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Speaker 1: I am all in.

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Speaker 2: You, I am all in with Scott Patterson and iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I I'm all in podcasts one

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Speaker 1: to eleven productions. iHeartRadio, iHeart podcast, I heeart Media. I'm

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Speaker 1: going to be appearing next weekend at MotorCity Comic Con

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Speaker 1: in Farmington, Illinois, November ten, eleven twelve, so come on

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Speaker 1: out and see me. I'm also going to be a

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Speaker 1: Columbus Galaxy Con on December two and three, so I

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Speaker 1: hope to see you out there, y'all. This is twenty

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Speaker 1: one and is the loneliest number of season six, Episode seven.

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Speaker 1: I am joined by my intrepid crew. Today we are

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Speaker 1: scaled down a little bit.

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Speaker 3: Ah.

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Speaker 1: I bring you the One, the Only, the Queen, the

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Speaker 1: newly minted Queen of the Realm, Suzanne French, and the

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Speaker 1: overseer Amy Sugarman.

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Speaker 4: Suzanne. Wait before we start, Scott, you don't have to

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Speaker 4: be a part of this because it's like Girleie Gilmore Gossip.

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Speaker 1: Do I do I need to you know what? I'm

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Speaker 1: removing the headphones.

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Speaker 4: You want to enjoy this. You want to enjoy this like.

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Speaker 1: To the fridge.

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Speaker 3: Now, okay, fine, Suzanne, did you see that Milo got

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Speaker 3: married and his wife new wife's last name?

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Speaker 4: I mean, I was like shook, yes, yeah, Mariano. It's perfect.

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Speaker 4: It was fate. It was meant to be. It's so good.

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Speaker 4: It's like would have named her baby Logan. It's he

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Speaker 4: couldn't have done better. It's so good.

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Speaker 5: It was meant to be. I think it's awesome, totally

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Speaker 5: cute photos.

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Speaker 4: We're happy for him. Okay, Scott, we're done with our

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Speaker 4: with our gossiping.

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Speaker 1: Are you back cereal?

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Speaker 4: Oh my god? Okay, So I did tell Scott that

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Speaker 4: I had to talk about cereal today. Was it last

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Speaker 4: week where we were talking about our favorite cereals? The

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Speaker 4: two weeks ago?

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Speaker 1: It was recent, it's within recent memory.

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Speaker 4: Which again I found honeycomb which, like, I'm so hungry

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Speaker 4: right now, kind of want to crack get open. But Scott,

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Speaker 4: for you, Oky Crisp, just start your day off with

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Speaker 4: a bowl of sugar. Epic. First of all, huge bag

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Speaker 4: of money.

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Speaker 1: Honeycombs came in. We used to get the extra large

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Speaker 1: yer that was so great, industrial size.

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Speaker 4: I was inspired. I don't but guess what on top

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Speaker 4: of that, guess what was sold out? Only sold out

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Speaker 4: what target target Northern California, Waldeck what malamars? They were like,

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Speaker 4: we cannot fulfill your order. Hum, like, oh god, the.

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Speaker 1: Chocolate chunks having twenty first birthday? Rory, you know what

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Speaker 1: did you think? Gang? Huh?

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Speaker 5: I loved this episode. This is one of my top ten.

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Speaker 5: I always have enjoyed this one. You have like quirky

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Speaker 5: town people. You've got some Paris, You've got some Lane,

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Speaker 5: You've got Shenanigans with Babbitt and Maury. It's great Luke

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Speaker 5: and Rory scene.

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Speaker 4: Like, I just love this episode. I think it was

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Speaker 4: a great episode. Scott you with that drink. I was

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Speaker 4: laughing so hard. And then of course Laura Life just

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Speaker 4: when she's when she finally when she finally talked to

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Speaker 4: More and is like, your drink is gross?

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Speaker 1: She said's disgusting. Yeah, yeah, I I rate this one

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Speaker 1: way up there. This is also one of my I

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Speaker 1: think top ten. I think we can call it the

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Speaker 1: top ten. Wow, easily easily top ten. It was a

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Speaker 1: joy from start to finish, and I think it was

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Speaker 1: very even very balanced in the production quality, sound quality, lighting, acting, fighting.

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Speaker 1: It was very very balanced, yes, and it had a

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Speaker 1: nice flow and it was easy to watch, and it

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Speaker 1: was easy to laugh with. I mean, it cracked me

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Speaker 1: up on several several moments. It's just it's such a

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Speaker 1: unique show. It's such it does what it does better

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Speaker 1: than any show I've ever seen. Its just it sort

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Speaker 1: of tips into the absurd with the Maury but bet stuff, yes,

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Speaker 1: with the hanging, and I mean, it's just just a

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Speaker 1: great ride. That was a great forty minutes.

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Speaker 4: The town looked amazing, The Gilmore's house looked amazing, that

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Speaker 4: party looked amazing.

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Speaker 1: This is Amy Sherman Palladino at her best. There's firing

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Speaker 1: on all cylinders, and with this ease of writing and

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Speaker 1: the ease of the humor.

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Speaker 4: And when did it air? When did it air?

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Speaker 1: Oh gosh, does anybody have that information? I don't know

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Speaker 1: the exact date.

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Speaker 4: On October twenty fifth, so right either in sweeps or

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Speaker 4: just about to be sweep. So it's like a big episode.

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Speaker 1: Very impressive episode that really played on the tension between

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Speaker 1: mother and daughter and coming back together. It was really

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Speaker 1: the kind of the riveting narrative that kept me hoping, hoping,

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Speaker 1: hoping that they were going to get back together and

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Speaker 1: have a conversation and boy, what a tease that was.

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Speaker 1: And then when they finally had the conversation, it was,

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Speaker 1: it was, it was, It was pretty glorious. But then

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Speaker 1: it was cut short and we realized with that devastating

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Speaker 1: moment at the end that life has changed, and life

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Speaker 1: moved on, and my life moves on, and we all

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Speaker 1: have to move on. And the rory we knew and

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Speaker 1: loved that was attached to lorealized hip is maybe gone forever.

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Speaker 1: And what a what a moment the show, the appeal

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Speaker 1: of the show, It hit me quite clearly that you

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Speaker 1: know this show. I don't think any other show or

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Speaker 1: when when when you do this, well this type of thing,

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Speaker 1: well this this sense of nostalgia wanting to go back

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Speaker 1: and fix your life, and we just can't do that,

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Speaker 1: but boy, if we could, it would be so sweet,

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Speaker 1: you know, that that sensation of maybe a lack of

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Speaker 1: fulfilled and a little bit of loss but with a

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Speaker 1: Wii and nostalgia all mixed in and hope, and it's

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Speaker 1: just just very powerful.

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Speaker 4: It's very very powerful.

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Speaker 1: The themes that they play.

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Speaker 4: On is that's so true, Scott, It's so true. It's

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Speaker 4: because there's so much to that conversation that begins with

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Speaker 4: Richard and Lorlai. Then Emily comes in, Lorli removes herself,

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Speaker 4: and you realize, like I couldn't figure out why are

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Speaker 4: they so hung up on sex? Like why are they

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Speaker 4: so weird? Almost? And then you realize, oh my god,

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Speaker 4: it's because of their own daughter. And I don't know

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Speaker 4: why it took me a minute to get that exactly,

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Speaker 4: and their fear and just they will do anything to

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Speaker 4: prevent that.

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Speaker 1: Right, all right? And I think we're gonna synopsize with

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Speaker 1: the new synopsisization stylings of Queen Susann Go ahead, all right?

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Speaker 5: So this is seasons episode seven, twenty one is the

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Speaker 5: Loneliest number. It aired on October twenty fifth, two thousand

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Speaker 5: and five. As Rory's twenty first birthday approaches, both Lorelai

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Speaker 5: and Rory are saddened by the fact that their ongoing

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Speaker 5: estrangement will keep them from spending the day the way

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Speaker 5: they had always planned. Richard tries to convince Laurlai to

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Speaker 5: help him with a plan to get Rory back to Yale,

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Speaker 5: but Loralai insists that Rory has to make the decision herself.

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Speaker 5: While Richard continues to worry about Rory's future, Emily throws

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Speaker 5: herself into planning an elaborate birthday party. Meanwhile, Emily and

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Speaker 5: Richard are shocked when they realize that Rory and Logan

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Speaker 5: have been having sex.

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Speaker 4: My first question is were you surprised? And I was

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Speaker 4: a little bit. I get it, But that Loralai wasn't

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Speaker 4: more into it when Richard was like, we need to

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Speaker 4: do something.

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Speaker 5: I think she was. I think she was just kind

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Speaker 5: of frustrated with Richard because she's like, this is what

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Speaker 5: I told you all along, and you guys refuse to

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Speaker 5: listen to me. So I kind of get how She's

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Speaker 5: still kind of like, this is the bed you made,

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Speaker 5: now lay in it.

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Speaker 1: Yeah. Okay, so but but that does that really serve Rory? Right?

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Speaker 1: You know what I mean? In that moment, it's like, okay,

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Speaker 1: we can you know, I can beat you up in

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Speaker 1: this moment, or we can solve the problem. And another

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Speaker 1: thing I thought about this is, you know, thank god

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Speaker 1: things went awry because then we wouldn't have these dramatic

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Speaker 1: moments because these are riveting moments. And so anyway, I

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Speaker 1: just wanted to say I appreciated that she'll be in Yale,

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Speaker 1: And I mean, obviously a different show. And I know

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Speaker 1: we get some some emails about you know, why is

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Speaker 1: Scott always trying to write the show and his ideas suck?

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Speaker 1: And they might be right about that.

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Speaker 4: You know what. You know what why though, because we

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Speaker 4: take it so real and we always are analyzing it

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Speaker 4: like it's real life and these people are real. Whereas

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Speaker 4: the reason it goes in certain directions is because writers

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Speaker 4: are writing it to make it dramatic or funny or sad,

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Speaker 4: and so we're it makes sense that we're sort of

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Speaker 4: sometimes rewriting it.

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Speaker 1: But we're supposed to feel that loss. We're supposed to

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Speaker 1: get depressed. We're supposed to feel why didn't they just

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Speaker 1: leave her and Yale? And why are they doing this?

