WEBVTT - Gladiator with Emma Southon

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<v Speaker 1>On the Bechdel Cast.

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<v Speaker 2>The questions asked if movies have women and them, are

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<v Speaker 2>all their discussions just boyfriends and husbands or do they

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<v Speaker 2>have individualism? It's the patriarchy, Zeph and bast start changing

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<v Speaker 2>it with the Bechdel.

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<v Speaker 3>Cast from the studio that brought you Shrek. It's the

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<v Speaker 3>Gladiator episode of the Bechdel Cast. Welcome to the Bechdel Cast.

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<v Speaker 3>My name is Caitlin Durante.

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<v Speaker 2>Well, aunt, did I just learn something?

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<v Speaker 3>I mean it's dream Works.

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<v Speaker 2>It's dream Works.

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<v Speaker 3>Yeah, that's so wait.

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<v Speaker 2>Yeah, I don't want to introduce myself yet. That is

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<v Speaker 2>shocking information. Why would this be dreamed? I wow? So

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<v Speaker 2>they really they really like two roads diverged in a

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<v Speaker 2>wood for them, and they were like, we're going Shrek.

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<v Speaker 2>We're putting our money on Shrek. And honestly, I think

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<v Speaker 2>that that was the right decision for the culture ultimately.

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<v Speaker 3>Sure.

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<v Speaker 2>Yeah, yeah, I mean we're just getting Gladiator too. Meanwhile,

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<v Speaker 2>Shrek five wrapped, it's wrapped. Yes, I don't know, I've

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<v Speaker 2>made that up. I know it's been announced. You don't

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<v Speaker 2>see Sutton Foster starring and Gladiator the Musical on Broadway?

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<v Speaker 2>Do we see her playing Princess Fiona on Broadway. We

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<v Speaker 2>sure do to your straight nominated for a Tony Whoa.

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<v Speaker 2>But enough about Shrek.

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<v Speaker 4>I can't believe that Gladiator shocking, shocking, shocking, I would

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<v Speaker 4>say shocking, Caitlin and I did see Shrek in thirty

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<v Speaker 4>five millimeter, which should not be a sentence that's so ridiculous,

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<v Speaker 4>But we did.

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<v Speaker 2>We invested for like, no DVD. We need to see

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<v Speaker 2>it in the raw.

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<v Speaker 3>Yeah, on the big screen.

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<v Speaker 2>It was awesome. It was literally I think the audience

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<v Speaker 2>was split in two of like irony pilled, childless millennials

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<v Speaker 2>and normal families. And we were all having a great time.

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<v Speaker 2>Oh yeah, nine year olds and thirty nine year old

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<v Speaker 2>we're all rocking. It was great, ten out of ten.

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<v Speaker 2>And also Gladiator.

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<v Speaker 3>And also Gladiator.

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<v Speaker 2>Now I can't believe that. Okay, a rich conversation already.

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<v Speaker 2>My name is Jamie Loftis. This is our show that

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<v Speaker 2>takes a look at your favorite movies using an intersectional

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<v Speaker 2>feminist lens, using the Bechdel test as a jumping off

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<v Speaker 2>point for discussion, which is hilarious for this movie specifically,

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<v Speaker 2>but just for the sake of argument. Caitlin, what is

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<v Speaker 2>the Bechdel test.

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<v Speaker 3>Uh, real quick here, because spoiler alert, the movie doesn't

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<v Speaker 3>pass even a little.

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<v Speaker 2>Bit, it will not come into play. There's not even

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<v Speaker 2>an argument for like, well, could it be like no.

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<v Speaker 3>Right, It's just a media metric that we use to

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<v Speaker 3>initiate larger conversations about representation. There are many versions of it.

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<v Speaker 3>Ours is do two characters of a marginalized gender have names?

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<v Speaker 3>Do they speak to each other? And is there conversation

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<v Speaker 3>about something other than a man? And we like it

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<v Speaker 3>when it's a you know, narratively significant conversation and not

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<v Speaker 3>just throw away dialogue. But again, it won't even come

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<v Speaker 3>close for this movie. But we will have a rich

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<v Speaker 3>discussion nonetheless with a wonderful guest that we're very excited about.

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<v Speaker 2>Gosh, yeah, she's incredible. And this movie is the most

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<v Speaker 2>fathers and sons coded movie I think I've ever seen.

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<v Speaker 2>There's so many gosh, so many fathers and so many sons,

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<v Speaker 2>so many sons. Enough already enough with the fathers and

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<v Speaker 2>the sons.

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<v Speaker 3>Yes, which is why we brought on this guest who

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<v Speaker 3>frames Roman history a little bit differently.

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<v Speaker 1>So.

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<v Speaker 3>Our guest is a historian and writer, author of many books.

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<v Speaker 3>One of which is entitled A rem of One's Own,

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<v Speaker 3>A History of the Roman Empire in twenty one women,

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<v Speaker 3>it's Emma Suthan. Hello, welcome, Hi, thank you, thanks for

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<v Speaker 3>being here.

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<v Speaker 2>Oh my gosh, I'm so excited that we have you

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<v Speaker 2>on the show. Gosh, I mean, I have so many questions,

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<v Speaker 2>but especially because was it just last year, I flak

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<v Speaker 2>time is a flat circle. Was it an interesting time

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<v Speaker 2>for you when the Roman Empire meme was making the

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<v Speaker 2>rounds at nauseum?

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<v Speaker 1>Yeah it was. Yeah, as one of the few women

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<v Speaker 1>in the world that spend significantly more time talking and

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<v Speaker 1>thinking about the Roman Empire than her husband, it was

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<v Speaker 1>a fun time. And yeah, it came out was going

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<v Speaker 1>around just as my book was coming out, so it

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<v Speaker 1>felt like a marketing campaign specifically for me, which.

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<v Speaker 2>Was great, incredible.

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<v Speaker 1>I could be like, look, it's not just like aqueducts

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<v Speaker 1>and people saying Marcus Aurelius and then.

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<v Speaker 2>Which this movie doesn't do that much to challenge.

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<v Speaker 1>It doesn't know, this is why everybody thinks Marcus Aurelius

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<v Speaker 1>is the only guy that ever existed in the whole

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<v Speaker 1>of the Roman Empire.

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<v Speaker 2>I was so curious how you originally fell into this

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<v Speaker 2>line of study. How yeah, how did you end up

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<v Speaker 2>as an authority on Roman Empire?

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<v Speaker 1>I did my A levels in ancient history at the

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<v Speaker 1>exact time that this film came out, which I only

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<v Speaker 1>did so in the UK, you get to choose subjects

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<v Speaker 1>that you're going to do to study, like narrow down

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<v Speaker 1>to four subjects when you're sixteen. They just like choose

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<v Speaker 1>a career path. And I did ancient history because I

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<v Speaker 1>thought it sounded fun, and you got to go on

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<v Speaker 1>trips to Italy and Greece, and I just was immediately

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<v Speaker 1>captivated by the Romans and how optly, utterly horrible they are.

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<v Speaker 1>And I kept trying to leave, Like I tried to

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<v Speaker 1>do my undergraduate in something else, I tried to do

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<v Speaker 1>my master's degree in something else, and I just kept

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<v Speaker 1>quitting and going back and doing Romans. And then I

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<v Speaker 1>did my PhD and decided I didn't want to be

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<v Speaker 1>an academic. I just wanted to write books with jokes

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<v Speaker 1>in instead. And I've been getting away with that now

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<v Speaker 1>for a decade.

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<v Speaker 3>So I love that it rocks.

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<v Speaker 2>And specifically, I mean I will we'll talk about this

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<v Speaker 2>throughout the episode, but specifically, you have been it seems

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<v Speaker 2>like one of the few people who have centered women

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<v Speaker 2>in your histories of room. So when you're like coming

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<v Speaker 2>up in this space, was that a hard self for people?

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<v Speaker 2>Was there a demand for it?

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<v Speaker 1>Like?

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<v Speaker 2>How did you sort of land on that specific focus?

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<v Speaker 1>I think because I'm a woman, and I'm also a

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<v Speaker 1>working class woman, and so so much of what you

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<v Speaker 1>read about when you're reading about Romans is like five

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<v Speaker 1>of the most upper class guys you've ever heard of,

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<v Speaker 1>like Seneca and Cicero and emperors, who are all like

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<v Speaker 1>the most elite rich men that you can humanly imagine.

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<v Speaker 1>And I just do not empathize with those people at all,

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<v Speaker 1>Like I do not imagine myself as them, but so

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<v Speaker 1>many ancient historians and classicists totally do. They're like me, Cicero,

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<v Speaker 1>like that's who I would be if I was put

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<v Speaker 1>in the past, And I just don't at all. So

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<v Speaker 1>I wanted to find you know, whenever I was studying it,

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<v Speaker 1>I'd always be like, who would I be in this picture?

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<v Speaker 1>And I would be like some woman standing at the back,

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<v Speaker 1>being like this doesn't look like it's going very well. Yeah,

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<v Speaker 1>basically any given situation. So I'm you know, I like

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<v Speaker 1>telling those stories and expanding the idea of what the

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<v Speaker 1>Roman Empire is and what Roman history is, because we

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<v Speaker 1>have so much information about the ancient world, Like, we

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<v Speaker 1>have so much and it's all right there, but people

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<v Speaker 1>are not necessarily interested in looking for it themselves. So

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<v Speaker 1>I do it for them and then tell them about it,

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<v Speaker 1>because I'm basically just looking for myself in the past.

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<v Speaker 2>A gossip about and make it fun.

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<v Speaker 1>Yeah, I think that they're just inherently funny, so because

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<v Speaker 1>they take themselves very seriously, but they're not a serious people,

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<v Speaker 1>and so to me, it's very easy to make jokes

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<v Speaker 1>about them. And more people should. More people should make

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<v Speaker 1>fun of them, I think, And that's what we're going

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<v Speaker 1>to do here today.

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<v Speaker 2>Yeah, there is notes of you know, just notes of

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<v Speaker 2>a crumbling empire, Like, yeah, I get this, I get

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<v Speaker 2>this vibe. I see myself, I see myself in this

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<v Speaker 2>crumbling empire.

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<v Speaker 3>Here we are in one.

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<v Speaker 2>Bringing it into Gladiator. When did you first encounter with

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<v Speaker 2>this movie? What is your history with this movie specifically?

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<v Speaker 1>So this movie came out exactly as I was just

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<v Speaker 1>starting to study the Romans. So nineteen ninety nine is

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<v Speaker 1>when I first started studying. In two thousand and when

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<v Speaker 1>this came out, and so I went with my A

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<v Speaker 1>level group to see it, and we were seventeen years

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<v Speaker 1>old and like the worst people that you can imagine,

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<v Speaker 1>because you know, you have people who have like one

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<v Speaker 1>small bit of knowledge and therefore they think they know everything.

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<v Speaker 1>We were those people in the back of the cinema.

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<v Speaker 1>And I saw it and I thought there was very,

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<v Speaker 1>very silly, and I remember being vaguely hysterical at all

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<v Speaker 1>of the Latin because I had done one whole year

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<v Speaker 1>of Latin, so obviously so.

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<v Speaker 3>You're fluent, of course.

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<v Speaker 1>Yeah, but in fairness, I still find that very very funny.

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<v Speaker 1>And then I just thought it was a very very

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<v Speaker 1>silly film that was hilarious for astonishing too and half

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<v Speaker 1>hours and then kind of stopped thinking about it, and

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<v Speaker 1>since then, for the past like twenty five years, have

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<v Speaker 1>just been sort of making fun of it, like it's

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<v Speaker 1>just been it's consistently funny to do Russell Crow oppressions.

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<v Speaker 1>And went back and watched it again for this but

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<v Speaker 1>this is the first time I've actually seen it since

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<v Speaker 1>seeing it in the cinema. Wow, So it was amazing

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<v Speaker 1>how much I remembered. But I've just been gently feeling

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<v Speaker 1>bad about how annoying I must have been in two thousand.

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<v Speaker 1>In the cinema, it's okay, yeah.

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<v Speaker 2>Yeah, you're seventeen, that you know, if you're not annoying

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<v Speaker 2>when you're seventeen, you are the weird one exactly.

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<v Speaker 1>And I think it deserved the laughter.

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<v Speaker 2>So it's okay, Wow, we're so polite, you go. I

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<v Speaker 2>had not seen this movie. Bravely, I just and not

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<v Speaker 2>because I've even disinterested in ancient rom I hopefull this

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<v Speaker 2>isn't a polarizing thing to say it, but like in

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<v Speaker 2>my like public school system, if you were like in

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<v Speaker 2>advanced classes, they made you take Latin instead of something

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<v Speaker 2>you could use and so, and I will always resent

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<v Speaker 2>because I, you know, like really wish I spoke even

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<v Speaker 2>vaguely conversational Spanish would be so much more useful in

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<v Speaker 2>my day to day life. But instead I took five

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<v Speaker 2>years of Latin, and for what I don't know, I

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<v Speaker 2>retained very little. I remember how to say stupid boy,

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<v Speaker 2>futuos puiri whoa, And that was all I would really

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<v Speaker 2>say in the class because all the boys in the

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<v Speaker 2>class were annoying.

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<v Speaker 3>Well, if you want to learn and in Spanish. It's

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<v Speaker 3>one way you could say it is please Chico is stupid,

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<v Speaker 3>so she could see and how much more useful would

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<v Speaker 3>so much.

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<v Speaker 2>My life would just be easier. Anyways, I really did

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<v Speaker 2>enjoy Latin, and that's why I stayed in the program

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<v Speaker 2>for five years. And you know, there like historical elements

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<v Speaker 2>to it. We did these very I have you heard

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<v Speaker 2>of these, like these Latin education books. I don't know

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<v Speaker 2>if they were just in the US, but it's called

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<v Speaker 2>Eka Romani.

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<v Speaker 1>Yes, I know it.

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<v Speaker 2>Yeah, Oh my gosh. There is still kind of like

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<v Speaker 2>a semi thriving tumbler culture around Eka Romani because it

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<v Speaker 2>was like a story, like I do think part of

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<v Speaker 2>the reason I didn't leave the Latin program is because

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<v Speaker 2>of the story. Because you're translating like a story about

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<v Speaker 2>a family who moves from Oh gosh, I wish I

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<v Speaker 2>remembered their last name, Aki Romani Hive don't kill me.

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<v Speaker 2>But they basically they're on this long journey to Rome.

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<v Speaker 2>They're like an upper middle class family on their journey

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<v Speaker 2>to Rome. And then for an entire academic year they

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<v Speaker 2>were stuck in a ditch. It was wild. It was

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<v Speaker 2>all of book two, all of eighth grade, they're stuck

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<v Speaker 2>in a ditch. It's so shocking. My cousin was two

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<v Speaker 2>years ahead of me, and she's like buckle in for

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<v Speaker 2>eighth grade because nothing happens in Latin in eighth grade.

0:12:01.080 --> 0:12:02.920
<v Speaker 2>They don't get to Rome until you're in high school.

0:12:03.000 --> 0:12:05.320
<v Speaker 2>It was like, so the year where they're in the

0:12:05.320 --> 0:12:10.120
<v Speaker 2>ditch is just ridiculous. Anyways, we learned about Roman history

0:12:10.360 --> 0:12:12.480
<v Speaker 2>when I was saying Latin, but I just never as

0:12:12.480 --> 0:12:15.280
<v Speaker 2>far as like Gladiator goes. This is just like I

0:12:15.320 --> 0:12:17.240
<v Speaker 2>see this poster and I'm like, this movie is not

0:12:17.240 --> 0:12:20.520
<v Speaker 2>for me. I don't know. Historical epics have never really

0:12:20.559 --> 0:12:24.160
<v Speaker 2>been my thing, you know, hyper mask movies, I've never

0:12:24.160 --> 0:12:27.400
<v Speaker 2>really been my thing, and so when I was watching

0:12:27.720 --> 0:12:31.640
<v Speaker 2>this for the first time, I felt like, yeah, this

0:12:31.760 --> 0:12:37.440
<v Speaker 2>is really not my thing. So not much changed. However, However,

0:12:38.080 --> 0:12:41.000
<v Speaker 2>while his you know, character, which I know is like

0:12:41.040 --> 0:12:45.080
<v Speaker 2>based in some historical truth, while Joaquin Phoenix's character is

0:12:45.120 --> 0:12:51.160
<v Speaker 2>absolutely diabolical, he is so cunty in this movie. He's

0:12:51.400 --> 0:12:59.040
<v Speaker 2>like awesome to watch. He's such a diva. I love him. Yeah,

0:12:59.280 --> 0:13:02.800
<v Speaker 2>so yeah, I if for nothing else other than the

0:13:03.280 --> 0:13:07.920
<v Speaker 2>Joaquin Phoenix performance, I you know, it was watching Waquin Phoenix.

0:13:08.160 --> 0:13:10.040
<v Speaker 2>I just didn't know there was a famous movie where

0:13:10.080 --> 0:13:14.200
<v Speaker 2>Joaquin Phoenix killed Dumbledore. So that was interesting.

0:13:14.679 --> 0:13:17.040
<v Speaker 3>H the joke man kills Dumbledore.

0:13:17.400 --> 0:13:22.480
<v Speaker 2>Joker killed Dumbledore. And if that's not a hot topic sentence,

0:13:22.559 --> 0:13:23.440
<v Speaker 2>I don't know what is.

0:13:25.040 --> 0:13:27.600
<v Speaker 1>Yeah, yeah, yeah, so it was. I don't know.

0:13:27.679 --> 0:13:29.680
<v Speaker 2>It wasn't for me, but I am very excited to

0:13:29.800 --> 0:13:34.400
<v Speaker 2>talk about it because it feels like such straight guy porn.

0:13:34.640 --> 0:13:36.960
<v Speaker 1>Mmmmm yeah yeah.

0:13:36.600 --> 0:13:39.000
<v Speaker 2>Yes, Kitlyn, was your history with Gladiator.

0:13:39.480 --> 0:13:43.000
<v Speaker 3>I saw it in high school. I don't think I

0:13:43.040 --> 0:13:45.520
<v Speaker 3>saw in theaters, but when it like came out on DVD,

0:13:46.440 --> 0:13:48.800
<v Speaker 3>my friends and I got together for a little sleepover

0:13:49.480 --> 0:13:52.559
<v Speaker 3>and we watched it. And as far as like appealing

0:13:52.600 --> 0:13:55.599
<v Speaker 3>to my sensibilities, it does for me more than I

0:13:55.640 --> 0:13:57.439
<v Speaker 3>think it does for you, Jamie. But for some reason,

0:13:57.440 --> 0:13:59.920
<v Speaker 3>I never revisited it, and I like kind of remembered

0:14:00.160 --> 0:14:06.239
<v Speaker 3>nothing about it. And also I didn't learn like anything

0:14:06.280 --> 0:14:09.760
<v Speaker 3>about ancient Rome in any history class I ever took.

0:14:10.000 --> 0:14:12.920
<v Speaker 3>There was probably like three days where they're like, hey,

0:14:13.720 --> 0:14:18.000
<v Speaker 3>remember Julius Caesar, he did this thing. So I know

0:14:18.080 --> 0:14:21.320
<v Speaker 3>almost nothing to the extent where I thought that Caesar

0:14:22.040 --> 0:14:24.840
<v Speaker 3>was a last name and not like a title.

0:14:26.000 --> 0:14:30.440
<v Speaker 2>It's both what I'm so glad you're here. But they

0:14:30.480 --> 0:14:33.120
<v Speaker 2>all say, like, you're a Caesar, so that's it. That's

0:14:33.120 --> 0:14:34.760
<v Speaker 2>her last name, but it's also their title.

0:14:35.040 --> 0:14:38.600
<v Speaker 1>That's his name. Yeah, so his name is Guys Julius Caesar,

0:14:38.680 --> 0:14:41.960
<v Speaker 1>so is his last name. And then it becomes a

0:14:42.000 --> 0:14:48.720
<v Speaker 1>title after his air makes it into a title basically wow, okay,

0:14:49.160 --> 0:14:52.160
<v Speaker 1>yeah wow, and then you get to be a Caesar

0:14:52.480 --> 0:14:54.560
<v Speaker 1>and then it like loses all of its name meaning

0:14:54.640 --> 0:14:56.360
<v Speaker 1>and just becomes a title eventually.

0:14:56.800 --> 0:14:59.080
<v Speaker 3>So it's both Okay, thank you for clarifying that.

0:14:59.280 --> 0:15:02.120
<v Speaker 2>So glad you're here. You're so glad you're here, because

0:15:02.160 --> 0:15:02.680
<v Speaker 2>they use.

0:15:02.600 --> 0:15:05.040
<v Speaker 3>Caesar as if it's a title in this movie. So

0:15:05.120 --> 0:15:06.840
<v Speaker 3>I was like, oh, I thought that Caesar was a

0:15:06.880 --> 0:15:08.760
<v Speaker 3>last name, but I guess it's been a title this

0:15:08.800 --> 0:15:10.920
<v Speaker 3>whole time. But okay, that makes more sense.

0:15:10.920 --> 0:15:13.960
<v Speaker 1>They're also using it very incorrectly in this movie.

0:15:14.800 --> 0:15:16.760
<v Speaker 3>Was this movie historically inaccurate?

0:15:18.240 --> 0:15:20.080
<v Speaker 2>The thing that stuck out to me right away and

0:15:20.280 --> 0:15:26.080
<v Speaker 2>watch may be dead wrong is Lucilla's clothes. They felt

0:15:26.400 --> 0:15:28.360
<v Speaker 2>very small coded to me.

0:15:28.720 --> 0:15:32.760
<v Speaker 1>Yeah, they wouldn't log that out of place in a

0:15:33.240 --> 0:15:38.760
<v Speaker 1>like two thousands, like nice boty women who are married

0:15:38.800 --> 0:15:39.800
<v Speaker 1>to accountants.

0:15:40.600 --> 0:15:43.720
<v Speaker 2>Like extraneous ribbons is like a lot of like kind

0:15:43.760 --> 0:15:48.080
<v Speaker 2>of unflattering fabric. You're just like, hmm, it's looking polyester.

0:15:49.040 --> 0:15:50.840
<v Speaker 1>Yeah. That's one of my things is when people use

0:15:50.960 --> 0:15:56.840
<v Speaker 1>like really fine, like diaphanous, floaty fabrics in Roman things.

