1 00:00:00,400 --> 00:00:03,600 Speaker 1: Coming up at the top of the hour and entertainment news. 2 00:00:03,600 --> 00:00:07,119 Speaker 1: Some sad news to report, Miss Sissy Houston. Whitney Houston's 3 00:00:07,160 --> 00:00:10,600 Speaker 1: mother has passed away. We'll talk about that and other 4 00:00:10,800 --> 00:00:13,360 Speaker 1: entertainment news. Kanye West is rumored to be heading to 5 00:00:13,440 --> 00:00:16,880 Speaker 1: divorce court after less than two years of marriage, and 6 00:00:16,920 --> 00:00:19,360 Speaker 1: the city of Miami Beat Yeah, the city of Miami 7 00:00:19,400 --> 00:00:22,480 Speaker 1: Beach is taking back Diddy's key to the city and 8 00:00:22,520 --> 00:00:25,959 Speaker 1: Ditty's mom has released a statement in support of her son. 9 00:00:26,120 --> 00:00:28,120 Speaker 1: We'll talk about all of these stories at the top 10 00:00:28,160 --> 00:00:28,680 Speaker 1: of the hour. 11 00:00:28,880 --> 00:00:30,320 Speaker 2: Everybody won't take keys back. 12 00:00:30,480 --> 00:00:33,680 Speaker 1: Everybody won't take but right now, Yeah, it is time 13 00:00:33,720 --> 00:00:34,560 Speaker 1: to ask. 14 00:00:34,479 --> 00:00:36,480 Speaker 2: The small cities. 15 00:00:37,800 --> 00:00:40,920 Speaker 1: This is from Chauncey and Queen's. Chauncey says, my boss 16 00:00:40,960 --> 00:00:43,960 Speaker 1: and I don't see eye to eye on the way 17 00:00:44,000 --> 00:00:46,960 Speaker 1: I use my corporate card. For example, if I go 18 00:00:47,040 --> 00:00:49,320 Speaker 1: out to lunch and he asked me to bring him lunch, 19 00:00:49,360 --> 00:00:52,440 Speaker 1: I use my corporate card for both our lunches. He said, 20 00:00:52,479 --> 00:00:56,160 Speaker 1: it's stealing from the company, is it, though, Well. 21 00:00:56,000 --> 00:00:59,480 Speaker 2: I don't understand. If your boss asks you to bring 22 00:00:59,720 --> 00:01:03,400 Speaker 2: lunch back for him, and you your boss work for 23 00:01:03,440 --> 00:01:06,640 Speaker 2: the company, and you pe take the company card and 24 00:01:06,680 --> 00:01:09,319 Speaker 2: buy him lunch. What wait, a man hold of man, 25 00:01:11,040 --> 00:01:13,640 Speaker 2: what how do your boss think you post to pay 26 00:01:13,680 --> 00:01:16,960 Speaker 2: for the lunch? It's my question. Yeah, because it's a 27 00:01:16,959 --> 00:01:20,600 Speaker 2: company card. So now if he don't expect you to 28 00:01:20,680 --> 00:01:22,759 Speaker 2: use the company card, do he expect you to use 29 00:01:22,920 --> 00:01:25,119 Speaker 2: your money? Has he ever said, hey, man, I'll reimburse 30 00:01:25,160 --> 00:01:27,320 Speaker 2: you when you come back. I don't think it's smart 31 00:01:27,319 --> 00:01:29,280 Speaker 2: of us to use the company card unless we go 32 00:01:29,360 --> 00:01:31,480 Speaker 2: on a trip or we wind in and dine in 33 00:01:31,560 --> 00:01:34,840 Speaker 2: a client. That's the only way that makes sense. But 34 00:01:35,120 --> 00:01:38,240 Speaker 2: it's still it. Well, quit asking me to steal because 35 00:01:38,280 --> 00:01:40,120 Speaker 2: the only reason I'm using this card is because you 36 00:01:40,200 --> 00:01:45,160 Speaker 2: requested it. Ye see, I think I think, I think brother, 37 00:01:45,200 --> 