1 00:00:04,240 --> 00:00:06,720 Speaker 1: Hey, and welcome to the short stuff. I'm Josh, and 2 00:00:06,760 --> 00:00:09,720 Speaker 1: there's Chuck, and there's Jerry, and Elvis is in the 3 00:00:09,800 --> 00:00:12,680 Speaker 1: building in spirit at least, and so is Richard Nixon. 4 00:00:12,880 --> 00:00:17,119 Speaker 1: Everybody's mad about that. So this is short stuff. Like 5 00:00:17,160 --> 00:00:19,720 Speaker 1: I said, that's right, and this is about the very 6 00:00:19,760 --> 00:00:23,160 Speaker 1: famous meeting of Elvis Presley and Richard Nixon. And uh 7 00:00:23,200 --> 00:00:27,040 Speaker 1: we got this information from uh December two thousands ten 8 00:00:27,160 --> 00:00:30,440 Speaker 1: article in Smithsonian magazine by Peter Carlson which had some 9 00:00:30,480 --> 00:00:36,040 Speaker 1: great details about this very famous meeting on December twenty one. Yes, 10 00:00:36,280 --> 00:00:40,360 Speaker 1: which is that you might have thought was photoshopped. Well, 11 00:00:40,520 --> 00:00:42,959 Speaker 1: do you remember one of the first photoshops we ever 12 00:00:42,960 --> 00:00:45,839 Speaker 1: got from our pal Van Nostrin was of us as 13 00:00:45,880 --> 00:00:50,559 Speaker 1: Elvis and Nixon. That's right. And then totally unrelated to it, 14 00:00:50,680 --> 00:00:53,960 Speaker 1: our other pale who photoshops as sometimes as Aaron Cooper, 15 00:00:54,320 --> 00:00:56,800 Speaker 1: actually he does it all the time, and he um 16 00:00:56,840 --> 00:00:59,520 Speaker 1: photoshopped us as Elvis and Nixon too, and I think 17 00:00:59,560 --> 00:01:04,959 Speaker 1: they were swapped. Pretty amazing stuff. Well, the wonders of technology. 18 00:01:05,240 --> 00:01:07,480 Speaker 1: The thing is, though, right, The thing is is this 19 00:01:07,560 --> 00:01:09,679 Speaker 1: is not a photoshop to image. It's a very famous 20 00:01:09,760 --> 00:01:13,560 Speaker 1: image that you could get well before photoshop was ever 21 00:01:13,640 --> 00:01:16,039 Speaker 1: around back in the eighties. But it is of a 22 00:01:16,120 --> 00:01:19,320 Speaker 1: meeting that very few people knew about until a Chicago 23 00:01:19,360 --> 00:01:23,399 Speaker 1: newspaper in said hey, everybody, the National Archives has a 24 00:01:23,560 --> 00:01:27,319 Speaker 1: bunch of pictures of Elvis and Nixon together shaking hands, 25 00:01:27,319 --> 00:01:29,080 Speaker 1: and you can buy them if you want, and it 26 00:01:29,120 --> 00:01:32,440 Speaker 1: became the most requested picture in National Archives history in 27 00:01:32,520 --> 00:01:35,360 Speaker 1: like a week. Yeah, and like Elvis as Elvis, it 28 00:01:35,400 --> 00:01:38,320 Speaker 1: wasn't like he wore He's like, well, I'm gonna I'm 29 00:01:38,319 --> 00:01:40,520 Speaker 1: gonna wear my suit today and just tone it down 30 00:01:40,920 --> 00:01:45,280 Speaker 1: like he's fully Elvis purple lure suit with a cape 31 00:01:45,319 --> 00:01:48,240 Speaker 1: if I remember correctly. And there's a movie about this too, 32 00:01:48,240 --> 00:01:51,840 Speaker 1: by the way. There's two of them, Oh really, there's 33 00:01:51,880 --> 00:01:53,880 Speaker 1: one from ninety seven and one from I think like 34 00:01:53,920 --> 00:01:56,320 Speaker 1: two thousand something. Well, the one that I saw