WEBVTT - Mini Crush #167

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, Welcome to Real Estate Hour with Nolan Chuck.

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<v Speaker 1>Mm hmmm subprime home equity helock. You ever heard it

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<v Speaker 1>called a helock? That sounds fancy line of credit. Yeah,

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<v Speaker 1>so it sounds like a character on like Masters of

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<v Speaker 1>the Universe or something. You know. Uh, we were talking.

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<v Speaker 1>I mean, unless you don't want me to say this

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<v Speaker 1>and old I's gonna try and get into the housing

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<v Speaker 1>market in the next year or so. I decided to

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<v Speaker 1>I'm gonna come a flipper. I'm gonna become a flipper.

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<v Speaker 1>Is he gonna quit your job to flip houses? Just so? Yeah?

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<v Speaker 1>Then I'm gonna get a reality show made about me

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<v Speaker 1>flipping houses called Suck This Flip. Suck Flip that I

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<v Speaker 1>love that Suck this Flip. I'm gonna be an edgy

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<v Speaker 1>flipper too, Chuck. I'm gonna have attitude and edge and

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<v Speaker 1>I'm gonna spit sometimes. I don't know. I'm working on it. Yeah, No,

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<v Speaker 1>I'm gonna I'm just thinking about buying house. I let

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<v Speaker 1>be real with you real for a second show. I

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<v Speaker 1>owned a house before I owned a house in Athens,

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<v Speaker 1>Georgia and at the time. It really stressed me out

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<v Speaker 1>that we found things about it after the fact that

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<v Speaker 1>were not revealed in the in the inspection, and which

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<v Speaker 1>I think happens. I think that's pretty common, um, but

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<v Speaker 1>it really stressed me out. And I'm not really a

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<v Speaker 1>handy man type dude. But I learned, and I learned

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<v Speaker 1>how to like roof and fix the shingles and all

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<v Speaker 1>that find leaks. But it was a lot and I

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<v Speaker 1>actually found once we sold it, a weight lifted off me.

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<v Speaker 1>So it's part of me and my brain is like,

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<v Speaker 1>I know it's a smart thing to do your own house,

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<v Speaker 1>own realist, but I also like it really added to

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<v Speaker 1>my anxiety level in a lot of ways. So if

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<v Speaker 1>I get what, I want to make sure it's not

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<v Speaker 1>secretly fuck up. Hey, listen, nol, there's no right way

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<v Speaker 1>to do it. I mean, anyone that says you're just

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<v Speaker 1>throwing your money away by renting, you know, in a

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<v Speaker 1>way that is true, But like that may fit someone's

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<v Speaker 1>lifestyle better, and it may fit their stress level better,

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<v Speaker 1>and some people might like to move around and live

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<v Speaker 1>in different places and rent, and there's nothing wrong with

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<v Speaker 1>any of it. So you do what your heart says,

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<v Speaker 1>it's something that's in my mind. But I also like, um,

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<v Speaker 1>I've been in this relationship now that I think is

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<v Speaker 1>going quite well, and who knows my next year where

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<v Speaker 1>things will be. So I definitely the idea of moving

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<v Speaker 1>and buying a house all by myself seems a little weird,

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<v Speaker 1>but we'll see what happens. But look at you, You're

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<v Speaker 1>going to play house with a girl. I'm jinxing everything

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<v Speaker 1>by talking about the podcast. It sounds literally right now

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<v Speaker 1>by the way, you sound like shipped to me. It

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<v Speaker 1>sounds like you're sounds weird. It sounds like an old

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<v Speaker 1>facts line connect change. I know why, Chuck. Hang on.

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<v Speaker 1>It sounds like you're underwater. It sounds like you're an

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<v Speaker 1>out of space. It's not recording like that, I promise,

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<v Speaker 1>like you're working in a manhole. Speaking of which, speaking

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<v Speaker 1>of manholes, I'm gonna fix this for you, Chuck. It's

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<v Speaker 1>just for you because it's recording pristinely as usual. Well no,

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<v Speaker 1>no one will hear that but me. No, I know,

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<v Speaker 1>But I don't. I don't, I don't. I want. I

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<v Speaker 1>want your comfort level to be up, Chuck. I just

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<v Speaker 1>want you manhole out of the manhole. And into my manhole.

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<v Speaker 1>Whoa is that what you call your basement? I don't

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<v Speaker 1>know where. You haven't probably be into a house with

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<v Speaker 1>you know, you're you're a bumper pool table. Well what

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<v Speaker 1>do you mean? I sound like I don't have anything

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<v Speaker 1>shitty happening. It just it sounds like a weird like

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<v Speaker 1>a skype bad Skype call or something. It's all right,

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<v Speaker 1>I can get over it. I'm already all right, man.

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<v Speaker 1>I I looked at some settings, I thought, might, oh god,

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<v Speaker 1>whatever you just did, don't do that what I do?

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<v Speaker 1>I didn't do anything. It just sounded like you were

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<v Speaker 1>in a tin can. I have no we should probably

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<v Speaker 1>reconnect the skype, Chuck, I don't know what's going on.

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<v Speaker 1>All right, Well, let's uh, let's pause our recordings. Alright,

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<v Speaker 1>let's pause. Let's leave all this in though. Yeah, this

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<v Speaker 1>is all good stuff. All right, I'm pausing. I'll be

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<v Speaker 1>right back. All right, we're back. Everybody now recording properly. Okay,

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<v Speaker 1>do we need to re sinc We got to resint.

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<v Speaker 1>Let's let everyone hear how we do this. It's very alright.

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<v Speaker 1>Three to one, Yeah, alright, we're back, very percie. Uh sorry, Chuck.

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<v Speaker 1>I had my tin can effect on. I didn't realize. Okay,

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<v Speaker 1>well we're all good and old, so uh, you know,

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<v Speaker 1>I just got back from spring break on Sunday. We

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<v Speaker 1>rented a river cabin for a few days and I

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<v Speaker 1>went to the lake for a few days. It was

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<v Speaker 1>all about water sports, nol. I'll tell you that lake

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<v Speaker 1>as cold as ship right now. But Ruby wanted to

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<v Speaker 1>get in it. So I got in it and it

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<v Speaker 1>was bone chilling. And you know, when you get into

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<v Speaker 1>water so cold, your breath leaves you and all you

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<v Speaker 1>can do let's go. That's kind of how it. But

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<v Speaker 1>then you get used to you acclimate eventually. I mean

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<v Speaker 1>the bodies as a fabulous machine. Um. I saw you

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<v Speaker 1>were doing some masking. You had some like you look

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<v Speaker 1>like you had some like Marty grab Ku Treman going on.

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<v Speaker 1>So well, you know, that's just you know how it

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<v Speaker 1>is when you have a daughter that you gotta play

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<v Speaker 1>dress up. I guess so. But that was a pretty

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<v Speaker 1>cool mask because all I'm saying, where did you get that?

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<v Speaker 1>It sounds like to play dress up to all kids

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<v Speaker 1>of all stripes. I can play dress up. Dress up

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<v Speaker 1>is fun. I love dress up. It was I guess

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<v Speaker 1>it looks like a Marty Girl mask is just you know,

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<v Speaker 1>Ruby has a big box full of trashy clothes and

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<v Speaker 1>costumes and tiaras and masks, and so when she pulls

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<v Speaker 1>that out where it's you know, a good time is

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<v Speaker 1>about to happen. I love it. It looked like a

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<v Speaker 1>good time. Your your your, Your lovely wife said a

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<v Speaker 1>very funny thing about you said, this guy's probably looked

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<v Speaker 1>at me wrong about a hundred times during COVID or whatever.

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<v Speaker 1>But I wouldn't want to be covided with anybody else.

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<v Speaker 1>And I thought that was it was very sweet. You know,

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<v Speaker 1>you can look at somebody wrong when you're in a

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<v Speaker 1>relationship for twenty years, totally. Yeah, with the the side

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<v Speaker 1>eye or whatever. I've got a lot of looks that

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<v Speaker 1>I can dish out that I don't even know I'm

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<v Speaker 1>dishing outn't even knowing about. But it's good to be back.

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<v Speaker 1>I just we just noticed that Nold the movie Crushers

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<v Speaker 1>sub page is now four thousand strong. Very cool, and

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<v Speaker 1>that is like, that's four thousand great people there on

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<v Speaker 1>the Internet. That's a lot of that's a lot of

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<v Speaker 1>good people. I gotta say I've been getting the most

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<v Speaker 1>Lovely d m s on Instagram, and I'm ill prepared

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<v Speaker 1>to give shoutouts, but I will as more come in. Uh,

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<v Speaker 1>people suggesting Seattle things to do with my kid, which

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<v Speaker 1>was very, very sweet and thoughtful, and I'm really looking

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<v Speaker 1>forward to it. I'm definitely gonna take some of those

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<v Speaker 1>under advisement. You got any good picks, any good rex Chuck, Well,

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<v Speaker 1>I can send you some for sure if I give

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<v Speaker 1>it some thought. But I do. Do you like biscuits?

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<v Speaker 1>Who doesn't look a good biscuit? Um? There's a place

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<v Speaker 1>downtown called biscuit Bitch, and that the joke always go

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<v Speaker 1>there when I do live shows at the More Theater,

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<v Speaker 1>the Lovely More, And my joke on stage that I

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<v Speaker 1>say every time is that I went to biscuit Bitch

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<v Speaker 1>and I'm saying sorry, I try not to use the

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<v Speaker 1>B word in public, and Josh says, biscuit. I've done

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<v Speaker 1>the joke twice. Now it's good. Oh, it's fine, third times.

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<v Speaker 1>I love it. Wait wait, so this is uh yeah, yea, yeah, yeah,

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<v Speaker 1>here we go. Yeah, it's good. It looks like they've

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<v Speaker 1>got some crazy scrambles and stuff too, and oh my goodness,

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<v Speaker 1>get some, get some of those cheo cars cherries. Is

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<v Speaker 1>this like in the so downtown Seattle would be that place,

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<v Speaker 1>like with the market thing and all that downtown and

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<v Speaker 1>the you ever been? Ever been? Classic music venuesh jeez,

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<v Speaker 1>I'm blanking Now. What's the one that I've been to

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<v Speaker 1>a few times, the Seattle Music Venue? It's their forty Wattonola.

