WEBVTT - John Boyle

0:00:04.840 --> 0:00:09.079
<v Speaker 1>Welcome to the inaugural Bob Left Sets podcast. Used to

0:00:09.160 --> 0:00:12.160
<v Speaker 1>podcast about ten years ago with Rhino, I was ahead

0:00:12.160 --> 0:00:13.920
<v Speaker 1>of the curve. We'll find out if I'm behind the

0:00:13.920 --> 0:00:17.479
<v Speaker 1>curve now. I'm now working with tune In. I'm in

0:00:17.520 --> 0:00:20.800
<v Speaker 1>the tune In office and studio in Santa Monica, and

0:00:20.840 --> 0:00:23.440
<v Speaker 1>I felt for the initial podcast would be best if

0:00:23.440 --> 0:00:26.960
<v Speaker 1>someone interviews me so you can learn a lot about me.

0:00:27.040 --> 0:00:29.280
<v Speaker 1>So I have my old friend who's the chief growth

0:00:29.320 --> 0:00:34.400
<v Speaker 1>officer of Insomniac, John Boyle. John, Hi, Bob, thank you

0:00:34.479 --> 0:00:37.960
<v Speaker 1>so much for having me. Yes, so we've done this before.

0:00:38.080 --> 0:00:40.559
<v Speaker 1>We've done it to E d M Biz. We did

0:00:40.600 --> 0:00:43.840
<v Speaker 1>it on the Summit series Ship. But going back, okay,

0:00:43.840 --> 0:00:46.000
<v Speaker 1>you went to u c l A. Was your first

0:00:46.040 --> 0:00:49.560
<v Speaker 1>gig doing snow Core and those other concert promotions. None

0:00:49.560 --> 0:00:51.479
<v Speaker 1>of the first gig was booking shows at u c

0:00:51.600 --> 0:00:53.360
<v Speaker 1>l A. And then I was in a band. You

0:00:53.400 --> 0:00:57.440
<v Speaker 1>were in a band. I didn't know that. Um it

0:00:57.480 --> 0:00:59.920
<v Speaker 1>was Leonard Skettern meets Guns and Roses. No wonder you

0:01:00.080 --> 0:01:03.160
<v Speaker 1>love those? Of course I do. And what did you do?

0:01:03.200 --> 0:01:05.080
<v Speaker 1>You were the singer, know I was the drummer. You

0:01:05.120 --> 0:01:09.000
<v Speaker 1>were the drummer, really and as the manager. Okay, although

0:01:09.040 --> 0:01:11.319
<v Speaker 1>they always say the drummer is the business guy, so

0:01:11.400 --> 0:01:13.920
<v Speaker 1>it makes sense yourself. So we did. We did quite

0:01:13.920 --> 0:01:17.400
<v Speaker 1>well actually, and and then during college I started booking.

0:01:18.120 --> 0:01:20.080
<v Speaker 1>We did quite well. How far did you get? Well?

0:01:20.120 --> 0:01:21.800
<v Speaker 1>I mean we like tore it up and down. We

0:01:21.840 --> 0:01:24.200
<v Speaker 1>toward the west, we toward the Western US and colleges.

0:01:24.240 --> 0:01:26.280
<v Speaker 1>We were a college party band, really, so what was

0:01:26.319 --> 0:01:30.080
<v Speaker 1>a gig worth? Um? Not? It was worth a really

0:01:30.120 --> 0:01:33.880
<v Speaker 1>good time on some parties. And that's kind of what

0:01:33.959 --> 0:01:37.560
<v Speaker 1>it was about. I mean, what was it a grand fifte? No? No,

0:01:37.640 --> 0:01:39.640
<v Speaker 1>we were getting up to like five grand shows. Okay,

0:01:39.640 --> 0:01:43.240
<v Speaker 1>that's pretty good in case this uh business thing doesn't

0:01:43.280 --> 0:01:45.080
<v Speaker 1>work out. Okay, so you did that and then you

0:01:45.160 --> 0:01:47.840
<v Speaker 1>did shows it U c l A yeah, no, no.

0:01:47.840 --> 0:01:50.880
<v Speaker 1>And then then that led to uh, ESPN launched the

0:01:51.080 --> 0:01:54.200
<v Speaker 1>X Games and I got to book that initially, and

0:01:54.200 --> 0:01:56.000
<v Speaker 1>then there was the US Open, a surfing, and then

0:01:56.360 --> 0:01:59.120
<v Speaker 1>there was just all these lifestyle events. I as you know,

0:02:00.000 --> 0:02:02.880
<v Speaker 1>I'm from Lake Tahoe. Um, I grew up on skis.

0:02:03.160 --> 0:02:06.200
<v Speaker 1>I was a competitive ski racer, as you know. We'll

0:02:06.240 --> 0:02:10.679
<v Speaker 1>talk about this, I'm sure, and uh, and I fell

0:02:10.720 --> 0:02:13.480
<v Speaker 1>into the surf skate snow scene at U c l A.

0:02:13.560 --> 0:02:16.320
<v Speaker 1>I didn't really know. I grew up in Tahoe. I

0:02:16.360 --> 0:02:18.640
<v Speaker 1>really didn't know what anything was anything as a blue

0:02:18.639 --> 0:02:21.280
<v Speaker 1>collar kid. And then um, and then all of a sudden,

0:02:21.280 --> 0:02:24.320
<v Speaker 1>the surf skate snow thing blows up. I find myself

0:02:24.360 --> 0:02:29.080
<v Speaker 1>working with offspring and this is what this is like?

0:02:31.000 --> 0:02:34.760
<v Speaker 1>Um and uh and uh and yes nine two and

0:02:34.840 --> 0:02:37.520
<v Speaker 1>then and then Kevin Lyman, you know, shortly thereafter launches

0:02:37.560 --> 0:02:39.639
<v Speaker 1>the Warp Tour and so how were you involved with

0:02:39.680 --> 0:02:44.160
<v Speaker 1>the Warp Tour? Well, well, as I was doing my shows, UM,

0:02:44.200 --> 0:02:46.760
<v Speaker 1>I needed a real producer to produce them because I

0:02:46.800 --> 0:02:50.399
<v Speaker 1>was just a kid, and Kevin came in and produced them. Um.

0:02:50.560 --> 0:02:52.800
<v Speaker 1>And then when Kevin started the Warp Tour, he invited

0:02:52.840 --> 0:02:55.480
<v Speaker 1>me to be his sponsorship and marketing guy, which I did.

0:02:55.800 --> 0:02:58.520
<v Speaker 1>Simultaneous to that, I got a phone call from Irving

0:02:58.560 --> 0:03:02.720
<v Speaker 1>as Often and Steve Backer a Giant Record saying whatever

0:03:02.720 --> 0:03:05.320
<v Speaker 1>it is you do, can you do for us? And

0:03:05.360 --> 0:03:08.440
<v Speaker 1>you can do your side hustle, you do your other

0:03:08.520 --> 0:03:11.760
<v Speaker 1>hustle on the side, um, which was at the time

0:03:11.800 --> 0:03:14.560
<v Speaker 1>Warp Tour. And then and then um and then I

0:03:14.600 --> 0:03:18.919
<v Speaker 1>moved from Giant Records to Virgin Records and launched Snow Corps.

0:03:19.080 --> 0:03:23.200
<v Speaker 1>And then it's kind of been a you know, okay,

0:03:23.200 --> 0:03:25.280
<v Speaker 1>but then you then you turned into a manager and

0:03:25.280 --> 0:03:28.560
<v Speaker 1>you managed Exhibit. Yes I did. I managed Exhibit. I

0:03:28.560 --> 0:03:31.160
<v Speaker 1>managed Alien amp Farm, I managed quite a few rock bands.

0:03:31.200 --> 0:03:35.240
<v Speaker 1>I spent a couple of years of sanctuary. I was

0:03:35.280 --> 0:03:37.240
<v Speaker 1>there law before it was what you were at, the

0:03:37.280 --> 0:03:41.240
<v Speaker 1>same guys running it, but you're doing that, and then

0:03:41.280 --> 0:03:43.440
<v Speaker 1>it all came to a stop and you went for

0:03:43.480 --> 0:03:47.960
<v Speaker 1>an m b A. It did everything kind of slowed down. Um.

0:03:48.000 --> 0:03:53.040
<v Speaker 1>I was immune to the napster um wall that everybody

0:03:53.120 --> 0:03:57.800
<v Speaker 1>hit UM until a couple of years later. And then yeah,

0:03:57.840 --> 0:03:59.480
<v Speaker 1>and then I stopped and I went back and got

0:03:59.480 --> 0:04:02.840
<v Speaker 1>a a dual MBA from Colombia and the Hospital of

0:04:02.880 --> 0:04:06.680
<v Speaker 1>Business at Berkeley. Um. Okay. So when you got that NBA,

0:04:07.560 --> 0:04:09.360
<v Speaker 1>did you think you were going to come back to

0:04:09.400 --> 0:04:13.440
<v Speaker 1>the music business. I kind of thought I wouldn't come

0:04:13.480 --> 0:04:16.440
<v Speaker 1>back to the music business. But as um al Pacino

0:04:16.560 --> 0:04:20.240
<v Speaker 1>or Marco Corleone says in The Godfather three, the more

0:04:20.279 --> 0:04:22.479
<v Speaker 1>you try to get out, they pull you right back in.

0:04:22.680 --> 0:04:25.040
<v Speaker 1>And I got pulled right back in by another Italian

0:04:25.600 --> 0:04:30.159
<v Speaker 1>named Pasquale Rotella. Right, so you helped pasqual with his

0:04:30.279 --> 0:04:33.760
<v Speaker 1>deal with Live Nation. I was. I was very fortunate

0:04:33.760 --> 0:04:36.880
<v Speaker 1>to help Pascal off this deal. Okay, So without making

0:04:36.920 --> 0:04:39.200
<v Speaker 1>this whole podcast about you, that this is about you,

0:04:39.279 --> 0:04:41.480
<v Speaker 1>I don't know what we're talking about. What is the

0:04:41.560 --> 0:04:46.120
<v Speaker 1>status of the electronic music world today? Well, I think

0:04:46.160 --> 0:04:51.640
<v Speaker 1>the status UM is for Insomniac is incredibly healthy. UM.

0:04:51.680 --> 0:04:54.120
<v Speaker 1>You know, I think their saturation in the festival business

0:04:54.120 --> 0:04:57.560
<v Speaker 1>at large in North America and in Europe. UM. But

0:04:58.040 --> 0:05:03.240
<v Speaker 1>the Juggernauts thrive and survive, right, UM, Why don't you

0:05:03.279 --> 0:05:05.400
<v Speaker 1>just for our audience in case they're not including, just

0:05:05.440 --> 0:05:10.400
<v Speaker 1>say what Insomniac does. UM. Insomniac runs the largest dance

0:05:10.480 --> 0:05:13.800
<v Speaker 1>music festivals in the world around the world, and they

0:05:13.800 --> 0:05:18.160
<v Speaker 1>are UM well Electric Daisy Carnival E d C in Vegas,

0:05:18.240 --> 0:05:21.880
<v Speaker 1>the flagship version in Vegas does forty thousand people a day.

0:05:21.920 --> 0:05:25.840
<v Speaker 1>It's the largest single weekend festival and certainly in North America,

0:05:25.920 --> 0:05:28.680
<v Speaker 1>maybe the world, I'm not quite sure. UM. And we've

0:05:28.800 --> 0:05:34.600
<v Speaker 1>we've launched it UM in Brazil, Mexico, India, the UK, Japan.

0:05:35.120 --> 0:05:40.480
<v Speaker 1>There's a big another Asian announcement coming. UM it's you know,

0:05:41.000 --> 0:05:43.240
<v Speaker 1>it's it's been, it's it's been incredible being a part

0:05:43.320 --> 0:05:45.760
<v Speaker 1>of this and so and I'm a rock guy. You

0:05:45.800 --> 0:05:47.440
<v Speaker 1>know that. I know that. I know that. But we

0:05:47.480 --> 0:05:49.640
<v Speaker 1>all you know our hip to what's coming down the pike,

0:05:49.920 --> 0:05:52.919
<v Speaker 1>did you? Um? Although Pasqual I ran it him the

0:05:52.920 --> 0:05:54.640
<v Speaker 1>other day and he told me you're getting into hip

0:05:54.680 --> 0:05:57.560
<v Speaker 1>hop too. Now yeah, no, no, so Insomniac is getting

0:05:57.560 --> 0:05:59.760
<v Speaker 1>into hip hop. I mean, look, Pasqual is a genius.

0:06:00.200 --> 0:06:03.359
<v Speaker 1>He's an absolute genius. He's a visionary. He is the

0:06:03.440 --> 0:06:05.880
<v Speaker 1>number one, like he's the authority and dance music on

0:06:05.920 --> 0:06:09.400
<v Speaker 1>the entire planet. And when he pulled me back in

0:06:09.880 --> 0:06:12.159
<v Speaker 1>so to speak, five and a half years ago, I

0:06:12.240 --> 0:06:15.160
<v Speaker 1>really didn't know what I was in for. Um and

0:06:15.200 --> 0:06:19.200
<v Speaker 1>I couldn't be more grateful. Now you give good answers, um.

0:06:19.279 --> 0:06:22.120
<v Speaker 1>But you know, if you Pasqual has been in the

0:06:22.240 --> 0:06:24.480
<v Speaker 1>business since like the early nineties for people, don't you

0:06:24.520 --> 0:06:27.039
<v Speaker 1>know it's like the ten thousand hours thing, Wide Awake,

0:06:27.240 --> 0:06:31.800
<v Speaker 1>since that's the company logo, Wide Awake since ninety three, right,

0:06:31.839 --> 0:06:33.560
<v Speaker 1>And it's funny you sit with all those guys, you

0:06:33.640 --> 0:06:35.280
<v Speaker 1>have stories, but you know, when it was the rave

0:06:35.400 --> 0:06:39.279
<v Speaker 1>culture et cetera. But obviously there's been a peak, let's

0:06:39.320 --> 0:06:41.920
<v Speaker 1>call it five four or five years ago, we still

0:06:41.920 --> 0:06:45.279
<v Speaker 1>have that same peak. No, I I don't. I don't

0:06:45.320 --> 0:06:46.960
<v Speaker 1>think there was a peak. I think there was a

0:06:47.000 --> 0:06:50.720
<v Speaker 1>plateau about two years ago. UM. And so where I

0:06:50.800 --> 0:06:53.960
<v Speaker 1>really think the opportunity is now as in Asia. UM.

0:06:54.000 --> 0:06:56.240
<v Speaker 1>I've been spending a lot of my time in Asia,

0:06:56.480 --> 0:07:00.600
<v Speaker 1>South America, a lot of opportunity. But you got political instability,

0:07:00.640 --> 0:07:04.599
<v Speaker 1>you've got currency challenges, you've got all it's still third world.

0:07:04.960 --> 0:07:10.080
<v Speaker 1>That's why you need an NBA or ASIA. UM. Asia

0:07:10.360 --> 0:07:12.120
<v Speaker 1>is where, by the way, we can talk about this,

0:07:12.800 --> 0:07:17.840
<v Speaker 1>like the music business across the board. Asia's the opportunity. Okay,

0:07:18.160 --> 0:07:20.080
<v Speaker 1>but can we stop talking about me and talking about

0:07:20.280 --> 0:07:23.800
<v Speaker 1>just a couple more questions. What is driving attendees at

0:07:23.840 --> 0:07:28.160
<v Speaker 1>this point to electronic music festivals. Well, I think it's

0:07:29.040 --> 0:07:32.920
<v Speaker 1>I don't think. I know it's it's the element of community, um.

0:07:33.000 --> 0:07:36.520
<v Speaker 1>And it's also the element of being accepted. Um. You know,

0:07:36.640 --> 0:07:40.720
<v Speaker 1>other music festivals, UM, you kind of have to fit

0:07:40.800 --> 0:07:44.600
<v Speaker 1>into a certain you know, just a certain style or

0:07:44.720 --> 0:07:48.760
<v Speaker 1>certain niche right at at at dance music festivals and

0:07:48.800 --> 0:07:52.480
<v Speaker 1>insomniac festivals in particular, you can be you and you

0:07:52.520 --> 0:07:55.360
<v Speaker 1>are accepted and welcomed and that's it's it's it's really

0:07:55.400 --> 0:07:57.920
<v Speaker 1>a beautiful thing. I mean like I feel like i've

0:07:58.040 --> 0:08:00.000
<v Speaker 1>I've been a part of making the world a better

0:08:00.000 --> 0:08:01.960
<v Speaker 1>place for the last few years. And that's the hard

0:08:02.000 --> 0:08:05.200
<v Speaker 1>thing to say, coming from dance music with all the

0:08:05.240 --> 0:08:08.400
<v Speaker 1>negative press that it gets, but it's true. You let

0:08:08.440 --> 0:08:10.640
<v Speaker 1>me ask you, what was your experience when you came

0:08:10.680 --> 0:08:12.800
<v Speaker 1>to E d C. Well, they have to go back.

