WEBVTT - Listener Mail Roundup

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and my name is Julie Douglas. Julie,

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<v Speaker 1>I'm growing concerned. I'm growing concerned for our dear mail bot,

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<v Speaker 1>Arnold Um. We haven't been calling him over a lot recently.

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<v Speaker 1>We've we've we've our own schedules have been crazy. We've

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<v Speaker 1>been covering some some topics that have gone a bit

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<v Speaker 1>long here and there, and for for various reasons, he

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<v Speaker 1>just remains over in his corner. The mail is piling

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<v Speaker 1>up around him, and I'm beginning to notice some some

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<v Speaker 1>unhealthy behavior in this secluded mechanoid. Are you talking about

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<v Speaker 1>the droppings? Yeah, that's one thing that's happening, Yes, Yeah,

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<v Speaker 1>And he's resting a little bit, he is. Yeah. So

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<v Speaker 1>we're gonna take the oil can out today, and we're

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<v Speaker 1>gonna have a little bit of listener mail that has

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<v Speaker 1>has built up, and and we're gonna make Arnie feel

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<v Speaker 1>a little bit better, I think in the so and

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<v Speaker 1>and and as a byproduct, will also be able to

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<v Speaker 1>catch up on some some great listener mail. We just

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<v Speaker 1>leave so many great responses on Facebook through through our

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<v Speaker 1>email address. Most of it is wonderful, and yet we're

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<v Speaker 1>so busy, and there's so the time is so limited.

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<v Speaker 1>We don't really get to respond as much as we'd like.

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<v Speaker 1>We don't get to share as much on the podcast

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<v Speaker 1>as we would like. So today's the day we are

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<v Speaker 1>going to cover this listener mail and let's bring on

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<v Speaker 1>over Arnie. Hey there, Arnie, what have you got for us? Uh?

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<v Speaker 1>What have you got for us today? You got some

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<v Speaker 1>good ones that you've been building up? All right? Fair enough?

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<v Speaker 1>This first one comes to us from Facebook, and it

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<v Speaker 1>comes from listener Justin. Justin says, Hey, Robert and Julie

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<v Speaker 1>just wanted to say that I really enjoyed your Aura

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<v Speaker 1>Boris podcast today. However, I'm extremely disappointed that a couple

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<v Speaker 1>of fantasy nerds like you, or at least Robert seems

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<v Speaker 1>to be, didn't mention Robert Jordan's Wheel of Time series.

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<v Speaker 1>If you haven't heard it, there are four teen books,

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<v Speaker 1>about five hundred thousand pages each. So these books are

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<v Speaker 1>a significant investment in time, but I couldn't recommend them more.

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<v Speaker 1>The Aura Boris plays a strong role, being both the

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<v Speaker 1>symbol of the Wheel of Time, which drives this fantasy

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<v Speaker 1>world through repeating ages and the symbol of the main

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<v Speaker 1>magic users throughout the novels. Again, the series is a

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<v Speaker 1>major investment of your time, but the payoff is well

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<v Speaker 1>worth it. If you guys haven't read them yet, I

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<v Speaker 1>would highly recommend it. Thanks for the great podcast. You

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<v Speaker 1>have no idea how much it helps my commute and

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<v Speaker 1>the more mundane parts of my day justin so, yeah, yeah, yeah,

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<v Speaker 1>The Wheel of Time. It's a book series I've I've

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<v Speaker 1>long been aware of, but as time goes by, I

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<v Speaker 1>feel like I have I'm I'm ever against the idea

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<v Speaker 1>of engaging and yet another um long and or unfinished

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<v Speaker 1>fantasy series. I didn't you feel like that. You've got

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<v Speaker 1>so much stuff in the way of books or even

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<v Speaker 1>um like television series or movies that are stacking up there. Yeah,

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<v Speaker 1>it's like, I know it's great. I hear it's great,

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<v Speaker 1>but I don't know that I have time in this

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<v Speaker 1>lifetime for it. We'll see, maybe I'll maybe I'll catch

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<v Speaker 1>a prison sentence at some point and then I can

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<v Speaker 1>throw myself at Wheel of Time. Are you not wishing

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<v Speaker 1>that upon yourself? I'm not wishing it, and myself. It's

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<v Speaker 1>it's a consolation prize. It's like out somehow I wound

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<v Speaker 1>up in prison. But at least there's wheel of time.

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<v Speaker 1>Well okay, alright, so I don't I hope that you

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<v Speaker 1>have some other way of obtaining time. But the r

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<v Speaker 1>bars in case you guys out there did not catch

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<v Speaker 1>that one that was about the uh snake biting its

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<v Speaker 1>tail episode, and that was we covered the symbolic aspects

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<v Speaker 1>of that. Yeah, I was. That's one of those episodes

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<v Speaker 1>where briefly into the research, we didn't think there was

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<v Speaker 1>enough there to constitute a full episode, where like, maybe

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<v Speaker 1>there's just not enough here. This is more of a

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<v Speaker 1>a blog post. But then we then we we doubled down,

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<v Speaker 1>we research some more, and we started finding all these

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<v Speaker 1>crazy scientific or or philosophical aspects of the subject matter. Yeah,

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<v Speaker 1>and even a robotic aspect of it as well. Yeah, alright,

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<v Speaker 1>let's hear from Francis. She posted this on Facebook, says,

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<v Speaker 1>I loved this episode. Though when I tried explaining the

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<v Speaker 1>mother having her nephews to some friends that would get together,

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<v Speaker 1>they thought I had been doped into some urban legend.

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<v Speaker 1>Where can I get my hands on more evidence? So

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<v Speaker 1>I can score my told just so moment. Well, Francis,

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<v Speaker 1>thank you for for letting us know about that. Um.

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<v Speaker 1>It is not an urban legend, but it has all

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<v Speaker 1>the elements of it. Right. You have this mother who

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<v Speaker 1>had three sons, two of which had been tested to

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<v Speaker 1>see if they might be a good donor uh for her,

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<v Speaker 1>and found that genetically they did not match. And so

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<v Speaker 1>it was found that she actually absorbed her twin, which

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<v Speaker 1>means that the twins cellular material was passed on to

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<v Speaker 1>two of her sons. So all right, there's a study

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<v Speaker 1>by Margot cresscoll and is called disputed Maternity leading to

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<v Speaker 1>identification of tetra comedic camerism. So anybody else out there

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<v Speaker 1>who pulled this went off at a cocktail party, and

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<v Speaker 1>you need some bad up. That is the name of

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<v Speaker 1>the study. There you go printed out pass around because

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<v Speaker 1>everybody wants to read a ten page paper at a

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<v Speaker 1>cocktail It's an instant conversation starter. And if you're looking

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<v Speaker 1>to you know, score some romance, no better way. Yeah,

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<v Speaker 1>and don't let anybody skip down to the summary. That's

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<v Speaker 1>just yeah. I also wanted to mention I mentioned this

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<v Speaker 1>in our last episode, the episode of micro Climira was

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<v Speaker 1>suggested by listener Shawna, and I wanted to thank her

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<v Speaker 1>again because I don't think that I mentioned this in

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<v Speaker 1>the actual episode, and she is the reason why we

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<v Speaker 1>can all sit back and think about these dastartly things

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<v Speaker 1>going on in a southernly whether or not maybe one

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<v Speaker 1>of the siblings cells are dwelling within us. So thank you, Shawna. Cool.

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<v Speaker 1>All right, well, Arnold, what else do you have for us? Yeah?

