WEBVTT - How Product Placement Works

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to Stuff you Should Know?

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<v Speaker 1>From House Stuff Works dot Com? Hey, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. With me is Charles W.

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<v Speaker 1>Chuck Bryant, who's enjoying a delicious RC brand cola right now.

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<v Speaker 1>How's that? How's that treating? It's It's wonderful. It's satisfying

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<v Speaker 1>and delicious to my mouth tread Chuck. Yes, Chuck, I

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<v Speaker 1>know we've already mentioned this once, but I want to

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<v Speaker 1>allude once again to the mysterious companion shows that are

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<v Speaker 1>coming out on the Science Channel. Sure, Pumpkin Chucking and

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<v Speaker 1>The Road to Pumpkin Chucking. Yes, no, there, Yeah, but

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<v Speaker 1>they're in reverse order. Sure. The Road begins at eight

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<v Speaker 1>p m. Eastern Time, and they're on the Science Channel

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<v Speaker 1>on Thanksgiving night, a special Thanksgiving special. Uh and uh.

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<v Speaker 1>You can kind of glean from the name what it's about. Yeah,

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<v Speaker 1>but we're not gonna say too much more about it.

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<v Speaker 1>And now back to our regular schedule program. Chuck, I'm

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<v Speaker 1>gonna give you a little known but historically significant date

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<v Speaker 1>in the twentieth century. Let's here at March thirty one. Okay,

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<v Speaker 1>you give up, uh fifteen, sixteen days after my birthday

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<v Speaker 1>years ago. I was in my twenties. Still, those were

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<v Speaker 1>good days, no what. On that day, the digital video

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<v Speaker 1>recorder known as TiVo shipped its first product. I happened

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<v Speaker 1>to be outside that day the moment that that was shipped,

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<v Speaker 1>and I swear I heard an audible oh sighing out

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<v Speaker 1>of every ad agency on the planet. They have found

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<v Speaker 1>a way to not watch television commercials. Not only can

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<v Speaker 1>you fast forward through television commercials, you can skip television

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<v Speaker 1>commercials automatically. TiVo senses that, um that break, much like

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<v Speaker 1>your old cassette player in your car could skip to

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<v Speaker 1>the next song because of that break. Right. Oh yeah,

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<v Speaker 1>I remember that. Yeah. It was bad news for advertising.

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<v Speaker 1>Yeah it was. And I'm I have to admit that

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<v Speaker 1>I do that as well. I record. I'd try to

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<v Speaker 1>start even my Falcons games about an hour late so

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<v Speaker 1>I can zip through the commercials there too. Yeah, so

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<v Speaker 1>you like to postpone gratification. Yeah, I've I've gotten spoiled here.

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<v Speaker 1>You know they actually factor uh DVR stats into Nielsen ratings.

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<v Speaker 1>Now they figured out how to do that. I think

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<v Speaker 1>Mark Change. Yeah, they factored in as whoever watched the show.

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<v Speaker 1>And then there's the secondary seven day window after the

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<v Speaker 1>show premieres. I remember them scrambling to come up with

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<v Speaker 1>how to, how to how to work that in. Yeah,

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<v Speaker 1>good for them, Yeah, go Nielsen, Well go Nielsen, and

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<v Speaker 1>I guess go advertising agencies because they figured out a

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<v Speaker 1>way around it. Actually, it wasn't anything new, but it's

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<v Speaker 1>definitely been stepped up since the introduction of TV and

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<v Speaker 1>that is something called product placement. Yes, product placement. You

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<v Speaker 1>might not have been paying attention towards the beginning of

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<v Speaker 1>this podcast, but we did it ourselves. And when we

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<v Speaker 1>mentioned Chuck drinking a delicious RC brand cola, right, it's

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<v Speaker 1>a little harder to be subtle when you are working

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<v Speaker 1>in a audio medium. You haven't much have to say

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<v Speaker 1>it to kind of whisper right, you know. But the

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<v Speaker 1>trick is in a in a visual medium like a

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<v Speaker 1>television or film. Obviously, you don't want to hit someone

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<v Speaker 1>over the head with it too hard because then it

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<v Speaker 1>can kind of backfire on you. So you want to

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<v Speaker 1>be really clever with how you place it that you

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<v Speaker 1>want it to be noticed, but not to stand out

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<v Speaker 1>and when done right, it works like Gangbusters. The key

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<v Speaker 1>is to have a um cool advertising exactly working on

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<v Speaker 1>this this plan. Ye who has nerves of steel and

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<v Speaker 1>knows where that line is. Yeah, because you want as

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<v Speaker 1>Catherine Near, our steam colleague who wrote this wonderful article

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<v Speaker 1>right she as she points out, um, it's it's very

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<v Speaker 1>easy to cross the line, and you want the product

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<v Speaker 1>to fit in almost seamlessly. Yeah. Because the filmmaker certainly

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<v Speaker 1>doesn't want that either. So then though it greases their

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<v Speaker 1>palm a little bit and makes things possible, many times,

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<v Speaker 1>they still don't want it to be the focus a

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<v Speaker 1>filmmaker worth they're salt. They don't always have their palms creased. Well,

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<v Speaker 1>now there's and you would think, well, yeah, they're they're

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<v Speaker 1>always paying to have their product place. There's actually three

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<v Speaker 1>ways that it happens. The first way is um when

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<v Speaker 1>a product just ends up and is seen organically or

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<v Speaker 1>without any contact with the company who manufacturers it saying

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<v Speaker 1>give me money. Yeah, like a director or a prop

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<v Speaker 1>master or someone says, hey, that'd be cool. If Tom

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<v Speaker 1>Cruise like smash this coke can against his head is

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<v Speaker 1>a little tiny like head, or if somebody in the

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<v Speaker 1>Sopranos used a can of raid. Yeah, very violently, right, Yeah,

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<v Speaker 1>Ralph spray Tony in the face during a fight. That's

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<v Speaker 1>not good. It didn't end well for Ralf you know.

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<v Speaker 1>And um, the S. C. Johnson Company who manufacturer's raid

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<v Speaker 1>wasn't entirely happy about it because really, uh, number one,

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<v Speaker 1>they weren't asked, and number two, they makes their product

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<v Speaker 1>look kind of bad, you know, like, oh yeah, I

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<v Speaker 1>forgot raids really dangerous on humans too, And then they

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<v Speaker 1>didn't use the can of rid. You know the fake

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<v Speaker 1>things that Hollywood comes up with. My brother used to

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<v Speaker 1>give me those little prop props is like Christmas gifts.

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<v Speaker 1>The the I would love to have with this. By

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<v Speaker 1>the way, got me a can of beer that we

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<v Speaker 1>talked about products, but he would send me like a

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<v Speaker 1>Budweiser can was bud mace here and he sent me

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<v Speaker 1>an evy and bottle that said ewan And you know

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<v Speaker 1>they do it just in the same type phase and

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<v Speaker 1>just like it, yeah, which I guess you can get

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<v Speaker 1>away with. Yeah. Um, there's two other ways that this

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<v Speaker 1>can happen. One is that the company trades some of

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<v Speaker 1>their product for product placement, which is pale about as

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<v Speaker 1>lame as it gets, not really like, oh yeah, we

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<v Speaker 1>need fifty cases of coca cola and will put your

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<v Speaker 1>product in the movie if you give us free coke.

