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Speaker 1: Have you ever booked the club and it came with

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Speaker 1: a battalion? You come with a battalion, though, you come

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Speaker 1: with the bronx.

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Speaker 2: I feel like that's a pause.

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Speaker 3: How was that a Paul came of a battalion?

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Speaker 2: You know what a battalion is is like a crew.

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Speaker 3: Of of people. I thought thinking of like a baton.

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Speaker 3: You're thinking above baton, a baton?

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Speaker 2: Yeah, what is a battalion?

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Speaker 1: You're thinking about?

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Speaker 3: May go wrong, but police beat people up? You know

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Speaker 3: what Jack.

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Speaker 4: Willie's cuss.

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Speaker 5: By the way, I'm officially a part of the Nation

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Speaker 5: of Islam.

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Speaker 3: Yeah, is that how we're starting? Yeah?

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Speaker 2: Yo, man, are interesting.

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Speaker 1: We I don't have a n O I present for you,

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Speaker 1: but because rats man, that's a big yo.

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Speaker 2: Man. Jay knew exactly what he was doing posting that. Man,

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Speaker 2: you know, my mentions, my dms, everything was just it

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Speaker 2: was just all over the place.

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Speaker 3: For those that don't know.

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Speaker 1: Over the weekend, Jay Electronica posted on his ig story,

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Speaker 1: congratulations to Mall by the way for becoming a registered

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Speaker 1: member of the Nation of Islam.

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Speaker 6: I did not see that. That's fucking hilarious.

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Speaker 2: And look at the photo that he chose with the

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Speaker 2: big Jesus and literally, like my mentions, my my DMS

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Speaker 2: was just the amount of well, thank you to all

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Speaker 2: the brothers and sisters that followed me as a result

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Speaker 2: of him posting that, I just want to say thank you.

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Speaker 2: But Jay was he just was trying to call it

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Speaker 2: some stir up, some uh trauma.

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Speaker 1: Yeah, I think I think it's great that he chose

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Speaker 1: a photo of you with a Jesus peace on.

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Speaker 3: Yeah, but I know it's there.

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Speaker 1: Yeah, he covered it with the congratulations.

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Speaker 3: Yes, that was smart ofvered white Jesus. Yeah, congratulated.

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Speaker 2: I don't think you can see it because it was

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Speaker 2: the mic was there and my jacket had a coat on,

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Speaker 2: so I don't think you can see it.

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Speaker 5: You got the same hat on in the photo as

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Speaker 5: you do today. Is that in solidarity?

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Speaker 2: So no, I just like to wear the same hat

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Speaker 2: that awored three weeks ago in London. I guess I

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Speaker 2: don't know where, like where do we stand? I mean,

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Speaker 2: I've well, y'all, y'all are white trash. So true, y'all

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Speaker 2: you're not a part of the n OI. You're just

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Speaker 2: white trash.

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Speaker 1: I mean, I'll offer myself to be one of your

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Speaker 1: four white devils that you need to sacrifice?

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Speaker 2: Would you would you would you do that for me?

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Speaker 3: Yeah?

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Speaker 2: Okay, thank you man.

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Speaker 1: Yeah, I'll get you your trip to Mecca.

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Speaker 2: I appreciate that. Thank you man. Shout out to Jay Man.

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Speaker 2: We had an interesting conversation in the group chat over

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Speaker 2: the weekend.

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Speaker 1: We did which edding is in? Which is hilarious?

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Speaker 2: Yeah?

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Speaker 1: Yeah yeah, Jay like was asking Edding his age, his address,

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Speaker 1: my social his pin number.

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Speaker 2: He was asking me to Oh I know, he was

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Speaker 2: asking me you.

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Speaker 3: Next, I guess so, yeah, I think announcement coming soon.

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Speaker 1: Well he refers to a fidel, so I'm not really sure.

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Speaker 3: He refers me to a lot of different things. Just

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Speaker 3: handled it.

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Speaker 5: Thank you, Islam, Yeah, exactly, Thank.

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Speaker 3: You ferk Yeah, thank you to the minister.

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Speaker 1: I saw that the Honorable Minister Lewis Ferrakhan's son, was

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Speaker 1: it right?

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Speaker 3: Son followed you? Yes, Wow, wow that's big. Can I

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Speaker 3: look here day? I want to see how much Hey, YoY.

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Speaker 2: It's insane After that post, Oh it's insane. I had

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Speaker 2: people like I had my my relatives hitting me like

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Speaker 2: yo word. I'm like, I'm like, guys, no, this is

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Speaker 2: Jay is just being Jay and just stirring up, just

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Speaker 2: you know, he knows what he's doing. He knows what

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Speaker 2: he's done on my phone.

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Speaker 1: Did your account get shadow Band since.

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Speaker 2: No, not yet. Well I don't know. I haven't posted anything,

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Speaker 2: so I don't know.

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Speaker 1: I'm a little nervous talking about this at the beginning

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Speaker 1: of the episode because I feel like YouTube will demonetize

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Speaker 1: us and shadow Band all of our contact just because

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Speaker 1: you've joined.

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Speaker 3: Yeah.

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Speaker 1: No, I've seen them do it to Jay's profile.

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Speaker 2: But you know, it's funny. A lot of people will

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Speaker 2: hit me because you know, my dad is Muslim, I

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Speaker 2: have a Muslim name, so they they were believing it.

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Speaker 2: It was like it lines up, like it could be

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Speaker 2: a real thing, and I was just like, no, it's not.

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Speaker 2: I'm not. I have not joined the Nation of Islam.

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Speaker 2: But I think that was Jay's way of telling me, Yo,

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Speaker 2: why are you not? How would you join the Nation

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Speaker 2: of Islam?

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Speaker 1: How would you break that to the vegans because you

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Speaker 1: can't be vegan and another religion?

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Speaker 3: Right? Is that is that a thing? No, it's not.

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Speaker 2: It's not a thing.

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Speaker 6: No.

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Speaker 3: Converting from veganism to.

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Speaker 1: Muslimism, yeah, Muslims Muslimism, Nah, it's not a thing. Well,

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Speaker 1: I actually got to hang out with Maul. I wouldn't

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Speaker 1: say over the weekend per se, but post recording, I

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Speaker 1: actually had a night on the town with Mal.

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Speaker 2: It wasn't we were right at the block, it wasn't

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Speaker 2: a night on the town.

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Speaker 1: For those that subscribe to our Patreon Patreon dot com

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Speaker 1: backslash Newbori Moore, we put out an episode on Monday

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Speaker 1: discussing being industry and not the way we have in

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Speaker 1: the past. But in twenty twenty four, I wanted to

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Speaker 1: go to more quote unquote industry dinners and start networking

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Speaker 1: a bit more. I feel like I've passed up on

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Speaker 1: some opportunities because I felt like that wasn't my scene.

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Speaker 1: So on Thursday night, I dragged mall out to a

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Speaker 1: Spotify dinner nice no vegan options. Might I add so

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Speaker 1: I know he was really upset, but Maul said I

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Speaker 1: was going to fuck up the dinner. I'm here to

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Speaker 1: say that I heightened the dinner and made it a

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Speaker 1: better experience than what it could have been.

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Speaker 3: Is that why you left?

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Speaker 2: And I'm here to say that Rory did exactly what

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Speaker 2: I said he was gonna do. Be awkward, make awkward

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Speaker 2: conversation and ruin the dinner for everybody, and that's exactly

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Speaker 2: what he did.

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Speaker 3: How do you feel I did that?

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Speaker 1: First of all, we're at a table with Bridget Mandy Deanni,

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Speaker 1: like we were with friends at the table. Yeah, But

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Speaker 1: so I felt I could speak freely to the other

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Speaker 1: four Spotify employees that were enjoying a nice center.

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Speaker 2: But that's the problem, bro, you can't. You can't speak

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Speaker 2: freely to Spotify employees that you don't know that you

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Speaker 2: just met.

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Speaker 1: Well, the point of that dinner, I think see it.

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Speaker 1: It was the creator's dinner.

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Speaker 2: You thought that was the point of the dinner.

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Speaker 1: When I see creator Dinner brought to you by Spotify,

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Speaker 1: and they wanted they reached out to all their top

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Speaker 1: creators to have a dialogue about twenty twenty four and

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Speaker 1: things that we could work on together, what they could improve.

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Speaker 1: I just came in there and did it by definition.

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Speaker 3: Yeah.

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Speaker 2: No, he came in there swinging hot. He's like, yeah,

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Speaker 2: so it's Daniel. For those that don't know, Daniel Elk

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Speaker 2: is the CEO of Spotify. I figured he would have

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Speaker 2: been yeah, No, no, he was not. He was nowhere

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Speaker 2: near there. So we said there. We had some good

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Speaker 2: conversation with the people from Spotify that the ladies that

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Speaker 2: were shout out to Amber and uh Anna shout out

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Speaker 2: to Anna uh and they were talking about, you know,

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Speaker 2: things that Spotify was trying to do and things like that.

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Speaker 2: So Rory just basically was like, yeah, so what about

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Speaker 2: paying the creators? How come we're not.

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Speaker 3: Paying how come?

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Speaker 2: How come Spotify doesn't want to pay the creators what

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Speaker 2: they're what they were?

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Speaker 3: Is that how he worded it.

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Speaker 2: He was like, we sit we what was his thing? Oh,

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Speaker 2: we keep more people on the app weekly than Drake does.

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Speaker 2: Nobody sits on an app for seventy minutes. Listen it

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Speaker 2: to a Drake out rate?

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Speaker 3: You got that confused?

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Speaker 1: Okay, Drake album comes out once a year. Yeah, we

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Speaker 1: put out two episodes a week with a retention rate

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Speaker 1: at seventy minutes. That's higher than any artist you could

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Speaker 1: think of. He made points, Yeah, but I know I

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Speaker 1: made a lot of points that they couldn't refute.

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Speaker 3: Now, Like, I just think it was the wrong person.

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Speaker 5: People probably listen to us more if you're a fan,

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Speaker 5: but you also have to count Drake's read Yeah.

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Speaker 3: Like in this room alone, Drake was a number one artist.

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Speaker 1: I'm not saying we should have been valued at Drake.

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Speaker 1: But it was just a comparison. I was making that

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Speaker 1: we are valued at the same rate as an artist

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Speaker 1: is any artist when we're keeping people on it at

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Speaker 1: they're a tech app. The whole point is, how can

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Speaker 1: we keep people on this app as long as possible

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Speaker 1: so we can sell ads against it. We do that,

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Speaker 1: and we're not the biggest podcast, and I'm comparing it

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Speaker 1: to the biggest artists in the world.

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Speaker 3: We still have a longer retention rate there. Yeah, it

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Speaker 3: was a great.

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Speaker 1: Point, which small things I fucked up, but I got

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Speaker 1: DMS from Anna after and said thank you for your conversation.

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Speaker 1: I thought you made a lot of good points. We

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Speaker 1: should work on that.

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Speaker 6: Think that Anna's actually gonna work on it, Darling.

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Speaker 1: Well, she worked in sales and marketing, so I was

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Speaker 1: I was yelling at the wrong person.

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Speaker 3: But but you have to understand. It was like, you

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Speaker 3: have to pay the.

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Speaker 2: Creators, and Anna Dick can't pay anybody. Rory like, let's

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Speaker 2: just have dinner and just enjoy the holiday.

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Speaker 1: I thought it was a good mixture of both. We

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Speaker 1: socialized about regular ship and then we had some serious conversation.

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Speaker 2: Once deserting no nobody ate dessert by that. By that point,

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Speaker 2: everybody was kind of like, yeah, you're right, Like it

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Speaker 2: was like that energy like and nobody wanted to really

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Speaker 2: eat after that.

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Speaker 6: It was kind of like, oh, were you like you

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Speaker 6: really stunk up the place like that?

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Speaker 2: No, nobody just at table because it was different tables.

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Speaker 2: Everybody else seemed to be having fun.

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Speaker 1: Yeah, like, and that's why it wasn't my fault that

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Speaker 1: I was yelling at Anna someone that's in sales, that

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Speaker 1: that's who they sat me next to. So I just

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Speaker 1: yelled at the person that was next to me.

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Speaker 2: I tell you all that he was going to ruin

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Speaker 2: the dinner, didn't I say that? I said, Yo, I'm

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Speaker 2: only going because I want to watch you be awkward

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Speaker 2: and just ruin the dinner.

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Speaker 1: But as it back, when if I get a DM

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Speaker 1: and email from Amber as well that they enjoyed the

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Speaker 1: conversation and want to continue.

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Speaker 2: The combo, I mean I got the same DM from Anna,

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Speaker 2: I gotta watch her on the como. Yeah, but I didn't.

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Speaker 2: I didn't ruin it like you did. I was kind

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Speaker 2: of like trying to be.

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Speaker 5: Did any of the other creators at the table step

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Speaker 5: up or were you just like on a ledge.

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Speaker 1: Uh bridget and many were talking, maybe not at the

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Speaker 1: aggressive tone that I that I may have had.

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Speaker 2: You know, the song it was loud, was flowing, you

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Speaker 2: know once the psalm starts flowing, and Rory it's that's it.

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Speaker 2: So yeah, and then he had it. He was only

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Speaker 2: when they enabled a short sleeved T shirt on. It

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Speaker 2: was thirty degrees that night in New York City. You

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Speaker 2: know he was there had ts a pre check Listen,

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Speaker 2: I have pre check. Okay, Spotify needs to pay the creators.

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Speaker 2: I'm trying to keep this pre check being going.

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Speaker 1: And I definitely asked Anna, Now, I realized that my

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Speaker 1: tone is wrong a lot. When we first sat.

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Speaker 2: Now you realize, great time, realized we got yelled that

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Speaker 2: now over your tail, great great time.

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Speaker 1: I definitely it came off dismissive. But when we sat down,

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Speaker 1: they sat us at a creator's table, and we knew

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Speaker 1: all the creators.

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Speaker 3: It was our friends, and then there.

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Speaker 1: Was two other tables that were actually bigger tables, and

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Speaker 1: I looked at it was like, who the who the

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Speaker 1: rest of these people? She was like, oh, they're just

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Speaker 1: other creators. I said it in a very sassy tone

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Speaker 1: in retrospect, like, who are these fucks?

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Speaker 3: Yeah, and do they have pre check? What they.

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Speaker 2: She was like, no, I think she has global entry.

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Speaker 2: Actually clear.

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Speaker 6: I know.

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Speaker 1: I was kind of cooking though at one point because

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Speaker 1: once I started my aggressive tone, the waiter came over

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Speaker 1: and was like, are you guys done eating? I said no,

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Speaker 1: I just started and then continued to tear Spotify.

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Speaker 3: It was.

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Speaker 2: It was a good dinner though. It was a good dinner.

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Speaker 2: It was it was a great room, great energy in

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Speaker 2: the room, good mix of people. So shout out to

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Speaker 2: Spotify for inviting, shout out the amber for inviting us,

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Speaker 2: and yeah, we should probably do more of that. I'm

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Speaker 2: not mad at I'm not I'm mad at Rory ruining

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Speaker 2: the dinners. I made it because it was it was

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Speaker 2: a progressive conversation. It wasn't engaging conversation. I just knew

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Speaker 2: that Rory was going to do that, so that's the

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Speaker 2: reason why. But it was great though. It was great

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Speaker 2: to do that. Those type of things I don't mind

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Speaker 2: going to like that's it's industry, but it's kind of

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Speaker 2: not at the same time.

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Speaker 1: No, definitely, I wasn't industry industry. What would you what

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Speaker 1: would be your suggestion of changing my approach, because I

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Speaker 1: do think my message was great and was for that dinner.

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Speaker 1: But how should I change my my approach and messaging

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Speaker 1: and how?

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Speaker 2: I think it's all about just giving the person you're

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Speaker 2: talking to more space to respond to what you just asked,

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Speaker 2: because you'll ask a question I cut everybody. Yeah, or

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Speaker 2: Rory has a thing where he asked you a question.

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Speaker 2: As soon as you start answering, he follows it with

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Speaker 2: another questions. Yes, so now I don't even know what

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Speaker 2: I'm answering now at this point.

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Speaker 3: Yeah, episode, that's true, I do do. Yeah.

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Speaker 2: So I think if you do that, get your question off,

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Speaker 2: give room for the person to respond, and then you

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Speaker 2: react to the response instead of asking a question, and

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Speaker 2: once spress respond, you cut them off with another question.

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Speaker 1: I have a bad memory sometimes, and sometimes when I'm

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Speaker 1: passionate about what I'm talking about, I don't want to

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Speaker 1: forget a point that I need to make. And that's

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Speaker 1: why when I answer upt people, it's not it's my

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Speaker 1: own stupid brain trying to remind myself to not forget

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Speaker 1: to ask this question or make this point that I'm

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Speaker 1: about to make.

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Speaker 2: Maybe you should walk around with flash cards especially not

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Speaker 2: a message just like momento.

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Speaker 3: Just start writing and sharpy all over your.

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Speaker 1: Mind, because even though my brain is dumb, I am

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Speaker 1: really good at talking and listening at the same time.

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Speaker 1: So it can appear like I'm waiting to talk and

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Speaker 1: not listening, but I really am.

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Speaker 3: Your brain is my brain is retaining it.

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Speaker 1: I'm just also trying to remember everything that is in

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Speaker 1: my head.

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Speaker 2: Oh why don't you get the thing the play risk

305
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Speaker 2: band that Dak Prescott and all of the NFL quarterbacks

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Speaker 2: have where they just flip it open and they read

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Speaker 2: the play and then they cover it. Like you should

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Speaker 2: walk around with that.

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Speaker 1: Only if you can be the coach on the sidelines

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Speaker 1: giving me like the sign of what we're.

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Speaker 3: Like, would you just do? I got you giving me

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Speaker 3: the shot. Yeah.

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Speaker 2: But it was a great dinner, THO, shout out everybody.

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Speaker 2: It was it was good to see uh some of

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Speaker 2: our friends. Shout out to them, and yeah, I mean

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Speaker 2: then we came back here. We came back here, had

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Speaker 2: more conversation. Uh, had a glass of wine, and Rory

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Speaker 2: had to leave me to go do bad time with Amara,

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Speaker 2: and yeah that was it.

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Speaker 1: Oh, yeah, now I think about it. You were here

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Speaker 1: alone to entertain which I mean, is your bad when

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Speaker 1: it's all women?

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Speaker 3: Ill?

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Speaker 1: Late, were you guys here?

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Speaker 2: We probably left like maybe thirty minutes after you Okay. Yeah,

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Speaker 2: everybody finished a glass of wine and called it ubers

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Speaker 2: and everybody went home. Yeah, it was good seeing everybody though.

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Speaker 2: It was a good seeing. It's always good to see people

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Speaker 2: that you don't see often but that you enjoyed being around.

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Speaker 1: And I couldn't have scared Spotify that came.

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Speaker 3: They came to the office.

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Speaker 2: Well yeah, I mean, well she was cool. You know,

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Speaker 2: she didn't give a fuck about you yelling and things

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Speaker 2: like that.

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Speaker 3: Yeah.

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Speaker 2: Well, but it was a good night though. Shout out

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Speaker 2: to Spotify for putting together a good dinner.

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Speaker 1: Meanwhile, we were networking and Yomi was running a munk

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Speaker 1: on Collins and.

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00:14:06,080 --> 00:14:08,360
Speaker 2: Back to you, because when we came back here, Yomi

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Speaker 2: was still here editing. She was still here working, get

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Speaker 2: ready to leave, or we caught her before she left,

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Speaker 2: and Jan was like, yeah, I'm out, Okay, I'm going

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00:14:17,240 --> 00:14:21,480
Speaker 2: to the Yams, I said, you said, I said, Yo,

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Speaker 2: where are you going? I'm going to the yam Lets said,

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00:14:23,640 --> 00:14:25,440
Speaker 2: yoming the Yams. I like that. That's that's got a

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00:14:25,480 --> 00:14:26,240
Speaker 2: nice little ring to it.

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00:14:26,280 --> 00:14:27,520
Speaker 1: What is the Yams exactly?

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Speaker 2: Miami?

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Speaker 1: Okay, So I would have thought that I'm gonna go

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Speaker 1: get some.

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00:14:31,840 --> 00:14:35,200
Speaker 2: Yeah, going to the Yams. So she, Yomi, was in

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Speaker 2: Miami for art basel and then she came back. Just now,

354
00:14:39,000 --> 00:14:42,120
Speaker 2: she's fresh off the plane, luggages in the lounge area.

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Speaker 2: Still smells like ts a sand in her shoes, smells

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Speaker 2: like South Beach, you know what I mean. Got a

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Speaker 2: little head cold because it was warm there and it's

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Speaker 2: cold here. You know, once you change the climates, the

359
00:14:52,160 --> 00:14:55,640
Speaker 2: nostrils can't really take it. So now she's sitting here stuffy.

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Speaker 2: How did you get you have a good time? Yo

361
00:14:58,200 --> 00:14:59,520
Speaker 2: throwing it? He was throwing ass.

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00:14:59,760 --> 00:15:02,720
Speaker 1: Little I'm going how much art is left at our basil?

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00:15:03,680 --> 00:15:06,240
Speaker 1: I didn't see one painting on anyone's story speaking.

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Speaker 3: I saw Wayne Kanye.

365
00:15:09,600 --> 00:15:10,960
Speaker 2: Yeah, I saw Kanye.

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00:15:11,080 --> 00:15:13,560
Speaker 3: I saw Wayne piece of art in sight.

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00:15:13,880 --> 00:15:15,920
Speaker 2: There was some bikini Was it like a bikini thing

368
00:15:15,960 --> 00:15:19,480
Speaker 2: going on because I've seen a bunch of okay, yeah,

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00:15:19,680 --> 00:15:21,600
Speaker 2: it seemed like some fashion shows, a bunch of bikinis.

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Speaker 2: I don't know if it was a bikini weekend, I

371
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Speaker 2: don't know. You never know what the hell was going

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Speaker 2: on in these cities, man.

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Speaker 1: And we we went to the Content Creators dinner. I

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Speaker 1: saw on I g there was I think the name

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00:15:32,200 --> 00:15:35,080
Speaker 1: of the company was Creators. Content Creators. They had a

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Speaker 1: house in Miami for arbazl. It was literally in front

377
00:15:38,200 --> 00:15:42,840
Speaker 1: of their logo and sign was just ass to celebrate

378
00:15:42,880 --> 00:15:43,880
Speaker 1: all the content creators.

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00:15:44,200 --> 00:15:44,600
Speaker 2: Love it.

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00:15:44,800 --> 00:15:46,640
Speaker 3: I love that, just ask shaking.

381
00:15:46,720 --> 00:15:48,320
Speaker 2: It's always good to talk to the people that actually

382
00:15:48,320 --> 00:15:50,520
Speaker 2: live in Miami that don't want to be there during

383
00:15:50,760 --> 00:15:53,080
Speaker 2: like art basel. Oh, they get the funk out of

384
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Speaker 2: town quick, have you guys? Yeah, been in our basil

385
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Speaker 2: years ago. I haven't been in a few years. Like

386
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Speaker 2: I you know, I'm not really into it that type

387
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Speaker 2: of art.

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Speaker 1: Anyhow I saw it. I mean I saw Jewels was

389
00:16:06,880 --> 00:16:08,440
Speaker 1: with Kanye. You could have had to you could have

390
00:16:08,520 --> 00:16:10,440
Speaker 1: linked should have went with Yomi.

391
00:16:10,760 --> 00:16:12,960
Speaker 2: Yeah, I thought about it once you when came back

392
00:16:12,960 --> 00:16:14,800
Speaker 2: and Yomi said she was leaving, I say, damn, I

393
00:16:14,840 --> 00:16:15,560
Speaker 2: should go to Miami.

394
00:16:16,080 --> 00:16:18,440
Speaker 1: I didn't think that had you linked with Jewels, which

395
00:16:19,080 --> 00:16:21,560
Speaker 1: then in theory, you would have linked with ya. Would

396
00:16:21,560 --> 00:16:23,120
Speaker 1: you have been leaning on the side of the DJ

397
00:16:23,200 --> 00:16:25,960
Speaker 1: booth next to you with a towel over your head,

398
00:16:25,960 --> 00:16:28,080
Speaker 1: Bob into the New Him entire album.

399
00:16:28,240 --> 00:16:30,720
Speaker 2: No, but that Jewels was there and you would have

400
00:16:30,760 --> 00:16:33,640
Speaker 2: been next to Jewels though probably, But that record sounds dope.

401
00:16:33,640 --> 00:16:33,880
Speaker 3: Though.

402
00:16:34,400 --> 00:16:36,760
Speaker 2: I will say that I don't know which record he's

403
00:16:36,760 --> 00:16:38,480
Speaker 2: playing here, but it was one record I heard. I

404
00:16:38,520 --> 00:16:40,120
Speaker 2: was like, I don't know, you didn't play that record?

405
00:16:40,880 --> 00:16:44,080
Speaker 1: The record that has free Larry for young Thug, Yes,

406
00:16:44,120 --> 00:16:46,880
Speaker 1: I did. That is a young thug verse. That's incredible. Yeah,

407
00:16:47,280 --> 00:16:48,400
Speaker 1: probably one of my favorite.

408
00:16:48,120 --> 00:16:50,840
Speaker 2: Thug versis not that song. The song I heard Kanye

409
00:16:50,880 --> 00:16:55,040
Speaker 2: play I think it was Todd Dollar Future there.

410
00:16:54,920 --> 00:16:56,760
Speaker 5: Is a future on Yeah, this is a different one. Yeah,

411
00:16:56,800 --> 00:16:58,880
Speaker 5: this is this one has the river sample on it.

412
00:17:00,120 --> 00:17:02,040
Speaker 2: Me to You the one he played with Todd Doland

413
00:17:02,120 --> 00:17:04,480
Speaker 2: Future sound dope. That just sounds crazy.

414
00:17:05,640 --> 00:17:07,520
Speaker 1: I mean, what a perfect time for you to come back.

415
00:17:08,520 --> 00:17:11,439
Speaker 2: Haja canceled and he got a Backstreet Boys Clarence, he

416
00:17:11,440 --> 00:17:14,160
Speaker 2: got c clear that sampleause Israel's wild.

417
00:17:15,640 --> 00:17:18,320
Speaker 1: I just want to I'm just if Kanye were to

418
00:17:18,320 --> 00:17:21,199
Speaker 1: come back at any time, now is the time? Like

419
00:17:21,240 --> 00:17:23,760
Speaker 1: he might be easies at the end of the day,

420
00:17:23,880 --> 00:17:26,399
Speaker 1: but like, look at this timing of the world, like

421
00:17:27,040 --> 00:17:29,800
Speaker 1: not really feeling what's going on with some of the

422
00:17:29,800 --> 00:17:30,720
Speaker 1: points he was making.

423
00:17:31,200 --> 00:17:33,520
Speaker 3: Yeah, what a perfect moment.

424
00:17:33,520 --> 00:17:35,080
Speaker 2: Like look at the world we live in, Like we

425
00:17:35,119 --> 00:17:37,280
Speaker 2: don't even know what the fuck is going on in Ukraine,

426
00:17:38,040 --> 00:17:39,000
Speaker 2: Like we just stopped like.

427
00:17:39,320 --> 00:17:42,320
Speaker 5: Bro like so it's like the more important whites are

428
00:17:42,480 --> 00:17:43,080
Speaker 5: going through it.

429
00:17:43,080 --> 00:17:44,080
Speaker 2: So it's nothing happening.

430
00:17:44,280 --> 00:17:47,879
Speaker 1: Everything is okay, it's not and we're still giving just

431
00:17:48,280 --> 00:17:51,000
Speaker 1: as much money, if not more. Just the media is

432
00:17:51,040 --> 00:17:53,680
Speaker 1: covering Israel and Palistine.

433
00:17:53,400 --> 00:17:57,359
Speaker 5: Yep, because like certain they own some you know, media stuff.

434
00:17:57,359 --> 00:17:59,840
Speaker 5: You know that works if you own it, you know.

435
00:18:00,600 --> 00:18:03,280
Speaker 2: I just want to know how Kanye is canceled and

436
00:18:03,359 --> 00:18:05,760
Speaker 2: he was able to clear Backstreet Boy. He's not canceled

437
00:18:05,760 --> 00:18:08,440
Speaker 2: like that. I just listen, man, I'm just trying to

438
00:18:08,520 --> 00:18:10,359
Speaker 2: keep up with everything that goes on in the media.

439
00:18:10,920 --> 00:18:12,320
Speaker 3: But do we know that it's cleared?

440
00:18:12,359 --> 00:18:15,360
Speaker 1: For those that don't know, Kanye posted a snippet before

441
00:18:15,400 --> 00:18:18,280
Speaker 1: all these basl snippets of him on a balcony I

442
00:18:18,280 --> 00:18:20,840
Speaker 1: want to say some type of expensive terraces and in

443
00:18:20,880 --> 00:18:24,000
Speaker 1: the background it was Todd Alison singing word for word

444
00:18:24,600 --> 00:18:29,199
Speaker 1: Backstreet Boy was Backstreet's back fucking classic. We don't know

445
00:18:29,240 --> 00:18:32,119
Speaker 1: that it's cleared. He didn't play it anywhere where it

446
00:18:32,160 --> 00:18:32,879
Speaker 1: had to be cleared.

447
00:18:33,040 --> 00:18:34,600
Speaker 2: I think it's I think it's safe to say that

448
00:18:34,600 --> 00:18:37,880
Speaker 2: that record got cleared. I think that's safe to as song. Yeah,

449
00:18:39,000 --> 00:18:40,600
Speaker 2: but that record is going to be on the project.

450
00:18:40,600 --> 00:18:42,320
Speaker 1: We don't even know where this is. If this is

451
00:18:42,320 --> 00:18:44,879
Speaker 1: going to be on streaming. I don't think anything has

452
00:18:44,960 --> 00:18:46,920
Speaker 1: been cleared because I don't think this may even hit

453
00:18:47,320 --> 00:18:48,640
Speaker 1: the Apple, Spotify or type.

454
00:18:48,920 --> 00:18:51,639
Speaker 5: Apparently the latest news on the on the album is

455
00:18:51,680 --> 00:18:53,040
Speaker 5: this Friday the fifteenth.

456
00:18:53,600 --> 00:18:54,200
Speaker 2: You don't think this.

457
00:18:54,160 --> 00:18:56,320
Speaker 1: Albums coming out No, I just don't know if it's

458
00:18:56,320 --> 00:19:01,720
Speaker 1: coming out on Traditionally, like on dsp'sditional DSPs, whose.

459
00:19:01,520 --> 00:19:04,399
Speaker 5: Album is this, Kanye and Tiles High they did a collab,

460
00:19:04,600 --> 00:19:06,720
Speaker 5: so it was supposed to come out, they pushed and

461
00:19:06,760 --> 00:19:09,400
Speaker 5: then this is what feels like more of a real

462
00:19:09,480 --> 00:19:11,920
Speaker 5: rollout than what it was the first time. This feels

463
00:19:12,240 --> 00:19:14,680
Speaker 5: like more of a moment. So as of now it's

464
00:19:14,720 --> 00:19:15,600
Speaker 5: scheduled for Friday.

465
00:19:15,760 --> 00:19:18,120
Speaker 1: Well, everything sounds much better than that piece of shit

466
00:19:18,640 --> 00:19:19,440
Speaker 1: single they put out.

467
00:19:20,280 --> 00:19:21,840
Speaker 3: Nothing sounds like that, thank god.

468
00:19:22,080 --> 00:19:24,240
Speaker 5: And they're saying the album is called Vultures, so it's

469
00:19:24,440 --> 00:19:27,800
Speaker 5: named I guess after that single which what looks it's

470
00:19:27,880 --> 00:19:29,520
Speaker 5: not a good one, but it is the worst song

471
00:19:29,560 --> 00:19:30,560
Speaker 5: on the album in my opinion.

472
00:19:30,840 --> 00:19:34,000
Speaker 2: For sure, I want to see the Kanye documentary ten

473
00:19:34,080 --> 00:19:38,640
Speaker 2: years from now, Like I believe that if he's everything

474
00:19:38,680 --> 00:19:42,800
Speaker 2: that he's doing I think is strategic, obviously strategically planned,

475
00:19:43,200 --> 00:19:44,800
Speaker 2: and I think it's going to be interesting to watch

476
00:19:44,920 --> 00:19:48,800
Speaker 2: him in the privacy talk about everything that he is

477
00:19:48,840 --> 00:19:51,720
Speaker 2: doing now and see it in documentary form.

478
00:19:51,880 --> 00:19:55,040
Speaker 1: Well, I don't doubt that he's not filming everything. They

479
00:19:55,080 --> 00:19:57,639
Speaker 1: built a village in Saudi Arabia. I'm sure everything was

480
00:19:57,640 --> 00:20:00,560
Speaker 1: filmed in that regard, and that two hour that was

481
00:20:00,560 --> 00:20:02,880
Speaker 1: supposed to come out leaked which was very much that

482
00:20:03,080 --> 00:20:07,080
Speaker 1: but the five years prior, so I'm sure they're doing

483
00:20:07,119 --> 00:20:07,920
Speaker 1: it now.

484
00:20:08,480 --> 00:20:10,040
Speaker 2: Do we think Kanye did all of that to get

485
00:20:10,080 --> 00:20:11,800
Speaker 2: out of those deals he was in purposely, like he

486
00:20:11,840 --> 00:20:13,200
Speaker 2: just wanted to get out of those deals.

487
00:20:13,240 --> 00:20:16,400
Speaker 1: I don't know that he's out of any music deals though,

488
00:20:16,880 --> 00:20:19,320
Speaker 1: you mean with Adidas music.

489
00:20:20,720 --> 00:20:22,399
Speaker 2: I think everything, I think he did all of that

490
00:20:22,440 --> 00:20:24,160
Speaker 2: to get out of every deal that he had.

491
00:20:24,600 --> 00:20:26,760
Speaker 5: What it is is because the Adidas one was more

492
00:20:26,800 --> 00:20:29,159
Speaker 5: of a public split. But what is what are his

493
00:20:29,680 --> 00:20:32,440
Speaker 5: loyalties to the labels at this point, does he owe

494
00:20:32,520 --> 00:20:33,560
Speaker 5: them the albums?

495
00:20:33,920 --> 00:20:34,800
Speaker 3: What is the deal with that.

496
00:20:35,160 --> 00:20:39,160
Speaker 1: I don't think he owes anything from my understanding. Maybe

497
00:20:39,160 --> 00:20:42,240
Speaker 1: maybe in the good music deal he owes albums, but

498
00:20:42,400 --> 00:20:43,159
Speaker 1: they don't have to be his.

499
00:20:43,400 --> 00:20:43,960
Speaker 3: I'm not sure.

500
00:20:44,119 --> 00:20:45,560
Speaker 1: I don't want to speak to that, and I'm not

501
00:20:45,560 --> 00:20:47,959
Speaker 1: sure there's anyone but Kanye and his lawyers that can

502
00:20:47,960 --> 00:20:48,439
Speaker 1: speak to that.

503
00:20:48,960 --> 00:20:51,200
Speaker 7: Well, good music is no longer a part of depth. Yeah,

504
00:20:51,240 --> 00:20:54,160
Speaker 7: he doesn't owe anything with good music.

505
00:20:54,200 --> 00:20:55,760
Speaker 3: But he also said he wants nothing to do with

506
00:20:55,760 --> 00:20:56,359
Speaker 3: good music.

507
00:20:56,640 --> 00:20:58,000
Speaker 2: Yeah, because he makes great music.

508
00:20:58,359 --> 00:21:00,639
Speaker 3: Yeah, So then I think that's the case.

509
00:21:01,600 --> 00:21:05,120
Speaker 5: He left his the big, the major label, and now

510
00:21:05,119 --> 00:21:06,639
Speaker 5: he wants to ditch his own label.

511
00:21:06,760 --> 00:21:08,400
Speaker 3: So then who would he distribute through?

512
00:21:10,119 --> 00:21:11,359
Speaker 2: Jesus Christ the stem player.

513
00:21:14,520 --> 00:21:17,879
Speaker 3: I'm sure Jesus would be good. Yeah, Jesus.

514
00:21:17,880 --> 00:21:19,280
Speaker 1: But then he has to work with a jew again.

515
00:21:19,720 --> 00:21:25,199
Speaker 3: Oh yeah, back to.

516
00:21:29,359 --> 00:21:32,359
Speaker 1: I mean he does idolize a Jewish person? Yeah, that

517
00:21:32,480 --> 00:21:36,200
Speaker 1: is his Lord and Savior. Yes, I am curious ties

518
00:21:36,280 --> 00:21:36,840
Speaker 1: with who.

519
00:21:37,359 --> 00:21:42,680
Speaker 5: Ties atlantic Jesus? Yeah, when when he did featuring title sign,

520
00:21:42,760 --> 00:21:44,480
Speaker 5: that was when I was at the label, So that

521
00:21:44,520 --> 00:21:45,959
Speaker 5: was like a big deal in the building.

522
00:21:46,520 --> 00:21:48,800
Speaker 1: So I'm curious how they're dealing with that.

523
00:21:49,160 --> 00:21:50,680
Speaker 6: Well, Billboard puts, I know.

524
00:21:50,640 --> 00:21:54,640
Speaker 3: Julie is not a fan. No, she's not a fan.

525
00:21:54,840 --> 00:21:57,959
Speaker 7: Billboard brought out an article about him shopping their shopping

526
00:21:57,960 --> 00:21:58,679
Speaker 7: for distributors.

527
00:21:58,680 --> 00:21:59,960
Speaker 6: That might have been what the push.

528
00:21:59,800 --> 00:22:00,280
Speaker 3: Was for or.

529
00:22:02,000 --> 00:22:04,560
Speaker 1: Because from my understanding, that's really why don two it

530
00:22:04,600 --> 00:22:05,679
Speaker 1: was completed. We all heard it.

