1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch, to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,560 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,600 --> 00:00:33,000 Speaker 1: a little thing we like to call the after party. 6 00:00:33,040 --> 00:00:35,000 Speaker 1: This is the show after the show, the party after 7 00:00:35,000 --> 00:00:36,760 Speaker 1: the party, the bridge to get you from one full 8 00:00:36,760 --> 00:00:39,320 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:39,400 --> 00:00:42,640 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:42,680 --> 00:00:46,120 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:46,159 --> 00:00:48,840 Speaker 1: we're talking about this week's full episode subject Part two 12 00:00:48,920 --> 00:00:51,800 Speaker 1: of our fifty cents story. We're rewinding back to our 13 00:00:51,880 --> 00:00:55,720 Speaker 1: Rolling Stones episodes and revisiting Oasis as well, previewing our 14 00:00:55,800 --> 00:00:59,520 Speaker 1: upcoming episode on Jimmy Buffett, and we get into your voicemails, text, dms, 15 00:00:59,520 --> 00:01:02,000 Speaker 1: and as all, a whole lot of rosie. This is 16 00:01:02,040 --> 00:01:05,400 Speaker 1: the podcast for the musically obsessed, the outsiders, the independent 17 00:01:05,400 --> 00:01:08,120 Speaker 1: thinkers who know that the best history is the history 18 00:01:08,120 --> 00:01:11,040 Speaker 1: that gets buried. Disgraceland is where I tell the stories 19 00:01:11,200 --> 00:01:13,360 Speaker 1: they didn't want told, the kind you'll end up telling 20 00:01:13,400 --> 00:01:17,200 Speaker 1: someone else, all Right, disc goes. Let's get into it 21 00:01:28,920 --> 00:01:31,120 Speaker 1: all right. If you were lucky enough to see Oasis 22 00:01:31,319 --> 00:01:34,480 Speaker 1: on their latest run, know that I sit here burning 23 00:01:34,760 --> 00:01:38,480 Speaker 1: in jealousy. The band announced this morning that they're going 24 00:01:38,520 --> 00:01:42,640 Speaker 1: to do more shows for their upcoming thirtieth anniversary next 25 00:01:42,760 --> 00:01:46,120 Speaker 1: year at Nebworth. They must have heard our rewind episodes 26 00:01:46,200 --> 00:01:48,960 Speaker 1: last week and we're reminded of how badass they are 27 00:01:49,560 --> 00:01:52,480 Speaker 1: and how the music world needs them performing to save 28 00:01:52,640 --> 00:01:56,520 Speaker 1: us from whatever the hell the MTV Video Music Awards were. 29 00:01:56,600 --> 00:01:59,720 Speaker 1: The other night, Thurst and More from Sonic Youth tweeted 30 00:01:59,720 --> 00:02:04,360 Speaker 1: that the VMAs is really the bottoming out of music culture, 31 00:02:04,560 --> 00:02:09,800 Speaker 1: and I cannot say that I disagree separately. It's hard 32 00:02:09,800 --> 00:02:13,040 Speaker 1: to even call what was happening at the VMA's culture. 33 00:02:13,800 --> 00:02:18,200 Speaker 1: So much of it seemed fabricated to me, put on faked. 34 00:02:19,040 --> 00:02:22,200 Speaker 1: Are those people up front really that stoke to see 35 00:02:22,280 --> 00:02:27,040 Speaker 1: Somber perform? Really? Part of the VMAs was always canned 36 00:02:27,160 --> 00:02:30,919 Speaker 1: and for the cameras even back in the day. But 37 00:02:31,080 --> 00:02:35,040 Speaker 1: long gone is the cultural residence of Snoop performing his 38 00:02:35,200 --> 00:02:37,640 Speaker 1: hit single in nineteen ninety four murder was the Case, 39 00:02:37,680 --> 00:02:40,519 Speaker 1: and then turning himself into police moments later. On a 40 00:02:40,600 --> 00:02:44,639 Speaker 1: murder beef, or Kurt and Courtney sniping backstage with Axel, 41 00:02:45,080 --> 00:02:49,080 Speaker 1: or Madonna making out with Britney, or even Kanye bum 42 00:02:49,120 --> 00:02:54,600 Speaker 1: rushing tailor. Sure these seem more important because they took 43 00:02:54,639 --> 00:02:59,000 Speaker 1: place during our formative years, but they really were more 44 00:02:59,000 --> 00:03:01,200 Speaker 1: important than whatever the hell happened the other night at 45 00:03:01,200 --> 00:03:04,320 Speaker 1: the VMAs. No one is talking about the VMA's not 46 00:03:04,720 --> 00:03:09,239 Speaker 1: really sure conversation is being manufactured. But I make it 47 00:03:09,320 --> 00:03:11,640 Speaker 1: my business to try and get a wide view of 48 00:03:11,800 --> 00:03:16,520 Speaker 1: music culture. I follow and consume modern music media and organically, 49 00:03:16,600 --> 00:03:19,600 Speaker 1: I can tell you the cultural impact of the VMAs 50 00:03:19,919 --> 00:03:24,920 Speaker 1: is small, no one really cares. But people are still 51 00:03:24,919 --> 00:03:28,200 Speaker 1: talking about those Oasis gigs that happened in Los Angeles 52 00:03:28,440 --> 00:03:32,760 Speaker 1: last weekend. People really care about that. Somehow, two irishmen 53 00:03:32,800 --> 00:03:35,360 Speaker 1: from Manchester, England, in their fifties, who never really broke 54 00:03:35,400 --> 00:03:39,200 Speaker 1: in America before, have conquered America without a single and 55 00:03:39,240 --> 00:03:42,440 Speaker 1: with only nostalgia. And the reason isn't just because their 56 00:03:42,520 --> 00:03:45,440 Speaker 1: music is great. It's because of what we traffic in 57 00:03:45,800 --> 00:03:52,280 Speaker 1: here in disgraceland mythology. The myth of oasis transcends age, 58 00:03:52,400 --> 00:03:57,680 Speaker 1: It transcends style, It transcends oceans that separate continents. Blur 59 00:03:57,840 --> 00:03:59,600 Speaker 1: might have had the bigger hit in the US back 60 00:03:59,600 --> 00:04:03,920 Speaker 1: in the day, and arguably and I'm saying arguably, not definitively, 61 00:04:04,080 --> 00:04:06,160 Speaker 1: and I'm letting the word might do a lot of 62 00:04:06,200 --> 00:04:09,360 Speaker 1: work here in the sentence. Some people, not me, might 63 00:04:09,760 --> 00:04:14,000 Speaker 1: claim that Blur arguably has a better catalog of albums. 