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<v Speaker 1>Who does that? Well yeah, but that's the kind of

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<v Speaker 1>clamoring that you do, buddy. Oh yeah, you've been like, hey,

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<v Speaker 1>if you send us some Reese's pieces, we'll talk about

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<v Speaker 1>them in the air. Huh. So yeah, but we're not

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<v Speaker 1>famous filmmakers. No, we're not famous enough to do it.

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<v Speaker 1>The third way, which I plan on doing. That's pretty

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<v Speaker 1>much extortion financial competitions. You're saying, we'll put your product

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<v Speaker 1>in our movie or TV show or on the internet whatever.

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<v Speaker 1>We'll get to that in a little bit. Uh if

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<v Speaker 1>you give us money in which firm? Yeah, and deal

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<v Speaker 1>for smaller films. So definitely. It's you know when you

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<v Speaker 1>think like, oh, this is the the the most expensive

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<v Speaker 1>film ever made, two hundred million dollars or whatever. Wasn't

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<v Speaker 1>it water World that broke the hundred million dollar mark

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<v Speaker 1>or something? And then Titanic broke the two million dollars?

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<v Speaker 1>Just crazy money. But I mean this doesn't all come

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<v Speaker 1>from one guy writing a check or one studio writing check.

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<v Speaker 1>There's Japanese masters involved. There are um, you know, charity groups,

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<v Speaker 1>there's investment funds there, and then there's sponsorship, corporate sponsorship

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<v Speaker 1>in the way of product placement. Probably the most famous

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<v Speaker 1>as far as I know product placement UM was in

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<v Speaker 1>E T. Well, yeah, I just mentioned Reese's pieces out

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<v Speaker 1>of context, but yeah, E T was famously catapulted. I

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<v Speaker 1>even remember this. I remember Reese's pieces before ET and

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<v Speaker 1>after ET because it was a big, big difference, and

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<v Speaker 1>there notability. It was supposed to be Eminem's. I think

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<v Speaker 1>people was the story. And I think the eminem people.

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<v Speaker 1>Uh they said, na, the Spielberg Uh, who wanted a

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<v Speaker 1>million for it? Is that what it was? You wanted

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<v Speaker 1>a million? Eminem's turned him down. Reese said, yes, jump

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<v Speaker 1>in sales the month the the movie was released and

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<v Speaker 1>really put it on the map forever. So and put

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<v Speaker 1>product placement on the map as well. I mean, like

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<v Speaker 1>this can work, Uh, and it does. Chuck. Let's talk

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<v Speaker 1>about the first product placement that ever occurred as far

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<v Speaker 1>as we know. UM. Something in a little film called

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<v Speaker 1>The African Queen in the nineteen fifties. Kate hepburn through

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<v Speaker 1>a case of Golden's gin over the side of a boat.

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<v Speaker 1>That's exactly right. That was awful. That is better than

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<v Speaker 1>my Kate Hepburn. I used to do it pretty decent.

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<v Speaker 1>I don't know what happened. You did a pretty decent

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<v Speaker 1>one before we started recording, or maybe I did, Audrey Hepburn, No,

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<v Speaker 1>that was not now, maybe I used to do that one.

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<v Speaker 1>Well straight Gordon's Gin paid the the production company that

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<v Speaker 1>made The African Queen, which at the time was either

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<v Speaker 1>you A or Paramount as far as I know, UM.

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<v Speaker 1>And that was the first real product placement that ever

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<v Speaker 1>took place. Did you know that? About that same time

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<v Speaker 1>it started to really gain traction and soap operas are

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<v Speaker 1>named soap operas because they used product placement, oftentimes soap

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<v Speaker 1>products um in their episodes. And it still continues on today.

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<v Speaker 1>What is it all? My children had like a month

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<v Speaker 1>long storyline where Revlon factored into like the plot line.

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<v Speaker 1>The hole is probably like the Revlin Killer or something

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<v Speaker 1>like that. Probably, I'm sure someone knows, and we'll get

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<v Speaker 1>we'll hear about it, Yes we will, all right, so

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<v Speaker 1>we've got um. It simply happens. It happens in exchange

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<v Speaker 1>for the product, or it happens in exchange for compensation

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<v Speaker 1>or it doesn't happen at all. Most famously, in the

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<v Speaker 1>movie Repo Man. Yes, Repo Man filmed by Alex Cox.

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<v Speaker 1>I think it's say, wait, how do you know that?

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<v Speaker 1>I just I'm a fan of the movie. I am too,

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<v Speaker 1>but I don't know who directed it. Well he did,

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<v Speaker 1>said Nancy, and straight to hell. He's a he's a classic.

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<v Speaker 1>Uh director. Okay, okay, he uh. Alex Cox. Famously in

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<v Speaker 1>Repo Man used all generic products. And if you've seen

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<v Speaker 1>the movie, it's a cult classic. Now you'll notice that

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<v Speaker 1>every single product in the movie is generic and it

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<v Speaker 1>came from Ralph's grocery store in l A. Oh really yeah,

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<v Speaker 1>who used to make the beard that I sent you?

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<v Speaker 1>So it really was generic products? Yeah? They were real.

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<v Speaker 1>Technically there was a company that made those generic products

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<v Speaker 1>that feature prominently. So there I guess there was lots

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<v Speaker 1>of product placement. Is all one company? Actually there were

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<v Speaker 1>two companies. Um. Also, anybody who has seen that movie

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<v Speaker 1>can tell you that. Um. Probably the most prominent character

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<v Speaker 1>in the entire movie that appears in just about every

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<v Speaker 1>scene are the little tree Christmas Tree air fresheners that

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<v Speaker 1>show up on every vehicle in the movie in the

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<v Speaker 1>motorcycle right exactly. And they actually the company that made

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<v Speaker 1>those actually sponsored that movie. So yeah, they actually looked

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<v Speaker 1>into that. I think this was uh, it wasn't quite

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<v Speaker 1>a sponsorship, but they did send them free trees. And

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<v Speaker 1>apparently they Alex Cox said they sent unsented trees because

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<v Speaker 1>none of the actors could stand to like, be cooped

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<v Speaker 1>up with the scent scented ones for too long. That's

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<v Speaker 1>very kind to them. Yeah, and there they basically said,

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<v Speaker 1>these really stink? Can you send it something that don't? Okay,

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<v Speaker 1>but they are air fresheners, remember, So they didn't sponsor

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<v Speaker 1>the movie. They did not sponsor it, but they they

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<v Speaker 1>sent him the swag that was in the film. Why

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<v Speaker 1>must you always humiliate me? I'm sorry? Um, So we

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<v Speaker 1>talked about Reese's pieces getting a big payoff, right, Smaller

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<v Speaker 1>companies can do this too. You remember Red Stripe Beer

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<v Speaker 1>Rock Rock, Red stripey Beer. Yes, yeah, I love those ads.

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<v Speaker 1>Yeah I do too, But I had never heard of

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<v Speaker 1>that before the Firm. See, I don't remember that in

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<v Speaker 1>the Firm when he goes down to the Caymans and

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<v Speaker 1>was hanging out with Gene Hackman, and drinking Red Stripe

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<v Speaker 1>the whole time, and it was it was so prominent

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<v Speaker 1>that there were like articles in the New York Times

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<v Speaker 1>and Time and news Week written about Red Stripe beer.