531
00:22:06,000 --> 00:22:07,000
Speaker 3: It didn't really come out.

532
00:22:07,160 --> 00:22:08,720
Speaker 1: They put it out through the STEM player that he

533
00:22:08,800 --> 00:22:11,840
Speaker 1: was selling. Yeah, but there was no there was no

534
00:22:11,920 --> 00:22:12,640
Speaker 1: label to put it out.

535
00:22:12,680 --> 00:22:14,159
Speaker 2: That's a great idea. I think it just needed to

536
00:22:14,200 --> 00:22:17,000
Speaker 2: be flushed out, Yeah, a little more, but it was

537
00:22:17,040 --> 00:22:17,639
Speaker 2: a great idea.

538
00:22:17,680 --> 00:22:21,280
Speaker 1: Sometimes Kanye is impulsive, yeah, sometimes.

539
00:22:20,440 --> 00:22:25,520
Speaker 5: But he could do this destroy it independently. I don't know,

540
00:22:25,600 --> 00:22:28,240
Speaker 5: like logistically what that would look like. But he doesn't

541
00:22:28,280 --> 00:22:33,080
Speaker 5: need to partner with nobody anybody to destroy the album.

542
00:22:33,119 --> 00:22:36,679
Speaker 5: You could do this shit through STEM like if you

543
00:22:36,760 --> 00:22:40,480
Speaker 5: really wanted to. Yeah, I'm sure they would give him.

544
00:22:40,640 --> 00:22:43,360
Speaker 5: They would bend over for like just to have him

545
00:22:43,400 --> 00:22:45,760
Speaker 5: associated with the company like that. And for those who

546
00:22:45,760 --> 00:22:50,159
Speaker 5: don't know, STEM is a distributor that helps put out

547
00:22:50,200 --> 00:22:52,280
Speaker 5: a lot of independent artists that aren' assigned to labels

548
00:22:52,320 --> 00:22:53,040
Speaker 5: that don't have the.

549
00:22:53,000 --> 00:22:55,240
Speaker 3: Back Kanye's STEM, Yeah, the actual STEM.

550
00:22:55,359 --> 00:22:58,639
Speaker 1: I put my album through STEM. The other big release

551
00:22:58,720 --> 00:22:59,600
Speaker 1: was Diddy's album that.

552
00:22:59,560 --> 00:23:00,160
Speaker 3: Was through STEM.

553
00:23:00,240 --> 00:23:03,199
Speaker 1: Yeah, did JIZI just put one out? People are going

554
00:23:03,240 --> 00:23:05,919
Speaker 1: over there now. But yeah, I hope it comes out

555
00:23:05,960 --> 00:23:10,040
Speaker 1: on Friday. I wouldn't hold my breath. We've seen this

556
00:23:10,080 --> 00:23:10,800
Speaker 1: a million times.

557
00:23:10,840 --> 00:23:11,440
Speaker 2: I think it will.

558
00:23:11,480 --> 00:23:11,800
Speaker 3: We don't.

559
00:23:11,840 --> 00:23:14,080
Speaker 2: We don't see Kanye like we seen like he was

560
00:23:14,440 --> 00:23:15,320
Speaker 2: performing at Live.

561
00:23:16,119 --> 00:23:17,480
Speaker 3: Yeah, he's doing club Classic.

562
00:23:17,880 --> 00:23:19,560
Speaker 2: Yeah, Like he's in a club like in my like,

563
00:23:19,600 --> 00:23:21,400
Speaker 2: you know, Kanye is not doing that unless he has

564
00:23:21,440 --> 00:23:24,200
Speaker 2: something to sell or give to the culture. Like he's

565
00:23:24,240 --> 00:23:27,680
Speaker 2: not just popping out in Miami on at Live performing

566
00:23:27,720 --> 00:23:30,400
Speaker 2: if he doesn't have something coming. So it was good

567
00:23:30,440 --> 00:23:33,800
Speaker 2: to see Kanye out with the people. Though very accessible.

568
00:23:34,480 --> 00:23:36,760
Speaker 2: You know, it seems like any and everybody could have

569
00:23:36,800 --> 00:23:38,560
Speaker 2: just walked right up to him had a conversation with him.

570
00:23:39,119 --> 00:23:43,639
Speaker 2: This is arguably one of the biggest artist creators, producers

571
00:23:43,680 --> 00:23:46,479
Speaker 2: of our time in our culture. So to see him

572
00:23:46,480 --> 00:23:49,720
Speaker 2: still be accessible to people, it's always dope, Like he's

573
00:23:49,760 --> 00:23:51,840
Speaker 2: still among the people, you know what I mean, He's

574
00:23:51,880 --> 00:23:54,000
Speaker 2: not He's not a bunch of security guards around him.

575
00:23:54,040 --> 00:23:57,119
Speaker 2: Nobody can't get near me. He's sitting down standing at

576
00:23:57,119 --> 00:23:59,439
Speaker 2: the DJ booth. People right there, like it's good to

577
00:23:59,440 --> 00:24:00,800
Speaker 2: see Kanye in the zone.

578
00:24:00,840 --> 00:24:03,240
Speaker 1: He was smiling, not not having to deal with some

579
00:24:03,320 --> 00:24:06,840
Speaker 1: corporate shoe company that's cursing him out on Zoom.

580
00:24:06,840 --> 00:24:10,399
Speaker 2: But he doesn't wear shoes anymore, right, just socks, socks

581
00:24:10,400 --> 00:24:10,960
Speaker 2: that he designed.

582
00:24:11,080 --> 00:24:11,719
Speaker 3: He was in Miami.

583
00:24:11,840 --> 00:24:15,640
Speaker 2: Yeah, do that here. He tried to not wear clothesly too,

584
00:24:15,760 --> 00:24:17,920
Speaker 2: so got banned from the water tax.

585
00:24:20,320 --> 00:24:24,760
Speaker 1: But meanwhile, his son, and I mean that respectfully, I

586
00:24:24,760 --> 00:24:26,879
Speaker 1: think Travis would say the same thing. Travis Scott was

587
00:24:26,920 --> 00:24:30,919
Speaker 1: on a Zoom call with Johnny McEnroe arguing about the

588
00:24:30,960 --> 00:24:32,920
Speaker 1: Cactus Mac sneaker.

589
00:24:33,359 --> 00:24:35,160
Speaker 2: This is great promo, this is this is all.

590
00:24:35,520 --> 00:24:36,720
Speaker 1: This was fake as fuck.

591
00:24:38,000 --> 00:24:40,160
Speaker 2: I mean, I'm not gonna say it's fake. I think

592
00:24:40,520 --> 00:24:42,880
Speaker 2: I think that they this was planned.

593
00:24:43,400 --> 00:24:43,560
Speaker 1: Uh.

594
00:24:43,600 --> 00:24:46,600
Speaker 2: If you know John McEnroe and followed his career in tennis,

595
00:24:46,600 --> 00:24:49,080
Speaker 2: he was always getting into it with refs. That was

596
00:24:49,119 --> 00:24:52,480
Speaker 2: part of his thing. Like he just was arguing, yelling, cursing, slamming.

597
00:24:52,520 --> 00:24:56,520
Speaker 2: He was a very uh you know, boisterous athlete. And

598
00:24:56,560 --> 00:24:58,800
Speaker 2: obviously Travis Scott what he's been able to do with

599
00:24:58,880 --> 00:25:03,000
Speaker 2: Nike with his with his uh Cactus Jack brand. But

600
00:25:03,119 --> 00:25:06,720
Speaker 2: now that they're flipping the John McEnroe sneaker and uh

601
00:25:07,000 --> 00:25:09,440
Speaker 2: kind of doing a collab with Cactus or Cactus Mac.

602
00:25:10,080 --> 00:25:11,879
Speaker 2: So now they have this whole thing where they on

603
00:25:11,880 --> 00:25:14,760
Speaker 2: on on a zoom call with with Nike, and I

604
00:25:14,760 --> 00:25:19,760
Speaker 2: guess everybody over there le'll be Yeah, and John McEnroe

605
00:25:19,800 --> 00:25:21,560
Speaker 2: goes into one of his Mac and Roe fits and

606
00:25:21,720 --> 00:25:24,000
Speaker 2: fucking just leaves the fucking zoom hangs up.

607
00:25:24,280 --> 00:25:32,040
Speaker 3: Did you play a little bit? Yeah? But John, John like,

608
00:25:33,119 --> 00:25:34,200
Speaker 3: I mean, somebody on here.

609
00:25:35,600 --> 00:25:41,200
Speaker 1: I never my friend Cactaus Mac was everything like, let

610
00:25:41,600 --> 00:25:43,480
Speaker 1: somebody come on, man.

611
00:25:43,760 --> 00:25:45,960
Speaker 3: Show a little respect that this is my show.

612
00:25:47,960 --> 00:25:52,119
Speaker 5: Yeah, yeah, I mean, but he's right though it is

613
00:25:52,160 --> 00:25:53,159
Speaker 5: his shoe.

614
00:25:53,760 --> 00:25:56,960
Speaker 2: And then John McEnroe was did a street interview impromptu

615
00:25:56,960 --> 00:25:59,800
Speaker 2: shooting interview the next day wearing a Cactus Mac T

616
00:26:00,080 --> 00:26:04,040
Speaker 2: shirt wearing the Cactus Mac sneakers.

617
00:26:06,640 --> 00:26:08,760
Speaker 3: I like the Johnny Maceronike though.

618
00:26:08,840 --> 00:26:10,280
Speaker 2: I'm sure it's one of the best. It's one of

619
00:26:10,320 --> 00:26:11,840
Speaker 2: the most iconic Nikes.

620
00:26:11,920 --> 00:26:14,880
Speaker 1: Yeah, and I'm sure Travis, Yeah, I mean that's great.

621
00:26:15,520 --> 00:26:17,960
Speaker 5: Yeah, And he had the shirt on as well, and

622
00:26:18,000 --> 00:26:21,480
Speaker 5: then Travis also responded again, if you're if you're staying

623
00:26:21,520 --> 00:26:26,720
Speaker 5: on the theory that this isn't uh fabricated, Travis uh

624
00:26:26,880 --> 00:26:30,600
Speaker 5: defaced a plaque of his with the Cactus Jack logo.

625
00:26:30,880 --> 00:26:32,240
Speaker 2: Yeah, so this is all.

626
00:26:32,280 --> 00:26:34,440
Speaker 1: And when I'm yelling this is fake as fuck, I'm

627
00:26:34,440 --> 00:26:35,480
Speaker 1: not saying in a negative way.

628
00:26:35,520 --> 00:26:37,119
Speaker 3: This was was great marketing, good marketing.

629
00:26:37,320 --> 00:26:38,000
Speaker 1: I thought it was awesome.

630
00:26:38,040 --> 00:26:40,439
Speaker 2: I mean, not that Travis Scott needs marketing for anything

631
00:26:40,480 --> 00:26:42,359
Speaker 2: that he's doing when it comes to his sneakers or

632
00:26:42,359 --> 00:26:46,040
Speaker 2: his merch, just fucking selling an amazing amount of sneakers

633
00:26:46,080 --> 00:26:48,280
Speaker 2: and merch. But I think that this is this is

634
00:26:48,400 --> 00:26:52,320
Speaker 2: cool to kind of lean into John McEnroe's personality in

635
00:26:52,480 --> 00:26:56,679
Speaker 2: him yelling and being upset. And then Travis, you know,

636
00:26:57,160 --> 00:26:58,480
Speaker 2: I guess you want to call it hip hop because

637
00:26:58,480 --> 00:27:03,240
Speaker 2: it was graffiti over over his over John mcenroll, bust

638
00:27:03,320 --> 00:27:05,760
Speaker 2: or plaque, whatever you want to call it. Fifty Either way,

639
00:27:05,760 --> 00:27:07,840
Speaker 2: those sniggas are gonna sell out and it brings a.

640
00:27:07,760 --> 00:27:11,560
Speaker 1: New audience too. Yeah, that made headlines and everyone that

641
00:27:11,880 --> 00:27:15,199
Speaker 1: loves John McEnroe from that world. I'm sure watch that

642
00:27:15,280 --> 00:27:19,080
Speaker 1: clipping loved it. Yeah, wants to be a hip to

643
00:27:19,119 --> 00:27:22,000
Speaker 1: their kids, and they're gonna buy those Cactus Max that's

644
00:27:22,119 --> 00:27:23,040
Speaker 1: it is a crazy name.

645
00:27:23,080 --> 00:27:23,280
Speaker 3: Though.

646
00:27:23,800 --> 00:27:27,760
Speaker 2: Travis did an amazing, amazing merch collab with with Autemar.

647
00:27:28,560 --> 00:27:31,040
Speaker 2: Oh yeah, it was incredible. I saw something lot of

648
00:27:31,040 --> 00:27:35,199
Speaker 2: the stuff you had. I was like, you copped. I

649
00:27:35,240 --> 00:27:37,160
Speaker 2: want some. I definitely want some of that merch team

650
00:27:37,200 --> 00:27:39,320
Speaker 2: to watch. I don't know how much jump out the

651
00:27:39,320 --> 00:27:42,440
Speaker 2: window with that yet, but the merch is, the merch

652
00:27:42,480 --> 00:27:44,479
Speaker 2: is incredible though. Shout out to Shout out to Travis

653
00:27:44,520 --> 00:27:47,760
Speaker 2: the whole Cactus jack team for the AP collab. The

654
00:27:48,200 --> 00:27:51,120
Speaker 2: pieces look amazing. I definitely want to get a few

655
00:27:51,160 --> 00:27:53,840
Speaker 2: of those pieces because I feel like that's just a

656
00:27:53,920 --> 00:27:56,320
Speaker 2: timeless shit like that he just did with them. So

657
00:27:56,840 --> 00:27:59,159
Speaker 2: they're doing a great job at Cactus jack Man for sure.

658
00:27:59,280 --> 00:28:02,000
Speaker 1: I mean, even though even the sneakers are limited, how

659
00:28:02,040 --> 00:28:05,840
Speaker 1: limited is a watch like this is the Collapse just

660
00:28:05,880 --> 00:28:07,960
Speaker 1: for one to like put in publications or.

661
00:28:08,680 --> 00:28:09,720
Speaker 3: No they're they're selling.

662
00:28:09,760 --> 00:28:11,120
Speaker 5: I don't know, yeah, but to your point, I don't

663
00:28:11,160 --> 00:28:13,800
Speaker 5: know how many they circulate. But also it's only like

664
00:28:13,920 --> 00:28:17,560
Speaker 5: most AP's, it's only available to select clientele.

665
00:28:17,720 --> 00:28:21,679
Speaker 2: Yeah, right, incredible though. Shout out to them. They did

666
00:28:21,720 --> 00:28:24,320
Speaker 2: a great job. That that merch is is really really dope.

667
00:28:24,560 --> 00:28:26,840
Speaker 3: I'll enjoy looking at pictures of it.

668
00:28:27,240 --> 00:28:29,720
Speaker 1: But the Johnny mcnrel sneakers, I I do like those

669
00:28:30,400 --> 00:28:34,800
Speaker 1: are also in music too. I feel like, were we

670
00:28:34,840 --> 00:28:39,000
Speaker 1: dissed again over the weekend, I wouldn't surprise me, not

671
00:28:39,000 --> 00:28:44,800
Speaker 1: not by another rapper, the different Jack Well and me

672
00:28:44,880 --> 00:28:46,120
Speaker 1: not you call them not a rapper?

673
00:28:47,280 --> 00:28:51,080
Speaker 3: Wow, you don't think Jack.

674
00:28:50,960 --> 00:28:53,280
Speaker 1: Hall is I know what that sounded like.

675
00:28:53,280 --> 00:28:55,240
Speaker 3: That's not what i've What you said though, and is

676
00:28:55,280 --> 00:28:56,640
Speaker 3: what I said, but it's not what I meant. That's

677
00:28:56,720 --> 00:28:58,440
Speaker 3: right what you said.

678
00:28:58,680 --> 00:29:02,240
Speaker 1: I'm a fan of Jack Carlow, and we know Jack

679
00:29:02,280 --> 00:29:04,960
Speaker 1: Harlow and Dave put out a record called Don't Give

680
00:29:05,000 --> 00:29:08,400
Speaker 1: Me Advice, Stop Stop giving Me Advice, which is fire.

681
00:29:09,040 --> 00:29:10,640
Speaker 1: I think it's a really really good record and a

682
00:29:10,640 --> 00:29:13,920
Speaker 1: great follow up to the other single. And I saw

683
00:29:14,000 --> 00:29:16,800
Speaker 1: some of the Reddit streets saying this might be about us,

684
00:29:18,240 --> 00:29:20,840
Speaker 1: Oh well, I just love coming to her.

685
00:29:20,760 --> 00:29:25,760
Speaker 2: And reach us meaning I think us meaning podcasters and uh,

686
00:29:26,120 --> 00:29:28,640
Speaker 2: you know, media personalities, whatever you want to call it.

687
00:29:28,920 --> 00:29:31,200
Speaker 2: I think, yes, it was directed. I don't think it

688
00:29:31,240 --> 00:29:33,760
Speaker 2: was personal to us. I think it was just covering

689
00:29:33,840 --> 00:29:37,320
Speaker 2: anybody in this space that talks about rappers and artists

690
00:29:37,400 --> 00:29:40,240
Speaker 2: and things like that on a weekly basis and songs

691
00:29:40,280 --> 00:29:41,960
Speaker 2: and yeah, no, I get it, I understand.

692
00:29:42,040 --> 00:29:42,240
Speaker 3: Well.

693
00:29:42,240 --> 00:29:44,400
Speaker 1: It made me look at the lyrics once I saw

694
00:29:44,440 --> 00:29:47,280
Speaker 1: people saying like, yo, Jack Carla was talking about y'all

695
00:29:48,080 --> 00:29:50,000
Speaker 1: and shout out to Rascal did the beat and dazz

696
00:29:50,280 --> 00:29:53,200
Speaker 1: by the way, it was cool. I figured we could

697
00:29:53,200 --> 00:29:56,320
Speaker 1: start with this. Maybe if you feel attacked, let me know. Okay,

698
00:29:57,320 --> 00:30:01,320
Speaker 1: because he's questioning the people that question him. Have you

699
00:30:01,360 --> 00:30:04,160
Speaker 1: ever raised the value of everyone around you? Uh?

700
00:30:04,320 --> 00:30:06,080
Speaker 2: Yes? Okay?

701
00:30:06,440 --> 00:30:07,040
Speaker 3: One for one.

702
00:30:07,640 --> 00:30:09,520
Speaker 1: Also, I love to read Jack Carlow lyrics because I

703
00:30:09,600 --> 00:30:11,240
Speaker 1: don't have to fear any n words. I can just

704
00:30:11,320 --> 00:30:15,560
Speaker 1: freely reade this. Have you ever been so high that

705
00:30:15,560 --> 00:30:16,400
Speaker 1: they have to down you?

706
00:30:17,040 --> 00:30:17,240
Speaker 2: Yes?

707
00:30:17,440 --> 00:30:18,440
Speaker 3: He me? You can't read.

708
00:30:20,040 --> 00:30:22,320
Speaker 1: I think pieces getting written about you?

709
00:30:23,160 --> 00:30:25,800
Speaker 2: Think pieces getting written about me? Yeah, you've had. I've

710
00:30:25,840 --> 00:30:27,800
Speaker 2: had a few think pieces written about me.

711
00:30:27,840 --> 00:30:29,600
Speaker 1: Okay, so so far this can't be about mal and

712
00:30:29,640 --> 00:30:32,280
Speaker 1: I because the first three we're here. Have you ever

713
00:30:32,320 --> 00:30:34,280
Speaker 1: been to Italy and eating Italian?

714
00:30:34,360 --> 00:30:34,960
Speaker 3: Stunting on you?

715
00:30:35,040 --> 00:30:35,320
Speaker 2: Guys?

716
00:30:35,360 --> 00:30:37,400
Speaker 3: No? That one was that.

717
00:30:37,360 --> 00:30:38,800
Speaker 1: Felt like a shot at me because I've never been

718
00:30:38,840 --> 00:30:41,880
Speaker 1: to Italy and I love Italian food. Have you ever

719
00:30:41,880 --> 00:30:43,480
Speaker 1: signed a deal that came with a medallion?

720
00:30:44,200 --> 00:30:46,680
Speaker 3: No yet, Serious.

721
00:30:46,360 --> 00:30:47,160
Speaker 1: Didn't give us anybody.

722
00:30:48,320 --> 00:30:52,800
Speaker 3: Spotify didn't even give us watches. Did you bring that

723
00:30:52,800 --> 00:30:54,040
Speaker 3: out of at dinner? No, I didn't.

724
00:30:54,520 --> 00:30:56,320
Speaker 1: Have you ever booked the club and it came with

725
00:30:56,360 --> 00:30:59,520
Speaker 1: a battalion? You come with a battalion, though, you come

726
00:30:59,560 --> 00:31:00,000
Speaker 1: with the bronx.

727
00:31:00,000 --> 00:31:00,920
Speaker 2: I feel like that's a pause?

728
00:31:02,040 --> 00:31:03,640
Speaker 3: How was that? A Paul came of a battalion?

729
00:31:03,680 --> 00:31:04,640
Speaker 2: You know what a battalion is.

730
00:31:04,800 --> 00:31:07,480
Speaker 1: It's like a crew of of people.

731
00:31:08,480 --> 00:31:11,480
Speaker 3: I thought thinking of like a baton. You think baton,

732
00:31:11,880 --> 00:31:12,400
Speaker 3: a baton?

733
00:31:12,640 --> 00:31:15,000
Speaker 2: Yeah, what is a battalion you're thinking about?

734
00:31:17,720 --> 00:31:20,120
Speaker 3: Maybe I got it wrong, but police beat people up?

735
00:31:21,440 --> 00:31:29,000
Speaker 3: You know what? Jack was a group of people like, yeah, okay, that's.

736
00:31:29,160 --> 00:31:31,480
Speaker 1: Not a baton that you passed like in a relay race.

737
00:31:31,720 --> 00:31:34,240
Speaker 5: Battalion A large body like his would be like private garden,

738
00:31:34,280 --> 00:31:35,360
Speaker 5: like his whole entourage.

739
00:31:35,960 --> 00:31:38,400
Speaker 2: Yeah, so a large Well, we've we booked the we've

740
00:31:38,400 --> 00:31:41,320
Speaker 2: booked venues that had some supporters in there that if

741
00:31:41,320 --> 00:31:43,360
Speaker 2: we wanted to go outside and cause a ruckus, we

742
00:31:43,400 --> 00:31:44,280
Speaker 2: could have did some things.

743
00:31:44,640 --> 00:31:46,880
Speaker 1: Yeah, Ruckus and we have.

744
00:31:47,360 --> 00:31:48,840
Speaker 3: But you've definitely never been to Montana.

745
00:31:49,760 --> 00:31:50,760
Speaker 2: I've never been.

746
00:31:51,120 --> 00:31:53,280
Speaker 1: I haven't done that, but I have had a profound

747
00:31:53,360 --> 00:31:54,880
Speaker 1: sense of pride of everything around us.

748
00:31:58,080 --> 00:31:59,920
Speaker 3: This next one is directed to you.

749
00:32:00,880 --> 00:32:03,440
Speaker 1: Have you ever had to hide exactly where you reside.

750
00:32:04,120 --> 00:32:08,440
Speaker 3: When you got docs? Oh? Oh yeah, BMC did.

751
00:32:10,160 --> 00:32:12,120
Speaker 1: So I could do the remix, as has Brian Michael

752
00:32:12,160 --> 00:32:15,200
Speaker 1: Cox ever exposed where you where you reside?

753
00:32:15,720 --> 00:32:17,040
Speaker 2: You can definitely do it on your album.

754
00:32:17,760 --> 00:32:19,720
Speaker 1: Have you ever been in the waffle house on the north.

755
00:32:19,560 --> 00:32:21,000
Speaker 2: Side north side of what?

756
00:32:21,920 --> 00:32:22,120
Speaker 3: You know?

757
00:32:23,040 --> 00:32:24,400
Speaker 2: I've been to a waffle house and it may have

758
00:32:24,440 --> 00:32:26,080
Speaker 2: been on the north side of whatever city I was

759
00:32:26,120 --> 00:32:26,480
Speaker 2: in here.

760
00:32:26,720 --> 00:32:28,640
Speaker 3: I think Louisville is probably what he's referring to.

761
00:32:28,720 --> 00:32:30,120
Speaker 2: Oh yeah, no, never been to that one.

762
00:32:30,160 --> 00:32:32,040
Speaker 1: Have you ever made a pop star want to be

763
00:32:32,120 --> 00:32:32,600
Speaker 1: your bride?

764
00:32:33,280 --> 00:32:34,120
Speaker 3: Mal for sure?

765
00:32:35,960 --> 00:32:36,800
Speaker 2: Not a pop star.

766
00:32:36,920 --> 00:32:38,440
Speaker 1: No, you have to find pop star.

767
00:32:38,640 --> 00:32:40,440
Speaker 3: That I think. I feel like that's directly to do

768
00:32:40,480 --> 00:32:44,440
Speaker 3: Alipa in his case. Okay, No, she's never wanted me

769
00:32:44,600 --> 00:32:44,760
Speaker 3: to be.

770
00:32:46,520 --> 00:32:48,040
Speaker 2: Have you ever hug someone and he cried?

771
00:32:48,280 --> 00:32:55,160
Speaker 1: Yeah? Amara every day she never stops crying. Have you

772
00:32:55,160 --> 00:32:56,200
Speaker 1: ever had your hero sit.

773
00:32:56,160 --> 00:32:57,760
Speaker 3: You down and give you the guide.

774
00:32:57,840 --> 00:33:00,560
Speaker 1: Maul doesn't have any heroes, so I'll just speak for me.

775
00:33:00,720 --> 00:33:01,360
Speaker 2: I do have hero.

776
00:33:01,480 --> 00:33:02,440
Speaker 3: Yeah, you don't know. How do you know?

777
00:33:02,480 --> 00:33:05,560
Speaker 1: He's way too cool for heroes, doesn't looking up to anyone?

778
00:33:05,640 --> 00:33:07,680
Speaker 3: Who's your hero? Who is looking up to another?

779
00:33:07,720 --> 00:33:07,880
Speaker 6: Man?

780
00:33:08,000 --> 00:33:10,600
Speaker 1: Is mad gay? And no one from Harlem has a hero.

781
00:33:10,760 --> 00:33:14,000
Speaker 2: You're a Yomi Michael and she threw out Michael Jordan.

782
00:33:14,280 --> 00:33:16,400
Speaker 1: It actually might be your only would probably.

783
00:33:16,720 --> 00:33:18,160
Speaker 3: Who's the hero that you sat down with?

784
00:33:19,560 --> 00:33:21,640
Speaker 2: My hero that I sat down That's what he says here.

785
00:33:21,720 --> 00:33:23,440
Speaker 5: Yeah, so you need to have like a relations with him,

786
00:33:23,440 --> 00:33:25,280
Speaker 5: not just admire them from Afar theater.

787
00:33:26,720 --> 00:33:28,959
Speaker 2: I don't think well, I mean obviously outside of like

788
00:33:29,400 --> 00:33:32,320
Speaker 2: my mom, my mom would be my hero. That's cute

789
00:33:31,880 --> 00:33:34,200
Speaker 2: that my mom is my hero because I think back,

790
00:33:34,240 --> 00:33:35,960
Speaker 2: you like thinking back to how I don't know how

791
00:33:36,000 --> 00:33:38,640
Speaker 2: my mom did what she did, bro like being a

792
00:33:38,680 --> 00:33:43,280
Speaker 2: single parent raising twins. You at that I was bad

793
00:33:43,320 --> 00:33:45,360
Speaker 2: as fuck, but I was not.

794
00:33:45,680 --> 00:33:46,880
Speaker 3: I was in the nation straight.

795
00:33:46,920 --> 00:33:49,440
Speaker 2: I was bad, but I wasn't disrespectful. I think it's

796
00:33:49,440 --> 00:33:50,479
Speaker 2: a different than you converted.

797
00:33:51,080 --> 00:33:52,920
Speaker 3: Yeah, you have a very time.

798
00:33:52,960 --> 00:33:54,040
Speaker 1: You have the Malcolm X story.

799
00:33:54,080 --> 00:33:56,920
Speaker 2: Then you were Detroit O. I so it was, you know,

800
00:33:57,000 --> 00:33:59,280
Speaker 2: but I was like, I just think I just think

801
00:33:59,320 --> 00:34:01,160
Speaker 2: about things like that, like now an adult, and I'm

802
00:34:01,200 --> 00:34:03,680
Speaker 2: just like, yo, I don't know how my mom did

803
00:34:03,720 --> 00:34:05,880
Speaker 2: what she did, bro, Like I really can't figure out

804
00:34:06,000 --> 00:34:08,680
Speaker 2: working two jobs like that's I don't. I don't know

805
00:34:08,680 --> 00:34:10,600
Speaker 2: how she did everything in tues. Yeah, I don't know

806
00:34:10,600 --> 00:34:12,640
Speaker 2: how she did that. But yeah, my mom definitely would

807
00:34:12,640 --> 00:34:14,200
Speaker 2: be one of my heroes.

808
00:34:14,360 --> 00:34:21,080
Speaker 8: So, Michael Jordan, your mom putting Michael Joumbard from my mom,

809
00:34:23,160 --> 00:34:25,080
Speaker 8: but does she has six championships?

810
00:34:25,960 --> 00:34:27,560
Speaker 3: She got a few, she.

811
00:34:27,600 --> 00:34:29,600
Speaker 2: Got a few, But definitely my mom would be a

812
00:34:29,600 --> 00:34:33,799
Speaker 2: hero outside of like I can't but I would say,

813
00:34:33,840 --> 00:34:36,359
Speaker 2: I would say Jay is a hero. I think he's

814
00:34:36,440 --> 00:34:37,360
Speaker 2: I think he's an example.

815
00:34:37,400 --> 00:34:40,239
Speaker 3: I don't like that. I don't think why because you

816
00:34:40,280 --> 00:34:41,239
Speaker 3: know him, because that's like.

817
00:34:42,160 --> 00:34:45,520
Speaker 2: Yeah, but it's but it's still like seeing somebody come

818
00:34:45,560 --> 00:34:49,320
Speaker 2: from the environment that you come from and like reaching

819
00:34:49,400 --> 00:34:52,040
Speaker 2: heights that you didn't even know was like possible. Yeah,

820
00:34:52,120 --> 00:34:53,640
Speaker 2: like we were supposed to be dead at twenty five,

821
00:34:53,840 --> 00:34:57,080
Speaker 2: that's what the numbers say. So it's like to reach

822
00:34:57,160 --> 00:34:59,560
Speaker 2: those heights and then you've seen it, like you actually

823
00:34:59,600 --> 00:35:02,840
Speaker 2: watched it happen. I think that you gotta honor that

824
00:35:02,920 --> 00:35:04,880
Speaker 2: and salute that at the highest level.

825
00:35:05,000 --> 00:35:06,960
Speaker 1: Who do we think jack heroes are? The game the guy?

826
00:35:07,880 --> 00:35:13,680
Speaker 3: Probably Drama Cannon, Yeah, Cannon, for sure it will be fun.

827
00:35:13,760 --> 00:35:16,759
Speaker 2: Yeah, Cannon is Jack's hero.

828
00:35:17,000 --> 00:35:19,760
Speaker 1: Yeah, I'm be sure he's honest about.

829
00:35:21,600 --> 00:35:22,960
Speaker 3: You think so it helps you?

830
00:35:24,840 --> 00:35:26,280
Speaker 2: Can we be honest about Jack's music?

831
00:35:26,719 --> 00:35:30,120
Speaker 1: I've been honest and for some reason, compliments never made

832
00:35:30,160 --> 00:35:30,480
Speaker 1: it to him.

833
00:35:30,520 --> 00:35:32,080
Speaker 3: Yeah.

834
00:35:32,160 --> 00:35:35,319
Speaker 2: I like Jack Harlow, but I don't. I just you know,

835
00:35:35,320 --> 00:35:37,600
Speaker 2: how you like somebody, but it's like you're waiting for that.

836
00:35:38,880 --> 00:35:41,319
Speaker 2: It's like trying to start the lawn mower and you

837
00:35:41,400 --> 00:35:43,719
Speaker 2: just got to keep pulling it and it's like from

838
00:35:44,239 --> 00:35:45,880
Speaker 2: it's like you know, but once it hits, it's.

839
00:35:45,760 --> 00:35:47,439
Speaker 1: Like you're gonna get banned from the bar plays too.

840
00:35:47,600 --> 00:35:47,680
Speaker 6: No.

841
00:35:48,200 --> 00:35:49,440
Speaker 2: I like Jack, but I just don't.

842
00:35:50,520 --> 00:35:51,920
Speaker 3: Do you feel like this is a slow start.

843
00:35:52,760 --> 00:35:55,240
Speaker 2: No, it's just something about him that I'm just still

844
00:35:55,320 --> 00:35:59,120
Speaker 2: not sold on yet. Obviously he's talented and he makes

845
00:35:59,280 --> 00:36:02,399
Speaker 2: good songs. Yeah, but it's something about him that I'm

846
00:36:02,440 --> 00:36:06,080
Speaker 2: just not all away, Like Yo, Jack Hollow, Like I

847
00:36:06,120 --> 00:36:08,400
Speaker 2: don't throw the Jack Hollow card on the table when

848
00:36:08,400 --> 00:36:11,799
Speaker 2: we start talking about the rappers of right Now and

849
00:36:11,840 --> 00:36:12,799
Speaker 2: the artists of right Now.

850
00:36:13,360 --> 00:36:16,080
Speaker 1: Well, I think these two records have been a perfect

851
00:36:16,160 --> 00:36:20,360
Speaker 1: representation of the stuff I liked from the last two projects.

852
00:36:20,719 --> 00:36:23,239
Speaker 1: There was obviously the big one with nail Tech and

853
00:36:23,440 --> 00:36:24,359
Speaker 1: those singles, which I liked.

854
00:36:24,360 --> 00:36:24,920
Speaker 3: Those records.

855
00:36:24,960 --> 00:36:26,880
Speaker 1: Yeah, there was some stuff I felt like it was

856
00:36:27,960 --> 00:36:30,439
Speaker 1: Sometimes it happened like with Drake would thank me later,

857
00:36:30,600 --> 00:36:33,920
Speaker 1: like you get a very overproduced You're just trying to

858
00:36:34,200 --> 00:36:36,440
Speaker 1: have the best features possible because now you have access

859
00:36:36,440 --> 00:36:39,040
Speaker 1: to them, and you get a subpar album to what

860
00:36:39,080 --> 00:36:41,680
Speaker 1: you probably could have done because you have all the

861
00:36:41,760 --> 00:36:43,799
Speaker 1: lights on you and all the access. Then he gave

862
00:36:43,840 --> 00:36:47,279
Speaker 1: the rap album, which I did enjoy. These last two

863
00:36:47,280 --> 00:36:49,759
Speaker 1: records have been a perfect representation of that. He gave

864
00:36:49,800 --> 00:36:53,279
Speaker 1: the poppy single and then he's rapping rapping here on

865
00:36:53,400 --> 00:36:57,400
Speaker 1: great production. This song was on repeat for me all weekend,

866
00:36:58,080 --> 00:37:01,200
Speaker 1: and Dave went crazy this out to make the point

867
00:37:01,280 --> 00:37:03,279
Speaker 1: of because I don't think he was talking about us.

868
00:37:03,280 --> 00:37:05,200
Speaker 3: I think he was talking about media in general.

869
00:37:05,440 --> 00:37:08,080
Speaker 1: Have you ever spoken something to existence or do you

870
00:37:08,160 --> 00:37:12,319
Speaker 1: just talk about other people's lives? Which I get, and

871
00:37:12,400 --> 00:37:15,880
Speaker 1: I think artists should be allowed to critique us the

872
00:37:15,920 --> 00:37:17,160
Speaker 1: same way we critique them.

873
00:37:17,280 --> 00:37:17,880
Speaker 2: Oh for sure.

874
00:37:18,080 --> 00:37:19,040
Speaker 3: It is a two way street.

875
00:37:19,080 --> 00:37:21,400
Speaker 1: I get where artists do get like upset and a

876
00:37:21,440 --> 00:37:23,719
Speaker 1: little sensitive, like the fuck man, I'm the one out

877
00:37:23,719 --> 00:37:25,239
Speaker 1: here and you just talk about me. Well, yeah, you're

878
00:37:25,239 --> 00:37:27,080
Speaker 1: an artist, you make art, we're talking about it. You're

879
00:37:27,120 --> 00:37:29,160
Speaker 1: also allowed to critique us and be like, yo, y'all

880
00:37:29,200 --> 00:37:31,680
Speaker 1: don't do shit but gossip, and we have to take

881
00:37:31,719 --> 00:37:34,480
Speaker 1: that a little bit. I think it's I think that's

882
00:37:34,480 --> 00:37:37,760
Speaker 1: a healthy two way street. And I wish more artists

883
00:37:38,120 --> 00:37:41,000
Speaker 1: did take this approach if they have grievances with media

884
00:37:41,200 --> 00:37:45,360
Speaker 1: and critics just rap about how we've never seen Montana.

885
00:37:45,680 --> 00:37:49,319
Speaker 2: Yeah, yeah, it's just it's just something about Jack then.

886
00:37:49,320 --> 00:37:50,680
Speaker 1: And there's substance in here too. I'm not I don't

887
00:37:50,680 --> 00:37:51,560
Speaker 1: think he's just taking shots.

888
00:37:51,680 --> 00:37:53,800
Speaker 2: He makes good music, he can he can rap his

889
00:37:53,960 --> 00:37:56,480
Speaker 2: talented It's just I don't it's just something abottom that

890
00:37:56,480 --> 00:37:58,880
Speaker 2: I'm still indifferent on. I don't know what it is.