was 35 00:01:56,360 --> 00:02:00,960 Speaker 1: the most recent one with Michael Shannon, Yes, as as Elvis. Yes, 36 00:02:01,760 --> 00:02:04,559 Speaker 1: so not about it wasn't great, but Michael Shannon's awesome 37 00:02:04,560 --> 00:02:06,360 Speaker 1: and everything, so it was worth it for that. Did 38 00:02:06,360 --> 00:02:09,960 Speaker 1: they make like is it a fink feature length movie? Yeah? Weird, 39 00:02:10,160 --> 00:02:13,160 Speaker 1: But I followed the story, you know, um, because I 40 00:02:13,160 --> 00:02:15,240 Speaker 1: mean this is about like forty eight hours is the 41 00:02:15,240 --> 00:02:18,920 Speaker 1: whole story. Yeah, so here's how it goes. Is it's 42 00:02:19,160 --> 00:02:21,919 Speaker 1: Christmas time. Wait, I'm sorry, hold on one more thing, Chuck, 43 00:02:21,960 --> 00:02:24,680 Speaker 1: I want to interject before you get started. It helps 44 00:02:24,760 --> 00:02:30,040 Speaker 1: a lot to imagine Elvis totally wasted on speed throughout 45 00:02:30,040 --> 00:02:33,600 Speaker 1: this entire story. Okay, okay, just better than mine. So 46 00:02:33,680 --> 00:02:36,519 Speaker 1: it starts on Christmas. There's a fight at the house 47 00:02:36,600 --> 00:02:40,440 Speaker 1: between Elvis's dad, Vernon, and Elvis's wife, apparently about just 48 00:02:40,639 --> 00:02:44,160 Speaker 1: Christmas spending, which I think is interesting. I got the 49 00:02:44,200 --> 00:02:48,400 Speaker 1: impression that they were on the same side against Elvis. Oh, 50 00:02:48,440 --> 00:02:51,639 Speaker 1: I don't know, I think so maybe. But at any regard, 51 00:02:51,720 --> 00:02:55,840 Speaker 1: Elvis leaves, he's not too happy. So he does that 52 00:02:55,840 --> 00:02:58,280 Speaker 1: that movie trope thing where you just go to the 53 00:02:58,280 --> 00:03:01,560 Speaker 1: airport and say, put me on the next flight to anywhere. Uh, 54 00:03:01,600 --> 00:03:04,480 Speaker 1: and that happened to be Washington. D C goes to 55 00:03:04,560 --> 00:03:08,160 Speaker 1: d Cious, stays there for a little while, and then 56 00:03:08,200 --> 00:03:10,679 Speaker 1: decides to fly to l Ah to his house in 57 00:03:10,760 --> 00:03:13,119 Speaker 1: Beverly Hills, which, by the way, is an Airbnb now 58 00:03:13,800 --> 00:03:17,480 Speaker 1: is it? It is? But it's not. It's it's on airbnb. 59 00:03:17,560 --> 00:03:19,560 Speaker 1: But you all the dates were blacked out and it 60 00:03:19,600 --> 00:03:21,720 Speaker 1: didn't give a price, because I was like, I'm totally 61 00:03:21,720 --> 00:03:24,240 Speaker 1: gonna try and stay there one night at some point 62 00:03:24,240 --> 00:03:26,680 Speaker 1: in my life. But yeah, I don't know what the 63 00:03:26,680 --> 00:03:28,000 Speaker 1: deal is, but you can go look at the house. 64 00:03:28,000 --> 00:03:31,400 Speaker 1: It's pretty sweet as you would imagine. Okay. Uh So, 65 00:03:31,440 --> 00:03:36,360 Speaker 1: Elvis's buddy and confidante and assistant, Jerry Shilling, gets a call. 66 00:03:37,040 --> 00:03:38,640 Speaker 1: He's like, I'm going to be in l a man, 67 00:03:38,720 --> 00:03:41,440 Speaker 1: pick me up. That's the great Jerry Shilling. He died. 68 00:03:41,520 --> 00:03:44,600 Speaker 1: He does pick him up. And here's where we should 69 00:03:44,640 --> 00:03:47,920 Speaker 