WEBVTT - BONUS: Katie Lowes & Guillermo Diaz Unpack The Industry

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheartradiots and Katie Lows.

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<v Speaker 2>First and foremost, Guillermo Diaz.

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<v Speaker 1>And Katie Lows.

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<v Speaker 2>I haven't seen you in so long. It breaks my

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<v Speaker 2>fucking heart.

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<v Speaker 1>It's fucked up. That's not right.

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<v Speaker 2>But you know, the one place we do hang out

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<v Speaker 2>is on the picket lines, bitch.

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<v Speaker 1>Yes, yes, yes, with a ton of other actors.

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<v Speaker 2>Yes, yes, a ton of other actors. At the time

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<v Speaker 2>of this recording, the WGA is working it out and

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<v Speaker 2>and airstrike has come to a close. And right now

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<v Speaker 2>sag our union, sag After, Yes, is still at the

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<v Speaker 2>negotiating table and so to be in solidarity with our union,

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<v Speaker 2>sag After And also you know this pending sort of

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<v Speaker 2>murkier area with the WGA, we are doing bonus EPs

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<v Speaker 2>right now, Yes.

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<v Speaker 1>We are. We're doing this new thing where we're going

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<v Speaker 1>to unpack the industry, if you will. So we're going

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<v Speaker 1>to kind of highlight those folks that work in movies

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<v Speaker 1>and television that don't normally get, you know, the attention,

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<v Speaker 1>They don't get the platform to speak about their journey

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<v Speaker 1>and how they got there. And you know where where

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<v Speaker 1>they came from and all of that stuff, which is super,

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<v Speaker 1>super exciting. And again, like Katie said, we're standing in

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<v Speaker 1>solidarity with our you know, with the WGA and with

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<v Speaker 1>our sag after brothers and sisters. So we want to

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<v Speaker 1>be respectful and thoughtful and we thought this is a

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<v Speaker 1>really great way to do that and still continue on

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<v Speaker 1>with the podcast.

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<v Speaker 2>Yes, and give you guys some hot hot content. Oh yeah,

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<v Speaker 2>that isn't the REWAT podcast, which will be coming back

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<v Speaker 2>when our awesome negotiating committee gets our fair deal, because

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<v Speaker 2>I'm putting it out there people.

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<v Speaker 1>Yes, we'll be back. And speaking of hot hot content,

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<v Speaker 1>we have a new buddy that's gonna join us on

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<v Speaker 1>unpacking the toolbox. I'm back in the industry and Katie

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<v Speaker 1>and I have worked with her for a long time.

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<v Speaker 1>I've known her forever.

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<v Speaker 2>She's pretty freaking awesome the best. And when we were like,

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<v Speaker 2>let's do some bonus apps where we're not going to

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<v Speaker 2>do the usual rewatch, we will bring that to y'all

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<v Speaker 2>when we get our fair deal, hopefully at some point soon.

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<v Speaker 2>And in the meantime, we're going to bring on this

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<v Speaker 2>cool cool, cool cool check probably one of the coolest chicks,

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<v Speaker 2>who knows a lot more about the industry actually than

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<v Speaker 2>me and g because me and Gen correct, we are

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<v Speaker 2>just act tools. Although Gaiatramo has directed it before. However,

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<v Speaker 2>we were like, let's bring on someone from Shondaland that

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<v Speaker 2>actually knows about all these people. We want to spotlight

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<v Speaker 2>on the bonus apps, like we want to bring in

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<v Speaker 2>makeup and wardrobe and salad supervisors, music supervisor, cinematographers. We

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<v Speaker 2>want to talk to just a lot of the people

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<v Speaker 2>that make Hollywood Hollywood. Yeah, this new content we're bringing

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<v Speaker 2>to you hot off the presses is felt good to us. Yeah,

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<v Speaker 2>but also we needed a little bit of help. Yes,

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<v Speaker 2>G and I were like, who could we bring on

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<v Speaker 2>that knows way more about this than us?

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<v Speaker 1>Yes? Yes, And the person we wanted wasn't available, So

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<v Speaker 1>non kidding this person listen, I've known this person for

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<v Speaker 1>a really long time. I did a film, one of

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<v Speaker 1>my favorite films with her that she produced, and then

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<v Speaker 1>we spent years making our show of course, where we

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<v Speaker 1>all met and she is should we uh yeah?

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<v Speaker 2>Should we can't give you a few other tips?

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<v Speaker 1>Yeah, yeah, yeah, give us some more, give us some

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<v Speaker 1>more likes fine wine.

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<v Speaker 2>She loves dogs, she loves architecture, she loves art, she

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<v Speaker 2>loves Venice, Italy. She loves cool fucking glasses. She likes cool, interesting,

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<v Speaker 2>kind of vintage jewelry pieces.

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<v Speaker 1>And she used to be she used to be a comedian.

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<v Speaker 2>Oh, she's a comedian. She used to be an actress.

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<v Speaker 2>She is the greatest stage direction reader that has ever

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<v Speaker 2>been birthed. On the history of the Santa Earth.

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<v Speaker 1>And Katie she was the original podcaster for the show.

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<v Speaker 1>We would go into her office at Shondaland and get

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<v Speaker 1>interviewed by Homegirl. Yes, so she was the original, the

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<v Speaker 1>original of the og SO.

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<v Speaker 2>Ladies and gents and everyone everywhere. Unpacking the Toolbox, Unpacking

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<v Speaker 2>the Industry, brought to you by Katie Lows, Gear Moodiaz and.

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<v Speaker 1>Betsy Betsy Beers.

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<v Speaker 3>Yea, that's a sound of me laughing. You just unpacked

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<v Speaker 3>my toolbox.

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<v Speaker 1>Yeah we did.

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<v Speaker 3>I didn't have to say anything. My toolbox is just

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<v Speaker 3>all over the place there.

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<v Speaker 2>Well, as you said, this toolbox is heavy.

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<v Speaker 3>It's a heavy toolbox. And I think what's really exciting

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<v Speaker 3>about this is that y'all are going to get to

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<v Speaker 3>hear some really cool stories from folks that we've had

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<v Speaker 3>a chance to work with and really surprising ways that

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<v Speaker 3>people have ended up kind of doing what they're doing

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<v Speaker 3>and loving what they're doing. But what we thought we

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<v Speaker 3>would do today is a big special treat for me

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<v Speaker 3>and for hopefully anybody else is I think we need

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<v Speaker 3>to unpack Gerramo and Katie's toolboxes just to start out.

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<v Speaker 3>We can all just sort of, you know, get into

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<v Speaker 3>this new process. And I had there are a lot

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<v Speaker 3>of things that I bet all you don't know about

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<v Speaker 3>Katie and Giam. I mean, they get interviewed a lot,

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<v Speaker 3>and they're fabulous, and they're famous actors, and they have

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<v Speaker 3>the Instagrammy and they put their faces and stuff on

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<v Speaker 3>and it's super cool. And then is Instagrammy's Instagrammy? And

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<v Speaker 3>I say that because I'm a Grammy. I'm not really,

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<v Speaker 3>I've no children, but are so nice? So hot? Is

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<v Speaker 3>a Grammy you are? But we thought it'd be really

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<v Speaker 3>fun to actually do a little bit digg and just

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<v Speaker 3>have a chat about how the hell these two big

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<v Speaker 3>buckets of endless talent started talenting their ways across the world,

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<v Speaker 3>and how do you start and do and survive and

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<v Speaker 3>thrive in this business? Because I don't. I don't know.

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<v Speaker 3>I couldn't do it. I was kind of a shitty

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<v Speaker 3>comedian and thank god I.

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<v Speaker 1>Found I'd doubt that.

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<v Speaker 3>I doubt it. Oh there's evidence to prove it.

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<v Speaker 1>You're one of the funniest people I've ever met, Betsy.

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<v Speaker 1>You're the wiest. You crack me up every time.

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<v Speaker 2>But I think you bring up a good point, Betsy,

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<v Speaker 2>which is everybody in this industry that we've ever met,

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<v Speaker 2>And like g was saying, how whol people are who

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<v Speaker 2>do so many different jobs to make shows and make

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<v Speaker 2>Hollywood happen, and it is such a non traditional life,

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<v Speaker 2>and no one has a linear straight line to get there,

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<v Speaker 2>you know, everyone's way, Like Betsy is one of the

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<v Speaker 2>most prolific, respected and highly accomplished producers in the business.

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<v Speaker 2>And the way that you got here is insane, and

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<v Speaker 2>the way that we all got here is crazy. And

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<v Speaker 2>I feel like this new podcast AEPS we're putting out

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<v Speaker 2>are all about cool jobs in this industry and how

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<v Speaker 2>the fuck did people.

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<v Speaker 3>Get there exactly, And I think that's incredibly well put.

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<v Speaker 3>I would like to do a throwback to the old

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<v Speaker 3>days when I did this, and I want to tell

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<v Speaker 3>people what you are wearing so that they can picture

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<v Speaker 3>what we're doing because we're in a split screen, because

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<v Speaker 3>we are doing this remotely, which is really annoying because

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<v Speaker 3>I love being the same room with people, But like whatever.

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<v Speaker 3>So Gierman is wearing a fetching black T shirt with

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<v Speaker 3>a big red heart on it, which is sort of

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<v Speaker 3>a red heart with gunshots.

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<v Speaker 1>No no, no gunshots. It says breaker.

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<v Speaker 3>I can't read it because you're a tiny bit blurry.

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<v Speaker 2>But why does he say breaker.

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<v Speaker 1>Because it's heartbreaker?

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<v Speaker 3>Okay, So I'm the one who thought his gunshots. Okay.

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<v Speaker 3>So he's wearing this incredibly cool T shirt which I

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<v Speaker 3>totally misidentified with my blurry eyeballs. Katie y'all, Katie has

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<v Speaker 3>accessorized for this podcast. I did a gorgeous necklace which

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<v Speaker 3>surprisingly has a ch on it from assuming.

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<v Speaker 2>Shocker Katie Katie.

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<v Speaker 3>She's wearing some baller glasses frames which make her look

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<v Speaker 3>like super powerful and maybe just a little bit like oh,

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<v Speaker 3>I don't know, like Margot, Robbie and once upon a

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<v Speaker 3>time in.

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<v Speaker 2>A ship on these glasses for everyone listening, I love glasses.

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<v Speaker 2>I'm so jealous of Betsy Beers and.

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<v Speaker 3>Does because I need them cool cool glasses.

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<v Speaker 1>I don't know.

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<v Speaker 2>I don't need glasses. I have twenty ten vision. I

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<v Speaker 2>could be a fighter pilot. People a fighter pilot. I

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<v Speaker 2>get tested every year. Nope, eyes are still fine. Really,

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<v Speaker 2>oh yeah, but I buy fake glasses. I put first

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<v Speaker 2>of all, glasses are the best accessory. Like, I'm sorry,

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<v Speaker 2>you look immediately more fashionable.

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<v Speaker 3>Okay, And hey, can I tell you what they do

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<v Speaker 3>about the eyebags, because let me just say, when you

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<v Speaker 3>have the eyebags, just get a big fucking frame. Stick

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<v Speaker 3>them on your face.

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<v Speaker 1>It's great, Uh, covers it all up. But also, Katie,

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<v Speaker 1>you're around around I'm not going to say your age,

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<v Speaker 1>but you're around the time when I was like, oh,

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<v Speaker 1>I can't quite read that print.

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<v Speaker 2>It's starting, it's starting, might be coming at night. Yes,

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<v Speaker 2>I'm turning forty one at the time of this recording tomorrow.

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<v Speaker 2>Actually no, no, turn forty wonderful And maybe I'm going

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<v Speaker 2>to go to that eye doctor. And this is my

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<v Speaker 2>whole cute like, ooh, aren't I so cute? My eyes

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<v Speaker 2>are perfect and eyes are going to be like he's

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<v Speaker 2>gonna be like, you're a danger on the road at night.

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<v Speaker 2>It's time to get some real lenses up in those glasses.

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<v Speaker 2>We'll see you eyes. I'll keep you posting.

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<v Speaker 3>That's the sort of thing you get for your birthday. Now,

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<v Speaker 3>speaking of your birthday, Katie Lows, where were you born?

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<v Speaker 2>Look at that pivot. This queen is the queen of pivots,

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<v Speaker 2>which is what we're doing on this podcast.

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<v Speaker 3>That's right, we're pivoting.

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<v Speaker 2>I was born in Queens, New York, Oh, Zone Park,

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<v Speaker 2>and my mother talks.

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<v Speaker 3>Like this, and really she really talks like this.

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<v Speaker 2>Oh, She's like, unbelievable. You're from fucking New York too,

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<v Speaker 2>aren't you know?

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<v Speaker 3>You're island in Long Island, which is very, very different.

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<v Speaker 3>But I didn't grow up at a place with that.

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<v Speaker 2>Every very well. I moved to Long Island, so it

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<v Speaker 2>went there too.

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<v Speaker 1>To specifically wear Katie to Port Washington right.

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<v Speaker 2>Or Washington Long Island, which is Betsy Beers.

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<v Speaker 3>I lived in Huntington call Spring Harbor, Oyster Bay area,

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<v Speaker 3>where we worked very hard not to have accents of

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<v Speaker 3>any sorts so we could be as bland as possible,

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<v Speaker 3>so I could develop an accent really fast to distinguish

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<v Speaker 3>myself from the assholes with whom I grew up. No offense.

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<v Speaker 3>If anybody's listening to me, you're sure you're great now

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<v Speaker 3>from Oystervey, So you were How long did you live there?

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<v Speaker 3>As a tiny little tot.

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<v Speaker 2>I grew up in Ozone Park till I was about

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<v Speaker 2>seven or eight. My dad's a fashion photographer, which was

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<v Speaker 2>very cool. I nice, you know, you know, you know,

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<v Speaker 2>of course, when people think fashion photographer, they think Vogue

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<v Speaker 2>or they think something you know, fancy. But he was

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<v Speaker 2>a male order catalog photographer, which in the eighties and

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<v Speaker 2>nineties and two thousands before everything went digital, this was huge.

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<v Speaker 2>This was how people shocked. The Llban catalog came, the

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<v Speaker 2>Blair catalogs came. Yes, all of these catalogs, that's how

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<v Speaker 2>people bought their clothes. And my dad was slammed busy.

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<v Speaker 2>But growing up it was always very cool to have

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<v Speaker 2>a parent who was an artist, a free lance artist.

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<v Speaker 1>You know.

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<v Speaker 2>My dad is like an actor. He's like a gig person.

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<v Speaker 2>It's like he went from magazine to magazine and not

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<v Speaker 2>doing the vogues or the oscar winning like he was

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<v Speaker 2>doing the stuff that put the food on the table

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<v Speaker 2>and with security and like we had great years and

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<v Speaker 2>we had very lean years, and I got to see

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<v Speaker 2>that sort of thing. And my dad always said, if

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<v Speaker 2>you can make my hobby was always photography, And if

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<v Speaker 2>you can make your hobby your job, you have you

0:12:22.920 --> 0:12:24.280
<v Speaker 2>stand a chance of being happy.

0:12:24.640 --> 0:12:26.520
<v Speaker 1>That's that's so great.

0:12:26.720 --> 0:12:31.120
<v Speaker 2>So he was always very supportive of acting until I

0:12:31.240 --> 0:12:33.720
<v Speaker 2>was twelve and I begged for an agent.

0:12:34.080 --> 0:12:36.480
<v Speaker 1>Wait did he ever? Did he ever photograph you, Katie?

0:12:36.520 --> 0:12:38.760
<v Speaker 3>For any to ask you that? Did you model for

0:12:38.800 --> 0:12:39.520
<v Speaker 3>the cattle Hucks?

