WEBVTT - 'Crocodile' Dundee: Everything You Didn't Know

0:00:00.080 --> 0:00:10.120
<v Speaker 1>Too Much Information is a production of iHeartRadio. Hello everyone,

0:00:10.160 --> 0:00:13.119
<v Speaker 1>and welcome to another episode of Too Much Information, the

0:00:13.160 --> 0:00:15.600
<v Speaker 1>show that brings you the secret histories and little known

0:00:15.640 --> 0:00:18.920
<v Speaker 1>facts behind your favorite movies, music, TV shows, and more.

0:00:19.360 --> 0:00:22.599
<v Speaker 1>We are your kings of kriche, your bushmen of banality,

0:00:22.880 --> 0:00:25.720
<v Speaker 1>your vegemite sandwiches of very granular facts.

0:00:26.200 --> 0:00:28.480
<v Speaker 2>My name is Jordan run Tog and I'm the ghost

0:00:28.560 --> 0:00:29.480
<v Speaker 2>of rod Ansel.

0:00:29.760 --> 0:00:31.560
<v Speaker 1>They don't know what that means yet.

0:00:31.640 --> 0:00:33.440
<v Speaker 2>And you don't get that they will.

0:00:33.800 --> 0:00:34.800
<v Speaker 1>Your kids are gonna love it.

0:00:36.400 --> 0:00:38.080
<v Speaker 2>Yeah, I guess you're not. I guess you're not ready

0:00:38.080 --> 0:00:42.920
<v Speaker 2>for rod Ansel, but your kids are gonna love him.

0:00:43.120 --> 0:00:47.199
<v Speaker 1>Today, we are looking at Crocodile Dundee, a surprise hit

0:00:47.280 --> 0:00:49.760
<v Speaker 1>from down Under when it arrived on American shores in

0:00:49.840 --> 0:00:54.640
<v Speaker 1>nineteen eighty six. It since become a cultural phenomenon, with

0:00:54.760 --> 0:00:59.880
<v Speaker 1>writer performer Paul Hogan's character, Michael J. Crocodile Dundee becoming

0:00:59.880 --> 0:01:02.720
<v Speaker 1>a sort of one man ambassador of a local charm

0:01:02.800 --> 0:01:07.080
<v Speaker 1>and natural beauty of Australia or one man's stereotype, depending

0:01:07.120 --> 0:01:10.080
<v Speaker 1>on how you view it. The trilogy made Hogan a

0:01:10.080 --> 0:01:12.920
<v Speaker 1>star around the world and a legend in his native Australia,

0:01:12.959 --> 0:01:16.640
<v Speaker 1>where he's known by the affectionate metonym Hogues. I think

0:01:16.640 --> 0:01:19.279
<v Speaker 1>that's how you pronounced it, Hogues as in short for Hogan.

0:01:19.360 --> 0:01:20.680
<v Speaker 2>Yeah, the way you spelled it, I thought it might

0:01:20.720 --> 0:01:21.480
<v Speaker 2>have been Hog's.

0:01:21.680 --> 0:01:22.480
<v Speaker 1>I think it's Hogues.

0:01:23.080 --> 0:01:23.200
<v Speaker 2>Uh.

0:01:23.520 --> 0:01:26.840
<v Speaker 1>Side note, he's almost eighty five, Like in my mind,

0:01:26.880 --> 0:01:31.679
<v Speaker 1>he's perpetually sleeveless and tan and muscular. He's like he's

0:01:31.720 --> 0:01:32.440
<v Speaker 1>getting up there.

0:01:33.000 --> 0:01:37.800
<v Speaker 2>I mean, only God can kill in Australian man. Oh,

0:01:37.880 --> 0:01:39.760
<v Speaker 2>and like autoerotic asphyxiation.

0:01:40.600 --> 0:01:42.839
<v Speaker 1>Oh oh, well.

0:01:42.920 --> 0:01:46.720
<v Speaker 2>We'll get to that too, in excess catching a.

0:01:46.680 --> 0:01:49.080
<v Speaker 1>Straw in the it's in Yeah.

0:01:49.160 --> 0:01:51.120
<v Speaker 2>Oh, he's starting to catch up with him. He doesn't

0:01:51.160 --> 0:01:54.760
<v Speaker 2>look great ay five and yeah, I mean and like

0:01:55.040 --> 0:01:57.920
<v Speaker 2>white descended from British stock, spent half his life in

0:01:57.960 --> 0:02:02.120
<v Speaker 2>the sun. Face a good face care routine is so

0:02:02.160 --> 0:02:06.600
<v Speaker 2>important people. You know, I was really taken them back

0:02:06.600 --> 0:02:09.560
<v Speaker 2>by a tweet that went around recently, which is I'm

0:02:09.560 --> 0:02:12.400
<v Speaker 2>paraphrasing some of the effective Americans are always so shocked

0:02:12.400 --> 0:02:15.119
<v Speaker 2>when they learned how much Australians hate them.

0:02:15.760 --> 0:02:17.520
<v Speaker 1>I didn't see that, and I didn't know that.

0:02:17.760 --> 0:02:20.480
<v Speaker 2>Well, I was taken am back, not because of I mean, yes,

0:02:20.520 --> 0:02:22.520
<v Speaker 2>I was shocked, but I was also taken him back

0:02:22.600 --> 0:02:26.040
<v Speaker 2>because not because I desperately crave the approval of a

0:02:26.080 --> 0:02:28.880
<v Speaker 2>bunch of sun burnt racists, because I can get that

0:02:28.919 --> 0:02:30.440
<v Speaker 2>if I just go to the South and pretend to

0:02:30.440 --> 0:02:33.720
<v Speaker 2>care about football, But it's because of how similar I

0:02:33.720 --> 0:02:35.560
<v Speaker 2>feel like Americans and Australians are.

0:02:35.919 --> 0:02:37.560
<v Speaker 1>Am I talking to my ass here? Do you feel that?

0:02:38.440 --> 0:02:41.160
<v Speaker 1>I have never really thought about that much?

0:02:41.480 --> 0:02:44.080
<v Speaker 2>We're both descended from the same awful British stock.

0:02:44.520 --> 0:02:46.880
<v Speaker 1>Well, only one of us are prisoners because it wasn't

0:02:46.919 --> 0:02:50.519
<v Speaker 1>Australia originally basically a gunt prison care.

0:02:50.680 --> 0:02:52.919
<v Speaker 2>Yeah, they don't like talking about that. Well I don't, okay,

0:02:53.680 --> 0:02:55.560
<v Speaker 2>But we are also alike in the way that we've

0:02:55.639 --> 0:02:58.800
<v Speaker 2>both committed atrocities against the indigenous peoples of our country,

0:02:58.960 --> 0:03:03.040
<v Speaker 2>and we're both rowdy and boisterous. I generally love every

0:03:03.080 --> 0:03:06.200
<v Speaker 2>Australian I've ever met, actually, you know, like like one

0:03:06.240 --> 0:03:10.440
<v Speaker 2>on one interactions. But I am struck by the and

0:03:10.480 --> 0:03:13.200
<v Speaker 2>hardly the first person to be so, by the disconnect

0:03:13.200 --> 0:03:16.679
<v Speaker 2>between the gregariousness and charm of the people and the

0:03:16.680 --> 0:03:20.520
<v Speaker 2>fact that half their country is just a vast screaming

0:03:20.560 --> 0:03:25.359
<v Speaker 2>waste land that occasionally issues constantly issues all manner of

0:03:25.880 --> 0:03:28.680
<v Speaker 2>fauna that are trying to kill you. And you know

0:03:28.680 --> 0:03:30.400
<v Speaker 2>they get a pass for me because of Nick Cave

0:03:31.240 --> 0:03:35.680
<v Speaker 2>and ACDC. Oh sure, and the song case sam by

0:03:35.880 --> 0:03:36.520
<v Speaker 2>Cold Chisel.

0:03:36.640 --> 0:03:39.720
<v Speaker 1>Oh I saw Cold Chisel live. Yeah, okay, yeah, I

0:03:39.720 --> 0:03:42.880
<v Speaker 1>can see how hammered. Right. Oh sure, yeah, well wait

0:03:42.920 --> 0:03:45.840
<v Speaker 1>which one of us? But yes, I.

0:03:45.840 --> 0:03:50.160
<v Speaker 2>Wish it was you. Fair if you were drunker than

0:03:50.320 --> 0:03:53.080
<v Speaker 2>a performer at any given thing, I've seriously questioned.

0:03:52.840 --> 0:03:56.560
<v Speaker 1>Your health, especially if it was Cold Chisel for.

0:03:58.960 --> 0:04:01.240
<v Speaker 2>It's also funny that like a third of Paul Hogan's

0:04:01.240 --> 0:04:04.720
<v Speaker 2>wiki is about his alleged tax evasion. Oh yeah, no

0:04:04.960 --> 0:04:07.840
<v Speaker 2>that I didn't really get into that in here, but

0:04:08.040 --> 0:04:10.640
<v Speaker 2>it kind of adds to his mystique, his lore. Well,

0:04:10.680 --> 0:04:15.240
<v Speaker 2>it seems like he won like against the government, you know.

0:04:15.360 --> 0:04:17.839
<v Speaker 1>Yeah, I think he sued the Australian government.

0:04:18.120 --> 0:04:21.680
<v Speaker 2>And he won in certain like he won certain key decisions,

0:04:21.720 --> 0:04:23.359
<v Speaker 2>but at the end of the day they were still like,

0:04:23.600 --> 0:04:26.520
<v Speaker 2>I'm pretty sure you hid like forty million dollars from

0:04:26.560 --> 0:04:29.040
<v Speaker 2>us in a Swiss bank account yep. And he insists

0:04:29.080 --> 0:04:31.720
<v Speaker 2>he's done nothing wrong and I'm sure, within the constraints

0:04:31.720 --> 0:04:33.440
<v Speaker 2>of creative bookkeeping, he didn't.

0:04:33.560 --> 0:04:36.160
<v Speaker 1>But you know he compared the government to the Taliban,

0:04:36.320 --> 0:04:37.240
<v Speaker 1>which I appreciate.

0:04:37.839 --> 0:04:39.559
<v Speaker 2>Is that classic Australian tact.

0:04:41.640 --> 0:04:44.080
<v Speaker 1>Well, for those of you who haven't seen Crocodile Dundee

0:04:44.160 --> 0:04:46.720
<v Speaker 1>in a while, the story begins when New York reporter

0:04:46.920 --> 0:04:50.320
<v Speaker 1>sued Charlton journeys to the Southern Hemisphere to interview Mick

0:04:50.880 --> 0:04:55.120
<v Speaker 1>Crocodile Dundee, a mysterious hunter who's rumored to have survived

0:04:55.120 --> 0:04:57.840
<v Speaker 1>in the wild after having his leg bitten off by

0:04:57.839 --> 0:05:01.680
<v Speaker 1>a crocodile before the fi the odds and making it

0:05:01.760 --> 0:05:05.479
<v Speaker 1>out of the outback and back to civilization and into

0:05:05.520 --> 0:05:08.080
<v Speaker 1>all of our heart, in all of our hearts. However,

0:05:08.120 --> 0:05:12.159
<v Speaker 1>when this reporter meets Crocodile Dundee, she discovers that the

0:05:12.200 --> 0:05:15.080
<v Speaker 1>story has been exaggerated slightly and he was just maimed

0:05:15.160 --> 0:05:18.599
<v Speaker 1>and scarred very badly by said crocodile, a love bite,

0:05:18.640 --> 0:05:23.000
<v Speaker 1>as he calls it. But his story is remarkable nonetheless. Apparently,

0:05:23.120 --> 0:05:26.200
<v Speaker 1>Dundee was born in a cave in the Northern Territory

0:05:26.600 --> 0:05:30.599
<v Speaker 1>and raised by Indigenous Australians. He's unaware of his age

0:05:30.760 --> 0:05:33.120
<v Speaker 1>with the Aboriginal elders, telling him only that he was

0:05:33.200 --> 0:05:37.960
<v Speaker 1>quote born in the summertime. Prior to the beautiful Reporter's arrival,

0:05:38.240 --> 0:05:42.000
<v Speaker 1>he'd never been to a city, equipping cities are crowded, right,

0:05:42.440 --> 0:05:44.920
<v Speaker 1>If I went and lived in some city, I'd only

0:05:44.960 --> 0:05:50.760
<v Speaker 1>make it worse, which is both logically true and self deprecating. Yeah,

0:05:51.080 --> 0:05:53.680
<v Speaker 1>soone the reporter winds up bringing him to New York City,

0:05:53.960 --> 0:05:56.200
<v Speaker 1>where hilarity and romance ensues.

0:05:56.560 --> 0:05:59.159
<v Speaker 2>I'm fully admitting that I'm about to steal a bit

0:05:59.279 --> 0:06:01.120
<v Speaker 2>from how Sparks on.

0:06:01.440 --> 0:06:03.279
<v Speaker 1>I love the eighties, Okay, go on.

0:06:03.680 --> 0:06:06.000
<v Speaker 2>Actually it might have been Michael Ian Black. It was

0:06:06.040 --> 0:06:09.560
<v Speaker 2>a It was a slight brunette man who was one

0:06:09.640 --> 0:06:11.919
<v Speaker 2>of the most popular talking heads on those shows. And

0:06:11.960 --> 0:06:14.960
<v Speaker 2>he was like, I don't think Australians are that confused

0:06:15.040 --> 0:06:21.039
<v Speaker 2>by like cars. He just says, a CA, What's a ca?

0:06:21.560 --> 0:06:24.040
<v Speaker 2>And it just it also reminds me of like when

0:06:24.320 --> 0:06:28.640
<v Speaker 2>in thirty Rock when Jenna is a method to in

0:06:28.720 --> 0:06:32.680
<v Speaker 2>character for the Unlicensed Janis Joplin biography and she's in

0:06:32.760 --> 0:06:35.680
<v Speaker 2>Jack's office and she's like, hey, man, what is that

0:06:35.880 --> 0:06:36.960
<v Speaker 2>iron boot.

0:06:36.920 --> 0:06:37.560
<v Speaker 1>In the sky?

0:06:39.040 --> 0:06:42.760
<v Speaker 2>They had planes in the sixties Jenna. So it's just

0:06:42.839 --> 0:06:44.920
<v Speaker 2>it is a funny premise that he's just like I mean,

0:06:45.000 --> 0:06:48.240
<v Speaker 2>bidays are, but days are confusing. Yes, the days are confusing.

0:06:48.320 --> 0:06:52.200
<v Speaker 1>Yes, okay, yeah yeah. Just a quick note, a rare

0:06:52.240 --> 0:06:55.719
<v Speaker 1>moment of sincerity here. This episode marks the first and

0:06:55.760 --> 0:06:58.920
<v Speaker 1>are sponsored by listeners like you series just like my

0:06:58.960 --> 0:07:02.960
<v Speaker 1>beloved PBS growing up. Last week we inaugurated a digital

0:07:03.000 --> 0:07:06.000
<v Speaker 1>tip jar kofe I'm told as pronounced, which we put

0:07:06.040 --> 0:07:10.160
<v Speaker 1>in the episode's description not to get to corporate inside baseball,

0:07:10.160 --> 0:07:12.520
<v Speaker 1>but for the last year and a half, my employers

0:07:12.560 --> 0:07:14.480
<v Speaker 1>have allowed me to continue to produce this show for

0:07:14.520 --> 0:07:17.560
<v Speaker 1>the network, but on my own time and without a budget,

0:07:17.680 --> 0:07:20.240
<v Speaker 1>which sounds passive aggressive, but they could have just as

0:07:20.280 --> 0:07:24.520
<v Speaker 1>easily canceled it. So I'm grateful. This means that we're

0:07:24.560 --> 0:07:26.720
<v Speaker 1>more or less doing it for fun at this point,

0:07:27.000 --> 0:07:29.440
<v Speaker 1>and because you, dear listeners, have made this such a

0:07:29.560 --> 0:07:31.280
<v Speaker 1>joy and we want to be there for you in

0:07:31.280 --> 0:07:33.640
<v Speaker 1>all the ways that you've been there for us. But

0:07:33.760 --> 0:07:35.520
<v Speaker 1>it is indeed a lot of work with a lot

0:07:35.560 --> 0:07:38.520
<v Speaker 1>of unforeseen costs that crop up. So rather than do

0:07:38.560 --> 0:07:41.040
<v Speaker 1>any kind of paywall Patreon kind of thing, we landed

0:07:41.080 --> 0:07:43.400
<v Speaker 1>on a pay what you wish digital tip jar kind

0:07:43.400 --> 0:07:45.640
<v Speaker 1>of deal just to make this a little more sustainable,

0:07:46.200 --> 0:07:49.960
<v Speaker 1>and the response so far has been truly overwhelming. We

0:07:50.040 --> 0:07:52.160
<v Speaker 1>don't say this enough, but we are so grateful to

0:07:52.200 --> 0:07:54.760
<v Speaker 1>you all for being so generous with your time and

0:07:54.840 --> 0:07:57.880
<v Speaker 1>spending all these hours with us as we spout our

0:07:57.920 --> 0:08:01.520
<v Speaker 1>facts and do our silly little bits. And we especially

0:08:01.560 --> 0:08:04.120
<v Speaker 1>want to thank everyone who contributed to the koffee page.

0:08:04.200 --> 0:08:10.120
<v Speaker 1>It's so unbelievably helpful. The notes are so sweet that, frankly,

0:08:10.240 --> 0:08:12.080
<v Speaker 1>I get choked up just thinking about it.

0:08:12.840 --> 0:08:15.240
<v Speaker 2>Yeah, leave us a note, we'll say something. Well, I

0:08:15.280 --> 0:08:17.760
<v Speaker 2>will near the log in though, right, but oh yes

0:08:17.800 --> 0:08:21.920
<v Speaker 2>I do, yes, yes, yes, yes, but yeah, it's been

0:08:22.040 --> 0:08:23.320
<v Speaker 2>incredibly heartwarming everyone.

0:08:23.400 --> 0:08:24.560
<v Speaker 1>Thank you so much. It really is.

0:08:24.640 --> 0:08:27.640
<v Speaker 2>I mean, frankly, things have been a little weird on

0:08:27.720 --> 0:08:32.320
<v Speaker 2>the old home front lately, and the support from all

0:08:32.360 --> 0:08:34.160
<v Speaker 2>of you means more than you could ever know.

0:08:34.480 --> 0:08:36.640
<v Speaker 1>And I hope you realize how much we love doing

0:08:36.640 --> 0:08:38.640
<v Speaker 1>this for you all. We hope to keep doing these

0:08:38.640 --> 0:08:41.080
<v Speaker 1>episodes as long as we can, and you know it's

0:08:41.120 --> 0:08:43.200
<v Speaker 1>tough with podcasts, but we want this to be as

0:08:43.240 --> 0:08:45.760
<v Speaker 1>interactive and as inclusive as it can possibly be.

0:08:46.440 --> 0:08:48.800
<v Speaker 2>We absolutely love when you reach out to us on

0:08:48.840 --> 0:08:51.960
<v Speaker 2>Twitter or Instagram or even through the Apple podcast reviews.

0:08:52.640 --> 0:08:54.520
<v Speaker 2>We want to do whatever we can to have it

0:08:54.559 --> 0:08:56.880
<v Speaker 2>feel like a true back and forth because.

0:08:56.559 --> 0:08:58.920
<v Speaker 1>We consider you friends of ours. And if you're hearing

0:08:58.960 --> 0:09:00.719
<v Speaker 1>this right now, that means you.

0:09:01.080 --> 0:09:04.200
<v Speaker 2>We would not do weird, racist or offensive.

0:09:05.240 --> 0:09:08.480
<v Speaker 1>For money. Have you got requests for that? No?

0:09:08.559 --> 0:09:10.800
<v Speaker 2>But I'm saying if someone is like, here's two hundred

0:09:10.800 --> 0:09:14.440
<v Speaker 2>bucks like cover you know, Neo Nazis punk fan Screwdriver,

0:09:14.600 --> 0:09:16.960
<v Speaker 2>I'd be like, I'll take your money, but I'm not

0:09:17.000 --> 0:09:19.520
<v Speaker 2>going to make that episode. So I don't think you

0:09:19.520 --> 0:09:23.960
<v Speaker 2>can request a refund. Maybe you can, I don't know. Anyway,

0:09:24.000 --> 0:09:25.240
<v Speaker 2>I didn't see that coming.

0:09:25.280 --> 0:09:27.679
<v Speaker 1>But yeah, one of the cool things about this bizarre

0:09:27.800 --> 0:09:31.520
<v Speaker 1>medium and this super weird technological time we live in

0:09:31.640 --> 0:09:34.839
<v Speaker 1>now is that so many great people have come into

0:09:34.880 --> 0:09:37.000
<v Speaker 1>our lives through doing this show. And you know, I

0:09:37.040 --> 0:09:40.040
<v Speaker 1>was just texting one of them today about Mama Cass's birthday,

0:09:40.120 --> 0:09:43.040
<v Speaker 1>and yesterday I had a great balbun lunch with another,

0:09:43.240 --> 0:09:45.240
<v Speaker 1>and next week I'm going to see a Paul McCartney

0:09:45.240 --> 0:09:49.240
<v Speaker 1>concert movie with another. It's just been very very special

0:09:49.360 --> 0:09:50.880
<v Speaker 1>and I want to take a minute to thank you

0:09:50.920 --> 0:09:53.600
<v Speaker 1>for your support in all of its many forms. It

0:09:53.640 --> 0:09:54.679
<v Speaker 1>truly means the world.

0:09:54.960 --> 0:09:56.560
<v Speaker 2>Yeah, and if you give us an extra ten bucks,

0:09:56.559 --> 0:10:00.520
<v Speaker 2>I'll put Jordan's address in the message, a list of

0:10:00.520 --> 0:10:01.079
<v Speaker 2>his fears.

0:10:04.840 --> 0:10:07.040
<v Speaker 1>And you know, one of the upsides of donating is

0:10:07.040 --> 0:10:10.559
<v Speaker 1>that it makes us feel more inclined to do your requests. Hell,

0:10:10.640 --> 0:10:13.160
<v Speaker 1>yes it does, Yes it does. We've been slowly but

0:10:13.240 --> 0:10:16.520
<v Speaker 1>surely working our way through them. The Purple Rain two

0:10:16.559 --> 0:10:19.360
<v Speaker 1>parter went out to our friend Andre, and today's episode

0:10:19.400 --> 0:10:22.040
<v Speaker 1>goes out to friends of the Pod Phil, one of

0:10:22.040 --> 0:10:24.960
<v Speaker 1>the greatest friends this show has ever had. He's been

0:10:25.000 --> 0:10:29.440
<v Speaker 1>requesting episodes for literally years now and we have not

0:10:29.640 --> 0:10:32.360
<v Speaker 1>been there for him. So we all on one. We

0:10:32.440 --> 0:10:36.439
<v Speaker 1>hope he enjoys this one well. From a truly insane

0:10:36.520 --> 0:10:39.840
<v Speaker 1>real life story that kind of maybe sort of inspired

0:10:39.880 --> 0:10:42.880
<v Speaker 1>the plot to the tabloid love triangle that emerged from

0:10:42.920 --> 0:10:45.760
<v Speaker 1>the production the Ozzie rock Star who up bring the

0:10:45.800 --> 0:10:48.200
<v Speaker 1>movie to the big screen and all the ways it

0:10:48.280 --> 0:10:51.560
<v Speaker 1>changed the face of tourism for an entire continent. Here

0:10:51.640 --> 0:11:01.800
<v Speaker 1>is everything you didn't know about Crocodile Dundee. It's truth.

0:11:02.080 --> 0:11:04.120
<v Speaker 1>What does that mean? I keep seeing that. Don't know.

0:11:04.280 --> 0:11:06.400
<v Speaker 1>Oh okay, I don't know anything.

0:11:06.880 --> 0:11:09.360
<v Speaker 2>Half my Australian slang just comes from like a single

0:11:09.400 --> 0:11:12.679
<v Speaker 2>YouTube video of a guy ranting about Australia. Day.

0:11:13.400 --> 0:11:15.520
<v Speaker 1>Oh yeah, that's like their fourth of July.

0:11:15.920 --> 0:11:19.520
<v Speaker 2>Right, wasn't the at me country, Get at me country,

0:11:19.600 --> 0:11:20.480
<v Speaker 2>get at me country.

0:11:21.559 --> 0:11:25.760
<v Speaker 1>Wasn't he succulent Chinese male guy Australian? Or was in

0:11:25.800 --> 0:11:27.720
<v Speaker 1>Australia and he was English?