64 00:04:14,040 --> 00:04:17,880 Speaker 1: But in the end, Oasis won the britpop war. They 65 00:04:17,920 --> 00:04:22,160 Speaker 1: conquered America two decades after the fact because of the 66 00:04:22,200 --> 00:04:26,600 Speaker 1: myths surrounding who they are, and none of that rock 67 00:04:26,640 --> 00:04:32,080 Speaker 1: and roll mythology is put on or canned. Oasis didn't 68 00:04:32,160 --> 00:04:35,680 Speaker 1: rule the summer of twenty twenty five both here and 69 00:04:35,760 --> 00:04:38,479 Speaker 1: across the pond because of a new single or a 70 00:04:38,520 --> 00:04:42,760 Speaker 1: new album, or an unexpected viral video on TikTok or 71 00:04:42,800 --> 00:04:47,480 Speaker 1: whatever else. Oasis conquered because everyone loves rock and roll mythology, 72 00:04:47,800 --> 00:04:52,320 Speaker 1: and Oasis are mythic. They are legends to their core, 73 00:04:52,640 --> 00:04:57,640 Speaker 1: truly authentic, one hundred percent themselves, unafraid to say exactly 74 00:04:57,680 --> 00:05:00,719 Speaker 1: what they think, fearless in the face of trends, in 75 00:05:00,760 --> 00:05:03,880 Speaker 1: the face of each other, ready to throw down with whomever, 76 00:05:04,120 --> 00:05:06,560 Speaker 1: willing to brawl with themselves, with the world, like the 77 00:05:06,600 --> 00:05:10,039 Speaker 1: hoodlums that they are at their core, like true rock 78 00:05:10,080 --> 00:05:17,680 Speaker 1: and roll stars, not prefab, focus group tested, algorithm approved 79 00:05:17,839 --> 00:05:22,440 Speaker 1: artists like Somber or pick whichever other lame musician performed 80 00:05:22,440 --> 00:05:24,520 Speaker 1: the other night that made you throw up in your 81 00:05:24,560 --> 00:05:28,279 Speaker 1: mouth while you were watching the VMAs whatever that was. 82 00:05:29,160 --> 00:05:34,359 Speaker 1: Oasis is the exact opposite, and they've been that for years. 83 00:05:35,200 --> 00:05:39,960 Speaker 1: Oasis didn't need canned responses from some bullshit digital marketing campaign. 84 00:05:40,200 --> 00:05:43,400 Speaker 1: The myth didn't need to be manufactured because the myth 85 00:05:43,720 --> 00:05:47,960 Speaker 1: already exists. We don't need corporations, we don't need algorithms, 86 00:05:48,000 --> 00:05:50,560 Speaker 1: we don't need chasm to tell our stories. We never did. 87 00:05:50,720 --> 00:05:53,680 Speaker 1: And if Oasis proved anything this summer, it's that we 88 00:05:53,760 --> 00:05:56,080 Speaker 1: still don't. If you want to hear exactly what I'm 89 00:05:56,080 --> 00:05:58,080 Speaker 1: talking about, check out the two Oasis episodes that are 90 00:05:58,120 --> 00:06:00,920 Speaker 1: in the feed right now and hear how the band 91 00:06:01,040 --> 00:06:04,160 Speaker 1: rose through the crime and grime of working class Manchester 92 00:06:04,279 --> 00:06:08,280 Speaker 1: into what they are today. We've also got another legend 93 00:06:08,400 --> 00:06:12,000 Speaker 1: in your feed right now, another outspoken legend. I should say. 94 00:06:12,120 --> 00:06:15,240 Speaker 1: I'd love to hear a conversation between Liam Gallagher in 95 00:06:15,320 --> 00:06:19,640 Speaker 1: fifty cent By the way, Liam just In a side. 96 00:06:19,680 --> 00:06:26,880 Speaker 1: Liam Gallagher dissing Mark Zuckerberg is just Mark Zuckerberg. If 97 00:06:26,880 --> 00:06:29,080 Speaker 1: you haven't seen this, posted a pic of him and 98 00:06:29,120 --> 00:06:32,760 Speaker 1: his wife at Oasis, and I forget what Liam's Liam's 99 00:06:32,839 --> 00:06:35,880 Speaker 1: quote was, or his comment on the post was. It 100 00:06:35,920 --> 00:06:39,440 Speaker 1: was something like go home, nerd, something like that. It's 101 00:06:39,560 --> 00:06:43,080 Speaker 1: just fucking perfect. I'd love to hear Liam Gallagher in 102 00:06:43,120 --> 00:06:46,760 Speaker 1: fifty cent talking let's let's make that happen. But anyways, 103 00:06:47,000 --> 00:06:49,279 Speaker 1: in your feed right now, our part two episode on 104 00:06:49,360 --> 00:06:52,120 Speaker 1: fifty cent and the myths surrounding who exactly was responsible 105 00:06:52,160 --> 00:06:54,840 Speaker 1: for shooting fifty Fidty whatever the hell you want to 106 00:06:54,839 --> 00:06:57,119 Speaker 1: call him. That's our new part two episode on fifty 107 00:06:57,160 --> 00:06:59,760 Speaker 1: cent and coming up next in your feed. Immediately after 108 00:06:59,800 --> 00:07:03,960 Speaker 1: this bonus episode, we are rewinding our Rolling Stones Parts 109 00:07:04,120 --> 00:07:06,640 Speaker 1: one and two if you want to dip back into 110 00:07:06,720 --> 00:07:09,600 Speaker 1: the way back British pop star machine and get a 111 00:07:09,600 --> 00:07:13,680 Speaker 1: glimpse of what the tabloids scaffolding that would support and 112 00:07:13,760 --> 00:07:16,960 Speaker 1: consume Oasis later in the nineties was all about. This 113 00:07:17,000 --> 00:07:20,120 Speaker 1: is a good piece of music history for context. Okay, 114 00:07:20,280 --> 00:07:23,440 Speaker 1: Rolling Stones Part one and two check that out next week. 115 00:07:24,360 --> 00:07:26,880 Speaker 1: I can't wait. I can't wait for next week's episode 116 00:07:26,920 --> 00:07:30,280 Speaker 1: of Disgraceland, God's own drunk hits your feed when Jimmy 117 00:07:30,320 --> 00:07:33,600 Speaker 1: Buffett drifts into your ears. Will you arrive on a 118 00:07:33,640 --> 00:07:36,920 Speaker 1: drug trafficker cigarette boat or will you arrive half stoned 119 00:07:36,960 --> 00:07:40,000 Speaker 1: and just a tiny bit loaded on his Boston Whaler? 120 00:07:40,120 --> 00:07:42,440 Speaker 1: Or will he show up with bono fresh from dodging 121 00:07:42,520 --> 00:07:45,520 Speaker 1: Jamaican bullets. You're gonna have to listen to find out. 122 00:07:45,880 --> 00:07:51,000 Speaker 1: So so, so, so, so so so much information in 123 00:07:51,080 --> 00:07:53,400 Speaker 1: this Jimmy Buffett story. We couldn't cram it all into 124 00:07:53,400 --> 00:07:55,600 Speaker 1: a thirty minute episode, but I've got a way to 125 00:07:55,720 --> 00:07:58,880 Speaker 1: bring you more of the music and true crime on 126 00:07:58,960 --> 00:08:02,560 Speaker 1: the Rag in a different format. I'm excited to share 127 00:08:02,600 --> 00:08:04,920 Speaker 1: with you more on that in coming weeks, though. Right now, 128 00:08:04,960 --> 00:08:06,679 Speaker 1: back to the King of the Parrot heeads. I couldn't 129 00:08:06,720 --> 00:08:10,000 Speaker 1: stand Jimmy Buffett growing up, and I'm sure there's a 130 00:08:10,000 --> 00:08:12,080 Speaker 1: bunch of you who feel the same. I'm sure the 131 00:08:12,120 --> 00:08:14,160 Speaker 1: opposite is true to you. I know there are Jimmy 132 00:08:14,160 --> 00:08:16,800 Speaker 1: Buffett fans out there listening right now because you recommended 133 00:08:16,840 --> 00:08:19,640 Speaker 1: this episode. You got me hip to Jimmy Buffett, and 134 00:08:20,000 --> 00:08:21,840 Speaker 1: now I've got nothing but respect for the son of 135 00:08:21,840 --> 00:08:23,240 Speaker 1: a son of a sailor, and I can tell you 136 00:08:23,280 --> 00:08:26,240 Speaker 1: firsthand that those first five or six albums, for all 137 00:08:26,280 --> 00:08:29,640 Speaker 1: the Buffett doubters out there, those first five or six 138 00:08:29,720 --> 00:08:33,480 Speaker 1: albums are pretty great. They truly are. If you're into 139 00:08:33,520 --> 00:08:38,280 Speaker 1: the band that's sort of early seventies I guess all 140 00:08:38,360 --> 00:08:42,680 Speaker 1: of the seventies Dylan stuff, even some Graham Parsons at 141 00:08:42,720 --> 00:08:46,920 Speaker 1: alt country stuff like give that early pre Margaritaville, Jimmy 142 00:08:46,960 --> 00:08:50,000 Speaker 1: Buffett stuff. All listen, you're not going to be disappointed. 