0:12:39.840 --> 0:12:40.040
<v Speaker 1>Right?

0:12:40.120 --> 0:12:42.720
<v Speaker 2>Well, remember when starter jackets were in?

0:12:42.920 --> 0:12:43.160
<v Speaker 3>Yes?

0:12:43.760 --> 0:12:47.840
<v Speaker 2>No, what are like big puffy, disgusting jackets have like

0:12:48.040 --> 0:12:53.160
<v Speaker 2>the dolphins, Miami Dolphins like my jackets?

0:12:53.240 --> 0:12:54.000
<v Speaker 1>Yeah?

0:12:54.040 --> 0:12:58.840
<v Speaker 2>Whatever, So he rented out all of Metz Stadium for

0:12:58.920 --> 0:13:01.960
<v Speaker 2>that photo shoot, and he thought it would be so

0:13:02.040 --> 0:13:04.520
<v Speaker 2>fun if I like camee. But and so I did

0:13:04.600 --> 0:13:08.640
<v Speaker 2>do some pictures, but guys, I am not model material.

0:13:09.200 --> 0:13:13.560
<v Speaker 2>I'm not. I'm not, And that's fine. But he knew

0:13:13.600 --> 0:13:16.880
<v Speaker 2>a lot of models who were also actors. And so

0:13:16.960 --> 0:13:19.440
<v Speaker 2>when I begged at twelve for an agent and to

0:13:19.480 --> 0:13:23.000
<v Speaker 2>do it professionally, my dad was like, absolutely fucking not.

0:13:23.440 --> 0:13:27.360
<v Speaker 2>He was like, no fucking way. He was like really, yeah,

0:13:27.360 --> 0:13:30.080
<v Speaker 2>he just was around a lot of young girls who

0:13:30.080 --> 0:13:32.720
<v Speaker 2>were doing this and he just was like, your mother

0:13:32.840 --> 0:13:36.160
<v Speaker 2>is not driving you and your little brother around to auditions,

0:13:36.960 --> 0:13:39.800
<v Speaker 2>You're going to school, you're focusing on school. You're gonna

0:13:39.800 --> 0:13:42.240
<v Speaker 2>be with the family if you want a major in it.

0:13:42.400 --> 0:13:45.360
<v Speaker 2>I think he was loving enough to even support that.

0:13:45.559 --> 0:13:48.560
<v Speaker 2>I mean, which is crazy, but he really was like,

0:13:48.600 --> 0:13:52.040
<v Speaker 2>do community theater, do the high school plays, do dance

0:13:52.080 --> 0:13:55.200
<v Speaker 2>class like I will support you through and through because

0:13:56.080 --> 0:13:57.920
<v Speaker 2>it's just all I ever wanted to do. I was

0:13:57.960 --> 0:14:00.880
<v Speaker 2>one of those fucking annoying children that was making everybody

0:14:00.880 --> 0:14:02.520
<v Speaker 2>watch me perform at all times.

0:14:02.520 --> 0:14:05.600
<v Speaker 1>I am so sorry, but that's great advice that he

0:14:05.640 --> 0:14:08.600
<v Speaker 1>gave you, Katie, right because that pushback, like, you know,

0:14:08.760 --> 0:14:12.040
<v Speaker 1>I'm the same way like nobody. My parents could have

0:14:12.120 --> 0:14:14.920
<v Speaker 1>been like you're not doing you're not acting. Ever, everybody

0:14:14.960 --> 0:14:16.640
<v Speaker 1>could have turned me down, and I knew in my

0:14:16.760 --> 0:14:19.920
<v Speaker 1>heart that I was going to do it no matter what. Same,

0:14:20.120 --> 0:14:21.960
<v Speaker 1>So it was great advice because he was probably like,

0:14:22.040 --> 0:14:24.680
<v Speaker 1>let me make sure that she really really wants to

0:14:24.760 --> 0:14:27.280
<v Speaker 1>go into this profession. And you did and you continued

0:14:27.280 --> 0:14:27.920
<v Speaker 1>and you did it.

0:14:28.040 --> 0:14:30.000
<v Speaker 3>First of all, you were born I know the answer

0:14:30.080 --> 0:14:33.240
<v Speaker 3>to this, but go ahead and tell the listeners.

0:14:33.320 --> 0:14:36.800
<v Speaker 1>I was born in Washington Heights in Manhattan, in New

0:14:36.880 --> 0:14:37.560
<v Speaker 1>York City, so you.

0:14:37.520 --> 0:14:39.840
<v Speaker 3>Can see we're all sort of like New York based,

0:14:39.880 --> 0:14:43.080
<v Speaker 3>which is great. And when did you know, When did

0:14:43.120 --> 0:14:45.520
<v Speaker 3>you first kind of get the inkling that maybe this

0:14:45.560 --> 0:14:46.600
<v Speaker 3>is what you wanted to do.

0:14:47.480 --> 0:14:52.120
<v Speaker 1>I remember the exact moment, and oh wow. I was

0:14:52.160 --> 0:14:54.280
<v Speaker 1>in high school. I was a sophomore in high school.

0:14:54.320 --> 0:14:58.760
<v Speaker 1>So I was about seventeen, and my two best friends

0:14:58.800 --> 0:15:01.360
<v Speaker 1>were going to be part of the Talent Show and

0:15:01.400 --> 0:15:03.800
<v Speaker 1>they were doing the Beastie Boys and one of the

0:15:03.880 --> 0:15:07.440
<v Speaker 1>guys that was playing Mike D, one of the beast Boys,

0:15:07.560 --> 0:15:11.080
<v Speaker 1>dropped out. And till this point, I never thought about acting.

0:15:11.080 --> 0:15:13.840
<v Speaker 1>I didn't care. I didn't even think about it. It

0:15:13.880 --> 0:15:16.000
<v Speaker 1>was an interested in it. And I was like, and

0:15:16.040 --> 0:15:18.320
<v Speaker 1>they asked me, will you be Mike D? You know,

0:15:18.360 --> 0:15:20.600
<v Speaker 1>will you join us for the Talent Show. It was like,

0:15:20.640 --> 0:15:21.360
<v Speaker 1>in two weeks.

0:15:21.200 --> 0:15:23.200
<v Speaker 3>Awak something we all want to hear at some point

0:15:23.240 --> 0:15:25.320
<v Speaker 3>in our lives. We all want to be asked to

0:15:25.360 --> 0:15:27.760
<v Speaker 3>be Mike D. Exactly, go ahead.

0:15:27.520 --> 0:15:30.000
<v Speaker 1>And so I was like, yeah, sure, and then you know,

0:15:30.080 --> 0:15:32.880
<v Speaker 1>the minute I hit that stage on that first before

0:15:32.880 --> 0:15:36.040
<v Speaker 1>we had like two performances like a Thursday and a

0:15:36.120 --> 0:15:40.400
<v Speaker 1>Friday night. I knew instantly that this is where I

0:15:40.440 --> 0:15:42.560
<v Speaker 1>wanted to be and this is what I wanted to do. Wow.

0:15:42.760 --> 0:15:46.560
<v Speaker 2>Yeah, was it the crowd? Like the crowd roaring like

0:15:46.680 --> 0:15:50.520
<v Speaker 2>in your head? Was it like you felt good being

0:15:50.560 --> 0:15:54.480
<v Speaker 2>somebody else or you felt good because everybody was watching,

0:15:54.600 --> 0:15:55.320
<v Speaker 2>or like what.

0:15:55.120 --> 0:15:56.520
<v Speaker 1>Was I think it was a I think it was

0:15:56.520 --> 0:15:59.600
<v Speaker 1>a combination of all of that. Sometimes I think back

0:15:59.640 --> 0:16:02.360
<v Speaker 1>in it's it makes me a little sad because in height,

0:16:02.440 --> 0:16:05.000
<v Speaker 1>I had a really tough time in high school because

0:16:05.040 --> 0:16:07.640
<v Speaker 1>I was bullied a lot and all that shit. And

0:16:08.160 --> 0:16:10.880
<v Speaker 1>when I was on I remember being on stage all

0:16:11.000 --> 0:16:14.360
<v Speaker 1>those people that bullied me were cheering and jumping up

0:16:14.400 --> 0:16:17.960
<v Speaker 1>and down and clapping. So I associated being on stage

0:16:17.960 --> 0:16:21.600
<v Speaker 1>and performing with people liking me and not fucking with

0:16:21.640 --> 0:16:25.000
<v Speaker 1>me anymore. So I think that's what drew me into

0:16:25.040 --> 0:16:27.560
<v Speaker 1>it immediately, you know what I mean?

0:16:27.680 --> 0:16:29.440
<v Speaker 3>Yeah? And did you find as soon as you got

0:16:29.480 --> 0:16:31.560
<v Speaker 3>off stage that people started to treat you differently?

0:16:32.120 --> 0:16:34.320
<v Speaker 1>Yeah? Absolutely. They were like, oh shit, you were so

0:16:34.440 --> 0:16:36.600
<v Speaker 1>good man, And I was like you just you know,

0:16:36.720 --> 0:16:40.000
<v Speaker 1>threw me down the fucking stairs and now you're like, yo,

0:16:40.120 --> 0:16:41.240
<v Speaker 1>that was so good man.

0:16:41.560 --> 0:16:43.600
<v Speaker 2>Oh I bet they just want to be friends with

0:16:43.640 --> 0:16:46.440
<v Speaker 2>you now and smoke a joint. I bet they regret

0:16:46.600 --> 0:16:48.120
<v Speaker 2>that anyway.

0:16:47.920 --> 0:16:52.400
<v Speaker 3>Right exactly. Wow, See that's crazy. So Katie, from the

0:16:52.520 --> 0:16:54.760
<v Speaker 3>very beginning you always kind of knew it, but Geirmo,

0:16:54.840 --> 0:16:56.600
<v Speaker 3>it was like a lightning bolt for you.

0:16:57.280 --> 0:17:00.720
<v Speaker 1>Yeah. And then of course listen that's what That's what

0:17:00.880 --> 0:17:03.400
<v Speaker 1>sort of lit me up. And I thought, oh my god,

0:17:03.520 --> 0:17:05.879
<v Speaker 1>this is you know, everybody likes me, and this felt

0:17:05.880 --> 0:17:09.480
<v Speaker 1>really good. But then, of course, with time I fell

0:17:09.520 --> 0:17:12.720
<v Speaker 1>in love with acting and performing in the craft and

0:17:12.800 --> 0:17:16.359
<v Speaker 1>all of it. So it wasn't just just that sort

0:17:16.359 --> 0:17:19.680
<v Speaker 1>of you know, superficial if you will, feeling of like, oh,

0:17:19.680 --> 0:17:22.439
<v Speaker 1>people like me. I grew to then fall in love

0:17:22.520 --> 0:17:24.320
<v Speaker 1>with acting, So that felt really good.

0:17:24.920 --> 0:17:28.399
<v Speaker 3>Now did you go to school? Did you simply act

0:17:28.440 --> 0:17:31.320
<v Speaker 3>in plays and kind of do stuff locally or did

0:17:31.359 --> 0:17:33.439
<v Speaker 3>you go someplace and kind of make a big effort

0:17:33.480 --> 0:17:34.480
<v Speaker 3>and go train.

0:17:34.600 --> 0:17:39.280
<v Speaker 1>You know what? I didn't. I remember like maybe a

0:17:39.359 --> 0:17:43.399
<v Speaker 1>month after that that BC Boy performance, I started I

0:17:43.440 --> 0:17:47.520
<v Speaker 1>started researching, and I found out about Backstage, which was

0:17:47.560 --> 0:17:50.119
<v Speaker 1>a newspaper that we put about you know, auditions and

0:17:50.640 --> 0:17:51.359
<v Speaker 1>open cars.

0:17:53.119 --> 0:17:55.000
<v Speaker 2>Yeah, I had a number put on me. It was

0:17:55.000 --> 0:17:58.679
<v Speaker 2>like chorus line, I'm like dancing, and they're like, next,

0:17:58.800 --> 0:17:59.880
<v Speaker 2>get the fuck out of there.

0:18:00.200 --> 0:18:00.680
<v Speaker 1>Horrible.

0:18:00.800 --> 0:18:04.639
<v Speaker 3>Also, I remember we all found our resume photos, like

0:18:05.000 --> 0:18:08.080
<v Speaker 3>the photographers always advertised in backstage, and that's how you

0:18:08.160 --> 0:18:12.000
<v Speaker 3>found the incredibly shitty photographer who took your first hyper

0:18:12.000 --> 0:18:15.919
<v Speaker 3>creepy photo. And maybe, if you're lucky, you get like

0:18:15.960 --> 0:18:18.320
<v Speaker 3>a triptych and it would be you as a wacky

0:18:18.359 --> 0:18:25.200
<v Speaker 3>housewife for maybe playing a dentist, just as a policeman,

0:18:27.400 --> 0:18:31.639
<v Speaker 3>and it's like, it's it's great. Actually, I somewhere on

0:18:31.720 --> 0:18:34.560
<v Speaker 3>my Instagram I have because I've only posted like five times,

0:18:34.600 --> 0:18:36.840
<v Speaker 3>but somewhere on my Instagram, I have one of my

0:18:36.880 --> 0:18:41.880
<v Speaker 3>first likedhots headshots. All there was a few years ago.

0:18:41.960 --> 0:18:44.760
<v Speaker 3>We all put our headshots up. It's actually I should

0:18:44.760 --> 0:18:47.080
<v Speaker 3>dig it up and you should do it too, because.

0:18:48.359 --> 0:18:50.960
<v Speaker 2>My dad took my first one. I have to from college.

0:18:51.000 --> 0:18:53.040
<v Speaker 2>It's a night at the time of the airing of

0:18:53.080 --> 0:18:58.080
<v Speaker 2>this podcast, we will release some of our first headshots.

0:18:58.240 --> 0:19:00.840
<v Speaker 3>Yeah, no exactly, but it's it is that weird thing.

0:19:00.920 --> 0:19:05.240
<v Speaker 3>So you both did a backstage was just like torture

0:19:05.280 --> 0:19:09.359
<v Speaker 3>on paper. You both did the sort of backstage thing Katie,

0:19:09.480 --> 0:19:11.879
<v Speaker 3>you train, did you go to You went to school

0:19:11.920 --> 0:19:12.960
<v Speaker 3>and did all that kind of stuff.

0:19:13.040 --> 0:19:16.959
<v Speaker 2>The same conversation literally like like I came out, you know,

0:19:17.200 --> 0:19:19.960
<v Speaker 2>dancing and singing and acting. Oh God, I think that

0:19:19.960 --> 0:19:21.919
<v Speaker 2>would annoy me so bad if that was either of

0:19:21.920 --> 0:19:26.080
<v Speaker 2>my kids. Right now, I'm so sorry to my parents.

0:19:27.920 --> 0:19:30.520
<v Speaker 2>But the same conversation where I said to my dad, like,

0:19:30.600 --> 0:19:33.639
<v Speaker 2>I want an agent. I was in an acting class

0:19:33.680 --> 0:19:35.840
<v Speaker 2>when I was twelve. My mom found me, like some

0:19:36.040 --> 0:19:38.359
<v Speaker 2>local thing in Long Island, and I would go and

0:19:38.440 --> 0:19:40.800
<v Speaker 2>I did this, and that's when I was like, I

0:19:40.880 --> 0:19:42.720
<v Speaker 2>want I did and my dad said no. And in

0:19:42.760 --> 0:19:48.960
<v Speaker 2>that same conversation, I said, fine, I'm going to college

0:19:48.960 --> 0:19:51.480
<v Speaker 2>and I'm going to study acting, and I'm living in

0:19:51.480 --> 0:19:53.359
<v Speaker 2>New York City for the rest of my life. And

0:19:53.359 --> 0:19:55.679
<v Speaker 2>I'm going to NYU and I'm only doing theater and

0:19:55.720 --> 0:19:57.480
<v Speaker 2>I'm never going to learn how to drive because I'm

0:19:57.560 --> 0:20:01.040
<v Speaker 2>just taking to taking the subway forever. Yes, and I'm

0:20:01.080 --> 0:20:03.840
<v Speaker 2>only going to speak in a theater voice for the

0:20:03.880 --> 0:20:05.640
<v Speaker 2>rest of time. Darling.

