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Speaker 1: All right this way up at Angela Yee.

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Speaker 2: I'm Angela Yee, and Jasmine from the Jasmine Brand is

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Speaker 2: here and mister Vegas is here.

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Speaker 1: Yeah in New York. We love seeing you in New York.

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Speaker 3: Yeah, one gifts one always a pleasure.

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Speaker 1: You were here for New Years right, Yeah?

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Speaker 3: Yeah, yeah, myself, ding Dong, Serrani, some of the artists.

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Speaker 1: How was that, how was celebrating New Year's in New York?

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Speaker 3: Was a real vibe, man, it was crazy, of course,

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Speaker 3: you know, you know the concert was straight action like

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Speaker 3: ding Ding Dong, Brinoto energy, Serrani Vega said. It was

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Speaker 3: a real good lineup Wayne Wonder. It was a real vibe.

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Speaker 1: I was in. We were in Saint Martin, so we

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Speaker 1: would have been there.

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Speaker 3: It was really cool. It was a nice way to

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Speaker 3: ring in the New Year. You know that those you know,

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Speaker 3: Wayne Wonder is like one of the best singers out

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Speaker 3: of Jamaica. So okay, so you really really, you know,

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Speaker 3: held it down and.

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Speaker 1: You got all your FIU gear. You're not playing around.

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Speaker 3: Yeah, it's just because it's kind of I can't judge

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Speaker 3: the weather. You're in New York, so I just chose

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Speaker 3: to put on something warmish.

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Speaker 2: So I saw that you got your degree. Yeah, sociology

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Speaker 2: and anthology stology.

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Speaker 1: Yeah, what made you? What made you choose that as

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Speaker 1: a major.

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Speaker 3: Because I traveled so much and I'm always coming across

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Speaker 3: different you know, cultures, and you know, I'm trying to

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Speaker 3: learn more about how the world functions of people are

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Speaker 3: all different. Society, you know, uperate, you know, So you

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Speaker 3: know that's why I chose to major in sociology and anthropology.

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Speaker 1: That is so interesting.

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Speaker 2: Yeah, that's really dope. And during the pandemic, right, you

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Speaker 2: got you did you get your GED?

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Speaker 1: Also?

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Speaker 3: I got my GD first because I dropped out of

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Speaker 3: of high school at an early age. I think when

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Speaker 3: I was like thirteen, I stopped going to school and I

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Speaker 3: was like when I was thirteen, So I'm because you know,

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Speaker 3: it's a social media era. I know, you know, I'm

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Speaker 3: always on the on the internet talking, you know, so

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Speaker 3: I just wanted to be better able to convey my

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Speaker 3: message and be more intellectual. And I think what I

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Speaker 3: speak about, I speak about a lot of social issues.

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Speaker 3: So I start to re educate myself and learn more about,

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Speaker 3: you know, the things that I like to speak about.

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Speaker 2: And also having kids, you can't have them nowhere more

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Speaker 2: than right, you trying to help them.

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Speaker 3: Well, that's still going to happen. My kids are really

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Speaker 3: smarter than me.

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Speaker 2: Yeah they're supposed to be though, but you got to

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Speaker 2: be able to, you know, keep trying them.

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Speaker 1: Yes, yes, So at thirteen, you dropped out of high school.

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Speaker 1: So what did you start doing? Then? At thirteen?

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Speaker 3: I started working. I worked at a gas station and

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Speaker 3: I was pumping guests, selling guests, and then I left

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Speaker 3: that and I started doing music, started going to the studio, right,

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Speaker 3: you know, so I've been going to the studio for like,

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Speaker 3: you know, I was going to the studio for years

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Speaker 3: until I got the break in nineteen ninety seven.

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Speaker 1: That is what a long career that you've had to

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Speaker 1: by the.

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Speaker 3: Way, and I broke in my twenties.

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Speaker 1: Yeah, that's amazing. And so during that time, like, what

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Speaker 1: did your.

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Speaker 2: Family think for you to drop out of school and

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Speaker 2: then you just in the studio.

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Speaker 3: Well, my mom, I grew up with my mom and also,

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Speaker 3: you know, my dad died when I was in the

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Speaker 3: first first form, which is seventh grade.

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Speaker 1: Okay, so my dad.

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Speaker 3: Passed away then, so it was just my mom. You know,

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Speaker 3: you know, my mom wanted me to be like some

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Speaker 3: you know, doctor or whatever, but I think music is

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Speaker 3: in that thing, you know. So she was like, one

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Speaker 3: time she wrote me a letter. Time was like costing

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Speaker 3: me out, say oh you cruff, yeah, going to anything good,

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Speaker 3: you know. But then it happened and she was like,

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Speaker 3: you know, she.

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Speaker 1: Said, take it back, rip that letter up.

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Speaker 2: Yeah, but music doesn't seem like something that is so

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Speaker 2: attainable too, because a lot of people want to, you know,

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Speaker 2: be in the music business, especially at a young age,

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Speaker 2: and so it's something special that has to happen for

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Speaker 2: you to be able to break through. It's not because

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Speaker 2: it is talent that's the foundation of it, but then

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Speaker 2: it's just more than that. So who are some people

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Speaker 2: that helped you out early on?

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Speaker 3: Well, of course I'm done ute, I'm a DJL of Jamaica,

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Speaker 3: you know, was a real good youth. Of course, stone

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Speaker 3: Love we poll from stone Love. Stonelove is like one

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Speaker 3: of the biggest sound systems in Jamaica. So so Weepo

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Speaker 3: actually sent me to music school, sent me to learn

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Speaker 3: to sing on key and all that stuff, and you

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Speaker 3: voice training and all that stuff. So he was real

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Speaker 3: inspirational in my career. At an early age when I

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Speaker 3: just started. And then it was like Jeremy Hardin who

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Speaker 3: did zim Zima with Binhi Man, right, and then it

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Speaker 3: was Danny Brown who had Headside. So you know, but

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Speaker 3: trust me, it was a really struggle prior to get

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Speaker 3: in those songs because you have to be like hanging

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Speaker 3: out at the studio. It's not like nowhere you can

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Speaker 3: just get a bit off the internet and you sing

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Speaker 3: a song. Back in MD after they had a studio

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Speaker 3: git and you had to friend the security, and the

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Speaker 3: security got to be cool. You got to send me

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Speaker 3: to buy some lunch. You know. You become a little

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Speaker 3: send out, you know, and if you're cool with it,

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Speaker 3: you know, you may get inside the studio yard. When

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Speaker 3: you get inside the studio yard, now, if a producer

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Speaker 3: is passing and you were like singing a song, he

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Speaker 3: like said, yoh a song you know, hm on no

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Speaker 3: no no no no no no no, no killing me.

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Speaker 3: You know, he was like, hey by you know, so

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Speaker 3: in me send you to the studio.