143 00:08:50,440 --> 00:08:52,760 Speaker 1: And when you're listening to Jimmy Buffett next week, the 144 00:08:52,840 --> 00:08:55,439 Speaker 1: Jimmy Buffett episode of Disgrace Land next week, I should 145 00:08:55,480 --> 00:08:59,000 Speaker 1: be more clear. When you're listening to that episode, I 146 00:08:59,040 --> 00:09:02,640 Speaker 1: want you to be thinking about which artists did you 147 00:09:02,720 --> 00:09:06,560 Speaker 1: previously just dislike, not be able to stand, that you 148 00:09:06,640 --> 00:09:12,320 Speaker 1: now find yourself loving. This is a long list for me, Okay, Genesis, anything, 149 00:09:12,360 --> 00:09:15,040 Speaker 1: Phil Collins, really Steely Dan. You know my history with 150 00:09:15,080 --> 00:09:17,200 Speaker 1: the Grateful Dead. But I want to know which artists 151 00:09:17,240 --> 00:09:20,920 Speaker 1: you now love that you once hated six one seven, 152 00:09:21,360 --> 00:09:24,360 Speaker 1: nine oh six sixty six three eight voicemail and text 153 00:09:24,679 --> 00:09:27,240 Speaker 1: with your answers to next week's Question of the Week. 154 00:09:27,600 --> 00:09:30,439 Speaker 1: I'll be back right after this with your answers to 155 00:09:30,600 --> 00:09:54,640 Speaker 1: last week's question of the week. Guys, the twenty twenty 156 00:09:54,640 --> 00:09:57,720 Speaker 1: five MTV video music words are what happens when we 157 00:09:57,800 --> 00:10:02,839 Speaker 1: let corporations steer the culture. That's where we're at right now, unfortunately, 158 00:10:02,840 --> 00:10:07,000 Speaker 1: in twenty twenty five, when music's driven by marketing departments 159 00:10:07,080 --> 00:10:10,160 Speaker 1: instead of what we're calling myth. Now, if you feel 160 00:10:10,200 --> 00:10:13,680 Speaker 1: like today's music culture doesn't reflect the stuff you care about, 161 00:10:13,760 --> 00:10:16,440 Speaker 1: you're not wrong and you're not alone. And that's why 162 00:10:16,480 --> 00:10:19,320 Speaker 1: disgrace Land exists. And this is what me and the 163 00:10:19,320 --> 00:10:21,560 Speaker 1: disco community are up to in the Patreon chat on 164 00:10:21,720 --> 00:10:25,160 Speaker 1: the regular daily discussing and obsessing over the legends and 165 00:10:25,200 --> 00:10:28,680 Speaker 1: myths and music history that matter most, reclaiming the sanitized 166 00:10:28,760 --> 00:10:32,600 Speaker 1: music history stories from the chasm gatekeepers, revealing what really 167 00:10:32,840 --> 00:10:37,959 Speaker 1: happened Elliot Smith, and arming you with stories about music 168 00:10:38,040 --> 00:10:41,680 Speaker 1: legends that will make you dangerous at dinner party. So, 169 00:10:41,920 --> 00:10:44,480 Speaker 1: if you want a like minded community of music and 170 00:10:44,520 --> 00:10:47,640 Speaker 1: culture obsessives access to me and Zeth on the reg 171 00:10:47,880 --> 00:10:51,320 Speaker 1: and no ads, head to disgrace lampod dot com slash 172 00:10:51,360 --> 00:10:53,840 Speaker 1: membership and become a member of our little club today 173 00:10:53,840 --> 00:10:56,040 Speaker 1: for just under five bucks a month before prices go up. 174 00:10:56,080 --> 00:10:59,199 Speaker 1: Every week, guys, every week, I'm in the same damn 175 00:10:59,240 --> 00:11:01,719 Speaker 1: spot at the same time right now. You know where 176 00:11:01,760 --> 00:11:03,520 Speaker 1: I'm at. I'm in the phone with the one across 177 00:11:03,520 --> 00:11:05,679 Speaker 1: the hall. I'm hanging on the telephone hoping to pick 178 00:11:05,720 --> 00:11:08,160 Speaker 1: up that sweet comfort of your voices and get your 179 00:11:08,240 --> 00:11:10,760 Speaker 1: answers to last week's question of the week, Which hip 180 00:11:10,800 --> 00:11:13,840 Speaker 1: hop star living or dead would you most want to 181 00:11:13,880 --> 00:11:16,559 Speaker 1: hang out with or grab a drink with or whatever? 182 00:11:16,840 --> 00:11:19,640 Speaker 1: We asked this because obviously of our fifty cent Part 183 00:11:19,640 --> 00:11:22,640 Speaker 1: two episode. In the feed, Karen from the six four 184 00:11:22,679 --> 00:11:24,520 Speaker 1: to six hit us up. Let's hear from Karen. 185 00:11:24,960 --> 00:11:25,960 Speaker 2: Hey, Jake, what's up? 186 00:11:25,960 --> 00:11:27,400 Speaker 3: It's Karen in the six four six. 187 00:11:27,520 --> 00:11:28,439 Speaker 4: I don't know if I'm too late. 188 00:11:28,480 --> 00:11:30,439 Speaker 3: I just heard your question from. 189 00:11:30,320 --> 00:11:33,760 Speaker 4: The bonus episode, like which hip hop or if you 190 00:11:33,960 --> 00:11:36,040 Speaker 4: want to talk to you and spend some time with 191 00:11:36,120 --> 00:11:36,880 Speaker 4: and have a drink with. 192 00:11:36,880 --> 00:11:39,160 Speaker 3: And ask questions and just have a good conversation with. 193 00:11:39,280 --> 00:11:41,160 Speaker 4: And immediately I thought. 194 00:11:41,559 --> 00:11:45,840 Speaker 3: Chuck D of course, rock and roller bro. 195 00:11:46,120 --> 00:11:49,280 Speaker 1: Karen, Chuck D. You know I I that if it 196 00:11:49,320 --> 00:11:52,000 Speaker 1: weren't for fifty cent, that would be my answer. I 197 00:11:52,040 --> 00:11:53,800 Speaker 1: can make it. I can make a case for Q 198 00:11:53,920 --> 00:11:56,400 Speaker 1: Tip as well. A lot of people said, Chuck d Karen, 199 00:11:56,440 --> 00:12:01,520 Speaker 1: You're not alone. Let's go to Tony in the two six. 200 00:12:02,360 --> 00:12:04,559 Speaker 4: Jake, what's going on? Brother Tony from the two oh six? 201 00:12:05,000 --> 00:12:08,640 Speaker 4: To answer your question, I would want to have a conversation, 202 00:12:08,840 --> 00:12:12,480 Speaker 4: sit down, a conversation with none of the legend himself. 