0:20:06.359 --> 0:20:08.320
<v Speaker 1>Wait, you weren't even in high school yet yet.

0:20:09.080 --> 0:20:12.000
<v Speaker 2>I was thirteen. I was like about to be in

0:20:12.080 --> 0:20:14.840
<v Speaker 2>high school. Wow, that was young for my grade. But

0:20:14.960 --> 0:20:18.920
<v Speaker 2>so at you knew, Yes, I knew, and I remember

0:20:19.000 --> 0:20:21.159
<v Speaker 2>my parents. I would figure it out, I would find it.

0:20:21.200 --> 0:20:24.520
<v Speaker 2>I remember taking the Long Island Railroad train by myself

0:20:25.000 --> 0:20:26.560
<v Speaker 2>to look at Tisch School the Arts and go to

0:20:26.560 --> 0:20:29.200
<v Speaker 2>a visiting day and I sat there in the glee

0:20:29.240 --> 0:20:33.960
<v Speaker 2>club saying walk in on broken Glass, and I was like,

0:20:34.040 --> 0:20:36.159
<v Speaker 2>this is my school. This is my school. This is

0:20:36.200 --> 0:20:38.920
<v Speaker 2>my school. This is my school. But I had to go,

0:20:40.280 --> 0:20:43.760
<v Speaker 2>and so I applied early decision and I think I

0:20:44.160 --> 0:20:51.200
<v Speaker 2>got in and I this was that cheesy theater college

0:20:51.440 --> 0:20:55.080
<v Speaker 2>kid theater major at tishchool Yards. But then my parents

0:20:55.080 --> 0:20:58.240
<v Speaker 2>it all took a hard left turn because little Katie

0:20:58.359 --> 0:21:03.600
<v Speaker 2>musical theater smiling taping across the stage turned two experimental

0:21:03.880 --> 0:21:12.040
<v Speaker 2>nudity nasturbatory dar everybody's naked, everybody's jerking off, everybody's calling

0:21:12.040 --> 0:21:14.880
<v Speaker 2>at art for four years and my parents would come

0:21:14.880 --> 0:21:18.040
<v Speaker 2>to every show because that's you're so wildly supportive and

0:21:18.080 --> 0:21:22.240
<v Speaker 2>would be like what the fuck was that? Like what

0:21:22.840 --> 0:21:26.000
<v Speaker 2>like in these small thirty seat houses and my boobs

0:21:26.040 --> 0:21:28.880
<v Speaker 2>are out and like my dad, you know, and I'm

0:21:28.960 --> 0:21:30.760
<v Speaker 2>all making a stand like well you have to come,

0:21:30.800 --> 0:21:32.200
<v Speaker 2>like this is my art and they're like, well, we're

0:21:32.200 --> 0:21:33.840
<v Speaker 2>not bringing your fourteen year old brother, and I'm like,

0:21:33.960 --> 0:21:36.040
<v Speaker 2>yes you are. If you love me at all, you

0:21:36.080 --> 0:21:38.800
<v Speaker 2>will love the plays I'm making, which, by the way,

0:21:40.640 --> 0:21:44.440
<v Speaker 2>I just want to say, like, yes, the art was trash. Okay,

0:21:44.560 --> 0:21:45.520
<v Speaker 2>it was not good.

0:21:45.920 --> 0:21:48.320
<v Speaker 3>It wasn't well, I don't know, I don't know that

0:21:48.320 --> 0:21:49.600
<v Speaker 3>that's a great I don't.

0:21:49.400 --> 0:21:53.399
<v Speaker 2>Know that said a lot of the people, like I

0:21:53.400 --> 0:21:56.840
<v Speaker 2>wouldn't say. I mean, yes, I think the training was great,

0:21:57.119 --> 0:22:01.080
<v Speaker 2>but really what NYU gave me was an amazing group

0:22:01.119 --> 0:22:06.520
<v Speaker 2>of people who shockingly I keep running into them on

0:22:06.560 --> 0:22:10.960
<v Speaker 2>the picket lines because it's so amazing. But so many

0:22:11.080 --> 0:22:15.199
<v Speaker 2>of them actually ended up getting hired and actually getting

0:22:15.280 --> 0:22:19.480
<v Speaker 2>paid to act or direct or write or produce, you

0:22:19.520 --> 0:22:21.280
<v Speaker 2>know what I mean. And so for that, even though

0:22:21.280 --> 0:22:25.240
<v Speaker 2>we made this craziest, stupidest, most experimental I mean, body

0:22:25.320 --> 0:22:27.960
<v Speaker 2>lice broke out in the experimental theater wing. That's how

0:22:28.040 --> 0:22:29.639
<v Speaker 2>disgusting we were.

0:22:29.560 --> 0:22:33.520
<v Speaker 3>Rolling around were that is that is that's like that

0:22:33.560 --> 0:22:36.200
<v Speaker 3>should be a whole class in itself. It's like body

0:22:36.320 --> 0:22:38.200
<v Speaker 3>Light Theater two o five.

0:22:38.520 --> 0:22:39.840
<v Speaker 1>That's right, how to get rid of it?

0:22:40.320 --> 0:22:43.320
<v Speaker 2>We will be back with more after the break.

0:22:48.040 --> 0:22:50.879
<v Speaker 3>So wait now, gearmo, so take me back. So she's

0:22:51.080 --> 0:22:51.800
<v Speaker 3>her tits are.

0:22:51.720 --> 0:22:53.600
<v Speaker 1>Hanging out in a black box theater.

0:22:53.920 --> 0:22:57.000
<v Speaker 3>In a black box theater, she's doing newer renditions of

0:22:57.040 --> 0:23:00.679
<v Speaker 3>Sylvia Plath and really really wishes that she was, you know,

0:23:00.720 --> 0:23:03.600
<v Speaker 3>in the performing garage. So that's where Katie is with

0:23:03.720 --> 0:23:07.879
<v Speaker 3>Body Lice, with Body Look most importantly starring the Body

0:23:07.920 --> 0:23:12.520
<v Speaker 3>Lice co starring Katie. So yeah heremo, so then, so

0:23:12.680 --> 0:23:17.440
<v Speaker 3>Katie's like doing doing all that stuff, you find yourself,

0:23:17.600 --> 0:23:20.520
<v Speaker 3>you start to audition for things. How quickly did you

0:23:20.560 --> 0:23:23.720
<v Speaker 3>actually start to work? And my memory, knowing a little

0:23:23.720 --> 0:23:26.080
<v Speaker 3>bit about your family is they were not as loosey

0:23:26.160 --> 0:23:29.719
<v Speaker 3>goosey as Katie's family in terms of a lot of stuff.

0:23:29.760 --> 0:23:32.960
<v Speaker 3>But they were sort of vaguely supportive in a benign

0:23:33.119 --> 0:23:34.320
<v Speaker 3>kind of way, weren't they.

0:23:34.440 --> 0:23:38.359
<v Speaker 1>Yeah, yeah, they were listen. So I started I started

0:23:38.400 --> 0:23:42.320
<v Speaker 1>buying backstage, and I started freaking going up even for

0:23:42.600 --> 0:23:45.280
<v Speaker 1>background work like I was applying for. Like I did

0:23:45.320 --> 0:23:49.159
<v Speaker 1>a ton of extra work, which I'm so glad I

0:23:49.200 --> 0:23:51.560
<v Speaker 1>did that because I feel like I super like totally

0:23:52.080 --> 0:23:55.080
<v Speaker 1>paid my dues and and like Katie was saying earlier,

0:23:55.200 --> 0:23:58.280
<v Speaker 1>I just wanted to act I wanted to be around actors.

0:23:58.480 --> 0:24:00.480
<v Speaker 1>I wanted to be around directors. I wanted to be

0:24:00.600 --> 0:24:03.400
<v Speaker 1>around that world. So I just kept finding a way

0:24:03.680 --> 0:24:05.280
<v Speaker 1>to be around that. And a lot of it was

0:24:05.600 --> 0:24:09.000
<v Speaker 1>student films. I did a million student films for and

0:24:09.040 --> 0:24:11.600
<v Speaker 1>Why You? Oh my god, I did so many NYU

0:24:11.640 --> 0:24:15.360
<v Speaker 1>student films and School of Visual Arts, and and then

0:24:15.440 --> 0:24:17.880
<v Speaker 1>I did I started doing a ton of children's theater

0:24:18.119 --> 0:24:21.240
<v Speaker 1>all through backstage. I did children's theater for like two years,

0:24:21.240 --> 0:24:24.120
<v Speaker 1>and I would get paid twenty bucks a performance, and

0:24:24.160 --> 0:24:26.840
<v Speaker 1>we would do all the you know, children's fairy tales,

0:24:26.880 --> 0:24:30.840
<v Speaker 1>like the Three Little Pigs and a Little Red Riding Hood.

0:24:31.280 --> 0:24:31.440
<v Speaker 3>Yeah.

0:24:31.560 --> 0:24:33.040
<v Speaker 2>God, I did not know that.

0:24:34.359 --> 0:24:37.320
<v Speaker 3>That's why this is so good, right, So Caramo, what

0:24:37.400 --> 0:24:39.280
<v Speaker 3>did you play in the Three Little Pigs?

0:24:39.440 --> 0:24:41.399
<v Speaker 1>I was the wolf. I'm the one that blew the

0:24:41.400 --> 0:24:41.920
<v Speaker 1>house down.

0:24:43.359 --> 0:24:44.119
<v Speaker 2>Amazing.

0:24:44.800 --> 0:24:46.240
<v Speaker 3>You're the star of the show.

0:24:47.000 --> 0:24:51.200
<v Speaker 1>Yeah, I have that a performance on VHS from me

0:24:51.359 --> 0:24:52.040
<v Speaker 1>playing the wolf.

0:24:52.040 --> 0:24:54.600
<v Speaker 3>Can you believe I? If I don't get to see that,

0:24:54.760 --> 0:24:56.920
<v Speaker 3>I'm gonna come over and punch you in the face.

0:24:57.560 --> 0:24:59.760
<v Speaker 2>Same I will be right behind you to kick you

0:24:59.800 --> 0:25:00.399
<v Speaker 2>in the I know.

0:25:02.400 --> 0:25:04.200
<v Speaker 1>I got to get my parents to transfer it over

0:25:04.359 --> 0:25:06.280
<v Speaker 1>to you know whatever video files.

0:25:07.119 --> 0:25:08.200
<v Speaker 3>That's amazing.

0:25:08.520 --> 0:25:11.280
<v Speaker 1>I remember playing the wolf and then when it came

0:25:11.320 --> 0:25:14.200
<v Speaker 1>to the part where the wolf blows the house down,

0:25:14.280 --> 0:25:16.720
<v Speaker 1>I would get all the kids up out of their

0:25:16.760 --> 0:25:19.399
<v Speaker 1>seats in the theater to help me blow the house down.

0:25:19.720 --> 0:25:21.640
<v Speaker 1>And that was the most exciting part, and the little

0:25:21.720 --> 0:25:23.040
<v Speaker 1>kids would love it so much. So we were like

0:25:23.040 --> 0:25:26.760
<v Speaker 1>a repertory company. It was called a playhouse something playhouse.

0:25:26.760 --> 0:25:28.840
<v Speaker 1>Oh my god, I can't the courtyard playhouse that's what

0:25:28.880 --> 0:25:31.520
<v Speaker 1>it was called. Oh so yeah. I worked there for

0:25:31.640 --> 0:25:34.160
<v Speaker 1>like two three years doing doing shows and we would

0:25:34.160 --> 0:25:37.040
<v Speaker 1>get to pay like twenty bucks a performance or something

0:25:37.080 --> 0:25:37.280
<v Speaker 1>like that.

0:25:37.640 --> 0:25:41.600
<v Speaker 3>It was basically yeah, yeah for tokens together. Yeah.

0:25:41.640 --> 0:25:44.800
<v Speaker 1>And then and then, you know, moving forward a little

0:25:44.800 --> 0:25:48.520
<v Speaker 1>bit or fast forwarding a little bit, I saw an

0:25:48.520 --> 0:25:53.159
<v Speaker 1>ad for a theater company called Intar Lab, and I

0:25:53.240 --> 0:25:55.600
<v Speaker 1>went an auditioned and it was with Gary Perez and

0:25:55.680 --> 0:25:59.160
<v Speaker 1>John Ortiz and Daphne were being Vega lies. So we

0:25:59.320 --> 0:26:04.280
<v Speaker 1>they started this theater company for latinos. So I began

0:26:04.520 --> 0:26:08.520
<v Speaker 1>sort of my theater of training with all of those guys,

0:26:09.000 --> 0:26:11.920
<v Speaker 1>and we would go into a theater that wasn't used

0:26:11.920 --> 0:26:15.040
<v Speaker 1>anymore on fifty third between like tenth and eleven, and

0:26:15.080 --> 0:26:17.199
<v Speaker 1>they would give us that space and let us just

0:26:17.359 --> 0:26:20.000
<v Speaker 1>do our thing, and we would you know, read scenes

0:26:20.040 --> 0:26:22.679
<v Speaker 1>and improv. I remember one time we dressed it was

0:26:22.720 --> 0:26:26.200
<v Speaker 1>like kabooky night and they were like, just grab whatever

0:26:26.320 --> 0:26:28.640
<v Speaker 1>shit you want and make up in costumes and come

0:26:28.680 --> 0:26:31.040
<v Speaker 1>on stage and doing a performance. It was stuff like.

0:26:31.000 --> 0:26:32.320
<v Speaker 3>That and unbelievable.

0:26:32.400 --> 0:26:34.520
<v Speaker 1>Yeah. Yeah, yeah. And then into our Lab obviously became

0:26:34.960 --> 0:26:39.120
<v Speaker 1>Labyrinth Theater Company. Yeah, with philippsymore Haw.

0:26:40.119 --> 0:26:42.320
<v Speaker 3>Yeah. Yeah. For anybody, any of the listeners who aren't

0:26:42.320 --> 0:26:46.359
<v Speaker 3>familiar with that, it's one of the premiere theater companies

0:26:46.359 --> 0:26:49.680
<v Speaker 3>in New York. And the fact that we're hearing about

0:26:49.720 --> 0:26:52.200
<v Speaker 3>the roots of this is insane because I never knew

0:26:52.200 --> 0:26:54.840
<v Speaker 3>any of that. That's amazing. No, I never knew anything.

0:26:54.920 --> 0:26:56.760
<v Speaker 3>I never knew that you worked with this theater company,

0:26:56.840 --> 0:26:58.320
<v Speaker 3>or if I did, I have the ausis and I

0:26:58.400 --> 0:27:00.400
<v Speaker 3>forgot the.

0:27:00.400 --> 0:27:02.800
<v Speaker 2>Alsies in the instagram is I'm dead.

0:27:03.200 --> 0:27:06.280
<v Speaker 1>My first play was called rough House, and we did it.