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<v Speaker 1>And it was so funny too. I remember, like it

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<v Speaker 1>wasn't about product placement. They were drooling over red Stripe

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<v Speaker 1>like it was the hip new thing. Like it could

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<v Speaker 1>not have paid off better for Red trop I think

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<v Speaker 1>they saw, actually it could have, but they saw a

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<v Speaker 1>fifty increase in sales after that movie was released. I

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<v Speaker 1>got people probably were turned on by the cool little

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<v Speaker 1>squatty bottle. Yeah, but I mean it had been around

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<v Speaker 1>forever and was sold in the United stations. I think

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<v Speaker 1>they probably used it to just kind of up their

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<v Speaker 1>market presence. I'm sure that they got a lot more

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<v Speaker 1>distribution after that. The power of the cruise, Yeah, he's

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<v Speaker 1>very powerful, small man. But you wish that just for

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<v Speaker 1>mentioning Red Stripe being in the firm, they would send

0:12:13.880 --> 0:12:17.840
<v Speaker 1>us red strip wuld be some retroactive compensation. Some juice.

0:12:17.920 --> 0:12:20.319
<v Speaker 1>You know, my uncle was in the front. Do you

0:12:20.360 --> 0:12:22.560
<v Speaker 1>have d T S or something? No, some juices and

0:12:22.600 --> 0:12:26.199
<v Speaker 1>some juice something. I thought you went beer. My uncle

0:12:26.240 --> 0:12:28.640
<v Speaker 1>was in the firm. I'm not surprised he just he

0:12:28.679 --> 0:12:30.520
<v Speaker 1>wasn't living in Memphis at the time where they filmed.

0:12:30.520 --> 0:12:33.560
<v Speaker 1>It is Tom Cruise. Your uncle is Jeane triple Horn.

0:12:33.600 --> 0:12:36.400
<v Speaker 1>Your uncle Jeane Triporns my uncle. Now he just had

0:12:36.440 --> 0:12:38.000
<v Speaker 1>a little walk on, like, let me walk in and

0:12:38.000 --> 0:12:41.319
<v Speaker 1>give the papers to somebody. These pretzels are making me thirsty.

0:12:43.120 --> 0:12:46.000
<v Speaker 1>Should we talk about Jerry McGuire, Yeah, this is a

0:12:46.040 --> 0:12:49.880
<v Speaker 1>really good example of product placement going Orry Chuck. Yeah.

0:12:49.880 --> 0:12:53.360
<v Speaker 1>If you remember an Cameron Crow film, Jerry McGuire, Kuba

0:12:53.360 --> 0:12:58.440
<v Speaker 1>Gooding Jr. As Rod Tidwell was professional football player who

0:12:59.760 --> 0:13:03.079
<v Speaker 1>is constantly dissed by Reebok in the movie and Reebok

0:13:03.120 --> 0:13:05.920
<v Speaker 1>showing me no love. They're giving me no love And

0:13:06.320 --> 0:13:08.960
<v Speaker 1>that was a deal made through Reebok and try Star

0:13:09.720 --> 0:13:12.839
<v Speaker 1>and the it was contingent on at the very end

0:13:12.840 --> 0:13:15.400
<v Speaker 1>of the film after the credits, I think there would

0:13:15.400 --> 0:13:21.720
<v Speaker 1>be a phony Reebok commercial finally with Rod Tidwell said, uh, sorry, Rod,

0:13:21.800 --> 0:13:25.000
<v Speaker 1>we were wrong all along. Love Reebok and Cameron Crow

0:13:25.120 --> 0:13:27.360
<v Speaker 1>cut that from the end of the film and they

0:13:27.360 --> 0:13:31.040
<v Speaker 1>got sued by Reebok. Try Star did because Cameron Crow

0:13:31.080 --> 0:13:34.960
<v Speaker 1>cut that scene. Well, not only that Um Cuba Gooding Jr.

0:13:35.160 --> 0:13:37.480
<v Speaker 1>Is talking smack about him and well at least one

0:13:37.520 --> 0:13:39.640
<v Speaker 1>scene right, Well they okay that as long as the

0:13:39.640 --> 0:13:42.800
<v Speaker 1>commercial played it, So it's all part of the deal.

0:13:42.840 --> 0:13:47.559
<v Speaker 1>And Reebok supposedly put in one point five mill into merchandise,

0:13:47.640 --> 0:13:51.000
<v Speaker 1>advertising and promotional support. They sued try Star for ten

0:13:51.040 --> 0:13:54.120
<v Speaker 1>million and settled out of court. And if you notice,

0:13:54.160 --> 0:13:56.960
<v Speaker 1>if you've ever seen Jerry McGuire and Cable, that commercial

0:13:57.160 --> 0:14:01.760
<v Speaker 1>is back in the movie Wow. So that had something

0:14:01.760 --> 0:14:03.959
<v Speaker 1>to do, or at least it was initially on Showtime.

0:14:04.160 --> 0:14:06.960
<v Speaker 1>I don't know if it still is, but they that

0:14:06.960 --> 0:14:08.720
<v Speaker 1>that was probably part of the you know, out of

0:14:08.760 --> 0:14:11.400
<v Speaker 1>court settlement, slip it back in there for Cable and

0:14:11.480 --> 0:14:15.560
<v Speaker 1>DVD or whatever, TBS and will make good. UM. Cars

0:14:15.640 --> 0:14:21.160
<v Speaker 1>also usually feature prominently in movies. Let's talk about cars. Yeah,

0:14:21.320 --> 0:14:23.840
<v Speaker 1>there's there's actually been. You know, any time you see

0:14:24.320 --> 0:14:26.880
<v Speaker 1>a movie where there's like a high speed chase, you

0:14:26.960 --> 0:14:31.360
<v Speaker 1>inevitably invariably are shown the grill of the car that

0:14:31.400 --> 0:14:34.520
<v Speaker 1>has the emblem, so, you know, exactly like the Transporter.

0:14:34.840 --> 0:14:37.400
<v Speaker 1>I think Audi's figured really big into that one, and

0:14:37.680 --> 0:14:40.960
<v Speaker 1>UM Transformers. I think it was that new Camaro Michael

0:14:40.960 --> 0:14:44.360
<v Speaker 1>Bay is always trying to highlight the new models of

0:14:44.400 --> 0:14:47.080
<v Speaker 1>Fords and Chevy's the first I think, the first time

0:14:47.120 --> 0:14:49.520
<v Speaker 1>I ever became aware of product placement was a little

0:14:49.520 --> 0:14:52.760
<v Speaker 1>movie called RoboCop. Yes, do you remember the Tourists from

0:14:52.800 --> 0:14:57.400
<v Speaker 1>the Future four Doors? It was actually the model Ford

0:14:57.400 --> 0:14:59.200
<v Speaker 1>Tourists with a couple of ground effects on it that

0:14:59.360 --> 0:15:03.160
<v Speaker 1>RoboCop rove And I remember it coming out, like I

0:15:03.160 --> 0:15:05.760
<v Speaker 1>think RoboCop came out in eighty seven. It was definitely

0:15:05.760 --> 0:15:08.640
<v Speaker 1>before that Tourist debut, so the movie was its debut,

0:15:08.960 --> 0:15:11.040
<v Speaker 1>and I remember seeing it on the on the road

0:15:11.080 --> 0:15:14.080
<v Speaker 1>when it came out, like, holy cow, there's the RoboCop

0:15:14.160 --> 0:15:17.080
<v Speaker 1>tourists without the ground effect. That's exactly what they want.