1: just say that Elvis at this point in his life 70 00:03:48,040 --> 00:03:55,320 Speaker 1: was obsessed with martial arts, guns and weirdly law enforcement 71 00:03:55,480 --> 00:04:01,240 Speaker 1: and collecting law enforcement like honorary sheriff's and honorary badges, 72 00:04:01,440 --> 00:04:03,680 Speaker 1: that kind of thing. And the thing that bound all 73 00:04:03,720 --> 00:04:07,320 Speaker 1: of these common or these interests together was drugs. Being 74 00:04:07,320 --> 00:04:10,280 Speaker 1: on lots and lots of drugs. Yeah, And Priscilla says 75 00:04:10,320 --> 00:04:13,400 Speaker 1: this in her book. He was obsessed with the narcotics badge, 76 00:04:13,440 --> 00:04:17,320 Speaker 1: the narc badge, and she said he felt that if 77 00:04:17,360 --> 00:04:20,000 Speaker 1: you had that narc badge, then you could fly to 78 00:04:20,120 --> 00:04:23,960 Speaker 1: any country right with your guns and your drugs and 79 00:04:24,000 --> 00:04:27,360 Speaker 1: get away with it no questions. I asked Wow. So 80 00:04:27,600 --> 00:04:30,279 Speaker 1: that is the that is the fantasy of a drug 81 00:04:30,320 --> 00:04:34,280 Speaker 1: adult brain, probably yeature and also but it solves a 82 00:04:34,320 --> 00:04:37,120 Speaker 1: practical problem too. I love my guns and I love 83 00:04:37,200 --> 00:04:39,440 Speaker 1: my drugs, and I need to get them around. So 84 00:04:39,880 --> 00:04:42,839 Speaker 1: I got it. I'll bet a Federal Narcotics Bureau badge, 85 00:04:42,839 --> 00:04:44,839 Speaker 1: which is the predecessor to the d E A. I'll 86 00:04:44,839 --> 00:04:47,080 Speaker 1: bet I could just flash one of those, add that 87 00:04:47,080 --> 00:04:49,960 Speaker 1: I'm Elvis Pressley and that I got this from Richard Nixon, 88 00:04:50,240 --> 00:04:53,840 Speaker 1: and boom right through with all my big garbage bag 89 00:04:53,920 --> 00:04:56,719 Speaker 1: full of pills. All right. So he's in l A. 90 00:04:56,880 --> 00:05:00,320 Speaker 1: He says to his his uh, Jerry Shilling, He's like, 91 00:05:00,360 --> 00:05:01,839 Speaker 1: now I want to go back to d C. He 92 00:05:01,839 --> 00:05:05,039 Speaker 1: didn't tell him why. And then on the way on 93 00:05:05,080 --> 00:05:08,480 Speaker 1: the flight, Elvis writes a letter to President Nixon, uh 94 00:05:09,120 --> 00:05:11,000 Speaker 1: sor if I can be in any service, do you? 95 00:05:11,080 --> 00:05:12,680 Speaker 1: I want to help the country out and I would 96 00:05:12,720 --> 00:05:17,599 Speaker 1: love to meet you. Stays in d C under a 97 00:05:17,640 --> 00:05:20,800 Speaker 1: pseudonym and tells Nixon. His pseudonym said he's gonna be 98 00:05:20,839 --> 00:05:23,400 Speaker 1: there in d C. And I want credentials of a 99 00:05:23,440 --> 00:05:27,800 Speaker 1: federal agent. Yes, so he writes this letter. They take 100 00:05:27,839 --> 00:05:30,719 Speaker 1: the red eye from l A to d c UH. 101 00:05:30,880 --> 00:05:33,520 Speaker 1: They drop a letter off at six thirty a m. 102 00:05:33,600 --> 00:05:36,159 Speaker 1: They check into a hotel. Personally, Elvis dropped this off 103 00:05:36,200 --> 00:05:39,000 Speaker 1: at the gate of the White House, yea. And they 104 00:05:39,080 --> 00:05:41,599 Speaker 1: check into a hotel, and Elvis gets restless. He's not 105 00:05:41,640 --> 00:05:45,680 Speaker 1: slapped by the way, and he he decides he's going 106 00:05:45,720 --> 00:05:47,960 Speaker 1: to go to the Bureau of Narcotics himself and just 107 00:05:48,040 --> 00:05:50,080 Speaker 1: kind of sniff around and see what they've got going 108 00:05:50,120 --> 00:05:53,320 Speaker 1: on there. So, while I'm guessing Jerry Shilling was getting 109 00:05:53,360 --> 00:05:56,000 Speaker 1: some rest in a shower at the hotel room, Elvis 110 00:05:56,120 --> 00:06:00,920 Speaker 1: is off at the Federal Narcotics Bureau, hasn't slept, probably 111 00:06:00,960 --> 00:06:03,599 Speaker 1: out of his mind on drugs, talking to them about 112 00:06:03,640 --> 00:06:06,440 Speaker 1: badges and stuff and how we'd like to meet Richard 113 00:06:06,520 --> 00:06:09,679 Speaker 1: Nixon and get a badge from him. What's amazing, although 114 00:06:09,720 --> 00:06:12,200 Speaker 1: it's really not amazing if you stop and think about it, 115 00:06:12,279 --> 00:06:14,760 Speaker 1: is that when they dropped the letter off at six thirty, 116 00:06:15,120 --> 00:06:17,880 Speaker 1: within five and a half hours, Elvis was on his 117 00:06:17,920 --> 00:06:19,920 Speaker 1: way to the White House to meet with the President. 118 00:06:20,200 --> 00:06:22,200 Speaker 1: All right, let's take a break there. We'll tell you 119 00:06:22,240 --> 00:06:53,000 Speaker 1: about the further details of the story right after this. Alright, 120 00:06:53,040 --> 00:06:56,000 Speaker 1: So the letter is delivered to an aid of Nixon 121 00:06:56,080 --> 00:07:01,440 Speaker 1: named Bud. That's his nickname, Bud Crow or Krog. I 122 00:07:01,800 --> 00:07:07,160 Speaker 1: I think Crow probably k R O G. H. Kroc. Right, 123 00:07:07,920 --> 00:07:10,240 Speaker 1: So he delivers this or he gets this letter to 124 00:07:10,280 --> 00:07:13,080 Speaker 1: Bud Croc because the front Gate people are like, Elvis 125 00:07:13,120 --> 00:07:16,200 Speaker 1: delivered a letter. Uh, and it's not just like if 126 00:07:16,240 --> 00:07:19,200 Speaker 1: any normal American had delivered a letter like this. One 127 00:07:19,200 --> 00:07:22,600 Speaker 1: actually got to Nixon's aid pretty quickly. Uh. He was 128 00:07:22,640 --> 00:07:24,240 Speaker 1: a fan of Elvis, and he's like, you know what, 129 00:07:24,320 --> 00:07:27,680 Speaker 1: this is a great idea, Like Richard Nixon is not 130 00:07:27,800 --> 00:07:32,960 Speaker 1: cool at all, and um, if he met with Elvis Presley, 131 00:07:33,000 --> 00:07:36,080 Speaker 1: like that's really good for his image because Elvis is 132 00:07:36,080 --> 00:07:40,280 Speaker 1: the coolest guy on the planet ish well nine seventy 133 00:07:40,320 --> 00:07:44,520 Speaker 1: he was, he was up there. Um, so he likes 134 00:07:44,520 --> 00:07:48,200 Speaker 1: this idea. He persuades eventually the Chief of Staff, Bob 135 00:07:48,240 --> 00:07:53,120 Speaker 1: Haldeman to make this happen. And uh, at noon that day, 136 00:07:53,520 --> 00:07:56,480 Speaker 1: Elvis shows up at the White House ready to go 137 00:07:56,640 --> 00:07:59,520 Speaker 1: with a gift of a gun. He brought a cult 138 00:07:59,560 --> 00:08:01,720 Speaker 1: forty five I've in a display case to give the Nixon, 139 00:08:02,200 --> 00:08:04,280 Speaker 1: which he just took from the