0:11:27.800 --> 0:11:30.080
<v Speaker 2>He did not have an Australian accent. No, he had

0:11:30.120 --> 0:11:34.079
<v Speaker 2>like a beautiful like King's English. Or he received pronunciation

0:11:34.240 --> 0:11:38.280
<v Speaker 2>boarding school boys in Australia. Sure, why not?

0:11:38.880 --> 0:11:39.960
<v Speaker 1>He just died recently?

0:11:40.760 --> 0:11:43.199
<v Speaker 2>Yeah, I know, and that's sad RP to that man.

0:11:44.720 --> 0:11:47.240
<v Speaker 1>Well. For years, Paul Hogan claimed that his fish out

0:11:47.240 --> 0:11:49.680
<v Speaker 1>of Water story of an Australian bushman in the Big

0:11:49.720 --> 0:11:52.360
<v Speaker 1>City was inspired by his own first trip to New

0:11:52.480 --> 0:11:56.760
<v Speaker 1>York in the early eighties, a time when apparently Australian

0:11:56.800 --> 0:12:00.520
<v Speaker 1>accents were relatively uncommon. Despite the fact that Greece had

0:12:00.559 --> 0:12:04.960
<v Speaker 1>just come out. Apparently, New Yorkers assumed that Paul was Scottish,

0:12:05.320 --> 0:12:08.000
<v Speaker 1>which would have made him the world's tennis Scotsman.

0:12:08.600 --> 0:12:12.120
<v Speaker 2>We are such a dumb people, He.

0:12:12.160 --> 0:12:14.760
<v Speaker 1>Apparently really did walk around New York saying good day

0:12:14.840 --> 0:12:17.720
<v Speaker 1>to all the New Yorkers, which is a hilarious image

0:12:17.720 --> 0:12:20.040
<v Speaker 1>for a city that had recently been terrorized by the

0:12:20.080 --> 0:12:22.320
<v Speaker 1>son of Sam. Yeah.

0:12:22.360 --> 0:12:24.240
<v Speaker 2>I mean it wasn't a great time to be weird

0:12:24.480 --> 0:12:26.080
<v Speaker 2>and super friendly in New York.

0:12:26.640 --> 0:12:30.640
<v Speaker 1>Yes, yes, yes, yes. As Paul Hogan later told the BBC,

0:12:30.880 --> 0:12:33.679
<v Speaker 1>I felt like an alien from another planet. Some of

0:12:33.720 --> 0:12:36.000
<v Speaker 1>the bushy guys I know would feel even more out

0:12:36.040 --> 0:12:39.520
<v Speaker 1>of place. There's a myth that there's a real crocodile Dundee,

0:12:40.200 --> 0:12:44.959
<v Speaker 1>but there isn't. Well, Paul, most of Australia would beg

0:12:45.040 --> 0:12:48.360
<v Speaker 1>to differ, though Paul Hogan would deny it. Many believe

0:12:48.400 --> 0:12:51.440
<v Speaker 1>that the character of Mick Crocodile Dundee was based on

0:12:51.520 --> 0:12:54.920
<v Speaker 1>the astonishing true life story of an Australian man named

0:12:55.040 --> 0:12:58.480
<v Speaker 1>rod ansel rod had become something of a folk hero

0:12:58.600 --> 0:13:01.080
<v Speaker 1>in Australia. After we survived, I have more than seven

0:13:01.200 --> 0:13:03.840
<v Speaker 1>weeks on a small island at the mouth of a

0:13:03.840 --> 0:13:08.680
<v Speaker 1>crocodile infested river in the remote Northern Territory. The incident

0:13:08.720 --> 0:13:11.439
<v Speaker 1>occurred in nineteen seventy seven, when he was sailing down

0:13:11.520 --> 0:13:15.760
<v Speaker 1>the Fitzmorris River. To this day, it's unclear exactly why

0:13:15.800 --> 0:13:16.559
<v Speaker 1>he was doing this.

0:13:16.880 --> 0:13:18.840
<v Speaker 2>I should do I have a do we have hang on,

0:13:18.960 --> 0:13:22.520
<v Speaker 2>I gotta drum up some ambience you can have like

0:13:22.559 --> 0:13:23.840
<v Speaker 2>a didgerido in the background.

0:13:24.559 --> 0:13:26.400
<v Speaker 1>Let me just just go an outback commercial.

0:13:27.559 --> 0:13:39.400
<v Speaker 2>Yeah, yes, that's a passable, but that's a kucku barra. No,

0:13:39.480 --> 0:13:41.480
<v Speaker 2>it is also part of my new noise project. You

0:13:41.480 --> 0:13:44.079
<v Speaker 2>should throw a bunch of reaver on that, Okay.

0:13:44.600 --> 0:13:47.600
<v Speaker 1>To this day, it's unclear why Rod Ansel was on

0:13:47.640 --> 0:13:49.920
<v Speaker 1>the river in the first place. He would claim it

0:13:49.960 --> 0:13:53.400
<v Speaker 1>was a fishing trip, but as his Wikipedia reads, he

0:13:53.520 --> 0:13:56.480
<v Speaker 1>was not specific about his plans, only telling his then

0:13:56.559 --> 0:13:59.360
<v Speaker 1>girlfriend Lorraine that he would be back in a few months.

0:14:00.720 --> 0:14:04.080
<v Speaker 1>Ansel's motor boat was then capsized and sunk by quote

0:14:04.240 --> 0:14:07.800
<v Speaker 1>something big. He would later sensationally claim that it was

0:14:07.840 --> 0:14:10.199
<v Speaker 1>a whale, and have also read that it was a crocodile.

0:14:10.280 --> 0:14:11.600
<v Speaker 1>It's definitely a crocodile.

0:14:12.160 --> 0:14:15.600
<v Speaker 2>The river is mile I went and checked because I

0:14:15.640 --> 0:14:17.640
<v Speaker 2>was like, that sounds implausible, and sure enough, there are

0:14:17.720 --> 0:14:20.000
<v Speaker 2>whales around the different coast of Australia, but that river

0:14:20.080 --> 0:14:22.600
<v Speaker 2>is so far inland it must have been an idiot

0:14:22.600 --> 0:14:25.120
<v Speaker 2>of a whale to get lost, or he was a

0:14:25.160 --> 0:14:28.280
<v Speaker 2>bad sailor and he hit nothing and he got that's

0:14:28.280 --> 0:14:29.200
<v Speaker 2>also equally like that.

0:14:29.720 --> 0:14:34.880
<v Speaker 1>It's whatever the case. The boat sank and Rod jumped

0:14:34.920 --> 0:14:37.840
<v Speaker 1>into a dinghy and salvaged his two eight week old

0:14:37.920 --> 0:14:41.480
<v Speaker 1>bull terriers. No idea why he brought two puppies on

0:14:41.520 --> 0:14:45.800
<v Speaker 1>this expedition, A rifle, a knife, some canned food and bedding.

0:14:46.560 --> 0:14:48.920
<v Speaker 1>The dinghy washed ashore on a small island at the

0:14:48.960 --> 0:14:51.360
<v Speaker 1>mouth of the river, and Ansel slept in between the

0:14:51.400 --> 0:14:54.000
<v Speaker 1>roots of a tree, just out of reach of crocodiles,

0:14:54.760 --> 0:14:57.720
<v Speaker 1>but up close and personal with a brown tree snake

0:14:59.160 --> 0:15:01.880
<v Speaker 1>without I mean drinking water. Ansel had to catch wild

0:15:02.000 --> 0:15:05.880
<v Speaker 1>cattle and suck their blood to keep them hydrated.

0:15:06.120 --> 0:15:08.120
<v Speaker 2>Oh that's normal, that's what the Mongols did.

0:15:08.600 --> 0:15:13.680
<v Speaker 1>Okay, Yeah, and this is truly insane. He caught bees

0:15:13.920 --> 0:15:16.560
<v Speaker 1>and tied threads to their bodies so he could follow

0:15:16.560 --> 0:15:19.920
<v Speaker 1>them to their hives and obtain honey to wide'm nourished.

0:15:20.040 --> 0:15:23.600
<v Speaker 1>Isn't that that's insane. At one point, Rod shot a

0:15:23.640 --> 0:15:27.040
<v Speaker 1>sixteen foot crocodile whose head he kept as a souvenir.

0:15:27.320 --> 0:15:30.040
<v Speaker 2>They're good eats too, I don't mind, really mind crocodile?

0:15:30.400 --> 0:15:31.960
<v Speaker 1>Yeah, have you had it? What's it taste to day?

0:15:32.000 --> 0:15:34.680
<v Speaker 2>There's a place in my my college town that did

0:15:34.920 --> 0:15:37.040
<v Speaker 2>fried crocodile bites. It was like the New Orleans bar.

0:15:37.280 --> 0:15:39.600
<v Speaker 2>I've had crocodile jerky, and I don't really like it.

0:15:39.640 --> 0:15:41.040
<v Speaker 2>I think you do have to deep I think you

0:15:41.080 --> 0:15:43.320
<v Speaker 2>got to just deep fry him. But you know, I

0:15:43.360 --> 0:15:46.000
<v Speaker 2>don't defry anything tastes good. What can SHA deep fry

0:15:46.040 --> 0:15:46.520
<v Speaker 2>these days?

0:15:46.560 --> 0:15:52.680
<v Speaker 1>Hell? Yeah, brother, that's a NASCAR baby. Rod roamed for

0:15:52.840 --> 0:15:56.360
<v Speaker 1>seven weeks. Apparently it was one hundred and twenty miles

0:15:56.360 --> 0:15:59.640
<v Speaker 1>from the nearest settlement, and he basically assumed that he

0:15:59.800 --> 0:16:02.560
<v Speaker 1>was running out the clock and would die where he was.

0:16:03.000 --> 0:16:06.360
<v Speaker 1>But then he stumbled on two Aboriginal stockman and their boss,

0:16:06.680 --> 0:16:10.960
<v Speaker 1>who led him to safety, or so he claimed, Grand

0:16:10.960 --> 0:16:13.760
<v Speaker 1>of salt, Grain of salt. According to ron Ansell, he

0:16:13.800 --> 0:16:17.360
<v Speaker 1>initially intended to downplays ordeal, fearing that his recklessness would

0:16:17.400 --> 0:16:21.560
<v Speaker 1>upset his mother. Oh yeah, remember that all? Remember that?

0:16:22.000 --> 0:16:23.640
<v Speaker 2>Oh yeah, I know, I read ahead.

0:16:25.680 --> 0:16:27.800
<v Speaker 1>Once the media got ahold of his story, however, it

0:16:27.880 --> 0:16:30.200
<v Speaker 1>took on a life of its own. He was dubbed

0:16:30.200 --> 0:16:34.440
<v Speaker 1>the modern day Robinson Crusoe. Journalist Robert Milliken would say

0:16:34.440 --> 0:16:37.520
<v Speaker 1>of Ansel, he was charming. He seems to have never

0:16:37.600 --> 0:16:41.600
<v Speaker 1>worn shoes, even when traveling on aircraft ew and staying

0:16:41.640 --> 0:16:44.560
<v Speaker 1>in city hotels. At the height of his fame, the

0:16:44.640 --> 0:16:47.560
<v Speaker 1>press went absolutely mad over his story, and no one

0:16:47.560 --> 0:16:50.680
<v Speaker 1>seemed to mind that the details grew even more incredible.

0:16:51.520 --> 0:16:54.320
<v Speaker 1>Rod would publish a memoir in nineteen eighty entitled to

0:16:54.400 --> 0:16:57.720
<v Speaker 1>Fight the Wild, which was always viewed very skeptically by

0:16:57.800 --> 0:17:01.720
<v Speaker 1>locals of Australia's rugged top end, and many wondered why

0:17:01.720 --> 0:17:04.640
<v Speaker 1>he went fishing alone in such a dangerous area, which

0:17:04.680 --> 0:17:08.919
<v Speaker 1>is a great question. Privately, Rod confided to friends that

0:17:08.960 --> 0:17:12.600
<v Speaker 1>he wasn't fishing, but he was actually illegally poaching crocodiles,

0:17:12.840 --> 0:17:15.679
<v Speaker 1>which would maybe explain a lot of why he was

0:17:15.720 --> 0:17:16.639
<v Speaker 1>so cagy about all this.

0:17:17.200 --> 0:17:20.200
<v Speaker 2>He can't poach crocodiles. They're reptiles. They just like grow

0:17:20.240 --> 0:17:27.959
<v Speaker 2>from the earth for dinosaurs. Dude, that's that's not poaching.

0:17:28.040 --> 0:17:31.800
<v Speaker 2>That's like a fair match between man and beast. It's

0:17:31.800 --> 0:17:37.679
<v Speaker 2>not like a white tailed deer. Yeah, I guess if

0:17:37.680 --> 0:17:42.000
<v Speaker 2>you have a gun. But you know, still, the.

0:17:41.880 --> 0:17:44.359
<v Speaker 1>Man was always good for a quote. Including this gem

0:17:44.520 --> 0:17:49.639
<v Speaker 1>which seems designed to remind people that he's Australian. Can

0:17:49.720 --> 0:17:51.560
<v Speaker 1>you do an Australian accent? Can you read this? I

0:17:51.560 --> 0:17:52.320
<v Speaker 1>can't do it.

0:17:52.320 --> 0:17:56.640
<v Speaker 2>It's so mine just falls apart. But let me see,

0:17:56.720 --> 0:17:56.919
<v Speaker 2>let me.

0:17:56.880 --> 0:17:59.320
<v Speaker 1>See if I try try it out here, I'll highlight

0:17:59.359 --> 0:18:00.000
<v Speaker 1>it for you.

0:18:00.240 --> 0:18:02.119
<v Speaker 2>All the blokes up in this country you work with,

0:18:02.160 --> 0:18:06.480
<v Speaker 2>cattle ringer, his stockmen, bull catches, whatever, all of them

0:18:06.520 --> 0:18:10.200
<v Speaker 2>have really narrow shaves all the time. It's getting it's

0:18:10.280 --> 0:18:12.159
<v Speaker 2>edging into New Zealand. I can only sustain it for

0:18:12.200 --> 0:18:14.600
<v Speaker 2>like a phrase or two. But they never talk about it. No,

0:18:14.840 --> 0:18:18.280
<v Speaker 2>that's just offensive. Sorry Stirlians. I think the opinion is

0:18:18.320 --> 0:18:20.520
<v Speaker 2>that if you come through in one piece and you're

0:18:20.560 --> 0:18:23.840
<v Speaker 2>still alive, then nothing else matters.

0:18:25.200 --> 0:18:25.400
<v Speaker 1>Yeah.

0:18:25.680 --> 0:18:28.119
<v Speaker 2>Then he says, it's like going out to shoot a kangaroo.

0:18:28.520 --> 0:18:30.400
<v Speaker 2>You don't come back and say you missed by half

0:18:30.400 --> 0:18:34.399
<v Speaker 2>an inch. He either got him or you didn't. So

0:18:34.440 --> 0:18:36.720
<v Speaker 2>that's how I looked at it until the paper got

0:18:36.720 --> 0:18:39.040
<v Speaker 2>ahold of the story and that changed a lot of things.

0:18:39.280 --> 0:18:41.919
<v Speaker 1>Very good, very good. Rod Ansell was interviewed by the

0:18:41.960 --> 0:18:46.680
<v Speaker 1>legendary British broadcaster Michael Parkinson. Parky to our beloved British listeners.

0:18:46.680 --> 0:18:50.000
<v Speaker 1>They'll be very familiar with him. And Ansel attended this

0:18:50.080 --> 0:18:53.280
<v Speaker 1>interview barefoot and admitted to sleeping on the floor of

0:18:53.280 --> 0:18:55.760
<v Speaker 1>the luxury hotel what the producers had booked him into

0:18:55.840 --> 0:18:59.680
<v Speaker 1>because he was more comfortable there. I'm sorry, good care,

0:19:00.320 --> 0:19:04.840
<v Speaker 1>come on guy, And he also shared the fact that

0:19:04.880 --> 0:19:08.320
<v Speaker 1>he was mystified by the bidet well, the whole sleeping

0:19:08.320 --> 0:19:11.040
<v Speaker 1>on the floor thing and the whole bidet confusion or

0:19:11.080 --> 0:19:15.520
<v Speaker 1>two details that was surfacing the Crocodile Dundee film. I mean,

0:19:15.560 --> 0:19:17.359
<v Speaker 1>say what you will about this Ansel guy. He and

0:19:17.400 --> 0:19:20.919
<v Speaker 1>his family would apparently live under a canvas sheet with

0:19:21.040 --> 0:19:24.879
<v Speaker 1>no electricity or running water, communicating by radio and cooking

0:19:24.920 --> 0:19:29.119
<v Speaker 1>over a campfire. So maybe the bed was a little

0:19:29.119 --> 0:19:30.520
<v Speaker 1>too foreign form after all.

0:19:31.720 --> 0:19:33.800
<v Speaker 2>Yeah, I feel like you can get away with a

0:19:33.800 --> 0:19:36.120
<v Speaker 2>lot of stuff in Australia because people were just like, yeah,

0:19:36.160 --> 0:19:36.760
<v Speaker 2>that makes sense.

0:19:37.240 --> 0:19:40.760
<v Speaker 1>Sure, I buy that a ruthlessly practical people.

0:19:40.880 --> 0:19:44.120
<v Speaker 2>It's really funny to me because the there's this Johnny

0:19:44.119 --> 0:19:48.080
<v Speaker 2>Cash record I have called minas Hell, which is about

0:19:49.520 --> 0:19:53.600
<v Speaker 2>it's like Western ballads, and in the liner notes of it,

0:19:53.960 --> 0:19:56.960
<v Speaker 2>he claims to have prepared for this record by let

0:19:56.960 --> 0:19:59.800
<v Speaker 2>me see if it knew Johnny Cash sleeping under mesquite

0:20:00.720 --> 0:20:04.440
<v Speaker 2>and in gullies, sitting for hours beneath a man's and

0:20:04.520 --> 0:20:07.919
<v Speaker 2>nightA bush an ancient Indian burial ground, and breathing the

0:20:07.960 --> 0:20:11.359
<v Speaker 2>west wind and hearing the tails. It tells only to

0:20:11.440 --> 0:20:15.119
<v Speaker 2>those who listen that he also added that he ate

0:20:15.200 --> 0:20:17.880
<v Speaker 2>mesquite beans and squeezed the water from a barrel cactus,

0:20:18.240 --> 0:20:20.320
<v Speaker 2>learned how to throw a bowie knife and kill a

0:20:20.359 --> 0:20:23.479
<v Speaker 2>jack rabbit at forty yards, and was once saved by

0:20:23.480 --> 0:20:26.400
<v Speaker 2>a forest ranger lying flat on my back starving.

0:20:27.520 --> 0:20:30.359
<v Speaker 1>So is that where we get that picture of Johnny

0:20:30.359 --> 0:20:32.399
<v Speaker 1>Cash with cake all over his face afterwards? Is that

0:20:32.440 --> 0:20:33.480
<v Speaker 1>the aftermath? No?

0:20:33.560 --> 0:20:35.280
<v Speaker 2>But I mean the famous thing about Johnny Cash, it's

0:20:35.280 --> 0:20:37.720
<v Speaker 2>so funny, is that I believe this was the same year,

0:20:37.960 --> 0:20:41.080
<v Speaker 2>or like within one year of him burning down like

0:20:41.200 --> 0:20:45.480
<v Speaker 2>an enormous chunk of California forest and like killing half

0:20:45.480 --> 0:20:48.040
<v Speaker 2>the condors that were alive in the world at that point.

0:20:48.920 --> 0:20:50.520
<v Speaker 2>And then in court he said, I don't give I

0:20:50.560 --> 0:20:52.960
<v Speaker 2>don't give a damn about your filthy, dirty buzzards.

0:20:54.520 --> 0:20:58.720
<v Speaker 1>Is that the quote something like that, Yeah, shades of

0:20:58.840 --> 0:21:00.919
<v Speaker 1>Charlton Heston and landed of the apes.

0:21:01.080 --> 0:21:02.040
<v Speaker 2>Yeah, yeah, exactly.

0:21:03.200 --> 0:21:06.320
<v Speaker 1>I mean, if anybody's built up like the appropriate sort

0:21:06.359 --> 0:21:10.679
<v Speaker 1>of karma to kill half the condors, it's kind of

0:21:10.720 --> 0:21:13.560
<v Speaker 1>Johnny Cash, right, Yeah, who else?

0:21:13.640 --> 0:21:17.560
<v Speaker 2>Give it to James Brown? Sure, it's the hardest working

0:21:17.600 --> 0:21:22.240
<v Speaker 2>man show business. Let him kill a couple of condors. True, Yeah,

0:21:22.640 --> 0:21:23.600
<v Speaker 2>you really would.

0:21:23.359 --> 0:21:23.760
<v Speaker 1>Have be funny.

0:21:23.800 --> 0:21:25.640
<v Speaker 2>It was Brian Wilson that would have shut him down

0:21:25.640 --> 0:21:33.040
<v Speaker 2>for forever. God, we could we could have been spared

0:21:33.080 --> 0:21:35.440
<v Speaker 2>the entirety of the Mike Love era if he had

0:21:35.520 --> 0:21:40.680
<v Speaker 2>just killed well, no, I got dark. If he just snapped,

0:21:40.760 --> 0:21:42.640
<v Speaker 2>you know, in the right room with the right guy.

0:21:44.840 --> 0:21:47.760
<v Speaker 1>Sorry, you know, the Mike Love story about him in

0:21:47.800 --> 0:21:51.000
<v Speaker 1>the early seventies where he was just on this our

0:21:51.080 --> 0:21:53.040
<v Speaker 1>front of the pod door will remind me of more

0:21:53.080 --> 0:21:55.240
<v Speaker 1>of the finer points of this. But he basically like

0:21:55.280 --> 0:21:57.680
<v Speaker 1>went on like a juice fast and just like didn't

0:21:57.720 --> 0:22:01.919
<v Speaker 1>sleep for days and meditated and then like led. I

0:22:02.000 --> 0:22:04.120
<v Speaker 1>believe the police were involved with some kind of high

0:22:04.200 --> 0:22:07.360
<v Speaker 1>speed chase and he just completely freaked out. Good for him,

0:22:07.480 --> 0:22:10.000
<v Speaker 1>and he blamed it. He blamed it on his quote

0:22:10.240 --> 0:22:14.280
<v Speaker 1>tainted Wilson blood because he's Brian Wilson's cousin. That's a

0:22:14.280 --> 0:22:16.679
<v Speaker 1>good band name. I might have to use that tainted

0:22:16.680 --> 0:22:18.120
<v Speaker 1>Bullson Blood. Yeah, that's your new EP.

0:22:18.720 --> 0:22:22.520
<v Speaker 2>Yeah. So it would be logical to assume that this

0:22:23.440 --> 0:22:27.280
<v Speaker 2>tailor made for the Zeitgeist story, complete with very specific

0:22:27.320 --> 0:22:31.160
<v Speaker 2>elements that would turn up in the film inspired Crocodile Dundee,

0:22:31.680 --> 0:22:35.160
<v Speaker 2>But Paul Hogan has never copped to it, which part

0:22:35.160 --> 0:22:36.960
<v Speaker 2>of me is like, never let him see you blink.

0:22:37.520 --> 0:22:42.040
<v Speaker 2>Pardon is also like a you're bad man, you garbage human,

0:22:42.160 --> 0:22:45.679
<v Speaker 2>because this made rad Ansel extremely bitter, and he's somewhat

0:22:45.960 --> 0:22:49.840
<v Speaker 2>understandably felt entitled to some royalties or at least recognition,

0:22:49.880 --> 0:22:53.320
<v Speaker 2>which would never be forthcoming. And after the global success

0:22:53.359 --> 0:22:55.680
<v Speaker 2>of the film, Ansel would eventually take Hogan to court

0:22:55.760 --> 0:22:58.040
<v Speaker 2>in an attempt to get a piece of the sweet

0:22:58.080 --> 0:23:02.000
<v Speaker 2>sweet Dundee cash. So the case was rejected, and then

0:23:02.080 --> 0:23:03.560
<v Speaker 2>things went from bad.

0:23:03.320 --> 0:23:04.840
<v Speaker 1>To worse for old Ronnie.

