WEBVTT - The Girlfriends S5/Bonus Ep 1: Get Back Down Here Off Your High Horse

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<v Speaker 1>Novel.

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<v Speaker 2>I started reporting on the case when Derek had been

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<v Speaker 2>arrested but not yet sentenced.

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<v Speaker 3>This is Rachel Monroe in twenty seventeen. She was a

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<v Speaker 3>reporter for The Atlantic, and she set about covering a

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<v Speaker 3>huge story unfolding in Texas.

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<v Speaker 2>They live in Texas, and so everything's bigger in Texas,

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<v Speaker 2>including the crimes.

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<v Speaker 3>The arrest of Derek Wodrett for scamming a woman in

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<v Speaker 3>the colony.

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<v Speaker 2>This was kind of the first time that there was

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<v Speaker 2>like a hope that this is all going to be connected.

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<v Speaker 2>You know, people are going to understand that this isn't

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<v Speaker 2>just a bunch of individual crimes, but like a larger pattern.

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<v Speaker 2>On the one hand, I think they wanted to share

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<v Speaker 2>about the case and like make it really clear that

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<v Speaker 2>this was a pattern of behavior. But also at the

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<v Speaker 2>same time they were cautious because he cut so many

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<v Speaker 2>times before and it hadn't really seemed to matter.

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<v Speaker 3>But the process of writing the piece wasn't exactly smooth.

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<v Speaker 3>A lot of women had spoken to the media before

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<v Speaker 3>in twenty fourteen. In twenty sixteen, before any arrest was

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<v Speaker 3>on the horizon, meticulously reported pieces alleging a long history

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<v Speaker 3>of fraud.

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<v Speaker 2>I do want to give a ton of credit to

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<v Speaker 2>Laura la Manchek, who's the reporter in Minneapolis who really

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<v Speaker 2>broke this story and did a lot of the legwork.

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<v Speaker 2>So some of these women had told their stories publicly

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<v Speaker 2>with some level of anonymity through her. But I had

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<v Speaker 2>a hard time tracking these people down, and so I

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<v Speaker 2>flew to Minneapolis, like not knowing whether anybody would speak

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<v Speaker 2>with me or not.

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<v Speaker 3>And even when she did, they were also really spread

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<v Speaker 3>out all over the country Texas, Hawaii, Arizona, and a

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<v Speaker 3>whole bunch in Minnesota. And even once Rachel tracked them down,

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<v Speaker 3>she encountered a growing hesitancy to speak to the media.

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<v Speaker 2>They were reluctant, I think for understandable reasons.

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<v Speaker 3>Probably the key reason among those understandable reasons was.

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<v Speaker 4>This, I can't describe the bashing that the public gave us.

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<v Speaker 4>People are very powerful behind their computers.

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<v Speaker 3>Even the most thoughtfully, carefully sensitively reported stories can't guarantee

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<v Speaker 3>how an audience will react.

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<v Speaker 4>You know, everybody said we were stupid to give him money.

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<v Speaker 4>How can we be so stupid?

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<v Speaker 3>If you've been listening closely, you'll know as well as

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<v Speaker 3>I do that this is a stupid question for anyone

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<v Speaker 3>to be asking any of these women, let alone dorry.

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<v Speaker 4>None of us gave him money. He went through files,

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<v Speaker 4>he went through purses, he went through wallets, he went

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<v Speaker 4>through checkbooks. He waited till you were out of the room.

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<v Speaker 4>People just absolutely crucified us.

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<v Speaker 3>It didn't really matter how exactly actually got his hands

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<v Speaker 3>on the money. Every time this case got reported over

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<v Speaker 3>the years, the women at the center of it came

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<v Speaker 3>face to face with a pervasive idea that they were,

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<v Speaker 3>in some way or another, partly to blame for what

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<v Speaker 3>happened to them, that they were at best vulnerable, naive,

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<v Speaker 3>and at worst.

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<v Speaker 2>Oh, how stupid are these women? They're just desperate, y'all

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<v Speaker 2>are an embarrassment. Y'all are pitiful.

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<v Speaker 3>Rachel's article came out in twenty eighteen, four months before

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<v Speaker 3>that sentencing here in Showdown. It's good, really thoughtful and

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<v Speaker 3>sensitively reported, but her peace didn't escape the inevitable backlash either.

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<v Speaker 2>I think there's a resistance to admitting. Part of the

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<v Speaker 2>pleasure of these scammer stories is like, as the reader,

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<v Speaker 2>you're kind of occupying this all knowing position, like it's

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<v Speaker 2>already happened. You know that it's a scam, and that

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<v Speaker 2>kind of gives you a false sense of security. I

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<v Speaker 2>think that like, oh, I'm smarter than that. Yes, I wouldn't.

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<v Speaker 2>I wouldn't fall for it.

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<v Speaker 3>I'm fascinated by this kind of response. Deep down, if

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<v Speaker 3>we're honest, maybe we all sometimes think it couldn't happen

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<v Speaker 3>to me.

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<v Speaker 2>You can kind of intellectually know like, oh, this could

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<v Speaker 2>happen to anybody. But truly, these techniques are time tested

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<v Speaker 2>and they really work, which means they could work on

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<v Speaker 2>any of us.

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<v Speaker 3>It's been a few years now since Rachel Monroe's article

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<v Speaker 3>came out, so she's had some time to reflect on

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<v Speaker 3>it all. I asked her to sit down with me,

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<v Speaker 3>give me the benefit of her hindsight, explain how it

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<v Speaker 3>all unfolded for her.

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<v Speaker 2>He's like in his jail uniform as a fraudster, and

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<v Speaker 2>he's telling me this stuff, and I'm like, oh, amazing, Yes.

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<v Speaker 3>And tell me about her face to face with Derek.