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<v Speaker 1>Oh yeah, well that sounds like a good one. Let

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<v Speaker 1>me see that one, Arnold. This one comes to us

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<v Speaker 1>from Camilla and uh. This is a response to our

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<v Speaker 1>episode on Staring and Camilla um works in China, which

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<v Speaker 1>which actually Camilla was actually a really helpful for me

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<v Speaker 1>right before my wife and I traveled to China on

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<v Speaker 1>our adoption trip, because I got to run a couple

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<v Speaker 1>of questions pastor about, you know, sort of cultural things

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<v Speaker 1>before we left. So Camilla writes in and she says,

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<v Speaker 1>great stuff on the Staring episode. I love I loved

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<v Speaker 1>Julie Stare down with a seven year old, mainly because

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<v Speaker 1>I'm guilty of that myself, as you know, living in

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<v Speaker 1>small town China, particularly small town with very few foreigners

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<v Speaker 1>I got a lot of stairs for being not Chinese.

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<v Speaker 1>Not only stairs, but pointing competing people nudging each other

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<v Speaker 1>and pointing out that there's a lawa on the bus.

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<v Speaker 1>I'm sure I completely butchered the Mandarin. Uh well, I'm

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<v Speaker 1>not even sure it's manner because I'm not sure what

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<v Speaker 1>part of China she's in, But I'm sure I butchered it,

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<v Speaker 1>she continues after After the novelty wears off, it can

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<v Speaker 1>get quite annoying. So one day on the bus, this

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<v Speaker 1>seven year old turns completely around and starts to stare

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<v Speaker 1>at me. We're not talking about a subtle here. She

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<v Speaker 1>was less than a foot away and was looking straight

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<v Speaker 1>at for at least two minutes, which seems like a

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<v Speaker 1>very long time when you're being stared at. Usually I

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<v Speaker 1>would just ignore it. They've probably never seen a foreigner before,

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<v Speaker 1>so let them soak it up. But that persistent stairs

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<v Speaker 1>just too innovating, So I decided to let her know

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<v Speaker 1>how it feels. I start staring back, and almost immediately

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<v Speaker 1>she backs down. I could see in her eyes how

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<v Speaker 1>uncomfortable she felt. And I go out on a limb

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<v Speaker 1>here and say that that's how most people feel like

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<v Speaker 1>when they're being stared at very uncomfortable, like your personal

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<v Speaker 1>space has been invaded, even from a distance. So there

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<v Speaker 1>you go. That's there's some some interesting insight into the

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<v Speaker 1>experience of staring. Um. I also feel better about about

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<v Speaker 1>staring star off with a seven year old, So thank

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<v Speaker 1>you Camilla, you know. And I knew from Camilla and

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<v Speaker 1>just from general reading of prior to our travel to China,

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<v Speaker 1>that there would be a lot of stairs, particularly when

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<v Speaker 1>we were in Ending where there there are certainly far

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<v Speaker 1>in a huge city seven million people, I believe, but

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<v Speaker 1>there are fewer foreigners, and so we we did receive

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<v Speaker 1>a lot of stairs there. And it's just sort of

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<v Speaker 1>culturally more okay to stare at strange giant westerners with

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<v Speaker 1>blonde hair. Uh. And at first it was it was okay,

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<v Speaker 1>you know, I kind of I knew why what was

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<v Speaker 1>going on. I knew culturally what the deal was. So

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<v Speaker 1>I'm like, all right, it's fine. I'm I'm an outsider.

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<v Speaker 1>I look weird. I'm only fall outsider with I don't

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<v Speaker 1>know were they blewe e eyes green green green, and

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<v Speaker 1>then kind of blonde his hair. So yeah, so in

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<v Speaker 1>and you know, my wife too, we both got a

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<v Speaker 1>lot of stairs. But early on were you know, it

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<v Speaker 1>was fine. We you know, we realized what was happening.

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<v Speaker 1>But as the trip progressed, I found that it kind

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<v Speaker 1>of grated on me more and more. Not that I

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<v Speaker 1>was like actively getting angry about it, like stopped staring

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<v Speaker 1>at me or anything, but I just I felt more

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<v Speaker 1>and more like I wanted to hide somewhere or go

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<v Speaker 1>somewhere where people wouldn't be staring. Even though it's not

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<v Speaker 1>like I didn't feel safe. I felt safe the entire

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<v Speaker 1>time I was in China, but I I it was,

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<v Speaker 1>it just kind of begins to irritate you more and more.

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<v Speaker 1>Not even irritate you, just make you feel did you

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<v Speaker 1>feel objectifying, like sort of like us than human or no,

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<v Speaker 1>it's just well maybe in a sense like in a

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<v Speaker 1>in a in an unconscious sense, like you just reached

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<v Speaker 1>the point where you just don't want to be stared

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<v Speaker 1>at anymore, Like for for just non formulated reasons. You're

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<v Speaker 1>just like, I just want to be me and be

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<v Speaker 1>privately me somewhere and and not looked at as an outsider.

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<v Speaker 1>So when you got back to the States, though, did

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<v Speaker 1>you were you so used to being stared at We're like, hey,

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<v Speaker 1>what what's going on? I'm right here, guys, I don't

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<v Speaker 1>I guess it's it was in a way it's nice

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<v Speaker 1>to be on Marta and just be ignored. I don't know,

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<v Speaker 1>it's just nice to be ignored. But it was a

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<v Speaker 1>great experience too, and to realize, to help realize what

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<v Speaker 1>it's like for people who get stares everywhere, people who

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<v Speaker 1>you know, how either say unnaturally tall, unnaturally short, or

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<v Speaker 1>there's something about them, you know, maybe they're just you know,

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<v Speaker 1>the racially the racial inversion of my situation where they

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<v Speaker 1>you know, they find themselves, you know, surrounded by a

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<v Speaker 1>bunch of you know, tall, pale white people and it's

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<v Speaker 1>and and they are the outsider. It feels weird. So

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<v Speaker 1>so it was great experience in that it does give

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<v Speaker 1>me more insight, I feel, into into what it's like

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<v Speaker 1>to be the other. Yeah. But as Camilla suggested my

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<v Speaker 1>my my wife a few different times said that she

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<v Speaker 1>would just stare back. It's someone who's staring at and

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<v Speaker 1>she's like, well, if they're staring at me, it gives

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<v Speaker 1>me full license to stare at them. But I was

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<v Speaker 1>always too awkward to do that. It's like like that,

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<v Speaker 1>because I know they don't. They don't actually want to

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<v Speaker 1>be stared at, So I'm not gonna give them what

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<v Speaker 1>I'm feeling, you know, And then you have to engage

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<v Speaker 1>in their souls if you do that. Yeah, I don't

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<v Speaker 1>want to make eye contact with anyone anyway. So all right.

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<v Speaker 1>We got another email on staring. This is from Vic

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<v Speaker 1>and he said, I enjoyed the recent podcasts in the

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<v Speaker 1>Science of Staring. As a poker player, you can imagine

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<v Speaker 1>that there's quite a bit of staring as a group

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<v Speaker 1>of guys sit around a small table playing cards for

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<v Speaker 1>hours on end, many of these guys posturing to be

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<v Speaker 1>the alpha mail at the table. After yeah, after either

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<v Speaker 1>having made a bet or perhaps facing a bet, players

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<v Speaker 1>exhibit a variety of stairs. Some stare blankly at the

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<v Speaker 1>cards in the middle of the table, trying not to

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<v Speaker 1>give away any tells, while others choose to stare down

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<v Speaker 1>their opponent while their conscious minds try to determine if

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<v Speaker 1>they're beat or being bluffed. Their unconscious emotional minds are

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<v Speaker 1>always on the lookout for hints as well. After listening

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<v Speaker 1>to your podcast, I tried this little experiment. I had

0:11:14.400 --> 0:11:17.800
<v Speaker 1>a particularly strong hand and on the river. Once all

0:11:17.800 --> 0:11:20.920
<v Speaker 1>the cards had been dealt, I raised my opponent. He

0:11:21.000 --> 0:11:23.480
<v Speaker 1>had the most chips at the table and was embracing

0:11:23.480 --> 0:11:26.480
<v Speaker 1>the alpha male roll at the table that afternoon, while

0:11:26.520 --> 0:11:29.560
<v Speaker 1>deciding whether to call my rays or fold, he stared

0:11:29.600 --> 0:11:31.560
<v Speaker 1>at me. I was looking at the center of the table,

0:11:31.559 --> 0:11:33.880
<v Speaker 1>trying not to give off any signals that might help him.