203 00:12:13,200 --> 00:12:16,240 Speaker 4: Ll cool j I mean, the man essentially has kind 204 00:12:16,240 --> 00:12:18,280 Speaker 4: of been around since the birth of hip hop. You 205 00:12:18,280 --> 00:12:21,720 Speaker 4: gotta remember, he was the first act signed to death Jam. 206 00:12:22,080 --> 00:12:25,000 Speaker 4: He's the first solo rapper to go platinum, so you know, 207 00:12:25,080 --> 00:12:29,640 Speaker 4: he's got tons of stories. Guys around eighties nineties especially, 208 00:12:30,360 --> 00:12:32,400 Speaker 4: you know, what was it like making that transition into 209 00:12:32,480 --> 00:12:36,880 Speaker 4: acting but still also being you know, still known as 210 00:12:36,880 --> 00:12:40,400 Speaker 4: a as a legitimate rapper. You know, did he have 211 00:12:40,440 --> 00:12:43,000 Speaker 4: a really have a problem with Tupac over the fact 212 00:12:43,000 --> 00:12:46,520 Speaker 4: that him and Tupac at one point both dated Cadatta 213 00:12:46,679 --> 00:12:50,199 Speaker 4: Jones allegedly, But you know, yeah, that would be the 214 00:12:50,200 --> 00:12:52,839 Speaker 4: guy who I really want to have a conversation with. 215 00:12:53,480 --> 00:12:57,520 Speaker 4: Much love loved this episode piece, LL. 216 00:12:57,600 --> 00:13:01,560 Speaker 1: Cool Jake, great choice. He goes so far back back 217 00:13:01,600 --> 00:13:05,760 Speaker 1: to the beginning. I mean, living icon. This guy not 218 00:13:05,840 --> 00:13:08,640 Speaker 1: the Chuck Tea isn't but Tony, I love this one, 219 00:13:08,720 --> 00:13:09,880 Speaker 1: and I love this one because I'm gonna ta you 220 00:13:09,880 --> 00:13:14,280 Speaker 1: a very very quick story. Not so long ago, I 221 00:13:14,440 --> 00:13:19,160 Speaker 1: found myself on a zoom or about to join a 222 00:13:19,280 --> 00:13:21,840 Speaker 1: zoom that I knew L Coolja was going to be on. 223 00:13:21,920 --> 00:13:24,160 Speaker 1: It was just going to be me and Todd that's 224 00:13:24,200 --> 00:13:26,040 Speaker 1: his real name. We were told in advance to make 225 00:13:26,080 --> 00:13:28,880 Speaker 1: sure we call him Todd. It was just gonna be me, Todd, 226 00:13:28,920 --> 00:13:33,839 Speaker 1: my business partner at the time, and Todd's guy. And 227 00:13:34,760 --> 00:13:37,720 Speaker 1: most times I get into these zooms. I get into these, 228 00:13:37,800 --> 00:13:41,320 Speaker 1: you know, a little bit early, and either way it works. 229 00:13:41,320 --> 00:13:44,200 Speaker 1: In Hollywood, they have like at the high level of 230 00:13:44,559 --> 00:13:46,160 Speaker 1: music industry, And forgive me if you guys know this 231 00:13:46,160 --> 00:13:48,080 Speaker 1: stuff whatever, I'm just saying it for those who don't. 232 00:13:48,880 --> 00:13:53,840 Speaker 1: Typically the artist, a big artist like that, their representation 233 00:13:54,320 --> 00:14:01,200 Speaker 1: is on the phone first without them, and it's such 234 00:14:01,200 --> 00:14:03,480 Speaker 1: a power move. I kind of love it. They don't, 235 00:14:04,520 --> 00:14:07,160 Speaker 1: so the star won't come onto the call or into 236 00:14:07,200 --> 00:14:11,400 Speaker 1: the zoom until their rep lets him know that everybody's there. 237 00:14:12,320 --> 00:14:15,640 Speaker 1: So and I get it. It's I wouldn't do that, 238 00:14:15,720 --> 00:14:18,520 Speaker 1: but I understand. It's like they're trying to manage their time. 239 00:14:19,120 --> 00:14:21,800 Speaker 1: You could say, you know, generously, that's the reason for this, 240 00:14:21,960 --> 00:14:23,480 Speaker 1: or they just don't want to fuck around with small 241 00:14:23,520 --> 00:14:25,920 Speaker 1: talk with people they don't know, so they come in 242 00:14:25,960 --> 00:14:27,800 Speaker 1: at the absolute last minute and they are right down 243 00:14:27,840 --> 00:14:31,120 Speaker 1: to business. They're super charming. They make you feel good, 244 00:14:31,120 --> 00:14:33,200 Speaker 1: and then you're right into what you're going to talk about. 245 00:14:33,560 --> 00:14:36,000 Speaker 1: So I get on the zoom expecting that to happen, 246 00:14:36,080 --> 00:14:39,400 Speaker 1: and I get on the zoom and it's literally just 247 00:14:39,520 --> 00:14:43,680 Speaker 1: me in LL cool J, and he just goes. The 248 00:14:43,720 --> 00:14:47,400 Speaker 1: first thing he says is double Elvis in that LL 249 00:14:47,560 --> 00:14:50,040 Speaker 1: cool J voice because he saw it pop up on 250 00:14:50,080 --> 00:14:54,000 Speaker 1: my zoom Moniker, and he couldn't have been cooler. He 251 00:14:54,080 --> 00:14:57,880 Speaker 1: was attentive, he was informed, he knew what was up. 252 00:14:58,520 --> 00:15:01,880 Speaker 1: And like all A lists celebrities that I've met and 253 00:15:01,960 --> 00:15:06,120 Speaker 1: been around, they make you. The A list celebrities make 254 00:15:06,160 --> 00:15:09,280 Speaker 1: you feel great. They come at you with all that 255 00:15:09,400 --> 00:15:12,200 Speaker 1: charm and you're just like, oh fuck, I totally get 256 00:15:12,200 --> 00:15:16,960 Speaker 1: why this guy is so fucking famous and successful. Bless 257 00:15:17,040 --> 00:15:20,280 Speaker 1: celebrities kind of the same thing, kind of to a 258 00:15:20,360 --> 00:15:24,560 Speaker 1: lesser degree, cless celebrities. That's when the sort of like 259 00:15:24,600 --> 00:15:30,400 Speaker 1: you can feel you can feel the what is it? 260 00:15:30,440 --> 00:15:34,360 Speaker 1: You can feel some insecurity and perhaps some venom. You 261 00:15:34,360 --> 00:15:37,640 Speaker 1: can feel a little bit of I don't know, angst. 262 00:15:38,040 --> 00:15:40,720 Speaker 1: You know what I'm saying. And this is not my take, 263 00:15:40,760 --> 00:15:42,680 Speaker 1: by the way. This comes from Paul Shecher, who a 264 00:15:42,760 --> 00:15:46,360 Speaker 1: lovely guy. I just ran into him randomly one night 265 00:15:46,480 --> 00:15:48,320 Speaker 1: at a bar and we got to talking and he 266 00:15:48,440 --> 00:15:50,360 Speaker 1: told me this story. And then I went on his 267 00:15:50,440 --> 00:15:53,160 Speaker 1: podcast and I went on how did this get made? 268 00:15:53,160 --> 00:15:54,960 Speaker 1: And we talked about it there as well with his 269 00:15:55,040 --> 00:15:57,240 Speaker 1: partner Jason. But this is his theory. I don't want 270 00:15:57,240 --> 00:15:59,680 Speaker 1: to take credit for it. I want to confirm ITL 271 00:15:59,760 --> 00:16:02,680 Speaker 1: cool Ja confirms it, and uh yeah, I guess I 272 00:16:02,720 --> 00:16:04,880 Speaker 1: really I you know, I didn't hang with LLL. I 273 00:16:04,880 --> 00:16:06,640 Speaker 1: had a business meeting with him, but it was still 274 00:16:06,720 --> 00:16:09,280 Speaker 1: very very very cool. Kevin from the three one four 275 00:16:09,360 --> 00:16:11,400 Speaker 1: so I can stop talking to here play the three one. 276 00:16:11,280 --> 00:16:14,480 Speaker 3: Format, Jake, Kevin call him from the three one four. 277 00:16:14,480 --> 00:16:16,840 Speaker 3: I been listening from day one, but my first time 278 00:16:16,960 --> 00:16:19,880 Speaker 3: calling in. You asked about who would you like to 279 00:16:19,920 --> 00:16:23,640 Speaker 3: talk to in the hip hop community? I hate hip hop, 280 00:16:24,240 --> 00:16:28,680 Speaker 3: but I will tell you Ice Tea why for all 281 00:16:28,720 --> 00:16:31,560 Speaker 3: the obvious reasons, but not the obvious reasons, right, I mean, 282 00:16:31,600 --> 00:16:34,120 Speaker 3: come on, the guy was in a legend in that world, 283 00:16:34,480 --> 00:16:37,640 Speaker 3: became an actor body Count, the guy turning to a 284 00:16:37,720 --> 00:16:43,000 Speaker 3: metal act a metal act, and that's unheard of anyway. 