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<v Speaker 2>If anybody should know better, If anybody should know better,

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<v Speaker 2>it was me. You learn a lot by being hom old.

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<v Speaker 1>I guess.

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<v Speaker 3>I'm Annasonfield and from the teams at Novel and iHeart Podcasts,

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<v Speaker 3>you're listening to the girlfriends trust me both bonus episode one,

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<v Speaker 3>Get back down here, Off your high horse.

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<v Speaker 2>Maybe every story is a manipulation, but in true crime

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<v Speaker 2>the stakes are pretty high. What drew you to the

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<v Speaker 2>Derek Aldred case a person who is close to me

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<v Speaker 2>had fallen for a romance. Just learning about it through

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<v Speaker 2>her it kind of caught me off guard. Having it

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<v Speaker 2>hit close to home made it feel much more visceral.

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<v Speaker 2>And then also just like a really incredible woman, like

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<v Speaker 2>super savvy, super attractive, and this scam lasted for like

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<v Speaker 2>months and months and months, was incredibly elaborate. You know,

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<v Speaker 2>the guy like knew her kid's names. You know, they

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<v Speaker 2>would have these like long, long, long phone conversations, and

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<v Speaker 2>the fact that so much work was being put into,

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<v Speaker 2>you know, scamming this like one individual person, that it

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<v Speaker 2>was happening at this really intimate level, and then also

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<v Speaker 2>just seeing how it impacted her life and her emotions.

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<v Speaker 2>You know, it's one thing to lose a bunch of money,

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<v Speaker 2>and it's another thing to lose trust in yourself and

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<v Speaker 2>lose trust in the world. And you know, just seeing

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<v Speaker 2>the emotional ramifications made me think that this form of

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<v Speaker 2>it is new. It certainly seems to be growing, and

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<v Speaker 2>it's like having an impact beyond just you know, financial loss.

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<v Speaker 2>I remember looking at the FBI statistics and seeing that

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<v Speaker 2>this was, like, you know, among the top ways that

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<v Speaker 2>people were losing money online was to these romance scams.

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<v Speaker 2>If you think back like seven or eight years ago,

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<v Speaker 2>this kind of romance scam was really not on the

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<v Speaker 2>radar of a lot of people. I think that now

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<v Speaker 2>there's been a lot of Netflix documentaries and podcasts like

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<v Speaker 2>this one, and it's much more well known. At the time,

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<v Speaker 2>I think it was something that was certainly happening a lot,

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<v Speaker 2>but not necessarily getting the attention that it deserved. And

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<v Speaker 2>that just kind of blew my mind that it was

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<v Speaker 2>the scale of it combined with how much it wasn't

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<v Speaker 2>being talked about. So that was also something that was

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<v Speaker 2>interesting to me, like why why aren't we talking about this?

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<v Speaker 3>The kind of scamming Derek was doing seemed like such

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<v Speaker 3>an extreme example of the kind of thing Rachel was

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<v Speaker 3>reading about.

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<v Speaker 2>In order to scam these women, he was paying so

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<v Speaker 2>much attention to them and like really kind of watching

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<v Speaker 2>them and listening to them and learning about them to

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<v Speaker 2>know like what would work on them and what they

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<v Speaker 2>wanted and what would appeal to them. And it's pretty

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<v Speaker 2>close to somebody like listening to you and figuring out

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<v Speaker 2>what you like and trying to please you because they

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<v Speaker 2>like you. I was single at the time, and I

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<v Speaker 2>was dating, and so I think there was also like

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<v Speaker 2>a personal element for me where thinking about those early

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<v Speaker 2>stages of getting to know someone and that feeling of

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<v Speaker 2>like really falling for someone, which happens like way before

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<v Speaker 2>you actually know them. The feelings kind of come before

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<v Speaker 2>the facts in any case, like even if it turns

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<v Speaker 2>out to be like a really good situation. And so

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<v Speaker 2>I think thinking about how the romance scammer performs so

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<v Speaker 2>many acts that like a good boyfriend also does, and

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<v Speaker 2>it's just you know, like how do you know which

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<v Speaker 2>one is which? It's really kind of scary.

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<v Speaker 3>Yeah, of course, like you fall in love with the

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<v Speaker 3>fantasy of someone when you were like dating before you

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<v Speaker 3>actually know who they are completely God help the people

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<v Speaker 3>that you were dating while you were reporting on this story,

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<v Speaker 3>were you like quizzing.

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<v Speaker 2>Them, show me your fan, who are you talking to?

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<v Speaker 3>Rachel would go on to speak to a lot of

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<v Speaker 3>women who were scanned by Derek for her peace in

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<v Speaker 3>the Atlantic, but building trust after all they'd been through

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<v Speaker 3>was a challenge.

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<v Speaker 2>They had been deeply violated by this experience. Somebody that

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<v Speaker 2>they trusted had lied to them, So there was like

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<v Speaker 2>that level, and then I think a lot of them

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<v Speaker 2>felt really traumatized by how they had been depicted, just

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<v Speaker 2>this idea that they were dupes, that they were suckers,

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<v Speaker 2>that they were pathetic. So I think that there was

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<v Speaker 2>some hesitancy to trust, and understandably so.

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<v Speaker 3>One of the central women in Rachel's article is Linda.

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<v Speaker 3>You've not heard from her directly in this series, but

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<v Speaker 3>some of the details of her story will sound familiar

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<v Speaker 3>to you. Linda was in a relationship with Derek Wodread

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<v Speaker 3>back in twenty sixteen when he was pretending to be

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<v Speaker 3>Richie Peterson, the military vet. Linda went public with her

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<v Speaker 3>story that same year.