0:08:12.840 --> 0:08:16.120
<v Speaker 1>I went to Hard Halloween the first time. Eric Kurtz,

0:08:16.120 --> 0:08:19.200
<v Speaker 1>wh's a guy with Bill Silva now part of the

0:08:19.240 --> 0:08:22.320
<v Speaker 1>Live Nation Empire. He says, you have to come, you

0:08:22.400 --> 0:08:25.280
<v Speaker 1>have to come, And it was USC where the now

0:08:25.280 --> 0:08:27.720
<v Speaker 1>there's a big dorm, but there was a big open

0:08:27.840 --> 0:08:30.600
<v Speaker 1>space and the funniest thing was running Two people said,

0:08:30.720 --> 0:08:32.959
<v Speaker 1>we were at the football game at USC. You're not

0:08:33.040 --> 0:08:36.320
<v Speaker 1>gonna believe what's going on and go. I was there, Okay.

0:08:36.440 --> 0:08:39.720
<v Speaker 1>So it was a separate culture and it was fascinating

0:08:39.760 --> 0:08:41.720
<v Speaker 1>going to E d C. I was just talking about

0:08:41.760 --> 0:08:44.840
<v Speaker 1>it last night. The single thing that made the biggest

0:08:44.840 --> 0:08:49.000
<v Speaker 1>impression was the helicopter ride there. I know, I knew

0:08:49.000 --> 0:08:51.360
<v Speaker 1>we were gonna get to the helicopter is for those

0:08:51.360 --> 0:08:54.440
<v Speaker 1>who don't know, you know, because it's electronic music festival.

0:08:54.600 --> 0:08:57.040
<v Speaker 1>You go, they got the pulsing lights and everything at

0:08:57.080 --> 0:08:59.880
<v Speaker 1>the helicopter station. Then they weigh you, which is not

0:09:00.160 --> 0:09:04.040
<v Speaker 1>encourage you. And it's an inherently frightening experience because not

0:09:04.160 --> 0:09:06.560
<v Speaker 1>the company we used, but the other company that flies

0:09:06.559 --> 0:09:08.720
<v Speaker 1>out of Vegas are the ones who crashed at the

0:09:08.760 --> 0:09:13.160
<v Speaker 1>Grand Canyon. So they walked the you know, helicopter to

0:09:13.200 --> 0:09:15.319
<v Speaker 1>the takeoffs face and they go and on the way there,

0:09:15.880 --> 0:09:18.319
<v Speaker 1>you were talking over the headphones and it was totally calm.

0:09:18.679 --> 0:09:21.040
<v Speaker 1>When I left at like four thirty in the morning,

0:09:21.080 --> 0:09:24.120
<v Speaker 1>I was with the guy from Live Nation Mexico and

0:09:24.160 --> 0:09:27.480
<v Speaker 1>a guy from Brazil, and you're with the George from

0:09:27.480 --> 0:09:33.280
<v Speaker 1>Ossessa in Mexico and Fernando from from Brazil. First of all,

0:09:33.280 --> 0:09:35.360
<v Speaker 1>in Brazil, he was talking about how many bodyguards he

0:09:35.400 --> 0:09:38.679
<v Speaker 1>had and height. They passed out because it was so

0:09:38.880 --> 0:09:40.240
<v Speaker 1>you know, early in the morning and late at night,

0:09:40.280 --> 0:09:42.280
<v Speaker 1>depending on how you want to see it. They passed

0:09:42.320 --> 0:09:44.079
<v Speaker 1>out within like fifteen minutes. It was just me and

0:09:44.160 --> 0:09:48.280
<v Speaker 1>the pilot and what happened was nothing happens fast in

0:09:48.280 --> 0:09:50.599
<v Speaker 1>the music business, or does it happen fast and for

0:09:50.720 --> 0:09:52.600
<v Speaker 1>or thirty in the morning. So I'm bs and with

0:09:52.640 --> 0:09:55.320
<v Speaker 1>a pilot while we're waiting to get who's gonna go

0:09:55.320 --> 0:09:57.079
<v Speaker 1>on the ride with us? And he says he was

0:09:57.120 --> 0:10:01.120
<v Speaker 1>in the military. I'm feeling incredibly calm. The guy flew

0:10:01.160 --> 0:10:04.080
<v Speaker 1>helicopters in the military. What could be better? But we

0:10:04.200 --> 0:10:07.760
<v Speaker 1>talked long enough. He didn't fly helicopters in the military.

0:10:07.920 --> 0:10:09.880
<v Speaker 1>Wasn't until he got out. He only been flying for

0:10:09.920 --> 0:10:13.720
<v Speaker 1>two years. What I know about helicopters is if the

0:10:13.880 --> 0:10:17.080
<v Speaker 1>rotator stops going, if the rotor stuff going, it just plunges.

0:10:17.120 --> 0:10:19.480
<v Speaker 1>People tell me otherwise, whatever, So if there's a funk up,

0:10:19.520 --> 0:10:22.840
<v Speaker 1>you die, whereas with a plane there's a good fighting chance.

0:10:23.000 --> 0:10:26.240
<v Speaker 1>So inherently there's some anxiety. Well, and I mean Bill

0:10:26.280 --> 0:10:30.600
<v Speaker 1>Graham died exactly, and the uh Stevie Ray Vaughan died,

0:10:30.720 --> 0:10:34.880
<v Speaker 1>and the CIA um the CIA exact died. I forget

0:10:34.920 --> 0:10:37.559
<v Speaker 1>his name, but right, there's so many people, you know,

0:10:37.600 --> 0:10:41.160
<v Speaker 1>the helicopter accidents. But going to the e d C itself,

0:10:41.440 --> 0:10:43.360
<v Speaker 1>one thing they do not gonna you know, stroke you

0:10:43.440 --> 0:10:45.840
<v Speaker 1>on insomniac. Once you get in, you don't have to

0:10:45.880 --> 0:10:48.920
<v Speaker 1>pay anything else. Every other festival is nickel and dime

0:10:49.000 --> 0:10:51.200
<v Speaker 1>me you. And then they had a spot where you

0:10:51.240 --> 0:10:54.600
<v Speaker 1>could get your phones charged. And it's almost like that

0:10:54.640 --> 0:10:56.839
<v Speaker 1>old song too many Fish in the seat, Short ones,

0:10:56.880 --> 0:11:00.319
<v Speaker 1>tall ones, big ones, small ones. All kinds of people

0:11:00.360 --> 0:11:02.720
<v Speaker 1>were out and it was accepted and there was a

0:11:02.760 --> 0:11:06.480
<v Speaker 1>lot of money spent that was unnecessary. What I mean

0:11:06.520 --> 0:11:10.520
<v Speaker 1>by that. There were timed explosions at certain hours and

0:11:10.600 --> 0:11:12.800
<v Speaker 1>fireworks and it made you feel like you were at

0:11:12.880 --> 0:11:16.440
<v Speaker 1>something special. Of course, it's it's like, you know, the

0:11:16.480 --> 0:11:20.840
<v Speaker 1>funny thing is, we live in a society where everything

0:11:20.880 --> 0:11:23.839
<v Speaker 1>gets pressed. So theoretically, if you want to Google, you

0:11:23.880 --> 0:11:27.880
<v Speaker 1>can find out about anything. But because there's so much information,

0:11:27.920 --> 0:11:30.439
<v Speaker 1>their secret worlds, and when you're at when you're out

0:11:30.440 --> 0:11:33.600
<v Speaker 1>in the desert at this racetrack outside of Vegas, you

0:11:33.640 --> 0:11:36.520
<v Speaker 1>really feel like everybody should come once just to see

0:11:36.520 --> 0:11:39.240
<v Speaker 1>what the funk is going on here, because they really

0:11:39.280 --> 0:11:43.599
<v Speaker 1>don't have any idea, and especially that all Coachella Lollapalooza,

0:11:43.720 --> 0:11:46.240
<v Speaker 1>they always cover them. Although The New York Times didn't

0:11:46.280 --> 0:11:48.280
<v Speaker 1>send somebody to coach Hell at this point because they

0:11:48.280 --> 0:11:50.400
<v Speaker 1>felt they weren't last year, they felt they weren't breaking

0:11:50.440 --> 0:11:53.800
<v Speaker 1>any new ground musically, So there's a there's not as

0:11:53.920 --> 0:11:57.240
<v Speaker 1>much news about these things. They used to with their experiences,

0:11:57.280 --> 0:12:00.160
<v Speaker 1>and the millennials are about experiences. You have to go

0:12:00.240 --> 0:12:03.080
<v Speaker 1>just see what's going on. Well, no, and uh, thank

0:12:03.080 --> 0:12:05.760
<v Speaker 1>you for coming. When you did come, it was I mean,

0:12:05.800 --> 0:12:08.959
<v Speaker 1>like a d C is the biggest production on the planet.

0:12:09.559 --> 0:12:12.200
<v Speaker 1>You saw it firsthand. There is, I've seen them all.

0:12:12.360 --> 0:12:16.319
<v Speaker 1>There is no bigger production. And by the way, I

0:12:16.480 --> 0:12:18.840
<v Speaker 1>see the cost structure that goes behind it, like it's

0:12:18.880 --> 0:12:21.120
<v Speaker 1>the biggest production on the planet. Well, the funny thing is,

0:12:21.120 --> 0:12:22.720
<v Speaker 1>you know you're at the race track and you see

0:12:22.720 --> 0:12:25.680
<v Speaker 1>that many trailers. You know, you know it's a really

0:12:25.679 --> 0:12:28.640
<v Speaker 1>big operation. Not to mention the fact I've been to

0:12:28.720 --> 0:12:31.840
<v Speaker 1>Indianapolis Motor Speedway, but I've never been to like a

0:12:31.960 --> 0:12:34.800
<v Speaker 1>NASCAR track. Whenever you see the banks and it was

0:12:35.000 --> 0:12:37.439
<v Speaker 1>there who talking we were hanging I was talking to

0:12:37.520 --> 0:12:41.719
<v Speaker 1>afro Jack because everybody's hanging out is an interesting situation, right,

0:12:41.760 --> 0:12:44.120
<v Speaker 1>everybody's there. No bit to your point, it's a two

0:12:44.160 --> 0:12:47.160
<v Speaker 1>mile track, right, So the NASCAR tracks run between one

0:12:47.200 --> 0:12:50.160
<v Speaker 1>and two miles. It's a two mile track. I mean

0:12:50.200 --> 0:12:53.640
<v Speaker 1>it's a huge footprint. Um and you know what, it's

0:12:53.679 --> 0:13:00.920
<v Speaker 1>really a beautiful show. Hey, it's left stets. I thank

0:13:00.960 --> 0:13:04.599
<v Speaker 1>you for your time. Thanks for listening to my inaugural podcast.

0:13:05.160 --> 0:13:08.840
<v Speaker 1>Remember to subscribe on tune in, iTunes or wherever you

0:13:08.920 --> 0:13:13.200
<v Speaker 1>get your podcasts. Okay, but now it's time to switch gears,

0:13:13.240 --> 0:13:17.640
<v Speaker 1>as promise. Thank god, let's stop talking about me. That's

0:13:17.679 --> 0:13:20.800
<v Speaker 1>time for you to quiz me. All right. You know,

0:13:20.840 --> 0:13:22.679
<v Speaker 1>I'm just gonna get a little crazy. The key is

0:13:22.720 --> 0:13:25.080
<v Speaker 1>not to leave anything in the green room, so we

0:13:25.160 --> 0:13:27.760
<v Speaker 1>do no preparation. I don't know what it sounds like.

0:13:27.800 --> 0:13:29.600
<v Speaker 1>I'm doing a TV show now. I don't know I'm

0:13:29.600 --> 0:13:32.520
<v Speaker 1>gonna be hit with, but go for it. So let's

0:13:32.559 --> 0:13:35.800
<v Speaker 1>be clear. I begged Bob. So. Bob and I first

0:13:35.840 --> 0:13:42.240
<v Speaker 1>met in n at the what was then known as

0:13:42.440 --> 0:13:45.559
<v Speaker 1>the Aspen Artist Development con Correct it's now known as

0:13:45.600 --> 0:13:50.400
<v Speaker 1>Aspen Live, and Bob writes about this every single fucking year.

0:13:50.880 --> 0:13:52.800
<v Speaker 1>It's a big part of your life, right, you know,

0:13:52.960 --> 0:13:55.160
<v Speaker 1>so much of my social life is based on that,

0:13:55.400 --> 0:13:57.760
<v Speaker 1>you know people. For those who don't know, you can

0:13:57.800 --> 0:14:01.960
<v Speaker 1>google it Aspen Live. It's the antithesis of usual music festival.

0:14:01.960 --> 0:14:04.360
<v Speaker 1>There's no bands and it is an Aspen and to

0:14:04.440 --> 0:14:07.080
<v Speaker 1>go skiing. And some people think it's a circle jerk,

0:14:07.160 --> 0:14:10.240
<v Speaker 1>but the converse happens. Because there's no bands. You go skiing,

0:14:10.240 --> 0:14:12.920
<v Speaker 1>you really get to know people. That's how I know John.

0:14:12.920 --> 0:14:15.440
<v Speaker 1>And the key point we were in the Buffalo Club

0:14:16.160 --> 0:14:18.240
<v Speaker 1>and he asked for John is like the Tumbler and

0:14:18.240 --> 0:14:21.200
<v Speaker 1>the cat Skills and he's asking for predictions. I don't

0:14:21.200 --> 0:14:23.480
<v Speaker 1>even know what that means, but whatever, he's the guy

0:14:23.520 --> 0:14:25.600
<v Speaker 1>who makes every who makes everything happen. I mean the

0:14:26.720 --> 0:14:30.440
<v Speaker 1>straw that stirs the drink. That's that's something. In addition,

0:14:30.480 --> 0:14:33.960
<v Speaker 1>that's what Reggie Jackson said when he was at the Yankees.

0:14:34.200 --> 0:14:36.400
<v Speaker 1>But I don't want to mix the metaphors here. At

0:14:36.400 --> 0:14:38.960
<v Speaker 1>the Cats Skills and most of those hotels are closed,

0:14:39.160 --> 0:14:41.880
<v Speaker 1>they had a guy who ran around called the Tumbler,

0:14:42.160 --> 0:14:46.240
<v Speaker 1>who always made activities spontaneously. So you set up an

0:14:46.280 --> 0:14:49.480
<v Speaker 1>asked for predictions, and you had given me ship before that,

0:14:49.560 --> 0:14:52.600
<v Speaker 1>and I said, and I said, within twelve minutes Geffen Record,

0:14:52.640 --> 0:14:56.560
<v Speaker 1>twelve minutes, twelve months Geffen Records would close, which it did.

0:14:57.840 --> 0:15:00.480
<v Speaker 1>But that was one thing. But that's how we met well.

0:15:00.520 --> 0:15:03.400
<v Speaker 1>And I didn't know you at the time, and and um,

0:15:04.240 --> 0:15:05.960
<v Speaker 1>I look at I look at Bob as like my

0:15:06.040 --> 0:15:09.280
<v Speaker 1>older brother from another mother. He's not enough to be

0:15:09.360 --> 0:15:13.080
<v Speaker 1>my dad. Um, he would be my older brother. And

0:15:13.120 --> 0:15:16.480
<v Speaker 1>I don't have an older brothers or any brothers at all.

0:15:16.680 --> 0:15:19.840
<v Speaker 1>Um um and uh and And we were both part

0:15:19.840 --> 0:15:23.560
<v Speaker 1>of that first Aspen conference, right, very involved, absolutely right.

0:15:23.600 --> 0:15:26.760
<v Speaker 1>And I think I hosted, I was the MC of

0:15:26.840 --> 0:15:30.000
<v Speaker 1>the dinner or something. And and I think I called you,

0:15:30.520 --> 0:15:32.800
<v Speaker 1>and I've I've admitted to this. Um. I think I

0:15:32.840 --> 0:15:36.040
<v Speaker 1>called you the annoying bald guy. It was that or worse.

0:15:36.560 --> 0:15:39.280
<v Speaker 1>It was definitely a put out. I've blocked it from

0:15:39.280 --> 0:15:42.200
<v Speaker 1>my memory, but I remember the insult. So I apologize

0:15:42.200 --> 0:15:45.360
<v Speaker 1>to you for probably the hundredth time here. Well, you know,

0:15:45.360 --> 0:15:47.880
<v Speaker 1>I've had a lot of psychotherapy at this point. You know,

0:15:47.960 --> 0:15:51.800
<v Speaker 1>people think that I'm a guy who's very honest, and

0:15:51.800 --> 0:15:54.000
<v Speaker 1>when you were in the music business, you are very honest.