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Speaker 1: I have a better idea for the moment, but it

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Speaker 1: doesn't pay off in the longer. Where you going the longer?

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Speaker 1: So they've planned it ahead right right, they know what

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Speaker 1: they're doing. So very satisfying. But uh yeah, I thought

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Speaker 1: I thought that moment maybe was the only moment that

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Speaker 1: I kind of went, eh, you know, Loreli could be

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Speaker 1: a little more.

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Speaker 4: I thought she would be more into it.

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Speaker 1: Of a team player.

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Speaker 4: You know, Well, look, she's mad because she had a plan.

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Speaker 4: They all agreed to the plan, and then Richard is

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Speaker 4: the reason they deep ad from the plan. We understand

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Speaker 4: why he did it. Rory was so upset, he's a grandpa.

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Speaker 4: Then he comes back and says.

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Speaker 1: We need a plan, and she's but I think, I think,

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Speaker 1: I think Susanne makes a salient point that the Richard

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Speaker 1: and Emily didn't want to screw up a second time.

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Speaker 1: They were leaving nothing to chance, and they were not

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Speaker 1: going to let Laura I get in the way of that,

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Speaker 1: you know, and not their right, not their kid. But

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Speaker 1: you know, they control her with the money, they controlled

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Speaker 1: her with the guilt and all that. So I can

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Speaker 1: see why she's put off, and I can see what

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Speaker 1: and that's the beauty of it. You can, you can

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Speaker 1: you can relate to everybody's point of view totally and

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Speaker 1: and and that's the beauty of it, right.

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Speaker 5: And I think she was also pushing back against you know,

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Speaker 5: Richard's new plan is, Okay, we'll we'll delay her trust fund,

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Speaker 5: we'll buy her a car, we'll buy her a condo.

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Speaker 5: Like he's always trying to trick her, trick Rory into

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Speaker 5: doing what they want. And I think Lorlai was pushing

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Speaker 5: back against that concept because they've done it before. They

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Speaker 5: did it with that party that they only invited the

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Speaker 5: boys to and right the Yale interview, and it's like

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Speaker 5: they always result, it's the whole owner and Laurai doesn't

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Speaker 5: like that.

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Speaker 4: It's the premise of the whole show that they bought

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Speaker 4: them back, essentially by paying for Chiltern and ultimately Yale

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Speaker 4: to get to see them, which is what it is.

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Speaker 4: It's how they operate. So yes, it did land a little.

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Speaker 1: Right, And so they're attempting to have this kind of

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Speaker 1: transactional relationship with Laurai because they can't really have a

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Speaker 1: real relationship with her. To apply that same transactional relationship

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Speaker 1: to Rory, though, I think, is a mistake. But here's

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Speaker 1: the say, Yes, there's this thing. What Emily and Richard

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Speaker 1: know and what Laura I should probably know, is that

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Speaker 1: a twenty one year old does not have a fully

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Speaker 1: formed brain. This is not a full, fully aware adult

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Speaker 1: person capable of making responsible decisions because there's no long

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Speaker 1: term thinking involved or not or not enough. And I'm

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Speaker 1: not saying that's the case with everyone, and maybe Rory's

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Speaker 1: the exception and probably is, but I think from Richard

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Speaker 1: Emley's point of view, they weren't going to leave it

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Speaker 1: to chance. It's like, right, you know, how many people

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Speaker 1: have you run into in your life or read about

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Speaker 1: who said, you know, I was, I was on a

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Speaker 1: path I thought was great, and my parents just really

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Speaker 1: kind of kicked my ass about it and forced me

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Speaker 1: back on the path. And man, am I glad they did?

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Speaker 4: Yeah?

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Speaker 1: I hear that more often than you know the other

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Speaker 1: result well.

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Speaker 4: And you can tell like same idea when she says,

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Speaker 4: like put the party furniture in there and then we'll

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Speaker 4: fumigate them. Then I'll tell her there's rats. It's like

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Speaker 4: they rather than empower right a child or a grandchild

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Speaker 4: to make the right decision, they try to force and

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Speaker 4: control it right, which is why they ultimately regularly fail.

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Speaker 1: I just think of how many other ways they could

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Speaker 1: have inspired her back to Yale. Right, So if a kid,

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Speaker 1: like if your kid goes bad, if you have a

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Speaker 1: son that goes bad and he's in with bad kids,

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Speaker 1: you know, you take him, you scare him straight, You

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Speaker 1: take him to the lock up and say this is

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Speaker 1: where you're going to end up if you continue to

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Speaker 1: be And that's like a wake up call. That can

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Speaker 1: be a wake up call for a ten year old

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Speaker 1: if you just leave dark extreme. Same thing could have

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Speaker 1: been done with Rory had Richard or Emily And here

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Speaker 1: I go again, rewriting the show hate me. Maybe I'm ready.

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Speaker 1: It taken her to I don't know, a professional mixer

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Speaker 1: of college professors that inspire her, or you know, they

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Speaker 1: could have gotten in touch with some of the publishing

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Speaker 1: houses or whatever of the favorite books she's read, and

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Speaker 1: let's take her on a trip to New York and

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Speaker 1: go to Random House and Penguin. She can meet the

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Speaker 1: editors and yes, we can take her here, and they

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Speaker 1: can tell us stories about, you know, the struggles of

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Speaker 1: these great writers and their education and their relationship with

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Speaker 1: their parents. And they had struggles too, but they chose

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Speaker 1: to stay in school, and look what happened for them.

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Speaker 1: You know, this kind of thing. So there's a million

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Speaker 1: of reactions.

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Speaker 4: They could have just had another Mitcham, somebody of his caliber,

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Speaker 4: just say, hey, we all think Mitcham's kind of a turd.

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Speaker 4: Don't listen to him.

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Speaker 1: Right.

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Speaker 4: The other thing is, don't you guys think and tell

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Speaker 4: me if I'm wrong? If Loralai, Emily and Richard would

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Speaker 4: have done the original Loralai plan. She would have gone

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Speaker 4: back to Yale, just the three of them talking to

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Speaker 4: her and saying, we want you to go back to Yale.

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Speaker 4: This is not good. The three of them could have.

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Speaker 1: Done it right, like an intervention.

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Speaker 4: Yeah, yeah, the original plan was good. Yeah.

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Speaker 5: I think if she had seen the three of them

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Speaker 5: actually agreeing on something, that might have made an impact

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Speaker 5: on her because she'd be like, Okay, these two parties

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Speaker 5: of people never get along. If they're coming together on this,

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Speaker 5: they must really mean it, right.

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Speaker 4: Yeah, it was a throwaway line. It was a throwaway

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Speaker 4: line in this scene too, but I laughed out loud

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Speaker 4: when she says it's freakish, but you know how like

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Speaker 4: she's talking about how Rory likes school, it's freakish.

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Speaker 1: I love the medal and all Bright scene too.

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Speaker 4: Oh my god, it was just so off.

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Speaker 1: The walk right. What it is the last thing you

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Speaker 1: would ever expect to see in Rory's bed is all Bright.

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Speaker 4: I mean it's like, wow, can you remember that at all?

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Speaker 4: Like her being around and how they ended up casting

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Speaker 4: her or like anything.

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Speaker 1: Well, I wasn't. I I think I was there the

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Speaker 1: day she was there. But I didn't ge to meet HM

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Speaker 1: because they were in a different part of the they

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Speaker 1: were on a different sound.

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Speaker 4: Stage, right, because it was just the two of them.

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Speaker 1: Yeah, but yeah, I just remember that day. There was

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Speaker 1: some secret service, I think, and I was going to

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Speaker 1: say it was kind of a big deal, and Madeline

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Speaker 1: all rights here, and you know, I think I was

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Speaker 1: going to lunch and they said, well, you want to

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Speaker 1: go over and watch something, and I say, no, I'm hungry.

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Speaker 1: I want to go to lunch.

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Speaker 4: I was trying to look in in my book. They

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Speaker 4: had the authors on to see if they knew I

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Speaker 4: don't know, Susan, do you know anything about the cat?

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Speaker 5: They do not. Yeah, I remember there was also some

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Speaker 5: political figures appeared in that episode where they were they

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Speaker 5: had the summer program in Washington, right right, right right,

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Speaker 5: So I don't know either Amy or Dan or somebody

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Speaker 5: must have had some kind of you know, political connections.

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Speaker 1: Well, no, I think everybody's a fan, and these people

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Speaker 1: all all have representation in Hollywood. You know, we're speaking engagements,

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Speaker 1: they'll have raps, and everybody's a fan of the show.

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Speaker 1: They love the show was so Madeline probably watched the

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Speaker 1: show with her daughter or her granddaughter or whatever.

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Speaker 4: Okay, here's what I found out. Political junkies Amy and

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Speaker 4: Dan would ring up the casting office and rattle off

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Speaker 4: a few names of high profile politicos she'd like to

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Speaker 4: see on the show. Madeline Albright was one of them,

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Speaker 4: so they thought it was worth a shot, threw it

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Speaker 4: out there. Yeah, and Madeline Albright's assistant ring back almost

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Speaker 4: immediately saying she would love to do it, right, wow, right,

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Speaker 4: And that is from the Gilmore Girls companion book.

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Speaker 1: And I gotta tell you she did a pretty darn

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Speaker 1: good job.

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Speaker 4: I thought so too.

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Speaker 1: And on the acting front, for somebody who is not

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Speaker 1: a trained actor to come in there and do a

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Speaker 1: scene with somebody as sophisticated at that point as Alexis

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Speaker 1: Bodell was with her with her chops, right, I mean Alexis,

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Speaker 1: Alexis got really good and she was always good to

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Speaker 1: begin with, naturally good and naturally instinctual and never pushed

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Speaker 1: anything but h man, I mean, she just kept getting

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Speaker 1: better and she was great in.

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Speaker 4: This and recreating that scene. So it had to have

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Speaker 4: the feel and the tone to let us all go,

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Speaker 4: oh my gosh, because if you can imagine when people

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Speaker 4: saw this, the first time. They hadn't necessarily seen all

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Speaker 4: the episodes many many times because it's in its first run,

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Speaker 4: so it had to be iconic enough. People were reminiscent enough.

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Speaker 1: But people were dvring it and they had that yeah.

