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Speaker 1: So I, Danielle and I obviously you know we were

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Speaker 1: doing the live shows. We did our first round of

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Speaker 1: live shows that went incredibly well, and we were having

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Speaker 1: a test.

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Speaker 2: You and Danielle were doing them.

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Speaker 1: No, Daniel and I were traveling together. So Ryer, you

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Speaker 1: you did it, you know in the van and Daniel.

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Speaker 2: You did the live show from your van, and from

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Speaker 2: your van.

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Speaker 1: You had people from People don't understand the size of

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Speaker 1: Ryder's van. We had twelve hundred people in the last

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Speaker 1: It was great. But I have so Daniel and I

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Speaker 1: were traveling together. I have been flying. I think the

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Speaker 1: first time I flew I was five or six years old.

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Speaker 1: I've been flying my whole life. And I saw something

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Speaker 1: that I have never seen before on an airplane. And

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Speaker 1: Daniel and I both witnessed this.

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Speaker 2: Oh my gosh.

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Speaker 1: The plane is landing okay, like we're moments ninety seconds

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Speaker 1: away from touchdown, and a guy gets up and goes

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Speaker 1: to the bathroom.

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Speaker 2: What yes, And the flight attendants did.

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Speaker 1: Not stop at anything. He wow, goes to the bathroom,

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Speaker 1: shuts the door.

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Speaker 2: I always assumed they would like tackle you and I rest.

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Speaker 2: I mean, I have held something.

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Speaker 3: I have held it like when during takeoff, I've had

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Speaker 3: to go before and like it's been miserable.

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Speaker 2: Oh my gosh.

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Speaker 1: So he gets in there, the door shuts. We then

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Speaker 1: have a really rough landing, like if this were two

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Speaker 1: thousand and two, that guy would have been shot right right,

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Speaker 1: so you know what I mean like that that's lax.

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Speaker 2: Well, yeah, one of the worst landings. It was hard

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Speaker 2: in years.

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Speaker 1: I mean it was a hard landing. And this guy

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Speaker 1: is in the bathroom for it, still in there. So

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Speaker 1: the flight attendants first look to each other, so they're

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Speaker 1: like they're facing us, you know, we we can see them,

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Speaker 1: the flight attendants who start laughing at the landing and

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Speaker 1: then turn to each other and they're like, guess we

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Speaker 1: better check. And the woman reaches back and knocks on

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Speaker 1: the bathroom door and as they're laughing, just like everything

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Speaker 1: going on right in there.

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Speaker 2: Do you make it?

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Speaker 1: And the guy opens up the door as we're taxiing

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Speaker 1: on the runway were the plane still moving.

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Speaker 2: It walks back to a seat and buckles himself in.

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Speaker 2: It was like I've never was he soaking wet from

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Speaker 2: blue water.

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Speaker 3: This where a Jim Carrey movie be coming out all wet,

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Speaker 3: but it was.

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Speaker 1: It was like, I looked at Danielle was like, there's

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Speaker 1: a guy in the bathroom. She's like, what, there's a

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Speaker 1: guy in the bathroom right now. I've never seen it

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Speaker 1: ever in my life while flying. It was so weird.

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Speaker 1: And then Danielle stole some guy's needlenos players.

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Speaker 2: I did not. I hadny seat issues. I when I

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Speaker 2: got into the got onto the plane, we wiped down

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Speaker 2: our trays with you know, sanitizer stuff, and I pulled

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Speaker 2: out my food tray and it was like one of

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Speaker 2: the hinges, you know, it folds in half, and one

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Speaker 2: of the hinges was coming out, and so when you

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Speaker 2: unfolded it, it kind of just like flopped. It was

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Speaker 2: like and he'll goes, don't say anything to anyone about it,

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Speaker 2: because then they'll have to come fix it. And we

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Speaker 2: could hold the whole plane up. But I was like,

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Speaker 2: don't worry, I won't say anything.

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Speaker 3: Wait, did you we have to go back?

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Speaker 2: Did you use decent?

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Speaker 3: You sanitized your lunch tray? Oh?

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Speaker 2: I always wipe down everything in the cit Why you

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Speaker 2: got's grace? What what is this like? March twenty twenty

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Speaker 2: when you're.

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Speaker 1: Like, oh, I've been doing every dude, I've been doing

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Speaker 1: this since the mid nineties.

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Speaker 2: Yeah, I mean, oh man, so.

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Speaker 3: You bring along hand sanitizer and you wipe down.

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Speaker 1: Like chloral like clos wipes of course, Wow out hand

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Speaker 1: them out on those planes for people to do that,

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Speaker 1: Like when you walk on the plane, they hand you one,

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Speaker 1: but I bring my own because they're tropical scented. Wow.

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Speaker 2: Yeah, you just touched things that thousands of other people touched,

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Speaker 2: and a bunch of people are touchings in your mother. Yeah. Yeah,

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Speaker 2: that's what I do. I suck my face. That's how

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Speaker 2: you touch your tray. You touch the little TV screen

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Speaker 2: and then you lick your hand.

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Speaker 3: I've seen I drive a van across the country and

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Speaker 3: right I see bears.

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Speaker 2: I get pulled over for speeding.

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Speaker 1: We we had to move. Wait, when did you see

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Speaker 1: a bear? We saw a bear in Yellowstone, actually right

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Speaker 1: outside of Yellowstone. It was just why we were driving though.

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Speaker 3: It wasn't It wasn't like two years ago we actually

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Speaker 3: had a bear encounter a bear in our campsite.

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Speaker 2: But this year we we we.

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Speaker 3: Were just driving by it and we could see there.

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Speaker 3: All the park rangers were like gathered along the side

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Speaker 3: of the road. As we were pulling into a campground

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Speaker 3: and and then we like looked and we saw a

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Speaker 3: bear with cubs, which is.

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Speaker 2: The most dangerous situations, Like yeah.

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Speaker 3: So we just saw this like mama bear under a

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Speaker 3: tree with these with the two cubs.

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Speaker 2: It was really cute.

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Speaker 1: Do you think the bears sit around and they're like,

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Speaker 1: oh yeah. Last year we had a total people encounter,

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Speaker 1: like and it's just a bear sitting like, don't look,

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Speaker 1: don't look over, just enjoy our campsite. It's not you know,

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Speaker 1: like I wonder if it's that way. But yeah, now

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Speaker 1: Danielle stole somebody's flyers.

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Speaker 2: Yeah. So, anyway, the tray came out, it was all floppy.

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Speaker 2: We weren't going to say anything about it, and the

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Speaker 2: next thing I know, someone was like, excuse me, I

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Speaker 2: think your tray table's broken. We were like, yeah it is,

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Speaker 2: and they said, well, the guys here to fix it,

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Speaker 2: and we were like okay. So we got up. We

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Speaker 2: stood in the galley, talked to the nice man, talked

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Speaker 2: to the wonderful flight attendant.

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Speaker 1: Welcome to people on the flight were like, welcome board.

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Speaker 2: Come come on, come on, and then he was all

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Speaker 2: done and we went back and it was fixed and

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Speaker 2: everything looked great, and we sat down, and then I

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Speaker 2: don't know forty five seconds later he came back. He goes, ah,

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Speaker 2: I'm really sorry to ask you guys to get up again.

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Speaker 2: I think I left my needle nosed plyers around here.

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Speaker 2: So we got up. He searched the seats, couldn't find it.

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Speaker 2: We sat back down. Maybe a few minutes or so

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Speaker 2: pass so then he comes back. He goes from here.

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Speaker 2: So anyway, we're pretty sure they think I stole his

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Speaker 2: red needle nose players, but I did not.

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Speaker 1: In all fairness, I also think Danielle stole his needle nose.

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Speaker 2: I absolutely did not. I have so many needle nose pliers. Well,

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Speaker 2: what do you do with another pair? Another pair?

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Speaker 1: What I do with another pair, especially aviation needle nose players?

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Speaker 2: And where can I use those? Oh? My, Welcome to

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Speaker 2: pod meets World. I'm Daniel Fischel, I'm right or Strong,

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Speaker 2: and I'm Seat two A. I'm wilfordll.

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Speaker 3: So.

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Speaker 2: Today we are talking about season three, episode five, Hometown Hero.

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Speaker 2: It originally aired October twenty seventh, nineteen ninety five. The

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Speaker 2: synopsis is when Corey as heralded a hero for saving

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Speaker 2: the school from a fire, mister Feenie has his doubts

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Speaker 2: about the story. It was directed by John Tracy, Interesting

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Speaker 2: written Tracy came back.

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Speaker 3: I didn't remember coming Yes.

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Speaker 2: It was written by Matthew Nelson. Guest starring Alex D.

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Speaker 2: Sayer as Eli Williams, Deborah Harmon as Connie. She was

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Speaker 2: on Tons of TV. Also guest starred on The Mommy

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Speaker 2: in nineteen ninety five, The Mommies, The Mommies, My Brother Show, Yes,

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Speaker 2: The Mommies in nineteen ninety five, and is best known

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Speaker 2: for the Tom Hanks movie Bachelor Party. And then Bob

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Speaker 2: Larkin returns as Janitor Bud Jim Jansen as doctor Sorell

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Speaker 2: also appeared in every TV show ever, from Amazing Stories

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Speaker 2: to Mister Belvedere, to West Wing to Gilmore Girls to

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Speaker 2: Mad Men. He has never stopped working. And then Michael

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Speaker 2: Hanneff appears as Tommy, stand up comedian Joey Gaynor appears

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Speaker 2: as crew Guy, and real life radio personality Yolanda Gaskins

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Speaker 2: is Doctor Sharon. So did you guys remember this episode

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Speaker 2: at all? No? Nope, not a bit, nothing, A bit,

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Speaker 2: a bit nope.

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Speaker 3: Similar to our last episode three or four, there's something

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Speaker 3: a little off or maybe yeah, I don't know, like

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Speaker 3: maybe I'm just not used to season three yet.

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Speaker 2: Something I think part of it is.

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Speaker 1: And this has now happened twice in a row. We

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Speaker 1: keep seeing rehashes of exactly the same storyline. Well, how

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Speaker 1: is this a rehash because it's Corey trying to once

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Speaker 1: again be the like I don't want to be me.

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Speaker 1: I don't want to be Corey. I want to be special. Okay,

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Speaker 1: we've seen that forty two times already. I get it,

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Speaker 1: and I get how it's supposed to be about a

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Speaker 1: kid who's trying to find his way in the world

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Speaker 1: and trying. But by the nineteenth time of exactly the

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Speaker 1: same thing, he ends up on stage again in front

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Speaker 1: of it. I mean, it's we've seen this now a

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Speaker 1: bunch of times.

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Speaker 2: I don't know.

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Speaker 3: I think that was actually did kind of be like

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Speaker 3: once Ben was like on stage of the Jocks. I

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Speaker 3: thought it was great. I thought you were fantastic in

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Speaker 3: this episode. This this was truly Eric Eric the way

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Speaker 3: he's going to be for the rest of the show. Like,

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Speaker 3: at this point, to me, you are fully arrived.

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Speaker 2: What did I do in this one? He is where

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Speaker 2: you want to be a Weatherman. Yeah so great. Yeah,

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Speaker 2: and you owned it.

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Speaker 3: And it's like it's like goofy, dumb Eric, but with

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Speaker 3: like a purpose and a goal that's funny, and your

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Speaker 3: energy level is great and your delivery is just confident

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Speaker 3: and perfect. I was like, oh, will is so Eric now?

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Speaker 3: Like this is who Eric is going to be forever

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Speaker 3: and ever. Like it felt I don't know, it just

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Speaker 3: felt right, you know, as opposed to like all the

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Speaker 3: SAT stuff, which I was always like, maybe Eric's gonna

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Speaker 3: pull through and have like an emotional story lines. It's like, no,

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Speaker 3: Eric is going to be absurd. He's going to have

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Speaker 3: ridiculous goals and they don't really matter and that's fun.

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Speaker 2: Like that's good.

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Speaker 1: Yeah, and I know I did like that part. But yeah,

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Speaker 1: just I guess I just want to see this kid.

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Speaker 1: I don't know, I want to see different stuff with Corey.

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Speaker 1: Now it just seems like it's the same stuff over

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Speaker 1: and over again. Like the last episode we talked about

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Speaker 1: how it's Sean's running away again and now Corey's somehow

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Speaker 1: become the popular guy again.

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Speaker 2: That nobody remembers. It's just the same thing. Yeah, it

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Speaker 2: didn't bother me too much. I actually really liked the

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Speaker 2: idea of kids who really are responsible for the horrible

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Speaker 2: aspect of it taking credit for the one positive aspect

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Speaker 2: of it. I kind of like that storyline. But you're right,

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Speaker 2: it's a storyline we've seen before, certainly when you look

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Speaker 2: at it from the perspective of I'm finally somebody, somebody

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Speaker 2: knows my name. So to start our recap, we start

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Speaker 2: in the chem lab new set.

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Speaker 3: Which I did I not remember at all?

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Speaker 2: No, Also new teacher alert. Are we already bored with

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Speaker 2: mister Williams? We just brought that gentleman on to have

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Speaker 2: him be the new teacher we have to meet.

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Speaker 1: Now we are we are introduced to quite literally the

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Speaker 1: world's worst educator. Yeah, this is just the most horrible

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Speaker 1: teacher in the horrible Oh yeah, oh, I'm not saying

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Speaker 1: it's a bad thing.

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Speaker 2: It's funny. Yeah, we've only seen a teachers that really care.

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Speaker 3: Do we need to introduce another teacher? No, it doesn't

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Speaker 3: have to be a male, Like, what are we doing?

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Speaker 1: Because you need a chemistry you need it has to

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Speaker 1: be chemistry because you have to have the matches and

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Speaker 1: you have to have the chance at the schools.

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Speaker 3: Right, But what does that have to it could still

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Speaker 3: be a female chemistry Oh no, no.

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Speaker 1: No, I know. I'm just saying, like we do we

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Speaker 1: have to introduce a new teacher, which wanted the chemistry teacher,

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Speaker 1: It had to be that.

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Speaker 2: It could easily have been a woman. But and I

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Speaker 2: guess if they're gonna make the person a bad educator,

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Speaker 2: I'm happy they chose a guy. Finally bringing in a

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Speaker 2: woman teacher. And then she's like, hey, Jelly, don't even

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Speaker 2: bother to work on your paper.

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Speaker 3: Have we Okay, so we only had the one substitute

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Speaker 3: female that I flirted with, right right, And then we've

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Speaker 3: had the guidance counselor who flirted with me in a

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Speaker 3: weird way, and we have the tutor who flirted with

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Speaker 3: Have we had a female educator? Yes, we never saw her.

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Speaker 2: She's only related to mister Turner for sexy time exactly.

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Speaker 2: I think until we get anybody, it's like season everybody.

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Speaker 3: If you if you show up as a female educator,

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Speaker 3: you're gonna get paired up or flirted.