0:15:17.240 --> 0:15:18.960
<v Speaker 1>It is exactly what they want. I didn't go out

0:15:18.960 --> 0:15:23.240
<v Speaker 1>and buy a tourist, but it is exactly what they want. Josh.

0:15:23.280 --> 0:15:27.480
<v Speaker 1>Some other notables, clearly Smoking the Bandit with the Pontiac

0:15:27.520 --> 0:15:30.000
<v Speaker 1>trans Am one of the most classic. I would have

0:15:30.080 --> 0:15:31.960
<v Speaker 1>gone with the Bitch and Camaro over a trans am.

0:15:32.040 --> 0:15:35.840
<v Speaker 1>But Herbie the love Bug was of course a big

0:15:35.840 --> 0:15:38.320
<v Speaker 1>ad for the Volkswagen Beetle. Not a big ad, but

0:15:38.400 --> 0:15:41.320
<v Speaker 1>big it works. That's the thing that might not be

0:15:41.400 --> 0:15:43.880
<v Speaker 1>intended like that. Sometimes it just works out. There's a

0:15:43.880 --> 0:15:48.400
<v Speaker 1>classic movie out there that is centered around a sentient VW. Beetle.

0:15:49.960 --> 0:15:53.680
<v Speaker 1>Is that what sentient means? Uh? No? And does Herbie talk?

0:15:53.760 --> 0:15:56.320
<v Speaker 1>I think he just reacts and yeah, You're no sentient

0:15:56.440 --> 0:15:59.560
<v Speaker 1>is aware of your own being. Yeah, I'm kidding. Um,

0:15:59.600 --> 0:16:01.960
<v Speaker 1>I was a getting back to the future. The Dolorean

0:16:02.320 --> 0:16:05.600
<v Speaker 1>was prominently featured, obviously, but I think if I'm not mistaken,

0:16:05.640 --> 0:16:08.720
<v Speaker 1>that was after the Dolorean had It was very tongue

0:16:08.720 --> 0:16:12.160
<v Speaker 1>in cheek appearance. And actually I think Pepsi was was

0:16:12.680 --> 0:16:16.560
<v Speaker 1>definitely a corporate sponsor of that movie, right, Yeah. And

0:16:16.600 --> 0:16:21.920
<v Speaker 1>who can forget the truly bad BMW Z eight that

0:16:22.000 --> 0:16:24.200
<v Speaker 1>was driven in the Bond film The World Is Not Enough.

0:16:24.240 --> 0:16:27.360
<v Speaker 1>The Bond films are often used to debut new stuff

0:16:27.640 --> 0:16:31.320
<v Speaker 1>because they're just such global events. When those movies come out, Um,

0:16:31.320 --> 0:16:34.600
<v Speaker 1>they're perfect for And let's of course, Chuck, let's not

0:16:34.680 --> 0:16:40.240
<v Speaker 1>forget my boy magnum p I driving a Ferrari three

0:16:40.320 --> 0:16:43.120
<v Speaker 1>oh eight. I yeah, which, by the way, I've been

0:16:43.160 --> 0:16:45.000
<v Speaker 1>online you can get one of those these days for

0:16:45.000 --> 0:16:48.280
<v Speaker 1>about thirty K really, yeah, and it costs you another

0:16:48.320 --> 0:16:51.920
<v Speaker 1>fifteen K every time you need an oil change. Yeah, yeah,

0:16:51.920 --> 0:16:54.560
<v Speaker 1>that's a TV car. Some other notable TV cars are

0:16:54.680 --> 0:16:58.920
<v Speaker 1>the Dodge Charger from Dukes of Hazzard and the trans

0:16:58.960 --> 0:17:01.600
<v Speaker 1>Am from Night Writer once again getting some more love,

0:17:02.120 --> 0:17:05.800
<v Speaker 1>and the Grand Camaros. I don't know because even Star

0:17:05.840 --> 0:17:08.520
<v Speaker 1>Skiing Hutch use a Grand Toreno, they could use a Camaro.

0:17:08.800 --> 0:17:12.199
<v Speaker 1>They were bad. Yeah. Um, I often think of us

0:17:12.240 --> 0:17:15.560
<v Speaker 1>as the star skiing huts and podcasting. Yeah. Who's who?

0:17:16.600 --> 0:17:20.000
<v Speaker 1>I'm clearly uh Hutch, Okay, that's fine. Who is that?

0:17:20.080 --> 0:17:23.200
<v Speaker 1>David Soul? Yeah? Nice? Uh if you if you're talking

0:17:23.240 --> 0:17:26.080
<v Speaker 1>cars or Josh. A little company called Audie took it

0:17:26.119 --> 0:17:28.760
<v Speaker 1>to a whole another level, as we say here in

0:17:28.800 --> 0:17:32.880
<v Speaker 1>the South. In two thousand four, the movie I Robot,

0:17:33.000 --> 0:17:37.280
<v Speaker 1>which was had something to do with asthmaf Right. Well, yeah,

0:17:37.400 --> 0:17:41.440
<v Speaker 1>it was based on the book. Um, the Audi r

0:17:41.600 --> 0:17:44.399
<v Speaker 1>s Q concept car is really plays a central role

0:17:44.440 --> 0:17:48.040
<v Speaker 1>in that movie. And it wasn't just placed in that film.

0:17:48.119 --> 0:17:51.640
<v Speaker 1>It was built and constructed solely for that film, right

0:17:51.680 --> 0:17:54.199
<v Speaker 1>with the input of the director of the movie, like

0:17:54.200 --> 0:17:57.640
<v Speaker 1>they designed it together. Yeah, and just for this movie.

0:17:57.760 --> 0:18:00.960
<v Speaker 1>It's nuts. And did they ever release that as a

0:18:01.040 --> 0:18:04.040
<v Speaker 1>real car to the public. Most concept cars aren't released

0:18:04.440 --> 0:18:06.440
<v Speaker 1>as a real car. They're just kind of like, hey,

0:18:06.560 --> 0:18:09.960
<v Speaker 1>check this out, get excited about this, and then sorry, chumps. Uh.

0:18:10.000 --> 0:18:13.000
<v Speaker 1>Some other examples of non car who can forget Tom

0:18:13.080 --> 0:18:16.520
<v Speaker 1>Cruise once again, we can't escape his tiny shadow, the

0:18:16.680 --> 0:18:20.840
<v Speaker 1>ray Band, sunglasses and Risky Business. Yeah, classic scene and

0:18:21.000 --> 0:18:24.520
<v Speaker 1>um through to the loom underwear through to the loom. Um,

0:18:24.560 --> 0:18:29.520
<v Speaker 1>what else? FedEx and Castaway film cast Away but not

0:18:29.600 --> 0:18:32.960
<v Speaker 1>just FedEx like clearly FedEx features prominently in it. But

0:18:33.000 --> 0:18:35.880
<v Speaker 1>they did such the writer clearly this is the writer

0:18:36.440 --> 0:18:42.720
<v Speaker 1>did such an amazing job of Wilson Sporting Goods manufacturers

0:18:42.760 --> 0:18:46.679
<v Speaker 1>and their volleyball that he there's basically two characters in

0:18:46.720 --> 0:18:50.280
<v Speaker 1>the whole movie, and one of them is a Wilson's volleyball.