0:11:33.880 --> 0:11:36.160
<v Speaker 1>But I decided that I would stare back at him,

0:11:36.200 --> 0:11:38.440
<v Speaker 1>but only for a second or two, and then only

0:11:38.720 --> 0:11:42.360
<v Speaker 1>very meekly. I looked into his stare, looked away, and

0:11:42.400 --> 0:11:45.200
<v Speaker 1>then back and quickly back at the center of the table. Certainly,

0:11:45.240 --> 0:11:47.839
<v Speaker 1>in alpha male would not want to be bluffed out

0:11:47.840 --> 0:11:51.440
<v Speaker 1>of a sizeable pot. He may have, in fact logically

0:11:51.480 --> 0:11:53.640
<v Speaker 1>come to the correct conclusion that he was beat, but

0:11:53.760 --> 0:11:57.080
<v Speaker 1>not wanting to back down from what may have appeared

0:11:57.120 --> 0:12:00.440
<v Speaker 1>as a weaker stare from his opponent, he called. He

0:12:00.520 --> 0:12:03.880
<v Speaker 1>called his hand, I suppose right. What I found most

0:12:03.960 --> 0:12:07.160
<v Speaker 1>interesting was that as he was pushing his chips into

0:12:07.160 --> 0:12:09.560
<v Speaker 1>the pot, he actually said, I know I'm beat, but

0:12:09.600 --> 0:12:12.080
<v Speaker 1>I just have to call. I showed him my hand

0:12:12.120 --> 0:12:15.720
<v Speaker 1>and he quietly folded his cards. I may continue to

0:12:15.840 --> 0:12:17.880
<v Speaker 1>use the staring tactic from time to time when facing

0:12:17.880 --> 0:12:20.640
<v Speaker 1>who I perceive as the alpha male at the poker table,

0:12:20.679 --> 0:12:22.720
<v Speaker 1>when I'm holding what I think is the winning cand

0:12:23.080 --> 0:12:24.920
<v Speaker 1>Thanks to stuff to blow the mind for this valuable

0:12:25.000 --> 0:12:27.400
<v Speaker 1>bit of science. By the way, I vote no to

0:12:27.640 --> 0:12:31.120
<v Speaker 1>abbreviating the as t H. Keep up the great work.

0:12:31.880 --> 0:12:34.480
<v Speaker 1>I love it. See you listen to the podcast and

0:12:34.520 --> 0:12:37.840
<v Speaker 1>it improves your gambling and your ability well and and

0:12:37.840 --> 0:12:42.359
<v Speaker 1>on a more a less you know, hilarious sense, it

0:12:42.400 --> 0:12:44.520
<v Speaker 1>helps you better navigate the world because you're a little

0:12:44.600 --> 0:12:47.120
<v Speaker 1>more aware about what's going on. I love that he

0:12:47.200 --> 0:12:50.559
<v Speaker 1>was like, I'm identifying the alpha male. I'm going to

0:12:50.640 --> 0:12:53.760
<v Speaker 1>trick him into this sort of weak stare. I'm gonna

0:12:53.760 --> 0:12:57.480
<v Speaker 1>take all this money. The the alpha male stare thing

0:12:57.640 --> 0:13:00.000
<v Speaker 1>is weird and is and is the worst. Like I would,

0:13:00.320 --> 0:13:03.200
<v Speaker 1>I far prefer the outsider stare than the alpha mail stair.

0:13:03.240 --> 0:13:06.040
<v Speaker 1>I certainly didn't get any weird alpha mair mail stare

0:13:06.679 --> 0:13:08.920
<v Speaker 1>stuff going on when I was in China. As a

0:13:08.960 --> 0:13:11.079
<v Speaker 1>side note, I recently saw that there was a study

0:13:11.120 --> 0:13:14.520
<v Speaker 1>that said that men with wider faces appear to be

0:13:14.559 --> 0:13:16.880
<v Speaker 1>more aggressive. But I wonder if that's a staring thing,

0:13:16.960 --> 0:13:21.480
<v Speaker 1>Like if it's staring just seems more pronounced anyway, it's

0:13:21.520 --> 0:13:24.560
<v Speaker 1>something that's uh I shall check into. All Right, we're

0:13:24.559 --> 0:13:26.040
<v Speaker 1>gonna take a quick break and we come back. We're

0:13:26.040 --> 0:13:28.600
<v Speaker 1>gonna have some more listener mail here with our robot friend.

0:13:35.400 --> 0:13:37.760
<v Speaker 1>All Right, we're back. Um, what else do you have

0:13:37.840 --> 0:13:39.559
<v Speaker 1>for us, Arnold? I know you have a you have

0:13:39.640 --> 0:13:41.320
<v Speaker 1>a lot of mail there. Do you have some some

0:13:41.400 --> 0:13:47.079
<v Speaker 1>other tantalizing bits of correspondence to share? Oh, here's one.

0:13:47.440 --> 0:13:51.280
<v Speaker 1>This one comes to us from Jesse. Uh. Jesse's responding

0:13:51.320 --> 0:13:54.280
<v Speaker 1>to um some of our Hell related content that has

0:13:54.320 --> 0:13:55.760
<v Speaker 1>come out over the years, and we've done quite a

0:13:55.760 --> 0:13:57.800
<v Speaker 1>bit of it, a lot of that's my fault, but

0:13:57.880 --> 0:14:00.240
<v Speaker 1>we've we've talked about the science of Hell, we've talked

0:14:00.280 --> 0:14:03.280
<v Speaker 1>about the problem of Hell from more of a philosophical

0:14:04.040 --> 0:14:07.680
<v Speaker 1>sociological standpoint, and of course we did that whole series

0:14:07.720 --> 0:14:11.840
<v Speaker 1>on the Seven Deadly Sins. So Hell pops up frequently.

0:14:11.920 --> 0:14:14.559
<v Speaker 1>And Uh, I also been talking about Dante. So Jesse

0:14:14.679 --> 0:14:17.720
<v Speaker 1>writes in from Sitney, Australian, says, hey, guys, longtime listener,

0:14:17.760 --> 0:14:20.080
<v Speaker 1>first time emailer. I really enjoyed the recent episodes in

0:14:20.120 --> 0:14:22.680
<v Speaker 1>Hell and was reminded of this fantastic song by a

0:14:22.720 --> 0:14:25.680
<v Speaker 1>new Jersey metal band, iced Earth. The song is about

0:14:25.720 --> 0:14:28.760
<v Speaker 1>fourteen minutes long and it's full of melody, complexity, and

0:14:28.800 --> 0:14:31.800
<v Speaker 1>well metal. It conveys a sense of journey and mystery,

0:14:31.800 --> 0:14:34.440
<v Speaker 1>and I challenge you to listen to it without headbanging.

