WEBVTT - INSPIRATION

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<v Speaker 1>The morning process for those who admired and loved Kobe

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<v Speaker 1>Bryant took on many forms, most of which were in

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<v Speaker 1>a very public way. There are hundreds of murals fainted

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<v Speaker 1>by artists who were inspired not because he is a

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<v Speaker 1>basketball player, but because Kobe was an artist too. I'm

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<v Speaker 1>Steve Gregory, and this is the death and life of

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<v Speaker 1>Kobe Bryant. Jimmy Kimmel was a close friend of Bryant's,

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<v Speaker 1>and Bryant was a frequent guest on Kimmel's late night

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<v Speaker 1>talk show. Kimmel would go on to host Bryant's memorial

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<v Speaker 1>at Staples Center and spoke about the many murals created

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<v Speaker 1>to honor his friend, and not just in l A

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<v Speaker 1>across the country and Kobe's hometown Philadelphia, in Italy, in India,

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<v Speaker 1>the Philippines, China, York, Phoenix, Boston, for God's sake, in

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<v Speaker 1>places where he would be booed on the court, Kobe

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<v Speaker 1>has missed. So we're here at Venice Boulevard in Mid City.

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<v Speaker 1>Mike Asner says he's a Kobe Bryant super fan, which

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<v Speaker 1>includes his love for the murals painted of Bryant. Bryant's

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<v Speaker 1>daughter Gianna, the Lakers in Los Angeles. This is a

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<v Speaker 1>very well known mural by an artist Gustavo who goes

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<v Speaker 1>by g Z dot j R. It's the Leave a

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<v Speaker 1>Legacy mural that was done actually with the Lakers before

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<v Speaker 1>the playoffs last year and gusted an amazing job. He

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<v Speaker 1>added Kobe and the trophies after they won the championship. Um.

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<v Speaker 1>So this is one of the most famous murals throughout

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<v Speaker 1>the world and people have come here to reflect and

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<v Speaker 1>to show their respect and gratitude. I mean, you're looking at,

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<v Speaker 1>from my opinion, a beautiful work of art. But there's

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<v Speaker 1>a lot of messages here Slee around social justice and uh,

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<v Speaker 1>you know what this team has, what the city and

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<v Speaker 1>what the world has gone through. But you know, this team,

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<v Speaker 1>specifically for me as a huge Lakers fan, means a

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<v Speaker 1>great deal overcoming adversity all year, um, pushing for what

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<v Speaker 1>I believe is right in the world. And you know,

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<v Speaker 1>they won the championship and this reflects them winning that championship.

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<v Speaker 1>After learning that Briant's death, Asner says he was so

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<v Speaker 1>moved he had to do something, anything, to honor Bryant.

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<v Speaker 1>So he decided to create a website which shows the

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<v Speaker 1>locations of all the known murals of Bryant around the world.

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<v Speaker 1>And it started with an Instagram page at Kobe Mural

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<v Speaker 1>uh than at Kobe mural dot com website, and at

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<v Speaker 1>this point there's an interactive map with over four murals

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<v Speaker 1>around the world. And my whole purpose here is just

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<v Speaker 1>to make it easy for fans. It's not money making operation,

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<v Speaker 1>it's not a business. It's just purely out of love

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<v Speaker 1>for the fans, the families, and obviously Cobe and the Lakers.

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<v Speaker 1>So how do you know where the murals are at?

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<v Speaker 1>You know, it's funny. In the beginning, it took a

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<v Speaker 1>lot of work to find them and just to get

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<v Speaker 1>the accurate information because it's hard to get accurate information

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<v Speaker 1>sometimes um these days. So in the beginning I would

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<v Speaker 1>really dig and scour and try to find these locations.

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<v Speaker 1>But over time fans are not reaching out to me,

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<v Speaker 1>which is really impressive and beautiful. Um. It's been a

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<v Speaker 1>really nice community of fans around the world, every corner

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<v Speaker 1>of the world, who at this point, when they're working

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<v Speaker 1>on something, they notify me, and then I'm just going

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<v Speaker 1>to notify the fans. So you know, there's not a

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<v Speaker 1>lot of greater things on social media sometimes, but this

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<v Speaker 1>is one nice positive from my perspective, to bring us

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<v Speaker 1>together to do something to get back and um, you know,

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<v Speaker 1>I'm just grateful to the artists and fans around the world.