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<v Speaker 1>I don't know, amos no showbox that well? Chewbox boxes

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<v Speaker 1>fu is good, but it's not the one I dive. No.

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<v Speaker 1>The more the More is the place you were just

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<v Speaker 1>talking about. More cheese people are Seattle lights are screaming

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<v Speaker 1>at us right now. I know they are. Uh. Like

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<v Speaker 1>I said, I really know nothing about Seattle other than like,

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<v Speaker 1>you know, grunge and all that. Fremont Abbey, Blue Moon Tavern.

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<v Speaker 1>But that's a good one too. Yeah. The crocodile, Yes,

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<v Speaker 1>that's it. Oh okay, So what is Belltown? Belltown is

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<v Speaker 1>like it's a neighborhood. It's just a neighborhood, Okay, Yeah,

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<v Speaker 1>the crocodile says legendary grunge history, have blood Honey Pearl

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<v Speaker 1>jam in Ravan in the nineties totally it's closed though

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<v Speaker 1>it closed in two thousand seven. Well, no, I mean

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<v Speaker 1>there's a crocodile. Are you appearing under new management in

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<v Speaker 1>two thousand? Yeah, because I went there. I saw j

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<v Speaker 1>Ferrar there and m he is great and he even

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<v Speaker 1>played Uncle Tupola, which is what I was there for. Nice.

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<v Speaker 1>I got a question for each With live music coming back,

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<v Speaker 1>how do you ask you to go? Do you think

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<v Speaker 1>it's gonna, like, um, become some kind of crazy premium

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<v Speaker 1>where they're gonna be selling fewer tickets. It's gonna be

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<v Speaker 1>harder to get, like you know, it's hard to get

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<v Speaker 1>Radiohead tickets other normal circumstances. Can you imagine under like

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<v Speaker 1>limited capacity? I mean the bots and the scalpers are

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<v Speaker 1>going to be having a heyday. Well, I mean I

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<v Speaker 1>think it'll be as a run up to full capacity.

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<v Speaker 1>So you may be right, like we're already seeing that

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<v Speaker 1>a little bit. One of my buddies, Kyle Knane, who

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<v Speaker 1>comedian who's been on the show before. Actually um he

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<v Speaker 1>is doing some live comedy in Portland and they were

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<v Speaker 1>at a hundred hundred people capacity and then the venue

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<v Speaker 1>changed their mind and said we gotta go down to fifty,

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<v Speaker 1>so they had to move people to another night and

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<v Speaker 1>just do more shows with smaller number of people, and

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<v Speaker 1>I think that's gonna be the way for a little while. Uh,

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<v Speaker 1>we'll see, you know. I don't know if they're gonna

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<v Speaker 1>be filling arenas anytime soon. I guess I was just

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<v Speaker 1>saying like it was already tough to get hot ticket,

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<v Speaker 1>you know, tickets that's redundant, but like, sure, I wonder

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<v Speaker 1>if it's going to be like a real nightmare, you know,

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<v Speaker 1>I will say this, The Roger Waters show that had

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<v Speaker 1>tickets for last summer has just been rescheduled for August two.

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<v Speaker 1>Oh my goodness. So they're pushing it a whole other

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<v Speaker 1>year for a big arena show, which is probably smart.

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<v Speaker 1>But when you're Roger Waters age, you gotta think about that.

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<v Speaker 1>You know, you definitely do, you definitely do. I am

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<v Speaker 1>officially fully vaxed now. Chuck shot on Friday. I don't

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<v Speaker 1>know how I hit you, but I got sick as ship.

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<v Speaker 1>Which one did you get? I got the Fiser Okay,

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<v Speaker 1>that was moderna, but um I was the second one

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<v Speaker 1>for about twenty four about twelve hours later, and then

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<v Speaker 1>for the next twenty four hours, I felt like hell

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<v Speaker 1>not not. It was almost like having the flu without

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<v Speaker 1>the fever. Uh, Emily had it worse than me. Actually,

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<v Speaker 1>I think she even had a fever. I had a fever.

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<v Speaker 1>I had chills, I ached everywhere, shivers, sweating all night. No,

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<v Speaker 1>I mean I feel great now, but it sucked that night. Yeah,

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<v Speaker 1>it did not last long. Uh for me, it lasted.

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<v Speaker 1>Uh yeah, like I said, about a day and that

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<v Speaker 1>was good. And now we're good. No, we're invincible, We're good.

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<v Speaker 1>Whatever we want. Well, I definitely feel comfortable taking this flight,

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<v Speaker 1>you know what I mean. And like, ironically, I had

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<v Speaker 1>a trip book to Seattle before the ship hit the

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<v Speaker 1>fan and it got canceled. So this is sort of

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<v Speaker 1>like a fitting return to you know, somewhat normal travel.

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<v Speaker 1>I'm excited. Yeah, and we're still living the same way

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<v Speaker 1>we were were masking everywhere. We haven't eaten in a

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<v Speaker 1>restaurant yet, and we're doing all that stuff still. Uh

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<v Speaker 1>you know, that's just the way it is. I am

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<v Speaker 1>with it, but with more peace of mind, With more

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<v Speaker 1>peace of mind, and also like you know, aufteror gatherings

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<v Speaker 1>and stuff with the summer weather coming, feel a little

0:11:54.120 --> 0:11:59.679
<v Speaker 1>bit more comfortable anyway, dice roll, you know, So one

0:11:59.720 --> 0:12:02.480
<v Speaker 1>other quick shout out and this is a sad one.

0:12:03.200 --> 0:12:04.800
<v Speaker 1>But I don't know if he saw the arc light

0:12:04.920 --> 0:12:08.719
<v Speaker 1>in Cinerama Dome in Hollywood, California are closing their doors permanently,

0:12:09.559 --> 0:12:11.720
<v Speaker 1>and that is very sad because those are two legendary

0:12:11.760 --> 0:12:16.360
<v Speaker 1>theaters and um, we're you know, everyone is hoping that

0:12:16.520 --> 0:12:19.560
<v Speaker 1>someone will swoop in. You know. I think Edgar Wright

0:12:20.320 --> 0:12:24.559
<v Speaker 1>tweeted and tag Tarantino and maybe there's rumors of their

0:12:24.600 --> 0:12:27.760
<v Speaker 1>getting a coalition of like directors and actors together to

0:12:27.880 --> 0:12:30.120
<v Speaker 1>maybe chip in and buy these things. It would be

0:12:30.120 --> 0:12:31.880
<v Speaker 1>great because the worst thing that could happen all is

0:12:32.080 --> 0:12:37.080
<v Speaker 1>some developer takes and like tears that ship down for condos. Yeah.

0:12:37.120 --> 0:12:40.760
<v Speaker 1>I was communicating about it with a friend, uh In

0:12:40.960 --> 0:12:44.000
<v Speaker 1>l a Um who's actually worked on some of the shows,

0:12:44.040 --> 0:12:46.559
<v Speaker 1>some of our podcasts, and he said he was pretty

0:12:46.559 --> 0:12:49.160
<v Speaker 1>sure someone was going to buy it, whether even if

0:12:49.160 --> 0:12:51.400
<v Speaker 1>it was a chain. But it's such a historic location

0:12:51.440 --> 0:12:54.720
<v Speaker 1>with that dome and all that many they wouldn't do

0:12:54.720 --> 0:12:57.440
<v Speaker 1>anything like that. I don't think, I hope not. I mean,

0:12:57.480 --> 0:13:00.640
<v Speaker 1>I saw Spider Man two on the open night there

0:13:00.720 --> 0:13:02.080
<v Speaker 1>I saw and then you know the great thing is

0:13:02.120 --> 0:13:04.520
<v Speaker 1>you have those reserved seats so you can cruise in

0:13:04.559 --> 0:13:07.480
<v Speaker 1>there two minutes before the movie starts. On on a

0:13:07.559 --> 0:13:10.520
<v Speaker 1>big Friday opening night, you got your seat waiting on

0:13:10.559 --> 0:13:13.400
<v Speaker 1>you unless some dickhead is taking it over. And then

0:13:13.440 --> 0:13:18.320
<v Speaker 1>you got to get involved with an altercation. Oh god, chuck, really,

0:13:18.360 --> 0:13:19.760
<v Speaker 1>I'm not gonna go into this, but speaking, I got

0:13:19.800 --> 0:13:23.680
<v Speaker 1>into an altercation yesterday. WHOA, let's hear it, because because

0:13:23.679 --> 0:13:27.000
<v Speaker 1>you're not confrontational, I'm not really comfortable. I was in line.

0:13:27.000 --> 0:13:30.640
<v Speaker 1>It was a social distancing based altercation. You know in

0:13:30.800 --> 0:13:32.959
<v Speaker 1>lines and stuff they have are like in grocery stores

0:13:33.000 --> 0:13:35.200
<v Speaker 1>now or anywhere, they have like dots, you know, on

0:13:35.200 --> 0:13:36.959
<v Speaker 1>the ground where it's like, this is your dot. And

0:13:38.040 --> 0:13:41.480
<v Speaker 1>I was on my dot with my kid and at Mos,

0:13:41.520 --> 0:13:43.679
<v Speaker 1>which is like a you know, like a chain kind

0:13:43.679 --> 0:13:47.160
<v Speaker 1>of Chipotle type Mexican place, and there's just woman in

0:13:47.200 --> 0:13:49.440
<v Speaker 1>front of me who was not standing on her dot.

0:13:50.000 --> 0:13:52.520
<v Speaker 1>There was plenty of room between her and her dot,

0:13:52.600 --> 0:13:54.320
<v Speaker 1>and she was closer to me, and she looks at

0:13:54.360 --> 0:13:57.839
<v Speaker 1>me and a super rudely insists that I moved back.

0:13:58.440 --> 0:14:01.080
<v Speaker 1>The person behind me is standing their dot. I'm on

0:14:01.120 --> 0:14:04.480
<v Speaker 1>my dot, she's not on her dot. Get on your dot, lady.