wall of his house 140 00:08:04,280 --> 00:08:07,560 Speaker 1: in l A. He's like, quick and I agree, Oh, 141 00:08:07,680 --> 00:08:10,480 Speaker 1: this will this will do, and it is it's it's 142 00:08:10,520 --> 00:08:14,160 Speaker 1: a beautifully mounted firearm. If you're into that kind of thing, 143 00:08:14,200 --> 00:08:16,560 Speaker 1: you would be like yes, especially if it came directly 144 00:08:16,600 --> 00:08:19,040 Speaker 1: from Elvis's personal collection. I'm not a gun guy, but 145 00:08:19,040 --> 00:08:25,160 Speaker 1: I would love Elvis. Sure. So Um, the Secret Service, 146 00:08:25,200 --> 00:08:28,120 Speaker 1: of course says yes, thank you very much, we'll take 147 00:08:28,160 --> 00:08:30,880 Speaker 1: that before you can go into the Oval office. And 148 00:08:30,920 --> 00:08:33,880 Speaker 1: from what what do we say? Bug crows? Um? Is 149 00:08:33,920 --> 00:08:36,000 Speaker 1: it crow crows? Where do we settle one? Let's just 150 00:08:36,920 --> 00:08:42,600 Speaker 1: how about bug Ka? So bug Ka recounted his impressions 151 00:08:42,600 --> 00:08:44,160 Speaker 1: of the story because he's in the room. He made 152 00:08:44,160 --> 00:08:46,120 Speaker 1: this thing happen, because he's in elvis fan and an 153 00:08:46,120 --> 00:08:49,360 Speaker 1: aide to Nixon. And he said that when Elvis walked 154 00:08:49,400 --> 00:08:52,120 Speaker 1: into that Oval office, he it was plain that he 155 00:08:52,240 --> 00:08:55,840 Speaker 1: was awestruck, but he regained his footing pretty quickly. And 156 00:08:55,880 --> 00:08:58,000 Speaker 1: it's like, you know, mixing it up with the president 157 00:08:58,400 --> 00:09:01,480 Speaker 1: um having a talk with him, a very serious talk 158 00:09:01,840 --> 00:09:07,480 Speaker 1: about the problem of counter culture in the United States. Right, 159 00:09:08,880 --> 00:09:12,600 Speaker 1: It's very interesting. The whole thing was so odd because 160 00:09:12,600 --> 00:09:15,800 Speaker 1: Elvis was a drug addict, and he talked about the 161 00:09:15,840 --> 00:09:19,960 Speaker 1: problems of drugs, and he from what I understand had 162 00:09:20,000 --> 00:09:25,400 Speaker 1: a clearly distinct line between being riddled with prescription drugs 163 00:09:26,360 --> 00:09:31,559 Speaker 1: uh and and illegal like street drugs, right right, because naively, 164 00:09:31,880 --> 00:09:34,360 Speaker 1: if it's a prescription drug and it comes from a doctor, 165 00:09:34,440 --> 00:09:38,360 Speaker 1: it's legitimized, like it's fine, it's legal. You know, even 166 00:09:38,400 --> 00:09:42,320 Speaker 1: if you have a totally illegal amount of them on you, 167 00:09:42,600 --> 00:09:45,079 Speaker 1: it's still legal. It's still a prescription drug. But a 168 00:09:45,160 --> 00:09:47,880 Speaker 1: street drug. I've heard before, and I don't remember where 169 00:09:47,880 --> 00:09:49,880 Speaker 1: I read. It. May have been the Uncle John's bathroom 170 00:09:49,880 --> 00:09:53,000 Speaker 1: reader that he used to get so worked up about 171 00:09:53,040 --> 00:09:56,440 Speaker 1: the idea of drug dealers in Memphis down the street 172 00:09:56,480 --> 00:09:58,600 Speaker 1: that his he'd want to go out and shoot him 173 00:09:58,640 --> 00:10:00,840 Speaker 1: and his his and he'd be heastit on