0:23:05.400 --> 0:23:09.280
<v Speaker 2>Fame took its predictable toll on his h I'm going

0:23:09.320 --> 0:23:12.040
<v Speaker 2>to do the behind the music the music bed shifts

0:23:12.040 --> 0:23:15.399
<v Speaker 2>into a minor chord. Fame took its predictable toll on

0:23:15.600 --> 0:23:18.919
<v Speaker 2>Ansell's personal life and his marriage soon imploded. By nineteen

0:23:18.960 --> 0:23:21.680
<v Speaker 2>ninety two, he was convicted of stealing cattle and assaulting

0:23:21.840 --> 0:23:24.639
<v Speaker 2>the owner of a ranch. He moved onto a parcel

0:23:24.680 --> 0:23:27.480
<v Speaker 2>of land owned by his new girlfriend, a former tour guide,

0:23:27.520 --> 0:23:30.840
<v Speaker 2>where he started growing his own marijuana and injecting speed

0:23:30.920 --> 0:23:34.879
<v Speaker 2>with what one outlet describes as a vengeance, leading to

0:23:35.000 --> 0:23:39.400
<v Speaker 2>increasingly regular incidents of drug induced psychosis. That's not fair

0:23:39.440 --> 0:23:42.960
<v Speaker 2>to drugs, could just be regular psychosis. He became increasingly paranoid,

0:23:42.960 --> 0:23:46.600
<v Speaker 2>blaming his problems on a government program culling wild buffalo

0:23:46.720 --> 0:23:49.919
<v Speaker 2>to decrease tuberculosis in the cattle industry. Now Ansel had

0:23:49.920 --> 0:23:52.120
<v Speaker 2>been hunting wild buffalo for part of his living ever

0:23:52.119 --> 0:23:54.080
<v Speaker 2>since he was a teen, and he began to believe

0:23:54.119 --> 0:23:56.919
<v Speaker 2>that the police and the government were conspiring against him.

0:23:57.080 --> 0:24:00.600
<v Speaker 2>His new girlfriend didn't do much to help. She told

0:24:00.640 --> 0:24:03.240
<v Speaker 2>him that her family had been members of a secret

0:24:03.280 --> 0:24:06.640
<v Speaker 2>medieval fraternity, and that as a child, she had witnessed

0:24:06.680 --> 0:24:09.640
<v Speaker 2>the sacrifice of young girls that were quote brought out

0:24:09.680 --> 0:24:14.040
<v Speaker 2>of the woods to be bound, raped and slaughtered. It's

0:24:14.080 --> 0:24:18.120
<v Speaker 2>actually pretty plausible, really, if you read some of the

0:24:18.160 --> 0:24:19.119
<v Speaker 2>weird shit I do.

0:24:19.400 --> 0:24:22.960
<v Speaker 1>Yeah, can you elaborate? You know?

0:24:23.080 --> 0:24:26.400
<v Speaker 2>This is that whole David McGowan thing about serial killers

0:24:26.520 --> 0:24:31.359
<v Speaker 2>and the elaborate web of international one percent pedophilia that

0:24:32.680 --> 0:24:35.919
<v Speaker 2>sprung from it or because of it. I lost the

0:24:35.920 --> 0:24:40.440
<v Speaker 2>plot a little on that one, but clearly well both

0:24:40.440 --> 0:24:44.000
<v Speaker 2>of these people were on edge as it were, as

0:24:44.040 --> 0:24:48.320
<v Speaker 2>it were in the parlance of the times. It got

0:24:48.320 --> 0:24:51.240
<v Speaker 2>worse when they saw or claimed to see three bow

0:24:51.359 --> 0:24:54.639
<v Speaker 2>hunters dressed in camouflage with night vision goggles near their

0:24:54.680 --> 0:24:59.160
<v Speaker 2>bush camp. This and the meth didn't help. I mean,

0:24:59.200 --> 0:24:59.919
<v Speaker 2>if you saw.

0:25:00.080 --> 0:25:05.760
<v Speaker 1>Three camouflaged bow hunters outside your campground, I would.

0:25:05.520 --> 0:25:10.160
<v Speaker 2>Assume they were hunting. Sure, the man was a poacher

0:25:10.200 --> 0:25:12.160
<v Speaker 2>and hunter his whole life, and he just sees other

0:25:12.200 --> 0:25:15.359
<v Speaker 2>people with better outfits and flips out. But it was

0:25:15.400 --> 0:25:16.320
<v Speaker 2>definitely the mat.

0:25:17.720 --> 0:25:19.760
<v Speaker 1>I see people with better outfits and I flip out. Two.

0:25:22.080 --> 0:25:25.000
<v Speaker 1>This all ended in tragedy. That's not a great segue

0:25:25.160 --> 0:25:29.280
<v Speaker 1>in August nineteen ninety nine, when rod Ansell died in

0:25:29.320 --> 0:25:32.240
<v Speaker 1>a drug fueled shootout that left one police officer dead

0:25:32.520 --> 0:25:34.400
<v Speaker 1>and other civilians badly wounded.

0:25:34.720 --> 0:25:46.080
<v Speaker 2>Hell yeah, it dude's rock that's NASCAR baby.

0:25:46.160 --> 0:25:48.600
<v Speaker 1>In the days leading up to his death, neighbors heard

0:25:48.680 --> 0:25:51.639
<v Speaker 1>him ranting that the Freemasons were conspiring to kidnap his

0:25:51.720 --> 0:25:57.600
<v Speaker 1>two adult sons. Plausible, okay. Ansel wounded two men in

0:25:57.640 --> 0:25:59.879
<v Speaker 1>a shooting spree on the night of August second night,

0:26:00.119 --> 0:26:03.639
<v Speaker 1>ninety nine before disappearing into the bush. The incident is

0:26:03.680 --> 0:26:06.920
<v Speaker 1>described in riveting detail on a twenty fourteen Herald's Sun

0:26:07.080 --> 0:26:11.320
<v Speaker 1>article by Ellie Turner. Ansel fired six shots at a

0:26:11.359 --> 0:26:15.760
<v Speaker 1>caravan or RV on Kentish Road. Resident David Hobden jumped

0:26:15.800 --> 0:26:19.199
<v Speaker 1>into his truck, armed with his double barrel shoddy and

0:26:19.280 --> 0:26:22.480
<v Speaker 1>went to investigate the shootings. He lost an eye when

0:26:22.520 --> 0:26:24.879
<v Speaker 1>Ansel put a bullet through the windscreen of his truck.

0:26:25.280 --> 0:26:28.680
<v Speaker 1>That's sat. Hobden ran to alert his neighbor, Brian Williams,

0:26:28.720 --> 0:26:29.760
<v Speaker 1>who quote.

0:26:29.440 --> 0:26:32.479
<v Speaker 2>No, not that, Brian Williams.

0:26:34.200 --> 0:26:37.439
<v Speaker 1>Who quote waxed wrath at the state of his mate's

0:26:37.440 --> 0:26:39.480
<v Speaker 1>face and grabbed a baseball bat.

0:26:39.560 --> 0:26:43.439
<v Speaker 2>Some of these people's idioms are baffling to me. I understand, like,

0:26:43.520 --> 0:26:47.000
<v Speaker 2>you can wax poetic? How do you wax a noun?

0:26:48.000 --> 0:26:51.480
<v Speaker 2>Are we waxing podcast right now? I mean, I guess, yeah,

0:26:51.520 --> 0:26:52.119
<v Speaker 2>that makes sense?

0:26:52.520 --> 0:26:56.600
<v Speaker 1>I mean yeah, context clues. Okay, sure, he charged at

0:26:56.640 --> 0:26:59.159
<v Speaker 1>Ansel with his baseball bat who was trying to steal

0:26:59.200 --> 0:27:02.320
<v Speaker 1>the injured man's truck. I smacked him straight down the

0:27:02.320 --> 0:27:04.800
<v Speaker 1>forehead and that's when he blew my hand off. Mister

0:27:04.800 --> 0:27:07.840
<v Speaker 1>Williams told police he was going on about stealing his

0:27:07.960 --> 0:27:11.639
<v Speaker 1>children and freemasons and being a baby killer. Oh just

0:27:12.119 --> 0:27:16.320
<v Speaker 1>he was mad. Mate. Ansel fired shots at Williams's house

0:27:16.440 --> 0:27:19.040
<v Speaker 1>and then he ran away, his rifle in one hand

0:27:19.160 --> 0:27:22.760
<v Speaker 1>and mister Hobden's shotgun in the other. After he disappeared

0:27:22.760 --> 0:27:25.679
<v Speaker 1>into the brush, the police set up a roadblock. The

0:27:25.760 --> 0:27:28.080
<v Speaker 1>next day. A man was leaning on a cop car,

0:27:28.119 --> 0:27:31.639
<v Speaker 1>it said roadblock quote, chatting to the officers when a

0:27:31.680 --> 0:27:34.679
<v Speaker 1>bullet blew a hole the size of a baseball in

0:27:34.720 --> 0:27:38.119
<v Speaker 1>his pelvis. He was flung forward, screaming on the ground.

0:27:38.680 --> 0:27:41.680
<v Speaker 1>The shots were coming from light scrub behind the roadside.

0:27:42.000 --> 0:27:44.639
<v Speaker 1>The cunning fugitive had sneaked through the bush and was

0:27:44.720 --> 0:27:48.320
<v Speaker 1>hidden by dappled tree shadows. A veteran policeman named Sergeant

0:27:48.359 --> 0:27:51.439
<v Speaker 1>Glen Anthony Houston was struck in the abdomen by a

0:27:51.480 --> 0:27:54.560
<v Speaker 1>bullet that ricocheted off the metal door of his police cruiser,

0:27:55.200 --> 0:27:58.800
<v Speaker 1>and his bulletproof vest hadn't been fastened properly, and it

0:27:58.840 --> 0:28:01.320
<v Speaker 1>struck him on a velcro strap that should have been

0:28:01.359 --> 0:28:05.000
<v Speaker 1>covered by a kevlar flap but was not. One of

0:28:05.040 --> 0:28:08.359
<v Speaker 1>the odds, it's tiny, like one inch square skill issue.

0:28:09.960 --> 0:28:13.120
<v Speaker 2>And question when you say he disappeared into the brush,

0:28:13.359 --> 0:28:17.640
<v Speaker 2>that means you're talking about like scrub, like roadside scrub.

0:28:18.200 --> 0:28:21.399
<v Speaker 2>How is that different from the bush as it's the

0:28:21.480 --> 0:28:22.800
<v Speaker 2>capital t capital bach.

0:28:22.920 --> 0:28:24.040
<v Speaker 1>It could be one and the same.

0:28:24.400 --> 0:28:25.280
<v Speaker 2>There's no way of knowing.

0:28:25.520 --> 0:28:28.119
<v Speaker 1>I think it's like on the highway through these areas,

0:28:28.119 --> 0:28:31.280
<v Speaker 1>it's kind of like the highway's the only thing and

0:28:31.359 --> 0:28:33.200
<v Speaker 1>so on either side you've got Yeah, so I think

0:28:33.200 --> 0:28:34.320
<v Speaker 1>that was what it was. I think so I think

0:28:34.320 --> 0:28:37.400
<v Speaker 1>it's it's one and the same. Yeah, okay, okay, okay, Yeah.

0:28:37.520 --> 0:28:40.720
<v Speaker 1>The policeman died later that day, another police the rookie

0:28:40.800 --> 0:28:45.200
<v Speaker 1>of the interrupting this life or death story with pedantry

0:28:45.640 --> 0:28:48.280
<v Speaker 1>as is our thing? Is it's kind of our that's

0:28:48.400 --> 0:28:48.960
<v Speaker 1>kind of the bit.

0:28:49.480 --> 0:28:51.360
<v Speaker 2>I mean, if it happened in Australia, is it really

0:28:51.400 --> 0:28:56.200
<v Speaker 2>even true? Did it happen? Like if you die in Australia,

0:28:56.280 --> 0:28:59.720
<v Speaker 2>do you die in real life or do you wake

0:28:59.840 --> 0:29:03.360
<v Speaker 2>up just in England's.

0:29:06.880 --> 0:29:10.400
<v Speaker 1>Ah, this is all very sad. Please love our one

0:29:10.440 --> 0:29:11.120
<v Speaker 1>star reviews.

0:29:13.000 --> 0:29:14.760
<v Speaker 2>You know what I would accept that. I would accept

0:29:14.760 --> 0:29:17.560
<v Speaker 2>of like rod Ansels, one of his adult sons who

0:29:17.680 --> 0:29:20.360
<v Speaker 2>escaped kidnapping by the Freemasons, like gave us a one

0:29:20.360 --> 0:29:22.400
<v Speaker 2>star review, I would wear that as a badge of honor.

0:29:23.280 --> 0:29:25.560
<v Speaker 2>I'm sorry about your insane father. I love him so much.

0:29:25.720 --> 0:29:28.920
<v Speaker 1>Another policeman, the rookie of the pair, who was not

0:29:29.000 --> 0:29:32.600
<v Speaker 1>wearing a bulletproof vest, he returned Ansels fire. He would

0:29:32.680 --> 0:29:35.400
<v Speaker 1>later say, the only verbal communication I had with the

0:29:35.440 --> 0:29:37.840
<v Speaker 1>gunman was when I was reloading the shotgun for the

0:29:37.880 --> 0:29:40.040
<v Speaker 1>first time. I called out to him to put his

0:29:40.120 --> 0:29:44.640
<v Speaker 1>weapons down. He called back, You're all dead. Hell yah,

0:29:44.760 --> 0:29:47.000
<v Speaker 1>making this scene even more like a Michael Bay movie.

0:29:47.080 --> 0:29:51.040
<v Speaker 1>This is when troop carriers quote came hurtling down the highway.

0:29:51.520 --> 0:29:54.120
<v Speaker 1>The first driver hit the brakes and swerved as he

0:29:54.120 --> 0:29:57.360
<v Speaker 1>heard the gunfire. The four wheel drive rolled when the

0:29:57.360 --> 0:30:00.000
<v Speaker 1>second car crashed into it, Unable to stop in time.

0:30:00.800 --> 0:30:03.520
<v Speaker 1>Ansel got up on one knee and began lining up

0:30:03.560 --> 0:30:06.760
<v Speaker 1>the cops who were crawling out of the vehicle. But

0:30:06.880 --> 0:30:10.880
<v Speaker 1>this rookie cop, Constable J. D. O'Brien, got a clear shot.

0:30:11.240 --> 0:30:14.600
<v Speaker 1>The autopsy showed thirty three bullet wounds and grazes to

0:30:14.640 --> 0:30:18.480
<v Speaker 1>Ansell's body, Two were fatal, one shot ripped through his

0:30:18.720 --> 0:30:23.160
<v Speaker 1>order he fell face down in the dirt. The real

0:30:23.200 --> 0:30:26.880
<v Speaker 1>mystery is the fact that rod Ansel had apparently escaped

0:30:26.880 --> 0:30:29.840
<v Speaker 1>the roadblocks by clinging to the back of a train

0:30:30.480 --> 0:30:33.440
<v Speaker 1>so metal, which would have essentially allowed him to live

0:30:33.480 --> 0:30:36.760
<v Speaker 1>forever in the bush, but instead he came back to

0:30:36.800 --> 0:30:41.640
<v Speaker 1>fight the cops. But then again, you gotta have goals.

0:30:43.560 --> 0:30:46.520
<v Speaker 1>Then again, this mystery is likely solved by the autopsy,

0:30:46.560 --> 0:30:50.040
<v Speaker 1>which showed that he was very high on meth amphetamine.

0:30:51.280 --> 0:30:55.360
<v Speaker 1>Rod Ansel was given a full aboriginal burial in Arnheim, Land.

0:30:57.600 --> 0:30:58.880
<v Speaker 2>Citation needed.

0:31:00.080 --> 0:31:03.200
<v Speaker 1>A strange sad end to the man who is most

0:31:03.280 --> 0:31:08.000
<v Speaker 1>likely the real crocodile dum dee. I love him. What

0:31:08.040 --> 0:31:08.920
<v Speaker 1>do you think about that? You know?

0:31:09.080 --> 0:31:13.000
<v Speaker 2>I love him? I mean, you know we have that here,

0:31:13.400 --> 0:31:16.560
<v Speaker 2>we have like meth guys doing the same thing.

0:31:16.800 --> 0:31:19.800
<v Speaker 1>But like there's an element of like ruby ridge in

0:31:19.840 --> 0:31:20.960
<v Speaker 1>there too with this though.

0:31:21.400 --> 0:31:23.440
<v Speaker 2>Oh yeah, I mean.

0:31:23.840 --> 0:31:25.440
<v Speaker 1>I'm sort of surprised you hadn't heard of him. This

0:31:25.480 --> 0:31:27.720
<v Speaker 1>seems like something that's very much in your wheelhouse.

0:31:28.520 --> 0:31:31.560
<v Speaker 2>No, no, I mean I I, well, the next guy

0:31:31.600 --> 0:31:34.560
<v Speaker 2>will talk about I had well, not Paul Hogan, but

0:31:34.600 --> 0:31:38.040
<v Speaker 2>the next Australian guy. I don't know, there's such a

0:31:38.080 --> 0:31:41.720
<v Speaker 2>self direction to that life story, right Like, this guy

0:31:41.920 --> 0:31:44.360
<v Speaker 2>was just like, you're not going to give me money

0:31:44.360 --> 0:31:47.560
<v Speaker 2>from you steal my entire personality. You get no money

0:31:47.560 --> 0:31:51.120
<v Speaker 2>from that. I reject all of this, you know, and

0:31:51.160 --> 0:31:53.200
<v Speaker 2>then goes down to blaze of glory, right like, there's

0:31:53.200 --> 0:31:56.560
<v Speaker 2>a reason that we like we still watch you know,

0:31:56.760 --> 0:32:00.680
<v Speaker 2>butch Cassidy, Yeah, I was going to say, uh, as

0:32:00.720 --> 0:32:02.680
<v Speaker 2>a reason we still watch Bonnie and Clyde, you know.

0:32:02.800 --> 0:32:05.520
<v Speaker 2>I mean that's the other thing about Americans and Australians,

0:32:05.560 --> 0:32:09.560
<v Speaker 2>you know, we have this rich like anti anti hero

0:32:10.120 --> 0:32:12.360
<v Speaker 2>Yeah exactly that, you know, and uh.

0:32:12.760 --> 0:32:16.680
<v Speaker 1>Because we are rebel nations sort of, but you know,

0:32:17.720 --> 0:32:21.400
<v Speaker 1>don't do math. Yeah yeah, that didn't That didn't help. No,

0:32:23.240 --> 0:32:27.080
<v Speaker 1>I'm kind of surprised that Paul Hogan dared to this.

0:32:27.320 --> 0:32:29.480
<v Speaker 1>This rod Ansel guy seems like somebody you wouldn't want

0:32:29.480 --> 0:32:31.640
<v Speaker 1>to piss off. I'm kind of amazed that he was

0:32:31.680 --> 0:32:33.680
<v Speaker 1>he was this. He didn't just settle with them in court,

0:32:33.720 --> 0:32:33.880
<v Speaker 1>you know.

0:32:34.440 --> 0:32:37.640
<v Speaker 2>I mean, I'm largely blowing this out of my ass.

0:32:38.560 --> 0:32:42.760
<v Speaker 2>But I feel like there's like a similar British like

0:32:42.880 --> 0:32:46.320
<v Speaker 2>the like the class system in Australia is similar to

0:32:46.480 --> 0:32:49.320
<v Speaker 2>like the way it is in Britain where it's just

0:32:49.360 --> 0:32:52.600
<v Speaker 2>like if you like the people in like Sydney and

0:32:52.640 --> 0:32:55.719
<v Speaker 2>the cosmopolitan type like look down on these guys as

0:32:56.040 --> 0:32:58.640
<v Speaker 2>as you know, like hillbillies.

0:32:58.760 --> 0:32:59.200
<v Speaker 1>Essentially.

0:32:59.760 --> 0:33:02.280
<v Speaker 2>I'm sure there's a lot of racial stuff tied into that,

0:33:02.360 --> 0:33:05.600
<v Speaker 2>because that was how the Aborigines were living and they

0:33:05.920 --> 0:33:08.560
<v Speaker 2>you know, they lived in that area for forty thousand

0:33:08.600 --> 0:33:10.840
<v Speaker 2>years a quote.

0:33:10.920 --> 0:33:12.000
<v Speaker 1>Yeah, is that insane?

0:33:12.400 --> 0:33:13.880
<v Speaker 2>Yeah, and then they threw him into a bunch of

0:33:13.880 --> 0:33:17.560
<v Speaker 2>schools and abused him and did bad shit and love

0:33:17.600 --> 0:33:18.120
<v Speaker 2>white people.

0:33:18.240 --> 0:33:22.200
<v Speaker 1>Two hundred years ago we showed up and yeah, at.

0:33:22.160 --> 0:33:28.720
<v Speaker 2>Least it wasn't for something stupid like spices. Yeah, I

0:33:28.800 --> 0:33:32.400
<v Speaker 2>got idiot columbus opium, Yeah, opium, And they're just well,

0:33:33.400 --> 0:33:36.720
<v Speaker 2>have you ever done opium?

0:33:36.760 --> 0:33:38.960
<v Speaker 1>We're gonna take a quick break, but we'll be right

0:33:39.000 --> 0:33:49.840
<v Speaker 1>back with more too much information in just a moment. Wow.

0:33:54.840 --> 0:33:58.000
<v Speaker 2>So Paul Hogan claims that this man was not the

0:33:58.040 --> 0:34:02.160
<v Speaker 2>origin of Mick Crocodile Dundee, but Hogan's own origin story

0:34:02.240 --> 0:34:08.279
<v Speaker 2>is comparable in some way, Segue. Famously, Hogan had many

0:34:08.360 --> 0:34:11.400
<v Speaker 2>jobs over the years, supposedly as many as twenty five,

0:34:11.640 --> 0:34:16.120
<v Speaker 2>including boxer, chauffeur and a rigger on the Sydney Harbor Bridge,

0:34:17.200 --> 0:34:20.040
<v Speaker 2>which sharp eyed viewers will note is the first image

0:34:20.040 --> 0:34:23.040
<v Speaker 2>you see in the opening shot of Crocodile Dundee while

0:34:23.120 --> 0:34:27.320
<v Speaker 2>Sue Charleton played by Linda Coleslawski, talks to her editor

0:34:27.400 --> 0:34:30.520
<v Speaker 2>slash boyfriend on the phone at the beginning of the film.

0:34:31.160 --> 0:34:34.560
<v Speaker 2>Contrary to popular rumor and the lore around Paul is

0:34:34.840 --> 0:34:37.920
<v Speaker 2>strong in Australia, he was not a painter on the bridge.

0:34:38.000 --> 0:34:39.840
<v Speaker 2>He's been asked about this very many times, and is

0:34:39.920 --> 0:34:42.360
<v Speaker 2>quoted to saying, look, if I had been a painter

0:34:42.520 --> 0:34:44.439
<v Speaker 2>and you'd turn up every day and said, what color

0:34:44.440 --> 0:34:47.279
<v Speaker 2>are we going to do today? Boys, ah, battleship Gray,

0:34:47.600 --> 0:34:50.160
<v Speaker 2>I'd have jumped off, jump out of jumped up. Now

0:34:50.760 --> 0:34:54.239
<v Speaker 2>it leans to New Zealand. It was all working on

0:34:54.239 --> 0:34:57.040
<v Speaker 2>this bridge in nineteen seventy one that the naturally charismatic

0:34:57.080 --> 0:34:59.759
<v Speaker 2>and humorous Hogan, then in his early thirties, decided to

0:34:59.800 --> 0:35:02.680
<v Speaker 2>try for an amateur talent TV show called New Faces,

0:35:02.960 --> 0:35:05.160
<v Speaker 2>which is basically a kind of like American Idol type

0:35:05.200 --> 0:35:08.400
<v Speaker 2>show in Australia. Hogan was apparently dared to do this

0:35:08.480 --> 0:35:11.120
<v Speaker 2>by his coworkers on the Bridge after observing the whole

0:35:11.160 --> 0:35:13.759
<v Speaker 2>shtick of the show was that judges mocked the performers,

0:35:14.239 --> 0:35:17.239
<v Speaker 2>and Hogan felt like the judges deserved similar treating, so

0:35:17.280 --> 0:35:19.440
<v Speaker 2>he got himself booked on the show by claiming to

0:35:19.440 --> 0:35:22.799
<v Speaker 2>be a tap dancing knife thrower, and then he proceeded

0:35:22.840 --> 0:35:26.440
<v Speaker 2>to make fun of the judges before, according to Wikipedia,

0:35:26.880 --> 0:35:30.360
<v Speaker 2>performing a rudimentary shuffle and throwing the knives onto the floor.

0:35:30.840 --> 0:35:32.600
<v Speaker 1>So I'd be like if somebody went on American Idol

0:35:32.640 --> 0:35:36.279
<v Speaker 1>and just mocked Simon Cowell. Yeah, I mean like four Yeah,

0:35:36.280 --> 0:35:37.840
<v Speaker 1>it's so cool.

0:35:38.440 --> 0:35:41.719
<v Speaker 2>Good for him. Also, like taking the piss with Australians

0:35:41.800 --> 0:35:44.760
<v Speaker 2>is just like the like the nat Lingua fraka.

0:35:45.400 --> 0:35:45.680
<v Speaker 1>You know.

