vulnerable to imposts.

0:35:15.000 --> 0:35:19.640
<v Speaker 1>Our social media lives are rife with simulations and simulations

0:35:19.680 --> 0:35:22.640
<v Speaker 1>of simulations of reality, and so of course you know

0:35:22.760 --> 0:35:25.520
<v Speaker 1>that's uh, you know, one example there is people who

0:35:25.520 --> 0:35:27.920
<v Speaker 1>claim to know you, but they're not. They're uh, you know,

0:35:28.040 --> 0:35:31.400
<v Speaker 1>a friends email account gets hacked, some hacker contacts you

0:35:31.400 --> 0:35:33.480
<v Speaker 1>and tries to get you to open some malware. That's

0:35:33.480 --> 0:35:36.399
<v Speaker 1>one example. But there's a million versions of this thing

0:35:36.480 --> 0:35:42.160
<v Speaker 1>where where are sort of like low resolution familiarity detectors

0:35:42.239 --> 0:35:45.239
<v Speaker 1>in this digital world are being exploited by people who

0:35:45.239 --> 0:35:48.920
<v Speaker 1>are not actually our real friends. So and basically our

0:35:49.000 --> 0:35:53.280
<v Speaker 1>online their online version of ourselves is essentially as a lazy,

0:35:53.400 --> 0:35:57.120
<v Speaker 1>low resolution simulation, and so if someone comes along to

0:35:57.280 --> 0:35:59.839
<v Speaker 1>hijack that simulation, it's all the easier to do. So

0:36:00.000 --> 0:36:02.440
<v Speaker 1>you don't have to be a high level magic user

0:36:02.800 --> 0:36:06.360
<v Speaker 1>to to to take on the likeness of another individual

0:36:06.640 --> 0:36:10.600
<v Speaker 1>when the threshold for duplication is so low. Yeah, but

0:36:10.719 --> 0:36:13.799
<v Speaker 1>then here here's the turn. So Sapolsky says, by any

0:36:13.840 --> 0:36:17.120
<v Speaker 1>logic quote, this should induce us all to have cap

0:36:17.160 --> 0:36:20.920
<v Speaker 1>craw delusions to find it plausible that everyone we encounter

0:36:21.040 --> 0:36:24.120
<v Speaker 1>is an impostor. After all, how can one's faith in

0:36:24.120 --> 0:36:27.000
<v Speaker 1>the veracity of people not be shaken when you sent

0:36:27.080 --> 0:36:28.759
<v Speaker 1>all that money to the guy who claimed he was

0:36:28.800 --> 0:36:31.400
<v Speaker 1>from the I R. S. And I think there is

0:36:31.440 --> 0:36:33.640
<v Speaker 1>something going on here. It didn't start with this, but

0:36:33.760 --> 0:36:37.000
<v Speaker 1>this this impostor kind of thing that the doppelganger effect

0:36:37.040 --> 0:36:39.320
<v Speaker 1>of the online world and the fact that it's easy

0:36:39.360 --> 0:36:42.880
<v Speaker 1>to be tricked by an online doppelganger does help contribute,

0:36:42.920 --> 0:36:45.800
<v Speaker 1>I think to this concept. I'm sure you've encountered this, Robert,

0:36:45.880 --> 0:36:50.719
<v Speaker 1>that the Internet is not real life. People always say this, right,

0:36:51.080 --> 0:36:53.120
<v Speaker 1>It's like I talked about somebody being a friend in

0:36:53.239 --> 0:36:56.160
<v Speaker 1>real life, in real life versus on the Internet. But

0:36:56.200 --> 0:36:59.720
<v Speaker 1>if most of your social interactions are happening on the Internet,

0:37:00.040 --> 0:37:01.879
<v Speaker 1>in what sense is that not real life? I mean,

0:37:01.880 --> 0:37:04.239
<v Speaker 1>of course, the Internet is real life. It is It

0:37:04.360 --> 0:37:07.800
<v Speaker 1>is a it's like a technology. The stuff you're doing

0:37:07.840 --> 0:37:11.000
<v Speaker 1>on it is actually happening. It's not like something that

0:37:11.120 --> 0:37:14.400
<v Speaker 1>didn't happen. But you are making a distinction there people

0:37:14.400 --> 0:37:18.000
<v Speaker 1>in some way or or seeing these interactions as derealized

0:37:18.160 --> 0:37:21.520
<v Speaker 1>or as not having uh, you know, not material in

0:37:21.560 --> 0:37:24.120
<v Speaker 1>the way that other interactions are. And yet there where

0:37:24.160 --> 0:37:28.719
<v Speaker 1>we're doing most increasingly all of our stuff. Yeah, and

0:37:28.920 --> 0:37:31.319
<v Speaker 1>I wonder if part of that, you know, I would

0:37:31.440 --> 0:37:34.760
<v Speaker 1>I wonder how this plays out generation to generation, because

0:37:35.239 --> 0:37:38.759
<v Speaker 1>I feel like for me, I probably maybe I had

0:37:39.040 --> 0:37:41.880
<v Speaker 1>had a sense of the Internet is being not real life,

0:37:41.920 --> 0:37:44.799
<v Speaker 1>more so early on, because the Internet was in some

0:37:44.920 --> 0:37:47.920
<v Speaker 1>respectfully kind of an escape. I mean at the same time, yeah,

0:37:47.960 --> 0:37:49.640
<v Speaker 1>I was. I remember having a union to use a

0:37:49.960 --> 0:37:52.080
<v Speaker 1>like a college email address and all that kind of stuff.

