WEBVTT - Best Bits: JUST THE BITS

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<v Speaker 1>It's the best bits of the week with Morgan, I

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<v Speaker 1>kill just the Bitch.

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<v Speaker 2>Howdy everybody.

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<v Speaker 3>I hope your weekend is already starting off.

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<v Speaker 4>Awesome and now it's just about to get that much

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<v Speaker 4>better because you're here.

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<v Speaker 2>At least, that's what I like to think.

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<v Speaker 4>Before I catch you up on the segments from the

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<v Speaker 4>show this week, be sure to check out Part one,

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<v Speaker 4>Part three this weekend with Raymundo.

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<v Speaker 2>He's back. He took a little break because.

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<v Speaker 3>He moved out to the country and he had a

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<v Speaker 3>lot of stuff going on.

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<v Speaker 4>And now he's back and we get an update on

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<v Speaker 4>life his cat Piper, how him and his wife are

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<v Speaker 4>doing with their big move. We talk about relationships and dating.

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<v Speaker 4>It's a lot of fun stuff over there. On part

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<v Speaker 4>one and part three, you guys had some questions about

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<v Speaker 4>his obsession with Sam Hunt and if he plans to

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<v Speaker 4>still go on Big Brother. So just a few things

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<v Speaker 4>that are up over there. Check them out. But now

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<v Speaker 4>the reason you're here catch up on the show. Let's go,

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<v Speaker 4>everyone confess something that they're boycotting right now. Now these

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<v Speaker 4>are a little bits sarast okay, or maybe they're more

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<v Speaker 4>serious and we're playing it off as sarcastic. Who really knows.

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<v Speaker 4>But currently everyone on the show has something they are

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<v Speaker 4>on strike about.

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<v Speaker 5>Right now, number seven, we're going to go around the room.

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<v Speaker 6>It's a fun bit, right, we're playful, everybody, Hey, playful? Right, yeah,

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<v Speaker 6>go on, don't get me fired. What are we boycotting?

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<v Speaker 6>That's the question.

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<v Speaker 7>Now.

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<v Speaker 6>I asked this because Mike d movie. Mike is now

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<v Speaker 6>boycotting a movie. I've never heard of such thing. What

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<v Speaker 6>movie isn't? Why you boycotting it?

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<v Speaker 8>I'm boycotting The Crow because they're remaking it, and it's

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<v Speaker 8>the movie that Brandon Lee died while shooting the movie.

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<v Speaker 6>But why boycott it? Though?

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<v Speaker 8>Because that movie should be his legacy. He died while

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<v Speaker 8>making that. They finish it after him. That has been

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<v Speaker 8>like a historic thing in movie history. It should not

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<v Speaker 8>be remade.

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<v Speaker 6>I felt the way that way about Simba's dad, he

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<v Speaker 6>was killed making. Yeah, they made a second one. Yeah,

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<v Speaker 6>saw a boycott. I've never seen it.

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<v Speaker 9>Man, Good for you a little bit though.

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<v Speaker 6>You're being a little dramatic.

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<v Speaker 10>Right, No, I don't think they should remake it.

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<v Speaker 5>That is what everybody knows him for.

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<v Speaker 8>That is why that movie has lived on and they're

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<v Speaker 8>doing it as a cash grab, like, hey, you remember

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<v Speaker 8>this dark thing that happened with this movie, We're gonna

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<v Speaker 8>remake it and it's not gonna be any good.

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<v Speaker 6>Well, no, I don't think they're saying it's not gonna

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<v Speaker 6>be any good. You're inserting that.

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<v Speaker 9>Now they say it's not gonna be any to go, Well, say.

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<v Speaker 11>That, what if it's the best movie comes out in

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<v Speaker 11>his honor?

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<v Speaker 8>Oh yeah, Ever, I was willing to give it a chance.

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<v Speaker 8>But the trailer came out recently and it looks horrible. Okay,

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<v Speaker 8>it looks like a generic action movie, and the first

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<v Speaker 8>one had just so much charm to it, and now

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<v Speaker 8>they're just gonna ruin it.

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<v Speaker 5>So basically, he got high on his moral ground once

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<v Speaker 5>he saw the trailer and knew it was gonna be bad,

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<v Speaker 5>then he could step up and say I'm boycott Yeah, man,

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<v Speaker 5>I knew for sure what it was like.

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<v Speaker 6>Yeah, it was like maybe I should boycott this. And

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<v Speaker 6>he saw that it was just kind of cartoony, and

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<v Speaker 6>it's like, I'm not gonna support it. Although I get it.

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<v Speaker 6>Everybody's making cash grabs. You have to, but it doesn't

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<v Speaker 6>take away from his legacy in that movie. That's all

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<v Speaker 6>I think it does of all the movies to remake.

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<v Speaker 8>I know they remake everything at this point, but where

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<v Speaker 8>somebody died?

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<v Speaker 12>Uh?

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<v Speaker 6>There are people have died on movie sets. Didn't some

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<v Speaker 6>of the people dine on Wizard of Oz?

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<v Speaker 9>Or was that in the middle of Later in Life

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<v Speaker 9>from the makeup?

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<v Speaker 8>Yeah?

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<v Speaker 13>Yeah, what I did not know that movie?

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<v Speaker 6>Mike tells more.

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<v Speaker 8>Yeah, the ten Man, the first guy who played him,

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<v Speaker 8>the whatever they use in that paint ended up suffering

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<v Speaker 8>from some kind of lead poisoning stuff.

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<v Speaker 13>That's tragic.

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<v Speaker 5>Oh man, I have never watched that movie again.

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<v Speaker 9>Boycotting.

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<v Speaker 6>Boycotting, Yeah, boycotting. Okay, what are you boycotting? This is

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<v Speaker 6>scary for me to let you guys say this Amy.

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<v Speaker 13>Mine's personal go ahead. So I'm boycotting my meds.

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<v Speaker 6>So I quit taking that thinking about that. Maybe you

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<v Speaker 6>should like nope.

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<v Speaker 2>This is nope.

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<v Speaker 13>But I feel like if yeah, when I was thinking, okay,

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<v Speaker 13>what's something, I'm not boycotting anything like crazy or public

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<v Speaker 13>out there that I'm like, I don't want to be around.

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<v Speaker 13>But I do open up my door every day and

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<v Speaker 13>I'm like, okay, not gonna take my adderall that's my

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<v Speaker 13>own personal choice, and I've I'm doing it, and.

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<v Speaker 6>Okay, I hear you, And good for her. She's making

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<v Speaker 6>a decision.

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<v Speaker 9>I like I'm having power.

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<v Speaker 6>It makes it a little more difficult for me. Sure, right,

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<v Speaker 6>I'm not like it. When she doesn't.

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<v Speaker 13>Boycott, I'll get to the other side. I'm just still

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<v Speaker 13>in that. I'm in a sort of a fidgety phase

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<v Speaker 13>and maybe that will stick around. I'm not sure. But

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<v Speaker 13>I would just encourage anybody else if you're looking to

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<v Speaker 13>do anything like that, consult a doctor. I'm not here

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<v Speaker 13>to say that you should boycott all this.

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<v Speaker 6>It drops a matter on your water and you didn't

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<v Speaker 6>know it.

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<v Speaker 13>Probably I'd probably noticed right away. And but I'm just

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<v Speaker 13>trying some alternative methods and we'll see how they work.

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<v Speaker 6>Lunchbox, what are you boycotting?

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<v Speaker 5>I am boycotting Disney Plus. I read an article that

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<v Speaker 5>they are going to stop the free loading and they

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<v Speaker 5>are going to start charging people for passwords sharing. So

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<v Speaker 5>I right now am making a statement I won't be

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<v Speaker 5>watching Disney Plus.

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<v Speaker 6>So you're actually doing the You can't fire me. I quit, yep,

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<v Speaker 6>because I got to kick you out anyway, because you're

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<v Speaker 6>not paying for it.

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<v Speaker 5>That's right. Get My cousin Andrew and his wife Ellen

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<v Speaker 5>have been letting me use their Disney account, and now

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<v Speaker 5>it is not going to allow that. So I have

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<v Speaker 5>decided I am boycotting Disney.

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<v Speaker 6>Well, I mean they've decided they're eventually gonna boycott you.

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<v Speaker 6>So I liked, you're getting ahead of it.

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<v Speaker 5>Yeah, I got ahead of them. I'll show them Eddie.

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<v Speaker 9>Okay.

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<v Speaker 11>So I mentioned this a little bit last week, Like

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<v Speaker 11>Taylor Swift and Travis Kelcey. You know, there's too much

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<v Speaker 11>paparazza going on. You're gonna ruin their relationship. So I

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<v Speaker 11>am boycotting clicking on any article that says Travis Kelsey

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<v Speaker 11>and Taylor Swift.

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<v Speaker 9>There's one that came out.

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<v Speaker 11>A couple of days ago about a secret trip they

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<v Speaker 11>took to Nashville, and I'm like, I.

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<v Speaker 9>Want to read, I'm not gonna do it.

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<v Speaker 6>Medication to help you.

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<v Speaker 9>You can have amy.

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<v Speaker 6>Yeah no no, no, no, no no, no, of course not no, no.

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<v Speaker 6>I'm boycotting the Tampa Bay Buccaneer football team.

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<v Speaker 9>Oh boy, the whole team.

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<v Speaker 6>Now that's just I mean part of it, right. I

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<v Speaker 6>used to be a big Baker Mayfield guy and he's

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<v Speaker 6>gotten too big to answer my messages now, and so

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<v Speaker 6>I supported them wholeheartedly last year. I was a big

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<v Speaker 6>Baker guy, big Baker show. I'm boycotting the Bucks and

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<v Speaker 6>that show biz baby. They didn't even exist to me

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<v Speaker 6>until I don't know. I don't know what he can do.

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<v Speaker 9>Baker hasn't replied all that anything.

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<v Speaker 6>Now, all of a sudden, make a hundred million bucks.

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<v Speaker 9>Yeah, man, money, he's busy.

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<v Speaker 5>Maybe he's on Baker.

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<v Speaker 6>A guy I know was playing golf for them at a

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<v Speaker 6>driver at a driving Really, I see bakeruptare and go

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<v Speaker 6>say something. It's like, I don't know who that is.

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<v Speaker 6>Baker Mayfield not even dead to me, never existed, boycotting

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<v Speaker 6>him until I don't even know. I don't even know

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<v Speaker 6>what it is. But all of a sudden't trying to

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<v Speaker 6>answer his friend anymore. So, Mike, good.

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<v Speaker 9>Luck on your boycott.

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<v Speaker 5>You're doing you and your boycott?

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<v Speaker 6>Yeah yeah, Mike joins me. I joined Mike, good luck.

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<v Speaker 6>I'm watching the first one, watching the second one.

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<v Speaker 13>Now, this is the first one worth watching.

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<v Speaker 10>I like it, Okay, I don't.

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<v Speaker 6>Know that says that answers usually know, though I like it.

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<v Speaker 6>Do you like that restaurant, well, I mean I like it.

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<v Speaker 13>It's very protective of it.

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<v Speaker 10>So it's the best bits of the week. With Morgan

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<v Speaker 10>number two, we.

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<v Speaker 4>Played a whole lot of never Gonna Get It this

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<v Speaker 4>week because we were giving away a trip to our

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<v Speaker 4>iHeart Country Festival in Austin, Texas. Now tickets are still

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<v Speaker 4>on sales, so you can go and buy them, come

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<v Speaker 4>hang out with us, see a whole lot of amazing

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<v Speaker 4>live music.

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<v Speaker 2>But this week we did give away a trip.

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<v Speaker 3>And a listener won it.

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<v Speaker 4>But never Gonna Get It is also just really fun

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<v Speaker 4>because most of the time we never Gonna get It.

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<v Speaker 4>That sounded really weird, but here you go. Here's one

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<v Speaker 4>of the times we played with listener.

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<v Speaker 6>Carol number six. We have a grand prize giveaway here

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<v Speaker 6>round trip to Austin, Texas. We're talking about flying and

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<v Speaker 6>a real life airplane that goes up and down, and

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<v Speaker 6>then hotel, real life locks on the doors and tickets

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<v Speaker 6>to the show iHeart Country Festival, Jelly Roll Dominion lady A.

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<v Speaker 6>Right now, we're gonna play never Gonna get It.

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<v Speaker 5>You're not gonna get it, You're never never going to

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<v Speaker 5>get it. You're not gonna get it.

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<v Speaker 6>All right, let us welcome Carol onto the show. Hey Carol,

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<v Speaker 6>how are you?

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<v Speaker 14>I'm great?

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<v Speaker 6>You doing pretty good. Where do you live, Carol?

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<v Speaker 3>I live in Hanover, Massachusetts.

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<v Speaker 6>Well, you know, I can't legally say if I'm rooting

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<v Speaker 6>for you or not, but I am. Okay, you appreciate

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<v Speaker 6>that we're gonna play never gonna get it, and so

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<v Speaker 6>I'm gonna read a question. All four of you, no,

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<v Speaker 6>go ahead's write your answer down.

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<v Speaker 5>That's us.

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<v Speaker 6>Okay, Yeah, she'll pick one of you if you get

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<v Speaker 6>it right, she wins. Okay, we'll move on from there.

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<v Speaker 6>The question is one third of Americans say this would

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<v Speaker 6>definitely be a deal breaker if they were looking to

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<v Speaker 6>buy a home. One third of Americans say this would

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<v Speaker 6>definitely be a deal breaker if they were looking to.

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<v Speaker 7>Buy a home.

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<v Speaker 5>I nailed it.

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<v Speaker 6>Think about that.

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<v Speaker 5>Guys, you want to win, you go with me.

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<v Speaker 6>One third of Americans said they would this would definitely

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<v Speaker 6>be a deal breaker if they were looking to buy

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<v Speaker 6>a home.

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<v Speaker 13>I'm in.

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<v Speaker 9>You know you're not gonna get it.

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<v Speaker 6>Yeah, Morgan, you're not well. Lunchbox one hundred percent?

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<v Speaker 7>Every time?

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<v Speaker 6>How do you feel this time? One hundred percent?

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<v Speaker 5>Who was in first and quick.

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<v Speaker 6>That's weird. Okay, Amy, what's your percentage? Eddie?

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<v Speaker 9>Five percent?

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<v Speaker 6>Morgan? About third of American say this would be a

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<v Speaker 6>deal breaker if they're looking to buy a home. Carol

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<v Speaker 6>picked the teammate that you think gets it right. Who

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<v Speaker 6>would you like, Carol? Anybody can have Amy, Lunchbox, Eddie

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<v Speaker 6>or Morgan.

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<v Speaker 5>Amy. He said forty. I said one hundred.

0:09:34.240 --> 0:09:35.720
<v Speaker 9>Carol, all right, you always say one hundred.

0:09:35.800 --> 0:09:37.240
<v Speaker 5>I enjoy not going to the concert.

0:09:37.360 --> 0:09:39.520
<v Speaker 6>Okay, let's go. Morgan. What your answer?

0:09:39.760 --> 0:09:42.360
<v Speaker 2>I have ghosts like ghost lives there.

0:09:42.720 --> 0:09:43.319
<v Speaker 6>That's incorrect.

0:09:43.320 --> 0:09:46.200
<v Speaker 9>She didn't pick Eddie, no basement.

0:09:47.240 --> 0:09:50.240
<v Speaker 6>Okay, what in the world. Okay, she didn't pick you,

0:09:50.280 --> 0:09:55.079
<v Speaker 6>So good for you. Okay, guys, Lunchbox died in the house.

0:09:55.160 --> 0:09:57.920
<v Speaker 5>Someone died in that house. Boom, boom boom.

0:09:57.960 --> 0:09:58.880
<v Speaker 9>That's actually really good.

0:09:59.440 --> 0:10:01.720
<v Speaker 6>Okay, thank you. Hold on to that. Amy.

0:10:01.920 --> 0:10:03.640
<v Speaker 13>Oh that's interesting. Someone died.

0:10:07.520 --> 0:10:15.200
<v Speaker 6>Well, that's correct, Carol. You just won the trip. Wow,

0:10:15.440 --> 0:10:19.320
<v Speaker 6>let go, my holy.

0:10:19.200 --> 0:10:23.440
<v Speaker 2>Crap, I was gonna guess that.

0:10:23.640 --> 0:10:28.120
<v Speaker 6>Well, there you go, Carol. You went a round trip airfare, hotel,

0:10:28.280 --> 0:10:31.319
<v Speaker 6>tickets to the show. You went all that in that package,

0:10:31.520 --> 0:10:33.959
<v Speaker 6>and wow, we'll see you. May fourth at our iHeartRadio

0:10:33.960 --> 0:10:37.800
<v Speaker 6>Country Festival in Austin, Texas. Holy Moly, Jelly Roll is

0:10:37.800 --> 0:10:40.280
<v Speaker 6>going to be their old Dominion Lady a Riley Green,

0:10:40.320 --> 0:10:43.320
<v Speaker 6>Ashley McBride, Jason Out, Dean Brothers, Osborne. I'll be there,

0:10:43.920 --> 0:10:49.000
<v Speaker 6>the show will be there. It's nice job. Yeah, Carol,

0:10:49.040 --> 0:10:50.319
<v Speaker 6>I bet this has major day a lot better.

0:10:50.400 --> 0:10:53.400
<v Speaker 2>Huh really did make my fay, Thank you so much?

0:10:53.480 --> 0:10:55.559
<v Speaker 6>Yeah. Okay, Well, I'm gonna put you on hold and

0:10:55.559 --> 0:10:58.320
<v Speaker 6>we'll get all your information. And remember we're not gonna

0:10:58.320 --> 0:11:00.480
<v Speaker 6>fly out there and leave her. We're gonna round trip. Okay.

0:11:00.559 --> 0:11:01.160
<v Speaker 6>I bet it's wondering.

0:11:01.520 --> 0:11:02.319
<v Speaker 5>So she's gonna get home.

0:11:02.480 --> 0:11:04.680
<v Speaker 6>So she will get home. Carol's stay on the line

0:11:04.720 --> 0:11:06.920
<v Speaker 6>there and we will get that. She is a good job.

0:11:07.600 --> 0:11:09.760
<v Speaker 5>No good job, no, no see here. That's that's the

0:11:09.800 --> 0:11:12.360
<v Speaker 5>annoying part is Amy's gonna get the credit when I

0:11:12.360 --> 0:11:12.880
<v Speaker 5>would go home.

0:11:13.280 --> 0:11:15.120
<v Speaker 6>No one will have to make this about you. This

0:11:15.160 --> 0:11:15.839
<v Speaker 6>is about Carol.

0:11:15.920 --> 0:11:16.360
<v Speaker 9>That's right.

0:11:16.440 --> 0:11:17.440
<v Speaker 6>Everything does have to be made.

0:11:17.360 --> 0:11:19.400
<v Speaker 5>About you or you just said good job Amy?

0:11:19.520 --> 0:11:21.079
<v Speaker 6>Why amye got it right? And she picked Amy.

0:11:21.320 --> 0:11:22.760
<v Speaker 5>That's what I'm saying. But good job.

0:11:22.840 --> 0:11:23.560
<v Speaker 6>It's not about you.

0:11:24.120 --> 0:11:25.000
<v Speaker 7>Everything's not about you.

0:11:25.679 --> 0:11:26.360
<v Speaker 9>It's about Carol.

0:11:26.720 --> 0:11:29.679
<v Speaker 6>Carol wins Amy, good job, Thanks, that was awesome.

0:11:29.400 --> 0:11:41.080
<v Speaker 12>Though it up right, it's the best bits of the

0:11:41.080 --> 0:11:42.800
<v Speaker 12>week with Morgan.

0:11:42.880 --> 0:11:46.560
<v Speaker 4>Number two, someone on the show was dubbed the most

0:11:46.600 --> 0:11:49.439
<v Speaker 4>difficult employee. And you're gonna hear the beginning of this

0:11:49.480 --> 0:11:51.080
<v Speaker 4>segment and you're probably gonna know.

0:11:51.520 --> 0:11:54.440
<v Speaker 2>Where it's about to end up. I'll just point that out.

0:11:54.920 --> 0:11:57.240
<v Speaker 4>You know, maybe we need to do some awards that

0:11:57.280 --> 0:11:58.839
<v Speaker 4>are a little bit more positive.

0:11:59.000 --> 0:11:59.960
<v Speaker 2>So you guys come.

0:11:59.880 --> 0:12:02.240
<v Speaker 4>Up with some and you want to award the show things.

0:12:02.480 --> 0:12:04.920
<v Speaker 4>I'll pitch it to the show as an idea. I mean,

0:12:05.160 --> 0:12:08.920
<v Speaker 4>I'm just throwing that out there because it's positivity. But

0:12:09.280 --> 0:12:11.920
<v Speaker 4>this will make you laugh and maybe you have a

0:12:11.960 --> 0:12:13.880
<v Speaker 4>difficult employee like this in your life.

0:12:14.200 --> 0:12:14.920
<v Speaker 5>Number five.

0:12:15.120 --> 0:12:17.240
<v Speaker 6>Amy handed me this article. She goes, you should read

0:12:17.280 --> 0:12:19.920
<v Speaker 6>this and then we should figure out who's who, or

0:12:19.960 --> 0:12:22.560
<v Speaker 6>maybe nobody's anybody. It's here are the top types of

0:12:22.600 --> 0:12:25.679
<v Speaker 6>difficult employees, and then it gives you how to handle them.

0:12:25.720 --> 0:12:28.360
<v Speaker 6>But mostly it's like number one, the sloth. They don't

0:12:28.360 --> 0:12:31.000
<v Speaker 6>work at your pace or anybody else's pace, and they

0:12:31.000 --> 0:12:37.200
<v Speaker 6>seem lazy and disengaged. Anybody, anybody and anybody here be

0:12:38.280 --> 0:12:40.679
<v Speaker 6>the sloth I don't think that works.

0:12:41.400 --> 0:12:44.320
<v Speaker 11>But somebody that works kind of Oh you're saying this

0:12:44.640 --> 0:12:46.480
<v Speaker 11>like I would think lunch bots. But he isn't really worse.

0:12:46.559 --> 0:12:47.480
<v Speaker 6>It's disengaged.

0:12:47.600 --> 0:12:50.079
<v Speaker 5>Yeah, I mean Eddie's mentally slow. Does that count?

0:12:51.559 --> 0:12:52.360
<v Speaker 6>I don't think Eddie?

0:12:53.679 --> 0:12:54.960
<v Speaker 9>Why am I mentally slow?

0:12:55.400 --> 0:12:57.320
<v Speaker 5>That's just how you are, man. I don't know why

0:12:57.400 --> 0:12:58.360
<v Speaker 5>I was born that way?

0:12:58.600 --> 0:13:02.280
<v Speaker 6>So who's the most slow? Thie? It's like we have

0:13:02.360 --> 0:13:03.959
<v Speaker 6>to they have to take They don't work at everybody

0:13:04.000 --> 0:13:06.120
<v Speaker 6>else's pace. They seem lazy. They're disengaged.

0:13:06.559 --> 0:13:08.719
<v Speaker 13>See the keyword is seam. It doesn't mean they are.

0:13:08.960 --> 0:13:10.520
<v Speaker 6>Yeah, why are you protect your boy again?

0:13:11.360 --> 0:13:12.040
<v Speaker 9>I need to stop.