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Speaker 2: You're gonna get You're gonna be with someone. Okay, So

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Speaker 2: this teacher tells the class lab reports are due by

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Speaker 2: the end of the day. No, exceptions or extensions. Corey

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Speaker 2: and Seawan both didn't do their paper. Seawan didn't even

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Speaker 2: know there was a paper. Cory says they have to

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Speaker 2: tell doctor Cerell the truth that aliens abducted them and

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Speaker 2: ate their papers. Doctor Serell is talking to Tommy and

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Speaker 2: says when he said no exceptions, he didn't mean him.

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Speaker 2: He needs to rest his touchdown throwing arm. He offers

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Speaker 2: to let Tommy turn in his paper by the end

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Speaker 2: of football season. Tommy says he plays basketball too, so

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Speaker 2: doctor Crell says, just forget about it. Sean goes up

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Speaker 2: to doctor Cerell and he just says no. Cory says

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Speaker 2: he'll handle it, and he goes up to doctor Cerell

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Speaker 2: and he doesn't say a word, and then opt to go.

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Speaker 2: We are now climbing into the chem lab at night.

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Speaker 2: Two new sets.

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Speaker 3: We are all about the new sets this season, just

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Speaker 3: blowing just to night. Oh I'm sorry, I thought we

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Speaker 3: were outside. Then we go up. There is another one

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Speaker 3: the chemistry, then the outside the chemistry.

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Speaker 2: It's I know. So Cory is sneaking into the classroom

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Speaker 2: at night and says doctor Cerell didn't even know his name.

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Speaker 2: Sean asks what Cory is so said about and Cory says, wow,

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Speaker 2: who knows it could be staying up all night to

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Speaker 2: finish a paper, could be breaking into the SCOO. Also,

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Speaker 2: his paper isn't late or losing half his pants on

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Speaker 2: the barbed wire. Sean asks why Corey didn't just walk

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Speaker 2: through the gate like he did, but he says it

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Speaker 2: was too easy. It looked like a trap like that.

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Speaker 2: That's very funny.

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Speaker 1: Sean also talked about Troy Aikman at this point, not

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Speaker 1: yet Okay, I know.

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Speaker 3: I know that name. Okay, what he plays, but I

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Speaker 3: do know the name. There's somebody named Troy Aikman who's

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Speaker 3: very famous for.

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Speaker 2: Quarterback. I probably I have to say this line. Yeah

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Speaker 2: Cowboys quarterback. Yeah.

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Speaker 3: Oh, the Cowboys were big in the nineties, right, that

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Speaker 3: was like, of course they were the biggest team in

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Speaker 3: the mid nineties.

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Speaker 2: They won three three Super Bowls. Yeah, that's right. Corey

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Speaker 2: is upset with Tommy forgetting out of his ken paper

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Speaker 2: for throwing a lucky touchdown. He says, eventually that look

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Speaker 2: is going to run out, and Sean says, yeah, Troy

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Speaker 2: Aikman is really hurting. Sean tries to tell Corey about

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Speaker 2: breaking and entering you don't usually hang around invent while

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Speaker 2: doing it, which I also thought was a very funny line.

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Speaker 2: And then they're about to put their papers on the

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Speaker 2: desk when Shawn's flashlight goes out. Corey tells them to

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Speaker 2: check the batteries, and Sean says, okay, but I need

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Speaker 2: a flashlight. None of this makes sense to me that

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Speaker 2: you guys can't see enough to put the papers just

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Speaker 2: down somewhere.

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Speaker 3: You Why aren't you gone already get the heck out

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Speaker 3: of the very distinct memories of having to do scenes

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Speaker 3: like this with ben Uh where the two of us

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Speaker 3: are like setting off a series of change, a chain

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Speaker 3: of reaction, like series of unfortunate events like we did

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Speaker 3: it with the B episode, Remember when we lose the

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Speaker 3: B and the brain and the lab. Here we are

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Speaker 3: in a lab doing a similar thing. And then also

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Speaker 3: I just feel like I remember having to be like, wait,

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Speaker 3: we do what we have to pick this up and

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Speaker 3: then you have to go slight this and it always

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Speaker 3: sucked and it always go forced and it was never fun.

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Speaker 3: And I don't think like I never enjoyed it. I

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Speaker 3: never enjoyed this sort of like, well, obviously we just

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Speaker 3: have to get here, so as actors, it was behold

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Speaker 3: on us to like figure out how to you know,

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Speaker 3: and it doesn't work.

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Speaker 2: Like this, No seems super forced. It always sucks when

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Speaker 2: you are supposed to be in a nighttime set and

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Speaker 2: it's supposed to be so dark that you couldn't possibly

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Speaker 2: put the papers down, and yet it's so well lit.

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Speaker 2: We see everything that's going on. It's so it's unfortunate.

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Speaker 2: But Corey finds matches and the whole pack catches fire.

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Speaker 2: He throws it in the trash can, which goes up

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Speaker 2: in flames, and Corey and Sean start blowing at it

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Speaker 2: to make it go out. When it doesn't, they yell

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Speaker 2: back Draft, which is a very popular movie at the time,

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Speaker 2: and they escape out the window.

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Speaker 1: It was real fire, right, yeah, look like it? Yeah, okay,

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Speaker 1: didn't have was what would the option? But there was

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Speaker 1: no digital fire. Yeah, digital fire looked horrible up until retive.

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Speaker 2: Even still it kind of looks pretty bad. It's hard

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Speaker 2: to do fire, fire and water. So they run out

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Speaker 2: the window and they leave the fire in the chemistry lab.

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Speaker 2: Cory realizes chemicals can explode, and Sean says this is bad.

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Speaker 2: Not because of the explosion but because he ended his

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Speaker 2: paper within conclusion chemicals, I'd like to point something out here.

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Speaker 1: I think there's a chance we either had a long

341
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Speaker 1: hiatus between the last episode and this episode or these

342
00:16:04,440 --> 00:16:08,520
Speaker 1: are out of order, because everybody's hair is longer than

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Speaker 1: last episode, and I mean noticeably longer, including because my

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Speaker 1: first note here is the first time you see Foene,

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Speaker 1: it's long as his hair has ever been. My hair

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Speaker 1: is way longer, righter, your hair is way longer. Everybody's

347
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Speaker 1: hair is longer this episode.

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Speaker 2: Probably, Yeah, maybe this was shot later in the season.

349
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Speaker 2: That's what I'm thinking, because this was not that.

350
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Speaker 1: It's it's noticeable that our hair is completely different than

351
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Speaker 1: the last episode.

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Speaker 2: So this is out of order. It's got to be.

353
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Speaker 2: So Corey goes back up to save the school, and

354
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Speaker 2: Sean asks that while he's up there, he changes the

355
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Speaker 2: ending of his paper, and uh, this again is just

356
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Speaker 2: the the stakes of what else can Sean blow up?

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Speaker 2: You know, like what we've got, We've got a mail box,

358
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Speaker 2: we've got But Sean didn't do this. Corey is the

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Speaker 2: one who did it.

360
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Speaker 3: Cord it all.

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Speaker 2: You're right, it was all on him.

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Speaker 1: Other than for comedy purposes, there's also no reason for

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Speaker 1: both of them to be there.

364
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Speaker 2: One person could break in and drop the papers off. Right,

365
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Speaker 2: you're right, but also there are dufuses who love each

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Speaker 2: other so much they got everything together, they would never

367
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Speaker 2: do it. But yes, there's no reason that the boat.

368
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Speaker 3: But it would have been like to me, it would

369
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Speaker 3: have been more pointed if Sean is the only one

370
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Speaker 3: who hasn't turned in his paper and Corey's helping him out,

371
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Speaker 3: helping him break in and do this, and then you know,

372
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Speaker 3: Corey makes a mistake with the matt I don't know,

373
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Speaker 3: like instead, it's just kind of like we're on this

374
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Speaker 3: and then it ends up being Corey's issue and Seawan

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Speaker 3: has nothing to do with it. He's just kind of farce.

376
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Speaker 1: It's just trying to be like, you know, oh I

377
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Speaker 1: dropped the matches and oh now I lit the thing

378
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Speaker 1: on fire. Oh now hero like it's it's so British comedy, farcical,

379
00:17:40,880 --> 00:17:42,399
Speaker 1: but it's.

380
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Speaker 3: I like my Kaki jacket again, a jacket better than

381
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Speaker 3: a leather jacket, fits me better, more interesting, never seen again.

382
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Speaker 2: Yeah, well then we're in the school hallway slash Turner's classroom.

383
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Speaker 2: Corey is panicking and Sean tells him not to worry

384
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Speaker 2: because they got away with it. When they pulled the alarm,

385
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Speaker 2: nothing bad happened and no one knows. Perfectly timed. Janitor

386
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Speaker 2: Bud comes running up to Corey and Sewn and says,

387
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Speaker 2: I know. Corey asks what he knows, and he says

388
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Speaker 2: he knows what they did last night and to follow him.

389
00:18:10,080 --> 00:18:13,040
Speaker 2: Sean tells Corey to quickly rub off his DNA. Is

390
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Speaker 2: this a reference to I know what you did last summer?

391
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Speaker 2: Was the movie out already?

392
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Speaker 3: No?

393
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Speaker 2: But okay, what would the reference be? When he goes,

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Speaker 2: I know what you did last night, I didn't know

395
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Speaker 2: if it was I don't think. Okay, yeah, okay, that's

396
00:18:25,359 --> 00:18:29,960
Speaker 2: what I was wondering. Ok so funny with the fingerprints,

397
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Speaker 2: Janitor Bud tells everyone Corey is the one he saw

398
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Speaker 2: running down the hall after the fire alarm rang Turner

399
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Speaker 2: says at a boy. Corey is confused. Janitor Bud explains

400
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Speaker 2: he was asleep in his office which is really the closet,

401
00:18:43,320 --> 00:18:45,639
Speaker 2: when the alarm woke him up and saved his life.

402
00:18:45,720 --> 00:18:48,480
Speaker 2: If Corey hadn't pulled the alarm, another janitor would be

403
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Speaker 2: in here sweep sweeping him up it's quite a fast

404
00:18:51,840 --> 00:18:55,480
Speaker 2: turnaround for Janitor's Apparently it would have already had him

405
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Speaker 2: in there. Uh Eli says it sounds like the little

406
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Speaker 2: guy sounds like a hero, and Phoene says he was fortunate.

407
00:19:02,960 --> 00:19:05,320
Speaker 2: Corey was passing by the school at that exact moment

408
00:19:05,600 --> 00:19:07,639
Speaker 2: and asks what he was doing there. Cory says he

409
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Speaker 2: was just at the right place at the right time.

410
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Speaker 2: Janitor Bud says, anyone who saves his life is okay.

411
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Speaker 2: In his book, everyone claps except Phoenie. Seems as though

412
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Speaker 2: Feene is onto.

413
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Speaker 3: Him, But wouldn't everybody be on him? I know, it

414
00:19:21,640 --> 00:19:24,479
Speaker 3: doesn't make any sense, like you have to break into

415
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Speaker 3: the school, so in the fire alarm, there's no way

416
00:19:28,920 --> 00:19:30,480
Speaker 3: you're a hero ever.

417
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Speaker 2: In unless was, yeah, because he did have to go

418
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Speaker 2: back into the school to ring the fire labs.

419
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Speaker 3: So he was caught running through the school pulling the

420
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Speaker 3: fire alarm, and no one, no one besides Phoenie connects

421
00:19:43,440 --> 00:19:46,159
Speaker 3: the dots and just asks the single question, why were

422
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Speaker 3: you at the school in the middle of the night.

423
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Speaker 2: It's also his chem lab, like a class he's in.

424
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Speaker 2: It's not even like it's a classroom that he has

425
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Speaker 2: no relationship to Caught on Fire. It's like, huh, a

426
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Speaker 2: class you're in, you have a pa paper, do not

427
00:20:00,960 --> 00:20:01,400
Speaker 2: none of it?

428
00:20:01,640 --> 00:20:02,200
Speaker 4: None of it.

429
00:20:02,200 --> 00:20:02,600
Speaker 2: It's just the.

430
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Speaker 3: Simple question, why was Corey not home? Why was Corey

431
00:20:05,040 --> 00:20:05,520
Speaker 3: at school?

432
00:20:06,119 --> 00:20:10,000
Speaker 2: Just everybody would ask that. That's the first question you asked, right,

433
00:20:11,240 --> 00:20:11,600
Speaker 2: I guess it.

434
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Speaker 1: Also, it depends on when this is, because if it's

435
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Speaker 1: three o'clock in the morning, that's one thing. If it's

436
00:20:17,800 --> 00:20:20,760
Speaker 1: seven o'clock at night that's something different. Because he says later,

437
00:20:20,800 --> 00:20:24,080
Speaker 1: I was walking from Chubby but walking home from Chubbies

438
00:20:24,080 --> 00:20:24,680
Speaker 1: and I saw the.

439
00:20:24,640 --> 00:20:27,439
Speaker 2: Flames, right, which I would make my sense. Wait, does

440
00:20:27,680 --> 00:20:28,000
Speaker 2: say that?

441
00:20:28,320 --> 00:20:30,040
Speaker 1: Yeah, yes, he said I was walking home from Chubbies

442
00:20:30,040 --> 00:20:30,760
Speaker 1: and I saw the flames.

443
00:20:30,800 --> 00:20:33,760
Speaker 2: He starts to explain that to Who does he say

444
00:20:33,760 --> 00:20:35,760
Speaker 2: that to? He says it to his parents. Yes, in

445
00:20:35,840 --> 00:20:39,000
Speaker 2: this in the kitchen, he does not say that, but

446
00:20:39,040 --> 00:20:39,199
Speaker 2: he does.

447
00:20:39,320 --> 00:20:41,400
Speaker 3: Ela in the school would be like, but why were

448
00:20:41,400 --> 00:20:41,720
Speaker 3: you here?

449
00:20:42,080 --> 00:20:45,160
Speaker 2: I don't understand, Like, tell me the whole story. You'd

450
00:20:45,160 --> 00:20:46,440
Speaker 2: want to get to the whole story early on.

451
00:20:46,600 --> 00:20:49,840
Speaker 3: I know just the second you can dismantle the logic

452
00:20:49,880 --> 00:20:52,679
Speaker 3: of a storyline with one question. I'm out right because

453
00:20:52,680 --> 00:20:54,480
Speaker 3: that's just that's just the kind of view where I

454
00:20:54,520 --> 00:20:56,840
Speaker 3: am like, I'm like done, I'm not going to forgive

455
00:20:56,920 --> 00:20:59,720
Speaker 3: this show immediately. I just have never been that kind

456
00:20:59,720 --> 00:21:02,439
Speaker 3: of you. It's like, okay, well I've just mantled it,

457
00:21:02,480 --> 00:21:03,720
Speaker 3: so then I'm not going to give it the time

458
00:21:03,760 --> 00:21:05,760
Speaker 3: of day. And that's just puts me at odds with

459
00:21:05,800 --> 00:21:09,000
Speaker 3: some boy episodees, because yeah, never make true.