0:15:56.840 --> 0:15:59.880
<v Speaker 1>You're like, how do you think they're making those? Right?

0:16:00.280 --> 0:16:05.360
<v Speaker 1>That is machine mate, but they love a diaphanous fabric

0:16:05.440 --> 0:16:07.880
<v Speaker 1>kind of like paying things on film. But yeah, it

0:16:07.960 --> 0:16:10.320
<v Speaker 1>looks also really did not look that expensive compared to

0:16:10.320 --> 0:16:13.480
<v Speaker 1>how much they spent on Joaquin's like fancy robes.

0:16:13.640 --> 0:16:16.400
<v Speaker 2>Oh yeah, I've clad you okay, because I was like

0:16:16.560 --> 0:16:18.600
<v Speaker 2>maybe I just don't know for it, but it was

0:16:18.680 --> 0:16:21.240
<v Speaker 2>like this, this is cruel with me to say, but

0:16:21.280 --> 0:16:23.160
<v Speaker 2>it was kind of reminding me of the costume design

0:16:23.200 --> 0:16:27.000
<v Speaker 2>and I Frankenstein. It felt very like I.

0:16:27.120 --> 0:16:29.480
<v Speaker 3>Party Yeah, Party City vibes.

0:16:29.720 --> 0:16:30.160
<v Speaker 2>Yeah.

0:16:30.640 --> 0:16:33.400
<v Speaker 3>So anyway, I had only seen this movie once before,

0:16:33.960 --> 0:16:38.239
<v Speaker 3>although I did when I went to Rome in twenty nineteen.

0:16:38.400 --> 0:16:39.160
<v Speaker 3>I think it was.

0:16:39.440 --> 0:16:41.480
<v Speaker 2>Brag am I the only person here that hasn't been

0:16:41.520 --> 0:16:42.200
<v Speaker 2>a Rome.

0:16:42.800 --> 0:16:50.240
<v Speaker 3>Maybe, wow, shame shame on you, Jamie. Now I did

0:16:50.600 --> 0:16:54.040
<v Speaker 3>a tour like a walking tour around the city of

0:16:54.160 --> 0:17:00.520
<v Speaker 3>Rome that was called Feminist History of Rome. So it

0:17:00.640 --> 0:17:04.360
<v Speaker 3>was a tour that told events of ancient Rome through

0:17:04.400 --> 0:17:07.280
<v Speaker 3>a feminist lens. And I was the only person on

0:17:07.359 --> 0:17:09.320
<v Speaker 3>the tour. It was me and the tour guide, so

0:17:09.320 --> 0:17:11.400
<v Speaker 3>it was like a very I was just the only

0:17:11.440 --> 0:17:14.520
<v Speaker 3>person who signed up for it, so it was a

0:17:14.600 --> 0:17:16.040
<v Speaker 3>very personal It was a date.

0:17:16.320 --> 0:17:17.520
<v Speaker 2>It was basically a date.

0:17:17.560 --> 0:17:17.960
<v Speaker 1>And.

0:17:19.280 --> 0:17:25.960
<v Speaker 3>The tour guide had some pretty like swarfy opinions about things,

0:17:26.040 --> 0:17:28.520
<v Speaker 3>and like was saying things that were like disparaging of

0:17:28.600 --> 0:17:32.119
<v Speaker 3>sex workers, and so I did complain about it. I

0:17:32.160 --> 0:17:35.119
<v Speaker 3>wrote my little review and I was like, get rid

0:17:35.200 --> 0:17:39.399
<v Speaker 3>of all this swarf rhetoric. But otherwise it's a fun tour.

0:17:40.119 --> 0:17:42.600
<v Speaker 3>So I learned a little bit at the time. Did

0:17:42.600 --> 0:17:47.600
<v Speaker 3>I retain any of that information? Sure didn't. So couldn't say.

0:17:48.080 --> 0:17:51.359
<v Speaker 3>But I enjoyed watching this movie. It's I think better

0:17:51.400 --> 0:17:54.320
<v Speaker 3>than I remember, not because it's not like, wow, this

0:17:54.440 --> 0:17:57.800
<v Speaker 3>is like so well written and well performed, but it

0:17:57.880 --> 0:18:01.800
<v Speaker 3>is entertaining. I feel like the movie does what you

0:18:01.880 --> 0:18:05.360
<v Speaker 3>as entertained. Russell Crowe's character is encouraged to do, which

0:18:05.440 --> 0:18:07.840
<v Speaker 3>is like get the crowd on your side, and I

0:18:07.840 --> 0:18:11.440
<v Speaker 3>feel like me the crowd was on the side of

0:18:11.560 --> 0:18:14.560
<v Speaker 3>the movie. I had a good time watching it, That's

0:18:14.600 --> 0:18:18.359
<v Speaker 3>what I'm saying. But there's lots to talk about. So

0:18:19.040 --> 0:18:22.280
<v Speaker 3>let's take a quick break and we'll come back for

0:18:22.480 --> 0:18:35.840
<v Speaker 3>the recap. And we're back, okay. So here's the recap

0:18:35.880 --> 0:18:39.199
<v Speaker 3>of Gladiator. I will place a content warning at the

0:18:39.240 --> 0:18:45.360
<v Speaker 3>top here for sexual violence and incest. Okay. So we

0:18:45.400 --> 0:18:49.439
<v Speaker 3>open on text on the screen reading that at the

0:18:49.480 --> 0:18:53.880
<v Speaker 3>height of its power, the Roman Empire was vast, stretching

0:18:53.880 --> 0:18:57.720
<v Speaker 3>from Africa to England. A quarter of the world's population

0:18:58.320 --> 0:19:02.119
<v Speaker 3>lived and died under the rules of the Caesars. Which

0:19:02.240 --> 0:19:05.720
<v Speaker 3>is a title and the last name I no.

0:19:05.119 --> 0:19:08.920
<v Speaker 2>No, wait, I want to say EMM a fact check.

0:19:09.240 --> 0:19:10.520
<v Speaker 2>Is the stuff at the beginning?

0:19:10.640 --> 0:19:16.160
<v Speaker 1>True? Yes, it is. This is the fight, which kind

0:19:16.160 --> 0:19:18.240
<v Speaker 1>of makes it funny that they're all very convinced that

0:19:18.240 --> 0:19:20.480
<v Speaker 1>this is also the end. But this is like what's

0:19:20.520 --> 0:19:23.399
<v Speaker 1>called the high Empire. This is like the best of

0:19:23.480 --> 0:19:28.200
<v Speaker 1>times for the Roman Empire. It's like size wise, it's

0:19:28.240 --> 0:19:31.040
<v Speaker 1>at its peak, and they're only fighting wars now that

0:19:31.080 --> 0:19:34.240
<v Speaker 1>they are deliberately getting themselves into in order to conquer

0:19:34.320 --> 0:19:38.400
<v Speaker 1>other people. So this is what is called the High Empire, gotcha.

0:19:38.480 --> 0:19:41.879
<v Speaker 3>Although the text frames it very differently, where it's like

0:19:42.480 --> 0:19:45.840
<v Speaker 3>Rome is awesome and they're just trying to kill these

0:19:45.880 --> 0:19:49.679
<v Speaker 3>barbarians so that they can finally have peace throughout the empire,

0:19:49.720 --> 0:19:50.840
<v Speaker 3>which is awesome.

0:19:51.400 --> 0:19:54.920
<v Speaker 2>The values of the movie are very bizarre with regards

0:19:54.920 --> 0:19:59.359
<v Speaker 2>to that, where it's like they're not avoiding the issue

0:19:59.359 --> 0:20:03.359
<v Speaker 2>of slavery entirely, and the movie has like some empathy,

0:20:04.119 --> 0:20:06.479
<v Speaker 2>but then also they're like but ultimately, at the end

0:20:06.520 --> 0:20:08.840
<v Speaker 2>of the day, it's all about the Roman project, and

0:20:08.880 --> 0:20:11.920
<v Speaker 2>you're like, I don't know about that.

0:20:12.920 --> 0:20:15.640
<v Speaker 3>Yeah, So the rest of the text and I rewrote

0:20:15.680 --> 0:20:18.440
<v Speaker 3>it and reframed it to this, which is so it's

0:20:18.480 --> 0:20:23.400
<v Speaker 3>the year one eighty a d. Emperor Marcus Aurelius has

0:20:23.480 --> 0:20:27.960
<v Speaker 3>been fighting against the barbarian tribes in Germania for I

0:20:27.960 --> 0:20:32.320
<v Speaker 3>think twelve years now, but there's one final stronghold that

0:20:32.440 --> 0:20:39.520
<v Speaker 3>the Roman Empire is trying to conquer to uphold its imperialism.

0:20:40.160 --> 0:20:45.360
<v Speaker 3>So we cut to Germania. We meet Maximus. That's Russell Crowe.

0:20:45.880 --> 0:20:49.760
<v Speaker 3>He's the general of the Roman army that is readying

0:20:49.840 --> 0:20:53.840
<v Speaker 3>for battle with the Germanic army, overseeing all of this

0:20:54.119 --> 0:21:00.240
<v Speaker 3>is Emperor Marcus Aurelius played by Richard Harris of Dumbledore Fame.

0:21:01.240 --> 0:21:05.480
<v Speaker 3>The battle takes place and the Roman army is victorious

0:21:05.680 --> 0:21:13.639
<v Speaker 3>thanks to Maximus being so good at war, so good.

0:21:15.000 --> 0:21:20.160
<v Speaker 3>We then meet Marcus Aurelius's son and daughter, Commodists played

0:21:20.160 --> 0:21:24.800
<v Speaker 3>by Joaquin Phoenix and Lucilla played by Connie Nielsen. They

0:21:24.880 --> 0:21:28.639
<v Speaker 3>are on their way to meet their father after this battle.

0:21:28.600 --> 0:21:33.360
<v Speaker 2>And Commodists and Lucilla are based on real people.

0:21:33.800 --> 0:21:38.000
<v Speaker 1>They are, Yes, so they are real people. Commodist really

0:21:38.080 --> 0:21:41.399
<v Speaker 1>was the emperor Nisilla really was his sister, one of

0:21:41.760 --> 0:21:44.879
<v Speaker 1>a minimum of twelve siblings that he had. Wow, And

0:21:44.920 --> 0:21:47.399
<v Speaker 1>she really did hate him, and she did also really

0:21:47.440 --> 0:21:50.760
<v Speaker 1>try to kill him. Good for her, actually, because he

0:21:51.320 --> 0:21:54.320
<v Speaker 1>made her marry a man that she thought was beneath

0:21:54.320 --> 0:21:56.600
<v Speaker 1>her status and she took it as an insult.

0:21:57.040 --> 0:21:59.760
<v Speaker 3>Oh, so she's just lair elitist.

0:22:00.760 --> 0:22:04.359
<v Speaker 2>Yeah, well so your brothers shouldn't decide who you married,

0:22:04.720 --> 0:22:05.040
<v Speaker 2>for sure.

0:22:05.160 --> 0:22:08.400
<v Speaker 3>No, but you know, I mean, everyone in these imperial families,

0:22:08.720 --> 0:22:10.840
<v Speaker 3>I'm sure was pretty trash.

0:22:11.119 --> 0:22:15.119
<v Speaker 2>Yeah. And then I read that real life Commedists had Lucilla.

0:22:15.640 --> 0:22:18.119
<v Speaker 2>He ended up having her executed, right, He had her

0:22:18.200 --> 0:22:20.360
<v Speaker 2>like Maroons isld.

0:22:20.040 --> 0:22:22.960
<v Speaker 1>And yeah, excels for an island. Very nice island, but

0:22:23.000 --> 0:22:25.720
<v Speaker 1>an island. And then he had her executed on the island. Yeah,

0:22:25.800 --> 0:22:27.640
<v Speaker 1>due to the murderer attempt.

0:22:27.880 --> 0:22:29.960
<v Speaker 2>Yeah, I'm excited to talk about the ending of this

0:22:30.040 --> 0:22:32.720
<v Speaker 2>movie because it seems just like made up.

0:22:34.280 --> 0:22:38.760
<v Speaker 3>Okay, So yeah, Commodists is very slimy, he's schemy. He

0:22:38.840 --> 0:22:41.760
<v Speaker 3>is expecting to be his father's successor.

0:22:42.640 --> 0:22:43.120
<v Speaker 2>Lucilla.

0:22:43.640 --> 0:22:46.360
<v Speaker 3>Meanwhile, the main thing we learned about her, at least

0:22:46.359 --> 0:22:51.200
<v Speaker 3>in the beginning, is that she's horny for Maximus, and

0:22:51.320 --> 0:22:54.960
<v Speaker 3>it's implied that they had a love affair. At one point.

0:22:55.320 --> 0:22:56.960
<v Speaker 2>You're like, well, yeah, I guess what else will we

0:22:57.040 --> 0:22:58.720
<v Speaker 2>learn about a woman?

0:22:59.000 --> 0:23:03.120
<v Speaker 1>Yeah, the one that we ever learn about.

0:23:03.800 --> 0:23:08.639
<v Speaker 3>So Maximus asks Marcus Aurelius if he can be released

0:23:09.000 --> 0:23:12.359
<v Speaker 3>so that he can return home to Spain to see

0:23:12.800 --> 0:23:17.040
<v Speaker 3>his wife and his son, who he hasn't seen in

0:23:17.119 --> 0:23:18.400
<v Speaker 3>nearly three years.

0:23:18.960 --> 0:23:23.480
<v Speaker 2>It's so john Wick. It's so wife and flash. But

0:23:23.560 --> 0:23:27.360
<v Speaker 2>she's like mamas, hi you literally all you ever see

0:23:27.359 --> 0:23:30.399
<v Speaker 2>her to do is like wave and smile, smile and

0:23:30.800 --> 0:23:31.320
<v Speaker 2>be dead.

0:23:31.760 --> 0:23:36.679
<v Speaker 1>Yeah, and not have a name. I was no that

0:23:36.760 --> 0:23:38.040
<v Speaker 1>she does not have a name.

0:23:38.480 --> 0:23:41.719
<v Speaker 2>She doesn't seed be bothered. She also has access to

0:23:42.280 --> 0:23:45.240
<v Speaker 2>a hair curler. Yeah, we learned at the end.

0:23:46.440 --> 0:23:47.520
<v Speaker 3>Yeah, she's got a crimper.

0:23:48.000 --> 0:23:48.560
<v Speaker 2>Yeah.

0:23:48.720 --> 0:23:52.200
<v Speaker 3>And so Marcus Aurelius is like, yeah, yeah, you can

0:23:52.240 --> 0:23:55.760
<v Speaker 3>go home soon. But first I just want to say

0:23:55.880 --> 0:23:58.960
<v Speaker 3>that I feel like the Roman Empire has kind of

0:23:59.000 --> 0:24:02.720
<v Speaker 3>gotten out of ham and maybe I did too much war.

0:24:03.480 --> 0:24:07.040
<v Speaker 3>So Maximus, I want you to be the next emperor

0:24:07.400 --> 0:24:09.480
<v Speaker 3>and for you to give power back to the people

0:24:09.520 --> 0:24:11.720
<v Speaker 3>of Rome and to end all the corruption.

0:24:12.240 --> 0:24:15.879
<v Speaker 2>Yeah. He's like, don't worry, I didn't write this down anywhere.

0:24:15.880 --> 0:24:20.160
<v Speaker 1>Don't Yeah, as a man who notoriously never wrote anything down,

0:24:20.280 --> 0:24:23.200
<v Speaker 1>it definitely doesn't have a still best selling book.

0:24:25.880 --> 0:24:31.080
<v Speaker 3>And Maximus is like hard pass, no, thank you, And

0:24:31.119 --> 0:24:34.639
<v Speaker 3>Marcus Aurelius is like, exactly, that's why it needs to

0:24:34.680 --> 0:24:37.680
<v Speaker 3>be you and not my power hungry piece of shit

0:24:37.840 --> 0:24:41.840
<v Speaker 3>son Comedis, and Maximus is like, okay, I'll think about it.

0:24:42.440 --> 0:24:45.679
<v Speaker 3>Then Marcus Aurelius goes to Comedis and tells him that

0:24:46.040 --> 0:24:48.680
<v Speaker 3>Commodist is not going to be the emperor. Instead it'll

0:24:48.680 --> 0:24:52.399
<v Speaker 3>be Maximus. And Commonist does not like this, so he

0:24:52.920 --> 0:24:54.920
<v Speaker 3>suffocates his father to death.

0:24:55.600 --> 0:25:00.639
<v Speaker 2>This scene is good. Sorry, it's like, I mean, this

0:25:00.880 --> 0:25:04.400
<v Speaker 2>is like fathers as well as sons. This is good,

0:25:04.640 --> 0:25:09.359
<v Speaker 2>it's both. Yeah, that scene is awesome. He's like Joaquin's

0:25:09.400 --> 0:25:12.080
<v Speaker 2>like crying his eyeliner off. It's awesome.

0:25:13.200 --> 0:25:18.879
<v Speaker 3>Yeah, yeah, yeah. And then Commodists is like, hey, Maximus.

0:25:18.400 --> 0:25:19.080
<v Speaker 1>Bad news.

0:25:19.680 --> 0:25:25.640
<v Speaker 3>My father died of natural causes. But Maximus can tell

0:25:25.640 --> 0:25:28.879
<v Speaker 3>that Marcus Aurelius has been murdered, and he tries to

0:25:29.040 --> 0:25:33.040
<v Speaker 3>alert a couple senators, but before he can, Commodist orders

0:25:33.080 --> 0:25:36.840
<v Speaker 3>Maximus to be taken away and executed. So a few

0:25:36.880 --> 0:25:40.840
<v Speaker 3>soldiers ride Maximus into the woods and are about to

0:25:40.920 --> 0:25:44.320
<v Speaker 3>murder him, but Maximus fights back and kills all of

0:25:44.359 --> 0:25:49.280
<v Speaker 3>his captors because again, he's so good at war. So

0:25:49.320 --> 0:25:53.159
<v Speaker 3>then Maximus takes a couple horses and returns to his

0:25:53.280 --> 0:25:57.240
<v Speaker 3>home in Spain, only to discover that it's been burned

0:25:57.440 --> 0:26:00.879
<v Speaker 3>and his wife and son were killed clearly at the

0:26:00.920 --> 0:26:06.719
<v Speaker 3>instruction of Comedis. Maximus is obviously devastated, and he is

0:26:06.760 --> 0:26:11.600
<v Speaker 3>then abducted by enslavers. He meets another person who had

0:26:11.640 --> 0:26:16.160
<v Speaker 3>been captured, Juba played by Jaman Hansu, and they are

0:26:16.200 --> 0:26:19.879
<v Speaker 3>taken to a market of some kind in the town

0:26:20.119 --> 0:26:24.560
<v Speaker 3>of Zukobar in a Roman province that is now located

0:26:24.600 --> 0:26:30.439
<v Speaker 3>in present day Algeria. There an enslaver named Proximo played

0:26:30.440 --> 0:26:34.439
<v Speaker 3>by Oliver Reed, who I believe passed away during the

0:26:34.480 --> 0:26:35.359
<v Speaker 3>production of the movie.

0:26:36.080 --> 0:26:39.240
<v Speaker 2>I feel like the casting of Oliver Reed, Eilert says

0:26:39.320 --> 0:26:42.600
<v Speaker 2>everything you need to know about this movie's respect for women.

0:26:43.840 --> 0:26:46.200
<v Speaker 3>Oh, I don't know about this, so I'll have to

0:26:46.280 --> 0:26:47.320
<v Speaker 3>learn put.

0:26:47.160 --> 0:26:49.000
<v Speaker 2>A pin in it. But yeah, I didn't know that

0:26:49.040 --> 0:26:51.080
<v Speaker 2>he died during the production of this movie. But once

0:26:51.200 --> 0:26:53.240
<v Speaker 2>I read that, I think it's the halfway mark of

0:26:53.280 --> 0:26:55.120
<v Speaker 2>the movie, because I just had the Wikipedia in front

0:26:55.119 --> 0:26:58.640
<v Speaker 2>of me, and once you know, it is very obvious

0:26:58.680 --> 0:27:00.800
<v Speaker 2>that he died mid production. There's a lot of like

0:27:00.880 --> 0:27:03.760
<v Speaker 2>they seg him in at some point. Yea, they use

0:27:03.840 --> 0:27:08.960
<v Speaker 2>body doubles, like he didn't really finish the shoot.

0:27:09.880 --> 0:27:11.679
<v Speaker 1>Yeah, a lot of it is like they had to

0:27:11.720 --> 0:27:14.199
<v Speaker 1>see gi him, spent a lot of their budget on

0:27:14.480 --> 0:27:17.199
<v Speaker 1>CGI and Oliver Reed into that they had written and

0:27:17.240 --> 0:27:18.080
<v Speaker 1>couldn't change.

0:27:18.200 --> 0:27:23.080
<v Speaker 2>Yeah, very bleak, very bleak. But as we'll discuss later,

0:27:23.200 --> 0:27:25.800
<v Speaker 2>he was a terrible person. And I'll say it, I

0:27:25.840 --> 0:27:28.119
<v Speaker 2>don't think we're worse off without him.