0:13:12.120 --> 0:13:13.920
<v Speaker 6>I know who is it.

0:13:14.160 --> 0:13:15.000
<v Speaker 13>I know that.

0:13:16.720 --> 0:13:18.880
<v Speaker 6>I'm not gonna even say I'm gonna let you guys.

0:13:18.720 --> 0:13:20.000
<v Speaker 9>Pick and I have the palette in mind.

0:13:20.000 --> 0:13:22.160
<v Speaker 13>When you're going to share the solutions.

0:13:21.679 --> 0:13:24.240
<v Speaker 6>Solution has approached them with kindness and respect.

0:13:24.280 --> 0:13:25.400
<v Speaker 5>I got a question, he gets.

0:13:25.200 --> 0:13:26.040
<v Speaker 6>Slothier if you do that?

0:13:27.200 --> 0:13:29.160
<v Speaker 5>Would Eddie be that? I mean, because he's going to

0:13:29.200 --> 0:13:31.199
<v Speaker 5>donate a kidney, He's gonna do a bone marrow, and

0:13:31.240 --> 0:13:31.520
<v Speaker 5>he hasn't.

0:13:31.520 --> 0:13:32.840
<v Speaker 6>I mean, he doesn't do It's a different Maybe we

0:13:32.840 --> 0:13:34.040
<v Speaker 6>get to somebody else and that's.

0:13:33.920 --> 0:13:35.760
<v Speaker 9>Not my work, and he's also want to do myself.

0:13:36.000 --> 0:13:38.760
<v Speaker 13>Not disengaged lunchbos Do you play wordle when we have

0:13:38.840 --> 0:13:39.600
<v Speaker 13>guests here that's just.

0:13:39.760 --> 0:13:42.040
<v Speaker 6>Admitted to watching Mister Beasts video in the middle of

0:13:42.040 --> 0:13:45.360
<v Speaker 6>a segment one. Okay, okay, so.

0:13:45.240 --> 0:13:46.720
<v Speaker 5>What we don't know how much that got got We

0:13:46.760 --> 0:13:48.160
<v Speaker 5>have to be kind and well.

0:13:48.200 --> 0:13:49.960
<v Speaker 6>If you want to fix it, approach them with kindness

0:13:49.960 --> 0:13:54.200
<v Speaker 6>and respect. It's tough one point, lunchbox. Next up the

0:13:54.240 --> 0:13:57.280
<v Speaker 6>belly acre. They dwell on problems out loud. They drain

0:13:57.360 --> 0:13:58.200
<v Speaker 6>employee morale.

0:13:58.840 --> 0:13:59.880
<v Speaker 9>Okay, that's lunchbox.

0:14:01.200 --> 0:14:04.040
<v Speaker 6>What in the world, Amy, I don't want to.

0:14:03.960 --> 0:14:04.640
<v Speaker 13>Pick one of these?

0:14:04.640 --> 0:14:05.480
<v Speaker 6>That means you want to pick.

0:14:07.480 --> 0:14:10.120
<v Speaker 5>Yeah, multiple people.

0:14:10.200 --> 0:14:11.480
<v Speaker 6>I can take you out of it and put like

0:14:11.559 --> 0:14:13.400
<v Speaker 6>ray in. If you're like, if you don't have the

0:14:13.400 --> 0:14:13.760
<v Speaker 6>guts for.

0:14:13.760 --> 0:14:17.520
<v Speaker 13>The bit, I have the I I submitted the bit exactly.

0:14:17.559 --> 0:14:19.080
<v Speaker 6>Do you have the guts to do the bit you submitted?

0:14:19.960 --> 0:14:21.400
<v Speaker 9>Here's the honest.

0:14:23.160 --> 0:14:28.200
<v Speaker 6>Okay, if you want to fix it, consider your co

0:14:28.320 --> 0:14:32.520
<v Speaker 6>worker's complaints objectively and coming why this coworker is bothering

0:14:32.560 --> 0:14:36.200
<v Speaker 6>you when I belliate you guys need to realize that

0:14:36.560 --> 0:14:39.080
<v Speaker 6>working with your colleague to find a solution together. Yeah,

0:14:39.200 --> 0:14:41.280
<v Speaker 6>I mean I'd vote for myself on that one because

0:14:41.280 --> 0:14:44.240
<v Speaker 6>I do complain, because no one listens to my complaint. Wow,

0:14:44.280 --> 0:14:48.240
<v Speaker 6>he voted for himself number Lunchbox two points. Next up

0:14:48.720 --> 0:14:54.520
<v Speaker 6>the spotlight Hog once more credit than necessary Eddie.

0:14:54.640 --> 0:14:56.320
<v Speaker 9>Okay, that's Lunchbox.

0:14:58.200 --> 0:15:01.760
<v Speaker 11>What do you mean there's another point you're anytime Abby

0:15:01.920 --> 0:15:02.720
<v Speaker 11>talks like you're.

0:15:02.560 --> 0:15:05.960
<v Speaker 6>Doing to other voters, Morgan, Ray, you got to vote

0:15:05.960 --> 0:15:12.000
<v Speaker 6>too many bigger voting the spotlight Hog Morgan, Yeah, Lunchbox Ray.

0:15:11.400 --> 0:15:12.840
<v Speaker 9>Sadly, my vote is Lunchbox.

0:15:12.840 --> 0:15:17.680
<v Speaker 6>Okay, solution, Okay, big brother solution. Acknowledge the contributions your

0:15:17.720 --> 0:15:18.320
<v Speaker 6>coworker did.

0:15:18.560 --> 0:15:20.200
<v Speaker 9>Yeah, acknowledged.

0:15:21.520 --> 0:15:26.960
<v Speaker 6>Next up the hot Shot. Loud rarely accepts constructive criticism.

0:15:27.360 --> 0:15:29.800
<v Speaker 6>They steamroll other people on the team.

0:15:31.800 --> 0:15:33.200
<v Speaker 9>That's a tough one now, Yeah.

0:15:33.240 --> 0:15:37.200
<v Speaker 6>Yeah, so these are difficult types of Ray.

0:15:37.800 --> 0:15:39.360
<v Speaker 15>Yeah, for the reason that it's tough to get a

0:15:39.400 --> 0:15:41.640
<v Speaker 15>word in edgewise with him. I vote Lunchbox Morgan.

0:15:42.680 --> 0:15:43.800
<v Speaker 2>I don't know who could it be?

0:15:44.040 --> 0:15:48.840
<v Speaker 9>Lunchbox passionate about your work, Loud, Lunchbox.

0:15:48.360 --> 0:15:51.560
<v Speaker 5>Amy, Lunchbox, What is wrong with that? Though?

0:15:51.920 --> 0:15:52.680
<v Speaker 6>That's the hot shot.

0:15:52.720 --> 0:15:54.000
<v Speaker 9>Okay, how do we deal with him?

0:15:54.240 --> 0:15:57.120
<v Speaker 6>Lunchbox four? To deal with that one, try appealing to

0:15:57.160 --> 0:15:59.640
<v Speaker 6>their ego and ask them for advice about a problem

0:15:59.680 --> 0:16:01.440
<v Speaker 6>you're having, if it's not a real problem.

0:16:01.840 --> 0:16:03.760
<v Speaker 5>See, so what you're saying is I'm a well rounded

0:16:03.760 --> 0:16:04.040
<v Speaker 5>and boy.

0:16:04.120 --> 0:16:05.320
<v Speaker 6>I got all these that's what you hear.

0:16:05.760 --> 0:16:07.040
<v Speaker 13>I mean really, when it comes down.

0:16:06.960 --> 0:16:09.120
<v Speaker 5>To it, like you guys all sucking million boys because

0:16:09.120 --> 0:16:10.600
<v Speaker 5>you ain't any of these well guys doing.

0:16:10.680 --> 0:16:14.120
<v Speaker 6>These are the four difficult employees. These aren't the fotunes

0:16:14.640 --> 0:16:17.880
<v Speaker 6>happy about points. This is you're above, You're the positive.

0:16:17.920 --> 0:16:22.440
<v Speaker 6>It ain't good. Okay, there's one more. This one's probably

0:16:22.440 --> 0:16:25.000
<v Speaker 6>not lunchbox, but the first four hilarious and in order.

0:16:25.040 --> 0:16:28.880
<v Speaker 6>I didn't do those in any certain way. The gossip

0:16:29.080 --> 0:16:31.960
<v Speaker 6>friendly and personable, but can stir up uncomfortable situations and

0:16:32.080 --> 0:16:34.080
<v Speaker 6>put you in a positions. It kind of is lunchbox.

0:16:34.120 --> 0:16:34.680
<v Speaker 9>That's lunchbox.

0:16:34.680 --> 0:16:36.240
<v Speaker 6>It's freaking lunchbox too. I didn't think it was.

0:16:36.320 --> 0:16:38.960
<v Speaker 9>Filled the tea you find behind lunches.

0:16:38.440 --> 0:16:41.080
<v Speaker 6>That you are okay, friendly and because he's like, I'm

0:16:41.120 --> 0:16:44.200
<v Speaker 6>your best friend andilly burns you, but can still up

0:16:44.280 --> 0:16:46.400
<v Speaker 6>uncomfortable situations and put in a positions that you're not

0:16:46.400 --> 0:16:50.040
<v Speaker 6>sure how to handle, sometimes publicly. Amy.

0:16:51.800 --> 0:16:54.200
<v Speaker 13>I mean, I feel like it's tied with the two

0:16:54.320 --> 0:16:58.720
<v Speaker 13>te spillers over here. Okay, thank you lunch Box and Eddie.

0:16:58.800 --> 0:16:59.640
<v Speaker 13>They spilled the tea on.

0:17:00.120 --> 0:17:02.600
<v Speaker 5>To stir the pot. Okay, fine, he likes to stick

0:17:02.680 --> 0:17:07.080
<v Speaker 5>his nose and either he's sticking like a covert.

0:17:07.400 --> 0:17:10.760
<v Speaker 6>Well, this is friendly and personable. He is, okay, make sure,

0:17:11.320 --> 0:17:12.880
<v Speaker 6>make sure. Okay, so Amy gives him both to pot.

0:17:12.920 --> 0:17:15.200
<v Speaker 4>Take it, Morgan, Yeah, I was actually gonna say both

0:17:15.280 --> 0:17:17.120
<v Speaker 4>Eddie and Lunchbox, because Eddie sometimes will.

0:17:17.040 --> 0:17:18.919
<v Speaker 2>Walk in a room, drop something and leave, like he

0:17:18.960 --> 0:17:22.800
<v Speaker 2>didn't just drop the whole bomb on everybody, you know,

0:17:23.080 --> 0:17:23.960
<v Speaker 2>like a.

0:17:23.840 --> 0:17:25.359
<v Speaker 10>Little teething little gossip.

0:17:25.480 --> 0:17:26.399
<v Speaker 2>Let me just see what happens.

0:17:26.440 --> 0:17:28.200
<v Speaker 5>He'll linger just so you can get something.

0:17:29.000 --> 0:17:30.880
<v Speaker 6>Yeah, yeah, ray, Yeah.

0:17:30.960 --> 0:17:33.240
<v Speaker 15>If gossip needs to be planted in a room, Eddie

0:17:33.280 --> 0:17:35.320
<v Speaker 15>is great at doing it, and for that, I vote Eddie.

0:17:35.359 --> 0:17:36.480
<v Speaker 6>Okay, Well, Eddie get a point.

0:17:36.600 --> 0:17:39.520
<v Speaker 9>Okay, great, man, you're the gossip. I'm one of the employees.

0:17:40.280 --> 0:17:44.120
<v Speaker 6>Solution have the hot shot, spotlight hog and belly acre

0:17:44.160 --> 0:17:45.439
<v Speaker 6>and soft punch him.

0:17:46.400 --> 0:17:46.560
<v Speaker 5>Yeah.

0:17:46.600 --> 0:17:48.520
<v Speaker 6>So I guess we gotta do it. Give it a hit. No,

0:17:49.440 --> 0:17:52.360
<v Speaker 6>that's not it. The solution is ignore it if you're

0:17:52.400 --> 0:17:53.960
<v Speaker 6>but they both do it so it's hard to ignore.

0:17:54.040 --> 0:17:57.000
<v Speaker 6>Like forty percent of the show, if your coworker wants

0:17:57.040 --> 0:17:59.719
<v Speaker 6>to share a story that oversteps boundaries, leave or plightly

0:17:59.760 --> 0:18:02.520
<v Speaker 6>diverse to conversation, the next time we play that spilled

0:18:02.520 --> 0:18:03.720
<v Speaker 6>the tea, we all walk out of the room.

0:18:05.119 --> 0:18:05.720
<v Speaker 9>By yourself.

0:18:07.280 --> 0:18:09.240
<v Speaker 6>Well you too, Lunchbox four points Eddie one.

0:18:09.440 --> 0:18:11.960
<v Speaker 5>Other people may be worried. You guys aren't on the radar.

0:18:12.960 --> 0:18:15.359
<v Speaker 6>That's not that's that's a radar of like an enemy

0:18:15.359 --> 0:18:16.480
<v Speaker 6>plane coming in. You don't want to be on the

0:18:16.520 --> 0:18:18.520
<v Speaker 6>radar because you're trying to That's that's a not a

0:18:18.560 --> 0:18:21.679
<v Speaker 6>good radar but fun, big good job Amy. That was

0:18:21.720 --> 0:18:25.520
<v Speaker 6>Amy stirring up. She knew what was gonna happen for sure.

0:18:26.520 --> 0:18:26.919
<v Speaker 13>I didn't know.

0:18:27.000 --> 0:18:28.879
<v Speaker 6>She didn't say we should go that direction, but she

0:18:28.960 --> 0:18:30.040
<v Speaker 6>knew I would go that direction.

0:18:30.720 --> 0:18:31.439
<v Speaker 5>Where'd you find this?

0:18:31.520 --> 0:18:32.640
<v Speaker 6>Or it's a good story?

0:18:33.840 --> 0:18:34.159
<v Speaker 5>You do?

0:18:34.600 --> 0:18:35.400
<v Speaker 6>What do you doing over there?

0:18:35.960 --> 0:18:38.920
<v Speaker 5>I just I'm partaking in this segment about me.

0:18:41.040 --> 0:18:46.440
<v Speaker 10>Go it's the best Bits of the week with Morgan

0:18:46.520 --> 0:18:47.160
<v Speaker 10>Number two.

0:18:49.720 --> 0:18:51.000
<v Speaker 2>Blanco Brown was on the show.

0:18:51.040 --> 0:18:54.879
<v Speaker 4>This man is so incredibly talented, not only just in music,

0:18:55.040 --> 0:18:57.320
<v Speaker 4>but he came in and started doing all kinds.

0:18:57.080 --> 0:18:59.760
<v Speaker 3>Of impressions and we were like, where is this coming from?

0:18:59.760 --> 0:19:02.640
<v Speaker 2>This amazing? He always has spoons with him and you'll

0:19:02.680 --> 0:19:03.280
<v Speaker 2>hear why.

0:19:03.760 --> 0:19:06.439
<v Speaker 4>And we even got details about the motorcycle accident he

0:19:06.520 --> 0:19:08.720
<v Speaker 4>was in a couple of years ago. So right now,

0:19:08.920 --> 0:19:11.919
<v Speaker 4>this is Blanco Brown in the Bobby Bone Show Studio.

0:19:12.160 --> 0:19:15.320
<v Speaker 10>Number four on the Bobby Bone Show.

0:19:15.359 --> 0:19:17.560
<v Speaker 6>Now, good to see you man.

0:19:17.960 --> 0:19:20.000
<v Speaker 7>Likewise, yeah, I need to have my in area in. Yeah,

0:19:20.080 --> 0:19:21.040
<v Speaker 7>we're talking. Can you hear me?

0:19:22.040 --> 0:19:23.960
<v Speaker 6>Watch this now? Can you hear me?

0:19:24.480 --> 0:19:24.800
<v Speaker 7>Yes?

0:19:24.960 --> 0:19:25.160
<v Speaker 6>Yeah?

0:19:25.440 --> 0:19:26.879
<v Speaker 7>Next time on Dragon ball Z?

0:19:28.000 --> 0:19:29.680
<v Speaker 6>Is that one of those cartoons on uh.

0:19:30.080 --> 0:19:33.200
<v Speaker 7>We'll go go kill Cheetah, We'll crilling take over plenty Nebula?

0:19:34.200 --> 0:19:38.560
<v Speaker 6>Mmm, I don't know dragon is dragon ball Z? What

0:19:38.600 --> 0:19:41.359
<v Speaker 6>would that be considered? And anyway it is? Do you

0:19:41.560 --> 0:19:42.040
<v Speaker 6>you watch that?

0:19:42.280 --> 0:19:42.480
<v Speaker 16>Yep?

0:19:42.520 --> 0:19:48.840
<v Speaker 7>I bet you know it? One ring uh pokemon ringing dumb.

0:19:50.600 --> 0:19:53.399
<v Speaker 6>Minion where you're saying the word minion? Is that? What

0:19:53.480 --> 0:19:53.679
<v Speaker 6>is that?

0:19:53.720 --> 0:19:55.080
<v Speaker 9>What is that? Meghan?

0:19:55.560 --> 0:19:55.600
<v Speaker 5>Me?

0:19:57.480 --> 0:19:58.879
<v Speaker 6>Yeah? Is that a minion?

0:19:58.960 --> 0:19:59.080
<v Speaker 16>Ye?

0:19:59.320 --> 0:20:06.440
<v Speaker 6>Okay? What else do you do? Impressions generally want and want?

0:20:10.280 --> 0:20:12.160
<v Speaker 6>Is it because you because you can do you can

0:20:12.160 --> 0:20:14.280
<v Speaker 6>basically do instruments with your mouth, like you can be

0:20:14.400 --> 0:20:17.159
<v Speaker 6>box really really good, Like it's all it's all that

0:20:17.280 --> 0:20:20.600
<v Speaker 6>the same like skill set, like creating.

0:20:21.200 --> 0:20:24.439
<v Speaker 7>Changing your voice and be boxing two different things unless

0:20:24.480 --> 0:20:26.719
<v Speaker 7>you got like some animation going on? Why be boxing?

0:20:26.760 --> 0:20:27.359
<v Speaker 9>But no?

0:20:27.480 --> 0:20:28.959
<v Speaker 6>I mean is that like are you able to do

0:20:29.000 --> 0:20:30.640
<v Speaker 6>those kind of what the same part of your brain

0:20:30.720 --> 0:20:33.399
<v Speaker 6>that you're able to beat box with? And and mimic

0:20:33.840 --> 0:20:36.600
<v Speaker 6>sounds of instruments? Only God knows only?

0:20:36.680 --> 0:20:39.240
<v Speaker 13>Yeah, what impressions do you have?

0:20:40.040 --> 0:20:44.440
<v Speaker 7>I mean some everything burning back?

0:20:49.359 --> 0:20:52.200
<v Speaker 6>We had to beat that. But okay, so.

0:20:54.119 --> 0:20:54.960
<v Speaker 9>That's pretty good though.

0:20:55.080 --> 0:20:55.920
<v Speaker 6>That was pretty good.

0:20:55.920 --> 0:20:56.680
<v Speaker 9>That's really good.

0:20:57.880 --> 0:21:01.000
<v Speaker 6>Can you hear and automatically go? And is that a

0:21:01.040 --> 0:21:04.000
<v Speaker 6>skill of yours? Can you mimic pretty quickly? Yeah?

0:21:04.040 --> 0:21:05.360
<v Speaker 7>I made me pretty fast?

0:21:05.880 --> 0:21:07.159
<v Speaker 6>Has that always been something you could do?

0:21:07.160 --> 0:21:07.240
<v Speaker 9>Like?

0:21:07.240 --> 0:21:08.480
<v Speaker 6>How old were you when you first started to be

0:21:08.480 --> 0:21:09.160
<v Speaker 6>able to beat box?

0:21:09.640 --> 0:21:10.320
<v Speaker 7>About seven?

0:21:10.520 --> 0:21:10.840
<v Speaker 6>Really?

0:21:11.000 --> 0:21:11.840
<v Speaker 7>Yeah? Why?

0:21:11.840 --> 0:21:13.760
<v Speaker 6>And why why did you beat boxing? Seven? Was it

0:21:13.880 --> 0:21:14.879
<v Speaker 6>just music in the house?

0:21:15.000 --> 0:21:17.560
<v Speaker 7>Yeah, hearing music. I didn't even know what beatboxing was.

0:21:17.680 --> 0:21:21.560
<v Speaker 7>And then I was told by one of my family members,

0:21:21.680 --> 0:21:26.080
<v Speaker 7>you're actually be boxing I'd just go around the house.

0:21:30.200 --> 0:21:30.840
<v Speaker 7>I don't know why.

0:21:30.960 --> 0:21:40.119
<v Speaker 6>Letna try hold on? Do it again? First time? Not

0:21:40.119 --> 0:21:42.080
<v Speaker 6>so bad? Huh, not so bad at my first time.

0:21:42.200 --> 0:21:44.560
<v Speaker 6>Trying a lot. So if you were, if I were

0:21:44.560 --> 0:21:46.840
<v Speaker 6>to like, would be someone like, hey, Block, just give

0:21:46.840 --> 0:21:48.119
<v Speaker 6>me a beat with your mouth. What they say, give

0:21:48.119 --> 0:21:49.920
<v Speaker 6>me a beat with your mouth? Or they say, yeah, yeah,

0:21:50.000 --> 0:22:02.479
<v Speaker 6>give me a beat. A question, when do you breathe?

0:22:03.000 --> 0:22:03.080
<v Speaker 16>Like?

0:22:03.119 --> 0:22:05.080
<v Speaker 9>I feel like you're just gonna the whole time.

0:22:05.680 --> 0:22:10.480
<v Speaker 7>I don't even know when I breathe. I just breathed automatically, naturally.

0:22:10.520 --> 0:22:11.199
<v Speaker 7>While I'm doing it.

0:22:11.400 --> 0:22:13.920
<v Speaker 6>Agains that you're going in and out like a harmonica.

0:22:13.960 --> 0:22:14.080
<v Speaker 16>Man.

0:22:14.200 --> 0:22:16.040
<v Speaker 7>Yeah, while I'm going I'm just taking a breath in

0:22:16.200 --> 0:22:19.240
<v Speaker 7>through my nose and continue to go through my mouth.

0:22:19.280 --> 0:22:20.640
<v Speaker 6>You know what I thought was really good? Your version

0:22:20.680 --> 0:22:22.119
<v Speaker 6>to take me Home Country Roads. We played it on

0:22:22.119 --> 0:22:23.240
<v Speaker 6>the show a bit too.

0:22:23.480 --> 0:22:25.800
<v Speaker 7>Yes, And I always pull out my spoons.

0:22:26.359 --> 0:22:27.959
<v Speaker 6>Oh you played the spoons last time you were here.

0:22:28.000 --> 0:22:29.200
<v Speaker 7>I have my spoons every time.

0:22:29.280 --> 0:22:32.240
<v Speaker 6>Yeah. Are people always like, what's he playing? Or can

0:22:32.240 --> 0:22:33.880
<v Speaker 6>they identify that it's a spoon pretty quick?