0:14:34.960 --> 0:14:37.160
<v Speaker 1>I hope you enjoyed as much as I have now

0:14:37.240 --> 0:14:39.800
<v Speaker 1>over a decade. Include a YouTube link, but again, you

0:14:39.840 --> 0:14:44.440
<v Speaker 1>can just search for iced Earth and uh hopefully find

0:14:44.560 --> 0:14:48.840
<v Speaker 1>uh this this particular track. So it was interesting because uh,

0:14:48.880 --> 0:14:51.760
<v Speaker 1>I love any kind of uh uh situation where a

0:14:51.800 --> 0:14:55.640
<v Speaker 1>topic that we've covered uh collides with music in any

0:14:55.640 --> 0:15:00.760
<v Speaker 1>shape or form Alright, so you got your your hell on? Yeah, yeah, yeah,

0:15:00.800 --> 0:15:03.160
<v Speaker 1>and uh and I think maybe I was headbanging a little,

0:15:03.160 --> 0:15:05.640
<v Speaker 1>you know, I thought I saw you your desk doing that. Yeah,

0:15:05.760 --> 0:15:08.520
<v Speaker 1>I was pretty sure I have. I've taught the toddler

0:15:08.600 --> 0:15:10.720
<v Speaker 1>to a head bang a little bit. Yeah, how's that going?

0:15:10.880 --> 0:15:13.080
<v Speaker 1>Pretty good? He'll do it in the car, you know.

0:15:13.120 --> 0:15:15.640
<v Speaker 1>He all that the booty dancing came naturally to him,

0:15:15.640 --> 0:15:18.160
<v Speaker 1>and it's like it always does, but that I had

0:15:18.200 --> 0:15:19.560
<v Speaker 1>to sort of show him that this is what you

0:15:19.600 --> 0:15:21.720
<v Speaker 1>do if we're playing Black Sabbath in the car, that

0:15:21.720 --> 0:15:23.720
<v Speaker 1>you're supposed to move your head and he seems to

0:15:23.760 --> 0:15:26.640
<v Speaker 1>catch on. See, maybe we should do an episode on

0:15:26.680 --> 0:15:30.160
<v Speaker 1>the science of headbanging? What is that about? Mash pits?

0:15:30.200 --> 0:15:33.160
<v Speaker 1>What's that about? There's a whole like world of metal,

0:15:33.920 --> 0:15:35.880
<v Speaker 1>uh you know in face melting that it needs to

0:15:35.920 --> 0:15:38.240
<v Speaker 1>be you know, research and you know how about the

0:15:38.280 --> 0:15:42.040
<v Speaker 1>hair the physics of the hair? Yeah? Yeah, yeah? And

0:15:42.200 --> 0:15:45.320
<v Speaker 1>what and how is the headbanging different between the long

0:15:45.360 --> 0:15:47.600
<v Speaker 1>hair and the shaved head, Like those are the two extremes.

0:15:47.600 --> 0:15:49.800
<v Speaker 1>You don't see a lot of headbanging in the realms,

0:15:49.920 --> 0:15:53.640
<v Speaker 1>you don't. I mean, how much momentum does that hair create? Anyway? Yeah?

0:15:53.680 --> 0:15:55.240
<v Speaker 1>Which is better? And is that? What are the long

0:15:55.320 --> 0:15:58.920
<v Speaker 1>term health effects? There's something there and I bet you

0:15:58.920 --> 0:16:04.200
<v Speaker 1>anyway that there's a study. All right, here we have

0:16:04.200 --> 0:16:06.760
<v Speaker 1>another one. Uh Wehen when we were talking about Hell,

0:16:06.880 --> 0:16:10.520
<v Speaker 1>we brought up the the Buddhist Hell theme park in Singapore,

0:16:10.960 --> 0:16:15.120
<v Speaker 1>And since our listeners are based all over and travel

0:16:15.280 --> 0:16:18.960
<v Speaker 1>all over, inevitably we had a couple of different listeners

0:16:19.040 --> 0:16:21.160
<v Speaker 1>right in about it. We heard from a Chin and

0:16:21.200 --> 0:16:25.280
<v Speaker 1>we heard from young about the theme park, and they

0:16:25.320 --> 0:16:27.480
<v Speaker 1>both sent us a bunch of pictures. Uh here just

0:16:27.600 --> 0:16:31.120
<v Speaker 1>a couple of quick excerpts gen Wright sentences. Hi, I'm

0:16:31.120 --> 0:16:33.160
<v Speaker 1>a listener from Singapore. I recently became a huge fan

0:16:33.240 --> 0:16:37.000
<v Speaker 1>of the show thanks to Neptina, my girlfriend. Recently, while

0:16:37.040 --> 0:16:40.000
<v Speaker 1>I was sandwiched between sad disgruntled office workers on my

0:16:40.040 --> 0:16:42.040
<v Speaker 1>way to work, I was listening to the episode called

0:16:42.040 --> 0:16:45.240
<v Speaker 1>Symbols on the Brain, and being from Singapore, you're mentioning

0:16:45.240 --> 0:16:47.920
<v Speaker 1>of the health theme park caught my attention immediately. That

0:16:48.000 --> 0:16:49.560
<v Speaker 1>is not to say I paid no attention to the

0:16:49.560 --> 0:16:52.680
<v Speaker 1>rest of the podcast. I remember visiting of hop har

0:16:52.800 --> 0:16:54.920
<v Speaker 1>Villa when I was about seven years old. Boy did

0:16:54.960 --> 0:16:57.400
<v Speaker 1>it lead and leave an impression. The Ten Courts of

0:16:57.400 --> 0:17:00.080
<v Speaker 1>Hell was and continues to be the main attraction the

0:17:00.160 --> 0:17:03.480
<v Speaker 1>now defunct theme park. As a kid, I wrongfully assumed

0:17:03.480 --> 0:17:06.359
<v Speaker 1>that I was going to see animatronic dragons at this

0:17:06.400 --> 0:17:08.199
<v Speaker 1>part of the part, since the Ten Courts of Hell

0:17:08.240 --> 0:17:11.600
<v Speaker 1>attraction was located inside a sixty ft long dragon. Back then,

0:17:12.040 --> 0:17:14.119
<v Speaker 1>after coming out of the place, I had bed wedding

0:17:14.200 --> 0:17:17.399
<v Speaker 1>nightmares for two weeks straight. So the Ten Courts of

0:17:17.440 --> 0:17:19.800
<v Speaker 1>Hell work something like that. The first Court of Hell

0:17:19.880 --> 0:17:23.000
<v Speaker 1>is basically the courtroom, and it is believed that you

0:17:23.280 --> 0:17:25.920
<v Speaker 1>go there When you die, they're a judge called King

0:17:26.119 --> 0:17:28.959
<v Speaker 1>Quinn Young will conduct a preliminary trial based on your

0:17:29.000 --> 0:17:31.919
<v Speaker 1>past deeds. The good people get to go get to

0:17:31.920 --> 0:17:34.040
<v Speaker 1>pass onto the new life on the bad people will

0:17:34.040 --> 0:17:36.960
<v Speaker 1>be assigned to different courts of Hell. In subsequent courts,

0:17:37.000 --> 0:17:39.640
<v Speaker 1>things get a little interesting. For example, robbers are thrown

0:17:39.640 --> 0:17:42.480
<v Speaker 1>into a volcanic pit, Prostitutes are thrown into a pool

0:17:42.520 --> 0:17:45.520
<v Speaker 1>of blood and drowned and ungrateful people have their hearts

0:17:45.560 --> 0:17:47.920
<v Speaker 1>torn out. Drug addicts and tomb raiders, on the other hand,

0:17:48.040 --> 0:17:51.040
<v Speaker 1>get tied to a red hot copper pillar and burned alive.