0:14:04.679 --> 0:14:08.079
<v Speaker 1>So I said, hey, I'm on my dot, lady, and uh,

0:14:08.240 --> 0:14:11.040
<v Speaker 1>she you know, it was just really roche because you

0:14:11.080 --> 0:14:14.000
<v Speaker 1>can't count six ft. And I basically told her to

0:14:14.000 --> 0:14:19.120
<v Speaker 1>go funk herself and MS basically mean, what were the words?

0:14:20.240 --> 0:14:24.240
<v Speaker 1>Did you really did good? And then she and then

0:14:24.280 --> 0:14:27.560
<v Speaker 1>she um boy, okay, and then she moved onto her

0:14:27.600 --> 0:14:30.280
<v Speaker 1>dot as though it were her idea, and I kind

0:14:30.280 --> 0:14:34.880
<v Speaker 1>of golf clapped and said good job, oh boy, smart

0:14:35.280 --> 0:14:40.320
<v Speaker 1>and aggressive. I escalated it. I was just mad, man.

0:14:40.360 --> 0:14:42.280
<v Speaker 1>She made me feel like a leper or something. I

0:14:44.520 --> 0:14:46.400
<v Speaker 1>was doing the right thing, and I'm I'm sorry. I

0:14:46.680 --> 0:14:49.240
<v Speaker 1>just had to just share it would really it really

0:14:49.320 --> 0:14:51.840
<v Speaker 1>triggered me. I felt it. I felt like kind of

0:14:51.880 --> 0:14:54.640
<v Speaker 1>shaky for a little. Yeah. Man, look dude, we're all

0:14:54.680 --> 0:14:57.400
<v Speaker 1>hanging in there, and if someone's gonna get off their

0:14:57.440 --> 0:15:00.320
<v Speaker 1>dot and get in your face, then I'm not saying

0:15:00.320 --> 0:15:03.360
<v Speaker 1>you handled it great, but you know people are let

0:15:03.400 --> 0:15:06.360
<v Speaker 1>yourself up. I didn't actually say go fund yourself, for

0:15:06.400 --> 0:15:09.280
<v Speaker 1>the record, I just I just said something to the

0:15:09.320 --> 0:15:11.680
<v Speaker 1>effect of like you need to calm down, or like

0:15:11.720 --> 0:15:14.080
<v Speaker 1>why are you being so aggressive, or like you're being

0:15:14.160 --> 0:15:17.560
<v Speaker 1>very rude. And then she smarted back at me and said,

0:15:17.560 --> 0:15:19.400
<v Speaker 1>you don't know how to count six ft and I go,

0:15:19.480 --> 0:15:22.880
<v Speaker 1>you know what something? I said something. No, I was

0:15:22.920 --> 0:15:24.680
<v Speaker 1>holding up a sign right now that says chuck. I

0:15:24.680 --> 0:15:28.160
<v Speaker 1>really told her to go for herself. No, no, as

0:15:28.160 --> 0:15:31.800
<v Speaker 1>she did say, she did flip me off eventually as well.

0:15:31.840 --> 0:15:33.680
<v Speaker 1>It was the whole thing. And my daughter was there

0:15:33.680 --> 0:15:36.000
<v Speaker 1>and she was like that lady was horrible. Okay, good

0:15:36.080 --> 0:15:38.320
<v Speaker 1>So I mean I wasn't. I wasn't not in the wrong.

0:15:38.400 --> 0:15:43.760
<v Speaker 1>I definitely probably lost my temper, but very I felt attacked.

0:15:44.280 --> 0:15:53.720
<v Speaker 1>Let yourself up. No, you're a good guy. All right.

0:15:53.800 --> 0:15:57.800
<v Speaker 1>Let's move on to brighter things, which is the Crushers page.

0:15:58.640 --> 0:16:02.440
<v Speaker 1>Mr John Stockton, who always brings the good uh the

0:16:02.480 --> 0:16:05.760
<v Speaker 1>good threads says this whole who is a supporting or

0:16:05.880 --> 0:16:10.080
<v Speaker 1>minor character that deserves their own movie? Why have I

0:16:10.120 --> 0:16:13.480
<v Speaker 1>never asked this? That's so funny that you asked that.

0:16:13.920 --> 0:16:16.840
<v Speaker 1>You know, the character the Jesus and the Big Lebowski.

0:16:18.120 --> 0:16:19.560
<v Speaker 1>He got his own movie. I don't know if he

0:16:19.640 --> 0:16:22.680
<v Speaker 1>knew that, but it's really not good. It's John Taturo,

0:16:22.720 --> 0:16:26.120
<v Speaker 1>who we think we both love playing that character. Um

0:16:26.200 --> 0:16:31.160
<v Speaker 1>with Audrey Tati Tatto or whatever. Emily Uh and a

0:16:31.160 --> 0:16:32.720
<v Speaker 1>bunch of other kind of a little like what's your

0:16:32.760 --> 0:16:34.480
<v Speaker 1>Name is? Strand is in it for a bit. It's

0:16:34.480 --> 0:16:36.880
<v Speaker 1>an odd road movie, and it doesn't seem like it

0:16:36.920 --> 0:16:39.160
<v Speaker 1>needs to exist. So that's an example of that I

0:16:39.160 --> 0:16:40.800
<v Speaker 1>would say not working. I mean, there are parts of

0:16:40.840 --> 0:16:43.400
<v Speaker 1>that I enjoyed, but um, that's a character that I

0:16:43.440 --> 0:16:46.120
<v Speaker 1>think needed to just be like a weird little side character.

0:16:46.240 --> 0:16:50.359
<v Speaker 1>Wasn't he a pedophile? Lazy to talk about that? Apparently

0:16:50.520 --> 0:16:52.880
<v Speaker 1>the joke in the movies that he was a pederassed,

0:16:53.160 --> 0:16:56.000
<v Speaker 1>which I understand the difference, and that he exposed himself

0:16:56.080 --> 0:16:59.120
<v Speaker 1>to a fifth grader. And they show that scene in

0:16:59.120 --> 0:17:01.880
<v Speaker 1>the movie and it really just involves them urinating and

0:17:02.040 --> 0:17:06.240
<v Speaker 1>urinals next to each other and him being perceived as

0:17:06.280 --> 0:17:09.080
<v Speaker 1>so they what's it look like when you get older?

0:17:09.119 --> 0:17:11.120
<v Speaker 1>And he goes, looks like this, you know. And then

0:17:11.560 --> 0:17:13.119
<v Speaker 1>but he was trying to do the kid a favor.

0:17:13.359 --> 0:17:15.359
<v Speaker 1>He was like, you know, by like giving him some

0:17:15.440 --> 0:17:18.120
<v Speaker 1>knowledge as opposed to got you. I wondered how those

0:17:18.160 --> 0:17:19.800
<v Speaker 1>got around that. And so they try to make it

0:17:19.800 --> 0:17:22.960
<v Speaker 1>seem like the most innocent penis showing of all time,

0:17:23.119 --> 0:17:25.760
<v Speaker 1>innocent penis showing of all time. And then the character.

0:17:25.880 --> 0:17:29.520
<v Speaker 1>He's not a good guy. He's always doing really shady shit. Um,

0:17:29.560 --> 0:17:31.600
<v Speaker 1>but you're supposed to like identify with him, but then

0:17:31.640 --> 0:17:33.359
<v Speaker 1>you never really do. It's just a weird one. But

0:17:33.920 --> 0:17:35.520
<v Speaker 1>I'm trying to think of a good exact. Can you

0:17:35.520 --> 0:17:37.800
<v Speaker 1>think of a good example. Well, the crushers have thought

0:17:37.800 --> 0:17:40.720
<v Speaker 1>of plenty, so let's just dive in. Skyler Ward says,

0:17:41.160 --> 0:17:43.760
<v Speaker 1>I really want the rom com of the Parents and

0:17:43.880 --> 0:17:47.760
<v Speaker 1>easy A. Uh there's some shenanigans in their past. I

0:17:47.800 --> 0:17:49.720
<v Speaker 1>just know it. Yeah, the parents and easy A. I

0:17:49.720 --> 0:17:52.760
<v Speaker 1>can't remember who played them, but they were beloved by

0:17:52.800 --> 0:17:57.800
<v Speaker 1>many many people. Good movie A. I'm confusing Easy A

0:17:57.920 --> 0:18:00.399
<v Speaker 1>with books smart Those are not the same movie. Easy

0:18:00.480 --> 0:18:07.120
<v Speaker 1>A had oh red hair be guys, I know I'm picturing.

0:18:07.359 --> 0:18:10.720
<v Speaker 1>I'm picturing. You're chucking them. Crushers are screaming at their

0:18:10.880 --> 0:18:17.960
<v Speaker 1>patrollers right now, very big superstar actor. Emma Stone, Emma Stone,

0:18:18.280 --> 0:18:20.000
<v Speaker 1>that's it? And who were the parents and all? Why

0:18:20.000 --> 0:18:22.960
<v Speaker 1>don't you work on that? I want to say it

0:18:23.080 --> 0:18:32.520
<v Speaker 1>was Elizabeth where Eugene Levy he always plays the best dad. Uh,

0:18:32.640 --> 0:18:36.720
<v Speaker 1>let's see it looks like maybe um Amanda Binds Patricia

0:18:36.760 --> 0:18:47.879
<v Speaker 1>clarkson love political Patricia Clarkson stan STANDI touch people are

0:18:47.920 --> 0:18:49.600
<v Speaker 1>so mad at to say, why can't we think of anything?

0:18:50.160 --> 0:18:53.000
<v Speaker 1>I love them too, there go, I want them to

0:18:53.040 --> 0:18:54.600
<v Speaker 1>be my parents. I haven't even seen this movie, and

0:18:54.600 --> 0:18:57.720
<v Speaker 1>I already am in love with this. Cody Read says

0:18:57.760 --> 0:18:59.760
<v Speaker 1>the gimp from pulp Fiction? Why why is he in

0:18:59.800 --> 0:19:02.560
<v Speaker 1>that box against his will? He wants to be there?