0:37:52.080 --> 0:37:53.799
<v Speaker 1>You know, So you're still you're still doing in real

0:37:54.400 --> 0:37:56.759
<v Speaker 1>real life stuff via the Internet. But then a lot

0:37:56.800 --> 0:38:00.640
<v Speaker 1>of other stuff is is about escaping either just in general,

0:38:00.719 --> 0:38:06.239
<v Speaker 1>like escaping into the into fantasy, or like escaping geographical boundaries,

0:38:06.280 --> 0:38:08.480
<v Speaker 1>you know, and uh in you know, being able to

0:38:08.520 --> 0:38:10.759
<v Speaker 1>connect with people in other cities. Well, I think there's

0:38:10.800 --> 0:38:12.960
<v Speaker 1>another way in which there are multiple ways in which

0:38:13.000 --> 0:38:15.479
<v Speaker 1>people came to see the Internet is not real life,

0:38:15.480 --> 0:38:18.520
<v Speaker 1>and one of them is is anonymity. You know that

0:38:18.800 --> 0:38:23.040
<v Speaker 1>if you could go around invisible all day. What's that

0:38:23.080 --> 0:38:26.919
<v Speaker 1>Harry Potter cloak that makes you invisible? Oh the what

0:38:26.960 --> 0:38:28.719
<v Speaker 1>was the type? I mean, it's a new cloak of invisibility,

0:38:28.719 --> 0:38:32.080
<v Speaker 1>but I don't remember if it had any particular name. Well,

0:38:32.120 --> 0:38:34.359
<v Speaker 1>whatever that is, you could be invisible in a way

0:38:34.400 --> 0:38:36.839
<v Speaker 1>that would feel not real, right because if nobody can

0:38:36.880 --> 0:38:39.799
<v Speaker 1>see you and nobody knows who you are wherever you are,

0:38:39.880 --> 0:38:42.880
<v Speaker 1>then there are no consequences, and consequences are kind of

0:38:42.920 --> 0:38:46.239
<v Speaker 1>what gives us the feeling of reality. So that's part

0:38:46.320 --> 0:38:48.600
<v Speaker 1>of it. But I think also Spolski is onto something

0:38:48.600 --> 0:38:51.440
<v Speaker 1>here and that like that this estrangement of the sense

0:38:51.440 --> 0:38:55.120
<v Speaker 1>of recognition and familiarity is it makes the Internet start

0:38:55.160 --> 0:38:57.919
<v Speaker 1>to feel like this world of social delusion, this sort

0:38:57.960 --> 0:39:01.839
<v Speaker 1>of like always cap grav or a bold type landscape

0:39:02.080 --> 0:39:04.960
<v Speaker 1>where nothing is really real and you can't trust anything,

0:39:05.000 --> 0:39:07.560
<v Speaker 1>and yet at the same time we're we're constantly forced

0:39:07.600 --> 0:39:10.280
<v Speaker 1>to put our trust in it as a matter of fact,

0:39:10.440 --> 0:39:13.640
<v Speaker 1>because that's where we're doing everything. But then, of course,

0:39:14.160 --> 0:39:16.000
<v Speaker 1>back to the idea of like all these you know,

0:39:16.239 --> 0:39:19.800
<v Speaker 1>threads that people maintain and sort of mistake for meaningful

0:39:19.880 --> 0:39:24.400
<v Speaker 1>relationships online. Uh. He comes back and on that and says, actually,

0:39:24.520 --> 0:39:27.520
<v Speaker 1>you know, it seems more the opposite has happened than

0:39:27.680 --> 0:39:30.399
<v Speaker 1>than inducing us to all have cap grad delusions where

0:39:30.400 --> 0:39:32.799
<v Speaker 1>we see people we knew and we think of them,

0:39:33.280 --> 0:39:35.279
<v Speaker 1>see people we know and we think of them as

0:39:35.600 --> 0:39:39.320
<v Speaker 1>as you know, being a doppelganger or not familiar. Instead,

0:39:39.360 --> 0:39:41.560
<v Speaker 1>we go the other way and we see people we

0:39:41.600 --> 0:39:43.960
<v Speaker 1>don't really know very well, but we just have to

0:39:44.000 --> 0:39:47.279
<v Speaker 1>attach this feeling of familiarity to them. It allows all

0:39:47.320 --> 0:39:50.040
<v Speaker 1>of this false familiarity. And this really comes up in

0:39:50.880 --> 0:39:52.840
<v Speaker 1>I don't know, how have you read about the the

0:39:52.880 --> 0:39:56.680
<v Speaker 1>idea of you know, paras social interactions on social media?

0:39:57.040 --> 0:39:59.520
<v Speaker 1>You know, I don't think prior to this episode, I

0:40:00.320 --> 0:40:02.319
<v Speaker 1>I knew it by that term, but of course you

0:40:02.320 --> 0:40:04.000
<v Speaker 1>do see it all the time. Yeah, it's It's just

0:40:04.239 --> 0:40:07.000
<v Speaker 1>it's ubiquitous on the Internet. It's the idea, you know,

0:40:07.040 --> 0:40:10.239
<v Speaker 1>it's an asymmetrical relationship, the way like you follow a

0:40:10.280 --> 0:40:13.400
<v Speaker 1>public figure who doesn't know who you are. But there

0:40:13.440 --> 0:40:17.280
<v Speaker 1>are all of these indications that many people think of

0:40:17.320 --> 0:40:21.880
<v Speaker 1>these para social asymmetrical relationships as relationships. It's like they

0:40:21.920 --> 0:40:25.920
<v Speaker 1>almost view this Instagram influencer that they follow as like

0:40:26.000 --> 0:40:28.800
<v Speaker 1>an acquaint somebody they know, but of course that person

0:40:28.840 --> 0:40:31.800
<v Speaker 1>doesn't know them. Yeah. I really started thinking about this

0:40:31.840 --> 0:40:35.960
<v Speaker 1>classification though, of para social relationships, uh, and in wondering

0:40:36.000 --> 0:40:39.640
<v Speaker 1>like to what extent it can or could have existed

0:40:39.680 --> 0:40:42.960
<v Speaker 1>in previous times, Like what is the earliest possible example

0:40:43.000 --> 0:40:45.880
<v Speaker 1>of a para social relationship, Like maybe it could be

0:40:45.880 --> 0:40:48.719
<v Speaker 1>a situation where you have like a h an, like

0:40:48.800 --> 0:40:52.200
<v Speaker 1>a leader um in a given community, and then you

0:40:52.239 --> 0:40:54.520
<v Speaker 1>have like a very low level person in that community

0:40:55.280 --> 0:40:58.480
<v Speaker 1>that that the you know, the tribal leader just has

0:40:58.520 --> 0:41:01.000
<v Speaker 1>no uh you know, real idea of who they are.

0:41:01.600 --> 0:41:04.120
<v Speaker 1>But of course you know who the leader is. I mean,

0:41:04.200 --> 0:41:07.160
<v Speaker 1>I guess that's you know, sort of the the in

0:41:07.280 --> 0:41:10.760
<v Speaker 1>real life version of this. But we see it seems

0:41:10.800 --> 0:41:14.000
<v Speaker 1>like we see far more of it, uh in in

0:41:14.000 --> 0:41:17.200
<v Speaker 1>in modern civilization. Um in certainly an Internet age, but

0:41:17.280 --> 0:41:21.280
<v Speaker 1>even pre Internet, like the idea of celebrity just enables

0:41:21.719 --> 0:41:25.200
<v Speaker 1>this sort of relationship to be possible, celebrities and leaders.