460
00:21:10,200 --> 00:21:12,680
Speaker 2: You're you're right. I mean, I do think that where

461
00:21:13,359 --> 00:21:17,439
Speaker 2: what is difficult is that people love this show because

462
00:21:17,440 --> 00:21:20,159
Speaker 2: they watched it as children in the nineties, and so

463
00:21:20,320 --> 00:21:24,560
Speaker 2: it's very hard to be a forty five year old

464
00:21:25,000 --> 00:21:29,359
Speaker 2: person who writes scripts for a living and then to

465
00:21:29,520 --> 00:21:34,359
Speaker 2: watch a nineties children's show. Of course you're coming to

466
00:21:34,400 --> 00:21:38,560
Speaker 2: it with those kinds of questions. And we've also been

467
00:21:38,600 --> 00:21:42,040
Speaker 2: maybe told too many times how different it is than

468
00:21:42,200 --> 00:21:45,680
Speaker 2: other sitcoms, and so in our minds there were fewer

469
00:21:45,800 --> 00:21:48,439
Speaker 2: of these moments that just make no sense. But the

470
00:21:48,480 --> 00:21:51,880
Speaker 2: truth is it's not. It's in a lot of ways

471
00:21:51,960 --> 00:21:55,159
Speaker 2: it is different. And then also there are still a

472
00:21:55,280 --> 00:21:59,159
Speaker 2: lot of ways where it is still a nineties kid sitcom, right,

473
00:21:59,359 --> 00:22:03,200
Speaker 2: and it's not. It's not a R was the R

474
00:22:03,280 --> 00:22:07,000
Speaker 2: Great show? I heard are okay, it's not a r

475
00:22:07,160 --> 00:22:09,800
Speaker 2: it is Boy meets World. And even though also.

476
00:22:09,600 --> 00:22:12,920
Speaker 1: Don't love it the way fans love it, we're investing

477
00:22:13,160 --> 00:22:16,119
Speaker 1: for the first time exactly. So like when I watch again,

478
00:22:16,200 --> 00:22:18,080
Speaker 1: bringing it back to Mash, when I watch Mash, which

479
00:22:18,080 --> 00:22:20,840
Speaker 1: is so important to me, there's plot hole after plot

480
00:22:20,880 --> 00:22:24,440
Speaker 1: hole and continuity errors and I just don't care. It's

481
00:22:24,560 --> 00:22:27,119
Speaker 1: just so nice and warm that I just don't care.

482
00:22:27,200 --> 00:22:29,560
Speaker 1: It's like right, and it gives you a feeling this episode.

483
00:22:29,560 --> 00:22:32,000
Speaker 1: But nineteen fifty two, two episodes later, and you're like,

484
00:22:32,040 --> 00:22:33,720
Speaker 1: all right, I'm not going to do it.

485
00:22:33,880 --> 00:22:36,359
Speaker 2: Yeah, So we also have a different POV because we

486
00:22:36,359 --> 00:22:38,399
Speaker 2: were in it. There's a lot of reasons, so of

487
00:22:38,400 --> 00:22:41,360
Speaker 2: course you're right. I mean one question, it's like yes,

488
00:22:41,840 --> 00:22:44,680
Speaker 2: and maybe I had not thought. I haven't thought about

489
00:22:44,680 --> 00:22:47,320
Speaker 2: it enough. Maybe there are some simple ways they could

490
00:22:47,320 --> 00:22:49,320
Speaker 2: have made it stronger, where at least then they could

491
00:22:49,320 --> 00:22:52,320
Speaker 2: have and like Will said, they do later have him say,

492
00:22:53,280 --> 00:22:55,760
Speaker 2: oh gosh, it was the craziest thing that ever happened.

493
00:22:55,800 --> 00:22:58,080
Speaker 2: I was walking home from Jubbies and I saw the flames.

494
00:22:58,080 --> 00:23:01,640
Speaker 2: But the episode has to escalate because at first he's

495
00:23:01,640 --> 00:23:03,320
Speaker 2: not into it, so he doesn't. We don't want to

496
00:23:03,320 --> 00:23:05,080
Speaker 2: see him come up with a whole story right off

497
00:23:05,119 --> 00:23:07,119
Speaker 2: the bat. We want to see him get suckered into it,

498
00:23:07,359 --> 00:23:09,399
Speaker 2: which is why they don't do it. But it would

499
00:23:09,400 --> 00:23:13,040
Speaker 2: have made it stronger from your perspective, right, or if

500
00:23:13,080 --> 00:23:17,040
Speaker 2: he did have a solution right away, if Turner was like, huh,

501
00:23:17,200 --> 00:23:19,360
Speaker 2: well were you a Phoenie and Turner and he was like, yeah,

502
00:23:19,400 --> 00:23:21,080
Speaker 2: Sean and I went to Chubby's and on the way

503
00:23:21,080 --> 00:23:23,359
Speaker 2: home I saw the flames and Sean begged me not

504
00:23:23,400 --> 00:23:25,960
Speaker 2: to but I had to run in and then wow,

505
00:23:26,000 --> 00:23:28,240
Speaker 2: amazing And Phoene still doesn't buy it. Could have saved

506
00:23:28,320 --> 00:23:29,080
Speaker 2: us a little bit of it.

507
00:23:29,160 --> 00:23:31,239
Speaker 3: I mean, I also think that there's just something I

508
00:23:31,320 --> 00:23:34,280
Speaker 3: don't mind. I think if you're going to have an

509
00:23:34,280 --> 00:23:38,320
Speaker 3: absurd episode with absurd logic, it's it should be absurd,

510
00:23:38,359 --> 00:23:40,119
Speaker 3: like it should be funny, you know, Like the thriller

511
00:23:40,119 --> 00:23:42,000
Speaker 3: in Phila is a good example of like let's just

512
00:23:42,160 --> 00:23:44,760
Speaker 3: go great, right, you know, like none of this needs

513
00:23:44,760 --> 00:23:46,560
Speaker 3: to make sense, and you and I think we do

514
00:23:46,640 --> 00:23:49,200
Speaker 3: get there with this episode, like once Ben is on stage,

515
00:23:49,240 --> 00:23:51,480
Speaker 3: like with the jocks having to get again, like the

516
00:23:51,520 --> 00:23:55,160
Speaker 3: Thriller in Philla, where you see Corey's just it's ridiculous,

517
00:23:55,240 --> 00:23:57,040
Speaker 3: like he's just having so much fun and you're like

518
00:23:57,080 --> 00:23:59,760
Speaker 3: willing to look past the logic. But when you have

519
00:24:00,119 --> 00:24:02,719
Speaker 3: this feeny dynamic of like I'm on to you and

520
00:24:02,760 --> 00:24:05,959
Speaker 3: Corey's gonna actually have to learn his lesson, I don't know,

521
00:24:06,160 --> 00:24:07,600
Speaker 3: but whatever, Yeah, I.

522
00:24:07,560 --> 00:24:10,000
Speaker 2: Get it, I understand. And then we're in the school hallway.

523
00:24:10,040 --> 00:24:12,880
Speaker 2: Corey is uncomfortable with the entire school thinking he's a hero.

524
00:24:13,040 --> 00:24:15,119
Speaker 2: Someone laid out a red carpet that leads directly to

525
00:24:15,160 --> 00:24:18,400
Speaker 2: Corey's locker. They touched the carpet and Corey says, ooh, plush.

526
00:24:18,480 --> 00:24:20,520
Speaker 3: Did this carpet mess with your guys head as much

527
00:24:20,520 --> 00:24:21,520
Speaker 3: as it messed with mine?

528
00:24:22,040 --> 00:24:25,200
Speaker 2: No, the way that it did. Gorr.

529
00:24:26,160 --> 00:24:29,880
Speaker 3: Yeah, it creates a false depth like it because it's

530
00:24:29,880 --> 00:24:33,080
Speaker 3: aligned with the camera POV. It looks like there's a ledge,

531
00:24:33,119 --> 00:24:35,280
Speaker 3: like it looks like it's going up, and then that

532
00:24:35,320 --> 00:24:37,320
Speaker 3: there's like a flat ledge because it has to tuck

533
00:24:37,359 --> 00:24:40,920
Speaker 3: into to go from a wide regular with red carpet too.

534
00:24:41,359 --> 00:24:44,919
Speaker 2: Didn't bother you guys at all. It's either to me.

535
00:24:45,000 --> 00:24:46,840
Speaker 3: It was like the it was like, wait a minute,

536
00:24:46,840 --> 00:24:48,920
Speaker 3: why does it look like it's going up and then

537
00:24:49,119 --> 00:24:51,760
Speaker 3: to a like another level, And it's just because.

538
00:24:51,560 --> 00:24:54,680
Speaker 2: Of the way it's it's framed visually. It's so weird.

539
00:24:54,720 --> 00:24:57,080
Speaker 3: It's like an optical illusion that I couldn't stop seeing.

540
00:24:57,080 --> 00:24:58,800
Speaker 2: You want to go back and check that, Yeah, I know.

541
00:24:58,880 --> 00:25:01,600
Speaker 2: Producer Jensen carp husband of this podcast, said he noticed

542
00:25:01,600 --> 00:25:03,240
Speaker 2: it as well. Writer, so it wasn't just you. He

543
00:25:03,280 --> 00:25:04,480
Speaker 2: also literally go.

544
00:25:04,480 --> 00:25:06,280
Speaker 3: Back and be like, it doesn't actually go to a

545
00:25:06,359 --> 00:25:07,840
Speaker 3: ledge there, does I was like, no, no, they just

546
00:25:07,880 --> 00:25:11,560
Speaker 3: cut the carpet to make it. Yeah, but it's a

547
00:25:11,600 --> 00:25:12,360
Speaker 3: weird illusion.

548
00:25:13,119 --> 00:25:13,239
Speaker 1: Well.

549
00:25:13,280 --> 00:25:15,520
Speaker 2: Doctor Serell walks over and calls Corey by his name,

550
00:25:15,560 --> 00:25:17,399
Speaker 2: to which Corey is shocked that he knows who he is.

551
00:25:17,480 --> 00:25:19,320
Speaker 2: He hands Corey's paper and says he got an A,

552
00:25:19,680 --> 00:25:21,439
Speaker 2: but Corey looks to see and says the only thing

553
00:25:21,480 --> 00:25:23,280
Speaker 2: left on the paper from the fire is his name

554
00:25:23,280 --> 00:25:25,359
Speaker 2: and the date. Doctor Serell says, I saw where you

555
00:25:25,440 --> 00:25:28,520
Speaker 2: were going, and to keep up the good work, Sean

556
00:25:28,720 --> 00:25:31,160
Speaker 2: gets a D on his paper, and doctor Serell says

557
00:25:31,400 --> 00:25:35,119
Speaker 2: chemicals do explode. Sean is pleased with the D and

558
00:25:35,160 --> 00:25:39,480
Speaker 2: says he's writing Corey's cottails, Your coattails very funny. Funny joke.

559
00:25:40,080 --> 00:25:42,280
Speaker 2: Corey says it doesn't feel right, but Sean says Tommy

560
00:25:42,280 --> 00:25:44,480
Speaker 2: got lucky with his touchdown and Corey got lucky with

561
00:25:44,520 --> 00:25:47,280
Speaker 2: the fire. Janitor Bud gives Corey a clicker that opens

562
00:25:47,280 --> 00:25:50,520
Speaker 2: his locker, a locker Genie, and a backup locker Genie

563
00:25:50,520 --> 00:25:55,000
Speaker 2: for his wife. Corey is is excited with the locker

564
00:25:55,040 --> 00:25:56,720
Speaker 2: Genie and says he can get used to the parks

565
00:25:56,720 --> 00:25:59,359
Speaker 2: of saving a man's life. Sean says Corey's a hero,

566
00:25:59,440 --> 00:26:02,840
Speaker 2: and Corey's says he doesn't see a burned down school anywhere,

567
00:26:02,880 --> 00:26:05,320
Speaker 2: so it appears as though now he's starting to believe

568
00:26:05,320 --> 00:26:09,080
Speaker 2: his own hype. And then we're still in the school hallway.

569
00:26:09,160 --> 00:26:11,680
Speaker 2: Janitor Bud is vacuuming the red carpet to Corey's locker.

570
00:26:11,720 --> 00:26:14,399
Speaker 2: Ast to Panga calls for Sean because they have to

571
00:26:14,440 --> 00:26:17,920
Speaker 2: meet Corey at the rally in the calf.

572
00:26:18,840 --> 00:26:21,280
Speaker 1: That's it, You're finally on the show again. That's how

573
00:26:21,280 --> 00:26:22,639
Speaker 1: I'm not going to reach through it. You're not eve

574
00:26:22,640 --> 00:26:24,600
Speaker 1: gonna be like here. I We're just like Inanga walk on.

575
00:26:24,840 --> 00:26:29,120
Speaker 2: Really it's completely useless. Get me out of the show.

576
00:26:30,000 --> 00:26:31,600
Speaker 2: Pointless and useless.

577
00:26:31,359 --> 00:26:34,879
Speaker 3: And yeah, there's not even like a dynamic of I

578
00:26:34,880 --> 00:26:36,160
Speaker 3: don't know, like it seems like there's.

579
00:26:38,480 --> 00:26:40,240
Speaker 2: I'm not even sure we're still dating in this episode,

580
00:26:40,240 --> 00:26:41,840
Speaker 2: except for the fact that later he says I'm the

581
00:26:41,840 --> 00:26:43,679
Speaker 2: wife and he makes me hand over the locker. Joanie,

582
00:26:44,240 --> 00:26:50,360
Speaker 2: I do look so adorable though. I love so cute.

583
00:26:50,480 --> 00:26:53,080
Speaker 2: I'm so tan I love the high ponytail with the

584
00:26:53,119 --> 00:26:55,680
Speaker 2: straight hair, the cute little mini skirt, and I want

585
00:26:55,840 --> 00:27:08,800
Speaker 2: those yellow boots. So kudos to me for being adorbs.

586
00:27:11,080 --> 00:27:13,399
Speaker 2: Pod Meets World Live. The kids want to jump to

587
00:27:13,440 --> 00:27:17,399
Speaker 2: her is coming to Philadelphia. We are so excited. This

588
00:27:17,440 --> 00:27:20,800
Speaker 2: one is going to be very special. It's the thirtieth

589
00:27:20,800 --> 00:27:25,879
Speaker 2: Anniversary Spectacular on September thirtieth at the met with special guests.

590
00:27:25,880 --> 00:27:29,320
Speaker 2: Tickets are available now at podmeetsworldshow dot com. We cannot

591
00:27:29,320 --> 00:27:37,720
Speaker 2: wait to see you there. Then Sean says he hates

592
00:27:37,800 --> 00:27:41,520
Speaker 2: that stuff jocks guys with tubas cheerleaders, and then he

593
00:27:41,560 --> 00:27:44,560
Speaker 2: grabs Topanga's hand and they run off to the rally together.

594
00:27:44,680 --> 00:27:46,680
Speaker 3: Could have been a better acting job on my part,

595
00:27:46,800 --> 00:27:49,359
Speaker 3: Like this transition, I just blowed blue right through it.

596
00:27:49,400 --> 00:27:51,639
Speaker 2: I'm like, oh really, I'm like, well.