0:19:02.760 --> 0:19:04.600
<v Speaker 1>How often has he let out what led him to

0:19:04.640 --> 0:19:07.200
<v Speaker 1>this point? That? That, to me is the same deal

0:19:07.240 --> 0:19:09.680
<v Speaker 1>as the Jesus. That's sort of like I don't want

0:19:09.680 --> 0:19:13.399
<v Speaker 1>to mystified. I like it mystified, mystify me. No, we

0:19:13.440 --> 0:19:15.080
<v Speaker 1>don't want to give a movie. I don't. I don't

0:19:15.080 --> 0:19:16.560
<v Speaker 1>want to. I don't want to give a movie that's

0:19:16.560 --> 0:19:19.080
<v Speaker 1>a different Those movies exist already, man, and they're not

0:19:19.400 --> 0:19:22.919
<v Speaker 1>a pulp fiction spent offs. Jim Winepress says Muldoon from

0:19:23.000 --> 0:19:26.080
<v Speaker 1>Jurassic Park. Yeah, that'd be cool down with that small role,

0:19:26.160 --> 0:19:30.280
<v Speaker 1>but yeah, very impactful. He's like an Indiana Jones esque figure.

0:19:30.280 --> 0:19:32.120
<v Speaker 1>I could see him going on all sorts of adventures

0:19:32.160 --> 0:19:38.160
<v Speaker 1>before he gets clever. Girled absolutely. Joel Crown says Rose

0:19:38.200 --> 0:19:42.800
<v Speaker 1>in The Last Jedi. Sure, i'd see that. Which one

0:19:42.920 --> 0:19:47.640
<v Speaker 1>was she Rose. Oh wait a minute, am I thinking

0:19:47.640 --> 0:19:51.359
<v Speaker 1>of the right person now, I'm like, oh, yeah, Rose?

0:19:51.520 --> 0:19:57.679
<v Speaker 1>Was was Kelly Murrie Tran? Oh yeah, yeah. Wasn't she

0:19:57.840 --> 0:20:00.840
<v Speaker 1>in Rogue one? She wasn't in Rogue one? No, I

0:20:01.359 --> 0:20:04.840
<v Speaker 1>don't think so. Just last Jedi and a cool role.

0:20:04.920 --> 0:20:07.080
<v Speaker 1>I like that. But was she was? She was like

0:20:07.119 --> 0:20:11.000
<v Speaker 1>fins buddy, and it felt like she some of her.

0:20:11.200 --> 0:20:12.840
<v Speaker 1>It felt like a lot of her probably ended up

0:20:12.880 --> 0:20:15.960
<v Speaker 1>on the cutting room floor, maybe, so I think there

0:20:16.000 --> 0:20:18.360
<v Speaker 1>might have been some controversy around that, even I think

0:20:18.359 --> 0:20:21.480
<v Speaker 1>that's probably. I think I may remember hearing that. Uh,

0:20:21.560 --> 0:20:24.600
<v Speaker 1>let me see here, let's see Sometimes and people just

0:20:24.640 --> 0:20:28.160
<v Speaker 1>put the meme. I don't know who it is. So

0:20:28.440 --> 0:20:31.560
<v Speaker 1>everyone that puts memes know that I'm a dummy, and

0:20:31.600 --> 0:20:38.800
<v Speaker 1>then together put the character for me. I'm the meme king. Well, uh,

0:20:39.280 --> 0:20:41.920
<v Speaker 1>I don't know if you want to navigate to that thread. Yeah, yeah, yeah,

0:20:41.920 --> 0:20:44.320
<v Speaker 1>it's just some of the crushers because I know this

0:20:44.560 --> 0:20:47.560
<v Speaker 1>movie now that I'm looking at it. Yeah, it's it's

0:20:47.640 --> 0:20:55.239
<v Speaker 1>movie crushers just searched Stockton. All right, this is our

0:20:55.240 --> 0:20:57.400
<v Speaker 1>most unprofessional show we've ever done. By the way, that's

0:20:57.400 --> 0:21:02.119
<v Speaker 1>not true. This is what what is professional in podcast? Stockton? Stockton?

0:21:03.640 --> 0:21:05.600
<v Speaker 1>Wait now, now I'm creating a post. Okay, it's really

0:21:05.640 --> 0:21:11.480
<v Speaker 1>crossed the line into an absolute ship show. This show

0:21:11.520 --> 0:21:13.640
<v Speaker 1>should just be called two old men try and work

0:21:13.760 --> 0:21:21.720
<v Speaker 1>the Internet inner webs Okay, Stockton, Uh no, Well, how's

0:21:21.760 --> 0:21:24.480
<v Speaker 1>it so hard for you to find these posts? I've chuck.

0:21:24.600 --> 0:21:27.719
<v Speaker 1>I see his name, his name is John Stockton, Jacksonville, Florida.

0:21:27.760 --> 0:21:29.119
<v Speaker 1>And you don't see a post from him. I'm not

0:21:29.119 --> 0:21:32.520
<v Speaker 1>actually to keep simple scores. There's a lot of there's

0:21:32.520 --> 0:21:34.679
<v Speaker 1>a lot of posts from him. He's a he's an

0:21:34.720 --> 0:21:37.320
<v Speaker 1>active poster. Well I know, but it's the most recent one,

0:21:38.040 --> 0:21:40.720
<v Speaker 1>never mind, okay, April. Well, they're not, they're not. They're

0:21:40.720 --> 0:21:42.560
<v Speaker 1>in reverse order for some reason. The first one in

0:21:42.640 --> 0:21:45.080
<v Speaker 1>April tenth, second one is April twelve. Here we go,

0:21:45.359 --> 0:21:48.520
<v Speaker 1>Here we go. Okay, click on that thing, okay, and

0:21:48.560 --> 0:21:52.200
<v Speaker 1>then scroll down to Ryan Townsend. Alright, Townsend, the town

0:21:52.320 --> 0:21:54.160
<v Speaker 1>and it's it's what's his name? It's that actor from

0:21:54.160 --> 0:21:57.680
<v Speaker 1>that thing? Oh Ryan. Yeah, I don't know what this.

0:21:57.840 --> 0:22:00.760
<v Speaker 1>I don't know. God, that's not mean, by the way,

0:22:00.800 --> 0:22:03.280
<v Speaker 1>that's just a gift. Well, I don't see. That's how

0:22:03.320 --> 0:22:06.920
<v Speaker 1>little I know, a meme's gotta have text on it.

0:22:09.600 --> 0:22:13.040
<v Speaker 1>I recognize. Oh no, no, no no, wait, is this is he's? Uh?

0:22:13.200 --> 0:22:15.960
<v Speaker 1>Is this the guy from ant Man? Maybe? Yeah, but

0:22:16.040 --> 0:22:19.600
<v Speaker 1>oh that's it. You know who liked Morrissey a lot?

0:22:19.720 --> 0:22:23.479
<v Speaker 1>Is that him? Yeah? He's one of my favorite actors.

0:22:23.480 --> 0:22:27.160
<v Speaker 1>And his name is Michael pane Ya. Yes, yes, yes, yes, yes, yes,

0:22:28.640 --> 0:22:31.600
<v Speaker 1>I can see that'd be a fun spin off. We

0:22:31.680 --> 0:22:34.480
<v Speaker 1>got there, guys, we got there? What a train wreck?

0:22:36.520 --> 0:22:37.800
<v Speaker 1>I like? I like, here's the one with the rock

0:22:37.920 --> 0:22:42.840
<v Speaker 1>Man that played voiced by Taiko. That's I'm down for

0:22:42.920 --> 0:22:45.200
<v Speaker 1>that all day long. I think everyone wants to see

0:22:45.200 --> 0:22:48.560
<v Speaker 1>that movie. Yeah, He's the Delight, which, by the way,

0:22:48.560 --> 0:22:50.760
<v Speaker 1>that was one of my favorite Marvel movies, next to

0:22:50.800 --> 0:22:54.320
<v Speaker 1>like Guardians of the Galaxy because it was so light

0:22:54.440 --> 0:22:57.760
<v Speaker 1>and fun and you obviously had drama and action and stuff.

0:22:57.800 --> 0:23:01.119
<v Speaker 1>But like Jeff Goldbloom is a Delight, the Rockman's Delight.

0:23:01.560 --> 0:23:03.960
<v Speaker 1>You know, Thor's so funny and you never would have

0:23:04.000 --> 0:23:06.080
<v Speaker 1>thought that character would have worked. But it took a while,

0:23:06.119 --> 0:23:08.280
<v Speaker 1>you know, thora grew into that role. That's that first

0:23:08.320 --> 0:23:11.080
<v Speaker 1>Thorn movie was not great. No, it wasn't great. Uh.

0:23:11.200 --> 0:23:14.520
<v Speaker 1>The Danger Oven Gail after my Own Heart. She says

0:23:14.560 --> 0:23:17.600
<v Speaker 1>Quint from Jaws that a Quint movie would have been

0:23:18.080 --> 0:23:22.679
<v Speaker 1>really really good. That would be guys. He's the like

0:23:23.040 --> 0:23:26.000
<v Speaker 1>the old grizzled sailor, right, yeah, and he was the

0:23:26.000 --> 0:23:28.080
<v Speaker 1>one that was at the you know, in the in

0:23:28.119 --> 0:23:32.719
<v Speaker 1>the water with the sharks through the sinking of the Indianapolis.

0:23:33.000 --> 0:23:34.840
<v Speaker 1>So you could go way back and do a really

0:23:34.880 --> 0:23:37.919
<v Speaker 1>young Quint. You could even do that now, cast a

0:23:38.040 --> 0:23:41.080
<v Speaker 1>young version of Robert Shaw. That'd be pretty interesting. That'd

0:23:41.119 --> 0:23:43.080
<v Speaker 1>be really cool. That's that whole monologue where it's like

0:23:43.080 --> 0:23:46.439
<v Speaker 1>he's talking about it rolls back white like a doll's

0:23:46.480 --> 0:23:50.600
<v Speaker 1>eyes or whatever. That's that's I think he's describing that. Yeah, SiO,

0:23:50.920 --> 0:23:52.560
<v Speaker 1>the Danger of In is the second one too, And

0:23:52.640 --> 0:23:55.240
<v Speaker 1>she said her husband it was also a pall of

0:23:55.280 --> 0:24:00.000
<v Speaker 1>mine says this Todd Parker from Boogie Nights. He's basically

0:24:00.040 --> 0:24:01.960
<v Speaker 1>the protagonist for a short time he's in the movie.

