WEBVTT - Tara Stringfellow Writes For the Betterment, the Glory, and the Beauty

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<v Speaker 1>Hello Sunshine, Hey fam Today on the bright Side, best

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<v Speaker 1>selling author and poet Tara Stringfellow is here to discuss

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<v Speaker 1>her latest poetry book, Magic Enough, which celebrates the vibrancy

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<v Speaker 1>and vitality of black womanhood. It's Wednesday, June nineteenth. I'm

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<v Speaker 1>Simone Boyce.

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<v Speaker 2>I'm Danielle Robe and this is the bright Side from

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<v Speaker 2>Hello Sunshine.

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<v Speaker 1>Today is a very special day on the bright side, y'all.

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<v Speaker 1>We are celebrating Juneteenth.

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<v Speaker 3>Happy June teenth to everybody.

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<v Speaker 1>Yes, you know, Danielle, this is a holiday that has

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<v Speaker 1>long been celebrated in some black communities and black families,

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<v Speaker 1>particularly in the South, And even though it became a

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<v Speaker 1>national holiday in twenty twenty one, I think some Americans

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<v Speaker 1>may still be learning about this holiday, or at least

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<v Speaker 1>the meaning behind it for the first time.

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<v Speaker 3>Yeah, can you tell us the history of it?

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<v Speaker 1>I would love to. I think that's so important to

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<v Speaker 1>set the record straight because a lot of us didn't

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<v Speaker 1>grow up learning about this holiday. In schools, were taught

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<v Speaker 1>that the Emancipation Proclamation ended slavery in eighteen sixty three,

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<v Speaker 1>but in reality, it took two more years for troops

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<v Speaker 1>to reach Galveston Bay at Texas, freeing the more than

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<v Speaker 1>two hundred and fifty thousand slaved black folks in that state.

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<v Speaker 1>So those troops arrived on June nineteenth, eighteen sixty five,

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<v Speaker 1>and that is why we celebrate Juneteenth today.

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<v Speaker 2>Simon, thank you for sharing the history of the holiday.

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<v Speaker 2>I just learned about it a few years ago, and

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<v Speaker 2>I think I'm probably not alone in that as a country,

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<v Speaker 2>we're learning how to properly celebrate and mark this day.

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<v Speaker 2>And I'm curious how you relate to the holiday. Now.

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<v Speaker 1>Here's what this holiday means to me, Danielle. I actually

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<v Speaker 1>didn't grow up celebrating June teenth. My mom is African

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<v Speaker 1>American and her family did not live in the South,

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<v Speaker 1>so it wasn't a thing that they grew up celebrating. Now,

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<v Speaker 1>I had a peripheral awareness of it, but I'm so

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<v Speaker 1>happy that we have it now, especially as a mom.

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<v Speaker 1>As a parent, this means that I get to create

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<v Speaker 1>new traditions for my children and I get to instill

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<v Speaker 1>them with the meaning behind this holiday. And I think

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<v Speaker 1>it's also significant because patriotism can be a tricky concept

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<v Speaker 1>for a lot of black folks. Having ownership over the

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<v Speaker 1>American experience is something that feels very complicated because we've

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<v Speaker 1>been in chains for longer than we've been free. So

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<v Speaker 1>just receiving this acknowledgment of Juneteenth is caused for celebration.

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<v Speaker 1>In my eyes, I love.

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<v Speaker 2>How you said that, Simone, And you know, when this

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<v Speaker 2>became a federal holiday in twenty twenty one, I thought

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<v Speaker 2>that it was a very small recognition, but at least

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<v Speaker 2>some recognition that black history is American history, because a

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<v Speaker 2>lot of times black history gets lost in our history

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<v Speaker 2>books in schools, and so my hope is that this

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<v Speaker 2>spurs at least whether you're celebrating with food and fun

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<v Speaker 2>or you're just acknowledging that this date is momentous. I'm

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<v Speaker 2>hoping it spurs some sort of like conversation about what

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<v Speaker 2>this means. I want to know some of your Juneteenth traditions, though,

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<v Speaker 2>like what are you going to be doing with your kids.

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<v Speaker 1>I'm going to have a cookout with my family and

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<v Speaker 1>some friends. And I'm so glad that you brought up food,

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<v Speaker 1>because food is a really accessible way to tell the

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<v Speaker 1>story of emancipation. Even if you don't know what food

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<v Speaker 1>items belong on the Juneteenth men, you know these foods

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<v Speaker 1>because you've grown up eating them and loving them.

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<v Speaker 3>Tell me what's on your plate.

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<v Speaker 1>I need to know watermelon, of course, beautiful summer fruit,

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<v Speaker 1>fried chicken, barbecue, red drink, red velvet cake. And you'll

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<v Speaker 1>see red in a lot of Juneteenth foods because the

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<v Speaker 1>red carries this really beautiful and painful symbolism. It represents

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<v Speaker 1>the blood of our ancestors. So that's why we incorporate

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<v Speaker 1>a lot of red into our foods. And there's even

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<v Speaker 1>symbolism behind foods like fried chicken. Fried chicken today in

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<v Speaker 1>America is something that you can encounter in your everyday life.

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<v Speaker 1>You know, you can get it at a drive through,

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<v Speaker 1>you can get it at the grocery store. But right

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<v Speaker 1>after emancipation, if you were a black person in America

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<v Speaker 1>and you had a chicken, it was a symbol of prosperity.

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<v Speaker 1>It meant that you could provide for your family. It

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<v Speaker 1>meant that you had means, and so it was a

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<v Speaker 1>food that was used as a point of celebration and

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<v Speaker 1>it continues to be that for us today.

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<v Speaker 3>I didn't know some of this, Simone, thank you for this.