0:35:47.800 --> 0:35:49.800
<v Speaker 2>This all went down so well, and he was invited

0:35:49.840 --> 0:35:53.320
<v Speaker 2>back for repeated performances for such highbrow bits as making

0:35:53.320 --> 0:35:56.279
<v Speaker 2>a series of jokes before banging two shovels together a

0:35:56.280 --> 0:36:00.000
<v Speaker 2>few times. It was really easy to make it back then.

0:36:00.400 --> 0:36:03.879
<v Speaker 1>You had the build. It really killed in the room.

0:36:06.000 --> 0:36:07.920
<v Speaker 2>Hogan was soon booked as a regular guest on a

0:36:07.960 --> 0:36:11.160
<v Speaker 2>news magazine program called A Current Affair, where He's so

0:36:11.200 --> 0:36:13.759
<v Speaker 2>impressed producer John Cornell with his comedic hot takes that

0:36:13.840 --> 0:36:16.640
<v Speaker 2>Cornell decided to bring him back as a regular guest commentator.

0:36:17.760 --> 0:36:18.799
<v Speaker 1>It was so easy back then.

0:36:19.480 --> 0:36:21.840
<v Speaker 2>The pair grew close, and John Cornell would become Hogan's

0:36:21.840 --> 0:36:26.560
<v Speaker 2>manager and business partner. Cornell was a brilliant marketer. He'd

0:36:26.560 --> 0:36:29.160
<v Speaker 2>to build up Hogan's image without overexposing him. He signed

0:36:29.200 --> 0:36:31.520
<v Speaker 2>him up to promote two products that would reinforce his

0:36:31.640 --> 0:36:36.319
<v Speaker 2>rough hewn, working class image, cigarettes and beer. The beer

0:36:36.360 --> 0:36:40.360
<v Speaker 2>ads for Foster, of course, obviously, although I think Victoria

0:36:40.440 --> 0:36:44.720
<v Speaker 2>Bitters is like the actual babes got my Winnie Blues,

0:36:44.760 --> 0:36:50.480
<v Speaker 2>I'm a vbays Ah, It's got me holding. The ads

0:36:50.520 --> 0:36:52.760
<v Speaker 2>became fairly renowned for their Fish out of Water humor,

0:36:52.800 --> 0:36:55.279
<v Speaker 2>in which Hogan played an earthy Australian a broad and

0:36:55.320 --> 0:37:00.040
<v Speaker 2>cosmopolitan London. The character's most notable line, spoken incredulously a

0:37:00.200 --> 0:37:03.759
<v Speaker 2>ballet performance, was Struth has a bloke down there with

0:37:03.800 --> 0:37:04.680
<v Speaker 2>no strides on.

0:37:04.920 --> 0:37:06.600
<v Speaker 1>I need to google what struth means.

0:37:07.000 --> 0:37:10.200
<v Speaker 2>It dogged Hogan for years. In another advertisement from the

0:37:10.239 --> 0:37:14.200
<v Speaker 2>same Foster series, Hogan's characters approached in London Tube station

0:37:14.320 --> 0:37:16.600
<v Speaker 2>by a Japanese tourists who asked, do you know the

0:37:16.640 --> 0:37:19.719
<v Speaker 2>way to cock Fosters, which is an admittedly hilariously named

0:37:19.760 --> 0:37:22.520
<v Speaker 2>area in North London, to which Hogan replies with a

0:37:22.520 --> 0:37:25.400
<v Speaker 2>puzzled look on his face, drink it warm, mate.

0:37:25.800 --> 0:37:27.480
<v Speaker 1>Is cocking a beer? It means like, because you're a

0:37:27.520 --> 0:37:29.760
<v Speaker 1>cocking drink and sucks.

0:37:29.560 --> 0:37:31.040
<v Speaker 2>You can put it in your mouth like you would

0:37:31.040 --> 0:37:31.520
<v Speaker 2>with a dick.

0:37:32.120 --> 0:37:34.839
<v Speaker 1>Uh uh tuckle bell Bell.

0:37:35.920 --> 0:37:39.920
<v Speaker 2>Paul Hogan John Crnell formed their own production company JP Productions,

0:37:40.239 --> 0:37:45.480
<v Speaker 2>John and Paul. There are layers, not like there were

0:37:45.480 --> 0:37:47.560
<v Speaker 2>any you know, any other John Paul's that would have

0:37:47.600 --> 0:37:50.680
<v Speaker 2>been out there around the time, and in nineteen seventy

0:37:50.680 --> 0:37:53.399
<v Speaker 2>three they created a weekly TV sketching variety show called

0:37:53.440 --> 0:37:54.399
<v Speaker 2>The Paul Hogan Show.

0:37:55.040 --> 0:38:00.560
<v Speaker 1>It sucks. It's any hill, but but worse.

0:38:00.800 --> 0:38:05.640
<v Speaker 2>It is wildly I mean his first of all not

0:38:05.800 --> 0:38:07.920
<v Speaker 2>aged well as an understatement, but it is like some

0:38:08.000 --> 0:38:11.800
<v Speaker 2>of the dumbest humor imaginable. I was clicking through a

0:38:11.840 --> 0:38:14.640
<v Speaker 2>compilation of it and there was like, there's one where

0:38:14.680 --> 0:38:16.520
<v Speaker 2>the whole bit is just that it looks like a

0:38:16.560 --> 0:38:20.080
<v Speaker 2>tough looking punk band with chains and stuff and mugging

0:38:20.080 --> 0:38:21.800
<v Speaker 2>the camera and then they just start singing like a

0:38:21.880 --> 0:38:25.879
<v Speaker 2>quasi effeminate new wave And that's the whole, that's the bit.

0:38:27.560 --> 0:38:29.080
<v Speaker 2>But some of the characters, to give you an ex

0:38:29.400 --> 0:38:32.279
<v Speaker 2>to give you a maybe I'm not judging it. Maybe

0:38:32.280 --> 0:38:33.799
<v Speaker 2>I'm too close to this, you know, And so let's

0:38:33.880 --> 0:38:34.440
<v Speaker 2>let's pick it.

0:38:34.560 --> 0:38:35.080
<v Speaker 1>Let's put the.

0:38:35.640 --> 0:38:36.880
<v Speaker 2>Pantheon of Paul Hogan.

0:38:37.040 --> 0:38:39.040
<v Speaker 1>How deep does it go? How deep does this go?

0:38:39.239 --> 0:38:42.400
<v Speaker 2>I'd like to spotlight some of the characters that Paul

0:38:42.600 --> 0:38:47.120
<v Speaker 2>invented on his namesake, his eponymous show. Leo Wanker, an

0:38:47.200 --> 0:38:53.000
<v Speaker 2>inept daredevil stuntman, George Fungus, a parody of real life

0:38:53.000 --> 0:38:57.920
<v Speaker 2>television journalist George Nigus of the Australian sixty minutes. Super

0:38:58.000 --> 0:39:02.600
<v Speaker 2>Dag an aker super hero complete with terry toweling hat

0:39:02.640 --> 0:39:06.880
<v Speaker 2>and zinc creamed nose. His powers included the ability to

0:39:07.000 --> 0:39:10.920
<v Speaker 2>use his Eskie in innovative ways. Should I explain any

0:39:10.960 --> 0:39:13.680
<v Speaker 2>of those terms, Oh, if you're so moved, I mean

0:39:13.680 --> 0:39:15.600
<v Speaker 2>I google to come him. Eski is just slang for

0:39:15.640 --> 0:39:20.640
<v Speaker 2>a portable cooler that I didn't know because an Eskimo brand.

0:39:20.840 --> 0:39:25.240
<v Speaker 2>But oker is like literally according to the Australian National

0:39:25.360 --> 0:39:31.080
<v Speaker 2>University is an uncouth, uncultivated or aggressively borish Australian male,

0:39:31.680 --> 0:39:35.960
<v Speaker 2>stereotypically Australian in speech and manner, a typical or average

0:39:36.000 --> 0:39:38.960
<v Speaker 2>Australian male terry toweling hat.

0:39:39.880 --> 0:39:41.240
<v Speaker 1>You know, I'm not going to touch that one.

0:39:42.120 --> 0:39:47.520
<v Speaker 2>Pierce Pierce the Whino, an old drunken Darrow who start

0:39:47.560 --> 0:39:50.480
<v Speaker 2>a Darrow Darrow who starred in a series of silent

0:39:50.680 --> 0:39:58.359
<v Speaker 2>Benny Hill style Shenanigans. Dong Er, Uh, there were there

0:39:58.360 --> 0:40:03.359
<v Speaker 2>were few variations on Donger. He has a big butt, Sorry,

0:40:03.360 --> 0:40:05.960
<v Speaker 2>he has a big beer gut, that's the bit. There

0:40:06.000 --> 0:40:09.240
<v Speaker 2>was Sergeant Donger, the tough cop with a bionic beer gut,

0:40:09.520 --> 0:40:14.400
<v Speaker 2>and Arthur Donger, a character of the suburban beer drunk

0:40:14.480 --> 0:40:19.800
<v Speaker 2>Australian male. Next we had Nigel Loveless, a skateboarding eleven

0:40:19.880 --> 0:40:23.040
<v Speaker 2>year old almost twelve, which I guess is a bit

0:40:23.080 --> 0:40:27.480
<v Speaker 2>in the show. Yeah, yes, the afore mentioned Arthur Donger.

0:40:27.760 --> 0:40:31.880
<v Speaker 2>And lastly Luigi, a magician with a thick Italian accent

0:40:31.920 --> 0:40:36.319
<v Speaker 2>who spectacularly fails at attempted magic tricks. Occasionally, Luigi would

0:40:36.320 --> 0:40:39.280
<v Speaker 2>have an assistant called Maria and When the tricks failed,

0:40:39.520 --> 0:40:45.920
<v Speaker 2>Luigi would shount dancer Maria to distract attention. So I

0:40:45.920 --> 0:40:47.879
<v Speaker 2>have to assume it was better live in the room.

0:40:47.920 --> 0:40:49.800
<v Speaker 1>In the room, I mean, yeah.

0:40:49.600 --> 0:40:51.560
<v Speaker 2>When you look at old like Fry and Laurie, some

0:40:51.600 --> 0:40:53.399
<v Speaker 2>of that has not aged super well.

0:40:53.440 --> 0:40:55.440
<v Speaker 1>But this is a.

0:40:55.280 --> 0:41:01.440
<v Speaker 2>Dog shit yeah yeah yeah. The show would generally end

0:41:01.440 --> 0:41:03.360
<v Speaker 2>with Hogan and his bridge painter get up trying to

0:41:03.360 --> 0:41:06.760
<v Speaker 2>flip cigarettes into his mouth. So just Pinnacle of Entertainment,

0:41:08.400 --> 0:41:09.520
<v Speaker 2>a McLaughlin.

0:41:09.120 --> 0:41:09.680
<v Speaker 1>Group, it was not.

0:41:11.719 --> 0:41:17.200
<v Speaker 2>How about this? The Algonquin Round Table was not. The

0:41:17.239 --> 0:41:20.799
<v Speaker 2>show did air until nineteen eighty four and was syndicated internationally,

0:41:20.800 --> 0:41:24.879
<v Speaker 2>including in the US, where Hogan cannily parlayed his fame

0:41:24.920 --> 0:41:27.600
<v Speaker 2>into a gig with the Australian Tourism Board, creating a

0:41:27.640 --> 0:41:30.000
<v Speaker 2>series of ads in the nineteen eighties encouraging Americans to

0:41:30.080 --> 0:41:33.720
<v Speaker 2>visit the Wonda's Dad Anda and his offer to slip

0:41:33.760 --> 0:41:35.560
<v Speaker 2>an extra shrimp on the bobby for you.

0:41:36.400 --> 0:41:38.640
<v Speaker 1>I didn't know that was where that was from, he did,

0:41:38.680 --> 0:41:39.839
<v Speaker 1>did I actually, But.

0:41:39.920 --> 0:41:42.640
<v Speaker 2>You said in Australia that they call him prons instead.

0:41:42.800 --> 0:41:45.960
<v Speaker 1>Yes, yes, in Australia and England and any part of

0:41:45.960 --> 0:41:48.560
<v Speaker 1>the British Empire. I think they call him prons well.

0:41:48.600 --> 0:41:51.360
<v Speaker 2>By the mid eighties, Hogan was wildly successful and hiding

0:41:51.440 --> 0:41:54.680
<v Speaker 2>large chunks of money from the Australian government. Allegedly he

0:41:54.800 --> 0:41:57.400
<v Speaker 2>was vowed. He was voted Australian of the Year in

0:41:57.480 --> 0:41:58.520
<v Speaker 2>nineteen eighty five.

0:41:59.440 --> 0:42:01.600
<v Speaker 1>Due just loves being Australian man.

0:42:01.920 --> 0:42:04.960
<v Speaker 2>I mean good, Like, yeah, who is his competition, like

0:42:05.960 --> 0:42:09.560
<v Speaker 2>mel Gibson ac DC for ten years running? I guess yeah,

0:42:09.719 --> 0:42:10.760
<v Speaker 2>it would have been mel Gibson.

0:42:11.120 --> 0:42:12.360
<v Speaker 1>Yeah, probably not for sure.

0:42:12.520 --> 0:42:15.120
<v Speaker 2>Oh yeah, I forgot about mel Gibson being Australian.

0:42:16.160 --> 0:42:20.840
<v Speaker 1>Who claims him well? Especially now? Who like what was

0:42:20.880 --> 0:42:23.399
<v Speaker 1>he was born here and then raised there or vice versa.

0:42:23.880 --> 0:42:28.400
<v Speaker 1>I don't give a shit, I now, I very much do.

0:42:28.880 --> 0:42:30.960
<v Speaker 1>I would just google it can come back. Well, I am,

0:42:31.080 --> 0:42:34.520
<v Speaker 1>That's what I'm doing right now. He said. Irish citizenship too,

0:42:34.640 --> 0:42:38.239
<v Speaker 1>what the hell? Born in Peakskill, New York, Okay, six

0:42:38.280 --> 0:42:43.720
<v Speaker 1>of eleventh children Jesus Chrincy Irish uh Irish born mom.

0:42:44.160 --> 0:42:46.640
<v Speaker 1>His father was awarded one hundred and forty five thousand

0:42:46.680 --> 0:42:49.279
<v Speaker 1>dollars in a work related injury lawsuit against the New

0:42:49.320 --> 0:42:53.319
<v Speaker 1>York Central Railroad and soon afterwards, he and his entire

0:42:53.400 --> 0:42:55.560
<v Speaker 1>family relocated to Sydney, Australia.

0:42:55.640 --> 0:42:58.240
<v Speaker 2>That's how you do it, get rich off an accident

0:42:58.320 --> 0:43:01.120
<v Speaker 2>and move down, skipped down.

0:43:01.239 --> 0:43:05.480
<v Speaker 1>Up sticks as the British sticks. Yes. Mel Gibson was

0:43:05.480 --> 0:43:07.640
<v Speaker 1>twelve years old at the time. His move to his

0:43:07.640 --> 0:43:11.200
<v Speaker 1>grandmother's native Australia was for economic reasons and his father's

0:43:11.280 --> 0:43:15.440
<v Speaker 1>expectation that the Australian Defense Forces would reject his eldest

0:43:15.440 --> 0:43:18.800
<v Speaker 1>son from the drafts during Vietnam whatever.

0:43:18.960 --> 0:43:21.480
<v Speaker 2>Too far in the weeds, I guess Australia claims him.

0:43:21.719 --> 0:43:24.680
<v Speaker 1>Seems to be. Yeah, he's got a some kind of

0:43:24.719 --> 0:43:28.800
<v Speaker 1>he's got the Order of Australia Honor. So yeah, sure, yeah, okay,

0:43:29.080 --> 0:43:31.920
<v Speaker 1>well there we go. How about that? How about that?

0:43:33.600 --> 0:43:36.920
<v Speaker 1>So Paul Hogan was like the pre eminent Australian on

0:43:37.040 --> 0:43:40.200
<v Speaker 1>the face of the planet in nineteen eighty five, and

0:43:40.320 --> 0:43:43.680
<v Speaker 1>so he and his business partner John Cornell wanted to

0:43:43.719 --> 0:43:46.000
<v Speaker 1>build on the success of the Paul Hogan TV show

0:43:46.080 --> 0:43:50.640
<v Speaker 1>and give Australia an international folk hero that, in Hogan's estimation,

0:43:51.040 --> 0:43:54.680
<v Speaker 1>they so richly deserved. And that's how they decided to

0:43:54.760 --> 0:44:00.000
<v Speaker 1>make Crocodile Dundee a tale of the trials and tribulations

0:44:00.120 --> 0:44:03.520
<v Speaker 1>of a gruff but lovable Australian who visits New York City.

0:44:04.360 --> 0:44:06.840
<v Speaker 1>As we touched on earlier, Paul Hogan claims that he

0:44:06.880 --> 0:44:08.480
<v Speaker 1>came up with the idea for the film on a

0:44:08.480 --> 0:44:11.000
<v Speaker 1>trip to New York, where the culture clash made him

0:44:11.040 --> 0:44:13.959
<v Speaker 1>wonder what would be like if a real Aussie hunter

0:44:14.120 --> 0:44:17.200
<v Speaker 1>arrived in the Big Apple. To be sure, this was

0:44:17.239 --> 0:44:20.200
<v Speaker 1>a deliberate attempt to make a commercial Australian comedy that

0:44:20.239 --> 0:44:23.400
<v Speaker 1>would appeal to the American audience, and they took great

0:44:23.440 --> 0:44:26.760
<v Speaker 1>pains to ensure that the script wasn't smutty or violent.

0:44:28.040 --> 0:44:31.160
<v Speaker 1>John Colonel, I can never say his name, John Cornell,

0:44:31.719 --> 0:44:36.440
<v Speaker 1>like the college. That's not how you spell Cornell. Oh

0:44:36.480 --> 0:44:40.080
<v Speaker 1>it is. My grandfather went there to.

0:44:42.000 --> 0:44:43.000
<v Speaker 2>Please leave that in.

0:44:45.320 --> 0:44:49.279
<v Speaker 1>Obviously I didn't go to Cornell. Producer John Cornell would

0:44:49.320 --> 0:44:52.680
<v Speaker 1>explain that the target audience for Crocodile Dundee is the

0:44:52.680 --> 0:44:56.200
<v Speaker 1>eight to eighty age group quote a demographic like a

0:44:56.280 --> 0:45:04.080
<v Speaker 1>double barreled shotgun shoty. Paul Hogan was quoted as saying,

0:45:04.120 --> 0:45:06.560
<v Speaker 1>there's a lot about Dundee that we all think we're like.

0:45:06.880 --> 0:45:10.360
<v Speaker 1>We meaning Australians, but we're not because we live in Sydney.

0:45:10.920 --> 0:45:14.600
<v Speaker 1>He's a mythical outback Australian who does exist in part

0:45:15.080 --> 0:45:18.280
<v Speaker 1>the frontiersman who walks through the bush picking up snakes

0:45:18.280 --> 0:45:21.120
<v Speaker 1>and throwing them aside, living off the land, who can

0:45:21.239 --> 0:45:25.360
<v Speaker 1>ride horses and chop down trees and has that simple, friendly,

0:45:25.440 --> 0:45:28.840
<v Speaker 1>laid back philosophy. It's like the image the Americans have

0:45:28.960 --> 0:45:31.960
<v Speaker 1>of us, so why not give them one. We've always

0:45:31.960 --> 0:45:35.479
<v Speaker 1>been desperately short of folk heroes in this country. Ned

0:45:35.600 --> 0:45:39.960
<v Speaker 1>Kelly is pathetic. Some are the bush rangers. Ned Kelly

0:45:40.040 --> 0:45:44.800
<v Speaker 1>catches trays from Paul Hogan. Yeah, the script for Crocodile

0:45:44.920 --> 0:45:48.040
<v Speaker 1>Dundee was written by Hogan and his manager John Cournell,

0:45:48.280 --> 0:45:51.759
<v Speaker 1>who produced the thing himself. This is really they're kept

0:45:51.800 --> 0:45:52.520
<v Speaker 1>in house.

0:45:52.320 --> 0:45:53.120
<v Speaker 2>Only for him.

0:45:55.560 --> 0:45:55.799
<v Speaker 1>Yeah.

0:45:56.160 --> 0:45:59.520
<v Speaker 2>Ned Kelly is like a Jesse James kind of figure

0:45:59.560 --> 0:46:04.360
<v Speaker 2>in Australia. His Wikipedia page has one of the most

0:46:04.760 --> 0:46:07.719
<v Speaker 2>like He looks like a guy who works at a

0:46:07.719 --> 0:46:10.879
<v Speaker 2>barber shop in Brooklyn. He's incredible beer.

0:46:11.160 --> 0:46:13.960
<v Speaker 1>He's played by Mick Jagger, right, perfect hair.

0:46:14.080 --> 0:46:18.920
<v Speaker 2>Well, don't hold bad against him, and many people think

0:46:19.400 --> 0:46:22.680
<v Speaker 2>his image is mushroomed into this like Robin Hood kind

0:46:22.680 --> 0:46:24.560
<v Speaker 2>of situation in Australia. But there are a lot of

0:46:24.600 --> 0:46:27.839
<v Speaker 2>people who just say he was like a violent outlaw.

0:46:28.280 --> 0:46:32.560
<v Speaker 2>But most importantly to my interests, he is famous for

0:46:32.600 --> 0:46:37.360
<v Speaker 2>wearing a homemade suit of armor bulletproof vest in his

0:46:37.440 --> 0:46:41.920
<v Speaker 2>last standoff with police was a bulletproof Given that it

0:46:41.960 --> 0:46:44.680
<v Speaker 2>was his last stand up with police, I'm guess he

0:46:45.160 --> 0:46:50.080
<v Speaker 2>was bet attesting it. He was also a bare knuckle boxer.

0:46:50.160 --> 0:46:54.239
<v Speaker 2>He thought a guy over a chestnut mare and one

0:46:54.280 --> 0:46:59.560
<v Speaker 2>in twenty rounds. You know, I mean, I'd feel like

0:46:59.600 --> 0:47:02.560
<v Speaker 2>somebody to feel like well, I guess you could say

0:47:02.800 --> 0:47:05.520
<v Speaker 2>on Dillinger. A lot of people do, but those people

0:47:05.520 --> 0:47:05.879
<v Speaker 2>are wrong.

0:47:06.160 --> 0:47:11.040
<v Speaker 1>Have you seen a picture of his homemade suit of armor? Yeah,

0:47:11.040 --> 0:47:14.800
<v Speaker 1>it's sick. Yeah. I mean I don't see any eye holes,

0:47:14.800 --> 0:47:17.040
<v Speaker 1>which I guess would say to reason. I do see

0:47:17.040 --> 0:47:19.719
<v Speaker 1>a lot of bullet dance. So I guess it didn't

0:47:19.760 --> 0:47:20.360
<v Speaker 1>do that bad.

0:47:20.640 --> 0:47:23.279
<v Speaker 2>Yeah, yeah, he didn't know, he didn't.

0:47:23.600 --> 0:47:27.479
<v Speaker 1>Yeah, yeah, let's try. That's cool though.

0:47:29.520 --> 0:47:34.480
<v Speaker 2>I mean the battle lasted a half an hour wow,

0:47:35.040 --> 0:47:38.040
<v Speaker 2>and he was only brought down by two shotgun blasts

0:47:38.080 --> 0:47:42.200
<v Speaker 2>to his unprotected legs. He had twenty eight wounds and

0:47:42.239 --> 0:47:43.760
<v Speaker 2>then they found him.

0:47:44.560 --> 0:47:45.040
<v Speaker 1>Yeah.

0:47:45.520 --> 0:47:51.239
<v Speaker 2>So Ned Kelly was the subject of the first dramatic

0:47:51.400 --> 0:47:55.400
<v Speaker 2>feature length film ever, The Story of the Yes, the

0:47:55.440 --> 0:47:58.759
<v Speaker 2>Story of the Kelly Gang, in nineteen o six.

0:47:59.120 --> 0:48:05.760
<v Speaker 1>Ever, not just in Australia but ever. Ever, that's wild regard.

0:48:05.840 --> 0:48:09.759
<v Speaker 2>Well, uh, because it's the seventeen minutes of it that

0:48:09.840 --> 0:48:13.880
<v Speaker 2>still survived. But it is u's pretty long fribed in

0:48:14.120 --> 0:48:17.560
<v Speaker 2>its it's literally enshrined in UNESCO, which is the United

0:48:17.600 --> 0:48:22.040
<v Speaker 2>States Nations Nations Educational, Scientific and Cultural Organization, for being

0:48:22.080 --> 0:48:26.920
<v Speaker 2>the world's first full length narrative feature film. You Paul Hogan,

0:48:26.960 --> 0:48:29.719
<v Speaker 2>you don't have that keep Kelly's name out of your mouth.