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<v Speaker 2>We met at a restaurant and then she and then

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<v Speaker 2>afterwards she was like, let's go get a pedicure, and

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<v Speaker 2>so I just remember sitting in the salon, you know,

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<v Speaker 2>side by side, getting her toes painted and buffed, and

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<v Speaker 2>that's when she really kind of started to open up.

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<v Speaker 2>I've never done that on a reporting trip before, but

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<v Speaker 2>It helped me understand her as a person, and there

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<v Speaker 2>was some feeling of like female solidarity I think in

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<v Speaker 2>you know, just sitting side by side talking about her

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<v Speaker 2>dating life before, during, and after this guy. That helped

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<v Speaker 2>me connect with her emotionally, and it broke down some

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<v Speaker 2>of the barriers that can sometimes be there as a journalist,

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<v Speaker 2>and sometimes we need those barriers. But it was a

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<v Speaker 2>way to really feel like, how this head hurt her.

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<v Speaker 3>I love that It's such a nice opportunity when people

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<v Speaker 3>are up for just kind of doing a thing with you.

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<v Speaker 2>The people working at this land must just have the

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<v Speaker 2>best gossip of anybody. I do remember, you know, after

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<v Speaker 2>kind of having this bonding moment at the salon with Linda,

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<v Speaker 2>she suggested that we go over to Missy's house, which

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<v Speaker 2>I was like, that's yes, that's amazing, let's go.

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<v Speaker 3>Missy was another woman that so called Richie Peterson had

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<v Speaker 3>been dating at the same time. She had discovered the

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<v Speaker 3>truth about Richie that he was actually Derek after finding

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<v Speaker 3>his real ID card in his wallet while he showered.

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<v Speaker 3>She also found Linda's credit card, looked her up on Facebook,

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<v Speaker 3>and reached out to her, warning her of the truth.

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<v Speaker 3>Like Dorian Tracy over in Texas. Linda and Missy had

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<v Speaker 3>struck up a friendship.

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<v Speaker 2>And seeing the two of them together, Linda, she's a

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<v Speaker 2>real kind of strong, blonde Texas woman, and Missy was

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<v Speaker 2>really different, you know, the small and dark haired and

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<v Speaker 2>just has kind of a single mom, had like a

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<v Speaker 2>different energy about her and looking at them, at the

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<v Speaker 2>two of them, and just you would think like, there's

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<v Speaker 2>no way they would have anything in common. They never

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<v Speaker 2>would have met otherwise, but they connected through sharing this

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<v Speaker 2>experience that most people haven't had.

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<v Speaker 3>But just show how broad Derek's scope was when it

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<v Speaker 3>comes to the sort of women that he was pursuing.

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<v Speaker 2>Yeah, if anything, the pattern was that these were all

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<v Speaker 2>like kind of savvy professional women, and it makes sense

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<v Speaker 2>that if you're trying to scam people out of money,

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<v Speaker 2>you want to have find people who are like doing well.

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<v Speaker 2>That really was kind of the only consistent thing about

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<v Speaker 2>them was that they were women who, in a lot

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<v Speaker 2>of ways we were thriving in their lives and you know,

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<v Speaker 2>just looking for a man to kind of add to

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<v Speaker 2>the picture. And he was good at presenting himself as

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<v Speaker 2>a catch up.

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<v Speaker 3>Until that point, Rachel had been focusing a lot on

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<v Speaker 3>the harm and pain and the story.

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<v Speaker 2>And just seeing the two of them sprawled on the

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<v Speaker 2>couch with Missy's daughter, like watching TV, you know, eating snacks,

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<v Speaker 2>like gabbing. I was like, oh, yeah, this is a

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<v Speaker 2>really important part of the story too, like how these

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<v Speaker 2>women were able to take care of each other when

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<v Speaker 2>they were being in some cases failed by law enforcement

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<v Speaker 2>and dismissed by other people in their lives.

0:13:24.760 --> 0:13:28.040
<v Speaker 3>What was the public reaction to your piece, specifically when

0:13:28.040 --> 0:13:29.040
<v Speaker 3>it came out.

0:13:29.400 --> 0:13:32.240
<v Speaker 2>I remember getting so many emails from people being like,

0:13:32.360 --> 0:13:35.200
<v Speaker 2>I have a story like this. This happened to me,

0:13:35.480 --> 0:13:38.200
<v Speaker 2>This happened to my aunt, this happened to my mother,

0:13:38.400 --> 0:13:40.720
<v Speaker 2>and you know, will you follow up? Will you write

0:13:40.760 --> 0:13:42.320
<v Speaker 2>about this man? Will you write about this man? And

0:13:42.360 --> 0:13:44.160
<v Speaker 2>I sort of it was sort of heartbreaking to have

0:13:44.160 --> 0:13:46.200
<v Speaker 2>to write back to all of these people and be like, look,

0:13:46.240 --> 0:13:49.240
<v Speaker 2>I'm sorry, I've kind of done my romance scammer story

0:13:49.280 --> 0:13:52.040
<v Speaker 2>and now I'm not covering that field anymore. And some

0:13:52.080 --> 0:13:55.280
<v Speaker 2>of those stories I like passed on to other reporters

0:13:55.280 --> 0:13:57.880
<v Speaker 2>that I that I knew that. I was just so

0:13:58.360 --> 0:14:02.440
<v Speaker 2>struck by how much any stories like this must be

0:14:03.080 --> 0:14:04.760
<v Speaker 2>out there and that aren't being told.

0:14:05.440 --> 0:14:08.160
<v Speaker 3>I've read Rachel's piece. It's really good. You should go

0:14:08.200 --> 0:14:11.559
<v Speaker 3>find it. It's called The Perfect Man Who Wasn't. It's

0:14:11.600 --> 0:14:15.200
<v Speaker 3>really sensitively and thoughtfully written, and I get a real

0:14:15.280 --> 0:14:19.040
<v Speaker 3>sense of these women from reading it. But alas the

0:14:19.080 --> 0:14:22.400
<v Speaker 3>Internet is the Internet.