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<v Speaker 1>In addition to the incredible history of African American food,

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<v Speaker 1>Juneteenth is a wonderful time to acknowledge and honor all

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<v Speaker 1>the black artists who help us put all of these

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<v Speaker 1>feelings into words. And Tara string Fellow is one of

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<v Speaker 1>those artists that comes to mind. She is such a

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<v Speaker 1>dynamic and exciting new voice in the poetry and literary space. Danielle,

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<v Speaker 1>she was actually a former attorney and high school teacher,

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<v Speaker 1>and then she got her first break when she she

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<v Speaker 1>sold her book, and she just committed to diving into

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<v Speaker 1>writing full time. And that first book, it was called Memphis.

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<v Speaker 1>It became a national bestseller and it was longlisted for

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<v Speaker 1>the prestigious Women's Prize in Fiction. Tara actually comes from Memphis, Tennessee,

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<v Speaker 1>which is a place where I spent several years growing up.

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<v Speaker 1>And her new book of poetry is what she calls

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<v Speaker 1>a love letter to her culture, her family, and the

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<v Speaker 1>city that she calls home.

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<v Speaker 2>But you know, before calling Memphis her home, Tara grew

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<v Speaker 2>up all around the world because her father was in

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<v Speaker 2>the Marines and was stationed in places like Okinawa, Ghana, Spain,

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<v Speaker 2>and Italy. She is miss worldwide and she's keeping the

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<v Speaker 2>joy and celebration going with her poetry book, Magic Enough.

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<v Speaker 2>The book hits shelves on June twenty fifth this year,

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<v Speaker 2>and it's an electrifying collection of poems that tells a

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<v Speaker 2>universal tale of survival and revolution through the lens of

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<v Speaker 2>black femininity. It's so exciting to see her success and

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<v Speaker 2>see her be added to the canon of iconic writers

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<v Speaker 2>like this is something that she has wanted to do

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<v Speaker 2>since she was a little girl, and she's living it.

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<v Speaker 2>I'm so excited to talk with her about her work

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<v Speaker 2>and her inspirations and her family. I love how much

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<v Speaker 2>we get to celebrate female authors and writers here on

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<v Speaker 2>this show. The bright Side loves the written words, Simone

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<v Speaker 2>and I love the written word, and there's just so

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<v Speaker 2>much power in telling our own stories as a woman,

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<v Speaker 2>as a person, and telling them in our own voice.

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<v Speaker 2>Tara's work really exemplifies that.

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<v Speaker 1>It sure does, Danielle. After the break, we're talking magic

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<v Speaker 1>in Memphis with author and poet Tara Stringfellow.

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<v Speaker 3>That's up next. We'll be right back.

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<v Speaker 1>We're back with author and poet Tara Stringfellow. Welcome to

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<v Speaker 1>the bright Side, Tara.

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<v Speaker 3>Thank you for joining us today.

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<v Speaker 1>No, thank you so much for having me Tara. Today

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<v Speaker 1>we are celebrating Juneteenth. What does this holiday mean to you?

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<v Speaker 4>It's my July fourth.

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<v Speaker 5>It's the freedom of my peoples when we were actually

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<v Speaker 5>considered human beings for the first time of this country.

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<v Speaker 5>So it means a lot to me. I think it

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<v Speaker 5>should mean a lot to everyone that black folk have

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<v Speaker 5>a different data freedom in everyone else. And why is that?

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<v Speaker 2>So?

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<v Speaker 5>Yes, Juneteenth is significant for me in terms of just

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<v Speaker 5>being a Southern Black woman. But I think it's an

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<v Speaker 5>American holiday. It's American history, so we should all celebrate

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<v Speaker 5>this holiday.

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<v Speaker 2>We were talking about in our office how we were

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<v Speaker 2>wanting to celebrate.

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<v Speaker 3>How are you celebrating.

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<v Speaker 4>Oh my goodness, I'm going to eat. I'm going to

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<v Speaker 4>eat a lot. Are you eating? I'm going to eat.

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<v Speaker 5>You know, Memphis is very famous, yes, for our music,

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<v Speaker 5>but also so for food. So I'll probably go down

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<v Speaker 5>a Cozy Corner and pick up half of furnishing or something.

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<v Speaker 4>That's my favorite barbecue place in Memphis. It's called Cozy Corner.

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<v Speaker 5>It's black owned, female owned for generations. Yes, close to downtown.

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<v Speaker 5>It's a beautiful little place.

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<v Speaker 1>Tara.

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<v Speaker 3>I want to congratulate you on magic enough.

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<v Speaker 4>Oh thank you.

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<v Speaker 2>I was reading that this was a lifelong dream of yours.

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<v Speaker 2>How does it feel to have the magic out into

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<v Speaker 2>the world.

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<v Speaker 4>It's surreal, you know.

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<v Speaker 5>Since I was a little girl, I wanted to see

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<v Speaker 5>my name in print underneath a poem. That's always been

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<v Speaker 5>the dream. And it's a beautiful little book. I'm really

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<v Speaker 5>proud of it. And I just can't believe that I

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<v Speaker 5>have a whole book of poetry that's going to be

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<v Speaker 5>out there. And like I wish I would have, I

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<v Speaker 5>could go back in time and tell three year old me, like,

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<v Speaker 5>just go play outside. It's fine, You've got this, Like

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<v Speaker 5>it'll be okay, play with your sister more. And like

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<v Speaker 5>you said, it is my life's work. I've been working

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<v Speaker 5>on some of these poems for fifteen twenty years. Tara.

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<v Speaker 1>You dedicated this book to Black women's I did. But

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<v Speaker 1>your dad is actually the one who helped spark your

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<v Speaker 1>love of poetry.

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<v Speaker 4>Yes, no, you my pops.

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<v Speaker 2>Yeah.

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<v Speaker 5>I wouldn't be the poet I am without my father.

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<v Speaker 5>He's a poet. He read me my first poem when

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<v Speaker 5>I was three, And y'all all know the poem at

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<v Speaker 5>Once upon a Midnight Druai. While I ponder, we can

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<v Speaker 5>weary over a mini curious and quaint volume of forgotten Lore.