0:18:51.720 --> 0:18:56.720
<v Speaker 1>Probably exactly, but it's so perfect. This is actually maybe

0:18:56.720 --> 0:19:00.359
<v Speaker 1>an example of the almost being taken out of the seamless,

0:19:01.040 --> 0:19:06.080
<v Speaker 1>the product being seamlessly woven into the into the It

0:19:06.160 --> 0:19:08.159
<v Speaker 1>did work. I'm saying it works so well that I

0:19:08.200 --> 0:19:11.760
<v Speaker 1>don't think must go by Wilson volleyball. You know, Yeah,

0:19:12.320 --> 0:19:14.560
<v Speaker 1>it was just another character. Yeah, it was great. I

0:19:14.600 --> 0:19:17.919
<v Speaker 1>wonder well, I guess they've proven with things like Reese's

0:19:17.920 --> 0:19:20.040
<v Speaker 1>pieces that it works. But do you really get a

0:19:20.080 --> 0:19:23.400
<v Speaker 1>jump in volleyball sales because of that? I don't know.

0:19:24.160 --> 0:19:27.840
<v Speaker 1>It seems unlikely to me. It will the um CEO

0:19:28.119 --> 0:19:31.159
<v Speaker 1>of Wilson Sporting Goods please write us and let us

0:19:31.200 --> 0:19:33.560
<v Speaker 1>know if you guys saw a jump in sales. Yeah,

0:19:33.600 --> 0:19:35.879
<v Speaker 1>I'd like to know that, all right. Um you know, Josh,

0:19:35.880 --> 0:19:37.919
<v Speaker 1>now they have h It used to kind of be

0:19:38.000 --> 0:19:40.800
<v Speaker 1>just a willie nilly let me see what I can

0:19:40.840 --> 0:19:43.120
<v Speaker 1>do D D I Y thing, But now there are

0:19:43.680 --> 0:19:48.920
<v Speaker 1>most corporations have entire branches, well not a branch maybe,

0:19:48.960 --> 0:19:52.040
<v Speaker 1>but they'll have people that work exclusively with product placement,

0:19:52.080 --> 0:19:55.520
<v Speaker 1>and they search out films and contact them to try

0:19:55.520 --> 0:19:57.560
<v Speaker 1>and get their their products features they have. I think

0:19:57.560 --> 0:20:02.040
<v Speaker 1>they're called officers for um into. Graded Branding is the division.

0:20:02.080 --> 0:20:05.040
<v Speaker 1>Usually they always create such silly names. They want to

0:20:05.119 --> 0:20:07.760
<v Speaker 1>They want to leverage their brand on as most as

0:20:07.840 --> 0:20:11.639
<v Speaker 1>much of a granular level as possible to get schillmeister. Sure,

0:20:11.880 --> 0:20:15.040
<v Speaker 1>that's a great one. Um so chuck this uh, this

0:20:15.080 --> 0:20:18.760
<v Speaker 1>has become quite the booming little cottage industry big time.

0:20:19.080 --> 0:20:21.800
<v Speaker 1>In two thousand and six, they spent one point six

0:20:21.920 --> 0:20:26.200
<v Speaker 1>billion for product placement in movies one point eight billion

0:20:26.240 --> 0:20:29.159
<v Speaker 1>for TV. Wow. Most of that went to a show

0:20:29.800 --> 0:20:34.800
<v Speaker 1>called American Idol. Yeah, full of it. They will do

0:20:34.960 --> 0:20:37.320
<v Speaker 1>anything for money because remember a T and T. If

0:20:37.320 --> 0:20:38.960
<v Speaker 1>you call a T and T and you can text

0:20:39.080 --> 0:20:41.240
<v Speaker 1>a T and T and vote for your favorite person

0:20:41.320 --> 0:20:43.440
<v Speaker 1>on a T and T, and that way, when your

0:20:43.440 --> 0:20:46.840
<v Speaker 1>person wins, you can thank a T and T for

0:20:46.840 --> 0:20:49.480
<v Speaker 1>for being around. That's that's the kind of thing that

0:20:49.600 --> 0:20:52.280
<v Speaker 1>Secress dolls out each feel dirty, Chuck. You know what

0:20:52.280 --> 0:20:55.520
<v Speaker 1>they paid what everyone every sponsor a T and T

0:20:55.840 --> 0:20:59.960
<v Speaker 1>Coca Cola, and for each paid twenty six million dollars

0:21:00.080 --> 0:21:03.520
<v Speaker 1>each per episode, not per season. Is it per episode?

0:21:03.680 --> 0:21:06.439
<v Speaker 1>I think it is per well per ed deal. We

0:21:06.440 --> 0:21:09.359
<v Speaker 1>should say yeah, I don't know how many episodes that is,

0:21:09.400 --> 0:21:11.639
<v Speaker 1>but that's a lot of do it is? It is?

0:21:11.720 --> 0:21:14.440
<v Speaker 1>And the reality TV as a whole has really embraced this.

0:21:14.520 --> 0:21:16.800
<v Speaker 1>And this is where I don't mind it that much.

0:21:16.840 --> 0:21:19.960
<v Speaker 1>Like I'm a big Top Chef fan, and that show

0:21:20.040 --> 0:21:23.800
<v Speaker 1>is heavily sponsored. Um Like Padmo will come and say

0:21:23.920 --> 0:21:27.040
<v Speaker 1>if you notice in your ge monogram kitchen and you

0:21:27.080 --> 0:21:30.080
<v Speaker 1>see G monogram everywhere or we want to thank the

0:21:30.119 --> 0:21:32.920
<v Speaker 1>Glad family of Bags for supplying us with this blah

0:21:32.920 --> 0:21:36.040
<v Speaker 1>blah blah. But you know, reality shows, they don't have

0:21:36.080 --> 0:21:38.520
<v Speaker 1>the hugest budgets and if they can get an entire

0:21:38.600 --> 0:21:42.080
<v Speaker 1>kitchen donated by ge Monogram, then good for them and

0:21:42.359 --> 0:21:44.600
<v Speaker 1>give them a little love back. And it's reality TV,

0:21:44.680 --> 0:21:48.520
<v Speaker 1>it's what. It's not like ruining the through line. You

0:21:48.560 --> 0:21:52.080
<v Speaker 1>don't have to suspend disbelief to watch reality TV. It

0:21:52.119 --> 0:21:54.920
<v Speaker 1>takes the guesswork out of watching. I have to suspend

0:21:54.960 --> 0:21:57.760
<v Speaker 1>disbelief that Padma is not really my wife. I'll bet

0:21:57.800 --> 0:22:00.360
<v Speaker 1>you do. That's what at times, especially when your eyes

0:22:00.359 --> 0:22:04.320
<v Speaker 1>are shut really tight, um chuck. There's been some really

0:22:04.400 --> 0:22:09.200
<v Speaker 1>great examples of product placement um being treated tongue in cheek.

0:22:10.040 --> 0:22:13.040
<v Speaker 1>Remember in Wayne's World, where they're going off about how

0:22:13.040 --> 0:22:15.359
<v Speaker 1>they don't they won't do any product placement, they won't

0:22:15.359 --> 0:22:18.600
<v Speaker 1>be corporate shills, um. And while they're doing it, they're

0:22:18.760 --> 0:22:22.720
<v Speaker 1>there there showing the products that they're I think Pizza

0:22:22.800 --> 0:22:26.000
<v Speaker 1>Hut was one of them, right, and newprin little Yellow

0:22:26.160 --> 0:22:29.119
<v Speaker 1>different better and like the little yellow pill is on

0:22:29.240 --> 0:22:31.960
<v Speaker 1>his black and white hand. Yeah, it's a pretty good.