597
00:27:51,720 --> 00:27:54,240
Speaker 3: You know, I should be more like and then the realization,

598
00:27:54,480 --> 00:27:58,720
Speaker 3: oh cheerleaders instead like yeah, oh yeah, I just didn't

599
00:27:58,800 --> 00:28:00,440
Speaker 3: like this joke. I could tell like, I didn't think

600
00:28:00,440 --> 00:28:02,840
Speaker 3: that this was very funny, so I just blew right

601
00:28:02,840 --> 00:28:04,560
Speaker 3: through it. I'm like, oh, I'll just say the thing

602
00:28:04,600 --> 00:28:06,400
Speaker 3: and do the scene, but I did not like it.

603
00:28:06,880 --> 00:28:11,840
Speaker 2: Yeah, yeah, the whole Also, there's no there's no reason.

604
00:28:11,920 --> 00:28:14,199
Speaker 2: It's also there's no reason for any of this except

605
00:28:14,200 --> 00:28:16,000
Speaker 2: for the fact that they like, well, we can't just

606
00:28:16,000 --> 00:28:18,200
Speaker 2: have Sean and Tapanga watching the walk into the cafeteria

607
00:28:18,200 --> 00:28:19,879
Speaker 2: because then people would be like, well, would did Topanga

608
00:28:19,920 --> 00:28:22,400
Speaker 2: get here? So it's literally just to service the fact

609
00:28:22,440 --> 00:28:24,840
Speaker 2: that Tapanga has to get Sean into this room. And

610
00:28:24,880 --> 00:28:27,520
Speaker 2: then they gave you a B minus joke and we

611
00:28:27,680 --> 00:28:28,240
Speaker 2: just were like.

612
00:28:28,200 --> 00:28:31,480
Speaker 3: All right, said the cafeteria is where this pep rally

613
00:28:31,520 --> 00:28:33,640
Speaker 3: is going to be, which makes more sense because we've

614
00:28:34,080 --> 00:28:36,199
Speaker 3: already the first episode of the season. We had the

615
00:28:36,720 --> 00:28:38,960
Speaker 3: auditorium that we could have, you know, but we didn't

616
00:28:39,000 --> 00:28:39,480
Speaker 3: want to bring.

617
00:28:39,360 --> 00:28:43,160
Speaker 2: That because there was nine extras this week. Well, we

618
00:28:43,200 --> 00:28:46,120
Speaker 2: wanted to go to the calf. Tommy is on stage

619
00:28:46,160 --> 00:28:48,440
Speaker 2: making a speech about people thinking he's a big deal

620
00:28:48,480 --> 00:28:50,760
Speaker 2: because he throws touchdown passes, and he wouldn't have a

621
00:28:50,760 --> 00:28:53,360
Speaker 2: field to do it on without Corey. The football team

622
00:28:53,440 --> 00:28:57,160
Speaker 2: is dedicating their game on Saturday to Corey. Tommy introduces Eric,

623
00:28:57,200 --> 00:28:59,320
Speaker 2: but he doesn't know Eric's last name, and then he's

624
00:28:59,360 --> 00:29:02,560
Speaker 2: shocked to learn Matthews is also his last name, just

625
00:29:02,680 --> 00:29:06,560
Speaker 2: like Corey's. Eric starts to make a speech about Corey,

626
00:29:06,600 --> 00:29:08,840
Speaker 2: but then says he and Stephanie broke up last week,

627
00:29:08,920 --> 00:29:11,960
Speaker 2: so he's single and available. He finishes his speech by

628
00:29:11,960 --> 00:29:13,680
Speaker 2: saying Corey is a hero and.

629
00:29:13,640 --> 00:29:20,200
Speaker 3: This is full mature Wilfredell as Eric Matthews.

630
00:29:18,440 --> 00:29:21,880
Speaker 2: Looking great, nailing, looking great, pointing the ladies in the audience,

631
00:29:21,960 --> 00:29:23,560
Speaker 2: in the whole stage. It's awesome.

632
00:29:23,640 --> 00:29:25,560
Speaker 3: Yeah, yeah, that is where I was like, all right,

633
00:29:25,880 --> 00:29:27,000
Speaker 3: Will has arrived.

634
00:29:27,440 --> 00:29:31,240
Speaker 2: Will's there, Corey, thanks Eric, Tommy and the football team.

635
00:29:31,280 --> 00:29:33,720
Speaker 2: He pretends to cough and says there is still something

636
00:29:33,840 --> 00:29:37,240
Speaker 2: some still some fire. Smoking his lungs from the fire.

637
00:29:37,680 --> 00:29:39,880
Speaker 2: He makes a speech and says there's a little Corey

638
00:29:39,920 --> 00:29:43,280
Speaker 2: Matthews inside each and every one of you. The crowd

639
00:29:43,360 --> 00:29:45,400
Speaker 2: is silent, and then he says it's a metaphor. The

640
00:29:45,440 --> 00:29:48,719
Speaker 2: metaphor the football team lifts Corey up and walks him

641
00:29:48,760 --> 00:29:51,320
Speaker 2: out of the rally, and Tapega says, isn't it great?

642
00:29:51,440 --> 00:29:55,440
Speaker 2: What's happening to Corey? Everyone loves him? Great, Reddufist, get

643
00:29:55,480 --> 00:29:56,800
Speaker 2: the hell out of here, and you're not even on

644
00:29:56,840 --> 00:29:59,680
Speaker 2: the show. And the smallest rally ever, by the way,

645
00:30:00,160 --> 00:30:02,120
Speaker 2: I'm not even sure the Corey inch banger are dating stuff.

646
00:30:02,320 --> 00:30:03,320
Speaker 2: I don't know if they're dating.

647
00:30:03,400 --> 00:30:06,920
Speaker 1: There's nineteen people at the rally entirely, and they didn't

648
00:30:06,920 --> 00:30:08,480
Speaker 1: even try to make it look like a bigger school.

649
00:30:08,480 --> 00:30:12,040
Speaker 2: There was like empty seats. It's like, what the hell

650
00:30:12,120 --> 00:30:15,000
Speaker 2: is happening? I don't Yeah, it was funny. Then we're

651
00:30:15,000 --> 00:30:17,680
Speaker 2: in the Matthews backyard slash the Matthew's kitchen. Corey says

652
00:30:17,720 --> 00:30:19,520
Speaker 2: today was the best day of his life and asks

653
00:30:19,560 --> 00:30:21,680
Speaker 2: Sean if he thinks the student council can really name

654
00:30:21,720 --> 00:30:24,000
Speaker 2: the school after him. Corey Adams High.

655
00:30:23,800 --> 00:30:26,800
Speaker 3: And what he's carrying like the take home I know,

656
00:30:28,160 --> 00:30:32,240
Speaker 3: doggy bag, the swan. What did he get, like somebody.

657
00:30:34,600 --> 00:30:38,400
Speaker 5: He's just been given food and a Teddy Bear or

658
00:30:38,440 --> 00:30:41,720
Speaker 5: they went out to eat after and like he's just

659
00:30:41,760 --> 00:30:42,240
Speaker 5: not explained.

660
00:30:42,320 --> 00:30:45,440
Speaker 2: Yeah, Sean says he knows Corey is having fun, but

661
00:30:45,480 --> 00:30:47,120
Speaker 2: he wants to make sure he still has his feet

662
00:30:47,120 --> 00:30:49,040
Speaker 2: on the ground. Corey tells Sean not to rain on

663
00:30:49,080 --> 00:30:53,320
Speaker 2: his parade, which is on Tuesday. Corey says he's just

664
00:30:53,400 --> 00:30:55,000
Speaker 2: letting people think what they want to think. It's not

665
00:30:55,040 --> 00:30:57,600
Speaker 2: like he's lying to his parents. Then Alan, Amy, and

666
00:30:57,720 --> 00:31:00,800
Speaker 2: Eric yells surprise and Co and Sean walk into the

667
00:31:00,840 --> 00:31:04,280
Speaker 2: kitchen standing under a giant banner that says Corey our hero.

668
00:31:05,040 --> 00:31:08,000
Speaker 2: Alan says, there's the man that saved the school and

669
00:31:08,080 --> 00:31:11,160
Speaker 2: the phone hasn't stopped ringing all day. Sean says, well,

670
00:31:11,200 --> 00:31:13,479
Speaker 2: why didn't you just answer it? Hey, Now we get

671
00:31:13,480 --> 00:31:16,000
Speaker 2: a little bit of dumb Sean to go in here.

672
00:31:16,600 --> 00:31:18,280
Speaker 2: Amy wants to do your big face acting there.

673
00:31:18,280 --> 00:31:20,640
Speaker 1: I don't know if you notice my reaction saying that big,

674
00:31:20,760 --> 00:31:22,800
Speaker 1: big fact, what do you do happening? It's like one

675
00:31:22,840 --> 00:31:23,520
Speaker 1: of these It's like.

676
00:31:24,320 --> 00:31:26,120
Speaker 2: Oh good, where are you looking at him? Like you're

677
00:31:26,120 --> 00:31:26,560
Speaker 2: a dummy?

678
00:31:26,600 --> 00:31:27,000
Speaker 3: What do you do?

679
00:31:27,120 --> 00:31:31,160
Speaker 2: I like it better when the dummies connectou been good question.

680
00:31:31,520 --> 00:31:34,320
Speaker 2: That's a good question, That's what I said. Amy wants

681
00:31:34,320 --> 00:31:36,440
Speaker 2: to hear all about what happened. Corey tells him he's

682
00:31:36,480 --> 00:31:38,320
Speaker 2: going to say, what really happened. Then he looks over

683
00:31:38,360 --> 00:31:40,360
Speaker 2: at Sean and we think for a moment he might

684
00:31:40,400 --> 00:31:42,680
Speaker 2: tell the truth, but then he makes up a story

685
00:31:42,680 --> 00:31:44,920
Speaker 2: for his family about walking back from Chubby's the night

686
00:31:44,920 --> 00:31:48,080
Speaker 2: of the fire and seeing the flames. Sean looks disappointed,

687
00:31:49,120 --> 00:31:51,080
Speaker 2: and then we are in the school hallway. Corey is

688
00:31:51,080 --> 00:31:53,000
Speaker 2: playing with his locker Genie, and he goes up to

689
00:31:53,040 --> 00:31:55,520
Speaker 2: Sean to talk about not staying for dinner. Sean says

690
00:31:55,520 --> 00:31:57,480
Speaker 2: he wasn't hungry, but Corey knows Sean is mad at

691
00:31:57,520 --> 00:31:59,280
Speaker 2: him for lying to his parents about the fire. He

692
00:31:59,280 --> 00:32:00,920
Speaker 2: thought it would be worse if he told the true

693
00:32:01,040 --> 00:32:04,800
Speaker 2: Sean is the moral. Yes, the monters here, which is

694
00:32:04,840 --> 00:32:06,000
Speaker 2: really interesting.

695
00:32:06,440 --> 00:32:10,880
Speaker 3: I loved these gray pants. Oh really, this is maybe

696
00:32:10,880 --> 00:32:13,440
Speaker 3: the first time I wear them. I think they lasted

697
00:32:13,560 --> 00:32:15,640
Speaker 3: all the way through seventh season.

698
00:32:15,880 --> 00:32:18,520
Speaker 2: Really, I think you wear for the rest of the show. Yes,

699
00:32:18,880 --> 00:32:20,000
Speaker 2: these gray pants I saw.

700
00:32:20,040 --> 00:32:22,760
Speaker 3: It was like, yes, I remember that because they're like

701
00:32:22,800 --> 00:32:25,040
Speaker 3: my first really baggy pants.

702
00:32:25,760 --> 00:32:28,360
Speaker 1: Like it shows also how good you are controlling your weight,

703
00:32:28,440 --> 00:32:30,480
Speaker 1: because there's no way in hell any pants in season

704
00:32:30,480 --> 00:32:32,360
Speaker 1: three ended up fitting me in season six or.

705
00:32:32,280 --> 00:32:36,160
Speaker 2: Seven that that wasn't happening. So yeah, it's good for you. Man.

706
00:32:37,440 --> 00:32:41,520
Speaker 1: Was this with also the green shirt vest combo? Because

707
00:32:41,520 --> 00:32:43,440
Speaker 1: you have a solid shirt vest.

708
00:32:43,240 --> 00:32:44,640
Speaker 2: Combo in this episode as well.

709
00:32:44,800 --> 00:32:47,600
Speaker 1: Sure, yeah, but it's a green like a green shirt

710
00:32:47,720 --> 00:32:49,840
Speaker 1: button down with that great vest that like the brown

711
00:32:49,960 --> 00:32:50,720
Speaker 1: vest that looks cool.

712
00:32:51,000 --> 00:32:54,200
Speaker 2: I do have to say I love the storyline idea

713
00:32:54,800 --> 00:32:58,200
Speaker 2: of a kid who because I think as a kid

714
00:32:58,280 --> 00:33:01,280
Speaker 2: or you've you we've either all felt the situation at

715
00:33:01,320 --> 00:33:05,080
Speaker 2: some point in your life where you are presented with

716
00:33:05,200 --> 00:33:09,440
Speaker 2: multiple opportunities to stop something before it gets out of hand,

717
00:33:09,520 --> 00:33:11,800
Speaker 2: and somehow it not only do not stop it, but

718
00:33:11,840 --> 00:33:15,080
Speaker 2: you actually make it worse in your life. Gosh, where

719
00:33:15,120 --> 00:33:17,680
Speaker 2: the lot? It's like, I can I don't even know

720
00:33:17,720 --> 00:33:19,680
Speaker 2: what situation I've been in in my life where I'm

721
00:33:19,720 --> 00:33:21,920
Speaker 2: like I I can relate to that. But I love

722
00:33:21,960 --> 00:33:25,040
Speaker 2: that storyline, especially for kids. I mean it's a great

723
00:33:25,080 --> 00:33:29,720
Speaker 2: storyline children. Yes, how that can really spin out that

724
00:33:29,800 --> 00:33:31,520
Speaker 2: you think something like I'm just going to say this

725
00:33:31,560 --> 00:33:33,640
Speaker 2: one thing right now, this white lie to get myself

726
00:33:33,680 --> 00:33:36,240
Speaker 2: out of the situation, and then it like keeps coming

727
00:33:36,280 --> 00:33:38,160
Speaker 2: back up and you realize there is no such thing.

728
00:33:38,560 --> 00:33:41,720
Speaker 3: Doesn't it seem like Sean would be the one saying,

729
00:33:42,040 --> 00:33:45,600
Speaker 3: let's take advantage of this, let's have fun, right, Like

730
00:33:45,680 --> 00:33:47,960
Speaker 3: he's the guy who would always is like, let's just

731
00:33:48,040 --> 00:33:49,680
Speaker 3: ride it and know who cares what the future of

732
00:33:49,680 --> 00:33:53,360
Speaker 3: the consequences. Let's just get on the news and get girls.