0:15:54.000 --> 0:15:56.920
<v Speaker 1>You're in the music business long enough, you know there's

0:15:56.960 --> 0:16:00.520
<v Speaker 1>the surface and the layer beneath the surface, and people

0:16:00.560 --> 0:16:03.280
<v Speaker 1>think if you're intense on the surface, you ust to

0:16:03.320 --> 0:16:06.640
<v Speaker 1>be a real motherfucker underneath. But I am who I am,

0:16:06.720 --> 0:16:09.920
<v Speaker 1>So therefore people may be thrown off guarded first, but

0:16:09.960 --> 0:16:12.240
<v Speaker 1>then they realized, you know, there's no artifice underneath it.

0:16:12.680 --> 0:16:17.960
<v Speaker 1>So ultimately you know this is me. Yeah, and you know, um,

0:16:18.000 --> 0:16:20.280
<v Speaker 1>I think so. So Bob and I have have um

0:16:21.200 --> 0:16:23.840
<v Speaker 1>we've we've done some interviews together a couple of times,

0:16:23.680 --> 0:16:26.320
<v Speaker 1>a few different things. And what I usually tell everybody

0:16:27.040 --> 0:16:29.840
<v Speaker 1>out of the gate is this guy has one badass

0:16:29.920 --> 0:16:33.520
<v Speaker 1>motherfucking skier, like he fucking rips. And by the way,

0:16:33.520 --> 0:16:34.920
<v Speaker 1>this is coming from a guy who grew up in

0:16:34.920 --> 0:16:38.400
<v Speaker 1>Tahoe and was the Junior olympiad. So Bob is a

0:16:38.600 --> 0:16:43.520
<v Speaker 1>really um not that you I did win all the

0:16:43.520 --> 0:16:46.880
<v Speaker 1>ski races in the first few years, but you are

0:16:47.000 --> 0:16:49.800
<v Speaker 1>really really good. And I think that was something that

0:16:49.800 --> 0:16:52.600
<v Speaker 1>brought us together. Absolutely our roots in the mountains. Our

0:16:52.680 --> 0:16:54.480
<v Speaker 1>roots are in the mountains. So all right, so let's

0:16:54.560 --> 0:16:58.400
<v Speaker 1>let's talk about you. Connecticut, right right. I grew up

0:16:58.440 --> 0:17:02.000
<v Speaker 1>a Connecticut in the suburbs Afield, Connecticut. That's fifty miles

0:17:02.000 --> 0:17:04.760
<v Speaker 1>from New York City. Why that's important is that's New

0:17:04.840 --> 0:17:08.960
<v Speaker 1>York media, New York Radio, New York television. At the time,

0:17:09.359 --> 0:17:11.760
<v Speaker 1>it was rare for someone to commute to New York

0:17:11.840 --> 0:17:16.080
<v Speaker 1>from Fairfield. But now it's more common, but my mother

0:17:16.160 --> 0:17:18.720
<v Speaker 1>was a real cultural vulture. We were constantly going in

0:17:18.760 --> 0:17:21.919
<v Speaker 1>to see plays, musicals. We would go with school. But

0:17:22.080 --> 0:17:24.240
<v Speaker 1>staying with what I said earlier, we had the three

0:17:24.280 --> 0:17:28.920
<v Speaker 1>networks plus three independent stations. The only place that had

0:17:28.960 --> 0:17:33.119
<v Speaker 1>more independent television stations West Los Angeles with four, and

0:17:33.200 --> 0:17:37.560
<v Speaker 1>of course we had multiple A M radio stations, certainly

0:17:37.640 --> 0:17:41.000
<v Speaker 1>seventy seven. We had Cousin Brucy, who's now on the

0:17:41.040 --> 0:17:43.879
<v Speaker 1>satellite again. I was a big Cousin Brucy fan. And

0:17:43.920 --> 0:17:47.000
<v Speaker 1>we had Scott Muni number one in the nation, the

0:17:47.000 --> 0:17:51.840
<v Speaker 1>Scott Munich Show, who flipped over to FM Okay and

0:17:52.240 --> 0:17:57.280
<v Speaker 1>FM Underground radio started in San Francisco in nineteen sixty seven,

0:17:57.640 --> 0:18:01.280
<v Speaker 1>one could say nineteen sixty six with Tom Donahue, and

0:18:01.359 --> 0:18:04.800
<v Speaker 1>started in New York in nineteen seventy seven WO R

0:18:05.160 --> 0:18:09.120
<v Speaker 1>F M, and it had all at Scott Muny who

0:18:09.119 --> 0:18:12.919
<v Speaker 1>eventually went to w n e W. But I was there,

0:18:13.000 --> 0:18:15.920
<v Speaker 1>being in the New York radio market, we could get

0:18:15.960 --> 0:18:19.199
<v Speaker 1>all those stations, so I heard all those records. So

0:18:20.280 --> 0:18:24.520
<v Speaker 1>what was the what was the moment? What was the

0:18:24.560 --> 0:18:28.520
<v Speaker 1>moment you knew that music was your calling or did

0:18:28.520 --> 0:18:30.200
<v Speaker 1>you not know because you went and got a you

0:18:30.520 --> 0:18:33.200
<v Speaker 1>you went, you're an attorney. Many people don't know that

0:18:33.520 --> 0:18:36.160
<v Speaker 1>I am an attorney. But we're getting ahead of the story.

0:18:36.640 --> 0:18:41.200
<v Speaker 1>You know, generations are changing and people are rewriting history. Okay,

0:18:41.359 --> 0:18:45.159
<v Speaker 1>people say that, oh, the Beatles filled a vacuum after

0:18:45.840 --> 0:18:49.000
<v Speaker 1>JFK got shot like everybody else my age. I certainly

0:18:49.000 --> 0:18:51.399
<v Speaker 1>remember where I was when JFK got shot. I was

0:18:51.440 --> 0:18:54.800
<v Speaker 1>at the bowling Alley. Okay, we were watching it on TV.

0:18:55.520 --> 0:19:01.960
<v Speaker 1>But the Beatles were just a revolution in sound. It was.

0:19:02.520 --> 0:19:04.760
<v Speaker 1>They didn't start to play the record so right after

0:19:04.840 --> 0:19:08.639
<v Speaker 1>Christmas because radio stations locked their playlists over Christmas. It

0:19:08.720 --> 0:19:13.760
<v Speaker 1>was within twenty four hours. Okay, everybody started to grow

0:19:13.800 --> 0:19:17.000
<v Speaker 1>the here immediately, everybody got a guitar at that time.

0:19:17.040 --> 0:19:19.920
<v Speaker 1>Before that was folk music. We haven't had hooting any

0:19:19.960 --> 0:19:23.320
<v Speaker 1>shows on television. And I had learned to play a

0:19:23.480 --> 0:19:26.560
<v Speaker 1>nylon string guitar, but it wasn't until after the Beatles

0:19:26.800 --> 0:19:29.640
<v Speaker 1>that I got an electric guitar. It was you never

0:19:29.680 --> 0:19:32.879
<v Speaker 1>talked about this, Well, here we have it, and I

0:19:33.000 --> 0:19:35.000
<v Speaker 1>was a shifty guitar player. Let me be very clear.

0:19:35.040 --> 0:19:37.720
<v Speaker 1>I mean it's funny because you listen to the radio

0:19:37.760 --> 0:19:39.440
<v Speaker 1>and they play some of these records. Some of these

0:19:39.440 --> 0:19:43.320
<v Speaker 1>songs are incredibly easy to play, like Gloria It's three uh.

0:19:43.560 --> 0:19:48.080
<v Speaker 1>Van Morrison's song made uh popular in America. My Shadows

0:19:48.080 --> 0:19:54.159
<v Speaker 1>of the Night um and uh um. Dirty Water that

0:19:54.280 --> 0:19:56.720
<v Speaker 1>was another easy one. But I had my friend Mark

0:19:56.760 --> 0:19:59.840
<v Speaker 1>and my Mark. My friend Mark, remember he traded his

0:20:00.200 --> 0:20:02.040
<v Speaker 1>I got an e S three thirty five and we're

0:20:02.040 --> 0:20:04.520
<v Speaker 1>playing in his bedroom one day and he said, well,

0:20:05.200 --> 0:20:08.200
<v Speaker 1>let's change keys, and that's when I knew I was done.

0:20:08.480 --> 0:20:10.680
<v Speaker 1>I was also embarrassed. I was with a guy who

0:20:10.760 --> 0:20:13.280
<v Speaker 1>still plays in bands, and they were gonna get gigs,

0:20:13.760 --> 0:20:16.199
<v Speaker 1>and I felt like I was not good enough. But

0:20:16.400 --> 0:20:18.600
<v Speaker 1>I subsequently got a very I worked for a summer

0:20:18.640 --> 0:20:21.440
<v Speaker 1>and I bought an expensive acoustic guitar, which my mother

0:20:21.440 --> 0:20:23.439
<v Speaker 1>put in the crawl space and has some mold on

0:20:23.480 --> 0:20:26.680
<v Speaker 1>it now Gibbs I still have it. They say they'd

0:20:26.720 --> 0:20:31.000
<v Speaker 1>fix it at Gibbs Back whatever the gifts, you know,

0:20:31.119 --> 0:20:33.560
<v Speaker 1>they said they would fix it. And it was really good,

0:20:33.600 --> 0:20:35.640
<v Speaker 1>and I played a little bit first year of college,

0:20:35.640 --> 0:20:38.960
<v Speaker 1>but college was so disorienting. After living in the suburbs,

0:20:39.080 --> 0:20:41.439
<v Speaker 1>I went to college in Vermont. I did not play

0:20:41.480 --> 0:20:45.400
<v Speaker 1>after that university, No, I went to Middlebury College, which

0:20:45.400 --> 0:20:50.280
<v Speaker 1>is a half hour from so going to college. Um,

0:20:50.840 --> 0:20:54.560
<v Speaker 1>I I could have gone to Middlebury Columbia. I didn't

0:20:54.560 --> 0:20:58.080
<v Speaker 1>go to Columbia primarily because a guy had been on

0:20:58.080 --> 0:21:00.879
<v Speaker 1>a summer program with wanted to rule with me, and

0:21:00.920 --> 0:21:02.560
<v Speaker 1>I didn't want to ruin with them, and I know

0:21:02.680 --> 0:21:04.320
<v Speaker 1>I would get out of it. So if I go

0:21:04.359 --> 0:21:06.080
<v Speaker 1>to Middlebury, I don't have to worry about it. The

0:21:06.119 --> 0:21:11.040
<v Speaker 1>middle Berries were really the skiing kicked in right. No, no, um,

0:21:11.119 --> 0:21:12.840
<v Speaker 1>if you want to talk skiing for a minute, I

0:21:12.880 --> 0:21:14.640
<v Speaker 1>grew up, as I said, connected when you still used

0:21:14.640 --> 0:21:18.800
<v Speaker 1>to snow in Connecticut. And my friend Bobby Hickey used

0:21:18.840 --> 0:21:22.040
<v Speaker 1>to ski and he let me try his skis, and

0:21:22.080 --> 0:21:24.880
<v Speaker 1>I convinced myself convinced my parents to buy me skis.

0:21:24.960 --> 0:21:27.920
<v Speaker 1>It was the skis bindings and polls for ten dollars.

0:21:28.359 --> 0:21:30.760
<v Speaker 1>And we used to ski in Bobby Hicky's backyard with

0:21:30.800 --> 0:21:34.800
<v Speaker 1>a vertical drop of maybe twenty five Then then you

0:21:34.880 --> 0:21:37.280
<v Speaker 1>walk back up. Of course, you walk back up and

0:21:37.280 --> 0:21:39.919
<v Speaker 1>you have the floodlight you see at night whatever. And

0:21:40.000 --> 0:21:43.920
<v Speaker 1>in the days of flannel line jeans, So in sixth grade,

0:21:44.040 --> 0:21:49.840
<v Speaker 1>Mr Conley, he showed a thirty minute promotional video from

0:21:49.840 --> 0:21:52.320
<v Speaker 1>Mount Snow and I could, which is a large ski

0:21:52.320 --> 0:21:54.760
<v Speaker 1>area in southern Vermont. I've been there. You've been there,

0:21:54.800 --> 0:21:59.560
<v Speaker 1>must have been like for work. It was it say,

0:21:59.560 --> 0:22:01.240
<v Speaker 1>if you can ski in the East, there's no reasons,

0:22:03.280 --> 0:22:05.840
<v Speaker 1>so it certainly isn't. But it's a large skier in Vermont.

0:22:05.840 --> 0:22:07.920
<v Speaker 1>I want to put Mount Snow down. But we went.

0:22:08.080 --> 0:22:10.359
<v Speaker 1>My family got hooked, and then we rented a house

0:22:10.359 --> 0:22:14.040
<v Speaker 1>in Vermont, and then we bought a house in Manchester, Vermont,

0:22:14.200 --> 0:22:16.560
<v Speaker 1>and I was skiing thirty five to fifty days a

0:22:16.600 --> 0:22:19.960
<v Speaker 1>year before I went to Middlebury. Yes, I went to

0:22:20.440 --> 0:22:24.240
<v Speaker 1>It was either both Dartmouth and Middlebury have their own

0:22:24.240 --> 0:22:29.119
<v Speaker 1>ski areas, but Dartmouth has a lower altitude and is

0:22:29.160 --> 0:22:32.040
<v Speaker 1>in New Hampshire. And when I applied to college, Dartmouth

0:22:32.080 --> 0:22:34.399
<v Speaker 1>was not scheduled to go co ed for a number

0:22:34.400 --> 0:22:37.240
<v Speaker 1>of years. And I went to Middlebury it was it's

0:22:37.240 --> 0:22:40.000
<v Speaker 1>still very beautiful campus and they have their own ski

0:22:40.040 --> 0:22:43.040
<v Speaker 1>area and I could go skiing every day, which I did.

0:22:43.320 --> 0:22:45.439
<v Speaker 1>The funny thing is of everything that happened to me

0:22:45.480 --> 0:22:48.560
<v Speaker 1>in college, okay, the one thing I did in college

0:22:48.760 --> 0:22:50.919
<v Speaker 1>was ski That's the one thing I still do forget

0:22:50.920 --> 0:22:53.399
<v Speaker 1>what of courses I took. The people are hong with whatever.

0:22:53.600 --> 0:22:55.560
<v Speaker 1>So I did get something out of college. And then

0:22:55.600 --> 0:22:57.800
<v Speaker 1>I lived in Utah for a couple of minutes, starving

0:22:57.800 --> 0:23:01.520
<v Speaker 1>on the free style UH ski circuit. I mean the

0:23:01.560 --> 0:23:03.920
<v Speaker 1>first year I was in It's funny. I'm talking about

0:23:03.920 --> 0:23:05.520
<v Speaker 1>skiing as the post to what I might have happened

0:23:05.520 --> 0:23:07.959
<v Speaker 1>in college. First year I was in Vermont was one

0:23:07.960 --> 0:23:09.960
<v Speaker 1>of the great years. Ever. By the way, you're where

0:23:09.960 --> 0:23:13.560
<v Speaker 1>you're you're wearing a veil vest, So you know it's

0:23:13.560 --> 0:23:16.480
<v Speaker 1>funny because when I lived in Utah, you pooh pooed veil.

0:23:16.680 --> 0:23:19.080
<v Speaker 1>A good friend of mine was this guy who Scott

0:23:19.080 --> 0:23:22.800
<v Speaker 1>brooks Bank, who was the winner of the UH Freestyle Championship,

0:23:22.960 --> 0:23:25.400
<v Speaker 1>and he had a house in Utah and my friend

0:23:25.440 --> 0:23:26.720
<v Speaker 1>lived there, so is there all the time. And he

0:23:26.840 --> 0:23:30.000
<v Speaker 1>come came from veil. I said, veil, it's flat. They

0:23:30.040 --> 0:23:33.160
<v Speaker 1>actually have one very steep bump run called high Line,

0:23:33.200 --> 0:23:36.320
<v Speaker 1>which he trained on. But I used to pooh pooh veil.

0:23:36.720 --> 0:23:39.040
<v Speaker 1>Then I got involved with my girlfriend twelve years ago,

0:23:39.320 --> 0:23:42.200
<v Speaker 1>and since the seventies they have a condo in the

0:23:42.320 --> 0:23:45.280
<v Speaker 1>closest building to the listed veil and I'm getting Knowlted.

0:23:45.320 --> 0:23:48.040
<v Speaker 1>Now I don't poop poo veil so much. But after

0:23:48.119 --> 0:23:50.760
<v Speaker 1>grad the next three years I was in college, it

0:23:50.840 --> 0:23:54.040
<v Speaker 1>was very bad snow years before many skier he has

0:23:54.080 --> 0:23:58.440
<v Speaker 1>had um snow guns. And I went to live in Utah.