0:22:33.920 --> 0:22:37.080
<v Speaker 7>They definitely know. They look at me and say, ain't

0:22:37.119 --> 0:22:39.200
<v Speaker 7>no way. He pulling out these spoons. We didn't expect

0:22:39.240 --> 0:22:39.880
<v Speaker 7>that during the show.

0:22:41.280 --> 0:22:42.240
<v Speaker 6>Oh, he has spoons.

0:22:43.080 --> 0:22:46.520
<v Speaker 7>I always have spoons. They don't go nowhere.

0:22:46.240 --> 0:22:49.000
<v Speaker 6>For two reasons. One music or cereal. At any point

0:22:49.280 --> 0:22:50.320
<v Speaker 6>he could get hit with either.

0:22:50.600 --> 0:22:52.200
<v Speaker 7>And when you want some suit with that the juice,

0:22:52.240 --> 0:22:53.719
<v Speaker 7>you just use the spoon with the holes in it.

0:22:53.800 --> 0:22:55.480
<v Speaker 6>So the spoon with the holes in it is that

0:22:55.520 --> 0:22:56.600
<v Speaker 6>because it makes a different noise.

0:22:56.640 --> 0:22:57.600
<v Speaker 7>It's a whole nother sound.

0:22:57.720 --> 0:22:59.400
<v Speaker 6>And do you play spoons with one hand or two?

0:23:00.160 --> 0:23:07.320
<v Speaker 6>Both play a little one hand, so you use fingers

0:23:07.359 --> 0:23:13.720
<v Speaker 6>and leg Now do you ever do you ever play

0:23:13.720 --> 0:23:15.280
<v Speaker 6>on your jewelry? Or is it to cost you much?

0:23:16.560 --> 0:23:20.600
<v Speaker 7>Man? I messed up the whole uh two tone Rolex

0:23:21.920 --> 0:23:23.840
<v Speaker 7>and they got spoons on it. And when I took

0:23:23.840 --> 0:23:26.720
<v Speaker 7>it to Rolex, they say, man, that's your sickness. Joh,

0:23:26.720 --> 0:23:28.919
<v Speaker 7>I wouldn't even touch this watch. So I said, y'all,

0:23:29.880 --> 0:23:31.560
<v Speaker 7>y'all got a good little point. I'm gonna just keep

0:23:31.600 --> 0:23:32.960
<v Speaker 7>them right here for the memories.

0:23:33.040 --> 0:23:34.800
<v Speaker 6>So you beat a watch with the spoons?

0:23:35.040 --> 0:23:35.320
<v Speaker 7>Yep.

0:23:35.880 --> 0:23:38.600
<v Speaker 6>Man, I think they just don't want to replace it.

0:23:39.119 --> 0:23:40.879
<v Speaker 7>Now it was under warranted. They would have cleaned it up.

0:23:40.920 --> 0:23:43.520
<v Speaker 7>But yeah, I mean it had too many marks on it.

0:23:43.600 --> 0:23:45.760
<v Speaker 7>I mean coming from the get up and doing that

0:23:46.000 --> 0:23:49.439
<v Speaker 7>the whole time. Yeah, three four years. They said, we

0:23:49.440 --> 0:23:51.439
<v Speaker 7>don't really really want to touch their history, but we

0:23:51.440 --> 0:23:51.919
<v Speaker 7>could do it.

0:23:52.040 --> 0:23:53.760
<v Speaker 6>Where do you play the get up on your set

0:23:54.480 --> 0:23:55.719
<v Speaker 6>last beginning?

0:23:55.880 --> 0:23:59.280
<v Speaker 7>Both, No, it's like eighty percent through the show.

0:24:00.400 --> 0:24:04.159
<v Speaker 6>That song so big? Yes? Do you ever get annoyed

0:24:04.200 --> 0:24:06.680
<v Speaker 6>because it's so big? People only want to hear that. No.

0:24:07.400 --> 0:24:10.480
<v Speaker 7>By the time I started my set, people say, man,

0:24:10.560 --> 0:24:12.000
<v Speaker 7>we didn't know you could sing so well.

0:24:12.520 --> 0:24:13.879
<v Speaker 6>Oh for sure, I didn't know you could sing so

0:24:13.920 --> 0:24:15.720
<v Speaker 6>well when you came in here and performed the first time.

0:24:15.760 --> 0:24:16.760
<v Speaker 7>Oh yeah, yeah, I was kind.

0:24:16.640 --> 0:24:20.520
<v Speaker 6>Of blown away. You were in that motorcycle accident. From

0:24:20.520 --> 0:24:23.240
<v Speaker 6>the last time that I saw you, you got into

0:24:23.280 --> 0:24:27.760
<v Speaker 6>that motorcycle, right, Did that change anything about first, not

0:24:27.760 --> 0:24:29.879
<v Speaker 6>not like perspective on life, but like physically, did it

0:24:29.960 --> 0:24:32.760
<v Speaker 6>change anything with your voice or your hands or anything

0:24:32.760 --> 0:24:33.080
<v Speaker 6>like that?

0:24:33.160 --> 0:24:37.240
<v Speaker 7>Oh? Yeah. So nine months later I opened up for

0:24:37.320 --> 0:24:42.640
<v Speaker 7>Looke Combs in Florida, sixty thousand folk and my hand

0:24:42.800 --> 0:24:45.439
<v Speaker 7>just let go to mic had to double tape the

0:24:45.520 --> 0:24:48.480
<v Speaker 7>microphone to my hand because of the nerves new risk

0:24:48.520 --> 0:24:52.479
<v Speaker 7>construction pelvis construction and I have two leg constructions like

0:24:52.920 --> 0:24:56.720
<v Speaker 7>metal knee and a ride and some of everything going

0:24:56.760 --> 0:24:58.800
<v Speaker 7>to my ankle, so it changed everything.

0:24:58.920 --> 0:25:01.520
<v Speaker 6>What happened in that accident, I got hit by drunk.

0:25:01.359 --> 0:25:04.080
<v Speaker 7>Driver head on. I was in second gear on my

0:25:04.200 --> 0:25:07.199
<v Speaker 7>Indian motorcycle, a little sports bike but it's a touring

0:25:07.240 --> 0:25:11.080
<v Speaker 7>bike with cruise ConTroll and everything. Also second gear, making

0:25:11.080 --> 0:25:13.960
<v Speaker 7>the left. I saw a truck coming at me head on.

0:25:14.720 --> 0:25:17.040
<v Speaker 7>I tried to dodge him. He met me right at

0:25:17.080 --> 0:25:20.280
<v Speaker 7>the yellow line, getting back in his lane. I hit

0:25:20.320 --> 0:25:24.320
<v Speaker 7>the side, went through the windshield, land on the bed died.

0:25:24.760 --> 0:25:26.080
<v Speaker 7>You went wrapped to the hospital.

0:25:26.240 --> 0:25:27.879
<v Speaker 6>Hold on, I got a lot of the unpack here,

0:25:27.920 --> 0:25:28.920
<v Speaker 6>so you went through the wind shild.

0:25:30.400 --> 0:25:33.400
<v Speaker 7>My head went through the windshield and then I flipped

0:25:33.400 --> 0:25:34.040
<v Speaker 7>over the truck.

0:25:35.800 --> 0:25:38.360
<v Speaker 6>So it was poof you remember it at all?

0:25:38.560 --> 0:25:41.240
<v Speaker 7>I remember everything really. I looked him dead in his

0:25:41.280 --> 0:25:43.800
<v Speaker 7>face while I was going through the windshield, and I

0:25:43.840 --> 0:25:46.280
<v Speaker 7>talked to people through taking my helmet off because I

0:25:46.320 --> 0:25:48.359
<v Speaker 7>was suffocating from the strap. It had to tightened because

0:25:48.400 --> 0:25:51.359
<v Speaker 7>the windshield had to pulled it and yanked it. It

0:25:51.520 --> 0:25:52.240
<v Speaker 7>saved my face.

0:25:52.920 --> 0:25:54.040
<v Speaker 6>Do you think you're gonna die?

0:25:54.880 --> 0:25:55.120
<v Speaker 5>Yeah?

0:25:55.160 --> 0:25:57.280
<v Speaker 7>I felt like I was going to be gone, and

0:25:58.200 --> 0:26:02.800
<v Speaker 7>on the way to the house, I asked the paramedic

0:26:02.920 --> 0:26:05.199
<v Speaker 7>could I make a call? I kept on asking them,

0:26:05.240 --> 0:26:07.720
<v Speaker 7>Am I gonna live? I say, if I ain't gonna live,

0:26:07.760 --> 0:26:10.159
<v Speaker 7>could I make a call? And uh, I plead the

0:26:10.160 --> 0:26:12.440
<v Speaker 7>blood of Jesus the whole way through, all the way

0:26:12.480 --> 0:26:15.280
<v Speaker 7>to the first initial break in. At the hospital, they

0:26:15.280 --> 0:26:17.399
<v Speaker 7>broke my wrists back in place, my legs back in

0:26:17.480 --> 0:26:21.680
<v Speaker 7>place while I was looking at them. No anesthesia because

0:26:21.680 --> 0:26:24.480
<v Speaker 7>I didn't have enough blood. I had had to get

0:26:24.520 --> 0:26:29.560
<v Speaker 7>twelve blood transplants, infusions. However, they pronounce it, you.

0:26:29.520 --> 0:26:32.640
<v Speaker 6>Know, yeah, so And on the way you say they

0:26:32.760 --> 0:26:34.520
<v Speaker 6>pronounced you dead or you felt like you died?

0:26:34.720 --> 0:26:36.960
<v Speaker 7>Oh yeah, I was gone at the door. So I

0:26:37.000 --> 0:26:41.840
<v Speaker 7>think it was God's timing, and it definitely stirred me

0:26:41.960 --> 0:26:46.880
<v Speaker 7>up in my life. Announced dead at the door, went

0:26:46.920 --> 0:26:51.280
<v Speaker 7>through the doors, came back to life, saw all the

0:26:51.359 --> 0:26:53.720
<v Speaker 7>white and the worst thing I ever heard in my

0:26:53.800 --> 0:26:57.600
<v Speaker 7>life was somebody saying, if we don't get John Doe blood,

0:26:57.680 --> 0:26:59.159
<v Speaker 7>he ain't gonna make it. That's the worst thing I

0:26:59.160 --> 0:27:00.679
<v Speaker 7>ever heard. Because it was and nothing I could do

0:27:00.720 --> 0:27:03.920
<v Speaker 7>about it. I couldn't get up and ask for blood, Like, hey,

0:27:03.920 --> 0:27:06.880
<v Speaker 7>could y'all hurry up? I couldn't do nothing but listen

0:27:06.960 --> 0:27:08.840
<v Speaker 7>to them. Tell me. If they don't get blood, I

0:27:08.840 --> 0:27:09.520
<v Speaker 7>ain't gonna make it.

0:27:09.520 --> 0:27:11.160
<v Speaker 6>And I can't even know who you work, they said, John,

0:27:11.240 --> 0:27:13.080
<v Speaker 6>because it was all so quick, and it's like not

0:27:13.119 --> 0:27:14.040
<v Speaker 6>like they could identify you.

0:27:14.119 --> 0:27:17.160
<v Speaker 7>They didn't know who I was. And my backpack had

0:27:17.200 --> 0:27:19.040
<v Speaker 7>my ID and stuff in it. They said they was

0:27:19.080 --> 0:27:20.679
<v Speaker 7>throwing a mile and a half down the street.

0:27:21.520 --> 0:27:24.440
<v Speaker 6>So what do you remember next after that? Did you

0:27:24.520 --> 0:27:27.199
<v Speaker 6>go out for a while, like were you unconscious for

0:27:27.200 --> 0:27:27.600
<v Speaker 6>a while?

0:27:27.880 --> 0:27:30.159
<v Speaker 7>I remember going to a blank space, and then I

0:27:30.200 --> 0:27:33.359
<v Speaker 7>woke up the next morning in the hospital and I

0:27:33.480 --> 0:27:37.360
<v Speaker 7>see you and I had like a contraption around my pelvis,

0:27:37.960 --> 0:27:41.520
<v Speaker 7>pushing my pelvis together. I couldn't move a leg onto

0:27:41.560 --> 0:27:44.200
<v Speaker 7>my painful in the growing area. Everything They were saying,

0:27:44.480 --> 0:27:46.760
<v Speaker 7>this is for the betterment of you, because my pelvist

0:27:46.800 --> 0:27:50.479
<v Speaker 7>was broken, and you know, you can like bleed from

0:27:50.560 --> 0:27:53.040
<v Speaker 7>that real bad, real fast, and it could be over

0:27:53.080 --> 0:27:56.520
<v Speaker 7>so by the grizz of God man, I got through that.

0:27:56.680 --> 0:28:01.880
<v Speaker 7>And after that, I remember being in the hospital for weeks.

0:28:02.080 --> 0:28:04.840
<v Speaker 7>I had two pipes going through my legs, I mean

0:28:04.880 --> 0:28:06.800
<v Speaker 7>through my thighs. I still had the scars one on

0:28:06.840 --> 0:28:09.119
<v Speaker 7>east side of my bladder on the back, you know,

0:28:09.240 --> 0:28:13.679
<v Speaker 7>coming through the exit. So pipes like this twelve inches

0:28:13.800 --> 0:28:17.239
<v Speaker 7>about this stick to hold my pevts together, and they

0:28:17.280 --> 0:28:19.280
<v Speaker 7>had to flip me on them every day when I

0:28:19.400 --> 0:28:22.119
<v Speaker 7>use use the restroom. I'm talk about like the pain

0:28:22.200 --> 0:28:25.040
<v Speaker 7>to flip me on the bone and the pipes.

0:28:25.119 --> 0:28:27.399
<v Speaker 6>I said, Oh man, what a her worst doubt are

0:28:27.400 --> 0:28:28.320
<v Speaker 6>getting kicked in the nuts.

0:28:28.800 --> 0:28:28.879
<v Speaker 13>Now.

0:28:29.359 --> 0:28:31.840
<v Speaker 7>The worst thing about the whole experience was that.

0:28:33.359 --> 0:28:35.440
<v Speaker 6>I passed on this question. I don't move on past

0:28:35.440 --> 0:28:38.600
<v Speaker 6>this one. I don't like think about that.

0:28:38.000 --> 0:28:41.600
<v Speaker 7>That's the worst. I don't wish that on nobody.

0:28:41.760 --> 0:28:43.400
<v Speaker 6>Of all the things, he says, that's the worst.

0:28:43.640 --> 0:28:45.960
<v Speaker 7>That was worse than anything like I's making a joke,

0:28:46.040 --> 0:28:49.520
<v Speaker 7>but the catha like oh, and people don't notice. But

0:28:49.560 --> 0:28:51.720
<v Speaker 7>when the catheter goes in, they pump it up and

0:28:51.760 --> 0:28:56.640
<v Speaker 7>it turns into a bubble and it feels your yeah,

0:28:56.800 --> 0:29:00.160
<v Speaker 7>the inside without that and a guy, a guy in

0:29:00.200 --> 0:29:02.760
<v Speaker 7>the hospital actually pull his out and bust everything.

0:29:03.960 --> 0:29:05.400
<v Speaker 6>While you were there, you.

0:29:06.720 --> 0:29:08.760
<v Speaker 7>Make sure no, no, no, I'm still blessed.

0:29:10.760 --> 0:29:12.720
<v Speaker 6>So when you get out of the hospital, did you

0:29:12.760 --> 0:29:13.680
<v Speaker 6>have full mobility.

0:29:14.280 --> 0:29:20.680
<v Speaker 7>No, I couldn't walk now. My left legs still has ah.

0:29:20.800 --> 0:29:24.360
<v Speaker 7>I have dropped foot on my left foot. You haven't

0:29:24.440 --> 0:29:27.480
<v Speaker 7>seen people walk and they go down before it goes up.

0:29:28.480 --> 0:29:32.200
<v Speaker 7>So it's like mine ain't that bad because I just

0:29:32.240 --> 0:29:34.080
<v Speaker 7>prayed a lot and walked through a lot and I

0:29:34.120 --> 0:29:37.600
<v Speaker 7>was determined. But rop foot is when you can't get

0:29:37.600 --> 0:29:41.360
<v Speaker 7>your heel up in order to do a regular step

0:29:41.400 --> 0:29:41.800
<v Speaker 7>in motion.

0:29:42.760 --> 0:29:44.040
<v Speaker 6>So how do you feel now every day?

0:29:44.160 --> 0:29:46.960
<v Speaker 7>Like physically, I still have nerve damage and pain in

0:29:47.040 --> 0:29:49.760
<v Speaker 7>my left foot on the left leg. It was the

0:29:49.800 --> 0:29:52.440
<v Speaker 7>worst of it all. I keep a bubble like my

0:29:52.560 --> 0:29:56.479
<v Speaker 7>legs stay with a bubble on it. It swells up

0:29:56.520 --> 0:29:58.719
<v Speaker 7>the more I walk. It turned into a not by

0:29:58.720 --> 0:30:00.680
<v Speaker 7>the end of the day. Then it's herns off, the

0:30:00.720 --> 0:30:04.080
<v Speaker 7>feeling going to my ankle. Then it made my foot

0:30:04.120 --> 0:30:05.080
<v Speaker 7>feel like it's on fire.

0:30:05.200 --> 0:30:07.840
<v Speaker 6>When did you start making music again after you got

0:30:07.840 --> 0:30:08.800
<v Speaker 6>to the hospital? How long?

0:30:09.640 --> 0:30:09.840
<v Speaker 13>Man?

0:30:09.880 --> 0:30:12.640
<v Speaker 7>It had to be at least a year because I

0:30:12.640 --> 0:30:16.360
<v Speaker 7>couldn't work through the nerve damage and the pain. I

0:30:16.400 --> 0:30:21.480
<v Speaker 7>had a horrific case of nerve damage, and every day

0:30:21.520 --> 0:30:24.960
<v Speaker 7>I woke up it felt like my foot was on fire.

0:30:25.560 --> 0:30:30.320
<v Speaker 7>They said my nerves were missed. They were overshooting trying

0:30:30.320 --> 0:30:36.080
<v Speaker 7>to catch connect connectivity, and yeah, that's that was actually

0:30:36.120 --> 0:30:39.040
<v Speaker 7>the worst thing ever. But I never want that cathetic

0:30:39.080 --> 0:30:44.520
<v Speaker 7>again either. Matter of fact, the catheter was so bad.

0:30:45.360 --> 0:30:48.040
<v Speaker 7>I'm telling you, I don't hear it, but okay, they

0:30:48.080 --> 0:30:50.960
<v Speaker 7>pulled it. They got rid of the catheter. And then

0:30:51.080 --> 0:30:53.880
<v Speaker 7>when I went into my second surgery, it was so bad.

0:30:53.920 --> 0:30:57.200
<v Speaker 7>I was trying to negotiate with the surgeons. I said, hey,

0:30:57.600 --> 0:30:59.960
<v Speaker 7>could y'all just not do the catheter? And my dad Attell,

0:31:00.120 --> 0:31:02.040
<v Speaker 7>he was on the phone while I was going into

0:31:02.040 --> 0:31:04.400
<v Speaker 7>getting wheeled down, I said, could we just skip the catheter?

0:31:04.720 --> 0:31:06.640
<v Speaker 7>Could y'all give me a bag or something? Could y'all

0:31:06.720 --> 0:31:09.480
<v Speaker 7>tape it around it? Could y'all do anything? We will

0:31:09.520 --> 0:31:11.360
<v Speaker 7>put that cathotery in me. And I woke up with

0:31:11.400 --> 0:31:14.040
<v Speaker 7>the cathoter I was so aggravated again.

0:31:14.720 --> 0:31:17.840
<v Speaker 6>Like I'm activated now, I haven't hear about it to

0:31:17.840 --> 0:31:18.960
<v Speaker 6>do it. Yeah, that sounds pretty bad.

0:31:19.160 --> 0:31:19.640
<v Speaker 16>Uh so.

0:31:22.160 --> 0:31:25.440
<v Speaker 6>That's tough. I don't even think cathter Yeah, man, it's

0:31:25.480 --> 0:31:27.520
<v Speaker 6>the worst. That's a bad one. That's a for guy

0:31:27.560 --> 0:31:30.080
<v Speaker 6>that's that that having to pass like a kinney stone.

0:31:30.200 --> 0:31:33.520
<v Speaker 7>Man, it's the worst. Yeah, I mean, I can don't.

0:31:33.680 --> 0:31:34.600
<v Speaker 7>I don't even want to think.

0:31:34.480 --> 0:31:36.200
<v Speaker 6>About me and I've been thinking about it for like

0:31:36.240 --> 0:31:37.560
<v Speaker 6>ten minutes almost stop think about it.

0:31:37.760 --> 0:31:37.880
<v Speaker 12>Uh.

0:31:38.000 --> 0:31:41.760
<v Speaker 6>So you put out uh the four new songs a

0:31:41.760 --> 0:31:44.000
<v Speaker 6>couple of days ago, the fifth, April fifth, Right, so

0:31:44.960 --> 0:31:47.040
<v Speaker 6>you perform one of the force You good? Can you

0:31:47.040 --> 0:31:47.200
<v Speaker 6>you go?

0:31:47.440 --> 0:31:47.640
<v Speaker 16>Yeah?

0:31:47.720 --> 0:31:50.720
<v Speaker 7>Definitely I can still perform. That's my gift, my purpose

0:31:50.760 --> 0:31:52.600
<v Speaker 7>and my Cabling's.

0:31:52.000 --> 0:31:54.640
<v Speaker 6>Make sure now Sunshine shines. That's a very what I

0:31:54.720 --> 0:31:57.800
<v Speaker 6>like about that. There's no catheter. Definitely, don't even mention

0:31:57.840 --> 0:31:59.680
<v Speaker 6>the word cather in the song, like I'm trying to

0:32:00.240 --> 0:32:02.640
<v Speaker 6>all that from my mind. So mostly it's like a

0:32:02.680 --> 0:32:05.800
<v Speaker 6>positive song. It's no catheter. Uh you want to do

0:32:05.800 --> 0:32:07.400
<v Speaker 6>that now? You cool? Let's do it all right? So

0:32:07.480 --> 0:32:09.160
<v Speaker 6>let me say this Blanco Brown as he gets ready

0:32:09.160 --> 0:32:12.840
<v Speaker 6>to perform here in the studio the new song Sunshine Shine,

0:32:13.200 --> 0:32:14.760
<v Speaker 6>and not only that, he's got four new songs out

0:32:14.760 --> 0:32:18.400
<v Speaker 6>Hardy Can eliminade A is the entire EP and let's

0:32:18.440 --> 0:32:22.360
<v Speaker 6>do it now here. He is Grammy nominated Vocalist, Producer, Songwriter.

0:32:22.720 --> 0:32:28.320
<v Speaker 6>Here he is Blanco Brown. Let's go Brown Studio. Hey,

0:32:28.360 --> 0:32:29.800
<v Speaker 6>what's the jacket? What's the jacket.

0:32:29.840 --> 0:32:32.360
<v Speaker 7>You got to man, this is a vintage crew jacket

0:32:32.360 --> 0:32:36.200
<v Speaker 7>from eighty some, the Famine of Back to the Future,

0:32:36.240 --> 0:32:40.040
<v Speaker 7>so the original art. This is actually the jacket mint condition.

0:32:40.240 --> 0:32:40.840
<v Speaker 9>That's amazing.