0:14:24.240 --> 0:14:26.600
<v Speaker 2>There was like the original harm of being lied to

0:14:26.640 --> 0:14:29.040
<v Speaker 2>install infirm by this man, and then this kind of

0:14:29.040 --> 0:14:31.400
<v Speaker 2>secondary harm of like the victim blameing.

0:14:32.080 --> 0:14:34.080
<v Speaker 3>That's coming up after the break.

0:14:50.000 --> 0:14:53.120
<v Speaker 1>So your piece came out in twenty eighteen.

0:14:53.320 --> 0:14:58.640
<v Speaker 3>And you spoke about how the women in subsequent stuff

0:14:58.640 --> 0:15:01.600
<v Speaker 3>that's come out about their story, we have experienced kind

0:15:01.600 --> 0:15:04.960
<v Speaker 3>of lots of victim blaming from the public who are

0:15:05.240 --> 0:15:05.800
<v Speaker 3>reading it.

0:15:06.400 --> 0:15:08.680
<v Speaker 1>Do you think there's been a shift in.

0:15:08.640 --> 0:15:12.560
<v Speaker 3>The way the public react to those kind of stories now?

0:15:13.280 --> 0:15:15.680
<v Speaker 2>I like to think so. As a person who's like

0:15:15.680 --> 0:15:19.800
<v Speaker 2>spent a lot of time reading consuming true crime and

0:15:20.280 --> 0:15:22.360
<v Speaker 2>looking at the way people talk about true crime on

0:15:22.360 --> 0:15:25.640
<v Speaker 2>the Internet, it's like really shocking to me, how no

0:15:25.800 --> 0:15:30.760
<v Speaker 2>matter what, if you believe that it was the victim's fault,

0:15:31.040 --> 0:15:33.320
<v Speaker 2>then that's a way of thinking, like, oh, this would

0:15:33.360 --> 0:15:35.760
<v Speaker 2>never happen to me because I wouldn't make the mistakes

0:15:35.800 --> 0:15:38.880
<v Speaker 2>that they did. So I you know, I'm not that

0:15:39.680 --> 0:15:43.560
<v Speaker 2>hopeful about I mean, I do think that on some

0:15:43.800 --> 0:15:46.560
<v Speaker 2>level the discussion of romance scams, like as people have

0:15:46.640 --> 0:15:48.840
<v Speaker 2>become more aware of them and as more people's lives

0:15:48.840 --> 0:15:53.840
<v Speaker 2>have been touched by them, there is a better understanding

0:15:53.920 --> 0:15:57.520
<v Speaker 2>of how pervasive this is and how it could really

0:15:57.560 --> 0:16:00.320
<v Speaker 2>happen to anyone. But you know, victim blaming in general

0:16:00.360 --> 0:16:04.920
<v Speaker 2>and specifically when it's a situation that involves women and relationships,

0:16:05.720 --> 0:16:08.600
<v Speaker 2>those bad ord narratives still persist. And that's why it's

0:16:08.600 --> 0:16:11.320
<v Speaker 2>important to do podcasts like this, is to remind.

0:16:10.920 --> 0:16:14.040
<v Speaker 3>People over and over again, you know, I mean, that's

0:16:14.040 --> 0:16:15.840
<v Speaker 3>what I was gonna ask, because of course, like we,

0:16:16.600 --> 0:16:20.920
<v Speaker 3>as the people putting these stories out, are responsible for

0:16:21.560 --> 0:16:24.360
<v Speaker 3>the information that we give, and there's a lot that

0:16:24.400 --> 0:16:27.080
<v Speaker 3>we can do to paint a picture of a person

0:16:27.200 --> 0:16:29.720
<v Speaker 3>that the audience is going to run with. I mean,

0:16:29.720 --> 0:16:34.000
<v Speaker 3>I absolutely have experience of putting shows out and telling

0:16:34.040 --> 0:16:37.800
<v Speaker 3>stories where I think I've been really kind of ethical

0:16:37.920 --> 0:16:39.920
<v Speaker 3>and I feel like pleased with the way that I've

0:16:39.960 --> 0:16:43.160
<v Speaker 3>portrayed someone, and I've really thought it through and tried

0:16:43.200 --> 0:16:47.000
<v Speaker 3>not to add to these awful stereotypes, and then still

0:16:47.040 --> 0:16:49.520
<v Speaker 3>obviously people are gonna say what they say on the

0:16:49.560 --> 0:16:51.160
<v Speaker 3>internet and you can't escape that.

0:16:51.840 --> 0:16:57.200
<v Speaker 2>I think it's also like letting survivors be fully human,

0:16:57.360 --> 0:17:00.320
<v Speaker 2>not making what happened to them the only thing in

0:17:00.360 --> 0:17:03.040
<v Speaker 2>their life, you know, like letting them be in the

0:17:03.080 --> 0:17:06.760
<v Speaker 2>stories that we're telling full complex people, even flawed people.

0:17:06.920 --> 0:17:10.600
<v Speaker 2>You know. I think that sometimes one potential risk of

0:17:10.680 --> 0:17:14.159
<v Speaker 2>centering the victims or the survivors is there can be

0:17:14.280 --> 0:17:18.240
<v Speaker 2>an incentive or like a feeling that we need to

0:17:18.280 --> 0:17:22.960
<v Speaker 2>make the survivors into heroes or angels or as like

0:17:23.480 --> 0:17:27.080
<v Speaker 2>a way to head off those internet commenters. But it's like,

0:17:27.560 --> 0:17:29.720
<v Speaker 2>in a way, I think that does harm to the

0:17:29.720 --> 0:17:33.640
<v Speaker 2>cause of you know, telling full complete stories about full

0:17:33.680 --> 0:17:38.720
<v Speaker 2>complete people, Like we all make mistakes, victims and survivors

0:17:38.840 --> 0:17:42.320
<v Speaker 2>should be allowed to like express their full humanity in

0:17:42.520 --> 0:17:43.120
<v Speaker 2>the story.