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<v Speaker 5>I heard that, I said, wow, it's like Grim's fairy

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<v Speaker 5>Tales Once upon a Time. It's like rap because it

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<v Speaker 5>ends in rhyme. It tells a story, a love story,

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<v Speaker 5>and a scary story, like a ghost story, all at

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<v Speaker 5>the same time. As a little kid, I loved Who's

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<v Speaker 5>Pumps and ghost stories and Ralstein and.

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<v Speaker 4>All of that.

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<v Speaker 5>I was devastatingly in love, deliciously in love. So I

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<v Speaker 5>just knew that I had to do that. And my

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<v Speaker 5>father says, okay, you want to do this, then you

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<v Speaker 5>have to be better than poet three ways. You're black,

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<v Speaker 5>you're a woman, and you were born in a country

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<v Speaker 5>built to enslave you. And at the time my father

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<v Speaker 5>said this, you know, Maya Angela was a poet, but

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<v Speaker 5>she had yet to write the inaugural poem on the

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<v Speaker 5>Pulse of the Morning, so she was not a household name.

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<v Speaker 5>There were no black female poets my father could think

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<v Speaker 5>of in America where he could say, okay, go do

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<v Speaker 5>you like her?

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<v Speaker 4>Go make a living.

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<v Speaker 5>And so my parents were rather worried, honestly, about my

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<v Speaker 5>life's goal and how I would achieve that in a

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<v Speaker 5>country design to ignore black Southern women. I told my dad.

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<v Speaker 5>I said, okay, give me some time. So it took

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<v Speaker 5>me about thirty five years, but I did it. It

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<v Speaker 5>took me a while, but I did it. And my

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<v Speaker 5>dad is actually flying in for the book launch for

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<v Speaker 5>having a big party in Memphis at Novel Bookstore for

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<v Speaker 5>the release, and my dad is flying in from DC

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<v Speaker 5>to join. So this is a full circle moment from

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<v Speaker 5>him reading me poetry as a little girl to folk

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<v Speaker 5>actually reading my poetry.

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<v Speaker 4>I can't believe it.

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<v Speaker 2>As you were telling us that story, I was thinking, oh, wow,

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<v Speaker 2>you and your dad did this together. This was a

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<v Speaker 2>wee thing. Oh yes, Like what does it mean to

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<v Speaker 2>you now? To be able to have him come to

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<v Speaker 2>Memphis and to have this moment and share this work

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<v Speaker 2>with him.

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<v Speaker 5>It means everything. I think we're creating a strength fellow legacy.

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<v Speaker 5>He is my first reader. I trust him completely with

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<v Speaker 5>my words. He helps me edit. It's like and it's

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<v Speaker 5>softer here, or wouldn't this touch be nice here. He's

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<v Speaker 5>a great poet himself. He'll never publish. I'm not sure why.

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<v Speaker 5>I guess he's just shah. But he's a far better

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<v Speaker 5>poet than I am. And so it's great to make

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<v Speaker 5>like a strength fellow legacy of poetry and prose and

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<v Speaker 5>get our names out there. I'm not a marine like

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<v Speaker 5>my dad, but I hope I'm bringing honor to our names.

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<v Speaker 1>I'm getting this full picture of your dad, and you

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<v Speaker 1>speak to his duality so beautifully because he has this

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<v Speaker 1>tender side. He loves poetry. But Pops is also a

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<v Speaker 1>marine and Marines. Yes, I mean that is the toughest

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<v Speaker 1>sect of the military. Like you don't mess with the Marines,

0:12:23.800 --> 0:12:27.400
<v Speaker 1>Oh my goodness. And because of him, and because of

0:12:27.440 --> 0:12:29.960
<v Speaker 1>his career in the military, You've grown up living all

0:12:30.000 --> 0:12:33.280
<v Speaker 1>over the world. What was the place the setting that

0:12:33.360 --> 0:12:35.959
<v Speaker 1>had the greatest impact on you and your work?

0:12:37.320 --> 0:12:40.120
<v Speaker 5>Two places so ok Noawa, Japan, where I spent my

0:12:40.200 --> 0:12:45.319
<v Speaker 5>childhood in Memphis, growing up on a beautiful tropical island,

0:12:46.120 --> 0:12:50.360
<v Speaker 5>growing up with kiwi trees and eating fresh mango and

0:12:50.440 --> 0:12:54.720
<v Speaker 5>the best sticky rice and shrimp and oudan you'll ever have.

0:12:54.960 --> 0:12:59.559
<v Speaker 5>Surrounded by people, ok now, and people who I hate

0:12:59.600 --> 0:13:01.560
<v Speaker 5>to get a motion, but we're so good to me

0:13:01.600 --> 0:13:04.160
<v Speaker 5>and my sister. You know, to grow up in a

0:13:04.200 --> 0:13:08.880
<v Speaker 5>country as little black children, and no one ever ever

0:13:09.000 --> 0:13:13.240
<v Speaker 5>made us feel less bad I can't say that it's

0:13:13.240 --> 0:13:16.040
<v Speaker 5>the same in America, you know, I when I came here,

0:13:16.080 --> 0:13:19.360
<v Speaker 5>I was made very much made as a black girl,

0:13:19.600 --> 0:13:23.160
<v Speaker 5>as a dark skinned black girl to it, made to

0:13:23.160 --> 0:13:26.840
<v Speaker 5>feel very much less than. So I owe my happiness

0:13:27.600 --> 0:13:30.560
<v Speaker 5>and my joy to the Okinawan people into the Marine

0:13:30.559 --> 0:13:33.319
<v Speaker 5>Corps for giving me that chance to live my life

0:13:33.320 --> 0:13:38.160
<v Speaker 5>abroad in a beautiful tropical paradise. And then the second

0:13:38.200 --> 0:13:41.520
<v Speaker 5>place is Memphis. I grew up here, and I, like