891
00:37:58,920 --> 00:38:01,600
Speaker 2: I can't I can't really pinpointing yet, but it's just

892
00:38:01,640 --> 00:38:04,640
Speaker 2: still something where I'm just like, it's like, you know,

893
00:38:04,880 --> 00:38:06,400
Speaker 2: the voice when it's like you got to hit the

894
00:38:06,440 --> 00:38:08,719
Speaker 2: button and turn the chair around. Yeah, it's like you

895
00:38:08,719 --> 00:38:11,760
Speaker 2: can hear it's like, okay, it's it's it's something there,

896
00:38:12,440 --> 00:38:17,200
Speaker 2: but you just like, I'm not ready to it's something

897
00:38:17,239 --> 00:38:19,279
Speaker 2: there though, it's something It's like I like because he

898
00:38:19,320 --> 00:38:21,839
Speaker 2: got even. I was just listening to the album the

899
00:38:21,880 --> 00:38:23,399
Speaker 2: record with him and justin Tim Blake on the album.

900
00:38:23,440 --> 00:38:25,640
Speaker 2: I love that record. Yeah record, you know what I mean.

901
00:38:25,680 --> 00:38:27,759
Speaker 2: So it's like, I like, he makes good songs, but

902
00:38:27,800 --> 00:38:30,920
Speaker 2: it's still something about him where I'm just not I

903
00:38:31,000 --> 00:38:34,719
Speaker 2: just don't throw his name up in conversation about him just.

904
00:38:34,640 --> 00:38:35,560
Speaker 3: Slowly growing on you.

905
00:38:35,760 --> 00:38:38,719
Speaker 1: But I think that is actually why do you think

906
00:38:38,719 --> 00:38:41,759
Speaker 1: he deserves flowers? Because his type of rapping shouldn't work

907
00:38:41,800 --> 00:38:43,919
Speaker 1: in this era and he's one of the biggest rappers. Yeah,

908
00:38:44,239 --> 00:38:48,239
Speaker 1: I mean, like his style and approach is made for

909
00:38:48,640 --> 00:38:51,960
Speaker 1: nine and he's getting number one records with that style.

910
00:38:52,280 --> 00:38:54,719
Speaker 1: What other rapper outside of the Big three that we

911
00:38:54,760 --> 00:38:58,080
Speaker 1: talk about has his style of rapping and is a

912
00:38:58,200 --> 00:38:59,000
Speaker 1: number one rapper?

913
00:38:59,640 --> 00:39:00,640
Speaker 3: Yeah, he's the only one.

914
00:39:00,680 --> 00:39:03,920
Speaker 1: So that's where I think he deserves flowers because I

915
00:39:03,960 --> 00:39:06,760
Speaker 1: can't see anyone that wraps the way he wraps, structures

916
00:39:06,800 --> 00:39:09,080
Speaker 1: the songs the way he structures them and has number

917
00:39:09,080 --> 00:39:10,560
Speaker 1: one singles.

918
00:39:10,160 --> 00:39:14,920
Speaker 5: Yeah Nobody in Atlantic Allegiance. Aside, he is one of

919
00:39:14,920 --> 00:39:17,279
Speaker 5: the few younger artists. When he drops I'm clicking it

920
00:39:17,719 --> 00:39:19,279
Speaker 5: like it's the first thing I'll listen to.

921
00:39:19,719 --> 00:39:21,799
Speaker 2: No me too, because like I said, I like him

922
00:39:21,880 --> 00:39:23,960
Speaker 2: and I and I and he's obviously proven that he

923
00:39:24,000 --> 00:39:27,120
Speaker 2: can make records, he can make songs, but it's just

924
00:39:27,160 --> 00:39:29,840
Speaker 2: still something like when we start having these conversations, like,

925
00:39:29,880 --> 00:39:32,200
Speaker 2: for example, he was in none of our top Artists

926
00:39:32,239 --> 00:39:35,520
Speaker 2: of the Year on our you know DSPs.

927
00:39:35,560 --> 00:39:37,680
Speaker 1: I mean, he only put out that that mixtape. Yeah,

928
00:39:38,840 --> 00:39:41,680
Speaker 1: even last year an album Jack was an album, I

929
00:39:41,719 --> 00:39:45,600
Speaker 1: know it was, but like that was just to fill

930
00:39:46,360 --> 00:39:48,879
Speaker 1: time before he started the real rollout you think he'll

931
00:39:48,920 --> 00:39:50,600
Speaker 1: and he probably wanted to do because he is a

932
00:39:50,680 --> 00:39:52,440
Speaker 1: rapper at the end of Yeah Yeah, and he got

933
00:39:52,480 --> 00:39:55,080
Speaker 1: sucked into the TikTok world, which he had to of

934
00:39:55,120 --> 00:39:57,759
Speaker 1: course take advantage of, so he went and got a

935
00:39:57,760 --> 00:40:00,200
Speaker 1: bunch of Chipmunk soul samples and wrapped in. Probably he

936
00:40:00,280 --> 00:40:01,800
Speaker 1: found some peace in that because that is who he

937
00:40:01,880 --> 00:40:03,840
Speaker 1: is at the end of the day. But that wasn't

938
00:40:03,840 --> 00:40:07,200
Speaker 1: the album. He's gearing up for the album.

939
00:40:06,920 --> 00:40:09,040
Speaker 3: Look at this single. He came back with, Yeah, the

940
00:40:09,040 --> 00:40:10,200
Speaker 3: whips and chain shit.

941
00:40:10,120 --> 00:40:14,080
Speaker 1: And what a perfect balance I think and quick turnaround. Yeah,

942
00:40:14,560 --> 00:40:16,400
Speaker 1: I know you guys like this record, but it also

943
00:40:16,440 --> 00:40:18,560
Speaker 1: does sound like the last two singles from the last

944
00:40:18,560 --> 00:40:21,840
Speaker 1: Real album. Here's some rap shit and picking Dave I

945
00:40:21,880 --> 00:40:24,000
Speaker 1: think was fucking genius David crazy on this.

946
00:40:24,320 --> 00:40:26,680
Speaker 2: Yeah, shout out to Dave Man. He's been doing a lot,

947
00:40:26,719 --> 00:40:30,160
Speaker 2: a lot of dope shit this year and it's just

948
00:40:30,200 --> 00:40:33,760
Speaker 2: dope to see him, you know, finally get the recognition. Obviously,

949
00:40:33,800 --> 00:40:36,279
Speaker 2: you know, everybody knows him from Top Boy. People didn't

950
00:40:36,280 --> 00:40:39,239
Speaker 2: even know he really liked rapped like Americans. Obviously, people

951
00:40:39,239 --> 00:40:41,719
Speaker 2: from the UK knew that, but a lot of Americans

952
00:40:41,760 --> 00:40:44,279
Speaker 2: now starting to like, oh shit, like and he's rapped, Like, no,

953
00:40:44,360 --> 00:40:47,759
Speaker 2: he's been dope, like Top Boy was just you know,

954
00:40:47,880 --> 00:40:50,120
Speaker 2: something that because he was dope, they put him in that.

955
00:40:50,320 --> 00:40:52,800
Speaker 2: But like, shout out to Dave, it's gonna finally breaking

956
00:40:53,040 --> 00:40:56,000
Speaker 2: breaking through and getting the recognition over here in the US.

957
00:40:56,120 --> 00:40:59,040
Speaker 3: It's gonna sound very arrogant American.

958
00:41:00,200 --> 00:41:05,399
Speaker 1: Dave to me is my favorite from the UK now

959
00:41:05,440 --> 00:41:10,080
Speaker 1: because he's has the most palatable flow and voice in

960
00:41:10,160 --> 00:41:10,520
Speaker 1: the UK.

961
00:41:10,640 --> 00:41:11,920
Speaker 3: To me. I love Central.

962
00:41:11,640 --> 00:41:13,920
Speaker 1: C's a bunch of guys we talked when we were

963
00:41:13,920 --> 00:41:16,480
Speaker 1: in the UK doing guest podcasts. A lot of talent

964
00:41:16,560 --> 00:41:19,560
Speaker 1: rap wise over there, but Dave, when you have an

965
00:41:19,600 --> 00:41:22,960
Speaker 1: American ear like mine for rap music is the most palatable.

966
00:41:23,239 --> 00:41:27,000
Speaker 1: I think that's why he'll be more successful because on

967
00:41:27,080 --> 00:41:30,160
Speaker 1: it it doesn't sound crazy coming out of Jack's flow

968
00:41:30,719 --> 00:41:34,239
Speaker 1: into this, where as Central C, who's dope, may be

969
00:41:34,400 --> 00:41:37,560
Speaker 1: harder to get into if you have just an American

970
00:41:37,960 --> 00:41:38,959
Speaker 1: point of view for rap.

971
00:41:39,680 --> 00:41:41,800
Speaker 2: Yeah, shout out the Gigs Two Gigs did his first

972
00:41:42,120 --> 00:41:47,400
Speaker 2: show in the US in New York City over the weekend. Well, no,

973
00:41:47,560 --> 00:41:49,799
Speaker 2: the day we went to the dinner, he did his

974
00:41:49,840 --> 00:41:52,200
Speaker 2: first show to shout out the Gigs on his show

975
00:41:52,200 --> 00:41:54,640
Speaker 2: at the Bowery Ballroom. I love the fact that a

976
00:41:54,680 --> 00:41:56,799
Speaker 2: lot of these UK guys are starting to get more

977
00:41:56,800 --> 00:41:59,600
Speaker 2: recognition though, because I always thought that this sound was

978
00:41:59,640 --> 00:42:02,680
Speaker 2: dope and it's you know, obviously did it's hip hop.

979
00:42:02,800 --> 00:42:04,880
Speaker 2: So it's just good to see America start embracing a

980
00:42:04,880 --> 00:42:08,960
Speaker 2: lot of these UK artists.

981
00:42:12,800 --> 00:42:14,839
Speaker 1: I know why I really didn't see you this weekend.

982
00:42:15,320 --> 00:42:18,120
Speaker 1: I held back from texting you. I didn't want to

983
00:42:18,160 --> 00:42:22,040
Speaker 1: know where you were Thursday at midnight? Did you rush

984
00:42:22,120 --> 00:42:26,440
Speaker 1: home after leaving here with with our friends and Spotify

985
00:42:27,000 --> 00:42:30,360
Speaker 1: because it was the release of your favorite album of

986
00:42:30,360 --> 00:42:34,040
Speaker 1: all time, Pink Friday Too, Nicki Minaj, Julian Demris make

987
00:42:34,120 --> 00:42:36,799
Speaker 1: some noise. I know, I know that showed people too.

988
00:42:37,200 --> 00:42:42,840
Speaker 1: Nick I was really excited. I wish this was earlier

989
00:42:42,840 --> 00:42:43,360
Speaker 1: in the episode.

990
00:42:43,400 --> 00:42:44,000
Speaker 3: I was holding back.

991
00:42:44,000 --> 00:42:46,319
Speaker 1: I'm excited to talk about Pink Friday too, and I'm

992
00:42:46,360 --> 00:42:50,360
Speaker 1: excited for Maul being a bar his review of this project.

993
00:42:50,600 --> 00:42:52,719
Speaker 1: Is it the greatest of all time? Do we need

994
00:42:52,760 --> 00:42:53,879
Speaker 1: more time or.

995
00:42:53,840 --> 00:42:56,719
Speaker 3: Should we just call it thriller? That's sick.

996
00:42:59,360 --> 00:43:00,160
Speaker 1: Thriller Friday.

997
00:43:00,480 --> 00:43:02,520
Speaker 2: Yeah, we're not gonna We're not gonna throw thriller around

998
00:43:02,520 --> 00:43:02,759
Speaker 2: like that.

999
00:43:03,480 --> 00:43:06,960
Speaker 1: Okay, So it's more of it's bad, It's bad and

1000
00:43:07,040 --> 00:43:09,680
Speaker 1: good the bad album Jackson Bad.

1001
00:43:09,760 --> 00:43:12,080
Speaker 2: This Uh, this album. I'm gonna be honest about this,

1002
00:43:12,280 --> 00:43:15,960
Speaker 2: Nicki Minaj's album. This album is better than I thought

1003
00:43:16,000 --> 00:43:16,520
Speaker 2: it was gonna be.

1004
00:43:16,680 --> 00:43:20,680
Speaker 1: Same, Like I ain't going with bad intentions.

1005
00:43:20,760 --> 00:43:21,320
Speaker 3: Yeah, I didn't go.

1006
00:43:21,400 --> 00:43:22,560
Speaker 2: I didn't go and think it was gonna be a

1007
00:43:22,600 --> 00:43:26,520
Speaker 2: bad album, but I didn't expect it to be this good.

1008
00:43:26,760 --> 00:43:31,600
Speaker 2: Like this album is really really good. Like I think

1009
00:43:31,680 --> 00:43:35,719
Speaker 2: Nikki Uh she lived up to everything that was laid

1010
00:43:35,760 --> 00:43:37,640
Speaker 2: out in front of her, all the expectations. I think

1011
00:43:37,640 --> 00:43:43,440
Speaker 2: she uh surpassed expectations. Honestly, I think she made it

1012
00:43:43,480 --> 00:43:48,160
Speaker 2: clear that she is still uh the top female MC,

1013
00:43:49,320 --> 00:43:54,080
Speaker 2: the top female rapper, and I don't I don't think

1014
00:43:54,120 --> 00:43:56,719
Speaker 2: it's close. I shout out, I love the other lot

1015
00:43:56,719 --> 00:43:58,279
Speaker 2: of the other women that are doing their thing, but

1016
00:43:58,800 --> 00:44:01,279
Speaker 2: I think that, you know, it's certain people that when

1017
00:44:01,280 --> 00:44:03,919
Speaker 2: they step on stage or they step into the gym,

1018
00:44:03,960 --> 00:44:06,719
Speaker 2: it's just a certain air and a certain amount of

1019
00:44:06,719 --> 00:44:09,160
Speaker 2: respect that they demand. And I think that NICKI still

1020
00:44:09,640 --> 00:44:12,920
Speaker 2: with this album, she showed that, you know, I'm still

1021
00:44:13,600 --> 00:44:15,359
Speaker 2: still the top, I'm still the bar.

1022
00:44:16,560 --> 00:44:18,400
Speaker 1: I listened to it a few times over the weekend,

1023
00:44:19,040 --> 00:44:22,040
Speaker 1: and I try to immediately get out of my head

1024
00:44:22,160 --> 00:44:24,759
Speaker 1: the critique that I give pretty much every album that

1025
00:44:24,800 --> 00:44:27,120
Speaker 1: comes out now of too many records, it's too long,

1026
00:44:27,239 --> 00:44:30,480
Speaker 1: you could trim some fat. I need to stop looking

1027
00:44:30,480 --> 00:44:33,640
Speaker 1: at albums that way because times are not changing, So

1028
00:44:33,680 --> 00:44:35,399
Speaker 1: I have to view it in the times that we're in,

1029
00:44:35,600 --> 00:44:38,520
Speaker 1: and I need to give that to everybody. While I

1030
00:44:38,560 --> 00:44:42,719
Speaker 1: do think that there's great, great records on here that

1031
00:44:42,760 --> 00:44:44,960
Speaker 1: I would even go back, even thinking that Nicki doesn't

1032
00:44:44,960 --> 00:44:50,560
Speaker 1: always make music for me. This is the type of

1033
00:44:50,640 --> 00:44:54,680
Speaker 1: album that we want. How do I say Elder Statesmen

1034
00:44:54,719 --> 00:44:58,719
Speaker 1: without being like offensive. She's a veteran, someone that's been

1035
00:44:58,760 --> 00:45:00,920
Speaker 1: in the game for a very long time. When it

1036
00:45:00,920 --> 00:45:03,640
Speaker 1: comes to content, I think she knocked it out of

1037
00:45:03,680 --> 00:45:06,640
Speaker 1: the park. As far as there's mature shit on here,

1038
00:45:07,280 --> 00:45:09,400
Speaker 1: there's life shit on here, there's family shit on here,

1039
00:45:09,440 --> 00:45:11,719
Speaker 1: there's pussy raps on here, there's club shit on here.

1040
00:45:11,760 --> 00:45:14,279
Speaker 1: They're singing on here, there's rapping on here. If you're

1041
00:45:14,320 --> 00:45:18,959
Speaker 1: going to do an album this long, you did check

1042
00:45:19,080 --> 00:45:23,120
Speaker 1: every box, versatility of a fan base.

1043
00:45:24,120 --> 00:45:27,200
Speaker 2: She tried to touch every corner of her fan base.

1044
00:45:27,200 --> 00:45:29,600
Speaker 2: She tried to give something for everybody.

1045
00:45:29,080 --> 00:45:31,880
Speaker 1: And knowing her fans grew up too. I mean, of

1046
00:45:31,880 --> 00:45:34,200
Speaker 1: course she has younger fans. You can say what you

1047
00:45:34,239 --> 00:45:36,960
Speaker 1: want sonically about the album and who am I like.

1048
00:45:37,520 --> 00:45:40,240
Speaker 1: That's your point of view, But when it comes to content,

1049
00:45:40,440 --> 00:45:42,759
Speaker 1: you can't tell me she didn't check every box. Again,

1050
00:45:43,880 --> 00:45:45,840
Speaker 1: you can say you don't like it, and that's your preference.

1051
00:45:46,600 --> 00:45:48,759
Speaker 1: But how we've been critiquing, not just Drake on the

1052
00:45:48,840 --> 00:45:53,360
Speaker 1: last album. But as we see the second generation of

1053
00:45:53,800 --> 00:45:57,759
Speaker 1: hip hop now being the older generation, critique has been

1054
00:45:57,840 --> 00:46:01,520
Speaker 1: always you're not growing with your audience. I think she

1055
00:46:01,600 --> 00:46:04,879
Speaker 1: did on this album. There's joints on here, and then

1056
00:46:04,920 --> 00:46:08,279
Speaker 1: there's also mother ship in here, there's life ship in here.

1057
00:46:08,280 --> 00:46:08,680
Speaker 3: It was good.

1058
00:46:08,680 --> 00:46:09,560
Speaker 2: There's a touch on it.

1059
00:46:09,600 --> 00:46:12,799
Speaker 1: I was fucking about to overdose on perks on here,

1060
00:46:12,800 --> 00:46:15,399
Speaker 1: like there is stuff. Maybe it wasn't the deepest dive

1061
00:46:15,440 --> 00:46:18,920
Speaker 1: that people wanted, but it was good. And maybe people

1062
00:46:18,920 --> 00:46:22,120
Speaker 1: will say I'm being soft on her. I don't think

1063
00:46:22,160 --> 00:46:24,080
Speaker 1: I am. I really tried to find shit I hated

1064
00:46:24,120 --> 00:46:26,200
Speaker 1: about this album over the weekend because that's just so you.

1065
00:46:27,160 --> 00:46:28,440
Speaker 3: Yeah, I mean that's how I just approached.

1066
00:46:28,760 --> 00:46:30,560
Speaker 2: But I think I think that's I think I think

1067
00:46:30,560 --> 00:46:32,600
Speaker 2: that's that's a good thing. Though, Like when you try

1068
00:46:32,640 --> 00:46:34,480
Speaker 2: to be critical, they like.

1069
00:46:34,680 --> 00:46:37,960
Speaker 1: It sounds worse than I'm not sting, like, yeah, I

1070
00:46:38,040 --> 00:46:38,600
Speaker 1: need to hate.

1071
00:46:38,480 --> 00:46:40,400
Speaker 2: This, but I get it, like you listen to it.

1072
00:46:40,480 --> 00:46:43,040
Speaker 2: I listened to it thinking, Okay, what would I have

1073
00:46:43,239 --> 00:46:45,200
Speaker 2: not done? What would I have changed? Like I'm I'm

1074
00:46:45,239 --> 00:46:47,400
Speaker 2: not a recording artist, but I'm like, what would I

1075
00:46:47,400 --> 00:46:50,959
Speaker 2: have changed about the album? And I think that because

1076
00:46:51,000 --> 00:46:52,600
Speaker 2: we talked about it. We didn't feel like it was

1077
00:46:52,640 --> 00:46:55,840
Speaker 2: a lot of push behind the album. It was a

1078
00:46:55,880 --> 00:46:57,640
Speaker 2: lot of talk about the album coming out, even though

1079
00:46:57,680 --> 00:46:59,799
Speaker 2: it was like Wednesday when we were talking. It's like

1080
00:47:00,160 --> 00:47:02,200
Speaker 2: like Nicky's album is coming tomorrow night like, but it

1081
00:47:02,239 --> 00:47:05,080
Speaker 2: doesn't feel like Nicki's albums. So that's why I was

1082
00:47:05,160 --> 00:47:08,040
Speaker 2: kind of like, oh, man, like I hope they don't

1083
00:47:08,080 --> 00:47:09,719
Speaker 2: drop the ball on this ship, Like I hope they

1084
00:47:09,760 --> 00:47:11,880
Speaker 2: don't try to fuck Nikki over on this on this release.

1085
00:47:12,360 --> 00:47:16,359
Speaker 2: But they dropped it. Listen to it, and I was

1086
00:47:16,440 --> 00:47:22,080
Speaker 2: pleasantly surprised about the records, the production, Nicki's ability to

1087
00:47:22,120 --> 00:47:26,320
Speaker 2: still just you know, flow the way she was Barbie dangerous,

1088
00:47:26,360 --> 00:47:29,680
Speaker 2: I mean, channeling the whole Bone Thugs Biggie.

1089
00:47:30,239 --> 00:47:33,440
Speaker 1: So that's my only I have two real critiques, and

1090
00:47:33,480 --> 00:47:36,480
Speaker 1: I'm sorry to cut you off, but that is my critique.

1091
00:47:37,200 --> 00:47:39,600
Speaker 1: She did that flow with me already. I didn't need

1092
00:47:39,600 --> 00:47:44,160
Speaker 1: it again, that flow the Bone Thugs and Biggie.

1093
00:47:45,160 --> 00:47:47,719
Speaker 2: Yeah, but this I love this. I love this, this

1094
00:47:47,800 --> 00:47:50,640
Speaker 2: record my name nick like they did it. But that

1095
00:47:50,760 --> 00:47:52,480
Speaker 2: was but that was that was just for a verse.

1096
00:47:53,840 --> 00:47:55,160
Speaker 1: It was and it was a good verse too. I

1097
00:47:55,200 --> 00:47:56,880
Speaker 1: like them going back and forth on that. I just

1098
00:47:56,960 --> 00:48:00,120
Speaker 1: I guess on the second record because I like the

1099
00:48:00,239 --> 00:48:03,080
Speaker 1: are you going already? That's that's a flip from who right?

1100
00:48:03,920 --> 00:48:06,960
Speaker 1: Some pop store believe so well?

1101
00:48:07,000 --> 00:48:11,080
Speaker 5: Phineas produced it. He's who's Billie Eilish's co creator?

1102
00:48:11,160 --> 00:48:11,440
Speaker 6: That was?

1103
00:48:11,600 --> 00:48:13,680
Speaker 3: Was that not Billy Eilish on the It could have been.

1104
00:48:13,719 --> 00:48:15,040
Speaker 3: I don't know. I haven't listened to the album. They

1105
00:48:15,080 --> 00:48:15,319
Speaker 3: might have.

1106
00:48:15,360 --> 00:48:17,520
Speaker 5: They might have used her vocals, but Phineas, who is

1107
00:48:17,640 --> 00:48:21,360
Speaker 5: credited as the sole singular producer on this is her If.

1108
00:48:21,200 --> 00:48:24,520
Speaker 1: It's not, there's a Billie Eilish impersonator out probably in

1109
00:48:24,880 --> 00:48:27,480
Speaker 1: Times Square and sell some pictures.

1110
00:48:26,680 --> 00:48:30,680
Speaker 2: The record with Jake Cole. Uh the flip that they

1111
00:48:30,719 --> 00:48:31,800
Speaker 2: did on the UZI.

1112
00:48:31,640 --> 00:48:34,399
Speaker 3: Record, Yeah, oh my god?

1113
00:48:34,840 --> 00:48:37,520
Speaker 7: That so that's really I've only heard two songs off

1114
00:48:37,600 --> 00:48:39,360
Speaker 7: the album because I haven't really got a chance to

1115
00:48:39,400 --> 00:48:40,799
Speaker 7: sit down and listen to a Part of it was

1116
00:48:40,800 --> 00:48:44,000
Speaker 7: because I was too terrified that because I'm a Nikki fan,

1117
00:48:44,040 --> 00:48:44,799
Speaker 7: I was afraid.

1118
00:48:44,520 --> 00:48:46,200
Speaker 3: She was gonna disappoint me again expectations.

1119
00:48:46,280 --> 00:48:46,840
Speaker 6: I was scared.

1120
00:48:46,880 --> 00:48:48,560
Speaker 7: I was scared, so I was like kind of I

1121
00:48:48,600 --> 00:48:51,399
Speaker 7: was kind of avoiding it. But I'm happy to hear

1122
00:48:51,400 --> 00:48:53,040
Speaker 7: you guys and critiques. So no, I'm definitely gonna run

1123
00:48:53,080 --> 00:48:55,480
Speaker 7: and listen. But I did automatically go and listen to

1124
00:48:55,560 --> 00:48:59,680
Speaker 7: the Uzi vert Everybody and the Jay Cole feature because

1125
00:48:59,680 --> 00:49:02,000
Speaker 7: I listen into anything with j Cole's name, my name immediately.

1126
00:49:02,120 --> 00:49:03,839
Speaker 6: That Uzi ver song has been stuck in my head

1127
00:49:03,960 --> 00:49:07,359
Speaker 6: since it has not it has.

1128
00:49:07,640 --> 00:49:12,960
Speaker 1: Record, So she killed that. That Everybody featuring Uzzi is

1129
00:49:13,880 --> 00:49:16,560
Speaker 1: it's I hate to say it's a smash if they

1130
00:49:17,520 --> 00:49:19,680
Speaker 1: I hope they don't. They don't put a visual with

1131
00:49:19,760 --> 00:49:23,799
Speaker 1: that record, because that record could definitely go and back

1132
00:49:23,840 --> 00:49:25,560
Speaker 1: to like wanting to hate, like, oh you went to

1133
00:49:25,640 --> 00:49:31,160
Speaker 1: Uzzi for the club flip and guess what fucking great

1134
00:49:32,120 --> 00:49:33,080
Speaker 1: Vincent Bardy line is.

1135
00:49:33,320 --> 00:49:34,600
Speaker 3: Everything about that record is fire.

1136
00:49:34,880 --> 00:49:35,319
Speaker 6: She ate them.

1137
00:49:35,880 --> 00:49:38,400
Speaker 1: My second critique after the Bone Thugs thing, since you

1138
00:49:38,400 --> 00:49:40,240
Speaker 1: guys just brought it up, is the Drake record.

1139
00:49:40,239 --> 00:49:41,360
Speaker 3: I don't like the Drake rerecord.

1140
00:49:41,480 --> 00:49:42,640
Speaker 6: I haven't heard the Drake record.

1141
00:49:42,800 --> 00:49:46,440
Speaker 1: It sounds like a throwaway from for all the Dogs.

1142
00:49:46,600 --> 00:49:49,200
Speaker 1: It's we've gotten it. It's not a bad record because

1143
00:49:49,200 --> 00:49:55,000
Speaker 1: it's Drake doing afrobeats, but it's it's just it just

1144
00:49:55,080 --> 00:49:58,120
Speaker 1: wasn't needed it's dated, and like I get it, I

1145
00:49:58,160 --> 00:50:00,960
Speaker 1: would rather not have Drake on my album. And the

1146
00:50:01,000 --> 00:50:04,440
Speaker 1: record's cool, but it's been done, and I would have preferred.

1147
00:50:04,120 --> 00:50:05,319
Speaker 2: I wanted to hear him.

1148
00:50:05,280 --> 00:50:07,520
Speaker 3: Rap exactly if it wasn't rapid rap.

1149
00:50:07,560 --> 00:50:09,160
Speaker 2: Even if they just I wanted to hear him rap.

1150
00:50:09,200 --> 00:50:11,200
Speaker 3: I wanted to hear them. They didn't know with Wayne

1151
00:50:11,520 --> 00:50:12,319
Speaker 3: was what was the name of that?

1152
00:50:12,680 --> 00:50:16,759
Speaker 1: When she put her mixtape on only streaming, they put

1153
00:50:17,440 --> 00:50:19,520
Speaker 1: Scotty on streaming.

1154
00:50:19,160 --> 00:50:22,000
Speaker 2: Green Money Money, Green Green Ranger.

1155
00:50:23,080 --> 00:50:25,520
Speaker 1: All three of them went crazy on that. But yeah,

1156
00:50:25,520 --> 00:50:28,920
Speaker 1: I would have preferred to hear Drake on some of

1157
00:50:28,960 --> 00:50:31,200
Speaker 1: these other records, like My Life. I think he would

1158
00:50:31,200 --> 00:50:31,959
Speaker 1: have been really cool.

1159
00:50:32,000 --> 00:50:32,280
Speaker 3: Line.

1160
00:50:35,280 --> 00:50:37,480
Speaker 1: Yeah, I just don't think he was. There is anyone

1161
00:50:37,560 --> 00:50:39,480
Speaker 1: going to say it because you guys said.

1162
00:50:39,320 --> 00:50:40,480
Speaker 2: It all the R and B record too?

1163
00:50:40,560 --> 00:50:46,000
Speaker 1: Is hard R and B wayn Yeah, well, Roy, is

1164
00:50:46,040 --> 00:50:47,879
Speaker 1: anyone going to say it? Or should I just say

1165
00:50:48,040 --> 00:50:48,759
Speaker 1: what you guys said?

1166
00:50:48,840 --> 00:50:49,239
Speaker 3: Off? Mike?

1167
00:50:49,360 --> 00:50:52,040
Speaker 1: What is it a waste of a Jake covers? Is

1168
00:50:52,080 --> 00:50:53,400
Speaker 1: that I heard in pre production?

1169
00:50:53,560 --> 00:50:56,279
Speaker 2: Chatter y'all don't like the Jake covers?

1170
00:50:56,560 --> 00:50:59,040
Speaker 7: No, I love everything Jake Cole does. I don't like

1171
00:50:59,120 --> 00:51:01,520
Speaker 7: the song I don't like the song.

1172
00:51:01,600 --> 00:51:02,600
Speaker 3: Okay, I think they could.

1173
00:51:02,680 --> 00:51:06,320
Speaker 7: I think if you're gonna get ja Cole, especially talking

1174
00:51:06,360 --> 00:51:08,520
Speaker 7: about what he was talking about in that verse, I

1175
00:51:08,520 --> 00:51:11,239
Speaker 7: think the rest of the song could have matched in substance,

1176
00:51:11,280 --> 00:51:14,000
Speaker 7: and I don't think that it did. I don't think

1177
00:51:14,040 --> 00:51:14,680
Speaker 7: it was a good song.

1178
00:51:14,719 --> 00:51:16,279
Speaker 3: I have j Cole on do you think it was

1179
00:51:16,320 --> 00:51:16,840
Speaker 3: a waste?

1180
00:51:17,920 --> 00:51:20,920
Speaker 7: I wouldn't say a waste, but I would have I

1181
00:51:20,960 --> 00:51:22,480
Speaker 7: would have preferred something a little.

1182
00:51:22,520 --> 00:51:23,920
Speaker 6: I would have preferred to be able to.

1183
00:51:23,920 --> 00:51:24,680
Speaker 3: Bump the song.

1184
00:51:26,040 --> 00:51:28,640
Speaker 7: I'm not a fan and not just bump the verse.

1185
00:51:28,719 --> 00:51:30,560
Speaker 7: I want to bump Cole's verse, but I don't want

1186
00:51:30,560 --> 00:51:31,200
Speaker 7: to bump the song.

1187
00:51:32,640 --> 00:51:35,239
Speaker 1: I mean, Nikki always didn't get into it the way

1188
00:51:35,360 --> 00:51:39,760
Speaker 1: Cole did about the subject matter of being a partner

1189
00:51:39,760 --> 00:51:44,720
Speaker 1: and a parent and everything. But I mean, how critical

1190
00:51:44,760 --> 00:51:46,400
Speaker 1: can we really be at that point when this is

1191
00:51:46,480 --> 00:51:50,759
Speaker 1: what we've been asking from these artists to give us

1192
00:51:50,920 --> 00:51:53,880
Speaker 1: mature content because the subject matter was very much mature.

1193
00:51:54,000 --> 00:51:56,399
Speaker 1: Are you saying, you know, like the beat per se

1194
00:51:56,520 --> 00:51:58,319
Speaker 1: or just Nicki's didn't take it there the way.

1195
00:51:58,400 --> 00:51:59,759
Speaker 7: I just don't think it's a good song, and I

1196
00:51:59,760 --> 00:52:02,600
Speaker 7: don't think took it where I don't think Nikki took

1197
00:52:02,600 --> 00:52:04,320
Speaker 7: it there the way she could have on the.

1198
00:52:04,160 --> 00:52:05,160
Speaker 6: Song with Cole.

1199
00:52:05,239 --> 00:52:06,720
Speaker 3: Well, I'm going to ask the question.

1200
00:52:06,680 --> 00:52:08,799
Speaker 7: And I'm coming from a place sorry, I'm coming from

1201
00:52:08,800 --> 00:52:11,640
Speaker 7: a place where I know how well Niki can rap.

1202
00:52:11,880 --> 00:52:14,320
Speaker 7: So it's not me thinking that Nicki doesn't have the ability,

1203
00:52:14,360 --> 00:52:16,520
Speaker 7: because if I didn't have such high expectations of Nicki,

1204
00:52:16,520 --> 00:52:17,600
Speaker 7: I wouldn't critique.

1205
00:52:17,280 --> 00:52:19,919
Speaker 6: Her the way that I do. The same way with Drake.

1206
00:52:20,000 --> 00:52:22,600
Speaker 7: I know what Drake can do, so I critique critique

1207
00:52:22,680 --> 00:52:24,759
Speaker 7: him harder because I expect more from him. Maybe that's

1208
00:52:24,800 --> 00:52:27,120
Speaker 7: not fair, but with Nikki, I feel like you could

1209
00:52:27,120 --> 00:52:29,360
Speaker 7: have taken it there. You could have matched Cole and

1210
00:52:29,440 --> 00:52:32,080
Speaker 7: rapping ability on this and you didn't. But other than that,

1211
00:52:32,320 --> 00:52:33,759
Speaker 7: I'm not I have no critiques for the album because

1212
00:52:33,760 --> 00:52:34,239
Speaker 7: I haven't heard it.

1213
00:52:34,320 --> 00:52:37,160
Speaker 1: I'm gonna ask the real question in regards to d

1214
00:52:37,320 --> 00:52:39,640
Speaker 1: J Cole Nikki record. Let me calm down that I

1215
00:52:39,680 --> 00:52:43,160
Speaker 1: saw no one asking does Nicki's husband need to see

1216
00:52:43,200 --> 00:52:46,640
Speaker 1: J Cole because I'm fighting you if you go on

1217
00:52:46,680 --> 00:52:49,480
Speaker 1: my wife's record and start talking to me about how

1218
00:52:49,520 --> 00:52:50,839
Speaker 1: I should be a better partner than father.

1219
00:52:50,880 --> 00:52:51,440
Speaker 3: Fuck you, Cole.

1220
00:52:51,480 --> 00:52:57,000
Speaker 1: We gotta fight about him or was he was talking

1221
00:52:57,040 --> 00:53:00,320
Speaker 1: directly to Nicki's partner. Yeah, it gave and I'm not

1222
00:53:00,360 --> 00:53:02,040
Speaker 1: going to put a name on it because we don't

1223
00:53:02,120 --> 00:53:02,680
Speaker 1: it's music.

1224
00:53:02,760 --> 00:53:03,160
Speaker 3: We don't know.

1225
00:53:03,160 --> 00:53:05,239
Speaker 1: If he was speaking to Kenneth.

1226
00:53:05,320 --> 00:53:07,680
Speaker 6: Yeah, but pull up these lyrics.

1227
00:53:07,840 --> 00:53:10,400
Speaker 1: I'm if I'm Nikki's husband, I might have to like

1228
00:53:10,440 --> 00:53:14,040
Speaker 1: hit your mane, Like, yo, what do you mean?

1229
00:53:14,400 --> 00:53:17,560
Speaker 2: Yeah, so Jaco says, So if you love her, then

1230
00:53:17,600 --> 00:53:19,680
Speaker 2: you got to play. You got to learn to play

1231
00:53:19,680 --> 00:53:21,520
Speaker 2: your part. Sometimes you got to play the back. But

1232
00:53:21,560 --> 00:53:23,600
Speaker 2: when you do, make sure you play it smart. All

1233
00:53:23,640 --> 00:53:26,040
Speaker 2: these niggas want us so they hating hard. They talk

1234
00:53:26,080 --> 00:53:27,920
Speaker 2: and slick and make you want to pull a rated

1235
00:53:27,920 --> 00:53:30,080
Speaker 2: all you like her, love her like a brother, like

1236
00:53:30,120 --> 00:53:32,480
Speaker 2: her manager in a and R plus a therapist. When

1237
00:53:32,480 --> 00:53:35,279
Speaker 2: they started raining hard, her life was trauma filled and

1238
00:53:35,440 --> 00:53:37,880
Speaker 2: left her with a tainted heart. Yet you the nigga

1239
00:53:37,920 --> 00:53:40,960
Speaker 2: that she want to tack her name across. But you

1240
00:53:41,000 --> 00:53:42,919
Speaker 2: need patience and a lot of extra faith from God

1241
00:53:43,680 --> 00:53:44,680
Speaker 2: to keep the family together.