0:27:06.359 --> 0:27:08.119
<v Speaker 1>You know, it was the first It was the first

0:27:08.119 --> 0:27:11.600
<v Speaker 1>intar lab production and John Ortiz played my brother and okay,

0:27:11.680 --> 0:27:12.760
<v Speaker 1>so so much.

0:27:12.840 --> 0:27:15.160
<v Speaker 3>Wait a second, what was what was rough House about?

0:27:15.160 --> 0:27:15.360
<v Speaker 1>It.

0:27:15.400 --> 0:27:17.280
<v Speaker 3>Maybe Katie could have been in it from the sound

0:27:17.560 --> 0:27:18.919
<v Speaker 3>she could have.

0:27:19.080 --> 0:27:22.520
<v Speaker 1>Yeah, it was a dysfunctional family who there was an

0:27:22.600 --> 0:27:27.879
<v Speaker 1>alcoholic sister who you know ends up dying in a

0:27:28.240 --> 0:27:30.359
<v Speaker 1>in a car crash because she was drunk driving. And

0:27:30.440 --> 0:27:32.840
<v Speaker 1>it was just it was a really well written like

0:27:32.920 --> 0:27:35.560
<v Speaker 1>dysfunctional family, uh drama.

0:27:35.640 --> 0:27:39.119
<v Speaker 3>It was your long day's journey in tonight exactly, except

0:27:39.160 --> 0:27:40.080
<v Speaker 3>not as long.

0:27:40.200 --> 0:27:42.639
<v Speaker 2>Yeah, but also paint this picture. I love this, g

0:27:42.960 --> 0:27:45.159
<v Speaker 2>tell Betsy because I love the story so much on

0:27:45.200 --> 0:27:48.199
<v Speaker 2>our listeners. Like the crew that you were running and

0:27:48.280 --> 0:27:51.080
<v Speaker 2>rolling around with in the theater at this time, like

0:27:51.200 --> 0:27:53.879
<v Speaker 2>you got invited because you were. Daphne Rubin Vego was

0:27:53.880 --> 0:27:57.160
<v Speaker 2>in there, yes to like a first reading in an

0:27:57.160 --> 0:27:59.280
<v Speaker 2>apartment with.

0:28:00.000 --> 0:28:02.439
<v Speaker 1>Phanie were in Vega. Yeah, they were doing Rent is

0:28:02.440 --> 0:28:04.000
<v Speaker 1>she I remember her coming into the.

0:28:03.880 --> 0:28:06.160
<v Speaker 2>Theater kidding like the first fucking.

0:28:05.840 --> 0:28:10.400
<v Speaker 1>Act one of those nights, and and Daphne was handing out.

0:28:12.000 --> 0:28:14.720
<v Speaker 1>Daphanie was handing out or not handing out, she was

0:28:14.760 --> 0:28:17.440
<v Speaker 1>giving us, you know, these little pamphlets saying, hey, I'm

0:28:17.800 --> 0:28:21.520
<v Speaker 1>doing this new show called Rent. And yeah, we were

0:28:21.520 --> 0:28:25.160
<v Speaker 1>there from the very beginning of that, and they were,

0:28:25.440 --> 0:28:27.760
<v Speaker 1>you know, I don't think they really knew. Obviously they

0:28:27.760 --> 0:28:29.600
<v Speaker 1>didn't know what it was going to turn into. But

0:28:30.160 --> 0:28:32.040
<v Speaker 1>I think they started it at p S one twenty

0:28:32.080 --> 0:28:35.000
<v Speaker 1>two is where they first started performing, and then it

0:28:35.080 --> 0:28:37.680
<v Speaker 1>got picked up from there. But yeah, I remember Daphanie

0:28:37.680 --> 0:28:40.800
<v Speaker 1>being super excited and all of us checking it out,

0:28:41.040 --> 0:28:42.800
<v Speaker 1>and then all of a sudden, next thing we knew

0:28:42.800 --> 0:28:43.000
<v Speaker 1>it was.

0:28:43.040 --> 0:28:45.440
<v Speaker 3>You know, it was amazing.

0:28:45.680 --> 0:28:47.920
<v Speaker 2>Was John and Larson in the room when you were there?

0:28:48.320 --> 0:28:52.680
<v Speaker 1>I don't remember, I don't think so, I don't remember. Yes,

0:28:52.720 --> 0:28:53.560
<v Speaker 1>he must have been.

0:28:53.600 --> 0:28:56.400
<v Speaker 3>He must have been if you were doing readings and

0:28:56.440 --> 0:28:58.080
<v Speaker 3>workshopping and yeah, yeah.

0:28:57.960 --> 0:29:00.600
<v Speaker 1>Yeah, yeah, yeah yeah. And then I all to remember,

0:29:00.680 --> 0:29:03.440
<v Speaker 1>like Sam Rockwell being in the you know, in these

0:29:04.120 --> 0:29:07.120
<v Speaker 1>in these uh these nights with us at the theater,

0:29:07.240 --> 0:29:10.040
<v Speaker 1>and and you know, all of us were were nobody's

0:29:10.080 --> 0:29:12.840
<v Speaker 1>We just and we all had that that love for

0:29:12.960 --> 0:29:17.160
<v Speaker 1>acting though, and we we were so filled with passion

0:29:17.200 --> 0:29:20.000
<v Speaker 1>and we were hungry to just act and that felt

0:29:20.080 --> 0:29:22.480
<v Speaker 1>so good. And oftentimes I don't know about you, Katie,

0:29:22.520 --> 0:29:25.200
<v Speaker 1>but we do. You know, then you years later you

0:29:25.240 --> 0:29:29.440
<v Speaker 1>started doing work and and you it's nice to sort

0:29:29.480 --> 0:29:32.880
<v Speaker 1>of think back on those times and remember how much

0:29:32.960 --> 0:29:36.720
<v Speaker 1>you love acting, and and why you really started doing it,

0:29:36.880 --> 0:29:40.120
<v Speaker 1>and and and whenever I think about those times, it

0:29:40.440 --> 0:29:43.000
<v Speaker 1>brings me back and it reminds me again of why

0:29:43.080 --> 0:29:46.000
<v Speaker 1>I love acting so much and how lucky I am

0:29:46.040 --> 0:29:48.959
<v Speaker 1>that I was able to have all those experiences and stuff.

0:29:49.080 --> 0:29:51.440
<v Speaker 1>And then and and then at that at that play

0:29:51.480 --> 0:29:53.560
<v Speaker 1>that I did, rough House, an agent saw me in

0:29:53.560 --> 0:29:56.240
<v Speaker 1>that play and signed me. And that's when I got

0:29:56.240 --> 0:29:58.920
<v Speaker 1>my first, uh my first agent. So an agent came

0:29:58.920 --> 0:30:01.440
<v Speaker 1>to see rough House. They were like John Ortiz's agent.

0:30:01.480 --> 0:30:03.640
<v Speaker 1>I think it was a Lucy Kroll agency.

0:30:04.000 --> 0:30:09.040
<v Speaker 3>Yeah, Lucy Crol. Remember Lucy Croll. Yep, she wouldn't touch me.

0:30:10.120 --> 0:30:11.040
<v Speaker 1>She wouldn't touch me.

0:30:11.040 --> 0:30:15.480
<v Speaker 3>With the ten foot fucking poll people. And it turns

0:30:15.560 --> 0:30:18.280
<v Speaker 3>up Lucy Kroll was smarter than we thought.

0:30:20.200 --> 0:30:26.200
<v Speaker 1>Piermo Yes, no, anyway, So then it all started started

0:30:26.240 --> 0:30:26.920
<v Speaker 1>working from there.

0:30:27.040 --> 0:30:30.080
<v Speaker 3>Did you another just like question? And then I've got

0:30:30.080 --> 0:30:31.880
<v Speaker 3>a follow up question because that's what I do. All

0:30:31.920 --> 0:30:33.920
<v Speaker 3>I do is just have so many things I want

0:30:33.920 --> 0:30:37.360
<v Speaker 3>to ask you. Okay, so did y'all do commercials at

0:30:37.360 --> 0:30:40.000
<v Speaker 3>this point? Or did you audition for commercials? Did you

0:30:40.080 --> 0:30:42.640
<v Speaker 3>get them? Did you not get them? Because that was

0:30:42.680 --> 0:30:44.680
<v Speaker 3>when I was living in New York, and I was

0:30:44.720 --> 0:30:48.440
<v Speaker 3>doing bad theater and comedy. The bread and butter was commercials,

0:30:48.440 --> 0:30:50.800
<v Speaker 3>and I always had a I got like one or two,

0:30:50.920 --> 0:30:53.600
<v Speaker 3>but I was kind of sucky at it. Yeah, I

0:30:53.680 --> 0:30:56.320
<v Speaker 3>was like I couldn't hold a baby. There were all

0:30:56.320 --> 0:30:59.560
<v Speaker 3>these problems. And by the way, still true, dear listener.

0:31:00.080 --> 0:31:03.479
<v Speaker 3>But so tell me a little bit about that, because

0:31:03.520 --> 0:31:05.960
<v Speaker 3>when you're in New York, that's definitely something. Especially in

0:31:05.960 --> 0:31:08.959
<v Speaker 3>those days, it became oh yeah, it just became a thing.

0:31:09.040 --> 0:31:11.000
<v Speaker 3>Was always sort of write a passage. Germo. Did you

0:31:11.040 --> 0:31:12.240
<v Speaker 3>do many commercials.

0:31:12.640 --> 0:31:15.120
<v Speaker 1>I didn't. I auditioned for them a ton. I remember

0:31:15.200 --> 0:31:19.520
<v Speaker 1>doing a bunch of music videos for no money. No,

0:31:19.560 --> 0:31:21.760
<v Speaker 1>it's just crazy, like rap music videos.

0:31:21.880 --> 0:31:25.520
<v Speaker 3>Music videos equals no money though. I mean, like, oh,

0:31:26.080 --> 0:31:29.320
<v Speaker 3>I don't know anybody who got paid sometimes, including directors,

0:31:29.840 --> 0:31:30.960
<v Speaker 3>unlike music videos.

0:31:31.040 --> 0:31:34.400
<v Speaker 1>Right, yes, yes, but I did like one beer commercial.

0:31:34.440 --> 0:31:37.640
<v Speaker 1>I did a Coca Cola commercial in Spanish. I got

0:31:37.680 --> 0:31:40.520
<v Speaker 1>cast in a lot of commercials in Spanish because I'm

0:31:40.560 --> 0:31:43.240
<v Speaker 1>fluent in Spanish, but you know, the regular run of

0:31:43.240 --> 0:31:47.400
<v Speaker 1>the mill commercials, on just American commercials, I was never cast.

0:31:47.600 --> 0:31:49.040
<v Speaker 1>I don't think I was wide enough.

0:31:49.320 --> 0:31:52.520
<v Speaker 2>You know, oh my god at that age, well, and

0:31:52.560 --> 0:31:55.200
<v Speaker 2>you know that was really I had a similar thing

0:31:55.200 --> 0:31:58.240
<v Speaker 2>where like some really shady manager saw me in a

0:31:58.320 --> 0:32:01.600
<v Speaker 2>show at NYU, like a maze stage, and he signed

0:32:01.600 --> 0:32:03.680
<v Speaker 2>me and made and there was this like hefty contract

0:32:03.720 --> 0:32:07.280
<v Speaker 2>and this guy was a real fucking shady shady mixed

0:32:07.320 --> 0:32:12.040
<v Speaker 2>Shaderson and uh but you know he would get me

0:32:12.800 --> 0:32:18.480
<v Speaker 2>some auditions for shady shit. And but then like he

0:32:18.600 --> 0:32:22.600
<v Speaker 2>got me with a commercial agent and I did start

0:32:22.640 --> 0:32:24.720
<v Speaker 2>going out in commercials and I actually did book like

0:32:24.760 --> 0:32:28.800
<v Speaker 2>that's how I. I did, like got flown to Indianapolis

0:32:28.880 --> 0:32:31.240
<v Speaker 2>and guys, I was the face of Steak in Shake

0:32:31.560 --> 0:32:35.720
<v Speaker 2>for about a fifteen episode slot where I had to

0:32:35.760 --> 0:32:38.120
<v Speaker 2>go for two weeks and I did like fifteen commercials

0:32:38.120 --> 0:32:39.640
<v Speaker 2>in two weeks where I was a Steak and Shake

0:32:39.680 --> 0:32:43.200
<v Speaker 2>waiter and I was really really great at the waiting

0:32:43.280 --> 0:32:46.560
<v Speaker 2>tables part, bad at the acting in commercials part. And

0:32:46.600 --> 0:32:48.720
<v Speaker 2>I just I remember feeling so terrible because they just

0:32:48.760 --> 0:32:51.320
<v Speaker 2>made my lines less and less and less and less,

0:32:51.320 --> 0:32:53.440
<v Speaker 2>like they started taking away more and more of my

0:32:53.480 --> 0:32:55.640
<v Speaker 2>responsibility because they just weren't happy with what I was

0:32:55.680 --> 0:32:58.160
<v Speaker 2>doing and it just felt terrible. But it was ten

0:32:58.200 --> 0:33:01.480
<v Speaker 2>thousand dollars. It was non union, and that was like

0:33:01.520 --> 0:33:05.360
<v Speaker 2>the most money fucking ever. And then I got my

0:33:05.640 --> 0:33:08.880
<v Speaker 2>SAG card SAG after it was separate at the time,

0:33:09.320 --> 0:33:13.400
<v Speaker 2>by booking a birth control commercial wow, for the birth

0:33:13.480 --> 0:33:17.479
<v Speaker 2>control patch. See. I always book the jobs where you

0:33:17.560 --> 0:33:20.320
<v Speaker 2>actually have to have the thing because it cuts out

0:33:20.480 --> 0:33:23.440
<v Speaker 2>a lot of the competition. Like, if you're auditioning for

0:33:23.440 --> 0:33:26.800
<v Speaker 2>a commercial that's about a birth control patch, technically you

0:33:26.960 --> 0:33:30.040
<v Speaker 2>have to be somebody who uses that shit. And at

0:33:30.120 --> 0:33:33.320
<v Speaker 2>the time I was actually using this fucking birth control patch.

0:33:33.840 --> 0:33:37.160
<v Speaker 2>So that's how I got my SAG card, real fancy.

0:33:37.680 --> 0:33:41.560
<v Speaker 2>And then similarly my first job, which I also beat

0:33:41.600 --> 0:33:43.560
<v Speaker 2>out a lot of people who couldn't even get there

0:33:43.600 --> 0:33:48.360
<v Speaker 2>because the line was, I don't eat fish the toxins

0:33:48.480 --> 0:33:50.920
<v Speaker 2>while you're smoking a cigarette. And the joke is that

0:33:51.000 --> 0:33:53.560
<v Speaker 2>you're inhaling a toxin, but you wouldn't eat a fish

0:33:53.600 --> 0:33:57.640
<v Speaker 2>because of the toxins. And all the young girls didn't smoke,

0:33:57.720 --> 0:33:58.360
<v Speaker 2>but I did.

0:34:00.040 --> 0:34:02.280
<v Speaker 1>I'm a smoker bitch, like, I'll smoke this shit.

0:34:02.400 --> 0:34:05.680
<v Speaker 2>Let's go go again. I only book the job when, like,

0:34:06.200 --> 0:34:10.640
<v Speaker 2>for actual reasons, most of them have been cut out already.

0:34:11.719 --> 0:34:15.160
<v Speaker 3>Unbelievable. So I so.

0:34:15.560 --> 0:34:17.440
<v Speaker 2>Oh, but I do remember moving to LA and never

0:34:17.480 --> 0:34:20.480
<v Speaker 2>booking a commercial again because it was so different.