0:27:27.920 --> 0:27:34.080
<v Speaker 3>M okay. Anyways, this character Proximo purchases Maximus, Juba and

0:27:34.280 --> 0:27:39.120
<v Speaker 3>others to be gladiators who will fight and likely die

0:27:39.240 --> 0:27:44.480
<v Speaker 3>for the entertainment of others. The enslaved gladiators start to train,

0:27:44.840 --> 0:27:48.520
<v Speaker 3>but Maximus refuses to participate, so none of the people

0:27:48.680 --> 0:27:53.240
<v Speaker 3>know how good he isn't fighting yet, but then it's

0:27:53.280 --> 0:27:57.480
<v Speaker 3>time for the first gladiator battle in an arena. It's

0:27:57.560 --> 0:28:00.639
<v Speaker 3>like I don't know, ten versus ten people or something,

0:28:01.400 --> 0:28:06.440
<v Speaker 3>and Maximus and Juba, who are chained together, kick ass

0:28:06.480 --> 0:28:10.840
<v Speaker 3>and they're the last ones standing, plus this tall dude

0:28:10.960 --> 0:28:16.240
<v Speaker 3>named Hagen. Meanwhile, back in the city of Rome, Emperor

0:28:16.359 --> 0:28:21.280
<v Speaker 3>Commedas arrives. Although some people are like boo, you suck

0:28:21.960 --> 0:28:27.800
<v Speaker 3>and you surp haha get it anyway, Lucilla, no one

0:28:27.920 --> 0:28:34.600
<v Speaker 3>liked my joke, Lucilla, sorry, sorry, So then Commodis and

0:28:35.400 --> 0:28:40.080
<v Speaker 3>Lucilla arrive together. She greets her young son, Lucius, so

0:28:40.120 --> 0:28:44.800
<v Speaker 3>we meet him. Then a senator named Gracis played by

0:28:44.960 --> 0:28:49.160
<v Speaker 3>Derek Jacobi is like, hey, Commoedis, here's a bunch of

0:28:49.240 --> 0:28:52.000
<v Speaker 3>things you have to do to fix the city, and

0:28:52.160 --> 0:28:56.040
<v Speaker 3>Commitas is like oo, no, thank you, and he would

0:28:56.120 --> 0:28:59.480
<v Speaker 3>rather dissolve the Senate and have one hundred and fifty

0:28:59.560 --> 0:29:03.640
<v Speaker 3>days of games to honor his father.

0:29:03.840 --> 0:29:06.480
<v Speaker 1>Which is more days than they had when they opened

0:29:06.520 --> 0:29:09.560
<v Speaker 1>the Colosseum. So that's a lot of games, a.

0:29:09.480 --> 0:29:10.160
<v Speaker 3>Lot of games.

0:29:10.360 --> 0:29:12.560
<v Speaker 2>And this is based in anything.

0:29:12.760 --> 0:29:16.040
<v Speaker 1>No, this is entirely imagined. Okay, this is like a

0:29:16.080 --> 0:29:18.960
<v Speaker 1>fundamental misunderstanding of the Senate in quite a fun way.

0:29:19.640 --> 0:29:21.400
<v Speaker 1>The fact that they keep saying that the Senate are

0:29:21.480 --> 0:29:24.600
<v Speaker 1>like representatives of the people is hilarious, given that the

0:29:24.600 --> 0:29:27.440
<v Speaker 1>whole of Roman history is the Senate oppressing the people,

0:29:28.120 --> 0:29:31.480
<v Speaker 1>like explicitly saying we are not the people and you're

0:29:31.480 --> 0:29:36.400
<v Speaker 1>not allowed any saying anything for about a thousand years. Yeah,

0:29:37.360 --> 0:29:39.960
<v Speaker 1>so very very funny that they're like, as representatives of

0:29:40.000 --> 0:29:44.200
<v Speaker 1>the people, we should be ruling. And then yet no. Also,

0:29:44.280 --> 0:29:46.719
<v Speaker 1>the whole idea that Marcus Aurelius didn't like games and

0:29:46.800 --> 0:29:50.480
<v Speaker 1>like banned them and that's why Proximo is like off

0:29:50.600 --> 0:29:54.560
<v Speaker 1>in Algeria instead of in Rome is very funny. But

0:29:54.600 --> 0:29:56.400
<v Speaker 1>one hundred and fifty days of games is so many

0:29:56.520 --> 0:29:58.880
<v Speaker 1>days of games, that's six months.

0:30:00.120 --> 0:30:05.240
<v Speaker 3>Yeah. God, anyway, so this is Commoedis's idea to just

0:30:05.280 --> 0:30:11.480
<v Speaker 3>have a big fun festival in Rome, and Lucilla Grachis

0:30:11.520 --> 0:30:15.920
<v Speaker 3>and a few other senators are like, oh no, Rome

0:30:16.080 --> 0:30:20.040
<v Speaker 3>is doomed now that comedist is in charge. So back

0:30:20.040 --> 0:30:22.680
<v Speaker 3>in Zuckerbar where Maximus is or I don't know if

0:30:22.680 --> 0:30:25.160
<v Speaker 3>they've traveled somewhere else anyways, it's not super clear, but

0:30:25.640 --> 0:30:31.640
<v Speaker 3>he is like gaining a reputation as this like powerful gladiator.

0:30:32.040 --> 0:30:36.880
<v Speaker 3>He is now known as the Spaniard. And he's in

0:30:37.120 --> 0:30:42.720
<v Speaker 3>another gladiator fight. It's him versus six men. I think

0:30:43.240 --> 0:30:45.360
<v Speaker 3>he kills all of them, of course.

0:30:45.920 --> 0:30:47.640
<v Speaker 1>Because he's so good at war.

0:30:47.760 --> 0:30:48.680
<v Speaker 2>He's the best at war.

0:30:49.000 --> 0:30:50.960
<v Speaker 1>That's the one where he cuts the guy's head off

0:30:51.000 --> 0:30:54.000
<v Speaker 1>with two swords at the same time. Like so good

0:30:54.000 --> 0:30:54.360
<v Speaker 1>at war?

0:30:54.840 --> 0:30:59.240
<v Speaker 2>Yeah, oh good. I mean it's fun to watch him

0:30:59.240 --> 0:31:00.200
<v Speaker 2>be good at war.

0:31:01.160 --> 0:31:06.600
<v Speaker 3>So then Proximo tells Maximus that the new emperor is

0:31:06.680 --> 0:31:10.240
<v Speaker 3>doing all these games in Rome and that Maximus could

0:31:10.600 --> 0:31:13.800
<v Speaker 3>compete there and be great, but he'll need to learn

0:31:14.400 --> 0:31:17.600
<v Speaker 3>how to like get the crowd to love him, because

0:31:17.600 --> 0:31:20.680
<v Speaker 3>that's how you really win. And Proximo reveals that he

0:31:20.760 --> 0:31:23.080
<v Speaker 3>used to be a gladiator and he was able to

0:31:23.480 --> 0:31:26.880
<v Speaker 3>win his freedom. So now Maximus is like, hmm, I'm

0:31:26.880 --> 0:31:31.040
<v Speaker 3>going to try to do that. Maximus, Juba, Proximo, and

0:31:31.280 --> 0:31:35.600
<v Speaker 3>other gladiators travel to Rome. They marvel at the city

0:31:35.760 --> 0:31:39.800
<v Speaker 3>and the Colosseum. Maximus has a brief encounter with Lucilla's

0:31:39.800 --> 0:31:43.600
<v Speaker 3>son Lucius, who has heard tell of this spaniard and

0:31:43.880 --> 0:31:45.040
<v Speaker 3>is rooting for him.

0:31:45.680 --> 0:31:50.040
<v Speaker 2>Such an overwritten gooky scene. He's like, yeah, hello, it's

0:31:50.160 --> 0:31:55.040
<v Speaker 2>am I, the young boy. You're looking for sure, they

0:31:55.160 --> 0:31:58.800
<v Speaker 2>just let you know, like the air apparent loose, like

0:31:59.040 --> 0:32:00.760
<v Speaker 2>I'm sure right.

0:32:02.120 --> 0:32:05.280
<v Speaker 3>And so then it's time for the first gladiator battle

0:32:05.400 --> 0:32:10.280
<v Speaker 3>in the coliseum that Maximus will participate in. It's him

0:32:10.400 --> 0:32:13.760
<v Speaker 3>plus a dozen or so men on his side, and

0:32:13.840 --> 0:32:17.080
<v Speaker 3>he kind of assumes his role as army general again,

0:32:17.520 --> 0:32:19.960
<v Speaker 3>and he tells them to fight together so that they'll

0:32:19.960 --> 0:32:22.440
<v Speaker 3>have a better chance at survival. Then a bunch of

0:32:22.440 --> 0:32:26.200
<v Speaker 3>warriors on chariots come out, a couple of whom are

0:32:26.560 --> 0:32:31.040
<v Speaker 3>woa whoa whoa women wah. But they die along with

0:32:31.120 --> 0:32:34.920
<v Speaker 3>all of the other warriors because Maximus and his army

0:32:34.920 --> 0:32:39.640
<v Speaker 3>of gladiators defeat the other team, and the crowd is living, laughing,

0:32:39.880 --> 0:32:40.360
<v Speaker 3>loving it.

0:32:41.000 --> 0:32:45.600
<v Speaker 2>Emma, would women have been in the coliseum fighting.

0:32:46.000 --> 0:32:49.680
<v Speaker 1>Yes, they would? Oh helly, they did, and they did

0:32:49.720 --> 0:32:52.720
<v Speaker 1>have women fighting on chariots as well. We have evidence

0:32:52.760 --> 0:32:56.080
<v Speaker 1>of that, so yes, that rocks. Nothing else about this

0:32:56.240 --> 0:33:00.760
<v Speaker 1>is reasonable. This is this is a like the battle

0:33:00.840 --> 0:33:02.640
<v Speaker 1>re enactment thing that they're doing that is a real

0:33:02.680 --> 0:33:06.680
<v Speaker 1>battle against Hannibal in the Second Punic War, there is

0:33:06.720 --> 0:33:10.200
<v Speaker 1>like one of the great victories of Roman history. Do

0:33:10.240 --> 0:33:11.960
<v Speaker 1>you feel like this is maybe where they could have

0:33:12.000 --> 0:33:14.240
<v Speaker 1>taken some of the budget from recreating other of Verreed's

0:33:14.240 --> 0:33:16.520
<v Speaker 1>face and put it into extras and put more than

0:33:16.560 --> 0:33:20.840
<v Speaker 1>like eight people in their battle re enactment because it.

0:33:20.720 --> 0:33:24.000
<v Speaker 2>Does look a bit like well sparse.

0:33:24.760 --> 0:33:28.400
<v Speaker 1>Yeah, it's a little bit sparse in there, but I

0:33:28.400 --> 0:33:30.560
<v Speaker 1>feel like they fixed this with the second one.

0:33:30.800 --> 0:33:34.640
<v Speaker 3>Right, we're right, yeah, Okay. So then after this big victory,

0:33:34.960 --> 0:33:39.520
<v Speaker 3>Commodist approaches this Spaniard wanting to meet him, obviously not

0:33:39.600 --> 0:33:43.880
<v Speaker 3>realizing who it actually is, and Maximus removes his helmet

0:33:44.000 --> 0:33:48.880
<v Speaker 3>and he says, my name is Anigo Montoya, Maximus Decimus Olidius,

0:33:49.720 --> 0:33:54.320
<v Speaker 3>you killed my wife, prepared to die, and it seems

0:33:54.360 --> 0:33:57.760
<v Speaker 3>like Commodist is about to have Maximus struck down and killed,

0:33:58.000 --> 0:34:01.760
<v Speaker 3>but the crowd starts cheering from maximis to live, so

0:34:01.880 --> 0:34:06.360
<v Speaker 3>Commdist lets Maximus live and he walks away, but commedist is.

0:34:07.000 --> 0:34:12.040
<v Speaker 2>Pick Comist's reaction. I'm so funny. He's such a baby.

0:34:12.080 --> 0:34:16.279
<v Speaker 2>He's like, no, this bringing looks like even dead.

0:34:16.440 --> 0:34:17.759
<v Speaker 3>Why is she still alive?

0:34:18.719 --> 0:34:20.680
<v Speaker 1>They like a gladiat and more than me.

0:34:22.280 --> 0:34:27.080
<v Speaker 2>I don't get it up. I also love that part

0:34:27.120 --> 0:34:29.520
<v Speaker 2>of his speech to his dad. I mean it's like

0:34:29.560 --> 0:34:32.120
<v Speaker 2>heartbreaking in subways. But he's such a baby where he's

0:34:32.200 --> 0:34:34.440
<v Speaker 2>like all the things you fail you in a person

0:34:34.600 --> 0:34:38.080
<v Speaker 2>is not like I'm brave, just not in the traditional

0:34:38.200 --> 0:34:41.359
<v Speaker 2>way you would associate being brave. I'm brave, and you're

0:34:41.400 --> 0:34:43.400
<v Speaker 2>just like, oh, he's such a little baby.

0:34:45.400 --> 0:34:47.640
<v Speaker 3>Yeah, yeah, well we'll discuss further.

0:34:47.800 --> 0:34:49.160
<v Speaker 2>But uh.

0:34:49.360 --> 0:34:55.000
<v Speaker 3>That night, Lucilla pays Maximus a visit. He doesn't trust her.

0:34:55.040 --> 0:34:58.359
<v Speaker 3>He thinks she's in kahoots with her brother, but she's like, no,

0:34:58.440 --> 0:35:01.120
<v Speaker 3>I hate my brother. I'm trying to help you, and

0:35:01.200 --> 0:35:05.000
<v Speaker 3>I want you to meet with Senator Gracchus, who's like

0:35:05.640 --> 0:35:07.960
<v Speaker 3>the Bernie Sanders of the Roman Senate.

0:35:07.960 --> 0:35:11.759
<v Speaker 2>I don't know. I was really unclear on what his

0:35:11.880 --> 0:35:12.759
<v Speaker 2>whole deal was.

0:35:13.760 --> 0:35:14.320
<v Speaker 3>Not sure.

0:35:14.640 --> 0:35:16.520
<v Speaker 1>Yeah, so I think that he is supposed to just

0:35:16.560 --> 0:35:19.919
<v Speaker 1>be like a representative of So have you ever seen

0:35:20.000 --> 0:35:27.600
<v Speaker 1>I Claudius, the BBC TV show I Claudius There's No Reasonstein.

0:35:26.600 --> 0:35:30.680
<v Speaker 2>And Tanya I Franknstein. Yeah.

0:35:30.680 --> 0:35:34.440
<v Speaker 1>So there is a very famous BBC adaptation of the

0:35:34.520 --> 0:35:39.080
<v Speaker 1>Robert Graves book I Claudius, which has Derek Jacoby in

0:35:39.120 --> 0:35:41.959
<v Speaker 1>it as Claudius, and he's like the one good man

0:35:41.960 --> 0:35:44.640
<v Speaker 1>in Rome, and it's huge. It's got like Brian Blessed

0:35:44.680 --> 0:35:47.200
<v Speaker 1>in it, It's got Patrick Stewart with hair in it.

0:35:47.200 --> 0:35:51.400
<v Speaker 1>It's like a real big like institution in British television

0:35:51.560 --> 0:35:55.000
<v Speaker 1>and film history. And really Scott obviously is British, so

0:35:55.040 --> 0:35:58.960
<v Speaker 1>he has specifically cast Derek Jacoby in this role because

0:35:59.000 --> 0:36:02.080
<v Speaker 1>he is like the face of like good Rome to

0:36:02.520 --> 0:36:04.800
<v Speaker 1>pretty much everyone in the entirety of Britain.

0:36:05.239 --> 0:36:08.719
<v Speaker 3>So people who had seen that would know the context.

0:36:08.200 --> 0:36:11.200
<v Speaker 1>Of exactly and you would be like, this is Derek Jackby.

0:36:11.280 --> 0:36:13.680
<v Speaker 1>He's like the good guy. It doesn't really matter what

0:36:13.840 --> 0:36:16.120
<v Speaker 1>anything else about him, we just know that in this

0:36:16.200 --> 0:36:20.040
<v Speaker 1>context Derek Jackby is always the good guy. Okay. And

0:36:20.080 --> 0:36:23.200
<v Speaker 1>then he has this name which is also associated with

0:36:23.360 --> 0:36:26.680
<v Speaker 1>like fighting for people's rights, so he's like he's basically

0:36:26.719 --> 0:36:29.080
<v Speaker 1>like I've cast Derek Jacoby, I've given him the name Gracis.

0:36:29.080 --> 0:36:30.799
<v Speaker 1>I don't need to do anything more than that. You

0:36:30.840 --> 0:36:31.239
<v Speaker 1>can just.

0:36:31.200 --> 0:36:36.880
<v Speaker 2>Assume, yeah, and everyone will know. Everyone will know. Yeah, yeah, clearly.

0:36:36.960 --> 0:36:38.520
<v Speaker 2>I mean Caitlin and I knew immediately.

0:36:38.880 --> 0:36:39.920
<v Speaker 3>We definitely knew.

0:36:41.160 --> 0:36:42.880
<v Speaker 1>I feel like he might have been making some assumptions

0:36:42.880 --> 0:36:46.600
<v Speaker 1>about how many people outside of England had seen my Claudius.

0:36:46.080 --> 0:36:46.239
<v Speaker 2>But.

0:36:48.320 --> 0:36:50.880
<v Speaker 1>I think that maybe Ridley Scott makes a lot of assumptions.

0:36:51.040 --> 0:36:53.840
<v Speaker 2>So it's just that, yeah, like how much people the

0:36:53.880 --> 0:36:56.720
<v Speaker 2>average person knows about the Roman Empire, which feeds directly

0:36:56.760 --> 0:36:59.839
<v Speaker 2>into the meme of last year where yeah, apparently it's

0:36:59.840 --> 0:37:02.480
<v Speaker 2>all on a lot of people's minds. Yeah, but I

0:37:02.640 --> 0:37:03.719
<v Speaker 2>just I'm not among them.

0:37:04.239 --> 0:37:08.319
<v Speaker 3>Yeah, Okay, So Lucilla has, you know, paid this visit

0:37:08.320 --> 0:37:12.680
<v Speaker 3>to Maximus, and he doesn't trust her, so he's like,

0:37:13.320 --> 0:37:16.640
<v Speaker 3>leave here, never come again, and forget I even exist,

0:37:17.360 --> 0:37:21.920
<v Speaker 3>So she leaves. The next day is another gladiator battle

0:37:22.560 --> 0:37:27.000
<v Speaker 3>where Maximus fights the only undefeated gladiator and all of

0:37:27.120 --> 0:37:30.960
<v Speaker 3>Rome Tigris of Gaul, and it's clear that commodists had

0:37:31.000 --> 0:37:35.399
<v Speaker 3>like rigged this battle because like tigers are released into

0:37:35.440 --> 0:37:40.160
<v Speaker 3>the arena to attack Maximus. But Maximus is so good

0:37:40.200 --> 0:37:44.560
<v Speaker 3>at war even with tigers, doesn't matter. Yeah, so he

0:37:44.680 --> 0:37:49.400
<v Speaker 3>defeats them because he's just that good. Comedists and Maximus

0:37:49.480 --> 0:37:52.520
<v Speaker 3>have another like face to face where Commedist tries to

0:37:52.560 --> 0:37:55.640
<v Speaker 3>get a rise out of Maximus and insults his wife

0:37:55.680 --> 0:38:00.239
<v Speaker 3>and son. But Maximus is like, I'm cool, baby, I'm

0:38:00.280 --> 0:38:02.600
<v Speaker 3>just biding my time until I get a good chance

0:38:03.080 --> 0:38:04.960
<v Speaker 3>to kill this motherfucker.

0:38:04.640 --> 0:38:10.640
<v Speaker 2>Cut to Commodists again being like stop.

0:38:11.880 --> 0:38:12.200
<v Speaker 1>Yep.

0:38:12.560 --> 0:38:17.239
<v Speaker 3>So meanwhile, Maximus is former servant when he was like

0:38:17.400 --> 0:38:22.359
<v Speaker 3>general of the army. Cicero comes to see him and

0:38:22.480 --> 0:38:26.320
<v Speaker 3>Maximus has Cicero tell Lucilla that he changed his mind

0:38:26.440 --> 0:38:29.839
<v Speaker 3>and wants to meet with Senator Gregis after all. So

0:38:29.880 --> 0:38:34.200
<v Speaker 3>they meet and Maximus wants Grachis to help him stage

0:38:34.239 --> 0:38:38.560
<v Speaker 3>a coup to overthrow Commedists via Maximus's army of like

0:38:38.640 --> 0:38:43.040
<v Speaker 3>five thousand men who are currently stationed in some nearby city,

0:38:43.800 --> 0:38:47.799
<v Speaker 3>and once Maximus has killed Commodis, he will leave and

0:38:48.000 --> 0:38:51.920
<v Speaker 3>give the power back to the people of Rome to

0:38:52.040 --> 0:38:54.640
<v Speaker 3>honor the wishes of Marcus Aurelius.

0:38:54.080 --> 0:38:58.440
<v Speaker 2>And offer that people are famously good for take a

0:38:58.560 --> 0:39:01.319
<v Speaker 2>sword for it, I mean obviously, so much about this

0:39:01.360 --> 0:39:05.040
<v Speaker 2>movie is unbelievable, but like it made my stomach turn

0:39:05.040 --> 0:39:07.480
<v Speaker 2>because it's like, don't trust him, don't trust him.

0:39:07.840 --> 0:39:11.880
<v Speaker 3>They don't mean it, Okay. So then Commonist has Grachus arrested,

0:39:12.800 --> 0:39:15.960
<v Speaker 3>and so Maximus has to fast track his plan to

0:39:16.080 --> 0:39:19.360
<v Speaker 3>leave and go get his army that night, and Lucilla

0:39:19.400 --> 0:39:22.520
<v Speaker 3>gives him a little goodbye kiss on the lips to

0:39:22.600 --> 0:39:27.680
<v Speaker 3>send him off, but Commedist suspects Lucilla is betraying him,

0:39:27.920 --> 0:39:31.200
<v Speaker 3>so he threatens to kill her son Lucius unless she

0:39:31.320 --> 0:39:35.120
<v Speaker 3>tells him everything, which she presumably does because then an

0:39:35.239 --> 0:39:38.720
<v Speaker 3>army comes after Maximus and captures him as he's trying

0:39:38.719 --> 0:39:44.080
<v Speaker 3>to leave the city. So then Commonist claims Lucius as

0:39:44.160 --> 0:39:49.320
<v Speaker 3>his own son. He tells Lucilla basically that he will

0:39:49.600 --> 0:39:52.480
<v Speaker 3>rape her so as to get an heir to the throne.

0:39:53.320 --> 0:39:54.520
<v Speaker 3>So the stakes are very high.

0:39:54.920 --> 0:39:57.960
<v Speaker 2>Yeah, we'll talk about that whole speed. It's so thoroughly

0:39:58.080 --> 0:40:01.040
<v Speaker 2>evil where he's like, if you think about taking your

0:40:01.080 --> 0:40:03.319
<v Speaker 2>own life, I'll kill your son, and you're just like,

0:40:03.680 --> 0:40:04.839
<v Speaker 2>ah ah.

0:40:04.880 --> 0:40:07.280
<v Speaker 3>The stakes are high and he needs to die right now.