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Speaker 4: And DVDs, but they weren't. It wasn't the same. You

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Speaker 4: weren't watching things over and over and over watching.

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Speaker 1: Oh yeah, they'd wear them out. They'd have to buy

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Speaker 1: new DVDs because they.

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Speaker 4: Wear before the before burning to the dvs. Before that scene, though,

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Speaker 4: I did chuckle at you and Laura Lai and the

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Speaker 4: dollhouse and she's really going with her thing as you

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Speaker 4: guys tend to do, and you're going with this thing

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Speaker 4: is so heavy? Is your father a Hercules? And then

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Speaker 4: at the very end we get the payoff.

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Speaker 1: The time very nice, It was no no, But I

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Speaker 1: loved how Luke treated her and fixed her hair and

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Speaker 1: touched her hair, kissed her on the forehead and just

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Speaker 1: you know, was there for her. I love that kind

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Speaker 1: I love that little detail. I love that kind of

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Speaker 1: stuff me too.

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Speaker 4: And is that you? Is that you? Or is that

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Speaker 4: a director?

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Speaker 1: So that's not no, that's me making making the relationship believable.

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Speaker 1: It's what what do you do to suspend the audience

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Speaker 1: disbelief that you're in a real committed relationship with this person?

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Speaker 1: How do you behave in this situation? How does this

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Speaker 1: character behave in the situation? So yeah, I felt we

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Speaker 1: really nailed it up. And by the way she walks away,

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Speaker 1: by the way the top comes off, perfect, it was

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Speaker 1: a perfect scene.

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Speaker 4: Perfect are Yeah, it was good fun.

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Speaker 5: Little inconsistency was when she walks away and she says,

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Speaker 5: I'm gonna go order a pizza. But the reason she

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Speaker 5: went to the door in the first place is because

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Speaker 5: she had already ordered the pizza and the doorbell rang

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Speaker 5: and she thought it was her pizza coming, but it

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Speaker 5: was Richard.

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Speaker 1: Sooy, this is why you're a legend. You got you.

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Speaker 4: And I like the four oh three am, four oh

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Speaker 4: three am. I like I like how they've done that

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Speaker 4: as they've been apart. We've seen her version, but they're

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Speaker 4: in parallel. Yeah, yeah, and I think that's that's nice.

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Speaker 4: So in a timely manner, we're just a little we

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Speaker 4: almost had it perfect. That it's Halloween, so we all

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Speaker 4: just had Halloween. Now it's Gilmour Halloween. They're they're talking

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Speaker 4: about she's in town. The town looks amazing.

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Speaker 1: Oh I roared when when when Bet came on screen,

383
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Speaker 1: but Bet and Morey came on screen, and the can,

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Speaker 1: the candy, the apples hanging off the trees. You're going

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Speaker 1: to do that again, Sugar, really thinking it's not It's

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Speaker 1: not really that scary, is it. You're gonna do anything.

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Speaker 1: She's just Bet feeling sorry for like, you know, you're

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Speaker 1: a little weird. I feel a little sorry for it.

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Speaker 1: It's not scary, but we're gonna go do our big

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Speaker 1: production of hanging.

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Speaker 4: We can go out of order, just because the hell makes.

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Speaker 1: Me laugh so hard is that she is such a

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Speaker 1: great actress.

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Speaker 4: Totally, that scenems great. And then the scene again, so

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Speaker 4: you see them with the groceries and the whole thing.

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Speaker 4: Then the scene where they're in the yard and you

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Speaker 4: actually see what they do amazing, And then I really

398
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Speaker 4: thought it was hilarious her idea, and obviously we get

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Speaker 4: the great payoff at the end about the sausage links.

400
00:22:58,840 --> 00:23:03,879
Speaker 4: But her explained, it's just so good.

401
00:23:04,119 --> 00:23:06,280
Speaker 1: This is some of the best Luke and Laurel I stuff.

402
00:23:08,600 --> 00:23:10,400
Speaker 1: It was good. It was so strong.

403
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Speaker 4: Well, and I love another line.

404
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Speaker 1: That go feed your psychotic dog.

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Speaker 4: And there's another throwaway line where you're making the chicken

406
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Speaker 4: and you're talking about everything, and she says, will you

407
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Speaker 4: marry me?

408
00:23:24,200 --> 00:23:29,200
Speaker 3: Like it's just those scenes are so cute.

409
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Speaker 4: I want to do a skin. I'll bring you out

410
00:23:33,119 --> 00:23:36,160
Speaker 4: and you're like, okay, okay, no way.

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Speaker 1: Not great banter, just great banter, isn't it?

412
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Speaker 4: Yeah?

413
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Speaker 1: And isn't it so great? How she drives that stuff,

414
00:23:44,880 --> 00:23:47,040
Speaker 1: How Lauren just drives it and drives it and drives

415
00:23:47,040 --> 00:23:48,920
Speaker 1: it and drives it and you can always rely on her.

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Speaker 1: That's why it was so easy to just sort of

417
00:23:51,520 --> 00:23:53,720
Speaker 1: hang back and throw stuff at her because you knew

418
00:23:53,760 --> 00:23:56,640
Speaker 1: she was going to be there, you knew her timing

419
00:23:56,720 --> 00:23:59,600
Speaker 1: was going to be there. It's just wonderful. I really

420
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Speaker 1: miss doing things with her. She's she's terrific.

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Speaker 4: She's you know, I kind of want her to, like work,

422
00:24:04,920 --> 00:24:05,520
Speaker 4: get a show.

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Speaker 1: I thought she's had a show.

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00:24:08,280 --> 00:24:13,159
Speaker 4: She was on Zoe's Extraordinary Playlists then and then like

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Speaker 4: a singing show.

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Speaker 1: But isn't she doing Mighty Ducks? Or is that over? Now?

427
00:24:19,400 --> 00:24:20,560
Speaker 4: That was only two seasons?

428
00:24:20,960 --> 00:24:21,800
Speaker 1: Was it two seasons?

429
00:24:22,280 --> 00:24:24,560
Speaker 4: One with Emilio Estevez, one with Josh Deamel.

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00:24:24,760 --> 00:24:27,119
Speaker 1: How long ago did that end? A year ago? Two

431
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Speaker 1: years ago?

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Speaker 4: Like a year two years?

433
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Speaker 1: Okay?

434
00:24:31,280 --> 00:24:34,240
Speaker 4: A show show, like a show that we all watch,

435
00:24:35,440 --> 00:24:37,760
Speaker 4: Sex and the City.

436
00:24:38,080 --> 00:24:40,680
Speaker 1: Well, they're hard to come by, you know, they are,

437
00:24:41,160 --> 00:24:43,840
Speaker 1: they are, And you know what, she's probably at a

438
00:24:43,840 --> 00:24:47,399
Speaker 1: point where she wants to take a little break. I

439
00:24:47,440 --> 00:24:51,199
Speaker 1: mean she's been working NonStop since two thousand, right, this

440
00:24:51,280 --> 00:24:53,640
Speaker 1: is twenty three years. She's like, work, work, work, work, work,

441
00:24:54,400 --> 00:24:56,320
Speaker 1: maybe a year or two in between. But yeah, it's

442
00:24:56,440 --> 00:24:59,560
Speaker 1: it's it's a lot, you know, you really you throw

443
00:24:59,600 --> 00:25:02,800
Speaker 1: yourself into these shows. It's a lot, It's yeah.

444
00:25:03,160 --> 00:25:06,760
Speaker 4: So right, we think this is hard. One hour a week?

445
00:25:07,040 --> 00:25:09,160
Speaker 4: How about two hours a week?

446
00:25:09,359 --> 00:25:11,720
Speaker 1: How aboutized fabulous diner show?

447
00:25:12,240 --> 00:25:15,600
Speaker 4: I'm into it? Oh my gosh, I'm so into it.

448
00:25:16,680 --> 00:25:19,840
Speaker 1: Huh. I think you think we could carry our own show?

449
00:25:19,880 --> 00:25:22,040
Speaker 1: How about a sitcom in front of a live audience?

450
00:25:22,840 --> 00:25:25,920
Speaker 4: For sure? I wouldn't be mad at any of it. Yeah,

451
00:25:26,920 --> 00:25:29,600
Speaker 4: I'm into it. So the thing that, because you know,

452
00:25:29,680 --> 00:25:33,680
Speaker 4: we're talking about sort of parallels, I guess this is

453
00:25:33,720 --> 00:25:37,360
Speaker 4: a loose parallel, but we're really starting to see Emily

454
00:25:39,400 --> 00:25:44,600
Speaker 4: being Emily and Rory not really totally on board.

455
00:25:44,880 --> 00:25:45,240
Speaker 6: But that.

456
00:25:47,280 --> 00:25:53,560
Speaker 4: Like the birthday party. I like Logan, no whisking plans.

457
00:25:53,880 --> 00:25:55,760
Speaker 4: I like Logan in this episode, I know everyone.

458
00:25:56,080 --> 00:25:58,960
Speaker 5: I have a small red flag on that scene with

459
00:25:59,080 --> 00:26:04,040
Speaker 5: Logan and Emily and ri so how I find it

460
00:26:04,080 --> 00:26:06,760
Speaker 5: hard to believe that Logan didn't know when Rory's birthday

461
00:26:06,880 --> 00:26:08,320
Speaker 5: was agree.

462
00:26:09,160 --> 00:26:10,359
Speaker 4: I thought that was weird.

463
00:26:10,640 --> 00:26:13,239
Speaker 5: They've been dating for months now. How would they not

464
00:26:13,600 --> 00:26:15,800
Speaker 5: know one each other's I don't know, small.

465
00:26:15,600 --> 00:26:18,960
Speaker 4: Very no good good good note. It's true. I kind

466
00:26:18,960 --> 00:26:22,040
Speaker 4: of thought we're and Logan being Logan, he would have

467
00:26:22,040 --> 00:26:24,959
Speaker 4: had something totally planned, like he had a whole party

468
00:26:25,040 --> 00:26:30,320
Speaker 4: planned for her. When she walked out arrested, right, I'm like, dude,

469
00:26:30,359 --> 00:26:32,280
Speaker 4: he's gonna have a twenty first birthday plan.