drugs at 174 00:10:00,880 --> 00:10:03,560 Speaker 1: the time, and his entourage would have to like calm 175 00:10:03,640 --> 00:10:05,839 Speaker 1: him down and keep him, keep the guns away from 176 00:10:05,880 --> 00:10:08,120 Speaker 1: and keep him just in his house to keep him 177 00:10:08,160 --> 00:10:12,440 Speaker 1: from going out in exacting vigilante justice of the local 178 00:10:12,520 --> 00:10:15,800 Speaker 1: Memphis street drug dealers around town. Yeah, I mean, I 179 00:10:15,800 --> 00:10:17,720 Speaker 1: think I said this in the Graceland episode. You know, 180 00:10:17,760 --> 00:10:20,600 Speaker 1: my family's from Memphis, and my my dear sweet grandmother 181 00:10:20,640 --> 00:10:24,360 Speaker 1: passed away like fully believing and saying out loud like, well, 182 00:10:24,679 --> 00:10:27,360 Speaker 1: you know, Elvis's doctors killed him. He didn't, he didn't 183 00:10:27,360 --> 00:10:29,000 Speaker 1: know what was going on. They had him going every 184 00:10:29,000 --> 00:10:32,600 Speaker 1: which way but loose because of his their prescriptions. And 185 00:10:32,640 --> 00:10:36,640 Speaker 1: I'm like, no, Grandmoma, I mean, tell her on her deathbed. No. 186 00:10:36,920 --> 00:10:40,440 Speaker 1: He was like, Elvis was a junkie right now and 187 00:10:40,480 --> 00:10:44,319 Speaker 1: whispered into her here. So all right, so Elvis is 188 00:10:44,320 --> 00:10:48,960 Speaker 1: all struck. Uh. This guy bud k Is is taking 189 00:10:49,000 --> 00:10:53,040 Speaker 1: notes because this is pretty uh Oval office taping by Nixon. 190 00:10:54,040 --> 00:10:56,400 Speaker 1: Elvis is all struck. And they're talking about the counterculture. 191 00:10:56,480 --> 00:10:59,400 Speaker 1: Elvis is talking about the Beatles, how they're anti Americans 192 00:10:59,400 --> 00:11:02,720 Speaker 1: and they're bad for America, and they're talking about drugs, 193 00:11:02,720 --> 00:11:06,320 Speaker 1: and Elvis is showing up his collection of badges and 194 00:11:06,360 --> 00:11:11,080 Speaker 1: then basically saying he basically asked him flat out, I 195 00:11:11,080 --> 00:11:14,040 Speaker 1: would like a narcotics batche Can you make that happen? Yeah? 196 00:11:14,240 --> 00:11:17,680 Speaker 1: How you let's coach with the chaise man pretty much? Yeah? 197 00:11:17,960 --> 00:11:20,760 Speaker 1: And if Heson says well, I don't know, can we 198 00:11:20,800 --> 00:11:23,679 Speaker 1: bud k And bud k was like, yeah, we can 199 00:11:23,720 --> 00:11:26,080 Speaker 1: probably make that happen. He's like, all right, let's get 200 00:11:26,080 --> 00:11:29,160 Speaker 1: it done. Then. So that was it, I mean within um, 201 00:11:29,720 --> 00:11:33,640 Speaker 1: probably about an hour, bug K and Elvis went to lunch, 202 00:11:34,240 --> 00:11:38,680 Speaker 1: and bug K produced the badge for him, um, like 203 00:11:39,080 --> 00:11:41,280 Speaker 1: before the end of lunch or right after lunch ended. 