733
00:33:53,400 --> 00:33:58,880
Speaker 3: And like, why is Sean suddenly conscious about this? Like

734
00:33:58,920 --> 00:34:01,200
Speaker 3: it would have been great, been very easy to insert

735
00:34:01,480 --> 00:34:05,320
Speaker 3: a reason, like Corey said one thing that that that

736
00:34:05,520 --> 00:34:07,920
Speaker 3: bugs Sean because it relates to his life in some way,

737
00:34:08,000 --> 00:34:10,600
Speaker 3: or like you, I don't know. It's like every other

738
00:34:10,680 --> 00:34:14,520
Speaker 3: episode where Corey and Seawan do highjinks or lie or

739
00:34:14,520 --> 00:34:17,359
Speaker 3: get into a situation, Sean is the instigator, and he's

740
00:34:17,400 --> 00:34:19,640
Speaker 3: the one that's always saying, don't worry about it, just

741
00:34:19,719 --> 00:34:20,320
Speaker 3: have fun.

742
00:34:20,520 --> 00:34:22,319
Speaker 2: Yeah, he's like, you know what's different. It was a

743
00:34:22,320 --> 00:34:24,759
Speaker 2: part of me that wondered if there was an underlying

744
00:34:24,920 --> 00:34:28,080
Speaker 2: jealousy from Sean because Sean was also there and there

745
00:34:28,120 --> 00:34:30,399
Speaker 2: was a little bit of like a I was there too,

746
00:34:30,480 --> 00:34:35,000
Speaker 2: you know, can I get never a one is kind

747
00:34:35,000 --> 00:34:37,719
Speaker 2: of what I thought, that you're actually trying to get

748
00:34:37,800 --> 00:34:40,960
Speaker 2: him to come clean because you're not sure why. You're

749
00:34:41,040 --> 00:34:43,480
Speaker 2: also not benefiting from the scenario. You get a locker.

750
00:34:43,520 --> 00:34:45,840
Speaker 1: Genie I'm the one who brought the crowbar like something

751
00:34:45,880 --> 00:34:46,200
Speaker 1: like that.

752
00:34:46,200 --> 00:34:48,800
Speaker 2: That would yeah, I feel like, yeah something.

753
00:34:48,880 --> 00:34:51,960
Speaker 3: There's no motivation for Sean to be calling Corey out.

754
00:34:52,040 --> 00:34:54,800
Speaker 3: It's like and like we've established and we will continue

755
00:34:54,840 --> 00:34:57,920
Speaker 3: to establish throughout the show. Sean doesn't think about the future.

756
00:34:57,960 --> 00:35:00,920
Speaker 3: He's totally just gets caught up in whatever's happening. So

757
00:35:00,960 --> 00:35:03,360
Speaker 3: it's very bizarre that I'm the voice of you know,

758
00:35:03,480 --> 00:35:04,000
Speaker 3: reason here.

759
00:35:04,440 --> 00:35:06,479
Speaker 1: So, Danielle, you were talking about a lie that gets

760
00:35:06,480 --> 00:35:07,000
Speaker 1: out of hand.

761
00:35:08,040 --> 00:35:08,719
Speaker 2: I've got one.

762
00:35:09,360 --> 00:35:14,320
Speaker 1: Tell me grade yes, fifth grade, mister Brooker's class, what

763
00:35:14,440 --> 00:35:17,600
Speaker 1: did you do? Bon Jovi is coming to Hartford to

764
00:35:17,640 --> 00:35:22,600
Speaker 1: play a concert. I tell everyone I'm going. I'm not,

765
00:35:22,960 --> 00:35:26,520
Speaker 1: but I tell everyone I'm going. Oh no the concert.

766
00:35:27,040 --> 00:35:30,239
Speaker 1: Days after what was the concert? Like, you didn't go?

767
00:35:30,520 --> 00:35:31,880
Speaker 2: Yes? I did? You did not go?

768
00:35:32,000 --> 00:35:33,359
Speaker 1: And it got into such a fight that I said,

769
00:35:33,440 --> 00:35:36,920
Speaker 1: not only did I go, they brought me backstage and

770
00:35:37,040 --> 00:35:39,480
Speaker 1: gave me a guitar signed by the whole band.

771
00:35:39,680 --> 00:35:43,480
Speaker 2: Oh no, oh no, bring it in tomorrow.

772
00:35:44,480 --> 00:35:46,600
Speaker 1: I forgot to bring it because, of course, if you

773
00:35:46,640 --> 00:35:49,840
Speaker 1: have a guitar signed by all of bon Jovi, you

774
00:35:50,000 --> 00:35:52,399
Speaker 1: forget to bring it. Right when the whole school.

775
00:35:52,080 --> 00:35:54,400
Speaker 2: Is accusing you of being a liar. You don't forget that.

776
00:35:54,760 --> 00:35:57,040
Speaker 1: You don't forget that. A girl named Carrie, I won't

777
00:35:57,040 --> 00:36:02,160
Speaker 1: say her last name, Sears was hi carry Hy. Carrie

778
00:36:02,360 --> 00:36:04,560
Speaker 1: was saying to me, you didn't go, and she was

779
00:36:04,600 --> 00:36:06,480
Speaker 1: like the cool girl. She had the patches of like

780
00:36:06,520 --> 00:36:09,200
Speaker 1: Motley Crue and stuff like that on her jean jacket. Rightfully,

781
00:36:09,200 --> 00:36:12,520
Speaker 1: so because she's not a liar exactly, Well, I wasn't either,

782
00:36:12,760 --> 00:36:15,000
Speaker 1: as far as I remember in my head, I went

783
00:36:15,040 --> 00:36:16,560
Speaker 1: to the concert and got the guitar.

784
00:36:17,120 --> 00:36:17,200
Speaker 3: No.

785
00:36:17,480 --> 00:36:20,400
Speaker 1: So it was weeks of this bring it in until

786
00:36:20,520 --> 00:36:23,640
Speaker 1: finally I had to say I never actually went to

787
00:36:23,680 --> 00:36:25,799
Speaker 1: the So I had the opportunity of okay, I didn't

788
00:36:25,800 --> 00:36:28,400
Speaker 1: go to the Bond Jovie concert, but it turned aroundly

789
00:36:28,440 --> 00:36:32,520
Speaker 1: did I go brought backstage and given a guitar signed Michael.

790
00:36:32,520 --> 00:36:34,000
Speaker 2: Oh, that's amazing.

791
00:36:34,239 --> 00:36:36,640
Speaker 3: I'm such a bad liar. I've never been able to

792
00:36:36,640 --> 00:36:38,720
Speaker 3: lie in my life. Rat I'm just an open book.

793
00:36:38,880 --> 00:36:39,600
Speaker 2: I just cannot.

794
00:36:39,840 --> 00:36:43,600
Speaker 3: I'm so uncomfortable like with just even the thought of lying,

795
00:36:43,719 --> 00:36:47,000
Speaker 3: like the the mental anguish, like I just can't do it.

796
00:36:47,040 --> 00:36:50,360
Speaker 1: So now the reason I don't lie, and I go

797
00:36:50,520 --> 00:36:53,319
Speaker 1: out of my way not to lie is because I'm

798
00:36:53,320 --> 00:36:59,840
Speaker 1: so good at right tales and I remember the d

799
00:37:00,120 --> 00:37:02,680
Speaker 1: tales months later that I added And that's why. I mean.

800
00:37:02,920 --> 00:37:04,520
Speaker 1: My wife and I've talked about this. I'm like, I'm

801
00:37:04,520 --> 00:37:06,520
Speaker 1: never gonna lie to you, like and she's like, you'd be.

802
00:37:06,640 --> 00:37:07,640
Speaker 1: You're really good at it, aren't.

803
00:37:07,680 --> 00:37:08,799
Speaker 2: I'm like, that's why I don't do it.

804
00:37:08,840 --> 00:37:12,000
Speaker 1: If I say something it's the truth, because it's I

805
00:37:12,000 --> 00:37:13,440
Speaker 1: don't want to get it's weird.

806
00:37:13,920 --> 00:37:17,760
Speaker 2: It's weird. Yeah, I was never on Boy Meets World. Really,

807
00:37:17,800 --> 00:37:20,240
Speaker 2: that's a lot. I was never on Boy Meets World.

808
00:37:21,640 --> 00:37:23,480
Speaker 2: So yeah, bon Jovi, he ow's me a guitar. That's

809
00:37:23,520 --> 00:37:25,600
Speaker 2: what this is all about. Corey says he's giving the

810
00:37:25,600 --> 00:37:27,680
Speaker 2: people what they want. He doesn't want to disappoint anyone.

811
00:37:27,719 --> 00:37:29,399
Speaker 2: He pulls out his schedule for the day to read

812
00:37:29,440 --> 00:37:31,600
Speaker 2: to Sean. He has a photo shoot with the homecoming Queen,

813
00:37:31,719 --> 00:37:34,000
Speaker 2: shoot sushi with Doctor Currell, and then he has to

814
00:37:34,040 --> 00:37:36,720
Speaker 2: fight traffic to greet the new exchange students at the airport.

815
00:37:37,120 --> 00:37:39,240
Speaker 2: Sean says he can just tell everyone no, but Corey

816
00:37:39,239 --> 00:37:40,879
Speaker 2: doesn't want to go back to being the same old

817
00:37:40,920 --> 00:37:43,759
Speaker 2: Corey Matthews. Sean asks what was wrong with him, and

818
00:37:43,800 --> 00:37:46,920
Speaker 2: Corey says people still call him Eric's brother, Sean's friend,

819
00:37:47,120 --> 00:37:48,520
Speaker 2: or hey kid.

820
00:37:48,360 --> 00:37:51,399
Speaker 3: Move great, same story, look but same story looks, same

821
00:37:51,400 --> 00:37:54,919
Speaker 3: story and also just a ridiculous considering how much how

822
00:37:54,960 --> 00:37:57,560
Speaker 3: much everybody at the center of attention. Yeah, I love it,

823
00:37:57,640 --> 00:37:58,160
Speaker 3: I love it.

824
00:37:58,719 --> 00:38:00,560
Speaker 2: So Corey lied to his parents and slide to the

825
00:38:00,560 --> 00:38:02,520
Speaker 2: school and says it can't get worse than that. Then

826
00:38:02,600 --> 00:38:04,880
Speaker 2: mister Williams and mister Turner comes up to Corey to

827
00:38:04,960 --> 00:38:08,320
Speaker 2: tell him they got him an appearance on Philadelphia tonight

828
00:38:08,640 --> 00:38:11,080
Speaker 2: because Eli called a few of his buddies and now

829
00:38:11,120 --> 00:38:14,879
Speaker 2: they want the entire Matthew's family on TV. Corey uses

830
00:38:14,920 --> 00:38:17,120
Speaker 2: his locker Genie to bang his head against the locker,

831
00:38:17,520 --> 00:38:20,279
Speaker 2: and Turner tells Williams Corey can save someone from a

832
00:38:20,280 --> 00:38:23,160
Speaker 2: burning building, but he's afraid of a camera. Corey tells

833
00:38:23,160 --> 00:38:25,359
Speaker 2: Sean he's reached his limit. He can't go through with this.

834
00:38:25,680 --> 00:38:28,160
Speaker 2: Then Phoenie comes up behind him and asks can't go

835
00:38:28,280 --> 00:38:31,319
Speaker 2: through with what? Sean explains to Feenie Corey is going

836
00:38:31,320 --> 00:38:33,560
Speaker 2: to be on TV to explain the fire, and Phoene

837
00:38:33,560 --> 00:38:35,759
Speaker 2: says he's also been waiting for Corey to tell the

838
00:38:35,800 --> 00:38:38,759
Speaker 2: whole story. Cory says, Phoenie knows everything, and Phoene says,

839
00:38:38,800 --> 00:38:41,640
Speaker 2: perhaps you're right. Phoene walks off, and Corey asks Sean

840
00:38:41,680 --> 00:38:44,160
Speaker 2: what that meant, and Sean says, it's just Feenie being Phoenie.

841
00:38:44,320 --> 00:38:46,600
Speaker 2: Three years in and I still don't understand a word

842
00:38:46,640 --> 00:38:51,319
Speaker 2: this guy says, but hasn't he been teaching them forever too?

843
00:38:51,360 --> 00:38:54,640
Speaker 3: But also, but Sean knows, Like Sean has been calling

844
00:38:54,640 --> 00:38:57,040
Speaker 3: Corey out for line a little bit, so why wouldn't

845
00:38:57,080 --> 00:39:00,799
Speaker 3: he be like on Phoenie's side, And so I'm saying, like, yeah,

846
00:39:00,840 --> 00:39:03,320
Speaker 3: Phoene's onto us, dude, like you should tell the truth

847
00:39:03,760 --> 00:39:06,440
Speaker 3: or I don't know any reaction that makes sense as

848
00:39:06,480 --> 00:39:10,319
Speaker 3: opposed to this, like reverting to dumb. Let's just keep

849
00:39:10,400 --> 00:39:13,400
Speaker 3: going along with it, Sean right when the scene started

850
00:39:13,440 --> 00:39:16,520
Speaker 3: with me. Anyway, all that aside, My favorite delivery of

851
00:39:16,560 --> 00:39:20,359
Speaker 3: all time is Alex stays, there's famous people.

852
00:39:20,080 --> 00:39:25,400
Speaker 2: Get all weird. They're all they're all weird.

853
00:39:25,560 --> 00:39:28,200
Speaker 3: His Oh my god, he's just so great.

854
00:39:28,280 --> 00:39:29,600
Speaker 2: He's so natural.

855
00:39:29,760 --> 00:39:33,600
Speaker 3: Yes, he's so calm and like understated and just hysterical.

856
00:39:33,680 --> 00:39:36,840
Speaker 3: I love that line. Yeah, very but yeah, no, this

857
00:39:37,320 --> 00:39:38,920
Speaker 3: it's a weird, weird episode for me.

858
00:39:39,680 --> 00:39:42,960
Speaker 2: Yeah, I mean too, These last two have been odd

859
00:39:42,960 --> 00:39:45,359
Speaker 2: for me. Then we're in the Matthews living room. Corey

860
00:39:45,440 --> 00:39:47,839
Speaker 2: is on the phone with doctor Sharon, a radio personality.

861
00:39:47,880 --> 00:39:49,800
Speaker 2: He says, his name is Gomez and he's calling to

862
00:39:49,840 --> 00:39:52,439
Speaker 2: talk to somebody about his situation. He wants to come clean,

863
00:39:52,480 --> 00:39:54,799
Speaker 2: but he's afraid the truth will make things worse. He

864
00:39:54,880 --> 00:39:57,239
Speaker 2: asks where he can find a little courage. Doctor Sharon

865
00:39:57,280 --> 00:39:59,480
Speaker 2: tells him to look deep inside himself, but Corey is

866
00:39:59,480 --> 00:40:01,879
Speaker 2: disappointed with her answer. After being on hold for forty

867
00:40:01,880 --> 00:40:03,920
Speaker 2: five minutes, she tells him, you know what you could

868
00:40:03,960 --> 00:40:06,719
Speaker 2: turn into Philadelphia tonight to watch an inspirational story about

869
00:40:06,719 --> 00:40:09,120
Speaker 2: a brave boy named Corey Matthews. And I did like

870
00:40:09,160 --> 00:40:11,319
Speaker 2: how this all. I liked that moment that somebody's like,

871
00:40:11,320 --> 00:40:13,359
Speaker 2: you know what you should do? Look at this boy.