470
00:26:32,400 --> 00:26:37,920
Speaker 1: But Emily's just panicked, you know, she's she's in desperation mode.

471
00:26:41,680 --> 00:26:43,359
Speaker 4: I love when she says, back to what you were

472
00:26:43,440 --> 00:26:47,359
Speaker 4: doing and then she walks out and Rory says, hey,

473
00:26:47,400 --> 00:26:56,080
Speaker 4: Grandma says right, quite comfortable together, Like I'm not. You're like, okay,

474
00:26:56,240 --> 00:26:57,240
Speaker 4: this is taking a back.

475
00:26:57,119 --> 00:27:00,040
Speaker 1: To point out Emily had some outstanding.

476
00:27:01,240 --> 00:27:03,240
Speaker 4: Looks, great fashion.

477
00:27:03,400 --> 00:27:05,680
Speaker 1: You don't want to steal your thunder on the fashion side.

478
00:27:05,840 --> 00:27:08,160
Speaker 4: No, please, I'm happy you called it out.

479
00:27:08,600 --> 00:27:11,920
Speaker 1: That was the nice blouse, and then Rory had the

480
00:27:12,040 --> 00:27:19,040
Speaker 1: nice Hartford zoo. Yes, come on, man, there's some goods

481
00:27:19,080 --> 00:27:19,840
Speaker 1: fashion going on.

482
00:27:20,280 --> 00:27:22,520
Speaker 4: So I would say one of the things that I

483
00:27:22,640 --> 00:27:25,960
Speaker 4: find I don't know what the word is, but I

484
00:27:26,080 --> 00:27:29,399
Speaker 4: was so jarred by Lorali and Digger in bed. But

485
00:27:29,440 --> 00:27:33,160
Speaker 4: I'm never jarred by Luke and Loralai in bed or

486
00:27:33,240 --> 00:27:34,600
Speaker 4: Logan and Rory in bed.

487
00:27:34,600 --> 00:27:42,680
Speaker 6: I'm always like, so I'm just saying, I know, I know, no, no,

488
00:27:42,720 --> 00:27:44,800
Speaker 6: it's it's it's nice these two.

489
00:27:45,400 --> 00:27:49,239
Speaker 1: Logan has turned out to be a pleasant surprise, you know,

490
00:27:49,480 --> 00:27:54,560
Speaker 1: he's he's really turned into kind of kind of a mensch, right, Yeah.

491
00:27:54,359 --> 00:27:56,400
Speaker 4: I love him. I know everyone hates him, but.

492
00:27:56,840 --> 00:28:00,399
Speaker 1: Why, I don't know. He's a good guy. He's not

493
00:28:00,440 --> 00:28:02,840
Speaker 1: a bad guy. He's a good guy and he loves

494
00:28:02,840 --> 00:28:06,159
Speaker 1: her and he he's just struggling with his dad. You know,

495
00:28:06,240 --> 00:28:13,679
Speaker 1: he's the poor little rich boy Zac line. So you're rich. Huh.

496
00:28:14,680 --> 00:28:18,000
Speaker 4: The party's cue. But to get to that one, the

497
00:28:18,119 --> 00:28:21,760
Speaker 4: cake tasting, I should not watch the show hungry. I

498
00:28:21,920 --> 00:28:27,200
Speaker 4: was literally like, what all those cakes? And then I'm

499
00:28:27,200 --> 00:28:28,280
Speaker 4: talking about sushi?

500
00:28:29,680 --> 00:28:33,720
Speaker 1: I know, right, It's like every time you watch Goodfellas,

501
00:28:33,920 --> 00:28:38,120
Speaker 1: I get so hungry Italian food. It's like the cooking

502
00:28:38,200 --> 00:28:44,480
Speaker 1: scenes in prison. Wonderful stuff. Yeah, good, good stuff. Where

503
00:28:44,480 --> 00:28:45,760
Speaker 1: are we now in the episode?

504
00:28:45,880 --> 00:28:48,760
Speaker 4: Well, so we went out, so we bounced around a

505
00:28:48,760 --> 00:28:50,880
Speaker 4: little bit. So we get the cake tasting and who's

506
00:28:50,880 --> 00:28:53,840
Speaker 4: she gonna invite Lane Paris, et cetera. There was a

507
00:28:53,840 --> 00:28:56,680
Speaker 4: little fringe there with Emily but.

508
00:28:57,160 --> 00:29:00,880
Speaker 1: Oh, because she kept saying that your Asian friend.

509
00:29:01,040 --> 00:29:04,320
Speaker 4: Yeah, it was like, so I don't know if she

510
00:29:04,400 --> 00:29:10,400
Speaker 4: if it's meant to be cringe or if it's.

511
00:29:07,480 --> 00:29:10,000
Speaker 1: It defines the generation.

512
00:29:10,360 --> 00:29:14,960
Speaker 4: Yeah, yea. Then we do all the Halloween bit which

513
00:29:15,000 --> 00:29:20,000
Speaker 4: we talked about. Then the Porsche, which the Porsche. Sorry

514
00:29:20,040 --> 00:29:22,840
Speaker 4: to be that girl, but they're so cool driving up

515
00:29:22,880 --> 00:29:25,520
Speaker 4: in the Porsche. And that's when Richard comes to the window,

516
00:29:25,680 --> 00:29:26,200
Speaker 4: and I'm just.

517
00:29:26,160 --> 00:29:31,120
Speaker 1: Like, that was really kind of creepily funny with his smile. Hi,

518
00:29:31,560 --> 00:29:33,320
Speaker 1: I didn't interrupt anything.

519
00:29:34,080 --> 00:29:36,560
Speaker 4: He goes back into Emily and calls it necking and

520
00:29:36,560 --> 00:29:40,480
Speaker 4: that she's having relations with that boy. Do you think?

521
00:29:40,600 --> 00:29:41,760
Speaker 4: Do you really think?

522
00:29:42,160 --> 00:29:42,400
Speaker 2: God?

523
00:29:42,600 --> 00:29:46,479
Speaker 1: Man, it was so good. It was so good. Richard

524
00:29:46,560 --> 00:29:47,720
Speaker 1: just appears.

525
00:29:48,480 --> 00:29:51,320
Speaker 4: It was good. It's all amusing it's very grandparenting.

526
00:29:52,040 --> 00:29:52,400
Speaker 1: Oh ma.

527
00:29:53,080 --> 00:29:55,240
Speaker 4: Then we go to suki in the kitchen with all

528
00:29:55,280 --> 00:29:56,640
Speaker 4: the different sausages.

529
00:29:56,840 --> 00:29:59,600
Speaker 1: Oh, brilliant, brilliant, brilliant.

530
00:30:01,080 --> 00:30:03,400
Speaker 4: Which was good. And then the invitation came and she

531
00:30:03,520 --> 00:30:05,320
Speaker 4: was sort of upset by it. I mean, it's moving

532
00:30:05,400 --> 00:30:07,640
Speaker 4: this This episode really moved along the US.

533
00:30:08,840 --> 00:30:11,959
Speaker 1: It really has some good connective tissue.

534
00:30:12,640 --> 00:30:17,560
Speaker 4: Yeah. Then the scene with the first she gets to

535
00:30:17,600 --> 00:30:20,960
Speaker 4: have hot roast and the whole thing and she's like,

536
00:30:21,000 --> 00:30:25,280
Speaker 4: am I dying? And then she goes in.

537
00:30:25,640 --> 00:30:28,080
Speaker 1: You know, they Emily and Richard put Justin Off on

538
00:30:28,160 --> 00:30:30,680
Speaker 1: it to make it obvious that they were trying to

539
00:30:30,720 --> 00:30:33,920
Speaker 1: clear the decks here for the the could be the features.

540
00:30:36,000 --> 00:30:38,959
Speaker 4: The whole script was so, I hear, you have a boyfriend,

541
00:30:39,960 --> 00:30:44,120
Speaker 4: Virtue is a gift? Want to give that gift? That's gone?

542
00:30:45,720 --> 00:30:48,360
Speaker 4: I have no gift. And then you meet the right

543
00:30:48,400 --> 00:30:50,920
Speaker 4: person and you have no gift to give, and then

544
00:30:50,920 --> 00:30:54,360
Speaker 4: she says, oh, dear, do you have to give him

545
00:30:54,360 --> 00:31:00,000
Speaker 4: a sweater? That scene was so hilarious.

546
00:30:59,840 --> 00:31:00,520
Speaker 1: It was good.

547
00:31:00,800 --> 00:31:02,880
Speaker 5: The two of them were great together.

548
00:31:03,840 --> 00:31:10,680
Speaker 4: Yeah, totally, so I love it all. And then Emily's

549
00:31:10,760 --> 00:31:13,760
Speaker 4: party planning just so much party planning and we've got

550
00:31:13,760 --> 00:31:17,120
Speaker 4: the sushi and the carving station, beef not chicken, the

551
00:31:17,160 --> 00:31:20,160
Speaker 4: past apps, I mean, the planning. I love it.

552
00:31:20,760 --> 00:31:23,880
Speaker 1: M h yeah, all good, all good.

553
00:31:24,440 --> 00:31:27,600
Speaker 4: Yeah. And then the poolhouse is full of all that

554
00:31:27,880 --> 00:31:29,880
Speaker 4: crap and you start to.

555
00:31:29,800 --> 00:31:35,520
Speaker 1: Go Emily, work in her game, work in her game

556
00:31:35,600 --> 00:31:42,480
Speaker 1: plan right, Emily just forcing Rory into the bedroom right

557
00:31:42,520 --> 00:31:45,960
Speaker 1: next to Richard that they can keep tabs on her

558
00:31:46,600 --> 00:31:51,400
Speaker 1: an end the sexing, the end of the sexing.

559
00:31:51,760 --> 00:31:56,520
Speaker 4: The recurring mentions of the chocolate box. Also just we're

560
00:31:56,640 --> 00:32:00,800
Speaker 4: so good, just she thinks chocolate boxes grow on trees.

561
00:32:00,920 --> 00:32:04,440
Speaker 4: Chocolate boxes do not throw on trees. Like and then

562
00:32:04,440 --> 00:32:06,680
Speaker 4: the call. I love the scene with the phone call

563
00:32:06,840 --> 00:32:09,400
Speaker 4: and you're in the diner with Laura line she's first

564
00:32:09,440 --> 00:32:12,600
Speaker 4: of all, the whip cream on the chocolate chip pancakes.