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Speaker 2: And it's also rare for a song to cross over

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Speaker 2: to become a national head, right and so for you,

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Speaker 2: you know, what was your first international head hands It

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Speaker 2: was headtime on Okay, because that feels like still so current.

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Speaker 2: Everybody samples it, everybody still plays that song, and I'm like,

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Speaker 2: that can't be the first.

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Speaker 4: You know, what year was that? What year was heads High?

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Speaker 2: Tell her what head high is about? Because we had

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Speaker 2: a conversation about this.

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Speaker 3: Well heads it's like in Jamaica, you know, like it

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Speaker 3: was a table or sexist time.

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Speaker 4: I told you, Okay, I did not get that from

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Speaker 4: that song.

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Speaker 3: But what headsi is just more than that's ity' saying not,

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Speaker 3: you know, do not do it to achieve your goals,

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Speaker 3: like you have to stoop low to achieve whatever you're

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Speaker 3: trying to do. You can work hard for what you want.

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Speaker 3: So it's more than just.

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Speaker 4: It's a double meaning.

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Speaker 1: It's more than just being greater given head Okay, yeah.

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Speaker 3: It's it's it's more than just saying, you know, don't

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Speaker 3: sucker body. It's more than it's like, yo, hold your

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Speaker 3: head high.

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Speaker 4: How did you come up with that concept?

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Speaker 3: Well, my nieces, you know, my two nieces. They came

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Speaker 3: on one day from school and they were telling me

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Speaker 3: about a girl at school at Meadowbrook High School where

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Speaker 3: they caught doing something under the desk with a guy,

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Speaker 3: and I was biskally telling them like like well on

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Speaker 3: my head high, I know that reach, you know. So

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Speaker 3: we just started missing. So I had the course heads

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Speaker 3: killed let me do you know. And then when I

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Speaker 3: went to Donny Brown, he gave me the beat and

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Speaker 3: I went to my cousin kirkterial house, and you know,

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Speaker 3: I started doing the verses.

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Speaker 1: Yeah, wow, that's really fascinating. I did not know that backstory.

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Speaker 3: Yeah, so it was. It actually came out of a

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Speaker 3: good place, and I wasn't. As I said before, it

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Speaker 3: was not just you know, doing sockerbody.

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Speaker 2: Song because I think over here, like a lot of

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Speaker 2: times we hear songs and we don't know, like people

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Speaker 2: just sing along.

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Speaker 1: They don't know what it's about.

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Speaker 2: A lot of songs, Yeah, just sing along and the

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Speaker 2: angels like you know what that means.

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Speaker 3: I'm like, no, I remember one time I write from

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Speaker 3: the from the Billboard Billboard magazine nothing. She said, Oh,

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Speaker 3: this is a good song. Is not going to cross

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Speaker 3: over because it's talking about girls must not give head

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Speaker 3: and they love to do that. She said, they loved

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Speaker 3: America's all right, Well this is not just a head song.

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Speaker 2: That's that's there's a lot of songs that crossed over

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Speaker 2: here that people had no idea. Now it's also very

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Speaker 2: competitive write what it is what you do. So do

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Speaker 2: you remember like your first time clashing with other artists too,

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Speaker 2: because that's something that to this day it's part of

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Speaker 2: the culture.

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Speaker 1: Though.

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Speaker 3: Well, I used to clash before I got my break.

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Speaker 3: I actually the first time I I, you know, sang

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Speaker 3: on a sound system, I clashed with like the DJ

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Speaker 3: in the ear that was the Body's DJ. It's like

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Speaker 3: it was the best. So my first time holding a microphone,

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Speaker 3: I clashed with an artist, with someone who was really

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Speaker 3: really good. And now the people were like blo, blo, bloe.

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Speaker 3: It's like what, I can't do this? And then and

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Speaker 3: then you know it's a Then years after no, I

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Speaker 3: think twenty twenty three, I just had a lyrical showed

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Speaker 3: on with you know. One of the down sides I got.

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Speaker 1: Them were not name it names or.

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Speaker 3: The well internet in okay okay.

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Speaker 2: And then how important is it for you to be

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Speaker 2: involved now because you've been talking about furthering your education

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Speaker 2: right and also having a voice. But politics, you know,

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Speaker 2: when it comes to Jamaica and when it comes to

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Speaker 2: international you're traveling all over the place. How important is

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Speaker 2: it for you to be involved with that because some

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Speaker 2: people feel like music is strictly entertainment. Let's just keep

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Speaker 2: it there. But you know you've been using your platform

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Speaker 2: in other ways.

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Speaker 3: Also, Well, it's difficult to speak politics because I think

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Speaker 3: Jamaicans were so conformed to like, you know, the parties

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Speaker 3: that are involved in politics, like the the PMP party.

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Speaker 3: People are just so confirmed. You know, your mom used

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Speaker 3: to support that party, your dad used to support a party,

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Speaker 3: so you become a part of that world movement. So

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Speaker 3: it's kind of difficult to get to people to let

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Speaker 3: them know what's really really you know, what we can

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Speaker 3: do to make our society better, because they will more

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Speaker 3: listen to the politicians than the mister Vegas.

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Speaker 1: Okay, that's fair enough.

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Speaker 2: I feel like though, like even you said the timer,

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Speaker 2: Yemmy Alladay, we had our actually on my podcast lip Service.

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Speaker 1: Pretty amazing.

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Speaker 2: And so how did you in your travels say, okay,

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Speaker 2: this is somebody bright Futures the name of the song

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Speaker 2: that you want to work with.

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Speaker 1: She does afro pop. Right, how did you guys.

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Speaker 2: Like meet up with each other and decided Because I

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Speaker 2: was saying that I was telling you before we started this.

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Speaker 2: When she did the podcast, people had issues with her

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Speaker 2: talking about like sexual things, and you know, she was like,

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Speaker 2: this is the first time I've ever even spoken like this,

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Speaker 2: and people are going to have such an issue with

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Speaker 2: me back home, and they did, you know, but I

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Speaker 2: think it's important to be able to even discuss that

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Speaker 2: because that's part of the world that we're in today.

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Speaker 3: I think it's because of the religious aspect of it

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Speaker 3: in a lot of these countries. I remember Conscience just

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Speaker 3: did a song with a guy from one of these

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Speaker 3: African countries and he did a weed song and they

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Speaker 3: like wanted to like prosecute him. What. Yeah, so you

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Speaker 3: remember Nigeria is like a you know, maybe half mostly

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Speaker 3: more half Christian Nash So they're really really just you know,

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Speaker 3: steadfast in that vibe. But yeam me Aladay, you know,

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Speaker 3: she's really cool. You know. I did the song with

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Speaker 3: a Nigerian producer. I'm young Alf and you know, my

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Speaker 3: boy sent it to yea me Alady. My boy uncle

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Speaker 3: sent it to Yeam Aladay and she loved the song

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Speaker 3: and she jumped on it and.