0:41:25.920 --> 0:41:29.319
<v Speaker 1>And of course I would say that social media, of

0:41:29.360 --> 0:41:33.480
<v Speaker 1>course did not invent the idea of celebrities, and so

0:41:33.480 --> 0:41:36.200
<v Speaker 1>so it didn't invent these relationships like you're talking about.

0:41:36.200 --> 0:41:38.680
<v Speaker 1>You know, you've always had leaders, You've always had public

0:41:38.760 --> 0:41:42.160
<v Speaker 1>figures in some way or another. Social media, I think

0:41:42.200 --> 0:41:46.720
<v Speaker 1>has increased the day to day relevance of these types

0:41:46.760 --> 0:41:49.279
<v Speaker 1>of relationships. You know, where you can like check in

0:41:49.400 --> 0:41:52.760
<v Speaker 1>on on the accounts of the people that you follow

0:41:52.840 --> 0:41:55.560
<v Speaker 1>every day and they don't know you, but you know you.

0:41:55.800 --> 0:41:59.120
<v Speaker 1>Especially I feel like Instagram, especially of all the platforms

0:41:59.120 --> 0:42:02.000
<v Speaker 1>I can think of as is really rife with this

0:42:02.680 --> 0:42:06.120
<v Speaker 1>um of like these influencers and people who lead kind

0:42:06.120 --> 0:42:08.920
<v Speaker 1>of glamorous lives and allow you to see into their

0:42:09.000 --> 0:42:12.239
<v Speaker 1>lives by showing you their house and their pets and

0:42:12.280 --> 0:42:14.719
<v Speaker 1>their lunch, and you know, you get all these interior

0:42:14.880 --> 0:42:18.360
<v Speaker 1>views and it's very visceral because it's visual and often

0:42:18.400 --> 0:42:20.920
<v Speaker 1>you know, visual, even in a way that's edited to

0:42:20.960 --> 0:42:24.480
<v Speaker 1>make it more colorful and exciting with the post processing

0:42:24.480 --> 0:42:26.319
<v Speaker 1>filters and all that. Right, And of course, at the

0:42:26.360 --> 0:42:29.440
<v Speaker 1>same time, like like all social media representations like this,

0:42:29.760 --> 0:42:34.520
<v Speaker 1>they are they're incomplete. We're crafted, and they're crafted their uh,

0:42:34.760 --> 0:42:37.880
<v Speaker 1>they're they're maintain in a very strategic way usually, so

0:42:37.920 --> 0:42:39.759
<v Speaker 1>you don't even have like a full vision of what

0:42:40.080 --> 0:42:43.319
<v Speaker 1>you know, random celebrities life actually is. You just have

0:42:43.400 --> 0:42:46.560
<v Speaker 1>this idealized version of it. So I just want to

0:42:46.600 --> 0:42:49.799
<v Speaker 1>read one last quote from Sapulski's article before we move on.

0:42:49.840 --> 0:42:52.879
<v Speaker 1>So he says, um uh. He ends by saying, quote,

0:42:52.880 --> 0:42:56.120
<v Speaker 1>Throughout history, cap Cross syndrome has been a cultural mirror

0:42:56.480 --> 0:43:00.760
<v Speaker 1>of a dissociative mind, where thoughts of recognition and feelings

0:43:00.800 --> 0:43:04.880
<v Speaker 1>of intimacy have been sundered. It's still that mirror today.

0:43:04.920 --> 0:43:07.160
<v Speaker 1>We think that what is false and artificial in the

0:43:07.160 --> 0:43:10.560
<v Speaker 1>world around us is substantive and meaningful. It's not that

0:43:10.680 --> 0:43:13.520
<v Speaker 1>loved ones and friends are mistaken for simulations, but that

0:43:13.640 --> 0:43:17.120
<v Speaker 1>simulations are mistaken for them. I think I kind of

0:43:17.160 --> 0:43:19.040
<v Speaker 1>disagree with them a little bit because I think it's

0:43:19.040 --> 0:43:22.080
<v Speaker 1>actually both of those things. It's like that that the

0:43:22.160 --> 0:43:25.799
<v Speaker 1>dissociation goes two ways in either case. Though we we

0:43:25.880 --> 0:43:29.279
<v Speaker 1>do typically we often find ourselves in situations though where

0:43:29.280 --> 0:43:33.960
<v Speaker 1>we are we are distracted from from real life um

0:43:34.239 --> 0:43:38.600
<v Speaker 1>relationships and real life socialization, and instead we have to

0:43:38.680 --> 0:43:41.000
<v Speaker 1>check in on these little streams on our phone to

0:43:41.160 --> 0:43:45.880
<v Speaker 1>just these uh, these simulated relationships that we have on

0:43:45.960 --> 0:43:48.960
<v Speaker 1>social media. Do you ever have the sort of direct

0:43:49.120 --> 0:43:52.239
<v Speaker 1>doppelganger experience, like with the fairy change links or the

0:43:52.280 --> 0:43:55.560
<v Speaker 1>doppelganger for a friend on the internet, Like you have

0:43:55.640 --> 0:43:58.000
<v Speaker 1>a family member, you have a friend who you love

0:43:58.080 --> 0:44:01.879
<v Speaker 1>in real life, but when you see the way they

0:44:01.920 --> 0:44:04.000
<v Speaker 1>are on the internet, I don't know what it. You know,

0:44:04.040 --> 0:44:07.160
<v Speaker 1>the kind of stuff they post on social media or whatever,

0:44:07.880 --> 0:44:10.319
<v Speaker 1>you don't feel like you recognize them and you don't

0:44:10.360 --> 0:44:13.560
<v Speaker 1>really like them. I've definitely known people who are like that.

0:44:13.640 --> 0:44:16.080
<v Speaker 1>I'm not gonna name any names who are like that

0:44:16.160 --> 0:44:19.520
<v Speaker 1>on say Twitter, Like I think, like I love this person.