0:34:20.760 --> 0:34:25.280
<v Speaker 3>Yes, now, both of you, it would be curious to hear. So, Katie,

0:34:25.280 --> 0:34:27.839
<v Speaker 3>obviously there came a point where you where you had

0:34:27.840 --> 0:34:30.360
<v Speaker 3>to make money and you weren't making enough money acting

0:34:31.000 --> 0:34:34.400
<v Speaker 3>and years of that. So tell us a little bit

0:34:34.400 --> 0:34:35.359
<v Speaker 3>about what you did.

0:34:35.719 --> 0:34:36.719
<v Speaker 2>Yeah, I had.

0:34:36.800 --> 0:34:36.880
<v Speaker 3>So.

0:34:37.040 --> 0:34:40.040
<v Speaker 2>I mean, you know, there's a reason a lot of

0:34:40.080 --> 0:34:43.600
<v Speaker 2>actors wait tables or bartend, and it's because you can

0:34:43.640 --> 0:34:46.280
<v Speaker 2>work at night and you can be in an audition

0:34:46.440 --> 0:34:48.920
<v Speaker 2>class in the day or actually make it to auditions

0:34:48.960 --> 0:34:51.680
<v Speaker 2>if you're lucky enough to have them. And so in

0:34:51.680 --> 0:34:54.600
<v Speaker 2>New York the minute I graduated school, and it's incredible

0:34:54.600 --> 0:34:57.440
<v Speaker 2>that I even made it that far with someone supporting me.

0:34:57.520 --> 0:34:59.560
<v Speaker 2>My dad was like, I'm done. Like, here's the info

0:34:59.640 --> 0:35:02.000
<v Speaker 2>for your health insurance, here's the info for your cell phone,

0:35:02.560 --> 0:35:06.560
<v Speaker 2>here's what your rent costs, here's a metro card. Good luck.

0:35:06.800 --> 0:35:09.960
<v Speaker 2>And so I started my first waiting tables gig in

0:35:09.960 --> 0:35:12.000
<v Speaker 2>New York City was at bb King's Jazz and Blues

0:35:12.000 --> 0:35:14.840
<v Speaker 2>Club and Times Square and it was a fucking nightmare. Wow,

0:35:14.920 --> 0:35:18.239
<v Speaker 2>I had anxiety attacks nightly, and I actually had to

0:35:18.280 --> 0:35:22.240
<v Speaker 2>leave because I had my first real anxiety attack when like,

0:35:22.239 --> 0:35:25.000
<v Speaker 2>like there was a band playing. You have tables of

0:35:25.120 --> 0:35:27.880
<v Speaker 2>hundreds of people. You can't hear anything because it's a

0:35:27.920 --> 0:35:30.640
<v Speaker 2>live music show, and you're screaming and running around and

0:35:30.640 --> 0:35:34.400
<v Speaker 2>it was horrible. And then I started waiting tables at

0:35:34.400 --> 0:35:37.640
<v Speaker 2>a much better, like theater restaurant that had a that

0:35:37.719 --> 0:35:39.640
<v Speaker 2>was in the theater district, so you would get slammed

0:35:39.640 --> 0:35:42.600
<v Speaker 2>from five to seven forty five and then everybody was gone.

0:35:42.680 --> 0:35:47.680
<v Speaker 2>It was great, little privately owned Italian joint. Shout out

0:35:47.680 --> 0:35:50.399
<v Speaker 2>Cafe Cello fifty third and eighth Avenue for anyone who's

0:35:50.400 --> 0:35:52.560
<v Speaker 2>ever been there. It was right around the corner from

0:35:52.560 --> 0:35:57.280
<v Speaker 2>the Letterman Show. And I was really good at waiting

0:35:57.320 --> 0:35:59.920
<v Speaker 2>tables once I got the hang of it. I was

0:36:00.120 --> 0:36:03.000
<v Speaker 2>never cool enough to I filled in for bartenders here

0:36:03.040 --> 0:36:05.239
<v Speaker 2>and there, but I was never cool enough. I'm such

0:36:05.280 --> 0:36:07.640
<v Speaker 2>a waitress and not a bartender. I don't know what

0:36:07.680 --> 0:36:09.799
<v Speaker 2>that means, but that was who I was.

0:36:09.920 --> 0:36:12.080
<v Speaker 1>Oh, I bet people loved you though. You're so great

0:36:12.120 --> 0:36:14.760
<v Speaker 1>with people, You're so personable. Thanks.

0:36:15.719 --> 0:36:18.479
<v Speaker 2>When I got the hint to move out, like oh shit,

0:36:18.600 --> 0:36:20.279
<v Speaker 2>you know, in New York. I got my equity card,

0:36:20.320 --> 0:36:23.480
<v Speaker 2>I got my sad card. I'm working, but I cannot

0:36:23.560 --> 0:36:26.239
<v Speaker 2>get ahead. I can't make a savings. This is so

0:36:26.760 --> 0:36:30.240
<v Speaker 2>fucking hard. Maybe if I try a late it'll be different. Nope.

0:36:30.480 --> 0:36:35.080
<v Speaker 2>Waited tables in La Forever too. Shout out to Ammo

0:36:35.360 --> 0:36:39.400
<v Speaker 2>on Highland just north of Santa Monica. It was a big.

0:36:38.880 --> 0:36:42.440
<v Speaker 3>Power, gigantic power place. And the irony is there is

0:36:42.480 --> 0:36:44.319
<v Speaker 3>a very large likelihood because I used to go there

0:36:44.320 --> 0:36:46.520
<v Speaker 3>every week. There's a very large likelihood that at some

0:36:46.600 --> 0:36:49.480
<v Speaker 3>point before I knew Katie Lowe's she waited on me.

0:36:49.680 --> 0:36:54.520
<v Speaker 2>Oh, I waited on you. I fucking waited on everybody.

0:36:55.560 --> 0:36:59.560
<v Speaker 3>I know so much to recreate that we do after

0:36:59.640 --> 0:37:04.120
<v Speaker 3>we watch Skirimo's tape of Like the Wolf, I think

0:37:04.160 --> 0:37:06.160
<v Speaker 3>we got a lot of catching up to do on this.

0:37:06.560 --> 0:37:09.920
<v Speaker 2>I waited on everyone. You fucking name it justin Timberlake,

0:37:10.000 --> 0:37:15.000
<v Speaker 2>Orlando Bluem, Mick Jagger, Both Cohen, Dan Jinks, Ryan Murphy,

0:37:15.160 --> 0:37:18.480
<v Speaker 2>every fucking day Table seventeen. Don't fuck with him not

0:37:18.560 --> 0:37:21.799
<v Speaker 2>sitting at table seventeen. He will ream you out. It

0:37:21.840 --> 0:37:25.480
<v Speaker 2>will be back, oh, Ava Mendez, Ryan Gosling, Jake Jill

0:37:25.560 --> 0:37:25.919
<v Speaker 2>and Halls.

0:37:25.920 --> 0:37:28.080
<v Speaker 3>Oh s, no, wonder was so hard for me to

0:37:28.120 --> 0:37:30.600
<v Speaker 3>get a table. See that's that makes total sense because,

0:37:30.640 --> 0:37:31.600
<v Speaker 3>like I'm sorry.

0:37:31.440 --> 0:37:38.120
<v Speaker 2>For it was Ryan Murphy, Katie Holmes, Kirsten Duns, everybody.

0:37:38.120 --> 0:37:43.160
<v Speaker 2>I mean, our regulars were so crazy who And it

0:37:43.239 --> 0:37:46.759
<v Speaker 2>was really it was kind of fun because it was

0:37:46.880 --> 0:37:49.160
<v Speaker 2>so Hollywood and I was such a New Yorker and

0:37:49.200 --> 0:37:51.960
<v Speaker 2>I really hadn't been around a lot of stalls.

0:37:51.600 --> 0:37:52.200
<v Speaker 3>Do you know what I mean?

0:37:52.280 --> 0:37:56.600
<v Speaker 2>And yeah, and it was really it was an amazing

0:37:56.800 --> 0:37:59.640
<v Speaker 2>community because all my friends guess how I got the job.

0:37:59.680 --> 0:38:02.239
<v Speaker 2>The friend from NYU all moved out here and we're

0:38:02.239 --> 0:38:03.840
<v Speaker 2>working an AMMO before me and got.

0:38:03.680 --> 0:38:07.360
<v Speaker 3>My I'm telling you this is the way this stuff works. Now.

0:38:07.600 --> 0:38:10.360
<v Speaker 3>At any point at that point did you feel like

0:38:10.440 --> 0:38:12.479
<v Speaker 3>quitting or giving up or was there any a point

0:38:12.480 --> 0:38:16.279
<v Speaker 3>where you all you ever just sort of went, yeah,

0:38:16.320 --> 0:38:19.560
<v Speaker 3>I've got a pivot, Like I've got a pivot.

0:38:19.880 --> 0:38:21.920
<v Speaker 2>No, I know, in my gut, I knew I was

0:38:21.960 --> 0:38:24.560
<v Speaker 2>never gonna quit, but I sure as fuck cried a lot,

0:38:24.680 --> 0:38:28.879
<v Speaker 2>Like I just cried, Like again, I think I had

0:38:28.920 --> 0:38:31.200
<v Speaker 2>had this sort of I had had this sort of

0:38:31.360 --> 0:38:35.920
<v Speaker 2>sparkly uh childhood of acting, meaning like, you know, I

0:38:36.000 --> 0:38:38.040
<v Speaker 2>was the lead in the plays and I always got

0:38:38.120 --> 0:38:41.320
<v Speaker 2>the part I wanted. And so as soon as I realized,

0:38:41.520 --> 0:38:45.279
<v Speaker 2>oh shit, this is really hard. I'm twenty one years old.

0:38:45.360 --> 0:38:47.880
<v Speaker 2>I can't book a job to save my life. Nobody cares.

0:38:47.920 --> 0:38:51.160
<v Speaker 2>I'm one in a billion. Everybody's like me. I'm literally

0:38:51.200 --> 0:38:53.360
<v Speaker 2>sitting in rooms where all the girls look like me,

0:38:53.440 --> 0:38:55.440
<v Speaker 2>and all the girls are good, and I don't know

0:38:55.480 --> 0:38:57.239
<v Speaker 2>why someone would take a chance on me. And I

0:38:57.280 --> 0:38:59.840
<v Speaker 2>think I'm gonna be waiting tables till the end of time,

0:39:00.560 --> 0:39:04.360
<v Speaker 2>and I can't. Every month when the first comes around,

0:39:04.560 --> 0:39:07.479
<v Speaker 2>I'm back at zero, Like I only ever made enough

0:39:07.600 --> 0:39:09.000
<v Speaker 2>to just just.

0:39:08.920 --> 0:39:11.160
<v Speaker 1>To pay the rent to get food, Yeah.

0:39:11.080 --> 0:39:13.600
<v Speaker 2>One hundred and fifty dollars phone bill. I was on

0:39:13.640 --> 0:39:15.880
<v Speaker 2>the lowest health insurant, you know all that shit. So

0:39:16.480 --> 0:39:18.680
<v Speaker 2>it was just such a grind. And guys, I wasn't

0:39:18.719 --> 0:39:21.840
<v Speaker 2>only waiting tables. I was waiting tables at night running

0:39:21.880 --> 0:39:23.600
<v Speaker 2>to This was at a time when the business was

0:39:23.680 --> 0:39:26.000
<v Speaker 2>very different. I would have like a million auditions and

0:39:26.040 --> 0:39:29.520
<v Speaker 2>not get them. But I would also be like side hustling,

0:39:29.600 --> 0:39:31.840
<v Speaker 2>like babysitting for this family over here to make a

0:39:31.840 --> 0:39:34.560
<v Speaker 2>few extra bucks, or like, oh, Disney is asking you

0:39:34.600 --> 0:39:37.120
<v Speaker 2>to come in and do a few like scratch voices

0:39:37.200 --> 0:39:39.640
<v Speaker 2>for one hundred dollars for six hours of work, and

0:39:39.680 --> 0:39:41.920
<v Speaker 2>then you're going to start a theater company with your

0:39:41.960 --> 0:39:44.000
<v Speaker 2>friends because it's the only thing that gives you any

0:39:44.000 --> 0:39:48.040
<v Speaker 2>sort of purpose, or like make sure your artistic soul

0:39:48.120 --> 0:39:51.759
<v Speaker 2>isn't dying, you know, in the busser line to clean

0:39:51.800 --> 0:39:55.640
<v Speaker 2>the dishes. But you know, I think that everyone. I

0:39:55.680 --> 0:39:59.000
<v Speaker 2>wish it was mandatory that everybody.

0:39:58.520 --> 0:40:02.000
<v Speaker 1>Yeah, work to go through that. Hell yeah, I agree.

0:40:02.160 --> 0:40:04.239
<v Speaker 3>Wait, Garamo, did you wait on tables too? Or did

0:40:04.280 --> 0:40:05.120
<v Speaker 3>you do something else?

0:40:05.680 --> 0:40:08.319
<v Speaker 1>I didn't? I didn't, I did. I did so many

0:40:08.400 --> 0:40:11.440
<v Speaker 1>different things. I worked at the Javit Center, at the

0:40:11.480 --> 0:40:12.400
<v Speaker 1>concession stand.

0:40:13.960 --> 0:40:15.960
<v Speaker 2>Listen, that's the service industry.

0:40:16.160 --> 0:40:16.839
<v Speaker 3>Yeah, sure is.

0:40:17.160 --> 0:40:20.839
<v Speaker 1>I had a crazy job which I loved, where I

0:40:20.880 --> 0:40:24.080
<v Speaker 1>would hold a box full of cassette tapes for this

0:40:24.239 --> 0:40:29.719
<v Speaker 1>musician that would play the guitar in the subway, so

0:40:29.760 --> 0:40:31.560
<v Speaker 1>we would go. I would meet him at like thirty

0:40:31.560 --> 0:40:34.440
<v Speaker 1>four Street in Pestation or forty second Street in Times Square.

0:40:34.680 --> 0:40:36.799
<v Speaker 1>He would call me and tell me where to meet him,

0:40:37.040 --> 0:40:39.480
<v Speaker 1>and then I would just sell his tapes and then

0:40:39.520 --> 0:40:41.520
<v Speaker 1>he would give me out of it was like forty bucks

0:40:41.560 --> 0:40:43.399
<v Speaker 1>he would give me for the night. But I did

0:40:43.400 --> 0:40:46.160
<v Speaker 1>that for a while and I was I loved doing that.

0:40:46.200 --> 0:40:48.640
<v Speaker 1>So I spent a lot of time in the subway

0:40:48.680 --> 0:40:52.440
<v Speaker 1>with this guy playing his guitar and selling his tapes.

0:40:52.560 --> 0:40:53.800
<v Speaker 2>Do you remember his name?

0:40:54.360 --> 0:40:56.120
<v Speaker 1>I don't. I wish I did.

0:40:56.200 --> 0:41:00.160
<v Speaker 2>It's the kind of music. What was the music it was?

0:40:59.760 --> 0:41:05.120
<v Speaker 1>It was kind of folky, but it was all original stuff.

0:41:05.239 --> 0:41:08.719
<v Speaker 1>It was. He had really long hair, long black hair.

0:41:09.280 --> 0:41:11.120
<v Speaker 1>He was into it though, And I sold a lot

0:41:11.200 --> 0:41:12.480
<v Speaker 1>of tapes, like people bought his son.

0:41:12.520 --> 0:41:14.160
<v Speaker 3>For a second. How did you? How did you meet?

0:41:14.400 --> 0:41:17.920
<v Speaker 3>Like like this guy who sang folky stuff.