285 00:16:43,000 --> 00:16:45,640 Speaker 3: Would love your thoughts, peace out, Roger Rolla. 286 00:16:46,160 --> 00:16:48,880 Speaker 1: All right, Kevin, I gotta quibble with the hating hip 287 00:16:48,880 --> 00:16:51,840 Speaker 1: hop comment. I don't know how that's possible. I don't 288 00:16:51,840 --> 00:16:54,520 Speaker 1: know how you how do you hate ice tea? So so, 289 00:16:54,640 --> 00:16:58,720 Speaker 1: if I'm listening to you correctly, you like body Count, 290 00:16:59,120 --> 00:17:02,600 Speaker 1: you don't like iced tea rap stuff, and I just 291 00:17:02,920 --> 00:17:04,719 Speaker 1: you know, well, I like that. You want to hang 292 00:17:04,720 --> 00:17:06,919 Speaker 1: out with him anyways, maybe he'll maybe he'll open your 293 00:17:06,960 --> 00:17:09,680 Speaker 1: mind to hip hop. I hope. So seven one six 294 00:17:09,720 --> 00:17:11,879 Speaker 1: text in on the same question. This always feels like 295 00:17:11,920 --> 00:17:13,679 Speaker 1: a flex when I say it out loud. Hey, I 296 00:17:13,680 --> 00:17:16,399 Speaker 1: don't care about flex and i'd share your stories man. 297 00:17:16,560 --> 00:17:18,600 Speaker 1: Seven one six says, Uh, it might sound like a 298 00:17:18,640 --> 00:17:20,120 Speaker 1: flex when I say it out loud, but it kind 299 00:17:20,119 --> 00:17:22,840 Speaker 1: of is. I would spend more time with Chuck D. Yep, 300 00:17:23,040 --> 00:17:26,480 Speaker 1: more time after his book Fight, The Power, Rap, Race 301 00:17:26,520 --> 00:17:28,879 Speaker 1: and Reality. I got to see Chuck D talk about it. 302 00:17:28,960 --> 00:17:31,040 Speaker 1: Such a robust piece of work, and at that time 303 00:17:31,080 --> 00:17:32,800 Speaker 1: I ran a nonprofit and get to spend a little 304 00:17:32,840 --> 00:17:35,199 Speaker 1: bit of time with him afterwards, talking about generational poverty 305 00:17:35,240 --> 00:17:38,359 Speaker 1: and housing issues. It was the most interesting and meaningful 306 00:17:38,480 --> 00:17:43,920 Speaker 1: conversation of my career. Love that seven one six, Love 307 00:17:44,000 --> 00:17:45,560 Speaker 1: that you got to hang with Chuck d You were 308 00:17:45,720 --> 00:17:49,080 Speaker 1: very lucky, super cool. All right, what are we doing here, 309 00:17:49,200 --> 00:17:53,200 Speaker 1: Let's go to the I'm gonna read you a text 310 00:17:53,200 --> 00:17:56,439 Speaker 1: here from the nine oh four if I can find it. 311 00:17:56,480 --> 00:17:58,480 Speaker 1: Where's it at? Where's it at? Where's it at? Right here? 312 00:17:58,560 --> 00:18:02,600 Speaker 1: Jake spent from the nine oh four In today's after party, 313 00:18:02,600 --> 00:18:08,000 Speaker 1: Spencer's referring to the last after party. Are you talking 314 00:18:08,040 --> 00:18:11,600 Speaker 1: about a two in a snore the session of John, 315 00:18:11,720 --> 00:18:15,400 Speaker 1: Paul and Stevie. If so, it exists, I've listened to it. 316 00:18:15,400 --> 00:18:19,160 Speaker 1: It's them jamming stand by Me and other songs. It's fantastic. 317 00:18:19,240 --> 00:18:21,160 Speaker 1: You can even hear John ask Stevie if he wants 318 00:18:21,160 --> 00:18:24,439 Speaker 1: to bump at one point, Spencer, I love this, and 319 00:18:24,520 --> 00:18:27,760 Speaker 1: I get to apologize to everybody out there. I thought 320 00:18:27,760 --> 00:18:31,600 Speaker 1: this was some like actual, real mythic piece of content 321 00:18:31,640 --> 00:18:33,720 Speaker 1: that no one can get their hands on. I know it. 322 00:18:33,800 --> 00:18:37,560 Speaker 1: You can just go on YouTube and find this and 323 00:18:37,640 --> 00:18:41,199 Speaker 1: I feel really stupid. So that's gonna happen. We're all 324 00:18:41,200 --> 00:18:43,439 Speaker 1: gonna feel stupid in our lives. Spencer. Thanks for pointing 325 00:18:43,480 --> 00:18:44,960 Speaker 1: this out. I guess you know, guys, what we're talking 326 00:18:44,960 --> 00:18:46,719 Speaker 1: about here is last week we were talking about mythical 327 00:18:46,760 --> 00:18:50,159 Speaker 1: recording sessions, and we talked about John Lennon, Paul McCartney, 328 00:18:50,520 --> 00:18:53,560 Speaker 1: and Stevie Wonder. And I always heard that Ringo was 329 00:18:53,560 --> 00:18:55,640 Speaker 1: there too, Spencer. I might not be wrong, but y'all 330 00:18:55,680 --> 00:18:57,000 Speaker 1: can figure this out for yourselves. 331 00:18:57,000 --> 00:18:57,160 Speaker 3: Now. 332 00:18:57,160 --> 00:18:58,600 Speaker 1: You don't need me. You can go to YouTube and 333 00:18:58,680 --> 00:19:01,760 Speaker 1: just snore and just snort and just search for a 334 00:19:01,840 --> 00:19:04,680 Speaker 1: twot in a snore. There you go. Thank you, Spencer. 335 00:19:05,400 --> 00:19:08,320 Speaker 1: Over in what part of the world we're going too? Next, 336 00:19:08,600 --> 00:19:11,919 Speaker 1: let's go to the nine to one six. 337 00:19:12,840 --> 00:19:16,840 Speaker 2: Hey it Smithson Taylor from Raleigh, North Carolina. I'm sitting 338 00:19:16,840 --> 00:19:23,920 Speaker 2: here in Los Angeles, California, after what is arguably maybe 339 00:19:23,960 --> 00:19:26,639 Speaker 2: the best couds that I've ever seen Oasis at the 340 00:19:26,760 --> 00:19:32,200 Speaker 2: Rose Bowl. It was every bit as epic as was promised. 