0:17:51.080 --> 0:17:53.720
<v Speaker 1>Other forms of punishments include being thrown onto a hill

0:17:53.720 --> 0:17:56.159
<v Speaker 1>of knives, sawed in half, thrown into a pot of

0:17:56.200 --> 0:18:01.400
<v Speaker 1>boiling oil, dismemberment, crushed under boulders, etcetera. In ha Parvilla itself,

0:18:01.480 --> 0:18:04.080
<v Speaker 1>you will see every court of Hell in detail, complete

0:18:04.240 --> 0:18:07.960
<v Speaker 1>with miniature clay figurines being tortured or for your or

0:18:08.240 --> 0:18:11.560
<v Speaker 1>lack of better words, viewing pleasure. Of course, ha par

0:18:11.680 --> 0:18:14.720
<v Speaker 1>Villa is way more than that. Hap Prvilla was built

0:18:14.720 --> 0:18:17.440
<v Speaker 1>in the nineteen thirties by Ah boon Ha, a wealthy

0:18:17.440 --> 0:18:20.600
<v Speaker 1>businessman who loved his younger brother very much. Boon Ha

0:18:20.840 --> 0:18:24.960
<v Speaker 1>grew up a firm believer of Eastern ideologies and values,

0:18:24.960 --> 0:18:28.760
<v Speaker 1>while his younger brother learned always leaned always to the West.

0:18:29.119 --> 0:18:31.560
<v Speaker 1>To remind his younger brother of his roots, Boon Hall

0:18:31.640 --> 0:18:34.880
<v Speaker 1>built a theme park filled with Chinese mythologies, stories, and symbols.

0:18:35.080 --> 0:18:37.399
<v Speaker 1>The Ten Courts of Hell is merely one of the

0:18:37.440 --> 0:18:39.880
<v Speaker 1>many attractions in this theme park. There you will also

0:18:39.920 --> 0:18:43.320
<v Speaker 1>see traditional Chinese mythologies brought to life via statues. In fact,

0:18:43.320 --> 0:18:45.800
<v Speaker 1>speaking of symbols, the entire park has a lot of

0:18:45.840 --> 0:18:49.240
<v Speaker 1>circular motifs built right into the architecture. From the top,

0:18:49.280 --> 0:18:51.320
<v Speaker 1>you will see that the park is circular, which is

0:18:51.359 --> 0:18:54.080
<v Speaker 1>supposed to symbolize harmony and the importance of family, a

0:18:54.160 --> 0:18:56.520
<v Speaker 1>point at which the elder brother wanted the younger brother

0:18:56.560 --> 0:19:00.040
<v Speaker 1>to remember. Ha Parvilla gained a rather unsavory reputation of

0:19:00.119 --> 0:19:02.520
<v Speaker 1>the years due to the grotesque nature of his exhibits

0:19:02.800 --> 0:19:06.480
<v Speaker 1>and the fact that the statues uh were never crafted

0:19:06.560 --> 0:19:08.919
<v Speaker 1>very well in the first place. Still, even though not

0:19:09.080 --> 0:19:11.200
<v Speaker 1>very many people bother to visit it these days, it's

0:19:11.240 --> 0:19:13.439
<v Speaker 1>one of those places. It's so bad it's good. You

0:19:13.480 --> 0:19:15.399
<v Speaker 1>just have to see it to believe it anyway, you

0:19:15.400 --> 0:19:17.600
<v Speaker 1>guys are one of the very few podcasts I listened to.

0:19:17.680 --> 0:19:20.240
<v Speaker 1>Keep up the great work. I love your show. Wow,

0:19:20.280 --> 0:19:23.280
<v Speaker 1>we got an inside tour of that. It is so

0:19:23.520 --> 0:19:26.200
<v Speaker 1>I mean, that's what my appetite for it even more. Yeah,

0:19:26.240 --> 0:19:27.960
<v Speaker 1>And I like how he you know, he drew out

0:19:27.960 --> 0:19:29.520
<v Speaker 1>that there's a there's a lot more to it than

0:19:29.600 --> 0:19:32.680
<v Speaker 1>just you know, the pictures that that makes falter through

0:19:32.720 --> 0:19:36.439
<v Speaker 1>to to to Western viewers. Um. I mean, if if

0:19:36.520 --> 0:19:38.800
<v Speaker 1>I ever get the chance to be in the same

0:19:38.840 --> 0:19:41.760
<v Speaker 1>vicinity of it, I would obviously I would go, oh yeah,

0:19:41.880 --> 0:19:45.000
<v Speaker 1>it's a new brainer. Yeah, alright, whether what other fresh

0:19:45.040 --> 0:19:47.720
<v Speaker 1>hell do you have for us? We also heard from

0:19:47.800 --> 0:19:52.000
<v Speaker 1>another listener again, this one came from Young talking about

0:19:52.000 --> 0:19:54.280
<v Speaker 1>the Buddhist hell and and he just wanted to mention

0:19:54.320 --> 0:19:56.520
<v Speaker 1>that it was created by the founders of Tiger Bomb

0:19:56.760 --> 0:19:58.760
<v Speaker 1>and uh and then when when it was when it

0:19:58.800 --> 0:20:01.560
<v Speaker 1>was built in and it was originally called Tiger Bomb

0:20:01.640 --> 0:20:04.600
<v Speaker 1>Gardens but was changed to his current name in night

0:20:04.640 --> 0:20:07.000
<v Speaker 1>by the Tourism board says it's free to enter for

0:20:07.040 --> 0:20:11.000
<v Speaker 1>anyone and there's even a subway station in front of it. Uh.

0:20:11.040 --> 0:20:12.840
<v Speaker 1>It must have run out of funds or something. Because

0:20:12.840 --> 0:20:15.000
<v Speaker 1>when I visited it was in a state of disrepair,

0:20:15.240 --> 0:20:18.199
<v Speaker 1>which might actually have helped enhance the creepy nature of

0:20:18.200 --> 0:20:20.840
<v Speaker 1>the place. The area show different levels or areas of

0:20:20.880 --> 0:20:23.840
<v Speaker 1>hell and how centers are public punished in various graphic

0:20:23.880 --> 0:20:25.919
<v Speaker 1>and gory ways. It's an interesting place to go for

0:20:26.000 --> 0:20:29.000
<v Speaker 1>anyone visiting Singapore, if not for the creepy abandoned theme

0:20:29.040 --> 0:20:32.560
<v Speaker 1>park experience, then for the educational value um. And then

0:20:32.600 --> 0:20:35.840
<v Speaker 1>he includes a number of images which were all fabulous.

0:20:35.920 --> 0:20:38.320
<v Speaker 1>I love how he mentioned that the rundown aspect of

0:20:38.359 --> 0:20:41.200
<v Speaker 1>it made it all the more creepy because as a

0:20:41.280 --> 0:20:45.160
<v Speaker 1>as an Atlanta resident, reminds me of the old What

0:20:45.160 --> 0:20:50.120
<v Speaker 1>what was the ride at six Flags Plantation Mountain Plantation

0:20:50.720 --> 0:20:53.400
<v Speaker 1>one of my favorite rides. Yeah, and I understand they've

0:20:53.440 --> 0:20:55.919
<v Speaker 1>redone it and it's probably they probably ruined it in

0:20:55.960 --> 0:20:59.200
<v Speaker 1>the process, to my opinion, because it used to be

0:20:59.440 --> 0:21:01.600
<v Speaker 1>awesome in the fact that it was falling apart and

0:21:01.640 --> 0:21:04.919
<v Speaker 1>then there's this musty stench in the air, and and

0:21:04.920 --> 0:21:07.920
<v Speaker 1>there was when you go through Monster Plantation or the

0:21:08.040 --> 0:21:10.520
<v Speaker 1>Southern Gothic set up by the way, which is already

0:21:10.560 --> 0:21:13.240
<v Speaker 1>a little weird, and there's a plantation where there are monsters,