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Speaker 1: You guys found the video in Guadeloup.

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Speaker 3: Yeah, because we wanted to get the whole African vibe

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Speaker 3: because a lot of Africans, you know, it's like it's

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Speaker 3: like an African connection. I didn't realize that we are

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Speaker 3: so you know, spread out, you know, African descendants, we

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Speaker 3: are so spread out all over the French islands, you know,

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Speaker 3: not just the Caribbean, not just in America here where,

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Speaker 3: so all over the French islands. And you know when

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Speaker 3: you go there, you know you can feel that, you

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Speaker 3: can see yourself and the.

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Speaker 2: People look at that anthropology degree coming in. What are

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Speaker 2: some things right that that's helped you with actually getting

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Speaker 2: your degree and studying FIU and getting that that degree.

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Speaker 3: I think, I think because I I've been traveling the

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Speaker 3: world and I and I love to do research. You know,

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Speaker 3: I enjoy knew that I researched religion, you know, research

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Speaker 3: Asian chemic, you know what they called Egypt. You know.

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Speaker 3: I used to just travel and go to like the

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Speaker 3: Mask and different places and the museum in in England

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Speaker 3: and you know in the Vatican and those places. When

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Speaker 3: I go to these place and I see the artifacts,

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Speaker 3: I want to know where these artifacts originated from. So

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Speaker 3: then I started learning about this stuff. So I was

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Speaker 3: more intrigued, you know, and it kind of helped me

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Speaker 3: during my studies.

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Speaker 2: Does it change the music to sometimes like just even

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Speaker 2: the topics that you might want to talk about are

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Speaker 2: the people you want to collaborate with?

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Speaker 3: I think, I think in I think I try to

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Speaker 3: separate Clifford, which is my right.

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Speaker 1: Name, Clifford. You know I got the same name as

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Speaker 1: method man, I was smith.

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Speaker 3: Yeah, yeah, I want to get some of his publishing.

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Speaker 3: So so I think Clifford is like that person and

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Speaker 3: then mister Vegas. There's like three differ and personally the

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Speaker 3: intellectual Clifford is like the student or the or the

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Speaker 3: person that you know, the sociologist, and mister Vegas is

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Speaker 3: like the girls man broke it down at him. Think,

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Speaker 3: then you have Subi the Warrior, who's like the war board,

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Speaker 3: who's like the antagonist. You know what I'm saying.

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Speaker 1: We see you were antagonizing people antagon funny too.

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Speaker 3: So then I'm like, Sube the Warrior, I'm gonna make

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Speaker 3: like a movie. You know, I'm writing a script for

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Speaker 3: like a movie. We're this antagonist. How did I become

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Speaker 3: the antagonist? Sube the Warrior become became, you know, such

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Speaker 3: an antagonist become such an antagonist where people are like, yo,

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Speaker 3: I don't like him, I can't take him.

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Speaker 1: Where did that come from?

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Speaker 3: I think there's years of overcoming the obstacles in dancehall

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Speaker 3: because of the competitive nature and the way people would

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Speaker 3: like to stigmatize your name in dancehoud and try to

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Speaker 3: tear it down, and it's like a crab in the

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Speaker 3: barrel mentality. So to survive that, you know, and to

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Speaker 3: be at a place where I don't care anymore or

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Speaker 3: you can't stop me anymore, because nowhere in a digital

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Speaker 3: era where you have a voice. Back then when I

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Speaker 3: did not have a voice, because you have to be

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Speaker 3: very careful. Back then, what you said you understand because

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Speaker 3: people were like boo, you off the stage of people

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Speaker 3: will not play a record, you know, But now they're

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Speaker 3: you know, you have outlets. You don't need someone to

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Speaker 3: tell you can't put your music on Spotify.

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Speaker 2: Okay, that's fair enough. Yeah, it's true because the fans

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Speaker 2: do take sides.

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Speaker 3: Too big time. But then we have fans all over

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Speaker 3: the world, so all my fans no converge and and

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Speaker 3: you know they's stream my music. So if you're there

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Speaker 3: just talking about beef. You know. You know I can

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Speaker 3: show you at yell, but you're not streaming, and I'm

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Speaker 3: still streaming heavily.

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Speaker 2: And we've seen a lot of people make up and

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Speaker 2: then we've seen people try to intervene with your beefs

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Speaker 2: and try to get you to make up. And but

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Speaker 2: you know, it could be a big thing. I mean,

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Speaker 2: I'm a man my business.

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Speaker 3: But I'm just saying I only have one beef. Still,

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Speaker 3: many other artists I'm cool. But of course, you know,

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Speaker 3: artists are gonna take sides, right, you understand because you

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Speaker 3: know they want to. They don't want to lose their

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Speaker 3: fan base, you see, because I mean, like Yo, Angela,

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Speaker 3: I'm taking sight of Angela and then I can benefit

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Speaker 3: from your fan base as well, right you know, So

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Speaker 3: some artists you know, will do that. But I'm just

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Speaker 3: like a straight shooter. You know. If you love me,

321
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Speaker 3: it just love me. If you don't love me, that's it,

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Speaker 3: you know. I still I'm not the Sigma meal mm hmm.

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Speaker 1: Another song and video driver, you know, we like that.

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Speaker 2: And we actually on my podcasts recently had a woman

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Speaker 2: on she actually does dick writing classes.

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Speaker 4: Do you writing? Yeah? Do you writing?

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Speaker 1: Sorry?

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Speaker 3: Yeah?

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Speaker 2: So she teaches women how to be better on tap. Okay,

330
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Speaker 2: how important is that for you?

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Speaker 3: Well? A girl, a girl, a girl spraying my body

332
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Speaker 3: already body, my body, body is a penis.

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Speaker 4: She sprained it.

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00:14:40,120 --> 00:14:42,080
Speaker 3: Yeah, like you know when a girl turned back with

335
00:14:42,160 --> 00:14:45,280
Speaker 3: you and come, you know if if you don't have

336
00:14:45,320 --> 00:14:46,480
Speaker 3: a big long one up in out of the ear,

337
00:14:46,560 --> 00:14:48,320
Speaker 3: so you know, she can't miss some you know, sprainging

338
00:14:48,320 --> 00:14:51,680
Speaker 3: a penis. So you pis in trouble, say you have

339
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Speaker 3: to be very gearful.

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Speaker 1: So that happened to you?

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00:14:53,960 --> 00:14:58,600
Speaker 3: Yeah, yeah, a spring body.

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Speaker 4: What was the cure or what? How do they treat you?

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Speaker 4: What do they tell you to do?

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Speaker 1: Scream?