0:13:42.080 --> 0:13:44.920
<v Speaker 5>the main character my novel Memphis. When I was ten,

0:13:45.120 --> 0:13:49.679
<v Speaker 5>we came here utterly, utterly poor, but the city told

0:13:49.720 --> 0:13:54.119
<v Speaker 5>me and taught me to love family, to love my community,

0:13:54.760 --> 0:13:58.800
<v Speaker 5>to look music and food, and there's something so joyous

0:13:59.000 --> 0:14:01.800
<v Speaker 5>about being in mehas this especially now as an adult,

0:14:01.920 --> 0:14:05.520
<v Speaker 5>especially now as a writer. I think everything I write,

0:14:05.640 --> 0:14:09.280
<v Speaker 5>this poetry book, my novel will be for the betterment,

0:14:09.559 --> 0:14:14.560
<v Speaker 5>for the glory the beauty of black Memphis women. I

0:14:14.600 --> 0:14:18.280
<v Speaker 5>think there's something magical about us.

0:14:17.320 --> 0:14:18.160
<v Speaker 4>Something in the air.

0:14:18.520 --> 0:14:20.520
<v Speaker 1>I wish that I had came across your work when

0:14:20.560 --> 0:14:22.960
<v Speaker 1>my mom and I and my dad, my whole family

0:14:23.000 --> 0:14:27.280
<v Speaker 1>were living in Memphis, because it is one of the

0:14:27.320 --> 0:14:32.520
<v Speaker 1>most devastatingly segregated cities in the US. My mom and

0:14:32.560 --> 0:14:37.040
<v Speaker 1>I found it extremely oppressive and challenging to live there

0:14:37.120 --> 0:14:41.880
<v Speaker 1>as black women. And I'm curious to know how did

0:14:41.920 --> 0:14:44.680
<v Speaker 1>you find the poetry and the beauty in your city.

0:14:45.000 --> 0:14:48.640
<v Speaker 5>I have to disagree, Memphis, unlike any other place I've lived,

0:14:48.760 --> 0:14:52.240
<v Speaker 5>is very diverse. You know, it's a beautiful place if

0:14:52.240 --> 0:14:54.400
<v Speaker 5>you want to be an artist. Jamon Bullok is a

0:14:54.440 --> 0:14:57.480
<v Speaker 5>beautiful muralist in the city. He took me to prom

0:14:58.160 --> 0:15:01.520
<v Speaker 5>you know, yes, we all know each other.

0:15:02.160 --> 0:15:03.160
<v Speaker 4>We all know each other.

0:15:03.240 --> 0:15:05.720
<v Speaker 5>Okay, Craigm, I'm going to shadow of craigmont Oh three

0:15:05.760 --> 0:15:10.040
<v Speaker 5>Chiefs right now. Like Jamon Bullock took me a famous mirrorless.

0:15:10.160 --> 0:15:12.360
<v Speaker 5>I see his art all over Memphis when I'm driving

0:15:12.400 --> 0:15:15.720
<v Speaker 5>and being Hampton Overtak, Like he's everywhere, and I'm like,

0:15:15.880 --> 0:15:18.560
<v Speaker 5>that's a Jamon Bullock. Like I've seen those works since

0:15:18.560 --> 0:15:21.840
<v Speaker 5>I was a little girl in high school. I think

0:15:21.880 --> 0:15:25.920
<v Speaker 5>of Katari Jones, who does Pea Valley. She's the writer

0:15:26.000 --> 0:15:28.560
<v Speaker 5>Pea Valley. She was a senior and I was a freshman.

0:15:29.160 --> 0:15:30.840
<v Speaker 5>Lorilla is from my neighborhood.

0:15:30.880 --> 0:15:32.480
<v Speaker 4>She's from Frasier, you know.

0:15:33.320 --> 0:15:38.480
<v Speaker 5>So my city produces great, great artists. I love being

0:15:38.600 --> 0:15:41.840
<v Speaker 5>a black woman in the city. I feel myself. I

0:15:41.880 --> 0:15:46.480
<v Speaker 5>feel I can no matter where what space I am in,

0:15:46.800 --> 0:15:49.120
<v Speaker 5>I feel like I can own that space.

0:15:49.560 --> 0:15:51.320
<v Speaker 4>I feel right at home.

0:15:52.040 --> 0:15:54.680
<v Speaker 1>I'm so glad that you have that experience. I had

0:15:54.720 --> 0:15:57.840
<v Speaker 1>a totally different experience and maybe I just saw a

0:15:57.840 --> 0:16:02.880
<v Speaker 1>different side of the city. But you are bringing beauty

0:16:03.000 --> 0:16:06.360
<v Speaker 1>and honor and beautiful art to that city. So that

0:16:06.520 --> 0:16:08.120
<v Speaker 1>is so encouraging to see.

0:16:08.480 --> 0:16:12.520
<v Speaker 3>Ah, I have an embarrassing thing to tell both of you.

0:16:13.040 --> 0:16:18.600
<v Speaker 2>Okay, So I'm such a Katari fan that I flee

0:16:18.760 --> 0:16:22.840
<v Speaker 2>to Atlanta to see The Hot Wing King because it

0:16:22.880 --> 0:16:26.280
<v Speaker 2>was only playing for three weeks and it's she want

0:16:26.280 --> 0:16:27.200
<v Speaker 2>to pulletzer for it.

0:16:27.200 --> 0:16:27.960
<v Speaker 3>It's amazing.

0:16:28.400 --> 0:16:32.360
<v Speaker 4>But I'm I'm a big fan. I mean, she is.

0:16:32.600 --> 0:16:34.440
<v Speaker 4>It's something about Memphis. It's something.