341 00:19:32,400 --> 00:19:36,200 Speaker 2: It was better than I could have imagined. The band 342 00:19:36,359 --> 00:19:40,439 Speaker 2: is just so tight. Liam is every bit the street 343 00:19:40,440 --> 00:19:44,600 Speaker 2: walking cheetah. He ever was. They had us in the 344 00:19:44,720 --> 00:19:49,000 Speaker 2: palm of their hand for the entire show. Eighty thousand 345 00:19:49,080 --> 00:19:53,640 Speaker 2: fans could not get enough. It was just an endless 346 00:19:53,680 --> 00:19:58,840 Speaker 2: see of the happiest people you've ever seen withnessing a 347 00:19:58,960 --> 00:20:03,480 Speaker 2: band in their crime, which is crazy to think because 348 00:20:03,760 --> 00:20:06,479 Speaker 2: it's been thirty years and they're still doing this at 349 00:20:06,520 --> 00:20:10,720 Speaker 2: the highest level. The show was incredible, The screens were amazing, 350 00:20:11,359 --> 00:20:15,080 Speaker 2: the set pieces were just so fascinating and interesting, and 351 00:20:15,200 --> 00:20:18,840 Speaker 2: everybody in that entire stadium was having the time of 352 00:20:18,920 --> 00:20:24,520 Speaker 2: their lives. Great show. I just I'm at a loss 353 00:20:24,560 --> 00:20:28,160 Speaker 2: for words at how well they have put this together, 354 00:20:28,400 --> 00:20:32,159 Speaker 2: how great they looked and sounded. Oasis is maybe the 355 00:20:32,160 --> 00:20:34,840 Speaker 2: biggest rock band in the world right now because they 356 00:20:34,880 --> 00:20:38,159 Speaker 2: belong in stadiums like that, and they will pack a 357 00:20:38,240 --> 00:20:40,680 Speaker 2: stadium every time they show up because it's the best 358 00:20:40,680 --> 00:20:44,080 Speaker 2: show on earth. That's all I got to say, rock 359 00:20:44,160 --> 00:20:46,199 Speaker 2: and roll to Jake, I'm going a loss for words. 360 00:20:46,720 --> 00:20:50,240 Speaker 1: Nine one six, you are confirming the first five hundred 361 00:20:50,280 --> 00:20:55,520 Speaker 1: words of this episode. Here my rave on on Oasis, 362 00:20:56,320 --> 00:20:59,000 Speaker 1: and I'm happy you were there. I have extreme fomo 363 00:20:59,440 --> 00:21:03,560 Speaker 1: not going to these shows. I don't have a lot 364 00:21:03,600 --> 00:21:05,320 Speaker 1: of regrets in life. This is one of them. I 365 00:21:05,359 --> 00:21:07,760 Speaker 1: might have to go to ned Worth, might be happening. 366 00:21:08,119 --> 00:21:10,000 Speaker 1: I don't know where the hell is Networth. I don't 367 00:21:10,000 --> 00:21:13,679 Speaker 1: even know, all right, guys. Usually I talked about this 368 00:21:13,800 --> 00:21:17,160 Speaker 1: yesterday in the Patreon to some of the Patreon listeners. 369 00:21:17,760 --> 00:21:20,640 Speaker 1: Used to be I just released twenty four episodes a year. 370 00:21:20,800 --> 00:21:23,440 Speaker 1: I'd release one every other week, not even every other week. 371 00:21:23,720 --> 00:21:26,000 Speaker 1: It was, you know, that was the schedule, and it 372 00:21:26,040 --> 00:21:27,800 Speaker 1: was more of an event when a disgraced aand episode 373 00:21:27,800 --> 00:21:30,040 Speaker 1: would come out. Now we've got we're always on. We've 374 00:21:30,040 --> 00:21:33,320 Speaker 1: got multiple episodes per week. Feels less like an event 375 00:21:33,560 --> 00:21:36,640 Speaker 1: on social media. When I would do just twenty four 376 00:21:36,680 --> 00:21:39,400 Speaker 1: a year, i'd release one, I'd wake up in the morning, 377 00:21:39,440 --> 00:21:42,679 Speaker 1: I'd open Instagram and Facebook and there'd be this you 378 00:21:42,720 --> 00:21:46,360 Speaker 1: know a lot of people, lots of big conversation immediately, 379 00:21:46,480 --> 00:21:48,880 Speaker 1: just like that. Now the conversation, there's a big conversation, 380 00:21:48,920 --> 00:21:52,119 Speaker 1: but it's always happening, it's always on. Just like the episodes. 381 00:21:52,359 --> 00:21:56,080 Speaker 1: It doesn't feel as eventized, and it's also fragmented. We're 382 00:21:56,080 --> 00:21:58,320 Speaker 1: talking about a gazillion different things at once. We're not 383 00:21:58,359 --> 00:22:01,480 Speaker 1: spending as much time talking about you know, one single 384 00:22:01,520 --> 00:22:05,240 Speaker 1: episode like fifty cent Part two this week. What I 385 00:22:05,280 --> 00:22:08,080 Speaker 1: did yesterday I went on Patreon in the afternoon and 386 00:22:08,119 --> 00:22:10,080 Speaker 1: I just I just started a live stream and I 387 00:22:10,080 --> 00:22:11,760 Speaker 1: started talking to some folks, and I think I'm gonna 388 00:22:11,800 --> 00:22:14,359 Speaker 1: do that every Tuesday on release days with new episodes. 389 00:22:14,920 --> 00:22:17,200 Speaker 1: And if you're around, you're in the Patreon chat, get 390 00:22:17,200 --> 00:22:19,639 Speaker 1: on in there on Tuesdays and we'll chop it up 391 00:22:19,640 --> 00:22:22,359 Speaker 1: about I guess next week we'll be talking about Jimmy Buffett. 392 00:22:22,359 --> 00:22:24,119 Speaker 1: All right, so the parrot heeads. This is your chance, 393 00:22:24,320 --> 00:22:26,920 Speaker 1: this is your chance. You want to escapism Disgraceland style, 394 00:22:26,920 --> 00:22:29,600 Speaker 1: You're gonna get it firsthand from me next Tuesday in 395 00:22:29,640 --> 00:22:34,080 Speaker 1: the Patreon chat. I don't know, sometime est afternoon. Maybe 396 00:22:34,119 --> 00:22:38,800 Speaker 1: I'll push it seven to eight early evening so West 397 00:22:38,800 --> 00:22:40,280 Speaker 1: Coast folks can jump in. I know we get a 398 00:22:40,280 --> 00:22:43,560 Speaker 1: lot of listeners in California and Los Angeles. Speaking to listeners, 399 00:22:43,600 --> 00:22:46,560 Speaker 1: I want to shout out Kimberly Harris from the Patreon 400 00:22:46,600 --> 00:22:50,040 Speaker 1: community for being in especially awesome Disgraceland All Access member. 401 00:22:50,080 --> 00:22:53,320 Speaker 1: She's always in the chat. She's always bringing something new 402 00:22:53,400 --> 00:22:57,120 Speaker 1: information wise, bringing something new to the community. She's obviously 403 00:22:57,160 --> 00:22:59,840 Speaker 1: appreciated by all. Plus she just had a birthday. So Kimberly, 404 00:23:00,000 --> 00:23:02,399 Speaker 1: if you're listening, know that we appreciate you. And then 405 00:23:02,440 --> 00:23:05,160 Speaker 1: I'm personally grateful for your continued support and i am 406 00:23:05,240 --> 00:23:08,720 Speaker 1: no Mitch. Big shout out to everyone else who jumped 407 00:23:08,760 --> 00:23:11,679 Speaker 1: into the unannounced live stream on Tuesday night with me. 408 00:23:11,760 --> 00:23:14,000 Speaker 1: Let's do more of that. I'm gonna take a quick break. 