0:40:08.120 --> 0:40:12.799
<v Speaker 3>So then Commonists challenges Maximus to a fight to the

0:40:12.840 --> 0:40:15.799
<v Speaker 3>death in the coliseum in front of all of Rome,

0:40:16.520 --> 0:40:20.320
<v Speaker 3>but not before he stabs Maximus in the back, giving

0:40:20.400 --> 0:40:24.759
<v Speaker 3>him a big boo boo, so that Comedist has the

0:40:24.920 --> 0:40:29.640
<v Speaker 3>advantage in this battle. So the fight begins, and Commonists

0:40:29.760 --> 0:40:32.640
<v Speaker 3>is a better fighter than I expected, because it makes

0:40:32.680 --> 0:40:34.960
<v Speaker 3>it seem like, oh, I've never been on the battlefield,

0:40:35.200 --> 0:40:37.600
<v Speaker 3>so I'm like, he probably can't even wield a sword.

0:40:37.719 --> 0:40:40.400
<v Speaker 3>But he's kind of better than I thought. But he

0:40:40.520 --> 0:40:44.640
<v Speaker 3>still does lose when Maximus stabs him in the throat.

0:40:45.239 --> 0:40:48.400
<v Speaker 3>But Maximus is losing a lot of blood and so

0:40:48.640 --> 0:40:53.560
<v Speaker 3>he's like knocking on death's door. But he tells this

0:40:53.760 --> 0:40:57.759
<v Speaker 3>army dude named Quintus, who had betrayed Maximus earlier in

0:40:57.760 --> 0:40:59.560
<v Speaker 3>the movie, so I don't know why he's good again.

0:40:59.760 --> 0:41:04.600
<v Speaker 3>But he tells Quintus to free the enslaved gladiators to

0:41:04.800 --> 0:41:09.080
<v Speaker 3>reinstate Senator Gracis, who presumably will give the power back

0:41:09.120 --> 0:41:12.000
<v Speaker 3>to the people of Rome because he said so, which

0:41:12.200 --> 0:41:18.280
<v Speaker 3>again the senators famously did, And then Maximus collapses, dies

0:41:18.640 --> 0:41:23.839
<v Speaker 3>and reunites with his wife and son in the afterlife,

0:41:24.400 --> 0:41:28.640
<v Speaker 3>and the movie ends with Lucilla, Lucius, Juba, Gracis, and

0:41:28.760 --> 0:41:35.120
<v Speaker 3>others carrying Maximus's body out of the coliseum the end. Yeah,

0:41:35.239 --> 0:41:36.440
<v Speaker 3>I like it's so corny.

0:41:36.440 --> 0:41:39.759
<v Speaker 2>But when Juba is like not yet, not yet, I

0:41:39.880 --> 0:41:42.920
<v Speaker 2>was like, whoa, whoa, whoa. It makes me think.

0:41:44.120 --> 0:41:46.279
<v Speaker 3>So that's the movie. Let's take another quick break and

0:41:46.360 --> 0:41:52.040
<v Speaker 3>we'll come back to discuss.

0:41:57.000 --> 0:41:59.640
<v Speaker 2>And we're back. And we're back, Emma, I want to

0:41:59.719 --> 0:42:03.640
<v Speaker 2>kick it to you to start. We like what stuck

0:42:03.680 --> 0:42:05.920
<v Speaker 2>out to you more than anything.

0:42:06.120 --> 0:42:09.520
<v Speaker 1>More than anything one, the amount that they talk about

0:42:09.560 --> 0:42:13.400
<v Speaker 1>the idea of Rome just really sticks out to me.

0:42:13.440 --> 0:42:16.160
<v Speaker 1>They talk about it as a dream, as an idea,

0:42:16.280 --> 0:42:20.040
<v Speaker 1>as like a vision of something, and they're never specific

0:42:20.080 --> 0:42:22.600
<v Speaker 1>in any way about what this is, just so that

0:42:22.640 --> 0:42:26.320
<v Speaker 1>it is kind of non specifically good and involves the people,

0:42:26.840 --> 0:42:30.239
<v Speaker 1>and that what is happening now is non specifically bad.

0:42:30.320 --> 0:42:33.000
<v Speaker 1>But they just as constantly all of these very like

0:42:33.520 --> 0:42:37.080
<v Speaker 1>pompous lines about like once there was an idea of

0:42:37.200 --> 0:42:39.640
<v Speaker 1>Rome and it was just an idea. You had to

0:42:39.800 --> 0:42:44.440
<v Speaker 1>whisper it, and it has been blown away because people

0:42:44.480 --> 0:42:46.279
<v Speaker 1>have said it too loudly. And you're like, what, I've

0:42:46.440 --> 0:42:50.200
<v Speaker 1>genuinely no idea what you're talking about, Like, I don't

0:42:50.239 --> 0:42:53.440
<v Speaker 1>know that you know what you're talking about but that idea,

0:42:53.640 --> 0:42:56.600
<v Speaker 1>like they're constantly talking about like this dream of Rome

0:42:56.719 --> 0:43:00.680
<v Speaker 1>or idea of Rome, which I've just seen Megalopolis. Oh,

0:43:00.840 --> 0:43:04.160
<v Speaker 1>and they do the exact same thing, So that really.

0:43:03.880 --> 0:43:06.680
<v Speaker 2>Stuck at all. I still haven't seen it near enough.

0:43:06.719 --> 0:43:09.960
<v Speaker 1>If you've seen Gladiator, you're not too far away from

0:43:10.000 --> 0:43:14.799
<v Speaker 1>the shea just wild ride that isless. But they do

0:43:14.880 --> 0:43:16.720
<v Speaker 1>the same thing when they just talk about the idea

0:43:16.800 --> 0:43:20.359
<v Speaker 1>of Rome constantly without ever saying what it is. And

0:43:20.440 --> 0:43:29.440
<v Speaker 1>also just how incredibly straight it was. It's just I

0:43:29.480 --> 0:43:32.200
<v Speaker 1>think I said to somebody, it's a movie about boys

0:43:32.280 --> 0:43:37.240
<v Speaker 1>and their relationship with other boys for boys, Like there's

0:43:37.320 --> 0:43:40.960
<v Speaker 1>no women, there's not even any, Like all of their

0:43:40.960 --> 0:43:44.480
<v Speaker 1>relationships are so straight, like there's not even anything. Like

0:43:44.840 --> 0:43:49.000
<v Speaker 1>how do you make men who are nearly topless in

0:43:49.520 --> 0:43:52.560
<v Speaker 1>skirts with their legs out, sweating and covered in blood

0:43:52.680 --> 0:43:56.319
<v Speaker 1>fighting not sexy at all? Like how have you made it?

0:43:56.480 --> 0:43:57.760
<v Speaker 1>They're seterosexual?

0:43:58.600 --> 0:44:02.280
<v Speaker 3>Not gun made it sexy? But this movie, right, didn't

0:44:02.320 --> 0:44:03.080
<v Speaker 3>make it sexy?

0:44:03.840 --> 0:44:06.279
<v Speaker 2>No, I don't. I mean, really's got correct me if

0:44:06.280 --> 0:44:09.400
<v Speaker 2>I'm wrong, I'm like, he does not make sexy movies.

0:44:09.719 --> 0:44:12.759
<v Speaker 3>He really doesn't, not especially I.

0:44:12.680 --> 0:44:16.440
<v Speaker 2>Can't really think of what I think maybe he's tried to,

0:44:16.600 --> 0:44:18.960
<v Speaker 2>but I can't think of a really Scott movie that

0:44:19.040 --> 0:44:22.239
<v Speaker 2>I'm like, that movie was hot, it's not really his Like.

0:44:22.360 --> 0:44:24.920
<v Speaker 1>No, he's unbelievably be good at taking sex out.

0:44:24.800 --> 0:44:26.919
<v Speaker 2>Of stuff, which is a shame because you're like you're saying,

0:44:26.920 --> 0:44:30.680
<v Speaker 2>I'm like this. I tried to look back on the

0:44:30.719 --> 0:44:34.239
<v Speaker 2>original marketing of this movie, and it is like being

0:44:34.280 --> 0:44:38.080
<v Speaker 2>pretty explicitly marketed to men, which feels like even if

0:44:38.120 --> 0:44:41.520
<v Speaker 2>you're going with the straight washing of the marketing campaign,

0:44:41.680 --> 0:44:44.000
<v Speaker 2>it feels like a big missed opportunity to not be

0:44:44.160 --> 0:44:48.000
<v Speaker 2>like marketing. Look at this movie full of sexy guys fighting,

0:44:48.239 --> 0:44:50.840
<v Speaker 2>Like yeah, this movie should have been marketed to everybody,

0:44:50.840 --> 0:44:52.880
<v Speaker 2>but it's so like caught up and it's like hyper

0:44:52.920 --> 0:44:58.319
<v Speaker 2>masculine agenda. And going back to your first point, I

0:44:58.440 --> 0:45:00.600
<v Speaker 2>was also sort of like, I don't know. The politics

0:45:00.640 --> 0:45:04.880
<v Speaker 2>of this movie to you were so confusing because it

0:45:05.040 --> 0:45:08.440
<v Speaker 2>like has a clear interest in showing you know, at

0:45:08.520 --> 0:45:13.920
<v Speaker 2>least some range of like oppression and privilege, but like

0:45:14.040 --> 0:45:17.840
<v Speaker 2>absolves Rome from that, where it's like, well, is Rome

0:45:17.920 --> 0:45:21.240
<v Speaker 2>not responsible for that? Like I just found the whole

0:45:21.320 --> 0:45:24.120
<v Speaker 2>Like it's like they vaguified the idea of Rome so

0:45:24.239 --> 0:45:26.280
<v Speaker 2>much because it's like, well, like if you talked about

0:45:26.280 --> 0:45:28.600
<v Speaker 2>it too much, wouldn't it make it seem like a

0:45:28.920 --> 0:45:32.960
<v Speaker 2>pretty evil imperial project. But we're not supposed to think that, Like,

0:45:33.080 --> 0:45:33.560
<v Speaker 2>I don't.

0:45:33.360 --> 0:45:36.000
<v Speaker 1>Know, Yeah, it is a big and bi evil imperial project.

0:45:36.040 --> 0:45:38.160
<v Speaker 1>So like the from the very beginning when they're like

0:45:38.480 --> 0:45:44.479
<v Speaker 1>fighting the German barbarians who were just hairy in order

0:45:44.520 --> 0:45:49.239
<v Speaker 1>to have peace, one mustn't one peace. They never won peace,

0:45:49.280 --> 0:45:52.360
<v Speaker 1>and to like, it's a war of expansion, that's a

0:45:52.400 --> 0:45:54.200
<v Speaker 1>war of aggression by.

0:45:54.040 --> 0:45:57.480
<v Speaker 3>The Romans taking land, killing people needlessly.

0:45:57.680 --> 0:45:59.719
<v Speaker 1>Yeah, all my store there wars. The war was where

0:45:59.760 --> 0:46:02.440
<v Speaker 1>they turned up and just like murdered people until they

0:46:02.480 --> 0:46:05.880
<v Speaker 1>took all of their land. Right, So then being like, ah,

0:46:05.920 --> 0:46:08.080
<v Speaker 1>this is the glory of Rome, Like, yes, Marcus Aurelius,

0:46:08.120 --> 0:46:08.560
<v Speaker 1>this is the.

0:46:08.520 --> 0:46:09.120
<v Speaker 2>Glory of Rome.

0:46:09.200 --> 0:46:12.640
<v Speaker 1>This is exactly No one has ever seen the column

0:46:12.680 --> 0:46:14.920
<v Speaker 1>of Marcus Aurelius, but he did make a big column

0:46:14.960 --> 0:46:18.040
<v Speaker 1>that depicted all of like his wars, and it's literally

0:46:18.120 --> 0:46:22.080
<v Speaker 1>just Marcus Aurelius and his empire and his imperial army

0:46:22.440 --> 0:46:26.440
<v Speaker 1>stamping on the faces of German people and they're pretty explicit,

0:46:26.760 --> 0:46:29.879
<v Speaker 1>and it has like if you can google it and

0:46:29.920 --> 0:46:33.000
<v Speaker 1>look and see how much they really love showing themselves

0:46:33.080 --> 0:46:37.240
<v Speaker 1>like fighting and stamping and oppressing people, and they really

0:46:37.400 --> 0:46:40.960
<v Speaker 1>like imagery of the people that they have conquered looking sad,

0:46:41.160 --> 0:46:45.960
<v Speaker 1>like really sad. So they can't be explicit about well,

0:46:46.000 --> 0:46:48.319
<v Speaker 1>the actual dream of Romans because it is conquering people

0:46:48.360 --> 0:46:51.840
<v Speaker 1>who aren't Roman and then killing them and then making

0:46:51.840 --> 0:46:52.640
<v Speaker 1>them fight for fun.

0:46:53.000 --> 0:46:55.320
<v Speaker 2>It's like in this movie just seems like it's coasting

0:46:55.360 --> 0:46:58.520
<v Speaker 2>on vibes kind of and like coasting on like the

0:46:58.560 --> 0:47:02.960
<v Speaker 2>osmosis idea of what ancient culture was like versus any

0:47:03.520 --> 0:47:06.680
<v Speaker 2>interrogation of what it actually was like, because it's weird,

0:47:06.800 --> 0:47:09.000
<v Speaker 2>Like you still get the feeling based on how he's

0:47:09.040 --> 0:47:11.600
<v Speaker 2>framed that. Like Maximus at the end of the day

0:47:11.719 --> 0:47:15.759
<v Speaker 2>like liberated people, but he really just liberated like ten.

0:47:15.480 --> 0:47:18.640
<v Speaker 1>Guys, Like did ten guys he knew?

0:47:19.480 --> 0:47:23.560
<v Speaker 2>Right, He's like, wait, please release my friends and then

0:47:23.719 --> 0:47:27.480
<v Speaker 2>continue the imperial project goodbye, Like that is what he

0:47:27.520 --> 0:47:28.920
<v Speaker 2>does at the end, right, Like I don't know.

0:47:29.080 --> 0:47:32.080
<v Speaker 3>Pretty much, yeah, yeah, for sure, everything else is fine

0:47:32.600 --> 0:47:34.719
<v Speaker 3>real quick. I didn't even make the connection when I

0:47:34.760 --> 0:47:37.879
<v Speaker 3>said top gun, but that's directed by Tony Scott, which

0:47:37.920 --> 0:47:41.040
<v Speaker 3>is Ridley Scott's brother. Oh my god, Tony Scott's making

0:47:41.040 --> 0:47:45.640
<v Speaker 3>the horny boy movies and then Ridley Scott's making this

0:47:46.160 --> 0:47:49.160
<v Speaker 3>sexless god that okay boy movies.

0:47:49.400 --> 0:47:52.480
<v Speaker 2>Well that's the thing about brothers and brothers. There's one

0:47:52.520 --> 0:47:56.359
<v Speaker 2>horny one and one not horny one, right, right, right, right, right, Yeah,

0:47:56.600 --> 0:47:59.520
<v Speaker 2>that's just the time honored trope. Right.

0:48:00.040 --> 0:48:03.600
<v Speaker 3>I mean, this movie is basically a story about two men.

0:48:04.239 --> 0:48:07.600
<v Speaker 3>One who is evil because he's power hungry and has

0:48:07.600 --> 0:48:10.800
<v Speaker 3>a fragile male ego. So at least the movie does

0:48:10.960 --> 0:48:15.480
<v Speaker 3>like villainize those characteristics. But then it's like, but the

0:48:15.520 --> 0:48:20.440
<v Speaker 3>other guy is good because he's so good at war

0:48:20.840 --> 0:48:25.600
<v Speaker 3>and helping the Roman army to expand their empire by

0:48:25.719 --> 0:48:29.799
<v Speaker 3>murdering and stealing land. But the movie frames it is like, no,

0:48:29.840 --> 0:48:33.320
<v Speaker 3>he's good because he has honor and he actually rejects

0:48:33.360 --> 0:48:36.360
<v Speaker 3>imperial rule and he wants to give power back to

0:48:36.400 --> 0:48:38.000
<v Speaker 3>the people. And it's like, first of all, that wasn't

0:48:38.000 --> 0:48:39.160
<v Speaker 3>even his idea, you.

0:48:39.239 --> 0:48:41.920
<v Speaker 1>Know, he just glombs onto that because someone off is

0:48:41.960 --> 0:48:42.520
<v Speaker 1>it to him?

0:48:42.719 --> 0:48:43.000
<v Speaker 2>Really?

0:48:43.040 --> 0:48:46.040
<v Speaker 1>Also, he's the only person that does any murdering in

0:48:46.080 --> 0:48:48.759
<v Speaker 1>this film. Like the amount of innocent gladiators who are

0:48:48.800 --> 0:48:52.040
<v Speaker 1>also in slaves. Yeah, who was just doing that job

0:48:52.400 --> 0:48:56.040
<v Speaker 1>that he murders brutally and then shouts to everybody he's

0:48:56.080 --> 0:48:59.800
<v Speaker 1>the only guy that does any actual, like real nasty killing.

0:49:00.320 --> 0:49:02.560
<v Speaker 3>He does crimes, and.

0:49:02.480 --> 0:49:05.960
<v Speaker 2>He's framed as like an organizer, but I like not

0:49:06.000 --> 0:49:11.319
<v Speaker 2>really seeing the not really seeing the vision for what

0:49:11.360 --> 0:49:13.080
<v Speaker 2>he's up to do. It kind of remight be the

0:49:13.239 --> 0:49:16.680
<v Speaker 2>Waquin Phoenix character, which he was like based on a guy,

0:49:16.680 --> 0:49:19.720
<v Speaker 2>but is a character remight be of It's not quite

0:49:19.719 --> 0:49:21.200
<v Speaker 2>but like how we used to talk a lot about,

0:49:21.239 --> 0:49:24.600
<v Speaker 2>like the patriarchy the guy kind of trope where it's

0:49:24.640 --> 0:49:28.400
<v Speaker 2>like there's one character who's so super evil that you

0:49:28.560 --> 0:49:31.759
<v Speaker 2>kind of don't notice or seriously consider what the other

0:49:31.920 --> 0:49:34.640
<v Speaker 2>characters are doing because this is the most evil guy

0:49:34.719 --> 0:49:39.240
<v Speaker 2>of all time. He is like not just an imperial

0:49:39.760 --> 0:49:42.919
<v Speaker 2>piece of shit, he also is oppressing his sister, who

0:49:42.920 --> 0:49:46.360
<v Speaker 2>were supposed to like. He's also like he killed his father,

0:49:46.440 --> 0:49:49.240
<v Speaker 2>who were supposed to like. But because he's like oppressing

0:49:49.239 --> 0:49:51.480
<v Speaker 2>these people, we're supposed to like, we're not thinking about

0:49:51.480 --> 0:49:53.920
<v Speaker 2>what the other people are doing and what their goals

0:49:53.960 --> 0:49:57.840
<v Speaker 2>are because Waquin Phoenix is so like he literally in

0:49:57.880 --> 0:50:00.960
<v Speaker 2>a few scenes was like reminding me of Molif, Like

0:50:01.200 --> 0:50:05.960
<v Speaker 2>he's going for it. He's like diva villain and he's

0:50:06.000 --> 0:50:07.600
<v Speaker 2>great at it. But I feel like it almost sort

0:50:07.600 --> 0:50:10.400
<v Speaker 2>of like makes it easy to like, YadA YadA away

0:50:10.480 --> 0:50:13.319
<v Speaker 2>what everyone else is doing, because we have to kill

0:50:13.360 --> 0:50:14.040
<v Speaker 2>the worst guy.

0:50:15.080 --> 0:50:19.280
<v Speaker 3>Yeah, and the best guy is Maximus.

0:50:18.640 --> 0:50:19.959
<v Speaker 2>Because he's the other guy.

0:50:20.920 --> 0:50:24.520
<v Speaker 1>Yeah, the other guy that's in it, and he's nice

0:50:24.560 --> 0:50:27.399
<v Speaker 1>and simple and the like Waku Phoenix has got too

0:50:27.480 --> 0:50:28.759
<v Speaker 1>many fancy quothes on.

0:50:29.560 --> 0:50:32.319
<v Speaker 3>Right, and all all Maximus wants is just to go

0:50:32.400 --> 0:50:38.480
<v Speaker 3>back home and see his wife unnamed, unnamed wife.

0:50:39.280 --> 0:50:43.120
<v Speaker 1>She could be anybody. She has no characteristics other than

0:50:43.160 --> 0:50:46.440
<v Speaker 1>being married Maximus.

0:50:45.840 --> 0:50:49.000
<v Speaker 5>On once soever, this is something that comes up with

0:50:49.280 --> 0:50:51.600
<v Speaker 5>I mean, we need to talk about Juba as like

0:50:51.640 --> 0:50:56.239
<v Speaker 5>a whole other discussion, but the friendship that is established

0:50:56.239 --> 0:50:57.919
<v Speaker 5>between Maximus.

0:50:57.360 --> 0:51:00.239
<v Speaker 2>And Juba, I'm on board on paper, but the way

0:51:00.239 --> 0:51:04.360
<v Speaker 2>that they bond is so vague, where Like Juba's like,

0:51:04.440 --> 0:51:07.120
<v Speaker 2>my family is alive and Maximus is like, whereas mine

0:51:07.160 --> 0:51:11.160
<v Speaker 2>is dead. That's all they talk about. There's no even

0:51:11.200 --> 0:51:14.279
<v Speaker 2>like from a writing standpoint, how many opportunities are there

0:51:14.280 --> 0:51:16.239
<v Speaker 2>in the space of that scene to give a specific

0:51:16.360 --> 0:51:20.160
<v Speaker 2>example of like something about my family that I miss

0:51:20.400 --> 0:51:23.440
<v Speaker 2>that Juba could connect with, or like whatever it is.

0:51:23.480 --> 0:51:25.879
<v Speaker 2>But they're just like me, wife alive, me wife dead.

0:51:26.160 --> 0:51:30.000
<v Speaker 2>No names, no descriptions, no reason as to why. I mean,

0:51:30.040 --> 0:51:32.400
<v Speaker 2>they seem like they both buried for love. But we

0:51:32.480 --> 0:51:34.080
<v Speaker 2>don't even know. We can't be sure.