0:32:41.040 --> 0:32:41.240
<v Speaker 7>Yep.

0:32:41.840 --> 0:32:43.400
<v Speaker 6>Then you collect a lot of stuff, huh.

0:32:43.520 --> 0:32:44.959
<v Speaker 7>Yeah, I love vintage pieces.

0:32:45.040 --> 0:32:46.960
<v Speaker 6>That's pretty cool. You got to even the button on

0:32:47.000 --> 0:32:47.360
<v Speaker 6>the front.

0:32:47.600 --> 0:32:47.840
<v Speaker 8>Yeah.

0:32:48.000 --> 0:32:50.720
<v Speaker 7>I mean only the film crew got them, and you

0:32:50.760 --> 0:32:51.400
<v Speaker 7>and I have one.

0:32:51.760 --> 0:32:54.920
<v Speaker 6>Yeah. Blanck O'brown got a new EP Alcoholtache and Lemonade,

0:32:55.000 --> 0:32:58.320
<v Speaker 6>and that is the newest song there. It's I love it.

0:32:58.320 --> 0:33:01.520
<v Speaker 6>It's positive. Yeah, it's sunshine shine. Good to see you.

0:33:01.600 --> 0:33:02.920
<v Speaker 6>Glad you're healthy and it's been a while since the

0:33:02.960 --> 0:33:04.360
<v Speaker 6>right wait and talk to you except on the phone

0:33:04.400 --> 0:33:04.760
<v Speaker 6>since then.

0:33:05.280 --> 0:33:07.120
<v Speaker 7>Indeed, you look good. That's a blessing.

0:33:07.160 --> 0:33:08.680
<v Speaker 6>Did they shave your face at all when you were sick,

0:33:08.760 --> 0:33:09.720
<v Speaker 6>like when you were in the hospital.

0:33:09.800 --> 0:33:10.080
<v Speaker 16>Nope.

0:33:10.160 --> 0:33:12.800
<v Speaker 7>I ended up doing it with cast on my hands

0:33:13.440 --> 0:33:16.200
<v Speaker 7>maybe two months later. I got footage of it too.

0:33:16.520 --> 0:33:21.680
<v Speaker 6>They didn't put a cat through anywhere else that did.

0:33:18.000 --> 0:33:25.800
<v Speaker 10>It's the best Bits of the week with Morgan number two.

0:33:27.280 --> 0:33:30.040
<v Speaker 4>If you're a big fan of our fantasy drafts, another

0:33:30.120 --> 0:33:32.719
<v Speaker 4>one went down this week. We did a draft of

0:33:32.840 --> 0:33:36.320
<v Speaker 4>soothing sounds in my team. I'll just say I felt

0:33:36.360 --> 0:33:42.880
<v Speaker 4>really confident in my team. I had rainfall, crackling fireplace,

0:33:43.000 --> 0:33:47.200
<v Speaker 4>and soft jazz music, which any putted out that it's

0:33:47.240 --> 0:33:49.880
<v Speaker 4>like I want a man, but really those things just

0:33:50.040 --> 0:33:52.760
<v Speaker 4>soothe me. Those are things when I think about soothing stuff,

0:33:52.800 --> 0:33:53.720
<v Speaker 4>all of those things make.

0:33:53.640 --> 0:33:57.320
<v Speaker 2>Me happy and feel soothed. Whatever. You know, you here

0:33:57.320 --> 0:33:58.600
<v Speaker 2>for yourself and you let us know.

0:33:59.160 --> 0:34:03.840
<v Speaker 6>Number three the draft is the most soothing sounds we

0:34:03.880 --> 0:34:07.520
<v Speaker 6>spun the wheel before Amy gets the first overall pick Amy,

0:34:07.640 --> 0:34:10.239
<v Speaker 6>most soothing sounds draft. What do you got?

0:34:10.560 --> 0:34:11.680
<v Speaker 13>Waves crashing?

0:34:12.080 --> 0:34:13.919
<v Speaker 9>Oh, that's definitely number one.

0:34:14.080 --> 0:34:17.840
<v Speaker 6>That's so good too, because like there are sounds that

0:34:17.880 --> 0:34:20.359
<v Speaker 6>play waves crashing to actually put you to sleep, right,

0:34:21.160 --> 0:34:25.320
<v Speaker 6>got it? Good waves? Okay, going over to lunchbox. Lunchbox

0:34:25.320 --> 0:34:26.040
<v Speaker 6>soothing sounds.

0:34:26.400 --> 0:34:28.400
<v Speaker 5>Oh yeah, you ever sat on the back porch in

0:34:28.440 --> 0:34:33.160
<v Speaker 5>the morning, right when the birds start chirping? Birds chirping?

0:34:33.680 --> 0:34:34.040
<v Speaker 16>Have you?

0:34:35.040 --> 0:34:38.160
<v Speaker 5>Yeah? Okay, kids are up early on the weekends.

0:34:37.760 --> 0:34:40.560
<v Speaker 6>Man, birds chirping, Eddie.

0:34:41.400 --> 0:34:44.080
<v Speaker 9>I'm gonna do same with the water, but I'm gonna

0:34:44.080 --> 0:34:45.600
<v Speaker 9>do a river flowing.

0:34:46.080 --> 0:34:46.440
<v Speaker 7>Okay.

0:34:47.440 --> 0:34:49.319
<v Speaker 6>Definitely a difference in waves crashing river fall.

0:34:49.440 --> 0:34:52.600
<v Speaker 7>No, that sound that's good.

0:34:53.560 --> 0:34:55.480
<v Speaker 6>All right, more get over to you. Soothing sounds.

0:34:55.760 --> 0:34:57.480
<v Speaker 4>Yeah, I cannot believe it made it all the way

0:34:57.520 --> 0:35:00.560
<v Speaker 4>to me. Also in water, but I'm going rainfall listening

0:35:00.640 --> 0:35:01.160
<v Speaker 4>to the rain.

0:35:01.520 --> 0:35:02.080
<v Speaker 9>That's really good.

0:35:02.160 --> 0:35:02.520
<v Speaker 6>Rainfall.

0:35:02.560 --> 0:35:04.920
<v Speaker 9>Okay, yeah, yeah, I didn't have that one, Morgan.

0:35:05.480 --> 0:35:07.479
<v Speaker 6>I'm gonna wait. I don't think anybody's gonna take mine

0:35:08.320 --> 0:35:11.799
<v Speaker 6>a main one, so I'm gonna hold off and take

0:35:11.840 --> 0:35:15.120
<v Speaker 6>another strong one and maybe get mine in round three

0:35:16.120 --> 0:35:18.960
<v Speaker 6>unless someone gets it. I'm gonna go with and the

0:35:19.000 --> 0:35:23.919
<v Speaker 6>soothing sounds draft, I'm gonna do it. I'm not gonna

0:35:23.960 --> 0:35:26.040
<v Speaker 6>let it slip. I'm gonna do and it's it's a

0:35:26.080 --> 0:35:28.240
<v Speaker 6>bit more specific than Morgan's. But rain on a tin.

0:35:28.160 --> 0:35:32.439
<v Speaker 9>Roof, that's good. I have that on a summer night.

0:35:32.680 --> 0:35:34.279
<v Speaker 13>Yeah, we change it.

0:35:35.080 --> 0:35:38.040
<v Speaker 6>Rain on a tin roof is mine mostly think I

0:35:38.160 --> 0:35:40.080
<v Speaker 6>lived in a camper for about two years, and I

0:35:40.080 --> 0:35:43.839
<v Speaker 6>always liked doing to rain. Because all right, that's round one.

0:35:44.320 --> 0:35:47.399
<v Speaker 6>Amy had waves, lunch, had birds chirping, Eddie had river.

0:35:47.719 --> 0:35:49.640
<v Speaker 6>Morgan had rainfall, and had rain on a tin roof.

0:35:50.360 --> 0:35:52.400
<v Speaker 6>All right, so I'll go first in the second round.

0:35:53.120 --> 0:35:55.800
<v Speaker 6>Now I could pander a bit, which I know is

0:35:55.800 --> 0:36:00.080
<v Speaker 6>a great sound to everybody else but not me, And

0:36:00.120 --> 0:36:01.960
<v Speaker 6>that would be pandering, like trying to present something that

0:36:02.000 --> 0:36:02.879
<v Speaker 6>I know people like.

0:36:04.000 --> 0:36:06.120
<v Speaker 11>Yeah, do it though, I mean, I'm sure we can

0:36:06.120 --> 0:36:10.799
<v Speaker 11>all agree on something that sounds soothing, like unless you do,

0:36:10.800 --> 0:36:11.640
<v Speaker 11>like nails on a chalk.

0:36:12.000 --> 0:36:15.239
<v Speaker 6>I don't know, man, it's so pandury. I'm not gonna

0:36:15.239 --> 0:36:16.480
<v Speaker 6>do it. I'll tell you what it was later.

0:36:16.600 --> 0:36:16.920
<v Speaker 16>Okay.

0:36:17.520 --> 0:36:19.920
<v Speaker 6>I don't want to pander, so I'm gonna go with

0:36:22.080 --> 0:36:24.720
<v Speaker 6>soothing sounds, sizzling faheedas or bacon.

0:36:25.040 --> 0:36:27.520
<v Speaker 9>Dang, that's a good sound.

0:36:29.040 --> 0:36:33.120
<v Speaker 6>Okay, let's go over to Morgan.

0:36:34.040 --> 0:36:34.439
<v Speaker 14>All right.

0:36:34.560 --> 0:36:36.840
<v Speaker 4>You know it's like really cold out and you always

0:36:36.840 --> 0:36:39.440
<v Speaker 4>put one of these on the crackling fireplace.

0:36:39.680 --> 0:36:40.080
<v Speaker 6>That's good.

0:36:40.160 --> 0:36:40.560
<v Speaker 16>You got me.

0:36:44.960 --> 0:36:47.680
<v Speaker 6>I might pander when he comes back to me. I

0:36:47.760 --> 0:36:48.799
<v Speaker 6>might need a pander.

0:36:50.000 --> 0:36:50.640
<v Speaker 9>Call an audible.

0:36:50.760 --> 0:36:55.239
<v Speaker 11>She took mine, Eddie.

0:36:55.800 --> 0:36:56.480
<v Speaker 6>Oh there's another.

0:36:57.239 --> 0:37:00.680
<v Speaker 9>Okay, okay, okay. For my number two pick, I'm going

0:37:00.800 --> 0:37:04.439
<v Speaker 9>with thunder on the horizon.

0:37:05.640 --> 0:37:11.680
<v Speaker 6>All right, garth thunder rolls thunder on the horizon, okay.

0:37:12.040 --> 0:37:14.280
<v Speaker 11>Because you don't want it right over you, because that's scary,

0:37:14.320 --> 0:37:15.200
<v Speaker 11>that's not soothing.

0:37:15.760 --> 0:37:19.360
<v Speaker 6>You want them horizon and also the words thunder on

0:37:19.400 --> 0:37:21.200
<v Speaker 6>the horizon just sounds soothing.

0:37:20.840 --> 0:37:23.320
<v Speaker 9>Too, just a word, it's just beautiful, man, lunchbox.

0:37:23.360 --> 0:37:25.960
<v Speaker 6>We're drafting the soothing sounds.

0:37:26.040 --> 0:37:30.040
<v Speaker 5>Go ahead, Yeah, guys, soothing sounds. You want something that'll

0:37:30.080 --> 0:37:32.239
<v Speaker 5>make you relax and put a smile on your face,

0:37:32.320 --> 0:37:34.799
<v Speaker 5>make you feel at ease. Is that what you're looking

0:37:34.840 --> 0:37:39.080
<v Speaker 5>for here? Because it's baby giggles, a baby giggling.

0:37:40.239 --> 0:37:44.200
<v Speaker 6>Okay, okay, sweet, it is sweet.

0:37:44.560 --> 0:37:46.040
<v Speaker 9>Is this lunchbox talking?

0:37:46.280 --> 0:37:49.359
<v Speaker 6>It's a I lunchbox like two weeks ago, the real

0:37:49.400 --> 0:37:51.480
<v Speaker 6>one we cut them, got this one for half price.

0:37:52.600 --> 0:37:54.400
<v Speaker 5>Amy a cat purring?

0:37:55.920 --> 0:38:03.200
<v Speaker 13>Hmm, there's nothing poping. No, there's nothing sweeter than a

0:38:03.280 --> 0:38:03.880
<v Speaker 13>cat per.

0:38:05.440 --> 0:38:08.360
<v Speaker 6>And you have wage crashing and a cat purring. We

0:38:08.440 --> 0:38:10.399
<v Speaker 6>start with you now in the third round, the final round,

0:38:11.040 --> 0:38:12.360
<v Speaker 6>drafting soothing sounds.

0:38:12.360 --> 0:38:12.840
<v Speaker 7>Go ahead.

0:38:14.800 --> 0:38:20.120
<v Speaker 13>Yeah. I feel like I'm sort of stuck here for.

0:38:20.120 --> 0:38:22.000
<v Speaker 6>A second because you have so many, because I have

0:38:22.080 --> 0:38:22.520
<v Speaker 6>so many.

0:38:23.280 --> 0:38:26.239
<v Speaker 13>I have like none. Oh, I'm out, I'm dry, I

0:38:26.280 --> 0:38:29.279
<v Speaker 13>mean crackling fire and that forty.

0:38:29.280 --> 0:38:31.200
<v Speaker 9>I'm trying to pump the well and nothing's coming out.

0:38:31.640 --> 0:38:32.160
<v Speaker 6>Your girl up.

0:38:32.840 --> 0:38:34.319
<v Speaker 9>Wait, no, it doesn't work like that.

0:38:34.440 --> 0:38:34.640
<v Speaker 14>Yeah.

0:38:34.680 --> 0:38:37.000
<v Speaker 6>Does who says there are no rules?

0:38:37.360 --> 0:38:38.000
<v Speaker 5>Said?

0:38:38.440 --> 0:38:41.400
<v Speaker 6>Okay, I don't go with this lunchbox parting.

0:38:42.239 --> 0:38:44.520
<v Speaker 5>That's a good one.

0:38:45.120 --> 0:38:45.960
<v Speaker 9>It's soothing to him.

0:38:46.640 --> 0:38:48.120
<v Speaker 13>A lunchbug's whispering.

0:38:48.400 --> 0:38:50.319
<v Speaker 6>Okay, is that your answer? This that you love him

0:38:50.360 --> 0:38:54.319
<v Speaker 6>so much? When do you hear there are theories behind

0:38:54.360 --> 0:38:57.319
<v Speaker 6>the scenes of these two? What is not romantic theory? Not?

0:38:57.560 --> 0:38:58.880
<v Speaker 5>But there's nothing.

0:38:58.920 --> 0:39:00.000
<v Speaker 2>We don't there's nothing.

0:39:00.120 --> 0:39:01.240
<v Speaker 6>Okay, go ahead, Oh my.

0:39:01.120 --> 0:39:06.800
<v Speaker 13>Gosh, okay, let's go with hmmm. I think just any whisper,

0:39:06.880 --> 0:39:08.239
<v Speaker 13>whisper a whisper.

0:39:09.280 --> 0:39:12.120
<v Speaker 6>Okay, all right.

0:39:12.080 --> 0:39:13.640
<v Speaker 13>What you're saying not going to win.

0:39:14.239 --> 0:39:15.560
<v Speaker 2>But I got waves crashing.

0:39:15.719 --> 0:39:17.759
<v Speaker 6>I know sometimes people only vote on the first round.

0:39:17.760 --> 0:39:19.200
<v Speaker 6>I hear you, lunchbox.

0:39:20.640 --> 0:39:23.480
<v Speaker 5>Oh do you want a noise that makes you feel good?

0:39:25.200 --> 0:39:27.080
<v Speaker 6>I see the call map right now, go ahead.

0:39:27.560 --> 0:39:31.040
<v Speaker 5>What's a smile on your face? It's that crunching of

0:39:31.120 --> 0:39:33.799
<v Speaker 5>snow crun.

0:39:34.080 --> 0:39:35.680
<v Speaker 6>Snow crunching in your mouth or.

0:39:35.640 --> 0:39:38.120
<v Speaker 5>Fat oh feet when you're walking on that snow.

0:39:38.120 --> 0:39:39.400
<v Speaker 6>It's got it.

0:39:39.760 --> 0:39:42.799
<v Speaker 13>I'm not going to say he's a lost.

0:39:42.000 --> 0:39:47.040
<v Speaker 6>Way wetter than way, better than whisper. What snow crunching

0:39:47.080 --> 0:39:49.400
<v Speaker 6>can't be. I'm not saying it's great, but snow crunching

0:39:49.440 --> 0:39:50.320
<v Speaker 6>can't be creepy.

0:39:50.520 --> 0:39:53.480
<v Speaker 13>People love a SMR whispering can or a mess r

0:39:53.640 --> 0:39:54.080
<v Speaker 13>or whatever.

0:39:54.280 --> 0:39:57.840
<v Speaker 9>Eddie, oh man, all right, that was pretty dry. The

0:39:57.880 --> 0:40:00.200
<v Speaker 9>well was dry. But I got something. Go ahead, I'm

0:40:00.200 --> 0:40:03.080
<v Speaker 9>gonna go with wind chimes.

0:40:03.480 --> 0:40:04.360
<v Speaker 6>Oh that's annoying.

0:40:04.520 --> 0:40:09.480
<v Speaker 9>What are you talking about?

0:40:08.520 --> 0:40:11.759
<v Speaker 6>Don't I want to just slam them?

0:40:11.960 --> 0:40:13.280
<v Speaker 9>You don't like wind chimes?

0:40:13.880 --> 0:40:16.200
<v Speaker 5>But that was actually good, dude, I gotta be honest

0:40:16.200 --> 0:40:16.600
<v Speaker 5>with you.

0:40:17.040 --> 0:40:18.520
<v Speaker 6>But it doesn't matter. It doesn't matter what we like.

0:40:18.719 --> 0:40:22.440
<v Speaker 6>Ranch in Texas, that's wind. You could have just that.

0:40:22.880 --> 0:40:24.479
<v Speaker 6>You could have said, like a large guest of wind.

0:40:25.200 --> 0:40:27.160
<v Speaker 9>You didn't wait for the time. Man, my b bad,

0:40:27.200 --> 0:40:27.520
<v Speaker 9>my back.

0:40:27.840 --> 0:40:30.960
<v Speaker 6>All right, Morgan, you have rainfall in a crackling fireplace.

0:40:31.440 --> 0:40:35.160
<v Speaker 4>Yeah, and I'm deciding between two that are Yeah, I

0:40:35.200 --> 0:40:36.400
<v Speaker 4>don't know if you will get.

0:40:36.200 --> 0:40:40.280
<v Speaker 6>One of them soothing sounds. It's a draft, soothing sounds.

0:40:40.320 --> 0:40:40.720
<v Speaker 16>Go ahead.

0:40:41.960 --> 0:40:43.400
<v Speaker 4>I think I'm gonna go with this, because, like, if

0:40:43.400 --> 0:40:45.080
<v Speaker 4>you ever go and get a massage, or you go

0:40:45.080 --> 0:40:47.600
<v Speaker 4>get your nails done, or even just kind of hanging

0:40:47.640 --> 0:40:49.399
<v Speaker 4>out in a lobby of nowhere, this is what you're hearing,

0:40:49.440 --> 0:40:50.480
<v Speaker 4>and it kind of calms you down.

0:40:50.520 --> 0:40:51.920
<v Speaker 2>It's soft jazz music.

0:40:52.800 --> 0:41:01.080
<v Speaker 6>Soft jazz music. Okay, So I'm the last one, so

0:41:01.120 --> 0:41:03.240
<v Speaker 6>I can go through a bunch of mine since nobody

0:41:03.280 --> 0:41:05.680
<v Speaker 6>can steal it. A couple of mine that I like,

0:41:05.719 --> 0:41:07.480
<v Speaker 6>and some of them are specific to just me. But

0:41:07.560 --> 0:41:11.200
<v Speaker 6>I like a basketball swoshing through the net, nothing but net.

0:41:12.280 --> 0:41:14.080
<v Speaker 6>That's a comfortablee. I like the opening rep of the

0:41:14.160 --> 0:41:19.399
<v Speaker 6>National anthems, a soothing sound done. I like a golf

0:41:19.440 --> 0:41:20.319
<v Speaker 6>ball going into a hope.

0:41:20.760 --> 0:41:21.760
<v Speaker 9>Ah, that's nice.

0:41:22.640 --> 0:41:26.200
<v Speaker 6>I like, well, I like my Stanley's asleep, but that's snoring.

0:41:26.320 --> 0:41:29.520
<v Speaker 6>My wife would not agree. She hates that sound. Loud, loud.

0:41:29.719 --> 0:41:31.440
<v Speaker 6>The one that I was going to pander with is

0:41:31.480 --> 0:41:34.239
<v Speaker 6>the it's cracking a cold one.

0:41:34.360 --> 0:41:37.000
<v Speaker 11>Oh but see that's okay though, because even though you

0:41:37.040 --> 0:41:40.400
<v Speaker 11>don't drink, hearing somebody go it's pretty.

0:41:40.080 --> 0:41:41.759
<v Speaker 6>Soothing, especially if it's you though doing it.

0:41:41.920 --> 0:41:43.520
<v Speaker 9>It's the best Man Friday.

0:41:43.200 --> 0:41:46.800
<v Speaker 6>Night, or coffee pouring into a cup. That sound. I

0:41:46.840 --> 0:41:48.439
<v Speaker 6>can't do my mouth the liquid hitting.

0:41:48.600 --> 0:41:50.160
<v Speaker 9>That's pandering because you hate coffee.

0:41:51.160 --> 0:41:52.239
<v Speaker 6>But at least I've had it.

0:41:52.480 --> 0:41:54.680
<v Speaker 13>You should have done Heavy rain never popped.

0:41:54.800 --> 0:41:58.120
<v Speaker 6>Well we have two rain ones. Anyways, she does heavy

0:41:58.200 --> 0:42:03.799
<v Speaker 6>Rain on it not ten roof. I have the bell

0:42:04.000 --> 0:42:06.520
<v Speaker 6>at the end of class. Nice like you said, because

0:42:06.560 --> 0:42:07.160
<v Speaker 6>class is over.

0:42:08.320 --> 0:42:12.880
<v Speaker 11>I have I have silence that is soothing, especially when

0:42:12.880 --> 0:42:13.640
<v Speaker 11>you have four kids.

0:42:13.760 --> 0:42:18.000
<v Speaker 6>Silence is a strong one. I have Chris Stapleton's voice.

0:42:20.840 --> 0:42:23.160
<v Speaker 13>Okay, oh that is soothing.

0:42:26.280 --> 0:42:27.120
<v Speaker 9>It's not very soothing.

0:42:27.160 --> 0:42:29.239
<v Speaker 6>But none of those I'm not gonna do any of those.

0:42:29.280 --> 0:42:33.680
<v Speaker 6>I'm gonna do. Crickets at night in the summer.

0:42:33.920 --> 0:42:37.880
<v Speaker 9>Yeah, that's that's awesome. What do you mean, crickets the

0:42:37.960 --> 0:42:38.799
<v Speaker 9>sound of summer night?