0:41:18.160 --> 0:41:21.600
<v Speaker 1>A friend of mine had that job before me, and

0:41:21.760 --> 0:41:24.000
<v Speaker 1>he was moving on and he was like, yermo, do

0:41:24.080 --> 0:41:26.040
<v Speaker 1>you want to do this job? And I was like yep,

0:41:26.200 --> 0:41:29.400
<v Speaker 1>So he passed along the job. My friend Robbie masonutt

0:41:29.400 --> 0:41:31.680
<v Speaker 1>I still remember his name. He's great. He's a director

0:41:32.120 --> 0:41:34.359
<v Speaker 1>now and he's he's created a lot of great theater.

0:41:35.200 --> 0:41:36.920
<v Speaker 1>And then I had a job at a at a

0:41:36.920 --> 0:41:41.240
<v Speaker 1>photo stock agency called Retina, where I would I would

0:41:41.280 --> 0:41:45.600
<v Speaker 1>file photos, slides and eight x ten photos of celebrities

0:41:45.920 --> 0:41:49.280
<v Speaker 1>and I did that for a bunch of years, and

0:41:49.280 --> 0:41:52.480
<v Speaker 1>and you know, so paparazzi photographers would come into the

0:41:52.520 --> 0:41:55.480
<v Speaker 1>office and sort out all their material and then I

0:41:55.520 --> 0:41:56.520
<v Speaker 1>would have to file it.

0:41:57.320 --> 0:42:01.600
<v Speaker 2>And it's the weirdest job I've ever heard my life. Hours.

0:42:01.680 --> 0:42:02.880
<v Speaker 2>Was it like nine to five?

0:42:03.320 --> 0:42:05.160
<v Speaker 1>Yeah, it was like nine to five, yep. And I

0:42:05.200 --> 0:42:08.200
<v Speaker 1>would be there filing pictures of celebrities all day long,

0:42:08.239 --> 0:42:09.960
<v Speaker 1>and of course I would get to see, you know,

0:42:10.080 --> 0:42:13.560
<v Speaker 1>Madonna's file. I would get to see all the new

0:42:14.040 --> 0:42:17.600
<v Speaker 1>Madonna paparazzi photos that would come in. And they all

0:42:17.680 --> 0:42:19.319
<v Speaker 1>knew I was a big Madonna fan, so they would

0:42:19.320 --> 0:42:21.520
<v Speaker 1>be like, looky Emma, we just shot Madonna and this

0:42:21.680 --> 0:42:23.120
<v Speaker 1>is unbelievable.

0:42:23.239 --> 0:42:25.719
<v Speaker 2>Yeah, it's unbelievable.

0:42:26.040 --> 0:42:29.680
<v Speaker 1>We'll be right back. Guys.

0:42:31.600 --> 0:42:33.759
<v Speaker 3>Now, did you did you ever get to a point

0:42:33.840 --> 0:42:36.200
<v Speaker 3>through all this where you actually considered quitting?

0:42:36.400 --> 0:42:39.400
<v Speaker 1>You know what? No, Just like Katie, I knew in

0:42:39.440 --> 0:42:41.120
<v Speaker 1>my heart that I was never going to quit. They

0:42:41.120 --> 0:42:44.560
<v Speaker 1>were really hard times, and I cried too, But even

0:42:44.600 --> 0:42:48.360
<v Speaker 1>with all the rejection and all the insecurity that I had,

0:42:49.520 --> 0:42:54.040
<v Speaker 1>I wish I had the freaking courage and the strength

0:42:54.440 --> 0:42:57.080
<v Speaker 1>I had during that time, because nothing was going to

0:42:57.160 --> 0:43:00.520
<v Speaker 1>take me down. I never had one ink of a

0:43:00.600 --> 0:43:02.200
<v Speaker 1>doubt that I was not going to make it.

0:43:02.400 --> 0:43:03.919
<v Speaker 2>You gotta want it so bad.

0:43:04.040 --> 0:43:04.920
<v Speaker 1>Can you imagine?

0:43:05.000 --> 0:43:07.160
<v Speaker 2>I try to tell people, I'm like, how hard it

0:43:07.200 --> 0:43:09.359
<v Speaker 2>is to get a job, right, like, and how much

0:43:09.400 --> 0:43:12.839
<v Speaker 2>you put on the line of like insecurity, and you know,

0:43:13.440 --> 0:43:17.000
<v Speaker 2>and most people probably interview for X amount of jobs

0:43:17.000 --> 0:43:20.360
<v Speaker 2>in their lifetime. What what twenty thirty, I don't know something

0:43:20.400 --> 0:43:24.600
<v Speaker 2>like that. Actors are doing that hundreds. I mean, if

0:43:24.640 --> 0:43:26.120
<v Speaker 2>you're lucky, en, if you're really in the game and

0:43:26.160 --> 0:43:29.279
<v Speaker 2>you're auditioning a lot, I mean, you're getting opportunity and

0:43:29.320 --> 0:43:33.200
<v Speaker 2>told no hundreds and thousands of times a year, and

0:43:33.280 --> 0:43:36.759
<v Speaker 2>some of them you get really close, some of them

0:43:36.920 --> 0:43:40.200
<v Speaker 2>you're some of them you really want, like you are

0:43:40.440 --> 0:43:43.160
<v Speaker 2>like like, I mean, that's what I mean. So you're

0:43:43.320 --> 0:43:45.759
<v Speaker 2>you're it's such a hard career and that your heart

0:43:45.800 --> 0:43:48.319
<v Speaker 2>broke in a lot. You have to be kind of

0:43:48.680 --> 0:43:51.879
<v Speaker 2>naively hopeful, like today is going to be different than

0:43:51.920 --> 0:43:53.919
<v Speaker 2>the rest of this year where I haven't gotten shit,

0:43:54.160 --> 0:43:57.200
<v Speaker 2>Like it's just like so crazy.

0:43:57.360 --> 0:43:59.280
<v Speaker 1>But it would also like I don't know about you, Katie,

0:43:59.280 --> 0:44:02.799
<v Speaker 1>but it would drive me even more when I got

0:44:02.800 --> 0:44:04.719
<v Speaker 1>a rejection. When I get didn't get a job, I

0:44:04.719 --> 0:44:07.320
<v Speaker 1>would be like, you know what, fuck this shit I'm getting?

0:44:07.320 --> 0:44:10.120
<v Speaker 1>Then it would it would make me even more passionate

0:44:10.160 --> 0:44:12.400
<v Speaker 1>for the work and to get that next job, you

0:44:12.480 --> 0:44:15.279
<v Speaker 1>know what I mean. It made me stronger. And I

0:44:15.320 --> 0:44:17.640
<v Speaker 1>think a lot of people, I think that's what. You know,

0:44:17.719 --> 0:44:20.960
<v Speaker 1>a lot of actors that that A are pursuing acting.

0:44:21.000 --> 0:44:25.040
<v Speaker 1>I think that's what. That's when you you discover who

0:44:25.080 --> 0:44:27.959
<v Speaker 1>who really wants it bad enough and who doesn't, because

0:44:28.000 --> 0:44:29.799
<v Speaker 1>then there's that group of I have a lot of

0:44:29.840 --> 0:44:32.719
<v Speaker 1>friends that were actors that were just like I just

0:44:32.760 --> 0:44:34.920
<v Speaker 1>couldn't do it. It was too much, and they you know,

0:44:35.040 --> 0:44:37.759
<v Speaker 1>they they fell away, and but then there were there

0:44:37.800 --> 0:44:40.279
<v Speaker 1>were the group that continued on and most of them

0:44:40.280 --> 0:44:41.080
<v Speaker 1>made it, you know.

0:44:41.080 --> 0:44:42.440
<v Speaker 2>The perseverance man.

0:44:43.120 --> 0:44:46.120
<v Speaker 3>All your stories are so interesting and inspiring because you

0:44:46.160 --> 0:44:48.880
<v Speaker 3>all figured out a way to both stay yourselves and

0:44:48.920 --> 0:44:51.359
<v Speaker 3>adapt to the marketplace. And part of the reason I'm

0:44:51.360 --> 0:44:53.880
<v Speaker 3>asking all these questions is it's sort of like a

0:44:53.920 --> 0:44:57.719
<v Speaker 3>lot of this has to do with constantly pivoting. It's

0:44:57.760 --> 0:45:00.439
<v Speaker 3>like Katie goes to Los Angeles, it's totally different New York.

0:45:00.480 --> 0:45:02.600
<v Speaker 3>So she constantly pivots in order to figure out a

0:45:02.600 --> 0:45:05.440
<v Speaker 3>way both to fit in but remain the talented.

0:45:06.000 --> 0:45:09.359
<v Speaker 2>If you remember, I stood on a fucking soapbox and said,

0:45:09.360 --> 0:45:11.000
<v Speaker 2>I'm living in New York till the day I die,

0:45:11.040 --> 0:45:12.880
<v Speaker 2>and I'm not even learning how to drive a car.

0:45:12.960 --> 0:45:16.400
<v Speaker 2>I had to move to Los Angeles, in the hardest

0:45:16.480 --> 0:45:19.880
<v Speaker 2>driving town of all fucking time, and I got my

0:45:19.960 --> 0:45:23.360
<v Speaker 2>first car was from a company called rent Toreck, where.

0:45:23.080 --> 0:45:25.920
<v Speaker 3>You were rand that could afford yes.

0:45:25.800 --> 0:45:28.200
<v Speaker 2>Right, it was three hundred dollars a month for a

0:45:28.239 --> 0:45:32.880
<v Speaker 2>fucking beater piece of shit. And I remember landing at Lax.

0:45:33.239 --> 0:45:34.960
<v Speaker 2>I'd spent all my money on the ticket, getting my

0:45:35.000 --> 0:45:38.160
<v Speaker 2>rent to wreck and driving on the ten in the

0:45:38.320 --> 0:45:41.799
<v Speaker 2>right lane because I had driven like ten times. I mean,

0:45:41.800 --> 0:45:44.200
<v Speaker 2>I got my license my mom forced me when I

0:45:44.239 --> 0:45:46.839
<v Speaker 2>was eighteen, but I had never practiced, like I had

0:45:46.880 --> 0:45:50.720
<v Speaker 2>never really spent a lot of time behind the wheel.

0:45:50.719 --> 0:45:53.600
<v Speaker 2>I'd probably logged I don't know, twenty hours driving and

0:45:53.640 --> 0:45:58.000
<v Speaker 2>then I'm on the fucking ten. Guys, not I got

0:45:58.040 --> 0:46:00.680
<v Speaker 2>in so many car accidents when I'm moved out here,

0:46:00.880 --> 0:46:03.720
<v Speaker 2>and thankfully not like scary big ones, just like dumb

0:46:03.760 --> 0:46:06.640
<v Speaker 2>ones like I hit a parked car like stupid shit.

0:46:06.960 --> 0:46:09.640
<v Speaker 3>But that is the best metaphor, by the way, that's

0:46:09.680 --> 0:46:11.400
<v Speaker 3>the best metaphor. I didn't know how to drive, and

0:46:11.400 --> 0:46:14.120
<v Speaker 3>I got in a car and I did it anyway, right, Yeah, yeah,

0:46:14.160 --> 0:46:16.120
<v Speaker 3>because that's what you all have to do, which is

0:46:16.160 --> 0:46:18.960
<v Speaker 3>you're constantly and you're also you know, so part of

0:46:18.960 --> 0:46:21.240
<v Speaker 3>this whole world, which most people know obviously is the audition,

0:46:21.320 --> 0:46:23.960
<v Speaker 3>but you're constantly walking into different rooms and you're having

0:46:24.040 --> 0:46:27.799
<v Speaker 3>to deal with how do I assess and adjust to

0:46:27.840 --> 0:46:31.279
<v Speaker 3>this energy? All through this, like throughout all this for

0:46:31.360 --> 0:46:36.680
<v Speaker 3>both of you, is there like like a person who

0:46:37.640 --> 0:46:41.120
<v Speaker 3>you always sort of saw as, for lack of a

0:46:41.120 --> 0:46:44.560
<v Speaker 3>better expression, your north star, like were there was there

0:46:44.560 --> 0:46:48.840
<v Speaker 3>somebody or people who like you always felt like you

0:46:49.440 --> 0:46:51.759
<v Speaker 3>did your best work for you, felt like they had

0:46:51.800 --> 0:46:56.680
<v Speaker 3>your back, that also were your inspiration for things.

0:46:56.920 --> 0:47:00.279
<v Speaker 1>I had a professor in college that the men I

0:47:00.920 --> 0:47:04.040
<v Speaker 1>did any kind of work on the stage in the

0:47:04.120 --> 0:47:10.040
<v Speaker 1>one sort of uh drama. There were like three drama courses.

0:47:10.040 --> 0:47:13.600
<v Speaker 1>I went to Baroque College, which was not a theater

0:47:13.760 --> 0:47:16.839
<v Speaker 1>college at all. It was a business school that Jlo

0:47:17.000 --> 0:47:25.480
<v Speaker 1>went to. But of course, right, but of course I

0:47:25.520 --> 0:47:29.200
<v Speaker 1>gravitated towards the theater department and did all the plays

0:47:29.280 --> 0:47:32.520
<v Speaker 1>at the school. And but I had one professor, professor

0:47:32.520 --> 0:47:35.719
<v Speaker 1>that believed in me more than I believed in myself.

0:47:35.920 --> 0:47:39.520
<v Speaker 1>And she, you know, for the duration of me being

0:47:39.560 --> 0:47:43.800
<v Speaker 1>in in in the school, and even after that, she

0:47:43.800 --> 0:47:46.080
<v Speaker 1>she was always like, like you said, she was like

0:47:46.160 --> 0:47:49.000
<v Speaker 1>my my guiding light, like my my my northern star.

0:47:49.080 --> 0:47:51.839
<v Speaker 1>And she again, she just believed in me more than

0:47:51.880 --> 0:47:54.799
<v Speaker 1>I believed in her. In every job I did, you know,

0:47:54.840 --> 0:47:56.920
<v Speaker 1>whether it was theater or TV or film or whatever.

0:47:57.360 --> 0:47:59.759
<v Speaker 1>I always thought of her. She died shortly after I

0:47:59.800 --> 0:48:05.440
<v Speaker 1>graduated college, unfortunately from cancer. But she's always been in

0:48:05.520 --> 0:48:07.719
<v Speaker 1>sort of my heart and in my head and I

0:48:07.800 --> 0:48:10.920
<v Speaker 1>always I always always think of her all the time

0:48:11.000 --> 0:48:14.840
<v Speaker 1>because she was just such a wonderful guiding light for me.

0:48:14.960 --> 0:48:18.200
<v Speaker 3>And she's somebody you really did your best work for

0:48:18.320 --> 0:48:21.120
<v Speaker 3>in a weird way, alive or even after she passed away,

0:48:21.239 --> 0:48:24.120
<v Speaker 3>it's like, yeah, she was still there voice in the

0:48:24.120 --> 0:48:26.480
<v Speaker 3>back of your head going that was greater, you can

0:48:26.560 --> 0:48:30.439
<v Speaker 3>do better, or so to this day, yeah it's amazing. Yeah, yeah, yeah,

0:48:30.480 --> 0:48:31.120
<v Speaker 3>that's amazing.

0:48:31.640 --> 0:48:34.279
<v Speaker 2>I had like for me. Again, I think I don't

0:48:34.320 --> 0:48:37.360
<v Speaker 2>know if it's because of n YU or that I

0:48:37.400 --> 0:48:39.680
<v Speaker 2>don't know, Like me and g together were just such

0:48:40.200 --> 0:48:42.319
<v Speaker 2>and even how us three met, Like I'm such a

0:48:42.520 --> 0:48:47.200
<v Speaker 2>community person, yep, but I do find such a sense

0:48:47.239 --> 0:48:49.239
<v Speaker 2>of Oh I went to n Yu. Then this group

0:48:49.239 --> 0:48:51.040
<v Speaker 2>of friends all worked at the same restaurant, and then

0:48:51.040 --> 0:48:53.160
<v Speaker 2>this group of friends made a theater company, and then

0:48:53.480 --> 0:48:53.839
<v Speaker 2>this group.