0:23:58.640 --> 0:24:02.080
<v Speaker 1>I got a job at the gold Mine. Yes, I

0:24:02.080 --> 0:24:05.399
<v Speaker 1>got a job right out of college. You moved to Utah.

0:24:05.400 --> 0:24:08.440
<v Speaker 1>I mean, let's be very clear. It was a totally

0:24:08.480 --> 0:24:12.760
<v Speaker 1>different world from today. There was a middle class. Nobody

0:24:12.880 --> 0:24:17.840
<v Speaker 1>I know went straight after college. If there were recruiters

0:24:17.880 --> 0:24:21.159
<v Speaker 1>on campus, I certainly didn't meet with them. And I

0:24:21.200 --> 0:24:23.320
<v Speaker 1>signed up for the l s a T because my

0:24:23.400 --> 0:24:25.520
<v Speaker 1>father wanted me to take it. And my friends knocked

0:24:25.560 --> 0:24:27.760
<v Speaker 1>on the door the night before said you're not gonna

0:24:27.800 --> 0:24:30.760
<v Speaker 1>take that, are you. Let's go to Montreal, so we did.

0:24:31.000 --> 0:24:34.840
<v Speaker 1>I didn't take it. So I went to Yes, of

0:24:34.880 --> 0:24:38.000
<v Speaker 1>course to do what Ski. No. We it was just

0:24:38.080 --> 0:24:41.080
<v Speaker 1>to do something for that day, Okay, But I didn't

0:24:41.080 --> 0:24:45.600
<v Speaker 1>take the l s a T. And going to Middlebury Middlebury.

0:24:45.720 --> 0:24:49.439
<v Speaker 1>Now Middlebury has got in subtraction because they had a

0:24:49.440 --> 0:24:52.600
<v Speaker 1>big protest there last spring. But before that people would

0:24:52.640 --> 0:24:54.760
<v Speaker 1>say Middlebury is at some place in Connecticut. No one

0:24:54.840 --> 0:24:59.360
<v Speaker 1>knew Middlebury College except in ski areas. It's because it's

0:24:59.400 --> 0:25:02.879
<v Speaker 1>the best college with a ski area. Okay, it's a

0:25:03.040 --> 0:25:07.080
<v Speaker 1>dart miss is a thing unto itself. But everywhere you go,

0:25:07.160 --> 0:25:09.600
<v Speaker 1>every skied the people from Middlebury. And I lined up

0:25:09.600 --> 0:25:12.080
<v Speaker 1>a job at the gold Miner's daughter. Best job you

0:25:12.119 --> 0:25:13.880
<v Speaker 1>can get being a waiter. You never have to work

0:25:13.920 --> 0:25:16.320
<v Speaker 1>when the lifts are open. And I got it because

0:25:16.359 --> 0:25:18.560
<v Speaker 1>I went to Middlebury. But I came to l A.

0:25:19.080 --> 0:25:22.000
<v Speaker 1>I worked in a sporting goods store. Uh, it no

0:25:22.119 --> 0:25:25.919
<v Speaker 1>longer exists as Hollywood and Highland and Star sporting goods

0:25:26.000 --> 0:25:28.800
<v Speaker 1>and all the stars. Just coming out of conversation, this

0:25:28.880 --> 0:25:31.800
<v Speaker 1>was just with Jack Nicholson, just before he went to

0:25:31.800 --> 0:25:33.879
<v Speaker 1>film One Flew Over the Cuckoo's Nest and he was

0:25:33.920 --> 0:25:37.399
<v Speaker 1>so cool, and I worked different months. The guy wanted

0:25:37.440 --> 0:25:39.560
<v Speaker 1>to give me the store. I was waiting to quick

0:25:39.600 --> 0:25:43.200
<v Speaker 1>to go back to Utah. Then to a freak accident,

0:25:43.320 --> 0:25:47.399
<v Speaker 1>I broke my leg. I went skiing. It's snow summit.

0:25:47.960 --> 0:25:51.600
<v Speaker 1>I mean, this is a ridiculous story. Should snow summits?

0:25:51.600 --> 0:25:53.320
<v Speaker 1>Just for those people don't know, these are ski areas

0:25:53.320 --> 0:25:55.399
<v Speaker 1>in a very high altitude within two hours of l

0:25:55.440 --> 0:26:00.040
<v Speaker 1>A the car I went in literally burned up, and

0:26:00.040 --> 0:26:02.480
<v Speaker 1>and the only skis I had were very long skis

0:26:02.520 --> 0:26:05.080
<v Speaker 1>and short skis, and I took the short skis, feeling

0:26:05.119 --> 0:26:07.639
<v Speaker 1>that no one would have a ski rack, but the

0:26:07.680 --> 0:26:10.240
<v Speaker 1>bindings would not get tight enough. The bindings came off

0:26:10.280 --> 0:26:13.040
<v Speaker 1>at ten ft in mid air and I landed and

0:26:13.119 --> 0:26:15.400
<v Speaker 1>my leg was broken, and so I missed my job

0:26:15.440 --> 0:26:18.440
<v Speaker 1>in Utah. I took the l s A t and

0:26:18.560 --> 0:26:20.480
<v Speaker 1>I end up getting a job at Snowburg. To the

0:26:20.520 --> 0:26:23.280
<v Speaker 1>place still exists. Alton Snowburg are now connected the right

0:26:23.320 --> 0:26:26.879
<v Speaker 1>next to each other, little Cotwood Canyon, and at some

0:26:26.960 --> 0:26:29.439
<v Speaker 1>place called the bird Feeder, which is right by the tram,

0:26:29.480 --> 0:26:32.360
<v Speaker 1>where you sell hot talks, and I would curry favor

0:26:32.480 --> 0:26:37.119
<v Speaker 1>with people by giving them large ice cream cones. I

0:26:37.200 --> 0:26:39.639
<v Speaker 1>did not know that at the time Snowbourg was the

0:26:39.680 --> 0:26:45.280
<v Speaker 1>epicenter of freestyle skiing. Everybody would come and then I mean,

0:26:45.600 --> 0:26:48.159
<v Speaker 1>what happened was I was waiting for the tram very

0:26:48.240 --> 0:26:51.360
<v Speaker 1>late in the season and I missed then ski till

0:26:51.359 --> 0:26:53.679
<v Speaker 1>the end of January because I broke my leg in

0:26:53.800 --> 0:26:57.040
<v Speaker 1>the beginning of November. And these guys, this guy ran

0:26:57.080 --> 0:26:59.480
<v Speaker 1>into said, oh, all the freestyles were going to Mammoth

0:27:00.480 --> 0:27:02.880
<v Speaker 1>and they came in for ice cream cones, which they

0:27:02.920 --> 0:27:05.760
<v Speaker 1>would every day, and you get big scoops, big scoops

0:27:05.880 --> 0:27:12.040
<v Speaker 1>huge and they said, yes, we're going to uh Mammoth

0:27:12.119 --> 0:27:15.840
<v Speaker 1>for a month. And they said, come to this frat house.

0:27:16.080 --> 0:27:18.640
<v Speaker 1>We're gonna have a meeting on the University of Utah campus.

0:27:19.080 --> 0:27:20.800
<v Speaker 1>And I went there on a snowy night where they

0:27:20.840 --> 0:27:24.960
<v Speaker 1>were playing physical graffiti, and uh, I gave him my

0:27:25.000 --> 0:27:28.359
<v Speaker 1>fifty bucks. They went to bang the bumps at Heavenly Valley.

0:27:28.560 --> 0:27:31.359
<v Speaker 1>If you really know, skiing the barrel in Heavenly Valley

0:27:31.600 --> 0:27:33.560
<v Speaker 1>is a big thing. Nobody had any money, said. They

0:27:33.680 --> 0:27:37.200
<v Speaker 1>used acetone to peel off the tickets for people's wickets

0:27:37.400 --> 0:27:42.240
<v Speaker 1>and then use those tickets, and um, I got. I

0:27:42.320 --> 0:27:45.320
<v Speaker 1>stayed up all night the night before I went to Reno,

0:27:45.440 --> 0:27:46.879
<v Speaker 1>where I had to go to the Hard Ski Factory,

0:27:46.920 --> 0:27:51.280
<v Speaker 1>exchanged some skis and listening to physical Graffiti, and I

0:27:51.280 --> 0:27:54.680
<v Speaker 1>got stopped for speeding because that was after they lowered

0:27:54.720 --> 0:27:56.240
<v Speaker 1>the speed limit. There didn't used to be a speed

0:27:56.240 --> 0:27:59.960
<v Speaker 1>limit in Nevada. That was fifteen dollars. I was really

0:28:00.040 --> 0:28:03.639
<v Speaker 1>really scrape and I went to the Heart Ski Factory

0:28:03.800 --> 0:28:06.199
<v Speaker 1>and got some new skis and then drove to Mammoth.

0:28:06.400 --> 0:28:09.159
<v Speaker 1>It's a really beautiful drive. People have no idea that

0:28:09.280 --> 0:28:13.080
<v Speaker 1>you think of mountains as being condo in Utah, as

0:28:13.119 --> 0:28:15.160
<v Speaker 1>they say, But if you drive from Reno the back road,

0:28:16.720 --> 0:28:19.359
<v Speaker 1>uh the tackside of Yosemite, it's beautiful. And I got

0:28:19.440 --> 0:28:24.080
<v Speaker 1>to Mammoth a little early. The gig was we were

0:28:24.080 --> 0:28:26.240
<v Speaker 1>gonna meet at the stop side a nude. I didn't

0:28:26.240 --> 0:28:28.679
<v Speaker 1>even really know these people, and I drove up the

0:28:28.720 --> 0:28:31.440
<v Speaker 1>access road and that was the first time I heard

0:28:31.560 --> 0:28:35.359
<v Speaker 1>tangled up in Blue by uh Bob Dylan, and I

0:28:35.400 --> 0:28:38.120
<v Speaker 1>met these guys at the stop side. I didn't think

0:28:38.160 --> 0:28:40.520
<v Speaker 1>I could stay, didn't have enough money, and I called

0:28:40.560 --> 0:28:43.040
<v Speaker 1>my parents deciding whether I could stay, and I got

0:28:43.040 --> 0:28:45.400
<v Speaker 1>the thirty five dollar so I could stay on two

0:28:45.440 --> 0:28:47.520
<v Speaker 1>dollars and thirty cents a day. There was a spring

0:28:47.560 --> 0:28:52.240
<v Speaker 1>pass and thirty cents a day. Okay, it was a

0:28:52.280 --> 0:28:55.200
<v Speaker 1>spring pass you could buy for fifty bucks and everybody.

0:28:55.280 --> 0:28:57.000
<v Speaker 1>I still have contact with those people. That was the

0:28:57.000 --> 0:29:00.320
<v Speaker 1>best month of our lives. Literally in the right about

0:29:00.640 --> 0:29:02.880
<v Speaker 1>still regular. That's how I really I got back into

0:29:02.960 --> 0:29:05.320
<v Speaker 1>led Up and listen to the physical graffiti every day.

0:29:05.320 --> 0:29:08.080
<v Speaker 1>I was really into them in the beginning, but ten

0:29:08.160 --> 0:29:11.080
<v Speaker 1>years gone, which I loved, and then I decided I

0:29:11.080 --> 0:29:14.040
<v Speaker 1>would compete on the freestyle circuit. So we can go back.

0:29:14.400 --> 0:29:16.880
<v Speaker 1>We can go back to to your history because I

0:29:16.920 --> 0:29:19.800
<v Speaker 1>want to go back there. But can we not agree

0:29:20.200 --> 0:29:22.480
<v Speaker 1>that led Zeppelin is the greatest band that ever walked

0:29:22.480 --> 0:29:24.640
<v Speaker 1>the face of the earth. I'm would as you say

0:29:24.680 --> 0:29:27.160
<v Speaker 1>something different than we used saying college. Somebody said to

0:29:27.200 --> 0:29:30.360
<v Speaker 1>be in college, name a better record than Who's Next?

0:29:32.360 --> 0:29:34.720
<v Speaker 1>Now you might be able to namber led Zeppelin is

0:29:34.760 --> 0:29:36.840
<v Speaker 1>a unique thing. What I say, people say, when you

0:29:36.880 --> 0:29:39.720
<v Speaker 1>go to a desert island, what would you take? I said,

0:29:39.760 --> 0:29:42.000
<v Speaker 1>I take Joni Mitchell, Blue and a C d C

0:29:42.200 --> 0:29:46.040
<v Speaker 1>Back in Black, So certainly leads up. One is great,

0:29:46.080 --> 0:29:48.719
<v Speaker 1>although I pretty much stop. Although I certainly have all

0:29:48.720 --> 0:29:52.760
<v Speaker 1>the records I thought presence was. You know, the records

0:29:52.760 --> 0:29:56.400
<v Speaker 1>after physical Graffiti were a disappointment. But those records are great.

0:29:56.440 --> 0:30:01.520
<v Speaker 1>I mean one too, or well one see like right

0:30:01.600 --> 0:30:03.520
<v Speaker 1>when I see you know your time is gonna come?

0:30:03.600 --> 0:30:07.440
<v Speaker 1>You know, lion cheating hurting. I say that to myself

0:30:07.480 --> 0:30:10.720
<v Speaker 1>when I ski that and and uh little feats easy

0:30:10.800 --> 0:30:13.160
<v Speaker 1>to slip, but Just to go back to your earlier question,

0:30:13.200 --> 0:30:15.840
<v Speaker 1>my mother was a culture vulture in our family. My

0:30:15.920 --> 0:30:17.960
<v Speaker 1>father used to always say, well, we don't have the

0:30:17.960 --> 0:30:20.760
<v Speaker 1>big house because it's the house that we moved into

0:30:20.880 --> 0:30:23.520
<v Speaker 1>six months after I was born, and my mother only

0:30:23.520 --> 0:30:26.720
<v Speaker 1>sold it ten years ago. And uh, but there was

0:30:26.760 --> 0:30:31.320
<v Speaker 1>an unlimited amount of money for cultural expeditions. If I

0:30:31.360 --> 0:30:33.520
<v Speaker 1>want to go to the movies, my mother really she

0:30:33.560 --> 0:30:36.720
<v Speaker 1>would go to these jew uh Judith Chris movie weekends.

0:30:36.760 --> 0:30:38.840
<v Speaker 1>There was always money for movies. There was always money

0:30:38.840 --> 0:30:41.280
<v Speaker 1>for concerts. She would hit me to something. She said,

0:30:41.400 --> 0:30:43.560
<v Speaker 1>oh Country Joe in the Fish, I see their new haven,

0:30:43.760 --> 0:30:46.120
<v Speaker 1>and I would get tickets. So yes, I was very

0:30:46.200 --> 0:30:50.560
<v Speaker 1>into it before you know. Uh, he knew very early

0:30:50.600 --> 0:30:53.560
<v Speaker 1>on this was part of you, right. And as I say,

0:30:53.960 --> 0:30:55.880
<v Speaker 1>you know, if I go on about this, we don't

0:30:55.920 --> 0:30:57.600
<v Speaker 1>have time to go on. You know, there's a lot

0:30:57.640 --> 0:31:03.480
<v Speaker 1>of important history elements. Okay. Certainly, when I got to college,

0:31:03.560 --> 0:31:07.320
<v Speaker 1>I had more records than anybody else, and therefore I

0:31:07.440 --> 0:31:10.520
<v Speaker 1>curried favor with all the upper classmen, and I had

0:31:10.560 --> 0:31:15.200
<v Speaker 1>two radio shows. But then when my generation took over,

0:31:15.720 --> 0:31:17.920
<v Speaker 1>they were jealous and I got demoted. I could be

0:31:17.920 --> 0:31:19.800
<v Speaker 1>on once every other week, and I said, forget it.

0:31:20.360 --> 0:31:24.920
<v Speaker 1>So then I taught right. And then I taught a

0:31:24.960 --> 0:31:27.360
<v Speaker 1>course about you know, in Middlebury they have the four

0:31:27.440 --> 0:31:31.000
<v Speaker 1>one four system. You take one course intensively in the winter,

0:31:31.520 --> 0:31:33.880
<v Speaker 1>and I convince the administration to let me teach a

0:31:33.920 --> 0:31:39.760
<v Speaker 1>story about rock music, and um, there's a lot of

0:31:39.800 --> 0:31:43.320
<v Speaker 1>elements that come together here. I was in You had

0:31:43.320 --> 0:31:45.560
<v Speaker 1>to take an English course that was the one required

0:31:45.600 --> 0:31:48.959
<v Speaker 1>course other than your major, and I never did this again.