565
00:32:12,640 --> 00:32:14,400
Speaker 4: You're like, I'm gonna be sick that.

566
00:32:15,280 --> 00:32:18,560
Speaker 1: That was a really funny first line off camera watching

567
00:32:18,640 --> 00:32:21,320
Speaker 1: or do that. That's gonna make you sick. You're gonna

568
00:32:21,320 --> 00:32:26,480
Speaker 1: get sick. It was like Luke in a nutshell, right.

569
00:32:26,600 --> 00:32:28,560
Speaker 4: And then the call and you're like the ghost.

570
00:32:28,680 --> 00:32:31,600
Speaker 1: I love the relationship. It's just so open. They can

571
00:32:31,600 --> 00:32:33,880
Speaker 1: say anything they want you.

572
00:32:34,400 --> 00:32:36,360
Speaker 4: And then I love the call, and you're the go

573
00:32:36,520 --> 00:32:39,479
Speaker 4: between and you're kind of it's almost like your tone

574
00:32:39,640 --> 00:32:42,360
Speaker 4: was softer than her tone, so it's landing a little

575
00:32:42,360 --> 00:32:45,440
Speaker 4: better on the lie. And then yeah, and then it.

576
00:32:45,560 --> 00:32:48,400
Speaker 5: Was such a clever way to get them back together

577
00:32:48,440 --> 00:32:51,560
Speaker 5: because Rory could have just called Laura Lai directly, right,

578
00:32:51,720 --> 00:32:53,640
Speaker 5: she didn't. She chose to call the diner. And then

579
00:32:53,680 --> 00:32:55,960
Speaker 5: you have like that Luke element, and Luke is like,

580
00:32:56,040 --> 00:32:57,920
Speaker 5: oh my gosh, she said hell, and like, I just

581
00:32:57,920 --> 00:32:59,600
Speaker 5: thought it was a really clever way to.

582
00:33:00,080 --> 00:33:02,960
Speaker 1: And it's a way again, it's a way for lorealized

583
00:33:03,080 --> 00:33:06,600
Speaker 1: character to be excited because she can't be excited on

584
00:33:06,680 --> 00:33:09,520
Speaker 1: the direct phone call, but she can be excited by proxy.

585
00:33:10,080 --> 00:33:13,320
Speaker 4: Yeah, and she called by proxy. That's exactly right, right,

586
00:33:13,360 --> 00:33:15,560
Speaker 4: and you were able to sort of tone it down

587
00:33:15,720 --> 00:33:19,040
Speaker 4: just enough that it sounded right.

588
00:33:19,120 --> 00:33:20,760
Speaker 1: He wanted to get them back together.

589
00:33:21,160 --> 00:33:23,680
Speaker 4: Yeah, I want a chocolate box. I want a chocolate right,

590
00:33:23,760 --> 00:33:26,200
Speaker 4: right right? What is it? Chocolate box? By the way,

591
00:33:26,320 --> 00:33:31,080
Speaker 4: is it like a.

592
00:33:28,960 --> 00:33:30,520
Speaker 5: A box made out of chocolate?

593
00:33:30,560 --> 00:33:32,640
Speaker 4: I don't know, I don't know.

594
00:33:33,800 --> 00:33:37,920
Speaker 1: Apparently filled with high end chocolates. Sounds wonderful.

595
00:33:39,240 --> 00:33:43,040
Speaker 4: So yeah, I would like a chocolate box myself, then

596
00:33:43,200 --> 00:33:45,280
Speaker 4: then a little bit more of the four h three

597
00:33:45,320 --> 00:33:48,800
Speaker 4: A M see a little more of that, and then

598
00:33:49,760 --> 00:33:55,520
Speaker 4: the party. And it's interesting. I actually was surprised that

599
00:33:55,720 --> 00:34:02,520
Speaker 4: Richard didn't even fake it, that he really just bailed

600
00:34:02,520 --> 00:34:05,960
Speaker 4: the party. I thought, you know, hmmm, I don't know.

601
00:34:06,440 --> 00:34:08,239
Speaker 5: I mean, it shows there was there was really a

602
00:34:08,280 --> 00:34:11,520
Speaker 5: disconnect between Richard and Emily, because Richard is starting to

603
00:34:11,560 --> 00:34:15,400
Speaker 5: see the flaws in their plans, but Emily is still

604
00:34:15,560 --> 00:34:21,480
Speaker 5: liked like she's doing the daar thing. She even says

605
00:34:21,560 --> 00:34:25,040
Speaker 5: like there's nothing wrong until the sex thing came up.

606
00:34:25,040 --> 00:34:27,680
Speaker 5: There's nothing wrong, and so Emily is like perfectly happy

607
00:34:27,719 --> 00:34:30,839
Speaker 5: with the way things are. So it really showed how

608
00:34:31,040 --> 00:34:34,160
Speaker 5: Richard and Emily hadn't really come together yet on that issue.

609
00:34:34,480 --> 00:34:40,160
Speaker 1: And you can't imagine Richard failing at executing a plan, right, Yeah,

610
00:34:40,239 --> 00:34:42,680
Speaker 1: he's so strategic and he's so smart and he's sow

611
00:34:42,719 --> 00:34:47,680
Speaker 1: this and it's he's accepting defeats. So it's a crushing

612
00:34:47,719 --> 00:34:49,640
Speaker 1: blow to him. So yeah, I know, I buy it.

613
00:34:50,040 --> 00:34:51,560
Speaker 1: I buy it. You know. I want to throw a

614
00:34:51,560 --> 00:34:53,640
Speaker 1: flag on the party. I want to throw a flag

615
00:34:53,719 --> 00:34:58,280
Speaker 1: on the party. One of the entrances, the second time

616
00:34:58,400 --> 00:35:01,320
Speaker 1: the maid open the door and let that couple and

617
00:35:01,440 --> 00:35:04,240
Speaker 1: they were holding some kind of silver wrapped gift or something.

618
00:35:04,520 --> 00:35:08,120
Speaker 1: They didn't even stop and acknowledge Emily that the extras

619
00:35:08,200 --> 00:35:09,600
Speaker 1: just sort of walked right in.

620
00:35:10,160 --> 00:35:11,680
Speaker 4: Oh, they don't even say hello, they.

621
00:35:11,600 --> 00:35:13,880
Speaker 1: Don't even make eye They kind of make eye contact her,

622
00:35:13,920 --> 00:35:17,200
Speaker 1: but and she said, hello, it's the Klingman's or something,

623
00:35:17,239 --> 00:35:20,759
Speaker 1: and they just kind of motor right byer. I just stop. Boy,

624
00:35:20,800 --> 00:35:24,160
Speaker 1: they needed to shoot another take, yeah, to make it

625
00:35:24,160 --> 00:35:26,680
Speaker 1: a little more believable. But that's the only flag I

626
00:35:26,719 --> 00:35:27,759
Speaker 1: have on the park.

627
00:35:28,200 --> 00:35:31,080
Speaker 4: I had a little bit there was some confusion at

628
00:35:31,080 --> 00:35:35,520
Speaker 4: the door. Yeah, yeah, Like I was like, oh, the

629
00:35:35,560 --> 00:35:38,000
Speaker 4: door's hectic. Yeah, I had.

630
00:35:38,160 --> 00:35:41,240
Speaker 5: I had a flag on when that first couple walks

631
00:35:41,320 --> 00:35:43,080
Speaker 5: up to Emily and the woman says, oh, I'm sorry,

632
00:35:43,120 --> 00:35:45,600
Speaker 5: we're a little bit early, and then Emily like walks

633
00:35:45,640 --> 00:35:48,680
Speaker 5: away from them and makes a snide comment. But there

634
00:35:48,719 --> 00:35:51,040
Speaker 5: were the place was already full of people like they were.

635
00:35:51,160 --> 00:35:52,960
Speaker 5: They were at the bar getting their drinks, they were

636
00:35:53,000 --> 00:35:56,040
Speaker 5: sitting down eating food. So I don't know why the

637
00:35:56,040 --> 00:35:58,319
Speaker 5: people weren't early. Everybody else was already there.

638
00:35:58,520 --> 00:36:00,279
Speaker 1: It was kind of a little too populated that. But

639
00:36:00,320 --> 00:36:02,920
Speaker 1: those lines are yeah, yeah, yeah, those lines were great.

640
00:36:03,760 --> 00:36:06,239
Speaker 1: I mean disgusting, right.

641
00:36:07,520 --> 00:36:08,920
Speaker 4: They should have brought a sleeping back and.

642
00:36:09,800 --> 00:36:13,279
Speaker 1: Just bring sleep and to sleepover last night.

643
00:36:16,239 --> 00:36:19,560
Speaker 4: The drink the gross pink and taste pink.

644
00:36:21,800 --> 00:36:25,560
Speaker 1: That's my favorite line. Drink the drink, drink, the drinking

645
00:36:26,239 --> 00:36:29,920
Speaker 1: that Yeah, timing was perfect, great gag.

646
00:36:32,360 --> 00:36:37,080
Speaker 4: And then I like the sweetness but yet awkwardness of

647
00:36:37,200 --> 00:36:42,400
Speaker 4: when Lorelei sees Rory trying so hard Hay birthday girl,

648
00:36:42,800 --> 00:36:46,520
Speaker 4: and like, you know, Paris knows the whole situation, but

649
00:36:46,600 --> 00:36:53,839
Speaker 4: it's just awkward but sweet and also potential. I was like,

650
00:36:54,040 --> 00:36:57,600
Speaker 4: there's potential, this could be things could be getting.

651
00:36:58,480 --> 00:37:02,160
Speaker 1: It was a real real tease. Yeah, I wanted Tom

652
00:37:02,160 --> 00:37:08,759
Speaker 1: back together too, But in what form she What would

653
00:37:08,800 --> 00:37:12,120
Speaker 1: have made you happy? Amy would have made you happy

654
00:37:12,840 --> 00:37:15,279
Speaker 1: she was back at Yale? Would it have made you

655
00:37:15,360 --> 00:37:18,920
Speaker 1: happy if she moved back in with Lorelei? What scenario

656
00:37:18,960 --> 00:37:21,719
Speaker 1: would have made you happy? What are the fans hoping for?