0:48:54.440 --> 0:48:56.600
<v Speaker 1>It doesn't have to be one.

0:48:56.719 --> 0:49:00.120
<v Speaker 2>This group is like this group. I'm thinking about them

0:49:00.200 --> 0:49:01.920
<v Speaker 2>right now. I'm in an acting class. I'm never not

0:49:01.960 --> 0:49:04.840
<v Speaker 2>an acting class. I fucking love acting class more than anything.

0:49:04.880 --> 0:49:06.760
<v Speaker 2>And yes, our clothes are on and there's no longer

0:49:06.800 --> 0:49:07.520
<v Speaker 2>body license.

0:49:08.160 --> 0:49:12.240
<v Speaker 3>You could change that, you could change. You have that power, Katie.

0:49:12.480 --> 0:49:14.080
<v Speaker 2>Well, yeah, I did hear that there is a life

0:49:14.160 --> 0:49:19.080
<v Speaker 2>outbreak in the tkse uh the little kids classroom at

0:49:19.080 --> 0:49:23.759
<v Speaker 2>my kids school. Okayidd get that I have to say,

0:49:23.760 --> 0:49:27.759
<v Speaker 2>Like I get such strength from I've always been like

0:49:27.880 --> 0:49:31.160
<v Speaker 2>a let's put up scenes with my friends, and they

0:49:31.239 --> 0:49:34.920
<v Speaker 2>hold me to the highest accountability of what I can deliver.

0:49:35.000 --> 0:49:36.920
<v Speaker 2>And I feel the same way with them, And and

0:49:37.000 --> 0:49:40.239
<v Speaker 2>I get to do work there that no one that

0:49:40.280 --> 0:49:42.360
<v Speaker 2>the professional world has never seen me do, Like I

0:49:42.360 --> 0:49:44.520
<v Speaker 2>get to play part like Martha and who's afraid of

0:49:44.560 --> 0:49:47.240
<v Speaker 2>Virginia Woolf? For right now, I'm working on Private Lives

0:49:47.239 --> 0:49:49.200
<v Speaker 2>and Noel cow would play and we're talking like this

0:49:49.239 --> 0:49:51.200
<v Speaker 2>and I'm wearing to slap of clothes. Who the fuck

0:49:51.280 --> 0:49:53.000
<v Speaker 2>is going to let me do that and get paid

0:49:53.000 --> 0:49:56.800
<v Speaker 2>for it? No one. So it's just I've always held

0:49:56.840 --> 0:50:01.000
<v Speaker 2>myself to being around other actors who I think are

0:50:01.120 --> 0:50:03.440
<v Speaker 2>awesome and they think I'm good, and I ask a

0:50:03.440 --> 0:50:04.920
<v Speaker 2>lot of them and they ask a lot of me,

0:50:05.000 --> 0:50:08.480
<v Speaker 2>and I just need that space constantly and always. And

0:50:08.520 --> 0:50:12.839
<v Speaker 2>the only other person I'll say is Benny Boom, who

0:50:12.920 --> 0:50:16.640
<v Speaker 2>was the manager at AMMO. If you're an actor and

0:50:16.640 --> 0:50:18.800
<v Speaker 2>you're listening and you have to have a side hustle

0:50:18.840 --> 0:50:20.680
<v Speaker 2>to pay your bills and all that, like if you

0:50:21.040 --> 0:50:24.920
<v Speaker 2>actually have a boss who supports that you're doing it

0:50:25.080 --> 0:50:27.480
<v Speaker 2>versus is angry at you for doing it, it is

0:50:27.560 --> 0:50:30.439
<v Speaker 2>the key because I used to leave him high and dry,

0:50:31.000 --> 0:50:33.560
<v Speaker 2>have to run to auditions and callbacks and stuff, And

0:50:33.600 --> 0:50:36.160
<v Speaker 2>I would say to him, Benny, when I am here,

0:50:36.520 --> 0:50:39.720
<v Speaker 2>I'm going to be the greatest waitress caterer you've ever seen.

0:50:40.239 --> 0:50:41.880
<v Speaker 2>And sometimes it's going to suck, and I'm going to

0:50:41.960 --> 0:50:43.480
<v Speaker 2>be late because I'm going to be coming from the

0:50:43.560 --> 0:50:48.080
<v Speaker 2>valley to a callback some show procedure not procedural. I

0:50:48.080 --> 0:50:51.480
<v Speaker 2>will be coming back. And he would always say, kill it,

0:50:51.640 --> 0:50:53.680
<v Speaker 2>break a leg. I got you, And then I would

0:50:53.680 --> 0:50:56.080
<v Speaker 2>come back and he'd be like, howout the man? And

0:50:56.160 --> 0:50:58.920
<v Speaker 2>I I love that guys. He's the manager at Jelena

0:50:59.040 --> 0:51:01.160
<v Speaker 2>right now, which is a very restaurant in Venice. And

0:51:01.200 --> 0:51:02.640
<v Speaker 2>if you ever see Benny More, to.

0:51:02.600 --> 0:51:07.080
<v Speaker 3>Drop your name, baby, because let's go. I want it.

0:51:07.160 --> 0:51:13.600
<v Speaker 2>He is the greatest human being and was and he

0:51:13.680 --> 0:51:15.640
<v Speaker 2>believed in me, like he was like I knew you

0:51:15.680 --> 0:51:18.240
<v Speaker 2>were going to make it because you worked so hard.

0:51:18.760 --> 0:51:21.080
<v Speaker 2>And I worked so hard at that restaurant. Man, I

0:51:21.160 --> 0:51:24.400
<v Speaker 2>did because he he deserved it. Like I was like,

0:51:24.480 --> 0:51:27.919
<v Speaker 2>this is the best, dude. And I'm going to tell

0:51:28.040 --> 0:51:31.680
<v Speaker 2>Jake Dyllenhall that he can have his alg apple lemon

0:51:31.760 --> 0:51:34.320
<v Speaker 2>ginger juice without ice this morning, and I'm going to

0:51:34.400 --> 0:51:36.560
<v Speaker 2>remake that latte because we didn't do a really good

0:51:36.640 --> 0:51:38.880
<v Speaker 2>job and we fucked it up. We're like whatever it wants.

0:51:39.160 --> 0:51:44.120
<v Speaker 1>Yes, you were fucking top notch, top drawer in that restaurant.

0:51:44.560 --> 0:51:48.040
<v Speaker 3>See, but that is that's and it also just speaks

0:51:48.080 --> 0:51:51.279
<v Speaker 3>to it. It seems like to sech a degree the

0:51:51.320 --> 0:51:53.719
<v Speaker 3>importance of that kind of community and the importance of

0:51:53.760 --> 0:51:57.000
<v Speaker 3>that connection. And look, it's why we're all doing this

0:51:57.040 --> 0:52:04.000
<v Speaker 3>podcast is because we all are unified by this incredible

0:52:04.080 --> 0:52:08.200
<v Speaker 3>love and certainly my insane respect for what you all do,

0:52:08.400 --> 0:52:11.200
<v Speaker 3>obviously because I know how hard it is. And I

0:52:11.239 --> 0:52:13.680
<v Speaker 3>also I mean, it's the things that people don't realize

0:52:13.680 --> 0:52:16.120
<v Speaker 3>when you walk into a room in your auditioning and

0:52:17.160 --> 0:52:19.600
<v Speaker 3>people aren't even looking at you, they're talking on their

0:52:19.640 --> 0:52:23.240
<v Speaker 3>phone there. I mean, things that I would not believe

0:52:23.600 --> 0:52:27.000
<v Speaker 3>would have ever happened, you live through on a regular basis.

0:52:27.000 --> 0:52:30.680
<v Speaker 3>And that so the people who are around you, who

0:52:30.719 --> 0:52:33.360
<v Speaker 3>support you, who believe on you, believe on you. That

0:52:33.400 --> 0:52:38.520
<v Speaker 3>would be a really dangerous position. I want to believe

0:52:38.520 --> 0:52:44.160
<v Speaker 3>on you. I believe on you. It's very odd, but

0:52:44.239 --> 0:52:47.920
<v Speaker 3>I think that's I think that's really it's really important

0:52:47.960 --> 0:52:51.279
<v Speaker 3>because three quarters of how we all survive in this

0:52:51.560 --> 0:52:55.720
<v Speaker 3>is whatever workplace family you're in. And you know, Katie,

0:52:55.760 --> 0:52:59.680
<v Speaker 3>you create an entire theater company that gives people a

0:52:59.760 --> 0:53:02.359
<v Speaker 3>safe space and supports them to do what it is

0:53:02.400 --> 0:53:04.920
<v Speaker 3>they do. And gearamaust so much of the work that

0:53:04.960 --> 0:53:07.239
<v Speaker 3>you've done and the energy that you put forth. Even

0:53:07.280 --> 0:53:10.960
<v Speaker 3>when you do the amazing genres that you do, you

0:53:11.000 --> 0:53:15.120
<v Speaker 3>know like you dig into it and that every single

0:53:15.120 --> 0:53:19.319
<v Speaker 3>person to a letter always says, you know, when I

0:53:19.360 --> 0:53:22.640
<v Speaker 3>work with Gearmo, I feel like I just feel safe

0:53:23.760 --> 0:53:28.160
<v Speaker 3>and loved and respected. And it's that's so much of

0:53:28.480 --> 0:53:31.000
<v Speaker 3>I think what we're always craving for, which is a

0:53:31.040 --> 0:53:33.920
<v Speaker 3>community where we can be super different in ways, but

0:53:34.040 --> 0:53:36.640
<v Speaker 3>we have this one thing in common and that's what's

0:53:36.719 --> 0:53:38.720
<v Speaker 3>like super cool totally.

0:53:38.800 --> 0:53:41.440
<v Speaker 1>And I think also coming from where Katie I came from,

0:53:41.480 --> 0:53:43.680
<v Speaker 1>we don't. I don't. We don't take shit for granted,

0:53:43.800 --> 0:53:46.560
<v Speaker 1>right right, Like every day I'm on set, no matter what,

0:53:46.840 --> 0:53:49.239
<v Speaker 1>to this day, I'm like, oh my god, I got

0:53:49.360 --> 0:53:51.759
<v Speaker 1>to do my best. Like I'm so grateful for this job.

0:53:52.040 --> 0:53:55.200
<v Speaker 1>And if I hadn't come up through you know, background

0:53:55.239 --> 0:53:58.799
<v Speaker 1>work and working in the subway and you know theaters

0:53:58.880 --> 0:54:01.919
<v Speaker 1>and student films, I don't think i'd have that sort

0:54:01.960 --> 0:54:06.799
<v Speaker 1>of you know, appreciation and gratitude for any time I work,

0:54:07.760 --> 0:54:09.200
<v Speaker 1>you know, And I hope that never goes away.

0:54:09.920 --> 0:54:11.640
<v Speaker 3>Is there anything you really want to do that you

0:54:11.640 --> 0:54:14.759
<v Speaker 3>haven't got a chance to do yet? Look if you

0:54:14.800 --> 0:54:18.480
<v Speaker 3>guys can see Katie's face. So Katie's face, her eyeballs

0:54:18.560 --> 0:54:19.920
<v Speaker 3>just popped out. Her eyeballs.

0:54:20.840 --> 0:54:24.240
<v Speaker 2>Oh yeah, I say for sure. I mean I feel

0:54:24.280 --> 0:54:26.359
<v Speaker 2>so like, oh I want All I wanted to do

0:54:26.600 --> 0:54:31.080
<v Speaker 2>was like was was you know, a procedural I wanted

0:54:31.120 --> 0:54:32.719
<v Speaker 2>to do. That's so bad. I knew I would be

0:54:32.760 --> 0:54:35.600
<v Speaker 2>great at it, and and and and beyond. All I

0:54:35.640 --> 0:54:37.920
<v Speaker 2>wanted to do was a series regular on television, and

0:54:38.000 --> 0:54:39.440
<v Speaker 2>like great, And then all I wanted to do was

0:54:39.480 --> 0:54:41.239
<v Speaker 2>a wife on a sitcom. All I wanted to do

0:54:41.320 --> 0:54:42.879
<v Speaker 2>is a wife on a sitcom. And all I wanted

0:54:42.880 --> 0:54:45.040
<v Speaker 2>to do was a Broadway musical. And I feel so

0:54:45.360 --> 0:54:49.000
<v Speaker 2>fucking grateful that I need to check those things off.

0:54:49.400 --> 0:54:51.480
<v Speaker 2>And now I'm like, all I want to do is

0:54:51.520 --> 0:54:55.239
<v Speaker 2>like sci fi or like I mean, I want to

0:54:55.280 --> 0:54:58.040
<v Speaker 2>do something fucking weird sci fi, like oh yeah, and

0:54:58.040 --> 0:55:00.600
<v Speaker 2>then I want to do horror, like I got I've

0:55:00.600 --> 0:55:03.719
<v Speaker 2>got a fucking sick scream and I can run and

0:55:03.760 --> 0:55:04.759
<v Speaker 2>I can be really.

0:55:04.480 --> 0:55:06.520
<v Speaker 3>So I'm just going to tell you something. She does

0:55:06.640 --> 0:55:07.800
<v Speaker 3>have a really sick scream.

0:55:10.200 --> 0:55:12.399
<v Speaker 2>I want to do that, like I think I could

0:55:12.480 --> 0:55:15.919
<v Speaker 2>do so Like there's just so many cool things I've

0:55:15.920 --> 0:55:18.799
<v Speaker 2>never done period, Like I would love to do seventies

0:55:18.920 --> 0:55:21.080
<v Speaker 2>or eighties. I've never gotten to do something.

0:55:20.800 --> 0:55:22.440
<v Speaker 3>Where it's like sixty seventies and eighties.

0:55:22.840 --> 0:55:23.080
<v Speaker 1>Whoo.

0:55:23.480 --> 0:55:25.279
<v Speaker 2>And I have a great head of hair for that.

0:55:25.360 --> 0:55:27.000
<v Speaker 2>What the fuck people do?

0:55:28.040 --> 0:55:31.160
<v Speaker 3>I'm telling you all, she's wearing like aviators from nineteen

0:55:31.200 --> 0:55:31.920
<v Speaker 3>sixty nine.

0:55:31.960 --> 0:55:35.160
<v Speaker 2>You I could do it. I can do it. So

0:55:35.840 --> 0:55:37.399
<v Speaker 2>I think there's a little bit of that, like I'm

0:55:37.480 --> 0:55:40.080
<v Speaker 2>a little bit I feel bad, but you know when

0:55:40.120 --> 0:55:43.000
<v Speaker 2>you I audition a lot for like modern comedies where

0:55:43.000 --> 0:55:44.719
<v Speaker 2>we're just sort of like trying to be funny and

0:55:44.840 --> 0:55:47.480
<v Speaker 2>we're speaking like how we speak. So I'd like to

0:55:47.520 --> 0:55:50.720
<v Speaker 2>do something that's like more elevating, like if it is period,

0:55:50.800 --> 0:55:53.680
<v Speaker 2>or maybe it's horror or like a psychological thriller or

0:55:53.760 --> 0:55:55.920
<v Speaker 2>sci fi that's weird and everything gets to be a

0:55:55.920 --> 0:55:58.440
<v Speaker 2>little bit more presentational, Like that's cool for me. I'm

0:55:58.440 --> 0:56:03.480
<v Speaker 2>super pumped about that, and I'm putting it out guys, which.