0:42:38.960 --> 0:42:41.040
<v Speaker 6>Just because you said whisper and we all laughed, don't

0:42:41.040 --> 0:42:41.680
<v Speaker 6>take it out on me.

0:42:42.560 --> 0:42:45.120
<v Speaker 9>You don't like the sound of nighttime out.

0:42:45.200 --> 0:42:48.480
<v Speaker 6>Nighttime, summer outside crickets like that is awesome.

0:42:48.560 --> 0:42:50.880
<v Speaker 13>Basically their form of whispering.

0:42:51.120 --> 0:42:52.759
<v Speaker 6>The crickets are whispering. That's what you're hearing. So it's

0:42:52.760 --> 0:42:56.400
<v Speaker 6>like a double Okay. So those are our teams. Go

0:42:56.560 --> 0:42:58.440
<v Speaker 6>vote to Bobbybones dot com. We'll have a winner after

0:42:58.480 --> 0:43:00.280
<v Speaker 6>you guys vote, but we will not attach our aims

0:43:00.280 --> 0:43:02.760
<v Speaker 6>to them. If you listen to this, you know basically

0:43:02.800 --> 0:43:04.759
<v Speaker 6>who they are. But we don't want you to go

0:43:04.800 --> 0:43:07.000
<v Speaker 6>vote based on the first round or the person you

0:43:07.040 --> 0:43:08.880
<v Speaker 6>like the most. But Amy has.

0:43:08.760 --> 0:43:10.800
<v Speaker 13>Waves crashing, waves crashing.

0:43:11.360 --> 0:43:14.960
<v Speaker 6>We have cat purring, and somebody in a white man

0:43:15.000 --> 0:43:16.000
<v Speaker 6>whispering to a kid.

0:43:16.960 --> 0:43:17.640
<v Speaker 9>Very soon.

0:43:19.040 --> 0:43:19.879
<v Speaker 6>Exactly what we said.

0:43:20.440 --> 0:43:20.720
<v Speaker 14>Kid.

0:43:21.200 --> 0:43:25.000
<v Speaker 6>Luck Bucks has birds chirping, He has baby giggling, and

0:43:25.040 --> 0:43:26.080
<v Speaker 6>he has snow crunching.

0:43:26.239 --> 0:43:27.560
<v Speaker 9>Who is this guy?

0:43:28.160 --> 0:43:35.400
<v Speaker 6>Eddie has roaring, rushing thunder on the horizon and wind chimes.

0:43:35.960 --> 0:43:39.840
<v Speaker 6>Morgan has rainfall, crackling fireplace and soft jazz.

0:43:40.160 --> 0:43:41.520
<v Speaker 7>So good.

0:43:42.239 --> 0:43:46.040
<v Speaker 9>Morgan sounds like she wants a man over into the house.

0:43:46.320 --> 0:43:50.840
<v Speaker 9>All right, all of them do there's jazz? Was the fireplace?

0:43:52.120 --> 0:43:56.120
<v Speaker 6>Morgan is like a fantasy? Yeah, yeah, yeah, gosh, a

0:43:56.160 --> 0:43:59.200
<v Speaker 6>deep voice telling you to come a little closer. You

0:43:59.200 --> 0:44:01.520
<v Speaker 6>can add that and then me, I have rained on

0:44:01.560 --> 0:44:04.640
<v Speaker 6>a tin roof, sizzling fajitas or bacon or crickets at

0:44:04.719 --> 0:44:07.719
<v Speaker 6>night in the summertime. Vote on the soothing sound team

0:44:07.760 --> 0:44:08.480
<v Speaker 6>you like the best.

0:44:08.960 --> 0:44:11.600
<v Speaker 16>Good job, everybody, Thank you.

0:44:11.760 --> 0:44:13.000
<v Speaker 9>I don't know how I feel about my team.

0:44:13.200 --> 0:44:16.000
<v Speaker 6>Thanks. Yeah.

0:44:16.120 --> 0:44:17.680
<v Speaker 9>I may have blown it with that wind chime.

0:44:18.200 --> 0:44:18.719
<v Speaker 5>Yeah we all.

0:44:20.920 --> 0:44:21.680
<v Speaker 6>A whisper.

0:44:21.760 --> 0:44:23.640
<v Speaker 5>Oh yeah, a lot of people have windchimes.

0:44:23.680 --> 0:44:24.480
<v Speaker 9>Oh that's true.

0:44:24.680 --> 0:44:26.400
<v Speaker 6>I mean a lot of people are annoying because if

0:44:26.400 --> 0:44:27.680
<v Speaker 6>they're too close to somebody else.

0:44:29.040 --> 0:44:32.240
<v Speaker 10>It's the best bits of the week with Morgan.

0:44:32.320 --> 0:44:32.799
<v Speaker 5>Number two.

0:44:38.920 --> 0:44:43.600
<v Speaker 4>The anticipation killed us all week, Lunchbox tease day after

0:44:43.760 --> 0:44:44.120
<v Speaker 4>day that.

0:44:44.080 --> 0:44:45.880
<v Speaker 3>He was going to blast someone on the show and

0:44:45.920 --> 0:44:46.400
<v Speaker 3>he had.

0:44:46.360 --> 0:44:48.320
<v Speaker 2>Crazy tea to spill.

0:44:48.360 --> 0:44:51.000
<v Speaker 4>He even gave the opportunity for anybody to turn themselves

0:44:51.040 --> 0:44:54.799
<v Speaker 4>in via email. Nobody did because like nobody knew even

0:44:54.840 --> 0:44:57.480
<v Speaker 4>the contents of what the spill the tea was. Well,

0:44:57.920 --> 0:45:02.319
<v Speaker 4>the blast finally happened. Lunchbox shit his major spill the tea,

0:45:03.480 --> 0:45:04.880
<v Speaker 4>and I am not going to say.

0:45:04.680 --> 0:45:05.960
<v Speaker 2>Whether it was clickbait or not.

0:45:06.040 --> 0:45:07.759
<v Speaker 4>You are just going to have to listen right now

0:45:07.760 --> 0:45:12.359
<v Speaker 4>and you can decide it was entertaining. But I will

0:45:12.400 --> 0:45:17.480
<v Speaker 4>mention that during these segments this week and talking about it,

0:45:17.520 --> 0:45:18.920
<v Speaker 4>there was something that I thought it could be that

0:45:18.960 --> 0:45:21.760
<v Speaker 4>didn't involve me, but I had an idea of something

0:45:21.800 --> 0:45:24.200
<v Speaker 4>that had happened in the studio, and my.

0:45:24.280 --> 0:45:26.360
<v Speaker 2>Spill of the tea, I think it is a little

0:45:26.360 --> 0:45:29.760
<v Speaker 2>bit juicier and I had more.

0:45:30.239 --> 0:45:31.640
<v Speaker 3>I have more guys.

0:45:31.719 --> 0:45:34.120
<v Speaker 4>I just sometimes see a lot of tea happening and

0:45:34.160 --> 0:45:35.520
<v Speaker 4>I just kind of keep it close to the vest

0:45:35.520 --> 0:45:38.160
<v Speaker 4>because not everybody needs to have tea spell on them

0:45:38.239 --> 0:45:40.919
<v Speaker 4>all the time, but these two things.

0:45:41.800 --> 0:45:43.359
<v Speaker 10>They might number two.

0:45:43.480 --> 0:45:45.279
<v Speaker 6>Hey, this is your bit. You've built it up for

0:45:45.360 --> 0:45:48.160
<v Speaker 6>three days, lunchbox. You just said you're going to put

0:45:48.200 --> 0:45:50.520
<v Speaker 6>someone on blast if they didn't confess. And the deal

0:45:50.560 --> 0:45:52.680
<v Speaker 6>you made was if they confessed any email, you would

0:45:52.680 --> 0:45:54.040
<v Speaker 6>not say who it was, you would just say what

0:45:54.080 --> 0:45:56.280
<v Speaker 6>the crime was. Correct, did anyone confess?

0:45:56.320 --> 0:45:59.840
<v Speaker 5>I'd like to congratulate on the person. They have not come,

0:46:00.200 --> 0:46:02.560
<v Speaker 5>so they will get blasted on air. They will get

0:46:02.560 --> 0:46:06.960
<v Speaker 5>blasted right now in front of all of America. Mm hmmm,

0:46:07.480 --> 0:46:10.000
<v Speaker 5>going on blast.

0:46:10.400 --> 0:46:12.239
<v Speaker 6>So I don't even know what to ask because I

0:46:12.239 --> 0:46:14.600
<v Speaker 6>don't know who it is. You just want to do it.

0:46:14.680 --> 0:46:15.600
<v Speaker 6>How do you want to set it up? What do

0:46:15.640 --> 0:46:17.520
<v Speaker 6>you want to do ahead of time?

0:46:17.640 --> 0:46:20.480
<v Speaker 5>Everybody that is listening, everybody in this room that is

0:46:20.520 --> 0:46:23.840
<v Speaker 5>not it is not you, That is not it's not you.

0:46:23.880 --> 0:46:27.279
<v Speaker 5>If you're in the room, all right, you will be disgusted,

0:46:28.000 --> 0:46:30.200
<v Speaker 5>disturbed and dumbfounded.

0:46:30.280 --> 0:46:31.160
<v Speaker 6>I don't know what you're saying.

0:46:31.320 --> 0:46:32.719
<v Speaker 5>I'm saying it's not you.

0:46:33.239 --> 0:46:33.759
<v Speaker 6>I'm not me.

0:46:33.960 --> 0:46:37.080
<v Speaker 5>I said, if it's not you, you will be triple.

0:46:37.080 --> 0:46:38.120
<v Speaker 6>Why do we give them all you?

0:46:38.719 --> 0:46:43.719
<v Speaker 5>You will be disgusted, disturbing nobody in the room. I said,

0:46:43.800 --> 0:46:46.440
<v Speaker 5>if it's not you, you will agree with me. You

0:46:46.480 --> 0:46:49.239
<v Speaker 5>will be disgusted, dumbfounded, and.

0:46:49.160 --> 0:46:50.480
<v Speaker 9>Disturbed and confused.

0:46:51.360 --> 0:46:55.120
<v Speaker 5>Okay, it's the triple I'm confused. It's the Triple D.

0:46:55.400 --> 0:46:59.840
<v Speaker 6>Okay, So okay, eliminate. Can it be anybody?

0:47:00.120 --> 0:47:03.520
<v Speaker 5>It can be anyone from that glassroom or in this room?

0:47:04.040 --> 0:47:05.719
<v Speaker 6>Can I ask questions and you answer them?

0:47:05.760 --> 0:47:06.640
<v Speaker 5>Go ahead?

0:47:09.320 --> 0:47:15.880
<v Speaker 6>Is it amy? Okay? Hold? Why don't you eliminate somebody?

0:47:16.000 --> 0:47:17.000
<v Speaker 6>Eliminate one person?

0:47:19.280 --> 0:47:21.800
<v Speaker 5>Bobby's been eliminated. We know what Bobby.

0:47:21.840 --> 0:47:22.080
<v Speaker 6>Guys.

0:47:22.120 --> 0:47:24.759
<v Speaker 5>Come on, mister clean over there. He ain't gonna do

0:47:24.760 --> 0:47:27.720
<v Speaker 5>anything wrong. Okay, Bobby is safe.

0:47:28.719 --> 0:47:29.680
<v Speaker 6>Eliminate somebody else.

0:47:31.760 --> 0:47:33.759
<v Speaker 5>Mike d has ever has he ever done anything wrong

0:47:33.760 --> 0:47:36.240
<v Speaker 5>in his life? He's mister quiet, He's not doing anything wrong.

0:47:36.280 --> 0:47:39.440
<v Speaker 6>Okay. Is it somebody?

0:47:40.120 --> 0:47:40.200
<v Speaker 4>Like?

0:47:41.239 --> 0:47:43.040
<v Speaker 6>Do you want to eliminate like a glassroom or main room?

0:47:43.120 --> 0:47:44.080
<v Speaker 6>Or do you want to keep going like you are?

0:47:44.120 --> 0:47:47.239
<v Speaker 5>Hey, whatever you want to do, man, or I just

0:47:47.280 --> 0:47:50.520
<v Speaker 5>go right to it. Abby. Oh, let's just go right

0:47:50.560 --> 0:47:52.840
<v Speaker 5>to it. Abby. You're safe.

0:47:53.000 --> 0:47:55.600
<v Speaker 6>Oh that's not going right to it.

0:47:55.719 --> 0:47:58.240
<v Speaker 5>I checked this. He gave us the rope of dope.

0:47:58.880 --> 0:48:01.120
<v Speaker 6>Okay, Yeah, So who's out?

0:48:01.120 --> 0:48:01.600
<v Speaker 9>Who's out?

0:48:02.239 --> 0:48:05.120
<v Speaker 6>Mike, are not getting blasted? Okay? Go ahead? Who else

0:48:05.200 --> 0:48:06.040
<v Speaker 6>is not getting blasted?

0:48:07.440 --> 0:48:12.160
<v Speaker 5>The man with the buttons Ray, that dude, squeaky clean,

0:48:13.200 --> 0:48:20.279
<v Speaker 5>a little strange, but clean, little go ahead, Scoopa keeps

0:48:20.320 --> 0:48:22.040
<v Speaker 5>us out of trouble. He doesn't get in trouble.

0:48:22.239 --> 0:48:22.640
<v Speaker 6>Scoopa.

0:48:22.680 --> 0:48:24.560
<v Speaker 5>Your free? You're free?

0:48:25.080 --> 0:48:27.880
<v Speaker 6>Is either going to be? Amy Morgan?

0:48:28.000 --> 0:48:31.839
<v Speaker 13>Okay? And with the group, when we learned this about ourselves,

0:48:31.840 --> 0:48:34.399
<v Speaker 13>are we are? We're not going to be disgusted to serve,

0:48:34.680 --> 0:48:36.400
<v Speaker 13>unfounded that it.

0:48:36.440 --> 0:48:38.840
<v Speaker 5>Might be that's glass you might be or you just

0:48:38.880 --> 0:48:39.760
<v Speaker 5>be like it's normal.

0:48:39.800 --> 0:48:41.680
<v Speaker 6>And then they had another one lunchbox.

0:48:42.280 --> 0:48:42.360
<v Speaker 13>But.

0:48:44.280 --> 0:48:46.600
<v Speaker 5>You feel you feel awful guilty over there.

0:48:47.040 --> 0:48:51.680
<v Speaker 2>I don't know what's happening, so.

0:48:51.640 --> 0:48:56.200
<v Speaker 5>I'll tell you. Amy say, okay, I don't like this.

0:48:56.360 --> 0:48:58.200
<v Speaker 6>That's are more again.

0:49:00.280 --> 0:49:07.600
<v Speaker 5>What he's dumbfounded, dead or disgusted and disturb in days

0:49:07.840 --> 0:49:09.720
<v Speaker 5>disappointed lunchbox?

0:49:09.760 --> 0:49:11.080
<v Speaker 6>Go ahead, and we have to figure out who it

0:49:11.120 --> 0:49:13.000
<v Speaker 6>is so you can do whatever however you want to

0:49:13.000 --> 0:49:13.360
<v Speaker 6>claim it.

0:49:13.440 --> 0:49:16.200
<v Speaker 5>Yeah, I just want to ask Eddie. You want me to

0:49:16.239 --> 0:49:16.839
<v Speaker 5>just go for it?

0:49:17.120 --> 0:49:18.400
<v Speaker 6>Morgan, you do what you want.

0:49:20.360 --> 0:49:23.040
<v Speaker 5>Eddie Morgan, Yeah, what's up? I just want you to

0:49:23.080 --> 0:49:26.440
<v Speaker 5>know Eddie's on blast.

0:49:27.040 --> 0:49:29.720
<v Speaker 6>That seems on blast all these days.

0:49:29.840 --> 0:49:31.919
<v Speaker 5>I got a question for you, Eddie. Does your mom

0:49:31.960 --> 0:49:32.520
<v Speaker 5>work here?

0:49:33.160 --> 0:49:33.319
<v Speaker 16>No?

0:49:33.760 --> 0:49:34.959
<v Speaker 5>Does your wife work here?

0:49:35.480 --> 0:49:36.120
<v Speaker 9>I don't think so.

0:49:36.560 --> 0:49:38.960
<v Speaker 5>Then what is your problem? Why do you think you

0:49:39.000 --> 0:49:41.360
<v Speaker 5>are better than everyone else that works in this building?

0:49:41.400 --> 0:49:41.680
<v Speaker 6>Okay?

0:49:42.160 --> 0:49:45.960
<v Speaker 5>I don't know why, because this dude right here has

0:49:46.000 --> 0:49:51.160
<v Speaker 5>no respect for this building or the people in this building. Okay,

0:49:51.520 --> 0:49:56.080
<v Speaker 5>this dude who brings because I don't know if that happen,

0:49:56.200 --> 0:50:00.000
<v Speaker 5>who brings hard boiled and Eddie Eddie? So what's he doing?

0:50:00.080 --> 0:50:02.960
<v Speaker 5>He says? Oh, man, I'm above everybody else. He's walking

0:50:03.040 --> 0:50:04.759
<v Speaker 5>to his car the other day. He has his heart

0:50:04.800 --> 0:50:07.839
<v Speaker 5>boiled eggs in his right hand. He goes crack crack

0:50:07.960 --> 0:50:10.560
<v Speaker 5>crack on the wall and just starts throwing the shelves

0:50:10.600 --> 0:50:12.759
<v Speaker 5>in the parking garage, like, hey, no, I don't throw

0:50:12.800 --> 0:50:15.080
<v Speaker 5>them in the trash can. I'm a disgusting human.

0:50:15.920 --> 0:50:18.680
<v Speaker 6>I feel like those are no, no, the biodible.

0:50:18.840 --> 0:50:22.319
<v Speaker 5>No, they're in a parking garage. I mean there's yoke

0:50:22.400 --> 0:50:23.040
<v Speaker 5>and stuff all over.

0:50:23.360 --> 0:50:27.400
<v Speaker 9>No yoke. They were boiled eggs. I am sorry, but no, no, no,

0:50:27.680 --> 0:50:30.640
<v Speaker 9>Oh my gosh, this is what we wasted all these days.

0:50:30.680 --> 0:50:33.360
<v Speaker 5>So I just throw my banana peel in the parking garage.

0:50:33.400 --> 0:50:34.919
<v Speaker 5>It's okay because it bioed great.

0:50:35.480 --> 0:50:37.839
<v Speaker 13>I don't know that it'll biolog No, it doesn't.

0:50:37.520 --> 0:50:39.920
<v Speaker 5>And he doesn't blow away because it's in a parking garage.

0:50:40.360 --> 0:50:41.000
<v Speaker 13>Element here.

0:50:41.000 --> 0:50:42.279
<v Speaker 6>I know your boyfriend saying something here, but.

0:50:43.760 --> 0:50:48.719
<v Speaker 5>No, no, disgusted and disappointing. I mean, just go throw

0:50:48.760 --> 0:50:51.120
<v Speaker 5>an apple in the parking garage. It's no big deal. Hey,

0:50:51.120 --> 0:50:54.960
<v Speaker 5>one of the three d's. One of the three d's disgust, disgusted, disappointed,

0:50:55.680 --> 0:50:57.040
<v Speaker 5>and dumb boundary. There's four d's.

0:50:57.120 --> 0:50:59.719
<v Speaker 9>Now you added disappointed. I'm disappointed.

0:50:59.760 --> 0:51:02.279
<v Speaker 6>A big shells are biodegradable in.

0:51:02.280 --> 0:51:06.799
<v Speaker 5>A parking garage, so I can just throw it. From

0:51:06.800 --> 0:51:10.040
<v Speaker 5>now on, I can just start throwing anything this biodegradable.

0:51:10.040 --> 0:51:11.320
<v Speaker 5>I can just throw in the parking garage.

0:51:11.480 --> 0:51:14.200
<v Speaker 6>I guess it's an egg shells.

0:51:13.560 --> 0:51:16.520
<v Speaker 13>Crack the wall.

0:51:17.040 --> 0:51:19.080
<v Speaker 5>Who cares? I don't work here, I don't have to

0:51:19.080 --> 0:51:19.600
<v Speaker 5>clean it up.

0:51:20.000 --> 0:51:20.840
<v Speaker 9>I got a twist of this.

0:51:21.200 --> 0:51:26.600
<v Speaker 11>Okay, this is very interesting because because he doesn't park upstairs,

0:51:27.360 --> 0:51:31.360
<v Speaker 11>he parks downstairs, So that means somebody must have tipped

0:51:31.360 --> 0:51:34.720
<v Speaker 11>them off to this, and I'm thinking his girlfriend did this.

0:51:35.760 --> 0:51:40.480
<v Speaker 6>Amy tipped lunchbox off on this. Look you're looking away

0:51:40.480 --> 0:51:43.040
<v Speaker 6>from away from me.

0:51:43.239 --> 0:51:44.480
<v Speaker 13>I'm looking right at you.

0:51:44.960 --> 0:51:45.759
<v Speaker 6>Did you tip out it?

0:51:46.160 --> 0:51:46.520
<v Speaker 5>I didn't.

0:51:47.080 --> 0:51:49.480
<v Speaker 13>I don't know. This is ridiculous.

0:51:51.280 --> 0:51:53.400
<v Speaker 5>Anywhere we're at. iHeart when we were in the elevator

0:51:53.400 --> 0:51:56.640
<v Speaker 5>and he had ridiculous No, no, he had his trashy just

0:51:56.680 --> 0:51:58.600
<v Speaker 5>threw it on the elevators. I'm not picking that up.

0:52:00.800 --> 0:52:02.560
<v Speaker 13>So why would the copp arrest him?

0:52:02.600 --> 0:52:03.719
<v Speaker 6>Literally, that's not.

0:52:05.440 --> 0:52:07.840
<v Speaker 5>It doesn't matter. That's what he said.

0:52:07.920 --> 0:52:09.240
<v Speaker 9>Oh my guys, if.

0:52:09.080 --> 0:52:11.360
<v Speaker 6>They were more than egg shells, I guess even a

0:52:11.360 --> 0:52:13.319
<v Speaker 6>banana would be more than little crimson of it.

0:52:13.320 --> 0:52:14.959
<v Speaker 5>It was no, no, it was the whole egg shell.

0:52:15.000 --> 0:52:16.680
<v Speaker 5>It ain't like it's a little small thing.

0:52:16.960 --> 0:52:18.200
<v Speaker 9>And where are the eggshells now?

0:52:18.520 --> 0:52:18.920
<v Speaker 5>I don't know.

0:52:19.800 --> 0:52:21.840
<v Speaker 9>Probably they're gone already.

0:52:22.800 --> 0:52:23.280
<v Speaker 13>Birds.

0:52:23.600 --> 0:52:25.040
<v Speaker 5>Hey, so if I go to Eddie's house, I can

0:52:25.080 --> 0:52:26.719
<v Speaker 5>just throw eggs shells in the front yard, no big deal.

0:52:26.920 --> 0:52:27.919
<v Speaker 13>In the front yard, yeah, they'.

0:52:29.600 --> 0:52:31.200
<v Speaker 5>Or they'll blow away. But in a part of your

0:52:31.239 --> 0:52:34.440
<v Speaker 5>eye it's pretty disgusting. I bet the custodial staff had

0:52:34.480 --> 0:52:36.319
<v Speaker 5>to clean that out because Eddie's too good at throwing

0:52:36.320 --> 0:52:36.560
<v Speaker 5>the track.