0:31:49.240 --> 0:31:52.120
<v Speaker 1>I called the professor and asked him whether I could

0:31:52.120 --> 0:31:55.320
<v Speaker 1>do something creative. I did, and I got an A.

0:31:55.480 --> 0:31:58.320
<v Speaker 1>In Middlebury, nobody got an A. And I called my

0:31:58.320 --> 0:32:00.920
<v Speaker 1>mother from the pay phone and I said, I'm gonna

0:32:00.920 --> 0:32:06.600
<v Speaker 1>be a writer, and she laughed, okay. So I felt like, okay,

0:32:06.640 --> 0:32:10.000
<v Speaker 1>I graduate from college either I'm gonna move to school. Absolutely,

0:32:10.040 --> 0:32:12.680
<v Speaker 1>I graduated from college. That's the first first couple of

0:32:12.720 --> 0:32:15.920
<v Speaker 1>weeks of college. But then, just to be very clear,

0:32:15.960 --> 0:32:20.000
<v Speaker 1>I mean, you know, I took the creative writing course.

0:32:20.040 --> 0:32:25.120
<v Speaker 1>This is two and the guy wrote c stories unsuccessfully

0:32:25.160 --> 0:32:27.160
<v Speaker 1>and you go to Middlebury's small school. There was only

0:32:27.160 --> 0:32:30.560
<v Speaker 1>one creative writing teacher, and he said my stories needed

0:32:30.560 --> 0:32:33.400
<v Speaker 1>a twist. I said, a twist do you ever hear

0:32:33.440 --> 0:32:36.440
<v Speaker 1>the new journalism, which is already old? At Twist, I

0:32:36.480 --> 0:32:38.400
<v Speaker 1>would read in class it was like spring time for

0:32:38.480 --> 0:32:41.400
<v Speaker 1>Hitler because he had all of these people who were

0:32:41.440 --> 0:32:44.440
<v Speaker 1>you know, prep school kids whatever. So I felt when

0:32:44.480 --> 0:32:51.000
<v Speaker 1>I was in college. When I graduated, I would either, um,

0:32:51.200 --> 0:32:53.040
<v Speaker 1>go try to get a job with Rolling Stone in

0:32:53.080 --> 0:32:56.760
<v Speaker 1>San Francisco, or try to pursue the ski thing. But

0:32:56.840 --> 0:32:59.000
<v Speaker 1>I was so burned out on writing that I pursued

0:32:59.040 --> 0:33:01.719
<v Speaker 1>the ski thing. Yeah, but it serves you well because

0:33:02.000 --> 0:33:04.160
<v Speaker 1>I mean, you've got this passion right, and it's part

0:33:04.200 --> 0:33:07.440
<v Speaker 1>of your life. And by the way, how important has

0:33:07.480 --> 0:33:14.520
<v Speaker 1>skiing been in your career? I mean, Okay, there's a

0:33:14.600 --> 0:33:18.880
<v Speaker 1>song on the Run with the Pack album called simple

0:33:18.960 --> 0:33:22.360
<v Speaker 1>Man by Bad Company, and it's an incredible record. He goes,

0:33:22.800 --> 0:33:26.000
<v Speaker 1>freedom is the only thing meads and damn to me.

0:33:26.440 --> 0:33:28.800
<v Speaker 1>And when you are out skiing, it's one of the

0:33:28.880 --> 0:33:31.720
<v Speaker 1>few things you can do with total freedom. You get

0:33:31.720 --> 0:33:33.960
<v Speaker 1>out in your car, you drive a hundred miles an hour,

0:33:34.280 --> 0:33:37.120
<v Speaker 1>You're gonna get stopped. Okay, ski slope you can do

0:33:37.160 --> 0:33:40.720
<v Speaker 1>whatever you want. You can kill yourself, hopefully you won't, okay.

0:33:41.000 --> 0:33:45.320
<v Speaker 1>And the other great thing about skiing is when you ski,

0:33:45.440 --> 0:33:47.840
<v Speaker 1>you can't think about anything else you'll fall. You can

0:33:47.840 --> 0:33:49.480
<v Speaker 1>think about something on the lift, but once you ski

0:33:49.600 --> 0:33:53.720
<v Speaker 1>requires totally being in the moment the sensation. The only

0:33:53.760 --> 0:33:56.520
<v Speaker 1>sensation I found better than the skiing is sex. And

0:33:56.560 --> 0:33:58.360
<v Speaker 1>you can ski whenever you want. It can't necessarily get

0:33:58.400 --> 0:34:02.000
<v Speaker 1>laid whatever you want, so I don't want, you know.

0:34:02.080 --> 0:34:04.720
<v Speaker 1>It's one of these things skis and skis like music now,

0:34:04.760 --> 0:34:09.800
<v Speaker 1>which is unfortunate when I they're both mature. When I

0:34:10.000 --> 0:34:13.000
<v Speaker 1>started skiing in the sixties, they were still developing new

0:34:13.120 --> 0:34:17.000
<v Speaker 1>ski resources. There were all these great technological revolutions. The

0:34:17.040 --> 0:34:21.000
<v Speaker 1>big revolution in skiing years ago was the high speed lift.

0:34:21.440 --> 0:34:25.160
<v Speaker 1>Now it's about it's a more of a middle to

0:34:25.280 --> 0:34:28.279
<v Speaker 1>upper class sport, and the same ski areas exist. It's

0:34:28.280 --> 0:34:30.560
<v Speaker 1>the same thing. In music. It used to be a

0:34:30.600 --> 0:34:33.320
<v Speaker 1>renegade business. You would go to concerts in the sixties.

0:34:33.719 --> 0:34:37.000
<v Speaker 1>The sound was terrible and people couldn't play. Wasn't until

0:34:37.080 --> 0:34:39.680
<v Speaker 1>the mid seventies of the sound was good. Now most

0:34:39.680 --> 0:34:41.799
<v Speaker 1>of the concerts are done by either Live Nation or

0:34:41.840 --> 0:34:45.400
<v Speaker 1>a g there's three major labels. There's not the renegade

0:34:45.400 --> 0:34:48.680
<v Speaker 1>spirit what we saw in the last twenty years in

0:34:48.719 --> 0:34:51.920
<v Speaker 1>the internet sphere was that renegade. There was always something

0:34:51.960 --> 0:34:55.719
<v Speaker 1>new that's been consolidated too, So that's unfortunate, but it's

0:34:55.760 --> 0:34:58.880
<v Speaker 1>it's exciting to be at something when it's being developed,

0:34:58.920 --> 0:35:01.799
<v Speaker 1>just like snowboarding, although snowboarding is now going downhill because

0:35:01.840 --> 0:35:04.719
<v Speaker 1>it's reached the peak. I agree, I agree. I think

0:35:04.760 --> 0:35:07.080
<v Speaker 1>we're gonna I think skiing will come back in a

0:35:07.280 --> 0:35:09.400
<v Speaker 1>in a little bit in the conversation, but where we

0:35:09.440 --> 0:35:12.280
<v Speaker 1>need to get to is, Okay, you go to Mammoth,

0:35:12.920 --> 0:35:14.680
<v Speaker 1>you've done Park City. You go to Mammoth to get

0:35:14.719 --> 0:35:17.120
<v Speaker 1>your law degree, and then you end up in the

0:35:17.200 --> 0:35:20.320
<v Speaker 1>music business. No. No, let's be very clear. I always

0:35:20.360 --> 0:35:23.000
<v Speaker 1>wanted to be in the music business, and I knew

0:35:23.040 --> 0:35:25.080
<v Speaker 1>at the time it's changed. At this point, there were

0:35:25.080 --> 0:35:28.320
<v Speaker 1>six major labels. Three of them were run by lawyers.

0:35:28.840 --> 0:35:31.799
<v Speaker 1>My father is a real estate appraiser. I have no connections.

0:35:32.080 --> 0:35:35.000
<v Speaker 1>I figure, if I go to law school, it will

0:35:35.160 --> 0:35:37.360
<v Speaker 1>help me get a start in the music business. I

0:35:37.400 --> 0:35:40.360
<v Speaker 1>went to law school. It was so boring and terrible.

0:35:40.560 --> 0:35:43.720
<v Speaker 1>Is this after Mammoth? Yes, because I got the world's

0:35:43.719 --> 0:35:45.759
<v Speaker 1>worst Okay, just to go back the first year I'm

0:35:45.760 --> 0:35:48.719
<v Speaker 1>in Utah. Let's be very clear, this is it's Snowbird.

0:35:49.080 --> 0:35:51.319
<v Speaker 1>And the second year I go back to Snowbird and

0:35:51.400 --> 0:35:55.440
<v Speaker 1>I choke on the freestyle circuit. Okay, Then there's a

0:35:55.520 --> 0:35:58.160
<v Speaker 1>new rival one that I'm competing in. Then I get

0:35:58.200 --> 0:36:02.160
<v Speaker 1>the world's worst case of my the nucleosis. And I

0:36:02.239 --> 0:36:05.719
<v Speaker 1>applied to law school and I didn't think I would go,

0:36:05.920 --> 0:36:07.399
<v Speaker 1>and then I was so down on and I went

0:36:07.480 --> 0:36:09.000
<v Speaker 1>and it was terrible. I was going to drop out.

0:36:09.120 --> 0:36:11.279
<v Speaker 1>But it was literally the world's where. You know, people

0:36:11.280 --> 0:36:14.040
<v Speaker 1>are one thing that bothers me about society in general,

0:36:14.040 --> 0:36:17.480
<v Speaker 1>and certainly the music business people are always rewriting history.

0:36:17.520 --> 0:36:19.520
<v Speaker 1>But I say, it was the worst year in the

0:36:19.680 --> 0:36:21.920
<v Speaker 1>history of snow in the West Coast. And it was

0:36:22.040 --> 0:36:26.120
<v Speaker 1>seventy seventy. There was no snow, and so I called

0:36:26.160 --> 0:36:28.160
<v Speaker 1>to telling people, hey, you know, should I come to Utah?

0:36:28.200 --> 0:36:30.759
<v Speaker 1>Said don't come, we're leaving. There's no snow. But then

0:36:30.800 --> 0:36:32.959
<v Speaker 1>it happened again two thousand and eleven, two thousand and twelve,

0:36:32.960 --> 0:36:36.399
<v Speaker 1>and they started writing about seventy seven. So I went

0:36:36.440 --> 0:36:38.160
<v Speaker 1>to law school in l A. And I fell in

0:36:38.280 --> 0:36:41.640
<v Speaker 1>with someone moment. It was my first big romance that

0:36:41.760 --> 0:36:44.520
<v Speaker 1>carried me through law school. You've written about this too, right,

0:36:44.719 --> 0:36:48.120
<v Speaker 1>So since you go to law school, I'm gonna pass

0:36:48.200 --> 0:36:49.719
<v Speaker 1>the bar. I mean, I'm not someone to go three

0:36:49.760 --> 0:36:52.080
<v Speaker 1>years for law school and not take the bar. So

0:36:52.920 --> 0:36:54.279
<v Speaker 1>one of the reason you want to live in l A.

0:36:54.920 --> 0:36:59.120
<v Speaker 1>Because that's the epicenter of the music business. So I

0:36:59.200 --> 0:37:01.040
<v Speaker 1>used to go to the wreck store. I would do

0:37:01.080 --> 0:37:04.560
<v Speaker 1>all my studying, Like the first three days of Sunset

0:37:04.680 --> 0:37:07.640
<v Speaker 1>no no, I certainly went to Tower on Sunset. I

0:37:07.680 --> 0:37:10.760
<v Speaker 1>went to a place which was called Grammy and Granny

0:37:10.840 --> 0:37:15.520
<v Speaker 1>on Gaily Avenue, and there was also in Westwood, Okay.

0:37:15.640 --> 0:37:19.880
<v Speaker 1>They had all the promo records, expensive promo records to

0:37:20.120 --> 0:37:22.560
<v Speaker 1>forty nine. You get other things for dollar ninety nine.

0:37:22.600 --> 0:37:24.440
<v Speaker 1>There's so many records I bought that I took a

0:37:24.560 --> 0:37:28.440
<v Speaker 1>chance on Carlabanas debut album to this day, one of

0:37:28.440 --> 0:37:30.800
<v Speaker 1>my favorite albums. I bought as a promo. The first

0:37:30.840 --> 0:37:34.120
<v Speaker 1>Alan Parsons project record brought us a promo. So many

0:37:34.120 --> 0:37:36.320
<v Speaker 1>things so I bought. I mean, I was a regular customer.

0:37:36.440 --> 0:37:39.319
<v Speaker 1>They would save records like you know the Eagles long

0:37:39.400 --> 0:37:41.520
<v Speaker 1>run comes out, They'd save a they had the promo.

0:37:42.200 --> 0:37:46.360
<v Speaker 1>So I was heavily invested in going two shows. That

0:37:46.520 --> 0:37:49.839
<v Speaker 1>was my passion. Living in l A. Law school was secondary.

0:37:50.080 --> 0:37:53.560
<v Speaker 1>So when I graduated from law school, you take the

0:37:53.600 --> 0:37:56.600
<v Speaker 1>bar in July, but you don't find the results till

0:37:56.600 --> 0:38:02.360
<v Speaker 1>the week before Thanksgiving. And certainly if I didn't pass

0:38:02.400 --> 0:38:04.799
<v Speaker 1>the bar, I was going to take it again. But

0:38:04.920 --> 0:38:07.839
<v Speaker 1>in the interim I got a job because I wasn't

0:38:07.880 --> 0:38:10.120
<v Speaker 1>gonna try to get my real my dream job in

0:38:10.160 --> 0:38:13.040
<v Speaker 1>the music business. I got a job with an entertainment

0:38:13.120 --> 0:38:18.359
<v Speaker 1>lawyer whose work was primarily in the movie business. Yes,

0:38:18.440 --> 0:38:21.239
<v Speaker 1>Sam Pearl Motter. He is famous for one thing. If

0:38:21.239 --> 0:38:25.400
<v Speaker 1>he's famous, primarily he broke here the deal for the

0:38:25.480 --> 0:38:30.560
<v Speaker 1>George Foreman grill. But he represented a lot of people,

0:38:31.160 --> 0:38:33.560
<v Speaker 1>and I was the only guy wanted. He made more

0:38:33.560 --> 0:38:36.680
<v Speaker 1>money from the George Foreman of course, of course, and

0:38:36.800 --> 0:38:41.879
<v Speaker 1>he uh um. At the time. He represented people who

0:38:41.920 --> 0:38:45.360
<v Speaker 1>had had songs on the Bad Girls album from Donna

0:38:45.400 --> 0:38:48.520
<v Speaker 1>Summer because of a legal issue, she'd left her management,

0:38:48.600 --> 0:38:54.240
<v Speaker 1>her publishing, everything, and I worked on those royalties. In addition,

0:38:54.719 --> 0:38:58.040
<v Speaker 1>they had songs in major movies, and I negotiated those deals.

0:38:58.640 --> 0:39:01.399
<v Speaker 1>Then I hated, I passed the ball are and I quit,

0:39:01.719 --> 0:39:03.640
<v Speaker 1>and I said I'm going out to be a manager,

0:39:04.000 --> 0:39:06.239
<v Speaker 1>and then I starved and he called me back in

0:39:06.280 --> 0:39:09.280
<v Speaker 1>because he'd gotten a really big client at the time,

0:39:09.960 --> 0:39:13.880
<v Speaker 1>Cannon Films and were the biggest independent film company of

0:39:13.920 --> 0:39:18.480
<v Speaker 1>the early eighties, and uh work with that, And then

0:39:18.520 --> 0:39:21.040
<v Speaker 1>I got a job working with this guy, Charles Band.

0:39:21.840 --> 0:39:24.960
<v Speaker 1>Charles is still around. He's basically in the horror genre

0:39:25.640 --> 0:39:30.240
<v Speaker 1>and at the time we had multiple divisions. He started

0:39:30.280 --> 0:39:33.120
<v Speaker 1>the first independent video cassette company, which were horror movies.

0:39:33.400 --> 0:39:36.520
<v Speaker 1>He made movies, we had video games, the Halloween and

0:39:36.520 --> 0:39:42.759
<v Speaker 1>Texas Chainsaword video games. We also made records. He put

0:39:42.880 --> 0:39:47.440
<v Speaker 1>to me more in her first movie, Parasite in three D,

0:39:48.360 --> 0:39:51.040
<v Speaker 1>and we made a deal with her husband, Freddie Moore,

0:39:51.360 --> 0:39:53.480
<v Speaker 1>who had one of the hip bands. It was a

0:39:53.480 --> 0:39:55.799
<v Speaker 1>big scene in the late seventies. Do Wa've seen in

0:39:55.960 --> 0:39:57.920
<v Speaker 1>l A. He had a band called the Cats. They

0:39:57.960 --> 0:40:00.600
<v Speaker 1>were then called the New Cats Ultimate they were called

0:40:00.640 --> 0:40:04.040
<v Speaker 1>Boy Boy next Door and we made a record with them,

0:40:04.120 --> 0:40:08.480
<v Speaker 1>produced by Mark Goldenberg from the Cree Tones, and I

0:40:08.600 --> 0:40:11.680
<v Speaker 1>hung with Freddie into me every day for a year.