0:24:03.560 --> 0:24:06.959
<v Speaker 1>Uh wow, I mean I love Todd Parker's character. That

0:24:07.040 --> 0:24:10.320
<v Speaker 1>was I would I would see that movie. Actually, oh yeah, yeah,

0:24:10.359 --> 0:24:12.679
<v Speaker 1>he was kind of his like his like, you know,

0:24:12.960 --> 0:24:15.679
<v Speaker 1>what's side sidekick. I guess you could say, yeah, And

0:24:15.720 --> 0:24:19.000
<v Speaker 1>since I can't say I think of anyone's name. I

0:24:19.000 --> 0:24:22.760
<v Speaker 1>can't Jane, Yeah, Thomas Jane, Thomas Chane. I I had

0:24:22.800 --> 0:24:25.360
<v Speaker 1>to look it up. I wouldn't honestly, I would don't

0:24:25.400 --> 0:24:28.000
<v Speaker 1>even think of him as being that guy because he

0:24:28.040 --> 0:24:30.200
<v Speaker 1>looks so different. You've got the sideburns in the beginning. Yeah,

0:24:30.240 --> 0:24:32.960
<v Speaker 1>he can change his look pretty well, very very well.

0:24:33.000 --> 0:24:35.240
<v Speaker 1>Don Morris, this is a good one, she says, sure

0:24:35.280 --> 0:24:42.440
<v Speaker 1>E from Black Panther. Yes, that's the science E one, right. Yeah,

0:24:42.480 --> 0:24:45.600
<v Speaker 1>she she's fantastic. I would love to She could absolutely

0:24:45.600 --> 0:24:49.080
<v Speaker 1>hold down a movie that makes a lot of sense.

0:24:49.800 --> 0:24:52.400
<v Speaker 1>I'm wondering if that's even something that I've seen planned

0:24:52.640 --> 0:24:56.880
<v Speaker 1>already somewhere. Well, someone said Zach Pointer and Martin Kidd

0:24:56.880 --> 0:24:59.520
<v Speaker 1>are saying that in the comics, she becomes an next

0:24:59.520 --> 0:25:03.800
<v Speaker 1>Black Pan, So that would be super badass. That would

0:25:03.800 --> 0:25:07.320
<v Speaker 1>be totally kick ass and very fitting too. Like, you know,

0:25:07.520 --> 0:25:12.119
<v Speaker 1>it's like such a tragic situation with Chadwick Boseman. You

0:25:12.359 --> 0:25:14.679
<v Speaker 1>really want to recast that character or do you just

0:25:14.720 --> 0:25:16.440
<v Speaker 1>want to like up the Annie and have it be

0:25:16.880 --> 0:25:20.320
<v Speaker 1>a badass woman. You know that any man, And that's

0:25:20.320 --> 0:25:22.400
<v Speaker 1>what they do in comics. You know, people they change

0:25:22.400 --> 0:25:25.720
<v Speaker 1>those characters all the time, so you can do that. Yep,

0:25:25.840 --> 0:25:29.520
<v Speaker 1>I agree, I'm with it, Rob print print de gast,

0:25:29.800 --> 0:25:32.320
<v Speaker 1>welcome Rob. I don't think we met, says Bigger Ern

0:25:32.440 --> 0:25:39.160
<v Speaker 1>McCracken from from the Bowling movie from The Fairly Brothers.

0:25:39.840 --> 0:25:42.119
<v Speaker 1>Why can't I think of anything that is that? I

0:25:42.160 --> 0:25:45.080
<v Speaker 1>think it might be our early onset dementia, Chuck im Okay,

0:25:45.240 --> 0:25:50.800
<v Speaker 1>there's no way. Um what is it? The Kingpin? Bill

0:25:50.880 --> 0:25:54.200
<v Speaker 1>Murray and Kingpin? Bigger and McCracken. I think everyone would

0:25:54.240 --> 0:25:56.399
<v Speaker 1>want to see that movie too. That there was a

0:25:56.400 --> 0:25:59.640
<v Speaker 1>lot of good fun side characters, not and again big Lebowski,

0:25:59.720 --> 0:26:02.600
<v Speaker 1>lots of opportunities for side characters. Just that Jesus was

0:26:02.640 --> 0:26:05.520
<v Speaker 1>such a nothing character and yet he got a whole movie,

0:26:05.560 --> 0:26:07.520
<v Speaker 1>And I just seems like a waste opportunity to me.

0:26:07.680 --> 0:26:10.800
<v Speaker 1>I would watch a Walter movie, you know, I didn't

0:26:10.800 --> 0:26:13.280
<v Speaker 1>even probably watch it. Don even could be into a

0:26:13.280 --> 0:26:15.720
<v Speaker 1>Walter movie. You wouldn't me into a Walter movie Walter.

0:26:15.800 --> 0:26:17.600
<v Speaker 1>I mean, I love the movie, but Walter was a

0:26:17.640 --> 0:26:21.240
<v Speaker 1>bit abrasive for me for best film, that's fair? And

0:26:21.280 --> 0:26:23.880
<v Speaker 1>who did you say you'd even take who? A Donny movie?

0:26:24.600 --> 0:26:28.119
<v Speaker 1>Donead well, that's true, but it could be you know,

0:26:28.480 --> 0:26:30.880
<v Speaker 1>leading up to that. All right, let's do a couple

0:26:30.880 --> 0:26:35.040
<v Speaker 1>of more here. Let's do it. Kelly Karns Brockington, one

0:26:35.080 --> 0:26:38.399
<v Speaker 1>of our old palaces Ian Malcolm the early years. Sure,

0:26:39.600 --> 0:26:43.399
<v Speaker 1>but you can't cast anyone other than gold Bloom. You'd

0:26:43.040 --> 0:26:48.600
<v Speaker 1>have that territory. Let go there, all right, and let's

0:26:48.840 --> 0:26:51.960
<v Speaker 1>let's finish up here with the Mudge. Jennifer Mudge, one

0:26:51.960 --> 0:26:53.959
<v Speaker 1>of our oldest friends, says, I would love a good

0:26:54.000 --> 0:26:56.879
<v Speaker 1>Alfred from Batman movie, not C G I heavy D

0:26:56.960 --> 0:26:59.920
<v Speaker 1>C typical, but a dark night logan ish film. They

0:27:00.119 --> 0:27:05.159
<v Speaker 1>on the Michael Caine version. Okay, but my question is like,

0:27:05.359 --> 0:27:08.320
<v Speaker 1>what is it in his background that's interesting. He was

0:27:08.359 --> 0:27:11.320
<v Speaker 1>a butler, and he really only became interesting because he

0:27:11.440 --> 0:27:14.920
<v Speaker 1>was Batman's butler. I know. Well, I mean, so says you.

0:27:15.119 --> 0:27:17.440
<v Speaker 1>There could be some super interesting thing where he could

0:27:17.480 --> 0:27:20.280
<v Speaker 1>have been. Maybe that's why sympathetic to Batman is that

0:27:20.320 --> 0:27:23.399
<v Speaker 1>he could have been some crime fighter superhero in the

0:27:23.480 --> 0:27:28.359
<v Speaker 1>nineteen forties and then lived his life as a butler

0:27:28.400 --> 0:27:31.520
<v Speaker 1>assisting a crime fighting superhero. That's what I say. Good,

0:27:31.560 --> 0:27:34.479
<v Speaker 1>that's a good point. I'm okay. I would give it.

0:27:35.080 --> 0:27:44.440
<v Speaker 1>I would give it a shot. All right, now we're

0:27:44.440 --> 0:27:47.400
<v Speaker 1>gonna move on. We've wasted too much time. Uh, we'll

0:27:47.480 --> 0:27:49.840
<v Speaker 1>go through this one quickly. This is from Patrick Gorman,

0:27:49.920 --> 0:27:52.640
<v Speaker 1>one of our old friends, says, a crusher cocktail hour.

0:27:52.800 --> 0:27:58.080
<v Speaker 1>What what is a good movie inspired beverage recipe? I

0:27:58.119 --> 0:28:02.120
<v Speaker 1>made a joke, I said, the Jaws, Julip I said, bourbon, uh,

0:28:02.400 --> 0:28:06.600
<v Speaker 1>simple syrup, mint and three oces of chum. Oh god,

0:28:07.720 --> 0:28:10.120
<v Speaker 1>look at me. One of those little gummy shark floaters.

0:28:10.119 --> 0:28:12.760
<v Speaker 1>You could still make it, uh, you know, a good one.

0:28:12.800 --> 0:28:16.400
<v Speaker 1>I would maybe replace chum with rum, perhaps just because

0:28:16.400 --> 0:28:18.400
<v Speaker 1>it rhymes uh. And then the little you know, those

0:28:18.400 --> 0:28:21.240
<v Speaker 1>little gummy sharks with the white tummies and the the

0:28:21.320 --> 0:28:23.679
<v Speaker 1>kind of neon. Yeah, none of those. Yeah, throw one

0:28:23.680 --> 0:28:26.040
<v Speaker 1>of the one of those those in there. Well, here's

0:28:26.040 --> 0:28:31.119
<v Speaker 1>a real one from Patrick Gorman for Jaws rum lemonade,

0:28:31.240 --> 0:28:34.720
<v Speaker 1>splash of grenadine and blue. How do you pronounced that?

0:28:34.880 --> 0:28:37.800
<v Speaker 1>Curosu curros out You got it? Yeah? Yeah, totally, that

0:28:38.320 --> 0:28:41.520
<v Speaker 1>sounds good. It sound good. It does sound good. And

0:28:41.560 --> 0:28:43.480
<v Speaker 1>had lemonade to any drink. All That's what I said.