0:51:34.360 --> 0:51:38.080
<v Speaker 3>No, the most we get is Maximus saying, my son

0:51:38.480 --> 0:51:40.360
<v Speaker 3>likes to ride ponies.

0:51:41.440 --> 0:51:45.359
<v Speaker 2>The end. Really good, really good, really good stuff, best

0:51:45.360 --> 0:51:46.360
<v Speaker 2>original screenplay.

0:51:48.239 --> 0:51:51.680
<v Speaker 3>Well, let me take a little detour and provide some

0:51:51.760 --> 0:51:56.759
<v Speaker 3>kind of development context which informs why this story is

0:51:56.760 --> 0:52:02.400
<v Speaker 3>like historically inaccurate gobbledy good, called gobbledygook, but so. Writer

0:52:02.600 --> 0:52:07.600
<v Speaker 3>David Franzoni traveled across Europe and the Middle East by

0:52:07.680 --> 0:52:12.759
<v Speaker 3>motorcycle in the early seventies. He says, quote, everywhere I

0:52:12.800 --> 0:52:16.000
<v Speaker 3>went in Europe there were arenas. Even as I went east,

0:52:16.120 --> 0:52:18.880
<v Speaker 3>going through Turkey, I began to think to myself, this

0:52:19.000 --> 0:52:22.279
<v Speaker 3>must have been a hell of a franchise. And then

0:52:22.880 --> 0:52:29.120
<v Speaker 3>he read a novel called Those About to Die, which

0:52:29.719 --> 0:52:32.000
<v Speaker 3>I think is about the Roman Empire question mark. I'm

0:52:32.000 --> 0:52:34.000
<v Speaker 3>not even sure, but it gave him the idea for

0:52:34.880 --> 0:52:40.080
<v Speaker 3>the movie Gladiator, and then he also read Historia Augusta

0:52:40.520 --> 0:52:45.359
<v Speaker 3>and from that he chose Comedis. Okay, am, I saw

0:52:45.440 --> 0:52:51.640
<v Speaker 3>you recoil in Horror, so yeah, please please inform.

0:52:51.200 --> 0:52:54.239
<v Speaker 1>The story or Augusta is like a notorious source. It

0:52:54.320 --> 0:52:57.960
<v Speaker 1>is probably a novel as far as we are, like,

0:52:58.040 --> 0:53:01.440
<v Speaker 1>we think that it's probably historical and like slightly trashy

0:53:01.520 --> 0:53:06.000
<v Speaker 1>historical fiction, like not Hilary Mantel levels of historical reaction.

0:53:07.280 --> 0:53:10.160
<v Speaker 1>But yeah, it's basically pretends to be biographies, but it

0:53:10.200 --> 0:53:12.040
<v Speaker 1>has loads of stuff. It's definitely not true in it,

0:53:12.200 --> 0:53:13.839
<v Speaker 1>but it also has lots of stuff that we don't

0:53:13.840 --> 0:53:17.239
<v Speaker 1>know whether it's true or not. So read in the

0:53:17.280 --> 0:53:19.360
<v Speaker 1>History of Augusta is Yeah, it's like picking up I

0:53:19.360 --> 0:53:21.440
<v Speaker 1>don't know Philip A. Gregory novel, being like, well, obviously

0:53:21.480 --> 0:53:23.520
<v Speaker 1>I know about Judas now, so it's.

0:53:23.680 --> 0:53:27.240
<v Speaker 2>Like, so it's it's like an ancient airport book.

0:53:27.680 --> 0:53:28.440
<v Speaker 1>Yeah, it really is.

0:53:28.520 --> 0:53:32.280
<v Speaker 3>Yeah, it's exactly what got it. Well that's what this writer,

0:53:32.440 --> 0:53:33.880
<v Speaker 3>David Franzoni.

0:53:33.920 --> 0:53:36.120
<v Speaker 1>Used, So I'm glad that he's got all the good stuff.

0:53:36.200 --> 0:53:39.319
<v Speaker 3>From that, he was like, oh, comedist sounds like a

0:53:39.320 --> 0:53:43.640
<v Speaker 3>good character to like center and make my villain and

0:53:43.880 --> 0:53:48.960
<v Speaker 3>so he, you know, presented this idea to dream Works

0:53:49.120 --> 0:53:53.560
<v Speaker 3>of Shrek Fame, of course, and they brought Ridley Scott

0:53:53.640 --> 0:53:58.400
<v Speaker 3>on board to direct, and he signed on because he

0:53:58.600 --> 0:54:04.120
<v Speaker 3>was shown an image of a painting called and I'm

0:54:04.160 --> 0:54:07.120
<v Speaker 3>probably gonna pronounce this wrong, but it's an eighteen seventy

0:54:07.160 --> 0:54:12.040
<v Speaker 3>two painting called Police Verso where it's just like a

0:54:12.080 --> 0:54:15.680
<v Speaker 3>gladiator fighting in a I don't know if it's the

0:54:15.800 --> 0:54:19.560
<v Speaker 3>coliseum or some kind of battle arena, but it's supposed

0:54:19.600 --> 0:54:23.839
<v Speaker 3>to portray the Roman Empire in all its glory and wickedness.

0:54:24.280 --> 0:54:28.799
<v Speaker 3>And Ridley Scott was so captivated by this painting that

0:54:28.840 --> 0:54:30.680
<v Speaker 3>he was just like, yeah, of course I'll direct the movie.

0:54:30.680 --> 0:54:32.040
<v Speaker 3>And they're like, well, you don't even know what the

0:54:32.120 --> 0:54:35.000
<v Speaker 3>story is or anything, and he says, I don't care,

0:54:35.200 --> 0:54:38.000
<v Speaker 3>I'll do it. So he agrees to direct a movie

0:54:38.040 --> 0:54:41.719
<v Speaker 3>based on a painting that looks like it could be

0:54:41.760 --> 0:54:44.800
<v Speaker 3>a frame of the movie Gladiator. So he's on board.

0:54:45.520 --> 0:54:49.319
<v Speaker 3>Then another writer, John Logan, is brought on to do

0:54:49.400 --> 0:54:54.239
<v Speaker 3>some rewrites, and we can talk about a change that

0:54:54.520 --> 0:54:59.440
<v Speaker 3>he made later on, but basically, Franzonian Logan completed a

0:54:59.440 --> 0:55:03.520
<v Speaker 3>second draft the screenplay in late ninety eight. They started

0:55:03.520 --> 0:55:07.879
<v Speaker 3>shooting shortly thereafter, but Russell Crowe kept being like, oh,

0:55:07.960 --> 0:55:12.120
<v Speaker 3>this script is so undercooked, and there were all these

0:55:12.200 --> 0:55:16.160
<v Speaker 3>like complaints about the script was always changing. During the

0:55:16.160 --> 0:55:21.200
<v Speaker 3>shooting of the movie. Ridley Scott kept being like, okay, actors,

0:55:21.239 --> 0:55:24.280
<v Speaker 3>writers and producers, what do you think what should happen?

0:55:24.440 --> 0:55:26.840
<v Speaker 3>Like that, he was there just like constantly changing the story,

0:55:27.239 --> 0:55:29.480
<v Speaker 3>like a lot of lines of dialogue were ad libbed

0:55:29.520 --> 0:55:30.600
<v Speaker 3>by the actors.

0:55:31.200 --> 0:55:34.920
<v Speaker 2>I'm always blown away like hearing stories about gigantic budget

0:55:35.440 --> 0:55:37.919
<v Speaker 2>movies like this where they're like it's like day one

0:55:38.080 --> 0:55:40.560
<v Speaker 2>of a one hundred million dollar movie and they're like, so,

0:55:41.040 --> 0:55:42.000
<v Speaker 2>what should happen we do?

0:55:42.160 --> 0:55:47.600
<v Speaker 1>You're like, what my favorite thing is that their strength

0:55:47.640 --> 0:55:50.279
<v Speaker 1>and honor thing that Russell Kirk keeps saying is him

0:55:50.360 --> 0:55:52.759
<v Speaker 1>misremembering his own school motar.

0:55:53.200 --> 0:55:56.280
<v Speaker 2>Wait really yeah, Yeah, that's so funny.

0:55:56.520 --> 0:55:58.760
<v Speaker 1>He just felt like they should have something that they say,

0:55:58.920 --> 0:56:00.680
<v Speaker 1>So he was I'm going to do my st and

0:56:00.680 --> 0:56:01.920
<v Speaker 1>that's not what his school watched.

0:56:02.440 --> 0:56:05.000
<v Speaker 3>Yeah, his school motto. I think it translated to like

0:56:05.320 --> 0:56:08.279
<v Speaker 3>truth and virtue or something, but in Latin. Yeah, and

0:56:08.320 --> 0:56:12.200
<v Speaker 3>then it's like strengthsen on or close enough. So and

0:56:12.200 --> 0:56:15.360
<v Speaker 3>then Okay, more hilarity ensues from this point on because

0:56:15.640 --> 0:56:20.840
<v Speaker 3>another writer, William Nicholson, was brought on to do another

0:56:20.920 --> 0:56:24.360
<v Speaker 3>rewrite of the script, and he made the Maximist character

0:56:24.480 --> 0:56:27.600
<v Speaker 3>like more sensitive. I guess he was the one who

0:56:27.640 --> 0:56:31.359
<v Speaker 3>kind of reworked the friendship between Maximus and Juba. He

0:56:31.640 --> 0:56:36.319
<v Speaker 3>developed the like afterlife through line that they often refer to.

0:56:37.120 --> 0:56:41.000
<v Speaker 3>But Russell Crowe didn't like a lot of this writer's dialogue.

0:56:41.080 --> 0:56:44.000
<v Speaker 3>He called it garbage. And then he was like, I'm

0:56:44.000 --> 0:56:46.799
<v Speaker 3>the greatest actor in the world, but even I can

0:56:46.800 --> 0:56:49.920
<v Speaker 3>make garbage sound good. So he's over here being like,

0:56:50.040 --> 0:56:51.399
<v Speaker 3>I'm the greatest actor of all time.

0:56:51.800 --> 0:56:54.600
<v Speaker 2>I mean, does he know what his performance in ley

0:56:54.680 --> 0:56:59.080
<v Speaker 2>Miz is gonna be like? Because they may be a

0:56:59.120 --> 0:57:01.440
<v Speaker 2>little too close to the there, rus.

0:57:02.640 --> 0:57:06.040
<v Speaker 3>And then apparently the line where he says like in

0:57:06.080 --> 0:57:08.640
<v Speaker 3>this life or the next, I will have my vengeance,

0:57:08.920 --> 0:57:11.839
<v Speaker 3>he like refused to say that line at first because

0:57:11.840 --> 0:57:14.799
<v Speaker 3>he thought it was so corny. So you know, it's uh,

0:57:15.160 --> 0:57:19.560
<v Speaker 3>it's basically Russell Crowe behaving the way that Joaquin Phoenix's

0:57:19.760 --> 0:57:24.960
<v Speaker 3>character behaves throughout the entire movie, just being like so bitchy, like.

0:57:25.440 --> 0:57:28.200
<v Speaker 2>Evil men are such divas.

0:57:28.880 --> 0:57:31.760
<v Speaker 1>Apparently it's just been revealed as well in the press

0:57:31.840 --> 0:57:35.560
<v Speaker 1>tour for Gladiator too, that Waking Phoenix nearly walked off

0:57:35.560 --> 0:57:37.640
<v Speaker 1>set on like day one. He was like, I don't

0:57:37.640 --> 0:57:40.400
<v Speaker 1>want to do this, Like I'm just like any of you.

0:57:41.560 --> 0:57:44.120
<v Speaker 1>I don't want to be here. And really Scott had

0:57:44.160 --> 0:57:46.520
<v Speaker 1>to like beg him to stay and persuade and stay.

0:57:46.560 --> 0:57:49.800
<v Speaker 1>So it's just like men's egos smashing into each other

0:57:49.920 --> 0:57:51.960
<v Speaker 1>for however long it took to shoot this.

0:57:52.200 --> 0:57:55.360
<v Speaker 2>Oh lord, I mean, and if you look, I just

0:57:55.480 --> 0:57:58.160
<v Speaker 2>I had to keep reminding myself as I was watching

0:57:58.160 --> 0:57:59.880
<v Speaker 2>this movie, I'm like, this is the director of film

0:58:00.040 --> 0:58:04.720
<v Speaker 2>and Louise how it likesn't? How does that? I mean

0:58:04.760 --> 0:58:07.480
<v Speaker 2>it's Callie Corey's script that's out because otherwise you're like

0:58:07.640 --> 0:58:09.600
<v Speaker 2>clearly left to his own devices. He doesn't know what

0:58:09.640 --> 0:58:12.600
<v Speaker 2>the fuck he's doing with, Like there's too many men

0:58:12.680 --> 0:58:16.040
<v Speaker 2>I don't see. I want we looked down this top line.

0:58:16.120 --> 0:58:20.360
<v Speaker 2>I'm saying that there was a co composer who is

0:58:20.400 --> 0:58:23.000
<v Speaker 2>a woman. That is the only woman I'm seeing in

0:58:23.280 --> 0:58:26.640
<v Speaker 2>this like top creative line. It is fellas all the

0:58:26.680 --> 0:58:29.600
<v Speaker 2>way down. Also, just a quick side note, Caitlin. I

0:58:29.600 --> 0:58:33.400
<v Speaker 2>know you're a Hans zimmer Stan. However, this man loves

0:58:33.440 --> 0:58:36.120
<v Speaker 2>to self plagiarize himself. Oh my god, it's the score

0:58:36.160 --> 0:58:38.080
<v Speaker 2>of Pirates the Caribbean.

0:58:38.520 --> 0:58:40.240
<v Speaker 3>Yes, you're like, think.

0:58:40.120 --> 0:58:45.320
<v Speaker 2>Of another riff, you hack, like unbelievable, right, So I

0:58:45.320 --> 0:58:48.440
<v Speaker 2>guess it was him plagiarizing himself when he wrote the Pirates.

0:58:48.560 --> 0:58:51.520
<v Speaker 2>Pirates He's like, oh, probably these, And it's true. I

0:58:51.520 --> 0:58:53.800
<v Speaker 2>didn't see glad. I didn't know. I didn't know.

0:58:54.320 --> 0:58:57.280
<v Speaker 3>Hmm, well now we know hack fraud.

0:58:57.520 --> 0:58:59.920
<v Speaker 2>Isn't he like one of those composers that like kind

0:58:59.920 --> 0:59:02.680
<v Speaker 2>of does it in a factory way too? I think?

0:59:02.720 --> 0:59:02.800
<v Speaker 1>So.

0:59:02.840 --> 0:59:05.040
<v Speaker 3>I can't really speak to it, just because I don't know.

0:59:05.360 --> 0:59:07.480
<v Speaker 3>The main thing is that I did see him in

0:59:07.560 --> 0:59:10.440
<v Speaker 3>concert one time, and it wasn't even him. It was

0:59:10.480 --> 0:59:14.440
<v Speaker 3>like his orchestra, so he wasn't even there, but it

0:59:14.480 --> 0:59:15.320
<v Speaker 3>was his music, sir.

0:59:16.960 --> 0:59:21.320
<v Speaker 2>Any Anyways, yeah, he was self plagiarizing hard in Pirates.

0:59:21.400 --> 0:59:22.080
<v Speaker 1>Didn't even know.

0:59:22.840 --> 0:59:24.360
<v Speaker 3>Yeah, I had the same thought.

0:59:24.440 --> 0:59:27.000
<v Speaker 2>And dun, dun, Dunnah, you're like, what.

0:59:26.520 --> 0:59:31.840
<v Speaker 3>What that's right? So well, let's talk about the women

0:59:31.960 --> 0:59:37.760
<v Speaker 3>that are on screen. All take two of them. So

0:59:38.320 --> 0:59:41.280
<v Speaker 3>Maximus is his wife, who never gets a name. As

0:59:41.320 --> 0:59:45.840
<v Speaker 3>we've mentioned, she is majorly fridged. For any listener who

0:59:45.920 --> 0:59:47.960
<v Speaker 3>is unfamiliar with that term, it's come up on the

0:59:48.000 --> 0:59:50.360
<v Speaker 3>show from time to time, but if this is your

0:59:50.400 --> 0:59:53.720
<v Speaker 3>first episode, for example, fridging is a term that was

0:59:53.760 --> 0:59:56.960
<v Speaker 3>coined by Gael Simone in the late nineties. It refers

0:59:57.000 --> 1:00:04.720
<v Speaker 3>to a trope where characters who are women face disproportionate harm, violence, assault,

1:00:05.160 --> 1:00:10.200
<v Speaker 3>death to serve as plot devices, generally to motivate characters

1:00:10.240 --> 1:00:12.640
<v Speaker 3>who are men. And this is like happening to a

1:00:12.760 --> 1:00:19.439
<v Speaker 3>tee in the case of the wife of Maximus. And

1:00:19.760 --> 1:00:23.320
<v Speaker 3>I foreshadowed this earlier, but one of the credited writers,

1:00:23.440 --> 1:00:27.320
<v Speaker 3>John Logan, who made some changes to the script. One

1:00:27.360 --> 1:00:31.360
<v Speaker 3>of the changes he made was that Maximus' family would

1:00:31.400 --> 1:00:36.400
<v Speaker 3>be killed off to motivate Maximus' desire for revenge, So

1:00:36.480 --> 1:00:40.400
<v Speaker 3>that was his choice. But yeah, as we said, we

1:00:40.600 --> 1:00:44.880
<v Speaker 3>only see his wife in a few flashbacks. She has

1:00:44.920 --> 1:00:47.000
<v Speaker 3>no lines of dialogue, we don't know her name.

1:00:47.160 --> 1:00:49.040
<v Speaker 2>She looks like she's about to go to prom nineteen

1:00:49.120 --> 1:00:53.240
<v Speaker 2>ninety eight. Like, it's like so bizarre.

1:00:53.680 --> 1:00:57.040
<v Speaker 3>Why wouldn't we have a flashback where like she and

1:00:57.120 --> 1:01:00.560
<v Speaker 3>Maximus are interacting and speaking to each other, and like

1:01:00.640 --> 1:01:02.200
<v Speaker 3>doing anything to characterize her.

1:01:02.600 --> 1:01:05.680
<v Speaker 1>Weirdly, we only have flashbacks to a scene where he's

1:01:05.720 --> 1:01:08.800
<v Speaker 1>not there. They repeatedly flashback to the scene where they're killed,

1:01:09.960 --> 1:01:14.320
<v Speaker 1>right if it's consistently, he's remembering a time when he

1:01:14.400 --> 1:01:18.640
<v Speaker 1>wasn't there, So he doesn't even remember meeting her, the

1:01:18.680 --> 1:01:22.480
<v Speaker 1>birth of their child, like their wedding day, any of

1:01:22.520 --> 1:01:25.200
<v Speaker 1>the wonderful experiences that they must have had together because

1:01:25.200 --> 1:01:28.520
<v Speaker 1>he loves her so much. Yeah, he just imagines her

1:01:29.080 --> 1:01:33.280
<v Speaker 1>being killed basically and looking happy in the moments before that.

1:01:33.680 --> 1:01:37.000
<v Speaker 3>Yeah, the wind is blowing through her hair and she's beautiful.

1:01:37.800 --> 1:01:40.560
<v Speaker 2>In addition to like the I mean severe under characterization

1:01:40.800 --> 1:01:45.080
<v Speaker 2>and the fridging of his wife, I also was noticing

1:01:45.160 --> 1:01:48.680
<v Speaker 2>like so much of even with Lucilla, like all of

1:01:48.720 --> 1:01:52.360
<v Speaker 2>the relationships to women, it's almost, without exception, told and

1:01:52.480 --> 1:01:57.040
<v Speaker 2>not shown, Like we learn when Lucilla is talking to

1:01:57.360 --> 1:02:01.600
<v Speaker 2>Caesar at the beginning. She's like, we have a complicated relationship,

1:02:01.600 --> 1:02:03.160
<v Speaker 2>but we love each other, and You're like, I guess

1:02:03.160 --> 1:02:05.000
<v Speaker 2>I'll just have to take your word for it. I guess,

1:02:05.040 --> 1:02:08.880
<v Speaker 2>like I not really seeing it. He has minutes to live,

1:02:09.040 --> 1:02:10.600
<v Speaker 2>but sure, I guess we're just gonna have to take

1:02:10.640 --> 1:02:13.480
<v Speaker 2>your word for it. The relationship between Maximus and Lucilla,

1:02:13.520 --> 1:02:15.560
<v Speaker 2>they're like we used to date and it was complicated.

1:02:15.600 --> 1:02:17.400
<v Speaker 2>I'm like, I guess I'll just have to take your

1:02:17.400 --> 1:02:19.960
<v Speaker 2>word for it, because this is all I'm getting for this.

1:02:20.080 --> 1:02:23.360
<v Speaker 2>The only like relationship we are shown is the most

1:02:23.360 --> 1:02:26.560
<v Speaker 2>predatory relationship between a man and a woman, because we

1:02:26.600 --> 1:02:32.640
<v Speaker 2>are explicitly shown Commidis's behavior towards Lucilla, the elements of incest,

1:02:32.720 --> 1:02:36.120
<v Speaker 2>the oppression, the threats of violence, all of that were shown.

1:02:36.240 --> 1:02:39.880
<v Speaker 2>But any like affectionate relationship with a woman is You're

1:02:39.920 --> 1:02:42.520
<v Speaker 2>just like told it happened at some point off screen

1:02:42.880 --> 1:02:43.600
<v Speaker 2>for sure.

1:02:43.640 --> 1:02:46.360
<v Speaker 1>Except for the bit where Marcus Aurelia says, I wish

1:02:46.360 --> 1:02:46.960
<v Speaker 1>you were a boy.

1:02:47.680 --> 1:02:52.080
<v Speaker 2>Yeah, okay, yes, that's the only affection that he boy,

1:02:52.240 --> 1:02:55.640
<v Speaker 2>this would be much better. Oh my gosh, I agree.

1:02:55.840 --> 1:02:56.640
<v Speaker 2>So yeah.