872
00:40:13,960 --> 00:40:15,959
Speaker 2: Corey hangs up the phone on doctor Sharon by throwing

873
00:40:16,000 --> 00:40:18,160
Speaker 2: the phone on the couch and not touching a single button.

874
00:40:18,480 --> 00:40:21,000
Speaker 2: Doctor Sharon is still on the phone. It's been thirty years,

875
00:40:21,120 --> 00:40:22,040
Speaker 2: It's never never.

876
00:40:21,880 --> 00:40:24,200
Speaker 3: Been hung up on Ben's phone. Acting, man, We've talked

877
00:40:24,200 --> 00:40:24,440
Speaker 3: about it.

878
00:40:25,320 --> 00:40:27,560
Speaker 2: Acting does not have good phone acting, and that's rare

879
00:40:27,760 --> 00:40:31,640
Speaker 2: because he's got all the other duels. It's been acting.

880
00:40:31,680 --> 00:40:33,080
Speaker 2: I was gonna say it because we have to separate

881
00:40:33,080 --> 00:40:35,239
Speaker 2: it from facting, which is his acting. So this is

882
00:40:35,239 --> 00:40:35,760
Speaker 2: an acting.

883
00:40:35,840 --> 00:40:38,800
Speaker 3: This is an acting, is not or maybe tele acting

884
00:40:38,920 --> 00:40:41,160
Speaker 3: tele acting acting tell.

885
00:40:41,040 --> 00:40:45,719
Speaker 2: Acting is good. Yeah, Cory and Eric's bedroom. Corey is

886
00:40:45,760 --> 00:40:47,439
Speaker 2: looking out the window to see the news crew setting

887
00:40:47,520 --> 00:40:49,920
Speaker 2: up there, lights, cameras, cables and ooh. Sean wants to

888
00:40:49,960 --> 00:40:51,960
Speaker 2: know what the ooh was about, and it's bagels. He

889
00:40:52,000 --> 00:40:53,880
Speaker 2: does a cute little hand thing for the bagels.

890
00:40:53,920 --> 00:40:56,319
Speaker 1: Always does he always made shapes, remember Ben what always like?

891
00:40:56,440 --> 00:41:01,120
Speaker 2: Because that's it? Hey, guys, He says he's glad Sean

892
00:41:01,200 --> 00:41:02,959
Speaker 2: is there with him. Sean says he's partly to blame

893
00:41:03,000 --> 00:41:05,640
Speaker 2: because he told Corey to ride this out, but he

894
00:41:05,840 --> 00:41:08,080
Speaker 2: says he won't go on TV and lie with Corey.

895
00:41:08,080 --> 00:41:10,200
Speaker 2: What kind of an idiot would do that. Eric comes

896
00:41:10,200 --> 00:41:11,839
Speaker 2: out of the bathroom dressed in a suit and says,

897
00:41:11,880 --> 00:41:14,680
Speaker 2: half hour and tell our debut boys. Eric says, once

898
00:41:14,760 --> 00:41:16,919
Speaker 2: the audience sees him, no one will care for rich

899
00:41:16,960 --> 00:41:18,840
Speaker 2: Herrera the weather guy, and he's going to take his

900
00:41:18,960 --> 00:41:21,680
Speaker 2: job and this is a nice little callback to Eric's

901
00:41:21,800 --> 00:41:24,680
Speaker 2: dream job of being a weatherman. Set it up. I'm

902
00:41:24,719 --> 00:41:31,839
Speaker 2: also wearing the hell out of that suit. The mullet right, correct,

903
00:41:30,920 --> 00:41:33,160
Speaker 2: it's not really a mullet.

904
00:41:33,239 --> 00:41:36,359
Speaker 3: No, this is just glorious.

905
00:41:37,080 --> 00:41:39,920
Speaker 2: But here's the thing, because this part is so long

906
00:41:40,040 --> 00:41:42,640
Speaker 2: and the way they like blew it out, this long

907
00:41:42,680 --> 00:41:45,200
Speaker 2: part that dangles down here gives a mullet vibe because

908
00:41:45,200 --> 00:41:47,239
Speaker 2: it's like it goes in at the ears but then

909
00:41:47,280 --> 00:41:50,680
Speaker 2: poofs out down here like this is this is so good.

910
00:41:52,040 --> 00:41:57,920
Speaker 3: Peak Wilfredell will teat this. You know, I feel like

911
00:41:58,000 --> 00:42:00,160
Speaker 3: this is where you stay for the rest of the

912
00:42:00,200 --> 00:42:03,399
Speaker 3: show as far as like your vibe. It's hysterical because

913
00:42:03,480 --> 00:42:04,719
Speaker 3: I mean, we do a whole episode where you do

914
00:42:04,800 --> 00:42:07,640
Speaker 3: become a weather man, right yeah, So I feel like

915
00:42:07,640 --> 00:42:11,560
Speaker 3: we're establishing this whimsy about you that's great where it's

916
00:42:11,560 --> 00:42:13,360
Speaker 3: like it's not like the essay t stuff, which was

917
00:42:13,440 --> 00:42:16,040
Speaker 3: still kind of would you know, try and have a

918
00:42:16,080 --> 00:42:16,920
Speaker 3: real message.

919
00:42:17,080 --> 00:42:19,760
Speaker 2: It's like, no, just cant great bits.

920
00:42:19,960 --> 00:42:23,960
Speaker 3: Let will go do voices and weather reports and look

921
00:42:24,040 --> 00:42:24,680
Speaker 3: good in a suit.

922
00:42:24,760 --> 00:42:30,480
Speaker 2: It's honest, it was so Corey asks Eric, well, what

923
00:42:30,520 --> 00:42:32,960
Speaker 2: if this TV thing doesn't happen tonight because he's not

924
00:42:33,080 --> 00:42:35,560
Speaker 2: really a hero. He's the one who started the fire

925
00:42:35,640 --> 00:42:39,040
Speaker 2: and the whole thing snowballed. Eric's immediate reaction is to

926
00:42:39,040 --> 00:42:45,440
Speaker 2: think Corey is protecting rich Herrera is great. And then

927
00:42:45,480 --> 00:42:47,680
Speaker 2: we're in the Matthews living room the news crew.

928
00:42:48,600 --> 00:42:52,160
Speaker 3: What was Sean saying, Sean, I'm not gonna I'm not

929
00:42:52,200 --> 00:42:53,320
Speaker 3: gonna lie.

930
00:42:53,280 --> 00:42:56,480
Speaker 2: I'm not gonna go on TV. I know, well, it

931
00:42:56,520 --> 00:42:59,080
Speaker 2: would be great if Sean says I'm going to help

932
00:42:59,080 --> 00:43:01,640
Speaker 2: you get out of this man, because I'm partly responsible

933
00:43:01,680 --> 00:43:04,040
Speaker 2: for this whole scenario. So I don't want to how much.

934
00:43:05,000 --> 00:43:08,719
Speaker 3: Yeah, or enjoy the popularity why you can have fun?

935
00:43:08,760 --> 00:43:10,719
Speaker 3: Like there's there's so many different ways that would have

936
00:43:10,719 --> 00:43:13,640
Speaker 3: made more sense. And instead of say Sean's a non presence,

937
00:43:13,880 --> 00:43:17,719
Speaker 3: he's just he's the one person who and that he's

938
00:43:17,760 --> 00:43:20,840
Speaker 3: not actually giving advice. Tell Feenie the truth, Live to Feenie,

939
00:43:20,920 --> 00:43:23,880
Speaker 3: Like it's they just want to keep me in this

940
00:43:24,000 --> 00:43:27,240
Speaker 3: like undecided category the entire time, and it's.

941
00:43:27,040 --> 00:43:31,200
Speaker 1: Like, give just a shame because the actual good story

942
00:43:31,239 --> 00:43:34,480
Speaker 1: here is take you out of it except for breaking

943
00:43:34,480 --> 00:43:37,400
Speaker 1: at the beginning, and make it to Panga is his conscience.

944
00:43:37,600 --> 00:43:40,960
Speaker 3: Yes, that I mean, you know, it's a whole Seene

945
00:43:41,160 --> 00:43:43,600
Speaker 3: coming in your you know, like just having me being

946
00:43:43,640 --> 00:43:46,279
Speaker 3: the person in every scene bouncing ideas off of him,

947
00:43:46,320 --> 00:43:48,200
Speaker 3: but having when.

948
00:43:48,040 --> 00:43:53,200
Speaker 2: Sean keeps trying to help him out by opening the doorway. Yes, Phoenie,

949
00:43:53,400 --> 00:43:56,759
Speaker 2: I'm actually trying to tell Cory and Corey shuts him up.

950
00:43:56,960 --> 00:43:58,759
Speaker 2: And in this case, if you're like, dude, I'm not

951
00:43:58,920 --> 00:44:00,640
Speaker 2: going on TV in line, we have to go down

952
00:44:00,680 --> 00:44:02,839
Speaker 2: there right now and tell your parents the truth. I'll

953
00:44:02,880 --> 00:44:05,839
Speaker 2: help you, and and Corey keeps stopping you. I have

954
00:44:05,920 --> 00:44:06,560
Speaker 2: no point of them.

955
00:44:06,800 --> 00:44:09,080
Speaker 3: Rely, Sean has no point of view. It's like I'm

956
00:44:09,120 --> 00:44:12,640
Speaker 3: there and scenes to bounce off dialogue with Corey, but

957
00:44:12,680 --> 00:44:14,800
Speaker 3: I'm not actually serving any purpose or any point of

958
00:44:14,880 --> 00:44:18,000
Speaker 3: view in this episode, which makes no sense. Sean's a troublemaker,

959
00:44:18,160 --> 00:44:21,040
Speaker 3: Sean is, you know, And that's what it should have been,

960
00:44:21,080 --> 00:44:24,040
Speaker 3: that it was always Sean's paper, and that Corey just

961
00:44:24,120 --> 00:44:27,040
Speaker 3: went along to help Sean. Then Sean would be beholden

962
00:44:27,080 --> 00:44:29,920
Speaker 3: to go along with the lie against his better judgment,

963
00:44:30,360 --> 00:44:31,520
Speaker 3: and then that you know, and then it would have

964
00:44:31,520 --> 00:44:32,640
Speaker 3: been a point of view.

965
00:44:33,440 --> 00:44:35,680
Speaker 1: Or they make you even more absurd, and you're getting

966
00:44:35,800 --> 00:44:38,520
Speaker 1: extra meals at lunch because you were Corey's friend, and

967
00:44:38,600 --> 00:44:41,080
Speaker 1: you're you're riding the coach down like you know, I'm

968
00:44:41,120 --> 00:44:42,040
Speaker 1: dating the cheerleader.

969
00:44:42,080 --> 00:44:45,680
Speaker 3: Now, if the roles were reversed, right, it actually makes

970
00:44:45,680 --> 00:44:49,240
Speaker 3: more sense. Sean's the one who blows up the lab

971
00:44:49,800 --> 00:44:54,480
Speaker 3: lies and Corey's obviously the moral compass. So the fact

972
00:44:54,480 --> 00:44:57,040
Speaker 3: that they reversed our roles for the sake of the episode,

973
00:44:57,080 --> 00:45:00,640
Speaker 3: they were uncomfortable with completely going there, but then don't

974
00:45:00,680 --> 00:45:02,719
Speaker 3: go there. Then just have Sean be the one like Corey,

975
00:45:02,800 --> 00:45:04,800
Speaker 3: Let's get on the news, Corey, let's go light to Feenie.

976
00:45:05,160 --> 00:45:07,239
Speaker 3: Sean should be taking advantage of it. I don't just

977
00:45:07,480 --> 00:45:09,760
Speaker 3: any point of view. It's strange.

978
00:45:10,320 --> 00:45:12,319
Speaker 2: Corey tells Sean this is the lowest point in his

979
00:45:12,360 --> 00:45:13,960
Speaker 2: life and he's going straight to hell. And the worst

980
00:45:14,000 --> 00:45:15,720
Speaker 2: part is they'll expect him to put out the fire.

981
00:45:16,480 --> 00:45:19,480
Speaker 2: The fast talking news anchor Connie is prepping Amy and

982
00:45:19,520 --> 00:45:22,279
Speaker 2: Allen for the newscast. She encourages them to cry on

983
00:45:22,360 --> 00:45:24,400
Speaker 2: camera if they can, and then they'll load up the

984
00:45:24,440 --> 00:45:25,840
Speaker 2: van and they'll be drinking by nine.

985
00:45:26,120 --> 00:45:31,799
Speaker 5: Turner and Eli so good, Oh my God, is like

986
00:45:31,880 --> 00:45:37,080
Speaker 5: the excited to be on TV choice he chooses to do.

987
00:45:37,000 --> 00:45:38,839
Speaker 2: It in this moment, he doesn't even have any lines.

988
00:45:38,880 --> 00:45:41,319
Speaker 3: When she's like running them through the bit and the bets,

989
00:45:41,320 --> 00:45:42,279
Speaker 3: you're like, oh oh oh.

990
00:45:42,640 --> 00:45:44,840
Speaker 2: But then he's also like really happy to be there.

991
00:45:45,480 --> 00:45:48,880
Speaker 1: It's so it's so cute. Uh.

992
00:45:49,040 --> 00:45:50,719
Speaker 2: And then we see that Turner and Eli are also

993
00:45:50,760 --> 00:45:51,720
Speaker 2: there watching in the corner.

994
00:45:51,840 --> 00:45:55,280
Speaker 3: Can we also this is where the absence of Morgan

995
00:45:55,800 --> 00:45:59,959
Speaker 3: is so palpable, like everybody's here, the whole fan.

996
00:46:02,280 --> 00:46:05,719
Speaker 2: Accept the littles again, except by the way, the little sister,

997
00:46:05,719 --> 00:46:08,920
Speaker 2: who would have totally shined in this moment of like

998
00:46:09,320 --> 00:46:12,200
Speaker 2: trying to take over her career character to have inserted

999
00:46:12,239 --> 00:46:12,440
Speaker 2: in here.

1000
00:46:12,480 --> 00:46:15,080
Speaker 1: This is probably when they started going, yeah, we need

1001
00:46:15,239 --> 00:46:16,719
Speaker 1: we need to we need to figure this out.

1002
00:46:17,520 --> 00:46:19,759
Speaker 2: Eric comes down to introduce himself to Connie and he

1003
00:46:19,800 --> 00:46:22,000
Speaker 2: tries to give her a weather report. Connie starts her

1004
00:46:22,040 --> 00:46:25,200
Speaker 2: news report without Alan, Amy and Eric, while Corey tries

1005
00:46:25,280 --> 00:46:27,680
Speaker 2: to switch spots with the sound guy and Sean is

1006
00:46:27,680 --> 00:46:30,319
Speaker 2: stealing food from the craft service table. There is so

1007
00:46:30,480 --> 00:46:34,600
Speaker 2: much going on in this in this scene, just so

1008
00:46:34,880 --> 00:46:35,719
Speaker 2: much going on.