0:21:13.440 --> 0:21:15.159
<v Speaker 1>and the first part of it is happy, and then

0:21:15.160 --> 0:21:17.480
<v Speaker 1>there's like a scary part and then you're a yeah,

0:21:17.480 --> 0:21:19.600
<v Speaker 1>and you're on a little boat with you know, undrinkable

0:21:19.600 --> 0:21:25.119
<v Speaker 1>water around you. And the scary part isn't really scary,

0:21:25.280 --> 0:21:27.720
<v Speaker 1>but the happy party is like super creepy, or was

0:21:27.760 --> 0:21:31.919
<v Speaker 1>super creepy because of the beings are animatronic, they're falling

0:21:31.960 --> 0:21:35.000
<v Speaker 1>apart sometimes their metal skeletons are are showing through, and

0:21:35.040 --> 0:21:38.080
<v Speaker 1>there is just a creepy, uncanny experience. It's like an

0:21:38.080 --> 0:21:42.440
<v Speaker 1>old southern lady and an antebellum gown animatronic. And then

0:21:42.480 --> 0:21:44.159
<v Speaker 1>you go into the scary part and there was a

0:21:44.160 --> 0:21:46.920
<v Speaker 1>big old sheriff like it's very much like Dukes of

0:21:46.960 --> 0:21:51.520
<v Speaker 1>hazard kind of and he's like, no, go down. It's

0:21:51.560 --> 0:21:54.160
<v Speaker 1>good stuff. So there's something I would like to hear

0:21:54.320 --> 0:21:57.960
<v Speaker 1>for any of our local or Atlanta based listeners or

0:21:57.960 --> 0:22:00.440
<v Speaker 1>anyone who's traveled there. Let me know what it's like now,

0:22:00.560 --> 0:22:03.160
<v Speaker 1>because I don't actually want to go. I just want yeah,

0:22:03.280 --> 0:22:07.679
<v Speaker 1>I know, alright, um, let me see here, Arnie, do

0:22:07.720 --> 0:22:11.879
<v Speaker 1>you have something from me? Oh? Thank you? All right.

0:22:12.400 --> 0:22:15.560
<v Speaker 1>We had a good amount of emails without word of

0:22:15.640 --> 0:22:18.480
<v Speaker 1>version because everybody had an opinion about it. Either they

0:22:18.520 --> 0:22:20.919
<v Speaker 1>didn't have a word of version or they did and

0:22:20.960 --> 0:22:22.760
<v Speaker 1>they shared it with us, and it was really interesting.

0:22:22.840 --> 0:22:25.479
<v Speaker 1>This was the episode that you and Alison Ladermilk did

0:22:25.880 --> 0:22:28.159
<v Speaker 1>while I was away, and I have to say it

0:22:28.240 --> 0:22:30.800
<v Speaker 1>was a great episode and it was interesting for me

0:22:30.840 --> 0:22:32.520
<v Speaker 1>to get to listen to stuff to blow your mind

0:22:33.000 --> 0:22:36.000
<v Speaker 1>and not know what was going to happen right right,

0:22:36.000 --> 0:22:37.879
<v Speaker 1>because you didn't have any sort of like, oh, I

0:22:37.920 --> 0:22:39.520
<v Speaker 1>don't have an outline on this. Yeah, I didn't have

0:22:39.560 --> 0:22:41.760
<v Speaker 1>an outline with those crazy kids are going to cover.

0:22:42.400 --> 0:22:44.800
<v Speaker 1>So it's so it was a really cool episode. Thanks well,

0:22:44.800 --> 0:22:47.080
<v Speaker 1>thank you very much. Well this one is from Nando

0:22:47.480 --> 0:22:49.480
<v Speaker 1>and Nana says, I've been a listener for a while.

0:22:49.520 --> 0:22:51.399
<v Speaker 1>I was listening to the Word of Version episode and

0:22:51.440 --> 0:22:53.080
<v Speaker 1>even though I do not have a word of version,

0:22:53.119 --> 0:22:54.960
<v Speaker 1>I do have a word that I love saying. Because

0:22:54.960 --> 0:22:58.199
<v Speaker 1>we also talked about words that we are attracted to,

0:22:58.880 --> 0:23:03.640
<v Speaker 1>and that word being the word mulch, mulch. I don't

0:23:03.640 --> 0:23:06.320
<v Speaker 1>go around all days saying it, but I do enjoy

0:23:06.480 --> 0:23:09.119
<v Speaker 1>it a lot. It is not only fun to hear it,

0:23:09.200 --> 0:23:11.480
<v Speaker 1>but it also feels good in my mouth. We talked

0:23:11.480 --> 0:23:13.320
<v Speaker 1>about that in the podcast to like there's certain sort

0:23:13.320 --> 0:23:16.760
<v Speaker 1>of satisfaction of its almost like kind of Marble's mulch

0:23:16.840 --> 0:23:20.520
<v Speaker 1>in your mouth. Um. I think that it's the sound

0:23:20.560 --> 0:23:23.240
<v Speaker 1>that makes it so appealing to me. Anyway, love the show,

0:23:23.480 --> 0:23:26.040
<v Speaker 1>Keep up the good work. Alright, And this one is

0:23:26.080 --> 0:23:28.639
<v Speaker 1>from Chris says, Hey, Robert and Julie finally caught up

0:23:28.640 --> 0:23:30.359
<v Speaker 1>on all the podcasts. Just want to say that the

0:23:30.440 --> 0:23:32.720
<v Speaker 1>Alison episode on word version was excellent and that she

0:23:32.800 --> 0:23:35.480
<v Speaker 1>and Julie did a great joble Robert's way, my weird

0:23:35.680 --> 0:23:39.280
<v Speaker 1>word aversion. Comic kaze a good word, but I thought

0:23:39.280 --> 0:23:41.480
<v Speaker 1>it was pronounced differently as a kid, and when I

0:23:41.560 --> 0:23:45.240
<v Speaker 1>found out the correct way, I became annoyed. To this day,

0:23:45.280 --> 0:23:47.440
<v Speaker 1>I tend to cringe whenever I see it. Oh, it

0:23:47.520 --> 0:23:50.840
<v Speaker 1>haunts me. Keep up the awesome work. Sorry for using

0:23:50.880 --> 0:23:53.760
<v Speaker 1>awesome when we talked about that, is that one of

0:23:53.800 --> 0:23:56.760
<v Speaker 1>the words that kept landing on the list, because awesome

0:23:56.880 --> 0:24:00.520
<v Speaker 1>is like the word love is far overused and when

0:24:00.560 --> 0:24:04.600
<v Speaker 1>we actually encounter something or imagine something that is awe

0:24:04.600 --> 0:24:08.000
<v Speaker 1>inspiring that is awesome in a in a grander sense,

0:24:08.040 --> 0:24:10.760
<v Speaker 1>the word fails to don't Yeah, you're like that, I

0:24:10.800 --> 0:24:13.080
<v Speaker 1>can't use that word. That's really the appropriate word, but

0:24:13.119 --> 0:24:15.080
<v Speaker 1>now it's been watered down, and I have nothing like

0:24:15.119 --> 0:24:17.280
<v Speaker 1>an Angel of the Lord like steps out of a

0:24:17.400 --> 0:24:20.600
<v Speaker 1>UFO and starts handing out twinkies and then splits the

0:24:20.640 --> 0:24:23.200
<v Speaker 1>earth in half. Like that's an awesome sight. But you

0:24:23.240 --> 0:24:25.639
<v Speaker 1>can't say it's awesome because you already said that a

0:24:25.680 --> 0:24:27.960
<v Speaker 1>cup of coffee you had earlier in the day was awesome,

0:24:28.640 --> 0:24:32.480
<v Speaker 1>and and now that you've had this paranormal twinkie episode,

0:24:32.760 --> 0:24:34.720
<v Speaker 1>you just can't put the two in the same category.