409 00:23:14,000 --> 00:23:28,639 Speaker 1: I'll be back in a flash. So this week in 410 00:23:28,680 --> 00:23:31,840 Speaker 1: hollywood Land, on our Hollywoodland podcast, we let loose our 411 00:23:31,920 --> 00:23:36,560 Speaker 1: Carrie Fisher episode from the Vault into the Archive, into 412 00:23:36,600 --> 00:23:38,920 Speaker 1: the Wild. You can hear that now, and you can 413 00:23:38,960 --> 00:23:41,960 Speaker 1: hear Zeth talking movie history and true crime in the 414 00:23:42,040 --> 00:23:45,400 Speaker 1: Rap Party episode as well. So we do a full 415 00:23:45,440 --> 00:23:48,480 Speaker 1: episode from the archive of hollywood Land every week. Plus 416 00:23:48,680 --> 00:23:51,679 Speaker 1: Zeth does his version of a bonus episode called the 417 00:23:51,760 --> 00:23:55,239 Speaker 1: Rap Party, which people are loving. And I'm psyched for that, 418 00:23:55,400 --> 00:23:58,440 Speaker 1: and I'm psyched that you're all welcoming Zeth and supporting 419 00:23:58,520 --> 00:24:01,080 Speaker 1: him in the community. This wasn't really planned. It just 420 00:24:01,160 --> 00:24:04,159 Speaker 1: kind of happened, and it's you know, Zesk got his 421 00:24:04,200 --> 00:24:06,200 Speaker 1: own thing going on. He's got a point of view 422 00:24:06,200 --> 00:24:07,920 Speaker 1: on a lot of stuff. And you guys, you guys, 423 00:24:07,960 --> 00:24:09,919 Speaker 1: are down with it, and I love that. I love that, 424 00:24:10,000 --> 00:24:13,000 Speaker 1: So subscribe to hollywood Land wherever you get your podcasts 425 00:24:13,160 --> 00:24:15,399 Speaker 1: you want a little bit more true crime, but this 426 00:24:15,520 --> 00:24:18,640 Speaker 1: from the Hollywood side of the fence. Zeth and I 427 00:24:18,720 --> 00:24:21,560 Speaker 1: used to drop our music in movie recks in the 428 00:24:21,560 --> 00:24:24,200 Speaker 1: wrap party in the Hollywood Land feed, but from now 429 00:24:24,240 --> 00:24:26,359 Speaker 1: on they are going to live here in the after 430 00:24:26,480 --> 00:24:30,800 Speaker 1: party inside the exclusive section. This week, I've got some 431 00:24:31,440 --> 00:24:35,040 Speaker 1: killer music picks related to Carrie Fisher. If you can 432 00:24:35,040 --> 00:24:37,920 Speaker 1: believe that, Zess got is movie recommendations, and I might 433 00:24:37,920 --> 00:24:40,120 Speaker 1: even throw together a little playlist just for the All 434 00:24:40,160 --> 00:24:42,600 Speaker 1: Access members. But to hear it and to you know, 435 00:24:42,600 --> 00:24:44,760 Speaker 1: get all that, you get everything else we're dropping weekly. 436 00:24:44,800 --> 00:24:46,280 Speaker 1: You got to be an All Access member. Go to 437 00:24:46,280 --> 00:24:49,399 Speaker 1: disgrace lampod dot com slash membership sign up now for 438 00:24:49,520 --> 00:24:51,600 Speaker 1: just five bucks a month. Well he still can That price, 439 00:24:51,640 --> 00:24:54,800 Speaker 1: like I said, is going up soon. And the recommendations, 440 00:24:54,840 --> 00:24:56,959 Speaker 1: it's just the start of it, all right, just the 441 00:24:57,000 --> 00:24:59,000 Speaker 1: start of what you're going to get as a Disgraceland 442 00:24:59,040 --> 00:25:02,080 Speaker 1: All Access member. Get a little taste, Matt, give him 443 00:25:02,080 --> 00:25:04,439 Speaker 1: a little taste here this week's exclusive segment to the 444 00:25:04,440 --> 00:25:06,760 Speaker 1: show that you're gonna be missing if you're not an 445 00:25:06,800 --> 00:25:09,360 Speaker 1: All accessmember. Guys, this is me and Zeth going deep 446 00:25:09,400 --> 00:25:12,680 Speaker 1: into the recommendation's rabbit hole. All right, let me get 447 00:25:12,720 --> 00:25:18,119 Speaker 1: to the next recommendation here. Fishermen's Blues. Okay, Carrie, Carrie 448 00:25:18,160 --> 00:25:22,960 Speaker 1: Fisher Fisherman's Blues by the water Boys water Boys, Yeah, 449 00:25:23,040 --> 00:25:27,280 Speaker 1: nineteen eighty eight album of the same name. Zeth Lundy, 450 00:25:27,440 --> 00:25:29,520 Speaker 1: what's up with the water Boys? And why are they 451 00:25:29,600 --> 00:25:33,760 Speaker 1: my new favorite band? What is this song? Is fucking tremendous, 452 00:25:33,920 --> 00:25:34,640 Speaker 1: It's so good. 453 00:25:34,680 --> 00:25:36,639 Speaker 5: Have you heard that new Dennis Hopper record they have? 454 00:25:36,760 --> 00:25:39,520 Speaker 5: It's like some song cycle about Dennis Hopper or something. 455 00:25:39,600 --> 00:25:40,439 Speaker 5: Isn't that the water Boys? 456 00:25:40,520 --> 00:25:42,720 Speaker 1: I think so. It's the water Boys have come up 457 00:25:42,840 --> 00:25:46,440 Speaker 1: so much recently and going as far back, talk about 458 00:25:46,440 --> 00:25:50,560 Speaker 1: the nineties high school when I was like moving furniture 459 00:25:50,600 --> 00:25:53,879 Speaker 1: in Boston for Dan's van, and the Irish guys just 460 00:25:54,600 --> 00:25:56,840 Speaker 1: constantly trying to get me to listen to the water Boys, 461 00:25:56,840 --> 00:25:57,960 Speaker 1: and I never I never did. 462 00:25:58,160 --> 00:26:00,280 Speaker 5: Was the dude from was the dude from World Party 463 00:26:00,320 --> 00:26:01,280 Speaker 5: in that band? Originally? 464 00:26:01,640 --> 00:26:03,760 Speaker 1: Right? They have a song called World Party? And I 465 00:26:03,760 --> 00:26:05,080 Speaker 1: don't know the answer to your question. 466 00:26:05,359 --> 00:26:07,800 Speaker 5: I think he was who was the like, the the 467 00:26:07,800 --> 00:26:08,840 Speaker 5: main songwriter in that band. 468 00:26:08,840 --> 00:26:11,400 Speaker 1: Do you remember Mike Scott I believe is his name? 469 00:26:11,640 --> 00:26:13,720 Speaker 5: Huh okay, Cool Water Boys are kind of a blind 470 00:26:13,720 --> 00:26:15,400 Speaker 5: spot for me, honestly. 471 00:26:15,160 --> 00:26:19,640 Speaker 1: Big blind spot for me. I'm remedying that today. This song, 472 00:26:19,680 --> 00:26:23,040 Speaker 1: Fisherman's Blues. I put it on this morning and I was, 473 00:26:23,200 --> 00:26:25,640 Speaker 1: I was, it's not even like a happy go lucky. 474 00:26:25,800 --> 00:26:28,160 Speaker 1: It's not. It's not it's kind of like mid tempo. 475 00:26:28,760 --> 00:26:31,760 Speaker 1: It just it's it's it's got rock and roll abandoned 476 00:26:31,840 --> 00:26:35,000 Speaker 1: at its core, like like Dylan in the seventies with 477 00:26:35,040 --> 00:26:37,560 Speaker 1: a band behind him, like the best version of that. 478 00:26:37,560 --> 00:26:40,320 Speaker 1: That's what it reminded me of, like Street Legal or 479 00:26:40,359 --> 00:26:43,199 Speaker 1: something like that. It was so fucking good, and it 480 00:26:43,400 --> 00:26:46,240 Speaker 1: just I had a moment this morning, like a life 481 00:26:46,280 --> 00:26:49,480 Speaker 1: affirming moment that music will do to you every once 482 00:26:49,480 --> 00:26:51,199 Speaker 1: in a while, and it was this song and it 483 00:26:51,320 --> 00:26:53,320 Speaker 1: just it blew my mind. And you know, the refrain 484 00:26:53,440 --> 00:26:55,200 Speaker 1: is I want to be a fisher fisherman or something 485 00:26:55,240 --> 00:26:56,800 Speaker 1: like that. You know, I want to be a fucking fisherman. 