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Speaker 3: Well, you know there's you know, different treatment and still

346
00:15:06,600 --> 00:15:08,760
Speaker 3: but you know, not to read a medical doctor tell

347
00:15:08,800 --> 00:15:11,080
Speaker 3: me some things are do on one. I'm gonna just

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Speaker 3: do it. Fix the book, fixed it bag.

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Speaker 1: I want to say, there's the points star are pinky.

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Speaker 2: And she actually told us a story about how she

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Speaker 2: went up and too high and came down. Yeah, and

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00:15:23,800 --> 00:15:26,480
Speaker 2: it's like a kind of a temporarily broken penis.

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Speaker 3: That can happen. Yeah, that can happen because some girls

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Speaker 3: don't read it. Know, for ride, you know the no no.

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Speaker 1: For right, but that's why you gotta take classes.

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Speaker 3: Yeah, it's good that that woman is doing the classes.

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Speaker 2: Absolutely, And then I'm I'm gonna finish it with this.

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Speaker 2: She said that he had a kind of one and

359
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Speaker 2: the whole thing filled up with blood. Sorry guys, Yeah,

360
00:15:47,640 --> 00:15:50,600
Speaker 2: in the scenario with this woman, she says she had

361
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Speaker 2: a kind of one and the whole thing filled up

362
00:15:52,160 --> 00:15:54,680
Speaker 2: with blood because she went up and came down.

363
00:15:54,840 --> 00:15:57,840
Speaker 3: Maybe that person like a hematom or something. Yeah, out,

364
00:15:58,320 --> 00:16:00,200
Speaker 3: but I can I can miss up circulation in the

365
00:16:00,480 --> 00:16:03,400
Speaker 3: pen because it's not just Hanna alone can fracture your foot,

366
00:16:03,440 --> 00:16:05,520
Speaker 3: and you have other body parts that can fracture as well.

367
00:16:06,040 --> 00:16:08,320
Speaker 3: So if if you have a real we are Jommy

368
00:16:08,440 --> 00:16:09,800
Speaker 3: Cannon and so you know, so we eat a lot

369
00:16:09,800 --> 00:16:12,240
Speaker 3: of you know, grown provision and thing there, and we

370
00:16:12,280 --> 00:16:15,640
Speaker 3: had a lot of fruits that melon, watermelon, See that

371
00:16:15,720 --> 00:16:17,440
Speaker 3: white part of the melon. We eat that part of

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00:16:17,480 --> 00:16:19,360
Speaker 3: the melon. You know, it helps you to your erection.

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Speaker 3: So we always have some you know, firm erection for

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Speaker 3: the girl. Is that true?

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Speaker 1: Never seen that research anywhere?

376
00:16:26,480 --> 00:16:28,000
Speaker 3: What watermelon?

377
00:16:28,160 --> 00:16:28,360
Speaker 2: Yeah?

378
00:16:28,440 --> 00:16:31,000
Speaker 3: Yeah, money yeah, money, it works, man, it works. Man.

379
00:16:31,680 --> 00:16:34,480
Speaker 3: And well, well, well you have a thing called figure

380
00:16:34,480 --> 00:16:38,080
Speaker 3: as well the fig. You know them things that give

381
00:16:38,120 --> 00:16:42,000
Speaker 3: you real firm erection, and then you have the roots.

382
00:16:42,600 --> 00:16:46,280
Speaker 3: When did you learn all this shoe studies and true studies.

383
00:16:46,280 --> 00:16:49,440
Speaker 3: And remember that we have to we have to sample

384
00:16:49,640 --> 00:16:52,560
Speaker 3: the thingdom as well. So when we sample, they am

385
00:16:52,720 --> 00:16:54,440
Speaker 3: like I was sampled the watermelon, and I see you

386
00:16:54,440 --> 00:16:57,520
Speaker 3: are they react to it. I understand. And then the

387
00:16:57,600 --> 00:16:59,800
Speaker 3: sample the fig and you realize the fig, you know,

388
00:17:00,040 --> 00:17:02,400
Speaker 3: kipenis get up, you know, more regular than it now'm

389
00:17:02,400 --> 00:17:04,200
Speaker 3: gobota get up, especially when you're getting older.

390
00:17:04,280 --> 00:17:05,920
Speaker 2: Oh yeah, that is true when you get older, because

391
00:17:05,920 --> 00:17:07,320
Speaker 2: you guys can only go one time.

392
00:17:08,040 --> 00:17:10,199
Speaker 1: As you get older, sometimes people need ten minutes.

393
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Speaker 3: Well, let's say the women, you know, they want more

394
00:17:12,760 --> 00:17:15,080
Speaker 3: when when they reach over age. And let my ears

395
00:17:15,119 --> 00:17:16,600
Speaker 3: know that you girls get craving.

396
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Speaker 1: That is true.

397
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Speaker 2: They say women hit their peak at a later time

398
00:17:19,440 --> 00:17:22,160
Speaker 2: than men like you already peaked.

399
00:17:22,080 --> 00:17:23,760
Speaker 3: Right if you don't get the menopause, I guess.

400
00:17:25,200 --> 00:17:28,040
Speaker 2: Okay, yeah, once we get there. Now let's talk about

401
00:17:28,040 --> 00:17:32,600
Speaker 2: the song Baddest. Okay, so now Baddest with that song.

402
00:17:32,880 --> 00:17:34,639
Speaker 2: I actually really enjoyed that we were listening to that

403
00:17:34,680 --> 00:17:37,440
Speaker 2: before you came in here. Just now so now who

404
00:17:37,520 --> 00:17:39,680
Speaker 2: is that seems like kind of like a it's a parody,

405
00:17:40,160 --> 00:17:41,520
Speaker 2: right type of song?

406
00:17:41,840 --> 00:17:43,159
Speaker 1: What do you I was also.

407
00:17:42,920 --> 00:17:45,000
Speaker 2: Reading that a lot of women now one of the

408
00:17:45,040 --> 00:17:47,520
Speaker 2: main surgeries that they're doing here is getting a reverse

409
00:17:48,000 --> 00:17:52,320
Speaker 2: BBL and like getting rid of you know, yeah, things

410
00:17:52,359 --> 00:17:54,480
Speaker 2: that they're putting into their body because they're realizing that

411
00:17:54,800 --> 00:17:56,760
Speaker 2: it can be harmful and some people just don't like

412
00:17:56,760 --> 00:17:58,880
Speaker 2: the way it looks, the way that they're clothes fit anymore.

413
00:17:59,320 --> 00:18:01,000
Speaker 2: Was that ever a big thing in Jamaica, because I

414
00:18:01,000 --> 00:18:03,399
Speaker 2: don't feel like BBLS was ever like a.