0:40:11.719 --> 0:40:14.239
<v Speaker 1>The funny thing I was driving my girlfriend coming home

0:40:14.280 --> 0:40:17.080
<v Speaker 1>from Hamilton's two weeks ago. We were going on Sam

0:40:17.320 --> 0:40:19.160
<v Speaker 1>Santa Monica Boulevard, and I said, oh, that's where I

0:40:19.200 --> 0:40:21.560
<v Speaker 1>used to work on Fairfax. And then the next block

0:40:21.719 --> 0:40:24.960
<v Speaker 1>is this Mexican place, Los Tacos. We used to go

0:40:25.080 --> 0:40:27.759
<v Speaker 1>there every day and Freddy would put a quarter of

0:40:27.800 --> 0:40:31.040
<v Speaker 1>the jukebox and it would be he's so shy physical

0:40:31.440 --> 0:40:33.239
<v Speaker 1>and I forget the third track because he was a

0:40:33.320 --> 0:40:37.320
<v Speaker 1>rocker who had a thing for the pop stuff. And

0:40:37.360 --> 0:40:40.439
<v Speaker 1>then to me went to make Blame It in Rio,

0:40:40.840 --> 0:40:42.560
<v Speaker 1>and a lot of things happened. Let me let me

0:40:42.560 --> 0:40:45.880
<v Speaker 1>tell this story. Though we made the record, the record

0:40:46.040 --> 0:40:51.200
<v Speaker 1>came out, and then Freddie did not tell me that

0:40:51.400 --> 0:40:55.839
<v Speaker 1>he was invited Clive Davis to the gig, and I

0:40:55.880 --> 0:40:59.160
<v Speaker 1>felt squeezed out, which I was what do you have

0:40:59.239 --> 0:41:02.880
<v Speaker 1>to know about musicians is they're desperate. They only have

0:41:03.040 --> 0:41:06.879
<v Speaker 1>one chance. They will fuck over anybody to get where

0:41:06.880 --> 0:41:09.799
<v Speaker 1>they want. And you have to understand it's rational because

0:41:09.840 --> 0:41:12.759
<v Speaker 1>if you're a manager, you can always get another act.

0:41:13.080 --> 0:41:15.759
<v Speaker 1>If you're a musician, you have one shot. So I

0:41:15.840 --> 0:41:21.560
<v Speaker 1>felt fucked over by the band and Freddie. He ultimately

0:41:21.560 --> 0:41:24.200
<v Speaker 1>made it go. It's by one chance, but then Clive

0:41:24.280 --> 0:41:30.080
<v Speaker 1>passed anyway, and then Charles called me out karma, big

0:41:30.120 --> 0:41:33.440
<v Speaker 1>believer in that not necessarily instant, although it's instant in

0:41:33.480 --> 0:41:38.120
<v Speaker 1>this case. So uh. Then Charlie called me up and said,

0:41:38.160 --> 0:41:40.560
<v Speaker 1>did you see this article in the newspaper about this

0:41:40.640 --> 0:41:44.520
<v Speaker 1>band that throws meat into the audience? And I said, yeah,

0:41:44.640 --> 0:41:49.080
<v Speaker 1>band called Wasp. This is says I want to put

0:41:49.080 --> 0:41:51.719
<v Speaker 1>that band in one of our movies. We've made a

0:41:51.800 --> 0:41:54.840
<v Speaker 1>previous movie, Metal Storm in three D, which followed Jaws

0:41:54.920 --> 0:41:57.560
<v Speaker 1>three D into the movie theater. So we're making I

0:41:57.640 --> 0:42:00.160
<v Speaker 1>knew how to make a movie back when the for

0:42:00.480 --> 0:42:04.040
<v Speaker 1>you know, uh, video cams, etcetera. I literally know how

0:42:04.080 --> 0:42:07.680
<v Speaker 1>to do it, particularly in three D, whichuse me. I said,

0:42:07.719 --> 0:42:09.759
<v Speaker 1>it's specifically in three D. Well, we knew how to

0:42:09.800 --> 0:42:13.000
<v Speaker 1>do that too. But this movie we're making called Rage War.

0:42:13.080 --> 0:42:14.839
<v Speaker 1>It started the guy who ended up being bull at

0:42:14.960 --> 0:42:17.680
<v Speaker 1>night Court and I became very tight with the band

0:42:18.239 --> 0:42:22.399
<v Speaker 1>band Wasp, and they said, we sell out the country Club.

0:42:22.440 --> 0:42:24.560
<v Speaker 1>At the time, the country Club was the big club

0:42:24.600 --> 0:42:27.839
<v Speaker 1>out in Recita, held about a thousand people. I think

0:42:27.880 --> 0:42:30.279
<v Speaker 1>it's still there, but if they don't, I don't don't

0:42:30.280 --> 0:42:33.319
<v Speaker 1>book gigs anymore, though well they don't. They definitely don't

0:42:33.320 --> 0:42:35.120
<v Speaker 1>do a thousand people, right, But in any of that,

0:42:35.239 --> 0:42:36.880
<v Speaker 1>I went on a Sunday night, they were like nine

0:42:37.280 --> 0:42:41.439
<v Speaker 1>people there. So I maintained my relationship with Blackie, who

0:42:41.680 --> 0:42:44.400
<v Speaker 1>is wasp and he's kept saying, oh, and I had

0:42:44.440 --> 0:42:47.200
<v Speaker 1>this relationship with guy Rod Smallwood. It goes in one ear,

0:42:47.239 --> 0:42:50.080
<v Speaker 1>went out out another, and then he calls me one day.

0:42:50.120 --> 0:42:52.880
<v Speaker 1>There's like three months later, he goes king Rod small

0:42:52.920 --> 0:42:55.279
<v Speaker 1>would come in and meet you. To this day, Rod

0:42:55.360 --> 0:42:59.520
<v Speaker 1>Smallwood is manager of Iron Maiden, and I said sure,

0:42:59.640 --> 0:43:01.960
<v Speaker 1>because a fucking idiot, there's so many layers in the

0:43:02.040 --> 0:43:05.480
<v Speaker 1>music business. You learned. I thought Rod Smallwood wanted to

0:43:05.480 --> 0:43:07.879
<v Speaker 1>meet me. He didn't want to meet me. I had

0:43:08.000 --> 0:43:11.760
<v Speaker 1>thirty five millimeter film of an unsigned band that didn't

0:43:11.760 --> 0:43:16.120
<v Speaker 1>exist in so what he ultimately after he listened to

0:43:16.160 --> 0:43:20.880
<v Speaker 1>my horse ship for thirty minutes, he said he wanted

0:43:20.920 --> 0:43:23.560
<v Speaker 1>to borrow one of the video cassettes. At the time,

0:43:23.680 --> 0:43:25.800
<v Speaker 1>the standard was three quarter inch video. He said, I

0:43:25.800 --> 0:43:29.320
<v Speaker 1>was number two at the company. There were two of these,

0:43:29.400 --> 0:43:32.680
<v Speaker 1>only one in the building. It just couldn't disappear. So

0:43:32.840 --> 0:43:36.120
<v Speaker 1>I basically said, finally, I say, okay, okay, you can

0:43:36.239 --> 0:43:38.759
<v Speaker 1>take it. It just has to come back today even

0:43:38.800 --> 0:43:41.040
<v Speaker 1>doesn't come back to there and lose my job did

0:43:41.160 --> 0:43:44.520
<v Speaker 1>come back. He went and made a five hundred grand

0:43:44.880 --> 0:43:48.520
<v Speaker 1>cash deal for WASP because Iron Maiden was the biggest

0:43:48.520 --> 0:43:53.480
<v Speaker 1>worldwide band on the capital. And then the next day

0:43:53.520 --> 0:43:55.319
<v Speaker 1>black It calls me, goes, are you a lawyer? Yeah,

0:43:55.320 --> 0:43:57.239
<v Speaker 1>I'm a lawyer, went like five or six times because

0:43:57.239 --> 0:44:00.319
<v Speaker 1>I really need to know. So you know, was I

0:44:00.320 --> 0:44:03.120
<v Speaker 1>have a bar card? Okay, And I showed him the

0:44:03.120 --> 0:44:04.520
<v Speaker 1>bar card. When he came in, he goes, I need

0:44:04.560 --> 0:44:07.120
<v Speaker 1>you to represent me, and my deal was saying it

0:44:07.160 --> 0:44:12.520
<v Speaker 1>was the management company. So I negotiate that deal. Going

0:44:12.600 --> 0:44:16.520
<v Speaker 1>back a step, when we mastered the Freddie Moore record,

0:44:16.600 --> 0:44:19.680
<v Speaker 1>there was a funk up. In addition, my boss wrote

0:44:19.680 --> 0:44:22.719
<v Speaker 1>a bad check. I ended up becoming very close with

0:44:22.800 --> 0:44:25.560
<v Speaker 1>the mastering company, and to this day, this guy, Stephen Markinson,

0:44:26.160 --> 0:44:29.520
<v Speaker 1>is one of the top castering engineers in the world.

0:44:30.040 --> 0:44:32.759
<v Speaker 1>So in any event twenty or thirty years now exactly

0:44:33.239 --> 0:44:36.719
<v Speaker 1>so at the time you would have to book mastering

0:44:37.040 --> 0:44:40.000
<v Speaker 1>weeks in advance. But Stephen was a good friend of mine,

0:44:40.280 --> 0:44:45.080
<v Speaker 1>and at the time this guy at um Sterling Sound

0:44:45.120 --> 0:44:46.920
<v Speaker 1>was the guy who meant it, who mastered all the

0:44:46.920 --> 0:44:49.080
<v Speaker 1>metal and they sent it to him and it came

0:44:49.080 --> 0:44:52.480
<v Speaker 1>back fucked up, and I asked Stephen for a favor

0:44:52.800 --> 0:44:55.160
<v Speaker 1>and he cut it. But then you have to cut

0:44:55.200 --> 0:44:57.839
<v Speaker 1>refs and it takes you can only cut. They had

0:44:57.880 --> 0:44:59.920
<v Speaker 1>two lazy get two at a time. They're doing because

0:45:00.000 --> 0:45:03.640
<v Speaker 1>that's and the band is now Antsie. So they go

0:45:04.040 --> 0:45:07.319
<v Speaker 1>to the Rainbow where you went every night, and I

0:45:07.360 --> 0:45:09.279
<v Speaker 1>said I would bring the rest. I bring the rest,

0:45:09.320 --> 0:45:12.239
<v Speaker 1>and Rod Smallwood is there and he's all pushed out

0:45:12.280 --> 0:45:14.400
<v Speaker 1>of shape. He can be an intense guy. What are

0:45:14.400 --> 0:45:16.319
<v Speaker 1>you doing with the rest? Bla blah blah blah blah,

0:45:16.320 --> 0:45:18.719
<v Speaker 1>and explained the story and he goes, you shouldn't be

0:45:18.760 --> 0:45:21.440
<v Speaker 1>a lawyer, you should be a manager. When my partner

0:45:21.520 --> 0:45:23.680
<v Speaker 1>comes back to town, I'm gonna make a deal. These

0:45:23.680 --> 0:45:27.719
<v Speaker 1>are still the guys who manage Iron Maiden. Just just

0:45:27.760 --> 0:45:31.160
<v Speaker 1>to be clear. It was Sanctuary Music and then they

0:45:31.320 --> 0:45:33.960
<v Speaker 1>ran out of money. They were kept alive by Ralph

0:45:33.960 --> 0:45:37.680
<v Speaker 1>Simon at Zomba. Then they came back and then they

0:45:37.680 --> 0:45:40.480
<v Speaker 1>went public. Everybody invested. They took all their money out.

0:45:40.520 --> 0:45:43.600
<v Speaker 1>They did well, then it crashed. The assets were sold

0:45:43.640 --> 0:45:46.799
<v Speaker 1>to Universal, but that was all after my too. By

0:45:46.800 --> 0:45:49.799
<v Speaker 1>the way, I was there for a few years. Right

0:45:49.840 --> 0:45:52.759
<v Speaker 1>before they went. I was part of the crash. It

0:45:52.840 --> 0:45:58.600
<v Speaker 1>was like, is that's a whole another podcast? Um? So

0:46:00.320 --> 0:46:03.359
<v Speaker 1>they did. About two months later, Andy Taylor did come.

0:46:03.440 --> 0:46:06.560
<v Speaker 1>We did make a deal. They bought this house that

0:46:06.920 --> 0:46:11.560
<v Speaker 1>um Chauncey Gardner you know I'm talking about. But who

0:46:11.600 --> 0:46:14.040
<v Speaker 1>was the actor Peter Sellers. He had bought it and

0:46:14.120 --> 0:46:16.040
<v Speaker 1>just gotten married, but he died before we could move

0:46:16.080 --> 0:46:20.439
<v Speaker 1>in there. It was just above the rainbow. They put

0:46:20.480 --> 0:46:28.040
<v Speaker 1>me so um they put You know, they had a

0:46:28.040 --> 0:46:29.919
<v Speaker 1>lot of cash. This is not the way the music

0:46:29.920 --> 0:46:32.960
<v Speaker 1>business normally runs. But forty grand in one bank account,

0:46:32.960 --> 0:46:36.120
<v Speaker 1>anty granted another bank account. And I remember them leaving there,

0:46:36.160 --> 0:46:38.040
<v Speaker 1>go to the airport and they could only be in

0:46:38.040 --> 0:46:40.960
<v Speaker 1>American ninety days at the time without paying taxes. They go,

0:46:41.080 --> 0:46:45.880
<v Speaker 1>you have any cash this? And I said, sure, how much?

0:46:45.880 --> 0:46:48.000
<v Speaker 1>He thinks if we even going to the airport, do

0:46:48.040 --> 0:46:50.799
<v Speaker 1>you have any company cash? Well, you know, I got

0:46:50.840 --> 0:46:53.160
<v Speaker 1>all this money in the bank. You know what, because

0:46:53.160 --> 0:46:57.440
<v Speaker 1>you're gonna need cash. And they whipped out d dollars

0:46:57.520 --> 0:47:00.200
<v Speaker 1>cash and I said, what am I going to do?

0:47:02.320 --> 0:47:04.320
<v Speaker 1>And he goes, I put it in my front pocket.

0:47:04.960 --> 0:47:08.799
<v Speaker 1>The irony being is you need that cash because when

0:47:08.800 --> 0:47:11.439
<v Speaker 1>you're working with the rock band, it's got all these

0:47:11.480 --> 0:47:13.960
<v Speaker 1>hangars on believers who do work. None of them have

0:47:14.080 --> 0:47:16.040
<v Speaker 1>a dollar, none of them have a credit card, and

0:47:16.080 --> 0:47:17.880
<v Speaker 1>they would have to Like I remember we had a

0:47:18.719 --> 0:47:21.480
<v Speaker 1>rent a skeleton. You need a thousand dollar deposits and

0:47:21.560 --> 0:47:25.839
<v Speaker 1>you'd whip off a thousand dollars. So I ran the

0:47:26.000 --> 0:47:30.640
<v Speaker 1>US office and I had to be the heavy first

0:47:30.680 --> 0:47:32.640
<v Speaker 1>and foremost. They could only be in American ninety days

0:47:32.680 --> 0:47:35.600
<v Speaker 1>a piece. And there were things like we had a

0:47:35.680 --> 0:47:40.279
<v Speaker 1>rich deal and they had to fund the videos, and

0:47:40.320 --> 0:47:42.440
<v Speaker 1>we were making a video and the video this the

0:47:42.480 --> 0:47:44.719
<v Speaker 1>first video was for forty five grand, the second was

0:47:44.760 --> 0:47:46.839
<v Speaker 1>for seventy grand. And I had a lot of cash.

0:47:46.880 --> 0:47:50.359
<v Speaker 1>I was about seventeen grand in and I called up

0:47:50.360 --> 0:47:54.080
<v Speaker 1>to get a check from Capital for twenty grand. They say,

0:47:54.160 --> 0:47:57.799
<v Speaker 1>we only write checks on Thursday. This is Monday, and

0:47:57.840 --> 0:48:01.600
<v Speaker 1>I said, I need to check this week, too bad,

0:48:01.600 --> 0:48:04.160
<v Speaker 1>We gotta write We only write checks on Thursday. And

0:48:04.200 --> 0:48:06.160
<v Speaker 1>I called Rod, who was in the Bahamas. He goes,

0:48:06.360 --> 0:48:08.800
<v Speaker 1>that's why I hired you. You have to do the work.