0:16:34.480 --> 0:16:36.400
<v Speaker 5>I don't know what, but in the mid nineties they

0:16:36.400 --> 0:16:39.000
<v Speaker 5>were putting something in the water making us all become

0:16:39.160 --> 0:16:42.520
<v Speaker 5>great writers or something. But I'm just so proud of

0:16:42.560 --> 0:16:44.960
<v Speaker 5>her and so proud to go to the same high

0:16:45.000 --> 0:16:48.320
<v Speaker 5>school that she went to. And I'm just so proud

0:16:48.440 --> 0:16:51.080
<v Speaker 5>of all the artists we're coming out of this city

0:16:51.200 --> 0:16:55.760
<v Speaker 5>right now. They are doing amazing, amazing things. So it's

0:16:55.800 --> 0:16:59.480
<v Speaker 5>an honor to be in the same conversation as those folk.

0:17:00.000 --> 0:17:03.760
<v Speaker 2>Emphis is bursting with creatives and stories to be told,

0:17:03.840 --> 0:17:07.920
<v Speaker 2>and your first novel, titled Memphis, is another exploration of

0:17:07.960 --> 0:17:10.720
<v Speaker 2>that of writing about your roots and the matriarchs in

0:17:10.760 --> 0:17:13.240
<v Speaker 2>your family. What does it meant to you to be

0:17:13.320 --> 0:17:15.920
<v Speaker 2>able to highlight your heritage through your art?

0:17:16.320 --> 0:17:17.120
<v Speaker 4>It means so much.

0:17:17.240 --> 0:17:20.240
<v Speaker 5>As I walk around Memphis or the South, I don't

0:17:20.280 --> 0:17:25.320
<v Speaker 5>see monuments to black women. I see monuments to Civil

0:17:25.359 --> 0:17:30.480
<v Speaker 5>War Confederate traders, but I don't see monuments to black women.

0:17:30.520 --> 0:17:35.000
<v Speaker 5>And I know black women were instrumental and finally getting

0:17:35.040 --> 0:17:39.159
<v Speaker 5>Juneteenth or forgetting civil rights, especially here in Memphis. So

0:17:39.520 --> 0:17:41.679
<v Speaker 5>the fact that I can walk around the city and

0:17:41.720 --> 0:17:47.760
<v Speaker 5>not see memorials and poems and everything written about black

0:17:47.800 --> 0:17:51.360
<v Speaker 5>womanhood just boggled my mind. So I said, Fye, I'm

0:17:51.359 --> 0:17:53.120
<v Speaker 5>going to sit down and I'm going to write our

0:17:53.160 --> 0:17:56.439
<v Speaker 5>own monument. I'm going to write an ode to black

0:17:56.520 --> 0:18:00.280
<v Speaker 5>Southern women because I know that we've done everything our

0:18:00.359 --> 0:18:04.560
<v Speaker 5>power to make this country great since we arrived here

0:18:04.720 --> 0:18:09.439
<v Speaker 5>in chains. So I think my novel Memphis, and this

0:18:09.560 --> 0:18:12.800
<v Speaker 5>poetry collection and all of the books I'll ever write,

0:18:13.440 --> 0:18:18.200
<v Speaker 5>will always glorify and show a spotlight, shine a light

0:18:18.280 --> 0:18:22.160
<v Speaker 5>for just a second on black Southern women. I say,

0:18:22.200 --> 0:18:22.600
<v Speaker 5>why not.

0:18:23.119 --> 0:18:26.680
<v Speaker 1>Well, speaking of your collection of poetry, magic enough, it's

0:18:26.760 --> 0:18:29.800
<v Speaker 1>such a special title. What does that mean to you?

0:18:30.560 --> 0:18:33.080
<v Speaker 5>It's from one of my poems, the last line of

0:18:33.080 --> 0:18:36.119
<v Speaker 5>one of my poems. These women in my life, the

0:18:36.200 --> 0:18:40.680
<v Speaker 5>women I know as they are, as flawed and complicated

0:18:41.320 --> 0:18:46.040
<v Speaker 5>and gorgeous and dark skinned and poor, These women as

0:18:46.080 --> 0:18:51.160
<v Speaker 5>they are are magic enough. Men can take a back seat,

0:18:51.600 --> 0:18:53.840
<v Speaker 5>God can even take a back seat. If I am

0:18:53.920 --> 0:18:58.879
<v Speaker 5>surrounded by these women, I know that there's going to

0:18:58.920 --> 0:19:02.760
<v Speaker 5>be magic in my life, that I will lead a beautiful, full,

0:19:03.160 --> 0:19:08.240
<v Speaker 5>graceful life. And so that's where the title comes from.

0:19:08.359 --> 0:19:10.920
<v Speaker 5>It I guess it's a play on black oral magic.

0:19:11.720 --> 0:19:15.800
<v Speaker 5>But why are we magical? What made us this way?

0:19:16.280 --> 0:19:20.520
<v Speaker 5>It's because we've been do our centuries of you know, oppression,

0:19:21.320 --> 0:19:23.840
<v Speaker 5>and yet look at all the joy that we have

0:19:23.960 --> 0:19:25.639
<v Speaker 5>all the time, and look at the art that we

0:19:25.760 --> 0:19:29.800
<v Speaker 5>can create. And so that's what magic enough means to me.

0:19:30.280 --> 0:19:32.199
<v Speaker 3>We need to take a quick break, but we'll be

0:19:32.359 --> 0:19:41.440
<v Speaker 3>right back. Stay with us and we're back.

0:19:42.440 --> 0:19:44.840
<v Speaker 1>Can you tell us about some of the magical black

0:19:44.880 --> 0:19:47.600
<v Speaker 1>Southern women in your life? What are the qualities that

0:19:47.720 --> 0:19:50.520
<v Speaker 1>make them magical? And how can we incorporate some of

0:19:50.520 --> 0:19:51.919
<v Speaker 1>that magic into our own lives.

0:19:52.400 --> 0:19:58.560
<v Speaker 5>My mom wears red lipstick to go the doctor's office.

0:19:58.160 --> 0:20:00.040
<v Speaker 4>Like right, red lace. She'll come at the house and

0:20:00.160 --> 0:20:01.600
<v Speaker 4>where are you going? You look gorgeous?