00:01:47,440 Speaker 2: you could relax. You have a winning hand right now 38 00:01:47,440 --> 00:01:50,120 Speaker 2: because you're only doing what was requested. If you buy 39 00:01:50,160 --> 00:01:54,240 Speaker 2: your boss, you're superior. Bring me lunch back, man, dog. 40 00:01:54,800 --> 00:01:58,040 Speaker 2: First of all, I ain't never been that dude, right there? Man, 41 00:01:58,120 --> 00:02:00,000 Speaker 2: I mean, bro, I grab you lunch. If you won't, 42 00:02:00,200 --> 00:02:02,520 Speaker 2: I pay you, but you know you got it next time. 43 00:02:02,600 --> 00:02:05,440 Speaker 2: Something like that. But back in the day, when I 44 00:02:05,520 --> 00:02:07,560 Speaker 2: was pold you you had to have your money with me. 45 00:02:09,000 --> 00:02:12,160 Speaker 1: Or somebody, not even no free lunches over here. 46 00:02:12,960 --> 00:02:14,880 Speaker 2: I'm just gonna be real, which is no way I 47 00:02:14,880 --> 00:02:18,440 Speaker 2: could pay for your food, And it's no way get 48 00:02:18,639 --> 00:02:19,200 Speaker 2: at all. 49 00:02:21,639 --> 00:02:25,600 Speaker 1: All right, moving on to Selena and Almonte, Selena writes, 50 00:02:25,720 --> 00:02:28,240 Speaker 1: my hairstylist and I are cool, but lately she's been 51 00:02:28,280 --> 00:02:30,880 Speaker 1: copying my style. She wears the same wig that she 52 00:02:30,960 --> 00:02:33,080 Speaker 1: told me was one of a kind, and if we 53 00:02:33,200 --> 00:02:36,760 Speaker 1: go out, she copies my outfits or shoes. She copies 54 00:02:36,800 --> 00:02:39,079 Speaker 1: my outfit or my shoes. How do I tell her 55 00:02:39,160 --> 00:02:42,120 Speaker 1: it's weird and we're too old to be dressing alike. 56 00:02:42,960 --> 00:02:46,080 Speaker 2: Well, the staff just told me this. I'm saying this 57 00:02:46,200 --> 00:02:50,200 Speaker 2: to the letter, that imitation is the highest form of flattery. 58 00:02:50,280 --> 00:02:53,600 Speaker 2: That's what they just told me that. They just told 59 00:02:53,680 --> 00:02:56,240 Speaker 2: me that. So I'm gonna pass that lesson on that 60 00:02:56,280 --> 00:02:59,720 Speaker 2: they tried to teach me. Now, I didn't go for 61 00:02:59,800 --> 00:03:02,000 Speaker 2: it in and I don't expect you to go for it. 62 00:03:02,960 --> 00:03:08,079 Speaker 2: Y'all out there with y'all old ass dressing from one 63 00:03:08,120 --> 00:03:10,840 Speaker 2: of y'all, and one of y'all looks better than the 64 00:03:10,880 --> 00:03:14,359 Speaker 2: other one. So now, and I'm assuming this is what 65 00:03:14,440 --> 00:03:17,640 Speaker 2: I think is happening. I think the girl that wrote 66 00:03:17,680 --> 00:03:24,760 Speaker 2: the letter it's finer than the hairdresser, because the one 67 00:03:24,800 --> 00:03:33,360 Speaker 2: that copies gets copied is usually the cuter version. You 68 00:03:33,400 --> 00:03:36,800 Speaker 2: ain't never copied your ugly friend. 69 00:03:37,880 --> 00:03:38,400 Speaker 1: I think. 70 00:03:41,840 --> 00:03:42,920 Speaker 2: I'm just saying. 71 00:03:44,120 --> 00:03:45,400 Speaker 1: I want to be ugly too. 72 00:03:45,800 --> 00:03:52,240 Speaker 2: Yeah, yeah, oh good. You ain't getting no attention. Let 73 00:03:52,320 --> 00:03:55,560 Speaker 2: me see where'd you buy that dress at. It ain't 74 00:03:55,640 --> 00:03:59,640 Speaker 2: nobody complimenting you, all right? 