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<v Speaker 1>I assume l A has the most murals. Yeah, you know,

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<v Speaker 1>it's hard to keep track, but um, we're over four

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<v Speaker 1>hundred throughout the world. I believe about two d fifty

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<v Speaker 1>plus in southern California. That includes Orange County where I'm from,

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<v Speaker 1>up to Los Angeles. Um, you know, there's murals all

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<v Speaker 1>over the country and United States, but almost every corner

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<v Speaker 1>of the world there's a mural. And what's really cool

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<v Speaker 1>is we've seen a lot of murals where he grew

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<v Speaker 1>up in Italy and he spent time in France. He

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<v Speaker 1>would travel to China and Asia in the off season

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<v Speaker 1>and left a really big impression there. So I'm just

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<v Speaker 1>amazed and humbled and grateful for this work that's being done.

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<v Speaker 1>But every artist has their own unique style and perspective,

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<v Speaker 1>and that's what makes us really special. It's not the

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<v Speaker 1>same thing everywhere. It's really unique. Each time something goes

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<v Speaker 1>up and one of those artists goes by our tune,

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<v Speaker 1>our tune, whose real name is art Goes to Kochikian,

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<v Speaker 1>says he was so moved by Brian's death he painted

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<v Speaker 1>an entire mural on the wall of a business in

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<v Speaker 1>Studio City within twenty four hours afterward of the fatal

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<v Speaker 1>crash went public. I got out of the shower and

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<v Speaker 1>when I got out, Um, first thing I noticed my

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<v Speaker 1>phone was going off and it was about Kobe and

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<v Speaker 1>the first article I see in the second and I'm

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<v Speaker 1>opening up different social media's and every single post was

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<v Speaker 1>about it. And I just I just lay down on

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<v Speaker 1>the bed for a while and I'm you know, obviously

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<v Speaker 1>it's a big inspiration for me, and I was just

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<v Speaker 1>trying to wrap my head around it and trying to

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<v Speaker 1>figure out if it was real or fake. I kind

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<v Speaker 1>of first thought maybe it was fake, but then when

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<v Speaker 1>I seen all those posts, I was like, oh, oh,

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<v Speaker 1>sh this is real. Um yeah, I just and and

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<v Speaker 1>and I had a I had a date right then.

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<v Speaker 1>That's what I was taking a shower. So I went

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<v Speaker 1>to meet this girl in Beverly Hills. And when I

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<v Speaker 1>got there, I'm like, you know, I kept on thinking

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<v Speaker 1>about Wow, Kobe said, Kobe's did and I'm like, I

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<v Speaker 1>gotta do something about this. So I left the date

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<v Speaker 1>so I could go start the mirror, and I started

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<v Speaker 1>that night, and I pulled the twenty four our session.

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<v Speaker 1>I went and took a little baby nap, came back

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<v Speaker 1>another two hours, and I finished the whole thing without

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<v Speaker 1>even knowing twenty four is without even thinking twenty four

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<v Speaker 1>is Kobe's number and two was her number. Gness, So yeah,

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<v Speaker 1>I just jumped on it because I thought I something

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<v Speaker 1>you had to jump on right away. I mean, I

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<v Speaker 1>forget about the inspiration. You know, I've done many murals

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<v Speaker 1>about Kobe, but it was just this guy demands the respect.

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<v Speaker 1>You know, he's he's all about l a he has

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<v Speaker 1>l A he. He brought a lot of pride and

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<v Speaker 1>inspiration to the city and the whole Mamba mentality. Millions

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<v Speaker 1>of people are talking about it, practicing it. You know,

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<v Speaker 1>he had a big impact. He is l a he.

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<v Speaker 1>I I looked at him as one of our idols.

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<v Speaker 1>I guess if Michelangelo was alive, Kobe would get a statue.