0:28:43.520 --> 0:28:46.200
<v Speaker 1>I completely agree. Lately I've been out. Maybe we could

0:28:46.280 --> 0:28:48.040
<v Speaker 1>give this a movie name. I've just been drinking. I've

0:28:48.040 --> 0:28:50.000
<v Speaker 1>been trying to do a low carb thing, so I've

0:28:50.000 --> 0:28:56.520
<v Speaker 1>been drinking blanco tequila, lemon juice and grapefruit, Uh, soda

0:28:56.560 --> 0:29:00.200
<v Speaker 1>water not like sugary. Yeah, that's a good drink. That

0:29:00.360 --> 0:29:03.000
<v Speaker 1>call it the I'm gonna call it the Magnolia about that. Yeah,

0:29:03.000 --> 0:29:05.440
<v Speaker 1>I gotta people who listened to the Adam Pranic episodes

0:29:05.480 --> 0:29:07.920
<v Speaker 1>and the Ben Harrison when those guys got me onto

0:29:08.400 --> 0:29:11.560
<v Speaker 1>tequila and soda with just a big dose alime. That's it.

0:29:11.720 --> 0:29:14.160
<v Speaker 1>And it's almost like the skinniest margarita you can imagine.

0:29:14.280 --> 0:29:16.400
<v Speaker 1>Oh it's so good, but you realize how much that

0:29:16.440 --> 0:29:19.160
<v Speaker 1>sugar a is not even necessary and be it's part

0:29:19.160 --> 0:29:21.200
<v Speaker 1>of what contributes to you feeling like ship is all

0:29:21.200 --> 0:29:23.360
<v Speaker 1>the sugar. Yeah, but I will say this, the sugar

0:29:23.520 --> 0:29:26.000
<v Speaker 1>that cuts the tart, which is the reason for the sugar.

0:29:26.120 --> 0:29:30.280
<v Speaker 1>But I like a good tart. Tequila and lime take

0:29:32.120 --> 0:29:36.800
<v Speaker 1>what is yours? Uh, just lemon instead of work also

0:29:36.880 --> 0:29:40.600
<v Speaker 1>with them grapefruit Lacroix, like the the soda water that's

0:29:40.720 --> 0:29:42.959
<v Speaker 1>got a little hint of grapefruit to it. All. Right,

0:29:43.000 --> 0:29:47.200
<v Speaker 1>here we go with Austin Handler the so handsome Austin Handler.

0:29:49.120 --> 0:29:52.880
<v Speaker 1>He's an interior designer and decorator. No way, Yeah, pretty

0:29:52.880 --> 0:29:56.040
<v Speaker 1>talented guy. Uh, he says this. Yeah. If you're in

0:29:56.040 --> 0:29:57.840
<v Speaker 1>the New York area and you have needs, get in

0:29:57.920 --> 0:30:01.480
<v Speaker 1>touch with Austin Handler. I just had a delicious, delicious

0:30:01.480 --> 0:30:04.320
<v Speaker 1>one a couple of nights ago at Hacienda del Soul

0:30:04.560 --> 0:30:08.080
<v Speaker 1>in the Cataline of Foothills and Tucson, so Austin's on vacation.

0:30:08.840 --> 0:30:11.640
<v Speaker 1>It was called the pretty and pink hendricks Gin all right,

0:30:11.920 --> 0:30:15.720
<v Speaker 1>so of coar, so good Saint Germain elder flower liqueur yum,

0:30:15.840 --> 0:30:18.160
<v Speaker 1>prickly pear of syrup. Never had it, but why not

0:30:18.680 --> 0:30:21.480
<v Speaker 1>sweet and sour prickly pear of foam, served straight up.

0:30:21.840 --> 0:30:26.800
<v Speaker 1>And he included a picture and it looks delicious. I'm

0:30:26.800 --> 0:30:30.240
<v Speaker 1>sure it is. That sounds like a lovely combo. I'll

0:30:30.280 --> 0:30:36.360
<v Speaker 1>have a little, uh sort of hipster cocktail every now

0:30:36.440 --> 0:30:40.239
<v Speaker 1>and then like that. I look forward to, you know,

0:30:40.280 --> 0:30:44.640
<v Speaker 1>like I've eaten in a restaurant like maybe twice, very

0:30:44.760 --> 0:30:47.960
<v Speaker 1>very very very distanced um this whole time, much much

0:30:48.040 --> 0:30:49.880
<v Speaker 1>much more recently. But I look forward to like I

0:30:49.880 --> 0:30:51.719
<v Speaker 1>haven't been like even bothering. I don't want to go

0:30:51.800 --> 0:30:55.720
<v Speaker 1>to a half weird situation restaurant thing. I want to

0:30:55.760 --> 0:30:58.400
<v Speaker 1>go when it's like I can go and really enjoy

0:30:58.480 --> 0:31:00.480
<v Speaker 1>it and be comfortable, order and ice cocked. They'll take

0:31:00.520 --> 0:31:03.320
<v Speaker 1>my time, you know. I'm looking forward to that because

0:31:03.320 --> 0:31:07.320
<v Speaker 1>I really do like trying different, you know, cocktail recipes

0:31:07.320 --> 0:31:09.720
<v Speaker 1>that you know, fancy places. Do I hear you? I

0:31:09.720 --> 0:31:11.400
<v Speaker 1>gotta say no, I don't. I'm not seeing the movie

0:31:11.400 --> 0:31:14.320
<v Speaker 1>connection in a lot of these. But that's okay. These

0:31:14.360 --> 0:31:17.800
<v Speaker 1>are sounds like great drinks. Mike Binder or Binder can't

0:31:17.840 --> 0:31:19.600
<v Speaker 1>remember Mike, but he's one of our old palaces. The

0:31:19.720 --> 0:31:23.680
<v Speaker 1>vesper Martini obviously, James Bond. Three ounces of gin, one

0:31:23.720 --> 0:31:29.520
<v Speaker 1>ounce vodka, gin and vodka, half ounce le blanc or

0:31:29.600 --> 0:31:35.200
<v Speaker 1>driver muth and then lemon peel garnish. That sounds good. Orderfine,

0:31:35.440 --> 0:31:38.920
<v Speaker 1>argue it can't be or vermouth. The Lilae is really

0:31:38.920 --> 0:31:43.080
<v Speaker 1>what makes it a vesper. And that's what I've heard. Hey,

0:31:43.360 --> 0:31:45.920
<v Speaker 1>you tell him, Nol, I'm telling him. I'm I'm laying

0:31:45.960 --> 0:31:48.600
<v Speaker 1>down the law. No, they're very, very good, but Lili

0:31:48.720 --> 0:31:50.600
<v Speaker 1>is nice, Chuck, I think you'd like a Vesper Bartila.

0:31:50.680 --> 0:31:53.800
<v Speaker 1>It's almost like a a bit of a botanical, kind

0:31:53.800 --> 0:31:57.280
<v Speaker 1>of floral type vibe. Um, very very good and not

0:31:57.360 --> 0:31:59.600
<v Speaker 1>like you know, you know how like a martini can

0:31:59.600 --> 0:32:02.480
<v Speaker 1>just taste literally a glass of booze. This kind of cuts.

0:32:02.520 --> 0:32:06.080
<v Speaker 1>It's a little bit of it. Yeah, the Danger of

0:32:06.200 --> 0:32:08.040
<v Speaker 1>In is back in the house for this one. She says.

0:32:08.040 --> 0:32:11.000
<v Speaker 1>Gotta have a whiskey sour or eight like Rick Dalton

0:32:11.200 --> 0:32:15.920
<v Speaker 1>from Once upon a Time in Hollywood. Oh interesting. Alright,

0:32:16.000 --> 0:32:19.680
<v Speaker 1>our old buddy Jeff Noel, who's back with us again.

0:32:19.760 --> 0:32:24.080
<v Speaker 1>Welcome back, Jeff, says. The boiler maker from Dot don

0:32:24.160 --> 0:32:28.440
<v Speaker 1>Knots movie The Reluctant Astronaut. I think they called the

0:32:28.480 --> 0:32:31.760
<v Speaker 1>moon shot pine of beer shot a whiskey dropped the

0:32:31.800 --> 0:32:36.480
<v Speaker 1>shot into the beer. Well, that's a boiler maker. Yeah.

0:32:36.800 --> 0:32:39.480
<v Speaker 1>I've never had a boiler maker, which is weird. I

0:32:39.480 --> 0:32:41.640
<v Speaker 1>haven't either. It doesn't really that doesn't appeal to me.

0:32:41.920 --> 0:32:44.080
<v Speaker 1>It seems it's something I feel like I should do

0:32:44.120 --> 0:32:46.200
<v Speaker 1>at one point in my life, though, because I like

0:32:46.440 --> 0:32:50.440
<v Speaker 1>a beer and I like a bourbon shot. So maybe

0:32:50.440 --> 0:32:52.560
<v Speaker 1>it's delicious, yeah, but it just seems a lot like

0:32:52.640 --> 0:32:53.880
<v Speaker 1>if the beer is are I mean, is there a

0:32:53.920 --> 0:32:56.120
<v Speaker 1>particular type of beer it should be a light beer

0:32:56.520 --> 0:32:58.800
<v Speaker 1>or like a like a dark blog. I think it's

0:32:58.840 --> 0:33:01.959
<v Speaker 1>generally like a to just lighter pilsner or a lagger

0:33:02.320 --> 0:33:03.920
<v Speaker 1>that makes sense. That makes sense, But you can do

0:33:04.000 --> 0:33:05.560
<v Speaker 1>whatever you want. Are you still like the old black

0:33:05.560 --> 0:33:07.640
<v Speaker 1>and tans back? I thought that was fancy back in

0:33:07.680 --> 0:33:10.280
<v Speaker 1>my college days. What is that? A black and Tan

0:33:10.480 --> 0:33:14.360
<v Speaker 1>was half bass ale half Guinness and they would not mix,

0:33:14.440 --> 0:33:16.960
<v Speaker 1>so it would be the Guinness stout on top in

0:33:17.000 --> 0:33:18.960
<v Speaker 1>the or maybe it was the other way around. I

0:33:18.960 --> 0:33:23.000
<v Speaker 1>can't remember. Um. I did a thing um when I

0:33:23.040 --> 0:33:25.840
<v Speaker 1>was first started going to bars in my hometown and

0:33:25.840 --> 0:33:28.360
<v Speaker 1>they call it's it's It's certainly was something you would

0:33:28.400 --> 0:33:31.160
<v Speaker 1>never order in Ireland, but they call it an Irish

0:33:31.200 --> 0:33:34.560
<v Speaker 1>car bomb um and it's essentially it's a Guinness and

0:33:34.680 --> 0:33:38.560
<v Speaker 1>you drop a shot of is it Bailey's into it

0:33:38.640 --> 0:33:42.040
<v Speaker 1>or some kind of it was. I don't remember what

0:33:42.120 --> 0:33:44.959
<v Speaker 1>the drop shot is, but it's definitely like a boiler

0:33:44.960 --> 0:33:48.280
<v Speaker 1>maker using a Guinness and then some other shot thing.