0:17:44.440 --> 0:17:47.159
<v Speaker 3>Yeah, because it's really tempting, I think, especially in romance

0:17:47.200 --> 0:17:51.080
<v Speaker 3>scam stories. And I mean it's also sometimes inescapable because

0:17:51.080 --> 0:17:54.000
<v Speaker 3>it is just true. But it's really tempting to talk

0:17:54.000 --> 0:17:56.960
<v Speaker 3>about how small everybody is because you want to be like, no,

0:17:57.040 --> 0:17:59.360
<v Speaker 3>they're so small, like therefore it could happen to all

0:17:59.400 --> 0:18:02.120
<v Speaker 3>of us. But then also it's like it would also

0:18:02.200 --> 0:18:05.320
<v Speaker 3>be a terrible thing if they were right, like objectively,

0:18:05.359 --> 0:18:06.480
<v Speaker 3>not that smart.

0:18:06.760 --> 0:18:09.520
<v Speaker 2>Right exactly exactly. It's like, it's not terrible that it

0:18:09.560 --> 0:18:11.399
<v Speaker 2>happened to a smart person, it's terrible that it happened

0:18:11.400 --> 0:18:15.159
<v Speaker 2>to anybody. Stories that kind of portray victims as like,

0:18:16.200 --> 0:18:20.399
<v Speaker 2>you know, pure almost like non human angels does do

0:18:21.280 --> 0:18:24.840
<v Speaker 2>harm for like other survivors, other victims, because you know,

0:18:24.880 --> 0:18:26.520
<v Speaker 2>you look at a story like that and you're like, wow,

0:18:26.600 --> 0:18:28.800
<v Speaker 2>I'm not that perfect, like maybe I did deserve what

0:18:28.840 --> 0:18:30.360
<v Speaker 2>happened to me, And it's like, no, no, no, that's

0:18:30.400 --> 0:18:33.480
<v Speaker 2>not true. It's like we're all just humans kind of

0:18:33.520 --> 0:18:36.760
<v Speaker 2>trying to get through life not harming other people and

0:18:36.800 --> 0:18:40.480
<v Speaker 2>not being harmed. Like you don't have to be an angel,

0:18:40.680 --> 0:18:44.520
<v Speaker 2>a person who's never made a mistake, a fully virtuous

0:18:44.560 --> 0:18:46.760
<v Speaker 2>person to you know, deserve our sympathy.

0:18:47.119 --> 0:18:50.080
<v Speaker 3>I think according to the Justice Department, only about fifteen

0:18:50.119 --> 0:18:55.280
<v Speaker 3>percent of fraud victims actually report the crime to law enforcement,

0:18:56.200 --> 0:18:59.879
<v Speaker 3>and that's because of shame and guilt, embarrassment kind of

0:19:00.200 --> 0:19:03.720
<v Speaker 3>belief about what they've gone through. Why do you think

0:19:03.760 --> 0:19:06.640
<v Speaker 3>it's so difficult for people to report these crimes.

0:19:07.320 --> 0:19:09.680
<v Speaker 2>Through reporting, the story became clear to me that some

0:19:09.720 --> 0:19:13.720
<v Speaker 2>of that is justified because of law enforcement's response. You know,

0:19:13.760 --> 0:19:16.600
<v Speaker 2>when law enforcement is dismissive, then why would you tell

0:19:16.640 --> 0:19:18.880
<v Speaker 2>this to a cop if the cop is just gonna

0:19:19.240 --> 0:19:21.960
<v Speaker 2>blame you and not do anything about it. So, to

0:19:22.040 --> 0:19:24.480
<v Speaker 2>a certain extent, the shame is internal, but it's also

0:19:24.520 --> 0:19:26.879
<v Speaker 2>like coming from the people who are supposed to be

0:19:26.920 --> 0:19:27.520
<v Speaker 2>helping too.

0:19:27.920 --> 0:19:29.840
<v Speaker 3>Do you think there are things that we can do

0:19:30.280 --> 0:19:35.280
<v Speaker 3>to kind of fairly portray survivors without adding to the stigma.

0:19:35.440 --> 0:19:37.919
<v Speaker 2>This is something that is a lot better than it

0:19:38.000 --> 0:19:40.840
<v Speaker 2>used to be, as centering survivors in the stories and

0:19:40.960 --> 0:19:45.159
<v Speaker 2>not fixating on the perpetrator, you know, making it all

0:19:45.240 --> 0:19:47.480
<v Speaker 2>about him. Even if the story is like he's so bad,

0:19:47.560 --> 0:19:50.280
<v Speaker 2>he's so bad, the subtext of that is like, but

0:19:50.359 --> 0:19:52.800
<v Speaker 2>he's also kind of special and brilliant, and he's the

0:19:52.840 --> 0:19:55.720
<v Speaker 2>one we're paying attention to. So I think that has

0:19:55.800 --> 0:19:58.360
<v Speaker 2>gotten a lot better, and not just for romance scams,

0:19:58.400 --> 0:20:00.679
<v Speaker 2>but you know, these kind of mass shoot and like

0:20:00.720 --> 0:20:03.800
<v Speaker 2>all of this stuff about you know, not repeating the

0:20:03.880 --> 0:20:08.240
<v Speaker 2>perpetrator's name, just not making them kind of accidentally into

0:20:08.280 --> 0:20:11.280
<v Speaker 2>heroes or anti heroes, just not making them the center

0:20:11.320 --> 0:20:11.800
<v Speaker 2>of the story.