1009
00:46:35,800 --> 00:46:38,120
Speaker 3: Did you guys find it kind of jarring to see

1010
00:46:38,640 --> 00:46:41,200
Speaker 3: film equipment on our set. Yes, that was weird, like

1011
00:46:41,920 --> 00:46:44,960
Speaker 3: seeing a boom standing a boom. Mic I was like,

1012
00:46:45,640 --> 00:46:48,120
Speaker 3: that's a mistake, that's you can't show that.

1013
00:46:48,440 --> 00:46:50,080
Speaker 2: It is so weird. It must have been.

1014
00:46:50,280 --> 00:46:53,719
Speaker 3: Yeah, I mean, I guess no one in outside of

1015
00:46:53,719 --> 00:46:55,600
Speaker 3: the film industry would have recognized those things.

1016
00:46:55,600 --> 00:46:57,160
Speaker 2: But that's like what it looked.

1017
00:46:56,960 --> 00:46:59,000
Speaker 3: Like to us all the time, Like right, that's all

1018
00:46:59,120 --> 00:47:01,960
Speaker 3: you Yes, like we always have those that equipment and

1019
00:47:02,000 --> 00:47:04,279
Speaker 3: like c stands and yeah, it's so weird to have

1020
00:47:04,320 --> 00:47:06,680
Speaker 3: it and people with headsets like it's just.

1021
00:47:06,719 --> 00:47:10,719
Speaker 2: Yeah, guys with the booms the booms. Alan starts talking

1022
00:47:10,760 --> 00:47:13,080
Speaker 2: about Corey. Then Eric jumps in to talk about Corey,

1023
00:47:13,120 --> 00:47:15,440
Speaker 2: but brings up the weather and Alan sends Eric up

1024
00:47:15,440 --> 00:47:18,319
Speaker 2: to his room. I thought may is funny. It was

1025
00:47:18,440 --> 00:47:22,920
Speaker 2: very mad protrude. Alan and Amy say Corey hasn't changed

1026
00:47:22,960 --> 00:47:24,840
Speaker 2: since being a hero, and he didn't do this to

1027
00:47:24,880 --> 00:47:27,200
Speaker 2: be a hero. It just had to be done. Corey

1028
00:47:27,280 --> 00:47:29,759
Speaker 2: doing the right thing is what makes him special. They

1029
00:47:29,760 --> 00:47:33,400
Speaker 2: proudly look over at Corey and he disappointedly walks into

1030
00:47:33,440 --> 00:47:37,040
Speaker 2: the kitchen. Connie tosses the next segment to Rich Herrera

1031
00:47:37,120 --> 00:47:41,799
Speaker 2: and Eric yells no from upstairs. There was a whole

1032
00:47:41,840 --> 00:47:44,800
Speaker 2: lot going on in there. Then we're in the Matthew

1033
00:47:45,320 --> 00:47:49,880
Speaker 2: Rusty just the way he likes, so funny looking at

1034
00:47:49,880 --> 00:47:53,880
Speaker 2: the different cameras and kind of stumbling over his words

1035
00:47:53,920 --> 00:47:57,400
Speaker 2: and very funny. So then we're the Matthew slash Fienie Backyard.

1036
00:47:57,400 --> 00:47:59,400
Speaker 2: Phoene is yelling at the camera crew who have some

1037
00:47:59,440 --> 00:48:02,479
Speaker 2: of their cable on his aliols and their generator next

1038
00:48:02,480 --> 00:48:06,800
Speaker 2: to his my bramble bush.

1039
00:48:06,960 --> 00:48:09,080
Speaker 3: Now do we find it weird that we never see

1040
00:48:09,239 --> 00:48:19,640
Speaker 3: a camera? The cameras are the actual cameras. It's like,

1041
00:48:19,640 --> 00:48:22,360
Speaker 3: if you're going to break this wall without break, like

1042
00:48:22,600 --> 00:48:25,040
Speaker 3: you just just have somebody setting up a camera in

1043
00:48:25,080 --> 00:48:27,560
Speaker 3: front of our cameras and then everybody but instead they're

1044
00:48:27,640 --> 00:48:28,359
Speaker 3: looking at art.

1045
00:48:28,400 --> 00:48:32,320
Speaker 2: It just drives me crazy. Yes, yes, yes that is weird.

1046
00:48:33,800 --> 00:48:35,080
Speaker 2: We do.

1047
00:48:35,600 --> 00:48:37,480
Speaker 3: But we've done it so many times where we've had

1048
00:48:37,520 --> 00:48:38,680
Speaker 3: a camera in the set.

1049
00:48:39,200 --> 00:48:40,560
Speaker 2: We've always you know, and when.

1050
00:48:40,400 --> 00:48:42,799
Speaker 3: You were doing news shows like this, they didn't have

1051
00:48:42,880 --> 00:48:46,440
Speaker 3: sophisticated that. They basically just use video cameras, right, so

1052
00:48:46,480 --> 00:48:47,960
Speaker 3: you could have easily just had a handle.

1053
00:48:48,000 --> 00:48:48,279
Speaker 2: Why not.

1054
00:48:49,360 --> 00:48:51,440
Speaker 3: It's not like we had a lack of cameras around

1055
00:48:51,560 --> 00:48:52,719
Speaker 3: like or couldn't afford it.

1056
00:48:52,960 --> 00:48:55,400
Speaker 1: I think for the reason, then chose cameras set up

1057
00:48:55,440 --> 00:48:56,920
Speaker 1: in front of our cameras, So.

1058
00:48:56,920 --> 00:49:00,279
Speaker 2: It's like, yeah, that's what makes sense that it's kind

1059
00:49:00,280 --> 00:49:02,160
Speaker 2: of blocking. He could have also just been on a tripod.

1060
00:49:02,160 --> 00:49:04,640
Speaker 2: You wouldn't even need a person manning the camera. You

1061
00:49:04,640 --> 00:49:06,160
Speaker 2: could have just put it on a track.

1062
00:49:06,000 --> 00:49:07,560
Speaker 3: Or just like the boom person, you just see it

1063
00:49:07,560 --> 00:49:09,480
Speaker 3: asn't cut away. Yeah, and you never have to show

1064
00:49:09,480 --> 00:49:13,759
Speaker 3: it again. You just show people with a camera over there, right,

1065
00:49:14,000 --> 00:49:16,240
Speaker 3: but then they're looking into our cameras right.

1066
00:49:16,120 --> 00:49:18,560
Speaker 2: When they're right. Yeah, yeah, I think so I hate

1067
00:49:18,600 --> 00:49:22,960
Speaker 2: that kind of stuff. Addressed me cra So Corey walks

1068
00:49:23,000 --> 00:49:25,719
Speaker 2: out and Phoene says the eyes of Philadelphia on him tonight.

1069
00:49:25,719 --> 00:49:28,040
Speaker 2: But Corey doesn't feel good because he's not comfortable going

1070
00:49:28,080 --> 00:49:30,680
Speaker 2: on TV and being a hero. Phoene says, a hero

1071
00:49:30,800 --> 00:49:32,880
Speaker 2: is when someone does the right thing, even when the

1072
00:49:32,960 --> 00:49:35,480
Speaker 2: right thing isn't easy to do, and that's when Corey

1073
00:49:35,560 --> 00:49:38,520
Speaker 2: realizes Fhoenie has known the truth all along, but Phoene

1074
00:49:38,560 --> 00:49:41,720
Speaker 2: says he doesn't have enough facts. Alan Amy come outside

1075
00:49:41,719 --> 00:49:43,759
Speaker 2: to grab Corey, but he finally admits to them he's

1076
00:49:43,800 --> 00:49:45,640
Speaker 2: the one who started the fire. He says it was

1077
00:49:45,640 --> 00:49:47,600
Speaker 2: an accident, but he was thinking he wanted to be

1078
00:49:47,680 --> 00:49:49,960
Speaker 2: someone he wasn't and he knows that was a mistake.

1079
00:49:50,239 --> 00:49:52,400
Speaker 2: He kept hoping it would go away so he wouldn't

1080
00:49:52,400 --> 00:49:55,279
Speaker 2: get in trouble. Amy says it didn't and he is.

1081
00:49:55,680 --> 00:49:57,879
Speaker 2: And Alan says Corey has to go inside and tell

1082
00:49:57,880 --> 00:50:00,479
Speaker 2: Connie he isn't going on live TV. And he says

1083
00:50:00,480 --> 00:50:02,759
Speaker 2: Connie will freak, and Alan says, well she can get

1084
00:50:02,800 --> 00:50:05,520
Speaker 2: in line. So now we know Corey's going to be

1085
00:50:05,520 --> 00:50:09,080
Speaker 2: in big time trouble. Before Corey walks in, Phoene says,

1086
00:50:09,120 --> 00:50:11,799
Speaker 2: well done. And when Corey says, so you did know,

1087
00:50:12,040 --> 00:50:14,320
Speaker 2: Phoene corrects him and says he didn't know the truth,

1088
00:50:14,440 --> 00:50:18,000
Speaker 2: but he did know the character heroic. Then he says

1089
00:50:18,040 --> 00:50:21,120
Speaker 2: he'll see Corey at school tomorrow on a Saturday to

1090
00:50:21,320 --> 00:50:24,840
Speaker 2: paint the chemistry lab N's night.

1091
00:50:24,880 --> 00:50:27,239
Speaker 3: It's nice to have Feenie over the fence giving real

1092
00:50:27,280 --> 00:50:29,760
Speaker 3: advice to Corey in a moment of crisis.

1093
00:50:30,160 --> 00:50:33,040
Speaker 2: Yes, I just wish this just like a.

1094
00:50:32,400 --> 00:50:35,120
Speaker 3: Little rewrite some yeah, you know, a couple more days

1095
00:50:35,160 --> 00:50:38,360
Speaker 3: rewriting this, and because this scene is great, like the

1096
00:50:38,600 --> 00:50:41,399
Speaker 3: mistakes of like the news cruise in the other room

1097
00:50:41,440 --> 00:50:43,760
Speaker 3: and Correy has to like retreat to have a crisis.

1098
00:50:43,760 --> 00:50:46,600
Speaker 3: But it didn't right, didn't quite feel like a crisis,

1099
00:50:46,640 --> 00:50:48,799
Speaker 3: Like it didn't like I wasn't sure what Corey was

1100
00:50:48,840 --> 00:50:51,479
Speaker 3: giving up that was so important, like it it would

1101
00:50:51,480 --> 00:50:54,680
Speaker 3: have been really nice if he was you know, we've

1102
00:50:54,680 --> 00:50:56,600
Speaker 3: seen him on stage like being loved by the jocks,

1103
00:50:56,600 --> 00:50:59,280
Speaker 3: but like Tapang's not really into Corey being popular. Sean's

1104
00:50:59,320 --> 00:51:02,320
Speaker 3: not into Corey and popular, Like what is Corey getting

1105
00:51:02,760 --> 00:51:05,440
Speaker 3: That like really affects him in like a way, like

1106
00:51:05,440 --> 00:51:05,920
Speaker 3: it would have.

1107
00:51:05,840 --> 00:51:08,920
Speaker 4: Just been nice to see, well, I would relationship the

1108
00:51:09,000 --> 00:51:11,319
Speaker 4: po the point that would have bummed him out, that

1109
00:51:11,320 --> 00:51:14,239
Speaker 4: would have been crossing the line for him is I'm

1110
00:51:14,239 --> 00:51:17,759
Speaker 4: making a fool of my family, right, This isn't just

1111
00:51:17,800 --> 00:51:19,239
Speaker 4: affecting me anymore.

1112
00:51:19,719 --> 00:51:24,520
Speaker 2: My parents, who are well meaning, established people have to

1113
00:51:24,760 --> 00:51:28,160
Speaker 2: are out there unknown, like basically looking like a fool.

1114
00:51:28,200 --> 00:51:30,320
Speaker 2: Have you ever been in a situation with a friend

1115
00:51:30,480 --> 00:51:34,120
Speaker 2: or a romantic partner where other people all know a

1116
00:51:34,160 --> 00:51:37,200
Speaker 2: story and you're the only one who doesn't, and and

1117
00:51:37,239 --> 00:51:39,640
Speaker 2: you're suddenly like, wait a minute, how come I'm like

1118
00:51:39,680 --> 00:51:41,319
Speaker 2: all these other people know this thing about you and

1119
00:51:41,320 --> 00:51:43,000
Speaker 2: I'm supposed to be an important person in your life

1120
00:51:43,000 --> 00:51:44,840
Speaker 2: and I'm the only one who didn't know that story

1121
00:51:45,320 --> 00:51:47,200
Speaker 2: like that, there's a there's a part that you feels

1122
00:51:47,239 --> 00:51:48,880
Speaker 2: like you kind of made a fool of me, Like

1123
00:51:48,920 --> 00:51:51,600
Speaker 2: I went out there and so that I would have

1124
00:51:51,800 --> 00:51:53,480
Speaker 2: it would have really, And I think that is what

1125
00:51:53,520 --> 00:51:56,520
Speaker 2: they wanted, is that Corey saw his parents on TV

1126
00:51:56,760 --> 00:52:00,520
Speaker 2: talking about what a special, amazing, good hearted, would always

1127
00:52:00,560 --> 00:52:02,960
Speaker 2: do the right thing kind of kid, and he was like, man,

1128
00:52:03,320 --> 00:52:06,200
Speaker 2: and he knows he's not. But it didn't quite land

1129
00:52:06,480 --> 00:52:09,200
Speaker 2: as he I wish that, coming.

1130
00:52:09,360 --> 00:52:11,560
Speaker 1: Right off of an episode where the whole thing was

1131
00:52:11,640 --> 00:52:13,000
Speaker 1: him going, of course, I'm gonna do the right thing.

1132
00:52:13,040 --> 00:52:13,880
Speaker 2: I always do the right thing.

1133
00:52:13,960 --> 00:52:16,960
Speaker 1: I was raised well, and it's like we just and

1134
00:52:17,040 --> 00:52:18,960
Speaker 1: your reason is because you want people to know who

1135
00:52:19,000 --> 00:52:19,319
Speaker 1: you are.

1136
00:52:19,600 --> 00:52:22,399
Speaker 2: That's your reason every week and they always know who

1137
00:52:22,400 --> 00:52:22,719
Speaker 2: you are.

1138
00:52:23,480 --> 00:52:25,560
Speaker 3: So I guess I guess that is the thing is

1139
00:52:25,560 --> 00:52:27,560
Speaker 3: that it's still sort of abstract, like I want to

1140
00:52:27,560 --> 00:52:30,440
Speaker 3: be popular, I want to be known at school for something.

1141
00:52:30,600 --> 00:52:33,000
Speaker 3: It would have been nice to make that concrete in

1142
00:52:33,040 --> 00:52:35,320
Speaker 3: somewhere like he is, actually I don't know.