75 00:04:00,240 --> 00:04:03,200 Speaker 1: Moving on to Bria and Jackson. Bria. Right, So I 76 00:04:03,240 --> 00:04:05,360 Speaker 1: pulled up to my sister's house and my nephew was 77 00:04:05,400 --> 00:04:08,120 Speaker 1: having sex in the back of his girlfriend's car. But 78 00:04:08,160 --> 00:04:11,440 Speaker 1: they didn't even see me watching them. I haven't mentioned 79 00:04:11,440 --> 00:04:14,839 Speaker 1: it to my sister. He's only sixteen. Should I tell 80 00:04:14,880 --> 00:04:16,960 Speaker 1: my sister or should I talk to him first? 81 00:04:17,520 --> 00:04:19,680 Speaker 2: I ain't got nothing to do with you. Well, let 82 00:04:19,680 --> 00:04:23,320 Speaker 2: me ask you something. What you're gonna say to him? 83 00:04:23,520 --> 00:04:28,720 Speaker 2: Because he threw now well and and but but okay, now, 84 00:04:28,800 --> 00:04:31,200 Speaker 2: ladies living, let me let me help it with something. 85 00:04:32,720 --> 00:04:37,360 Speaker 2: Once you get a taste of it, that's it preached. 86 00:04:37,400 --> 00:04:43,200 Speaker 2: It come, it's over. Is your quest for the rest 87 00:04:43,240 --> 00:04:46,600 Speaker 2: of your life. It is nothing the aunt can say 88 00:04:46,680 --> 00:04:50,080 Speaker 2: to this boy that's finna change his mind by what 89 00:04:50,160 --> 00:04:52,240 Speaker 2: he felt in the back seat of that car and 90 00:04:52,400 --> 00:04:54,080 Speaker 2: nothing you can say that ain't right? 91 00:04:54,200 --> 00:04:58,040 Speaker 1: Okay, yeah, okay, So is she mad about it being 92 00:04:58,080 --> 00:05:00,320 Speaker 1: in the back seat or is she mad about him 93 00:05:00,360 --> 00:05:02,360 Speaker 1: being sixteen and having sex curious? 94 00:05:02,480 --> 00:05:05,599 Speaker 2: Yeah, she mad about that, but she's standing there watching. 95 00:05:06,400 --> 00:05:09,000 Speaker 2: But what that got to do with you? He was 96 00:05:09,120 --> 00:05:10,760 Speaker 2: in the back seat. He's gonna get in the back 97 00:05:10,760 --> 00:05:16,279 Speaker 2: seat again. This ain't the last back seat. But I 98 00:05:16,320 --> 00:05:20,800 Speaker 2: can't take I mean she went back. Oh right, now, 99 00:05:22,960 --> 00:05:30,520 Speaker 2: we would ye in the room. In the room, we 100 00:05:30,680 --> 00:05:36,080 Speaker 2: are in the room. 101 00:05:36,520 --> 00:05:41,920 Speaker 1: That's a little young hopefully practicing safe sexy. 102 00:05:42,160 --> 00:05:45,039 Speaker 2: Yeah. Well that's all you can tell him at this 103 00:05:45,160 --> 00:05:51,680 Speaker 2: Protect yourself and the young lady. Yeah, absolutely, but especially 104 00:05:51,800 --> 00:05:54,600 Speaker 2: protect the young lady. That's the emphasis you have to 105 00:05:54,640 --> 00:05:59,600 Speaker 2: put on these boys. Protect the young lady first and foremost, 106 00:06:00,320 --> 00:06:03,560 Speaker 2: and then protect yourself. So that protection is both ways, 107 00:06:03,560 --> 00:06:07,400 Speaker 2: because it gives a boy a double or double conjure 108 00:06:07,520 --> 00:06:11,559 Speaker 2: to consider. Okay, Dad said, I gotta protect this girl 109 00:06:12,160 --> 00:06:15,080 Speaker 