0:48:09.040 --> 0:48:10.880
<v Speaker 1>So I had to call Capital. I said, either you

0:48:10.920 --> 0:48:12.959
<v Speaker 1>write me the check or I'll billy you for the money.

0:48:13.000 --> 0:48:16.920
<v Speaker 1>I'm already in needless just say I got the check.

0:48:17.440 --> 0:48:20.640
<v Speaker 1>But this comes up later. Then when you deal with

0:48:20.680 --> 0:48:24.360
<v Speaker 1>any band, forget this pop thing where everybody's moldible. But

0:48:24.440 --> 0:48:26.560
<v Speaker 1>back when they used to have real bands, you know

0:48:26.600 --> 0:48:30.200
<v Speaker 1>when that ended basically the early nineties. Um, they have

0:48:30.280 --> 0:48:32.920
<v Speaker 1>like a ten year plan even though they're nobody's they

0:48:32.960 --> 0:48:36.239
<v Speaker 1>know what song is gonna be, a single, etcetera. So

0:48:37.200 --> 0:48:42.160
<v Speaker 1>Blackie wanted to produce the album himself. Capital wouldn't let them,

0:48:42.280 --> 0:48:45.040
<v Speaker 1>so they had this guy, Mike Varney, who was famous

0:48:45.400 --> 0:48:48.840
<v Speaker 1>for finding all the hot new rock guitars produce it.

0:48:49.080 --> 0:48:53.239
<v Speaker 1>The mix was terrible, okay, so I told Blackie it

0:48:53.320 --> 0:48:56.480
<v Speaker 1>needed to be remixed. He said he would only remix

0:48:56.520 --> 0:48:59.400
<v Speaker 1>it if Carter said otherwise. Carter was the A and

0:48:59.560 --> 0:49:02.520
<v Speaker 1>R guy is now deceased at Capital. He's famous for

0:49:02.600 --> 0:49:05.960
<v Speaker 1>two things. He wrote the lyrics to Incense and Peppermints,

0:49:06.000 --> 0:49:09.640
<v Speaker 1>and he engineered. He was the executive producer on Tina

0:49:09.680 --> 0:49:13.040
<v Speaker 1>Turner's Comeback. He deserves all the credit. So I bring

0:49:13.120 --> 0:49:17.120
<v Speaker 1>the cassette into Carter. I play it for him. It's

0:49:17.160 --> 0:49:22.320
<v Speaker 1>over and he says, uh, I passed on this band

0:49:22.320 --> 0:49:25.880
<v Speaker 1>three times, do whatever you want. It's like it was

0:49:25.920 --> 0:49:28.960
<v Speaker 1>signed above me, so I'm freaked out. But in the

0:49:29.000 --> 0:49:32.840
<v Speaker 1>interim Black he played it for some other people and

0:49:33.719 --> 0:49:35.799
<v Speaker 1>he realized it needs to be remixed. I got this

0:49:35.880 --> 0:49:38.359
<v Speaker 1>guy Dwayne Baron, who had a huge hit with Quiet Ryan.

0:49:38.840 --> 0:49:42.640
<v Speaker 1>He rescued the record. But if you remember MTV, they

0:49:42.640 --> 0:49:45.120
<v Speaker 1>would go through these phases of what they played and

0:49:45.120 --> 0:49:48.279
<v Speaker 1>they swift to shifted to a non metal phase and

0:49:48.400 --> 0:49:51.560
<v Speaker 1>Dwayne rescued another track. We had a great video too.

0:49:51.880 --> 0:49:54.520
<v Speaker 1>I said this should be the single because I cared

0:49:54.680 --> 0:49:59.040
<v Speaker 1>about the music. To make a long story very short,

0:49:59.560 --> 0:50:03.759
<v Speaker 1>as you have, I got fired for standing up to

0:50:03.800 --> 0:50:07.359
<v Speaker 1>the band. Rod Smallwood's famously said, which if you put

0:50:07.400 --> 0:50:10.320
<v Speaker 1>it in today's context, your head will spin like Reagan

0:50:10.360 --> 0:50:13.360
<v Speaker 1>in the Exorcist. What difference does it make it the

0:50:13.400 --> 0:50:19.440
<v Speaker 1>first album is unsuccessful and right, and then I got fired.

0:50:19.520 --> 0:50:21.520
<v Speaker 1>I you know I had I had a ton of

0:50:21.560 --> 0:50:23.480
<v Speaker 1>money because you can't spend a dollar when you have

0:50:23.480 --> 0:50:28.399
<v Speaker 1>a job like that, and just to get to the

0:50:28.520 --> 0:50:32.520
<v Speaker 1>key point we're actually at. Then I couldn't get another

0:50:32.560 --> 0:50:34.359
<v Speaker 1>job because everybody told me this this big heavy guy

0:50:34.400 --> 0:50:40.479
<v Speaker 1>wielding bower. Okay, but this. I worked on a couple

0:50:40.480 --> 0:50:42.920
<v Speaker 1>of movies because people I had hired they you know,

0:50:43.120 --> 0:50:47.759
<v Speaker 1>some music, super right. And then I went to see

0:50:47.760 --> 0:50:52.440
<v Speaker 1>a job counselor and my shrink said to do it,

0:50:52.840 --> 0:50:55.239
<v Speaker 1>and she gave me this workbook from What Color Is

0:50:55.280 --> 0:50:58.359
<v Speaker 1>Your Parachute? The famous job seeking book. Yeah, like one

0:50:58.360 --> 0:51:01.520
<v Speaker 1>of the greatest books ever written. Right and still right.

0:51:01.680 --> 0:51:05.600
<v Speaker 1>The guy recently died Bowls and uh I wrote essays

0:51:05.640 --> 0:51:08.000
<v Speaker 1>and I got back in touch with the fact I

0:51:08.040 --> 0:51:11.160
<v Speaker 1>love to write, Okay, And I wrote and I said

0:51:11.200 --> 0:51:13.399
<v Speaker 1>something to magazines when the rejections came back, and said,

0:51:13.400 --> 0:51:15.440
<v Speaker 1>wait a second, Wait a second, this is just like

0:51:15.520 --> 0:51:19.759
<v Speaker 1>the music business. You have to know these people. Then

0:51:19.760 --> 0:51:22.040
<v Speaker 1>I was eating in a hamburger at Flaky Jake's doesn't

0:51:22.040 --> 0:51:26.960
<v Speaker 1>exist anymore. It was the corner of Pico in Sepulvidame. Okay,

0:51:27.040 --> 0:51:29.840
<v Speaker 1>and I'm reading Billboard. It was one of its terrible phases.

0:51:29.880 --> 0:51:32.279
<v Speaker 1>It got better with this guy, Timothy White, than he died.

0:51:32.320 --> 0:51:34.640
<v Speaker 1>It got worse again, and I'm reading to go this

0:51:34.719 --> 0:51:38.000
<v Speaker 1>is terrible. I could do a better job than this.

0:51:38.800 --> 0:51:43.320
<v Speaker 1>And I knew, because I was constantly rewriting the UH

0:51:43.600 --> 0:51:47.120
<v Speaker 1>bios that the publicity people had that. I said, I

0:51:47.160 --> 0:51:50.120
<v Speaker 1>could actually do this. So I went on and woke up.

0:51:50.120 --> 0:51:52.239
<v Speaker 1>My girlfriend said you should do this, you should do this,

0:51:52.440 --> 0:51:54.880
<v Speaker 1>and I knew there was a computer. I didn't have

0:51:54.920 --> 0:51:57.440
<v Speaker 1>a computer at the time, and I thought about it

0:51:57.480 --> 0:51:59.360
<v Speaker 1>for a week, and then I went out and charged

0:51:59.440 --> 0:52:01.880
<v Speaker 1>up five end worth the computer equipment on a credit

0:52:01.880 --> 0:52:04.560
<v Speaker 1>card I had gotten from being a lawyer, and I

0:52:04.640 --> 0:52:07.000
<v Speaker 1>started this newsletter in the fall of eighty six. I said,

0:52:07.000 --> 0:52:11.480
<v Speaker 1>three thousand copies to three times from a directory I got,

0:52:11.520 --> 0:52:14.799
<v Speaker 1>got the addresses from the Yellow Pages of rock Uh,

0:52:14.840 --> 0:52:17.400
<v Speaker 1>this from the album network, which also no longer exists.

0:52:17.640 --> 0:52:19.239
<v Speaker 1>I think it's I think it's important to add this

0:52:19.320 --> 0:52:24.480
<v Speaker 1>is the beginning of the right here and right now exactly.

0:52:24.480 --> 0:52:29.440
<v Speaker 1>This is it. And I was really doing it. I

0:52:29.480 --> 0:52:31.839
<v Speaker 1>was really doing it just to get into the job

0:52:31.880 --> 0:52:34.360
<v Speaker 1>in the music business. I didn't think it would be successful.

0:52:34.719 --> 0:52:37.160
<v Speaker 1>The irony was at the time. It came out every

0:52:37.160 --> 0:52:40.520
<v Speaker 1>two weeks religiously. It was all analysis and business tips.

0:52:40.520 --> 0:52:42.800
<v Speaker 1>I'm writing so much now, covering a lot of ground,

0:52:43.040 --> 0:52:45.719
<v Speaker 1>but every it was not like radio tips. It would

0:52:45.760 --> 0:52:48.120
<v Speaker 1>be like here's the situation, here's how we analyze it.

0:52:48.760 --> 0:52:52.319
<v Speaker 1>The head of every label subscribed. They all wanted to

0:52:52.360 --> 0:52:55.400
<v Speaker 1>meet me. I thought people on the way up would subscribe.

0:52:56.000 --> 0:52:58.319
<v Speaker 1>Fewer of those people because they were drinking the kool aid.

0:52:58.480 --> 0:53:01.959
<v Speaker 1>The top guy can have a different perspective. So I

0:53:02.040 --> 0:53:07.000
<v Speaker 1>did that for four years, always looking for other opportunity.

0:53:07.080 --> 0:53:09.719
<v Speaker 1>This was via facts, no, no, no, it was via

0:53:09.880 --> 0:53:14.759
<v Speaker 1>regular mail. I occasionally said a post stamp, you got it,

0:53:15.960 --> 0:53:18.680
<v Speaker 1>and it was a lot of effort. I didn't get

0:53:18.680 --> 0:53:25.080
<v Speaker 1>it until right so. UM. What happened was I ran

0:53:25.120 --> 0:53:28.239
<v Speaker 1>on the money. My ex wife moved out. It was

0:53:28.400 --> 0:53:31.640
<v Speaker 1>really bad. I crashed really hard. I have a theory

0:53:31.640 --> 0:53:34.400
<v Speaker 1>that everybody loses like ten years of their lives, and

0:53:34.440 --> 0:53:37.880
<v Speaker 1>that was my ten years. And in the interim, the

0:53:37.920 --> 0:53:42.080
<v Speaker 1>Internet happened and I had a free subscription to a

0:53:42.239 --> 0:53:44.560
<v Speaker 1>O L. It's funny. I saw this guy just last night,

0:53:44.600 --> 0:53:46.480
<v Speaker 1>Jeff Gold, who was the big end up in general

0:53:46.480 --> 0:53:49.960
<v Speaker 1>manager of Warner Brothers UM and he gave it to

0:53:49.960 --> 0:53:56.880
<v Speaker 1>me when uh, people weren't really I got a job

0:53:56.960 --> 0:54:01.680
<v Speaker 1>writing for the Pulse mag is Zene, which was the

0:54:01.840 --> 0:54:04.000
<v Speaker 1>arm of Tower Records. It was like Rolling Stone came

0:54:04.000 --> 0:54:06.480
<v Speaker 1>out once a month and they paid me three times

0:54:06.480 --> 0:54:09.360
<v Speaker 1>when anybody else paid And they printed my address. Once

0:54:09.560 --> 0:54:12.680
<v Speaker 1>all these people were calling me and email and sending

0:54:12.680 --> 0:54:15.920
<v Speaker 1>me letters, and then some woman in college said can

0:54:15.960 --> 0:54:18.520
<v Speaker 1>I email you? And I knew I had this a

0:54:18.600 --> 0:54:22.160
<v Speaker 1>O L subscription, so I fired that up. Then there

0:54:22.239 --> 0:54:25.440
<v Speaker 1>was a famous board on a O L called the

0:54:25.520 --> 0:54:31.600
<v Speaker 1>Velvet Rope about the music business and early right Julie Gordon. Okay.

0:54:31.680 --> 0:54:34.520
<v Speaker 1>I started to participate on that, and then I started

0:54:34.560 --> 0:54:37.239
<v Speaker 1>my own because they kept moving that whatever. But I

0:54:37.280 --> 0:54:42.040
<v Speaker 1>got very heavily into the Internet. From thousand, I was

0:54:42.080 --> 0:54:45.640
<v Speaker 1>in every nook and creative became a big expert. Just

0:54:45.800 --> 0:54:49.839
<v Speaker 1>to go two steps further, we were going to the

0:54:49.880 --> 0:54:54.520
<v Speaker 1>Aspen conference and in it was the first time the

0:54:54.560 --> 0:54:58.799
<v Speaker 1>contact list had email addresses. Friends of mine worked in

0:54:58.840 --> 0:55:01.680
<v Speaker 1>the book business for in the house. There's a famous

0:55:01.760 --> 0:55:06.520
<v Speaker 1>book about David Geffen called The Operator, and I had

0:55:06.520 --> 0:55:09.560
<v Speaker 1>it a weekend before anybody else. I wrote about it,

0:55:09.600 --> 0:55:14.200
<v Speaker 1>sent it to all to my Aspen list. Response was great.

0:55:13.719 --> 0:55:17.440
<v Speaker 1>I had a little directory. The album network all suddenly

0:55:17.480 --> 0:55:21.920
<v Speaker 1>was having a directory with email addresses from some of

0:55:21.960 --> 0:55:24.879
<v Speaker 1>their subscribers, and I could cross reference some of my subscribers,

0:55:25.040 --> 0:55:29.520
<v Speaker 1>and I sent it and as my first experience with virality, okay.

0:55:29.760 --> 0:55:33.239
<v Speaker 1>As I remember hearing from all these people like uh,

0:55:33.600 --> 0:55:37.839
<v Speaker 1>Jefferson Holt, who used to be the manager of rari

0:55:38.080 --> 0:55:40.640
<v Speaker 1>um okay, and he said he got And I said,

0:55:40.719 --> 0:55:42.200
<v Speaker 1>you're not a subscriber, how do you got? I got

0:55:42.200 --> 0:55:44.359
<v Speaker 1>it from Mark Williams, famous an our god. And I

0:55:44.360 --> 0:55:46.000
<v Speaker 1>think this is where I got in on it too.

0:55:46.080 --> 0:55:49.720
<v Speaker 1>I think it's it just it went viral. Mark Williams

0:55:49.800 --> 0:55:54.360
<v Speaker 1>wasn't a subscribe either, So then I stopped charging for subscriptions.