0:20:15.280 --> 0:20:17.680
<v Speaker 3>I've tried my best over the years to make sure

0:20:17.720 --> 0:20:22.240
<v Speaker 3>the girlfriends doesn't center a perpetrator like Derek Aldred. But

0:20:22.600 --> 0:20:26.320
<v Speaker 3>I also couldn't ignore him altogether, and neither could Rachel.

0:20:26.880 --> 0:20:30.199
<v Speaker 2>A lot of these reflections about not centering the perpetrator

0:20:30.320 --> 0:20:33.200
<v Speaker 2>were things that I learned through the process of writing

0:20:33.200 --> 0:20:34.280
<v Speaker 2>and reporting this story.

0:20:34.680 --> 0:20:44.000
<v Speaker 3>You actually meet Derek Aldred mm h more after the break.

0:20:56.760 --> 0:20:59.520
<v Speaker 2>When I went to go meet him, I was still

0:21:00.119 --> 0:21:03.800
<v Speaker 2>really in that kind of traditional true crime mode of like, well,

0:21:03.800 --> 0:21:05.520
<v Speaker 2>you got to meet the bad guy and try to

0:21:05.520 --> 0:21:08.240
<v Speaker 2>get him to tell you all of his secrets, Like

0:21:08.320 --> 0:21:11.680
<v Speaker 2>that's that's what makes for an exciting, thrilling story.

0:21:12.320 --> 0:21:15.320
<v Speaker 3>Back in twenty seventeen, Derek was real keen to talk

0:21:15.359 --> 0:21:16.760
<v Speaker 3>to Rachel about her pace.

0:21:17.280 --> 0:21:20.359
<v Speaker 2>I think I was just hoping to get a sense

0:21:20.359 --> 0:21:23.720
<v Speaker 2>of who he was, his background, how did he explain,

0:21:23.800 --> 0:21:26.199
<v Speaker 2>what he did, what made him tick, you know, all

0:21:26.240 --> 0:21:29.280
<v Speaker 2>of those questions that you have as a journalist trying

0:21:29.280 --> 0:21:31.639
<v Speaker 2>to get inside somebody's head.

0:21:32.440 --> 0:21:35.159
<v Speaker 3>At that time, Derek was being held on ramond in

0:21:35.240 --> 0:21:38.440
<v Speaker 3>Texas awaiting his sentencing hearing.

0:21:38.720 --> 0:21:40.800
<v Speaker 2>And so I made an appointment to go out there

0:21:41.119 --> 0:21:43.960
<v Speaker 2>and see him. They wouldn't let us meet in person,

0:21:44.000 --> 0:21:47.600
<v Speaker 2>although like I was at the place where he was incarcerated,

0:21:47.720 --> 0:21:49.280
<v Speaker 2>was still like a video call. It was a very

0:21:49.280 --> 0:21:52.000
<v Speaker 2>weird kind of setup to almost like talking on a

0:21:52.040 --> 0:21:55.720
<v Speaker 2>payphone with this like grainy little video where I can

0:21:55.760 --> 0:21:59.040
<v Speaker 2>see him in his prison uniform. He says everything that

0:21:59.040 --> 0:22:02.000
<v Speaker 2>you would want a source to say, right, like, there's

0:22:02.040 --> 0:22:04.800
<v Speaker 2>more to this story. I'm really happy to talk to you.

0:22:04.920 --> 0:22:06.679
<v Speaker 2>I'll tell you all about it. He said he was

0:22:06.720 --> 0:22:08.959
<v Speaker 2>going to like give me the password to his email.

0:22:09.000 --> 0:22:10.720
<v Speaker 2>He was like, Oh, there's all of these like files.

0:22:10.720 --> 0:22:12.480
<v Speaker 2>You could go into my email and you can see

0:22:12.480 --> 0:22:15.560
<v Speaker 2>the emails between me and these women. And I was like, wow,

0:22:15.560 --> 0:22:17.639
<v Speaker 2>that'll be so amazing, Like what a great thing to have.

0:22:17.760 --> 0:22:20.880
<v Speaker 2>Then I could quote, you know, like how he's seducing them,

0:22:20.920 --> 0:22:23.160
<v Speaker 2>and see all this behind the scenes and figure out

0:22:23.160 --> 0:22:27.639
<v Speaker 2>the timing, and I got really excited, and you know,

0:22:27.760 --> 0:22:29.240
<v Speaker 2>that all fell apart. Later.

0:22:29.320 --> 0:22:32.720
<v Speaker 3>Of course, when Rachel says it could happen to you,

0:22:33.280 --> 0:22:36.520
<v Speaker 3>she really does mean it, because in a way it

0:22:36.600 --> 0:22:37.280
<v Speaker 3>happened to her.

0:22:38.040 --> 0:22:41.640
<v Speaker 2>Of Course he didn't do that. Of course that never happened.

0:22:42.119 --> 0:22:47.040
<v Speaker 3>All the exonerating detail Derek promised never quite materialized.

0:22:47.960 --> 0:22:51.159
<v Speaker 2>He's like in his jail uniform as a fraudster, and

0:22:51.200 --> 0:22:54.080
<v Speaker 2>he's telling me this stuff, and I'm like, oh, amazing, Yes,

0:22:54.200 --> 0:22:56.760
<v Speaker 2>I just really brought it home that you can kind

0:22:56.800 --> 0:22:59.359
<v Speaker 2>of intellectually know like, oh, this could happen to anybody.

0:22:59.440 --> 0:23:02.239
<v Speaker 2>These tricks of manipulation, they work on us, you know,

0:23:02.400 --> 0:23:05.240
<v Speaker 2>on a human level, and we're all humans. But then

0:23:05.280 --> 0:23:10.960
<v Speaker 2>to just really like experience it, well, okay, humbling, humbling.