1:02:56.680 --> 1:02:58.760
<v Speaker 3>This is a line that happens pretty early in the

1:02:58.800 --> 1:03:03.600
<v Speaker 3>movie where Marcuslius approaches Lucilla and says, if you had

1:03:03.600 --> 1:03:06.720
<v Speaker 3>only been born a man, what a Caesar you would

1:03:06.760 --> 1:03:09.760
<v Speaker 3>have made. You would have been strong, but would you

1:03:09.840 --> 1:03:13.520
<v Speaker 3>have been just? And I feel like that is what

1:03:13.560 --> 1:03:15.480
<v Speaker 3>the movie is trying to do with her character for

1:03:15.520 --> 1:03:18.320
<v Speaker 3>the rest of the movie, because there's like different moments

1:03:18.360 --> 1:03:21.640
<v Speaker 3>where we're not sure if she can be trusted, if

1:03:21.640 --> 1:03:25.360
<v Speaker 3>she is on her brother's side, or if she's going

1:03:25.440 --> 1:03:28.560
<v Speaker 3>to do the right thing and like try to get

1:03:28.640 --> 1:03:30.240
<v Speaker 3>him out of power, that kind of thing.

1:03:30.720 --> 1:03:31.520
<v Speaker 2>I will say that.

1:03:31.400 --> 1:03:35.080
<v Speaker 3>There are a few moments where she takes action that

1:03:35.160 --> 1:03:40.240
<v Speaker 3>does impact this story to some degree, where you know,

1:03:40.400 --> 1:03:45.600
<v Speaker 3>she sets up a meeting between two men, and she

1:03:45.720 --> 1:03:49.360
<v Speaker 3>does some other stuff probably, But for the most part, yeah,

1:03:49.480 --> 1:03:54.360
<v Speaker 3>we only ever know her in contexts that are often

1:03:54.680 --> 1:03:58.080
<v Speaker 3>traumatizing to her, or we see her in the context

1:03:58.160 --> 1:04:02.760
<v Speaker 3>of being the his mother to a son who I

1:04:02.800 --> 1:04:06.920
<v Speaker 3>believe that's who the sequel will center around. Is it Lucius?

1:04:07.320 --> 1:04:13.240
<v Speaker 2>Is that Paul mescal It is? So yeah, whoa, that's fun. Yeah,

1:04:13.280 --> 1:04:15.240
<v Speaker 2>I'm gonna see it. I'm going to see it. I

1:04:15.280 --> 1:04:18.680
<v Speaker 2>want to see everyone's legs. I hope really Scott learned

1:04:19.280 --> 1:04:22.880
<v Speaker 2>that we want to see the legs linger on the legs.

1:04:22.800 --> 1:04:25.640
<v Speaker 1>Linger one legs just a bit. Take the tops off.

1:04:25.760 --> 1:04:27.880
<v Speaker 1>No one even takes the top off in this, Like

1:04:27.920 --> 1:04:29.880
<v Speaker 1>he gets stabbed and they don't take his top off.

1:04:30.440 --> 1:04:32.240
<v Speaker 3>Not enough nipples for sure.

1:04:32.400 --> 1:04:36.040
<v Speaker 2>Yeah, take a page from your brother's books, really and

1:04:36.160 --> 1:04:37.120
<v Speaker 2>show us the legs.

1:04:37.360 --> 1:04:40.920
<v Speaker 3>The people want the legs. Yes, so yeah, the women

1:04:41.080 --> 1:04:46.520
<v Speaker 3>in the movie are I would say, not characterized well shocking.

1:04:46.720 --> 1:04:49.880
<v Speaker 2>Or only characterized on the basis of their relationship and

1:04:49.920 --> 1:04:53.840
<v Speaker 2>oppression with and by men, which, like, its always hard

1:04:53.840 --> 1:04:56.040
<v Speaker 2>to talk about, especially at a historical piece, because it's

1:04:56.080 --> 1:04:59.320
<v Speaker 2>like you can't shy away from the reality of that.

1:04:59.520 --> 1:05:02.480
<v Speaker 2>It's not you should rewrite history to be like women were,

1:05:02.920 --> 1:05:06.360
<v Speaker 2>you know, included in equal measure. But there's no like

1:05:06.640 --> 1:05:10.160
<v Speaker 2>respect for her personhood, Like we just don't know anything

1:05:10.200 --> 1:05:12.880
<v Speaker 2>about her. So I was curious. I don't mean to

1:05:12.880 --> 1:05:15.240
<v Speaker 2>put you on the spot, but like in this era,

1:05:15.480 --> 1:05:20.000
<v Speaker 2>in a story like this, what are historically accurate ways

1:05:20.000 --> 1:05:22.800
<v Speaker 2>that women could have been more meaningfully included in a

1:05:22.840 --> 1:05:23.520
<v Speaker 2>story like this.

1:05:24.280 --> 1:05:27.080
<v Speaker 1>Well, even if you just had Lucilla, you could have

1:05:27.160 --> 1:05:30.280
<v Speaker 1>had her have some agency, and like she basically just

1:05:30.360 --> 1:05:32.600
<v Speaker 1>reacts to the people around her. She reacts to Comma,

1:05:32.800 --> 1:05:34.960
<v Speaker 1>she reacts to Maximus, apart from the bit where she's

1:05:34.960 --> 1:05:38.920
<v Speaker 1>like Gracus, come over here, and she just as quite

1:05:39.400 --> 1:05:43.320
<v Speaker 1>reacting to people around her. But there's like various points

1:05:43.320 --> 1:05:47.080
<v Speaker 1>where you see her with female attendants, and then the

1:05:47.160 --> 1:05:49.320
<v Speaker 1>two lines that she says to somebody who are not

1:05:49.360 --> 1:05:52.560
<v Speaker 1>a man are just men's names. At one point she

1:05:52.640 --> 1:05:55.720
<v Speaker 1>says Maximus and the other time she says commedist is

1:05:55.720 --> 1:05:58.480
<v Speaker 1>over there. But like you could have had some scenes

1:05:58.520 --> 1:06:00.800
<v Speaker 1>with her talking to these women, like she surrounded by

1:06:00.840 --> 1:06:03.240
<v Speaker 1>these women and you see her with them, like just

1:06:03.280 --> 1:06:07.280
<v Speaker 1>put into or three scenes where she is discussing something

1:06:07.920 --> 1:06:11.000
<v Speaker 1>with any of her sisters. There's like five of them,

1:06:11.920 --> 1:06:14.560
<v Speaker 1>or like we're not paying historically accurate, we could have

1:06:14.560 --> 1:06:16.760
<v Speaker 1>had several of them alive. Or you could just have

1:06:16.840 --> 1:06:20.360
<v Speaker 1>her talking to her intendants or her friends and just

1:06:20.480 --> 1:06:24.080
<v Speaker 1>have her be like, you know, engaged in an intellectual

1:06:24.120 --> 1:06:27.080
<v Speaker 1>manner and plotting or having a reaction that is her

1:06:27.080 --> 1:06:30.600
<v Speaker 1>own reaction and isn't just like in the context of

1:06:30.640 --> 1:06:34.320
<v Speaker 1>her talking to her brother, or have her talking to

1:06:34.360 --> 1:06:36.760
<v Speaker 1>somebody who isn't Maximus about what she wants to do,

1:06:36.840 --> 1:06:38.400
<v Speaker 1>Like why does she want to get rid of her brother?

1:06:38.480 --> 1:06:39.920
<v Speaker 1>Does she just want to get rid of him because

1:06:39.960 --> 1:06:41.919
<v Speaker 1>he is threatening to rape her and murder her son,

1:06:42.160 --> 1:06:44.560
<v Speaker 1>or does she actually have some feelings about like what

1:06:44.640 --> 1:06:47.680
<v Speaker 1>her father plans for the empire are, Like I have

1:06:47.760 --> 1:06:49.720
<v Speaker 1>no idea what is her motivation?

1:06:49.920 --> 1:06:54.160
<v Speaker 2>You could just get outside of her own oppression. Yeah, yeah,

1:06:54.160 --> 1:06:57.919
<v Speaker 2>because again really we're told it feels like very like meant.

1:06:57.960 --> 1:07:00.360
<v Speaker 2>And also I mean I've only seen it like half

1:07:00.360 --> 1:07:02.680
<v Speaker 2>asleep at a motel eight, so I would say I

1:07:02.720 --> 1:07:06.600
<v Speaker 2>haven't really seen the movie. The Last Duel. I do

1:07:06.640 --> 1:07:09.800
<v Speaker 2>think that like Ridley Scott later in his career at

1:07:09.880 --> 1:07:14.760
<v Speaker 2>least attempted to address women's role in history a little

1:07:14.800 --> 1:07:17.280
<v Speaker 2>more thoughtfully than in this movie. So like this is

1:07:17.320 --> 1:07:20.479
<v Speaker 2>not but it feels very of the time to we're

1:07:20.520 --> 1:07:24.200
<v Speaker 2>just told, oh, you're really smart, like Dumbledore says, you're

1:07:24.240 --> 1:07:26.280
<v Speaker 2>really smart, but we don't really get to see her

1:07:26.320 --> 1:07:28.840
<v Speaker 2>act on that at any point.

1:07:29.160 --> 1:07:32.560
<v Speaker 1>But she genuinely did, like in history plot against her brother,

1:07:32.680 --> 1:07:35.200
<v Speaker 1>she did try to kill him. She was exiled for it.

1:07:35.320 --> 1:07:38.360
<v Speaker 1>Like show her doing this stuff rather than her just

1:07:38.400 --> 1:07:41.320
<v Speaker 1>being like a conduit for men doing this stuff. Right,

1:07:41.560 --> 1:07:44.160
<v Speaker 1>it feels so simple. But I do feel like this period,

1:07:44.320 --> 1:07:46.800
<v Speaker 1>this film to me feels like it really fits in

1:07:46.840 --> 1:07:49.600
<v Speaker 1>to that like One Man is Going to Save the

1:07:49.640 --> 1:07:51.760
<v Speaker 1>World period of films that you've got in like nineteen

1:07:51.800 --> 1:07:55.640
<v Speaker 1>ninety nine two thousands, like Matrix and like Fight Club,

1:07:55.960 --> 1:07:58.040
<v Speaker 1>and like all of those films were like one guy

1:07:58.400 --> 1:08:01.280
<v Speaker 1>is going to come and overthrow of the things.

1:08:01.120 --> 1:08:03.200
<v Speaker 3>The chosen one exactly.

1:08:04.200 --> 1:08:07.120
<v Speaker 2>But there's just like no shred of satire to this

1:08:07.160 --> 1:08:08.920
<v Speaker 2>movie at all. It's so earnest.

1:08:09.040 --> 1:08:11.040
<v Speaker 3>When you said Shred, I thought you were gonna say Shrek.

1:08:12.840 --> 1:08:16.719
<v Speaker 2>And this brings me back to my main problem Shrek.

1:08:17.280 --> 1:08:20.000
<v Speaker 3>Okay, wait, in Shrek one, remember when he like goes

1:08:20.040 --> 1:08:22.320
<v Speaker 3>into basically a colosseum and.

1:08:22.400 --> 1:08:25.320
<v Speaker 2>Oh, yeah, they do a gladiator's boof, don't they. They

1:08:25.400 --> 1:08:28.120
<v Speaker 2>kind of do a wouldn't have been too early because

1:08:28.120 --> 1:08:28.920
<v Speaker 2>it came out the next.

1:08:28.880 --> 1:08:32.040
<v Speaker 3>Year probably, so I don't know if they were pulling

1:08:32.080 --> 1:08:35.680
<v Speaker 3>from it. But Farquad is like kill the ogre and

1:08:35.720 --> 1:08:38.680
<v Speaker 3>then he is like the gladiator that defeats all of

1:08:38.720 --> 1:08:41.280
<v Speaker 3>the soldiers and then he has to go rescue Fiona.

1:08:41.880 --> 1:08:46.200
<v Speaker 2>Comedists and Farquad should be in the same conversation, and

1:08:46.280 --> 1:08:48.160
<v Speaker 2>it is a cultural failing that they're.

1:08:47.960 --> 1:08:52.280
<v Speaker 1>Not yes, yes, being right right here right now.

1:08:54.400 --> 1:08:57.000
<v Speaker 2>But yeah, I totally agree with you, Like this is

1:08:57.160 --> 1:08:59.920
<v Speaker 2>very of the era to have this sort of like

1:09:00.120 --> 1:09:02.920
<v Speaker 2>one great man narrative and to do it to like

1:09:03.439 --> 1:09:11.360
<v Speaker 2>justify some like historically fucked up imperialism. I'm curious. I mean,

1:09:11.400 --> 1:09:13.040
<v Speaker 2>I know we have other stuff to talk about too,

1:09:13.080 --> 1:09:17.080
<v Speaker 2>but in terms of like the legacy of Gladiator, how

1:09:17.120 --> 1:09:19.840
<v Speaker 2>big of an influence does it have on like how

1:09:19.880 --> 1:09:22.679
<v Speaker 2>we think about the Roman Empire, you know, a quarter

1:09:22.760 --> 1:09:23.400
<v Speaker 2>century later?

1:09:24.160 --> 1:09:27.960
<v Speaker 1>Huge, I would say huge. It comes up constantly, which

1:09:27.960 --> 1:09:30.400
<v Speaker 1>is why even though I hadn't only seen it that

1:09:30.479 --> 1:09:34.080
<v Speaker 1>one time, I could have quoted quite a lot of it,

1:09:34.240 --> 1:09:37.040
<v Speaker 1>like the entirety of the like I'm the husband of

1:09:37.080 --> 1:09:40.400
<v Speaker 1>a murdered wife and the father of a murdered son,

1:09:40.760 --> 1:09:43.360
<v Speaker 1>and I will have my vengeance in this life or

1:09:43.400 --> 1:09:45.840
<v Speaker 1>the next, like and all of the like hand running

1:09:45.840 --> 1:09:48.799
<v Speaker 1>through the through the wheat that goes on for ages,

1:09:48.880 --> 1:09:51.799
<v Speaker 1>and like big chance that I could have quoted without

1:09:52.400 --> 1:09:55.000
<v Speaker 1>like if if havn't seen it, because people talk about

1:09:55.000 --> 1:09:58.160
<v Speaker 1>it a lot, like people love it. Yeah, it reignited

1:09:58.840 --> 1:10:03.360
<v Speaker 1>a lot of that kind of big historical epic stuff.

1:10:03.560 --> 1:10:07.240
<v Speaker 1>And the HBO's Rome comes like not long after this,

1:10:07.400 --> 1:10:11.360
<v Speaker 1>and largely because Gladiator says that we can do big,

1:10:12.240 --> 1:10:17.160
<v Speaker 1>big Rome films again after the sixties. And yeah, so

1:10:17.240 --> 1:10:20.240
<v Speaker 1>it has this huge impact and people talk about it constantly.

1:10:20.439 --> 1:10:23.080
<v Speaker 1>And when you tell people that you're a Roman historian,

1:10:23.280 --> 1:10:25.160
<v Speaker 1>they'll be like Gladiator.

1:10:25.479 --> 1:10:29.280
<v Speaker 2>Yes, so this is we're hunting you right now.

1:10:29.960 --> 1:10:37.000
<v Speaker 1>I mean, yeah, it's it's good though, because I like

1:10:37.080 --> 1:10:40.519
<v Speaker 1>it is something that is constantly around, but now it

1:10:40.640 --> 1:10:43.559
<v Speaker 1>is because it's coming back to cinema and he's doing

1:10:43.560 --> 1:10:46.679
<v Speaker 1>it again and with the Scout. Now doesn't have any

1:10:46.960 --> 1:10:51.599
<v Speaker 1>rains on him at all, Like he has been allowed

1:10:51.640 --> 1:10:54.120
<v Speaker 1>to do whatever he likes, and he has more computer

1:10:54.160 --> 1:10:59.320
<v Speaker 1>technology and more money and more men, and so it's

1:10:59.400 --> 1:11:01.800
<v Speaker 1>kind of great because you who knows what stuff he's

1:11:01.800 --> 1:11:02.960
<v Speaker 1>going to be able to talk about he's going to have.

1:11:03.040 --> 1:11:05.960
<v Speaker 1>There's like a whole industries in academia that are just

1:11:06.320 --> 1:11:08.200
<v Speaker 1>talking about all the things that are wrong, and Gladiator.

1:11:08.240 --> 1:11:11.400
<v Speaker 1>They've got another like thirty years worth that coming ahead.

1:11:11.439 --> 1:11:13.200
<v Speaker 1>So he's so it's great.

1:11:13.000 --> 1:11:17.280
<v Speaker 2>Really, faur Redly, Yes, the Roman historians will never be

1:11:17.320 --> 1:11:19.080
<v Speaker 2>out of work because of how wrong you are.

1:11:19.640 --> 1:11:23.960
<v Speaker 1>Yeah, exactly, how little he cares about historical accuracy. It's great.

1:11:24.000 --> 1:11:26.679
<v Speaker 1>He's done it for the Napoleonic guys now and.

1:11:26.920 --> 1:11:29.120
<v Speaker 2>Oh great, yeah, because he did the boon less.

1:11:29.400 --> 1:11:33.240
<v Speaker 3>I humiliatingly saw Napoleon in theaters, and.

1:11:33.439 --> 1:11:35.000
<v Speaker 2>The only person I know who's seen it.

1:11:35.080 --> 1:11:36.360
<v Speaker 3>I don't know why I saw.

1:11:36.200 --> 1:11:42.639
<v Speaker 1>It, and and I laughed so hard. It's so boring.

1:11:43.320 --> 1:11:44.479
<v Speaker 2>It's so boring.

1:11:45.360 --> 1:11:49.639
<v Speaker 3>Yeah. Something I lament is that the movie Caligula did

1:11:49.640 --> 1:11:52.680
<v Speaker 3>not have the same cultural impact as Theadiator. Have you

1:11:52.680 --> 1:11:53.440
<v Speaker 3>seen Colligular?

1:11:54.240 --> 1:11:57.280
<v Speaker 1>I am obsessed with the movie Colligular. I have seen

1:11:57.640 --> 1:12:00.960
<v Speaker 1>the movie Currigular about fifty times. You know you're my

1:12:01.040 --> 1:12:03.360
<v Speaker 1>real friend. When I make you watch Cligula and then

1:12:03.400 --> 1:12:05.639
<v Speaker 1>I make you choose which cut because I currently own five,

1:12:05.760 --> 1:12:07.720
<v Speaker 1>I was like, didn't it that they just like re

1:12:07.720 --> 1:12:10.240
<v Speaker 1>released one of the cuts in theater? This is a

1:12:10.280 --> 1:12:13.519
<v Speaker 1>new cut, Yes, the ultimate cut, which is cut to

1:12:13.560 --> 1:12:17.320
<v Speaker 1>the original Gorvadale film with what they Gorvidale script. Wait

1:12:17.800 --> 1:12:21.519
<v Speaker 1>whoa and Yeah, Cligula unfortunately did not have the same impact,

1:12:21.560 --> 1:12:24.040
<v Speaker 1>and you do have to remind people that exists, which

1:12:24.080 --> 1:12:27.920
<v Speaker 1>is a shame because it's just wild in every cut.

1:12:28.400 --> 1:12:31.120
<v Speaker 3>Could you describe for our listeners in a couple of

1:12:31.160 --> 1:12:34.040
<v Speaker 3>sentences exactly what Cligular the movie is.

1:12:34.439 --> 1:12:37.479
<v Speaker 1>So Coligo of the Movie is a nineteen seventy nine

1:12:37.560 --> 1:12:41.679
<v Speaker 1>film financed and produced by Bob Guccioni, who owned Playboy

1:12:41.760 --> 1:12:46.519
<v Speaker 1>and not Playboy, who owned Penthouse magazine and was made

1:12:46.560 --> 1:12:49.679
<v Speaker 1>with a huge budget in Italy, with these huge sets,

1:12:50.320 --> 1:12:54.800
<v Speaker 1>with an art house director and a Gorveradal script, and

1:12:55.320 --> 1:12:58.760
<v Speaker 1>has quite an a list like Theatrical Car. So it's

1:12:58.800 --> 1:13:04.920
<v Speaker 1>got Peter tool Helen Mirren, Malcolm McDowell in it, all

1:13:04.920 --> 1:13:06.960
<v Speaker 1>of these kind of big names. And then there were

1:13:07.000 --> 1:13:10.240
<v Speaker 1>some quite intense arguments about the production because it is

1:13:10.240 --> 1:13:13.880
<v Speaker 1>supposed to be a pornographic film, high class pornography. Bob

1:13:13.920 --> 1:13:16.280
<v Speaker 1>Gocci only felt that it wasn't pornographic enough, so he

1:13:16.360 --> 1:13:19.519
<v Speaker 1>filmed his own pawn on the sets and edited it

1:13:19.560 --> 1:13:22.000
<v Speaker 1>in and everybody tried to have their name taken off

1:13:22.000 --> 1:13:24.599
<v Speaker 1>of it, and what it ended up with being a

1:13:24.760 --> 1:13:31.000
<v Speaker 1>very very expensive mashup of quite low quality pornography and

1:13:31.320 --> 1:13:36.040
<v Speaker 1>Peter Retchel and Malcolm McDowell doing acting. And as a result,

1:13:36.160 --> 1:13:41.320
<v Speaker 1>it is a truly bizarre watch and endlessly fascinating.

1:13:42.080 --> 1:13:43.760
<v Speaker 2>Wait come back and cover it with us.

1:13:43.960 --> 1:13:46.519
<v Speaker 1>I was like, let's do, yeah, please do cligular.

1:13:47.160 --> 1:13:49.720
<v Speaker 2>We owe you a caligular episode for making you do

1:13:49.760 --> 1:13:54.960
<v Speaker 2>the Gladiator episode. You were you were old. Oh I

1:13:55.000 --> 1:13:56.840
<v Speaker 2>almost saw the new cut in theaters, been like, I

1:13:56.840 --> 1:13:58.479
<v Speaker 2>think I need to see the original first. And then

1:13:58.520 --> 1:13:59.760
<v Speaker 2>I just I haven't seen any of it.

1:14:00.280 --> 1:14:01.679
<v Speaker 3>I don't know which cut I've seen.

1:14:01.840 --> 1:14:04.479
<v Speaker 1>I would watch the Imperial Cup. None of them really

1:14:04.479 --> 1:14:07.479
<v Speaker 1>make any sense. No, I will talk about this. If

1:14:07.479 --> 1:14:09.280
<v Speaker 1>you don't, don't me, So.