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<v Speaker 1>You know, it sounds like he was not only an

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<v Speaker 1>inspiration to you as an athlete, but just as a person. Yeah,

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<v Speaker 1>he was. You know, he was a good role model,

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<v Speaker 1>good father. I just had a baby girl, so I'm

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<v Speaker 1>a girl dad too. Now you felt compelled to put

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<v Speaker 1>something on canvas, in this case the side of a building.

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<v Speaker 1>So where did you paint this and what did you

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<v Speaker 1>decide to do? Um? I I had already painted the

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<v Speaker 1>whole side of that that wall, that business, and it

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<v Speaker 1>was the front facing wall left and I we were

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<v Speaker 1>gonna paint something else. They wanted a Marilyn Morrow, I believe,

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<v Speaker 1>and I just wasn't really feeling a Marilyn Morow. So

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<v Speaker 1>I kind of took the weekend off. I went to Vegas,

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<v Speaker 1>got drunk, came back, and that's when Kobe happened, and

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<v Speaker 1>I'm like, okay, it's it's almost like you can't make

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<v Speaker 1>this up. You know, the signs already pointed where what

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<v Speaker 1>I should paint there, so that wall was ready to go.

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<v Speaker 1>I just didn't want to paint what I was supposed

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<v Speaker 1>to paint. And when Kobe died, I'm like, I'm not

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<v Speaker 1>painting anything else but this. And I even told the

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<v Speaker 1>guys I was painting for, I'm like, I'm gonna paint Kobe.

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<v Speaker 1>And at first they were like, oh, you don't know

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<v Speaker 1>let's talk about it. And I'm like, it's either I

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<v Speaker 1>paint Kobe. I'm not painting anything, you know, And that's

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<v Speaker 1>how pretty much they were like, okay, let's start on that.

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<v Speaker 1>What came to you? What was the first image that

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<v Speaker 1>came to you that you had to paint. I wanted to,

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<v Speaker 1>I really wanted to showing the image of Kobe kind

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<v Speaker 1>of looking up in the sky where in a way

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<v Speaker 1>saying that here I come. And uh, when I found

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<v Speaker 1>a good picture that match said it was the one

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<v Speaker 1>where he's biting his jersey. It's iconic picture. Then uh,

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<v Speaker 1>you know, I was already planning for the mural. And

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<v Speaker 1>that's when I found out Gig died. I didn't I

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<v Speaker 1>didn't know Gig died that first. Then when I found

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<v Speaker 1>a gig died that, I'm like, wow, there's no way

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<v Speaker 1>I can't put her in this. It would almost be

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<v Speaker 1>disrespect for their family, you know. So, um, I just

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<v Speaker 1>started searchings pictures kind of looking upward, and I on

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<v Speaker 1>two images that kind of matched, and and then the

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<v Speaker 1>rest I just sorry, I don't know what the mirror

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<v Speaker 1>is gonna look like. I never know what my mirror

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<v Speaker 1>is gonna look like because chances are while I'm doing it,

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<v Speaker 1>I'm gonna get a bright idea and it's gonna shift course,

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<v Speaker 1>but the main concept is still going to be there.

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<v Speaker 1>That's why I don't like to do a mural knowing

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<v Speaker 1>what I'm It's just to me, it's boring because you

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<v Speaker 1>want my creativity and spend of an hour or a

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<v Speaker 1>couple of hours while I'm sketching it, or you want

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<v Speaker 1>my creativity for a whole week while I'm gonna be

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<v Speaker 1>painting it. So last minute I could get a bright idea,

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<v Speaker 1>and as I'm painting, I'm getting more ideas coming at me.

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<v Speaker 1>So it was a very fluid process for you. Yeah,

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<v Speaker 1>I never know what it's gonna look like, not not

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<v Speaker 1>even the canvas pieces. So twenty four hours. Do you

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<v Speaker 1>remember the final thing you painted when you said okay,

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<v Speaker 1>I'm done and you step back. It was the shading

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<v Speaker 1>on the jersey and I stepped back and I was like,

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<v Speaker 1>well that looks good. It's almost life like. And I

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<v Speaker 1>mean that experience was so cool. Every time I looked up,

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<v Speaker 1>and I mean every time I looked back, there was

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<v Speaker 1>like thirty to fifty people were taking pictures. You know,

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<v Speaker 1>you could you could see I'm causing traffic. People are swart,

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<v Speaker 1>you know, breaking their neck, just slowing down the traffic,

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<v Speaker 1>looking trying to swear from the second lane to pull

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<v Speaker 1>over so they could come take pictures. People you know,

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<v Speaker 1>bringing candles, lighting on flowers, memorials, pictures and just posting

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<v Speaker 1>by the wall. It just it just turned into a memorial.