0:24:35.240 --> 0:24:38.960
<v Speaker 1>I can definitely relate with her about the whole pronunciation thing,

0:24:38.960 --> 0:24:40.720
<v Speaker 1>because there have been words in in the past where

0:24:40.720 --> 0:24:43.240
<v Speaker 1>like I grew up saying I'm weird or or even

0:24:43.320 --> 0:24:45.840
<v Speaker 1>like for a very brief time, like when I first

0:24:46.000 --> 0:24:51.080
<v Speaker 1>read Jurassic Park, I didn't know it was pronounced a velociraptor,

0:24:51.200 --> 0:24:54.760
<v Speaker 1>and I think I said velisa raptor and uh, and

0:24:54.760 --> 0:24:56.600
<v Speaker 1>then it was corrected on it, and it's like, I

0:24:57.320 --> 0:24:59.160
<v Speaker 1>don't know, it's like in junior high or not even

0:24:59.200 --> 0:25:03.160
<v Speaker 1>quite junior high, but still the word velociraptor, I'll remember,

0:25:03.560 --> 0:25:06.560
<v Speaker 1>like that, the pain of having to be corrected on

0:25:06.600 --> 0:25:10.000
<v Speaker 1>its pronunciation. Yeah, I'm still angry at detritus. I want

0:25:10.040 --> 0:25:12.840
<v Speaker 1>it to be Detritus just feels like it should be.

0:25:12.880 --> 0:25:15.320
<v Speaker 1>But I'm very annoyed with the word as well. UM.

0:25:15.400 --> 0:25:17.680
<v Speaker 1>Got one more word of version. This is from Francis.

0:25:17.720 --> 0:25:19.400
<v Speaker 1>I was so surprised to see your word of version

0:25:19.440 --> 0:25:22.280
<v Speaker 1>podcast today. I had no idea there were others like me.

0:25:22.359 --> 0:25:25.480
<v Speaker 1>There are. I never bring word version up and conversation

0:25:25.560 --> 0:25:28.920
<v Speaker 1>because of the natural follow up question what words? And

0:25:28.960 --> 0:25:30.399
<v Speaker 1>I don't want to say them. They are, for the

0:25:30.440 --> 0:25:34.160
<v Speaker 1>most part, completely normal, everyday words that don't describe body

0:25:34.200 --> 0:25:37.920
<v Speaker 1>parts or anything disgusting. But when I hear someone use one,

0:25:38.040 --> 0:25:40.399
<v Speaker 1>it stops me completely. I have to digest what I

0:25:40.440 --> 0:25:43.160
<v Speaker 1>just heard, consider the word. It takes me a while

0:25:43.200 --> 0:25:46.159
<v Speaker 1>to recover. The most mild one that I'm willing to

0:25:46.200 --> 0:25:49.000
<v Speaker 1>write down is purse. Even that gave me a chill,

0:25:49.080 --> 0:25:51.160
<v Speaker 1>And that is the most mild of all the words

0:25:51.440 --> 0:25:54.399
<v Speaker 1>that I don't say. I wish I could do the

0:25:54.520 --> 0:25:57.399
<v Speaker 1>sentence thing this was. We invited people to create their

0:25:57.440 --> 0:26:01.240
<v Speaker 1>own sentences of words that we're we're reverse of um,

0:26:01.280 --> 0:26:02.800
<v Speaker 1>but it would take me a long time to recover.

0:26:02.840 --> 0:26:04.720
<v Speaker 1>I appreciated your sentence in the show, though some of

0:26:04.720 --> 0:26:06.679
<v Speaker 1>the words, one in particular is on my list, and

0:26:06.720 --> 0:26:09.119
<v Speaker 1>so it made me shiver to hear it. This whole

0:26:09.160 --> 0:26:11.879
<v Speaker 1>word thing is so ridiculous. My husband thinks I'm crazy,

0:26:11.960 --> 0:26:14.359
<v Speaker 1>but it's very real, and I can't seem to flip

0:26:14.480 --> 0:26:16.760
<v Speaker 1>that switch off. So in the meantime I just speak

0:26:16.760 --> 0:26:20.760
<v Speaker 1>in awkward sentences to avoid saying the bad words, sometimes

0:26:21.240 --> 0:26:24.119
<v Speaker 1>very awkward sentences things. For the great show, I listened intently,

0:26:24.200 --> 0:26:26.040
<v Speaker 1>was really interested in learning more about this word a

0:26:26.119 --> 0:26:29.200
<v Speaker 1>version thing. Well, thanks for sharing that with us, Francis

0:26:29.320 --> 0:26:32.639
<v Speaker 1>that I mean, I sort of understand that there are

0:26:32.640 --> 0:26:34.399
<v Speaker 1>certain trigger words and you don't want to say it,

0:26:34.440 --> 0:26:38.080
<v Speaker 1>and so there are certain words that sometimes they're just

0:26:38.119 --> 0:26:41.080
<v Speaker 1>trepidacious about and I end up having some sort of

0:26:41.119 --> 0:26:43.440
<v Speaker 1>word salad coming out of my mouth. So I can

0:26:43.480 --> 0:26:46.399
<v Speaker 1>sort of understand from a from a limited perspective speaking

0:26:46.480 --> 0:26:50.040
<v Speaker 1>which trepidacious great word? Yeah, it's a nice one. I

0:26:50.080 --> 0:26:52.159
<v Speaker 1>also like, there are a lot of great words I like,

0:26:52.359 --> 0:26:54.840
<v Speaker 1>But what's your most favorite? I don't know, Like I

0:26:54.880 --> 0:26:58.040
<v Speaker 1>was just thinking gargantulan is a great word, yeah, galgatha

0:26:58.320 --> 0:27:01.800
<v Speaker 1>like anything like which, remembering that one stem from the

0:27:01.840 --> 0:27:03.920
<v Speaker 1>other one, like any kind of word that has a

0:27:04.000 --> 0:27:06.520
<v Speaker 1>kind of a rolling cadence to it. I really like,

0:27:06.840 --> 0:27:11.760
<v Speaker 1>I really like coalyptiancalyptian, that's pretty good. That's mainly because

0:27:11.800 --> 0:27:15.760
<v Speaker 1>it means well formed buttocks. What other word could could

0:27:15.920 --> 0:27:21.800
<v Speaker 1>express such a sentiment? Reminds me cyclopean. I really like, yeah, um.

0:27:21.880 --> 0:27:24.159
<v Speaker 1>I mean there's so many, but I don't know if

0:27:24.200 --> 0:27:29.200
<v Speaker 1>it's really a word aversion or just an aversion to um.

0:27:29.320 --> 0:27:34.359
<v Speaker 1>Often are reluctance or inability to fully describe smells. And

0:27:34.400 --> 0:27:37.800
<v Speaker 1>I've mentioned this before. I tend to dislike people saying

0:27:37.840 --> 0:27:42.360
<v Speaker 1>something stinks, especially in reference to food, reference to cheeses

0:27:42.400 --> 0:27:45.280
<v Speaker 1>that stink quote unquote stink. If they say a stinky

0:27:45.359 --> 0:27:47.320
<v Speaker 1>cheese like that tends to get to me because I

0:27:47.320 --> 0:27:53.240
<v Speaker 1>feel like that's you're describing food, you're describing something that doesn't.

0:27:53.720 --> 0:27:56.120
<v Speaker 1>I mean, stink is just such a it's a broadly

0:27:56.160 --> 0:27:59.960
<v Speaker 1>applied word that doesn't actually convey any meaning. Like an.