1:14:09.840 --> 1:14:13.040
<v Speaker 2>Please do come back, like next year to do Kligig

1:14:13.080 --> 1:14:17.400
<v Speaker 2>because we've we've never covered like a pornographic. We've never

1:14:17.439 --> 1:14:18.000
<v Speaker 2>covered porn.

1:14:18.240 --> 1:14:20.639
<v Speaker 3>Yeah, and that's a huge oversight on our part.

1:14:20.840 --> 1:14:24.439
<v Speaker 2>Yeah, yes, short, short sighted. And getting back to Gladiator.

1:14:24.640 --> 1:14:29.040
<v Speaker 2>Gladiator is so unsexy. It's like a proto Marvel movie

1:14:29.360 --> 1:14:33.000
<v Speaker 2>with the amount of like set. It's like aggressively hetero

1:14:33.120 --> 1:14:37.000
<v Speaker 2>but completely sexless and has everything to do with fathers

1:14:37.120 --> 1:14:38.280
<v Speaker 2>and sons.

1:14:38.840 --> 1:14:40.080
<v Speaker 1>Very fathers and sons.

1:14:40.280 --> 1:14:42.760
<v Speaker 2>I don't really have anything to even say about the

1:14:42.880 --> 1:14:44.960
<v Speaker 2>I mean, I guess the only interesting father and son

1:14:45.040 --> 1:14:48.559
<v Speaker 2>relationship I or the one I was interested in was

1:14:48.880 --> 1:14:54.880
<v Speaker 2>between Caesar and Commonists. Like that was juicy to me. Yeah,

1:14:54.920 --> 1:14:57.640
<v Speaker 2>and that like you know, like Caesar's like nipping at

1:14:57.720 --> 1:15:01.559
<v Speaker 2>something interesting by being like, well, you know, he acknowledges that, like, well,

1:15:01.640 --> 1:15:03.479
<v Speaker 2>part of the reason you're fucked up is because I

1:15:03.600 --> 1:15:04.880
<v Speaker 2>was not a good parent to you.

1:15:05.240 --> 1:15:07.360
<v Speaker 3>Yeah, which you're like, Yeah, the commonist is like, you

1:15:07.439 --> 1:15:10.080
<v Speaker 3>never hugged me, and that's why I suck.

1:15:10.400 --> 1:15:11.639
<v Speaker 1>That's why I'm a Nazi now.

1:15:12.040 --> 1:15:15.280
<v Speaker 2>So you're like, it's a little it's a little overly simplistic,

1:15:15.320 --> 1:15:18.760
<v Speaker 2>but I did at least like that there was. But again,

1:15:18.800 --> 1:15:21.599
<v Speaker 2>it just felt so like disjointed in the way because

1:15:21.640 --> 1:15:25.200
<v Speaker 2>it's like Caesar has talked about so uncritically by everyone else,

1:15:25.240 --> 1:15:28.479
<v Speaker 2>but it's like, but he did, you know, fail in

1:15:28.800 --> 1:15:32.640
<v Speaker 2>this way where he was like unable to show his

1:15:32.800 --> 1:15:36.360
<v Speaker 2>children meaningful affection. He sort of like hints at that

1:15:36.520 --> 1:15:39.040
<v Speaker 2>in that one conversation we get with him, and Lucilla'd

1:15:39.080 --> 1:15:41.240
<v Speaker 2>be like, hey, pretend that I'm like an awesome dat

1:15:41.400 --> 1:15:43.360
<v Speaker 2>and she's like, haha, how funny would that be if

1:15:43.400 --> 1:15:46.920
<v Speaker 2>you were. So it's like he has failed as a parent,

1:15:47.000 --> 1:15:49.360
<v Speaker 2>and it's like that is an interesting sort of back

1:15:49.400 --> 1:15:51.519
<v Speaker 2>and forth to explore of like someone who is like

1:15:51.880 --> 1:15:56.639
<v Speaker 2>succeeded professionally but failed personally. But it's just like even

1:15:56.680 --> 1:15:59.000
<v Speaker 2>though we know that about him, it really kind of

1:15:59.040 --> 1:16:01.800
<v Speaker 2>never comes up again. It's more just like we need

1:16:01.840 --> 1:16:05.760
<v Speaker 2>to honor his legacy and not that like Commodist's brutality

1:16:05.880 --> 1:16:08.960
<v Speaker 2>needs to be further contextualized. I like that they included

1:16:09.000 --> 1:16:12.360
<v Speaker 2>that though, like that there is at least in this

1:16:12.400 --> 1:16:15.840
<v Speaker 2>story some context as to like why he is so

1:16:15.960 --> 1:16:20.760
<v Speaker 2>desperate for affection from fucking anybody, and that if he

1:16:20.800 --> 1:16:24.720
<v Speaker 2>doesn't receive that affection, he will respond with violence and entitlement.

1:16:24.920 --> 1:16:26.920
<v Speaker 2>Like I felt like, you know, his character, even though

1:16:27.200 --> 1:16:30.400
<v Speaker 2>he's so over the top, was contextualized well. But then

1:16:30.439 --> 1:16:32.599
<v Speaker 2>it just they don't really do very much with it.

1:16:32.640 --> 1:16:37.120
<v Speaker 2>You just see him being brutal and then he dies

1:16:37.400 --> 1:16:37.800
<v Speaker 2>the end.

1:16:39.240 --> 1:16:41.240
<v Speaker 3>Yeah, I tend to agree that that was I mean,

1:16:41.280 --> 1:16:44.760
<v Speaker 3>that was the most like fully realized narratively as far

1:16:44.760 --> 1:16:47.760
<v Speaker 3>as the father son dynamics, there are at least three

1:16:47.800 --> 1:16:51.840
<v Speaker 3>others that I clocked. Because there's the Maximus and his

1:16:51.880 --> 1:16:57.640
<v Speaker 3>father figure Marcus Aurelius, because you know, Marcus is like, hey, Maximus,

1:16:57.640 --> 1:17:01.320
<v Speaker 3>you're the son I never had, and Maximus loves him

1:17:01.360 --> 1:17:03.439
<v Speaker 3>as a father, and he spends the whole rest of

1:17:03.479 --> 1:17:06.360
<v Speaker 3>the movie like trying to carry out Marcus Aurelis's wishes

1:17:06.560 --> 1:17:11.479
<v Speaker 3>for Rome. So there's that, There's Maximus and his son

1:17:12.040 --> 1:17:17.720
<v Speaker 3>who is killed, and I guess going very briefly back

1:17:17.760 --> 1:17:21.720
<v Speaker 3>to his wife. Of it all, at least it's not

1:17:22.000 --> 1:17:26.040
<v Speaker 3>just like the woman who is not characterized or not given.

1:17:25.840 --> 1:17:29.960
<v Speaker 2>A name, because women and children are uncarrieds. Yeah, women

1:17:29.960 --> 1:17:33.000
<v Speaker 2>and children last, said Ridley Scott.

1:17:33.400 --> 1:17:37.320
<v Speaker 3>Yeah, Ridley Scott watched Titanic and he said no, no, no,

1:17:37.320 --> 1:17:37.920
<v Speaker 3>no no, I'm.

1:17:37.800 --> 1:17:39.599
<v Speaker 2>Going to do this up the office. Children last.

1:17:41.120 --> 1:17:43.720
<v Speaker 3>So there's there's that dynamic, which is just another thing

1:17:43.760 --> 1:17:46.720
<v Speaker 3>that's motivating Maximus to get his revenge, the fact that

1:17:46.760 --> 1:17:52.360
<v Speaker 3>his son was brutally murdered. And then there's Maximus and Lucius, who, Okay,

1:17:52.760 --> 1:17:54.639
<v Speaker 3>tell me if I'm way off here, but I feel

1:17:54.640 --> 1:17:57.559
<v Speaker 3>like the movie was like vaguely kind of implying that

1:17:57.680 --> 1:18:02.040
<v Speaker 3>maybe Lucius was Maximus's by iological son from the affair

1:18:02.240 --> 1:18:05.599
<v Speaker 3>that he may or may not have. I couldn't tell

1:18:05.640 --> 1:18:08.479
<v Speaker 3>if that's what the movie was trying to like hint

1:18:08.520 --> 1:18:09.160
<v Speaker 3>at or not.

1:18:09.800 --> 1:18:12.200
<v Speaker 1>But I was like, I think though, Okay, kept having

1:18:12.240 --> 1:18:15.720
<v Speaker 1>them be in like they had so much of their relationship,

1:18:15.840 --> 1:18:18.760
<v Speaker 1>and then right when they had the meat, it was

1:18:18.880 --> 1:18:22.360
<v Speaker 1>very much a moment of connection between the two of them.

1:18:22.520 --> 1:18:24.840
<v Speaker 1>He was like, I'll be rooting for you, Spaniard, and

1:18:24.880 --> 1:18:27.679
<v Speaker 1>then now it's revealed obviously that he is his biological son.

1:18:28.000 --> 1:18:29.320
<v Speaker 2>Oh and glad hear too.

1:18:29.640 --> 1:18:33.880
<v Speaker 1>Yeah, that is confirmed. Yes, it is confirmed. Okay, well

1:18:33.960 --> 1:18:35.800
<v Speaker 1>that Lucius.

1:18:35.080 --> 1:18:36.080
<v Speaker 2>Okay, that makes sense.

1:18:36.160 --> 1:18:38.040
<v Speaker 1>It is the biological child and is going to come

1:18:38.080 --> 1:18:41.960
<v Speaker 1>back and be given Maximus the sword and go on

1:18:42.080 --> 1:18:42.920
<v Speaker 1>my damn face.

1:18:43.040 --> 1:18:46.080
<v Speaker 2>I was like, weird that these two are connecting. That

1:18:46.160 --> 1:18:47.080
<v Speaker 2>makes totals.

1:18:47.280 --> 1:18:49.639
<v Speaker 3>Well, that means that Maximus cheated on his wife.

1:18:49.640 --> 1:18:52.120
<v Speaker 2>Then no, but he loved her so much. You don't

1:18:52.200 --> 1:18:54.200
<v Speaker 2>understand because of the same age.

1:18:54.400 --> 1:18:56.400
<v Speaker 1>They are the same age, so how does that work.

1:18:56.479 --> 1:18:59.840
<v Speaker 3>He had sex with Lucilla and his wife basically at

1:18:59.840 --> 1:19:03.080
<v Speaker 3>the same time, So he cheated on his beloved wife.

1:19:03.120 --> 1:19:04.240
<v Speaker 2>So Maximus is a dog.

1:19:04.800 --> 1:19:07.480
<v Speaker 3>Yeah, he's a freaking dog. Although maybe I don't know monogamy.

1:19:07.840 --> 1:19:10.559
<v Speaker 3>Was there polyamory in ancient Reme?

1:19:11.040 --> 1:19:16.080
<v Speaker 1>No, not with free people, no, I see, I see yeah,

1:19:16.120 --> 1:19:19.160
<v Speaker 1>and slave people is a different matter, but free people no, right,

1:19:19.720 --> 1:19:22.280
<v Speaker 1>So he's a dog and definitely no empresses.

1:19:22.400 --> 1:19:26.160
<v Speaker 3>That's gondsing. That gets you excelled, right exactly because women

1:19:26.479 --> 1:19:32.880
<v Speaker 3>are property exactly. Yeah, So lots of father son dynamics.

1:19:33.040 --> 1:19:37.240
<v Speaker 2>And then there's also I would argue Maximus and Proximo.

1:19:37.960 --> 1:19:41.640
<v Speaker 2>Oh sure, there's kind of like a another like at

1:19:41.720 --> 1:19:46.200
<v Speaker 2>least mentorship energy between the two of them that is

1:19:46.280 --> 1:19:49.040
<v Speaker 2>ultimately resolved. Here's where I'll just insert I feel bad

1:19:49.040 --> 1:19:52.479
<v Speaker 2>by saying I'm glad Oliver Reid's dead. That's a little harsh.

1:19:52.880 --> 1:19:56.000
<v Speaker 2>He did struggle with alcoholism his entire life, and I

1:19:56.000 --> 1:19:58.200
<v Speaker 2>don't want to minimize that. However, he said some of

1:19:58.240 --> 1:20:02.120
<v Speaker 2>the most vile things of women throughout his life that

1:20:02.240 --> 1:20:05.600
<v Speaker 2>I've ever heard, Like, was just a lifelong mask off misogynist.

1:20:05.600 --> 1:20:08.639
<v Speaker 2>Loved to go on TV and talk about how poorly

1:20:08.680 --> 1:20:09.360
<v Speaker 2>he thought of women.

1:20:09.439 --> 1:20:10.240
<v Speaker 1>How you know, he.

1:20:10.439 --> 1:20:13.519
<v Speaker 2>Just was like, I don't know. His politics were awful.

1:20:13.680 --> 1:20:16.680
<v Speaker 2>He was like a mask off misogynist going back to

1:20:16.720 --> 1:20:20.600
<v Speaker 2>the seventies. If you were casting him, it's something you

1:20:20.640 --> 1:20:24.800
<v Speaker 2>would have known about him already. So just for for

1:20:24.840 --> 1:20:27.519
<v Speaker 2>what it's worth, I don't mean to minimize his struggle

1:20:27.520 --> 1:20:30.559
<v Speaker 2>with addiction, but he was an asshole and I didn't

1:20:30.560 --> 1:20:32.719
<v Speaker 2>even know that that was something that, like my boyfriend

1:20:32.800 --> 1:20:34.559
<v Speaker 2>knew off the top of his head. He was like, oh,

1:20:34.600 --> 1:20:38.080
<v Speaker 2>look at Proximo over here. I was like, why did

1:20:38.080 --> 1:20:42.000
<v Speaker 2>men know so much about glad Eater? But they do?

1:20:41.640 --> 1:20:43.200
<v Speaker 3>Do they really do they do?

1:20:43.320 --> 1:20:46.479
<v Speaker 1>I would also say that you have Commodists and Lucius

1:20:46.479 --> 1:20:48.759
<v Speaker 1>as well, and he's trying to very much take Lucius

1:20:48.840 --> 1:20:52.040
<v Speaker 1>under his wing, true, reading to him and teaching him

1:20:52.080 --> 1:20:53.840
<v Speaker 1>this history. And then when he says he's going to

1:20:53.880 --> 1:20:58.120
<v Speaker 1>adopt Lucius and have him, he's taking him away. So

1:20:58.479 --> 1:20:59.719
<v Speaker 1>he wants to be his father.

1:21:00.160 --> 1:21:06.240
<v Speaker 3>Yeah, there are six many others some possibly, Yeah, they're

1:21:06.240 --> 1:21:06.920
<v Speaker 3>all right.

1:21:06.800 --> 1:21:11.320
<v Speaker 2>It's very they're sharing daddies like and then and then

1:21:11.360 --> 1:21:15.120
<v Speaker 2>there's like the relationships between men that are not father son.

1:21:15.160 --> 1:21:18.320
<v Speaker 2>There's obviously the tension between Maximus and Commitists. There's the

1:21:18.360 --> 1:21:22.120
<v Speaker 2>friendship between Maximus and Jubba. Like, there's just so many

1:21:22.160 --> 1:21:25.600
<v Speaker 2>pairings of men, it's infinite.

1:21:25.680 --> 1:21:28.320
<v Speaker 3>To go to Juba real quick. It feels like a

1:21:28.360 --> 1:21:31.920
<v Speaker 3>classic example of a black character who exists solely to

1:21:32.000 --> 1:21:36.240
<v Speaker 3>serve the story of the white protagonist. Yeah, that's really

1:21:36.280 --> 1:21:39.200
<v Speaker 3>all we kind of get with that character.

1:21:39.600 --> 1:21:40.040
<v Speaker 2>I agree.

1:21:40.240 --> 1:21:43.479
<v Speaker 3>Yeah, And then to return to Proximo really quickly. So

1:21:43.560 --> 1:21:48.240
<v Speaker 3>he's this like he's an enslaver. He is exploiting and

1:21:48.280 --> 1:21:53.200
<v Speaker 3>profiting off of being this like gladiator guy coach. I

1:21:53.200 --> 1:21:56.200
<v Speaker 3>don't know, but so he's a bad person, yeah, but

1:21:56.240 --> 1:21:59.240
<v Speaker 3>then he has this like redemption basically he's killed, but

1:22:00.040 --> 1:22:03.360
<v Speaker 3>it is framed to me at least as this like heroic, like, oh,

1:22:03.400 --> 1:22:06.680
<v Speaker 3>he did the right thing because he let one of

1:22:06.720 --> 1:22:11.640
<v Speaker 3>his enslaved gladiators go and he kind of sacrifices himself

1:22:12.160 --> 1:22:14.320
<v Speaker 3>for the greater good. And it's just like, well, why

1:22:14.360 --> 1:22:20.000
<v Speaker 3>does this like enslaver capitalist get a redemption? Didn't see

1:22:20.000 --> 1:22:23.200
<v Speaker 3>why that was necessary at all. So yeah, the men,

1:22:23.320 --> 1:22:26.719
<v Speaker 3>the men in the movie, they're they're kind of bad.

1:22:27.240 --> 1:22:28.640
<v Speaker 3>It's just so underthought.

1:22:29.520 --> 1:22:33.000
<v Speaker 2>This is like revealing what a brain dead child I was.

1:22:33.040 --> 1:22:36.479
<v Speaker 2>Because Jaimon Hansu, I've seen him in a ton of

1:22:36.520 --> 1:22:41.759
<v Speaker 2>movies over the years. He's been in a shitload of things.

1:22:41.920 --> 1:22:45.280
<v Speaker 2>The thing I primarily associate him with, though, is the

1:22:45.320 --> 1:22:48.080
<v Speaker 2>fact that he used to be married to Kimoraly Simmons

1:22:48.280 --> 1:22:52.360
<v Speaker 2>but occasionally appear in her reality show Komoralley Simmons Life

1:22:52.360 --> 1:22:55.720
<v Speaker 2>in the fab waan whoa, I don't know. And that

1:22:55.920 --> 1:22:57.880
<v Speaker 2>was where I was like, I've seen this guy. I've

1:22:57.880 --> 1:23:00.840
<v Speaker 2>seen this guy, and the answer could be so many things.

1:23:00.880 --> 1:23:05.360
<v Speaker 2>He's in Marvel movie, he's the New Shazam. He's been

1:23:05.439 --> 1:23:08.400
<v Speaker 2>in so much shit. But I was like, oh, he's

1:23:08.479 --> 1:23:11.040
<v Speaker 2>to be married Komorley Simmons and that's my brain rot

1:23:11.160 --> 1:23:14.040
<v Speaker 2>jumping out. Love it Life in the Fab Lane.

1:23:14.080 --> 1:23:15.439
<v Speaker 3>I don't know what that is.

1:23:15.640 --> 1:23:16.280
<v Speaker 2>You never will.

1:23:16.479 --> 1:23:19.080
<v Speaker 3>He's in beauty shop never Forget.

1:23:19.320 --> 1:23:21.960
<v Speaker 2>And as I was looking, I felt like such a loser.

1:23:22.000 --> 1:23:23.840
<v Speaker 2>As I was looking through as IMDb, I was like,

1:23:23.920 --> 1:23:29.600
<v Speaker 2>I hate that. I connected it to probably his randomst credit.

1:23:30.920 --> 1:23:32.599
<v Speaker 1>But not even an acting credit.

1:23:33.400 --> 1:23:36.679
<v Speaker 2>Nope, he was just being a husband sometimes on that show.

1:23:36.760 --> 1:23:39.360
<v Speaker 2>I loved come Life in the Fab Lane.

1:23:39.880 --> 1:23:42.320
<v Speaker 3>I love it when a guy is like, I'm the

1:23:42.400 --> 1:23:45.680
<v Speaker 3>husband you see sometimes that's sort of my favorite way

1:23:45.720 --> 1:23:48.240
<v Speaker 3>to see a man on screen. I mean, he seemed

1:23:48.240 --> 1:23:48.720
<v Speaker 3>fine with it.

1:23:48.720 --> 1:23:50.400
<v Speaker 2>I don't think he was in the show very much,

1:23:50.439 --> 1:23:52.960
<v Speaker 2>which I would avoid as well. Who wants to be

1:23:53.000 --> 1:23:56.120
<v Speaker 2>on an ereality show when they're already a successful actor?

1:23:56.200 --> 1:24:02.280
<v Speaker 2>Seems like a lateral move. But anyways, that's my embarrassing admission.

1:24:02.360 --> 1:24:04.800
<v Speaker 2>But yes, like he's yet another character who I mean,

1:24:05.280 --> 1:24:08.439
<v Speaker 2>I feel like half the time he enters the scene Juba,

1:24:08.520 --> 1:24:11.559
<v Speaker 2>that he's just there to ask like, hey, how about

1:24:11.560 --> 1:24:15.040
<v Speaker 2>that dead wife Maximus? Like that's like.

1:24:15.240 --> 1:24:17.920
<v Speaker 1>Kind of round by Maximus and be his like little

1:24:17.920 --> 1:24:21.080
<v Speaker 1>sidekick that does' he's told and yeah, right, also the

1:24:21.120 --> 1:24:24.840
<v Speaker 1>only character that we see, like we see much more

1:24:24.840 --> 1:24:27.320
<v Speaker 1>of his body than we do anybody else, Like you

1:24:27.400 --> 1:24:31.519
<v Speaker 1>see basically his entire naked butt. True, he is the

1:24:31.840 --> 1:24:36.040
<v Speaker 1>only man that you see any like flesh of which

1:24:36.080 --> 1:24:39.800
<v Speaker 1>felt really objectifying in a way that was I would

1:24:39.800 --> 1:24:41.479
<v Speaker 1>hope he wouldn't get away with now, I guess.

1:24:41.680 --> 1:24:45.040
<v Speaker 2>But yeah, right for your only black character that you

1:24:45.080 --> 1:24:48.040
<v Speaker 2>get to know, Yeah, m hm. Yeah. And again, it

1:24:48.120 --> 1:24:51.559
<v Speaker 2>just feels like there is so many, like at a

1:24:51.560 --> 1:24:54.040
<v Speaker 2>lot of points in this movie, so many opportunities to

1:24:55.600 --> 1:24:59.360
<v Speaker 2>give more insight into history with the inclusion of his character,

1:24:59.479 --> 1:25:02.200
<v Speaker 2>give more in into this character if you don't feel

1:25:02.200 --> 1:25:06.879
<v Speaker 2>like including history, but they just opt to do like nothing,

1:25:07.120 --> 1:25:13.599
<v Speaker 2>just vague man platitudes that are only really supporting Maximus's story.