0:52:36.560 --> 0:52:38.719
<v Speaker 6>I can ask you a question, yo, how do you

0:52:38.719 --> 0:52:41.400
<v Speaker 6>feel about this bit clickbait?

0:52:41.520 --> 0:52:42.160
<v Speaker 5>Or was it?

0:52:43.080 --> 0:52:43.200
<v Speaker 14>No?

0:52:43.200 --> 0:52:45.240
<v Speaker 5>No, I think Eddie needs to do an adopt the highway,

0:52:46.080 --> 0:52:47.560
<v Speaker 5>go ahead the cop.

0:52:47.600 --> 0:52:49.719
<v Speaker 15>When he ended up interviewing the cop and the cops

0:52:49.719 --> 0:52:52.080
<v Speaker 15>say that he could go to jail for this. That

0:52:52.280 --> 0:52:54.520
<v Speaker 15>was the twist that really built this bit up and

0:52:54.560 --> 0:52:55.879
<v Speaker 15>it just didn't live up to that.

0:52:56.280 --> 0:52:57.960
<v Speaker 6>It is gross to that he did this, but we

0:52:58.000 --> 0:53:00.319
<v Speaker 6>did tease it for four days. I can agree that Edie,

0:53:00.400 --> 0:53:05.239
<v Speaker 6>don't tow stuff in the garage a shell eggsll like.

0:53:05.440 --> 0:53:07.920
<v Speaker 6>I agree, it's it's like minor, minor, just don't just

0:53:07.960 --> 0:53:09.520
<v Speaker 6>don't stuff in the garage. It's not your house.

0:53:09.560 --> 0:53:11.200
<v Speaker 13>I mean, but Bobby, you wouldn't do that, would you.

0:53:11.360 --> 0:53:11.640
<v Speaker 6>No?

0:53:11.640 --> 0:53:15.359
<v Speaker 5>No, exactly because that respect, thank you. You worry about

0:53:15.360 --> 0:53:16.920
<v Speaker 5>others that he's like, I'm better than you.

0:53:16.960 --> 0:53:20.359
<v Speaker 6>But it's an I don't want to dedicate any more

0:53:20.360 --> 0:53:20.960
<v Speaker 6>time to this bit.

0:53:21.080 --> 0:53:21.840
<v Speaker 9>Oh my goodness.

0:53:22.040 --> 0:53:24.480
<v Speaker 13>Well so wait now is he going to be lunch.

0:53:25.560 --> 0:53:27.440
<v Speaker 11>From a scale on a scale from one through ten?

0:53:27.960 --> 0:53:30.520
<v Speaker 11>How much trust do you have him now to carry a.

0:53:30.440 --> 0:53:33.279
<v Speaker 13>Bit like well, he did a good job building it up.

0:53:33.440 --> 0:53:34.280
<v Speaker 9>No, no, no, he said.

0:53:34.320 --> 0:53:35.759
<v Speaker 6>If it's not, I need to think it. I need

0:53:35.760 --> 0:53:36.319
<v Speaker 6>to think about this.

0:53:36.520 --> 0:53:38.160
<v Speaker 5>I mean I if Eddie doesn't think it's a big deal,

0:53:38.200 --> 0:53:39.520
<v Speaker 5>have him go stay on the side of highway and

0:53:39.520 --> 0:53:41.879
<v Speaker 5>pick up trust See how much you know the that's

0:53:41.920 --> 0:53:43.080
<v Speaker 5>not track it is.

0:53:43.320 --> 0:53:46.200
<v Speaker 9>It's an egg which is natural.

0:53:45.840 --> 0:53:47.520
<v Speaker 5>If we all don't do it. Though, hold on, if

0:53:47.520 --> 0:53:49.440
<v Speaker 5>we all walked in the parking garage today and through

0:53:49.480 --> 0:53:51.799
<v Speaker 5>eggshells out there as we're walking to our car, guess

0:53:51.800 --> 0:53:52.840
<v Speaker 5>what's pretty disgusting.

0:53:52.880 --> 0:53:54.280
<v Speaker 6>But we all wouldn't discuss.

0:53:54.320 --> 0:53:55.239
<v Speaker 5>So who's the only one that we do?

0:53:55.400 --> 0:53:56.560
<v Speaker 9>How was that discussed?

0:53:56.560 --> 0:53:59.439
<v Speaker 6>Steve? Is he busy as he wrapped up in something

0:53:59.440 --> 0:54:00.840
<v Speaker 6>as he moved on, because he also feels like this

0:54:00.880 --> 0:54:01.399
<v Speaker 6>is waste time.

0:54:01.400 --> 0:54:02.920
<v Speaker 5>I moved on ten minutes ago. I think I moved

0:54:03.000 --> 0:54:04.160
<v Speaker 5>on Monday, Scooba.

0:54:04.239 --> 0:54:04.640
<v Speaker 6>How does the.

0:54:04.640 --> 0:54:05.279
<v Speaker 5>Dumbest thing ever?

0:54:05.320 --> 0:54:05.400
<v Speaker 4>Do?

0:54:05.440 --> 0:54:06.040
<v Speaker 7>I get it?

0:54:05.920 --> 0:54:08.759
<v Speaker 11>It is kind of stupid and discussing trash the round,

0:54:08.800 --> 0:54:10.919
<v Speaker 11>But to spend it like three or four days talking

0:54:10.960 --> 0:54:12.960
<v Speaker 11>about this, like what else we got going on?

0:54:13.160 --> 0:54:16.920
<v Speaker 6>A lot? Actually exactly, I'll think about this. I'll take

0:54:16.920 --> 0:54:20.760
<v Speaker 6>this to the court of my brain blast off, Morgan.

0:54:20.800 --> 0:54:22.239
<v Speaker 4>I would like to say that the thing that I

0:54:22.239 --> 0:54:23.720
<v Speaker 4>thought it was is kind.

0:54:23.560 --> 0:54:24.239
<v Speaker 2>Of a bigger deal.

0:54:24.320 --> 0:54:25.600
<v Speaker 6>Can you text it? What or said to me?

0:54:25.880 --> 0:54:26.880
<v Speaker 2>Yeah?

0:54:27.120 --> 0:54:29.120
<v Speaker 9>Oh wait, wait we'll see. Hey, should we wait five

0:54:29.200 --> 0:54:29.560
<v Speaker 9>days for this?

0:54:30.080 --> 0:54:31.560
<v Speaker 6>May put it out and put everybody on blast.

0:54:32.080 --> 0:54:33.000
<v Speaker 9>Get a countdown.

0:54:33.560 --> 0:54:36.239
<v Speaker 5>Wow, I mean it's pretty gross. Is a human being

0:54:36.360 --> 0:54:38.759
<v Speaker 5>like human to human? And we get what it's pretty bad?

0:54:38.960 --> 0:54:41.200
<v Speaker 11>And the cops said the world will be off better

0:54:41.280 --> 0:54:41.680
<v Speaker 11>without me.

0:54:42.160 --> 0:54:43.320
<v Speaker 5>I guess you don't like litters.

0:54:43.480 --> 0:54:46.680
<v Speaker 13>I feel like lunchbox may be told the police officer

0:54:46.719 --> 0:54:47.479
<v Speaker 13>you were doing something.

0:54:47.760 --> 0:54:48.680
<v Speaker 9>I murdered someone.

0:54:49.160 --> 0:54:50.360
<v Speaker 6>Morgan's has to do with theft?

0:54:51.120 --> 0:54:53.279
<v Speaker 5>Oh what here?

0:54:54.080 --> 0:54:54.279
<v Speaker 6>Yeah?

0:54:54.480 --> 0:54:56.480
<v Speaker 9>Hey, that's like the real one that.

0:54:56.760 --> 0:54:59.160
<v Speaker 4>I thought it was, like the actual legit cops situation,

0:54:59.600 --> 0:55:00.880
<v Speaker 4>Morgan's legit theft.

0:55:01.520 --> 0:55:02.719
<v Speaker 5>No, but mine was legit too.

0:55:02.760 --> 0:55:05.680
<v Speaker 6>Guys, you're a lotty dumpty on the most minor scale ever.

0:55:05.840 --> 0:55:06.719
<v Speaker 9>No, really is an egg.

0:55:07.880 --> 0:55:08.279
<v Speaker 6>I'm sorry.

0:55:08.480 --> 0:55:11.000
<v Speaker 5>Ours start throwing in the garage and see how we feel.

0:55:11.120 --> 0:55:12.719
<v Speaker 13>Can can Morgan just say what it is?

0:55:12.840 --> 0:55:14.640
<v Speaker 9>No, we got to wait five days for this.

0:55:14.760 --> 0:55:16.520
<v Speaker 6>Now, I'm not even sure that it's going to be

0:55:16.560 --> 0:55:18.080
<v Speaker 6>on the I need I need to handle some business.

0:55:18.120 --> 0:55:19.560
<v Speaker 9>Oh it could be legal, real legal.

0:55:19.640 --> 0:55:21.239
<v Speaker 6>Yeah, yeah, yeah, I gotta get a call interview on.

0:55:23.520 --> 0:55:27.279
<v Speaker 10>It's the Best Bits of the Week with Morgan Number two.

0:55:29.000 --> 0:55:31.040
<v Speaker 4>Sam Hunt's not by our studio this week, so you're

0:55:31.040 --> 0:55:33.120
<v Speaker 4>about to hear the interview. But the reason I'm putting

0:55:33.200 --> 0:55:35.319
<v Speaker 4>it here is because Raymundo totally geeked out.

0:55:35.360 --> 0:55:37.000
<v Speaker 2>I mean, Sam Hunt is his guy.

0:55:37.400 --> 0:55:41.239
<v Speaker 4>He's been his guy for several years. Like in Raymundo's eyes,

0:55:41.280 --> 0:55:43.600
<v Speaker 4>Sam Hunt can do no wrong. His music is amazing,

0:55:43.960 --> 0:55:48.560
<v Speaker 4>he loves the trends that Sam Hunt specifically sets in outfits.

0:55:48.640 --> 0:55:49.879
<v Speaker 2>There's just a lot of things here.

0:55:50.200 --> 0:55:52.839
<v Speaker 4>So Raymundo got to interview Sam a little bit during

0:55:52.880 --> 0:55:55.640
<v Speaker 4>it and talk about the reasons why he loves Sam

0:55:55.719 --> 0:55:57.880
<v Speaker 4>Hunt so much. And that's why this is coming in

0:55:57.960 --> 0:55:59.920
<v Speaker 4>at the number one spot. Now, after you hear this,

0:56:00.560 --> 0:56:02.000
<v Speaker 4>you may want to hear a little bit more about

0:56:02.080 --> 0:56:05.640
<v Speaker 4>Raymundo's take outside of the whole Sam Hunt situation, and

0:56:05.960 --> 0:56:08.719
<v Speaker 4>if so, I encourage you to go listen to part

0:56:08.719 --> 0:56:10.640
<v Speaker 4>one and part three because we do talk a little

0:56:10.640 --> 0:56:13.400
<v Speaker 4>bit about Sam Hunt in those and just his his

0:56:13.560 --> 0:56:16.839
<v Speaker 4>love for life, and you'll get a crack up at

0:56:16.880 --> 0:56:20.640
<v Speaker 4>those two. Anyways, here's the interview with Sam Hunt and

0:56:20.920 --> 0:56:23.040
<v Speaker 4>a smidge of Raymundo geeking.

0:56:22.800 --> 0:56:25.960
<v Speaker 10>Out number one on the Bobby Bone Show.

0:56:26.680 --> 0:56:28.680
<v Speaker 6>Sam Hunt, Hey Sam, good to hear it.

0:56:28.680 --> 0:56:29.399
<v Speaker 9>Good to see you, Boddy.

0:56:29.560 --> 0:56:32.160
<v Speaker 6>The microphone is on your in your chair over there,

0:56:33.440 --> 0:56:36.719
<v Speaker 6>and you should be able to hear Ray mess up

0:56:37.280 --> 0:56:40.319
<v Speaker 6>a few times. You got Ray you Yeah, I've got

0:56:40.400 --> 0:56:42.879
<v Speaker 6>to see you, Maneah, were real good. I was pumped

0:56:42.880 --> 0:56:46.239
<v Speaker 6>because I saw your tour and we were talking with

0:56:46.440 --> 0:56:50.439
<v Speaker 6>your old football coach and this this is a whole

0:56:50.440 --> 0:56:53.160
<v Speaker 6>situation where we're talking to ty Hilton. Yeah, yeah, so

0:56:54.120 --> 0:56:56.080
<v Speaker 6>why we're told we were up a westerkon Tucky working

0:56:56.080 --> 0:56:58.439
<v Speaker 6>out with the team. So he's the head coach there now.

0:56:58.920 --> 0:57:02.040
<v Speaker 6>And he said, was he your quarterbacks coach? The offensive coordinator?

0:57:02.120 --> 0:57:02.480
<v Speaker 6>What was he?

0:57:02.560 --> 0:57:05.399
<v Speaker 14>Yeah, he was, he was the quarterbacks coach and then

0:57:05.760 --> 0:57:08.920
<v Speaker 14>also helped out with the offense. So his his dad,

0:57:10.360 --> 0:57:13.320
<v Speaker 14>it's a long time legendary coach coach there at UiB

0:57:13.400 --> 0:57:16.760
<v Speaker 14>when I was there, and then Tyson, his son was

0:57:17.960 --> 0:57:20.200
<v Speaker 14>it was the quarterback coach. Yeah, so he was, and

0:57:20.240 --> 0:57:22.160
<v Speaker 14>he was not that much older. He was, he was

0:57:22.240 --> 0:57:24.200
<v Speaker 14>older than us, but he was fairly younger.

0:57:24.320 --> 0:57:26.280
<v Speaker 6>Yeah, no, yeah, I mean so we're hanging out and

0:57:26.320 --> 0:57:28.000
<v Speaker 6>he said, he said, hey, you ever talked to Sam?

0:57:28.000 --> 0:57:30.840
<v Speaker 6>I said, yeah, sometime. So Tyson's the Hilltoppers head coach

0:57:30.880 --> 0:57:33.040
<v Speaker 6>now and is he the head coach? Yeah? Oh wow,

0:57:33.240 --> 0:57:35.720
<v Speaker 6>yeah he's crushing And he said, uh, tell him I

0:57:35.720 --> 0:57:38.480
<v Speaker 6>sew what up? And give him my number? And I

0:57:38.560 --> 0:57:41.360
<v Speaker 6>was like, I don't I don't really know how to

0:57:41.360 --> 0:57:45.280
<v Speaker 6>handle this right now, but he sent along his regards.

0:57:45.320 --> 0:57:46.800
<v Speaker 16>Would you still I'd like to I'd like to get

0:57:46.800 --> 0:57:47.600
<v Speaker 16>you get his numbers?

0:57:47.600 --> 0:57:50.240
<v Speaker 6>Oh, we got it in the good We can give

0:57:50.240 --> 0:57:51.560
<v Speaker 6>you a number that because I was like, I don't know,

0:57:51.560 --> 0:57:53.960
<v Speaker 6>I'm don't Sam, you want to know it's You're good? Yeah,

0:57:54.160 --> 0:57:56.240
<v Speaker 6>absolutely cool, good night. Yeah.

0:57:56.280 --> 0:57:57.960
<v Speaker 14>We stayed in touch for a long time and then

0:57:58.040 --> 0:58:00.320
<v Speaker 14>after life got crazy, went you know, several year actually

0:58:00.320 --> 0:58:03.080
<v Speaker 14>moving to Nashville. I just I've not talked to a

0:58:03.120 --> 0:58:04.120
<v Speaker 14>lot of folks that from.

0:58:03.960 --> 0:58:04.680
<v Speaker 16>My past life.

0:58:05.040 --> 0:58:06.360
<v Speaker 13>You have to change your number.

0:58:06.680 --> 0:58:08.000
<v Speaker 16>I have a couple of times.

0:58:08.200 --> 0:58:10.680
<v Speaker 6>Because people like I don't know Stalker's Ray, I mean

0:58:10.720 --> 0:58:13.600
<v Speaker 6>any like people like that. No, No, I don't remember.

0:58:13.680 --> 0:58:16.720
<v Speaker 14>I changed Actually I had the same number until about

0:58:16.760 --> 0:58:18.960
<v Speaker 14>five years ago, and I've changed it twice since then.

0:58:19.600 --> 0:58:24.120
<v Speaker 14>And and let's get it. I get overwhelmed a little

0:58:24.120 --> 0:58:26.680
<v Speaker 14>bit with times. Would you regular one number to everybody?

0:58:26.920 --> 0:58:29.920
<v Speaker 6>Just give you his number or give him your number.

0:58:29.680 --> 0:58:31.720
<v Speaker 16>Either one. I'll take it. I'll take his number from me.

0:58:32.440 --> 0:58:34.120
<v Speaker 13>He's talking about how he's like, I just tend to

0:58:34.120 --> 0:58:35.520
<v Speaker 13>give my number out to anybody, and then.

0:58:35.400 --> 0:58:36.120
<v Speaker 5>I can fround.

0:58:39.000 --> 0:58:41.400
<v Speaker 14>So I have a little guilt for unanswered text messages.

0:58:41.400 --> 0:58:44.000
<v Speaker 14>And I am bad with text messages, and then so

0:58:44.200 --> 0:58:45.400
<v Speaker 14>that guilt sort of weighs on me.

0:58:45.440 --> 0:58:47.520
<v Speaker 6>And anyway, you give the red dots like lots of

0:58:47.520 --> 0:58:49.200
<v Speaker 6>red dots, are you that guy? Or do you clear

0:58:49.200 --> 0:58:49.760
<v Speaker 6>them all off?

0:58:50.080 --> 0:58:51.320
<v Speaker 16>No, they're They're in there.

0:58:52.120 --> 0:58:54.560
<v Speaker 6>So you don't even open them. So your guilt is

0:58:54.560 --> 0:58:57.080
<v Speaker 6>not that you open them and then don't respond or

0:58:57.080 --> 0:58:59.160
<v Speaker 6>forget to respond. It is that you just never opened them. No,

0:58:59.240 --> 0:59:00.280
<v Speaker 6>I open a lot of times.

0:59:00.280 --> 0:59:02.919
<v Speaker 14>It'll be I'll see them while I'm driving, or I'll

0:59:02.920 --> 0:59:05.959
<v Speaker 14>be in the middle of a writing session, or I'll

0:59:05.960 --> 0:59:08.080
<v Speaker 14>be in the studio and I'll see the text come

0:59:08.120 --> 0:59:10.320
<v Speaker 14>in and I look at it and I'm like, Okay,

0:59:10.800 --> 0:59:12.680
<v Speaker 14>I think to myself, you know, I'll get back back

0:59:12.720 --> 0:59:14.440
<v Speaker 14>to yeah, and then it just adds.

0:59:14.280 --> 0:59:16.080
<v Speaker 6>Up my problem is if people text me at like

0:59:16.080 --> 0:59:18.600
<v Speaker 6>ten thirty PM, even nine thirty if I'm asleep, because

0:59:18.600 --> 0:59:21.320
<v Speaker 6>if a wake up early on the weekdays, I'll see

0:59:21.360 --> 0:59:23.200
<v Speaker 6>it at three thirty and I'm like, I can't reply

0:59:23.280 --> 0:59:25.959
<v Speaker 6>now because I'll wake them up. And then I don't

0:59:25.960 --> 0:59:28.960
<v Speaker 6>even think back about it at eleven because I've already

0:59:28.960 --> 0:59:29.560
<v Speaker 6>moved past it.

0:59:29.800 --> 0:59:32.440
<v Speaker 14>I know, and I'm sort of add So if I'm

0:59:32.480 --> 0:59:35.160
<v Speaker 14>in a frame of mind or in a state of mind,

0:59:35.200 --> 0:59:39.160
<v Speaker 14>I've got some focus going. If I entertain a conversation

0:59:39.240 --> 0:59:42.520
<v Speaker 14>that is about something completely different than whatever I was

0:59:42.560 --> 0:59:44.360
<v Speaker 14>thinking about, is gone and now I'm in the world

0:59:44.360 --> 0:59:46.080
<v Speaker 14>of this text message conversation.

0:59:46.200 --> 0:59:47.800
<v Speaker 6>So do you think you can write a song about

0:59:47.800 --> 0:59:48.960
<v Speaker 6>anything and it'd be good?

0:59:49.320 --> 0:59:49.760
<v Speaker 7>No?

0:59:49.760 --> 0:59:50.840
<v Speaker 16>No, definitely not. I have.

0:59:51.280 --> 0:59:52.960
<v Speaker 14>That's why it's so hard for me to put out music,

0:59:52.960 --> 0:59:56.440
<v Speaker 14>because there's only I feel like, my uh, the sweet

0:59:56.440 --> 0:59:58.840
<v Speaker 14>spot for what I can write about or what would

0:59:58.840 --> 1:00:02.640
<v Speaker 14>work for me is so small that a lot of

1:00:02.640 --> 1:00:04.919
<v Speaker 14>ideas come along that I'll just I'll pass on them

1:00:05.240 --> 1:00:06.720
<v Speaker 14>or think, you know, that's just not a good idea

1:00:06.720 --> 1:00:10.440
<v Speaker 14>for me. But oh, there's probably plenty of guys in

1:00:10.520 --> 1:00:13.680
<v Speaker 14>Nashville who could write those ideas and they end up

1:00:13.720 --> 1:00:14.400
<v Speaker 14>great songs.

1:00:14.720 --> 1:00:18.200
<v Speaker 6>The legacy of Sam Hunt the writer is that you

1:00:18.320 --> 1:00:22.760
<v Speaker 6>are much more of a perfectionist or someone who needs

1:00:22.760 --> 1:00:25.960
<v Speaker 6>to sit with it a lot longer than the average

1:00:25.960 --> 1:00:27.440
<v Speaker 6>songwriter would. You said, there's truth to that.

1:00:27.840 --> 1:00:30.480
<v Speaker 14>Yeah, I think I got that reputation during about a

1:00:30.520 --> 1:00:35.520
<v Speaker 14>three year period where I was probably overthinking. And you know,

1:00:35.520 --> 1:00:38.480
<v Speaker 14>I wrote my first album and had some success with it,

1:00:39.040 --> 1:00:41.680
<v Speaker 14>and then I should have been writing while I was

1:00:41.680 --> 1:00:43.160
<v Speaker 14>on the road, but I was touring for two years

1:00:43.160 --> 1:00:44.960
<v Speaker 14>not writing at all. So when I went back in

1:00:45.000 --> 1:00:47.000
<v Speaker 14>to write, I was trying to figure out exactly what

1:00:47.120 --> 1:00:50.600
<v Speaker 14>I had done on the first album that was made

1:00:50.640 --> 1:00:53.520
<v Speaker 14>it successful, And so I think I started overthinking that

1:00:53.600 --> 1:00:56.840
<v Speaker 14>and trying to get a little too formulaic and breaking

1:00:56.840 --> 1:00:59.760
<v Speaker 14>everything down into this sort of math problem you had.

1:00:59.640 --> 1:01:00.640
<v Speaker 16>A little bit, Yeah, I think.