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<v Speaker 1>It was. It was kind of cool just seeing that process.

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<v Speaker 1>You know, you do a lot of murals and not

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<v Speaker 1>too many get that same kind of attention, and that

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<v Speaker 1>just tells you the importance of the guy you're painting.

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<v Speaker 1>You know, I've done many murals and nothing was really

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<v Speaker 1>to that caliber. Because within like that twenty four hours,

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<v Speaker 1>I had almost about five six news stations pull up

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<v Speaker 1>behind me. When you were I'm sure you were in

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<v Speaker 1>the zone. You were doing your thing, you say, you

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<v Speaker 1>step back and looked at it, and and then are

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<v Speaker 1>you ever completely satisfied with your final product? No, I'm

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<v Speaker 1>never satisfied because I always feel like that could be

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<v Speaker 1>more done. But sometimes you just gotta learn to know

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<v Speaker 1>when and enough is enough. You know, sometimes too much

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<v Speaker 1>is too much and it can be overkilled. But um,

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<v Speaker 1>you know I got this saying my favorite pieces my

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<v Speaker 1>next piece. So I'm never really looking forward to the

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<v Speaker 1>one I'm doing. I'm looking for the looking forward for

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<v Speaker 1>the next one. I've done many Kobes, but ever since

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<v Speaker 1>he passed away, I've done two one the other ones

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<v Speaker 1>on las Anega in Venice. It's like high it's Kobe

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<v Speaker 1>daughter and he's got angel wings and the angel wings

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<v Speaker 1>is turning into hands and wrapping around gianna Um. It's

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<v Speaker 1>on Global Motor Sports. Is that satisfaction for you when

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<v Speaker 1>people want to take their pictures in front of it

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<v Speaker 1>and they look at it. Some got emotional. A guy spoke,

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<v Speaker 1>we got teary eyed. Yeah. Matt Barnes pulled up. He

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<v Speaker 1>got tear eyed too. Um, you know, he played with him.

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<v Speaker 1>A lot of a lot of people got teary eyed.

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<v Speaker 1>There was some lady that pulled up Marrow. She had

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<v Speaker 1>that Lakers ring and she had some sort of connection

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<v Speaker 1>with the family and the Lakers Championship ring. Uh. And yeah,

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<v Speaker 1>you see a lot of people tearing up. And they

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<v Speaker 1>were coming up to me shaking my hand, thank you

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<v Speaker 1>for doing this, and I'm like, thank you for loving it,

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<v Speaker 1>you know, like to me, this is more of an obligation,

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<v Speaker 1>you know, it's like, you know, I don't want to

0:12:42.520 --> 0:12:47.280
<v Speaker 1>keep bringing up Michelisba. We do our part. We just

0:12:47.600 --> 0:12:51.680
<v Speaker 1>painting outside and stead inside. When you talk about inspiration,

0:12:51.800 --> 0:12:54.280
<v Speaker 1>he were talking a lot about you felt compelled to

0:12:54.280 --> 0:12:56.040
<v Speaker 1>do this within twenty four hours. You even broke a

0:12:56.160 --> 0:13:00.319
<v Speaker 1>date to do this. I mean, he must have been

0:13:00.760 --> 0:13:04.960
<v Speaker 1>a pretty powerful influence on you. Yeah. Yeah, you don't

0:13:04.960 --> 0:13:07.640
<v Speaker 1>really get the motivation to jump up and paint too often.