0:48:31.360 --> 0:48:34.040
<v Speaker 1>So, in short, you disagree with Paul Hogan's assessment that

0:48:34.160 --> 0:48:35.440
<v Speaker 1>Ned Kelly was pathetic.

0:48:35.640 --> 0:48:38.319
<v Speaker 2>Yeah, man, everybody needs folk heroes. And it's also it's

0:48:38.320 --> 0:48:41.080
<v Speaker 2>also rich of Paul Hogan to be like, yeah, bad

0:48:41.120 --> 0:48:44.160
<v Speaker 2>other guy, this guy who's life I stolen out of

0:48:44.200 --> 0:48:47.320
<v Speaker 2>any money for it. That's the guy. I'm the guy,

0:48:49.080 --> 0:48:55.280
<v Speaker 2>you man. It's just like somebody bold basically being like

0:48:55.280 --> 0:48:58.840
<v Speaker 2>like making a thinly veiled biopic of like Jesse James

0:48:58.840 --> 0:49:00.680
<v Speaker 2>and then being like, no, it's not based on him.

0:49:00.680 --> 0:49:05.319
<v Speaker 2>I'm sorry. I was from when I went to New York.

0:49:08.440 --> 0:49:12.160
<v Speaker 1>Come on. Paul Hogan and his business manager John Cornell

0:49:12.239 --> 0:49:15.240
<v Speaker 1>sketched out a ten million dollar budget, which was fairly

0:49:15.280 --> 0:49:19.080
<v Speaker 1>modest even for the time. Crocodile Dundy was unusual because

0:49:19.080 --> 0:49:21.840
<v Speaker 1>it didn't go through the Australian Film Commission, which usually

0:49:21.840 --> 0:49:25.960
<v Speaker 1>supplies financing in exchange for some degree of creative meddling.

0:49:26.680 --> 0:49:29.120
<v Speaker 1>Instead of going for a few big investors, they targeted

0:49:29.160 --> 0:49:31.960
<v Speaker 1>a lot of small donations for many just like us.

0:49:32.400 --> 0:49:36.000
<v Speaker 2>Yeah, it's also a big B movie horror movie crowdfunding situation.

0:49:36.200 --> 0:49:39.920
<v Speaker 2>Like Sam Raimi, the initial the rights to the first

0:49:39.960 --> 0:49:43.640
<v Speaker 2>Evil Dead, and I believe largely why the Second Evil

0:49:43.640 --> 0:49:45.759
<v Speaker 2>Dead is basically a shot for shot remake of the

0:49:45.800 --> 0:49:49.520
<v Speaker 2>first one. The rights are disaster because he would they

0:49:49.520 --> 0:49:51.600
<v Speaker 2>were just going around to anybody being like, we have

0:49:51.640 --> 0:49:55.440
<v Speaker 2>five hundred dollars, you'll be a producers. A lot of

0:49:55.560 --> 0:49:58.319
<v Speaker 2>dentists in particular. That was his. That was like one

0:49:58.360 --> 0:50:00.439
<v Speaker 2>of the things he's been on record is saying, yeah,

0:50:00.480 --> 0:50:02.000
<v Speaker 2>we went to a lot of dentists. They have they

0:50:02.000 --> 0:50:03.040
<v Speaker 2>have a lot of money.

0:50:02.800 --> 0:50:07.800
<v Speaker 1>They have a lot of money in there and they're depressed. Yeah, yeah, huh. Interesting.

0:50:08.960 --> 0:50:11.759
<v Speaker 1>In the pre go fund me days, to promote this

0:50:11.800 --> 0:50:14.600
<v Speaker 1>project to potential investors, they gave an interview to the

0:50:14.880 --> 0:50:23.600
<v Speaker 1>Australian business magazine Ridges. How'd you say that, Rydgeses Rogs.

0:50:24.000 --> 0:50:25.440
<v Speaker 1>I mean that just sounds like you're saying it with

0:50:25.480 --> 0:50:29.040
<v Speaker 1>an Australian accent, Yeah Rogers. Okay, all right, well there

0:50:29.080 --> 0:50:32.960
<v Speaker 1>you go. The articles read how's this for Kisman? The

0:50:33.040 --> 0:50:36.000
<v Speaker 1>article is read by Paul Hogan's childhood friend who just

0:50:36.120 --> 0:50:39.560
<v Speaker 1>happened to run an investment bank. This bank agreed to

0:50:39.640 --> 0:50:43.399
<v Speaker 1>underwrite seven million dollars of this ten million dollar feature.

0:50:44.680 --> 0:50:44.960
<v Speaker 2>Sake.

0:50:45.680 --> 0:50:47.520
<v Speaker 1>I know, I know, what is that?

0:50:47.520 --> 0:50:48.720
<v Speaker 2>An eighty five money?

0:50:49.000 --> 0:50:51.400
<v Speaker 1>I would say seven million dollars I would put it

0:50:51.520 --> 0:50:54.560
<v Speaker 1>at I'm gonna say prices right rules without going over,

0:50:54.560 --> 0:50:58.200
<v Speaker 1>I'm gonna say twenty one million. I know it's Australian dollars.

0:50:58.280 --> 0:51:00.359
<v Speaker 1>I don't know if that's Australian dollars though, I don't

0:51:00.360 --> 0:51:02.840
<v Speaker 1>really know what that means. It's not a real currency.

0:51:02.680 --> 0:51:05.280
<v Speaker 1>They paid in a crocodile meat teeth.

0:51:05.680 --> 0:51:08.560
<v Speaker 2>They say that's the cristis I say.

0:51:08.440 --> 0:51:11.600
<v Speaker 1>Eighty five eighty five. Yeah, I'm gonna say it's close

0:51:11.640 --> 0:51:13.080
<v Speaker 1>to twenty million today.

0:51:12.960 --> 0:51:15.320
<v Speaker 2>Twenty million, eight hundred and eighty six.

0:51:15.320 --> 0:51:17.200
<v Speaker 1>Dollars, I said twenty one. So I went over. I

0:51:17.239 --> 0:51:19.880
<v Speaker 1>lost my prices, right, rules, I lost, but that's pretty close.

0:51:20.680 --> 0:51:21.920
<v Speaker 2>I didn't guess I abstained.

0:51:24.440 --> 0:51:29.160
<v Speaker 1>How big of you. Hogan and John Cronell each kicked

0:51:29.160 --> 0:51:32.560
<v Speaker 1>in six hundred thousand dollars apiece and the rest of

0:51:32.600 --> 0:51:35.640
<v Speaker 1>the budget, so some two million dollars would come from

0:51:35.719 --> 0:51:40.560
<v Speaker 1>fourteen hundred small investors, one of whom was the frontman

0:51:40.640 --> 0:51:45.400
<v Speaker 1>of Australian rock band In Excess, Michael Hutchins. Do you

0:51:45.440 --> 0:51:47.080
<v Speaker 1>have anything you'd like to share about Michael.

0:51:46.880 --> 0:51:49.239
<v Speaker 2>Hutchins handsome, handsome guy.

0:51:49.400 --> 0:51:52.000
<v Speaker 1>Yeah, yeah, it's like an Australian Jim Morrison, but.

0:51:52.160 --> 0:51:57.040
<v Speaker 2>In excess, a reportedly great band. That one song is good, Yeah,

0:51:57.080 --> 0:51:57.919
<v Speaker 2>I know that one song.

0:51:58.960 --> 0:52:00.880
<v Speaker 1>It's a good song. Yeah.

0:52:00.920 --> 0:52:06.680
<v Speaker 2>He died cranking it, cranking the hog and the news,

0:52:07.480 --> 0:52:09.000
<v Speaker 2>as so many of us have.

0:52:10.719 --> 0:52:13.120
<v Speaker 1>I don't know if that's true, I because I always

0:52:13.120 --> 0:52:15.719
<v Speaker 1>assume that. And then before we taped today, I went

0:52:15.760 --> 0:52:17.840
<v Speaker 1>and looked that up and the only person who claimed

0:52:17.840 --> 0:52:22.240
<v Speaker 1>that was his I believe. I believe A strange girlfriend

0:52:22.280 --> 0:52:23.799
<v Speaker 1>at the time, Paula Yates.

0:52:23.960 --> 0:52:26.840
<v Speaker 2>Oh yeah, that makes sense, something an X would say.

0:52:27.160 --> 0:52:29.640
<v Speaker 1>But then there was some kind of because she was

0:52:29.719 --> 0:52:33.040
<v Speaker 1>dating Bob Geldoff at the time and they had kids together.

0:52:33.080 --> 0:52:37.359
<v Speaker 1>There was love triangle and then and what did what

0:52:37.440 --> 0:52:39.959
<v Speaker 1>was it drugs? She died of drugs not too long

0:52:40.040 --> 0:52:41.440
<v Speaker 1>after talking about her I don't give it.

0:52:41.880 --> 0:52:42.200
<v Speaker 2>He was.

0:52:44.880 --> 0:52:46.960
<v Speaker 1>No they I mean, they just said it could have

0:52:47.000 --> 0:52:51.280
<v Speaker 1>been depression and suicide. She said as much when interviewed

0:52:51.280 --> 0:52:55.319
<v Speaker 1>by the police, but then later when speaking to some

0:52:55.440 --> 0:52:58.080
<v Speaker 1>journalists or news outlet, she changed the story and said

0:52:58.080 --> 0:53:01.160
<v Speaker 1>that it was autoerotic asphyxiation. But she's the only one

0:53:01.200 --> 0:53:04.200
<v Speaker 1>I think he's claimed that. I think, well, that's sad

0:53:04.200 --> 0:53:10.440
<v Speaker 1>and I regret the error. But but we'll never know.

0:53:10.680 --> 0:53:14.840
<v Speaker 1>But thankfully before he went there's really no segue. I

0:53:14.880 --> 0:53:17.600
<v Speaker 1>can't there's I can't get back to this in a

0:53:17.640 --> 0:53:18.000
<v Speaker 1>way that.

0:53:18.360 --> 0:53:21.200
<v Speaker 2>Is sucks to man. I mean, I just have to

0:53:21.239 --> 0:53:24.040
<v Speaker 2>assume that's true. And you know what, I just did

0:53:24.080 --> 0:53:29.560
<v Speaker 2>a whole bit slandering that man, and like, imagine dying

0:53:29.920 --> 0:53:32.840
<v Speaker 2>and your ex is like, yeah, he killed himself wanking

0:53:32.880 --> 0:53:36.240
<v Speaker 2>it in the noose, and that's lodged in someone's brain

0:53:37.000 --> 0:53:41.680
<v Speaker 2>thirty years later forty years later, My god, what a wait?

0:53:41.760 --> 0:53:42.399
<v Speaker 1>What I mean?

0:53:42.760 --> 0:53:44.759
<v Speaker 2>Hey, at least we're talking about him, right, No such

0:53:44.800 --> 0:53:45.800
<v Speaker 2>thing as bad publicity.

0:53:45.920 --> 0:53:49.160
<v Speaker 1>We aren't talking about his songs though. Yeah. As a musician,

0:53:49.480 --> 0:53:51.800
<v Speaker 1>I'd like to know how you feel about that. Would

0:53:51.800 --> 0:53:53.920
<v Speaker 1>you rather be remember for the songs you write or

0:53:53.960 --> 0:53:55.760
<v Speaker 1>for the way that you didn't die?

0:53:56.880 --> 0:53:59.000
<v Speaker 2>I mean, does anyone want to be remembered for the

0:53:59.000 --> 0:54:01.160
<v Speaker 2>way that they didn't die?

0:54:03.960 --> 0:54:06.840
<v Speaker 1>Is that great? Great? I think I forgot it was.

0:54:06.880 --> 0:54:09.799
<v Speaker 1>I mustn't Frankie Boyle. That sounds like Frankie Boyle. It's like,

0:54:10.160 --> 0:54:12.960
<v Speaker 1>why would Elvis fake his own death? We're gonna fake

0:54:13.000 --> 0:54:14.960
<v Speaker 1>your own death. You could do better than the fake

0:54:15.000 --> 0:54:28.000
<v Speaker 1>ash accident exactly. Yeah. Oh, poor Michael Hutchins. Gods and Elvis. Nah. Yes,

0:54:28.280 --> 0:54:33.200
<v Speaker 1>Michael Hutchins donated to the metaphorical kickstarter for Crocodile Dundee.

0:54:33.640 --> 0:54:36.080
<v Speaker 1>I would have to assume that, like every famous Australian

0:54:36.120 --> 0:54:39.360
<v Speaker 1>must have kicked in something for this. Livington John No

0:54:39.520 --> 0:54:43.319
<v Speaker 1>Gibson maybe gave something. What are some other big Australians

0:54:43.320 --> 0:54:47.440
<v Speaker 1>from the time, the guy from Cold Chisel, half of

0:54:47.480 --> 0:54:48.040
<v Speaker 1>a C d C.

0:54:49.800 --> 0:54:54.560
<v Speaker 2>Mick Cave, the Bad seeds. Oh yeah, though I think

0:54:54.680 --> 0:54:56.239
<v Speaker 2>one of them is German by this time. I forget

0:54:56.280 --> 0:55:00.160
<v Speaker 2>when Blick's joined. The Midnight Oil guy, oh sure, or

0:55:00.200 --> 0:55:03.239
<v Speaker 2>for sure the bloomin Onion.

0:55:04.239 --> 0:55:10.440
<v Speaker 1>The guy who managed the Beg's okay man, oh no,

0:55:10.600 --> 0:55:13.359
<v Speaker 1>oh the beach oh co Oh my god? Yeah, oh man,

0:55:13.360 --> 0:55:15.960
<v Speaker 1>I should say that up top. Much respect to the beg's, well,

0:55:15.960 --> 0:55:20.040
<v Speaker 1>at least the main DG, the terrifying DG. Handsome. Yeah, whenever,

0:55:20.160 --> 0:55:23.080
<v Speaker 1>whenever one of the other begs dies, he grows stronger.

0:55:24.080 --> 0:55:26.640
<v Speaker 2>He's absorbed them into himself. He's like Jim Morris that

0:55:26.840 --> 0:55:28.360
<v Speaker 2>he's like one to two of the spirits of the

0:55:28.440 --> 0:55:32.240
<v Speaker 2>Native Americans. Probably flew in me. Maybe that's what happens

0:55:32.280 --> 0:55:35.040
<v Speaker 2>to the GiB Brothers. Oh god, this is dark. We're

0:55:35.080 --> 0:55:39.200
<v Speaker 2>really punching down. I mean, these people were fabulously wealthy

0:55:39.239 --> 0:55:42.920
<v Speaker 2>and lived out their dreams and talented. We're banking one

0:55:42.960 --> 0:55:46.239
<v Speaker 2>money still alive. We're begging for money from strangers. So

0:55:46.880 --> 0:55:49.240
<v Speaker 2>but still, we've ragged on a lot of dead guys

0:55:49.920 --> 0:55:53.440
<v Speaker 2>and we'll continue to business as usual in excess.

0:55:53.920 --> 0:55:56.400
<v Speaker 1>Michael Hutchins Band You Remember, provided a song for the

0:55:56.440 --> 0:56:00.359
<v Speaker 1>soundtrack for Crocodile don the a different world. The movie

0:56:00.400 --> 0:56:02.879
<v Speaker 1>also contains a snippet of the song down Under by

0:56:02.920 --> 0:56:07.480
<v Speaker 1>Men at Work because it's a movie that's set in Australia,

0:56:07.640 --> 0:56:08.160
<v Speaker 1>and I.

0:56:08.040 --> 0:56:09.879
<v Speaker 2>Think it was like legally like you had to put

0:56:09.880 --> 0:56:10.720
<v Speaker 2>that in, right.

0:56:10.640 --> 0:56:13.720
<v Speaker 1>Yeah, exactly. Yeah. I was hoping there'd be an interesting

0:56:13.760 --> 0:56:16.840
<v Speaker 1>story about that song, but sadly there is not. I did, however,

0:56:16.920 --> 0:56:19.399
<v Speaker 1>learn that the meaning of the refrain where Beard does

0:56:19.480 --> 0:56:23.200
<v Speaker 1>flow and men chunder has a meaning I didn't realize.

0:56:23.200 --> 0:56:26.480
<v Speaker 1>Apparently to chunder means to vomit. Did you know that? No,

0:56:26.840 --> 0:56:27.640
<v Speaker 1>that's a good word.

0:56:27.800 --> 0:56:31.080
<v Speaker 2>The only regional saying I know for vomiting is haver, right,

0:56:31.120 --> 0:56:31.879
<v Speaker 2>because that's in the.

0:56:32.840 --> 0:56:40.000
<v Speaker 1>Well luck by lucky if more that's Scotland, right.

0:56:40.040 --> 0:56:42.200
<v Speaker 2>Yeah, yeah, Scotland. But he's like, and if I have her,

0:56:42.360 --> 0:56:44.399
<v Speaker 2>I want to be the man who havers at your door.

0:56:44.560 --> 0:56:46.239
<v Speaker 2>And he's like, he's talking about pugin right.

0:56:46.440 --> 0:56:48.040
<v Speaker 1>No, it means talking foolishly.

0:56:48.320 --> 0:56:51.360
<v Speaker 2>Haring means talking. Oh god, I'm just striking out on

0:56:51.440 --> 0:56:53.680
<v Speaker 2>this episode. All those people gave us money, we're gonna

0:56:53.680 --> 0:56:54.600
<v Speaker 2>be like they fell off.

0:56:57.160 --> 0:57:02.120
<v Speaker 1>No, refuse chun do's a good word though. I like it.

0:57:02.520 --> 0:57:06.560
<v Speaker 2>Yeah, it's like a relative of John Fogerty Coinning Chuglin.

0:57:06.800 --> 0:57:08.640
<v Speaker 1>Oh yeah, what does it mean again? Oh? I don't know?

0:57:08.719 --> 0:57:12.400
<v Speaker 2>My friends and the mad doctors who are Greg Hanson

0:57:12.400 --> 0:57:16.040
<v Speaker 2>who runs King Pizza Records in New York, Joshua Park

0:57:16.280 --> 0:57:21.040
<v Speaker 2>and Seth Applebaum now killing it with his many tentacled

0:57:21.160 --> 0:57:22.800
<v Speaker 2>project Ghostfunk Orchestra.

0:57:22.880 --> 0:57:24.600
<v Speaker 1>Who does the theme to our show? Yes?

0:57:24.640 --> 0:57:27.200
<v Speaker 2>Who does the theme song to this very show that

0:57:27.320 --> 0:57:28.840
<v Speaker 2>was their slaying for pooping on tour?

0:57:29.600 --> 0:57:30.080
<v Speaker 1>Chugling?

0:57:30.600 --> 0:57:31.440
<v Speaker 2>Yeah, I got chugel.

0:57:32.400 --> 0:57:34.720
<v Speaker 1>Oh, there's a certain charm to it.

0:57:35.040 --> 0:57:36.640
<v Speaker 2>Yeah.

0:57:36.800 --> 0:57:40.240
<v Speaker 1>The only other mildly interesting story about that Network song

0:57:40.320 --> 0:57:42.120
<v Speaker 1>down Under is that in two thousand and nine, a

0:57:42.240 --> 0:57:44.960
<v Speaker 1>music publishing company that owns the rights to the Australian

0:57:45.040 --> 0:57:48.840
<v Speaker 1>children's song Cucko Barrow sued the down Under songwriters, claiming

0:57:48.880 --> 0:57:54.600
<v Speaker 1>that the flute riff copied the children's classic Cuckbarrow sits in.

0:57:54.520 --> 0:57:59.320
<v Speaker 2>The old dumb tree Tree the number really uninteresting lawsuit.

0:57:59.320 --> 0:58:03.760
<v Speaker 2>What's your favorite song about Australia? Mine is Tom Traber's

0:58:03.800 --> 0:58:09.040
<v Speaker 2>Blues by Tom waitsaltsingh Mathilda.

0:58:10.360 --> 0:58:12.880
<v Speaker 1>Oh, Walton Matilda is a great song. I like Waltson

0:58:12.880 --> 0:58:18.840
<v Speaker 1>Matilda a lot. I can't say Rolf Harris because he's

0:58:18.840 --> 0:58:21.880
<v Speaker 1>been like me too in a major way. But there's

0:58:22.400 --> 0:58:26.560
<v Speaker 1>a song called Sunrise which is very pretty, which uses

0:58:28.080 --> 0:58:32.439
<v Speaker 1>aboriginal instruments because that was kind of his thing. Yeah,

0:58:32.480 --> 0:58:35.520
<v Speaker 1>there's a really good version of Waltson Matilda by Alex Harvey,

0:58:35.960 --> 0:58:37.800
<v Speaker 1>the sensational Alex Harvey Band.

0:58:38.080 --> 0:58:40.680
<v Speaker 2>Oh, that's a bit of a deep cut. Yeah, there's

0:58:40.720 --> 0:58:43.200
<v Speaker 2>a song by it the Pogues called and the band

0:58:43.240 --> 0:58:47.880
<v Speaker 2>played Waltzing Matilda, which is it's like a young man

0:58:48.480 --> 0:58:52.680
<v Speaker 2>who is in the First World War who like came

0:58:52.680 --> 0:58:57.040
<v Speaker 2>from rural Australia and ends up mame spoiler alert, he

0:58:57.120 --> 0:59:01.720
<v Speaker 2>ends up maimed in the Gallipoli campaign, which is I

0:59:01.800 --> 0:59:07.880
<v Speaker 2>understand it a big sensitive spot for Australians as you

0:59:07.920 --> 0:59:10.360
<v Speaker 2>meditate on that. We'll be right back with more too

0:59:10.440 --> 0:59:12.520
<v Speaker 2>much information after these messages.

0:59:22.360 --> 0:59:26.520
<v Speaker 1>All right, now, let's move on to the production Crocodile Dundee. Obviously,

0:59:26.560 --> 0:59:29.240
<v Speaker 1>Paul Hogan is gonna be the titular character, but for

0:59:29.280 --> 0:59:31.720
<v Speaker 1>the role of his love interest, the writer Sue Charlton.

0:59:32.000 --> 0:59:36.120
<v Speaker 1>They met with Linda Kozlowski, a Juilliard classmate of Val Kilmer,

0:59:36.480 --> 0:59:39.280
<v Speaker 1>who'd appeared on Broadway with Dustin Hoffman in Death of

0:59:39.320 --> 0:59:40.000
<v Speaker 1>a Salesman.

0:59:41.320 --> 0:59:43.360
<v Speaker 2>You imagine you go from doing Death of a Salesman

0:59:43.440 --> 0:59:45.919
<v Speaker 2>on Broadway to like showing your ass for this Australian

0:59:46.360 --> 0:59:49.120
<v Speaker 2>tourist movie. I about that girl on some rough days,

0:59:49.200 --> 0:59:51.560
<v Speaker 2>being like, oh yeah in here.

0:59:52.040 --> 0:59:55.320
<v Speaker 1>Yeah, she uh was the only American on the set

0:59:55.480 --> 0:59:56.520
<v Speaker 1>and a blonde woman.

0:59:56.600 --> 0:59:58.480
<v Speaker 2>Good lord. I'm surprised she survived.

0:59:59.480 --> 1:00:02.000
<v Speaker 1>Well, she had ed up marrying Paul Hogan, so and

1:00:02.040 --> 1:00:06.000
<v Speaker 1>I'm happy she survived. Yeah. Yeah, Not only was she

1:00:06.040 --> 1:00:09.160
<v Speaker 1>the only American, but she was the only American living

1:00:09.200 --> 1:00:13.640
<v Speaker 1>in a hut in the outpack. For a significant portion

1:00:13.760 --> 1:00:17.120
<v Speaker 1>of the production, Crocodile Dundee was filmed on location in

1:00:17.160 --> 1:00:20.440
<v Speaker 1>Australia and New York City, and per Travel and Leisure,

1:00:20.960 --> 1:00:24.920
<v Speaker 1>the outback scenes were shot in the isolated Kakadu National Park,

1:00:25.520 --> 1:00:28.360
<v Speaker 1>which is roughly the size of Germany.

1:00:28.600 --> 1:00:30.280
<v Speaker 2>Good god, which I'm sure.

1:00:30.280 --> 1:00:32.520
<v Speaker 1>I'm sure we could pick a state that's like bigger

1:00:32.520 --> 1:00:34.560
<v Speaker 1>than Germany to compare the size of the park too.

1:00:34.600 --> 1:00:37.240
<v Speaker 1>It's something about being the size of Germany feels very

1:00:37.360 --> 1:00:39.600
<v Speaker 1>like impressive, like an achievement.