0:44:19.680 --> 0:44:21.839
<v Speaker 1>But if all I knew about them was the way

0:44:21.880 --> 0:44:24.399
<v Speaker 1>they act on Twitter, I would I wouldn't be able

0:44:24.440 --> 0:44:28.320
<v Speaker 1>to stand them well social media, especially as it pertains

0:44:28.360 --> 0:44:32.920
<v Speaker 1>to you know, some topics, take politics, for instance, I

0:44:32.960 --> 0:44:36.440
<v Speaker 1>think it does tend to bring out the worst in us. Uh.

0:44:36.480 --> 0:44:40.319
<v Speaker 1>And I don't think that is a risky comment to make.

0:44:40.360 --> 0:44:43.560
<v Speaker 1>I think we can all think too specific examples of

0:44:43.600 --> 0:44:46.279
<v Speaker 1>that in all of our own lives. And yeah, that

0:44:46.320 --> 0:44:48.319
<v Speaker 1>can lead you to a situation where you're like, well,

0:44:48.360 --> 0:44:49.920
<v Speaker 1>I thought I knew that person, but I guess I

0:44:50.000 --> 0:44:53.000
<v Speaker 1>don't because look at this name they just shared, you know,

0:44:53.600 --> 0:44:58.520
<v Speaker 1>um and uh. But I think also though, when that happens,

0:44:58.560 --> 0:45:02.960
<v Speaker 1>we're just not appropriately appreciating the way that circumstances and

0:45:03.040 --> 0:45:09.279
<v Speaker 1>situations change change people's behavior. That we are the same way. Yeah. Absolutely,

0:45:09.520 --> 0:45:11.719
<v Speaker 1>All right, on that note, we're gonna take a quick break,

0:45:11.719 --> 0:45:16.759
<v Speaker 1>but we'll be right back. All right, we're back. You know,

0:45:16.760 --> 0:45:19.760
<v Speaker 1>I was thinking about what you said about about my emails,

0:45:20.560 --> 0:45:24.960
<v Speaker 1>but I feel like, like sixty maybe my emails or

0:45:24.960 --> 0:45:27.520
<v Speaker 1>me just saying um, cool sounds good. But I think

0:45:27.520 --> 0:45:30.239
<v Speaker 1>that's my my standard, which I feel is sufficient. It's

0:45:30.280 --> 0:45:33.919
<v Speaker 1>just me saying yes to whatever you just said. Uh,

0:45:33.920 --> 0:45:35.839
<v Speaker 1>and I I'm cool with it. Do you have an

0:45:35.880 --> 0:45:39.400
<v Speaker 1>Android phone? No? I don't. Okay, use Gmail? Yeah you

0:45:39.520 --> 0:45:41.520
<v Speaker 1>use Gmail, Yeah, but I don't use the I know

0:45:41.560 --> 0:45:44.279
<v Speaker 1>that you have the the sort of you know, the

0:45:44.320 --> 0:45:47.319
<v Speaker 1>auto language feature starts telling you what to say. It's like,

0:45:47.360 --> 0:45:49.919
<v Speaker 1>here's the email you could write. Man, when I saw

0:45:50.000 --> 0:45:54.399
<v Speaker 1>that thing, I was like, get out, what the heck? No, no, no,

0:45:55.080 --> 0:45:57.399
<v Speaker 1>well it's it's it's an easy jump to go from

0:45:57.400 --> 0:46:01.560
<v Speaker 1>there to like authorized simulations yourself, you know, to just

0:46:01.640 --> 0:46:03.799
<v Speaker 1>which I really I mean, that's not far off. That's

0:46:03.880 --> 0:46:07.000
<v Speaker 1>it's basically already here where you just give your account

0:46:07.040 --> 0:46:09.799
<v Speaker 1>of the authority to to make responses like this like

0:46:09.800 --> 0:46:11.600
<v Speaker 1>cool sounds good. I'll get back to you. You know

0:46:11.680 --> 0:46:13.799
<v Speaker 1>that sort of thing. Well, it's not gonna. I don't know.

0:46:13.840 --> 0:46:16.320
<v Speaker 1>I mean, even if I would type exactly the words

0:46:16.360 --> 0:46:18.919
<v Speaker 1>that's suggesting, I still don't want to let it do that.

0:46:19.320 --> 0:46:21.759
<v Speaker 1>The fact that like Gmail is gonna is going to

0:46:21.840 --> 0:46:25.000
<v Speaker 1>compose an email for me to my parents or my

0:46:25.080 --> 0:46:28.520
<v Speaker 1>wife that no, no, no no, unacceptable. There's so much room

0:46:28.960 --> 0:46:34.200
<v Speaker 1>for misunderstanding. Even if we're applying, um, you know, most

0:46:34.320 --> 0:46:38.200
<v Speaker 1>or all of our attention to crafting an email. Uh,

0:46:38.239 --> 0:46:41.360
<v Speaker 1>it feels like a machine, even a very like talented

0:46:42.120 --> 0:46:45.000
<v Speaker 1>AI would have difficulty with that. There's just so much

0:46:45.080 --> 0:46:48.040
<v Speaker 1>nuance in human communication and knowing who you're communicating to.

0:46:48.120 --> 0:46:50.759
<v Speaker 1>Like sometimes it's a matter of knowing there are certain

0:46:50.760 --> 0:46:53.880
<v Speaker 1>words you shouldn't use with another individual, like maybe you're

0:46:53.920 --> 0:46:56.279
<v Speaker 1>aware of what you know maybe uh, you know some

0:46:56.360 --> 0:46:58.960
<v Speaker 1>sort of a trigger for them, or or you know

0:46:59.000 --> 0:47:01.399
<v Speaker 1>it may pertain to some sort of you know, um,

0:47:01.400 --> 0:47:04.200
<v Speaker 1>you know, incident from from from your personal past with

0:47:04.280 --> 0:47:07.279
<v Speaker 1>that person. Like, there's so many potential h holes to

0:47:07.320 --> 0:47:11.400
<v Speaker 1>fall into when composing written communication. Why trust that the

0:47:11.440 --> 0:47:13.080
<v Speaker 1>to the machine? Or I don't know, maybe the reverse

0:47:13.120 --> 0:47:15.839
<v Speaker 1>is true. Always trusted the machine as long as they

0:47:15.840 --> 0:47:18.160
<v Speaker 1>have all those caveats in mind, you know. I think

0:47:18.200 --> 0:47:22.040
<v Speaker 1>one thing that's interesting to me is about the psychological

0:47:22.080 --> 0:47:25.040
<v Speaker 1>effects of heavy social media use. Um. I feel like

0:47:25.040 --> 0:47:28.080
<v Speaker 1>we're still in the early days of getting a picture