0:20:01.640 --> 0:20:03.119
<v Speaker 5>Like, oh, I'm just going the doctor. It was like

0:20:03.160 --> 0:20:07.160
<v Speaker 5>the doctor. She's like, listen, I could meet my husband

0:20:07.160 --> 0:20:11.640
<v Speaker 5>this day. Like aren't you like pearls? Did you wake

0:20:11.760 --> 0:20:12.359
<v Speaker 5>up with them? On?

0:20:12.680 --> 0:20:15.240
<v Speaker 4>Even I'm an on, like who aren't you women? Like

0:20:15.359 --> 0:20:16.360
<v Speaker 4>can I come from you?

0:20:16.960 --> 0:20:19.160
<v Speaker 5>So I was taught not to walk out the house

0:20:19.200 --> 0:20:22.000
<v Speaker 5>without some red lips on in your business card, because

0:20:22.000 --> 0:20:25.560
<v Speaker 5>you just never know. There's something about Southern women just

0:20:25.600 --> 0:20:29.600
<v Speaker 5>being utterly graceful in all things. So just the grace

0:20:30.280 --> 0:20:33.680
<v Speaker 5>that Southern women seem to have hair and nails done

0:20:33.760 --> 0:20:37.640
<v Speaker 5>always just face you can't he never declines, I don't know.

0:20:38.080 --> 0:20:38.920
<v Speaker 4>We've just been.

0:20:38.760 --> 0:20:45.800
<v Speaker 5>That cultural and that beautiful and elegant and eloquent.

0:20:46.400 --> 0:20:49.359
<v Speaker 4>So it's just it's just a pageantry of the South.

0:20:49.880 --> 0:20:52.560
<v Speaker 4>I don't know. We can all cook and cook well.

0:20:52.560 --> 0:20:55.760
<v Speaker 2>I don't know why I need to come to Memphis

0:20:55.760 --> 0:20:56.200
<v Speaker 2>to learn.

0:20:56.680 --> 0:20:59.000
<v Speaker 1>Yeah, Danielle doesn't cook, but we love her anyways.

0:20:59.080 --> 0:21:02.560
<v Speaker 3>Right, Okay, so you have past lives.

0:21:02.840 --> 0:21:06.280
<v Speaker 2>You were an attorney, you were a tenth grade English teacher,

0:21:06.640 --> 0:21:09.280
<v Speaker 2>I was. You know, writing is a clear through line

0:21:09.359 --> 0:21:12.439
<v Speaker 2>in all three of your professions. At what point did

0:21:12.520 --> 0:21:15.000
<v Speaker 2>you decide you were going to be doing this full time?

0:21:15.119 --> 0:21:17.439
<v Speaker 4>When I got the book deal and I could financially.

0:21:19.280 --> 0:21:22.440
<v Speaker 5>The only reason I went to law school is because

0:21:22.560 --> 0:21:25.360
<v Speaker 5>there was a recession. I'd, you know, come out of college.

0:21:25.880 --> 0:21:28.359
<v Speaker 5>I had a book of poetry. No one but my

0:21:28.440 --> 0:21:30.840
<v Speaker 5>family bought it, and I was like, okay, well I

0:21:30.880 --> 0:21:33.000
<v Speaker 5>need to eat, I need to do something. So I

0:21:33.000 --> 0:21:36.040
<v Speaker 5>went to law school so that it could finance me

0:21:36.200 --> 0:21:39.840
<v Speaker 5>and pay for an education. And I was an attorney

0:21:39.920 --> 0:21:43.600
<v Speaker 5>for years, but I would still sneak out and write poetry.

0:21:43.760 --> 0:21:46.160
<v Speaker 5>Like I go to work early, and how early people

0:21:46.200 --> 0:21:48.360
<v Speaker 5>thought I was a good worker. No, I'm writing a poem.

0:21:48.760 --> 0:21:51.359
<v Speaker 5>I'd go there on Saturdays, I'd stay extra late, and

0:21:51.359 --> 0:21:52.359
<v Speaker 5>they're like, oh, she's working.

0:21:52.440 --> 0:21:56.400
<v Speaker 4>No, I'm editing the poem I wrote that morning, like little.

0:21:56.119 --> 0:21:56.680
<v Speaker 2>Do you know?

0:21:57.440 --> 0:22:01.639
<v Speaker 5>And then I became a teacher because that's a profession

0:22:01.680 --> 0:22:04.119
<v Speaker 5>in which you have summers off, so I'd save up

0:22:04.119 --> 0:22:07.080
<v Speaker 5>my pennies and i'd go to Italy or Cuba or

0:22:07.119 --> 0:22:11.240
<v Speaker 5>Spain and i'd write Memphis. So I was working full

0:22:11.280 --> 0:22:14.760
<v Speaker 5>time as a teacher, and then in the summers, I

0:22:14.800 --> 0:22:17.720
<v Speaker 5>work full time writing and then submit that and I

0:22:17.800 --> 0:22:20.720
<v Speaker 5>finally got a book deal while I was a teacher.

0:22:21.359 --> 0:22:24.040
<v Speaker 5>And that's my journey. But that's the only reason I

0:22:24.080 --> 0:22:26.760
<v Speaker 5>did other things, because I would have done poetry full

0:22:26.840 --> 0:22:29.920
<v Speaker 5>time had there ever been a job for it.

0:22:30.800 --> 0:22:34.520
<v Speaker 2>Well, now that you're an established poet, we'd love if

0:22:34.600 --> 0:22:36.440
<v Speaker 2>you would read one of your poems for us.

0:22:36.560 --> 0:22:39.200
<v Speaker 4>Oh, I'd love to. I'd love to. I'd be honored.

0:22:39.960 --> 0:22:45.440
<v Speaker 4>Thank you. This poem is called poem at thirty.