415
00:18:04,760 --> 00:18:06,800
Speaker 3: Well, a lot of girls doing it now they are,

416
00:18:07,200 --> 00:18:09,080
Speaker 3: but I think they have better doctors now. Girls used

417
00:18:09,080 --> 00:18:12,199
Speaker 3: to do the little thing that they put inside I

418
00:18:12,200 --> 00:18:15,040
Speaker 3: guess what they call them, the shots, the shots, the

419
00:18:15,040 --> 00:18:17,920
Speaker 3: butt shots or whatever they used to do. I think actually,

420
00:18:18,000 --> 00:18:19,880
Speaker 3: you know, I think girls came forward and they said

421
00:18:19,880 --> 00:18:23,840
Speaker 3: I would almost kill them. So so I think less

422
00:18:23,880 --> 00:18:26,800
Speaker 3: girls are doing that now, but now they're finding I

423
00:18:26,840 --> 00:18:28,760
Speaker 3: think more girls are doing surgery. They're going to the

424
00:18:28,760 --> 00:18:31,680
Speaker 3: Dominica Republic and as we had to you know, get

425
00:18:31,720 --> 00:18:34,800
Speaker 3: those you know, the butt lifts. So sometimes you see

426
00:18:34,800 --> 00:18:36,560
Speaker 3: them it's like two musquita feet and just.

427
00:18:37,280 --> 00:18:38,960
Speaker 4: You know, the mosquito feet.

428
00:18:40,240 --> 00:18:43,879
Speaker 3: Look like a table like the butty big soick.

429
00:18:44,640 --> 00:18:45,760
Speaker 1: What are your thoughts on it?

430
00:18:46,640 --> 00:18:49,840
Speaker 3: Yeah, I think I think it's dangerous. I think it's dangerous,

431
00:18:50,280 --> 00:18:52,480
Speaker 3: you know, but you know, to eat their own and

432
00:18:52,520 --> 00:18:55,320
Speaker 3: if the girls them feel insecure, and I think just

433
00:18:55,320 --> 00:18:57,760
Speaker 3: the world that we're live in now, people feel like

434
00:18:57,800 --> 00:19:00,360
Speaker 3: they have to do these things to be accepted. It's

435
00:19:00,359 --> 00:19:03,960
Speaker 3: like like a casing point. If you look at, you know,

436
00:19:04,000 --> 00:19:06,480
Speaker 3: the era that Stevie Wonder broke and rich Alds and

437
00:19:06,520 --> 00:19:11,959
Speaker 3: those artists that you know, physical issues, what you call

438
00:19:12,000 --> 00:19:15,560
Speaker 3: it blindness or whatever. Those artists, we didn't see them,

439
00:19:15,720 --> 00:19:18,080
Speaker 3: you know, before they got the break, before they broke

440
00:19:18,080 --> 00:19:20,160
Speaker 3: as artists. So we heard these songs and we're like, yo,

441
00:19:20,640 --> 00:19:23,119
Speaker 3: Steven Wanda is the greatest, and well, look tell me

442
00:19:23,160 --> 00:19:25,200
Speaker 3: when it was the last time a blind artist broke.

443
00:19:25,960 --> 00:19:28,160
Speaker 3: It's like people these days are like they're more interested

444
00:19:28,200 --> 00:19:30,399
Speaker 3: in how you look. It's not so much about the

445
00:19:30,400 --> 00:19:32,520
Speaker 3: talent anymore. It's not such so much about the music.

446
00:19:32,680 --> 00:19:36,399
Speaker 3: I did a song there that day with a kid nigerboy.

447
00:19:36,600 --> 00:19:39,520
Speaker 3: He's blind. He's like one of the greatest singers in

448
00:19:39,640 --> 00:19:42,000
Speaker 3: dance all right, Now, but I think people are more

449
00:19:42,000 --> 00:19:45,439
Speaker 3: interested in how people look, you know, these days, like

450
00:19:45,480 --> 00:19:47,480
Speaker 3: I couldn't tell when last I see, Like, I.

451
00:19:47,440 --> 00:19:49,760
Speaker 1: Think for women that's true more than for men.

452
00:19:49,920 --> 00:19:51,920
Speaker 3: Men, everyone, everyone, Yeah you think so you.

453
00:19:51,840 --> 00:19:54,480
Speaker 2: Think you care how men look because I've always felt

454
00:19:54,480 --> 00:19:56,160
Speaker 2: like when men, y'all could get away with a lot

455
00:19:56,160 --> 00:19:58,720
Speaker 2: more than we could women. It's like we got to

456
00:19:58,800 --> 00:20:01,440
Speaker 2: hear them makeup done. They tell you got to lose weight,

457
00:20:01,480 --> 00:20:03,240
Speaker 2: you got to look a certain way. I feel like

458
00:20:03,280 --> 00:20:04,720
Speaker 2: men come out and be like, yeah, I'm ugly and

459
00:20:04,760 --> 00:20:05,320
Speaker 2: make it part.

460
00:20:05,200 --> 00:20:06,120
Speaker 4: Of the well.

461
00:20:06,200 --> 00:20:08,320
Speaker 3: Girls love ugly man. But you know, it's still it's

462
00:20:08,320 --> 00:20:11,320
Speaker 3: still an attraction, you know, like you know, you know

463
00:20:11,359 --> 00:20:13,119
Speaker 3: what I'm saying. But look, if you look at like

464
00:20:13,119 --> 00:20:15,880
Speaker 3: physical disabilities, the when was the last time we saw

465
00:20:15,920 --> 00:20:19,439
Speaker 3: an artist right kind of physical disability broke? People are

466
00:20:19,440 --> 00:20:22,200
Speaker 3: more interested now they're seeing all it's like a turn

467
00:20:22,240 --> 00:20:24,240
Speaker 3: off for people if they realize that something is wrong

468
00:20:24,280 --> 00:20:26,520
Speaker 3: with you that you have no control over.

469
00:20:27,000 --> 00:20:28,520
Speaker 1: I can't agree with that.

470
00:20:29,160 --> 00:20:31,040
Speaker 3: So that's the reason why people, to answer your question,

471
00:20:31,080 --> 00:20:33,879
Speaker 3: that's the reason why so many girls are doing you

472
00:20:33,920 --> 00:20:36,000
Speaker 3: know them type of surgeon and even men these days

473
00:20:36,040 --> 00:20:38,760
Speaker 3: doing ear plug You know, man, put some from not

474
00:20:38,840 --> 00:20:41,359
Speaker 3: in here, you know, because of the pressure of the world.

475
00:20:41,400 --> 00:20:42,640
Speaker 3: You know, people want to look good.

476
00:20:43,160 --> 00:20:44,840
Speaker 2: I'm like, yeah, why don't they just shave their head

477
00:20:44,880 --> 00:20:47,080
Speaker 2: bald already because it do still look.

478
00:20:46,960 --> 00:20:50,000
Speaker 4: A little because I feel like head looks good.