0:13:07.840 --> 0:13:12.640
<v Speaker 1>So if I finished that whole wall and matter one day,

0:13:14.000 --> 0:13:18.600
<v Speaker 1>I just it's cool, you know, I enjoy it. And

0:13:18.600 --> 0:13:21.640
<v Speaker 1>and even though it was like three am, nobody was

0:13:21.679 --> 0:13:24.880
<v Speaker 1>around and there was no wind, and then all of

0:13:24.920 --> 0:13:28.800
<v Speaker 1>a sudden, these two huge like gusts the wind and

0:13:29.040 --> 0:13:31.880
<v Speaker 1>leaves going everywhere, and and then it just stopped again.

0:13:31.880 --> 0:13:36.680
<v Speaker 1>And I'm like, was that something? Like? Was that something was?

0:13:36.880 --> 0:13:40.400
<v Speaker 1>It was Kobe Angiana just breezing by over here, but

0:13:40.440 --> 0:13:43.400
<v Speaker 1>it was it was crazy. My whole body just got

0:13:43.440 --> 0:13:47.840
<v Speaker 1>goose bumps. So were you by yourself overnight doing this? Yeah?

0:13:47.960 --> 0:13:51.680
<v Speaker 1>I was already Usually during the daytime, at nighttime people

0:13:51.720 --> 0:13:55.360
<v Speaker 1>are there, But overnight that's the only time I'll get peace,

0:13:56.280 --> 0:13:58.840
<v Speaker 1>the only time I could actually focus. That's what my

0:13:58.880 --> 0:14:02.480
<v Speaker 1>phone is off and people are not asking questions, and

0:14:03.920 --> 0:14:07.160
<v Speaker 1>you know, I can actually focus on the project the hand.

0:14:08.280 --> 0:14:11.520
<v Speaker 1>What's that like when you're by yourself and your thoughts

0:14:11.559 --> 0:14:14.800
<v Speaker 1>and you're painting a portrait of someone who just died

0:14:15.160 --> 0:14:17.839
<v Speaker 1>hours earlier. Oh, you do do a lot of thinking.

0:14:17.880 --> 0:14:23.120
<v Speaker 1>Like I cried throughout that over neither um just thinking

0:14:23.120 --> 0:14:30.640
<v Speaker 1>about it. But um, I like it. I mean, I

0:14:30.680 --> 0:14:34.200
<v Speaker 1>think most artists are nocturnal. They should be producing artwork

0:14:34.200 --> 0:14:36.880
<v Speaker 1>at night. So, like I said, that's the only time

0:14:36.960 --> 0:14:39.720
<v Speaker 1>you can actually get some peace, peace and quiet and

0:14:39.800 --> 0:14:43.160
<v Speaker 1>peace of mind. Way you know, you have no distractions.

0:14:43.160 --> 0:14:47.440
<v Speaker 1>The text message can be a distraction if I'm painting. Um,

0:14:47.480 --> 0:14:51.400
<v Speaker 1>so when there's no distractions, you can literally be locked

0:14:51.400 --> 0:14:53.520
<v Speaker 1>in your zone for five hours and not notice five

0:14:53.520 --> 0:14:58.520
<v Speaker 1>hours just went by. Do you continue to do copy

0:14:58.560 --> 0:15:03.240
<v Speaker 1>inspired portraits from your I had like fifty people asking

0:15:03.280 --> 0:15:07.720
<v Speaker 1>me to do Kobe stuff, and I just refused them. Um.

0:15:07.760 --> 0:15:11.640
<v Speaker 1>I didn't want to just be a generic artist that

0:15:11.720 --> 0:15:15.080
<v Speaker 1>just keeps going around doing Kobe for higher I just thought,

0:15:15.120 --> 0:15:17.280
<v Speaker 1>if I was gonna do him, I was gonna pick

0:15:17.320 --> 0:15:20.480
<v Speaker 1>and choose where I wanted it, what location, If it

0:15:20.560 --> 0:15:23.000
<v Speaker 1>was gonna you know, make an impact or not not

0:15:23.240 --> 0:15:26.200
<v Speaker 1>to feel right. Yeah. Yeah, And and art it's basically

0:15:26.240 --> 0:15:29.480
<v Speaker 1>by feel right. Like recently I did a mural and