0:22:47.520 --> 0:22:56.840
<v Speaker 5>Always ferocious, skinny, wild, as some dark thing God never named,

0:22:58.119 --> 0:23:04.640
<v Speaker 5>bringing clay turtles, snakes into the house, slipping out from grips,

0:23:04.760 --> 0:23:13.320
<v Speaker 5>Laughing at my mother's shrieks. My father insists to this

0:23:13.560 --> 0:23:20.520
<v Speaker 5>day that no man contain me. Please cheer with me,

0:23:21.840 --> 0:23:24.639
<v Speaker 5>for he is right, he is right.

0:23:27.160 --> 0:23:32.240
<v Speaker 1>Will cheer for you. Wooa so beautiful Yoh.

0:23:32.640 --> 0:23:36.680
<v Speaker 2>Okay, So as you were reading, I had my own interpretation.

0:23:36.760 --> 0:23:39.080
<v Speaker 2>But I'd love to know what that poem means.

0:23:39.119 --> 0:23:39.480
<v Speaker 3>To you.

0:23:39.920 --> 0:23:43.679
<v Speaker 5>It's about the resilience I think of black womanhood. I

0:23:43.760 --> 0:23:46.919
<v Speaker 5>was inspired by Sonya Sanchez who Lucille Clifton has a

0:23:46.920 --> 0:23:50.080
<v Speaker 5>poem called Please Celebrate with Me, and I said, well,

0:23:50.080 --> 0:23:53.359
<v Speaker 5>how can I create a poem in that same line

0:23:53.560 --> 0:23:57.800
<v Speaker 5>of celebrating black Southern womanhood, like won't you celebrate with me?

0:23:58.000 --> 0:24:00.720
<v Speaker 4>I am this wild thing and this.

0:24:00.840 --> 0:24:05.399
<v Speaker 5>Dark thing that Audrey Lord talks about in her poems.

0:24:05.520 --> 0:24:09.600
<v Speaker 5>I wanted it to be a celebration of blackness and

0:24:09.640 --> 0:24:13.560
<v Speaker 5>how Brazilian it is. And so I wanted the last

0:24:13.640 --> 0:24:16.040
<v Speaker 5>line to be kind of a twist, like please cheer

0:24:16.080 --> 0:24:19.000
<v Speaker 5>with me, for he is right. No man or God

0:24:19.080 --> 0:24:22.919
<v Speaker 5>can ever tame me. There's a revolutionary spirit in that

0:24:23.000 --> 0:24:24.959
<v Speaker 5>poem that I wanted to get across me. And I

0:24:25.000 --> 0:24:28.359
<v Speaker 5>was turning thirty. I always write myself poems on my birthdays.

0:24:28.760 --> 0:24:30.840
<v Speaker 5>They're like little love notes to myself.

0:24:31.680 --> 0:24:36.280
<v Speaker 2>Did you feel like men were trying to contain you?

0:24:37.200 --> 0:24:37.400
<v Speaker 4>Oh?

0:24:37.480 --> 0:24:37.800
<v Speaker 5>Yes?

0:24:37.960 --> 0:24:40.520
<v Speaker 4>Oh Lord. I was thirty. I was going through a divorce,

0:24:40.640 --> 0:24:41.120
<v Speaker 4>I think.

0:24:41.040 --> 0:24:46.000
<v Speaker 5>I remember, yes, yes, And I only got divorced because

0:24:46.040 --> 0:24:48.840
<v Speaker 5>I felt as if this man did not support my dream,

0:24:48.920 --> 0:24:50.800
<v Speaker 5>and my dream was to be a writer. It wasn't

0:24:50.840 --> 0:24:54.080
<v Speaker 5>to be an attorney or even his wife or anything

0:24:54.200 --> 0:24:58.239
<v Speaker 5>like that. It's to create beautiful, lasting art on this

0:24:58.359 --> 0:25:01.159
<v Speaker 5>earth to the day I died. And I need someone

0:25:01.240 --> 0:25:03.760
<v Speaker 5>who's going to support me in that. Otherwise what is

0:25:03.840 --> 0:25:06.239
<v Speaker 5>the point of it all? And then I made the

0:25:06.240 --> 0:25:09.720
<v Speaker 5>decision to leave my law career and go back to

0:25:09.720 --> 0:25:12.520
<v Speaker 5>school to get my MFA at thirty years old. So

0:25:12.600 --> 0:25:14.680
<v Speaker 5>my parents thought I was safe. They're like, what are

0:25:14.680 --> 0:25:18.160
<v Speaker 5>you doing? You just finish law school. You can make money,

0:25:18.200 --> 0:25:21.439
<v Speaker 5>now go do that. Why are you going to be

0:25:21.480 --> 0:25:24.920
<v Speaker 5>a poet again? There's no career in that tar like,

0:25:25.080 --> 0:25:28.160
<v Speaker 5>no one is a poet full time. I felt as

0:25:28.160 --> 0:25:30.600
<v Speaker 5>if I was being put in some sort of societal

0:25:30.720 --> 0:25:34.359
<v Speaker 5>box that I should just be happy because I'm married

0:25:34.440 --> 0:25:38.040
<v Speaker 5>and I have a good man quote unquote and a career.

0:25:38.080 --> 0:25:41.720
<v Speaker 5>But I was utterly unhappy. I didn't like this American

0:25:41.800 --> 0:25:44.960
<v Speaker 5>dream that I had, and I wanted to fasten and

0:25:45.040 --> 0:25:47.639
<v Speaker 5>shape my own life how I saw fit, and that

0:25:47.760 --> 0:25:51.960
<v Speaker 5>meant traveling abroad, learning a new language, and putting I guess,

0:25:52.200 --> 0:25:55.520
<v Speaker 5>all my chips on red, as my dad would say,

0:25:55.840 --> 0:25:59.720
<v Speaker 5>taking a risk and putting my art out there. And

0:25:59.760 --> 0:26:01.879
<v Speaker 5>it was scary, but I felt like I had to

0:26:01.920 --> 0:26:02.240
<v Speaker 5>do it.