0:28:00.040 --> 0:28:02.399
<v Speaker 1>I think we should use a we should have a

0:28:02.400 --> 0:28:05.879
<v Speaker 1>better vocabulary for for smells, and and if and if

0:28:05.880 --> 0:28:08.959
<v Speaker 1>we're going to talk about cheeses, especially in their children

0:28:09.000 --> 0:28:11.560
<v Speaker 1>around and you you know, you want to foster an

0:28:11.600 --> 0:28:13.760
<v Speaker 1>idea that that all foods should at least be tried.

0:28:13.800 --> 0:28:16.240
<v Speaker 1>Then maybe that cheese is not so much stinky as

0:28:16.280 --> 0:28:19.800
<v Speaker 1>it is, uh, you know, aromatic or pungent. Okay, you

0:28:19.840 --> 0:28:22.800
<v Speaker 1>need a team up with the odor artist. Setil told

0:28:22.880 --> 0:28:25.080
<v Speaker 1>us first of all, yeah, she's very much of the

0:28:25.160 --> 0:28:29.120
<v Speaker 1>same mindset. So second, you're pinning down a usage thing.

0:28:29.160 --> 0:28:31.919
<v Speaker 1>But is there one word that just chills you to

0:28:31.960 --> 0:28:39.720
<v Speaker 1>the marrow? Oh? Okay, what about vomit? I tend to

0:28:39.840 --> 0:28:44.080
<v Speaker 1>like vomit um. How could you love vomit? And on

0:28:44.120 --> 0:28:46.000
<v Speaker 1>all the lists, I don't. I mean, I don't like

0:28:46.200 --> 0:28:48.920
<v Speaker 1>vomiting and I don't like the substance of vomit. But

0:28:49.120 --> 0:28:52.160
<v Speaker 1>it's a v word and uh, and it rhymes with comet.

0:28:52.200 --> 0:28:55.200
<v Speaker 1>It has a very like it does have the plose

0:28:55.280 --> 0:28:59.840
<v Speaker 1>of consonants going for it. One of my favorite name

0:29:00.280 --> 0:29:03.880
<v Speaker 1>fictional names is there's a Brian mcnaton's book Throne of Bones.

0:29:03.880 --> 0:29:05.880
<v Speaker 1>There's a character, it's the King of the Ghoules and

0:29:05.880 --> 0:29:09.200
<v Speaker 1>his name is vomcron Noxus, which so I love that

0:29:09.280 --> 0:29:12.640
<v Speaker 1>name because it's taking a vomit and it's taking noxious

0:29:12.640 --> 0:29:14.640
<v Speaker 1>and it's kind of twisting the words around and creating

0:29:14.680 --> 0:29:18.560
<v Speaker 1>this new word rawn for chronos in it as well. Yeah,

0:29:18.600 --> 0:29:20.360
<v Speaker 1>there's a sense of that as well. You know, that's

0:29:20.400 --> 0:29:23.680
<v Speaker 1>sort of an ancient and godly uh statue to it.

0:29:23.760 --> 0:29:26.520
<v Speaker 1>So I tend to really like fake words and fake

0:29:26.640 --> 0:29:29.560
<v Speaker 1>names in fantasy and science fiction when they're well crafted,

0:29:29.720 --> 0:29:33.320
<v Speaker 1>not when they're just sort of you know, mindless dungeons

0:29:33.320 --> 0:29:35.880
<v Speaker 1>and dragons, sort of word salad where you just call

0:29:36.200 --> 0:29:39.440
<v Speaker 1>you know, some sort of vaguely tolken esque, uh, you know,

0:29:39.520 --> 0:29:42.920
<v Speaker 1>elf name or something. But I really have a hard

0:29:42.960 --> 0:29:47.160
<v Speaker 1>time thinking of any word that I dislike just for

0:29:47.200 --> 0:29:49.400
<v Speaker 1>the sake of the word. Maybe if I, if I

0:29:49.400 --> 0:29:51.360
<v Speaker 1>think about it, I'll share it in a future podcast

0:29:51.400 --> 0:29:56.280
<v Speaker 1>episode with Moist. It's not my go to word, and

0:29:56.440 --> 0:29:59.240
<v Speaker 1>I know that it annoys enough people that I would

0:29:59.440 --> 0:30:02.440
<v Speaker 1>probably not use it, Like, it's not really in my

0:30:02.560 --> 0:30:07.479
<v Speaker 1>satchel of words, but it's it doesn't bother me. All right, Well,

0:30:07.480 --> 0:30:09.040
<v Speaker 1>we should probably wrap up because I need to go

0:30:09.040 --> 0:30:14.680
<v Speaker 1>attend to this Moist crevice. Nothing. Well, I know that

0:30:14.720 --> 0:30:16.800
<v Speaker 1>you're using words you just like in a sentence, so

0:30:17.160 --> 0:30:20.360
<v Speaker 1>I thought I saw you WinCE. Yeah, well maybe a

0:30:20.400 --> 0:30:22.280
<v Speaker 1>little bit, but still it's not a not a strong,

0:30:22.360 --> 0:30:24.680
<v Speaker 1>not a like a you know, a visceral reaction. So

0:30:24.880 --> 0:30:26.760
<v Speaker 1>I'm gonna have to think, I'm I'm just gonna have

0:30:26.760 --> 0:30:30.120
<v Speaker 1>to be aware of myself listen and find that word that.

0:30:30.800 --> 0:30:32.920
<v Speaker 1>In the meantime, I'll try to drop as many drop

0:30:32.960 --> 0:30:35.320
<v Speaker 1>as many drop the whole list at me, you know,

0:30:35.640 --> 0:30:37.520
<v Speaker 1>in one sentence, if possible, I know what I'm doing

0:30:37.600 --> 0:30:41.760
<v Speaker 1>this week. All right, Well, there there you go, Arnold.

0:30:41.760 --> 0:30:45.840
<v Speaker 1>Do you feel better? Yeah, you feel a little more

0:30:45.960 --> 0:30:48.360
<v Speaker 1>more balanced, a little more healthy. Well that's great. We

0:30:48.520 --> 0:30:50.520
<v Speaker 1>will have to do this more often and maybe even

0:30:50.520 --> 0:30:53.360
<v Speaker 1>at the end of of podcast episodes. And if for

0:30:53.400 --> 0:30:54.840
<v Speaker 1>the rest of you, if you want to get in

0:30:54.880 --> 0:30:56.800
<v Speaker 1>touch with us as well, you can find us online.

0:30:56.800 --> 0:30:58.520
<v Speaker 1>It's Stuff to Blow your Mind dot com. That's the

0:30:58.520 --> 0:31:01.280
<v Speaker 1>mother ship. That's where everything can be found from our

0:31:01.360 --> 0:31:04.320
<v Speaker 1>podcasts and our videos and our blog posts. Two links

0:31:04.360 --> 0:31:07.560
<v Speaker 1>to our various social media accounts such as uh, Facebook, Twitter,

0:31:07.600 --> 0:31:10.560
<v Speaker 1>and Tumbler. We also we're on YouTube is Mind Stuff

0:31:10.560 --> 0:31:12.440
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0:31:12.440 --> 0:31:14.840
<v Speaker 1>good old fashioned email, how do they go about that? Well,

0:31:14.920 --> 0:31:17.760
<v Speaker 1>it's very easy. All you have to do is compose

0:31:17.800 --> 0:31:20.680
<v Speaker 1>an email and then in the two areas the two

0:31:20.720 --> 0:31:24.640
<v Speaker 1>field You just put in stuff to blow your mind

0:31:24.800 --> 0:31:32.840
<v Speaker 1>at discovery dot com for more on this and thousands

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<v Speaker 1>of other topics. Does it, How stuff Works dot com