0:47:28.120 --> 0:47:30.160
<v Speaker 1>of what that's like, and that there appears to be

0:47:30.200 --> 0:47:33.400
<v Speaker 1>a lot of conflicting evidence. I think. I think because

0:47:33.440 --> 0:47:36.279
<v Speaker 1>we we haven't refined all our categories and ways of

0:47:36.320 --> 0:47:39.600
<v Speaker 1>testing things yet. I do often say that I think

0:47:39.960 --> 0:47:42.040
<v Speaker 1>in emerging this is just a prediction I could turn

0:47:42.040 --> 0:47:44.520
<v Speaker 1>out to be totally wrong. But my guess is that

0:47:44.600 --> 0:47:48.560
<v Speaker 1>in the coming years, there's going to be emerging consensus

0:47:48.600 --> 0:47:51.600
<v Speaker 1>that heavy social media used, especially say among young people

0:47:51.640 --> 0:47:54.480
<v Speaker 1>like teenagers and stuff, is correlated with a lot of

0:47:54.520 --> 0:47:58.680
<v Speaker 1>negative psychological outcomes and uh, you know, the depression and

0:47:58.719 --> 0:48:01.200
<v Speaker 1>things like that, and that there will be like a

0:48:01.200 --> 0:48:04.480
<v Speaker 1>new cottage industry of like the lobbyists who deny the

0:48:04.520 --> 0:48:08.600
<v Speaker 1>emerging science on on social media. But uh, I mean,

0:48:08.920 --> 0:48:10.760
<v Speaker 1>I guess that's still to be seen. I mean, we've

0:48:10.800 --> 0:48:12.680
<v Speaker 1>only got a few years of data to work with

0:48:12.760 --> 0:48:15.839
<v Speaker 1>so far. Yeah, when trying to imagine the future, it's

0:48:15.840 --> 0:48:18.560
<v Speaker 1>difficult and also you know kind of you know, anxiety

0:48:18.560 --> 0:48:21.560
<v Speaker 1>and do thing to try and think where where our

0:48:21.560 --> 0:48:24.799
<v Speaker 1>social media usage is going. On one hand, I guess

0:48:24.840 --> 0:48:29.560
<v Speaker 1>I'm I'm hopeful that more and more people will you know,

0:48:29.800 --> 0:48:32.560
<v Speaker 1>choose to if if not opt out of social media,

0:48:33.719 --> 0:48:36.959
<v Speaker 1>but or you know, at least rethink how they're using

0:48:37.000 --> 0:48:39.440
<v Speaker 1>it step back from it. Even I kind of think

0:48:39.440 --> 0:48:41.480
<v Speaker 1>of it. It's kind of like a hot tub. You know,

0:48:41.520 --> 0:48:43.080
<v Speaker 1>when you first get into a hot tub, you just

0:48:43.280 --> 0:48:44.600
<v Speaker 1>u just all in, you know, it's like, let me

0:48:44.640 --> 0:48:46.000
<v Speaker 1>just go all the way up to my ears in

0:48:46.040 --> 0:48:49.400
<v Speaker 1>this and uh on ill zone and zone out, and

0:48:49.640 --> 0:48:51.880
<v Speaker 1>you know, that's good for a while, but then eventually realize,

0:48:51.880 --> 0:48:54.439
<v Speaker 1>if I stay in here, um, I am going to die.

0:48:55.239 --> 0:48:58.920
<v Speaker 1>So maybe I need to like only put half of

0:48:58.960 --> 0:49:01.200
<v Speaker 1>my body in here. Maybe I should just sit on

0:49:01.239 --> 0:49:03.160
<v Speaker 1>the side and get my feet in here, or maybe

0:49:03.239 --> 0:49:05.040
<v Speaker 1>very yet, maybe I should go get in the pool

0:49:05.080 --> 0:49:07.960
<v Speaker 1>for a while and do that. Or even maybe I

0:49:07.960 --> 0:49:09.840
<v Speaker 1>should leave all together and go home and see my

0:49:09.920 --> 0:49:12.399
<v Speaker 1>family that sort of thing. You know, it is nice

0:49:12.440 --> 0:49:14.600
<v Speaker 1>at first. I remember thinking about when I very first

0:49:14.600 --> 0:49:16.360
<v Speaker 1>got on Twitter, it seemed like it was nice for

0:49:16.360 --> 0:49:19.120
<v Speaker 1>a while that I was mostly just seeing things that

0:49:19.760 --> 0:49:23.680
<v Speaker 1>like learning and things that people were enthusiastic about. People

0:49:23.680 --> 0:49:27.279
<v Speaker 1>were sharing their enthusiasms. Here's a great thing, and uh

0:49:27.280 --> 0:49:29.880
<v Speaker 1>and over time, I'm not sure exactly what happened, but

0:49:30.520 --> 0:49:33.759
<v Speaker 1>it seemed like it transformed into more like this, uh,

0:49:33.880 --> 0:49:37.640
<v Speaker 1>this swamp of misery, where the primary emotions coming off

0:49:37.680 --> 0:49:41.200
<v Speaker 1>of it was just that everybody hates everything. Of course,

0:49:41.480 --> 0:49:43.439
<v Speaker 1>all of this, of course, is depending on on how

0:49:43.480 --> 0:49:46.200
<v Speaker 1>exactly when used as a social media platform, who you

0:49:46.280 --> 0:49:50.319
<v Speaker 1>follow um like for instance, like on Instagram. Obviously there's

0:49:50.320 --> 0:49:53.120
<v Speaker 1>a lot of celebrity worship going on, a lot of

0:49:53.160 --> 0:49:56.640
<v Speaker 1>para social relationships taking place there. As we already mentioned,

0:49:57.000 --> 0:49:58.560
<v Speaker 1>I don't see as much of that. And part of

0:49:58.560 --> 0:50:01.600
<v Speaker 1>that is just because I like only follow family and friends,

0:50:01.640 --> 0:50:03.880
<v Speaker 1>and I only use it myself for family photos, and

0:50:03.880 --> 0:50:05.759
<v Speaker 1>it's like, you know, it's a closed account. Well, I

0:50:05.800 --> 0:50:08.799
<v Speaker 1>do think that there is some evidence I've seen so

0:50:08.840 --> 0:50:11.640
<v Speaker 1>far that and I'm not sure I solid this is yet,

0:50:11.680 --> 0:50:14.200
<v Speaker 1>but there's some evidence that there's a pretty big difference