0:15:29.520 --> 0:15:32.720
<v Speaker 1>it was just a great mural, but I did not

0:15:32.880 --> 0:15:35.080
<v Speaker 1>like it because of the location, because it was not

0:15:35.200 --> 0:15:39.200
<v Speaker 1>on the big street, even though it's commissioned. It's like,

0:15:39.280 --> 0:15:41.880
<v Speaker 1>deep down inside, you're like, this artwork does not belong

0:15:41.920 --> 0:15:45.200
<v Speaker 1>on this street. This artwork belongs on somewhere where people

0:15:45.200 --> 0:15:47.840
<v Speaker 1>could actually enjoy it, you know, take pictures of it.

0:15:48.720 --> 0:15:51.120
<v Speaker 1>So um, yeah, you definitely got to feel it out.

0:15:52.000 --> 0:16:02.960
<v Speaker 1>I like the reactions to people. Murals like our Tuns

0:16:03.080 --> 0:16:06.120
<v Speaker 1>continue to attract fans. What brought you to this location?

0:16:06.800 --> 0:16:08.880
<v Speaker 1>Kobe Bryan was one of my favorite players. One of

0:16:08.920 --> 0:16:11.360
<v Speaker 1>the most visited murals is tucked away in an alley

0:16:11.400 --> 0:16:14.200
<v Speaker 1>about a block away from the Los Angeles Convention Center.

0:16:14.680 --> 0:16:17.480
<v Speaker 1>A group of four friends recently traveled from Detroit, Michigan,

0:16:17.520 --> 0:16:19.240
<v Speaker 1>to visit l A and one of the things on

0:16:19.280 --> 0:16:23.640
<v Speaker 1>their list a visit to this mural. Meet Gabby, Marcel Milano,

0:16:23.720 --> 0:16:26.720
<v Speaker 1>and a guy who calls himself Cheese. They all agree

0:16:26.760 --> 0:16:29.360
<v Speaker 1>that Bryant was an inspiration, and here's how they felt

0:16:29.400 --> 0:16:32.160
<v Speaker 1>about seeing the mural. For the first time, told as

0:16:32.240 --> 0:16:35.040
<v Speaker 1>best as possible through their face coverings home. Just like

0:16:35.120 --> 0:16:37.560
<v Speaker 1>being able to like to take his drive from like

0:16:37.880 --> 0:16:39.960
<v Speaker 1>how he was on the court and put it into

0:16:40.000 --> 0:16:42.360
<v Speaker 1>his family now. It was really just like the most

0:16:42.400 --> 0:16:44.400
<v Speaker 1>important thing I just liked about the man um. I

0:16:44.440 --> 0:16:46.760
<v Speaker 1>just see a man that was passionate about his craft

0:16:46.800 --> 0:16:48.680
<v Speaker 1>and what he does and put his all into it.

0:16:48.800 --> 0:16:52.280
<v Speaker 1>I see greatness. Kobe Bryant. Was this the epitome of

0:16:52.320 --> 0:16:56.560
<v Speaker 1>hard work and dedication and definitely an inspiration even like

0:16:56.680 --> 0:16:58.440
<v Speaker 1>someone I thought was like I just broke my hands.

0:16:58.560 --> 0:17:00.600
<v Speaker 1>So I remember a photo with him when he was

0:17:00.600 --> 0:17:03.360
<v Speaker 1>shooting with his broken wrists and like still practicing, like

0:17:03.400 --> 0:17:05.440
<v Speaker 1>in his pajamas, you know what I'm saying, So he

0:17:05.560 --> 0:17:07.960
<v Speaker 1>feels inspiration even to this day. It was it was

0:17:08.000 --> 0:17:10.320
<v Speaker 1>the drive. He had everything you've seen him do, he

0:17:10.320 --> 0:17:13.119
<v Speaker 1>put his heart to it, like he literally left everything

0:17:13.160 --> 0:17:15.480
<v Speaker 1>on the floor every night. People hated him and practice

0:17:15.480 --> 0:17:18.159
<v Speaker 1>because he worked so hard. He literally would cut you

0:17:18.200 --> 0:17:19.679
<v Speaker 1>out if you wouldn't work in his hard ast him.