0:56:03.280 --> 0:56:06.759
<v Speaker 3>Also like, let's see you do something we're totally surprised

0:56:06.800 --> 0:56:07.360
<v Speaker 3>you're doing.

0:56:08.040 --> 0:56:10.360
<v Speaker 2>Yeah, right, what about you, Germo?

0:56:10.520 --> 0:56:11.040
<v Speaker 3>What about you?

0:56:11.080 --> 0:56:12.000
<v Speaker 2>Sir? Yeah?

0:56:12.080 --> 0:56:14.480
<v Speaker 1>I thought I loved you more than anything. Katie and

0:56:14.520 --> 0:56:16.480
<v Speaker 1>I can't love you even more now knowing that you

0:56:16.520 --> 0:56:19.000
<v Speaker 1>want to do horror and sci fi because you know

0:56:19.120 --> 0:56:24.160
<v Speaker 1>that my number one love is horror movies and horror horror,

0:56:24.200 --> 0:56:27.600
<v Speaker 1>and oh my god, let's freaking do a fucking horror

0:56:27.600 --> 0:56:29.560
<v Speaker 1>movie or a sci fi movie together. And it's so

0:56:29.600 --> 0:56:32.759
<v Speaker 1>funny just to go back really quickly. You grew up

0:56:32.800 --> 0:56:35.160
<v Speaker 1>in Port Washington, and you know I'm all down for

0:56:35.200 --> 0:56:38.719
<v Speaker 1>all the horror stuff. But yes, I was gonna mention

0:56:38.800 --> 0:56:42.439
<v Speaker 1>Amityville Horror, which was a house that was haunted in

0:56:42.560 --> 0:56:47.120
<v Speaker 1>Long Island. But I've never ever done like a proper,

0:56:47.239 --> 0:56:49.520
<v Speaker 1>proper horror film, so I still really want to do that.

0:56:49.520 --> 0:56:53.640
<v Speaker 1>And I want to do Shakespeare. I'm terrified, terrified, and

0:56:53.680 --> 0:56:56.480
<v Speaker 1>I know ke yes, please, and I know listen. I

0:56:56.480 --> 0:57:00.040
<v Speaker 1>remember on set Katie sometimes Katie would go into a

0:57:00.080 --> 0:57:04.560
<v Speaker 1>soliloquy from a Shakespeare play and know it by heart

0:57:04.920 --> 0:57:06.680
<v Speaker 1>of something she did, like I don't know how many

0:57:06.760 --> 0:57:07.080
<v Speaker 1>years ago.

0:57:07.080 --> 0:57:08.799
<v Speaker 2>I feel like a dignity and Favarona, where we lay

0:57:08.800 --> 0:57:12.680
<v Speaker 2>out blood makes sibil hands unclean, and from fourth the

0:57:12.680 --> 0:57:14.160
<v Speaker 2>fatal loins of these two foes, a pair of star

0:57:14.239 --> 0:57:16.200
<v Speaker 2>cross lovers take their life. I could go on for

0:57:16.440 --> 0:57:17.200
<v Speaker 2>I've got tet.

0:57:17.320 --> 0:57:19.440
<v Speaker 1>I love it, so I want to do that, but

0:57:19.440 --> 0:57:22.080
<v Speaker 1>I'm scared ship but I'm down hard.

0:57:22.120 --> 0:57:22.960
<v Speaker 2>Would you want to do I.

0:57:24.920 --> 0:57:28.920
<v Speaker 1>H I would love to do the Scottish play.

0:57:28.040 --> 0:57:30.800
<v Speaker 3>I think you should do the Scottish play. I think

0:57:30.880 --> 0:57:32.680
<v Speaker 3>your Scottish play is a really really good idea.

0:57:33.000 --> 0:57:34.360
<v Speaker 1>I love Caesar.

0:57:35.120 --> 0:57:38.000
<v Speaker 3>Yeah, I also like the weird thing. And I'm not

0:57:38.000 --> 0:57:40.920
<v Speaker 3>going to nerd out on this, but anyway, Coriolanus is

0:57:41.040 --> 0:57:44.760
<v Speaker 3>very underrated. I'll just say that.

0:57:43.960 --> 0:57:47.480
<v Speaker 2>That, peoples, that's a little bit rated.

0:57:47.600 --> 0:57:50.960
<v Speaker 3>That's a little bit of pretension for a day where

0:57:50.960 --> 0:57:52.240
<v Speaker 3>you're listening to a podcast.

0:57:52.400 --> 0:57:54.760
<v Speaker 2>I think I've ever seen Coriolanus done.

0:57:54.960 --> 0:58:00.240
<v Speaker 3>Yeah, well I have back in the geriatric days. It

0:58:00.320 --> 0:58:04.160
<v Speaker 3>was amazing. It's about a guy with a mother complex.

0:58:04.200 --> 0:58:04.720
<v Speaker 3>It's awesome.

0:58:05.000 --> 0:58:05.240
<v Speaker 1>Oh.

0:58:05.360 --> 0:58:05.920
<v Speaker 2>I love that.

0:58:05.920 --> 0:58:08.040
<v Speaker 3>I can usually figure out a way to redo anything

0:58:08.080 --> 0:58:10.320
<v Speaker 3>into one sentence, which is not really accurate, but at

0:58:10.360 --> 0:58:14.560
<v Speaker 3>least it makes you think I know what I'm talking about. So,

0:58:15.200 --> 0:58:18.600
<v Speaker 3>as we wrap up this amazing deep dive into both

0:58:18.640 --> 0:58:22.320
<v Speaker 3>of your lives, as we understand more what makes you tickies?

0:58:22.960 --> 0:58:25.880
<v Speaker 3>So are you pretty much? If it all ended today,

0:58:26.760 --> 0:58:28.640
<v Speaker 3>I would imagine you're all pretty proud of the work

0:58:28.680 --> 0:58:29.280
<v Speaker 3>you've done.

0:58:29.160 --> 0:58:31.840
<v Speaker 1>Right, absolutely fuck yeah, right, yeah.

0:58:32.000 --> 0:58:36.680
<v Speaker 2>I can't fucking believe anyone anywhere ever, was like, here

0:58:36.800 --> 0:58:39.800
<v Speaker 2>is a check for your acting services. I cannot. I

0:58:39.960 --> 0:58:43.360
<v Speaker 2>still am shocked, Like I'm like, wait, what I mean.

0:58:43.400 --> 0:58:47.480
<v Speaker 2>It's truly Uh, it's so hard, as you all have heard,

0:58:47.680 --> 0:58:51.960
<v Speaker 2>to be employed as an actor, and I just can't.

0:58:52.000 --> 0:58:54.880
<v Speaker 2>Sometimes I'm like driving my minivan around and I'm like,

0:58:54.960 --> 0:58:58.080
<v Speaker 2>I can't believe I like have a minivan that I

0:58:58.640 --> 0:59:03.720
<v Speaker 2>or from acting. It's insane. That's insane. It's insane, right,

0:59:03.840 --> 0:59:06.560
<v Speaker 2>it's one in a billion. And it's really like my

0:59:06.680 --> 0:59:10.080
<v Speaker 2>dad said, like like I just feel like I'm happiest

0:59:10.120 --> 0:59:13.520
<v Speaker 2>on set and I love my job and I can't

0:59:13.560 --> 0:59:15.919
<v Speaker 2>believe that I've gotten to do it, and I hope

0:59:15.960 --> 0:59:18.920
<v Speaker 2>I get to do it again. That's like really yeah,

0:59:18.920 --> 0:59:21.520
<v Speaker 2>And I don't want to wait tables again. I don't

0:59:21.560 --> 0:59:21.840
<v Speaker 2>want to.

0:59:21.840 --> 0:59:25.960
<v Speaker 3>Be no, no, no no. I think it's one of

0:59:25.960 --> 0:59:28.040
<v Speaker 3>the germo. I'm assuming you feel the same way. It

0:59:28.040 --> 0:59:28.480
<v Speaker 3>was sort of.

0:59:28.400 --> 0:59:31.120
<v Speaker 1>A absolutely oh yeah.

0:59:30.720 --> 0:59:34.120
<v Speaker 3>For what everything that we all do. I just every

0:59:34.200 --> 0:59:38.280
<v Speaker 3>day get up and I feel so incredibly lucky and

0:59:38.360 --> 0:59:41.800
<v Speaker 3>I am so passionate about it, and I'm I feel

0:59:41.800 --> 0:59:44.920
<v Speaker 3>like that's that's the beauty of your work because you

0:59:44.960 --> 0:59:47.360
<v Speaker 3>can see that coming through. You can see the hard work,

0:59:47.400 --> 0:59:50.000
<v Speaker 3>but you never make you never make it look hard.

0:59:50.440 --> 0:59:52.720
<v Speaker 3>You just know there must have been hard work somewhere.

0:59:53.080 --> 0:59:54.960
<v Speaker 3>And so anybody who's listening to this, when you see

0:59:54.960 --> 0:59:59.040
<v Speaker 3>these two work again, you're gonna know what the journey

0:59:59.120 --> 1:00:02.120
<v Speaker 3>is and the work is behind the scenes. But what

1:00:02.200 --> 1:00:06.520
<v Speaker 3>you see looks incredibly easy, and that's because they're really

1:00:06.720 --> 1:00:10.680
<v Speaker 3>fucking good at what they do. But thank you for

1:00:11.120 --> 1:00:14.320
<v Speaker 3>doing this. It's been so much fun packing and unpacking

1:00:14.360 --> 1:00:17.200
<v Speaker 3>and then putting more crap in the bag and pulling

1:00:17.200 --> 1:00:23.320
<v Speaker 3>out a screwdriver and then drinking exactly exactly. But this

1:00:23.800 --> 1:00:24.440
<v Speaker 3>was really fun.

1:00:25.120 --> 1:00:28.920
<v Speaker 2>Oh, it was such a blast. And we've had you

1:00:29.080 --> 1:00:33.120
<v Speaker 2>on unpacking the toolbox, so we people who are interested

1:00:33.240 --> 1:00:37.160
<v Speaker 2>can actually go back and listen about how Betsy Beers

1:00:37.200 --> 1:00:39.040
<v Speaker 2>became the prolific twoty beer.

1:00:39.160 --> 1:00:42.600
<v Speaker 3>So the garbage pale that is my strange past career.

1:00:42.720 --> 1:00:46.640
<v Speaker 2>It's so interesting because you were good and interest in

1:00:46.720 --> 1:00:49.520
<v Speaker 2>a lot of different weird fucking things that sort of

1:00:49.680 --> 1:00:54.920
<v Speaker 2>all came together to make you so incredible at what

1:00:54.960 --> 1:00:59.320
<v Speaker 2>you do and in episodes coming up. We have awesome

1:00:59.720 --> 1:01:01.040
<v Speaker 2>gas coming up.

1:01:01.440 --> 1:01:04.280
<v Speaker 3>Really, Like, I think what's super exciting about this is

1:01:04.680 --> 1:01:08.480
<v Speaker 3>if you've enjoyed, Like, if you've enjoyed listening today's podcast,

1:01:08.720 --> 1:01:12.320
<v Speaker 3>you've got to treat in store because we have some

1:01:12.360 --> 1:01:15.400
<v Speaker 3>people lined up who have incredibly surprising stories.

1:01:15.760 --> 1:01:15.920
<v Speaker 1>Yep.

1:01:16.120 --> 1:01:19.240
<v Speaker 3>I think it's we all feel like it's it's just

1:01:19.360 --> 1:01:23.000
<v Speaker 3>great to understand how people that we've worked with got

1:01:23.040 --> 1:01:25.920
<v Speaker 3>to where they get what it is they do, because

1:01:26.000 --> 1:01:29.080
<v Speaker 3>I believe that a lot of people out there may

1:01:29.160 --> 1:01:30.960
<v Speaker 3>want to work in this business but may not know

1:01:31.040 --> 1:01:33.280
<v Speaker 3>exactly what it is they want to do. And it's

1:01:33.320 --> 1:01:36.720
<v Speaker 3>why I'm always preaching up producing. You see actors, you

1:01:36.720 --> 1:01:39.960
<v Speaker 3>see directors, you hear about writers, but there are all

1:01:40.000 --> 1:01:43.800
<v Speaker 3>these other incredible jobs that you honestly could not put

1:01:43.840 --> 1:01:48.880
<v Speaker 3>anything on without the participation of these folks and learning

1:01:48.880 --> 1:01:52.040
<v Speaker 3>a bit about what they really do do, where they

1:01:52.080 --> 1:01:54.600
<v Speaker 3>come from, how they got there. I think it's going

1:01:54.640 --> 1:01:58.120
<v Speaker 3>to be really fun and yes, I'm really looking forward

1:01:58.120 --> 1:01:59.840
<v Speaker 3>to it, and I can. I can if I get

1:01:59.840 --> 1:02:01.840
<v Speaker 3>to god back and guys.

1:02:03.360 --> 1:02:07.080
<v Speaker 2>Of our trio. Betsy is the she is the most

1:02:07.160 --> 1:02:08.440
<v Speaker 2>talented interviewer.

1:02:08.640 --> 1:02:09.760
<v Speaker 3>So I don't think I.

1:02:11.640 --> 1:02:15.640
<v Speaker 2>Have Betsy asked the questions while Germo and I just

1:02:15.720 --> 1:02:18.640
<v Speaker 2>put in some funny interstitials.

1:02:19.520 --> 1:02:21.760
<v Speaker 3>I think I think y'all have been doing just fine

1:02:21.800 --> 1:02:24.880
<v Speaker 3>old job burning a podcast yourself. This is about the

1:02:24.920 --> 1:02:27.000
<v Speaker 3>fact I like hanging out with you too, and this

1:02:27.120 --> 1:02:28.760
<v Speaker 3>is the easiest way to do it at the moment

1:02:28.800 --> 1:02:30.160
<v Speaker 3>because you're both really busy.

1:02:30.440 --> 1:02:31.200
<v Speaker 2>We're lucky.

1:02:31.640 --> 1:02:35.280
<v Speaker 3>Well, it's this was really fun. That would be it

1:02:35.400 --> 1:02:35.960
<v Speaker 3>for us.

1:02:36.320 --> 1:02:39.800
<v Speaker 2>Yes, stay tuned, we'll be interviewing and unpacking some other

1:02:39.880 --> 1:02:45.040
<v Speaker 2>peeps from the industry on Unpacking the tool tool Box

1:02:45.880 --> 1:02:47.640
<v Speaker 2>the industry.

1:02:48.040 --> 1:02:53.080
<v Speaker 1>Thank you, Betsy, Thank you Katie, Thank you Katie.

1:02:53.480 --> 1:03:07.760
<v Speaker 2>That was such a black That was fun. Yea Scandal

1:03:07.800 --> 1:03:11.320
<v Speaker 2>is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

1:03:11.640 --> 1:03:15.360
<v Speaker 2>Tyler Klang, and Gabrielle Collins. Our producer and editor is

1:03:15.440 --> 1:03:19.080
<v Speaker 2>Vince de Johnny, with music by Chad Fisher. Unpacking the

1:03:19.080 --> 1:03:22.400
<v Speaker 2>Toolbox is a production of Shondaland Audio in partnership with iHeartRadio.

1:03:22.800 --> 1:03:26.320
<v Speaker 2>For more podcasts from Shondaland Audio, visit the iHeartRadio app

1:03:26.400 --> 1:03:33.560
<v Speaker 2>or anywhere you subscribe to your favorite shows.