1242
00:53:44,680 --> 00:53:48,719
Speaker 1: At a time, by the way, already my blood would

1243
00:53:48,719 --> 00:53:52,080
Speaker 1: be boiling. I didn't mean to cut you off, but

1244
00:53:52,120 --> 00:53:53,760
Speaker 1: I was saying by this point, what are we twelve

1245
00:53:53,840 --> 00:54:00,200
Speaker 1: in yes, well yeah, I mean I'm don't even the

1246
00:54:00,280 --> 00:54:02,120
Speaker 1: second lines she bad as fun but already deal with

1247
00:54:02,120 --> 00:54:06,440
Speaker 1: And if they don't even start telling me about my wife.

1248
00:54:06,320 --> 00:54:08,400
Speaker 6: Well he never mentioned that it was about Nikki yo,

1249
00:54:09,400 --> 00:54:09,960
Speaker 6: who else.

1250
00:54:09,800 --> 00:54:10,520
Speaker 3: Could it be about?

1251
00:54:11,200 --> 00:54:13,080
Speaker 1: And then Nikki got on Twitter and was like, yeah, we wait,

1252
00:54:13,080 --> 00:54:15,719
Speaker 1: a two hour conversation about my current life. Oh oh yeah,

1253
00:54:15,760 --> 00:54:18,520
Speaker 1: that which I thought was beautiful that Nikki did say

1254
00:54:18,520 --> 00:54:21,040
Speaker 1: that derived from a two hour conversation and they and Cole,

1255
00:54:21,400 --> 00:54:24,279
Speaker 1: you know, talk through all that that ship with her.

1256
00:54:24,719 --> 00:54:29,479
Speaker 1: But to have a direct like, don't even start telling

1257
00:54:29,520 --> 00:54:32,000
Speaker 1: me about her ambition or or what trauma she's been there,

1258
00:54:32,040 --> 00:54:35,040
Speaker 1: you know, I know her, Jermaine, you just had one

1259
00:54:35,040 --> 00:54:36,960
Speaker 1: two hour conversation with her over the fucking phone.

1260
00:54:37,000 --> 00:54:40,160
Speaker 6: This is my wife, Romaine listened to her, or listen

1261
00:54:40,239 --> 00:54:40,719
Speaker 6: to her more.

1262
00:54:41,400 --> 00:54:43,360
Speaker 1: And this is why I would want to fight Jermaine

1263
00:54:43,360 --> 00:54:46,960
Speaker 1: Cole now even if you're right, fuck you, and like,

1264
00:54:47,000 --> 00:54:50,200
Speaker 1: don't even if Jake Cole is right, nah.

1265
00:54:50,000 --> 00:54:51,880
Speaker 2: Nah, but you gotta but see, I understand what you're

1266
00:54:51,880 --> 00:54:54,439
Speaker 2: saying at the same time. You know, when when when

1267
00:54:54,600 --> 00:54:57,239
Speaker 2: somebody like Jake Cole is saying that and then he says,

1268
00:54:57,280 --> 00:54:59,439
Speaker 2: you know this, I'm just this is a message from God,

1269
00:54:59,520 --> 00:55:02,440
Speaker 2: like I'm just a messenger. Like it could be, it

1270
00:55:03,200 --> 00:55:05,839
Speaker 2: could be come from a place of like, yo, she's

1271
00:55:05,840 --> 00:55:07,759
Speaker 2: an artist, and because I'm an artist, I understand what

1272
00:55:07,880 --> 00:55:11,120
Speaker 2: artists need to have a healthy relationship. So as a

1273
00:55:11,239 --> 00:55:14,480
Speaker 2: as a man, I'm going to help you, know, put

1274
00:55:14,520 --> 00:55:16,200
Speaker 2: these words out here so that you can understand, like,

1275
00:55:16,200 --> 00:55:19,560
Speaker 2: all right, this is what an artist needs. And being

1276
00:55:19,600 --> 00:55:21,960
Speaker 2: that she's the artist, the biggest artist that she is,

1277
00:55:22,880 --> 00:55:25,520
Speaker 2: let me help you navigate through this relationship a little better.

1278
00:55:25,680 --> 00:55:29,680
Speaker 1: Don't don't tear me apart about being a partner and

1279
00:55:30,480 --> 00:55:32,759
Speaker 1: thinking about my family breaking up and then just say no,

1280
00:55:32,840 --> 00:55:35,400
Speaker 1: I'm just a messenger. This is really from God. I

1281
00:55:35,400 --> 00:55:37,680
Speaker 1: don't remember the Book of Jermaine. I don't remember God

1282
00:55:37,719 --> 00:55:39,440
Speaker 1: speaking to J Cole about my family.

1283
00:55:39,520 --> 00:55:41,520
Speaker 2: But okay, but so would you rather would you rather

1284
00:55:41,600 --> 00:55:45,440
Speaker 2: lose your your relationship and your marriage and your family

1285
00:55:46,000 --> 00:55:48,080
Speaker 2: or would you rather have somebody like a J. Cole

1286
00:55:48,080 --> 00:55:51,520
Speaker 2: who you know is being respectful, it's not disrespect Would

1287
00:55:51,560 --> 00:55:53,400
Speaker 2: you not want him to say those things? And have

1288
00:55:53,560 --> 00:55:55,640
Speaker 2: you hear that? If a JA Cole help you save

1289
00:55:55,719 --> 00:55:57,040
Speaker 2: your relationship.

1290
00:55:56,480 --> 00:55:56,800
Speaker 3: If a J.

1291
00:55:57,000 --> 00:55:59,280
Speaker 1: Cole versus what it takes to keep your family together?

1292
00:55:59,320 --> 00:56:03,000
Speaker 1: I think we have some Yeah, yeah, I mean and

1293
00:56:03,000 --> 00:56:05,399
Speaker 1: by the way I am I am joking. The verse

1294
00:56:05,480 --> 00:56:08,000
Speaker 1: is great, and I think Cole's intentions were very much pure.

1295
00:56:08,520 --> 00:56:13,719
Speaker 1: But I am also a man. I was thinking that

1296
00:56:14,280 --> 00:56:16,520
Speaker 1: the first time I heard the verse, and just knowing

1297
00:56:17,480 --> 00:56:20,520
Speaker 1: Nicki's husband's background and like who he is, I was like,

1298
00:56:20,520 --> 00:56:21,600
Speaker 1: I don't know if this is going to be as

1299
00:56:21,600 --> 00:56:23,560
Speaker 1: well received as cold Like I would I would have

1300
00:56:23,600 --> 00:56:28,399
Speaker 1: sent that verse with like a paragraph message. I would

1301
00:56:28,440 --> 00:56:29,920
Speaker 1: have been nervous to ded send on that, like, YO,

1302
00:56:30,040 --> 00:56:30,719
Speaker 1: just let your man know.

1303
00:56:30,800 --> 00:56:33,319
Speaker 2: Like I wonder if this is too far, I can change.

1304
00:56:33,040 --> 00:56:35,920
Speaker 1: Like I don't want to seem disrespectful or commenting.

1305
00:56:36,120 --> 00:56:37,800
Speaker 2: But what if he laid that in the studio and

1306
00:56:38,120 --> 00:56:39,120
Speaker 2: Nicki Hudglet was dead.

1307
00:56:40,920 --> 00:56:42,440
Speaker 3: How close does the studio to his school?

1308
00:56:43,000 --> 00:56:45,239
Speaker 1: Well, we have been in the studio with Nicki and

1309
00:56:45,239 --> 00:56:49,640
Speaker 1: her husband. He was behind Nicki shadow boxing pink balloons.

1310
00:56:49,680 --> 00:56:51,319
Speaker 1: I don't think Jay Cole cut this verse in front

1311
00:56:51,320 --> 00:56:51,560
Speaker 1: of him.

1312
00:56:52,680 --> 00:56:54,279
Speaker 3: I feel like I was scared in that.

1313
00:56:54,520 --> 00:56:56,560
Speaker 5: Remember when he pulled up the offsets home or wherever

1314
00:56:56,560 --> 00:56:58,160
Speaker 5: he was staying at when he was in New York.

1315
00:56:58,520 --> 00:56:59,719
Speaker 3: I feel like if he had a problem, you'd pull

1316
00:56:59,760 --> 00:57:00,520
Speaker 3: ups place.

1317
00:57:01,239 --> 00:57:04,080
Speaker 9: Pulling up to Cole is crazy like Jake oles Mike.

1318
00:57:04,440 --> 00:57:07,840
Speaker 9: I don't know, Like this is Jacob Like Cole also

1319
00:57:07,840 --> 00:57:11,400
Speaker 9: booked Nikki. You can't fight Jacob Dreamville Fest. So she

1320
00:57:11,440 --> 00:57:14,239
Speaker 9: announced Tory and she will be on Dreamville Fest as well.

1321
00:57:14,320 --> 00:57:15,480
Speaker 3: So can we go?

1322
00:57:15,600 --> 00:57:16,080
Speaker 6: Can we go?

1323
00:57:17,200 --> 00:57:20,439
Speaker 1: This isn't like No, this isn't like healthy dirty Mackin.

1324
00:57:21,840 --> 00:57:25,360
Speaker 2: No, man, No, if it was from anybody else other

1325
00:57:25,400 --> 00:57:26,560
Speaker 2: than j Cole, I would.

1326
00:57:26,320 --> 00:57:29,880
Speaker 1: Agree because we know J. Cole's we know up here

1327
00:57:29,880 --> 00:57:32,320
Speaker 1: on this stop doing it. If another artist did is

1328
00:57:32,360 --> 00:57:34,720
Speaker 1: we would think this is not dirty Mackin in a

1329
00:57:34,800 --> 00:57:38,120
Speaker 1: sense to fuck but you are like talking about another

1330
00:57:38,120 --> 00:57:41,240
Speaker 1: man's ability to be your partner and father to your kids.

1331
00:57:41,400 --> 00:57:43,680
Speaker 3: But I think reputation, because we love Cole, he gets

1332
00:57:43,680 --> 00:57:43,960
Speaker 3: a pass.

1333
00:57:44,080 --> 00:57:46,800
Speaker 5: Reputation of the person matters. Because I agree Drake did this,

1334
00:57:46,920 --> 00:57:50,360
Speaker 5: we would kill Oh, this would look we would raise him. Yeah,

1335
00:57:50,600 --> 00:57:52,800
Speaker 5: and booked you to headline a festival. Hell, now, get

1336
00:57:52,800 --> 00:57:53,160
Speaker 5: out of here.

1337
00:57:53,280 --> 00:57:54,960
Speaker 2: Damn she couldn't do Ovio Fest.

1338
00:57:55,000 --> 00:57:58,200
Speaker 5: No, no, why you got her looking for her passport

1339
00:57:58,200 --> 00:57:58,480
Speaker 5: and ship?

1340
00:57:58,600 --> 00:57:58,680
Speaker 6: No?

1341
00:57:58,840 --> 00:58:01,560
Speaker 2: But that's that's NICKI Drake, that's.

1342
00:58:01,400 --> 00:58:04,520
Speaker 5: A different woman in that case, but like someone that

1343
00:58:04,760 --> 00:58:06,800
Speaker 5: you could misconstrue that relationship.

1344
00:58:07,200 --> 00:58:10,760
Speaker 3: Call his rep is where it's at. He's good. But Drake, Now,

1345
00:58:11,200 --> 00:58:11,920
Speaker 3: don't bring my.

1346
00:58:11,880 --> 00:58:16,000
Speaker 2: Girl the Coastal Flies commercial gets his own luggage.

1347
00:58:16,720 --> 00:58:19,040
Speaker 3: You gotta respects a pre.

1348
00:58:19,400 --> 00:58:21,240
Speaker 2: He doesn't have pre check. You know he didn't he

1349
00:58:21,280 --> 00:58:23,120
Speaker 2: didn't like was it clear? He didn't clear scan.

1350
00:58:23,080 --> 00:58:26,640
Speaker 3: His eyes off. Still I'm just saying I would his crocs.

1351
00:58:27,840 --> 00:58:32,120
Speaker 1: I would uh told the line on telling somebody from

1352
00:58:32,560 --> 00:58:35,040
Speaker 1: Baisley Houses. God forbid, y'all got a kid. He knows

1353
00:58:35,040 --> 00:58:36,760
Speaker 1: he is a kid. Don't tell me I have a kid, Jack.

1354
00:58:37,080 --> 00:58:38,360
Speaker 6: But that's what I don't think.

1355
00:58:38,480 --> 00:58:41,040
Speaker 3: Damn, that's what. I don't feel like it's about content.

1356
00:58:41,480 --> 00:58:43,040
Speaker 2: I just feel like it's like a it's a broad

1357
00:58:43,080 --> 00:58:46,000
Speaker 2: conversation that he's just addressing, like saying, like, if your

1358
00:58:46,040 --> 00:58:49,360
Speaker 2: woman is a bread earner, if she's like you know

1359
00:58:49,400 --> 00:58:52,280
Speaker 2: what I mean, like that girl, you gotta support that.

1360
00:58:52,320 --> 00:58:54,480
Speaker 2: Don't let ego get in the way of that. And

1361
00:58:54,600 --> 00:58:56,760
Speaker 2: you know what I'm saying, like like fuck up a

1362
00:58:56,800 --> 00:58:59,800
Speaker 2: good thing, like support that, Like, yeah, my woman is lit.

1363
00:59:00,080 --> 00:59:02,360
Speaker 2: I'm gonna support that, like, Okay, I'll play it back.

1364
00:59:02,560 --> 00:59:04,560
Speaker 7: There is a little piece of it where I'm with

1365
00:59:04,640 --> 00:59:06,800
Speaker 7: Rory when he was kind of like just kind of

1366
00:59:06,800 --> 00:59:08,640
Speaker 7: telling him like, you got to play it smart, like

1367
00:59:08,760 --> 00:59:11,439
Speaker 7: niggas that make you want to pull a rateed r Like, AKA,

1368
00:59:11,680 --> 00:59:14,560
Speaker 7: your wife is the biggest rapper, female rapper of all time.

1369
00:59:14,640 --> 00:59:17,760
Speaker 7: Please stop doing stupid ship and putting her in negative

1370
00:59:17,800 --> 00:59:19,160
Speaker 7: news when she's that big.

1371
00:59:19,840 --> 00:59:22,720
Speaker 2: Support her, yeah, and learn how to support her without

1372
00:59:22,720 --> 00:59:24,800
Speaker 2: it to make me go. But that's like I said,

1373
00:59:24,800 --> 00:59:26,360
Speaker 2: that's what I feel like. It's just a broad I

1374
00:59:26,360 --> 00:59:28,440
Speaker 2: feel like it's just a broad conversation about just men

1375
00:59:28,480 --> 00:59:31,080
Speaker 2: that's in that position. That woman is just look and

1376
00:59:31,160 --> 00:59:31,600
Speaker 2: J Cole is.

1377
00:59:31,600 --> 00:59:34,000
Speaker 3: Younger than them. I'd be furious.

1378
00:59:35,720 --> 00:59:37,080
Speaker 2: Rory just trying to find a way to go home

1379
00:59:37,080 --> 00:59:37,720
Speaker 2: and punch a wall.

1380
00:59:38,920 --> 00:59:39,520
Speaker 3: What does he mean?

1381
00:59:39,560 --> 00:59:42,680
Speaker 2: He's a messenger from God, relaxed.

1382
00:59:43,440 --> 00:59:46,720
Speaker 6: Just a messenger, but God is this message from nah nigga?

1383
00:59:46,760 --> 00:59:50,040
Speaker 7: Tell you queen that that's crazy.

1384
00:59:50,560 --> 00:59:53,800
Speaker 3: I know I'm not nuts, but it's J Cole.

1385
00:59:53,880 --> 00:59:54,720
Speaker 1: So he gets a pass.

1386
00:59:55,280 --> 00:59:59,600
Speaker 2: But he's not talking. He's not talking directly to her

1387
00:59:59,600 --> 01:00:00,560
Speaker 2: and her relationship.

1388
01:00:00,600 --> 01:00:03,240
Speaker 3: He just said it's tour. He just says, came from

1389
01:00:03,280 --> 01:00:05,800
Speaker 3: a to our relationship of talking about her relationship.

1390
01:00:05,360 --> 01:00:09,880
Speaker 1: And Nikki's first first versus directly talking to us glitched out.

1391
01:00:10,800 --> 01:00:12,439
Speaker 2: Yeah, I ain't gonna lot j Cole, I ain't gonna

1392
01:00:12,640 --> 01:00:16,240
Speaker 2: trying to save you up here. Man, I'm that a

1393
01:00:16,240 --> 01:00:17,040
Speaker 2: little crazy.

1394
01:00:17,200 --> 01:00:20,200
Speaker 1: Imagine your girl what she has as an artist, the

1395
01:00:20,280 --> 01:00:23,960
Speaker 1: right to do. Unfortunately, that's what it comes with Dagan artists.

1396
01:00:24,040 --> 01:00:26,040
Speaker 1: Your relationship ship is probably gonna.

1397
01:00:25,840 --> 01:00:26,560
Speaker 3: Be out there.

1398
01:00:26,640 --> 01:00:30,080
Speaker 1: Yeah, so I'm not ever gonna fault Nikki for talking

1399
01:00:30,120 --> 01:00:34,880
Speaker 1: about her relationship in detail. But then when Jermaine comes

1400
01:00:34,880 --> 01:00:37,840
Speaker 1: in after she she tears me apart and goes, yeah,

1401
01:00:37,840 --> 01:00:38,880
Speaker 1: she's not for the faint of heart.

1402
01:00:38,880 --> 01:00:43,040
Speaker 3: Bro oh, I got that. My blood is boiling.

1403
01:00:45,120 --> 01:00:47,120
Speaker 6: Maybe I'm crazy now just skip that, right, I get,

1404
01:00:47,120 --> 01:00:48,000
Speaker 6: I'm amazing.

1405
01:00:48,080 --> 01:00:50,920
Speaker 2: It's also a salute like, yo, your girl, your wife

1406
01:00:50,960 --> 01:00:51,400
Speaker 2: is lit.

1407
01:00:51,800 --> 01:00:52,320
Speaker 3: She you know.

1408
01:00:52,400 --> 01:00:55,240
Speaker 1: I mean, that's different than saying that you must got

1409
01:00:55,240 --> 01:00:56,680
Speaker 1: a faint heart because you can't deal with her.

1410
01:00:56,720 --> 01:00:58,880
Speaker 6: That's hottle at work. That if that's waiting the fuck

1411
01:00:58,920 --> 01:01:01,800
Speaker 6: your queen, that's you at the Christmas party and say naw,

1412
01:01:01,840 --> 01:01:03,640
Speaker 6: you got a go one right here, don't fuck up.

1413
01:01:03,960 --> 01:01:04,360
Speaker 6: That's it.

1414
01:01:05,360 --> 01:01:08,120
Speaker 2: Yeah, but it's not. But it's not. It's not as

1415
01:01:08,160 --> 01:01:10,160
Speaker 2: bad if homie is married and has a family too.

1416
01:01:10,200 --> 01:01:10,439
Speaker 3: Though.

1417
01:01:10,880 --> 01:01:13,400
Speaker 2: Now if he's single saying that, if he's sing what

1418
01:01:13,480 --> 01:01:16,200
Speaker 2: that means. Yeah, But if if you single and saying

1419
01:01:16,200 --> 01:01:18,480
Speaker 2: that about my girls like a fam But if you

1420
01:01:18,560 --> 01:01:21,720
Speaker 2: got a an like you're married, you have a family too.

1421
01:01:21,960 --> 01:01:24,520
Speaker 2: I'm not really looking at it like like that.

1422
01:01:24,680 --> 01:01:26,960
Speaker 1: And here's the actual tweet because Nikki put context of

1423
01:01:26,960 --> 01:01:29,600
Speaker 1: this yp. You guys both can't tell me that this

1424
01:01:29,720 --> 01:01:33,400
Speaker 1: was just some general statement that Cole was making. NICKI

1425
01:01:33,440 --> 01:01:35,760
Speaker 1: put up on Twitter. Hey, thank you guys for posting this.

1426
01:01:35,800 --> 01:01:37,520
Speaker 1: Man J Cole had a two hour talk with me

1427
01:01:38,080 --> 01:01:41,480
Speaker 1: two two too. Didn't realize I was sitting on a

1428
01:01:41,480 --> 01:01:43,880
Speaker 1: therapist couch. But two days later.

1429
01:01:44,240 --> 01:01:46,000
Speaker 3: It's a lot of two angel remember.

1430
01:01:46,400 --> 01:01:48,240
Speaker 1: Two days later I heard his verse and couldn't stop

1431
01:01:48,280 --> 01:01:51,760
Speaker 1: crying the end. I mean, she goes on, I mean

1432
01:01:51,920 --> 01:01:55,120
Speaker 1: to tell a greater story, but and she was crying.

1433
01:01:55,360 --> 01:01:56,919
Speaker 2: But not read the rest of that. In the world

1434
01:01:56,960 --> 01:02:01,000
Speaker 2: where we know exactly how and when to each other part,

1435
01:02:01,000 --> 01:02:02,680
Speaker 2: there are still kings and queens who know how to

1436
01:02:02,720 --> 01:02:06,200
Speaker 2: put put people back together. Patch them up, heal them

1437
01:02:06,240 --> 01:02:08,680
Speaker 2: and power them, Understand them, listen to them, make them

1438
01:02:08,720 --> 01:02:11,160
Speaker 2: do the most beautiful thing a human being can do.

1439
01:02:11,600 --> 01:02:13,120
Speaker 6: Damn cold made you do all that?

1440
01:02:14,760 --> 01:02:16,480
Speaker 2: What y'are putting that?

1441
01:02:18,400 --> 01:02:20,640
Speaker 1: So you guys are saying, I have more of a point.

1442
01:02:20,720 --> 01:02:22,040
Speaker 6: No, healed your queen.

1443
01:02:23,160 --> 01:02:25,040
Speaker 3: Don't don't do that now? You being messy?

1444
01:02:25,840 --> 01:02:30,840
Speaker 2: Look y'all y'are putting that, Yeah the queen mal huh

1445
01:02:30,840 --> 01:02:31,960
Speaker 2: was the last time you heal the quill?

1446
01:02:32,480 --> 01:02:32,720
Speaker 6: Queen?

1447
01:02:33,000 --> 01:02:33,480
Speaker 2: This morning?

1448
01:02:33,560 --> 01:02:38,400
Speaker 1: I was gonna say, Okay, here's the thing I am.

1449
01:02:39,320 --> 01:02:43,479
Speaker 1: I'm pro male friends. I think it's weird if women

1450
01:02:43,520 --> 01:02:47,080
Speaker 1: don't have male friends, or men that don't have female friends.

1451
01:02:47,080 --> 01:02:48,600
Speaker 1: I think you're weirdough if you don't have just a

1452
01:02:48,600 --> 01:02:51,640
Speaker 1: friend of the opposite sex. I've never been threatened or

1453
01:02:51,680 --> 01:02:53,200
Speaker 1: intimidated or insecure.

1454
01:02:53,240 --> 01:02:54,520
Speaker 2: Say that because every time I tell you have a

1455
01:02:54,560 --> 01:02:56,600
Speaker 2: female friend, like yeah, right, yeah, but I.

1456
01:02:56,600 --> 01:02:59,120
Speaker 3: Mean that's different. You're a horn. Yeah you're damn you're more.

1457
01:03:00,040 --> 01:03:01,080
Speaker 6: Don't count as fem male friends.

1458
01:03:01,360 --> 01:03:02,360
Speaker 3: It's okay, I'm a whore too.

1459
01:03:02,360 --> 01:03:03,480
Speaker 1: Do I say that because I know you have a

1460
01:03:03,520 --> 01:03:05,600
Speaker 1: lot of female friends that she do. Okay, I'm sorry.

1461
01:03:05,600 --> 01:03:10,200
Speaker 3: I was lying I didn't mean that.

1462
01:03:10,200 --> 01:03:13,280
Speaker 1: That's fine because I think sometimes only the male friend

1463
01:03:13,320 --> 01:03:16,560
Speaker 1: can give your girl a different perspective from a man's

1464
01:03:16,600 --> 01:03:19,560
Speaker 1: brain because she's so emotionally invested in you that maybe

1465
01:03:19,600 --> 01:03:21,400
Speaker 1: she can't really hear what you're trying to say, and

1466
01:03:21,440 --> 01:03:23,439
Speaker 1: the male friend can put it in perspective. So I'm

1467
01:03:23,440 --> 01:03:26,200
Speaker 1: fine with that. But within a two hour conversation, we

1468
01:03:26,280 --> 01:03:29,440
Speaker 1: got a J. Cole verse that only tore my ass up.

1469
01:03:29,800 --> 01:03:33,640
Speaker 2: Yo, how's your ass feeling?

1470
01:03:34,960 --> 01:03:35,040
Speaker 3: Like?

1471
01:03:35,080 --> 01:03:35,840
Speaker 1: I want to go fight J.

1472
01:03:36,000 --> 01:03:36,200
Speaker 3: Cole?

1473
01:03:37,440 --> 01:03:40,480
Speaker 1: Let's say if Cole was this whole therapist. Have anyone

1474
01:03:40,520 --> 01:03:41,560
Speaker 1: been a couple therapy here?

1475
01:03:41,680 --> 01:03:41,760
Speaker 3: No?

1476
01:03:42,760 --> 01:03:43,840
Speaker 2: I watched it a couple of times.

1477
01:03:43,840 --> 01:03:47,840
Speaker 1: I've been a couple Like what ghost faces on a

1478
01:03:47,840 --> 01:03:51,000
Speaker 1: couple therapies that it was amazing. I've been to a

1479
01:03:51,040 --> 01:03:54,040
Speaker 1: couple's therapy, and it is important because the therapist gives

1480
01:03:54,040 --> 01:03:57,760
Speaker 1: both sides. They talk to both people. Cole, I'm not

1481
01:03:57,800 --> 01:04:00,240
Speaker 1: paying that therapist fee because all you did was talk

1482
01:04:00,320 --> 01:04:02,520
Speaker 1: to me and everything I do fucking wrong. I'm getting

1483
01:04:02,520 --> 01:04:04,920
Speaker 1: off that couch. You couldn't halfway. Maybe a bar twenty

1484
01:04:04,920 --> 01:04:06,680
Speaker 1: four be like, hey, Nikki, maybe you could be a

1485
01:04:06,680 --> 01:04:09,080
Speaker 1: little bit more supportive and listen to her. Man, you

1486
01:04:09,160 --> 01:04:12,560
Speaker 1: just tore me up the whole time. This is shitty. Uh,

1487
01:04:13,280 --> 01:04:17,080
Speaker 1: like mall therapy stuff like strip mall. Is it like

1488
01:04:17,080 --> 01:04:21,560
Speaker 1: where they put therapist office in the strip mall? It

1489
01:04:21,600 --> 01:04:23,640
Speaker 1: is mall therapy too, Actually, know what I think about it?

1490
01:04:24,000 --> 01:04:26,880
Speaker 2: Sitting on my LLC though, Trip don't even ask me.

1491
01:04:27,160 --> 01:04:27,800
Speaker 2: That's crazy?

1492
01:04:27,960 --> 01:04:29,960
Speaker 6: Is it possible that the woman did nothing wrong? So

1493
01:04:30,000 --> 01:04:31,000
Speaker 6: there was nothing to know?

1494
01:04:32,560 --> 01:04:35,000
Speaker 2: Women? The world do you live?

1495
01:04:35,000 --> 01:04:36,040
Speaker 1: And come back to earth?

1496
01:04:37,320 --> 01:04:39,479
Speaker 2: What world do you live? And women always do something wrong?

1497
01:04:40,160 --> 01:04:42,800
Speaker 1: No, because you can't have have Nikki take no accountability

1498
01:04:42,800 --> 01:04:46,280
Speaker 1: in her verses and then Cole take all her accountability

1499
01:04:46,320 --> 01:04:46,680
Speaker 1: and put it on.

1500
01:04:46,720 --> 01:04:48,600
Speaker 6: But what if there's no accountability for her to take?

1501
01:04:48,720 --> 01:04:52,480
Speaker 2: No, it's always got What if she didn't do anything,

1502
01:04:53,120 --> 01:04:57,640
Speaker 2: she didn't do something. Y'all always do something. It's everybody

1503
01:04:57,720 --> 01:05:00,720
Speaker 2: always does something. There's never there's nobody perfect. Nobody's perfect

1504
01:05:00,760 --> 01:05:01,280
Speaker 2: in a relationship.

1505
01:05:01,320 --> 01:05:02,720
Speaker 3: And cause a song about that too.

1506
01:05:02,880 --> 01:05:05,800
Speaker 7: But if you do seven hundred wrong things in a relationship,

1507
01:05:05,800 --> 01:05:08,200
Speaker 7: and I do too, and like the song is about

1508
01:05:08,240 --> 01:05:10,680
Speaker 7: fixing our relationship, why wouldn't we address the seven Yeah?

1509
01:05:10,680 --> 01:05:13,800
Speaker 1: But why recounting everything that is wrong?

1510
01:05:13,880 --> 01:05:14,080
Speaker 2: Yeah?

1511
01:05:16,280 --> 01:05:16,960
Speaker 3: Yeah, we keep it.

1512
01:05:16,880 --> 01:05:21,200
Speaker 6: Scoring sometimes keep sucking people be like, well, don't keep scoring.

1513
01:05:21,240 --> 01:05:23,600
Speaker 6: You shouldn't have a little list of my crimes. No, no, no, no, no,

1514
01:05:23,640 --> 01:05:25,240
Speaker 6: I do. I have a literal list of all the

1515
01:05:25,280 --> 01:05:26,040
Speaker 6: fun up ship.

1516
01:05:25,880 --> 01:05:27,600
Speaker 7: That you've done, so I can go back and read

1517
01:05:27,600 --> 01:05:28,600
Speaker 7: it and be like, you know what I should have

1518
01:05:28,680 --> 01:05:29,600
Speaker 7: left after thing three?

1519
01:05:30,120 --> 01:05:31,560
Speaker 6: But keep a list of people's crimes.

1520
01:05:31,760 --> 01:05:33,800
Speaker 2: But women, y'all keep a list of things that's fucked

1521
01:05:33,880 --> 01:05:37,280
Speaker 2: up that men do, and like y'all list be like dumb.

1522
01:05:37,120 --> 01:05:38,160
Speaker 3: Ship like what like what?

1523
01:05:38,320 --> 01:05:40,080
Speaker 6: Yeah, like enlighten me?

1524
01:05:40,200 --> 01:05:42,880
Speaker 2: I didn't. I didn't shaved and left the hair in

1525
01:05:42,920 --> 01:05:43,520
Speaker 2: the sink.

1526
01:05:43,520 --> 01:05:46,800
Speaker 6: When you leave way more hair than me, so you're unsanitary. No,

1527
01:05:46,880 --> 01:05:48,000
Speaker 6: I'm not that on the list.

1528
01:05:48,040 --> 01:05:49,840
Speaker 2: I just like went in the kitchen and started to

1529
01:05:49,880 --> 01:05:51,400
Speaker 2: do something. You went in the bathroom behind me and

1530
01:05:51,440 --> 01:05:53,960
Speaker 2: sore hair and the sink. That didn't mean out it

1531
01:05:54,000 --> 01:05:54,320
Speaker 2: was so you.

1532
01:05:54,280 --> 01:05:55,840
Speaker 6: Don't follow through when you're doing something.

1533
01:05:55,880 --> 01:05:58,320
Speaker 2: No, yeah, I'm going to clean it eventually. Right now

1534
01:05:58,360 --> 01:06:01,200
Speaker 2: I'm doing something that'd be like getting to me. But

1535
01:06:01,240 --> 01:06:02,520
Speaker 2: then y'all do ship like you.

1536
01:06:02,480 --> 01:06:06,320
Speaker 3: Know, clog every fucking drain or like learn.

1537
01:06:06,400 --> 01:06:08,640
Speaker 2: You know, go go to lunch with a nigga that

1538
01:06:09,040 --> 01:06:10,000
Speaker 2: you know, like you.

1539
01:06:09,960 --> 01:06:13,680
Speaker 3: Who's your bestie? You have to wash your Hair's just lunch.

1540
01:06:13,800 --> 01:06:16,120
Speaker 6: Did my lunch affect you? Or did your hair in

1541
01:06:16,120 --> 01:06:16,840
Speaker 6: the sink affect me?

1542
01:06:17,680 --> 01:06:18,800
Speaker 3: Turn on lights and ship from now.

1543
01:06:18,800 --> 01:06:21,520
Speaker 2: I can see how that right there, I can see.

1544
01:06:24,760 --> 01:06:24,800
Speaker 6: That.

1545
01:06:25,960 --> 01:06:28,560
Speaker 3: I could see that he said that.

1546
01:06:28,640 --> 01:06:31,680
Speaker 2: It was like what you saw that you saw how

1547
01:06:31,760 --> 01:06:33,360
Speaker 2: she said what would affect you?

1548
01:06:34,040 --> 01:06:35,520
Speaker 3: Or here? And the how could you.

1549
01:06:35,480 --> 01:06:38,120
Speaker 2: Even compare it to how could you even like a

1550
01:06:38,200 --> 01:06:39,960
Speaker 2: nigga would raise up right then? And then I was like,

1551
01:06:39,960 --> 01:06:40,600
Speaker 2: what what you said?

1552
01:06:40,680 --> 01:06:43,520
Speaker 1: You're not condoning domestic value? No, no, no, but you

1553
01:06:43,560 --> 01:06:45,800
Speaker 1: can see where it stems from.

1554
01:06:46,160 --> 01:06:47,680
Speaker 6: Hit me, that's what he That's what that was. That's

1555
01:06:47,680 --> 01:06:49,720
Speaker 6: probably what you tell my nigga hit me.

1556
01:06:49,760 --> 01:06:51,840
Speaker 2: That's no hell no, I would I would beat your niggas.

1557
01:06:51,880 --> 01:06:53,000
Speaker 2: Ask if that's his j.

1558
01:06:53,080 --> 01:06:53,920
Speaker 1: Cole vers to your boy.

1559
01:06:56,440 --> 01:06:57,200
Speaker 2: I would never.

1560
01:06:59,040 --> 01:06:59,080
Speaker 3: Know.

1561
01:06:59,360 --> 01:07:00,640
Speaker 1: And everyone, I'm down.

1562
01:07:00,640 --> 01:07:03,200
Speaker 3: We're not making like I would never.

1563
01:07:03,400 --> 01:07:05,120
Speaker 2: I would never and have nothing put my hands on

1564
01:07:05,160 --> 01:07:07,440
Speaker 2: a woman. I'm just saying that you saw how calm

1565
01:07:07,480 --> 01:07:10,000
Speaker 2: you said that, and like you was looking right at me,

1566
01:07:10,080 --> 01:07:11,560
Speaker 2: like if if we were in a relationship of the

1567
01:07:11,560 --> 01:07:13,240
Speaker 2: house and you said that, and it was like a

1568
01:07:13,280 --> 01:07:15,160
Speaker 2: real conversation, like you went to lunch with that dude

1569
01:07:16,400 --> 01:07:18,439
Speaker 2: and he was like, what affected you more my lunch

1570
01:07:18,480 --> 01:07:20,520
Speaker 2: or you're leaving hit are you?

1571
01:07:20,520 --> 01:07:21,600
Speaker 3: You can't say that.

1572
01:07:21,480 --> 01:07:26,000
Speaker 10: You can get a big gas, big gas.

1573
01:07:25,840 --> 01:07:30,040
Speaker 2: Like yeah, that's you can't see that type of right there,

1574
01:07:30,080 --> 01:07:30,400
Speaker 2: like that.

1575
01:07:30,480 --> 01:07:31,040
Speaker 3: You can't do that.

1576
01:07:31,320 --> 01:07:32,000
Speaker 2: You can't do that.

1577
01:07:32,000 --> 01:07:33,240
Speaker 3: That's again sleeaking right there.

1578
01:07:34,200 --> 01:07:36,200
Speaker 2: You can't do that. You can't do that. For the record,

1579
01:07:36,240 --> 01:07:37,640
Speaker 2: if a niggai put his hands and you let me

1580
01:07:37,640 --> 01:07:39,960
Speaker 2: know word because I got some niggas that my shooter

1581
01:07:39,960 --> 01:07:42,920
Speaker 2: are doing bad again. You know what I'm saying. Damn

1582
01:07:43,160 --> 01:07:44,720
Speaker 2: for five hundred, we get that nigga out of here.

1583
01:07:45,960 --> 01:07:47,920
Speaker 2: Five hundred get him out of there quick.

1584
01:07:48,680 --> 01:07:50,840
Speaker 1: I mean, and we can close this. I just want

1585
01:07:50,880 --> 01:07:51,480
Speaker 1: to speak.

1586
01:07:51,520 --> 01:07:55,360
Speaker 3: Speak because I feel I feel for my queen's brother.

1587
01:07:57,280 --> 01:08:00,400
Speaker 1: Going through colds like feature run this year, can you imagine?

1588
01:08:00,040 --> 01:08:03,160
Speaker 1: And in line with trying to feed the children and

1589
01:08:03,200 --> 01:08:07,920
Speaker 1: like end all hate on Dirk Dirk's record, you then

1590
01:08:08,040 --> 01:08:12,880
Speaker 1: just move on to my relationship. Look at those things up,

1591
01:08:13,800 --> 01:08:16,479
Speaker 1: leave me alone. You just tried to cure world hunger

1592
01:08:16,720 --> 01:08:18,400
Speaker 1: with that record. And now it's on me and what

1593
01:08:18,439 --> 01:08:18,720
Speaker 1: I do.

1594
01:08:18,680 --> 01:08:20,720
Speaker 6: In my number Walker baby father too.

1595
01:08:21,280 --> 01:08:21,479
Speaker 2: Yeah.