1:00:40.400 --> 1:00:44.000
<v Speaker 2>Yeah, I don't know, it's better than being bigger than France.

1:00:45.680 --> 1:00:50.520
<v Speaker 1>I mean honestly kinda. Yeah, this park was located in

1:00:50.560 --> 1:00:53.840
<v Speaker 1>the Northern Territory of Australia. We should have been home

1:00:53.880 --> 1:00:58.360
<v Speaker 1>to a uranium mine, which I know it's probably not dangerous,

1:00:58.400 --> 1:01:00.960
<v Speaker 1>but it just seems like it is dangerous.

1:01:01.400 --> 1:01:05.400
<v Speaker 2>It's just they killed John Wayne filming in irradiated locations.

1:01:05.720 --> 1:01:07.760
<v Speaker 2>Oh well that was that was because they did a

1:01:07.920 --> 1:01:12.680
<v Speaker 2>bomb tests there. This is just like mined from uranium. Yeah,

1:01:12.880 --> 1:01:17.200
<v Speaker 2>isn't that like plutonium. It's like like like the Russians

1:01:17.280 --> 1:01:20.720
<v Speaker 2>drop like one ten thousandth of a milligram into people's

1:01:20.720 --> 1:01:24.360
<v Speaker 2>coffee and they die horribly of massive tumors and organ failure.

1:01:24.640 --> 1:01:26.600
<v Speaker 1>But I'm sure that has to be like somehow like

1:01:26.640 --> 1:01:29.640
<v Speaker 1>made unstable by combining it with something. And I'm sure

1:01:29.640 --> 1:01:32.720
<v Speaker 1>it's when it's like taken out of the earth. All right.

1:01:33.120 --> 1:01:35.440
<v Speaker 1>I mean, I'll google it, I'll keep reading. See what

1:01:35.480 --> 1:01:40.080
<v Speaker 1>you get. Go go choogle it. Craig Bowles, the Australian

1:01:40.120 --> 1:01:44.560
<v Speaker 1>Location scout for Crocodile Dundee, selected the isolated location because, quote,

1:01:44.720 --> 1:01:47.080
<v Speaker 1>it showcased a part of Australia that I don't think

1:01:47.080 --> 1:01:50.040
<v Speaker 1>had been seen and it was inherent and Paul's nature.

1:01:50.440 --> 1:01:54.280
<v Speaker 1>He seemed to fit into the landscape perfectly because they

1:01:54.320 --> 1:01:57.160
<v Speaker 1>were so far from hotels. However, everyone on the cast

1:01:57.160 --> 1:02:00.439
<v Speaker 1>and crew slept in huts left behind by the Pan

1:02:00.600 --> 1:02:05.720
<v Speaker 1>Continental Mining Company. Despite the dilapidated condition of the camp,

1:02:05.800 --> 1:02:08.240
<v Speaker 1>the cast and crew made the best of it, spending

1:02:08.240 --> 1:02:11.760
<v Speaker 1>their nights around the campfire, singing songs in a summer

1:02:11.800 --> 1:02:13.080
<v Speaker 1>camp like atmosphere.

1:02:14.000 --> 1:02:21.680
<v Speaker 2>Well, the Ranger uranium mine was operational until twenty twenty one,

1:02:21.840 --> 1:02:24.680
<v Speaker 2>so they were filming near an active uranium mine.

1:02:25.200 --> 1:02:27.640
<v Speaker 1>I just can't imagine uranium being pulled out of the

1:02:27.680 --> 1:02:30.640
<v Speaker 1>earth being dangerous. I feel like we had to do

1:02:30.720 --> 1:02:31.240
<v Speaker 1>something to it.

1:02:31.320 --> 1:02:35.840
<v Speaker 2>Let me just scroll down to safety breaches and controversy. Okay,

1:02:36.400 --> 1:02:39.360
<v Speaker 2>the Government of Australia has documented over two hundred environmental

1:02:39.360 --> 1:02:42.720
<v Speaker 2>impacts since nineteen seventy nine. Great majority of these were minor,

1:02:43.560 --> 1:02:45.840
<v Speaker 2>but oh, here's one. In May two thousand and five,

1:02:45.840 --> 1:02:49.200
<v Speaker 2>the company was convicted for breaching environmental guidelines, the first

1:02:49.240 --> 1:02:51.600
<v Speaker 2>such prosecution of a mining company in the Northern Territory,

1:02:51.840 --> 1:02:58.920
<v Speaker 2>relating to accidental radiological exposure to employees radioactively contaminated process

1:02:59.040 --> 1:03:05.040
<v Speaker 2>water cools. The Rods Rods had entered into the drinking

1:03:05.120 --> 1:03:08.920
<v Speaker 2>water supply. Sure dozens of mine employees were found to

1:03:08.920 --> 1:03:12.320
<v Speaker 2>have showered in and consumed water containing four hundred times

1:03:12.320 --> 1:03:16.040
<v Speaker 2>the legal limit of uranium. Here's another one. A mechanic

1:03:16.080 --> 1:03:19.400
<v Speaker 2>in Jabiru opened the engine bay. He was unaware of

1:03:19.480 --> 1:03:21.960
<v Speaker 2>the nature of mud and dirt which fell on the floor.

1:03:22.120 --> 1:03:24.800
<v Speaker 2>Court testimony said in the following weeks he had swept

1:03:24.800 --> 1:03:27.760
<v Speaker 2>material outside of his shed where his children played and

1:03:27.800 --> 1:03:32.480
<v Speaker 2>built sand castles in mud contaminated with uranium. Jesus about

1:03:32.600 --> 1:03:36.160
<v Speaker 2>two mega leaders of potentially polluted water came out in

1:03:36.200 --> 1:03:39.480
<v Speaker 2>two thousand and two. Two thousand and seven, water breached

1:03:39.480 --> 1:03:42.320
<v Speaker 2>a retention pond. In May twenty ten, it was reported

1:03:42.360 --> 1:03:45.680
<v Speaker 2>that a dam may have released millions of leaders into

1:03:45.800 --> 1:03:49.760
<v Speaker 2>radioactive water into World Heritage listed wetlands and Kakadu National Park,

1:03:49.800 --> 1:03:53.120
<v Speaker 2>home to about five hundred Aboriginal people. In November twenty thirteen,

1:03:53.120 --> 1:03:55.840
<v Speaker 2>four drums previously used to transport yellow cake were found

1:03:55.840 --> 1:03:58.520
<v Speaker 2>in a rural area of Darwin. The company recovered the

1:03:58.560 --> 1:04:03.360
<v Speaker 2>drums amid concerns about the tenship spread of radioactive contamination. Yeah, no, guys.

1:04:04.120 --> 1:04:06.400
<v Speaker 2>In twenty thirteen, there was an incident at a mine

1:04:06.400 --> 1:04:09.560
<v Speaker 2>inside Cockerter National Park with about a million liters of

1:04:09.600 --> 1:04:13.600
<v Speaker 2>slurry comprising crushed or and acid believed to have been spilled.

1:04:14.160 --> 1:04:20.840
<v Speaker 1>Sure, but aside from that, Missus Lincoln, I just I

1:04:20.880 --> 1:04:25.360
<v Speaker 1>can't imagine that like pulling uranium out of the earth now,

1:04:25.400 --> 1:04:27.360
<v Speaker 1>I like really want to get to the bottom of this.

1:04:28.160 --> 1:04:33.920
<v Speaker 1>Our uranium mine's dangerous. Although the uranium itself is barely radioactive,

1:04:33.960 --> 1:04:36.680
<v Speaker 1>the ore which is mind must be regarded as potentially

1:04:36.720 --> 1:04:39.320
<v Speaker 1>hazardous due to uranium's decay products.

1:04:40.360 --> 1:04:45.920
<v Speaker 2>All right, fine, I biggrudgingly concede this point that I

1:04:45.960 --> 1:04:48.760
<v Speaker 2>made a weird wedge issue of all right, look at

1:04:48.760 --> 1:04:51.680
<v Speaker 2>you go into bat for mining concerns.

1:04:53.840 --> 1:04:56.920
<v Speaker 1>And you're going to bat for cop killers. Yeah, hell yeah,

1:04:56.960 --> 1:04:57.640
<v Speaker 1>that sounds right.

1:04:57.640 --> 1:04:58.600
<v Speaker 2>I hope she sees this.

1:04:58.680 --> 1:05:06.360
<v Speaker 1>King Well, it stands to reason that this unforgiving terrain

1:05:06.520 --> 1:05:10.680
<v Speaker 1>was teeming with wildlife that the uranium hadn't killed. Fittingly,

1:05:10.760 --> 1:05:13.800
<v Speaker 1>there were crocodiles all over the set of Crocodile Dundee,

1:05:13.840 --> 1:05:16.440
<v Speaker 1>and an armed guard was hired to protect the production

1:05:16.560 --> 1:05:23.280
<v Speaker 1>from what was referred to euphemistically as crocodile interference. I

1:05:23.320 --> 1:05:25.600
<v Speaker 1>guess it's not really euphemism. I guess it's pretty literal.

1:05:25.760 --> 1:05:29.360
<v Speaker 1>It's still great choice of phrase. As Paul Hogan would

1:05:29.400 --> 1:05:32.760
<v Speaker 1>later say in his own inimitable fashion, we had guys

1:05:32.840 --> 1:05:35.840
<v Speaker 1>up in trees with rifles just in case one crocodile

1:05:35.880 --> 1:05:42.040
<v Speaker 1>came along and ruined everything or enhanced everything. Yeah right.

1:05:42.320 --> 1:05:45.680
<v Speaker 1>There was also a crocodile wrangler on set. This is

1:05:45.680 --> 1:05:48.360
<v Speaker 1>presumably because Paul Hogan had planned on using a real

1:05:48.400 --> 1:05:51.280
<v Speaker 1>crocodile for close ups during the scene where Sue was

1:05:51.320 --> 1:05:53.000
<v Speaker 1>attacked as she was cooling off in the.

1:05:52.960 --> 1:05:55.360
<v Speaker 2>Water, aforementioned eighties speedo scene.

1:05:55.640 --> 1:05:58.960
<v Speaker 1>Ah yes, yes, But ultimately they opted for a forty

1:05:59.000 --> 1:06:04.160
<v Speaker 1>five thousand dollar do animatronic crocodile, which proved so lifelike

1:06:04.320 --> 1:06:06.800
<v Speaker 1>that someone on the set reported the crew to the

1:06:06.840 --> 1:06:09.400
<v Speaker 1>authorities as suspected poachers.

1:06:09.840 --> 1:06:11.040
<v Speaker 2>Hell yeah, movie magic.

1:06:12.880 --> 1:06:16.160
<v Speaker 1>The water buffalo used in the scene where crocodile Dundee

1:06:16.360 --> 1:06:20.600
<v Speaker 1>mesmerizes it was in fact real and apparently was a

1:06:20.640 --> 1:06:24.000
<v Speaker 1>real diva. Paul Hogan would say that the scene took

1:06:24.160 --> 1:06:27.440
<v Speaker 1>hours to shoot. If the buffalo doesn't want to do anything,

1:06:27.760 --> 1:06:30.880
<v Speaker 1>it weighs two thousand pounds, and you know it doesn't,

1:06:31.280 --> 1:06:34.240
<v Speaker 1>so you have to hang around the Asian buffalo in

1:06:34.280 --> 1:06:37.640
<v Speaker 1>Australia with the eight feet of horns. That scene took

1:06:37.720 --> 1:06:40.600
<v Speaker 1>all day. It's like he said, I'll just sit here

1:06:40.600 --> 1:06:42.960
<v Speaker 1>and you can't do anything about it. I've also seen

1:06:43.000 --> 1:06:45.720
<v Speaker 1>it sighted in various listicles that the animal was drugged.

1:06:47.680 --> 1:06:49.440
<v Speaker 2>I just want everyone to know that. Jordan title this

1:06:49.680 --> 1:06:55.840
<v Speaker 2>New York Bidets and Nights Thank You, said that the

1:06:55.880 --> 1:06:58.520
<v Speaker 2>New York scenes were slightly easier to film. Some scenes

1:06:58.520 --> 1:07:00.919
<v Speaker 2>were filmed at the Plaza Hotel, but not the ones

1:07:00.960 --> 1:07:04.160
<v Speaker 2>where Dundee is mystified by the bidets. There are no

1:07:04.320 --> 1:07:07.520
<v Speaker 2>bidets at the Plaza, apparently, something the front desk would

1:07:07.520 --> 1:07:09.680
<v Speaker 2>get calls for years asking if they could book the

1:07:09.680 --> 1:07:13.160
<v Speaker 2>Crocodile Dundee room. Sorry, sir, no can do. There are

1:07:13.160 --> 1:07:15.480
<v Speaker 2>no bidets in this establishment. Is that a reference to something?

1:07:16.120 --> 1:07:18.440
<v Speaker 1>No, let's just really assume that's say, it would.

1:07:18.240 --> 1:07:20.480
<v Speaker 2>Be better if you had like a really thick, like honkin'

1:07:21.360 --> 1:07:25.600
<v Speaker 2>like Hell's kitchen accent. No bidezz that's the cigar chumping executive.

1:07:25.640 --> 1:07:29.919
<v Speaker 2>I'm losing my mind. Funnily enough, the movie though, that's

1:07:29.960 --> 1:07:32.800
<v Speaker 2>playing in Crocodile Dundee's hotel suite is the nineteen sixty

1:07:32.800 --> 1:07:37.840
<v Speaker 2>five Sam Peckinpah feature Major Dundee starring Charlton Heston. A

1:07:38.000 --> 1:07:41.120
<v Speaker 2>little nod there. Do you know that a young Melissa

1:07:41.200 --> 1:07:43.080
<v Speaker 2>Joan Hart was originally supposed to appear in the film

1:07:43.120 --> 1:07:45.320
<v Speaker 2>as the little girl who skins her knee in Central

1:07:45.360 --> 1:07:49.120
<v Speaker 2>Park and is miraculously healed by Crocodile. Dundee, I heard

1:07:49.120 --> 1:07:51.440
<v Speaker 2>something about that. Sadly the scene was cut.

1:07:51.680 --> 1:07:52.240
<v Speaker 1>Yeah.

1:07:52.320 --> 1:07:54.960
<v Speaker 2>They also filmed on location at Vazak's Bar in the

1:07:55.000 --> 1:07:57.880
<v Speaker 2>East Village, which was used with The Godfather too, also

1:07:57.920 --> 1:08:00.520
<v Speaker 2>in the abandoned lower level of the Ninth Avenue subway

1:08:00.520 --> 1:08:03.160
<v Speaker 2>station in Brooklyn for the final scenes of the movie.

1:08:03.200 --> 1:08:08.840
<v Speaker 2>And lastly, the damn knife line. Do it with me, now, Jordan,

1:08:09.160 --> 1:08:12.720
<v Speaker 2>that's not a knife this now you didn't do it with.

1:08:12.640 --> 1:08:15.160
<v Speaker 1>Me, but you started before.

1:08:16.640 --> 1:08:18.559
<v Speaker 2>One, five, six, seven eight.

1:08:19.080 --> 1:08:23.360
<v Speaker 1>That's not a knife. Yes, nif it's not, it's that

1:08:23.640 --> 1:08:25.000
<v Speaker 1>that's a knife.

1:08:25.920 --> 1:08:29.559
<v Speaker 2>Well, that's a line undered by Mick Crocodile when he

1:08:29.600 --> 1:08:33.360
<v Speaker 2>and Dundee. Dundee, what do you call someone whose name

1:08:33.400 --> 1:08:34.120
<v Speaker 2>is crocodile?

1:08:34.479 --> 1:08:40.400
<v Speaker 1>Croc croc. Yeah, it's a crock That Croc's not bad? Yeah,

1:08:40.680 --> 1:08:44.000
<v Speaker 1>all right? Is it Ray Kroc, the founder of McDonald's.

1:08:44.160 --> 1:08:47.559
<v Speaker 2>Yes, it's about differently, but sure when he and Sue

1:08:47.720 --> 1:08:49.880
<v Speaker 2>are being held at knife point by does it really

1:08:49.880 --> 1:08:50.360
<v Speaker 2>even matter?

1:08:50.479 --> 1:08:50.559
<v Speaker 1>Like?

1:08:50.800 --> 1:08:52.599
<v Speaker 2>Where are you talking about that? Everyone knows that scene?

1:08:52.920 --> 1:08:57.479
<v Speaker 2>Would we bother describing it? However, Ken Shady Shade, one

1:08:57.520 --> 1:08:59.559
<v Speaker 2>of the film's writers, didn't think the line was funny

1:08:59.600 --> 1:09:03.200
<v Speaker 2>at all, saying it just wasn't funny on paper. He

1:09:03.320 --> 1:09:05.880
<v Speaker 2>was wrong. The knife that was used in the scene,

1:09:06.560 --> 1:09:11.040
<v Speaker 2>unsurprisingly into many, was not a real one, and it

1:09:11.080 --> 1:09:12.280
<v Speaker 2>was made of rubber.

1:09:12.200 --> 1:09:16.760
<v Speaker 1>And aluminum aluminium as they say, Yeah, I got good call.

1:09:17.400 --> 1:09:20.880
<v Speaker 1>After filming was complete, Paul Hogan's manager, John Cornell flew

1:09:20.880 --> 1:09:23.360
<v Speaker 1>to the US to look for a distributor. Per the

1:09:23.400 --> 1:09:26.679
<v Speaker 1>New York Times, Paramount snapped up the US distribution rights

1:09:26.680 --> 1:09:31.200
<v Speaker 1>of Crocodile Dundee after twentieth Century Fox turned down after

1:09:31.240 --> 1:09:35.040
<v Speaker 1>only watching twenty minutes of it. Later, after the first

1:09:35.080 --> 1:09:38.920
<v Speaker 1>and second Crocodile Dundee movies were huge hits, Cornell gloated

1:09:38.960 --> 1:09:41.160
<v Speaker 1>to The New York Times that this Fox executive was

1:09:41.240 --> 1:09:45.479
<v Speaker 1>quote extremely rude. I sometimes get pleasure from thinking about

1:09:45.520 --> 1:09:47.479
<v Speaker 1>what the look is like on his face at a

1:09:47.520 --> 1:09:50.479
<v Speaker 1>time like this at Tracks and their Defense.

1:09:50.520 --> 1:09:54.280
<v Speaker 2>Though an Australian movie wasn't exactly an easy sell in

1:09:54.360 --> 1:09:57.080
<v Speaker 2>nineteen eighty six because at the time the biggest Australian

1:09:57.160 --> 1:10:00.559
<v Speaker 2>movies were Mad Max and picnict Hanging Rock directed by

1:10:00.560 --> 1:10:03.519
<v Speaker 2>Peter Weir. There's a someb genre of exploitation movies called

1:10:03.560 --> 1:10:10.800
<v Speaker 2>osploitation from that basically you're kidding, no not. There's two

1:10:10.840 --> 1:10:13.880
<v Speaker 2>famous ones, in particular, Donald Pleasance is in one of them.

1:10:14.360 --> 1:10:19.080
<v Speaker 1>But what's the like the underlying is it just like

1:10:19.280 --> 1:10:20.600
<v Speaker 1>shootouts in the outback?

1:10:21.200 --> 1:10:21.479
<v Speaker 2>Kind of?

1:10:21.600 --> 1:10:21.800
<v Speaker 1>Yeah?

1:10:22.560 --> 1:10:28.919
<v Speaker 2>Yeah, So Nicholas Rogue rog who famously directed Performance Manufeld

1:10:28.920 --> 1:10:31.400
<v Speaker 2>to Earth and Don't Look Now and The Witches. It's

1:10:31.400 --> 1:10:34.160
<v Speaker 2>always so funny that Nicholas Rogue did The Witches the

1:10:34.280 --> 1:10:38.200
<v Speaker 2>Rolled All adaptation. There's a film called walk About Witches

1:10:38.760 --> 1:10:42.479
<v Speaker 2>about two h white school children who are left defend

1:10:42.520 --> 1:10:45.280
<v Speaker 2>for themselves in the Australian outback.

1:10:46.040 --> 1:10:46.240
<v Speaker 1>Uh.

1:10:46.280 --> 1:10:49.519
<v Speaker 2>And then there's another one from the same year called

1:10:49.560 --> 1:10:53.320
<v Speaker 2>Wake in Fright and that is basically just about like

1:10:53.520 --> 1:10:57.960
<v Speaker 2>one dude hanging out with a bunch of insane like

1:10:58.240 --> 1:11:02.360
<v Speaker 2>Australian rednecks. The tagline for this movie is incredible. Have

1:11:02.400 --> 1:11:05.439
<v Speaker 2>a drink, mate, have a fight, mate, have a taste

1:11:05.479 --> 1:11:08.519
<v Speaker 2>of dust and sweat, mate. There's nothing else out here.

1:11:08.960 --> 1:11:13.320
<v Speaker 2>That's a truly incredible tagline. And they were both they

1:11:13.320 --> 1:11:17.120
<v Speaker 2>were both entered in nineteen seventy one can Film.

1:11:16.840 --> 1:11:22.719
<v Speaker 1>Festival Australian New Wave. Oh my god, what the hell

1:11:22.840 --> 1:11:24.559
<v Speaker 1>is this genre? Yeah?

1:11:24.600 --> 1:11:26.960
<v Speaker 2>And this wake in Freight movie is like it's a

1:11:27.000 --> 1:11:30.679
<v Speaker 2>famous cult movie too because the master negative went missing,

1:11:31.360 --> 1:11:33.599
<v Speaker 2>so you could only I mean, it was a violent film.

1:11:33.640 --> 1:11:36.200
<v Speaker 2>It was like they killed real kangaroos in it, which

1:11:36.240 --> 1:11:38.200
<v Speaker 2>is you know, you don't do that.

1:11:38.880 --> 1:11:40.680
<v Speaker 1>The frown on that. Yeah, this a frown tom.

1:11:41.600 --> 1:11:44.000
<v Speaker 2>But it was just like for years it was just

1:11:44.080 --> 1:11:47.720
<v Speaker 2>like shittily reproduced prints were the only things that were available.

1:11:48.240 --> 1:11:51.240
<v Speaker 2>And the original film and sound parts were rescued in

1:11:51.400 --> 1:11:53.640
<v Speaker 2>two thousand and four, so it was re released in

1:11:53.640 --> 1:11:57.160
<v Speaker 2>two thousand and nine. But yeah, usploitation, it's a real thing.

1:11:57.240 --> 1:12:00.880
<v Speaker 2>Oh razorback, of course we must have to. It's a razorback.

1:12:01.560 --> 1:12:05.320
<v Speaker 2>I mean it's about a killer got killer hog. He

1:12:05.479 --> 1:12:09.440
<v Speaker 2>was crazy about Paul Hogan. He turned down ghost Yeah,

1:12:09.479 --> 1:12:11.400
<v Speaker 2>he turned down the Swayze role in Ghosts, and do

1:12:11.439 --> 1:12:13.639
<v Speaker 2>you know anything about the movie that he then made

1:12:13.800 --> 1:12:14.719
<v Speaker 2>with John Cornell.

1:12:14.880 --> 1:12:17.280
<v Speaker 1>Again, it's like a bad Heaven can.

1:12:17.240 --> 1:12:20.519
<v Speaker 2>Wait right, Yeah, it's like an it's an angel exploitation movie.

1:12:20.600 --> 1:12:22.599
<v Speaker 2>He like saves a kid from getting hit by van

1:12:22.920 --> 1:12:24.519
<v Speaker 2>and then like the rest of the film is like,

1:12:24.560 --> 1:12:27.759
<v Speaker 2>oh am I an immortal angel?

1:12:27.840 --> 1:12:28.000
<v Speaker 1>Now?

1:12:28.120 --> 1:12:30.920
<v Speaker 2>Or was I just drunk? Rod Stewart's in it?

1:12:31.400 --> 1:12:32.320
<v Speaker 1>Rod Stewart's in that.

1:12:32.680 --> 1:12:35.880
<v Speaker 2>Oh no, sorry, he no, I'm so sorry. He disguises

1:12:35.960 --> 1:12:37.720
<v Speaker 2>himself as Rod Stewart at one point.

1:12:37.720 --> 1:12:39.880
<v Speaker 1>Also brought Stuart seems Australian.

1:12:40.600 --> 1:12:44.240
<v Speaker 2>Yeah, and Linda Koslowski's in it too, because they were

1:12:44.240 --> 1:12:47.879
<v Speaker 2>married by that point. That little husband and wife wife project.

1:12:48.040 --> 1:12:49.600
<v Speaker 2>Charlton Heston plays god.

1:12:49.720 --> 1:12:52.080
<v Speaker 1>Oh he just does that a lot. He's getting type cast.

1:12:51.960 --> 1:12:54.280
<v Speaker 2>And it was a critical commercial failure.