1:01:00.680 --> 1:01:02.440
<v Speaker 6>So are you still in that spot where you need

1:01:02.480 --> 1:01:04.360
<v Speaker 6>to live with it for days and days and days.

1:01:04.440 --> 1:01:05.840
<v Speaker 16>No, I've stepped back away from that.

1:01:05.920 --> 1:01:10.640
<v Speaker 14>I've I tend to just move forward now, which is

1:01:10.920 --> 1:01:13.840
<v Speaker 14>the approach of most songwriters who I write with. It's

1:01:13.920 --> 1:01:16.920
<v Speaker 14>just just keep going and get the song written, and

1:01:17.280 --> 1:01:20.320
<v Speaker 14>that tends to be more productive if you zoom out

1:01:20.360 --> 1:01:22.160
<v Speaker 14>and look at it long term.

1:01:22.360 --> 1:01:23.800
<v Speaker 6>Body like a back road one of those you took

1:01:23.800 --> 1:01:25.000
<v Speaker 6>a long time and kept rewriting.

1:01:25.160 --> 1:01:28.880
<v Speaker 14>Yeah, yeah, it's funny to like the silliest song I have.

1:01:29.080 --> 1:01:32.600
<v Speaker 6>But sure it's silly and that, but still you had

1:01:32.600 --> 1:01:34.440
<v Speaker 6>to find the exactly that song's got to make you

1:01:34.480 --> 1:01:36.400
<v Speaker 6>feel are envisioned certain things.

1:01:36.400 --> 1:01:38.040
<v Speaker 14>That was the problem was there was so many ways

1:01:38.080 --> 1:01:39.840
<v Speaker 14>to miss and then that was one where if if

1:01:39.840 --> 1:01:41.439
<v Speaker 14>I missed by an inch, I'd missed by a mile.

1:01:41.600 --> 1:01:45.680
<v Speaker 14>And so it was a delicate tightrope walk and so

1:01:45.760 --> 1:01:48.400
<v Speaker 14>I had to get it just right.

1:01:48.480 --> 1:01:49.920
<v Speaker 6>So did you feel like it was just writer? Did

1:01:49.920 --> 1:01:51.560
<v Speaker 6>you go I can't hold onto this any longer? A

1:01:51.600 --> 1:01:52.240
<v Speaker 6>little bit of both.

1:01:52.320 --> 1:01:56.480
<v Speaker 14>Yeah, I finally got I just I didn't want to

1:01:56.480 --> 1:01:58.880
<v Speaker 14>have any lines or sections that were that didn't match

1:01:58.920 --> 1:02:00.880
<v Speaker 14>the rest of the song and feel like the same character.

1:02:01.200 --> 1:02:03.479
<v Speaker 14>But I also feel like it just came out because

1:02:03.520 --> 1:02:05.000
<v Speaker 14>if I wanted to feel like it just came off

1:02:05.000 --> 1:02:06.760
<v Speaker 14>the top of the head, top of my head. But

1:02:07.680 --> 1:02:10.000
<v Speaker 14>it took more thought and effort to get it to

1:02:10.080 --> 1:02:11.080
<v Speaker 14>make it feel like that.

1:02:11.400 --> 1:02:12.640
<v Speaker 16>It kept feeling overwritten.

1:02:12.760 --> 1:02:15.440
<v Speaker 14>Every every line early on was like a reference to

1:02:15.480 --> 1:02:18.240
<v Speaker 14>the back road and it was like just felt overwritten

1:02:18.320 --> 1:02:19.000
<v Speaker 14>and too cute.

1:02:19.040 --> 1:02:22.360
<v Speaker 16>So I had to find that sweet spot. It took

1:02:22.360 --> 1:02:22.880
<v Speaker 16>a little while.

1:02:23.040 --> 1:02:25.760
<v Speaker 6>If I especially when I've written books, but or even

1:02:25.800 --> 1:02:27.920
<v Speaker 6>a joke, if I live in it so long, I

1:02:28.000 --> 1:02:30.440
<v Speaker 6>lose whatever I thought was good about it, Like I

1:02:30.480 --> 1:02:32.560
<v Speaker 6>can't identify it anymore. Like if I'm writting a joke

1:02:32.560 --> 1:02:33.800
<v Speaker 6>and I'm like, man, don't even know if this is funny,

1:02:33.800 --> 1:02:35.959
<v Speaker 6>and because I've just been inside of it so long,

1:02:36.120 --> 1:02:37.800
<v Speaker 6>or the book too, I'm like, I hate it because

1:02:37.800 --> 1:02:39.680
<v Speaker 6>I don't do you do that with songs where you're

1:02:39.720 --> 1:02:41.760
<v Speaker 6>in it so much you can't even identify what was

1:02:42.040 --> 1:02:42.880
<v Speaker 6>good to you at first.

1:02:43.040 --> 1:02:46.320
<v Speaker 14>Yeah, And that's the argument against taking too much time

1:02:46.400 --> 1:02:51.840
<v Speaker 14>with something and trying to over or we're just overthinking it,

1:02:51.880 --> 1:02:54.800
<v Speaker 14>is that there will come a point where you can't

1:02:54.800 --> 1:02:57.400
<v Speaker 14>see it anymore and you just you lose perspective. And

1:02:58.520 --> 1:03:02.439
<v Speaker 14>so that initial burst of inspiration, it's almost better, I think,

1:03:02.480 --> 1:03:06.560
<v Speaker 14>to try to mind that for all you can early on,

1:03:06.600 --> 1:03:08.400
<v Speaker 14>while you've got that why you can really see it

1:03:08.440 --> 1:03:10.520
<v Speaker 14>and instead of sleeping on it and coming back to

1:03:10.560 --> 1:03:11.120
<v Speaker 14>it weeks.

1:03:10.960 --> 1:03:13.520
<v Speaker 6>Later locked up tour, You guys get tickets at Sam

1:03:13.600 --> 1:03:17.640
<v Speaker 6>Hunt dot Com, Russell Dickerson, George Burgh on the Canadian Run,

1:03:17.680 --> 1:03:19.560
<v Speaker 6>which we're in a bunch of Canadian places too, shout

1:03:19.560 --> 1:03:23.760
<v Speaker 6>out Dalton Dover kicks off June twenty eighth, and it's

1:03:23.800 --> 1:03:25.320
<v Speaker 6>in you know, a lot of cities. The shows in

1:03:25.600 --> 1:03:27.880
<v Speaker 6>June twenty eighth and bend ore Agan you're up doing

1:03:28.320 --> 1:03:31.040
<v Speaker 6>that northwest, coming all the way through. I guess my

1:03:31.120 --> 1:03:33.680
<v Speaker 6>question is I wouldn't watch John Mayor's acoustic tour, which

1:03:33.680 --> 1:03:35.680
<v Speaker 6>I'm a big John marrafan, Like, that's like the first

1:03:35.680 --> 1:03:38.160
<v Speaker 6>songwriter I ever heard speak for me, just to me,

1:03:38.240 --> 1:03:40.400
<v Speaker 6>but for me, I'm like, oh, you see a good comedian.

1:03:40.440 --> 1:03:41.560
<v Speaker 6>You're like, oh, I thought that. I just didn't think

1:03:41.600 --> 1:03:43.800
<v Speaker 6>of it like that. He was the first person that

1:03:43.840 --> 1:03:45.560
<v Speaker 6>I ever heard write a song, and I was like, oh,

1:03:45.640 --> 1:03:47.240
<v Speaker 6>I've always thought that, I just know how to say it.

1:03:47.440 --> 1:03:50.960
<v Speaker 14>His lyrics are really thoughtful and guys like that or

1:03:51.000 --> 1:03:52.560
<v Speaker 14>who those are the guys that make.

1:03:52.800 --> 1:03:54.040
<v Speaker 16>Me overthink lyrics?

1:03:54.120 --> 1:03:56.160
<v Speaker 14>Is there's a bar there that those some of the

1:03:56.240 --> 1:03:59.280
<v Speaker 14>guys like that set and you always feel like you're not.

1:03:59.600 --> 1:04:01.240
<v Speaker 6>You're not People do that to you too in the

1:04:01.240 --> 1:04:03.400
<v Speaker 6>same way, right, they're like, well, Sam's the bar because

1:04:03.400 --> 1:04:05.160
<v Speaker 6>he will spend all this time getting it perfect. We

1:04:05.200 --> 1:04:07.760
<v Speaker 6>all have a bar, and we're all somebody else's bar too,

1:04:08.320 --> 1:04:09.800
<v Speaker 6>and it's just not to be driven crazy by the

1:04:09.840 --> 1:04:10.360
<v Speaker 6>freaking bar.

1:04:10.560 --> 1:04:12.720
<v Speaker 14>Yeah right, and we all value it subjected when we

1:04:12.800 --> 1:04:15.160
<v Speaker 14>value different things. Some people some songwriters value they wanted

1:04:15.360 --> 1:04:18.200
<v Speaker 14>from the melody to be fantastic and wanted to feel

1:04:18.280 --> 1:04:22.919
<v Speaker 14>and flow. I've already always been attracted lyrics, and John

1:04:22.960 --> 1:04:24.160
<v Speaker 14>Mayer has some great lyrics.

1:04:24.320 --> 1:04:27.000
<v Speaker 6>He did the Acoustic Torn it was super cool, and

1:04:27.040 --> 1:04:29.040
<v Speaker 6>I wondered, but I'm a massive fan, like what it

1:04:29.080 --> 1:04:30.280
<v Speaker 6>was going to be like with him just up there

1:04:30.280 --> 1:04:32.560
<v Speaker 6>with a guitar and really nothing else. I feel like

1:04:32.600 --> 1:04:34.600
<v Speaker 6>that kind of show that would be awesome for you

1:04:34.680 --> 1:04:36.320
<v Speaker 6>to do. Would you ever do that? Just go out

1:04:36.360 --> 1:04:38.600
<v Speaker 6>and go to me and a guitar, let's go.

1:04:39.040 --> 1:04:43.000
<v Speaker 14>Yeah, I've thought about that. He's a fantastic guitar player.

1:04:43.000 --> 1:04:44.320
<v Speaker 14>I don't know if I could carry a show with

1:04:44.440 --> 1:04:47.240
<v Speaker 14>just me, but if I had a couple partners with

1:04:47.280 --> 1:04:50.640
<v Speaker 14>me to play, maybe a trio or something that could

1:04:50.720 --> 1:04:52.400
<v Speaker 14>work potentially.

1:04:52.440 --> 1:04:53.000
<v Speaker 16>I thought about that.

1:04:53.080 --> 1:04:57.760
<v Speaker 14>Yeah, like doing theaters, maybe throwing some old covers.

1:04:58.280 --> 1:05:02.680
<v Speaker 6>Are people surprised because if they just have heard a

1:05:02.720 --> 1:05:04.080
<v Speaker 6>few songs on the radio. Let's say they're not a

1:05:04.120 --> 1:05:06.160
<v Speaker 6>massive sand Hunt fan or even a massive country music fan,

1:05:06.160 --> 1:05:09.400
<v Speaker 6>but they're just a casual of both or either. Are

1:05:09.400 --> 1:05:13.240
<v Speaker 6>they sometimes surprised at like how country you actually are?

1:05:13.720 --> 1:05:16.240
<v Speaker 6>Because you are? I mean you're literally like you grew

1:05:16.320 --> 1:05:18.240
<v Speaker 6>up in it. Give you a guitar, you can play

1:05:18.280 --> 1:05:20.600
<v Speaker 6>it all. Do you find people like, oh, you actually

1:05:20.600 --> 1:05:21.360
<v Speaker 6>are that dude?

1:05:21.640 --> 1:05:22.640
<v Speaker 16>Yeah? I think.

1:05:24.480 --> 1:05:27.240
<v Speaker 14>It comes out, I guess, And if people are surprised,

1:05:27.280 --> 1:05:29.440
<v Speaker 14>I think people have preconceived notions.

1:05:30.640 --> 1:05:31.800
<v Speaker 16>I think about it sometimes.

1:05:32.000 --> 1:05:35.680
<v Speaker 14>I guess I grew up country, but I grew up

1:05:35.800 --> 1:05:39.960
<v Speaker 14>Southern country, and there's so many shades of country.

1:05:40.000 --> 1:05:41.800
<v Speaker 6>In the South. It's classic rock, which is a big

1:05:41.800 --> 1:05:44.240
<v Speaker 6>part of country. Yeah, and in the South to hip

1:05:44.240 --> 1:05:47.000
<v Speaker 6>hop's a massive I mean even for me in Arkansas,

1:05:47.040 --> 1:05:49.960
<v Speaker 6>well hit streaming music though right like the generation above us,

1:05:50.520 --> 1:05:53.320
<v Speaker 6>they only could get it at stores and so regionally

1:05:53.360 --> 1:05:56.360
<v Speaker 6>there would only be a dominant amount of whatever was big.

1:05:56.680 --> 1:05:59.560
<v Speaker 6>But like you're seeing folks now that are in their

1:06:00.160 --> 1:06:03.440
<v Speaker 6>mid thirties, late thirties, early forties who had the opportunity

1:06:03.480 --> 1:06:06.560
<v Speaker 6>to be influence and affected by everything. Yeah, and that's

1:06:06.600 --> 1:06:08.320
<v Speaker 6>a bit of what I feel like at times your

1:06:08.400 --> 1:06:10.120
<v Speaker 6>music isn't in the greatest way. But I think sometimes

1:06:10.160 --> 1:06:12.120
<v Speaker 6>people are like Sam h like it's really country and

1:06:12.120 --> 1:06:12.920
<v Speaker 6>they're surprised by it.

1:06:14.120 --> 1:06:16.840
<v Speaker 14>I told you, Yeah, I just I never there's so

1:06:16.960 --> 1:06:20.680
<v Speaker 14>many themes that in country that we push really really hard,

1:06:21.240 --> 1:06:25.959
<v Speaker 14>and the country boy lifestyle like that gets pushed really hard,

1:06:25.960 --> 1:06:28.800
<v Speaker 14>and it's it's almost sometimes feels like it's a signal

1:06:29.040 --> 1:06:30.880
<v Speaker 14>to that group to say, hey, I am one of you.

1:06:30.920 --> 1:06:33.120
<v Speaker 16>I am one of you, and it feels pandery and.

1:06:33.080 --> 1:06:37.000
<v Speaker 6>Like like they check certain artists. It's very pandury. Yeah,

1:06:37.040 --> 1:06:37.880
<v Speaker 6>there's an element of that.

1:06:37.920 --> 1:06:41.080
<v Speaker 14>So I've always been I guess tried to avoid that

1:06:41.120 --> 1:06:42.840
<v Speaker 14>and probably going a little too far out of my

1:06:42.880 --> 1:06:43.600
<v Speaker 14>way to avoid it.

1:06:44.400 --> 1:06:47.440
<v Speaker 6>The new EP that just came out, so four songs.

1:06:47.480 --> 1:06:49.200
<v Speaker 6>Alt Skirts is on it, which we're gonna play coming

1:06:49.240 --> 1:06:51.080
<v Speaker 6>up in just a second, but the other three songs

1:06:51.480 --> 1:06:54.840
<v Speaker 6>locked up. Yeah, like a really personal song. It's gonna

1:06:54.840 --> 1:06:57.120
<v Speaker 6>be the people you really trust. We set that aside

1:06:57.160 --> 1:07:00.360
<v Speaker 6>for when you're gonna be with people like Shane mcinally. Yeah.

1:07:00.520 --> 1:07:04.560
<v Speaker 14>Look, essentially I love branching out and right when you folks.

1:07:04.600 --> 1:07:08.960
<v Speaker 14>But for the most part, because of that relationships. You

1:07:09.000 --> 1:07:12.920
<v Speaker 14>just can't replace a ten year relationship overnight. So for

1:07:12.960 --> 1:07:14.640
<v Speaker 14>the most part, I still just write with the two

1:07:14.720 --> 1:07:17.800
<v Speaker 14>or two or three folks, and luckily we have that

1:07:17.840 --> 1:07:20.280
<v Speaker 14>long term relationship and we've talked about everything under the sun.

1:07:20.560 --> 1:07:22.480
<v Speaker 6>Yeah, I'd be worried, like to get too personal with

1:07:22.480 --> 1:07:24.480
<v Speaker 6>somebody I don't really know, because like, what are they

1:07:24.520 --> 1:07:26.720
<v Speaker 6>going to take out and tell their buddies? Yeah right,

1:07:26.880 --> 1:07:31.240
<v Speaker 6>Like that's what right? And it just not like hippa, No,

1:07:31.360 --> 1:07:34.920
<v Speaker 6>there's not, So there should be, absolutely should be. We

1:07:34.960 --> 1:07:36.160
<v Speaker 6>talked about a body like a Backer.

1:07:36.200 --> 1:07:37.680
<v Speaker 14>One of the things I learned from that song is

1:07:37.720 --> 1:07:39.320
<v Speaker 14>that there are people out there that just want to

1:07:39.320 --> 1:07:42.920
<v Speaker 14>hear a lighthearted, easy going song. It's easy to sing too,

1:07:42.960 --> 1:07:46.880
<v Speaker 14>and that puts a smile on their face. So I've

1:07:46.960 --> 1:07:49.640
<v Speaker 14>leaned into that since then, and this is one of

1:07:49.640 --> 1:07:54.080
<v Speaker 14>those songs that that I don't know that fits that Bill.

1:07:54.280 --> 1:07:56.160
<v Speaker 6>Funny, we talked about John Mayra, but he was in

1:07:56.600 --> 1:07:58.320
<v Speaker 6>and him and I talked for like half an hour

1:07:58.720 --> 1:08:00.600
<v Speaker 6>and we were talking about songs that are like that,

1:08:00.680 --> 1:08:02.320
<v Speaker 6>and he's like, you know, the songs that people mostly

1:08:02.320 --> 1:08:03.840
<v Speaker 6>connect with are not the ones I spent the most

1:08:03.880 --> 1:08:05.480
<v Speaker 6>time on. He was talking about waiting on the world

1:08:05.480 --> 1:08:07.480
<v Speaker 6>to change, and it was like that song feels like

1:08:07.680 --> 1:08:10.920
<v Speaker 6>I just wrote it and was like generic, yeah, and

1:08:10.920 --> 1:08:12.840
<v Speaker 6>he goes, but that's the one that people most connect with.

1:08:12.960 --> 1:08:15.160
<v Speaker 6>And at times, as he said, there's sometimes you can

1:08:15.160 --> 1:08:17.759
<v Speaker 6>get your head so much about creating something that is

1:08:17.880 --> 1:08:20.759
<v Speaker 6>so revolutionary that then nobody relates to exactly.

1:08:20.840 --> 1:08:21.320
<v Speaker 16>Yeah.

1:08:21.520 --> 1:08:25.240
<v Speaker 14>Yeah, that that desire to validate yourself as an artist is,

1:08:25.360 --> 1:08:28.400
<v Speaker 14>I think is in anybody who does anything creative, and.

1:08:29.760 --> 1:08:31.200
<v Speaker 16>But that's just that's ego.

1:08:31.479 --> 1:08:34.640
<v Speaker 14>And once you feel that in a song and it

1:08:34.680 --> 1:08:38.000
<v Speaker 14>feels trying, it can be you know, it's not lost

1:08:38.040 --> 1:08:43.240
<v Speaker 14>on the listeners. So hopefully, you know, I'm capable of

1:08:43.240 --> 1:08:45.360
<v Speaker 14>writing some of the songs at times when they come

1:08:45.400 --> 1:08:48.080
<v Speaker 14>out and naturally that they can be what they're supposed

1:08:48.120 --> 1:08:51.080
<v Speaker 14>to be. But I think I took for granted songs

1:08:51.120 --> 1:08:55.000
<v Speaker 14>like lighthearted songs that are just that are families and

1:08:55.040 --> 1:08:57.000
<v Speaker 14>you know, I see we have a lot of kids

1:08:57.000 --> 1:09:00.759
<v Speaker 14>at our shows now, which is interesting, and they're songs

1:09:00.800 --> 1:09:03.880
<v Speaker 14>like this. You know that my brother can put on

1:09:03.960 --> 1:09:06.200
<v Speaker 14>in the car with all his with all his kids,

1:09:06.200 --> 1:09:08.120
<v Speaker 14>and they can all sing along to it, so there's

1:09:08.120 --> 1:09:09.240
<v Speaker 14>something to be said for that too.

1:09:09.680 --> 1:09:11.040
<v Speaker 6>I got a song I'm just looking for the right

1:09:11.080 --> 1:09:13.400
<v Speaker 6>person to write it with. It's called rural plural murals.

1:09:14.120 --> 1:09:17.400
<v Speaker 6>It's the hardest thing along ever and uh, nobody really

1:09:17.479 --> 1:09:21.080
<v Speaker 6>has the ability or the They really don't have the

1:09:21.120 --> 1:09:22.760
<v Speaker 6>guts to write it with me, have they yet, Eddie?

1:09:22.800 --> 1:09:23.719
<v Speaker 9>That's it the guts.

1:09:23.760 --> 1:09:25.840
<v Speaker 6>So what I wanted to write was the hardest ever.

1:09:25.880 --> 1:09:29.280
<v Speaker 6>It's about driving in the country, real plural murals, murals,

1:09:29.400 --> 1:09:31.920
<v Speaker 6>ploral rural murals, whichever won. But it's like multiple murals

1:09:31.920 --> 1:09:33.559
<v Speaker 6>in a rural city and all of a sudden you're

1:09:33.560 --> 1:09:36.080
<v Speaker 6>just affected. You're like, all right, you singing rural plural

1:09:36.160 --> 1:09:39.120
<v Speaker 6>you know anybody gets so, you know, I don't know

1:09:39.160 --> 1:09:41.000
<v Speaker 6>if that's just think about it, just to keep that

1:09:41.040 --> 1:09:43.080
<v Speaker 6>on the back song for you. Yeah, but I mean,

1:09:43.120 --> 1:09:44.599
<v Speaker 6>but you're you know, you're a great song Alight've written

1:09:44.600 --> 1:09:46.519
<v Speaker 6>for other people. So if something like comes to you,

1:09:46.560 --> 1:09:49.599
<v Speaker 6>like a good melody for rural plural murals, yeah, I'll

1:09:49.640 --> 1:09:51.439
<v Speaker 6>think on that. Yeah, let me because that's one of those,

1:09:51.680 --> 1:09:53.240
<v Speaker 6>you know, that's one of those next level ones. I

1:09:53.240 --> 1:09:54.800
<v Speaker 6>can't tell if it's got a ring to it or

1:09:55.080 --> 1:09:57.599
<v Speaker 6>or the opposite both at the same time. That's it's

1:09:57.640 --> 1:10:00.160
<v Speaker 6>so next level. Yeah, it's so simple with a ring,

1:10:00.280 --> 1:10:02.599
<v Speaker 6>but no ring at all. Take that out of here.

1:10:03.400 --> 1:10:04.320
<v Speaker 16>It's on my mind.

1:10:04.439 --> 1:10:06.760
<v Speaker 6>You announce a tour now, Skirts are doing really well.