0:22:32.040 --> 0:22:34.440
<v Speaker 1>Josie and the pussy Cats. Apparently I didn't see the movie,

0:22:34.480 --> 0:22:39.240
<v Speaker 1>but I guess it. Uh. In there two minute trailer

0:22:39.880 --> 0:22:44.080
<v Speaker 1>there's like thirty instances of product placement. Yeah, as a

0:22:44.119 --> 0:22:46.600
<v Speaker 1>spoof though, right, I think they're just trying to take

0:22:46.640 --> 0:22:49.040
<v Speaker 1>the piss out of it, as our English fans might say, yes,

0:22:49.080 --> 0:22:52.359
<v Speaker 1>which means it shouldn't be bleeped out. Um. And also,

0:22:52.440 --> 0:22:54.760
<v Speaker 1>have you ever seen State in Maine? Chuck? I love

0:22:54.800 --> 0:23:00.479
<v Speaker 1>that man. I love that movie too. Remember Alex Alex

0:23:00.520 --> 0:23:03.480
<v Speaker 1>Baldwin crashes the car and then he just gets out

0:23:03.480 --> 0:23:05.880
<v Speaker 1>of the car and goes So that happened, right, He's

0:23:05.920 --> 0:23:08.359
<v Speaker 1>all kind of dazed a little. Yeah, he's hit his

0:23:08.400 --> 0:23:12.120
<v Speaker 1>head clearly. Um. You remember one of the very minute

0:23:12.160 --> 0:23:15.720
<v Speaker 1>subplots is that was about product placement. They were having

0:23:15.720 --> 0:23:18.280
<v Speaker 1>a real problem with it because it's the movie was

0:23:18.320 --> 0:23:20.720
<v Speaker 1>set in the nineteenth century, the movie they were making,

0:23:21.440 --> 0:23:24.200
<v Speaker 1>and they had corporate sponsorship from like a brand new

0:23:24.240 --> 0:23:28.320
<v Speaker 1>cutting edge like office supply company. Um. So they finally

0:23:28.480 --> 0:23:30.360
<v Speaker 1>figured it out and they kind of show it very

0:23:30.600 --> 0:23:33.440
<v Speaker 1>subtly at the end of like it's um like the

0:23:33.520 --> 0:23:37.960
<v Speaker 1>name of the office supply company printers or something like that.

0:23:37.000 --> 0:23:41.800
<v Speaker 1>It was exactly classic or Philip smore Hoffman was the

0:23:42.920 --> 0:23:44.159
<v Speaker 1>was the writer of that had to deal with that.

0:23:44.480 --> 0:23:46.960
<v Speaker 1>It's a great role. It was a great role, Um, Josh.

0:23:47.000 --> 0:23:50.520
<v Speaker 1>Not only if you're talking about American idol, not only

0:23:50.560 --> 0:23:54.159
<v Speaker 1>will you see ads splashed all over the place. You

0:23:54.680 --> 0:23:58.200
<v Speaker 1>A big thing now is to actually sponsor. I wish

0:23:58.240 --> 0:24:00.280
<v Speaker 1>I could think of the right word. It's not even

0:24:00.320 --> 0:24:02.480
<v Speaker 1>an ad really, but if you go to their website,

0:24:03.119 --> 0:24:05.920
<v Speaker 1>parts of their website are sponsored, like the old Navy

0:24:05.960 --> 0:24:08.840
<v Speaker 1>Fun and Game section And when the last mone went

0:24:08.840 --> 0:24:12.480
<v Speaker 1>to a Falcons game? I don't remember, Chuck, when was

0:24:12.480 --> 0:24:15.359
<v Speaker 1>the last? You know? The red zone is when a

0:24:15.400 --> 0:24:18.680
<v Speaker 1>when a team has evolved on their opponent's twenty yard line.

0:24:18.760 --> 0:24:21.040
<v Speaker 1>I'm familiar with the sport of football. Yeah, so if

0:24:21.040 --> 0:24:22.760
<v Speaker 1>they're inside the twenty of this the red zone, that

0:24:22.800 --> 0:24:24.840
<v Speaker 1>means you're trying to score touchdown. It is not the

0:24:24.880 --> 0:24:27.240
<v Speaker 1>red zone in Atlanta anymore? What is it? It is

0:24:27.280 --> 0:24:30.480
<v Speaker 1>the Ford Drive zone. I've seen that. There's also the

0:24:30.560 --> 0:24:34.200
<v Speaker 1>old Spice red zone. Um, depends on your team. I

0:24:34.200 --> 0:24:36.400
<v Speaker 1>guess what city is sponsored by what team or who

0:24:36.440 --> 0:24:39.160
<v Speaker 1>the highest bidder was that season? Yeah? I guess. So, Yeah,

0:24:39.240 --> 0:24:42.399
<v Speaker 1>you want to talk about books real quickly. Who's the

0:24:42.440 --> 0:24:46.480
<v Speaker 1>author here? I've never heard of her. Actually, Fay Weldon.

0:24:46.880 --> 0:24:50.679
<v Speaker 1>Apparently she wrote a book. She was contracted by Bulgari,

0:24:51.760 --> 0:24:56.320
<v Speaker 1>the jeweler, contracted to write a book. She didn't just

0:24:56.359 --> 0:24:57.880
<v Speaker 1>have an idea and they said, hey, can you slip

0:24:57.880 --> 0:25:00.760
<v Speaker 1>Bulgarian there? They contracted her to a book that centered

0:25:00.800 --> 0:25:03.440
<v Speaker 1>around Bulgari, and she did so, and it was called

0:25:03.440 --> 0:25:06.560
<v Speaker 1>the Bulgari Connection. Right, well, they did it. They contracted

0:25:06.560 --> 0:25:09.480
<v Speaker 1>her to write this book and it was exclusively for

0:25:10.560 --> 0:25:14.160
<v Speaker 1>their highest end clientele, right, just as a gift. Right,

0:25:14.200 --> 0:25:15.960
<v Speaker 1>see what we We got this famous author to write

0:25:15.960 --> 0:25:19.119
<v Speaker 1>a book about exactly and here you go, Mr money Bags.

0:25:19.160 --> 0:25:21.320
<v Speaker 1>But she did release it though as a as a book,

0:25:21.400 --> 0:25:24.280
<v Speaker 1>and was chided in many circles. I was imagined so

0:25:25.040 --> 0:25:28.080
<v Speaker 1>because that put her in league with such other titles

0:25:28.200 --> 0:25:33.680
<v Speaker 1>Chuck It's Coming as Um, Skittles Riddles, Math, the Hershey's

0:25:33.720 --> 0:25:39.160
<v Speaker 1>Kisses Edition Book, the Eminem's Brand Counting Book, Twizzlers Percentages Book,

0:25:39.320 --> 0:25:42.879
<v Speaker 1>and the Cheerios Christmas Playbook. Apparently kids books are rife

0:25:42.920 --> 0:25:45.000
<v Speaker 1>with this kind of thing. I didn't know that kids

0:25:45.000 --> 0:25:47.840
<v Speaker 1>book and Fay Weldon books, Yeah, I had no idea,

0:25:47.960 --> 0:25:51.240
<v Speaker 1>and Katherine gave a great example here. She said something about,

0:25:51.320 --> 0:25:52.960
<v Speaker 1>you know, if you think that maybe they just sponsored

0:25:53.000 --> 0:25:55.119
<v Speaker 1>the book and put their name on the title, not true.