479
00:20:53,119 --> 00:20:55,760
Speaker 1: They're also doing the waiste trainers and everything too.

480
00:20:56,000 --> 00:20:57,920
Speaker 3: Everything everybody's trying to look good for the camp.

481
00:20:58,960 --> 00:21:02,320
Speaker 2: That's because everything's now and you can see things so

482
00:21:02,440 --> 00:21:02,920
Speaker 2: much more.

483
00:21:03,320 --> 00:21:05,960
Speaker 3: Men are going on Instagram and using filter. So just

484
00:21:06,040 --> 00:21:07,920
Speaker 3: check that. Everybody trying to look good.

485
00:21:08,040 --> 00:21:09,959
Speaker 2: But you've managed to stay in shape through the years.

486
00:21:10,320 --> 00:21:11,960
Speaker 2: Have you ever had a time and you didn't like

487
00:21:11,960 --> 00:21:12,480
Speaker 2: how you look?

488
00:21:12,560 --> 00:21:16,760
Speaker 3: Like? I gotta no, man, I embrace I'm getting old.

489
00:21:17,359 --> 00:21:21,159
Speaker 3: He's like a blessing, you know, because I I just

490
00:21:21,200 --> 00:21:24,600
Speaker 3: know that we're here for a time. Some answer. So

491
00:21:25,640 --> 00:21:27,840
Speaker 3: I just try to live my life, you know, and

492
00:21:28,160 --> 00:21:31,359
Speaker 3: live my life a positive way right where. You know,

493
00:21:31,400 --> 00:21:33,800
Speaker 3: if if when my number is you know, when my

494
00:21:33,880 --> 00:21:36,399
Speaker 3: number call up, I just already I just know that

495
00:21:36,400 --> 00:21:38,840
Speaker 3: I live a good life like witness and safe. Tomorrow

496
00:21:38,880 --> 00:21:42,320
Speaker 3: is judgment. D ask me what did I do?

497
00:21:43,600 --> 00:21:44,000
Speaker 1: Now? You know.

498
00:21:44,040 --> 00:21:46,600
Speaker 2: I was saying this the other day when everything was

499
00:21:46,600 --> 00:21:49,440
Speaker 2: happening with versus right, I feel like when it because

500
00:21:49,480 --> 00:21:51,840
Speaker 2: the dancer one was my favorite one. I thought it

501
00:21:51,920 --> 00:21:54,399
Speaker 2: was like the most exciting one during the pandemic. I

502
00:21:54,440 --> 00:21:56,400
Speaker 2: know they were live ones, and that was the first

503
00:21:56,440 --> 00:21:59,080
Speaker 2: live one when people were in the room together, and

504
00:21:59,800 --> 00:22:01,440
Speaker 2: I felt like they needed to do more of those.

505
00:22:01,640 --> 00:22:04,040
Speaker 2: Is that something that you've ever been approached about or

506
00:22:04,080 --> 00:22:05,080
Speaker 2: that you would entertain?

507
00:22:05,440 --> 00:22:06,920
Speaker 1: And who do you think would be a good opponent.

508
00:22:07,680 --> 00:22:11,600
Speaker 3: The only person I could see that could be on

509
00:22:11,640 --> 00:22:13,720
Speaker 3: the same stage with mister Vegas is he would have

510
00:22:13,800 --> 00:22:15,919
Speaker 3: to be Shampaul. But he has more international hits than

511
00:22:16,000 --> 00:22:18,480
Speaker 3: mister Vegas. But it would be a good thing because

512
00:22:18,480 --> 00:22:20,159
Speaker 3: we have so many dance all songs. It's just that

513
00:22:20,240 --> 00:22:23,280
Speaker 3: his dance all songs are more crossover. But mister Vegas,

514
00:22:23,320 --> 00:22:25,640
Speaker 3: if you go pull up heads eye, broke it down,

515
00:22:25,720 --> 00:22:28,400
Speaker 3: had to walk gallis. I am blessed.

516
00:22:28,240 --> 00:22:30,919
Speaker 2: Themselves that I am blessed every morning on my.

517
00:22:30,960 --> 00:22:31,480
Speaker 1: Way to work.

518
00:22:31,640 --> 00:22:34,080
Speaker 3: But Shampaul is not is not into that clashing thing.

519
00:22:34,160 --> 00:22:36,479
Speaker 2: He's not into He kind of thought about it for

520
00:22:36,520 --> 00:22:38,120
Speaker 2: a hart second, but and I.

521
00:22:38,040 --> 00:22:40,160
Speaker 3: Guess they would want to put Shampaul with Shaggy, which

522
00:22:40,200 --> 00:22:41,879
Speaker 3: I don't think is a good match because Shaggy is

523
00:22:41,880 --> 00:22:46,320
Speaker 3: more like like oh me, It's more like.

524
00:22:45,440 --> 00:22:48,080
Speaker 2: Like pop right, and they're friends with each other too, Yeah, man,

525
00:22:48,119 --> 00:22:48,720
Speaker 2: a really cooler.

526
00:22:49,400 --> 00:22:52,639
Speaker 3: But outside of that, I think the matchup that they

527
00:22:52,680 --> 00:22:55,480
Speaker 3: had with the two artists that they used, being the

528
00:22:55,520 --> 00:22:57,359
Speaker 3: Man and the other artists, I think that was a

529
00:22:57,400 --> 00:22:57,960
Speaker 3: good match up.

530
00:22:58,600 --> 00:23:08,440
Speaker 1: You know what I'm saying, you are so.

531
00:23:04,040 --> 00:23:07,160
Speaker 3: So I think I think that was good and and actually,

532
00:23:07,359 --> 00:23:10,120
Speaker 3: you know, I think versus need you know, should give

533
00:23:10,160 --> 00:23:12,639
Speaker 3: the dance artists or the dancer community more props.

534
00:23:12,840 --> 00:23:15,720
Speaker 2: Yeah, because that's really where it stems from, right.

535
00:23:15,640 --> 00:23:18,720
Speaker 3: The whole on the stage thing where Jadakis and Fat

536
00:23:18,800 --> 00:23:21,240
Speaker 3: Joe and everyone is doing it now when Jadakis almost

537
00:23:21,280 --> 00:23:24,240
Speaker 3: killed the man on stage, you know, all that all

538
00:23:24,280 --> 00:23:26,320
Speaker 3: that is coming from dance. So that is that is it?

539
00:23:26,960 --> 00:23:29,920
Speaker 3: That is Ninja Man and Shabarankin right there, and know

540
00:23:29,960 --> 00:23:31,520
Speaker 3: so I'm saying that is that is all a thing

541
00:23:31,600 --> 00:23:34,320
Speaker 3: that is dance, all culture where we go on the stage.