657
00:37:21,760 --> 00:37:22,799
Speaker 1: What are they clamoring for?

658
00:37:23,560 --> 00:37:25,319
Speaker 4: I asked such a good question because I'm sort of

659
00:37:26,080 --> 00:37:29,920
Speaker 4: pleased with the progress we're making. I don't look at

660
00:37:29,920 --> 00:37:32,520
Speaker 4: this as a negative at all. I feel like we're

661
00:37:32,520 --> 00:37:34,640
Speaker 4: making a lot of progress. I feel like Emily and

662
00:37:34,719 --> 00:37:40,879
Speaker 4: Richard are definitely setting themselves up for failure, like it's

663
00:37:40,920 --> 00:37:42,680
Speaker 4: gonna blow up soon enough.

664
00:37:43,239 --> 00:37:48,320
Speaker 1: You know. I just had a thought. What we're watching

665
00:37:48,400 --> 00:37:51,799
Speaker 1: now and probably season six and seven should have been

666
00:37:51,840 --> 00:37:56,759
Speaker 1: the episodes, the Netflix episodes. I still think, and this

667
00:37:56,880 --> 00:38:02,440
Speaker 1: may sound a little far afield or controversial, but I

668
00:38:02,640 --> 00:38:08,160
Speaker 1: think getting her off to college was hard for the audience.

669
00:38:08,200 --> 00:38:10,920
Speaker 1: It was hard for me to break those two up

670
00:38:11,640 --> 00:38:15,440
Speaker 1: because that's the core of the show, right He's toured together.

671
00:38:15,960 --> 00:38:20,600
Speaker 1: We count on their banner every single week in those

672
00:38:21,400 --> 00:38:24,960
Speaker 1: sets in the diner, in their house, in the gazebo,

673
00:38:25,200 --> 00:38:30,160
Speaker 1: and around the town at Babets, at MS Patty's, at Dozy's.

674
00:38:30,680 --> 00:38:33,960
Speaker 1: We want them together. To get her off to Yale,

675
00:38:34,560 --> 00:38:37,400
Speaker 1: that was a tough one. I remember I chafed at that,

676
00:38:38,280 --> 00:38:40,200
Speaker 1: but then it turned out to be this really great

677
00:38:40,239 --> 00:38:43,200
Speaker 1: thing and it shut me up because it was just like, oh,

678
00:38:43,320 --> 00:38:45,239
Speaker 1: that works. They can be on calls, they can visit

679
00:38:45,239 --> 00:38:48,160
Speaker 1: each other on weekends. That's fine. It's all working for me.

680
00:38:48,200 --> 00:38:51,920
Speaker 1: So it took on a whole energy and it kind

681
00:38:51,960 --> 00:38:57,680
Speaker 1: of expanded the universe of the show. But this dropping

682
00:38:57,719 --> 00:39:01,600
Speaker 1: out of Yale and moving into Richard. I think I

683
00:39:01,640 --> 00:39:05,000
Speaker 1: don't know, and now I understand, even though this episode

684
00:39:05,120 --> 00:39:09,360
Speaker 1: was a delight to behold, I don't know if if

685
00:39:09,400 --> 00:39:12,640
Speaker 1: it was a good move to to drop her out

686
00:39:12,640 --> 00:39:15,000
Speaker 1: of Yale, you know what I mean. I'm just gonna

687
00:39:15,000 --> 00:39:15,439
Speaker 1: say that.

688
00:39:15,400 --> 00:39:17,399
Speaker 4: Right because it took so much for us to get

689
00:39:17,480 --> 00:39:18,560
Speaker 4: used to her being there.

690
00:39:18,840 --> 00:39:24,000
Speaker 1: Correct, now that was that was a big flex uh

691
00:39:24,960 --> 00:39:28,040
Speaker 1: to lift that and we got settled in and now

692
00:39:28,040 --> 00:39:30,040
Speaker 1: we got to do it again, which I maybe is

693
00:39:30,080 --> 00:39:34,040
Speaker 1: the secret of drama. I don't know, but it's like, wow,

694
00:39:34,360 --> 00:39:36,600
Speaker 1: now they're not Now she's not in Yale. None of

695
00:39:36,640 --> 00:39:40,719
Speaker 1: the dreams are coming true. It seems like a declining

696
00:39:40,920 --> 00:39:48,440
Speaker 1: yield curve. Right. If we're gonna speak in charts, like

697
00:39:48,600 --> 00:39:51,640
Speaker 1: what are we getting out of this? It's like what

698
00:39:51,640 --> 00:39:54,320
Speaker 1: what we invested in? And what's the payoff? Here? Where's

699
00:39:54,360 --> 00:39:58,920
Speaker 1: the payoff? And you can give us great episodes based

700
00:39:58,960 --> 00:40:02,280
Speaker 1: on all this dysfunction and all this declining yield curve,

701
00:40:02,840 --> 00:40:05,480
Speaker 1: but where's the ultimate path? Where's this going? So I

702
00:40:05,520 --> 00:40:08,840
Speaker 1: think that's maybe the reason the fans have a problem

703
00:40:08,880 --> 00:40:12,360
Speaker 1: with season six and season seven. And I'm beginning to

704
00:40:12,400 --> 00:40:14,719
Speaker 1: see their point I'm actually being to see their point

705
00:40:14,719 --> 00:40:15,000
Speaker 1: of view.

706
00:40:15,160 --> 00:40:18,000
Speaker 5: Yeah, what were you saying, Susan, I was going to

707
00:40:18,040 --> 00:40:20,160
Speaker 5: see This episode really is kind of a turning point

708
00:40:20,239 --> 00:40:23,400
Speaker 5: because from the beginning of season six to this point,

709
00:40:23,440 --> 00:40:27,400
Speaker 5: it's it's been like a chug uphill, like how long

710
00:40:27,560 --> 00:40:29,839
Speaker 5: is she going to stay away from Yale? And then

711
00:40:29,880 --> 00:40:33,840
Speaker 5: we had the Baptism episode where she connects with Lorelei again,

712
00:40:33,960 --> 00:40:36,720
Speaker 5: but it doesn't go very well. And so this episode

713
00:40:36,719 --> 00:40:39,680
Speaker 5: we finally made some progress where she's reconnecting with Lorali.

714
00:40:39,719 --> 00:40:42,919
Speaker 5: It's a generally positive experience, and so now we start

715
00:40:42,960 --> 00:40:46,799
Speaker 5: to think, Okay, once she makes amends with laurele I,

716
00:40:47,280 --> 00:40:49,640
Speaker 5: that's going to get us more on the path to

717
00:40:50,320 --> 00:40:52,439
Speaker 5: maybe getting her back to Yale and we can get

718
00:40:52,480 --> 00:40:55,160
Speaker 5: back to where we're all more comfortable.

719
00:40:55,520 --> 00:41:00,279
Speaker 1: So maybe it's maybe it's just a fan preference of

720
00:41:00,320 --> 00:41:03,920
Speaker 1: whether they want the banter and the comedy more than

721
00:41:03,920 --> 00:41:09,600
Speaker 1: they want the dramatics. Okay, maybe that's where a lot

722
00:41:09,640 --> 00:41:13,040
Speaker 1: of the fan base falls on the side of can

723
00:41:13,080 --> 00:41:15,759
Speaker 1: we just have these two back together making us laugh

724
00:41:15,760 --> 00:41:19,839
Speaker 1: and making us feel good and have that connection and

725
00:41:19,880 --> 00:41:23,120
Speaker 1: have that hope. Yeah, this can last forever, even though

726
00:41:23,120 --> 00:41:25,239
Speaker 1: we know it's not gonna last forever. It can't last forever,

727
00:41:25,360 --> 00:41:29,319
Speaker 1: but it's television, for God's sake, It's television, and you

728
00:41:29,360 --> 00:41:30,560
Speaker 1: can do that on television.

729
00:41:31,000 --> 00:41:34,480
Speaker 4: Is it possible that the fans, all of us fans,

730
00:41:35,040 --> 00:41:41,120
Speaker 4: h just get twisted when the characters don't act like

731
00:41:41,239 --> 00:41:44,399
Speaker 4: we expect them to act, or we think that they

732
00:41:44,560 --> 00:41:46,160
Speaker 4: should act like.

733
00:41:47,880 --> 00:41:50,319
Speaker 1: Well, the writing, the writing is so good most of

734
00:41:50,360 --> 00:41:52,680
Speaker 1: the time that the Palatinas can get away with anything,

735
00:41:53,000 --> 00:41:57,560
Speaker 1: right m hm, no, darn under sure entertaining, But then

736
00:41:57,600 --> 00:42:00,800
Speaker 1: it's like, what is happening with the narratives? What's happening

737
00:42:00,840 --> 00:42:04,439
Speaker 1: with all these themes that were established and now they're

738
00:42:04,480 --> 00:42:07,040
Speaker 1: just broken apart into a million pieces, and how do

739
00:42:07,080 --> 00:42:10,640
Speaker 1: we get them back together? So that's also useful as

740
00:42:10,680 --> 00:42:16,040
Speaker 1: a dramatist, but for comedic purposes and for just plain old,

741
00:42:16,239 --> 00:42:20,080
Speaker 1: good old, feel good purposes, I think it's working against

742
00:42:20,120 --> 00:42:25,040
Speaker 1: the show. I think maybe that's what the fan base

743
00:42:25,120 --> 00:42:31,040
Speaker 1: is chafing at season six because of these reasons. What

744
00:42:31,080 --> 00:42:31,520
Speaker 1: do you think?