2: and I gotta protect myself. So it's a double thing 110 00:06:15,160 --> 00:06:18,440 Speaker 2: that you have to do, and it causes a moment 111 00:06:18,480 --> 00:06:20,760 Speaker 2: of pause and causes you to really do something. But 112 00:06:20,760 --> 00:06:22,839 Speaker 2: that's all you can do at this point because you yeah, 113 00:06:23,080 --> 00:06:25,039 Speaker 2: nothing you can say gonna change his mind about this 114 00:06:25,120 --> 00:06:27,800 Speaker 2: here now. Like I tell people all the time, you 115 00:06:27,800 --> 00:06:30,599 Speaker 2: can forget a name, you can forget a face, you 116 00:06:30,640 --> 00:06:34,280 Speaker 2: can forget a place. You can't ever forget a feeling. 117 00:06:34,800 --> 00:06:38,120 Speaker 1: Ever, Yeah, I agree with that. 118 00:06:38,520 --> 00:06:42,520 Speaker 2: You're right, You're right. They have sex to eat that. 119 00:06:42,920 --> 00:06:45,200 Speaker 1: Okay, last week. 120 00:06:46,160 --> 00:06:48,400 Speaker 2: I'm sixty seven years old, and it's still wanting to 121 00:06:48,480 --> 00:06:52,360 Speaker 2: keep driving forces behind everything I do. I'm not even 122 00:06:52,400 --> 00:06:56,320 Speaker 2: gonna die tea. Okay, you let my wife come in 123 00:06:56,320 --> 00:06:58,200 Speaker 2: here and tell me we ain't sleeping together no more. 124 00:06:58,200 --> 00:07:07,880 Speaker 2: All they bags and stuff gonna stop bags me, hair bags, 125 00:07:08,160 --> 00:07:21,800 Speaker 2: every bad yeah, and everything called delta. All right, comfort, 126 00:07:21,880 --> 00:07:24,320 Speaker 2: find out what to mett for four inches of leg room? 127 00:07:24,440 --> 00:07:27,560 Speaker 1: Feel like, let this one. Let's get this one. And 128 00:07:27,680 --> 00:07:30,280 Speaker 1: this is from Eric in Kansas City. Eric says, my 129 00:07:30,320 --> 00:07:32,680 Speaker 1: wife is mad because I cursed my oldest son out 130 00:07:32,760 --> 00:07:36,560 Speaker 1: last week over a football rivalry. Rivalry. He was whining 131 00:07:36,560 --> 00:07:39,440 Speaker 1: to her, so I cursed him out again. I told 132 00:07:39,480 --> 00:07:41,880 Speaker 1: her to stay out of it, or I'll do it again. 133 00:07:42,000 --> 00:07:45,360 Speaker 1: I'm not coddling a thirty year old. You think I 134 00:07:45,360 --> 00:07:48,040 Speaker 1: should apologize to thirty. 135 00:07:48,400 --> 00:07:53,400 Speaker 2: That says, hey, don't my father loved Cleveland Browns. If 136 00:07:53,400 --> 00:07:55,240 Speaker 2: you came in the house, he ain't care how old 137 00:07:55,280 --> 00:07:57,600 Speaker 2: you were. And you was cheering against the Browns. You 138 00:07:57,720 --> 00:08:02,160 Speaker 2: got cussed out, and and and why is the lady 139 00:08:02,200 --> 00:08:05,720 Speaker 2: in it? He thirty Dad heard my fearless. We was 140 00:08:05,720 --> 00:08:12,679 Speaker 2: talking about the cowboys. Shut your something. You're talking about 141 00:08:12,840 --> 00:08:14,040 Speaker 2: them damn cowboys. 142 00:08:15,000 --> 00:08:16,680 Speaker 1: Coming up at the top of the hour, we'll have 143 00:08:16,720 --> 00:08:21,280 Speaker 1: some entertainment news for you right after this. You're listening 144 00:08:21,360 --> 00:08:22,360 Speaker 1: Hardy Morning Show.