1596
01:08:21,520 --> 01:08:24,320
Speaker 1: Cole went on a like, since it's cold, we let

1597
01:08:24,320 --> 01:08:26,320
Speaker 1: shit go. He's been on a Dirty Mac run.

1598
01:08:26,600 --> 01:08:28,880
Speaker 2: He's on a therapist ship. Like Yo said, this is

1599
01:08:28,960 --> 01:08:30,679
Speaker 2: audio Hug part two.

1600
01:08:31,000 --> 01:08:35,639
Speaker 3: This verse claiming therapy but Dirty Mac and is that's genius? Wait,

1601
01:08:36,320 --> 01:08:38,640
Speaker 3: this has been all internalized.

1602
01:08:38,640 --> 01:08:44,840
Speaker 1: We just had therapy. Holy shit, I just found out

1603
01:08:44,840 --> 01:08:45,920
Speaker 1: where all of the stems from.

1604
01:08:45,960 --> 01:08:47,559
Speaker 3: I just listened to a record trauma.

1605
01:08:47,640 --> 01:08:48,960
Speaker 6: Where is it Austin from?

1606
01:08:49,520 --> 01:08:50,960
Speaker 3: Oh my god, Rory.

1607
01:08:51,120 --> 01:08:54,519
Speaker 1: I didn't even realize where I have resentment towards J

1608
01:08:54,680 --> 01:08:57,439
Speaker 1: Cole already really because of audio Hug.

1609
01:08:57,720 --> 01:08:59,120
Speaker 3: Oh.

1610
01:08:59,160 --> 01:09:02,320
Speaker 2: I thought you were like, why do you ever you

1611
01:09:02,320 --> 01:09:03,120
Speaker 2: didn't like audio Hu?

1612
01:09:03,479 --> 01:09:05,960
Speaker 1: It was deep down I didn't. I hadn't faced it yet.

1613
01:09:05,960 --> 01:09:08,360
Speaker 1: I didn't realize that I was resenting him until DeMars

1614
01:09:08,439 --> 01:09:09,120
Speaker 1: just brought that up.

1615
01:09:09,400 --> 01:09:12,360
Speaker 3: Okay, because you don't like audio hugs.

1616
01:09:12,439 --> 01:09:16,200
Speaker 1: Kia, who doesn't like rap music, knows that audio Hug

1617
01:09:16,439 --> 01:09:25,000
Speaker 1: verse word for word, which is fine. But but now

1618
01:09:25,040 --> 01:09:28,200
Speaker 1: that I'm looking at she sings this part a little

1619
01:09:28,200 --> 01:09:28,719
Speaker 1: too loud.

1620
01:09:28,960 --> 01:09:30,080
Speaker 3: I heard that you just had.

1621
01:09:29,920 --> 01:09:32,800
Speaker 1: Another little baby. Congratulations. I hope you got through with

1622
01:09:32,880 --> 01:09:36,240
Speaker 1: no complications. I find it amazing the way you juggle

1623
01:09:36,240 --> 01:09:44,919
Speaker 1: your kids the biz like you're the biz. Now I understand.

1624
01:09:44,920 --> 01:09:47,080
Speaker 1: I'm sorry, Cole, I was holding on to resentment.

1625
01:09:47,080 --> 01:09:47,960
Speaker 3: Who are verse?

1626
01:09:49,160 --> 01:09:51,240
Speaker 1: I'm no one. I just don't like that. Kia like

1627
01:09:51,640 --> 01:09:54,960
Speaker 1: raps that part a little too loud and almost feels

1628
01:09:55,000 --> 01:09:57,840
Speaker 1: like she's attacking me, Like I hope you get some

1629
01:09:57,840 --> 01:10:00,120
Speaker 1: time for yourself when you're juggling the baby, and she

1630
01:10:00,240 --> 01:10:03,480
Speaker 1: like looks at me, and I'm like, Cole, like, manya.

1631
01:10:03,200 --> 01:10:09,000
Speaker 2: Business because she has to douggle the baby because you

1632
01:10:09,000 --> 01:10:09,679
Speaker 2: you work and.

1633
01:10:09,600 --> 01:10:13,360
Speaker 1: You yeah, and like he is monotoning throughout all that

1634
01:10:13,439 --> 01:10:15,920
Speaker 1: verse except for like those parts, and I do remember,

1635
01:10:16,000 --> 01:10:16,360
Speaker 1: like you.

1636
01:10:16,240 --> 01:10:20,400
Speaker 2: Put reverb on that point, like what you're.

1637
01:10:20,240 --> 01:10:22,160
Speaker 3: Doing out here, bro, Like you're fucking up for the

1638
01:10:22,200 --> 01:10:24,240
Speaker 3: rest of us. We're trying to like not be supportive.

1639
01:10:25,040 --> 01:10:25,559
Speaker 3: I'm joking.

1640
01:10:27,720 --> 01:10:30,040
Speaker 1: But make sure when you guys clip all this uh

1641
01:10:30,400 --> 01:10:32,439
Speaker 1: ed and page, make sure you put this at the end.

1642
01:10:33,200 --> 01:10:35,840
Speaker 1: I think the song is amazing, Nikki and Cole.

1643
01:10:36,040 --> 01:10:40,080
Speaker 3: I really love the rector. I'm gonna double and to make.

1644
01:10:42,840 --> 01:10:45,439
Speaker 1: I mean well, I don't even think pream can save me.

1645
01:10:45,680 --> 01:10:51,120
Speaker 1: I'm scared, so I don't want to smoke. Shout out,

1646
01:10:51,160 --> 01:10:52,639
Speaker 1: He's my only prem favorite.

1647
01:10:52,720 --> 01:10:56,160
Speaker 2: Shout out to Nikki on a great album, Pink Friday too.

1648
01:10:56,880 --> 01:11:00,719
Speaker 2: Uh it finally dropped after you know, I've been pushed

1649
01:11:00,720 --> 01:11:03,479
Speaker 2: back a couple of times, right, change once twice?

1650
01:11:03,520 --> 01:11:03,800
Speaker 3: Maybe?

1651
01:11:03,880 --> 01:11:05,800
Speaker 2: Okay, Well we know it was pushed back. It was

1652
01:11:05,800 --> 01:11:08,120
Speaker 2: some you know things that but I'm glad that they

1653
01:11:08,160 --> 01:11:10,320
Speaker 2: took their time. They got it right to shout out

1654
01:11:10,320 --> 01:11:13,680
Speaker 2: to Nikki on a great project, great album. And yeah,

1655
01:11:13,720 --> 01:11:15,600
Speaker 2: I think it's stamped now. Man, Yeah, I think I

1656
01:11:15,600 --> 01:11:18,639
Speaker 2: don't think we can debate about who's the best female

1657
01:11:18,760 --> 01:11:19,760
Speaker 2: MC rapper.

1658
01:11:20,280 --> 01:11:22,200
Speaker 3: Debating that quickly. I'm sorry.

1659
01:11:22,280 --> 01:11:23,840
Speaker 1: I know Edon wants us to get to Keith Lee

1660
01:11:23,880 --> 01:11:30,479
Speaker 1: and I do as well. Dojah Cat said, no, I'm

1661
01:11:30,479 --> 01:11:31,439
Speaker 1: not getting on Calgirl.

1662
01:11:32,120 --> 01:11:34,400
Speaker 3: It's because you hate me, Damn you.

1663
01:11:34,600 --> 01:11:36,600
Speaker 1: I mean you have to be conflicted, you do You

1664
01:11:36,640 --> 01:11:38,920
Speaker 1: said those you had the best rap album of all time? No,

1665
01:11:38,920 --> 01:11:39,639
Speaker 1: now pick Friday?

1666
01:11:39,720 --> 01:11:42,320
Speaker 2: Wait, those that told NICKI no, like she didn't want

1667
01:11:42,320 --> 01:11:43,200
Speaker 2: to get on the record.

1668
01:11:42,960 --> 01:11:43,800
Speaker 3: Rory starting that rumor?

1669
01:11:43,880 --> 01:11:46,160
Speaker 1: Rate No wait, I'm starting that rumor that she wasn't

1670
01:11:46,120 --> 01:11:48,320
Speaker 1: supposed to be on Cawgirl. Because Nicki tweeted there was

1671
01:11:48,360 --> 01:11:50,679
Speaker 1: a female rapper that was supposed to get on Cowgirl

1672
01:11:51,000 --> 01:11:52,360
Speaker 1: and turn me down.

1673
01:11:52,720 --> 01:11:56,439
Speaker 3: Think it was Meg mmm mm Hmmjas a Cardi allegiance

1674
01:11:56,479 --> 01:11:56,680
Speaker 3: it was.

1675
01:11:56,760 --> 01:11:59,200
Speaker 6: It wasn't Meg. It wasn't Meg. Meg and NICKI don't

1676
01:11:59,240 --> 01:11:59,639
Speaker 6: like each other.

1677
01:11:59,760 --> 01:12:04,759
Speaker 2: That's I'm saying, so somebody. So there's speculation, that speculation

1678
01:12:04,800 --> 01:12:07,880
Speaker 2: that Doja cat turned down Niggi's request for her to

1679
01:12:07,880 --> 01:12:09,000
Speaker 2: get on Colgirl.

1680
01:12:09,280 --> 01:12:11,559
Speaker 6: I wouldn't be surprised if Doja said, now, I'm good.

1681
01:12:13,320 --> 01:12:16,760
Speaker 3: They haven't tracked you th what but why though?

1682
01:12:18,640 --> 01:12:22,920
Speaker 2: And then I guess, but I'm a cow girl. You're

1683
01:12:22,960 --> 01:12:25,280
Speaker 2: trying to tie that into the Cowgo record.

1684
01:12:25,080 --> 01:12:26,920
Speaker 3: Go too, And that was like, not even Doja anymore.

1685
01:12:27,600 --> 01:12:32,120
Speaker 1: Also, that made all the internet streets think that Painted

1686
01:12:32,160 --> 01:12:35,240
Speaker 1: Town Red was dising Nikki. They went through every rap

1687
01:12:35,360 --> 01:12:38,240
Speaker 1: dojs ever had in the last year and said, oh see,

1688
01:12:38,240 --> 01:12:39,480
Speaker 1: she's been thissing Nikki.

1689
01:12:39,600 --> 01:12:40,519
Speaker 3: Do on touring now.

1690
01:12:40,520 --> 01:12:43,360
Speaker 5: And then she said in her show the night the

1691
01:12:43,400 --> 01:12:45,400
Speaker 5: album came out, thank you Nikki. I love you Pink

1692
01:12:45,439 --> 01:12:48,439
Speaker 5: Friday too, So she seems to be on good terms.

1693
01:12:48,680 --> 01:12:50,439
Speaker 2: I have to catch Dojah show man.

1694
01:12:50,840 --> 01:12:52,720
Speaker 5: If I got there's some videos going out of her

1695
01:12:52,760 --> 01:12:54,759
Speaker 5: at the shows that look very nice.

1696
01:12:54,880 --> 01:12:57,800
Speaker 2: No, I gotta I gotta catch Dooja show. Matthew, is

1697
01:12:58,200 --> 01:12:59,880
Speaker 2: that one of those artists that you have to do.

1698
01:13:01,320 --> 01:13:03,080
Speaker 2: I'm dying to catch the Doja Cat Show, but.

1699
01:13:03,080 --> 01:13:04,280
Speaker 1: I want to go together, you and I.

1700
01:13:04,560 --> 01:13:05,080
Speaker 3: Let's do it?

1701
01:13:05,439 --> 01:13:07,920
Speaker 2: Literally, just why not just.

1702
01:13:07,920 --> 01:13:09,120
Speaker 3: You and I going to the Dojah show?

1703
01:13:10,520 --> 01:13:11,880
Speaker 6: Literally, Mall can we go?

1704
01:13:12,240 --> 01:13:12,639
Speaker 3: Let's go?

1705
01:13:12,760 --> 01:13:14,360
Speaker 6: Ignores me and was like, yeah, Rory, let's go.

1706
01:13:14,439 --> 01:13:15,439
Speaker 2: Well, let's go. We could go.

1707
01:13:15,520 --> 01:13:16,479
Speaker 3: I would go. I just want to.

1708
01:13:16,479 --> 01:13:17,960
Speaker 2: I don't know where she's not. I mean, she's done

1709
01:13:18,000 --> 01:13:19,559
Speaker 2: it with New York, so I don't know where. We

1710
01:13:19,560 --> 01:13:20,759
Speaker 2: didn't have to catch at but.

1711
01:13:20,840 --> 01:13:22,280
Speaker 1: I just wanted to see if mal would go to

1712
01:13:22,320 --> 01:13:24,040
Speaker 1: a Doja Cat show just him and I.

1713
01:13:24,200 --> 01:13:26,120
Speaker 2: Yeah, I'm sure. So a bunch of women in it?

1714
01:13:26,200 --> 01:13:26,479
Speaker 2: Why not?

1715
01:13:26,960 --> 01:13:29,920
Speaker 1: I guess that's true. But they're not interested in us?

1716
01:13:30,240 --> 01:13:30,559
Speaker 3: Why not?

1717
01:13:31,120 --> 01:13:33,719
Speaker 6: So you're saying on stage, Oh, I'm like you're saying

1718
01:13:33,720 --> 01:13:36,000
Speaker 6: all Dojah fans are lesbians? Please let's get that quoted.

1719
01:13:36,600 --> 01:13:38,360
Speaker 3: Wait what because he said they're not?

1720
01:13:39,040 --> 01:13:43,439
Speaker 1: Yes, great women love women, and I believe Dojah Cat

1721
01:13:43,479 --> 01:13:47,080
Speaker 1: fans probably like Doja Cat okay and they're paying to

1722
01:13:47,120 --> 01:13:48,160
Speaker 1: go see her, not to see more.

1723
01:13:48,720 --> 01:13:50,840
Speaker 2: Yeah, no, I'm definitely trying to go see Doja Cat though.

1724
01:13:51,920 --> 01:13:54,839
Speaker 2: Shout out to Pink Friday too. Shout out to Nicki Minaj.

1725
01:13:55,040 --> 01:13:57,080
Speaker 1: I'm sorry, greatest, I got this fact. I didn't know

1726
01:13:57,120 --> 01:13:58,600
Speaker 1: these clips were out. I see what you guys are

1727
01:13:58,600 --> 01:13:59,160
Speaker 1: talking about now.

1728
01:13:59,200 --> 01:14:00,840
Speaker 3: Yeah. Yeah, it's a good child.

1729
01:14:01,560 --> 01:14:05,800
Speaker 1: Yeah, poreography and that's a great lighting package.

1730
01:14:10,120 --> 01:14:12,320
Speaker 3: Who's a creative director? Doja Cat?

1731
01:14:13,400 --> 01:14:21,240
Speaker 1: Anyways, Keith Lee came to New York and you guys

1732
01:14:21,240 --> 01:14:23,320
Speaker 1: gave him the worst fucking suggestions ever for the first

1733
01:14:23,320 --> 01:14:24,400
Speaker 1: two days because he was listening.

1734
01:14:24,439 --> 01:14:26,600
Speaker 2: Where was he getting the suggestions from transplant?

1735
01:14:27,200 --> 01:14:28,520
Speaker 3: Listening to the trans.

1736
01:14:28,600 --> 01:14:30,519
Speaker 2: He's getting from like people that's not really from born

1737
01:14:30,520 --> 01:14:31,040
Speaker 2: and raised.

1738
01:14:30,920 --> 01:14:33,160
Speaker 6: Very obviously, they told him to get a salmon chop cheese.

1739
01:14:33,479 --> 01:14:35,040
Speaker 2: Okay, First of all, I've never heard of a samit

1740
01:14:35,120 --> 01:14:37,439
Speaker 2: cho I've never even heard of a salmon chop cheese.

1741
01:14:37,560 --> 01:14:38,240
Speaker 3: That is crazy.

1742
01:14:38,320 --> 01:14:40,240
Speaker 2: Just because you chopped something up don't mean that it's good.

1743
01:14:40,840 --> 01:14:44,200
Speaker 2: May we just could stop there, like salmon chopping up

1744
01:14:44,439 --> 01:14:49,160
Speaker 2: cheese on it. First of all, fish McDonald's class. That's

1745
01:14:50,880 --> 01:14:52,840
Speaker 2: you don't have to fish McDonald's.

1746
01:14:55,840 --> 01:14:57,240
Speaker 3: With the tartar sauce.

1747
01:14:57,400 --> 01:14:59,320
Speaker 6: Getting fish from McDonald's is like.

1748
01:15:00,160 --> 01:15:03,120
Speaker 2: We'll get anything form McDonald's just kind of it's all

1749
01:15:03,120 --> 01:15:05,000
Speaker 2: the same. If you canna get your poison, good chemicals,

1750
01:15:05,080 --> 01:15:05,679
Speaker 2: flair fish.

1751
01:15:06,640 --> 01:15:07,080
Speaker 3: I'm good.

1752
01:15:07,600 --> 01:15:09,920
Speaker 2: I love the good file air fish. But chopped salmon

1753
01:15:10,000 --> 01:15:11,320
Speaker 2: is is not something that I.

1754
01:15:11,360 --> 01:15:12,160
Speaker 3: Think it would be that bad.

1755
01:15:13,040 --> 01:15:15,920
Speaker 2: I just don't think we should be chopping salmon.

1756
01:15:16,360 --> 01:15:17,040
Speaker 3: Okay, I don't.

1757
01:15:17,080 --> 01:15:18,880
Speaker 1: I don't know because I'm never gonna try. But also

1758
01:15:19,000 --> 01:15:21,240
Speaker 1: that shouldn't be the first thing we see Keith Lee try.

1759
01:15:21,600 --> 01:15:24,960
Speaker 2: Yeah, all right, which which pizza spots you go to?

1760
01:15:25,800 --> 01:15:26,879
Speaker 3: Because that's more important.

1761
01:15:27,000 --> 01:15:29,320
Speaker 1: I get the chop cheese thing, and that is a staple,

1762
01:15:29,760 --> 01:15:31,920
Speaker 1: but it's only been a staple since like oh nine,

1763
01:15:31,960 --> 01:15:36,679
Speaker 1: twenty ten. Pizza has been a staple forever. That's way more.

1764
01:15:37,800 --> 01:15:39,280
Speaker 7: And first off, you're gonna get a chop cheese. Go

1765
01:15:39,320 --> 01:15:41,960
Speaker 7: get a real chop cheese from fucking Harlem and Theron.

1766
01:15:42,040 --> 01:15:44,360
Speaker 1: And I was about to say, this is being super objective.

1767
01:15:44,560 --> 01:15:47,599
Speaker 1: I think Queens has the worst chop cheeses in all

1768
01:15:47,680 --> 01:15:52,840
Speaker 1: of the well, I mean it's that night we're number four. Yeah,

1769
01:15:52,880 --> 01:15:55,160
Speaker 1: Like you can't go to Queens for a chop cheese.

1770
01:15:55,400 --> 01:15:57,360
Speaker 1: Even Hollis Deli, which to me is the greatest deli

1771
01:15:57,400 --> 01:15:59,920
Speaker 1: in New York City, doesn't make a chop cheese compared

1772
01:15:59,920 --> 01:16:02,200
Speaker 1: to anything Hodgies could do or anything in the Bronx.

1773
01:16:02,680 --> 01:16:05,280
Speaker 1: So whoever told him to go to Queens for a

1774
01:16:05,360 --> 01:16:07,640
Speaker 1: chop cheese when you have every culture on Earth and

1775
01:16:07,720 --> 01:16:10,840
Speaker 1: Queens of the type of food you can get, like,

1776
01:16:11,160 --> 01:16:13,160
Speaker 1: go get some Colombian food. Keith Like, why are you

1777
01:16:13,160 --> 01:16:13,920
Speaker 1: getting the salmon chop?

1778
01:16:14,120 --> 01:16:15,320
Speaker 3: Did? He did? He? So?

1779
01:16:15,439 --> 01:16:17,560
Speaker 2: Did he go to uh luke Colly's in Brooklyn and

1780
01:16:17,640 --> 01:16:18,320
Speaker 2: Caro Gardens.

1781
01:16:20,200 --> 01:16:22,320
Speaker 1: That's not really Keith Lee's style, Like he's going to

1782
01:16:22,400 --> 01:16:25,520
Speaker 1: go to the mom and pop places.

1783
01:16:25,680 --> 01:16:27,160
Speaker 3: Collius doesn't need any more press.

1784
01:16:27,640 --> 01:16:29,200
Speaker 2: No, not about the I'm just saying if you want

1785
01:16:29,200 --> 01:16:29,880
Speaker 2: good pizza.

1786
01:16:29,920 --> 01:16:31,960
Speaker 7: Well, he went to Prince Street, so, I mean he

1787
01:16:32,120 --> 01:16:33,799
Speaker 7: wasn't just going to small places.

1788
01:16:33,880 --> 01:16:34,559
Speaker 2: He went to Joe's.

1789
01:16:34,640 --> 01:16:36,920
Speaker 5: He went to Joe's, Prince Street and Bleaker. So he

1790
01:16:37,000 --> 01:16:40,439
Speaker 5: hit the circuit in the very similar part of the city.

1791
01:16:40,600 --> 01:16:46,160
Speaker 3: John Bleeker, go too far? Johns Bleeker, Clear Street Pizza. No,

1792
01:16:46,280 --> 01:16:47,840
Speaker 3: I'm cool, bro, he did?

1793
01:16:47,840 --> 01:16:51,400
Speaker 2: He hit Kum Cow and Brooklyn Chinese. He didn't get

1794
01:16:51,439 --> 01:16:52,519
Speaker 2: no New York Chinese food.

1795
01:16:52,600 --> 01:16:56,120
Speaker 3: No, didn't. I didn't go to need it. I don't

1796
01:16:56,120 --> 01:16:57,479
Speaker 3: know who sent him to all these places.

1797
01:16:57,560 --> 01:16:58,920
Speaker 2: How are you going to New York and not have

1798
01:16:59,040 --> 01:16:59,719
Speaker 2: Chinese food?

1799
01:17:00,080 --> 01:17:02,920
Speaker 5: Yeah, whoever his agent is, that's insane.

1800
01:17:03,120 --> 01:17:05,040
Speaker 1: I'm not sure that Rosy spot on something, but I

1801
01:17:05,080 --> 01:17:07,200
Speaker 1: would co sign any rosy on something.

1802
01:17:07,760 --> 01:17:11,479
Speaker 3: Taste bloods on Maric, I'm not sure either, but.

1803
01:17:11,439 --> 01:17:13,800
Speaker 1: Oh that way. He got a salmon chopped cheese on

1804
01:17:13,920 --> 01:17:15,160
Speaker 1: Merrick Boulevard.

1805
01:17:14,800 --> 01:17:16,479
Speaker 6: That's what I was saying. Yes, I knew it.

1806
01:17:16,400 --> 01:17:16,880
Speaker 3: Was in Queens.

1807
01:17:16,880 --> 01:17:18,080
Speaker 1: I didn't know it was on Merrick. I thought that

1808
01:17:18,120 --> 01:17:19,320
Speaker 1: she was in Bayside or something.

1809
01:17:21,240 --> 01:17:23,880
Speaker 2: Yeah, Keith, I mean I respect what you do. They

1810
01:17:23,920 --> 01:17:25,920
Speaker 2: saw that on Meeric, I think he went to the

1811
01:17:25,960 --> 01:17:27,160
Speaker 2: wrong spots he went.

1812
01:17:27,680 --> 01:17:29,560
Speaker 1: I thought he got that in Long Island City.

1813
01:17:29,360 --> 01:17:31,120
Speaker 2: And that it don't matter because whever he went, people

1814
01:17:31,120 --> 01:17:33,240
Speaker 2: would be like, oh, you should have went somebody.

1815
01:17:33,680 --> 01:17:37,160
Speaker 1: Which is fine, and that's up for debate. But everybody

1816
01:17:37,360 --> 01:17:40,080
Speaker 1: could debate that this was the wrong move. There's no

1817
01:17:40,160 --> 01:17:43,479
Speaker 1: even like conversation. Everyone's did he have.

1818
01:17:43,439 --> 01:17:45,640
Speaker 2: A regular chop cheese? I don't think so, So he

1819
01:17:45,720 --> 01:17:46,439
Speaker 2: only did salmon.

1820
01:17:47,000 --> 01:17:48,920
Speaker 6: He did, but it was from that same spot though.

1821
01:17:50,160 --> 01:17:50,519
Speaker 3: Okay.

1822
01:17:50,640 --> 01:17:54,040
Speaker 5: Also when it comes to the pizza man, respectfully, he's

1823
01:17:54,040 --> 01:17:58,120
Speaker 5: from Las Vegas. The fuck does he know about pizza? Okay,

1824
01:17:58,240 --> 01:17:59,880
Speaker 5: I'm not saying that. I'm not saying we sent you

1825
01:18:00,120 --> 01:18:02,400
Speaker 5: best spots? What does he know about pizza?

1826
01:18:02,479 --> 01:18:06,040
Speaker 3: But also one of my favorite than I like something,

1827
01:18:09,960 --> 01:18:10,639
Speaker 3: what do they eat?

1828
01:18:10,720 --> 01:18:12,599
Speaker 1: That should be in every brand partnership meeting.

1829
01:18:13,200 --> 01:18:15,559
Speaker 3: I understand what you're saying is known for cuisine wise.

1830
01:18:15,960 --> 01:18:18,439
Speaker 2: I understand what you're saying Julian Posino chips. At the

1831
01:18:18,479 --> 01:18:22,439
Speaker 2: same time, if I'm from that doesn't have like great food,

1832
01:18:22,560 --> 01:18:24,519
Speaker 2: I think that that means that if I go somewhere

1833
01:18:24,520 --> 01:18:26,800
Speaker 2: and have some great food, I'm like, oh damn, that's good.

1834
01:18:27,640 --> 01:18:29,719
Speaker 2: Like if you're from Vegas, Vegas doesn't have great pizza

1835
01:18:29,720 --> 01:18:30,360
Speaker 2: in Vegas.

1836
01:18:30,400 --> 01:18:33,519
Speaker 3: In Vegas, what, yeah, here's all right?

1837
01:18:33,840 --> 01:18:34,759
Speaker 1: Have you been in Vegas?

1838
01:18:34,840 --> 01:18:35,320
Speaker 3: Yeah?

1839
01:18:35,760 --> 01:18:38,519
Speaker 1: You do know that they fly in like all the world.

1840
01:18:38,920 --> 01:18:41,479
Speaker 1: Vegas has good food by proxy because they hire everyone

1841
01:18:41,520 --> 01:18:42,240
Speaker 1: to cut that.

1842
01:18:42,400 --> 01:18:43,920
Speaker 3: But like I don't, I don't know what they do.

1843
01:18:44,479 --> 01:18:47,760
Speaker 1: Like the local pizza spot in Henderson, Nevada. I'm not

1844
01:18:47,840 --> 01:18:50,800
Speaker 1: saying would have good, yes, but he's, but Vegas does.

1845
01:18:51,080 --> 01:18:52,440
Speaker 1: He's every category.

1846
01:18:52,040 --> 01:18:53,080
Speaker 3: Five at the MGM.

1847
01:18:53,080 --> 01:18:54,720
Speaker 5: He's not doing like you know how they got the

1848
01:18:54,800 --> 01:18:57,280
Speaker 5: catches all the club. I get that, but he's not

1849
01:18:57,360 --> 01:19:00,439
Speaker 5: doing those spots like he's he's doing the low ship.

1850
01:19:00,760 --> 01:19:05,640
Speaker 5: So the local rural ass Nevada pizza out of here.

1851
01:19:05,479 --> 01:19:07,559
Speaker 1: Prince is good, though I don't I don't think that

1852
01:19:07,600 --> 01:19:11,120
Speaker 1: represents why like Princes because it's not like a traditional

1853
01:19:11,120 --> 01:19:14,200
Speaker 1: New York slights And yeah, I would never tell someone

1854
01:19:14,240 --> 01:19:15,880
Speaker 1: that's never had New York pizecea to go to Prince

1855
01:19:15,920 --> 01:19:18,120
Speaker 1: to get that square pepperoni slice.

1856
01:19:18,160 --> 01:19:19,439
Speaker 3: You wouldn't tell them to go get that.

1857
01:19:19,920 --> 01:19:22,880
Speaker 5: They would have to get a real New York then

1858
01:19:23,600 --> 01:19:26,160
Speaker 5: recommended this somebody, if they're a Chicago person, I would

1859
01:19:26,200 --> 01:19:28,880
Speaker 5: take comparatively, go Prince. He does, and see what you think.

1860
01:19:28,920 --> 01:19:31,479
Speaker 5: It's not deep dish, but it would thick. It's thick.

1861
01:19:32,120 --> 01:19:33,920
Speaker 7: I had to, you know, guy, I'm you know, I'm

1862
01:19:33,960 --> 01:19:36,160
Speaker 7: a huge like Keith Lee advocate, like I love him

1863
01:19:36,160 --> 01:19:38,439
Speaker 7: a level he does for the local businesses, and I

1864
01:19:38,760 --> 01:19:41,519
Speaker 7: stick up for him when everybody whenever anybody talks ship.

1865
01:19:41,520 --> 01:19:43,679
Speaker 7: And it was very funny watching him go to Atlanta

1866
01:19:44,080 --> 01:19:46,800
Speaker 7: and watching like all this ship that happened when he

1867
01:19:46,880 --> 01:19:49,439
Speaker 7: was in Atlanta and all the rigamarole. But when he

1868
01:19:49,479 --> 01:19:51,760
Speaker 7: came here and was eating a New York slice and said, yeah,

1869
01:19:51,840 --> 01:19:53,840
Speaker 7: like the crust is just a little too crunchy on

1870
01:19:53,880 --> 01:19:55,400
Speaker 7: the end, I was like, you know, I want you

1871
01:19:55,439 --> 01:19:56,519
Speaker 7: to get the fuck out of New York.

1872
01:19:56,880 --> 01:19:57,680
Speaker 6: I want you to get the.

1873
01:19:58,240 --> 01:20:00,000
Speaker 1: How do you want to describing New York slaves?

1874
01:20:00,840 --> 01:20:01,960
Speaker 2: How do you want the crust to be?

1875
01:20:02,040 --> 01:20:03,840
Speaker 7: He was like, the crust is so thin where the

1876
01:20:03,880 --> 01:20:06,559
Speaker 7: pizza is and then it's really I said, he got

1877
01:20:06,680 --> 01:20:06,880
Speaker 7: to get it.

1878
01:20:07,000 --> 01:20:08,519
Speaker 2: He was like, but that's the New York slight and

1879
01:20:08,560 --> 01:20:11,240
Speaker 2: we want more cheese than crust, Like we want that's

1880
01:20:11,280 --> 01:20:12,880
Speaker 2: just what New York pizza is.

1881
01:20:13,200 --> 01:20:15,400
Speaker 1: But I thought it was a beautiful representation of New

1882
01:20:15,479 --> 01:20:18,920
Speaker 1: York social media because we do support Keith Lee. We

1883
01:20:19,000 --> 01:20:21,160
Speaker 1: like him a lot, but we're gonna shoot on him

1884
01:20:21,200 --> 01:20:23,720
Speaker 1: if he's coming here. He was like, he's gonna get

1885
01:20:23,720 --> 01:20:26,160
Speaker 1: ship on. That's well for what, welcome home. If you

1886
01:20:26,400 --> 01:20:28,080
Speaker 1: want to eat food here, we're gonna shoo on you.

1887
01:20:28,400 --> 01:20:30,640
Speaker 1: We support you, but why are you going there? I

1888
01:20:30,720 --> 01:20:33,160
Speaker 1: just cannot believe that salmon chop cheese is Americ. I'm sorry.

1889
01:20:33,600 --> 01:20:34,920
Speaker 3: I'm still still can't get I.

1890
01:20:34,920 --> 01:20:35,800
Speaker 2: Can't believe that's the thing.

1891
01:20:36,080 --> 01:20:37,000
Speaker 3: I don't think it would be bad.

1892
01:20:39,960 --> 01:20:41,640
Speaker 6: I can't believe I'm never eating.

1893
01:20:41,600 --> 01:20:46,320
Speaker 1: Vibes and Queen's Rostapasta is ten minutes from there. Who

1894
01:20:46,360 --> 01:20:47,080
Speaker 1: is his tour God?

1895
01:20:47,600 --> 01:20:48,679
Speaker 3: They need to show themselves.

1896
01:20:48,720 --> 01:20:50,280
Speaker 6: No, he was listening to comments.

1897
01:20:50,600 --> 01:20:52,320
Speaker 3: It was just white white girls on TikTok.

1898
01:20:52,560 --> 01:20:55,360
Speaker 1: I thought he said he was asking like food, social

1899
01:20:55,360 --> 01:20:56,639
Speaker 1: media food people from New York.

1900
01:20:56,680 --> 01:20:58,679
Speaker 3: There's no way, right.

1901
01:20:58,640 --> 01:21:02,800
Speaker 11: Just Eat reached he reached out to him, and then

1902
01:21:02,840 --> 01:21:03,800
Speaker 11: he recommended him to.

1903
01:21:04,520 --> 01:21:07,639
Speaker 3: Spot Yomy just said that Righteous Eat reached out to him.

1904
01:21:07,920 --> 01:21:09,320
Speaker 6: Who's a local food here?

1905
01:21:09,479 --> 01:21:09,719
Speaker 3: Okay?

1906
01:21:10,479 --> 01:21:12,560
Speaker 6: So he did go through, Yeah help you had some

1907
01:21:13,160 --> 01:21:15,400
Speaker 6: after them, okay?

1908
01:21:15,439 --> 01:21:15,679
Speaker 3: Okay.

1909
01:21:16,680 --> 01:21:18,280
Speaker 2: That he was already on the wrong foot with the

1910
01:21:18,320 --> 01:21:20,799
Speaker 2: salmon chopped cheese first.

1911
01:21:20,600 --> 01:21:22,679
Speaker 10: I just want to say, I think that was on purpose,

1912
01:21:22,960 --> 01:21:24,800
Speaker 10: Like obviously that's the shock value.

1913
01:21:24,840 --> 01:21:26,840
Speaker 3: Why would you get a salmon chopped cheese?

1914
01:21:26,880 --> 01:21:29,559
Speaker 2: Like, I don't think that was value.

1915
01:21:29,640 --> 01:21:32,919
Speaker 6: Not for him. He guinely thought he knows.

1916
01:21:32,720 --> 01:21:35,640
Speaker 10: What come on, He's a content creator. You know what

1917
01:21:35,720 --> 01:21:37,519
Speaker 10: to do to get people pissed off and to get

1918
01:21:37,520 --> 01:21:40,760
Speaker 10: New York's pissed off. You get a salmon or.

1919
01:21:40,840 --> 01:21:43,360
Speaker 6: You would know that that would piss New Yorkers off.

1920
01:21:43,439 --> 01:21:46,000
Speaker 6: He is a foodie. He thought that ship sounded good.

1921
01:21:46,040 --> 01:21:48,400
Speaker 3: I'm telling you, no, he didn't know. He didn't think that.

1922
01:21:48,479 --> 01:21:50,040
Speaker 3: I'm sure he didn't think that she was gonna be good.

1923
01:21:50,080 --> 01:21:51,680
Speaker 6: I think you're speaking from a New York Leans. This

1924
01:21:51,760 --> 01:21:54,240
Speaker 6: nigga is from a part of Las Vegas.

1925
01:21:54,240 --> 01:21:54,960
Speaker 3: He's from Vegas.

1926
01:21:54,960 --> 01:21:55,120
Speaker 5: Bro.

1927
01:21:55,439 --> 01:21:58,680
Speaker 3: He makes content. He just eats food content. But he's

1928
01:21:58,680 --> 01:22:03,800
Speaker 3: not a foodie. You know, we all eat bro.

1929
01:22:03,880 --> 01:22:05,840
Speaker 5: He's just good at clutting clips and like has that

1930
01:22:05,880 --> 01:22:07,599
Speaker 5: little character that he plays where he's like, now I'm

1931
01:22:07,600 --> 01:22:08,240
Speaker 5: being objective.

1932
01:22:08,520 --> 01:22:13,920
Speaker 3: I get it. Like because the way he didn't stop

1933
01:22:13,960 --> 01:22:15,519
Speaker 3: giving him advice the way he did in New York

1934
01:22:15,520 --> 01:22:21,280
Speaker 3: Pizza is crazy. Yeah, like go to What's next? Omaha,

1935
01:22:21,439 --> 01:22:22,280
Speaker 3: get them go there?

1936
01:22:22,680 --> 01:22:25,280
Speaker 2: Yeah, not much. I understand what you said.

1937
01:22:25,280 --> 01:22:25,719
Speaker 3: That's crazy.

1938
01:22:25,720 --> 01:22:26,880
Speaker 2: I think if you're gonna come to New York and

1939
01:22:26,920 --> 01:22:30,519
Speaker 2: you're gonna eat New York pizza like he should have

1940
01:22:30,600 --> 01:22:33,479
Speaker 2: been with some New Yorkers, like don't just listen to

1941
01:22:33,600 --> 01:22:36,479
Speaker 2: like people online? Or whether whether the food critic that

1942
01:22:36,520 --> 01:22:38,519
Speaker 2: you said was telling him where to go I think

1943
01:22:38,560 --> 01:22:41,479
Speaker 2: you gotta link with like real New Yorkers and hit

1944
01:22:41,560 --> 01:22:44,439
Speaker 2: a bunch of different spots, because then if you go

1945
01:22:44,479 --> 01:22:45,840
Speaker 2: to a spot, you gotta know what to order.

1946
01:22:45,960 --> 01:22:48,240
Speaker 3: Said he felt rush in the city. It's New York City.

1947
01:22:48,520 --> 01:22:50,519
Speaker 2: Oh yeah, we can do it.

1948
01:22:50,560 --> 01:22:51,160
Speaker 3: What are you ordering?