745
00:42:33,120 --> 00:42:38,160
Speaker 5: I think that the first four seasons there's a certain

746
00:42:38,640 --> 00:42:44,120
Speaker 5: feeling about them that goes away in the second half

747
00:42:44,440 --> 00:42:47,200
Speaker 5: of the series. And so this episode, for me, at

748
00:42:47,280 --> 00:42:51,480
Speaker 5: least kind of hints at that the town feeling and

749
00:42:51,560 --> 00:42:57,240
Speaker 5: that kind of the warm, fuzzy Gilmore feeling, you know, visually,

750
00:42:57,400 --> 00:43:03,560
Speaker 5: it's fall, it's Halloween, and so I think I totally

751
00:43:03,600 --> 00:43:06,680
Speaker 5: just lost my train of thought. But I think people

752
00:43:06,760 --> 00:43:10,120
Speaker 5: definitely feel like in the second half of the show

753
00:43:10,280 --> 00:43:14,480
Speaker 5: they're missing that warm, fuzzy feeling that was so prevalent

754
00:43:14,520 --> 00:43:15,880
Speaker 5: in the first half of the show.

755
00:43:16,320 --> 00:43:19,359
Speaker 1: There's there's there's so much more hope in the first

756
00:43:19,440 --> 00:43:22,360
Speaker 1: four or five seasons than the tail end. Right, the

757
00:43:22,440 --> 00:43:25,719
Speaker 1: hope seems to be waning. It all seems to be

758
00:43:25,840 --> 00:43:29,480
Speaker 1: sort of disintegrating before our eyes. The dreams are fading,

759
00:43:29,560 --> 00:43:32,920
Speaker 1: the dreams aren't being realized, and it's just it's you know,

760
00:43:32,960 --> 00:43:34,759
Speaker 1: it's that, it's sort of that it's kind of a

761
00:43:34,880 --> 00:43:39,680
Speaker 1: natural dramatic arc, you know, and other and some of

762
00:43:39,719 --> 00:43:44,520
Speaker 1: my favorite films that I that that I have, that

763
00:43:44,600 --> 00:43:47,880
Speaker 1: I watched over and over and over again deal with

764
00:43:47,920 --> 00:43:49,879
Speaker 1: the It's sort of like the Rise and the Fall.

765
00:43:50,000 --> 00:43:51,759
Speaker 1: It's like that up and down.

766
00:43:56,840 --> 00:43:59,400
Speaker 4: I think the thing that they hate about season six

767
00:44:00,040 --> 00:44:04,120
Speaker 4: m it's not yet it's in one or two.

768
00:44:05,160 --> 00:44:09,360
Speaker 1: Yeah, Okay, I'm taking my cans off. I'm taking the cancer.

769
00:44:09,760 --> 00:44:11,080
Speaker 4: No, you don't have to. You don't have to because

770
00:44:11,080 --> 00:44:15,879
Speaker 4: I won't reveal it. But my gut feeling is the thing.

771
00:44:16,040 --> 00:44:18,880
Speaker 4: And I actually, when I watched it the first and

772
00:44:19,000 --> 00:44:23,280
Speaker 4: second time, was not as upset by this thing coming

773
00:44:23,320 --> 00:44:28,200
Speaker 4: as other people were in R for Me Season six. Though.

774
00:44:28,280 --> 00:44:32,320
Speaker 4: The reason it gets so dragged is because of what's coming.

775
00:44:32,680 --> 00:44:37,239
Speaker 4: I think in two much Okay, I don't think we're

776
00:44:37,320 --> 00:44:37,799
Speaker 4: quite there.

777
00:44:38,840 --> 00:44:41,160
Speaker 1: I will contact an attorney and I will get back

778
00:44:41,200 --> 00:44:41,400
Speaker 1: to you.

779
00:44:41,520 --> 00:44:48,640
Speaker 4: I'm really interested in the way Scott reacts to what's coming.

780
00:44:49,120 --> 00:44:52,719
Speaker 4: I think that's what everybody wants to see. I think that, yeah,

781
00:44:52,719 --> 00:44:55,480
Speaker 4: there's going to be a lot of interest in seeing

782
00:44:56,080 --> 00:45:01,440
Speaker 4: how you feel about it, because yeah, god, oh god yeah,

783
00:45:01,480 --> 00:45:02,440
Speaker 4: And if you are.

784
00:45:02,400 --> 00:45:09,920
Speaker 1: Like WT, there's a high likelihood of a couple of w.

785
00:45:10,120 --> 00:45:13,000
Speaker 4: T all right, a couple a couple more things before

786
00:45:14,560 --> 00:45:16,520
Speaker 4: a couple more things before we end this. I actually,

787
00:45:16,640 --> 00:45:19,040
Speaker 4: first of all, everyone, when you're like, what's.

788
00:45:18,760 --> 00:45:21,919
Speaker 1: The da r oh, that was great.

789
00:45:22,640 --> 00:45:25,520
Speaker 4: And when Laura la I says, oh, she runs around

790
00:45:25,600 --> 00:45:28,080
Speaker 4: with the bad girls, I actually laughed out loud. And

791
00:45:28,560 --> 00:45:34,319
Speaker 4: she taught us about kilpen poppers and buffalo wings. But

792
00:45:34,440 --> 00:45:37,960
Speaker 4: the most special moment for me in this episode is

793
00:45:38,120 --> 00:45:40,560
Speaker 4: two things. One we've sort of talked about in the truck.

794
00:45:40,760 --> 00:45:43,239
Speaker 4: You can pull sausage links out of me. But when

795
00:45:43,320 --> 00:45:47,120
Speaker 4: Rory says, this is my soon to be stepfather, and

796
00:45:47,160 --> 00:45:50,160
Speaker 4: when you give the necklace that was your mother's, it's like.

797
00:45:51,080 --> 00:45:56,200
Speaker 1: Wow, right, right, finally a scene between those two that's

798
00:45:56,520 --> 00:45:58,400
Speaker 1: tender and sweet, right.

799
00:45:58,320 --> 00:46:01,160
Speaker 4: And and what we want. That's what we are used

800
00:46:01,160 --> 00:46:05,759
Speaker 4: to between them, that's what we want. And so I

801
00:46:05,760 --> 00:46:09,799
Speaker 4: thought that was very very sweet with the juxtaposition of

802
00:46:09,880 --> 00:46:14,440
Speaker 4: the not sweet scene when Emily sees the engagement ring

803
00:46:15,040 --> 00:46:21,880
Speaker 4: that tracks also to the characters, but it was just like, oh,

804
00:46:22,520 --> 00:46:28,400
Speaker 4: I guess congratulations are in order, Like it's just so yeah.

805
00:46:28,680 --> 00:46:33,080
Speaker 1: I thought. I thought Kelly Bishop was just outstanding in

806
00:46:33,080 --> 00:46:39,960
Speaker 1: this episode. Ed Herman outstanding in that scene in his

807
00:46:40,040 --> 00:46:45,879
Speaker 1: study gut wrenching, just gut wrenching, you means when being

808
00:46:45,880 --> 00:46:47,400
Speaker 1: and avoiding the party forty.

809
00:46:47,200 --> 00:46:55,880
Speaker 4: Thousand dollars Sex House, and Emily says, I was on

810
00:46:56,000 --> 00:46:58,919
Speaker 4: board to go with the plan. So that was interesting too.

811
00:46:59,280 --> 00:47:02,719
Speaker 4: That really was Richard that pivoted from the plan. We

812
00:47:02,880 --> 00:47:06,560
Speaker 4: understand it. I understand it. His granddaughter was just like.

813
00:47:08,320 --> 00:47:12,520
Speaker 1: She got insulted, you know, Emily got insulted when Richard

814
00:47:12,680 --> 00:47:15,840
Speaker 1: was describing what she exactly she does it. What Rory's

815
00:47:15,880 --> 00:47:19,960
Speaker 1: doing now is right, right, just so much more potential

816
00:47:20,040 --> 00:47:24,919
Speaker 1: than that, you know, isn't isn't he isn't exactly wrong? Right?

817
00:47:25,480 --> 00:47:28,080
Speaker 1: But why, you know, why say something like that in

818
00:47:28,120 --> 00:47:34,160
Speaker 1: front of your wife, who, yeah, he justly supported and

819
00:47:34,400 --> 00:47:37,839
Speaker 1: yeah been you know, the champion of her husband all

820
00:47:37,880 --> 00:47:42,080
Speaker 1: these years and has made their lives fly. Yeah, not

821
00:47:42,200 --> 00:47:44,839
Speaker 1: getting the credit in the crucial moment, which is kind of.

822
00:47:45,600 --> 00:47:49,120
Speaker 4: The last ten minutes of the episode is so it's

823
00:47:49,200 --> 00:47:51,960
Speaker 4: just amazing. I mean, the episode was great leading up

824
00:47:51,960 --> 00:47:54,120
Speaker 4: to it, but it was lighter and fun and all

825
00:47:54,120 --> 00:47:56,080
Speaker 4: the things, and then you get this last ten minutes

826
00:47:56,120 --> 00:47:59,200
Speaker 4: where you're like wow.

827
00:47:58,880 --> 00:48:02,680
Speaker 1: Wow, wow, hmmm. The cake cutting was devastating.

828
00:48:02,800 --> 00:48:03,640
Speaker 4: It was so sad.

829
00:48:04,080 --> 00:48:07,840
Speaker 1: I just wrote sad because here's Rory entering this world,

830
00:48:08,239 --> 00:48:15,480
Speaker 1: being completely celebrated by this world where she doesn't necessarily

831
00:48:15,520 --> 00:48:19,440
Speaker 1: feel like she belongs, yeah, and her mother knowing she

832
00:48:19,480 --> 00:48:23,520
Speaker 1: doesn't belong, And it's gut wrenching to watch that.

833
00:48:23,840 --> 00:48:26,360
Speaker 4: I wanted her so badly to be like mom, Mom,

834
00:48:27,000 --> 00:48:27,600
Speaker 4: come up here.

835
00:48:27,719 --> 00:48:28,000
Speaker 3: Mom.

836
00:48:28,880 --> 00:48:33,840
Speaker 1: That's like watching somebody you love stuck in a you know,

837
00:48:33,920 --> 00:48:36,960
Speaker 1: a raging river and you can't save them, and there

838
00:48:37,000 --> 00:48:41,520
Speaker 1: they are, you know, and I'm glad they left. And

839
00:48:41,560 --> 00:48:44,160
Speaker 1: I'm so glad that she said let's get out of here.

840
00:48:44,200 --> 00:48:44,680
Speaker 1: And he was like.