1:12:54.720 --> 1:12:55.880
<v Speaker 1>Yes, yes, yes, yes.

1:12:56.320 --> 1:12:58.320
<v Speaker 2>Another set of commercials that Paul Hogan did in the

1:12:58.520 --> 1:13:01.080
<v Speaker 2>late nine is another two thousands Subaru Outback.

1:13:01.360 --> 1:13:04.840
<v Speaker 1>I think I remember those. It's outback that back. Yeah.

1:13:05.080 --> 1:13:06.720
<v Speaker 1>Did you do any for the Outback Steakhouse?

1:13:07.160 --> 1:13:13.040
<v Speaker 2>Not yet? No rules, I mean there's there's time yet.

1:13:14.000 --> 1:13:16.880
<v Speaker 1>Yes, Well, I don't know. He's eighty five. Get him

1:13:16.880 --> 1:13:20.120
<v Speaker 1>on the horn, Paul, Paul it's your cousin, it's your

1:13:23.040 --> 1:13:26.200
<v Speaker 1>there's one element of Australian culture you have not cashed

1:13:26.200 --> 1:13:29.559
<v Speaker 1>in on yet. Me oh, Paul, yeah, yeah.

1:13:29.360 --> 1:13:31.479
<v Speaker 2>Yeah, he really took it to the bank man.

1:13:32.000 --> 1:13:36.160
<v Speaker 1>Yeah. I mean, when you're Australian of the Year, you

1:13:36.200 --> 1:13:38.200
<v Speaker 1>can kind of like you just write your own ticket.

1:13:38.360 --> 1:13:41.120
<v Speaker 1>Like imagine if you were voted American of the Year,

1:13:41.320 --> 1:13:42.640
<v Speaker 1>Like there's really nowhere.

1:13:42.280 --> 1:13:45.080
<v Speaker 2>Else to go at that point. Yeah, who would be

1:13:45.120 --> 1:13:54.320
<v Speaker 2>American of the Year currently? Yeah, pass, I abstain it

1:13:54.360 --> 1:13:56.120
<v Speaker 2>was your pick, Brian Wilson.

1:13:58.240 --> 1:14:00.360
<v Speaker 1>American of the Year. American of the Year is.

1:14:00.360 --> 1:14:02.679
<v Speaker 2>Lorraine Warren dead? Yeah, she's dead and in hell.

1:14:02.600 --> 1:14:05.080
<v Speaker 1>Right she's dead and no one killed her, so you

1:14:05.120 --> 1:14:06.000
<v Speaker 1>can't pick that person.

1:14:06.760 --> 1:14:11.400
<v Speaker 2>Roger Corman died too, I know, I know, I don't know, man,

1:14:11.439 --> 1:14:12.760
<v Speaker 2>I'm going to close the books on this. No good

1:14:12.760 --> 1:14:17.840
<v Speaker 2>Americans left. Oh oh, David Byrne, David Burrn' still alive.

1:14:18.000 --> 1:14:20.400
<v Speaker 2>She might be Scottish though, right, He's another one of

1:14:20.400 --> 1:14:23.639
<v Speaker 2>those dual citizenship weirdos. Just pick one, man, just commit

1:14:23.720 --> 1:14:26.920
<v Speaker 2>to it, or go the place with healthcare and leave

1:14:27.000 --> 1:14:29.640
<v Speaker 2>us alone. It really feels unfair that they get like

1:14:29.880 --> 1:14:32.599
<v Speaker 2>European grade quality of life and then they just get

1:14:32.640 --> 1:14:35.120
<v Speaker 2>to come over here and just like, I don't make

1:14:35.280 --> 1:14:43.519
<v Speaker 2>art with that as like a fallback. Jesse the Body Ventura, Okay, yeah,

1:14:43.520 --> 1:14:45.760
<v Speaker 2>he turned into a real hippie lately, right June that.

1:14:45.840 --> 1:14:49.439
<v Speaker 2>Jesse the Body Ventura tried to unionize the WWF wrestlers

1:14:49.439 --> 1:14:51.519
<v Speaker 2>back in the nineties and Paul Hogan or Paul Hogan,

1:14:53.439 --> 1:14:56.439
<v Speaker 2>here's a Hogan connection for you. Jesse the Body Ventura

1:14:56.479 --> 1:14:59.439
<v Speaker 2>tried to unionize the WWF at one point, and Hulk

1:14:59.439 --> 1:15:01.320
<v Speaker 2>Hogan added him out to Vince McMahon.

1:15:02.520 --> 1:15:05.880
<v Speaker 1>It sucks, yeah he does. And he killed Gawker.

1:15:06.760 --> 1:15:09.719
<v Speaker 2>Yeah, I remember the Iron Chic when he was still alive.

1:15:09.800 --> 1:15:13.479
<v Speaker 2>His Twitter account was like solely all caps, things like

1:15:13.680 --> 1:15:15.519
<v Speaker 2>hul Cogan is a dumb son of a bitch.

1:15:21.160 --> 1:15:23.360
<v Speaker 1>Well back to the movie, which you recall is called

1:15:23.439 --> 1:15:28.880
<v Speaker 1>Crocodile Dundee. After some American test screenings, Paramount made a

1:15:28.920 --> 1:15:33.320
<v Speaker 1>special international cut of Crocodile Dundee. A similar thing was

1:15:33.360 --> 1:15:36.960
<v Speaker 1>done to the German made Never Ending Story, basically to

1:15:37.000 --> 1:15:40.680
<v Speaker 1>make the movie dumber. Seven minutes of Crocodile Dundee was

1:15:40.720 --> 1:15:43.639
<v Speaker 1>cut to quote speed up the pace to the taste

1:15:43.640 --> 1:15:47.479
<v Speaker 1>of the American consumer. As reported by The New York Times,

1:15:47.520 --> 1:15:49.559
<v Speaker 1>most of the cut screen time came from the first

1:15:49.560 --> 1:15:53.400
<v Speaker 1>half of the film, when Mick Crocodile Dundee showed Sue

1:15:53.479 --> 1:15:55.800
<v Speaker 1>Charlton around the outback of Australia.

1:15:56.040 --> 1:16:02.240
<v Speaker 2>Lose the gangage. What is the show? Ad'll Killia, Ad'll Killia?

1:16:02.640 --> 1:16:06.519
<v Speaker 2>That won'll just paralyze you. Over there's a horizon and

1:16:06.560 --> 1:16:10.400
<v Speaker 2>there's a few of those blokes were killed, the descendants.

1:16:10.400 --> 1:16:12.360
<v Speaker 2>They'd been on his land forty thousand years, and then

1:16:12.400 --> 1:16:19.800
<v Speaker 2>we came here. Fancy of Falster's out I could see

1:16:19.800 --> 1:16:21.400
<v Speaker 2>why no one wanted that committed the screen.

1:16:21.640 --> 1:16:25.120
<v Speaker 1>They also dropped scenes that contain too much Australian slang

1:16:25.240 --> 1:16:28.040
<v Speaker 1>because they fear that American audiences wouldn't be able to follow.

1:16:28.320 --> 1:16:31.120
<v Speaker 1>Hell yeah, and they cut some f bombs to ensure

1:16:31.120 --> 1:16:34.439
<v Speaker 1>a PG rating, which is probably why I was allowed

1:16:34.439 --> 1:16:35.840
<v Speaker 1>to see this. Is probably the last time I saw

1:16:35.840 --> 1:16:40.400
<v Speaker 1>this when I was like PG movie age. Hilariously, Paramount

1:16:40.439 --> 1:16:44.120
<v Speaker 1>added quotation marks around Crocodile on the posters of the

1:16:44.160 --> 1:16:47.280
<v Speaker 1>movie and the title card so that Americans would understand

1:16:47.280 --> 1:16:50.519
<v Speaker 1>that this was a man's nickname and not a movie

1:16:50.520 --> 1:16:52.160
<v Speaker 1>about a crocodile.

1:16:54.160 --> 1:16:56.280
<v Speaker 2>Would be so much better for us about a crocodile,

1:16:56.320 --> 1:16:59.880
<v Speaker 2>like free Willy, but with a crocodile, or like Gentle

1:17:00.400 --> 1:17:01.280
<v Speaker 2>with a crocodile.

1:17:02.720 --> 1:17:05.280
<v Speaker 1>That was in the in the Flipper remake in the nineties,

1:17:05.400 --> 1:17:07.800
<v Speaker 1>right he was with who is the kid in that?

1:17:07.880 --> 1:17:10.640
<v Speaker 1>Was that Elijah Wood? It was was Paul Hugan and

1:17:10.680 --> 1:17:13.759
<v Speaker 1>Elijah Wood. I can't believe I pulled that out. That's cute,

1:17:14.200 --> 1:17:15.200
<v Speaker 1>I know it is.

1:17:15.680 --> 1:17:18.360
<v Speaker 2>I forgot about how far racist Australia was, Like all

1:17:18.360 --> 1:17:21.080
<v Speaker 2>these stories that are about like from like the past

1:17:21.120 --> 1:17:24.040
<v Speaker 2>four years where they like finally got around to changing

1:17:24.080 --> 1:17:26.679
<v Speaker 2>the place of a name. Well, because I remember seeing

1:17:26.680 --> 1:17:27.719
<v Speaker 2>this thing like ten years.

1:17:27.520 --> 1:17:28.240
<v Speaker 1>Ago that was like.

1:17:31.120 --> 1:17:37.599
<v Speaker 2>Places called Murdering Creek, skull Hole, and the Leap, which

1:17:37.600 --> 1:17:41.360
<v Speaker 2>are all references to frontier violence against the Aborigines.

1:17:41.880 --> 1:17:44.439
<v Speaker 1>The Leap, I don't even want to know they.

1:17:44.320 --> 1:17:46.400
<v Speaker 2>Probably they were obviously throwing them off it.

1:17:48.800 --> 1:17:50.240
<v Speaker 1>I can't believe that shit.

1:17:50.360 --> 1:17:52.360
<v Speaker 2>And this is all these all these search results are

1:17:52.360 --> 1:17:55.720
<v Speaker 2>from like the last six seven years. What did you

1:17:55.800 --> 1:17:58.880
<v Speaker 2>say it until then racist place names in Australia.

1:18:00.080 --> 1:18:06.400
<v Speaker 1>I hope you're enjoying this film Crocodile Dundee hit Australian

1:18:06.439 --> 1:18:09.639
<v Speaker 1>cinemas on April twenty fourth, nineteen eighty six, and made

1:18:09.680 --> 1:18:13.839
<v Speaker 1>its American debut that September. Paul Hogan had high hopes,

1:18:13.880 --> 1:18:16.479
<v Speaker 1>telling cinema papers on the eve of the film's release,

1:18:16.880 --> 1:18:19.799
<v Speaker 1>I expected to gross millions of dollars around the world,

1:18:19.880 --> 1:18:23.080
<v Speaker 1>and I'm planning for it to be Australia's first proper movie.

1:18:23.200 --> 1:18:25.880
<v Speaker 1>I don't think we have one yet, not a real

1:18:26.040 --> 1:18:28.519
<v Speaker 1>general public, successful, entertaining movie.

1:18:28.800 --> 1:18:30.160
<v Speaker 2>Do you think he was taking the pass?

1:18:31.200 --> 1:18:36.600
<v Speaker 1>I mean, name one an independent Australian movie, or not

1:18:36.640 --> 1:18:40.479
<v Speaker 1>even independent on Australian movie, are you? It is still

1:18:40.960 --> 1:18:44.200
<v Speaker 1>the biggest domestic hit in Australian movie history.

1:18:44.680 --> 1:18:48.000
<v Speaker 2>Oh this is extra funny that ned Kelly Gang movie

1:18:48.200 --> 1:18:52.879
<v Speaker 2>in nineteen oh six was produced in Australia. Oh yeah,

1:18:53.200 --> 1:18:58.120
<v Speaker 2>Also fun Mad Max Road Warrior, Yeah okay, Also the

1:18:58.160 --> 1:19:02.360
<v Speaker 2>aforementioned picnicd Hanging Rock, which that wasn't a hit though

1:19:02.400 --> 1:19:05.920
<v Speaker 2>on this that wasn't a blockbuster Mcroucodother than it became

1:19:05.960 --> 1:19:09.479
<v Speaker 2>the second highest grossing film of nineteen eighty six in

1:19:09.520 --> 1:19:13.559
<v Speaker 2>the United States, behind only Top Gun, earning one hundred

1:19:13.560 --> 1:19:16.639
<v Speaker 2>and seventy five million dollars in the US, so much

1:19:16.680 --> 1:19:19.680
<v Speaker 2>of which was hidden from the Australian government like.

1:19:20.320 --> 1:19:24.479
<v Speaker 1>It ultimately made thirty seven point three times the production

1:19:24.600 --> 1:19:28.639
<v Speaker 1>budget in world box office numbers of ten million dollars.

1:19:28.960 --> 1:19:30.880
<v Speaker 1>That means that it would have made three hundred and

1:19:30.880 --> 1:19:34.240
<v Speaker 1>seventy three million dollars worldwide. That's crazy. Joe.

1:19:34.240 --> 1:19:37.880
<v Speaker 2>Melbourne had one of the first ever film studios and

1:19:37.920 --> 1:19:42.080
<v Speaker 2>it was operated by the Salvation Army between eighteen ninety

1:19:42.120 --> 1:19:43.479
<v Speaker 2>seven and nineteen ten.

1:19:43.800 --> 1:19:45.280
<v Speaker 1>Why were they making movies?

1:19:46.439 --> 1:19:48.840
<v Speaker 2>Well, whatever the case, mad is, Australia has like a

1:19:48.960 --> 1:19:52.160
<v Speaker 2>rich history of cinema. He was All Hogan nineteen eighty

1:19:52.160 --> 1:19:54.120
<v Speaker 2>five s and I'm I'll hope it'll be the best

1:19:54.160 --> 1:19:55.120
<v Speaker 2>Australian movie I.

1:19:55.120 --> 1:19:59.840
<v Speaker 1>Have, first first hit, first proper movie. Oh he did

1:19:59.840 --> 1:20:04.080
<v Speaker 1>say proper movie. Okay, Well he earned an Oscar nomination.

1:20:05.479 --> 1:20:12.360
<v Speaker 1>Check that Outgan John Cornell and writer Ken Shady were

1:20:12.400 --> 1:20:16.240
<v Speaker 1>nominated for the Academy Award for Best Original Screenplay. They

1:20:16.280 --> 1:20:19.000
<v Speaker 1>lost to Witty Allen for Hannah and Her Sisters.

1:20:19.439 --> 1:20:22.000
<v Speaker 2>The first Australian film that won an Oscar was a

1:20:22.000 --> 1:20:26.040
<v Speaker 2>documentary and it was won in nineteen forty two. Australia's

1:20:26.040 --> 1:20:28.599
<v Speaker 2>first oscar. The fuck is this guy talking about?

1:20:30.880 --> 1:20:34.719
<v Speaker 1>But you know what he means something the rival top Gun. Well.

1:20:35.320 --> 1:20:37.400
<v Speaker 1>Hogan lost an Oscar, but he did win a Golden

1:20:37.400 --> 1:20:41.840
<v Speaker 1>Globe for Best Actor for a Comedy Motion Picture. This

1:20:41.880 --> 1:20:44.240
<v Speaker 1>is just nuts. It just just speaks of what a

1:20:44.280 --> 1:20:47.920
<v Speaker 1>phenomenon he was. Paul Hogan co hosted the Oscars in

1:20:47.960 --> 1:20:51.240
<v Speaker 1>nineteen eighty seven alongside Chevy Chase and Goldie Hawn.

1:20:51.840 --> 1:20:52.920
<v Speaker 2>Did he do it in the vest?

1:20:53.160 --> 1:20:57.320
<v Speaker 1>And hating there were no sleeves? This man is not Yeah,

1:20:57.560 --> 1:21:00.160
<v Speaker 1>there's never worn sleeves. He also did a turn on

1:21:00.280 --> 1:21:03.920
<v Speaker 1>SNL as the host. Okay. The New York Times called

1:21:04.000 --> 1:21:07.720
<v Speaker 1>Crocodile Dundee quote the movie phenomenon of the year, describing

1:21:07.760 --> 1:21:11.280
<v Speaker 1>it as quote a sort of sweet tempered, common sensical.

1:21:11.479 --> 1:21:16.680
<v Speaker 1>Rambo would always say that he was a little disturbed

1:21:16.920 --> 1:21:19.840
<v Speaker 1>that Americans saw his character as a combination of Chuck

1:21:19.880 --> 1:21:24.360
<v Speaker 1>Norris and Sylvester Stallone breaker Morant. Come on, what is that?

1:21:24.479 --> 1:21:26.680
<v Speaker 1>I don't know what Australian film.

1:21:26.400 --> 1:21:28.880
<v Speaker 2>Not to mention Gallipoli. Sorry, I'm not over that.

1:21:31.200 --> 1:21:35.280
<v Speaker 1>Get this. Director. Igmar Bergman owned the copy of Crocodile

1:21:35.400 --> 1:21:36.480
<v Speaker 1>Dundee on VHS.

1:21:36.840 --> 1:21:40.519
<v Speaker 2>Dude, that's up there with uh is it Chairman Mao

1:21:40.600 --> 1:21:47.040
<v Speaker 2>having Bruce Lee Movies privately episode?

1:21:47.520 --> 1:21:49.600
<v Speaker 1>Oh we actually know. I do remember that now. I

1:21:49.600 --> 1:21:53.920
<v Speaker 1>mean it's kind of like Osama bin Laden's film, Like

1:21:54.000 --> 1:21:56.439
<v Speaker 1>what was on his hard drive? I thought it was porn.

1:21:56.720 --> 1:21:59.800
<v Speaker 1>That was like a porn but it was also like, wait,

1:22:00.880 --> 1:22:05.400
<v Speaker 1>there's a TV special bin Laden's hard Drive in twenty

1:22:05.520 --> 1:22:10.280
<v Speaker 1>twenty and it's on Disney Plus. OA. Now I need

1:22:10.280 --> 1:22:14.040
<v Speaker 1>to find this hang on, No, I found I found it.

1:22:14.080 --> 1:22:18.599
<v Speaker 1>They honest hard drive were found cars Chicken Little and

1:22:18.680 --> 1:22:23.240
<v Speaker 1>Ice Age, Don of the Dinosaurs, and an awful lot

1:22:23.240 --> 1:22:29.680
<v Speaker 1>of pornography, yes, and documentaries about himself, including the two

1:22:29.680 --> 1:22:31.880
<v Speaker 1>thousand and eight comedy documentary Aware in the World as

1:22:31.920 --> 1:22:37.000
<v Speaker 1>Osama bin Laden and books on popular conspiracy theories about

1:22:37.080 --> 1:22:37.719
<v Speaker 1>nine to eleven.

1:22:38.000 --> 1:22:42.040
<v Speaker 2>Oh hell yeah. Americannians were already dimly familiar with Paul

1:22:42.040 --> 1:22:43.479
<v Speaker 2>Hogan due to all of the work he did for

1:22:43.560 --> 1:22:46.280
<v Speaker 2>the Australian Tourism Board, which he apparently did pro bono

1:22:46.600 --> 1:22:48.679
<v Speaker 2>just in the name of Ozsie Pride.

1:22:48.880 --> 1:22:52.040
<v Speaker 1>He's the top Australian, He's the Australian of the Year.

1:22:52.120 --> 1:22:55.960
<v Speaker 2>Seventeen years running. The success of Crocodile Dundee revolutionized tourism

1:22:55.960 --> 1:22:59.520
<v Speaker 2>in Australia, seeing how it was basically one giant advertisement

1:22:59.520 --> 1:23:03.559
<v Speaker 2>for how awesome they are. In twenty sixteen, Peter Hook

1:23:03.880 --> 1:23:08.600
<v Speaker 2>not that one, but the communications manager at Kakadoo Tourism

1:23:08.720 --> 1:23:11.800
<v Speaker 2>told Travel and Leisure in eighty six Australians hadn't even

1:23:11.840 --> 1:23:15.519
<v Speaker 2>been to Kakadu, let alone Americans. Basically, Kakadoo is a

1:23:15.520 --> 1:23:19.040
<v Speaker 2>mining area. Uranium was its biggest mineral. The government actually

1:23:19.080 --> 1:23:22.759
<v Speaker 2>built a road from Darwin to kakado not for tourism

1:23:22.960 --> 1:23:25.400
<v Speaker 2>but for mining. I don't know what that last sentence means.

1:23:25.920 --> 1:23:28.920
<v Speaker 2>The film brought tourists and the area became more accessible

1:23:28.920 --> 1:23:32.360
<v Speaker 2>with the construction of improved roads. In twenty sixteen, Tourism

1:23:32.439 --> 1:23:39.000
<v Speaker 2>chief executive Tony Mail told Perth Now Perth Now the

1:23:39.040 --> 1:23:41.680
<v Speaker 2>film helped put Australia on the map let alone Kackadoo,

1:23:41.760 --> 1:23:45.960
<v Speaker 2>let alone, let alone Kackadoo, adding that Crocodile Dundee and

1:23:46.000 --> 1:23:48.920
<v Speaker 2>the Kakadu National Park still get an average of one

1:23:48.960 --> 1:23:53.200
<v Speaker 2>hundred and thirty five thousand Google searches monthly. According to

1:23:53.200 --> 1:23:56.639
<v Speaker 2>the Guardian, They even started giving Crocodile Dundee tours in

1:23:56.840 --> 1:23:59.960
<v Speaker 2>the aforementioned Kakadoo National Park where the movie was film

1:24:00.400 --> 1:24:02.400
<v Speaker 2>and in Darwin, where you can have close encounters with

1:24:02.439 --> 1:24:06.280
<v Speaker 2>live crocodiles. Three hours away in Jabiru, you can stay

1:24:06.320 --> 1:24:10.759
<v Speaker 2>in the indingenous owned Mercure Crocodile Hotel, which is shaped

1:24:10.760 --> 1:24:14.120
<v Speaker 2>like a crocodile, before exploring the wilderness of the aforementioned

1:24:14.160 --> 1:24:18.639
<v Speaker 2>Kakadoo through guided tours, scenic flights or arts and crafts

1:24:18.720 --> 1:24:21.720
<v Speaker 2>lessons with indigenous Aborigine tribes who have lived in the

1:24:21.760 --> 1:24:25.439
<v Speaker 2>Northern Territory for as previously mentioned, forty thousand years.

1:24:25.680 --> 1:24:26.719
<v Speaker 1>You should do the next part.

1:24:27.439 --> 1:24:30.160
<v Speaker 2>Yeah, you know, it's funny film. Funny film, a great

1:24:30.280 --> 1:24:31.080
<v Speaker 2>line about the knife.

1:24:31.120 --> 1:24:31.280
<v Speaker 1>You know.

1:24:31.320 --> 1:24:36.320
<v Speaker 2>Paul Hogan Q guy hansoms and nice muscles. Much of

1:24:36.360 --> 1:24:39.120
<v Speaker 2>this has not aged well, as you know, you might

1:24:39.200 --> 1:24:42.519
<v Speaker 2>surmise from the low hanging fruit of his comedy show

1:24:42.720 --> 1:24:46.320
<v Speaker 2>that launched him to stardom. There's an article in a

1:24:46.400 --> 1:24:51.439
<v Speaker 2>Guardian by writer named Luke Buckmaster from twenty eighteen that

1:24:51.560 --> 1:24:56.240
<v Speaker 2>just shows the astonishing breadth of the offense quite offensive

1:24:56.280 --> 1:24:59.080
<v Speaker 2>things that happened in the film. They'd be for starters

1:24:59.160 --> 1:25:03.400
<v Speaker 2>sue the journalist she is not actually a journalist, but

1:25:03.520 --> 1:25:07.240
<v Speaker 2>working for her boyfriend for her father's paper. A lot.

1:25:07.520 --> 1:25:10.280
<v Speaker 2>That's a rich text, we'll move on. There are comparisons

1:25:10.320 --> 1:25:14.120
<v Speaker 2>made between the indigenous Aboriginal tribes arguing for land rights

1:25:14.160 --> 1:25:18.160
<v Speaker 2>in Australia to Flees arguing over who owns the dog

1:25:18.240 --> 1:25:22.960
<v Speaker 2>they live on, and of course Mick asking sue Charlton's chauffeur,

1:25:23.360 --> 1:25:26.799
<v Speaker 2>who is played by Reginald vel Johnson aka Carl Winslow

1:25:26.800 --> 1:25:29.320
<v Speaker 2>from Family Matters and the cool cop from Die Hard

1:25:30.479 --> 1:25:35.160
<v Speaker 2>what tribe he's from? The article like cause that's the

1:25:35.160 --> 1:25:37.920
<v Speaker 2>thing about Like, I mean, come on, man, well actually

1:25:37.960 --> 1:25:39.960
<v Speaker 2>maybe not. Maybe he'd never seen a black person. That

1:25:40.040 --> 1:25:47.040
<v Speaker 2>part I buy. There's also a yeah, there's a trends.