0:26:02.800 --> 0:26:04.960
<v Speaker 3>There's no better bet that I'm bet on you. I've

0:26:04.960 --> 0:26:05.719
<v Speaker 3>always felt that.

0:26:06.320 --> 0:26:06.480
<v Speaker 2>Well.

0:26:06.480 --> 0:26:09.560
<v Speaker 1>I think it's so courageous that you just blew up

0:26:09.600 --> 0:26:11.920
<v Speaker 1>the life you didn't want and you pursued the life

0:26:11.960 --> 0:26:14.560
<v Speaker 1>you did want. We are all about that here on

0:26:14.600 --> 0:26:15.840
<v Speaker 1>the bright side.

0:26:16.160 --> 0:26:17.320
<v Speaker 4>Thank you so much.

0:26:17.480 --> 0:26:19.280
<v Speaker 1>When you think about the women that are going to

0:26:19.280 --> 0:26:22.399
<v Speaker 1>be reading your book, magic enough? What magic do you

0:26:22.440 --> 0:26:24.240
<v Speaker 1>want women to find in your poetry?

0:26:24.680 --> 0:26:26.600
<v Speaker 4>Now that's hard for me, you know.

0:26:26.680 --> 0:26:31.520
<v Speaker 5>I've loved poetry all my life, and it's so humbling

0:26:32.080 --> 0:26:35.440
<v Speaker 5>that so many women are finding connections with something I've written.

0:26:35.800 --> 0:26:39.679
<v Speaker 5>I'm still kind of grappling with that that my words

0:26:39.960 --> 0:26:43.720
<v Speaker 5>can touch another human being, especially a woman. I'm just

0:26:43.760 --> 0:26:47.080
<v Speaker 5>so grateful and honored. So if they pull anything away

0:26:47.080 --> 0:26:49.400
<v Speaker 5>from this book, I just want them to know that

0:26:49.720 --> 0:26:53.800
<v Speaker 5>everything I write is for them. Us women have so little.

0:26:54.600 --> 0:26:57.000
<v Speaker 5>I think in this country. I wanted to just give

0:26:57.080 --> 0:26:59.800
<v Speaker 5>us something nice. I think we should all we all

0:26:59.840 --> 0:27:03.719
<v Speaker 5>just there's something nice and pretty, and I think this

0:27:03.800 --> 0:27:05.200
<v Speaker 5>book is nice and pretty.

0:27:05.200 --> 0:27:07.480
<v Speaker 4>I was reading a review and someone.

0:27:07.200 --> 0:27:10.560
<v Speaker 5>Said it's a cross between like a good brunch with

0:27:10.600 --> 0:27:14.000
<v Speaker 5>your girlfriends and like a good cry in the shower.

0:27:14.720 --> 0:27:18.919
<v Speaker 5>So g this to be like everyone's a brunch and

0:27:18.960 --> 0:27:21.800
<v Speaker 5>we're all like we've ordered another mimosa, but we're all

0:27:21.880 --> 0:27:23.320
<v Speaker 5>kind of crying over something.

0:27:24.640 --> 0:27:27.040
<v Speaker 1>Zach, I think we have the title of the episode.

0:27:27.119 --> 0:27:30.280
<v Speaker 1>It's brunch and crying in the shower with Tara Stringfellow. Guys,

0:27:31.440 --> 0:27:32.440
<v Speaker 1>that's so perfect.

0:27:32.600 --> 0:27:35.240
<v Speaker 2>That honestly feels like my weekend, every weekend.

0:27:35.480 --> 0:27:37.040
<v Speaker 1>Right right, but it does.

0:27:37.520 --> 0:27:40.600
<v Speaker 5>It feels cathartic, like yeah, good cry, like tears of joy,

0:27:40.680 --> 0:27:44.680
<v Speaker 5>like we made it, y'all kind of cry complainly.

0:27:45.480 --> 0:27:48.080
<v Speaker 3>Thank you so much for spending your June teenth with us.

0:27:48.320 --> 0:27:50.600
<v Speaker 4>Oh, thank y'all for having me. I appreciate it.

0:27:50.680 --> 0:27:55.479
<v Speaker 1>Thank you, Tara. Tara Stringfellow is a best selling author

0:27:55.560 --> 0:27:58.760
<v Speaker 1>and poet. Her collection of poems, Magic Enough, is out

0:27:58.800 --> 0:28:01.280
<v Speaker 1>on June twenty fifth. You can find it wherever you

0:28:01.320 --> 0:28:01.959
<v Speaker 1>get your books.

0:28:07.160 --> 0:28:08.359
<v Speaker 3>That's it for today's show.

0:28:08.520 --> 0:28:12.560
<v Speaker 2>Tomorrow, we're talking with Reese's book Club Pick author Ali Condy.

0:28:13.080 --> 0:28:16.720
<v Speaker 2>She's sharing her personal inspiration for her latest book, The Unwedding,

0:28:17.160 --> 0:28:21.159
<v Speaker 2>and let me tell you it is good. Listen and

0:28:21.200 --> 0:28:24.639
<v Speaker 2>follow the bright Side on the iHeartRadio app, Apple Podcasts,

0:28:24.720 --> 0:28:26.359
<v Speaker 2>or wherever you get your podcasts.

0:28:26.440 --> 0:28:29.040
<v Speaker 1>I'm Simone Boye. You can find me at Simone Boice

0:28:29.200 --> 0:28:30.240
<v Speaker 1>on Instagram and.

0:28:30.280 --> 0:28:33.720
<v Speaker 2>Tiktok'm Danielle Robe on Instagram and TikTok.

0:28:33.880 --> 0:28:35.000
<v Speaker 3>That's ro Ba.

0:28:35.280 --> 0:28:46.240
<v Speaker 1>Y see you tomorrow, Folks. Keep looking on the bright side.