0:23:11.080 --> 0:23:12.239
<v Speaker 1>I can empathize with that.

0:23:12.320 --> 0:23:15.040
<v Speaker 3>I mean I did a show once with a very

0:23:15.040 --> 0:23:18.080
<v Speaker 3>prolific organized criminal and there was a point where I

0:23:18.080 --> 0:23:20.160
<v Speaker 3>suddenly realized I was being worked.

0:23:20.800 --> 0:23:23.000
<v Speaker 2>You know, well, they're good at what they do, Like

0:23:23.040 --> 0:23:25.920
<v Speaker 2>that's that's why, you know, that's why I good at it.

0:23:25.960 --> 0:23:26.720
<v Speaker 1>And I fell for it.

0:23:26.760 --> 0:23:29.439
<v Speaker 3>And then suddenly I was like, you know, in a

0:23:29.480 --> 0:23:32.920
<v Speaker 3>weird industrial estate about to be you know, off, and

0:23:32.960 --> 0:23:35.280
<v Speaker 3>I was like, no, this is I should have seen this.

0:23:35.320 --> 0:23:36.520
<v Speaker 2>I think I'm going to go home. Now.

0:23:37.400 --> 0:23:40.080
<v Speaker 3>Have your thoughts on the story changed. Do you think

0:23:40.160 --> 0:23:43.280
<v Speaker 3>between when you wrote it and now?

0:23:46.359 --> 0:23:49.240
<v Speaker 2>It's funny? I like, continue to read and watch and

0:23:49.280 --> 0:23:52.040
<v Speaker 2>listen to these stories when they come out. I find

0:23:52.080 --> 0:23:55.760
<v Speaker 2>them really heartbreaking, but I find them really compelling. We're

0:23:55.800 --> 0:23:59.120
<v Speaker 2>all just so vulnerable to this because we do all

0:23:59.160 --> 0:24:06.400
<v Speaker 2>want connection and lah. Then it's I understand why the scammers,

0:24:06.520 --> 0:24:10.040
<v Speaker 2>you know, target the heart, because we're all very vulnerable there.

0:24:10.040 --> 0:24:13.240
<v Speaker 2>But it's it's just really terrible what it does, the

0:24:13.600 --> 0:24:17.760
<v Speaker 2>sinister way that this kind of crime undermines people's sense

0:24:18.200 --> 0:24:21.719
<v Speaker 2>of self, trust in themselves, trust in the world, and

0:24:21.800 --> 0:24:25.520
<v Speaker 2>their understanding of reality. I think about that a lot.

0:24:26.119 --> 0:24:29.080
<v Speaker 2>You know, when there's a murder, the harm is very

0:24:29.480 --> 0:24:32.080
<v Speaker 2>very clear. You know, somebody who was alive is no

0:24:32.160 --> 0:24:36.080
<v Speaker 2>longer alive. It's easy to understand the harm, and this

0:24:36.280 --> 0:24:40.560
<v Speaker 2>kind of crime, just the psychological effect of it is

0:24:40.600 --> 0:24:44.000
<v Speaker 2>more subtle. And that's what's really stuck with me.

0:24:44.800 --> 0:24:49.400
<v Speaker 3>It's one of the most kind of dirty and excusable.

0:24:49.040 --> 0:24:49.919
<v Speaker 1>Crimes, isn't it.

0:24:50.320 --> 0:24:53.000
<v Speaker 2>Yeah, dirty, I think is the right word for it.

0:24:53.720 --> 0:24:56.240
<v Speaker 1>I mean other people, yourself included.

0:24:56.359 --> 0:25:02.119
<v Speaker 3>Everyone is really intrigued by romance scams. This story in particular.

0:25:03.000 --> 0:25:04.600
<v Speaker 3>Why do you think people keep coming back?

0:25:05.280 --> 0:25:07.760
<v Speaker 2>I think they tie into the vulnerability that we all

0:25:07.840 --> 0:25:11.359
<v Speaker 2>feel when we open ourselves up to the prospect of love.

0:25:11.400 --> 0:25:15.080
<v Speaker 2>I think as more and more dating happens through these

0:25:15.119 --> 0:25:18.760
<v Speaker 2>apps and through these online mechanisms. The people that were

0:25:18.800 --> 0:25:21.440
<v Speaker 2>meeting aren't people who are being introduced to us by

0:25:21.440 --> 0:25:24.240
<v Speaker 2>somebody that we know. There aren't these kind of social ties,

0:25:25.000 --> 0:25:26.720
<v Speaker 2>and every time you go on a date with a stranger,

0:25:26.720 --> 0:25:29.919
<v Speaker 2>there's like some level of exposure and trying to figure

0:25:29.920 --> 0:25:33.000
<v Speaker 2>out how much do you trust, how much do you

0:25:33.040 --> 0:25:35.800
<v Speaker 2>open up, how much do you believe? Or are you

0:25:36.119 --> 0:25:38.919
<v Speaker 2>going to be super suspicious and weird in that way.