0:33:48.320 --> 0:33:51.560
<v Speaker 1>But it was something milky. I think it was Bailey's. Really,

0:33:51.720 --> 0:33:56.520
<v Speaker 1>I would think bush Mills, but that's just a an

0:33:56.520 --> 0:34:00.440
<v Speaker 1>Irish whiskey, but Bailey's Bailey's and guinness is probably really

0:34:00.480 --> 0:34:05.080
<v Speaker 1>good actually both creamy. Uh huh. It is actually an

0:34:05.120 --> 0:34:08.359
<v Speaker 1>Irish car is h oh i, also known as an

0:34:08.360 --> 0:34:11.560
<v Speaker 1>Irish slammer, or an Irish bomb shot, or a Dublin drop,

0:34:11.640 --> 0:34:14.239
<v Speaker 1>as a cocktail similar to a boiler maker, made by

0:34:14.320 --> 0:34:18.840
<v Speaker 1>dropping a bomb shot of Irish cream into a glass

0:34:18.840 --> 0:34:21.880
<v Speaker 1>of stouts. How about that? No, one of the drunkest

0:34:21.960 --> 0:34:24.160
<v Speaker 1>of not one of the drunkest I've ever been on

0:34:24.239 --> 0:34:27.320
<v Speaker 1>stage in front of people, was in was in Dublin

0:34:27.440 --> 0:34:31.000
<v Speaker 1>because I don't remember if it was a dare or

0:34:31.160 --> 0:34:34.279
<v Speaker 1>I said something to the crowd about giving me again

0:34:34.360 --> 0:34:36.560
<v Speaker 1>US and I'll drink it all in like three seconds

0:34:36.640 --> 0:34:39.920
<v Speaker 1>or something, I'll basically slam again us. And that happened,

0:34:40.000 --> 0:34:41.840
<v Speaker 1>and then they just started coming up, and then shots

0:34:41.840 --> 0:34:44.200
<v Speaker 1>of Bushmill started coming up. And it was one of

0:34:44.239 --> 0:34:46.200
<v Speaker 1>the things where when you're on stage you can't say no.

0:34:47.280 --> 0:34:50.799
<v Speaker 1>You can say stopped, like really enough, um, but you

0:34:50.880 --> 0:34:55.480
<v Speaker 1>can't just say no. So I mean you could, well,

0:34:55.480 --> 0:34:57.640
<v Speaker 1>but would you really want to? That sounds like a

0:34:57.680 --> 0:34:59.640
<v Speaker 1>good time. I was riding high because I saw Bonno

0:34:59.719 --> 0:35:02.240
<v Speaker 1>on this street within my first thirty minutes in Dublin.

0:35:02.640 --> 0:35:08.120
<v Speaker 1>No Ship's amazing. It's like, that's like, that's insane. It

0:35:08.239 --> 0:35:10.320
<v Speaker 1>is insane. It's like going to New York and seeing

0:35:10.360 --> 0:35:12.920
<v Speaker 1>like Spike Lee greets you off of the plane or something,

0:35:13.239 --> 0:35:17.480
<v Speaker 1>or fucking Frank Sinatra, you know. I mean that's yeah.

0:35:17.600 --> 0:35:19.919
<v Speaker 1>I was in a Fish and Chips place right after

0:35:19.960 --> 0:35:22.320
<v Speaker 1>I got in there, and Bonna walks by the window,

0:35:23.160 --> 0:35:26.719
<v Speaker 1>and I was like, was that it had to be?

0:35:26.760 --> 0:35:29.160
<v Speaker 1>Like I was convinced it was him, And then I

0:35:29.200 --> 0:35:31.120
<v Speaker 1>asked on stage, I said, guys, I don't want to

0:35:31.160 --> 0:35:34.080
<v Speaker 1>be that dude, but I think I saw Bono and

0:35:34.120 --> 0:35:37.799
<v Speaker 1>everyone was like, yeah, of course you did. It's like,

0:35:37.920 --> 0:35:39.680
<v Speaker 1>you know, it's sort of like saying, oh my god,

0:35:39.719 --> 0:35:42.120
<v Speaker 1>I saw Michael Stipe and Ethan and it happens. Bono

0:35:42.160 --> 0:35:44.440
<v Speaker 1>was just around, you know, yeah it happens. And he

0:35:44.560 --> 0:35:47.000
<v Speaker 1>and the edge of a hotel right near where I was,

0:35:47.120 --> 0:35:49.319
<v Speaker 1>I think, And they were like, yeah, sure, I'm sure

0:35:49.360 --> 0:35:51.360
<v Speaker 1>you saw Bono. Yeah. When then you say they have

0:35:51.400 --> 0:35:54.279
<v Speaker 1>a hotel, you mean they own a hotel? Okay, yeah,

0:35:54.280 --> 0:35:55.920
<v Speaker 1>I think they own like a little boutique hotel. I

0:35:55.920 --> 0:35:57.879
<v Speaker 1>don't know how little it is, but I didn't stay there,

0:35:58.840 --> 0:36:01.359
<v Speaker 1>all right, I think that's it. Noal, and let's move

0:36:01.400 --> 0:36:04.759
<v Speaker 1>on to stream this, to wind this one out, this

0:36:04.960 --> 0:36:08.440
<v Speaker 1>train wreck. Uh still on six ft Under and guys,

0:36:09.320 --> 0:36:12.719
<v Speaker 1>Noel alan Ball wants to be on movie Crush. No

0:36:12.760 --> 0:36:15.279
<v Speaker 1>way for a six ft Under special, no movie Talk

0:36:16.480 --> 0:36:18.640
<v Speaker 1>anniversary special. We're trying to work it out now with

0:36:18.719 --> 0:36:23.040
<v Speaker 1>his agent. It is not booked yet, but everybody crossed

0:36:23.080 --> 0:36:25.320
<v Speaker 1>those fingers and toes. I know you want to be on,

0:36:25.480 --> 0:36:28.799
<v Speaker 1>don't you. I really do. I love that show so much.

0:36:29.040 --> 0:36:31.279
<v Speaker 1>Think about it, Chuck, Well, I mean, let's see what

0:36:31.320 --> 0:36:33.680
<v Speaker 1>we can do. Um, I think all three of us

0:36:33.719 --> 0:36:35.560
<v Speaker 1>for the whole thing. It could get a little step

0:36:35.560 --> 0:36:37.480
<v Speaker 1>on each other. No, no, I know, I know I would.

0:36:37.520 --> 0:36:39.759
<v Speaker 1>I would just like submit a couple of questions. No

0:36:41.239 --> 0:36:44.359
<v Speaker 1>figure something else. So I'm almost through my rewatch. I'm

0:36:44.400 --> 0:36:47.200
<v Speaker 1>almost through my rewatch. And I think I've told you

0:36:47.239 --> 0:36:52.560
<v Speaker 1>how I'm tied to my life emotionally. That we're on

0:36:52.600 --> 0:36:55.920
<v Speaker 1>season five, I'm on six. If five was the last one,

0:36:55.920 --> 0:36:58.200
<v Speaker 1>it was only five. Wait, we're on four, then we're

0:36:58.239 --> 0:37:01.520
<v Speaker 1>second to the last. I think about through two or

0:37:01.560 --> 0:37:05.480
<v Speaker 1>three episodes into season four. That makes me happy, but

0:37:05.560 --> 0:37:07.759
<v Speaker 1>also like, let's yeah, let's figure out how I can

0:37:07.800 --> 0:37:10.040
<v Speaker 1>at least get a question. I love him so much.

0:37:10.239 --> 0:37:12.200
<v Speaker 1>I love the show so much. We had to get

0:37:12.239 --> 0:37:14.000
<v Speaker 1>through the in the sea. I mean, season three is

0:37:14.040 --> 0:37:20.200
<v Speaker 1>such a slog with with um Lisa's whole situation. It's

0:37:20.280 --> 0:37:23.400
<v Speaker 1>just brutal. Man. It's a very very tough season, and

0:37:23.400 --> 0:37:26.279
<v Speaker 1>the way it it's just like, oh my God, like

0:37:26.400 --> 0:37:30.839
<v Speaker 1>total cliffhanger, and then it resolves nicely sort of sort of.

0:37:30.880 --> 0:37:33.800
<v Speaker 1>But then the EI we can't spoil Anyone who hasn't

0:37:33.800 --> 0:37:38.200
<v Speaker 1>seen this series, go the out watch the six ft Under.

0:37:38.280 --> 0:37:43.000
<v Speaker 1>It's cathartic, life affirming. So I'm still watching that. I'm

0:37:43.000 --> 0:37:45.640
<v Speaker 1>watching on the side because Emily won't watch it, and

0:37:45.640 --> 0:37:46.840
<v Speaker 1>I don't even know why. I am the Q And

0:37:46.920 --> 0:37:50.000
<v Speaker 1>on documentary on HBO heard it's good, alright, I heard

0:37:50.000 --> 0:37:52.680
<v Speaker 1>at least it dropped some mombs. Yeah, I mean it's

0:37:52.719 --> 0:37:55.399
<v Speaker 1>good so far, it's fine. And then nol I kind

0:37:55.400 --> 0:37:58.960
<v Speaker 1>of happened upon this thing out of nowhere, and I

0:37:58.960 --> 0:38:01.799
<v Speaker 1>clicked on it because I love the title and it's amazing.