1949
01:22:51,479 --> 01:22:51,719
Speaker 2: Yeah?

1950
01:22:51,840 --> 01:22:55,559
Speaker 6: Oh please, don't come here trying to give a customer service. Please.

1951
01:22:55,680 --> 01:22:57,519
Speaker 1: Matter of fact, the shittyer the customer service, the better.

1952
01:22:57,920 --> 01:23:00,280
Speaker 1: Yeahst of Heaving in Brooklyn I've never been to, but

1953
01:23:00,960 --> 01:23:02,720
Speaker 1: it looked like they had that good Ox tails and ship.

1954
01:23:04,320 --> 01:23:06,120
Speaker 7: It was like a good Twitter and some of those people,

1955
01:23:06,120 --> 01:23:07,880
Speaker 7: like people I know personally, were like DM hy y'all

1956
01:23:07,920 --> 01:23:08,720
Speaker 7: sent Keith Lee there.

1957
01:23:08,840 --> 01:23:10,479
Speaker 6: The food is so good. Not the line's about to

1958
01:23:10,520 --> 01:23:11,000
Speaker 6: be out there.

1959
01:23:11,400 --> 01:23:13,439
Speaker 1: Every man, hold out of that bag from taste. Having

1960
01:23:13,439 --> 01:23:17,040
Speaker 1: in Brooklyn looked incredible, But I mean, I see why

1961
01:23:17,040 --> 01:23:19,120
Speaker 1: he left Atlanta. They're burning down mlk's house.

1962
01:23:19,280 --> 01:23:22,559
Speaker 2: Which was absolutely insane. Now, I don't think that this

1963
01:23:22,560 --> 01:23:26,600
Speaker 2: this young lady had any real intentions on setting m

1964
01:23:26,640 --> 01:23:30,800
Speaker 2: OK's house on fire. I think that she gasoline does

1965
01:23:30,920 --> 01:23:35,519
Speaker 2: that big ass car? Yeah? Do we even That's what

1966
01:23:35,520 --> 01:23:38,320
Speaker 2: I'm saying. Do you even know if that was really gasoline, heavy.

1967
01:23:38,080 --> 01:23:40,400
Speaker 1: Water, even down to the commentary of when she was

1968
01:23:40,400 --> 01:23:42,800
Speaker 1: throwing gas on the window, Well the.

1969
01:23:42,800 --> 01:23:46,080
Speaker 3: Guy filming is that you know that's gas. That's gas.

1970
01:23:47,560 --> 01:23:49,320
Speaker 3: I mean, like, look how.

1971
01:23:49,200 --> 01:23:51,280
Speaker 2: She's trying to She could barely even hold that thing.

1972
01:23:51,400 --> 01:23:53,600
Speaker 3: Yeah, but she had an objective.

1973
01:23:53,400 --> 01:23:53,840
Speaker 6: First of all.

1974
01:23:54,280 --> 01:23:56,799
Speaker 7: So I'm watching this video of this lady getting arrested,

1975
01:23:56,840 --> 01:23:58,160
Speaker 7: and I just want to say, if any of y'all

1976
01:23:58,160 --> 01:23:59,960
Speaker 7: try to get me on a citizens and arrest while

1977
01:24:00,000 --> 01:24:02,120
Speaker 7: I'm doing so some illegal ship, I'm whooping out lass,

1978
01:24:02,520 --> 01:24:03,720
Speaker 7: don't citizens arrest me?

1979
01:24:03,720 --> 01:24:06,320
Speaker 3: Bro? Yeah? Why why dak Prescott interven.

1980
01:24:06,600 --> 01:24:10,160
Speaker 1: And that doesn't even just look fakedy, that looks like

1981
01:24:10,200 --> 01:24:13,640
Speaker 1: a Tooby movie.

1982
01:24:14,040 --> 01:24:16,280
Speaker 2: He st that like it looks like a giddy even

1983
01:24:16,280 --> 01:24:18,400
Speaker 2: the way they cut it, even when they're editing the footage,

1984
01:24:18,439 --> 01:24:22,439
Speaker 2: just like why is he so close like this footage is?

1985
01:24:22,600 --> 01:24:24,759
Speaker 2: And then look what she's wearing. She's wearing a burglar

1986
01:24:24,800 --> 01:24:28,160
Speaker 2: outfit with no mask. She got on all black Scully

1987
01:24:28,160 --> 01:24:29,440
Speaker 2: but no mask on also.

1988
01:24:29,200 --> 01:24:32,400
Speaker 5: Burning a burning a house that's on the National Registry,

1989
01:24:32,439 --> 01:24:35,160
Speaker 5: like this is a government owned home? Now during like

1990
01:24:35,200 --> 01:24:37,920
Speaker 5: two in the afternoon, wait till the someone down saying

1991
01:24:37,920 --> 01:24:38,639
Speaker 5: I think this is.

1992
01:24:38,560 --> 01:24:41,160
Speaker 2: This was just all for you know, she just wanted

1993
01:24:41,200 --> 01:24:43,680
Speaker 2: to have a moment on social media. But it is

1994
01:24:43,680 --> 01:24:47,040
Speaker 2: a federal like you said, it's government, the federal crime.

1995
01:24:47,280 --> 01:24:50,000
Speaker 6: And I mean you gotta they said, Candice Owen's wilding.

1996
01:24:50,880 --> 01:24:52,800
Speaker 6: I'm sorry, that's actually.

1997
01:24:53,960 --> 01:24:57,360
Speaker 1: I mean, outside of the act, which I think is awful,

1998
01:24:57,560 --> 01:24:59,560
Speaker 1: I do respect the commitment because it just cost me

1999
01:24:59,560 --> 01:25:02,240
Speaker 1: one hundreds dollars to film my tank yesterday. So to

2000
01:25:02,320 --> 01:25:04,960
Speaker 1: just play with gas like that, Yeah, that's what you're

2001
01:25:05,000 --> 01:25:06,200
Speaker 1: loyal and dedicated to your cause.

2002
01:25:06,240 --> 01:25:07,400
Speaker 2: I think. I don't think that was real.

2003
01:25:07,640 --> 01:25:11,639
Speaker 3: What could have possibly been though? Just to burn him? Okay, yeah,

2004
01:25:11,680 --> 01:25:13,840
Speaker 3: why would you? Twenty six year old?

2005
01:25:14,000 --> 01:25:15,040
Speaker 11: She what?

2006
01:25:15,240 --> 01:25:16,679
Speaker 3: What's the reason why?

2007
01:25:17,680 --> 01:25:19,760
Speaker 1: Because Jonathan Majors told her to act more like.

2008
01:25:19,840 --> 01:25:23,400
Speaker 3: Reretta scot King. That's fucking hilarious. That's funny.

2009
01:25:23,479 --> 01:25:29,240
Speaker 2: Yeah, that's fucked up. That's funny, that's fun It's not funny.

2010
01:25:29,400 --> 01:25:32,599
Speaker 3: Fu. Wait, so she was stopped by two tours Utah.

2011
01:25:33,880 --> 01:25:35,000
Speaker 3: She would stopped what two.

2012
01:25:34,920 --> 01:25:37,360
Speaker 5: Tours from Utah are the ones that spotted her doing this?

2013
01:25:37,479 --> 01:25:38,559
Speaker 5: And they're one This is fake man.

2014
01:25:38,600 --> 01:25:42,240
Speaker 1: Nobody going from Utah to Atlanta and to mk Utah Atlanta.

2015
01:25:42,280 --> 01:25:43,880
Speaker 5: What if they were on a mission trip spread the

2016
01:25:43,920 --> 01:25:46,719
Speaker 5: good word of Mormon market Mormon.

2017
01:25:46,920 --> 01:25:49,160
Speaker 6: This is a two wee movie, man, Wait, so they're

2018
01:25:49,200 --> 01:25:52,719
Speaker 6: the Wait the black people are the utahiansh Audiens?

2019
01:25:53,479 --> 01:25:54,519
Speaker 3: Is that I'm with more?

2020
01:25:54,680 --> 01:25:56,920
Speaker 1: I think they really just caught like them filming a movie.

2021
01:25:57,920 --> 01:26:00,559
Speaker 2: That's fake. I don't think that was gas and that's water.

2022
01:26:01,240 --> 01:26:03,320
Speaker 2: She had no intentions on setting that on fire. Because

2023
01:26:03,360 --> 01:26:05,120
Speaker 2: if you're doing that and you're trying to set someone fine,

2024
01:26:05,160 --> 01:26:07,360
Speaker 2: so you see somebody there watching you, you're gonna light

2025
01:26:07,439 --> 01:26:08,120
Speaker 2: it immediately.

2026
01:26:08,360 --> 01:26:10,320
Speaker 5: Wait wait, wait, wait, wait, she was detained by a

2027
01:26:10,479 --> 01:26:12,799
Speaker 5: visiting off duty NYPD officer.

2028
01:26:13,120 --> 01:26:15,920
Speaker 2: That might be saying Utah comar pity officer off duty

2029
01:26:15,960 --> 01:26:18,360
Speaker 2: in Atlanta, even though that's not far fits being from

2030
01:26:18,360 --> 01:26:21,160
Speaker 2: New York in Atlanta. But she wasn't trying to set

2031
01:26:21,200 --> 01:26:23,880
Speaker 2: this house on fire. She just wanted attention. She knew

2032
01:26:23,880 --> 01:26:26,120
Speaker 2: people would see what she was doing and somebody would

2033
01:26:26,120 --> 01:26:26,840
Speaker 2: intervene and stop.

2034
01:26:27,000 --> 01:26:28,519
Speaker 6: No, it looked like she was paid to do it

2035
01:26:28,520 --> 01:26:30,559
Speaker 6: a little bit. It looked like somebody said I'll give

2036
01:26:30,640 --> 01:26:32,240
Speaker 6: this to you here to.

2037
01:26:32,240 --> 01:26:35,120
Speaker 3: Take this big ass gas canister. Like David Duke cleared

2038
01:26:35,120 --> 01:26:35,599
Speaker 3: the chat.

2039
01:26:36,960 --> 01:26:38,160
Speaker 2: And wouldn't you do that at night?

2040
01:26:38,680 --> 01:26:40,479
Speaker 3: That's what I'm saying. Why is three and me? I'm

2041
01:26:40,479 --> 01:26:42,559
Speaker 3: giving this woman way too much crest, Yeah, way too much.

2042
01:26:42,439 --> 01:26:44,559
Speaker 2: Saying if you really had intentions on burning down at

2043
01:26:44,640 --> 01:26:46,040
Speaker 2: Okay's house, I don't think so.

2044
01:26:46,120 --> 01:26:47,920
Speaker 3: What beef could a twenty six year old girl have

2045
01:26:48,000 --> 01:26:50,640
Speaker 3: it with MLK righteousness?

2046
01:26:52,479 --> 01:26:53,360
Speaker 2: Yeah that's a great question.

2047
01:26:53,479 --> 01:26:55,599
Speaker 3: Yeah, Obama, she might.

2048
01:26:56,960 --> 01:27:00,000
Speaker 2: Think about it. Yeah, yeah, maybe her boyfriend did something

2049
01:27:00,160 --> 01:27:01,960
Speaker 2: to piss her off. I don't know. I mean either way,

2050
01:27:02,160 --> 01:27:04,040
Speaker 2: Chris boyfriend was born on MLK DA. I don't know.

2051
01:27:05,640 --> 01:27:06,479
Speaker 2: Shut it tied end.

2052
01:27:07,680 --> 01:27:10,000
Speaker 1: I'm sure Chris Garden will represent her in court, so.

2053
01:27:10,080 --> 01:27:12,600
Speaker 2: She'll be fair, she'll be fine, She'll be home in

2054
01:27:12,640 --> 01:27:13,120
Speaker 2: no time, and.

2055
01:27:13,240 --> 01:27:13,800
Speaker 3: She'll be fine.

2056
01:27:14,280 --> 01:27:16,919
Speaker 1: We've still never gotten down to why Chris Darden represented

2057
01:27:17,160 --> 01:27:18,720
Speaker 1: Nippy Hustle's killer for a week.

2058
01:27:19,520 --> 01:27:21,479
Speaker 2: He quickly got off that case though, But why was

2059
01:27:21,560 --> 01:27:21,840
Speaker 2: he on it?

2060
01:27:21,920 --> 01:27:22,840
Speaker 3: He's not a public defender.

2061
01:27:26,240 --> 01:27:28,760
Speaker 6: I don't know. Many name back in the headline, I

2062
01:27:28,800 --> 01:27:29,040
Speaker 6: don't know.

2063
01:27:29,520 --> 01:27:31,160
Speaker 1: We still don't know where the founder of Google is.

2064
01:27:32,200 --> 01:27:36,360
Speaker 2: Still what happened to the JB. J.

2065
01:27:36,720 --> 01:27:36,880
Speaker 3: Moore?

2066
01:27:38,640 --> 01:27:40,599
Speaker 1: And we have no idea why Chris Darden was put

2067
01:27:40,680 --> 01:27:41,240
Speaker 1: on that case.

2068
01:27:41,920 --> 01:27:43,759
Speaker 2: I don't know if I should still be praying for Ukraine.

2069
01:27:44,439 --> 01:27:47,000
Speaker 1: I don't know what you know, Well, when we met

2070
01:27:47,080 --> 01:27:49,240
Speaker 1: with Bill and his people, they all had a Ukraine.

2071
01:27:49,720 --> 01:27:52,280
Speaker 1: Remember the Live Strong wristbands. They had the Ukraine version

2072
01:27:52,320 --> 01:27:55,400
Speaker 1: of those, so all proceeds went.

2073
01:27:56,640 --> 01:27:58,519
Speaker 2: I'm just going to usually I didn't say nothing. I

2074
01:27:58,560 --> 01:28:01,040
Speaker 2: didn't say nothing about the big guy even we had

2075
01:28:01,080 --> 01:28:04,200
Speaker 2: the button. Yeah, I didn't say nothing about the big guy.

2076
01:28:04,680 --> 01:28:06,639
Speaker 1: When I was just standing in fact had the Ukraine.

2077
01:28:07,080 --> 01:28:08,599
Speaker 1: That's what's up, because it's really important.

2078
01:28:08,760 --> 01:28:10,720
Speaker 2: It is that we sent so much money over there.

2079
01:28:10,920 --> 01:28:13,559
Speaker 3: Give Yeah, it's just really wild. That got to keep

2080
01:28:13,640 --> 01:28:14,200
Speaker 3: up the good fight.

2081
01:28:14,960 --> 01:28:16,760
Speaker 2: Meanwhile, they want to charge us fifteen hours to go

2082
01:28:16,800 --> 01:28:17,759
Speaker 2: past sixtieth Street.

2083
01:28:18,200 --> 01:28:20,680
Speaker 3: Yo. And did you see the noise and detectors too.

2084
01:28:21,320 --> 01:28:22,240
Speaker 3: It's like a two k final.

2085
01:28:22,360 --> 01:28:24,320
Speaker 5: We're just gonna send that money to Ukraine have noise

2086
01:28:24,360 --> 01:28:25,920
Speaker 5: detect Damn, Dominicans are screwed.

2087
01:28:27,160 --> 01:28:31,120
Speaker 3: I got a couple of dimenuones. You real bad put

2088
01:28:31,160 --> 01:28:33,920
Speaker 3: that big ass subway for their Hona civic. Yeah, that's

2089
01:28:34,040 --> 01:28:35,519
Speaker 3: just get charged two grand, all right.

2090
01:28:35,520 --> 01:28:37,160
Speaker 2: I don't know if I like you like going that hard?

2091
01:28:37,240 --> 01:28:40,160
Speaker 3: Yeah? I gotta go. I can see you trust me?

2092
01:28:40,360 --> 01:28:40,519
Speaker 2: Yeah.

2093
01:28:40,640 --> 01:28:42,920
Speaker 3: Cool, Just I'll hear them coming from a mile away.

2094
01:28:43,040 --> 01:28:44,200
Speaker 2: You sure will, you will?

2095
01:28:46,200 --> 01:28:46,640
Speaker 1: What was that?

2096
01:28:47,320 --> 01:28:49,960
Speaker 3: Was it? That was racy? He tracked, He just he's

2097
01:28:50,439 --> 01:28:53,400
Speaker 3: what was that? That's like? The song? Was that song?

2098
01:28:53,640 --> 01:28:54,040
Speaker 2: I don't know?

2099
01:28:54,280 --> 01:28:55,479
Speaker 3: Tell me tell us?

2100
01:28:55,800 --> 01:28:56,800
Speaker 2: Yeah, I know.

2101
01:28:57,280 --> 01:28:59,880
Speaker 6: Mag I didn't try to impersonate their accents when I did.

2102
01:29:00,120 --> 01:29:01,519
Speaker 3: That was racist. I don't think that was him.

2103
01:29:01,800 --> 01:29:03,559
Speaker 2: That bunny got another crazy record out right now.

2104
01:29:03,560 --> 01:29:06,240
Speaker 1: I just want you to know that that record is Yeah,

2105
01:29:06,960 --> 01:29:11,240
Speaker 1: he has a record with Monica, not yet, Yeah, I.

2106
01:29:13,320 --> 01:29:13,960
Speaker 6: Like that would go off.

2107
01:29:14,479 --> 01:29:16,519
Speaker 2: Let me just say no, not yet, but that Monica

2108
01:29:16,560 --> 01:29:17,200
Speaker 2: record is crazy.

2109
01:29:17,439 --> 01:29:19,519
Speaker 1: That's my real beef with Niggi Minaj. Don't do it

2110
01:29:19,600 --> 01:29:22,240
Speaker 1: live with Monica and Keisha Cole and make me think

2111
01:29:22,280 --> 01:29:23,920
Speaker 1: that they're on the album and they're not.

2112
01:29:24,320 --> 01:29:26,160
Speaker 3: Oh, I think.

2113
01:29:28,320 --> 01:29:30,680
Speaker 6: That's who you link up with when you nigga, Let

2114
01:29:31,120 --> 01:29:35,280
Speaker 6: let them sing hood niggas, that's who you link up with.

2115
01:29:36,000 --> 01:29:36,439
Speaker 6: And Monica.

2116
01:29:36,920 --> 01:29:38,840
Speaker 2: But Monica, stay in a relationship's stay married.

2117
01:29:38,880 --> 01:29:42,320
Speaker 1: She's Monica still holding down No he no, she said

2118
01:29:42,320 --> 01:29:43,240
Speaker 1: her heart again.

2119
01:29:43,560 --> 01:29:50,320
Speaker 3: She murdered you break her heart and jail illis yo

2120
01:29:51,479 --> 01:29:52,200
Speaker 3: hard from jail.

2121
01:29:52,680 --> 01:29:54,479
Speaker 2: Yo, you an ice cold nigga to break a girl

2122
01:29:54,520 --> 01:29:57,720
Speaker 2: heart from I'm in prison? How could I break your heart?

2123
01:29:57,760 --> 01:29:58,880
Speaker 2: I mean he probably wrote it.

2124
01:29:59,640 --> 01:29:59,960
Speaker 3: Where am I?

2125
01:30:00,000 --> 01:30:03,040
Speaker 2: I'm only going three places, the wreck room, the mess,

2126
01:30:03,080 --> 01:30:03,839
Speaker 2: all in myself.

2127
01:30:04,080 --> 01:30:05,800
Speaker 1: They shut down phone privileges that day. What do you

2128
01:30:05,880 --> 01:30:06,200
Speaker 1: want from me?

2129
01:30:06,200 --> 01:30:06,680
Speaker 3: I didn't call.

2130
01:30:06,880 --> 01:30:08,160
Speaker 6: Bits is probably visiting him.

2131
01:30:08,880 --> 01:30:10,080
Speaker 3: I'm in jail to do what.

2132
01:30:10,200 --> 01:30:12,600
Speaker 6: They can't touch him, but they're visiting you.

2133
01:30:13,000 --> 01:30:15,040
Speaker 1: That was the illest thing Henry Hill said, and good

2134
01:30:15,080 --> 01:30:17,519
Speaker 1: fellas like, I'm in jail. I can't stop these bitches

2135
01:30:17,560 --> 01:30:18,920
Speaker 1: from coming to sit there, like you can.

2136
01:30:19,360 --> 01:30:22,160
Speaker 2: I have no say on who comes here, can't. But

2137
01:30:22,320 --> 01:30:24,040
Speaker 2: after they come, like they would have to come in

2138
01:30:24,120 --> 01:30:25,920
Speaker 2: first time, but you don't ever let that person in again.

2139
01:30:26,360 --> 01:30:28,880
Speaker 2: Then yeah, but they hear like, what the fuck? Like

2140
01:30:29,439 --> 01:30:31,599
Speaker 2: that's crazy being able to break a girl heart from prison.

2141
01:30:32,120 --> 01:30:34,760
Speaker 2: That's an ice coat. That's an ice cold nigga right there.

2142
01:30:35,200 --> 01:30:38,280
Speaker 2: That's pimping Monica been holding him down though. Yeah, it's

2143
01:30:38,320 --> 01:30:39,680
Speaker 2: been quite something. Shout out the black love.

2144
01:30:39,800 --> 01:30:40,080
Speaker 3: C J.

2145
01:30:40,200 --> 01:30:46,200
Speaker 2: Coles black love out here. He ain't like Jake El He's.

2146
01:30:48,520 --> 01:30:50,519
Speaker 3: Why can't it just be love? Why is that a representation.

2147
01:30:53,960 --> 01:30:54,360
Speaker 2: I'm black.

2148
01:30:54,720 --> 01:30:57,720
Speaker 1: I can't wait to debate with Damaris about Harry Potter

2149
01:30:57,840 --> 01:31:00,960
Speaker 1: because I made it to the seventh movie A side,

2150
01:31:01,800 --> 01:31:04,800
Speaker 1: and we will debate this on Patreon. What Maul just said,

2151
01:31:05,280 --> 01:31:06,200
Speaker 1: Harry's the problem.

2152
01:31:07,080 --> 01:31:08,040
Speaker 6: I will beat your ass.

2153
01:31:08,160 --> 01:31:12,599
Speaker 1: He's the common and he's he's toxic. Everyone around him dies.

2154
01:31:12,880 --> 01:31:15,040
Speaker 1: He's the problem. He took it the common denominator in

2155
01:31:15,120 --> 01:31:17,040
Speaker 1: every movie. Harry's the issue.

2156
01:31:17,040 --> 01:31:18,360
Speaker 6: Okay, but that's not his fault.

2157
01:31:18,360 --> 01:31:19,280
Speaker 1: We'll talk about on Patreon.

2158
01:31:19,680 --> 01:31:22,960
Speaker 3: Yeah, it is his fault. It's not it's not his fault.

2159
01:31:23,000 --> 01:31:25,599
Speaker 1: He could mind his businesses, just die. It's literally he's

2160
01:31:25,680 --> 01:31:28,240
Speaker 1: let Baltimore kill the one everyone. Everyone's life would be great.

2161
01:31:29,240 --> 01:31:30,000
Speaker 3: The damn segment.

2162
01:31:30,120 --> 01:31:30,960
Speaker 6: You got to watch the movie.

2163
01:31:32,080 --> 01:31:33,519
Speaker 3: He could be like this boxing guy.

2164
01:31:33,560 --> 01:31:37,080
Speaker 1: Word die on the Quiddit's field like a soldier that

2165
01:31:37,600 --> 01:31:38,200
Speaker 1: we just watched this.

2166
01:31:39,160 --> 01:31:40,840
Speaker 6: If he dies, then whatever.

2167
01:31:40,800 --> 01:31:44,400
Speaker 3: He dies, no, what damn it? If he dies, he died,

2168
01:31:44,439 --> 01:31:45,679
Speaker 3: you know, if we close.

2169
01:31:46,040 --> 01:31:48,800
Speaker 1: I saw someone because Harry Potters and my algorithms. Now

2170
01:31:49,120 --> 01:31:52,640
Speaker 1: on Twitter, someone said, you know Harry was rich and

2171
01:31:52,880 --> 01:31:55,120
Speaker 1: famous with mad bread and only two bitches.

2172
01:31:56,479 --> 01:31:58,679
Speaker 6: That's how they said, that's how you know a woman

2173
01:31:58,760 --> 01:31:59,040
Speaker 6: wrote this.

2174
01:32:00,080 --> 01:32:01,880
Speaker 3: Damn who was thinking of that?

2175
01:32:02,160 --> 01:32:03,439
Speaker 2: Like how you break that down.

2176
01:32:05,600 --> 01:32:07,760
Speaker 1: When you watch his whole ascension from the first movie

2177
01:32:07,800 --> 01:32:10,759
Speaker 1: to the last one, Like he becomes he's that dude, yeah.

2178
01:32:10,760 --> 01:32:11,799
Speaker 3: And gets no pussy.

2179
01:32:12,320 --> 01:32:15,439
Speaker 1: He never beat Hermione right, Uh, big Big Jim came in.

2180
01:32:15,600 --> 01:32:20,120
Speaker 5: He beat his sister, Ginger sister, which was foul his

2181
01:32:20,280 --> 01:32:21,200
Speaker 5: best friend's sister.

2182
01:32:21,320 --> 01:32:23,479
Speaker 3: And if I'm the most.

2183
01:32:23,439 --> 01:32:27,439
Speaker 1: Rich, famous wizard ever, like, don't fuck my sister, I'm

2184
01:32:27,439 --> 01:32:28,080
Speaker 1: your best friend.

2185
01:32:28,160 --> 01:32:32,639
Speaker 3: Like go fuck THEUDA group powers. She has had powers,

2186
01:32:33,280 --> 01:32:37,160
Speaker 3: Jenny's powers back and hairy magic fam They all wizards.

2187
01:32:37,520 --> 01:32:43,600
Speaker 6: They're not man, they don't have one special.

2188
01:32:45,920 --> 01:32:49,600
Speaker 1: All of them are super pussy. Oh everyone, that's not

2189
01:32:50,040 --> 01:32:50,880
Speaker 1: the bad guy.

2190
01:32:50,920 --> 01:32:51,479
Speaker 3: You're pussy.

2191
01:32:51,720 --> 01:32:54,080
Speaker 6: But you would have folded. You would have folded if

2192
01:32:54,120 --> 01:32:55,200
Speaker 6: Baltimort was your ass.

2193
01:32:55,960 --> 01:32:58,800
Speaker 1: Everybody could just everyone could do aberca dabbor and kill

2194
01:32:58,840 --> 01:33:00,120
Speaker 1: someone and no one fucking does it.

2195
01:33:00,560 --> 01:33:05,080
Speaker 2: Saying you would have folded Baltimore was on your as,

2196
01:33:05,640 --> 01:33:06,479
Speaker 2: you would have folded.

2197
01:33:07,160 --> 01:33:09,080
Speaker 5: I'm not gonna lie what he did that little hair

2198
01:33:09,160 --> 01:33:10,880
Speaker 5: rap and showed his second face. I probably would have

2199
01:33:10,920 --> 01:33:11,479
Speaker 5: pee myself.

2200
01:33:11,720 --> 01:33:12,880
Speaker 3: Damn. That was the first movie.

2201
01:33:13,120 --> 01:33:16,040
Speaker 1: Yo, Why I kept asking while I was watching this

2202
01:33:16,320 --> 01:33:19,120
Speaker 1: with people that love Harry Potter. Once I found out

2203
01:33:19,160 --> 01:33:21,880
Speaker 1: you could do abracadabra in like the third movie and

2204
01:33:22,560 --> 01:33:25,760
Speaker 1: murder everyone, I'm like, yo, why doesn't every situation Harry's in,

2205
01:33:25,800 --> 01:33:28,120
Speaker 1: I'm like, yo, why doesn't he just abracadabra this?

2206
01:33:28,320 --> 01:33:30,240
Speaker 3: And they're like, he's not a killer. I was gonna

2207
01:33:30,240 --> 01:33:31,679
Speaker 3: say it, it's like a Batman complex.

2208
01:33:32,320 --> 01:33:34,320
Speaker 6: So Eva care.

2209
01:33:35,680 --> 01:33:42,040
Speaker 2: Saying shavana, so he could, but he just does.

2210
01:33:42,120 --> 01:33:43,160
Speaker 3: So he is he's like Batman.

2211
01:33:43,280 --> 01:33:45,439
Speaker 6: Well, first of all, he didn't learn that spell until

2212
01:33:45,560 --> 01:33:46,679
Speaker 6: his sixth year of school.

2213
01:33:47,520 --> 01:33:49,920
Speaker 5: Wait, she low key copied the whole Batman story because

2214
01:33:49,960 --> 01:33:51,400
Speaker 5: aren't his parents are dead?

2215
01:33:52,400 --> 01:33:55,840
Speaker 1: No, but I'm not saying just Harry, like even when

2216
01:33:56,560 --> 01:33:57,600
Speaker 1: the Grand Wizard.

2217
01:33:57,360 --> 01:34:00,880
Speaker 3: Died, okay, woman will Dumbledore?

2218
01:34:01,040 --> 01:34:04,400
Speaker 1: When Dumbledore died, he's the He's the illness Og Wizard,

2219
01:34:04,520 --> 01:34:07,160
Speaker 1: And doesn't abraca dabra some random bitch that's.

2220
01:34:07,080 --> 01:34:09,400
Speaker 3: With the old with the evil people. The next movie,

2221
01:34:09,560 --> 01:34:11,080
Speaker 3: this is why you watch?

2222
01:34:11,120 --> 01:34:13,599
Speaker 1: And then your man, oh your god is your godfather

2223
01:34:13,680 --> 01:34:17,640
Speaker 1: could be a werewolf and everything, and this bitch abracadabras.

2224
01:34:16,920 --> 01:34:17,960
Speaker 3: Him, who's pussy?

2225
01:34:18,320 --> 01:34:20,000
Speaker 1: And then in the next movie, she's running through the

2226
01:34:20,040 --> 01:34:23,320
Speaker 1: cornfield screaming, I killed your godfather. I killed your godfather.

2227
01:34:23,439 --> 01:34:25,800
Speaker 1: Not one Abrica Dabbra comes from his fucking wand and

2228
01:34:25,880 --> 01:34:28,000
Speaker 1: then you get your man's house burnt down over it.

2229
01:34:28,520 --> 01:34:31,360
Speaker 1: Harry is one of the worst human beings that has

2230
01:34:31,439 --> 01:34:32,160
Speaker 1: ever existed.

2231
01:34:32,400 --> 01:34:34,200
Speaker 7: And by the way he was, by the way he's

2232
01:34:34,320 --> 01:34:35,920
Speaker 7: You know that you were talking about a sixteen year

2233
01:34:35,920 --> 01:34:37,880
Speaker 7: old boy, right, he was sixteen at this time.

2234
01:34:38,160 --> 01:34:43,200
Speaker 1: These Drull rappers are murdering everybody at fourteen with Harry's pussy.

2235
01:34:45,000 --> 01:34:48,880
Speaker 1: Watch this, send somerips over.

2236
01:34:49,360 --> 01:34:50,240
Speaker 2: I'll watched Lord of Rings.

2237
01:34:50,240 --> 01:34:54,760
Speaker 6: I got Harry Potter is way more digestible than.

2238
01:34:55,000 --> 01:34:58,280
Speaker 3: You're gonna piss Some people loved as. I didn't say

2239
01:34:58,280 --> 01:34:59,799
Speaker 3: it was bad. I see it more easily.

2240
01:35:00,080 --> 01:35:03,479
Speaker 2: So what's better Lord Harry Potter or Game of Thrones?

2241
01:35:04,160 --> 01:35:06,599
Speaker 3: Two different? It's too different, But what's better watch?

2242
01:35:06,640 --> 01:35:07,400
Speaker 2: What's the better watch?

2243
01:35:08,439 --> 01:35:10,360
Speaker 6: You're an adult, so I'll say Game of Thrones because

2244
01:35:10,400 --> 01:35:12,880
Speaker 6: Game of Thrones is written for adults. Harry Potter is

2245
01:35:12,920 --> 01:35:15,680
Speaker 6: written for children. Now the way that it's written is

2246
01:35:15,800 --> 01:35:18,200
Speaker 6: written for the people who was originally created for to

2247
01:35:18,400 --> 01:35:20,920
Speaker 6: grow up with it. Right, So as I was reading

2248
01:35:20,960 --> 01:35:24,160
Speaker 6: Harry Potter. The books got way more complex. It got

2249
01:35:24,360 --> 01:35:27,120
Speaker 6: darker as you grow up, so you literally grow up

2250
01:35:27,160 --> 01:35:28,840
Speaker 6: with this like kind of like how we want the

2251
01:35:28,920 --> 01:35:32,040
Speaker 6: rappers to switch up their subject matter. JK. Rowling, you

2252
01:35:32,120 --> 01:35:34,760
Speaker 6: know pin that. But so it is really really good.

2253
01:35:35,000 --> 01:35:38,080
Speaker 1: It is good, like watch I enjoyed it, but I

2254
01:35:38,240 --> 01:35:39,840
Speaker 1: was very like, Harry is not a hero to me

2255
01:35:40,080 --> 01:35:40,560
Speaker 1: the way he is.

2256
01:35:40,600 --> 01:35:42,439
Speaker 3: See all, oh, well, he's not that much of a hero.

2257
01:35:43,800 --> 01:35:44,920
Speaker 1: He's just like dumb.

2258
01:35:46,000 --> 01:35:49,360
Speaker 3: He's a he's a teenager. So what, bro, he runs

2259
01:35:49,439 --> 01:35:51,400
Speaker 3: that whole thing that's supposed to be his ship. He's

2260
01:35:51,439 --> 01:35:53,240
Speaker 3: the he's the Messiah, He's.

2261
01:35:55,920 --> 01:35:57,080
Speaker 2: Netflix. They need to bring that back.

2262
01:35:57,200 --> 01:35:59,080
Speaker 3: He was there. That reminds me to have a long bottom,

2263
01:36:00,200 --> 01:36:02,200
Speaker 3: Paul long Bob, Thank you, Bro.

2264
01:36:02,720 --> 01:36:03,920
Speaker 6: You're definitely drake ed.

2265
01:36:03,960 --> 01:36:04,960
Speaker 2: It does have a long bottom.

2266
01:36:05,000 --> 01:36:08,960
Speaker 6: You're Drake Draco mixed with Hermione.

2267
01:36:09,040 --> 01:36:10,160
Speaker 3: Drake becomes a good kid.

2268
01:36:10,479 --> 01:36:11,280
Speaker 2: No money did what.

2269
01:36:12,479 --> 01:36:14,400
Speaker 6: Drake Draco mixed with Hermione over here?

2270
01:36:14,680 --> 01:36:17,040
Speaker 2: By the Drake didn't wait.

2271
01:36:19,600 --> 01:36:22,519
Speaker 1: Draco Soldier Boy and Normani. But you know, by the

2272
01:36:22,560 --> 01:36:25,200
Speaker 1: fourth movie, it's like if Justin Bieber was still living

2273
01:36:25,240 --> 01:36:27,120
Speaker 1: with his step parents in a closet, like you're the

2274
01:36:27,320 --> 01:36:28,320
Speaker 1: biggest star on earth?

2275
01:36:28,360 --> 01:36:28,479
Speaker 3: Is that?

2276
01:36:29,040 --> 01:36:30,920
Speaker 2: Are you writing it? That's something that you're working on.

2277
01:36:31,800 --> 01:36:33,760
Speaker 1: I mean, I could be a spin off. But if

2278
01:36:34,840 --> 01:36:40,640
Speaker 1: if you're the most popular, richest fucking child prodigy by

2279
01:36:40,640 --> 01:36:42,840
Speaker 1: the fourth movie, why are you still living under the

2280
01:36:42,920 --> 01:36:45,000
Speaker 1: steps in your adopted home?

2281
01:36:45,680 --> 01:36:48,360
Speaker 3: That's not un war money manager you resented?

2282
01:36:48,760 --> 01:36:49,719
Speaker 6: Actually, you know it's crazy.

2283
01:36:49,840 --> 01:36:52,679
Speaker 1: So why did he keep going back? Your Stockholm syndrome?

2284
01:36:52,800 --> 01:36:54,559
Speaker 6: You know, hold on, hold on, you know what's crazy.

2285
01:36:55,000 --> 01:36:57,080
Speaker 6: I don't think they touch on this in the movies.

2286
01:36:57,200 --> 01:36:59,120
Speaker 6: And this is one of my biggest things with the movies.

2287
01:36:59,160 --> 01:37:00,439
Speaker 6: They touch on it. In the books.

2288
01:37:01,040 --> 01:37:04,840
Speaker 7: There is a protection spell over his aunt and uncle's house.

2289
01:37:04,880 --> 01:37:07,960
Speaker 7: As long as he lives there, he cannot be touched.

2290
01:37:08,520 --> 01:37:10,080
Speaker 7: That is why he kept going back.

2291
01:37:10,160 --> 01:37:13,120
Speaker 6: That was for safety. But they don't touch on that

2292
01:37:13,240 --> 01:37:14,800
Speaker 6: in the in the and this is.

2293
01:37:14,840 --> 01:37:18,400
Speaker 1: Why, this is why I also think all the wizards

2294
01:37:18,479 --> 01:37:22,759
Speaker 1: are dumb outside of the uh not aberka dabboring everyone

2295
01:37:22,840 --> 01:37:25,760
Speaker 1: that's evil. You got a protection spell on that ship,

2296
01:37:26,080 --> 01:37:28,160
Speaker 1: Why didn't you put a protection spell on your man's

2297
01:37:28,160 --> 01:37:29,960
Speaker 1: house after you got it burnt down? Why is the

2298
01:37:30,080 --> 01:37:33,760
Speaker 1: protection spells on everything Hogwarts gets infiltrated every day. Put

2299
01:37:34,080 --> 01:37:37,720
Speaker 1: come on Lnguardia Leosa that ship like what the fuck? Yeah,

2300
01:37:37,960 --> 01:37:38,759
Speaker 1: talk to Israel.