486 00:26:57,080 --> 00:27:02,359 Speaker 1: I really truly do. Alrighty www dot disgracelampod dot com 487 00:27:02,359 --> 00:27:05,359 Speaker 1: slash membership to become a disgracelant All Access member and 488 00:27:05,400 --> 00:27:07,200 Speaker 1: to be in the know on the greatest music and 489 00:27:07,280 --> 00:27:10,639 Speaker 1: movie recommendations from the worlds of music history, in Hollywood history, 490 00:27:10,680 --> 00:27:13,600 Speaker 1: and true crime. This sixty second sports rant and under 491 00:27:13,600 --> 00:27:17,399 Speaker 1: thirty seconds is once again sponsored by five Hour Energy. 492 00:27:17,400 --> 00:27:21,200 Speaker 1: Five Hour Energy shots bring tasty caffeine in seventeen flavors. 493 00:27:21,400 --> 00:27:24,600 Speaker 1: Head to your local retailer or www. Dot five hour 494 00:27:24,760 --> 00:27:27,480 Speaker 1: Energy dot Com or Amazon to order yours today. I 495 00:27:27,640 --> 00:27:30,920 Speaker 1: just bang back my extra strength grape five Hour Energy 496 00:27:30,960 --> 00:27:34,040 Speaker 1: drink and I am determined to get this rant done 497 00:27:34,080 --> 00:27:38,120 Speaker 1: in under thirty seconds. Drake May, Patriots Nation turns its 498 00:27:38,200 --> 00:27:41,119 Speaker 1: lonely eyes to you, Drake May. Why you gotta be? 499 00:27:41,240 --> 00:27:43,560 Speaker 1: Drake May? Why can't you be? Jj McCarthy from the 500 00:27:43,560 --> 00:27:45,960 Speaker 1: Minnesota Vikings, who looked like a true young quarterback baller 501 00:27:46,040 --> 00:27:49,600 Speaker 1: shot collar someone balling out with that Liam Gallagher cock 502 00:27:49,600 --> 00:27:51,800 Speaker 1: of the Walk Energy in that game this past Monday 503 00:27:51,840 --> 00:27:54,240 Speaker 1: night against the Bears. Did we draft the wrong QB 504 00:27:54,359 --> 00:27:57,200 Speaker 1: back in twenty twenty four? Should we have taken McCarthy 505 00:27:57,280 --> 00:28:01,680 Speaker 1: not May? Are the Vikings the Mini Soda Freakin Vikings 506 00:28:01,760 --> 00:28:04,600 Speaker 1: better set for the future than the new England Patriots. 507 00:28:04,960 --> 00:28:08,479 Speaker 1: I don't know, but I'm asking. I'm also asking, Matt, 508 00:28:08,840 --> 00:28:11,720 Speaker 1: how did I do well? Jake, it's a big day. 509 00:28:11,760 --> 00:28:13,840 Speaker 1: Thirty seconds flat. You did it, Man, you did it? 510 00:28:15,119 --> 00:28:17,320 Speaker 1: There you go. I did it. I nailed it. I 511 00:28:17,320 --> 00:28:19,359 Speaker 1: did it. I did it like Brad Pitt did it. 512 00:28:19,720 --> 00:28:23,000 Speaker 1: I don't know what that means, just felt like saying it. Anyways. 513 00:28:23,000 --> 00:28:25,560 Speaker 1: That was a sports rant sponsored by Five Hour Energy. 514 00:28:25,640 --> 00:28:27,679 Speaker 1: Enjoy a variety of bowl flavors with as much caffeine 515 00:28:27,720 --> 00:28:29,800 Speaker 1: as a twelve hours Premium cup of coffee, but zero 516 00:28:29,880 --> 00:28:33,240 Speaker 1: sugar and zero crash. Give your caffeine a flavor upgrade 517 00:28:33,280 --> 00:28:36,080 Speaker 1: with five Hour Energy shots. Get yours in store, in 518 00:28:36,200 --> 00:28:39,240 Speaker 1: online at www dot five hour energy dot com or 519 00:28:39,320 --> 00:28:57,840 Speaker 1: Amazon Today. All Right, we are back. Thanks for joining 520 00:28:57,920 --> 00:29:00,320 Speaker 1: us this week in the Disgrace Land. After I already 521 00:29:00,360 --> 00:29:02,960 Speaker 1: talked about a ton of artists that we have covered 522 00:29:02,960 --> 00:29:06,400 Speaker 1: in the archive from the vault, Madonna, Tupac, Kurt and Courtney, 523 00:29:06,720 --> 00:29:13,360 Speaker 1: Chuck d Taylor, axel Iced Tea. Matt, as always, will 524 00:29:13,400 --> 00:29:18,560 Speaker 1: have the episode information for these stories in the show notes. 525 00:29:18,640 --> 00:29:21,000 Speaker 1: If you want to get at him quick, He's got 526 00:29:21,040 --> 00:29:23,680 Speaker 1: you covered. Let's recap, shall we number one. This week's 527 00:29:23,680 --> 00:29:26,720 Speaker 1: full episode subject fifty cent. Our part two episode on 528 00:29:26,800 --> 00:29:29,800 Speaker 1: fifty cent is available right now. Number two next coming 529 00:29:29,880 --> 00:29:32,960 Speaker 1: up in the rewind slots, Rolling Stones Part one and two, 530 00:29:33,320 --> 00:29:36,960 Speaker 1: Number three next week our new episode on Jimmy Buffett. 531 00:29:37,040 --> 00:29:39,920 Speaker 1: Number four on Hollywood Land right now, Carrie Fisher number five, 532 00:29:39,960 --> 00:29:42,000 Speaker 1: six one seven, nine oh sixty six sixty three eight. 533 00:29:42,320 --> 00:29:44,360 Speaker 1: Your voice keeps us digging into the dark corners of music, 534 00:29:44,400 --> 00:29:47,280 Speaker 1: his history. So keep calling, keep texting with your answers 535 00:29:47,280 --> 00:29:49,200 Speaker 1: to this week's question of the week, or whatever the 536 00:29:49,200 --> 00:29:51,520 Speaker 1: hell else you want to talk about. Number six. Don't 537 00:29:51,520 --> 00:29:54,480 Speaker 1: forget discos. This isn't just content. It's a community, a 538 00:29:54,520 --> 00:29:57,640 Speaker 1: community of the obsessed. No one cares about music, books, 539 00:29:57,640 --> 00:30:00,000 Speaker 1: records of the crime and grime that ties them all together, 540 00:30:00,120 --> 00:30:03,240 Speaker 1: like you do. And well that's a disgrace alright. On 541 00:30:03,320 --> 00:30:05,880 Speaker 1: May twenty fourth, in the year two thousand, in the 542 00:30:05,960 --> 00:30:10,400 Speaker 1: year two thousand was shot and nearly gunned down. This 543 00:30:10,440 --> 00:30:12,680 Speaker 1: is what America was listening to on that day, according 544 00:30:12,920 --> 00:30:19,320 Speaker 1: to the bill Board Charts. Number one Product GMB last 545 00:30:19,320 --> 00:30:25,440 Speaker 1: week one peak position, one weeks on chart fifteen. Number 546 00:30:25,440 --> 00:30:31,360 Speaker 1: two Breathe Faith Hill last week three peak positions number 547 00:30:31,360 --> 00:30:36,440 Speaker 1: two weeks on Chart twenty nine. Number three Thong Song 548 00:30:37,040 --> 00:30:42,640 Speaker 1: Cisco last week weeks peak position two. Three speaks on 549 00:30:42,720 --> 00:30:47,760 Speaker 1: Chart Everything number four he Wasn't Man a Knight Tony 550 00:30:47,840 --> 00:30:53,200 Speaker 1: bractition last week two peak position in week two weeks 551 00:30:53,240 --> 00:31:01,840 Speaker 1: on Chart Temple number five I tried last year six expositions. 552 00:31:11,400 --> 00:31:13,920 Speaker 1: Quit talking and start mixing