0:25:55.640 --> 0:26:00.280
<v Speaker 1>The Oreo Cookie Counting Book. Literally, you're counting Oreos. Open

0:26:00.400 --> 0:26:03.080
<v Speaker 1>up the page and you're counting. This is how you

0:26:03.119 --> 0:26:07.440
<v Speaker 1>teach gets to count by counting cookies. Count delicious Oreo cookies. Um.

0:26:07.560 --> 0:26:11.440
<v Speaker 1>So we talked about the first product placement. We should

0:26:11.440 --> 0:26:13.720
<v Speaker 1>have qualified that Chuck. As far as we know, that's

0:26:13.720 --> 0:26:16.879
<v Speaker 1>the first product placement in a movie cat Hepburn throwing

0:26:16.920 --> 0:26:21.560
<v Speaker 1>Gordon's gin over the overboard. Right. Um. The oldest product

0:26:21.560 --> 0:26:24.760
<v Speaker 1>placement that Catherine could come up with was in a song,

0:26:25.200 --> 0:26:27.480
<v Speaker 1>take Me out to the ball Game, Buy me some

0:26:27.520 --> 0:26:29.560
<v Speaker 1>peanuts and cracker jacks. You got it. That's one of

0:26:29.600 --> 0:26:32.720
<v Speaker 1>the more obvious product placements. But from what we can tell,

0:26:33.240 --> 0:26:36.119
<v Speaker 1>was not accidental. But it was. He was certainly not

0:26:36.240 --> 0:26:39.600
<v Speaker 1>given cracker jackson. They didn't pay him anything to do that. Yeah,

0:26:39.680 --> 0:26:42.959
<v Speaker 1>but still very famous example. Let me give you an

0:26:42.960 --> 0:26:45.240
<v Speaker 1>example that has yet to happen yet. It's an example

0:26:45.240 --> 0:26:50.879
<v Speaker 1>of product placement from the future. Get this. On the

0:26:50.920 --> 0:26:55.040
<v Speaker 1>November eighth episode of the Family Guy, viewers will be

0:26:55.080 --> 0:26:58.960
<v Speaker 1>treated to what has been called pretty much a thirty

0:26:59.000 --> 0:27:04.440
<v Speaker 1>minute a for Windows seven. Really, is this one of

0:27:04.480 --> 0:27:07.800
<v Speaker 1>the things where they sponsor the show ad free, No,

0:27:08.000 --> 0:27:12.520
<v Speaker 1>the whole episodes about it? Huh. I can't imagine not

0:27:12.600 --> 0:27:15.040
<v Speaker 1>making fun of it, though, I'm sure they'll make fun

0:27:15.040 --> 0:27:16.640
<v Speaker 1>of it because they have to. You know, you want

0:27:16.640 --> 0:27:21.199
<v Speaker 1>a cool ad exact and seth McFarlane's not a complete sellout, Um,

0:27:21.320 --> 0:27:24.840
<v Speaker 1>but he I'm sure it'll be as cool as a

0:27:24.920 --> 0:27:29.960
<v Speaker 1>thirty minute infomercial cartoon can be, and probably even cooler

0:27:29.960 --> 0:27:35.440
<v Speaker 1>than it can be. Wow, got rich little sitting over here?

0:27:35.520 --> 0:27:38.280
<v Speaker 1>Good lord? Um, but do you want to know where

0:27:38.280 --> 0:27:41.800
<v Speaker 1>I found that little tidbit of information on Fox dot com? No?

0:27:41.880 --> 0:27:45.080
<v Speaker 1>I didn't. Where do you want to know? Yeah, folks,

0:27:45.080 --> 0:27:47.240
<v Speaker 1>there is a site out there where if you are

0:27:47.320 --> 0:27:51.399
<v Speaker 1>looking to arm yourself against product placement, uh, you can

0:27:51.440 --> 0:27:53.480
<v Speaker 1>go to and it'll give your heads up on what's

0:27:53.520 --> 0:27:57.399
<v Speaker 1>coming out. It's an industry website called product placement dot

0:27:57.440 --> 0:28:01.160
<v Speaker 1>biz www dot product placement dot biz. The actual name

0:28:01.200 --> 0:28:03.800
<v Speaker 1>of the site is product Placement News and it's all

0:28:03.920 --> 0:28:08.520
<v Speaker 1>like basically press releases and articles about the industry product placement.

0:28:09.200 --> 0:28:11.960
<v Speaker 1>It's pretty cool. That's awesome. Yeah. I guess the final

0:28:12.000 --> 0:28:15.760
<v Speaker 1>example that Katherine mentions in the article is noteworthy is

0:28:15.880 --> 0:28:19.680
<v Speaker 1>um rap music starting way back with Rundy m C

0:28:19.840 --> 0:28:22.800
<v Speaker 1>and my Adidas. I don't know that. I mean, I

0:28:22.880 --> 0:28:26.080
<v Speaker 1>think they did that themselves, that they're that's That's what

0:28:26.160 --> 0:28:28.520
<v Speaker 1>her point is is is most of the instances in

0:28:28.600 --> 0:28:31.840
<v Speaker 1>rap music, like uh, Busta Rhymes had a song called

0:28:31.880 --> 0:28:35.080
<v Speaker 1>Past the Cavassier Part two. Most of these come out

0:28:35.119 --> 0:28:38.400
<v Speaker 1>because of the artist fondness for the product, and then

0:28:38.760 --> 0:28:41.880
<v Speaker 1>afterwards the product will get in touch with them and say, hey, Busta,

0:28:42.160 --> 0:28:44.680
<v Speaker 1>thanks man, you really did as a solid and so

0:28:45.200 --> 0:28:48.080
<v Speaker 1>here's a year supply versus of Cavassier and some trees

0:28:48.400 --> 0:28:52.760
<v Speaker 1>and whatever else. Um, that's actually happened a lot earlier

0:28:52.800 --> 0:28:55.360
<v Speaker 1>than with the advent of hip hop what you just described.

0:28:55.920 --> 0:28:59.960
<v Speaker 1>There is a very deep seated rumor surrounding Janice Jomplin,

0:29:00.760 --> 0:29:04.520
<v Speaker 1>who yeah, you might remember head an affinity for Southern

0:29:04.520 --> 0:29:07.520
<v Speaker 1>Comfort with drink fifths of it on stage during the show.

0:29:07.840 --> 0:29:11.520
<v Speaker 1>We'll go through a fifth during the show. Yeah, you know,

0:29:11.560 --> 0:29:13.280
<v Speaker 1>she couldn't hack it the first time she went out

0:29:13.320 --> 0:29:16.320
<v Speaker 1>from Texas to San Francisco. Yeah, she she had she

0:29:16.360 --> 0:29:18.480
<v Speaker 1>had to go home, like she was like, I can't

0:29:18.520 --> 0:29:20.920
<v Speaker 1>do this, and then she, I guess, started really really

0:29:21.080 --> 0:29:23.200
<v Speaker 1>getting wasted and was like, okay, let me try again,

0:29:23.280 --> 0:29:25.600
<v Speaker 1>and that one took. She met up with pig Pen

0:29:26.400 --> 0:29:28.440
<v Speaker 1>and then it just went down home from there. Yeah.

0:29:28.480 --> 0:29:31.280
<v Speaker 1>Did you ever read those letters with my story? Well,

0:29:31.280 --> 0:29:32.880
<v Speaker 1>I'm not done with my party, all right, go ahead.