542
00:23:34,600 --> 00:23:36,920
Speaker 3: That's what I wanted to do at Sting this year,

543
00:23:37,000 --> 00:23:39,280
Speaker 3: but then the artists run away from the clash. I

544
00:23:39,359 --> 00:23:40,760
Speaker 3: wanted to bring back that, right.

545
00:23:41,880 --> 00:23:44,000
Speaker 2: Are there things you feel like you can't say now too,

546
00:23:44,119 --> 00:23:46,240
Speaker 2: because people are a lot more politically correct. There are

547
00:23:46,320 --> 00:23:48,560
Speaker 2: songs that, like we said, people are realizing what was

548
00:23:48,600 --> 00:23:52,160
Speaker 2: being said and and you know, I feel like people

549
00:23:52,280 --> 00:23:54,640
Speaker 2: are very direct in dancehall.

550
00:23:54,680 --> 00:23:56,080
Speaker 1: But are there things you feel like? Man, I can't

551
00:23:56,080 --> 00:23:57,320
Speaker 1: even say stuff like that anymore.

552
00:23:58,920 --> 00:24:00,919
Speaker 3: A lot of stuff. But good that we have the Internet.

553
00:24:01,000 --> 00:24:02,960
Speaker 3: And even the Internet is a problem to say stuff

554
00:24:02,960 --> 00:24:05,000
Speaker 3: because people can just report your page that I ever

555
00:24:05,040 --> 00:24:07,760
Speaker 3: put my page every day every time I try to

556
00:24:08,080 --> 00:24:10,639
Speaker 3: make a post and say, oh this, this, this, this

557
00:24:11,119 --> 00:24:13,960
Speaker 3: type of language has been reported and I'm like, what

558
00:24:14,160 --> 00:24:15,840
Speaker 3: is in this? It is like people just keep reporting

559
00:24:15,880 --> 00:24:17,840
Speaker 3: my page for no reason. So you have to be careful.

560
00:24:17,920 --> 00:24:21,680
Speaker 3: You can't say damn, you can't say pussy, you can't

561
00:24:21,720 --> 00:24:24,159
Speaker 3: say none of those stuff anymore. You can be understandable

562
00:24:24,320 --> 00:24:27,639
Speaker 3: damn no, I mean dance all though, like in dance

563
00:24:28,000 --> 00:24:31,320
Speaker 3: you know, patron and ladies, they could say that and

564
00:24:31,400 --> 00:24:34,240
Speaker 3: it's authentic. It's just like yo rah, it's a shabar

565
00:24:34,280 --> 00:24:38,080
Speaker 3: rankin you know if animate you know skinnote, pum pum

566
00:24:38,160 --> 00:24:41,040
Speaker 3: and girls love them things there, But now you say

567
00:24:41,119 --> 00:24:43,200
Speaker 3: them things like you banned from the radio and Jamaica.

568
00:24:43,240 --> 00:24:46,280
Speaker 3: You banned from social media. It's like there's no outlet

569
00:24:46,359 --> 00:24:48,480
Speaker 3: to be authentic anymore. So I kind of kill the

570
00:24:48,520 --> 00:24:49,920
Speaker 3: creativity of the music.

571
00:24:50,600 --> 00:24:52,919
Speaker 2: Yeah I could, but I guess if you're super creative

572
00:24:52,920 --> 00:24:54,320
Speaker 2: you could figure out ways around it too.

573
00:24:54,680 --> 00:24:58,800
Speaker 3: There's nowhere on just trying to be like hardcore. It's

574
00:24:58,840 --> 00:25:01,919
Speaker 3: like flicks, time to we have sex, like sex had

575
00:25:01,960 --> 00:25:08,200
Speaker 3: to go right there, fakes, time to do something, time

576
00:25:08,280 --> 00:25:09,720
Speaker 3: to do the romance.

577
00:25:11,560 --> 00:25:12,000
Speaker 4: Comedian.

578
00:25:12,359 --> 00:25:14,560
Speaker 1: Do you think that things are better for women now

579
00:25:14,800 --> 00:25:15,480
Speaker 1: in dancehall?

580
00:25:15,520 --> 00:25:17,320
Speaker 2: Because I know that from a lot of women who

581
00:25:17,359 --> 00:25:20,000
Speaker 2: I've spoken to, it's been really tough, like just even

582
00:25:20,280 --> 00:25:22,160
Speaker 2: especially way back in the day. They're doing a whole

583
00:25:22,240 --> 00:25:25,359
Speaker 2: documentary too right now, Assistant Nancy and what it was

584
00:25:25,480 --> 00:25:27,960
Speaker 2: like for her getting started. And I've spoken to a

585
00:25:28,000 --> 00:25:30,399
Speaker 2: lot of different women, obviously Spie and See. Yeah, but

586
00:25:30,720 --> 00:25:34,119
Speaker 2: it's been kind of difficult with women in dance all.

587
00:25:34,160 --> 00:25:36,080
Speaker 2: Do you think things are finally getting better?

588
00:25:36,560 --> 00:25:40,879
Speaker 3: Lady Saul kicked down the gates, the barriers that blocked

589
00:25:40,960 --> 00:25:45,600
Speaker 3: women from getting prime time, from getting prime fees. Lady

590
00:25:45,680 --> 00:25:51,560
Speaker 3: Saw was the person that kicked off the the you know,

591
00:25:51,600 --> 00:25:54,320
Speaker 3: they were disparty that was going on in danceall. I know,

592
00:25:54,480 --> 00:25:56,359
Speaker 3: females are getting more money than even some of the

593
00:25:56,400 --> 00:25:59,680
Speaker 3: males are male artists, and females are closing concerts and

594
00:25:59,760 --> 00:26:02,159
Speaker 3: get in prime time and getting more songs and more

595
00:26:02,240 --> 00:26:04,680
Speaker 3: hit songs, and their songs are playing in the danceaull

596
00:26:04,800 --> 00:26:07,560
Speaker 3: not just like in the early parts. You know, So

597
00:26:07,720 --> 00:26:11,879
Speaker 3: Lady's eye is the is the true pioneer of what

598
00:26:12,200 --> 00:26:14,800
Speaker 3: you know, the women are, you know, you know, reaping

599
00:26:14,880 --> 00:26:17,159
Speaker 3: now the success that the women are having. Know, she

600
00:26:17,400 --> 00:26:20,000
Speaker 3: she trust me. She came out a real bad She

601
00:26:20,200 --> 00:26:22,359
Speaker 3: was not just like, oh I'm going to work earlier,

602
00:26:22,400 --> 00:26:24,440
Speaker 3: I'm going to work in the female section. She was

603
00:26:24,600 --> 00:26:27,520
Speaker 3: kicking it. She was kicking people down. To this day,

604
00:26:27,600 --> 00:26:31,240
Speaker 3: she's like the champion, She's like the boss, the boss.