1:10:06.920 --> 1:10:08.360
<v Speaker 6>But did you put out the music to go, Hey,

1:10:08.400 --> 1:10:09.840
<v Speaker 6>here's some new stuff you can see if you come

1:10:09.840 --> 1:10:13.200
<v Speaker 6>out and you've seen me one hundred times before. Sorry,

1:10:13.280 --> 1:10:14.680
<v Speaker 6>so you played those live? Or do you put out

1:10:14.680 --> 1:10:16.519
<v Speaker 6>the new music so people can go, oh coo, it's

1:10:16.520 --> 1:10:18.280
<v Speaker 6>put out some new stuff. We'll also get to sim

1:10:18.360 --> 1:10:19.280
<v Speaker 6>do a few new songs.

1:10:19.479 --> 1:10:22.200
<v Speaker 14>Yeah, I mean putting out new music. I try to

1:10:22.439 --> 1:10:23.479
<v Speaker 14>put out as much as I can.

1:10:23.520 --> 1:10:24.960
<v Speaker 6>But you thinking about floral and your roles. When I

1:10:24.960 --> 1:10:26.479
<v Speaker 6>asked you that question, he was already in it. I

1:10:26.479 --> 1:10:28.360
<v Speaker 6>could see he was trying to write a song there

1:10:28.360 --> 1:10:29.719
<v Speaker 6>on his head. Yeah, yeah, go ahead.

1:10:30.000 --> 1:10:33.479
<v Speaker 14>Uh, Well, the biggest thing was putting out I wanted

1:10:33.520 --> 1:10:36.080
<v Speaker 14>to put out a new album, but it probably would

1:10:36.240 --> 1:10:37.840
<v Speaker 14>if I had put out all the songs at once,

1:10:37.880 --> 1:10:40.439
<v Speaker 14>it would be about right now before I had gotten

1:10:40.479 --> 1:10:43.760
<v Speaker 14>them all done and out. So I've been putting this

1:10:43.800 --> 1:10:46.240
<v Speaker 14>album out a little bit at a time, and I

1:10:46.280 --> 1:10:50.720
<v Speaker 14>have the last three songs ready now, so this is

1:10:50.760 --> 1:10:53.400
<v Speaker 14>really me putting out the last bit of what has

1:10:53.439 --> 1:10:56.000
<v Speaker 14>been an album over a year and a half. But

1:10:56.040 --> 1:10:57.920
<v Speaker 14>I didn't want to put out all those songs as

1:10:57.920 --> 1:11:01.519
<v Speaker 14>an album because seven of them have already come out,

1:11:01.680 --> 1:11:04.559
<v Speaker 14>and I feel like my my fan base is already

1:11:04.600 --> 1:11:06.640
<v Speaker 14>sort of rolling their eyes at how little music I

1:11:06.680 --> 1:11:10.320
<v Speaker 14>put out, and to put out songs as an album

1:11:10.960 --> 1:11:13.439
<v Speaker 14>that have already been out just didn't quite feel like

1:11:13.439 --> 1:11:14.559
<v Speaker 14>it would land very well.

1:11:15.240 --> 1:11:17.040
<v Speaker 6>What do you think you can max out bench press?

1:11:17.040 --> 1:11:21.000
<v Speaker 6>Because I know what I can. Oh man, we don't

1:11:21.040 --> 1:11:21.439
<v Speaker 6>do that anymore.

1:11:21.479 --> 1:11:23.920
<v Speaker 14>But probably if I tried it, i'd my shoulders would

1:11:23.920 --> 1:11:25.240
<v Speaker 14>probably both blow out.

1:11:25.320 --> 1:11:26.360
<v Speaker 16>But I don't know.

1:11:26.680 --> 1:11:28.439
<v Speaker 6>So we Sam and I have the same trainer. We

1:11:28.479 --> 1:11:30.960
<v Speaker 6>trained a time right by each other. I mean we're

1:11:31.000 --> 1:11:33.160
<v Speaker 6>the same size on't oginal train together because we probably

1:11:33.160 --> 1:11:35.000
<v Speaker 6>lift the same weights. You know that's true. We should

1:11:35.080 --> 1:11:37.320
<v Speaker 6>yeah by you know what I thought at it? Like

1:11:37.320 --> 1:11:40.559
<v Speaker 6>two sixty yeah about wow, don't worry about me though

1:11:40.560 --> 1:11:42.720
<v Speaker 6>it's only on Instagram. Don't worry about me though.

1:11:42.840 --> 1:11:44.439
<v Speaker 13>Is that like one press?

1:11:44.520 --> 1:11:44.720
<v Speaker 6>Yeah?

1:11:44.760 --> 1:11:45.680
<v Speaker 9>One?

1:11:46.400 --> 1:11:48.520
<v Speaker 6>Like a lot of plates bar has been basically.

1:11:48.120 --> 1:11:50.280
<v Speaker 16>Wow, that's like that's two big plates and what like.

1:11:50.560 --> 1:11:53.519
<v Speaker 6>So many you can't even count it. Yeah, I was

1:11:53.600 --> 1:11:55.960
<v Speaker 6>counting the murals the plural.

1:11:56.040 --> 1:11:58.080
<v Speaker 16>Well, at least Kluge is doing his job. He's got

1:11:58.120 --> 1:11:58.840
<v Speaker 16>you up to six.

1:11:58.880 --> 1:11:59.479
<v Speaker 9>Were you at, Sam?

1:11:59.560 --> 1:12:03.479
<v Speaker 6>Yeah? Were you don't know? That's how you know someone's

1:12:03.560 --> 1:12:05.240
<v Speaker 6>really strong or really good at what they do. They

1:12:05.240 --> 1:12:07.240
<v Speaker 6>don't even need to say. They just like to feel bad.

1:12:07.400 --> 1:12:09.800
<v Speaker 14>I'm afraid to guess, and then I get in there.

1:12:10.360 --> 1:12:13.680
<v Speaker 14>Always overestimate my strength. I don't know where I would be.

1:12:13.960 --> 1:12:17.559
<v Speaker 6>You have any injuries from playing ball that still hurt,

1:12:17.800 --> 1:12:18.519
<v Speaker 6>like when it rains?

1:12:19.240 --> 1:12:22.439
<v Speaker 16>Yeah, I have had two back surgeries in college.

1:12:22.520 --> 1:12:24.040
<v Speaker 6>Still bother you when it gets the weather gets a

1:12:24.040 --> 1:12:25.080
<v Speaker 6>little little funky.

1:12:25.120 --> 1:12:27.120
<v Speaker 16>I mean they kind of bothered me all the time.

1:12:27.160 --> 1:12:30.200
<v Speaker 14>But yeah, certain times, I don't know if it's the

1:12:30.200 --> 1:12:33.599
<v Speaker 14>weather or my you know, trying to do too much

1:12:33.600 --> 1:12:37.479
<v Speaker 14>in the gym. But yeah, I've got to sort that

1:12:37.520 --> 1:12:38.240
<v Speaker 14>out at some point.

1:12:38.600 --> 1:12:42.840
<v Speaker 6>Sam a big fan obviously, Thanks for playing our our

1:12:42.880 --> 1:12:46.400
<v Speaker 6>show for Saint Jude, which I was listening. Super cool.

1:12:46.400 --> 1:12:48.320
<v Speaker 6>Thank you, said, y'all having me again? Yeah, and then

1:12:48.560 --> 1:12:50.920
<v Speaker 6>the tour Sam hunt dot com. All the tickets are

1:12:50.960 --> 1:12:54.679
<v Speaker 6>up there and there are a million places that we're

1:12:54.680 --> 1:12:56.439
<v Speaker 6>on that you can hear us, and I would get

1:12:56.439 --> 1:12:59.200
<v Speaker 6>tickets as fast as you can because I just heard there.

1:12:59.439 --> 1:13:01.559
<v Speaker 6>What's that? Oh, they're almost sold out. They got in

1:13:01.560 --> 1:13:04.200
<v Speaker 6>my ear right now, they're almost what what's that? Some

1:13:04.240 --> 1:13:06.080
<v Speaker 6>of them are sold out for Wednesday night? No, I

1:13:06.120 --> 1:13:12.280
<v Speaker 6>don't know. I'm talking about you happened? What y?

1:13:12.479 --> 1:13:12.639
<v Speaker 8>Yeah?

1:13:13.760 --> 1:13:14.360
<v Speaker 16>My brother's coming.

1:13:14.520 --> 1:13:17.679
<v Speaker 6>In reality, it's actually we're recording this the day before

1:13:17.720 --> 1:13:21.360
<v Speaker 6>the show, but we're acting like it already. Yeah, which,

1:13:21.360 --> 1:13:22.840
<v Speaker 6>by the way, you crushed him in you crushed it

1:13:22.920 --> 1:13:24.799
<v Speaker 6>did great. But I don't know why I started flashing

1:13:24.800 --> 1:13:27.280
<v Speaker 6>that it was weird if you did. Like, so she

1:13:27.320 --> 1:13:30.160
<v Speaker 6>got up at the show Wednesday night, all the dudes

1:13:30.160 --> 1:13:31.160
<v Speaker 6>started flashing us and I.

1:13:31.080 --> 1:13:32.080
<v Speaker 9>Was like, I've never seen that before.

1:13:32.120 --> 1:13:33.759
<v Speaker 6>No, it's weird, saying it's crazy.

1:13:33.760 --> 1:13:40.400
<v Speaker 13>Man if we sum up, but oh boy, Sam show

1:13:40.479 --> 1:13:42.200
<v Speaker 13>in one word for people, like if they're going to

1:13:42.240 --> 1:13:44.120
<v Speaker 13>go see his show, like, what's to raise? One word?

1:13:44.120 --> 1:13:49.200
<v Speaker 6>What's it about? Ray? Uh? Old school meets new? What

1:13:49.439 --> 1:13:51.559
<v Speaker 6>about Sam is awesome?

1:13:51.600 --> 1:13:51.840
<v Speaker 7>To you?

1:13:51.840 --> 1:13:53.000
<v Speaker 6>Did you bring him up a lot?

1:13:53.200 --> 1:13:53.320
<v Speaker 16>Well?

1:13:53.360 --> 1:13:55.080
<v Speaker 15>I told you guys back in the day he started

1:13:55.120 --> 1:13:56.960
<v Speaker 15>the baggy shirt movement. He was one of the first

1:13:57.000 --> 1:13:58.439
<v Speaker 15>people to ever do it where he wore the shirt

1:13:58.479 --> 1:14:00.840
<v Speaker 15>down to his knees, and so I didn't have any

1:14:00.840 --> 1:14:03.120
<v Speaker 15>of those shirts. So I would wear like cut off

1:14:03.120 --> 1:14:06.360
<v Speaker 15>shirts underneath my actual hang shirt so it'd be even longer.

1:14:06.640 --> 1:14:09.120
<v Speaker 15>And my wife, eventually, the girlfriend back then, just said

1:14:09.160 --> 1:14:11.760
<v Speaker 15>stop wearing your shirts. Like Sam Hunt, all that was

1:14:11.800 --> 1:14:12.679
<v Speaker 15>because of a long shirt.

1:14:12.760 --> 1:14:14.519
<v Speaker 6>All this. I mean, he's the one that started it

1:14:14.560 --> 1:14:15.360
<v Speaker 6>across America.

1:14:15.560 --> 1:14:17.800
<v Speaker 15>It was the sham Hunt and then I saw him

1:14:17.800 --> 1:14:19.240
<v Speaker 15>do it, so I started doing it, and then T

1:14:19.400 --> 1:14:21.280
<v Speaker 15>Babe started doing it upstairs, and then it.

1:14:21.320 --> 1:14:24.800
<v Speaker 6>Spread across the country. But I'm saying it's just a shirt.

1:14:25.240 --> 1:14:26.719
<v Speaker 9>It was the shirt. I mean, that was his swag.

1:14:26.800 --> 1:14:28.680
<v Speaker 15>So his clothing and then his music was good as well,

1:14:28.680 --> 1:14:30.760
<v Speaker 15>but he had an aura, Yeah, and you could just

1:14:30.760 --> 1:14:31.759
<v Speaker 15>feel in his shows.

1:14:31.920 --> 1:14:33.760
<v Speaker 6>And like, I wanted to ask you this one quick thing.

1:14:34.000 --> 1:14:35.800
<v Speaker 15>So do you remember the Dave and Busters show, like

1:14:35.840 --> 1:14:38.680
<v Speaker 15>back in twenty fourteen in Nashville. I mean it was

1:14:38.680 --> 1:14:41.160
<v Speaker 15>a venue way too small for you, and dude, there

1:14:41.160 --> 1:14:43.479
<v Speaker 15>were cop cars, there was a security called in.

1:14:43.680 --> 1:14:44.879
<v Speaker 6>Dudes were flipping tables.

1:14:45.240 --> 1:14:47.360
<v Speaker 15>I think that's really where you started to feel how

1:14:47.400 --> 1:14:49.599
<v Speaker 15>big you were, that you were bigger than the venues

1:14:49.640 --> 1:14:50.240
<v Speaker 15>you were playing in.

1:14:50.320 --> 1:14:53.120
<v Speaker 14>Right, Yeah, that's the first time I'd seen any like

1:14:53.320 --> 1:14:56.000
<v Speaker 14>excitement from people about the music. And it was Yeah,

1:14:56.000 --> 1:15:00.080
<v Speaker 14>it was outside the the Dave and Busters and and

1:15:00.200 --> 1:15:02.360
<v Speaker 14>uh that yeah, I think you're right.

1:15:02.400 --> 1:15:04.840
<v Speaker 6>That was because I mean, I hang out at that mall.

1:15:04.880 --> 1:15:06.200
<v Speaker 14>I go to that ma all the time, and so

1:15:06.200 --> 1:15:08.479
<v Speaker 14>I'm standing there all the time, and I'm in that

1:15:08.680 --> 1:15:11.640
<v Speaker 14>same environment and then there are barriers and you know,

1:15:11.760 --> 1:15:13.599
<v Speaker 14>lots of people in the parking lot, and everybody's singing

1:15:13.600 --> 1:15:14.240
<v Speaker 14>along to the song.

1:15:14.360 --> 1:15:17.400
<v Speaker 16>So it was a wild That was a wild moment, dude.

1:15:17.400 --> 1:15:19.120
<v Speaker 6>That's where I got the first taste. And I was like,

1:15:19.120 --> 1:15:20.640
<v Speaker 6>oh my god, don't say you got the first taste here.

1:15:21.200 --> 1:15:22.960
<v Speaker 6>See it was all good, like we felt it. It

1:15:23.000 --> 1:15:25.639
<v Speaker 6>was pretty good, mature. The first taste feels weird.

1:15:25.960 --> 1:15:28.400
<v Speaker 5>First, the best part about that.

1:15:28.560 --> 1:15:30.200
<v Speaker 6>But he's right here, does say first taste?

1:15:30.320 --> 1:15:33.840
<v Speaker 13>Yeah, that time in Ray's life is on Instagram. He

1:15:33.880 --> 1:15:36.240
<v Speaker 13>posts this photo of David Busters, who I was fourteen.

1:15:36.280 --> 1:15:39.320
<v Speaker 13>He's like me and Sam, but it's like Ray in

1:15:39.360 --> 1:15:40.880
<v Speaker 13>the front of the picture and then all these people

1:15:40.920 --> 1:15:42.800
<v Speaker 13>and then Sam is in the very back and he's

1:15:42.840 --> 1:15:45.599
<v Speaker 13>like circling Sam's head and he's like my first photo

1:15:45.680 --> 1:15:46.120
<v Speaker 13>with Sam.

1:15:46.479 --> 1:15:47.160
<v Speaker 9>Yeah, yeah, that's.

1:15:47.080 --> 1:15:47.759
<v Speaker 16>Where it started.

1:15:47.840 --> 1:15:48.720
<v Speaker 5>Yeah, I never met him.

1:15:48.760 --> 1:15:50.599
<v Speaker 15>And then I went to your show in twenty seventeen

1:15:50.640 --> 1:15:53.000
<v Speaker 15>and Nashal at ascend and that's when you would run

1:15:53.040 --> 1:15:55.240
<v Speaker 15>through the audience you still do at your show's and

1:15:55.280 --> 1:15:57.600
<v Speaker 15>it was insane. I went reached my handout, got a

1:15:57.800 --> 1:15:58.439
<v Speaker 15>high five.

1:15:58.240 --> 1:15:59.760
<v Speaker 6>And I mean girls touched him and during the show.

1:15:59.800 --> 1:16:01.439
<v Speaker 15>Yeah, and because he came right by my roa and

1:16:01.439 --> 1:16:02.840
<v Speaker 15>I was with my friends and they're all like, oh

1:16:02.840 --> 1:16:04.840
<v Speaker 15>my gosh, you touched him on and girls were ripping

1:16:04.880 --> 1:16:06.760
<v Speaker 15>his shirt and stuff. And you still do that to

1:16:06.800 --> 1:16:08.960
<v Speaker 15>this day. You run in the crowd at your wife

1:16:09.040 --> 1:16:11.599
<v Speaker 15>show a bridgetone. Yeah, I mean that's a security thing,

1:16:11.840 --> 1:16:15.400
<v Speaker 15>yet a lot bigger than most of them, most of the.

1:16:16.520 --> 1:16:18.960
<v Speaker 9>So twenty seventeen, that was the second taste. I don't know,

1:16:19.080 --> 1:16:19.519
<v Speaker 9>I don't know how.

1:16:19.479 --> 1:16:20.800
<v Speaker 15>Many tastes has had to be honest. And then you

1:16:20.800 --> 1:16:22.120
<v Speaker 15>went away a little bit. You had a little Dave

1:16:22.160 --> 1:16:24.040
<v Speaker 15>Chappelle moment where you weren't touring.

1:16:25.240 --> 1:16:28.040
<v Speaker 6>What's your favorite song of all time in your life?

1:16:28.439 --> 1:16:31.320
<v Speaker 6>Song not just period, all music that's ever been invented

1:16:32.000 --> 1:16:34.559
<v Speaker 6>for I mean it's it's definitely Sam. Yeah, which one, Okay,

1:16:34.600 --> 1:16:35.720
<v Speaker 6>so it is the same, I mean the one that

1:16:35.800 --> 1:16:38.280
<v Speaker 6>made me leave downtown. I lived on First Avenue in

1:16:38.320 --> 1:16:41.280
<v Speaker 6>to Mumbrie and Broadway. I moved from Downtown to West

1:16:41.280 --> 1:16:43.840
<v Speaker 6>because of your song Downtown instead, because I was like,

1:16:43.880 --> 1:16:46.439
<v Speaker 6>I got to get out of the city. The tour,

1:16:46.520 --> 1:16:49.280
<v Speaker 6>the Lockedout Tour, starts in June. Tickets to Sam hunt

1:16:49.280 --> 1:16:52.000
<v Speaker 6>dot com. The new EP is locked Up. It just

1:16:52.040 --> 1:16:56.679
<v Speaker 6>came out, and you know, Ray is a massive fan.

1:16:56.720 --> 1:17:00.000
<v Speaker 6>But we're gonna leave that boundary, right Yeah, yeah, cool.

1:17:00.200 --> 1:17:02.160
<v Speaker 6>I mean we chilled in Vegas together, we chilled in

1:17:02.200 --> 1:17:04.320
<v Speaker 6>Nashville together. We're chilling to get chilling together. If you

1:17:04.320 --> 1:17:06.000
<v Speaker 6>have to get a pass to go meet him. No, no,

1:17:05.920 --> 1:17:06.880
<v Speaker 6>we were hanging out, dude.

1:17:06.920 --> 1:17:08.160
<v Speaker 9>Oh I got a question. I got a question.

1:17:08.240 --> 1:17:08.519
<v Speaker 7>Go ahead.

1:17:08.680 --> 1:17:11.840
<v Speaker 11>Ray, I guess messaged Sam on Instagram with like on

1:17:11.880 --> 1:17:12.720
<v Speaker 11>a snow day or something.

1:17:12.760 --> 1:17:14.040
<v Speaker 9>Did you you remember seeing that, Sam?

1:17:14.080 --> 1:17:14.680
<v Speaker 16>I did see that.

1:17:14.800 --> 1:17:17.080
<v Speaker 11>Yeah, did you really want him to come over because

1:17:17.080 --> 1:17:18.640
<v Speaker 11>he said he was gonna bring some A six or

1:17:18.720 --> 1:17:19.080
<v Speaker 11>what was it?

1:17:19.560 --> 1:17:19.760
<v Speaker 8>Yeah?

1:17:20.000 --> 1:17:24.680
<v Speaker 14>Yeah, I didn't know if he were take me up

1:17:24.680 --> 1:17:27.280
<v Speaker 14>on it or not, but I didn't think he would.

1:17:27.320 --> 1:17:29.479
<v Speaker 14>But if he'd shown up, then yeah, we could have

1:17:29.680 --> 1:17:30.679
<v Speaker 14>made a day of it for sure.

1:17:32.800 --> 1:17:35.360
<v Speaker 6>Oh my god, he will. He'll talk about this for

1:17:35.520 --> 1:17:39.240
<v Speaker 6>six months now. Okay, New MEP's locked up, obviously, the

1:17:39.400 --> 1:17:42.040
<v Speaker 6>tours locked up. Tour uh, Sam Hunt and go to

1:17:42.080 --> 1:17:43.640
<v Speaker 6>Sam hunt dot com to get tickets to the show. Sam.

1:17:43.680 --> 1:17:44.639
<v Speaker 6>Appreciate you, buddy, Thank.

1:17:44.520 --> 1:17:45.360
<v Speaker 16>You, Thank you very much.

1:17:45.400 --> 1:17:47.840
<v Speaker 6>Ray, You're pretty good. Took a minute for it to

1:17:47.880 --> 1:17:49.519
<v Speaker 6>come out, but you got you got your taste. That

1:17:49.600 --> 1:17:50.240
<v Speaker 6>was dope.

1:17:50.280 --> 1:17:51.439
<v Speaker 9>Yeah, yeah, all right there Sam.

1:17:51.479 --> 1:17:55.439
<v Speaker 6>Hi everybody, it's.

1:17:55.280 --> 1:17:58.800
<v Speaker 10>The Best Bits of the Week with Morgan number two.

1:18:00.120 --> 1:18:03.160
<v Speaker 2>Alrighty y'all, I am out. That was so much fun. Well,

1:18:03.200 --> 1:18:03.920
<v Speaker 2>it was really fun for.

1:18:03.880 --> 1:18:06.280
<v Speaker 4>Me to sit here and talk to myself in a microphone.

1:18:06.320 --> 1:18:09.080
<v Speaker 4>But hopefully you had fun listening and catching up on

1:18:09.200 --> 1:18:12.200
<v Speaker 4>the show. I will see you guys next weekend. Thank

1:18:12.240 --> 1:18:16.040
<v Speaker 4>you as always for being here. I really appreciate it. Bye, everybody,

1:18:16.160 --> 1:18:16.880
<v Speaker 4>have a great one.

1:18:17.520 --> 1:18:20.320
<v Speaker 1>That's the Best Bits of the Week with Morgan. Thanks

1:18:20.400 --> 1:18:22.439
<v Speaker 1>for listening. Be sure to check out the other two

1:18:22.479 --> 1:18:25.120
<v Speaker 1>parts this weekend. Go follow the show on all social

1:18:25.160 --> 1:18:25.920
<v Speaker 1>platforms on.

1:18:26.040 --> 1:18:28.479
<v Speaker 13>My Show and follow ed webgirl Morgan

1:18:28.680 --> 1:18:32.280
<v Speaker 1>To submit your listener questions for next week's episode.