841
00:48:44,760 --> 00:48:48,480
Speaker 4: Yeah, and he says, exactly the right thing. You can

842
00:48:48,520 --> 00:48:51,520
Speaker 4: pull sausages out of me, yeah, which is the same

843
00:48:51,920 --> 00:48:55,640
Speaker 4: thing we've seen consistently from Luke, like I've got your back.

844
00:48:55,880 --> 00:48:58,280
Speaker 4: That's why. Look, I know we all had the argument

845
00:48:58,280 --> 00:49:00,960
Speaker 4: about it, but that's why she proposed. This is the

846
00:49:01,000 --> 00:49:07,240
Speaker 4: whole thing. She realizes, like this guy continually as my back,

847
00:49:07,640 --> 00:49:11,640
Speaker 4: this is so strong, is so puts me first, over

848
00:49:11,719 --> 00:49:13,400
Speaker 4: and over and over again.

849
00:49:14,080 --> 00:49:16,440
Speaker 5: Well, that's what I loved about Luke in this episode

850
00:49:16,480 --> 00:49:19,200
Speaker 5: was that he managed to support both of them, like

851
00:49:19,239 --> 00:49:22,960
Speaker 5: he supported Rory and he supported Lorlai, but he managed

852
00:49:23,000 --> 00:49:28,160
Speaker 5: to do it without taking sides, which I really enjoyed.

853
00:49:28,200 --> 00:49:30,759
Speaker 5: So I thought this was a great episode for Luke.

854
00:49:32,719 --> 00:49:36,960
Speaker 1: All right, so uh, let's let's read it. Susanne.

855
00:49:37,040 --> 00:49:39,520
Speaker 4: I have between two things.

856
00:49:41,480 --> 00:49:43,759
Speaker 1: Let's do favorite lines. Do you want to do favorite lines?

857
00:49:44,520 --> 00:49:45,040
Speaker 4: Yeah?

858
00:49:45,280 --> 00:49:48,319
Speaker 5: I wanted to just call out one little piece of

859
00:49:48,360 --> 00:49:51,600
Speaker 5: writing that was so subtle and you had to really

860
00:49:51,640 --> 00:49:52,920
Speaker 5: be paying attention to hear it.

861
00:49:54,120 --> 00:49:58,040
Speaker 4: But when Paris was.

862
00:49:57,960 --> 00:50:01,840
Speaker 5: Talking about her new you know, editorship, and she made

863
00:50:01,920 --> 00:50:04,200
Speaker 5: the comment, I had to I had to.

864
00:50:04,120 --> 00:50:04,560
Speaker 4: Pull it up.

865
00:50:04,600 --> 00:50:06,800
Speaker 5: She says, the last person that ran the shop was

866
00:50:06,840 --> 00:50:09,520
Speaker 5: too busy ironing his petticoat to put out a decent paper.

867
00:50:10,000 --> 00:50:11,520
Speaker 4: Well, she was talking about Doyle.

868
00:50:11,600 --> 00:50:14,920
Speaker 5: He was the last editor, right, well, and he agreed

869
00:50:15,000 --> 00:50:15,520
Speaker 5: with her and.

870
00:50:15,520 --> 00:50:17,959
Speaker 4: Didn't even realize that she was totally slammed. How about

871
00:50:18,000 --> 00:50:21,160
Speaker 4: the joke, like I was hilarious last year, I was

872
00:50:21,200 --> 00:50:24,840
Speaker 4: sleeping the editor and now I am. And then she's like,

873
00:50:25,560 --> 00:50:29,120
Speaker 4: could you come in a little bit quicker? Could you

874
00:50:29,160 --> 00:50:36,000
Speaker 4: come in a little bit? I mean, there's a thousand

875
00:50:36,080 --> 00:50:38,800
Speaker 4: good lines in this one, a lot of favorite lines.

876
00:50:38,840 --> 00:50:40,160
Speaker 5: I have multiple ones.

877
00:50:40,280 --> 00:50:42,640
Speaker 1: Okay, you get one. We'll do a couple of rounds.

878
00:50:42,680 --> 00:50:45,000
Speaker 1: Go ahead, Round one, Say what's your favorite line?

879
00:50:45,040 --> 00:50:48,320
Speaker 5: I think my first one was when Lorelai and Richard

880
00:50:48,320 --> 00:50:50,920
Speaker 5: were on the front porch and Richard's.

881
00:50:50,480 --> 00:50:53,680
Speaker 4: Talking and he's not getting the feedback that he.

882
00:50:53,680 --> 00:50:55,719
Speaker 5: Wants Laura I, and he says, aren't you listening to me?

883
00:50:55,800 --> 00:51:00,600
Speaker 1: And she says, uh no, Amy favorite line? Round one?

884
00:51:00,680 --> 00:51:02,120
Speaker 4: I said a bunch of mine, but.

885
00:51:05,480 --> 00:51:06,680
Speaker 1: Pick one for round one.

886
00:51:07,400 --> 00:51:11,359
Speaker 4: I think it's the reverend you've got. I hear you

887
00:51:11,360 --> 00:51:16,360
Speaker 4: have a boyfriend, crazy feelings. What your virtue is a gift?

888
00:51:16,440 --> 00:51:18,560
Speaker 4: Once you give it, it's gone no gift to give.

889
00:51:18,920 --> 00:51:23,080
Speaker 4: Oh dear, oh dear, indeed, that old thing.

890
00:51:23,560 --> 00:51:26,399
Speaker 1: Round one. Favorite line for me is just drink your drink.

891
00:51:26,480 --> 00:51:29,680
Speaker 1: Drink your drink, or drink the drink.

892
00:51:29,800 --> 00:51:36,920
Speaker 4: Drink is disgusting. I got a dog what that was

893
00:51:36,960 --> 00:51:38,359
Speaker 4: when they were really bonding again?

894
00:51:39,000 --> 00:51:41,880
Speaker 1: All right, so rating, what are you going to raise?

895
00:51:42,520 --> 00:51:44,200
Speaker 4: Please? I'm afraid someone's going to take mine.

896
00:51:45,239 --> 00:51:49,040
Speaker 1: Then what we're rating it around?

897
00:51:49,160 --> 00:51:53,080
Speaker 4: Takes my my sausages ten out of ten sausages.

898
00:51:53,560 --> 00:51:56,080
Speaker 1: Okay, I'm gonna throw a flag on you. That's a violation.

899
00:51:56,160 --> 00:51:59,520
Speaker 1: I called on Suzanne first, and you just tried to.

900
00:52:01,880 --> 00:52:04,440
Speaker 4: I didn't even sages.

901
00:52:04,800 --> 00:52:08,160
Speaker 1: Do you want to use the sausages? Were you intent amy?

902
00:52:09,600 --> 00:52:11,480
Speaker 1: Were you intending to my cereal?

903
00:52:11,840 --> 00:52:13,320
Speaker 4: I was not intending to use sage.

904
00:52:13,320 --> 00:52:15,239
Speaker 1: Okay, so you're in the but we're still going to

905
00:52:15,280 --> 00:52:18,440
Speaker 1: be sanctioned half of use ahead.

906
00:52:18,920 --> 00:52:22,080
Speaker 5: I was going to rank it nine point nine chocolate boxes.

907
00:52:22,560 --> 00:52:22,920
Speaker 1: Nice.

908
00:52:23,640 --> 00:52:26,520
Speaker 4: We need to have a party. Where everyone gets chocolate boxes.

909
00:52:27,320 --> 00:52:28,600
Speaker 1: Amy, what's your rating?

910
00:52:29,280 --> 00:52:31,400
Speaker 4: Ten out of ten sausages? I love this episode. I

911
00:52:31,440 --> 00:52:32,480
Speaker 4: don't really have much criticism.

912
00:52:32,680 --> 00:52:34,760
Speaker 1: What kind of sausages Louisiana sweet?

913
00:52:34,800 --> 00:52:37,120
Speaker 4: What I wish I could remember all those?

914
00:52:38,520 --> 00:52:40,759
Speaker 1: Okay, that's going to wrap it up for us over here.

915
00:52:41,000 --> 00:52:45,200
Speaker 1: Thanks everybody for downloading. Best fans on the planet. Keep

916
00:52:45,239 --> 00:52:50,160
Speaker 1: those cards, letters, emails, d MS, texts, whatever you want

917
00:52:50,160 --> 00:52:53,280
Speaker 1: to do, write a note, stick it to a pigeon,

918
00:52:53,600 --> 00:52:57,479
Speaker 1: fly it over to us, send smoke signals, whatever you

919
00:52:57,520 --> 00:53:00,320
Speaker 1: want to do to communicate with us. We are listening.

920
00:53:00,800 --> 00:53:01,440
Speaker 1: We appreciate.

921
00:53:01,440 --> 00:53:03,720
Speaker 4: Please tell us your favorite sugary cereals.

922
00:53:04,480 --> 00:53:07,680
Speaker 1: Yeah, and that too, what she said, And favorite sausages,

923
00:53:08,239 --> 00:53:14,960
Speaker 1: and favorite footboxes and favorite drinks as literally why not? Right?

924
00:53:15,239 --> 00:53:17,880
Speaker 4: I don't know about drinks, but definitely favorite chocolate box,

925
00:53:18,000 --> 00:53:21,640
Speaker 4: favorite sausage, favorite cereal. We're going to start a poll.

926
00:53:21,440 --> 00:53:25,400
Speaker 1: This week, all right, and we'll see you next time

927
00:53:25,760 --> 00:53:30,240
Speaker 1: with the next episode. Let me hear your backus he's

928
00:53:30,760 --> 00:53:33,080
Speaker 1: ringing out.

929
00:53:33,160 --> 00:53:33,920
Speaker 4: We're gonna like this.

930
00:53:35,320 --> 00:53:38,880
Speaker 1: We're going to work on that pronunciation in the intro

931
00:53:39,600 --> 00:53:45,319
Speaker 1: until next time. Always remember that we and I am

932
00:53:45,320 --> 00:54:16,720
Speaker 1: all in. Stay safe everyone, Hey, everybody, and don't forget.

933
00:54:16,760 --> 00:54:20,799
Speaker 1: Follow us on Instagram at i Am all In Podcast,

934
00:54:20,880 --> 00:54:33,920
Speaker 1: and email us at Gilmore at iHeartRadio dot com