2301
01:37:39,640 --> 01:37:41,840
Speaker 3: So much of it makes no sense. He needs the

2302
01:37:41,880 --> 01:37:44,400
Speaker 3: whole the whole time, the whole time.

2303
01:37:44,360 --> 01:37:46,400
Speaker 1: Like every time Harry gets jammed up, which is his

2304
01:37:46,520 --> 01:37:50,240
Speaker 1: fucking fault, every languardia Leo just picked that ship up,

2305
01:37:50,320 --> 01:37:50,960
Speaker 1: Like what are you doing?

2306
01:37:51,080 --> 01:37:53,360
Speaker 3: Why do you run out of spells? Is there a

2307
01:37:53,520 --> 01:37:54,439
Speaker 3: meter that you can only.

2308
01:37:54,400 --> 01:37:56,120
Speaker 6: Know that you have to learn the spells? Right? He

2309
01:37:56,160 --> 01:37:57,120
Speaker 6: doesn't just know the spells.

2310
01:37:57,160 --> 01:37:57,479
Speaker 3: I can't.

2311
01:37:58,920 --> 01:38:01,600
Speaker 1: The first spell they they learn and one is the

2312
01:38:02,040 --> 01:38:04,360
Speaker 1: to lift ship up. You could have you could have

2313
01:38:04,400 --> 01:38:06,800
Speaker 1: made this movie chopped down to three movies if he

2314
01:38:06,920 --> 01:38:08,760
Speaker 1: just used that every time he got jammed up. First

2315
01:38:08,760 --> 01:38:09,680
Speaker 1: spell just lifted up.

2316
01:38:10,960 --> 01:38:12,400
Speaker 3: This guy's Matt Raver Clob.

2317
01:38:14,200 --> 01:38:16,879
Speaker 6: Rory's Rory gives Slytherin for sure.

2318
01:38:17,000 --> 01:38:19,040
Speaker 1: Because I'm pure blood, because you're white.

2319
01:38:20,400 --> 01:38:25,120
Speaker 3: Apparently we're all Slytherin. Also, nothing makes sense.

2320
01:38:25,960 --> 01:38:29,040
Speaker 1: It found out that Malfoy, that little fuck his dad

2321
01:38:29,080 --> 01:38:30,600
Speaker 1: has been with the Ops the whole time, and they

2322
01:38:30,720 --> 01:38:31,679
Speaker 1: just letting the sun chill.

2323
01:38:32,080 --> 01:38:34,360
Speaker 3: Yeah for seven movies, and no.

2324
01:38:34,360 --> 01:38:36,800
Speaker 1: One was like, hmm, maybe this was a problem.

2325
01:38:36,640 --> 01:38:38,600
Speaker 7: Well, they weren't death Well, first of all, it's not

2326
01:38:38,680 --> 01:38:40,439
Speaker 7: his fault that his dad's a death eater, and second

2327
01:38:40,479 --> 01:38:43,599
Speaker 7: of all, death eaters were not active technically because.

2328
01:38:45,280 --> 01:38:45,960
Speaker 6: Death eater.

2329
01:38:47,720 --> 01:38:51,599
Speaker 7: The majority of the community was not recognized. Everybody thought

2330
01:38:51,680 --> 01:38:54,120
Speaker 7: Voldemort was gone for forever, so nobody was worried about

2331
01:38:54,120 --> 01:38:54,759
Speaker 7: his cronies.

2332
01:38:55,040 --> 01:38:58,599
Speaker 3: He was for seven movies. You couldn't even say his name. Remember,

2333
01:39:00,040 --> 01:39:00,360
Speaker 3: maybe you.

2334
01:39:00,320 --> 01:39:02,040
Speaker 1: Should have, so you would have known for seven movies

2335
01:39:02,080 --> 01:39:03,679
Speaker 1: that he keeps coming. You need to watch the last

2336
01:39:03,720 --> 01:39:06,040
Speaker 1: I will say, though Harry did. He was ten toes

2337
01:39:06,600 --> 01:39:10,200
Speaker 1: once he saw that Uh Malfoy's dad was with the Ops.

2338
01:39:11,200 --> 01:39:13,040
Speaker 1: The whole rest of the movie is like, why doesn't

2339
01:39:13,080 --> 01:39:19,120
Speaker 1: he tell uh Dumbledore that, like, Yo, this dude's pops

2340
01:39:19,200 --> 01:39:19,800
Speaker 1: is with the Ops.

2341
01:39:19,920 --> 01:39:23,599
Speaker 6: Dumbledore knows that already. Though everybody knows that that Draco

2342
01:39:23,720 --> 01:39:24,880
Speaker 6: Malfoy's dad is a deaf eater.

2343
01:39:25,000 --> 01:39:26,960
Speaker 1: Everyone knows that, So why is he enrolled in my

2344
01:39:27,200 --> 01:39:28,880
Speaker 1: in my private Catholic school.

2345
01:39:29,640 --> 01:39:32,840
Speaker 6: That's funny because he's not a death eater, his father is.

2346
01:39:33,040 --> 01:39:36,720
Speaker 3: He becomes one. Ah, He's just he wasn't built. He

2347
01:39:36,800 --> 01:39:37,400
Speaker 3: wasn't built for it.

2348
01:39:37,520 --> 01:39:38,400
Speaker 6: Watch the Last movie.

2349
01:39:38,479 --> 01:39:39,960
Speaker 3: Yeah, just watch the last movie, and may you should

2350
01:39:39,960 --> 01:39:40,719
Speaker 3: watch the first one.

2351
01:39:40,920 --> 01:39:43,439
Speaker 6: And mall you should. The first couple ones will be

2352
01:39:43,520 --> 01:39:47,000
Speaker 6: hard to get through only because they are children's movies,

2353
01:39:47,560 --> 01:39:49,560
Speaker 6: but I promise you that they do get better and

2354
01:39:49,680 --> 01:39:51,200
Speaker 6: this story does get more complex.

2355
01:39:51,600 --> 01:39:54,080
Speaker 3: Oh the death theaters are like, uh, proud boys.

2356
01:39:55,120 --> 01:39:55,840
Speaker 2: Oh I'm watching it.

2357
01:39:56,080 --> 01:39:56,400
Speaker 3: There you go.

2358
01:39:56,600 --> 01:39:57,280
Speaker 2: Yeah, good job man.

2359
01:39:57,280 --> 01:40:00,360
Speaker 5: They're led by a wizard. Okay, Trump, David Duke Trump,

2360
01:40:01,400 --> 01:40:02,599
Speaker 5: and they're a radical group.

2361
01:40:03,040 --> 01:40:06,960
Speaker 3: They storm shiit love it. Yeah, Okay, they're proud boys

2362
01:40:07,000 --> 01:40:08,160
Speaker 3: of the of the Hogwarts.

2363
01:40:08,760 --> 01:40:09,519
Speaker 2: Yeah, I gotta watch that.

2364
01:40:10,240 --> 01:40:12,639
Speaker 7: This makes me very happy because as a Harry Potter nerd,

2365
01:40:12,680 --> 01:40:14,720
Speaker 7: I've always wanted Rory to watch Harry Potter and I

2366
01:40:14,800 --> 01:40:15,240
Speaker 7: want him to.

2367
01:40:17,400 --> 01:40:19,400
Speaker 6: Be a Harry Potter fan. Like, that's just not up

2368
01:40:19,479 --> 01:40:19,840
Speaker 6: for debate.

2369
01:40:19,960 --> 01:40:20,479
Speaker 3: I will say.

2370
01:40:20,920 --> 01:40:23,280
Speaker 1: Throughout every movie, I was like, I totally understand why

2371
01:40:23,360 --> 01:40:24,439
Speaker 1: this is a whole culture.

2372
01:40:24,640 --> 01:40:25,120
Speaker 3: You're a wizard.

2373
01:40:25,320 --> 01:40:27,560
Speaker 1: They're very well put together. It's great. I just you know.

2374
01:40:27,840 --> 01:40:29,760
Speaker 7: And on top of that, before the movies, there were

2375
01:40:29,840 --> 01:40:33,880
Speaker 7: the books, and the books were fucking amazingly written.

2376
01:40:34,120 --> 01:40:34,960
Speaker 6: They were so good.

2377
01:40:35,000 --> 01:40:38,240
Speaker 7: There's so much more intricate than the movies, Like it's yeah,

2378
01:40:38,960 --> 01:40:39,519
Speaker 7: you read the books.

2379
01:40:39,520 --> 01:40:41,040
Speaker 3: Hell no, I don't read yo.

2380
01:40:42,400 --> 01:40:48,120
Speaker 1: Hermione's sick though, Like, how are you just gonna erase

2381
01:40:48,160 --> 01:40:50,360
Speaker 1: your parents memory of your entire life because you want

2382
01:40:50,360 --> 01:40:52,960
Speaker 1: to go fuck around with Harry and die you need to.

2383
01:40:54,160 --> 01:40:56,360
Speaker 6: He doesn't need to do anything. He's being a fucking

2384
01:40:56,400 --> 01:40:57,479
Speaker 6: asshole because he knows.

2385
01:40:59,200 --> 01:40:59,880
Speaker 3: Why did you do it?

2386
01:41:01,680 --> 01:41:03,760
Speaker 1: Because if she dies, she'd be sad their parents.

2387
01:41:03,840 --> 01:41:05,680
Speaker 6: I will know, so that no one can come to

2388
01:41:05,760 --> 01:41:08,760
Speaker 6: her parents and torture information out of their brains with

2389
01:41:08,880 --> 01:41:11,360
Speaker 6: their magic spells about her and her whereabouts.

2390
01:41:11,360 --> 01:41:15,000
Speaker 1: It's joined the Witness Wizard Protection program. Get the fuck

2391
01:41:15,120 --> 01:41:15,839
Speaker 1: come on Hermione.

2392
01:41:16,040 --> 01:41:18,559
Speaker 5: But dude, would people know that their memori has been wiped?

2393
01:41:18,560 --> 01:41:20,479
Speaker 5: Because if the bad people pull up and.

2394
01:41:20,439 --> 01:41:21,880
Speaker 3: They're like, where's your dad, They're like, we don't know,

2395
01:41:21,960 --> 01:41:22,599
Speaker 3: then they could.

2396
01:41:22,400 --> 01:41:24,439
Speaker 7: Just think they can go and they don't even have

2397
01:41:24,520 --> 01:41:26,840
Speaker 7: to say where's your daughter. They can put their wand

2398
01:41:27,080 --> 01:41:28,720
Speaker 7: the wand to their temple and say, oh, they have

2399
01:41:28,880 --> 01:41:29,639
Speaker 7: no fucking memories.

2400
01:41:30,080 --> 01:41:30,879
Speaker 3: Oh they're retarded.

2401
01:41:31,120 --> 01:41:32,880
Speaker 1: But they only do that sometimes because they could have

2402
01:41:32,920 --> 01:41:34,400
Speaker 1: done that to Baltimore in the first movie, and then

2403
01:41:34,400 --> 01:41:35,280
Speaker 1: there wouldn't be a series.

2404
01:41:36,000 --> 01:41:37,400
Speaker 2: No, this is great. I have no idea what the

2405
01:41:37,439 --> 01:41:38,320
Speaker 2: fuck y'all talking about?

2406
01:41:38,479 --> 01:41:40,519
Speaker 1: Sorry, moving on to the next topic.

2407
01:41:40,760 --> 01:41:44,280
Speaker 2: Yeah, you've got maile. Do we have voicemails?

2408
01:41:44,600 --> 01:41:44,800
Speaker 3: Yeah?

2409
01:41:44,960 --> 01:41:46,400
Speaker 2: Is it black love and these voicemails?

2410
01:41:46,680 --> 01:41:49,280
Speaker 3: Uh? Actually yeah, this is the.

2411
01:41:49,360 --> 01:41:52,799
Speaker 5: Call in about a girlfriend that's concerned about her boyfriend's

2412
01:41:52,840 --> 01:41:53,240
Speaker 5: well being.

2413
01:41:53,320 --> 01:41:54,599
Speaker 3: So it is actually is a sweet call.

2414
01:41:54,800 --> 01:41:55,560
Speaker 2: All right, let's hear it.

2415
01:41:56,240 --> 01:41:59,160
Speaker 11: Okay, Hey ran mall you guys, can you please make

2416
01:41:59,160 --> 01:42:00,960
Speaker 11: it to twenty second. I'm gonna get started because I

2417
01:42:00,960 --> 01:42:02,800
Speaker 11: talk slow. I talked class with flow. It's crazy. I

2418
01:42:02,840 --> 01:42:03,760
Speaker 11: can't get my twenty cross.

2419
01:42:03,960 --> 01:42:07,000
Speaker 1: Okay, this was me at the Spotify gam is a boxer, right,

2420
01:42:07,320 --> 01:42:07,719
Speaker 1: a boxer.

2421
01:42:07,800 --> 01:42:10,000
Speaker 6: He has lived all his life.

2422
01:42:10,800 --> 01:42:13,120
Speaker 11: He's twenty four, mind you, he's lived all his life.

2423
01:42:13,520 --> 01:42:15,680
Speaker 11: People telling him that he's no one, that he will

2424
01:42:15,720 --> 01:42:18,240
Speaker 11: never amount to anything, you know, kids at school or whatever.

2425
01:42:19,560 --> 01:42:25,080
Speaker 11: He thinks that he is here to become history, to

2426
01:42:25,160 --> 01:42:31,600
Speaker 11: become a legend. Really wants to prove everyone else wrong, right, Like,

2427
01:42:31,720 --> 01:42:34,600
Speaker 11: he wants people talking about him. And he says this

2428
01:42:34,840 --> 01:42:37,160
Speaker 11: that like if he dies on the ring, like like

2429
01:42:37,280 --> 01:42:39,200
Speaker 11: basically he wants to die on the ring so that

2430
01:42:39,280 --> 01:42:40,559
Speaker 11: people are talking about him.

2431
01:42:40,920 --> 01:42:41,519
Speaker 6: You know what I mean.

2432
01:42:41,600 --> 01:42:43,760
Speaker 11: And I'm like, how could I be with someone like that?

2433
01:42:44,400 --> 01:42:45,240
Speaker 6: How can I be with.

2434
01:42:45,320 --> 01:42:47,599
Speaker 11: Something like that that doesn't love himself for himself?

2435
01:42:47,760 --> 01:42:50,240
Speaker 6: Right now? Because what if that day never happens?

2436
01:42:50,320 --> 01:42:52,080
Speaker 3: When I hope it does, but what if it doesn't?

2437
01:42:52,479 --> 01:42:53,200
Speaker 6: How you.

2438
01:42:54,720 --> 01:42:56,760
Speaker 3: Like love which wants?

2439
01:42:57,920 --> 01:42:58,960
Speaker 2: She wants him to die in the ring?

2440
01:42:59,680 --> 01:43:01,240
Speaker 3: I hope it does, but I don't. I think she

2441
01:43:01,320 --> 01:43:04,400
Speaker 3: meant the recognition, not the dying. But yeah, okay, I

2442
01:43:04,479 --> 01:43:05,599
Speaker 3: mean I thought it was a package deal.

2443
01:43:05,720 --> 01:43:11,439
Speaker 2: Yeah, rights, not guy, he didn't die.

2444
01:43:11,800 --> 01:43:14,040
Speaker 11: And how do I show him that? Like he has

2445
01:43:14,160 --> 01:43:16,640
Speaker 11: low self esteem? How do I show him that I

2446
01:43:16,840 --> 01:43:18,960
Speaker 11: love you? I love you the way you are right now?

2447
01:43:19,040 --> 01:43:20,080
Speaker 3: I am not enough though.

2448
01:43:20,240 --> 01:43:24,240
Speaker 11: He wants everyone to be talking about him because because.

2449
01:43:24,120 --> 01:43:25,160
Speaker 6: That will validate him.

2450
01:43:25,560 --> 01:43:28,400
Speaker 11: And it's like, once you get all that, I promise

2451
01:43:28,479 --> 01:43:33,439
Speaker 11: you that you're not gonna ever truly be happy, so

2452
01:43:33,680 --> 01:43:35,320
Speaker 11: happy to do this?

2453
01:43:35,520 --> 01:43:36,080
Speaker 3: What should I do?

2454
01:43:36,439 --> 01:43:37,880
Speaker 1: Like, I don't I don't know what to do.

2455
01:43:38,400 --> 01:43:40,560
Speaker 3: Damn, she's not mad concerned. I'm not gonna hold I

2456
01:43:40,600 --> 01:43:41,400
Speaker 3: don't want to make a job.

2457
01:43:41,600 --> 01:43:43,120
Speaker 6: I know I'm gonna keep the jokes to myself because

2458
01:43:43,160 --> 01:43:43,840
Speaker 6: she believes.

2459
01:43:43,600 --> 01:43:46,320
Speaker 3: I was great.

2460
01:43:46,520 --> 01:43:48,360
Speaker 1: Yeah, this is the whole thing.

2461
01:43:48,720 --> 01:43:50,480
Speaker 3: But like, is she upset in his dedication?

2462
01:43:51,040 --> 01:43:53,360
Speaker 2: I think she's she. I think she's upset in search

2463
01:43:53,439 --> 01:43:55,799
Speaker 2: of a validation from outsider.

2464
01:43:55,920 --> 01:43:57,559
Speaker 3: Is he putting in the work? That's probably my better

2465
01:43:57,760 --> 01:43:59,559
Speaker 3: We must love million dollar baby word.

2466
01:43:59,680 --> 01:44:03,640
Speaker 2: Yeah, I think that. Listen, you gotta support him, like

2467
01:44:03,800 --> 01:44:07,880
Speaker 2: Jay Cole said, support it's not for the faint heart.

2468
01:44:08,200 --> 01:44:09,320
Speaker 2: It's not for the faint of heart.

2469
01:44:11,040 --> 01:44:12,479
Speaker 1: Play your part, don't tell me to play the part.

2470
01:44:12,479 --> 01:44:14,360
Speaker 2: And if he's a fighter, if he's a boxer, you know,

2471
01:44:14,520 --> 01:44:16,800
Speaker 2: boxers have a different mentality. First of all, to be

2472
01:44:16,880 --> 01:44:21,200
Speaker 2: a boxer, you're just wired differently. So maybe that's just

2473
01:44:21,280 --> 01:44:23,200
Speaker 2: not the type of person you.

2474
01:44:23,640 --> 01:44:25,599
Speaker 3: Need to be with a lot.

2475
01:44:25,760 --> 01:44:27,200
Speaker 2: Yeah, I think you need to be with somebody that's

2476
01:44:27,360 --> 01:44:32,120
Speaker 2: more into, you know, normal type of professions and careers.

2477
01:44:32,720 --> 01:44:37,480
Speaker 2: Boxers are fighters, so they're built differently, they're wired differently emotionally,

2478
01:44:37,600 --> 01:44:42,120
Speaker 2: they are easily detached. And it sounds like you don't

2479
01:44:42,160 --> 01:44:43,720
Speaker 2: need to be with somebody that's like that, So I

2480
01:44:43,760 --> 01:44:47,280
Speaker 2: would say support him as a friend and not as

2481
01:44:47,280 --> 01:44:47,559
Speaker 2: a lover.

2482
01:44:49,160 --> 01:44:50,320
Speaker 3: Lover is always a funny word to me.

2483
01:44:50,479 --> 01:44:52,320
Speaker 1: Yeah, I guess if you don't want to leave them.

2484
01:44:52,680 --> 01:44:55,240
Speaker 1: I'll take a different approach than dump them, which is

2485
01:44:55,400 --> 01:44:59,000
Speaker 1: a great theme here. Dump them maybe because I don't

2486
01:44:59,000 --> 01:45:02,160
Speaker 1: think it's a great mental to get validation from other people.

2487
01:45:02,840 --> 01:45:05,479
Speaker 1: But I think you can channel it in healthier ways

2488
01:45:05,600 --> 01:45:08,559
Speaker 1: if you give a different perspective. Whereas if you work

2489
01:45:08,640 --> 01:45:10,439
Speaker 1: really hard at your craft and are really good at

2490
01:45:10,479 --> 01:45:14,320
Speaker 1: your craft, people will admire that and talk about you.

2491
01:45:14,760 --> 01:45:17,400
Speaker 1: You don't need to be a martyr and die at

2492
01:45:17,479 --> 01:45:19,519
Speaker 1: your craft for everyone to love it.

2493
01:45:20,000 --> 01:45:21,519
Speaker 3: To die in a ring, that's kind of curious.

2494
01:45:21,600 --> 01:45:24,600
Speaker 1: You can be like we all talk about Floyd and

2495
01:45:24,880 --> 01:45:29,280
Speaker 1: Floyd has been punched once by zab Joe, like he

2496
01:45:29,479 --> 01:45:32,160
Speaker 1: has some of the most boring technical fights ever and

2497
01:45:32,280 --> 01:45:34,240
Speaker 1: we not NonStop talk about him.

2498
01:45:34,600 --> 01:45:37,519
Speaker 6: You don't need to die, just be really like, say

2499
01:45:37,600 --> 01:45:38,720
Speaker 6: you died, that means you wor that good.

2500
01:45:39,320 --> 01:45:42,360
Speaker 1: And I think the validation from others is a whole

2501
01:45:42,400 --> 01:45:45,360
Speaker 1: separate conversation. But you can give them that that other perspective.

2502
01:45:45,600 --> 01:45:47,280
Speaker 1: People that are really good at their crafts and work

2503
01:45:47,320 --> 01:45:50,360
Speaker 1: really hard, people talk about them and people like them.

2504
01:45:50,720 --> 01:45:52,280
Speaker 1: So just work hard at boxing.

2505
01:45:52,600 --> 01:45:53,840
Speaker 2: You don't have to die in a ring.

2506
01:45:54,360 --> 01:45:57,879
Speaker 3: Yeah, that's a weird sense of martyr exactly.

2507
01:45:58,240 --> 01:46:01,679
Speaker 2: Die yeah before he quits.

2508
01:46:03,000 --> 01:46:06,400
Speaker 6: Girl, You need to run, run, run, yeah, fast.

2509
01:46:07,640 --> 01:46:11,120
Speaker 7: Can because no matter if he becomes the greatest boxer

2510
01:46:11,200 --> 01:46:14,519
Speaker 7: of all time, he will still not feel loved and

2511
01:46:14,640 --> 01:46:16,280
Speaker 7: he will still not feel validated.

2512
01:46:16,560 --> 01:46:17,240
Speaker 6: That is some shit.

2513
01:46:17,320 --> 01:46:19,080
Speaker 7: He needs to take out of the ring and to

2514
01:46:19,200 --> 01:46:23,240
Speaker 7: a therapist's office because you cannot make him feel loved.

2515
01:46:23,240 --> 01:46:26,080
Speaker 7: You can love him with every dying breath, every last

2516
01:46:26,320 --> 01:46:30,040
Speaker 7: fucking piece of pussy you have, you cannot give that

2517
01:46:30,120 --> 01:46:31,600
Speaker 7: nigga the love that he has never had, that he

2518
01:46:31,640 --> 01:46:33,240
Speaker 7: didn't get from his parents, that he didn't get from

2519
01:46:33,280 --> 01:46:36,599
Speaker 7: his childhood. You cannot heal him. Boxing cannot heal him.

2520
01:46:37,000 --> 01:46:38,600
Speaker 7: A therapist might not be able to heal him. He

2521
01:46:38,680 --> 01:46:40,559
Speaker 7: has to register that he has a problem and learn

2522
01:46:40,640 --> 01:46:42,960
Speaker 7: to heal himself. Though you you're not gonna be able

2523
01:46:42,960 --> 01:46:47,040
Speaker 7: to validate him, and you will kill yourself trying run.

2524
01:46:47,120 --> 01:46:48,479
Speaker 2: I feel like I should get you tweeny dollars for

2525
01:46:48,560 --> 01:46:49,639
Speaker 2: that good word you just spread.

2526
01:46:49,800 --> 01:46:52,479
Speaker 5: And you shouldn't die before he does, because in his scenario,

2527
01:46:52,840 --> 01:46:55,360
Speaker 5: that's like a golden ticket to notoriety.

2528
01:46:55,560 --> 01:46:57,600
Speaker 1: And I mean, just to give him the stats in

2529
01:46:57,960 --> 01:47:01,960
Speaker 1: twenty twenty three, boxing referee are fucking great? There's medical

2530
01:47:02,000 --> 01:47:04,360
Speaker 1: staff around it all tide. It's really hard to die

2531
01:47:04,400 --> 01:47:06,720
Speaker 1: in the ring. Yeah, really, well, you got to be

2532
01:47:06,800 --> 01:47:10,080
Speaker 1: trying aggressive one. No one's really dying in MMA rings,

2533
01:47:10,160 --> 01:47:11,040
Speaker 1: let alone boxing.

2534
01:47:11,120 --> 01:47:13,200
Speaker 3: He trying them do some fatanyl before you get in there,

2535
01:47:13,280 --> 01:47:13,760
Speaker 3: or something like that.

2536
01:47:14,840 --> 01:47:16,920
Speaker 1: Like if he wants to make his way up to

2537
01:47:17,000 --> 01:47:20,600
Speaker 1: the top and boxing and then just one collapse, just

2538
01:47:20,680 --> 01:47:22,120
Speaker 1: one day he decides I'm just going to keep my

2539
01:47:22,200 --> 01:47:26,320
Speaker 1: hands down for an entire fight. Weird, but that takes dedication,

2540
01:47:26,439 --> 01:47:28,040
Speaker 1: and maybe you should just give him what he wants.

2541
01:47:28,160 --> 01:47:30,880
Speaker 6: Also, the other people who the other set of people

2542
01:47:31,040 --> 01:47:34,559
Speaker 6: who purposely try to die just so that people can

2543
01:47:34,680 --> 01:47:37,000
Speaker 6: remember their name because they didn't feel validated in life.

2544
01:47:37,040 --> 01:47:39,040
Speaker 7: Are serial killers? Just wanted to throw that out there,

2545
01:47:39,760 --> 01:47:42,679
Speaker 7: elaborate that's what serial killers do. Or people who create

2546
01:47:42,800 --> 01:47:46,040
Speaker 7: mass murders, people who weren't loved or didn't feel validated

2547
01:47:46,280 --> 01:47:48,639
Speaker 7: or were picked on in school. They go get a gun,

2548
01:47:48,760 --> 01:47:51,040
Speaker 7: kill everybody so that it can be a murder suicide

2549
01:47:51,320 --> 01:47:53,360
Speaker 7: so the cops can kill them. They die by suicide,

2550
01:47:53,560 --> 01:47:55,120
Speaker 7: so and then they go or they get captured and

2551
01:47:55,160 --> 01:47:57,080
Speaker 7: go to jail and say, I wanted everybody remember my name.

2552
01:47:57,200 --> 01:48:00,519
Speaker 2: M whack so which in America is they'll give you

2553
01:48:00,520 --> 01:48:01,840
Speaker 2: a documentary.

2554
01:48:04,280 --> 01:48:05,960
Speaker 3: Netflix special if he plays his cards right.

2555
01:48:06,000 --> 01:48:08,240
Speaker 1: I've been doing these deep doves with the cults that

2556
01:48:08,800 --> 01:48:10,920
Speaker 1: are only but like six people, and it's like they

2557
01:48:11,000 --> 01:48:13,360
Speaker 1: got a Netflix stock out of the ship. It really

2558
01:48:13,400 --> 01:48:15,920
Speaker 1: didn't affect the world. Crazy what we focus on. And

2559
01:48:16,000 --> 01:48:18,840
Speaker 1: I watched every episode at there.

2560
01:48:18,280 --> 01:48:20,439
Speaker 3: Are six people in this room right now. We could

2561
01:48:20,560 --> 01:48:23,960
Speaker 3: get a Netflix stock. Could let's kill someone? How do

2562
01:48:24,040 --> 01:48:24,360
Speaker 3: we get there?

2563
01:48:24,439 --> 01:48:24,800
Speaker 6: What do we do?

2564
01:48:25,439 --> 01:48:27,320
Speaker 3: Uh? Cole? Who would be the leader?

2565
01:48:27,479 --> 01:48:30,320
Speaker 2: We lock ourselves in the studio for like three months,

2566
01:48:30,360 --> 01:48:31,880
Speaker 2: and just like they would not leave.

2567
01:48:32,520 --> 01:48:34,400
Speaker 3: Rory would want to be the leader of this of

2568
01:48:34,600 --> 01:48:37,200
Speaker 3: us six right now, would want no.

2569
01:48:37,640 --> 01:48:39,720
Speaker 1: I would be the one at the end, like when

2570
01:48:39,760 --> 01:48:42,040
Speaker 1: we all do the mass suicide and drink the kool aid.

2571
01:48:42,600 --> 01:48:44,960
Speaker 1: I'd go last and dun't mine out like I don't

2572
01:48:44,960 --> 01:48:48,320
Speaker 1: my shots, And then I would be the one on

2573
01:48:48,479 --> 01:48:50,080
Speaker 1: the dock telling the.

2574
01:48:50,120 --> 01:48:53,879
Speaker 3: Story survivor I don't know, and I would.

2575
01:48:53,760 --> 01:48:56,080
Speaker 1: Manipulate the entire story like I was a hostage.

2576
01:48:56,080 --> 01:48:57,120
Speaker 3: I didn't know what was going on.

2577
01:48:58,600 --> 01:49:01,600
Speaker 1: But I mean, Marilyn Manson put that shit in perspective

2578
01:49:01,760 --> 01:49:05,759
Speaker 1: in Boweling for Columbine to what Damara said. When Columbine happened,

2579
01:49:05,800 --> 01:49:07,400
Speaker 1: they all blame it on him, and they wanted him

2580
01:49:07,400 --> 01:49:10,680
Speaker 1: to speak out, like I wasn't speaking because all those

2581
01:49:10,760 --> 01:49:13,479
Speaker 1: kids wanted was people to speak about them. They got

2582
01:49:13,520 --> 01:49:16,559
Speaker 1: exactly what they wanted cover of time. So who's really

2583
01:49:16,600 --> 01:49:19,439
Speaker 1: to blame here with this? I didn't speak about it

2584
01:49:19,439 --> 01:49:21,960
Speaker 1: because that's the problem. These kids think that you can

2585
01:49:22,040 --> 01:49:23,880
Speaker 1: murder a bunch of people when you be talked about forever.

2586
01:49:24,160 --> 01:49:25,920
Speaker 1: So I'm gonna shut the fuck up about it. Yeah,

2587
01:49:25,960 --> 01:49:28,280
Speaker 1: I'm going to be quiet because I'm not gonna make

2588
01:49:28,320 --> 01:49:32,439
Speaker 1: this behavior true. So I don't know how we got

2589
01:49:32,520 --> 01:49:34,479
Speaker 1: down that. I mean, I don't think that's what Rocky

2590
01:49:34,600 --> 01:49:34,960
Speaker 1: was looking for.

2591
01:49:36,960 --> 01:49:38,960
Speaker 2: Apollo Creed did want to die in the ring, though, Yeah,

2592
01:49:39,479 --> 01:49:42,639
Speaker 2: only because he was already validated, And it's like the opposite.

2593
01:49:42,720 --> 01:49:44,560
Speaker 2: He was a ready validated world champion, but he was

2594
01:49:44,560 --> 01:49:46,560
Speaker 2: coming to the end of his career. He didn't know

2595
01:49:46,600 --> 01:49:49,120
Speaker 2: who he was outside of boxing, so he didn't feel

2596
01:49:49,160 --> 01:49:52,000
Speaker 2: the need to live because he's like, this is who

2597
01:49:52,040 --> 01:49:54,080
Speaker 2: I am, this is who I want to be remembered

2598
01:49:54,160 --> 01:49:56,800
Speaker 2: as I don't want to know life without boxing. Her

2599
01:49:56,880 --> 01:50:01,200
Speaker 2: boyfriend wants her boyfriend wants to like he wants to

2600
01:50:01,280 --> 01:50:01,519
Speaker 2: die in.

2601
01:50:01,560 --> 01:50:05,599
Speaker 10: A ring, like he's he's not valid, Yeah exactly, which

2602
01:50:05,600 --> 01:50:06,080
Speaker 10: is so weird.

2603
01:50:06,560 --> 01:50:10,040
Speaker 5: Point he's doing a violence sport, so violence is like

2604
01:50:10,320 --> 01:50:12,920
Speaker 5: a tendency a lot of fighters, you know short fuse,

2605
01:50:13,600 --> 01:50:16,760
Speaker 5: and he's the whole thing with not fearing death in

2606
01:50:16,920 --> 01:50:20,800
Speaker 5: fact charging towards it. That's just a messy comp like

2607
01:50:20,880 --> 01:50:22,240
Speaker 5: to be in a relationship with something like that. It

2608
01:50:22,360 --> 01:50:25,280
Speaker 5: sounds like a lot and clearly you're prioritizing him where

2609
01:50:25,320 --> 01:50:28,200
Speaker 5: it doesn't sound like he's prioritizing you, because it sounds

2610
01:50:28,200 --> 01:50:30,360
Speaker 5: like all he does is talk about himself in his

2611
01:50:30,479 --> 01:50:32,840
Speaker 5: career that he wants to have, Like what do you

2612
01:50:33,840 --> 01:50:35,479
Speaker 5: what would keep you through that?

2613
01:50:35,600 --> 01:50:39,040
Speaker 3: I don't Stockholm bro Yeah, I think that's not healthy.

2614
01:50:39,200 --> 01:50:41,680
Speaker 7: She probably has a savior complex because it sounds like

2615
01:50:41,800 --> 01:50:43,560
Speaker 7: that's the type of man where you just see I

2616
01:50:43,680 --> 01:50:45,400
Speaker 7: just want you to see yourself the way that I

2617
01:50:45,680 --> 01:50:48,720
Speaker 7: see you, Like, no, girl, I've been there.

2618
01:50:48,760 --> 01:50:50,200
Speaker 6: I'm not judging you at all. I'm telling you.

2619
01:50:52,439 --> 01:50:54,400
Speaker 1: That also asked him would be a box ever, wasn't

2620
01:50:54,400 --> 01:50:55,960
Speaker 1: for the Paul Brothers, because this sounds like someone that

2621
01:50:56,040 --> 01:50:58,880
Speaker 1: just grew up in the attention seeking world, and that's

2622
01:51:00,120 --> 01:51:02,200
Speaker 1: brothers don't want all brothers started boxing.

2623
01:51:02,280 --> 01:51:05,519
Speaker 3: Maybe I'll do that. I'll just start a YouTube channel.

2624
01:51:06,600 --> 01:51:07,880
Speaker 1: Yeah, like you don't have to die.

2625
01:51:09,840 --> 01:51:11,720
Speaker 3: Mad ways to get noticed. And we're also not asking.

2626
01:51:11,800 --> 01:51:13,400
Speaker 1: Remember we had that guy call in where he was

2627
01:51:13,439 --> 01:51:15,200
Speaker 1: working on music and felt like his girl wasn't as

2628
01:51:15,200 --> 01:51:17,439
Speaker 1: supportive and like he needs to really change dreams in

2629
01:51:17,479 --> 01:51:19,320
Speaker 1: the music world. And our first question was like, well,

2630
01:51:19,400 --> 01:51:22,160
Speaker 1: do you have any talent? Like, come on, I gotta

2631
01:51:22,200 --> 01:51:24,439
Speaker 1: see I gotta see this guy box.

2632
01:51:25,160 --> 01:51:26,320
Speaker 3: You want to go three rounds of them?

2633
01:51:26,760 --> 01:51:31,120
Speaker 2: Sure, I'm not going to kill him, would you let's

2634
01:51:31,120 --> 01:51:32,600
Speaker 2: see him box before you decide.

2635
01:51:32,320 --> 01:51:34,360
Speaker 1: Because you have to get to even put yourself in

2636
01:51:34,439 --> 01:51:36,400
Speaker 1: the opportunity to get killed in the ring. You have

2637
01:51:36,520 --> 01:51:37,759
Speaker 1: to like be good at boxing.

2638
01:51:37,960 --> 01:51:41,160
Speaker 2: Yeah, it would be very bad at defense.

2639
01:51:42,320 --> 01:51:42,559
Speaker 6: Either.

2640
01:51:43,840 --> 01:51:46,000
Speaker 3: DM a video of him boxing. I want to want

2641
01:51:46,040 --> 01:51:47,479
Speaker 3: to see maybe.

2642
01:51:47,400 --> 01:51:51,040
Speaker 1: Sen Sinus's Instagram, but we could set it off rest

2643
01:51:51,080 --> 01:51:52,640
Speaker 1: in peace to Kimbo Slice, but this would have been

2644
01:51:52,960 --> 01:51:53,599
Speaker 1: great content.

2645
01:51:54,479 --> 01:51:56,280
Speaker 3: Backyard knock him the fuck out?

2646
01:51:56,280 --> 01:52:00,760
Speaker 2: Oh my god, that was some sick times man, those

2647
01:52:00,840 --> 01:52:04,000
Speaker 2: back back yard Yeah, that was They still do that,

2648
01:52:04,320 --> 01:52:08,080
Speaker 2: like they're still YouTube those weren't like the plastic ship

2649
01:52:08,360 --> 01:52:11,680
Speaker 2: that the builds wrestling talking about, like like hands and

2650
01:52:11,760 --> 01:52:14,160
Speaker 2: hand bad knuckle, like fighting.

2651
01:52:14,400 --> 01:52:16,400
Speaker 3: In the backyard ship and they would like but there

2652
01:52:16,400 --> 01:52:17,400
Speaker 3: were remember.

2653
01:52:17,720 --> 01:52:21,000
Speaker 2: Different things wrestling different Yea, it wore just straight up.

2654
01:52:21,200 --> 01:52:24,000
Speaker 1: People would fight Kimbos slices in the street or in

2655
01:52:24,080 --> 01:52:24,679
Speaker 1: the backyard.