605
00:26:31,320 --> 00:26:33,640
Speaker 3: I fight so much for her when she went to church,

606
00:26:34,200 --> 00:26:36,919
Speaker 3: I became like an antagonist to her as well, because

607
00:26:37,680 --> 00:26:39,359
Speaker 3: I just know that, oh, she's so good, you know,

608
00:26:39,520 --> 00:26:42,359
Speaker 3: and you know, I was just hoping that, you know,

609
00:26:42,440 --> 00:26:44,399
Speaker 3: she would just still do dance all music, even not

610
00:26:44,520 --> 00:26:46,560
Speaker 3: to go as raw as she was, you know.

611
00:26:46,960 --> 00:26:49,159
Speaker 2: Right, maybe she could be like how Prince kind of

612
00:26:49,200 --> 00:26:51,760
Speaker 2: toned it down and didn't do certain songs.

613
00:26:53,240 --> 00:26:59,880
Speaker 3: Dance, gospel, dance, all gospels. Is once does gospel to dance,

614
00:27:00,680 --> 00:27:04,320
Speaker 3: it becomes too you know, complicated because the church people

615
00:27:04,320 --> 00:27:06,600
Speaker 3: are like, oh you said downsau don South Gospel. No,

616
00:27:06,680 --> 00:27:08,520
Speaker 3: we don't like dwansauns. You have to use a gospeller

617
00:27:08,640 --> 00:27:12,240
Speaker 3: dwanceau you know. But it's just music. Like I heard

618
00:27:12,359 --> 00:27:14,520
Speaker 3: Ladies so she had a song of sorry your feeling

619
00:27:14,520 --> 00:27:17,520
Speaker 3: and I did not die. She had promoted that song

620
00:27:17,560 --> 00:27:20,240
Speaker 3: it to be like a smash. Right. Well, she's great

621
00:27:20,280 --> 00:27:21,560
Speaker 3: and she has a lot to hate song, so maybe

622
00:27:21,640 --> 00:27:22,800
Speaker 3: she don't need to promote that one day.

623
00:27:23,119 --> 00:27:24,440
Speaker 1: Okay, we're not mad at it.

624
00:27:24,920 --> 00:27:27,080
Speaker 2: Well, listen, is there anything else on your bucket list

625
00:27:27,160 --> 00:27:30,239
Speaker 2: that you haven't done yet? Because it feels like even now,

626
00:27:30,359 --> 00:27:32,159
Speaker 2: you know you even though you've been in this business

627
00:27:32,200 --> 00:27:34,760
Speaker 2: for almost thirty years, how long has it been now?

628
00:27:35,000 --> 00:27:37,000
Speaker 3: No, that's too much, too much money?

629
00:27:37,080 --> 00:27:40,240
Speaker 1: Twenty four, twenty four okay, going all right, yeah almost No.

630
00:27:40,400 --> 00:27:42,360
Speaker 3: I mean that's just six years a lot of time.

631
00:27:42,359 --> 00:27:44,120
Speaker 2: Okay, Right, He's like, I got a lot of things

632
00:27:44,160 --> 00:27:46,960
Speaker 2: to make happen, you know, God degrees now, you know,

633
00:27:47,119 --> 00:27:49,760
Speaker 2: graduating from school, maybe going to get your doctorate or

634
00:27:49,880 --> 00:27:50,720
Speaker 2: master's next.

635
00:27:52,000 --> 00:27:54,760
Speaker 3: I'm doing music now, I'm doing. I'm focused. I'm focused

636
00:27:54,800 --> 00:27:57,760
Speaker 3: on music. I guess that's not going to make enough money,

637
00:27:57,840 --> 00:27:59,760
Speaker 3: like what music is making. I just do it for

638
00:27:59,880 --> 00:28:03,359
Speaker 3: like to motivate people to help. Like if I decide

639
00:28:03,400 --> 00:28:05,960
Speaker 3: to be like an inspiration and speak on a full

640
00:28:06,040 --> 00:28:06,840
Speaker 3: time business and.

641
00:28:06,880 --> 00:28:09,720
Speaker 1: The business is good, right, all the business is handled.

642
00:28:09,440 --> 00:28:12,000
Speaker 3: Yeah, one, yeah, yeahm on. I buy a lot of

643
00:28:12,080 --> 00:28:14,920
Speaker 3: land and you know, do a lot of real estate

644
00:28:15,000 --> 00:28:17,760
Speaker 3: development and stuff like that. So I'm good there. I

645
00:28:17,920 --> 00:28:20,719
Speaker 3: try to save my money, you know, even though I'm

646
00:28:20,760 --> 00:28:22,359
Speaker 3: done in the stock market and it's killing me right.

647
00:28:22,440 --> 00:28:24,479
Speaker 1: Yeah, we're all down right now, which, by the way,

648
00:28:24,520 --> 00:28:25,560
Speaker 1: they say, is a good time to buy.

649
00:28:25,920 --> 00:28:27,520
Speaker 3: Just you know, I don't know. I don't I don't

650
00:28:27,560 --> 00:28:30,119
Speaker 3: know where it's gonna tongue or drop out.

651
00:28:30,359 --> 00:28:32,320
Speaker 1: But don't sell it the low. That's one thing we

652
00:28:32,400 --> 00:28:34,320
Speaker 1: do know. When it just we be aware.

653
00:28:34,520 --> 00:28:37,800
Speaker 3: Hopefully it recovers. Man, I'm gonna be good. I'm gonna

654
00:28:37,800 --> 00:28:40,320
Speaker 3: be coming up in here like yo, angel lambugging it.

655
00:28:40,320 --> 00:28:41,960
Speaker 2: On stairs and the way I said, all right, well

656
00:28:42,000 --> 00:28:45,440
Speaker 2: I'll pray on that too then. But mister Vegas, thank

657
00:28:45,440 --> 00:28:47,160
Speaker 2: you so much. We do appreciate you for coming through,

658
00:28:47,240 --> 00:28:49,400
Speaker 2: Like I said, you know, I'm a big fan, so big.

659
00:28:49,320 --> 00:28:52,959
Speaker 3: Up, says man. We're supporting mister Vegas. Right, you let

660
00:28:53,000 --> 00:28:56,280
Speaker 3: the world know that Miss Vegas is a real bar is.

661
00:28:58,800 --> 00:29:01,120
Speaker 1: And I'm not using no side, no, I'm playing you.

662
00:29:01,200 --> 00:29:03,080
Speaker 3: Get truth side. Yeah, yeah, yeah, you.

663
00:29:03,160 --> 00:29:06,440
Speaker 2: Know the things way up for Angela, Ye, mister Vegas,

664
00:29:09,080 --> 00:29:09,520
Speaker 2: way up.

665
00:29:12,240 --> 00:29:15,280
Speaker 3: Okay,