1143
00:52:35,239 --> 00:52:37,600
Speaker 2: Like this like just being on TV.

1144
00:52:37,880 --> 00:52:39,960
Speaker 1: I can't believe I'm going to make this analogy, but

1145
00:52:40,000 --> 00:52:44,640
Speaker 1: it's summertime switch. It's like you want, almost want him

1146
00:52:44,680 --> 00:52:47,920
Speaker 1: to do what Fast Freddy did, where he turns around

1147
00:52:48,000 --> 00:52:50,719
Speaker 1: and bags on the rich people and that's what makes

1148
00:52:50,760 --> 00:52:53,640
Speaker 1: the girl like him. So it's like you almost want

1149
00:52:53,840 --> 00:52:56,840
Speaker 1: he's doing it to impress to Panga. But what actually

1150
00:52:56,840 --> 00:52:59,320
Speaker 1: impresses to Panga is when he finally comes clean on

1151
00:52:59,360 --> 00:53:01,000
Speaker 1: such truth like something like.

1152
00:53:01,000 --> 00:53:03,799
Speaker 2: That, Yeah, and is actually a little icked out by

1153
00:53:03,840 --> 00:53:06,200
Speaker 2: how much he's enjoying the perks of being a hero

1154
00:53:07,000 --> 00:53:19,879
Speaker 2: until he comes clean. Yeah, I can see that, all right.

1155
00:53:19,960 --> 00:53:22,959
Speaker 2: So we're in the school hallway. Janitor Budd is taking

1156
00:53:23,000 --> 00:53:25,759
Speaker 2: away Corey's locker Genie. He says Corey saved his life,

1157
00:53:25,760 --> 00:53:28,440
Speaker 2: but Phoene signs his checks. Then he asks for the

1158
00:53:28,480 --> 00:53:32,600
Speaker 2: clicker back from Corey and missus fraud aka to Panga,

1159
00:53:32,920 --> 00:53:37,000
Speaker 2: this is fraud. She's completely pointless and not needed in

1160
00:53:37,040 --> 00:53:39,000
Speaker 2: the show, but she does wear amazing cowboy boots, so

1161
00:53:39,040 --> 00:53:40,080
Speaker 2: thank you, Sarah mark Witz.

1162
00:53:40,360 --> 00:53:42,000
Speaker 1: And may never even get into the fact that he's

1163
00:53:42,280 --> 00:53:44,200
Speaker 1: This is the thing about the He's obviously lying to

1164
00:53:44,200 --> 00:53:45,080
Speaker 1: her the whole time too.

1165
00:53:45,160 --> 00:53:47,560
Speaker 2: I mean he's lying. He his girlfriend never mentioned that.

1166
00:53:47,680 --> 00:53:49,800
Speaker 1: She doesn't seem to care. None of that seems to happen.

1167
00:53:49,880 --> 00:53:52,120
Speaker 2: They don't talk about it at all. It's not needed.

1168
00:53:52,239 --> 00:53:53,839
Speaker 3: Could have gone the could have gone the other way too,

1169
00:53:53,840 --> 00:53:56,960
Speaker 3: where like Tapanga's getting perks for being like really she's

1170
00:53:56,960 --> 00:53:59,920
Speaker 3: super stoked on being like Corey's are candy is he

1171
00:54:00,040 --> 00:54:02,080
Speaker 3: He's like being fair and then that would put pressure

1172
00:54:02,120 --> 00:54:04,239
Speaker 3: on him to like, yeah, there's a million ways to

1173
00:54:04,400 --> 00:54:06,120
Speaker 3: have done Yeah.

1174
00:54:06,239 --> 00:54:09,040
Speaker 2: I mean, it makes no sense that in three oh

1175
00:54:09,120 --> 00:54:11,960
Speaker 2: four they were like, we do not need this character

1176
00:54:12,160 --> 00:54:14,920
Speaker 2: in here, but we have to have or in three

1177
00:54:15,000 --> 00:54:19,200
Speaker 2: oh five if I'm just not needed, like I guess

1178
00:54:19,440 --> 00:54:20,960
Speaker 2: it must have been that they were trying to make

1179
00:54:21,000 --> 00:54:23,320
Speaker 2: their minimum of what they were guaranteed to pay me

1180
00:54:23,560 --> 00:54:25,040
Speaker 2: or something, and so they might as well just throw

1181
00:54:25,080 --> 00:54:27,279
Speaker 2: me in. But it really is, I'm completely pointless in

1182
00:54:27,320 --> 00:54:29,959
Speaker 2: this episode another No, POV doesn't need to be there,

1183
00:54:31,640 --> 00:54:33,400
Speaker 2: super weird. They could have easily done all of this

1184
00:54:33,480 --> 00:54:35,720
Speaker 2: just without Ta Panga needing to be there, super weird.

1185
00:54:36,080 --> 00:54:38,680
Speaker 2: Corey says he's happy just being plain old Corey. He

1186
00:54:38,719 --> 00:54:41,520
Speaker 2: puts his arm around Sean and Tapega says he's got

1187
00:54:41,520 --> 00:54:44,000
Speaker 2: his best friend and his girlfriend, and then he walks

1188
00:54:44,000 --> 00:54:46,719
Speaker 2: into Tommy, who says, hey kid, move, Hey, he's got

1189
00:54:46,719 --> 00:54:49,880
Speaker 2: his old name back too nice callback, Yeah, I like you.

1190
00:54:50,640 --> 00:54:53,560
Speaker 2: Doctor Serell tells Tommy he can miss tomorrow's lab, but

1191
00:54:53,560 --> 00:54:55,279
Speaker 2: when Corey walks up to him to give him a

1192
00:54:55,280 --> 00:54:57,560
Speaker 2: note from his mom for a doctor's appointment, he says,

1193
00:54:58,080 --> 00:55:01,479
Speaker 2: tell it to someone who cares, and Corey says, it's

1194
00:55:01,560 --> 00:55:05,200
Speaker 2: good to be me. And that's our show.

1195
00:55:06,440 --> 00:55:08,040
Speaker 1: A couple not great ones in a row.

1196
00:55:08,200 --> 00:55:11,480
Speaker 3: I've got a great flower print shirt in this final tag, though.

1197
00:55:11,440 --> 00:55:12,120
Speaker 2: Do you there?

1198
00:55:12,160 --> 00:55:12,400
Speaker 3: You go?

1199
00:55:12,480 --> 00:55:15,160
Speaker 2: I love how much your wardrobe?

1200
00:55:15,160 --> 00:55:17,400
Speaker 1: I was gonna say, when Rider really leans into the wardrobe,

1201
00:55:17,440 --> 00:55:19,560
Speaker 1: you know he's he's not already checked out on the

1202
00:55:19,600 --> 00:55:22,640
Speaker 1: app on the episode.

1203
00:55:21,040 --> 00:55:24,800
Speaker 2: Ye obsessing over the c stands and cables. Yeah, and

1204
00:55:24,840 --> 00:55:27,640
Speaker 2: then where's that camera? Yeah? I don't know, man, it's

1205
00:55:27,800 --> 00:55:30,520
Speaker 2: it's not I'm not. I didn't love these last two

1206
00:55:30,520 --> 00:55:34,640
Speaker 2: episodes either with them, but they're not they're not great.

1207
00:55:34,960 --> 00:55:38,759
Speaker 2: Should we discuss the mini fear we have will while

1208
00:55:38,800 --> 00:55:42,000
Speaker 2: you were gone? We we have a little bit of

1209
00:55:42,040 --> 00:55:45,400
Speaker 2: a minifaar. Should we discuss it? Just really brief? I

1210
00:55:45,440 --> 00:55:46,319
Speaker 2: feel like we got.

1211
00:55:46,560 --> 00:55:49,439
Speaker 3: I've been told and there were comments when we entered

1212
00:55:49,480 --> 00:55:53,120
Speaker 3: season three that season three was the best season and.

1213
00:55:53,080 --> 00:55:55,759
Speaker 2: That when season three comes around, you guys are really

1214
00:55:55,800 --> 00:55:58,080
Speaker 2: you hit your stride, it becomes really great. You guys

1215
00:55:58,080 --> 00:56:00,640
Speaker 2: are gonna love season three. Just wait till you get

1216
00:56:00,640 --> 00:56:01,480
Speaker 2: to season three.

1217
00:56:01,560 --> 00:56:04,400
Speaker 3: And so far I'm not feeling it. But yeah, to

1218
00:56:04,480 --> 00:56:07,120
Speaker 3: be fair, I felt this. We all felt this way, yes,

1219
00:56:07,280 --> 00:56:10,880
Speaker 3: the episodes into season two, so you're right, maybe this

1220
00:56:10,960 --> 00:56:13,359
Speaker 3: is just the way it goes. But it is not

1221
00:56:13,680 --> 00:56:18,200
Speaker 3: like I loved the double lie the episode two. Yeah,

1222
00:56:18,400 --> 00:56:19,880
Speaker 3: I did not like the first episode.

1223
00:56:20,120 --> 00:56:23,280
Speaker 2: No, it was weird. That was the whole issue.

1224
00:56:23,280 --> 00:56:27,359
Speaker 3: Okay that I love, doesn't say it back.

1225
00:56:27,440 --> 00:56:30,280
Speaker 2: It was a little weird. Yeah it wasn't. It wasn't terrible.

1226
00:56:30,400 --> 00:56:35,440
Speaker 2: But but four and five have not. I don't know

1227
00:56:35,760 --> 00:56:39,160
Speaker 2: if it feels off. I think we're all better.

1228
00:56:39,360 --> 00:56:42,400
Speaker 1: We're all comfortable as getting more comfortable as actors and

1229
00:56:42,440 --> 00:56:45,160
Speaker 1: are finding our characters. So for us on a personal level,

1230
00:56:45,160 --> 00:56:45,880
Speaker 1: I think it's better.

1231
00:56:45,920 --> 00:56:47,319
Speaker 2: But some of the.

1232
00:56:47,280 --> 00:56:50,759
Speaker 1: Episodes are not. Again I'm I don't want to I

1233
00:56:50,760 --> 00:56:53,120
Speaker 1: don't want to watch a whole lot more of Corey

1234
00:56:53,480 --> 00:56:55,520
Speaker 1: is doing something crazy because he wants people to know

1235
00:56:55,520 --> 00:56:57,560
Speaker 1: who he is episodes and Sean is running away like

1236
00:56:57,600 --> 00:56:58,200
Speaker 1: I'm kind.

1237
00:56:58,000 --> 00:56:59,239
Speaker 2: Of I'm kind of done with that.

1238
00:56:59,400 --> 00:57:03,399
Speaker 1: I think let's say, let's get it, my guy, Let's

1239
00:57:03,400 --> 00:57:04,680
Speaker 1: get into the topanga stuff.

1240
00:57:05,080 --> 00:57:08,000
Speaker 3: I know is going to become Corey Topanga, Corey Bang,

1241
00:57:08,000 --> 00:57:09,160
Speaker 3: and then we're gonna get sick of that. But I

1242
00:57:09,200 --> 00:57:12,919
Speaker 3: think that's what I mean, that becomes Corey's main storyline.

1243
00:57:13,080 --> 00:57:15,879
Speaker 3: Sean's storyline is like always looking for parents, always looking

1244
00:57:15,880 --> 00:57:16,400
Speaker 3: for a home.

1245
00:57:16,640 --> 00:57:19,120
Speaker 2: So that's gonna I'm gonna keep running away and being

1246
00:57:19,240 --> 00:57:23,160
Speaker 2: very dramatic, well until until Angela, until Trina arrives. Then

1247
00:57:23,200 --> 00:57:27,440
Speaker 2: you have a very romantic, a romantic storyline. Yeah, I know.

1248
00:57:27,560 --> 00:57:30,080
Speaker 2: I was also just like, oh, season three is when

1249
00:57:30,080 --> 00:57:32,360
Speaker 2: the real Corey into beanga story and then we started

1250
00:57:32,400 --> 00:57:35,600
Speaker 2: off with such a like I'm in I'm gonna be

1251
00:57:35,720 --> 00:57:37,760
Speaker 2: with her, and then it's just been like, who is

1252
00:57:37,760 --> 00:57:39,919
Speaker 2: that person? You have not needed that person. I don't

1253
00:57:39,920 --> 00:57:43,960
Speaker 2: know who that person is. So yeah, very strange, very strange. Well,

1254
00:57:44,440 --> 00:57:46,040
Speaker 2: thank you all for joining us for this episode of

1255
00:57:46,040 --> 00:57:48,320
Speaker 2: Pod Meets World. Our next episode that we will recap

1256
00:57:48,320 --> 00:57:51,720
Speaker 2: is season three, episode six. This Little Piggy. Oh, no,

1257
00:57:53,440 --> 00:57:55,800
Speaker 2: the pig the pig one.

1258
00:57:55,640 --> 00:57:58,360
Speaker 3: Okay, one of the pig ones. We have multiple like

1259
00:57:58,400 --> 00:57:59,480
Speaker 3: you do, Like you do.

1260
00:58:00,360 --> 00:58:03,120
Speaker 2: It Originally aired November third, nineteen ninety five. You can

1261
00:58:03,120 --> 00:58:05,160
Speaker 2: follow us on Instagram pod Meets World Show. You can

1262
00:58:05,240 --> 00:58:07,480
Speaker 2: send us your emails pod Meets World Show at gmail

1263
00:58:07,520 --> 00:58:19,480
Speaker 2: dot com. And we have merch hondas var that's for merchandise. Yeah, yeah, Cooper,

1264
00:58:19,560 --> 00:58:24,960
Speaker 2: what is it? Yeah? Is to coop? Yeah, coiect and

1265
00:58:25,840 --> 00:58:28,840
Speaker 2: for yourself. There you go. Let's bring back the Dutch

1266
00:58:29,720 --> 00:58:34,000
Speaker 2: Podmeetsworldshow dot com will send us out. We love you all,

1267
00:58:34,320 --> 00:58:35,040
Speaker 2: pod dismissed.

1268
00:58:37,120 --> 00:58:39,840
Speaker 1: Pod Meets World is an iHeart podcast produced and hosted

1269
00:58:39,840 --> 00:58:43,640
Speaker 1: by Danielle Fischel, Wilfordell and Ryder Strong executive producers, Jensen

1270
00:58:43,720 --> 00:58:47,000
Speaker 1: Krp and Amy Sugarman Executive in charge of production, Daniel Romo,

1271
00:58:47,120 --> 00:58:51,040
Speaker 1: producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and

1272
00:58:51,040 --> 00:58:53,600
Speaker 1: Boy Meets World super fan Eastern Allen. Our theme song

1273
00:58:53,640 --> 00:58:55,800
Speaker 1: is by Kyle Morton of Typhoon and you can follow

1274
00:58:55,880 --> 00:58:58,880
Speaker 1: us on Instagram at Pod meets World Show or email

1275
00:58:58,960 --> 00:59:01,080
Speaker 1: us at pod Meets World Show Show at gmail dot

1276
00:59:01,160 --> 00:59:01,520
Speaker 1: com