0:50:14.200 --> 0:50:17.040
<v Speaker 1>in the psychological effects of social media depending on whether

0:50:17.080 --> 0:50:20.400
<v Speaker 1>you primarily use it too as a way of keeping

0:50:20.480 --> 0:50:23.000
<v Speaker 1>up with family and friends versus as a way of

0:50:23.080 --> 0:50:26.879
<v Speaker 1>interacting with public accounts. But I think but then again,

0:50:26.880 --> 0:50:28.319
<v Speaker 1>one of the dangers in all of this is even

0:50:28.360 --> 0:50:30.720
<v Speaker 1>if there is a preferred if there is a healthier

0:50:30.760 --> 0:50:34.560
<v Speaker 1>way to use a given platform, you are still fighting

0:50:34.600 --> 0:50:40.120
<v Speaker 1>against the intended usage of that platform, as engineered by

0:50:40.200 --> 0:50:43.160
<v Speaker 1>the makers of that platform. The intended usage of the

0:50:43.160 --> 0:50:45.680
<v Speaker 1>platform is to open it up and never get off.

0:50:46.800 --> 0:50:49.680
<v Speaker 1>It's just and so like, it's difficult to compete with that.

0:50:49.719 --> 0:50:52.160
<v Speaker 1>I mean, we've talked about it this on the show before. Uh.

0:50:52.480 --> 0:50:56.440
<v Speaker 1>In terms of gambling, technology and then social media technology.

0:50:56.640 --> 0:50:59.919
<v Speaker 1>I mean, you're you're really up against a fearsome adversary

0:51:00.360 --> 0:51:04.120
<v Speaker 1>in telling yourself, I'm only going to use this in

0:51:04.160 --> 0:51:07.239
<v Speaker 1>a way that is mentally beneficial for me and not

0:51:07.400 --> 0:51:12.480
<v Speaker 1>just purely economically beneficial for the masters of the medium.

0:51:12.520 --> 0:51:14.279
<v Speaker 1>You know, Jared Lannier, who we've talked about on the

0:51:14.280 --> 0:51:16.560
<v Speaker 1>show before, has written a book about it. Basically, it's

0:51:16.600 --> 0:51:19.600
<v Speaker 1>saying everybody should delete their social media accounts, just get

0:51:19.640 --> 0:51:22.640
<v Speaker 1>off these platforms, and that will be it will make

0:51:22.680 --> 0:51:25.080
<v Speaker 1>a much better world. And he's got a whole argument

0:51:25.120 --> 0:51:27.040
<v Speaker 1>for it in this book, which I haven't read yet,

0:51:27.080 --> 0:51:29.239
<v Speaker 1>but I planned to. In fact, we asked for some

0:51:29.280 --> 0:51:31.200
<v Speaker 1>review copies. But I think we should see if we

0:51:31.200 --> 0:51:33.839
<v Speaker 1>can try to get uh Jared Lannier on the podcast. Yes,

0:51:34.160 --> 0:51:36.000
<v Speaker 1>I think we should. I also wonder what he would

0:51:36.040 --> 0:51:38.759
<v Speaker 1>think about this UH comparison. I still feel like there's

0:51:38.760 --> 0:51:42.000
<v Speaker 1>a lot of stuff to work out, but I sense

0:51:42.160 --> 0:51:45.800
<v Speaker 1>that the Sopulski's comparison here about the the rift between

0:51:45.840 --> 0:51:49.239
<v Speaker 1>the emotion of familiarity and the and the cognitive recognition

0:51:49.280 --> 0:51:52.080
<v Speaker 1>function of the brain, UH, that that's at work in

0:51:52.120 --> 0:51:54.600
<v Speaker 1>cap Grass syndrome. This is a really rich kind of

0:51:54.840 --> 0:51:58.960
<v Speaker 1>comparison for for social media and media technology generally, and

0:51:59.400 --> 0:52:02.719
<v Speaker 1>I e to keep having more thoughts about it. Yeah,

0:52:02.960 --> 0:52:06.440
<v Speaker 1>I mean, I I don't want to just sound like

0:52:06.440 --> 0:52:08.759
<v Speaker 1>I'm just saying like the people are awful and that

0:52:08.960 --> 0:52:12.240
<v Speaker 1>technology makes us more awful. Uh, you know, I don't

0:52:12.320 --> 0:52:14.840
<v Speaker 1>want that to be my ultimate argument. And ultimately I

0:52:14.840 --> 0:52:19.200
<v Speaker 1>would say that technology enables humans to do amazing things.

0:52:19.960 --> 0:52:25.399
<v Speaker 1>And if we direct this power in the right way, Uh,

0:52:25.440 --> 0:52:27.120
<v Speaker 1>you know, there's plenty that we can do. There's plenty

0:52:27.160 --> 0:52:31.120
<v Speaker 1>we have done to connect people and and and build

0:52:31.120 --> 0:52:35.239
<v Speaker 1>a better world out of those connections. But obviously there's

0:52:35.280 --> 0:52:37.600
<v Speaker 1>more that we could do. And I guess the worrisome

0:52:37.600 --> 0:52:40.160
<v Speaker 1>thing with these platforms, the various platforms that we're talking about,

0:52:40.239 --> 0:52:43.200
<v Speaker 1>is like, what is the the ultimate advantage? What is

0:52:43.200 --> 0:52:46.440
<v Speaker 1>the ultimate intention of the masters of those given platforms.

0:52:46.800 --> 0:52:49.080
<v Speaker 1>What do they want? And even in cases where they

0:52:49.080 --> 0:52:51.319
<v Speaker 1>may say, no, we want to build something that brings

0:52:51.360 --> 0:52:55.480
<v Speaker 1>people together, we want to build something that empowers, you know,

0:52:55.840 --> 0:52:58.120
<v Speaker 1>a better world. Like is that impulse going to win

0:52:58.200 --> 0:53:01.680
<v Speaker 1>out in the overall structure of this given social media

0:53:01.719 --> 0:53:06.160
<v Speaker 1>platform or is it going to be profitability or engagement

0:53:06.280 --> 0:53:09.920
<v Speaker 1>or some other metric that is ultimately more important to

0:53:10.000 --> 0:53:13.000
<v Speaker 1>the corporate entity. It's always profitability, and of course that's

0:53:13.000 --> 0:53:16.239
<v Speaker 1>always what's went out. But I feel like there's I

0:53:16.560 --> 0:53:19.920
<v Speaker 1>have to hold onto the possibility that that humans can

0:53:19.960 --> 0:53:22.080
<v Speaker 1>do better though. Well, I mean, that does make me

0:53:22.120 --> 0:53:24.960
<v Speaker 1>wonder if perhaps what you could do instead is have

0:53:25.160 --> 0:53:29.920
<v Speaker 1>some kind of nonprofit, open source social media platform that

0:53:29.960 --> 0:53:32.840
<v Speaker 1>would that would compete and try to replace these for

0:53:33.040 --> 0:53:37.600
<v Speaker 1>profit forms that are deranging our relationships and and causing

0:53:37.640 --> 0:53:42.439
<v Speaker 1>this familiarity recognition rift and potentially having all these psychologically

0:53:42.440 --> 0:53:45.360
<v Speaker 1>negative consequences on our lives and on our culture broadly.