0:25:39.480 --> 0:25:43.080
<v Speaker 2>So I think it's like the more extreme version of

0:25:43.080 --> 0:25:45.159
<v Speaker 2>what so many of us are going through, like on

0:25:45.200 --> 0:25:50.000
<v Speaker 2>a weekly basis. It's such a deeply intimate crime. This

0:25:50.040 --> 0:25:52.200
<v Speaker 2>is what really broke my heart. It's like the parts

0:25:52.280 --> 0:25:57.200
<v Speaker 2>of these women that wanted to trust somebody and believe

0:25:57.240 --> 0:26:01.040
<v Speaker 2>what they were saying and you know, think the best

0:26:01.080 --> 0:26:03.040
<v Speaker 2>of someone, which is like those are all like really

0:26:03.440 --> 0:26:06.919
<v Speaker 2>beautiful qualities that we all have. Hopefully we get to

0:26:06.960 --> 0:26:09.679
<v Speaker 2>move through the world and when we meet somebody and

0:26:09.720 --> 0:26:12.760
<v Speaker 2>they tell us who they are, we aren't suspicious and

0:26:12.840 --> 0:26:15.520
<v Speaker 2>trying to pick it apart and asking to look at

0:26:15.520 --> 0:26:18.520
<v Speaker 2>their passport. I mean, that's no way to live. But

0:26:18.600 --> 0:26:21.840
<v Speaker 2>this crime kind of takes those beautiful parts of us

0:26:21.880 --> 0:26:25.359
<v Speaker 2>and you turn against yourself. The shame is that I

0:26:25.400 --> 0:26:29.480
<v Speaker 2>should have known better. The shame is that I'm a fool.

0:26:29.600 --> 0:26:32.080
<v Speaker 2>But that's really so heartbreaking to me, because there's nothing

0:26:32.119 --> 0:26:36.040
<v Speaker 2>foolish about wanting to trust people and believe people, and

0:26:36.080 --> 0:26:39.280
<v Speaker 2>like wanting to fall in love. You know, it's deeply

0:26:39.359 --> 0:26:44.200
<v Speaker 2>vulnerable but also deeply relatable. What I don't want people

0:26:44.240 --> 0:26:49.720
<v Speaker 2>to take away from these stories is like, don't trust anyone.

0:26:50.800 --> 0:26:53.440
<v Speaker 2>The answer is not, you need to build a castle

0:26:53.480 --> 0:26:56.320
<v Speaker 2>around yourself and never open up to anybody ever. Again.

0:26:56.400 --> 0:26:58.960
<v Speaker 2>It's like, no, you need to find the people who

0:26:59.000 --> 0:27:01.639
<v Speaker 2>do have your back. Answer is not trust no one.

0:27:01.760 --> 0:27:03.399
<v Speaker 2>I don't want to live in that word. And I

0:27:03.400 --> 0:27:06.439
<v Speaker 2>think that's why it's so wonderful and so lovely that

0:27:06.480 --> 0:27:08.479
<v Speaker 2>these women were able to trust one another.

0:27:09.800 --> 0:27:13.160
<v Speaker 3>Coming up on the next bonus episode of The Girlfriends

0:27:13.560 --> 0:27:19.199
<v Speaker 3>Trust Me Babe.

0:27:18.040 --> 0:27:21.480
<v Speaker 2>So if you are that friend, step up and help

0:27:21.520 --> 0:27:23.320
<v Speaker 2>that person get the support that they need.

0:27:24.280 --> 0:27:27.200
<v Speaker 3>You worried that your friends dating a con artist, maybe

0:27:27.280 --> 0:27:28.919
<v Speaker 3>a scammer, a bit of a liar.

0:27:29.320 --> 0:27:30.320
<v Speaker 1>Next episode is for.

0:27:30.320 --> 0:27:33.520
<v Speaker 2>You when we care for people and we have to

0:27:33.560 --> 0:27:35.720
<v Speaker 2>tell them hard things.

0:27:45.640 --> 0:27:48.480
<v Speaker 3>The Girlfriends Trust Me Babe is produced by Novel for

0:27:48.600 --> 0:27:53.240
<v Speaker 3>iHeart Podcasts. For more from novel Visit Novel dot Audio.

0:27:53.920 --> 0:27:58.320
<v Speaker 3>The series is hosted by me Annisinfield and this episode

0:27:58.400 --> 0:28:01.040
<v Speaker 3>was produced by Valeria Rocker and Leona Hamid.

0:28:01.720 --> 0:28:03.320
<v Speaker 1>Our editor is Joe Wheeler.

0:28:03.760 --> 0:28:08.080
<v Speaker 3>Production management from Sharie Houston, Joe Savage and Charlotte Wolfe.

0:28:08.400 --> 0:28:12.800
<v Speaker 3>Fact checking by Dania Suleman, Sound design, mixing and scoring

0:28:12.840 --> 0:28:16.720
<v Speaker 3>by Daniel Kempson and Nicholas Alexander. The Girlfriend's theme was

0:28:16.760 --> 0:28:20.399
<v Speaker 3>composed by Daniel Kempson and Louisa Gerstein and performed by

0:28:20.480 --> 0:28:24.920
<v Speaker 3>Daniel Kempson with vocals by Louisa Gerstein. Music supervision from

0:28:25.040 --> 0:28:28.880
<v Speaker 3>Daniel Kempson and Anna Sinfield. The series artwork was designed

0:28:28.920 --> 0:28:33.920
<v Speaker 3>by Christina Lemcol. Story development by Susie Baker and Olivia Smart.

0:28:34.600 --> 0:28:38.560
<v Speaker 3>Novel's director of development is Selena Metta. Max O'Brien is

0:28:38.600 --> 0:28:42.560
<v Speaker 3>the executive producer for Novel. Katrina Norvell and Nikki Etoor

0:28:42.680 --> 0:28:46.400
<v Speaker 3>are the executive producers for iHeart Podcasts, and the marketing

0:28:46.480 --> 0:28:50.560
<v Speaker 3>lead is Alison Cantor. Special thanks to Carrie Lieberman and

0:28:50.600 --> 0:28:55.520
<v Speaker 3>Will Pearson at iHeart Podcasts, Julie Sansulo, Ann Langston, Carolyn

0:28:55.600 --> 0:29:00.200
<v Speaker 3>sher Levin, Katie Gillis, Kelly Hunt, Rachel Munroe, tom Old

0:29:00.280 --> 0:29:01.640
<v Speaker 3>Dag I'm tad Festno.