0:29:32.960 --> 0:29:35.080
<v Speaker 1>Did you ever see the letters from her sister that

0:29:35.120 --> 0:29:37.280
<v Speaker 1>she and her sister wrote back and forth that documentary? No,

0:29:37.360 --> 0:29:40.400
<v Speaker 1>I bet they went. No. It was actually very touching

0:29:40.400 --> 0:29:43.320
<v Speaker 1>and very sad. She wasn't like miss big pants rock star.

0:29:43.440 --> 0:29:45.320
<v Speaker 1>She was like a really sweet, down home girl that was,

0:29:45.520 --> 0:29:48.000
<v Speaker 1>like you said, it was very shy and nervous and

0:29:48.000 --> 0:29:52.520
<v Speaker 1>and close to her family. Pretty tragic somebody dies at

0:29:52.560 --> 0:29:57.640
<v Speaker 1>age seven, tragic, you know. Um. Apparently there's a rumor

0:29:57.720 --> 0:30:03.160
<v Speaker 1>that um SoC was so fond of her um drinking

0:30:03.160 --> 0:30:06.920
<v Speaker 1>their product and hawking it um just by taking it

0:30:07.000 --> 0:30:09.440
<v Speaker 1>up on stage, that they bought her the mink uh

0:30:09.520 --> 0:30:12.360
<v Speaker 1>coat that she was on the album cover for the

0:30:12.400 --> 0:30:16.680
<v Speaker 1>album Pearl Yeah, classic cover. Yeah, those big round classes.

0:30:16.720 --> 0:30:18.720
<v Speaker 1>I've also heard they bought the Rules Royce that she's

0:30:18.720 --> 0:30:21.920
<v Speaker 1>standing next to as well. Really, yeah, you know, I

0:30:21.960 --> 0:30:24.479
<v Speaker 1>got a little tip for you. Janice Choplin spent her

0:30:24.600 --> 0:30:28.440
<v Speaker 1>last night at Barney's Beanery in West Hollywood, drinking Southern comfort,

0:30:28.840 --> 0:30:31.200
<v Speaker 1>went off to a hotel and died. Go to Barney's

0:30:31.200 --> 0:30:34.760
<v Speaker 1>Beanery in order the toad in the hole. Okay, thank

0:30:34.840 --> 0:30:37.600
<v Speaker 1>me later. And if you want to know more about

0:30:37.600 --> 0:30:40.000
<v Speaker 1>product I feel like such a jerk saying this. After that,

0:30:40.480 --> 0:30:42.520
<v Speaker 1>if you want to know more about product placement, you

0:30:42.560 --> 0:30:45.160
<v Speaker 1>can type product placement into the handy search bar at

0:30:45.160 --> 0:30:48.640
<v Speaker 1>how stuff works dot com. And that means it's time

0:30:48.720 --> 0:30:55.600
<v Speaker 1>for listener mail. Indeed, Josh, I'm just gonna call this

0:30:56.000 --> 0:31:00.480
<v Speaker 1>our favorite high speed story so far already. Man, Chuck,

0:31:00.520 --> 0:31:03.920
<v Speaker 1>you got turnover going. We did our Cannonball Run episode

0:31:03.920 --> 0:31:05.840
<v Speaker 1>recently and we asked for high speed stories. We got

0:31:05.880 --> 0:31:08.120
<v Speaker 1>a bunch of good ones. We don't want to plug

0:31:08.200 --> 0:31:11.680
<v Speaker 1>those because it's unsafe to drive fast kids. But this

0:31:11.720 --> 0:31:15.440
<v Speaker 1>came from Jamie in Chicago. Jamie works at a financial

0:31:15.480 --> 0:31:18.920
<v Speaker 1>advising firm and we helped him get through some long workdays. Josh,

0:31:19.280 --> 0:31:21.520
<v Speaker 1>he has an uncle Matt that's a pretty big car collector.

0:31:21.600 --> 0:31:24.000
<v Speaker 1>He never owns more than two to three cars, but

0:31:24.040 --> 0:31:26.000
<v Speaker 1>he always has a nice corvette or a muscle car

0:31:26.040 --> 0:31:29.040
<v Speaker 1>from the seventies go By picks up and then seller

0:31:29.120 --> 0:31:32.080
<v Speaker 1>trade cool. In the early nineteen eighties, Uncle Matt was

0:31:32.080 --> 0:31:34.480
<v Speaker 1>living in Kansas. He had just bought and fixed up

0:31:34.480 --> 0:31:36.520
<v Speaker 1>his corvette and he took it out on a nice

0:31:36.520 --> 0:31:38.640
<v Speaker 1>flat highway in Kansas to see what it could do.

0:31:39.080 --> 0:31:42.800
<v Speaker 1>He was going between when he saw the flashing blue

0:31:42.840 --> 0:31:46.160
<v Speaker 1>lights in the mirror and uh cop pulled him over.

0:31:47.160 --> 0:31:48.680
<v Speaker 1>Cop walked up and says, do you know why I

0:31:48.720 --> 0:31:51.720
<v Speaker 1>pulled you over, sir? And Matt said, I tried to

0:31:51.760 --> 0:31:54.920
<v Speaker 1>fumble through some answer about how fast he was driving

0:31:55.040 --> 0:31:58.120
<v Speaker 1>in the cops said, I pulled you over because in

0:31:58.120 --> 0:32:00.880
<v Speaker 1>this state we have a law that all aircraft must

0:32:00.920 --> 0:32:05.160
<v Speaker 1>have their tail numbers displayed on their wings. Turns out

0:32:05.200 --> 0:32:07.120
<v Speaker 1>the cop was a gear head and more interested in

0:32:07.160 --> 0:32:09.600
<v Speaker 1>looking under the hood than giving him a ticket, So

0:32:09.720 --> 0:32:11.440
<v Speaker 1>not only did he not end up giving him a

0:32:11.440 --> 0:32:14.200
<v Speaker 1>speeding ticket, he just said keep it down to more

0:32:14.200 --> 0:32:17.000
<v Speaker 1>of a land speed level and send him on his way. Sweet.

0:32:17.080 --> 0:32:21.160
<v Speaker 1>It's a good for Uncle Manol. Well, I guess we're

0:32:21.200 --> 0:32:23.640
<v Speaker 1>done with the speed stories, right, Yeah, we're not gonna

0:32:23.640 --> 0:32:25.280
<v Speaker 1>read to me in US. Well, then I guess that

0:32:25.360 --> 0:32:29.280
<v Speaker 1>means that we should just have a grab bag this week.

0:32:29.320 --> 0:32:32.320
<v Speaker 1>Huh yeah, grab bag. Anything you feel like saying to us,

0:32:32.560 --> 0:32:34.800
<v Speaker 1>you just go ahead and say it. Send it in

0:32:34.880 --> 0:32:44.360
<v Speaker 1>an email to stuff podcast at how stuff works dot com.

0:32:44.360 --> 0:32:46.800
<v Speaker 1>For more on this and thousands of other topics, is

0:32:46.840 --> 0:32:50.320
<v Speaker 1>that how stuff works dot com. Want more house stuff Works,

0:32:50.640 --> 0:32:52.800
<v Speaker 1>check out our blogs on the house stuff works dot

0:32:52.800 --> 0:32:58.040
<v Speaker 1>com home page. Brought to you by the reinvented two

0:32:58.080 --> 0:33:00.520
<v Speaker 1>thousand twelve camera. It's ready, are you