0:53:45.640 --> 0:53:47.759
<v Speaker 1>I'm not sure exactly what that would look like. I mean,

0:53:48.040 --> 0:53:49.640
<v Speaker 1>it would probably be a start if there was just

0:53:50.160 --> 0:53:54.080
<v Speaker 1>something that was like Facebook, but that did not manipulate

0:53:54.120 --> 0:53:58.520
<v Speaker 1>what people saw and prioritize you know, conflict and paid content.

0:53:58.960 --> 0:54:01.160
<v Speaker 1>But then again, I e. Even just with the you know,

0:54:01.200 --> 0:54:03.799
<v Speaker 1>the bare bones basics of Facebook, I wonder about you know,

0:54:03.880 --> 0:54:08.719
<v Speaker 1>having these friend networks. Uh, does does the even the

0:54:08.719 --> 0:54:12.680
<v Speaker 1>most basic mechanic of something like Facebook encourage people to

0:54:13.239 --> 0:54:16.759
<v Speaker 1>go through these mental processes where they sort of degrade

0:54:16.840 --> 0:54:20.319
<v Speaker 1>their standards of what counts as a healthy relationship I

0:54:20.320 --> 0:54:22.839
<v Speaker 1>mean maybe ultimately that's where where AI can come in,

0:54:22.920 --> 0:54:25.879
<v Speaker 1>you know, and we just need we need artificial intelligence

0:54:26.280 --> 0:54:31.120
<v Speaker 1>to dictate where and how to maintain healthy relationships online.

0:54:31.480 --> 0:54:33.680
<v Speaker 1>And that's that's the ultimate answer. I don't know, just

0:54:33.719 --> 0:54:40.400
<v Speaker 1>hand it off to an aidity. Why I'm not hopeful

0:54:40.440 --> 0:54:43.399
<v Speaker 1>about that either. Again, this is back to like I'm

0:54:43.400 --> 0:54:46.560
<v Speaker 1>worried about these l Ai squirrels, not the I'm not

0:54:46.600 --> 0:54:50.240
<v Speaker 1>worried about the great basilisk. I'm worried about the minor

0:54:50.360 --> 0:54:53.360
<v Speaker 1>dumb aies that that are running through our lives like

0:54:53.400 --> 0:54:56.560
<v Speaker 1>a pest infestation. Now, uh, you know, not not to

0:54:56.680 --> 0:54:58.200
<v Speaker 1>end things into a negative a place that I do

0:54:58.239 --> 0:55:01.279
<v Speaker 1>want to refer listeners back to our episod the Great Episodes,

0:55:01.840 --> 0:55:04.680
<v Speaker 1>the Great Eyeball Wars, where we went into a lot

0:55:04.719 --> 0:55:07.800
<v Speaker 1>of this, particularly about, you know, about how social media

0:55:07.880 --> 0:55:11.720
<v Speaker 1>and these platforms and our phones are gamed to capture

0:55:11.760 --> 0:55:14.239
<v Speaker 1>our attention and hold our attention. In those episodes, we

0:55:14.320 --> 0:55:18.240
<v Speaker 1>also shared some some advice that experts have given about

0:55:18.239 --> 0:55:21.200
<v Speaker 1>how to fight back, how to limit your use of

0:55:21.239 --> 0:55:24.000
<v Speaker 1>social media and or your phone, and uh, and so

0:55:24.080 --> 0:55:26.480
<v Speaker 1>I mean there and there are increasingly more tools out there,

0:55:26.480 --> 0:55:28.840
<v Speaker 1>I believe you know, some of these these phones have ways,

0:55:29.120 --> 0:55:32.680
<v Speaker 1>you know now, to to track how much you're using them,

0:55:32.800 --> 0:55:34.799
<v Speaker 1>or even to remind you not to use them in

0:55:34.840 --> 0:55:38.920
<v Speaker 1>certain situations. Yeah yeah, I mean I I can't honestly

0:55:39.000 --> 0:55:41.840
<v Speaker 1>and non hypocritically tell people to get entirely off of

0:55:41.920 --> 0:55:43.759
<v Speaker 1>social media because one of the things is I have

0:55:43.920 --> 0:55:46.879
<v Speaker 1>to maintain social media accounts because of my job at

0:55:46.920 --> 0:55:49.560
<v Speaker 1>this podcast, where we've got to like promote stuff on

0:55:49.640 --> 0:55:51.879
<v Speaker 1>social media, and you know, we've got to We've got

0:55:51.880 --> 0:55:55.000
<v Speaker 1>a Facebook discussion module that I really enjoy using. I

0:55:55.040 --> 0:55:58.000
<v Speaker 1>probably would have deleted my Facebook account, but I enjoy

0:55:58.080 --> 0:56:01.440
<v Speaker 1>our our discussion module with our fans there. Yeah. Yeah,

0:56:01.520 --> 0:56:03.400
<v Speaker 1>that's that's probably one of the main reasons I go

0:56:03.480 --> 0:56:06.719
<v Speaker 1>on Facebook these days. So discussion module, don't screw this up.

0:56:06.840 --> 0:56:10.680
<v Speaker 1>Let's keep keep this positive relationship. But I mean, I

0:56:10.719 --> 0:56:12.719
<v Speaker 1>will say that the reason it's on there's not any

0:56:12.760 --> 0:56:15.920
<v Speaker 1>inherent strength of Facebook. It's on there because of audience inertia.