2656
01:52:25,040 --> 01:52:26,720
Speaker 2: I'm going to pull up to your house type ship.

2657
01:52:26,800 --> 01:52:28,880
Speaker 2: That was game bread, let's get it right here in

2658
01:52:29,080 --> 01:52:30,160
Speaker 2: your backyard.

2659
01:52:29,960 --> 01:52:35,519
Speaker 1: Or which I mean shout out to Kimbo for taking

2660
01:52:35,600 --> 01:52:37,200
Speaker 1: that and making a real career out of it.

2661
01:52:37,560 --> 01:52:40,200
Speaker 3: Ended up in the ring for the same thing with Yeah, yeah,

2662
01:52:41,400 --> 01:52:43,160
Speaker 3: this was this was a legit.

2663
01:52:43,720 --> 01:52:45,960
Speaker 10: Yeah, but what you're talking about is back in wrestling. Also,

2664
01:52:46,040 --> 01:52:48,960
Speaker 10: another ship is crazy too. This ship is crazy.

2665
01:52:49,160 --> 01:52:52,160
Speaker 6: Just bare ass hands and he who fucked them up.

2666
01:52:53,200 --> 01:52:56,639
Speaker 1: Your whole jaw can be detached and yeah what second

2667
01:52:56,640 --> 01:52:58,600
Speaker 1: when you fight, he's like, hold on, he.

2668
01:52:58,680 --> 01:52:59,760
Speaker 6: Backing me into the palm tree.

2669
01:53:00,040 --> 01:53:04,040
Speaker 3: It on that into the palm tree. Come out. Yeah

2670
01:53:04,080 --> 01:53:06,000
Speaker 3: that's terrifying. I would have never know.

2671
01:53:07,680 --> 01:53:09,000
Speaker 1: How much money would it take for you to fight

2672
01:53:09,080 --> 01:53:10,280
Speaker 1: Kimbo Slices in a parking lot.

2673
01:53:13,000 --> 01:53:15,040
Speaker 5: Well, first i'd have to account for the medical bills.

2674
01:53:15,600 --> 01:53:17,679
Speaker 5: So enough to at least cover that and then I'd

2675
01:53:17,760 --> 01:53:19,080
Speaker 5: like to walk away with something.

2676
01:53:19,080 --> 01:53:20,880
Speaker 1: As much as we give the kids a bunch of ship.

2677
01:53:20,960 --> 01:53:23,200
Speaker 1: Like we talked last episode about the Great Challenge and

2678
01:53:23,240 --> 01:53:26,040
Speaker 1: all that good times. This is when I was a teenager,

2679
01:53:26,160 --> 01:53:29,280
Speaker 1: it was the Kimbo Slice Challenge. Yeah, you had to

2680
01:53:29,360 --> 01:53:32,880
Speaker 1: get in a parking lot Kimbo Slice to go viral

2681
01:53:33,000 --> 01:53:34,120
Speaker 1: and get knocked the fuck.

2682
01:53:33,960 --> 01:53:36,960
Speaker 3: Out, knocked out. I think it's great that these kids

2683
01:53:37,000 --> 01:53:39,040
Speaker 3: are just walking on crates getting out and falling on

2684
01:53:39,200 --> 01:53:40,599
Speaker 3: concrete like that is nuts.

2685
01:53:40,680 --> 01:53:42,880
Speaker 2: You gotta be you gotta be look at it like,

2686
01:53:42,960 --> 01:53:44,720
Speaker 2: where are you actually in life where you agree to

2687
01:53:44,760 --> 01:53:45,360
Speaker 2: do ship like this?

2688
01:53:46,000 --> 01:53:51,120
Speaker 3: Money's a hell of the game, you know, just just

2689
01:53:51,200 --> 01:53:53,160
Speaker 3: a little what is it?

2690
01:53:53,760 --> 01:53:55,840
Speaker 2: I think we should really be like watching this shit

2691
01:53:55,880 --> 01:53:58,439
Speaker 2: on YouTube, like wait for the next fight to come out.

2692
01:53:58,439 --> 01:53:58,680
Speaker 3: They have.

2693
01:53:58,840 --> 01:54:02,439
Speaker 10: They have another backyard boxing thing going on to not

2694
01:54:02,560 --> 01:54:05,439
Speaker 10: like Kimbo. It's a lot more organized, but it's like mixed.

2695
01:54:05,600 --> 01:54:06,599
Speaker 10: It's like UFC type ship.

2696
01:54:06,640 --> 01:54:11,519
Speaker 1: What's on the head of the m m A Dana White.

2697
01:54:12,600 --> 01:54:13,760
Speaker 1: I don't know if it was Dana White.

2698
01:54:14,400 --> 01:54:14,880
Speaker 2: Look this up.

2699
01:54:14,960 --> 01:54:16,720
Speaker 1: There were there were talks at the top of this

2700
01:54:16,840 --> 01:54:21,920
Speaker 1: year of a bare knuckle yeah, man, overseas, I mean,

2701
01:54:22,520 --> 01:54:25,320
Speaker 1: call me a pussy liberal. I think that's taking things

2702
01:54:25,560 --> 01:54:27,479
Speaker 1: too far. Someone's gonna die.

2703
01:54:28,280 --> 01:54:30,320
Speaker 2: I think that slapping ship is gonna get banned soon too.

2704
01:54:30,439 --> 01:54:32,720
Speaker 1: I mean not to say even those like six ounds

2705
01:54:33,080 --> 01:54:36,040
Speaker 1: gloves that they use in UFC are too much, but

2706
01:54:37,680 --> 01:54:41,360
Speaker 1: bare knuckle mm a fighting because fucking insane.

2707
01:54:43,960 --> 01:54:47,040
Speaker 2: Yes what, I don't know how dudes really like sign

2708
01:54:47,160 --> 01:54:50,800
Speaker 2: up for this ship bare knuckle. I mean, we're not

2709
01:54:50,920 --> 01:54:53,160
Speaker 2: doing that at this point. We just drunk niggas fighting.

2710
01:54:52,960 --> 01:54:54,560
Speaker 6: In the cut.

2711
01:54:54,600 --> 01:54:56,400
Speaker 2: Don't try to give me the best ring.

2712
01:54:56,560 --> 01:54:59,760
Speaker 3: We're professional here that get out of here with this ship.

2713
01:54:59,800 --> 01:54:59,920
Speaker 2: Man.

2714
01:55:00,360 --> 01:55:03,280
Speaker 1: The safest thing about drunk fighting in the bar is

2715
01:55:03,360 --> 01:55:05,160
Speaker 1: that usually they're not that good at it.

2716
01:55:05,360 --> 01:55:09,000
Speaker 6: Yeah, and somebody's gonna eventually break it out right, but

2717
01:55:09,120 --> 01:55:09,840
Speaker 6: to reference stop it.

2718
01:55:10,040 --> 01:55:12,280
Speaker 2: If you're getting too much, he'll stop.

2719
01:55:12,080 --> 01:55:15,960
Speaker 3: It, I suppose. Well before we close out.

2720
01:55:16,680 --> 01:55:19,440
Speaker 1: I wish my parents pushed me into baseball more right,

2721
01:55:19,880 --> 01:55:21,080
Speaker 1: not to say that I ever would have made it

2722
01:55:21,120 --> 01:55:23,160
Speaker 1: for I'm not Julian that you know, gave up the

2723
01:55:23,200 --> 01:55:26,200
Speaker 1: game and ain't great because he had already achieved everything.

2724
01:55:26,320 --> 01:55:28,120
Speaker 2: I walked away from this on his way to seven

2725
01:55:28,200 --> 01:55:28,640
Speaker 2: hundred million.

2726
01:55:28,680 --> 01:55:29,840
Speaker 1: He was like, he didn't want to turn out like

2727
01:55:29,840 --> 01:55:32,360
Speaker 1: Apollo Creed, which defined who he was as a person.

2728
01:55:32,560 --> 01:55:34,280
Speaker 2: Shout out to show, Hey, is that how you say?

2729
01:55:34,320 --> 01:55:34,640
Speaker 3: Show hey?

2730
01:55:34,680 --> 01:55:38,920
Speaker 2: Otani? Yeah, signed the largest contract in sports history, I

2731
01:55:39,000 --> 01:55:39,440
Speaker 2: believe right?

2732
01:55:39,680 --> 01:55:41,560
Speaker 3: Yeah? Yeah, basic? Oh MLB, I don't.

2733
01:55:41,840 --> 01:55:44,120
Speaker 5: I would imagine there's a soccer contract out there that's

2734
01:55:44,160 --> 01:55:44,520
Speaker 5: worth more.

2735
01:55:44,600 --> 01:55:46,960
Speaker 2: Yeah, maybe maybe messy if somebody, yeah.

2736
01:55:46,840 --> 01:55:48,040
Speaker 3: MESSI or Ronaldo.

2737
01:55:48,520 --> 01:55:50,720
Speaker 1: Ryan Reynolds just signed with T Mobile for a billion.

2738
01:55:52,640 --> 01:55:52,720
Speaker 6: Up.

2739
01:55:54,000 --> 01:55:57,920
Speaker 2: Show hey, show hey. Otani signed a seventy seven hundred

2740
01:55:57,960 --> 01:56:01,080
Speaker 2: million dollar contract over ten years. Is with the LA

2741
01:56:01,200 --> 01:56:06,960
Speaker 2: Dodgers received seventy million a year. It's a lot of fucking.

2742
01:56:07,040 --> 01:56:08,960
Speaker 5: The breakdown is crazy if you really look at it

2743
01:56:09,000 --> 01:56:12,360
Speaker 5: by the numbers. So over the ten years, he's making

2744
01:56:14,160 --> 01:56:16,560
Speaker 5: seventy million a year, five point eight three million a month,

2745
01:56:16,840 --> 01:56:19,120
Speaker 5: one point four or five million a week, two hundred

2746
01:56:19,120 --> 01:56:22,560
Speaker 5: and seven thousand a day, eight hundred eight thousand, six

2747
01:56:22,640 --> 01:56:24,600
Speaker 5: hundred three dollars an hour, one hundred and forty three

2748
01:56:24,600 --> 01:56:27,160
Speaker 5: dollars a minute, and two thirty nine a second.

2749
01:56:27,200 --> 01:56:28,480
Speaker 3: Oh, that's like an MTA fair.

2750
01:56:29,200 --> 01:56:30,440
Speaker 1: Yeah, that's crazy.

2751
01:56:30,600 --> 01:56:33,000
Speaker 5: Over the next ten years, Yeah, the guy can barely

2752
01:56:33,040 --> 01:56:37,040
Speaker 5: speak a lick of English play baseball though, we got the.

2753
01:56:37,040 --> 01:56:39,560
Speaker 3: Hell that bad. That was a very American point of view.

2754
01:56:40,240 --> 01:56:41,080
Speaker 2: He can play baseball.

2755
01:56:41,200 --> 01:56:43,920
Speaker 3: No, that because he doesn't speak English. No, I'm missaying

2756
01:56:44,080 --> 01:56:46,040
Speaker 3: could get money. It's a it's a no, I'm just

2757
01:56:46,120 --> 01:56:48,400
Speaker 3: saying it's an American creative.

2758
01:56:48,520 --> 01:56:52,600
Speaker 2: Well, well, the thing that people don't America's pastime. See, No,

2759
01:56:52,840 --> 01:56:54,760
Speaker 2: the thing the thing is like, obviously this is a

2760
01:56:54,880 --> 01:56:59,520
Speaker 2: crazy contract. But when you think about where he's from,

2761
01:56:59,600 --> 01:57:01,360
Speaker 2: his country, and how many people now tune into the

2762
01:57:01,440 --> 01:57:03,960
Speaker 2: MLB to watch and play, how many people buy MLB

2763
01:57:04,240 --> 01:57:06,760
Speaker 2: his merchandises, jerseys and things like that. Yeah, and he

2764
01:57:06,880 --> 01:57:11,000
Speaker 2: got in La Mark he got seven hundred million. Oh yeah,

2765
01:57:11,000 --> 01:57:13,400
Speaker 2: but he's bringing in way more money to the MLB

2766
01:57:13,520 --> 01:57:13,720
Speaker 2: than that.

2767
01:57:14,400 --> 01:57:17,080
Speaker 1: In ten years he will bring more than a billion dollars,

2768
01:57:17,400 --> 01:57:21,080
Speaker 1: way more. They'll get a few times over billion. They'll

2769
01:57:21,080 --> 01:57:22,240
Speaker 1: get their return on investment.

2770
01:57:22,400 --> 01:57:24,560
Speaker 2: So that's that's more so. What it is the market

2771
01:57:24,640 --> 01:57:25,480
Speaker 2: that he brings with.

2772
01:57:25,600 --> 01:57:31,240
Speaker 5: Him he's from Japan, is the MLB giving sho he

2773
01:57:31,520 --> 01:57:34,680
Speaker 5: Tani seven hundred million dollars like their version of reparations?

2774
01:57:35,240 --> 01:57:39,440
Speaker 3: Yeah, I see, because of Hiroshima. Yeah, well, yeah, he

2775
01:57:39,480 --> 01:57:43,440
Speaker 3: hits nukes. He does hit nwkes. That's actually a term.

2776
01:57:43,480 --> 01:57:45,040
Speaker 3: That's the term. That's literally a term.

2777
01:57:45,240 --> 01:57:45,920
Speaker 1: I thought we called it.

2778
01:57:45,960 --> 01:57:52,320
Speaker 3: Even after Eachi Rope. But whatever.

2779
01:57:53,720 --> 01:57:55,600
Speaker 1: Who's my guy right field for the Yankees?

2780
01:57:55,960 --> 01:57:57,080
Speaker 3: Oh the god god zero?

2781
01:57:57,600 --> 01:58:05,440
Speaker 2: Yeah yeah, yeah, yeah, that was my guy.

2782
01:58:05,680 --> 01:58:07,480
Speaker 3: He looked like he was fifty five and was twenty

2783
01:58:07,640 --> 01:58:11,400
Speaker 3: and he was killing too. Only twenty nine, so yeah,

2784
01:58:11,440 --> 01:58:13,240
Speaker 3: he's got a long, long career ahead of him. So

2785
01:58:13,320 --> 01:58:14,000
Speaker 3: good career.

2786
01:58:14,320 --> 01:58:15,320
Speaker 2: Shout out to the Dodgers.

2787
01:58:15,440 --> 01:58:18,440
Speaker 6: Is he married? I'm not asking for me.

2788
01:58:18,560 --> 01:58:20,400
Speaker 1: I was just wondering he was in an arranged marriage

2789
01:58:20,400 --> 01:58:20,840
Speaker 1: at seven.

2790
01:58:20,960 --> 01:58:22,920
Speaker 3: Yeah, he's been married since he was nine. Wait, that's

2791
01:58:22,960 --> 01:58:23,520
Speaker 3: the wrong agent.

2792
01:58:23,520 --> 01:58:25,800
Speaker 1: Whether he likes it, I thought that was across the board.

2793
01:58:29,720 --> 01:58:30,440
Speaker 3: I'm so sorry.

2794
01:58:30,480 --> 01:58:31,600
Speaker 6: All stands for racist?

2795
01:58:31,800 --> 01:58:35,080
Speaker 3: Yeah damn doesn't. He pitches in It's Boss? Yes, and

2796
01:58:35,240 --> 01:58:39,440
Speaker 3: he's the best at both Yeah, just like one hundred billion. Yeah.

2797
01:58:39,560 --> 01:58:41,280
Speaker 3: I mean he had Tommy John surgery.

2798
01:58:41,360 --> 01:58:44,080
Speaker 5: He has to take a year for his shoulder to heel,

2799
01:58:44,160 --> 01:58:45,920
Speaker 5: so he's not going to pitch this upcoming season.

2800
01:58:46,120 --> 01:58:49,280
Speaker 3: Yeah, but yeah, after that it all goes well, he

2801
01:58:49,280 --> 01:58:51,560
Speaker 3: should be right back at it. What's Tommy John surgery, Agan,

2802
01:58:52,000 --> 01:58:55,640
Speaker 3: that's the the shoulder, your shoulder. Yeah, just usually it

2803
01:58:55,640 --> 01:58:56,720
Speaker 3: happens to the pitching arm.

2804
01:58:57,600 --> 01:59:01,919
Speaker 1: I saw on YouTube that there is a ambidextrous quarterback.

2805
01:59:01,960 --> 01:59:05,360
Speaker 1: He's only like fourteen, but it did make me think

2806
01:59:05,360 --> 01:59:07,560
Speaker 1: about when you have someone that can pitch and hit

2807
01:59:07,600 --> 01:59:09,520
Speaker 1: the way this guy that mob's never seen that before,

2808
01:59:10,000 --> 01:59:12,160
Speaker 1: And like when Patrick Mahomes came, We're like, we've never

2809
01:59:12,240 --> 01:59:14,760
Speaker 1: seen anyone quarterback this way. We've seen someone that can

2810
01:59:15,640 --> 01:59:17,400
Speaker 1: run amazing and kind of throw. We've seen people that

2811
01:59:17,480 --> 01:59:20,160
Speaker 1: can throw. He can do both at the highest level

2812
01:59:20,200 --> 01:59:24,800
Speaker 1: of any quarterback. Now we see with your man from France,

2813
01:59:27,880 --> 01:59:31,480
Speaker 1: sports are gonna change drastically in the next ten years.

2814
01:59:31,480 --> 01:59:33,600
Speaker 3: Oh yeah, Bronni just just like did it for his

2815
01:59:33,680 --> 01:59:34,080
Speaker 3: game too.

2816
01:59:34,800 --> 01:59:37,680
Speaker 1: I'm he's not seven.

2817
01:59:39,200 --> 01:59:41,640
Speaker 3: I understand, it's just it's and can shoot a three.

2818
01:59:42,080 --> 01:59:45,200
Speaker 1: He's not ambidextrous as a quarterback. He also can't throw

2819
01:59:45,320 --> 01:59:48,000
Speaker 1: a one hundred and two mile hour fastball and also

2820
01:59:48,120 --> 01:59:50,160
Speaker 1: hit a ball through a dome ceiling.

2821
01:59:50,280 --> 01:59:51,600
Speaker 3: And you know who can Julian.

2822
01:59:53,560 --> 01:59:55,480
Speaker 1: You know, I'm just saying sports sports are going to

2823
01:59:55,520 --> 01:59:57,560
Speaker 1: turn into video games as far as like the ability

2824
01:59:57,680 --> 01:59:59,760
Speaker 1: there is it's gonna get fucking That's good though, Becau,

2825
02:00:00,600 --> 02:00:02,520
Speaker 1: this is gonna We've never seen kids that have like

2826
02:00:02,640 --> 02:00:05,240
Speaker 1: really trained to be pitchers and hitters Pauls.

2827
02:00:05,320 --> 02:00:09,440
Speaker 3: I mean, I know the trends community edit that. No,

2828
02:00:13,600 --> 02:00:14,320
Speaker 3: that's crazy.

2829
02:00:14,760 --> 02:00:18,080
Speaker 1: We've never seen kids train as quarterbacks. We've seen them

2830
02:00:18,160 --> 02:00:21,360
Speaker 1: have to run now and throw we when is what

2831
02:00:21,480 --> 02:00:24,120
Speaker 1: happens when the standard is you have to be ambidextrous

2832
02:00:24,480 --> 02:00:25,240
Speaker 1: as a quarterback.

2833
02:00:25,680 --> 02:00:28,000
Speaker 5: Like this ship is going to get crazy because now

2834
02:00:28,040 --> 02:00:30,880
Speaker 5: we're seeing because these sports are so young, and now

2835
02:00:30,920 --> 02:00:34,840
Speaker 5: we're seeing the generation of the greats go pro. So

2836
02:00:35,080 --> 02:00:37,000
Speaker 5: now we're seeing kids like Curry who have had all

2837
02:00:37,120 --> 02:00:40,680
Speaker 5: the accessibility of an NBA facility when he was seven.

2838
02:00:41,320 --> 02:00:43,280
Speaker 5: So now these guys, like the way he shoots the

2839
02:00:43,320 --> 02:00:45,080
Speaker 5: three is like obviously like no one else because he's

2840
02:00:45,120 --> 02:00:48,120
Speaker 5: been in the pro system since he was born. Same

2841
02:00:48,200 --> 02:00:51,040
Speaker 5: with you know Brownie, Like, yeah, all these kids.

2842
02:00:50,920 --> 02:00:54,040
Speaker 1: Are what's the gap between Katie and Webin? Because when

2843
02:00:54,120 --> 02:00:56,560
Speaker 1: Katie got established in the league four or five years

2844
02:00:56,560 --> 02:00:58,120
Speaker 1: and we were like, we've never seen a player like

2845
02:00:58,280 --> 02:01:02,680
Speaker 1: KD before, someone that is this toll can dribble shoot everything.

2846
02:01:03,880 --> 02:01:07,480
Speaker 1: Webin Yana came ten years later. Yeah, the gap is

2847
02:01:07,600 --> 02:01:12,839
Speaker 1: just gonna get smaller. The human development. They're putting steroids

2848
02:01:12,840 --> 02:01:15,320
Speaker 1: in the chicken, like sports are gonna get nuts.

2849
02:01:16,800 --> 02:01:19,080
Speaker 2: Who mean, Yama's good, he's he's he's still he's still

2850
02:01:19,120 --> 02:01:22,400
Speaker 2: got a ways to go to jet Chat looks good man,

2851
02:01:22,800 --> 02:01:26,160
Speaker 2: yanks him too, Oh and shout out to your Lakers.

2852
02:01:26,520 --> 02:01:31,480
Speaker 5: Well, oh yeah, congratulas season tournament first ever, let's put

2853
02:01:31,520 --> 02:01:31,960
Speaker 5: that next year.

2854
02:01:32,000 --> 02:01:34,839
Speaker 3: Mickey Mouse ring stupid? Why why is that stupid?

2855
02:01:35,560 --> 02:01:37,960
Speaker 2: Don't congratulate me on first of all?

2856
02:01:38,520 --> 02:01:38,880
Speaker 3: Why not?

2857
02:01:39,160 --> 02:01:41,440
Speaker 2: That's about no INN season? I mean I think the

2858
02:01:41,560 --> 02:01:43,280
Speaker 2: season tournament was the games were excited.

2859
02:01:43,360 --> 02:01:44,120
Speaker 3: Yeah, that's what I'm saying.

2860
02:01:44,280 --> 02:01:45,800
Speaker 2: I mean, yeah, I guess they want.

2861
02:01:45,640 --> 02:01:46,920
Speaker 3: It, but it's boring.

2862
02:01:48,080 --> 02:01:51,120
Speaker 2: It's December, bro, I know, like we're not don't try

2863
02:01:51,240 --> 02:01:53,480
Speaker 2: you're talking about sports changing, Like, don't try to make

2864
02:01:53,520 --> 02:01:53,920
Speaker 2: this a thing.

2865
02:01:54,000 --> 02:01:54,160
Speaker 6: Now.

2866
02:01:54,200 --> 02:01:56,880
Speaker 2: Where if they won the n season Tournament but don't

2867
02:01:56,920 --> 02:02:00,760
Speaker 2: win the the NBA Finals again, you said, well they

2868
02:02:00,760 --> 02:02:03,520
Speaker 2: were in season tournament champion. I don't care about that. Ship.

2869
02:02:03,560 --> 02:02:05,200
Speaker 1: Well, I mean, I think we can finally close the

2870
02:02:05,480 --> 02:02:08,440
Speaker 1: Lebron Jordan debate. Jordan doesn't have one.

2871
02:02:08,320 --> 02:02:10,160
Speaker 3: Of these Oh my gosh, that is true.

2872
02:02:10,360 --> 02:02:11,120
Speaker 2: I can't argue with this.

2873
02:02:11,160 --> 02:02:13,360
Speaker 3: It's never been all on the All tournament team. Two

2874
02:02:13,440 --> 02:02:15,600
Speaker 3: Lakers on the All Tournament team, can't.

2875
02:02:15,640 --> 02:02:20,680
Speaker 1: I can't argue they don't get a ring, right, Please

2876
02:02:20,720 --> 02:02:21,840
Speaker 1: give them like a participation.

2877
02:02:22,080 --> 02:02:23,360
Speaker 3: It was a ring, but there was a trophy. The

2878
02:02:23,400 --> 02:02:24,280
Speaker 3: trust feel pretty cool.

2879
02:02:25,040 --> 02:02:27,480
Speaker 2: Listen, I'm listen. I was against the whole in season

2880
02:02:27,520 --> 02:02:29,520
Speaker 2: tournament thing at first, but it did make a lot

2881
02:02:29,600 --> 02:02:33,760
Speaker 2: of exciting games, so I do love it for that.

2882
02:02:35,160 --> 02:02:37,200
Speaker 2: Shout out to the Lakers winning it. I mean, listen

2883
02:02:37,280 --> 02:02:39,600
Speaker 2: to the tournament. They want it. But I'm not putting

2884
02:02:39,640 --> 02:02:42,920
Speaker 2: no real stock in this ship, man, Like it's it's

2885
02:02:43,000 --> 02:02:47,800
Speaker 2: it's it's December. Like talk to me in May when

2886
02:02:47,840 --> 02:02:48,640
Speaker 2: it's like time to.

2887
02:02:48,680 --> 02:02:53,240
Speaker 1: Really like having those smiles for what games are they

2888
02:02:53,280 --> 02:02:53,600
Speaker 1: on now?

2889
02:02:54,760 --> 02:02:55,560
Speaker 3: Thirty? Yeah?

2890
02:02:55,760 --> 02:02:57,680
Speaker 1: Having that smile to win game thirty?

2891
02:02:58,320 --> 02:03:00,480
Speaker 3: I mean, hey man, it's an incentive. It's like when

2892
02:03:00,720 --> 02:03:02,840
Speaker 3: Pat Bev won the playing game.

2893
02:03:03,480 --> 02:03:06,560
Speaker 2: This is a participation trophy, bro, it is. This is

2894
02:03:06,680 --> 02:03:08,919
Speaker 2: like you know, and I get it because it's incentive

2895
02:03:08,960 --> 02:03:11,520
Speaker 2: because five hundred thousand, a lot of guys on the

2896
02:03:11,600 --> 02:03:15,360
Speaker 2: team are making the league minimum, so monetary, you know,

2897
02:03:15,800 --> 02:03:19,520
Speaker 2: it helps a lot of guys. But there's a lot

2898
02:03:19,560 --> 02:03:21,440
Speaker 2: of basketball left to be played, and I don't I

2899
02:03:21,600 --> 02:03:24,280
Speaker 2: just hope that the Lakers listen, this is a start,

2900
02:03:24,840 --> 02:03:26,800
Speaker 2: This is this is this is good for them. Anthony

2901
02:03:26,880 --> 02:03:27,640
Speaker 2: Davis look great.

2902
02:03:27,920 --> 02:03:29,920
Speaker 1: They have to bust down the five hundred everyone gets five.

2903
02:03:30,160 --> 02:03:33,680
Speaker 2: Everyone everyone busting down five hundred k is as NBA

2904
02:03:34,040 --> 02:03:37,040
Speaker 2: as ANBA players is wild. No, everybody gets five hundred K.

2905
02:03:37,160 --> 02:03:39,200
Speaker 2: I think the second team everybody gets three hundred K,

2906
02:03:40,000 --> 02:03:42,040
Speaker 2: and then I think after that it's one hundred K.

2907
02:03:43,200 --> 02:03:45,400
Speaker 1: So, man, if I was negotiating with the NBA for

2908
02:03:45,520 --> 02:03:47,520
Speaker 1: my contract and found out, y'all just had this spare

2909
02:03:47,880 --> 02:03:51,280
Speaker 1: bread laying around, I mean that you that you could

2910
02:03:51,280 --> 02:03:53,080
Speaker 1: give fucking close to half of them.

2911
02:03:53,160 --> 02:03:55,120
Speaker 5: Yeah, but that's coming from the NBA, not the organization

2912
02:03:55,320 --> 02:03:59,080
Speaker 5: right paid by the like their team.

2913
02:03:59,200 --> 02:04:02,680
Speaker 3: And who is the NBA the owners of all the teams?

2914
02:04:02,800 --> 02:04:05,320
Speaker 2: You know, you know who owns the NBA and say

2915
02:04:05,360 --> 02:04:06,280
Speaker 2: it gotcha?

2916
02:04:10,720 --> 02:04:14,160
Speaker 1: We could close out, but uh, where the Knicks at now?

2917
02:04:14,640 --> 02:04:17,600
Speaker 3: After that, we dropped from fourth to eight. Yeah, we

2918
02:04:18,000 --> 02:04:20,000
Speaker 3: just lost tunst Still.

2919
02:04:21,120 --> 02:04:24,360
Speaker 2: A game separates them from fucking fifth seed.

2920
02:04:24,480 --> 02:04:26,880
Speaker 5: We played a night against Toronto. We should win if

2921
02:04:26,920 --> 02:04:27,960
Speaker 5: you're hearing this now we won.

2922
02:04:31,360 --> 02:04:31,880
Speaker 3: You're hearing this.

2923
02:04:32,000 --> 02:04:33,480
Speaker 2: Now called the Knicks one?

2924
02:04:34,880 --> 02:04:36,120
Speaker 3: What are the matchups on Christmas?

2925
02:04:37,120 --> 02:04:39,800
Speaker 2: The Knicks and Bucks, Lakers Celtics.

2926
02:04:39,880 --> 02:04:40,880
Speaker 3: Remember that used to be a thing.

2927
02:04:41,640 --> 02:04:42,640
Speaker 2: Yeah, it still is.

2928
02:04:43,280 --> 02:04:46,120
Speaker 1: They would do the best matchups Lakers, Celtics.

2929
02:04:45,800 --> 02:04:49,760
Speaker 2: Knicks, Bucks. I forgot who else is after that? Those

2930
02:04:49,800 --> 02:04:50,680
Speaker 2: are the two games.

2931
02:04:50,480 --> 02:04:56,480
Speaker 5: Philly, Miami, Dallas, Phoenix are the Knicks, Lakers, l Lakers, Boston.

2932
02:04:56,280 --> 02:04:57,000
Speaker 2: Golden State Denver.

2933
02:04:57,120 --> 02:04:58,120
Speaker 3: Yeah it's in New York.

2934
02:04:58,600 --> 02:04:59,920
Speaker 1: Oh, maybe I'll do that for Chris.

2935
02:05:00,080 --> 02:05:02,000
Speaker 3: Damn. That'd be a nice game to go to at home.

2936
02:05:02,440 --> 02:05:05,600
Speaker 2: Can I just hate that those games are so early,

2937
02:05:05,760 --> 02:05:06,840
Speaker 2: like twelve o'clock game?

2938
02:05:07,440 --> 02:05:07,920
Speaker 3: I love it.

2939
02:05:08,000 --> 02:05:12,040
Speaker 2: I mean Christmas Day, Jesus, the kids are still unwrapping

2940
02:05:12,080 --> 02:05:13,840
Speaker 2: the gifts. It's like it's like recording the means you

2941
02:05:13,840 --> 02:05:15,320
Speaker 2: gotta be at the garden at eleven forty.

2942
02:05:17,040 --> 02:05:18,880
Speaker 3: What are you going to be doing Christmas Day? What

2943
02:05:18,920 --> 02:05:20,920
Speaker 3: are you going to be doing Christmas Day with? What kids?

2944
02:05:21,240 --> 02:05:21,960
Speaker 2: With my family?

2945
02:05:22,040 --> 02:05:22,080
Speaker 5: You?

2946
02:05:22,200 --> 02:05:22,440
Speaker 3: Fuck?

2947
02:05:22,480 --> 02:05:22,600
Speaker 10: Oh?

2948
02:05:23,160 --> 02:05:25,800
Speaker 2: What you think would be Christmas Day? On the corner?

2949
02:05:26,400 --> 02:05:29,880
Speaker 2: Selling ass? Maybe no, I'll be, I'll be I'll be.

2950
02:05:29,920 --> 02:05:31,040
Speaker 6: With he perceive.

2951
02:05:31,120 --> 02:05:33,160
Speaker 3: I know you got a shame. No, no, no, not

2952
02:05:33,280 --> 02:05:34,680
Speaker 3: Christmas Eve the day before that.

2953
02:05:34,760 --> 02:05:37,160
Speaker 6: People who hate their families love going out on Christmas Eve.

2954
02:05:37,200 --> 02:05:41,480
Speaker 2: Going to How is that crazy? Go with your go

2955
02:05:41,640 --> 02:05:42,600
Speaker 2: be with your family.

2956
02:05:42,720 --> 02:05:45,480
Speaker 3: Man, some people don't have families to go to be with.

2957
02:05:45,600 --> 02:05:46,960
Speaker 6: Ye, check your privilege.

2958
02:05:47,000 --> 02:05:49,640
Speaker 2: Well, go to your friends family like, No, that's a

2959
02:05:49,680 --> 02:05:51,600
Speaker 2: little weird too. If you don't have friends who don't

2960
02:05:51,600 --> 02:05:52,640
Speaker 2: have family, guess what, it's you.

2961
02:05:52,800 --> 02:05:53,640
Speaker 3: I'm one of the bar.

2962
02:05:55,080 --> 02:05:56,840
Speaker 2: Let me just put that out there. If you have

2963
02:05:57,000 --> 02:06:00,640
Speaker 2: no friends and family, it is you. You are a problem.

2964
02:06:00,840 --> 02:06:02,680
Speaker 2: All right, let's just be we ain't got to cover

2965
02:06:02,720 --> 02:06:05,440
Speaker 2: it up. No more, no friends, no family, it's you.

2966
02:06:05,800 --> 02:06:06,160
Speaker 3: All right.

2967
02:06:06,200 --> 02:06:09,880
Speaker 2: Well, this is another episode. Good to see you guys,

2968
02:06:10,320 --> 02:06:13,880
Speaker 2: after the long weekend off not seeing your faces. Glad

2969
02:06:13,920 --> 02:06:16,560
Speaker 2: to see that everybody is doing well. Got Yoming back

2970
02:06:16,560 --> 02:06:19,160
Speaker 2: from Miami safe and sound, and we.

2971
02:06:19,160 --> 02:06:19,800
Speaker 3: Got Edding back.

2972
02:06:19,800 --> 02:06:23,040
Speaker 1: I mean I kind of enjoyed the week of yeahwards.

2973
02:06:23,120 --> 02:06:26,480
Speaker 2: Yeah, just looking at Yom's face straight across from me

2974
02:06:26,640 --> 02:06:29,000
Speaker 2: was much better than looking at Eden's face. I will yeah,

2975
02:06:29,360 --> 02:06:30,640
Speaker 2: I enjoyed that, YOI thank you.

2976
02:06:31,600 --> 02:06:32,120
Speaker 3: I enjoyed it.

2977
02:06:32,240 --> 02:06:33,320
Speaker 2: Yeah, she smells lovely.

2978
02:06:34,400 --> 02:06:35,480
Speaker 3: Straight on the wheels to steal.

2979
02:06:35,640 --> 02:06:37,960
Speaker 2: Yeah, gotta love, gotta love yomy. But Editing, we are

2980
02:06:38,000 --> 02:06:40,520
Speaker 2: happy to have you back. I'm good to see you again.

2981
02:06:41,520 --> 02:06:42,080
Speaker 3: Ask what you did?

2982
02:06:42,640 --> 02:06:45,000
Speaker 2: You don't even don't care about what editing? Yeah, he

2983
02:06:45,120 --> 02:06:47,080
Speaker 2: fucking texts. He was in our group chats.

2984
02:06:47,400 --> 02:06:49,680
Speaker 3: Yeah, he was responded. I was added to that group chat.

2985
02:06:50,200 --> 02:06:52,120
Speaker 2: Was he was telling me he missed me in my

2986
02:06:52,280 --> 02:06:52,640
Speaker 2: d MS.

2987
02:06:52,760 --> 02:06:55,160
Speaker 3: No, I told you I miss you too, But I didn't.

2988
02:06:54,920 --> 02:06:55,480
Speaker 2: Say I missed you.

2989
02:06:55,760 --> 02:06:57,160
Speaker 1: But he thought the selfie was not But I just

2990
02:06:57,200 --> 02:06:59,360
Speaker 1: thought that was you telling me, No, that's not me

2991
02:06:59,440 --> 02:06:59,960
Speaker 1: to come home.

2992
02:07:00,640 --> 02:07:01,840
Speaker 2: No, I would never say that.

2993
02:07:02,880 --> 02:07:05,440
Speaker 1: But then I also saw today Eden just posted a

2994
02:07:05,520 --> 02:07:07,000
Speaker 1: photo dump of just like people.

2995
02:07:07,480 --> 02:07:09,480
Speaker 3: Yeah, I'm a photographer. I'm like.

2996
02:07:10,760 --> 02:07:12,280
Speaker 1: I was like, all right, so Eddon just went to

2997
02:07:12,320 --> 02:07:13,959
Speaker 1: a bar and took photos of patrons.

2998
02:07:14,400 --> 02:07:17,520
Speaker 3: Yeah, okay, call photography. I get it.

2999
02:07:17,640 --> 02:07:18,240
Speaker 2: No, I'll get it.

3000
02:07:18,320 --> 02:07:20,600
Speaker 1: No, they were a good photos. I just I thought

3001
02:07:20,640 --> 02:07:22,040
Speaker 1: maybe during the break he went crazy.

3002
02:07:22,480 --> 02:07:22,520
Speaker 6: No.

3003
02:07:22,840 --> 02:07:25,240
Speaker 2: No, well, we'll talk to y'all soon in a couple

3004
02:07:25,280 --> 02:07:28,800
Speaker 2: of people. Enjoy your week, Be safe, be blessed. I'm

3005
02:07:28,840 --> 02:07:30,880
Speaker 2: that nigga. He's just ginger and Eden's back.

3006
02:07:31,240 --> 02:07:32,640
Speaker 3: No Willian now