1:25:47.080 --> 1:25:50.400
<v Speaker 2>There's a moment of outright transphobia. You know, there's a

1:25:51.280 --> 1:25:53.559
<v Speaker 2>trans woman that Paul Hogan is talking to before a

1:25:53.640 --> 1:25:55.760
<v Speaker 2>friend pulls him aside and says, I've been trying to

1:25:55.760 --> 1:25:59.080
<v Speaker 2>tell you all night that girl she's a guy. And

1:25:59.520 --> 1:26:03.040
<v Speaker 2>Dundee grabs the woman in the crotch and points and

1:26:03.160 --> 1:26:06.439
<v Speaker 2>yells a guy dressed up like a shila, how about that?

1:26:06.680 --> 1:26:07.240
<v Speaker 1>Or look at that?

1:26:07.920 --> 1:26:11.080
<v Speaker 2>And the pub explodes into rapturous laughter and applause.

1:26:12.520 --> 1:26:12.720
<v Speaker 1>You know.

1:26:12.920 --> 1:26:17.919
<v Speaker 2>He also he grabs another woman in the art gallery

1:26:18.080 --> 1:26:22.840
<v Speaker 2>and Sue says, it's okay. He's Australian, of course. Paul

1:26:22.880 --> 1:26:26.080
<v Speaker 2>Hogan has some enlightened thoughts about this. While discussing Cancel

1:26:26.120 --> 1:26:29.080
<v Speaker 2>culture with the project, he's quoted as saying it's sometimes

1:26:29.200 --> 1:26:32.760
<v Speaker 2>understandable and in some cases stupid. In the case of

1:26:32.800 --> 1:26:35.120
<v Speaker 2>me and the shows I did, it was never designed

1:26:35.120 --> 1:26:37.920
<v Speaker 2>to hurt anyone. I just love starting a sentence with.

1:26:38.120 --> 1:26:43.000
<v Speaker 2>In the case of me, I'm taking that per The

1:26:43.040 --> 1:26:45.680
<v Speaker 2>Daily Mail, Hogan told The Australian, I don't think I

1:26:45.720 --> 1:26:48.880
<v Speaker 2>ever did anything with any sort of malice. Okay, man,

1:26:51.320 --> 1:26:54.120
<v Speaker 2>the success we forgot We've got to mention one. Sorry,

1:26:55.400 --> 1:26:59.080
<v Speaker 2>there's in the sequel. He's trying to talk a suicidal

1:26:59.120 --> 1:27:01.360
<v Speaker 2>man down from a leg edge and so he stops

1:27:01.360 --> 1:27:03.920
<v Speaker 2>this guy from killing himself and then hugs him, and

1:27:03.960 --> 1:27:05.960
<v Speaker 2>the guy says like something like, well, now I can

1:27:06.000 --> 1:27:09.679
<v Speaker 2>go back to Steve say he's a gay guy and

1:27:09.840 --> 1:27:13.439
<v Speaker 2>uh then dundee, let's go in disgust.

1:27:13.640 --> 1:27:15.600
<v Speaker 1>And does the guy fall off the bridge after that?

1:27:15.840 --> 1:27:17.360
<v Speaker 1>I don't believe so oh.

1:27:17.560 --> 1:27:22.520
<v Speaker 2>Oh greatest Living American of the Year character actor Dan Hidaiya.

1:27:23.000 --> 1:27:26.080
<v Speaker 1>Yeah, I was gonna say, what were you still alive?

1:27:26.120 --> 1:27:27.599
<v Speaker 1>I would have accepted Leslie Nielsen.

1:27:28.160 --> 1:27:28.880
<v Speaker 2>Oh yeah, goodness.

1:27:29.120 --> 1:27:32.000
<v Speaker 1>Is he Canadian? He seems like he would be Canadian. Yeah,

1:27:32.280 --> 1:27:34.160
<v Speaker 1>so well, look he's Canadian.

1:27:34.520 --> 1:27:37.200
<v Speaker 2>I have a sincere vote, and it's Willy Nelson. I

1:27:37.240 --> 1:27:39.400
<v Speaker 2>have a sincere vote. Sure, and it's Willy Nelson.

1:27:39.840 --> 1:27:44.280
<v Speaker 1>Okay. The success of Crocodile Dundee proved to be the

1:27:44.360 --> 1:27:47.479
<v Speaker 1>predictable blessing and a curse for Paul Hogan. In twenty

1:27:47.520 --> 1:27:50.639
<v Speaker 1>twenty two, he told Mark Meets because of the ridiculous

1:27:50.640 --> 1:27:53.000
<v Speaker 1>success of Dundee, which is still the most successful and

1:27:53.040 --> 1:27:56.200
<v Speaker 1>defended film ever made, it's sort of like, oh, whatever

1:27:56.240 --> 1:27:59.080
<v Speaker 1>I do next will flop by comparison, so I bother

1:27:59.760 --> 1:28:02.400
<v Speaker 1>so I mentally sort of retired after the first one.

1:28:03.640 --> 1:28:06.679
<v Speaker 1>And although Paul Hogan and Lynn Koloski started the nineteen

1:28:06.680 --> 1:28:09.760
<v Speaker 1>eighty eight follow up, Crocodile Dundee two, it was not

1:28:09.880 --> 1:28:13.040
<v Speaker 1>well received by critics and failed to out earn the original,

1:28:13.439 --> 1:28:15.240
<v Speaker 1>Although it's still made the top five of the box

1:28:15.280 --> 1:28:18.959
<v Speaker 1>office in nineteen eighty eight, It has a nine percent

1:28:19.120 --> 1:28:23.240
<v Speaker 1>on Rotten Tomatoes, but Ronald Reagan watched it at Camp

1:28:23.320 --> 1:28:24.760
<v Speaker 1>David and apparently liked it.

1:28:25.120 --> 1:28:26.840
<v Speaker 2>This was during the Middle East Accords.

1:28:26.600 --> 1:28:29.600
<v Speaker 1>So Scott that going for it. At one time in

1:28:29.640 --> 1:28:33.680
<v Speaker 1>the early nineties, Paramount was considering a crossover sequel with

1:28:33.760 --> 1:28:36.479
<v Speaker 1>one of its other Big Eighties franchises, which would have

1:28:36.520 --> 1:28:41.360
<v Speaker 1>birthed Crocodile Dundee meets Beverly Hills Cop. That is so funny.

1:28:41.360 --> 1:28:43.320
<v Speaker 2>I assumed they would have come up with a better title,

1:28:43.360 --> 1:28:45.240
<v Speaker 2>but I also assumed that they wouldn't have.

1:28:45.520 --> 1:28:48.759
<v Speaker 1>Yeah no, and it would have been the Avon Costello rule.

1:28:48.800 --> 1:28:51.320
<v Speaker 2>Just being so funny that Axel is not referred to

1:28:51.439 --> 1:28:55.679
<v Speaker 2>as anything other than Beverly Hills Cup, like the Hunchback

1:28:55.720 --> 1:28:56.400
<v Speaker 2>of Notre Dame.

1:28:59.320 --> 1:29:02.720
<v Speaker 1>Ultimately, Murphy vetoed the idea, but then he went on

1:29:02.760 --> 1:29:06.559
<v Speaker 1>to make Pluto Nash. As you mentioned earlier, Paul Hogan

1:29:06.640 --> 1:29:09.360
<v Speaker 1>was offered the lead role in Ghost, which eventually went

1:29:09.400 --> 1:29:12.519
<v Speaker 1>to Patrick Swayzee, and he turned this movie down to

1:29:12.560 --> 1:29:16.120
<v Speaker 1>star in Almost an Angel, the third installment of the

1:29:16.160 --> 1:29:19.200
<v Speaker 1>Crocodile Dundee franchise. Two thousand and one's Crocodile Dundee in

1:29:19.280 --> 1:29:22.519
<v Speaker 1>Los Angeles is so bad that we just assumed not

1:29:22.640 --> 1:29:25.400
<v Speaker 1>mention it. He was nominated for a Razzie Award for

1:29:25.520 --> 1:29:28.559
<v Speaker 1>Worst Remake or Sequel, but lost out to Tim Burton's

1:29:28.600 --> 1:29:29.559
<v Speaker 1>Planet of the Apes.

1:29:30.000 --> 1:29:32.040
<v Speaker 2>Good he did get a marriage out of it, though.

1:29:32.439 --> 1:29:34.760
<v Speaker 2>There was a love connection made between Paul Hogan and

1:29:34.760 --> 1:29:39.080
<v Speaker 2>his co star Linda Koslowski, which is hilarious because Roger

1:29:39.160 --> 1:29:42.320
<v Speaker 2>the God Ebert specifically commented on the lack of romantic

1:29:42.400 --> 1:29:45.599
<v Speaker 2>chemistry between the two leads. Their union caused a bit

1:29:45.600 --> 1:29:48.679
<v Speaker 2>of a typically Australian scandal, since Paul was already married

1:29:49.000 --> 1:29:51.360
<v Speaker 2>to a woman named Noline Edwards, whom he met as

1:29:51.360 --> 1:29:54.240
<v Speaker 2>a teenager at the pool where he was a lifeguard

1:29:54.280 --> 1:29:57.160
<v Speaker 2>way back in nineteen fifty eight. He would later say,

1:29:57.280 --> 1:29:59.320
<v Speaker 2>I had three sons by the time I was twenty two,

1:29:59.520 --> 1:30:01.919
<v Speaker 2>so I had to grow up very fast. As reported

1:30:01.920 --> 1:30:06.040
<v Speaker 2>by e T Canada, the famed bigamist and Edwards separated

1:30:06.240 --> 1:30:09.080
<v Speaker 2>briefly in nineteen eighty one, but married again less than

1:30:09.080 --> 1:30:11.519
<v Speaker 2>a year later. They would part for good following the

1:30:11.520 --> 1:30:14.800
<v Speaker 2>film of Crocodile Dundee. It was but one of the

1:30:14.840 --> 1:30:18.839
<v Speaker 2>downsides of Hogan's experience. It became a very public divorce,

1:30:18.920 --> 1:30:22.679
<v Speaker 2>with the media depicting Hogan rightfully so, as abandoning his family.

1:30:23.280 --> 1:30:26.920
<v Speaker 2>But Hogan wed Koslowski in a private ceremony in Australia

1:30:26.960 --> 1:30:29.320
<v Speaker 2>in nineteen ninety at a mansion that he built as

1:30:29.360 --> 1:30:31.120
<v Speaker 2>a wedding gift for his bride.

1:30:31.479 --> 1:30:32.040
<v Speaker 1>That's cute.

1:30:32.200 --> 1:30:34.280
<v Speaker 2>There were no rooms for his other three sons.

1:30:34.720 --> 1:30:37.240
<v Speaker 1>Has there ever been a you know those marriages like

1:30:37.280 --> 1:30:40.040
<v Speaker 1>Lizen Dick where they divorce and then they marry again.

1:30:41.040 --> 1:30:43.960
<v Speaker 1>Has the second marriage to the same person ever stuck?

1:30:44.680 --> 1:30:46.559
<v Speaker 1>I can't think of one. I don't care.

1:30:48.040 --> 1:30:50.439
<v Speaker 2>The pair had a son named Chase, and they settled

1:30:50.479 --> 1:30:53.840
<v Speaker 2>in Los Angeles, where they raised him together. Sadly, they

1:30:53.880 --> 1:30:56.479
<v Speaker 2>split up in twenty thirteen, with Koslowski telling the Sydney

1:30:56.479 --> 1:31:01.080
<v Speaker 2>Morning Herald, Honestly, we just naturally grew apart. They would

1:31:01.080 --> 1:31:03.639
<v Speaker 2>frequently say in interviews how little they had in common,

1:31:03.760 --> 1:31:07.479
<v Speaker 2>but previously spuned his opposites attracting. She said, I lived

1:31:07.520 --> 1:31:09.920
<v Speaker 2>in Paul's shadow for many, many years, and it's nice

1:31:09.920 --> 1:31:12.640
<v Speaker 2>to feel my own light right now. The divorce was

1:31:12.760 --> 1:31:15.280
<v Speaker 2>very amicable, with Hogan himself saying it was twenty wonder

1:31:15.320 --> 1:31:17.360
<v Speaker 2>four years two or three that were sort of like

1:31:17.520 --> 1:31:21.559
<v Speaker 2>worn out. I'm very flighty. A woman lasts for about

1:31:21.600 --> 1:31:23.479
<v Speaker 2>a quarter of a century and then they get bored

1:31:23.520 --> 1:31:26.880
<v Speaker 2>with me. That's medium funny. He refused to characterize the

1:31:26.960 --> 1:31:29.320
<v Speaker 2>nineteen year old marriage's a failure, saying how can you

1:31:29.320 --> 1:31:32.120
<v Speaker 2>fail after a quarter of a century? Failed marriages are

1:31:32.120 --> 1:31:34.080
<v Speaker 2>when two people stay together even though they have long

1:31:34.080 --> 1:31:37.680
<v Speaker 2>ago lost interest. Kozlowski received a one off payment of

1:31:37.720 --> 1:31:40.439
<v Speaker 2>six point twenty five million dollars and the right to

1:31:40.479 --> 1:31:43.080
<v Speaker 2>remain living in their Venice Beach home for four years

1:31:43.640 --> 1:31:47.200
<v Speaker 2>or until she remarried, which ever happened first. While Hogan,

1:31:47.520 --> 1:31:49.800
<v Speaker 2>bless his heart, kept his eye on the prize, he

1:31:49.880 --> 1:31:53.519
<v Speaker 2>retained his rights to Crocodile Dundee, the character, and the

1:31:53.520 --> 1:31:55.960
<v Speaker 2>film company that produced the classic films.

1:31:56.600 --> 1:31:59.439
<v Speaker 1>Australian actist Rebert Wilson said in recent years that she

1:31:59.479 --> 1:32:02.920
<v Speaker 1>approached Paul Hogan to make a Crocodile Dundee reboot with

1:32:03.040 --> 1:32:06.360
<v Speaker 1>her starring in the lead role. Obviously it would have

1:32:06.400 --> 1:32:08.720
<v Speaker 1>Paul Hogan in it in some way, she said, but

1:32:08.800 --> 1:32:11.880
<v Speaker 1>he didn't want a female to play Crocodile Dundee. I

1:32:11.920 --> 1:32:14.559
<v Speaker 1>think it's a travesty, as I think out of anyone

1:32:14.600 --> 1:32:17.640
<v Speaker 1>in Australia. I'm the one most suited to do it.

1:32:18.680 --> 1:32:21.400
<v Speaker 2>There's like, we're misreading all of these quots.

1:32:21.479 --> 1:32:24.760
<v Speaker 1>Yeah, I think there's yeah as Americans, and I think yeah.

1:32:25.120 --> 1:32:28.800
<v Speaker 1>I'm fairly certain that there's some degree of sarcasm there,

1:32:28.840 --> 1:32:31.439
<v Speaker 1>although she clearly did really want to do it. In

1:32:31.520 --> 1:32:35.000
<v Speaker 1>January twenty eighteen, fans of Crocodile Dundee were excited to

1:32:35.000 --> 1:32:37.719
<v Speaker 1>see teasers that seemed to hint at a new sequel.

1:32:38.400 --> 1:32:41.599
<v Speaker 1>This was followed by an expensive and extensive ad at

1:32:41.640 --> 1:32:45.400
<v Speaker 1>the Super Bowl featuring Danny McBride, Chris Hemsworth and Paul

1:32:45.439 --> 1:32:49.320
<v Speaker 1>Hogan himself. The trailer light clip fooled many into believing

1:32:49.360 --> 1:32:51.759
<v Speaker 1>that there was something bigger in the works, but instead

1:32:52.120 --> 1:32:55.480
<v Speaker 1>it was merely a twenty seven million dollar ad campaign

1:32:55.960 --> 1:33:00.960
<v Speaker 1>designed to revitalize Australian tourism. Australia's Minister for Trade, Tourism

1:33:00.960 --> 1:33:05.200
<v Speaker 1>and Investment, the Honorable Steven Siabo, told Tourism Australia this

1:33:05.320 --> 1:33:08.559
<v Speaker 1>is the single largest investment Tourism Australia has ever made

1:33:08.680 --> 1:33:12.320
<v Speaker 1>in the US market. The ad campaign had another result,

1:33:13.120 --> 1:33:17.679
<v Speaker 1>pissing off Crocodile Dundee super fans. According to Slate. Many

1:33:17.680 --> 1:33:20.920
<v Speaker 1>people wish the reboot was real, with some fans even

1:33:20.960 --> 1:33:24.960
<v Speaker 1>banding together to sign a petition. The Daily Mail reported

1:33:25.000 --> 1:33:27.679
<v Speaker 1>that Paul Hogan had no plans to make another Crocodile

1:33:27.760 --> 1:33:32.360
<v Speaker 1>Dundee movie. He told The Today Show It's not gonna happen.

1:33:33.000 --> 1:33:37.160
<v Speaker 1>But you know, for all we've said about Australia over

1:33:37.200 --> 1:33:40.920
<v Speaker 1>the course of this episode, I find a certain degree

1:33:40.920 --> 1:33:44.160
<v Speaker 1>of sweetness in Mick Crocodile Dundee. Yeah.

1:33:44.200 --> 1:33:46.080
<v Speaker 2>I mean, the ways in which you can point out

1:33:46.080 --> 1:33:49.080
<v Speaker 2>the negativities are so cartoonish. But I also think this

1:33:49.200 --> 1:33:53.200
<v Speaker 2>movie is very funny. Paul Hogan is an incredibly charming man.

1:33:53.479 --> 1:33:57.920
<v Speaker 2>He might be not good at sketch comedy, but he's

1:33:58.400 --> 1:34:04.639
<v Speaker 2>very charming. Readily, uh things I do for nineteen eighty

1:34:04.840 --> 1:34:08.520
<v Speaker 2>never mind. And like I said again, man, every Australian

1:34:08.520 --> 1:34:11.600
<v Speaker 2>I've ever met has just been a delight, you know,

1:34:13.160 --> 1:34:17.040
<v Speaker 2>sometimes a delight that would result in astounding hangovers for me,

1:34:17.200 --> 1:34:22.559
<v Speaker 2>but a delight nonetheless. So please don't take my taking

1:34:22.640 --> 1:34:26.960
<v Speaker 2>the piss of them for off them, taking the piss

1:34:27.000 --> 1:34:30.920
<v Speaker 2>of them, taking the piss from them, from them, I'll

1:34:30.920 --> 1:34:36.000
<v Speaker 2>go from them, taking the piss to them, within them

1:34:36.080 --> 1:34:37.639
<v Speaker 2>of where.

1:34:37.479 --> 1:34:40.160
<v Speaker 1>Is the piss and where can it be removed? How

1:34:40.160 --> 1:34:41.479
<v Speaker 1>do you remove the piss? How do you take the

1:34:41.479 --> 1:34:42.760
<v Speaker 1>piss off? Someone?

1:34:43.040 --> 1:34:49.840
<v Speaker 2>Catheter very quietly cath Yeah, Australia is great, you know,

1:34:50.720 --> 1:34:52.800
<v Speaker 2>just like two of my favorite bands of all time

1:34:52.880 --> 1:34:54.920
<v Speaker 2>and history of Lovely, lovely.

1:34:54.720 --> 1:34:57.599
<v Speaker 1>Charming people and great Barrier Reef fun movie.

1:34:57.600 --> 1:35:00.880
<v Speaker 2>Oh yeah, they got great reefs. Oh Royal Headache. I

1:35:00.880 --> 1:35:03.839
<v Speaker 2>forgot about Royal Headache. They're probably one of my favorite

1:35:03.880 --> 1:35:09.040
<v Speaker 2>bands of the past ten years. Incredible punk band who

1:35:09.120 --> 1:35:12.240
<v Speaker 2>I believe just broke up because they were Australian and

1:35:12.280 --> 1:35:14.240
<v Speaker 2>the lead singer was like a moss. But I forgot

1:35:14.280 --> 1:35:15.120
<v Speaker 2>about Royal Headache.

1:35:15.200 --> 1:35:19.719
<v Speaker 1>Great band. Uh you got a kicker? I write a kicker. Okay.

1:35:19.800 --> 1:35:21.920
<v Speaker 1>So I'd like to leave you with this quote from

1:35:21.920 --> 1:35:25.479
<v Speaker 1>Paul Hogan. He talked about how kind of disturbed he

1:35:25.680 --> 1:35:27.760
<v Speaker 1>was that people in the US saw his character as

1:35:27.760 --> 1:35:32.080
<v Speaker 1>they cross between Chuck Norris and Rambo, but for him

1:35:32.120 --> 1:35:35.000
<v Speaker 1>this really wasn't the heart of his creation. He said,

1:35:35.200 --> 1:35:37.880
<v Speaker 1>when Crocodile Dundee was due to be released, the movie

1:35:37.920 --> 1:35:40.559
<v Speaker 1>scene is screaming out for a movie hero who doesn't

1:35:40.640 --> 1:35:45.280
<v Speaker 1>kill seventy five people less of those commandos, terminators, ex

1:35:45.360 --> 1:35:49.280
<v Speaker 1>terminators and squashers. Makes a good role model. There's no

1:35:49.439 --> 1:35:52.000
<v Speaker 1>malice in the fellow and he's human. He's not a

1:35:52.040 --> 1:35:55.200
<v Speaker 1>whimp or a sissy just because he doesn't kill people.

1:35:56.200 --> 1:35:59.599
<v Speaker 1>And you know, from an Australian, that's as much as

1:35:59.600 --> 1:36:04.040
<v Speaker 1>we're gonna get a kidding.

1:36:04.160 --> 1:36:06.479
<v Speaker 2>I mean, I also think it's funny where he's like,

1:36:06.520 --> 1:36:08.439
<v Speaker 2>He's like, yeah, Americans just thought of me as a

1:36:08.479 --> 1:36:12.240
<v Speaker 2>cross between you know, Robert Redford and Bruce Lee and

1:36:12.520 --> 1:36:18.000
<v Speaker 2>Sylvester Saloone, Arn't Schwarzenegger, Ronald Reagan, Marilyn Monroe, James Dean,

1:36:18.320 --> 1:36:23.000
<v Speaker 2>Marlon Brando, Ned Kelly, Ned Kelly, three of the four

1:36:23.040 --> 1:36:24.680
<v Speaker 2>guys on Mount Rushmore.

1:36:25.360 --> 1:36:26.560
<v Speaker 1>At least two of the Beatles.

1:36:26.920 --> 1:36:30.240
<v Speaker 2>The's two of the Beatles. Sure, yeah, yeah, Elvis Presley's

1:36:30.240 --> 1:36:33.400
<v Speaker 2>bass player, Jerry Lee Lewis's bass player that he shot

1:36:33.400 --> 1:36:37.360
<v Speaker 2>in the chest. But I didn't think of myself that way.

1:36:38.560 --> 1:36:39.519
<v Speaker 2>Australians hit me up.

1:36:39.560 --> 1:36:40.200
<v Speaker 1>You're hilarious.

1:36:40.200 --> 1:36:41.960
<v Speaker 2>I love you. I'll get drunk with you anytime this week.

1:36:42.920 --> 1:36:44.000
<v Speaker 2>I'm Alex Hegel.

1:36:43.840 --> 1:36:46.320
<v Speaker 1>And I'm Jordan run Tag. We'll catch you next time.

1:36:51.520 --> 1:36:53.960
<v Speaker 1>Too much Information was a production of iHeartRadio.

1:36:54.240 --> 1:36:56.160
<v Speaker 2>The show's executive producers.

1:36:55.680 --> 1:36:59.160
<v Speaker 1>Are Noel Brown and Jordan Runtalk. The show's supervising producer

1:36:59.280 --> 1:37:00.479
<v Speaker 1>is Michael Alder. June.

1:37:00.760 --> 1:37:03.879
<v Speaker 2>The show was researched, written, and hosted by Jordan Rundogg

1:37:03.960 --> 1:37:05.040
<v Speaker 2>and Alex Heigel.

1:37:04.880 --> 1:37:08.080
<v Speaker 1>With original music by Seth Applebaum and a ghost Funk orchestra.

1:37:08.439 --> 1:37:10.479
<v Speaker 1>If you like what you heard, please subscribe and leave

1:37:10.520 --> 1:37:13.519
<v Speaker 1>us a review. For more podcasts and iHeartRadio, visit the

1:37:13.520 --> 1:37:16.840
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:37:16.840 --> 1:37:17.559
<v Speaker 1>favorite shows.