0:56:15.960 --> 0:56:18.160
<v Speaker 1>I mean that that's where the people are. Like, if

0:56:18.160 --> 0:56:20.120
<v Speaker 1>you want to have a place where people already have

0:56:20.200 --> 0:56:23.440
<v Speaker 1>accounts and they can join Facebook, is they tell us

0:56:23.480 --> 0:56:25.719
<v Speaker 1>the place where you can do that? You know, I'd

0:56:25.719 --> 0:56:29.120
<v Speaker 1>love a world where somebody created some kind of non destructive,

0:56:29.120 --> 0:56:33.120
<v Speaker 1>open source uh you know, nonprofit platform where you could

0:56:33.120 --> 0:56:35.359
<v Speaker 1>do a similar thing if enough people could get on there.

0:56:35.520 --> 0:56:37.840
<v Speaker 1>All right, So, so there you have it. Obviously, there

0:56:37.840 --> 0:56:39.239
<v Speaker 1>are a lot of there's a lot of areas here

0:56:39.280 --> 0:56:41.719
<v Speaker 1>we can call out to listeners on. Uh. I mean,

0:56:41.880 --> 0:56:46.320
<v Speaker 1>first of all, have you ever encountered a really um

0:56:46.480 --> 0:56:49.600
<v Speaker 1>impressive double in your life, like someone that required uh,

0:56:49.640 --> 0:56:51.640
<v Speaker 1>you know, not even just a first and second glass,

0:56:51.719 --> 0:56:53.600
<v Speaker 1>maybe a third glance to realize that they were not

0:56:53.680 --> 0:56:56.880
<v Speaker 1>your friend or perhaps not yourself. We'd love to hear

0:56:56.880 --> 0:56:58.880
<v Speaker 1>from that all. I mean, for to that, you know,

0:56:58.920 --> 0:57:03.120
<v Speaker 1>soon if you've actually had any experience with cap gross syndrome. Um,

0:57:03.200 --> 0:57:06.239
<v Speaker 1>you know, we would like we would really appreciate any

0:57:06.280 --> 0:57:10.799
<v Speaker 1>firsthand knowledge of experiences like that. Uh. And then beyond that,

0:57:10.840 --> 0:57:12.600
<v Speaker 1>when we get into the you know, the of course,

0:57:12.640 --> 0:57:15.520
<v Speaker 1>the literary and the you know, the fictional and the

0:57:15.560 --> 0:57:18.720
<v Speaker 1>mythological connotations. If you have a particular you know, favorite

0:57:18.760 --> 0:57:21.120
<v Speaker 1>double you want to share. But certainly we spend most

0:57:21.160 --> 0:57:24.000
<v Speaker 1>of the time you're talking about this social media doppel

0:57:24.040 --> 0:57:27.640
<v Speaker 1>ganger idea, and so I mean, you're pretty much all

0:57:27.720 --> 0:57:30.240
<v Speaker 1>on social media. At this point, we're really you're either

0:57:30.320 --> 0:57:34.040
<v Speaker 1>on social media or you've made a very uh you know,

0:57:34.200 --> 0:57:39.040
<v Speaker 1>firm choice not to be so whichever category you fall into,

0:57:39.160 --> 0:57:41.760
<v Speaker 1>I feel like you probably have thoughts related to this

0:57:41.800 --> 0:57:44.320
<v Speaker 1>episode and we'd love to hear from you. Absolutely get

0:57:44.360 --> 0:57:46.200
<v Speaker 1>in touch. In the meantime. If you want to listen

0:57:46.200 --> 0:57:47.680
<v Speaker 1>to more episodes of Stuff to Blow your Mind, head

0:57:47.680 --> 0:57:49.160
<v Speaker 1>on over to stuff to Blow your Mind dot com.

0:57:49.200 --> 0:57:51.360
<v Speaker 1>That is the mothership. That's we'll find all the episodes.

0:57:51.720 --> 0:57:55.120
<v Speaker 1>You'll find a link there to our little merchandise store.

0:57:55.160 --> 0:57:57.400
<v Speaker 1>We can get some squirrel shirts. It's a fun way

0:57:57.400 --> 0:57:59.680
<v Speaker 1>to support the show. But the best way to support

0:57:59.680 --> 0:58:02.280
<v Speaker 1>the show is to simply rate and review us wherever

0:58:02.320 --> 0:58:03.840
<v Speaker 1>you have the power to do so. If you can

0:58:03.960 --> 0:58:06.760
<v Speaker 1>leave some stars, leave a nice review, do that, and

0:58:06.920 --> 0:58:10.120
<v Speaker 1>best of all, tell somebody about the show. Yeah, tell

0:58:10.200 --> 0:58:13.200
<v Speaker 1>him online, but even better if you see somebody in

0:58:13.320 --> 0:58:16.600
<v Speaker 1>real life, tell him about the show in real life,

0:58:17.280 --> 0:58:20.240
<v Speaker 1>because I feel like, uh, you know, it's gonna it's

0:58:20.240 --> 0:58:23.480
<v Speaker 1>gonna impress people all the more. That's right, huge, Thanks

0:58:23.520 --> 0:58:27.040
<v Speaker 1>as always to our excellent audio producer, Try Harrison. If

0:58:27.080 --> 0:58:29.520
<v Speaker 1>you would like to get in touch with this direct Sorry,

0:58:29.560 --> 0:58:32.840
<v Speaker 1>I'm laughing because Robert has got a little stress ball

0:58:32.880 --> 0:58:34.800
<v Speaker 1>over here and he's squishing the guts out of it

0:58:34.840 --> 0:58:37.120
<v Speaker 1>as we speak. Yeah, there's like some sort of white

0:58:37.120 --> 0:58:38.920
<v Speaker 1>pus coming out of it. I had it for like

0:58:38.960 --> 0:58:43.320
<v Speaker 1>two weeks and it's already squeezed out. So uh, I'm

0:58:43.320 --> 0:58:45.400
<v Speaker 1>not gonna name the brand because maybe I just had

0:58:45.400 --> 0:58:48.520
<v Speaker 1>a destructively anyway. Sorry. If you want to get in

0:58:48.560 --> 0:58:52.520
<v Speaker 1>touch with us directly, you can email us at contact

0:58:52.640 --> 0:59:04.520
<v Speaker 1>at stuff to Blow your Mind dot com. Stuff to

0:59:04.520 --> 0:59:06.480
<v Speaker 1>Blow Your Mind is a production of iHeart Radio's How

0:59:06.520 --> 0:59:09.040
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0:59:09.040 --> 0:59:11.840
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