0:38:02.440 --> 0:38:06.000
<v Speaker 1>It's called Exterminate All the Brutes. Someone was just talking

0:38:06.000 --> 0:38:07.759
<v Speaker 1>about that to me last night and said it was

0:38:07.960 --> 0:38:12.040
<v Speaker 1>based on like a weird writer or some like literature stuff,

0:38:12.040 --> 0:38:14.680
<v Speaker 1>and it's supposed to be like really really great. It is.

0:38:14.880 --> 0:38:20.160
<v Speaker 1>It is a sort of it's a docuseries, um, but

0:38:20.320 --> 0:38:23.600
<v Speaker 1>it's unlike any docuseries you've seen because they have some

0:38:23.680 --> 0:38:28.600
<v Speaker 1>really elaborate, interesting recrease. Uh. It is basically a look

0:38:28.680 --> 0:38:33.960
<v Speaker 1>at the history of some of the awful things, I mean,

0:38:34.120 --> 0:38:37.440
<v Speaker 1>starting with the slave trade and moving forward the awful

0:38:37.480 --> 0:38:41.319
<v Speaker 1>things that humans have done to each other. I mean,

0:38:41.320 --> 0:38:46.319
<v Speaker 1>it's kind of it's about genocide and colonization. And it's

0:38:46.400 --> 0:38:50.040
<v Speaker 1>really really good. Man. It's super heavy, like get you

0:38:50.120 --> 0:38:52.480
<v Speaker 1>gotta get ready for this one. You gotta pay attention.

0:38:52.560 --> 0:38:56.279
<v Speaker 1>It's like class, uh schoolwork in a way. But it's

0:38:56.400 --> 0:39:00.000
<v Speaker 1>so good and I love I love what I've seen

0:39:00.080 --> 0:39:03.840
<v Speaker 1>so far. So it's about like imperialism essentially. Well, it

0:39:03.960 --> 0:39:06.440
<v Speaker 1>starts there and then moves forward, and I think it

0:39:06.520 --> 0:39:08.439
<v Speaker 1>is obviously going to go all the way forward through

0:39:08.560 --> 0:39:10.680
<v Speaker 1>you know, civil rights are and Jim Crow and all

0:39:10.680 --> 0:39:14.480
<v Speaker 1>that stuff. I think. But um, it's very interesting. It is.

0:39:14.680 --> 0:39:17.720
<v Speaker 1>It is based on a book by Stephen Linquist called

0:39:17.960 --> 0:39:20.759
<v Speaker 1>Exterminate All the Brutes. That is does exactly what you're saying,

0:39:20.800 --> 0:39:24.760
<v Speaker 1>but it's interesting to do a documentary based on a study,

0:39:25.000 --> 0:39:26.560
<v Speaker 1>you know, in a book, I mean essentially like a

0:39:26.920 --> 0:39:29.279
<v Speaker 1>it's a it's a work of nonfiction, but I think

0:39:29.280 --> 0:39:32.520
<v Speaker 1>it's obviously highly stylized, and it is. It's it's very

0:39:32.520 --> 0:39:34.399
<v Speaker 1>well done. It's kind of like the history of white

0:39:34.400 --> 0:39:37.319
<v Speaker 1>supremacy in a way because it basically says, you know,

0:39:37.440 --> 0:39:41.239
<v Speaker 1>the very beginnings of the white supremacy or the Spanish Inquisition,

0:39:41.680 --> 0:39:44.320
<v Speaker 1>and that was the first time in world history where

0:39:46.239 --> 0:39:50.480
<v Speaker 1>a group of people, white people exerted dominance over what

0:39:50.520 --> 0:39:52.480
<v Speaker 1>they deemed a lesser group of people. And that's where

0:39:52.480 --> 0:39:55.240
<v Speaker 1>it started. And it and it draws lines man between

0:39:55.280 --> 0:39:58.160
<v Speaker 1>ship that happened hundreds and hundreds and hundreds and hundreds

0:39:58.160 --> 0:40:00.239
<v Speaker 1>of years ago to what we're seeing now, and the

0:40:00.280 --> 0:40:03.360
<v Speaker 1>tendrils are all there. And it's written and directed by A.

0:40:03.560 --> 0:40:07.160
<v Speaker 1>Rale Peck and narrated. It's just I can't recommend it enough,

0:40:07.200 --> 0:40:09.680
<v Speaker 1>but just you gotta get ready for some serious stuff.

0:40:10.200 --> 0:40:13.640
<v Speaker 1>Time magazine calls it a radical masterpiece about white supremacy

0:40:13.760 --> 0:40:16.680
<v Speaker 1>violence in the history of the West. There you go, Yeah,

0:40:16.760 --> 0:40:19.080
<v Speaker 1>I'm excited. No, I'm a really dear friend of mine

0:40:19.120 --> 0:40:22.319
<v Speaker 1>who is very well read and and super smart guy

0:40:22.440 --> 0:40:25.360
<v Speaker 1>recommended this literally the other night, so I am on

0:40:25.480 --> 0:40:29.040
<v Speaker 1>it and a great title Exterminate all the brutes. It's

0:40:29.080 --> 0:40:31.600
<v Speaker 1>certainly arresting. Right Like you said, you you clicked on

0:40:31.640 --> 0:40:33.920
<v Speaker 1>it simply because you were like, what, then is this

0:40:34.000 --> 0:40:36.239
<v Speaker 1>that sounds fascinating? What have you been watching? Possibly be

0:40:36.680 --> 0:40:40.520
<v Speaker 1>I watched the King Kong Godzilla movie, so I can't wait. Though.

0:40:40.880 --> 0:40:42.520
<v Speaker 1>I thought it was a lot of fun. I thought

0:40:42.560 --> 0:40:44.560
<v Speaker 1>they did a good job of dispensing with all the

0:40:44.600 --> 0:40:47.400
<v Speaker 1>petty drama of the human character and getting right to

0:40:47.480 --> 0:40:51.600
<v Speaker 1>the to the smash and bash. Um. I really liked it.

0:40:51.680 --> 0:40:55.960
<v Speaker 1>I found it very enjoyable and funny and um, it

0:40:56.000 --> 0:40:58.759
<v Speaker 1>looked good. It had a real I love Adam Wingard,

0:40:58.760 --> 0:41:00.880
<v Speaker 1>you know he did like, uh, um, what is it

0:41:00.920 --> 0:41:03.719
<v Speaker 1>your next? And the guests easy really into these kind

0:41:03.719 --> 0:41:07.240
<v Speaker 1>of retro horror sci fi mashups, and you know you

0:41:07.239 --> 0:41:09.200
<v Speaker 1>you don't really see the fingerprints of that on this

0:41:09.320 --> 0:41:13.200
<v Speaker 1>too too much? Um, But he it's cool when smaller

0:41:13.200 --> 0:41:15.520
<v Speaker 1>directors like that get handed big movies and they do well.

0:41:15.560 --> 0:41:16.840
<v Speaker 1>And I'm glad to see it doing well because I

0:41:16.840 --> 0:41:19.719
<v Speaker 1>thought it was fun. Um. Yeah, I been like I said,

0:41:20.200 --> 0:41:25.360
<v Speaker 1>finishing my six under rewatch um. One other thing. I

0:41:25.440 --> 0:41:28.440
<v Speaker 1>just started getting into that show Big Mouth, the cartoon

0:41:28.960 --> 0:41:32.399
<v Speaker 1>about like kind of puberty and stuff that Nick Krawl does.

0:41:32.440 --> 0:41:37.120
<v Speaker 1>It's so funny, it's so funny, so crass and uh

0:41:37.400 --> 0:41:41.279
<v Speaker 1>just beautiful, um and accurate. You know that's really really

0:41:41.320 --> 0:41:43.719
<v Speaker 1>really well done. Yeah. I mean I've dabbled in that

0:41:43.800 --> 0:41:45.840
<v Speaker 1>for a while and sort of left it alone, but

0:41:45.960 --> 0:41:47.680
<v Speaker 1>I need to go back and watch more Big Mouth.

0:41:47.719 --> 0:41:50.920
<v Speaker 1>It's it's great, it's funny, wonderful show. All right. No,

0:41:51.040 --> 0:41:54.560
<v Speaker 1>well that wraps it up for us. Apologies about all

0:41:54.560 --> 0:41:57.480
<v Speaker 1>the real time disasters in this episode, but you know what,

0:41:57.520 --> 0:42:00.760
<v Speaker 1>we're working live. Yeah, we're words on All Movie Crush,

0:42:01.640 --> 0:42:04.880
<v Speaker 1>so are I guess specifically Miny Crush. I try to

0:42:04.920 --> 0:42:06.480
<v Speaker 1>keep it together a little bit more for the other ones.

0:42:07.360 --> 0:42:09.440
<v Speaker 1>I can't do this in front of Allen Ball for Chrysie.

0:42:11.400 --> 0:42:13.680
<v Speaker 1>So thanks for listening, everyone, and we'll get our ship

0:42:13.760 --> 0:42:18.360
<v Speaker 1>together and see you next week. M Movie Crash is

0:42:18.400 --> 0:42:21.440
<v Speaker 1>produced and written by Charles Bryant and Roel Brown, edited

0:42:21.440 --> 0:42:24.960
<v Speaker 1>and engineered by Seth Nicholas Johnson, and scored by Meel Brown.

0:42:25.160 --> 0:42:28.200
<v Speaker 1>Here in our home studio at Pontsty Market, Atlanta, Georgia.

0:42:28.360 --> 0:42:31.399
<v Speaker 1>For i heart Radio. For more podcasts for my heart Radio,

0:42:31.520 --> 0:42:34.240
<v Speaker 1>visit the i heart Radio app, Apple podcast, or wherever

0:42:34.320 --> 0:42:35.640
<v Speaker 1>you listen to your favorite shows.