1:25:14.520 --> 1:25:16.599
<v Speaker 2>I don't know. I also think that there is something

1:25:16.640 --> 1:25:19.599
<v Speaker 2>too I didn't I meant to look into if there

1:25:20.680 --> 1:25:23.800
<v Speaker 2>was sort of like academic writing to this extent, But

1:25:23.960 --> 1:25:27.120
<v Speaker 2>just how it seems like, especially like in Western cultures,

1:25:27.120 --> 1:25:31.560
<v Speaker 2>people are way more comfortable interacting with stories about slavery

1:25:31.640 --> 1:25:34.719
<v Speaker 2>and slave uprisings when the protagonists are white.

1:25:35.200 --> 1:25:35.639
<v Speaker 3>For sure.

1:25:35.760 --> 1:25:39.200
<v Speaker 2>Yeah, and this feels like it's very much in conversation

1:25:39.680 --> 1:25:41.120
<v Speaker 2>with that, and so are a lot of I mean,

1:25:41.160 --> 1:25:42.519
<v Speaker 2>I feel like a lot of these. You know, if

1:25:42.560 --> 1:25:48.680
<v Speaker 2>you go back older historical epics will very frequently like center, like,

1:25:48.720 --> 1:25:51.960
<v Speaker 2>if it's a story about slavery, the protagonist is white,

1:25:52.000 --> 1:25:54.160
<v Speaker 2>and I think like the implication is so they'll be

1:25:54.240 --> 1:25:56.720
<v Speaker 2>easier for you to root for instead of, you know,

1:25:57.320 --> 1:26:01.799
<v Speaker 2>engaging with the West's own hist with slavery in any

1:26:01.960 --> 1:26:02.639
<v Speaker 2>meaningful way.

1:26:03.280 --> 1:26:06.640
<v Speaker 3>Very true. Does anyone have anything else they'd like to

1:26:06.680 --> 1:26:09.080
<v Speaker 3>say about Gladiator?

1:26:09.760 --> 1:26:11.800
<v Speaker 1>The last thing I'm going to say is that the

1:26:12.360 --> 1:26:17.439
<v Speaker 1>Nazi imagery when Commodace is entering Rome and there are

1:26:17.520 --> 1:26:22.120
<v Speaker 1>straight up direct recreations of shots from Triumph of the Will.

1:26:23.000 --> 1:26:25.760
<v Speaker 3>Oh wow, I did not pick up on that.

1:26:27.240 --> 1:26:30.640
<v Speaker 1>God yeah, which is a very specific thing to be

1:26:30.800 --> 1:26:34.480
<v Speaker 1>saying about commodis making him explicitly a Nazi and explicitly

1:26:34.560 --> 1:26:37.280
<v Speaker 1>Hitler at that point in his return to Rome. And

1:26:37.479 --> 1:26:39.519
<v Speaker 1>if you go back and look, you can like everything

1:26:39.560 --> 1:26:43.040
<v Speaker 1>is regimented, everything is blue, everything looks like Berlin, And

1:26:43.080 --> 1:26:47.000
<v Speaker 1>there are specific recreations of Triumph of the Will shots,

1:26:47.320 --> 1:26:47.880
<v Speaker 1>which was.

1:26:48.280 --> 1:26:51.120
<v Speaker 2>A statement really cool.

1:26:53.120 --> 1:26:55.400
<v Speaker 1>Is not a subtle man as a general rule.

1:26:56.920 --> 1:26:59.360
<v Speaker 2>No, I know how many times am I going to

1:26:59.360 --> 1:27:02.320
<v Speaker 2>give really Scott past because he did ultimately direct Filma

1:27:02.400 --> 1:27:07.280
<v Speaker 2>and Louis. We just have to give that to the screenwriter. Anyways,

1:27:08.240 --> 1:27:11.719
<v Speaker 2>this movie doesn't pass the Bechtels, has no and of discussion,

1:27:11.800 --> 1:27:15.280
<v Speaker 2>even have to name too women. Oh my god.

1:27:16.120 --> 1:27:16.400
<v Speaker 1>Yeah.

1:27:16.479 --> 1:27:21.400
<v Speaker 3>Yeah. But our nipple scale, though, is still way better.

1:27:22.320 --> 1:27:24.439
<v Speaker 2>I love very low.

1:27:24.640 --> 1:27:27.479
<v Speaker 3>It's where we rate the movie on a scale of

1:27:27.600 --> 1:27:32.120
<v Speaker 3>zero to five nipples. Examining the movie through an intersectional

1:27:32.120 --> 1:27:36.920
<v Speaker 3>feminist lens, I will give it half a nipple for

1:27:37.960 --> 1:27:46.400
<v Speaker 3>the pretty clear indictment of male fragility in the commedist character.

1:27:46.680 --> 1:27:49.240
<v Speaker 3>Like that is something that's very clearly displayed, that he

1:27:49.280 --> 1:27:52.719
<v Speaker 3>has a very fragile male ego and that he's power hungry,

1:27:53.479 --> 1:28:00.000
<v Speaker 3>and those qualities are vilified. So that's pretty much all

1:28:00.000 --> 1:28:05.240
<v Speaker 3>all I can say for the movie. It's, as we've said,

1:28:05.280 --> 1:28:10.839
<v Speaker 3>all of these historical epics almost always center men. Women

1:28:11.160 --> 1:28:16.519
<v Speaker 3>are ancillary characters. Their stories and lives and accomplishments are

1:28:16.880 --> 1:28:19.960
<v Speaker 3>very rarely the focus. This movie is no exception. But

1:28:20.040 --> 1:28:23.720
<v Speaker 3>that's why people should read your book, Emma, which we'd

1:28:23.760 --> 1:28:25.840
<v Speaker 3>love to hear more about in a moment. But yeah,

1:28:25.840 --> 1:28:29.240
<v Speaker 3>I'm going to give the movie one half nipple, and

1:28:29.439 --> 1:28:34.640
<v Speaker 3>I will give it to the part where Proximo is

1:28:34.680 --> 1:28:38.120
<v Speaker 3>like talking to some merchant who had sold him giraffes,

1:28:38.160 --> 1:28:41.160
<v Speaker 3>and he's like, the drafts got me, he said, the

1:28:41.200 --> 1:28:44.080
<v Speaker 3>drafts you sold me won't mate. They just walk around

1:28:44.120 --> 1:28:47.679
<v Speaker 3>and eat you sold me queer giraffes. So I'm giving

1:28:47.720 --> 1:28:49.560
<v Speaker 3>my half nipple to the queer drafts.

1:28:49.800 --> 1:28:54.960
<v Speaker 2>Yeah, queer icons as close as we get to queer representation,

1:28:56.360 --> 1:29:02.240
<v Speaker 2>and Gladiator is the giraffes. Yeah, Caitlyn, I'm gonna meet

1:29:02.280 --> 1:29:04.920
<v Speaker 2>you at half a nipple, and I'm I'm gonna even

1:29:05.080 --> 1:29:09.040
<v Speaker 2>like more give it to the one Quen Phoenix performance,

1:29:09.240 --> 1:29:12.040
<v Speaker 2>even more than a script, because I think that like

1:29:12.479 --> 1:29:15.640
<v Speaker 2>he I mean, he's great, and like it's just I

1:29:15.840 --> 1:29:20.759
<v Speaker 2>like that he really leaned into the weepy baby element

1:29:21.200 --> 1:29:23.439
<v Speaker 2>of like because I feel like you could have also

1:29:23.520 --> 1:29:26.000
<v Speaker 2>played those same words with a lot of like how

1:29:26.040 --> 1:29:28.559
<v Speaker 2>could this be? You know kind of thing, but he's

1:29:28.720 --> 1:29:32.680
<v Speaker 2>just like playing it as the like display of kind

1:29:32.720 --> 1:29:36.880
<v Speaker 2>of pathetic emotion that it is. And I really enjoyed

1:29:36.880 --> 1:29:40.680
<v Speaker 2>his performance in this movie. And other than that, like

1:29:41.439 --> 1:29:44.639
<v Speaker 2>sorry to fans of this movie, I found it quite boring.

1:29:46.320 --> 1:29:52.800
<v Speaker 2>I was not enjoying myself. I was playing Neopets for

1:29:53.120 --> 1:29:55.720
<v Speaker 2>part of it. For some of the action scenes, I

1:29:55.880 --> 1:29:59.040
<v Speaker 2>was like, I'm gonna feed my Neopet because that's like

1:29:59.320 --> 1:30:02.560
<v Speaker 2>the lowesome depression I'm at. Right now, I'm back on Neopets.

1:30:02.640 --> 1:30:04.519
<v Speaker 3>I was just gonna say, I'm rather shook that you're

1:30:04.800 --> 1:30:07.160
<v Speaker 3>playing Neopets at this juncture in time.

1:30:07.439 --> 1:30:11.240
<v Speaker 2>I at this late stage, I am playing Neops. Neopets.

1:30:11.400 --> 1:30:14.000
<v Speaker 2>We could talk about another time. But Neopez literally taught

1:30:14.000 --> 1:30:19.559
<v Speaker 2>me capitalism, and now I'm back, like Neops is capital

1:30:19.640 --> 1:30:23.360
<v Speaker 2>I had a mortgage when I was twelve on Yos. Yeah,

1:30:23.439 --> 1:30:24.360
<v Speaker 2>this is exactly.

1:30:24.080 --> 1:30:25.559
<v Speaker 1>Why I won't play any of those games.

1:30:25.640 --> 1:30:29.000
<v Speaker 2>Yeah, not that like I'm like, we should have more

1:30:29.240 --> 1:30:31.519
<v Speaker 2>games about capitalism for children. But I think that I

1:30:31.600 --> 1:30:34.479
<v Speaker 2>learned more about like how money works on Neopets that

1:30:34.560 --> 1:30:37.599
<v Speaker 2>I learned at school or from my family. I had

1:30:37.600 --> 1:30:43.599
<v Speaker 2>a bank account, I had a mortgage, and the way

1:30:43.680 --> 1:30:48.320
<v Speaker 2>that you make money is by playing games. And that's

1:30:48.400 --> 1:30:52.640
<v Speaker 2>kind of how Gladiator. No it's not, I uh know,

1:30:52.760 --> 1:30:55.240
<v Speaker 2>this is food. I don't know. I feel like what

1:30:55.280 --> 1:30:57.639
<v Speaker 2>it is an interesting example of and I'm so glad

1:30:57.680 --> 1:30:59.280
<v Speaker 2>that you were with us. I'm about to you know,

1:30:59.439 --> 1:31:03.639
<v Speaker 2>give us accurate historical insight into what this time may

1:31:03.680 --> 1:31:07.799
<v Speaker 2>have actually been. Like, is how influential, Like when movies

1:31:08.000 --> 1:31:11.880
<v Speaker 2>like Gladiator are wildly influential, it can take decades and

1:31:11.960 --> 1:31:17.040
<v Speaker 2>decades to roll back the kind of lazy hollywoodification of

1:31:17.240 --> 1:31:21.160
<v Speaker 2>actual history, and that I know, like it is a

1:31:21.160 --> 1:31:22.880
<v Speaker 2>tendency to be like, oh well, like the you know,

1:31:22.920 --> 1:31:25.800
<v Speaker 2>impact of movies is overstated. It reflects the culture. That's

1:31:25.840 --> 1:31:29.559
<v Speaker 2>all true, But also especially with something this specific, it's like,

1:31:29.880 --> 1:31:33.840
<v Speaker 2>I mean, it sounds like you've been gladiatoring against gladiator

1:31:34.360 --> 1:31:37.719
<v Speaker 2>for your entire career. Yeah, it's just wild.

1:31:38.120 --> 1:31:40.479
<v Speaker 1>As soon as you start writing about gladiators, you have

1:31:40.560 --> 1:31:45.320
<v Speaker 1>to say first things, first, gladiator games are nothing like gladiators.

1:31:45.320 --> 1:31:49.519
<v Speaker 1>Gladiator is the worst a fiction of gladiatorial games. And

1:31:49.560 --> 1:31:51.439
<v Speaker 1>then you just have to dismountle that for ages.

1:31:51.520 --> 1:31:54.400
<v Speaker 2>But god, and yeah, then you can never actually start

1:31:54.479 --> 1:31:56.320
<v Speaker 2>making the point you're going today.

1:31:57.120 --> 1:31:59.840
<v Speaker 3>Also, I really like the part where it's I think,

1:32:00.200 --> 1:32:03.439
<v Speaker 3>like second glad Eater battle in the movie, and he

1:32:03.560 --> 1:32:05.519
<v Speaker 3>like has just killed a bunch of people and the

1:32:05.520 --> 1:32:07.759
<v Speaker 3>crowd is kind of like lukewarm, and then he goes

1:32:08.120 --> 1:32:11.320
<v Speaker 3>are you not entertained, and it's like me after every

1:32:11.400 --> 1:32:12.160
<v Speaker 3>stand up show.

1:32:12.400 --> 1:32:15.200
<v Speaker 2>I was just like to say, that was very like

1:32:15.640 --> 1:32:19.200
<v Speaker 2>stand up coded to me was I was like, Oh,

1:32:19.320 --> 1:32:21.520
<v Speaker 2>someone's doing bad at the store.

1:32:22.320 --> 1:32:22.559
<v Speaker 1>Yeah.

1:32:22.600 --> 1:32:24.760
<v Speaker 3>He basically turned on the crowd be like, Oh, I

1:32:24.760 --> 1:32:27.240
<v Speaker 3>guess you guys are too. You don't get my references?

1:32:27.320 --> 1:32:29.720
<v Speaker 2>Okay, you freaking snowflakes.

1:32:30.360 --> 1:32:33.640
<v Speaker 3>You're like, yes anyway.

1:32:34.000 --> 1:32:36.479
<v Speaker 2>Yeah, So half nipple and I'm gonna give it to

1:32:37.200 --> 1:32:40.240
<v Speaker 2>I'm going to give it to Joaquin Fhoenix's tears.

1:32:40.640 --> 1:32:42.880
<v Speaker 3>Oh beautiful Emma, how about you?

1:32:43.240 --> 1:32:45.160
<v Speaker 1>Yeah, I think half nipple is very fair, and I'm

1:32:45.200 --> 1:32:47.160
<v Speaker 1>also going to give it half a nipple. But I'm

1:32:47.200 --> 1:32:49.960
<v Speaker 1>going to give it also to Waqi Phoenixy's performance, but

1:32:50.000 --> 1:32:52.320
<v Speaker 1>for a different reason, because I feel like there would

1:32:52.320 --> 1:32:55.519
<v Speaker 1>have been a real strong temptation to play that role

1:32:55.600 --> 1:33:00.559
<v Speaker 1>feminized and with a lot, especially with Roman emperors, you

1:33:00.600 --> 1:33:05.760
<v Speaker 1>find that they are played as very feminine and a Femineit.

1:33:05.520 --> 1:33:07.280
<v Speaker 3>Almost like a queer coding kind of.

1:33:07.200 --> 1:33:10.280
<v Speaker 1>Thing exactly, and that is very much what they've done

1:33:10.320 --> 1:33:11.840
<v Speaker 1>with the second one from what I can see you

1:33:11.880 --> 1:33:14.800
<v Speaker 1>at the trailer. But Waquing Phoenix did not make that

1:33:14.880 --> 1:33:19.080
<v Speaker 1>decision he made this decision to play it very masculine

1:33:19.400 --> 1:33:22.720
<v Speaker 1>and to not make this a queer character or an

1:33:22.720 --> 1:33:26.680
<v Speaker 1>effeminate character as they have so often, and for that

1:33:26.800 --> 1:33:29.360
<v Speaker 1>I appreciate him. And I'm specifically going to give it

1:33:29.400 --> 1:33:31.960
<v Speaker 1>to his cute little white outfit that he wears in

1:33:32.000 --> 1:33:34.599
<v Speaker 1>his death scene where he looks like a statue like.

1:33:34.720 --> 1:33:38.240
<v Speaker 2>His little Yeah, his little Jesus Christ superstar.

1:33:38.240 --> 1:33:40.360
<v Speaker 1>Exactly a plus little outfit.

1:33:41.720 --> 1:33:42.840
<v Speaker 3>Amazing e.

1:33:42.960 --> 1:33:45.080
<v Speaker 2>But thank you so much for a joint Like I

1:33:45.200 --> 1:33:48.479
<v Speaker 2>just I can't imagine, like how we would have done

1:33:48.479 --> 1:33:49.600
<v Speaker 2>this episode without you.

1:33:50.720 --> 1:33:53.400
<v Speaker 3>We would have been like, must be pretty historically accurate.

1:33:54.479 --> 1:33:57.880
<v Speaker 2>It's a documentary and we'll just go with that. There

1:33:57.960 --> 1:34:00.320
<v Speaker 2>was one woman in all of Rome, kind of oh.

1:34:00.280 --> 1:34:02.360
<v Speaker 1>That's the only one that ever existed. Yeah, it's amazing

1:34:02.479 --> 1:34:03.960
<v Speaker 1>how they managed to survive.

1:34:03.960 --> 1:34:07.920
<v Speaker 2>A smurf like society. Could you tell us a little

1:34:07.960 --> 1:34:10.120
<v Speaker 2>bit more about your work and where we can find it.

1:34:10.479 --> 1:34:13.360
<v Speaker 1>Yeah, So I have a book out right now which

1:34:13.400 --> 1:34:15.320
<v Speaker 1>is called a Rome of One Zone, which tells the

1:34:15.320 --> 1:34:18.720
<v Speaker 1>story of the whole Roman Empire from foundation to the

1:34:18.720 --> 1:34:22.120
<v Speaker 1>fall of the West, through the lives of twenty one random,

1:34:22.240 --> 1:34:25.599
<v Speaker 1>semi random women. Very few empresses, so mostly just women

1:34:25.640 --> 1:34:27.600
<v Speaker 1>who lived in the Roman Empire at different times and

1:34:27.600 --> 1:34:30.720
<v Speaker 1>how their lives are affected by war and politics. It's

1:34:30.720 --> 1:34:34.519
<v Speaker 1>got no battles in it and very few senators, so

1:34:34.600 --> 1:34:39.400
<v Speaker 1>it's only fun stuff and no like boring stuff. Yeah,

1:34:39.560 --> 1:34:42.320
<v Speaker 1>and you can buy that in any good bookshop. I

1:34:42.360 --> 1:34:44.880
<v Speaker 1>also have one about which has gladiatorial games in it,

1:34:44.960 --> 1:34:47.479
<v Speaker 1>called A Fatal Thing Happened on the Way to the Forum,

1:34:47.520 --> 1:34:50.599
<v Speaker 1>which is about Roman murder and has a whole chapter

1:34:50.600 --> 1:34:52.479
<v Speaker 1>about gladiatorial games if you want to know how they

1:34:52.520 --> 1:34:54.880
<v Speaker 1>really worked, in which I take the pace out of

1:34:54.920 --> 1:34:58.679
<v Speaker 1>Russell Crowe. And I also have my own podcast which

1:34:58.680 --> 1:35:01.880
<v Speaker 1>is called History Is Sexy. We answer questions that are

1:35:01.920 --> 1:35:04.000
<v Speaker 1>sent to us by listeners who would like us to

1:35:04.040 --> 1:35:07.040
<v Speaker 1>research a question they have about history that they don't

1:35:07.080 --> 1:35:09.560
<v Speaker 1>have the time or inclination to research themselves.

1:35:10.400 --> 1:35:13.840
<v Speaker 2>Amazing oers, thank you so much for joining us, and like,

1:35:14.040 --> 1:35:17.519
<v Speaker 2>please come back for Caligula, Please have me back. Oh

1:35:17.640 --> 1:35:19.760
<v Speaker 2>my heart is now set on it. It's done, so

1:35:19.800 --> 1:35:20.599
<v Speaker 2>it's happening.

1:35:21.479 --> 1:35:25.439
<v Speaker 3>You can follow us on Instagram at Bechdelcast. You can

1:35:25.800 --> 1:35:31.479
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1:35:31.800 --> 1:35:35.040
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1:35:35.200 --> 1:35:39.200
<v Speaker 3>entire back catalog of over one hundred and fifty bonus episodes,

1:35:39.240 --> 1:35:44.800
<v Speaker 3>all on hilarious, amazing, brilliant, genius themes that Jamie and

1:35:44.880 --> 1:35:48.520
<v Speaker 3>I concoct in our little laboratory.

1:35:48.880 --> 1:35:51.160
<v Speaker 2>Oh and you're wondering are they going to cover Hot

1:35:51.280 --> 1:35:55.679
<v Speaker 2>Frosty on the Matreon in December? Well, I'm really pushing

1:35:55.760 --> 1:35:58.360
<v Speaker 2>for it. I'm really pushing for it. The more I

1:35:58.439 --> 1:36:01.440
<v Speaker 2>learn about Hot Frosty, the more it begging for discourse.

1:36:02.520 --> 1:36:04.800
<v Speaker 2>And you can get our merch over at teapublic dot com.

1:36:04.840 --> 1:36:09.880
<v Speaker 2>Slash the Bechtel Cast for all of your holiday And

1:36:10.240 --> 1:36:15.040
<v Speaker 2>on that note, we saved Rome. Were you not entertained?

1:36:16.600 --> 1:36:17.680
<v Speaker 1>This note what you came for?

1:36:19.200 --> 1:36:20.719
<v Speaker 2>Bye Bye.

1:36:24.960 --> 1:36:28.200
<v Speaker 3>The Bechdel Cast is a production of iHeartMedia, hosted by

1:36:28.280 --> 1:36:32.160
<v Speaker 3>Caitlin Derante and Jamie Loftis, produced by Sophie Lichterman, edited

1:36:32.280 --> 1:36:35.439
<v Speaker 3>by Mola Board. Our theme song was composed by Mike

1:36:35.560 --> 1:36:39.920
<v Speaker 3>Kaplan with vocals by Katherine Volskrosenski. Our logo in merch

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<v Speaker 3>is designed by Jamie Loftis and a special thanks to

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