204 00:11:41,840 --> 00:11:45,199 Speaker 1: So funny. He also got some other like he had 205 00:11:45,200 --> 00:11:48,319 Speaker 1: his bodyguard and chilling with him and Nixon. Nixon gave 206 00:11:48,440 --> 00:11:51,640 Speaker 1: them some what do you give him? Cuff links? And 207 00:11:51,679 --> 00:11:54,360 Speaker 1: then Elvis's was like, well, Mr presidently have wives too, 208 00:11:54,480 --> 00:11:57,400 Speaker 1: you know, so he went and got him White House brooches, 209 00:11:58,080 --> 00:12:00,200 Speaker 1: and Elvis just like leaves the White House of all 210 00:12:00,240 --> 00:12:02,800 Speaker 1: these gifts basically right, he made a basket out of 211 00:12:02,800 --> 00:12:08,199 Speaker 1: his shirt. Uh. But like we said, there was that 212 00:12:08,320 --> 00:12:11,400 Speaker 1: one very famous photo. Uh, and no one knew about this. 213 00:12:11,440 --> 00:12:15,000 Speaker 1: Elvis wanted to keep it quiet. Um. I imagine Nixon 214 00:12:15,080 --> 00:12:17,400 Speaker 1: wasn't uh sadly wasn't able to use it as like 215 00:12:17,440 --> 00:12:21,200 Speaker 1: a as a pr move. Yeah, which although I think 216 00:12:21,240 --> 00:12:25,120 Speaker 1: also he was probably like what just happened? After Elvis 217 00:12:25,160 --> 00:12:29,760 Speaker 1: came and went? He was just available. Yeah, it isn't 218 00:12:29,760 --> 00:12:33,440 Speaker 1: little crazy. The whole thing is pretty crazy, Chuck for sure. 219 00:12:33,880 --> 00:12:37,480 Speaker 1: But the year after, a columnist named Jack Anderson broke 220 00:12:37,559 --> 00:12:41,840 Speaker 1: the story and apparently nobody really it didn't go anywhere, 221 00:12:41,920 --> 00:12:44,720 Speaker 1: No one, it didn't become part of the cultural memory. 222 00:12:45,120 --> 00:12:49,280 Speaker 1: And it wasn't until that that Chicago newspaper reported about 223 00:12:49,280 --> 00:12:53,120 Speaker 1: the photos. That that was when it hit just right. 224 00:12:53,920 --> 00:12:58,360 Speaker 1: I think in people were like, it didn't there, it 225 00:12:58,480 --> 00:13:01,600 Speaker 1: wasn't kitchy yet, but in people were ready to be 226 00:13:01,640 --> 00:13:05,200 Speaker 1: blown away by the idea of Nixon and and Elvis together. 227 00:13:05,600 --> 00:13:07,920 Speaker 1: That's right, And so it was in the National Archives. 228 00:13:08,280 --> 00:13:10,079 Speaker 1: Then all of a sudden, you can make a request 229 00:13:10,640 --> 00:13:14,080 Speaker 1: for the copy of that photo, and uh, within one week, 230 00:13:14,160 --> 00:13:18,160 Speaker 1: eight thousand people requested that. And it's still I'm not 231 00:13:18,160 --> 00:13:19,760 Speaker 1: sure if it still is, but for a while it 232 00:13:19,880 --> 00:13:23,120 Speaker 1: was the most requested photograph in the history of the 233 00:13:23,200 --> 00:13:27,480 Speaker 1: National Archives. Pretty amazing, there you go. Yeah, it was 234 00:13:27,559 --> 00:13:31,520 Speaker 1: finally supplanted by Obama meeting with that alien in the 235 00:13:31,559 --> 00:13:35,040 Speaker 1: Oval Office, that famous photograph. That's right. No, when Obama 236 00:13:35,080 --> 00:13:39,920 Speaker 1: met with the lead singer of corn A right here 237 00:13:39,960 --> 00:13:43,280 Speaker 1: you go. Yeah, you got anything else? Nope? Well good 238 00:13:43,280 --> 00:13:45,040 Speaker 1: because we don't have time for it anyway. It's a 239 00:13:45,080 --> 00:13:51,880 Speaker 1: short stuff. We'll see you guys later for more on 240 00:13:51,880 --> 00:13:54,640 Speaker 1: this and thousands of other topics. Is it how stuff works? 241 00:13:54,640 --> 00:14:05,520 Speaker 1: Dot Com