0:55:54.719 --> 0:55:57.080
<v Speaker 1>I stopped sending it by email, and if you were

0:55:57.160 --> 0:56:00.239
<v Speaker 1>from an Aspen person who were already a subscriber, you

0:56:00.360 --> 0:56:02.120
<v Speaker 1>got it. If you're in the circle. If you're in

0:56:02.120 --> 0:56:04.479
<v Speaker 1>the circle, you email me to get it. I did

0:56:04.560 --> 0:56:08.120
<v Speaker 1>not automate it until two thousand and five. The advantage

0:56:08.160 --> 0:56:11.839
<v Speaker 1>to that was I was on the bleeding edge of

0:56:11.880 --> 0:56:14.080
<v Speaker 1>all this stuff that people take for granted. And I'm

0:56:14.080 --> 0:56:16.880
<v Speaker 1>not saying this is necessarily good stuff, but I'm talking

0:56:16.920 --> 0:56:19.000
<v Speaker 1>about the hate and all this other But what he

0:56:19.080 --> 0:56:24.160
<v Speaker 1>also did is you you built incredible credibility process, like

0:56:24.239 --> 0:56:29.279
<v Speaker 1>you became authentic and credible as a voice, and and

0:56:29.440 --> 0:56:33.000
<v Speaker 1>and and no disrespect to Julie, but that velvet rope

0:56:33.000 --> 0:56:36.360
<v Speaker 1>thing was not right. I mean, well, let's just to

0:56:36.400 --> 0:56:39.399
<v Speaker 1>go back there. The velvet rope was, you know, really

0:56:39.440 --> 0:56:42.160
<v Speaker 1>a vicious thing. She left, oh a O. L went

0:56:42.239 --> 0:56:45.239
<v Speaker 1>somewhere else. And the guy who hosted this, this guy

0:56:45.239 --> 0:56:48.759
<v Speaker 1>Craig Anderton, electronic musician, worked at Gibson until about a

0:56:48.800 --> 0:56:51.120
<v Speaker 1>month ago, and a very nice guy. He said, I'll

0:56:51.160 --> 0:56:53.440
<v Speaker 1>host one for you, right, and we did it. What

0:56:53.560 --> 0:56:57.319
<v Speaker 1>I didn't realize at the time was this is sound

0:56:57.400 --> 0:57:00.560
<v Speaker 1>kind of pompous. I would write definitively. People would be

0:57:00.560 --> 0:57:04.400
<v Speaker 1>too intimidated to respond. So I did that. It became

0:57:04.440 --> 0:57:06.880
<v Speaker 1>really important, really fast. Right. So I did that for

0:57:06.920 --> 0:57:09.160
<v Speaker 1>like two years and was also burned out. But once

0:57:09.680 --> 0:57:12.080
<v Speaker 1>what happened was when I went online in the year

0:57:12.120 --> 0:57:16.560
<v Speaker 1>two thousand. That's when the whole Napster thing happened. And

0:57:16.640 --> 0:57:20.920
<v Speaker 1>since I was a lawyer, I understood the legal stuff

0:57:20.920 --> 0:57:23.800
<v Speaker 1>on naster. I was the expert on Napster. They would

0:57:23.800 --> 0:57:26.480
<v Speaker 1>call me everybody from Hillary Rose and who was head

0:57:26.520 --> 0:57:30.560
<v Speaker 1>of the uh R, I double a everybody. I got

0:57:30.680 --> 0:57:34.720
<v Speaker 1>right in the thick of exactly about political stuff. You know,

0:57:34.800 --> 0:57:37.120
<v Speaker 1>she was everybody hated her in real life. She was

0:57:37.160 --> 0:57:43.439
<v Speaker 1>basically uh an okay person but um that that that's

0:57:43.440 --> 0:57:46.760
<v Speaker 1>what happened, and there are many details because I thought

0:57:47.160 --> 0:57:50.000
<v Speaker 1>that it was copyright infringement, but I thought that the

0:57:50.120 --> 0:57:53.640
<v Speaker 1>labels would establish that and then that have naptrical legal

0:57:54.000 --> 0:57:56.800
<v Speaker 1>which was not the case. So certainly by the fall

0:57:56.840 --> 0:58:00.240
<v Speaker 1>of two thous they went to shut it down. I

0:58:00.320 --> 0:58:02.720
<v Speaker 1>became the expert on the other side all of what

0:58:02.800 --> 0:58:06.320
<v Speaker 1>was going on with the Internet that they could not battle.

0:58:06.920 --> 0:58:09.480
<v Speaker 1>I guess there's one last question maybe here, Why the

0:58:09.600 --> 0:58:12.360
<v Speaker 1>funk are you doing this? Lot's an interesting question. Now

0:58:12.360 --> 0:58:14.760
<v Speaker 1>there's this guy, David Dorn who's a big, big wigged

0:58:14.800 --> 0:58:19.000
<v Speaker 1>Apple Music. Now it was two thousand five. He tracked

0:58:19.040 --> 0:58:22.760
<v Speaker 1>me down about doing this podcast for Rhino and I

0:58:22.840 --> 0:58:26.200
<v Speaker 1>did it all the way to remember this, all the

0:58:26.200 --> 0:58:29.320
<v Speaker 1>way to the end of two thousand nine. That podcast

0:58:29.440 --> 0:58:33.920
<v Speaker 1>was about talking about records and I could use any label, etcetera.

0:58:34.000 --> 0:58:36.400
<v Speaker 1>And there was a very it's like anything else. You know,

0:58:36.840 --> 0:58:39.680
<v Speaker 1>I got email for years after it stopped people would

0:58:39.680 --> 0:58:45.600
<v Speaker 1>want to hear that again. Okay, so I'm gonna give

0:58:45.600 --> 0:58:49.160
<v Speaker 1>you the real, real, real, real story. Yeah yeah. So

0:58:49.200 --> 0:58:56.160
<v Speaker 1>in any event, David moved on and that ended. Okay,

0:58:56.480 --> 0:58:58.880
<v Speaker 1>podcast went down, and then then what came back up,

0:58:59.360 --> 0:59:02.520
<v Speaker 1>and everybody has a podcast and Howard Stern is giving

0:59:02.560 --> 0:59:05.960
<v Speaker 1>them ship. Everybody can broadcast, etcetera. And it's like, I

0:59:05.960 --> 0:59:08.520
<v Speaker 1>don't want to write a novel. That's not what I do.

0:59:08.680 --> 0:59:10.880
<v Speaker 1>My thing is immediate. People say write a book, Say

0:59:10.880 --> 0:59:12.480
<v Speaker 1>I'm gonna take a year or two to write a book.

0:59:12.560 --> 0:59:14.960
<v Speaker 1>It's gonna reach a tenth of the people that I

0:59:15.000 --> 0:59:18.120
<v Speaker 1>normally reach. That's not what I'm gonna do. And the podcast,

0:59:18.760 --> 0:59:20.800
<v Speaker 1>you know, it's like Peter Teel says, you know, you

0:59:20.840 --> 0:59:25.520
<v Speaker 1>go where everybody else isn't. But in the full two

0:59:25.600 --> 0:59:30.040
<v Speaker 1>years ago, I lost my two big paying gigs you know,

0:59:30.200 --> 0:59:35.400
<v Speaker 1>nothing lasts forever, and one the company you know, literally went.

0:59:35.560 --> 0:59:38.200
<v Speaker 1>Both companies went in a different direction. But both stories

0:59:38.240 --> 0:59:39.960
<v Speaker 1>are a little complicated. But I lost them both in

0:59:40.080 --> 0:59:43.120
<v Speaker 1>a week and I'd saved a lot of money. But

0:59:44.560 --> 0:59:48.720
<v Speaker 1>it's through me. Okay, It's just like two years ago,

0:59:49.320 --> 0:59:51.720
<v Speaker 1>it was, you know, so um this is I had

0:59:51.720 --> 0:59:55.560
<v Speaker 1>a column in Variety and I had the uh these

0:59:55.640 --> 0:59:58.720
<v Speaker 1>potu these uh Spotify playlists I was doing for Rhino,

0:59:59.520 --> 1:00:04.000
<v Speaker 1>and I know totally redid their thing. And Variety is

1:00:04.040 --> 1:00:06.560
<v Speaker 1>a much deeper story, but it came to a close

1:00:07.240 --> 1:00:10.840
<v Speaker 1>and uh, I hate to admit it. It's like, you know,

1:00:11.200 --> 1:00:14.600
<v Speaker 1>a breakup for me. It takes a long time for

1:00:14.680 --> 1:00:17.080
<v Speaker 1>me to recover from these. It's hard to get over.

1:00:17.280 --> 1:00:22.920
<v Speaker 1>And also I'll also admit, since I turned sixty really

1:00:22.960 --> 1:00:25.640
<v Speaker 1>fucked me up. You know everybody's saying, you know, no,

1:00:25.800 --> 1:00:27.800
<v Speaker 1>just they say sixties to do fifty or new forty.

1:00:27.960 --> 1:00:30.840
<v Speaker 1>That's worship sixty and sixty. Okay, it might live a

1:00:30.880 --> 1:00:34.040
<v Speaker 1>little bit longer. The problem with turning sixty is a

1:00:34.040 --> 1:00:36.000
<v Speaker 1>lot of it's a it's a visceral thing. It's not

1:00:36.080 --> 1:00:38.680
<v Speaker 1>something you contemplate until it comes up in your brain.

1:00:39.320 --> 1:00:42.840
<v Speaker 1>Um is that? A lot of it's bullshit, like when

1:00:42.880 --> 1:00:45.200
<v Speaker 1>I see hype, like I'm reading the newspaper now and

1:00:45.200 --> 1:00:47.200
<v Speaker 1>they have they talk about acts, and they talk about

1:00:47.200 --> 1:00:49.800
<v Speaker 1>what was just said. They're just hyping it. Okay, we

1:00:49.840 --> 1:00:51.600
<v Speaker 1>don't know. I'll find out. I'll go on Rotten Tomatoes

1:00:51.600 --> 1:00:52.840
<v Speaker 1>a day it comes out and find out whether it's

1:00:52.880 --> 1:00:55.880
<v Speaker 1>worth seeing. I don't have to follow the promotion for

1:00:55.920 --> 1:01:00.280
<v Speaker 1>a year in advance, so what is really important? And

1:01:00.360 --> 1:01:03.400
<v Speaker 1>then you get to a spot where it goes It

1:01:03.440 --> 1:01:05.240
<v Speaker 1>doesn't make any difference because at first you want to

1:01:05.240 --> 1:01:08.439
<v Speaker 1>be remembered. Then you realize nobody's gonna be remembered. Young

1:01:08.480 --> 1:01:11.360
<v Speaker 1>people today have no idea how big Johnny Carson was,

1:01:11.840 --> 1:01:14.280
<v Speaker 1>and the Beatles continue to be big, but there are

1:01:14.280 --> 1:01:16.160
<v Speaker 1>a lot of bands from the seventies who were huge

1:01:16.560 --> 1:01:20.760
<v Speaker 1>already been forgotten. So it frees you up to do

1:01:20.920 --> 1:01:27.480
<v Speaker 1>different things. Okay. Then I got an email from I was, okay,

1:01:27.760 --> 1:01:30.560
<v Speaker 1>I do a certain number of personal appearances, certain number

1:01:30.560 --> 1:01:33.680
<v Speaker 1>of podcasts myself. And I was on the Recode podcast

1:01:33.720 --> 1:01:37.080
<v Speaker 1>and I knew I killed and I killed, and uh,

1:01:37.160 --> 1:01:40.080
<v Speaker 1>some guy tracked me down. This craziest Railey guy had

1:01:40.120 --> 1:01:44.240
<v Speaker 1>the fourth big third biggest YouTube channel if you discount Vivo,

1:01:44.600 --> 1:01:46.560
<v Speaker 1>and he wanted to do a podcast, and I liked

1:01:46.600 --> 1:01:50.120
<v Speaker 1>that he was young. Okay, and I said, well, maybe

1:01:50.160 --> 1:01:54.840
<v Speaker 1>I'll take a flyer. Then Irving as Off said, well,

1:01:55.080 --> 1:01:58.800
<v Speaker 1>a big radio chain was interested, so a big radio chain.

1:01:58.840 --> 1:02:01.000
<v Speaker 1>We were at paper was gonna do with the big

1:02:01.120 --> 1:02:05.040
<v Speaker 1>radio chain, okay. And then the guy who is head

1:02:05.040 --> 1:02:07.880
<v Speaker 1>of tune In track me down and he said well,

1:02:07.960 --> 1:02:10.240
<v Speaker 1>and I said, you literally have to get on it

1:02:10.640 --> 1:02:12.720
<v Speaker 1>right away. I mean, I'm literally the contracts are going

1:02:12.760 --> 1:02:16.760
<v Speaker 1>back and forth. So I liked once again that he

1:02:16.880 --> 1:02:20.080
<v Speaker 1>was from the New World, and part of me believes

1:02:20.360 --> 1:02:23.880
<v Speaker 1>I'm too late. But I listened to a lot of podcasts,

1:02:24.200 --> 1:02:28.120
<v Speaker 1>and many people are bad. It's astounding how many people

1:02:28.160 --> 1:02:30.920
<v Speaker 1>are truly bad. And then there are people who followings

1:02:30.920 --> 1:02:33.560
<v Speaker 1>are bad. Because I was brought up in a family

1:02:33.560 --> 1:02:35.240
<v Speaker 1>where they told me I was a ship hit. My

1:02:35.240 --> 1:02:37.160
<v Speaker 1>mother would literally say, well, who are you? Why would

1:02:37.160 --> 1:02:40.440
<v Speaker 1>why would? Why did they listen to you? So I realized, well,

1:02:40.440 --> 1:02:42.520
<v Speaker 1>if I'm good on these other things, I need to

1:02:42.520 --> 1:02:44.480
<v Speaker 1>give it a shot. And also I realized there are

1:02:44.480 --> 1:02:46.560
<v Speaker 1>a lot of people I do want to talk to,

1:02:47.040 --> 1:02:50.760
<v Speaker 1>which has a different flavor from writing right, and as

1:02:50.880 --> 1:02:53.920
<v Speaker 1>you have access to exactly like I'm gonna talk to

1:02:54.000 --> 1:02:57.160
<v Speaker 1>Nathan Hubbard who ran ticket Master and is in the

1:02:57.200 --> 1:03:01.160
<v Speaker 1>ticketing sphere that is not known how much you write,

1:03:01.480 --> 1:03:03.920
<v Speaker 1>it's not something that you can converse. And there are

1:03:03.960 --> 1:03:05.920
<v Speaker 1>a lot of other people. I mean, I haven't locked

1:03:05.920 --> 1:03:07.840
<v Speaker 1>these people in, not that they won't lock him. So

1:03:07.840 --> 1:03:09.240
<v Speaker 1>I don't want to drop the names. There are a

1:03:09.280 --> 1:03:11.880
<v Speaker 1>lot of creative people. You're gonna get them all, dude.

1:03:12.920 --> 1:03:16.440
<v Speaker 1>But as I say, I like to get someone's story,

1:03:16.880 --> 1:03:19.360
<v Speaker 1>I don't want to just hear the hype, and I

1:03:19.360 --> 1:03:24.080
<v Speaker 1>don't think there's anybody better. That's my skill. To my detriment,

1:03:24.240 --> 1:03:26.640
<v Speaker 1>I know everybody's story that you've heard about me. Most

1:03:26.640 --> 1:03:29.240
<v Speaker 1>people you never hear about me. It's like it's just

1:03:29.280 --> 1:03:32.240
<v Speaker 1>a newsletter, that's it. So I love to get people's stories.

1:03:32.240 --> 1:03:34.680
<v Speaker 1>So I look forward to that the podcast. Well, I

1:03:34.720 --> 1:03:37.080
<v Speaker 1>just want to share one story with you two thousand

1:03:37.080 --> 1:03:41.760
<v Speaker 1>and two as your uh as your letter is blowing up.

1:03:42.160 --> 1:03:44.439
<v Speaker 1>You know, I'm still a relatively young man at that time.

1:03:44.880 --> 1:03:47.400
<v Speaker 1>I was so inspired that I thought I would try

1:03:47.440 --> 1:03:49.680
<v Speaker 1>to do the same thing, and I never really was

1:03:49.760 --> 1:03:51.520
<v Speaker 1>able to pull it off. I didn't know this, soho

1:03:51.680 --> 1:03:53.920
<v Speaker 1>did you send stuff? No? I didn't send stuff. You

1:03:53.920 --> 1:03:56.400
<v Speaker 1>know what I did is I would go out. I

1:03:56.440 --> 1:03:59.080
<v Speaker 1>was on Sunset Strip every night, as you know. I'd

1:03:59.120 --> 1:04:02.120
<v Speaker 1>go out to come home after many drinks and partying,

1:04:02.160 --> 1:04:04.560
<v Speaker 1>and I would try to write something and I could

1:04:04.600 --> 1:04:05.800
<v Speaker 1>never do it in the way that you did it.

1:04:05.920 --> 1:04:08.080
<v Speaker 1>So you were such an inspiration to me, and to

1:04:08.160 --> 1:04:10.160
<v Speaker 1>this day I wish that I had tried to follow

1:04:10.200 --> 1:04:14.040
<v Speaker 1>through with this. But Bob, thank you for letting me

1:04:14.280 --> 1:04:21.360
<v Speaker 1>help tell your story. My goal is to make your

1:04:21.440 --> 1:04:24.360
<v Speaker 1>life more interesting. That's what I'm trying to do here

1:04:24.360 --> 1:04:26.640
<v Speaker 1>on my new podcast on tune in. I want to

1:04:26.640 --> 1:04:30.680
<v Speaker 1>give you information and entertain you simultaneously. In a world

1:04:30.760 --> 1:04:34.720
<v Speaker 1>full of clutter, I hope to rise above. We love insight.

1:04:35.200 --> 1:04:37.640
<v Speaker 1>You can email me at Bob at left sets dot

1:04:37.640 --> 1:04:40.560
<v Speaker 1>com and let us know what you think and suggestions.

1:04:40.560 --> 1:04:43.440
<v Speaker 1>We're open to all ideas. I hope you enjoyed this

1:04:43.480 --> 1:04:47.520
<v Speaker 1>inaugural podcast. Be sure to subscribe at tune in, iTunes

1:04:48.080 --> 1:05:01.760
<v Speaker 1>or your podcast player of choice. Don't know so Dolphas

1:05:04.120 --> 1:05:04.480
<v Speaker 1>Drum