0:17:19.680 --> 0:17:21.080
<v Speaker 1>If you didn't work as hard as him, you couldn't

0:17:21.080 --> 0:17:23.600
<v Speaker 1>play with. For me, it's like how many people really

0:17:23.640 --> 0:17:26.119
<v Speaker 1>looked up to him from the kids to the adults,

0:17:26.359 --> 0:17:27.879
<v Speaker 1>he really had a lot of Like even if you

0:17:27.960 --> 0:17:31.119
<v Speaker 1>look on this wall, you got millions of people signing

0:17:31.119 --> 0:17:34.240
<v Speaker 1>autographs and sending their piece to Kobe. It's a dope man,

0:17:34.359 --> 0:17:36.480
<v Speaker 1>Like he did he did this thing while he was here.

0:17:36.600 --> 0:17:38.960
<v Speaker 1>Everything that he did outside the basketball, he still applied

0:17:39.040 --> 0:17:41.840
<v Speaker 1>the same drive, the same determination. He's still put in

0:17:41.840 --> 0:17:44.200
<v Speaker 1>the same amount of efforts. So the fact that that

0:17:44.359 --> 0:17:48.080
<v Speaker 1>was just his mentality overall was definitely inspiring. And to

0:17:48.240 --> 0:17:50.800
<v Speaker 1>let you know, like you don't have to just stay

0:17:50.840 --> 0:17:53.560
<v Speaker 1>focused on one thing. You can apply the same pressure

0:17:53.600 --> 0:17:55.840
<v Speaker 1>to everything aspect of your life and you know, just

0:17:55.880 --> 0:17:59.480
<v Speaker 1>watch it blossom. So he's definitely that guy. Just watching

0:17:59.480 --> 0:18:02.359
<v Speaker 1>and watching his legacy, And honestly, I've never been like

0:18:02.440 --> 0:18:05.959
<v Speaker 1>a huge basketball fan, but seeing like when he passed

0:18:06.000 --> 0:18:09.119
<v Speaker 1>in how he affected so many people around the world.

0:18:09.440 --> 0:18:11.320
<v Speaker 1>You know what I'm saying, they kind of like put

0:18:11.359 --> 0:18:12.960
<v Speaker 1>something on me like, oh, I gotta go harder. You

0:18:13.000 --> 0:18:14.680
<v Speaker 1>know what I'm saying, I gotta I gotta credit legacy

0:18:15.080 --> 0:18:17.240
<v Speaker 1>just as just as good as his. And the feeling

0:18:17.280 --> 0:18:19.399
<v Speaker 1>of seeing Kobe Bryant for the first time on a

0:18:19.480 --> 0:18:23.040
<v Speaker 1>larger than life mural almost crying literally like that was

0:18:23.080 --> 0:18:26.520
<v Speaker 1>just how much of an inspiration, how dope he was

0:18:26.520 --> 0:18:29.280
<v Speaker 1>to everybody. And it's just like it's an energy right

0:18:29.280 --> 0:18:32.479
<v Speaker 1>here or wherever you see him, it's like it's an

0:18:32.600 --> 0:18:35.560
<v Speaker 1>energy in l a Like honestly, you step here, you

0:18:35.600 --> 0:18:38.080
<v Speaker 1>know him, and like you know everybody that passed that

0:18:38.200 --> 0:18:40.399
<v Speaker 1>was from here, you can feel the energy. Like standing

0:18:40.440 --> 0:18:42.440
<v Speaker 1>in right here, I can feel his energy coming up.

0:18:42.960 --> 0:18:46.080
<v Speaker 1>Another artistic homage to Bryant, and the mayor of Los

0:18:46.080 --> 0:18:50.200
<v Speaker 1>Angeles talks about Bryant's inspiration in philanthropy. As the death

0:18:50.240 --> 0:19:14.720
<v Speaker 1>and life of Kobe Bryant continues, the mural has become

0:19:14.720 --> 0:19:16.879
<v Speaker 1>one of the most popular ways to show love and

0:19:16.960 --> 0:19:20.439
<v Speaker 1>respect to Bryant. The website Kobe mural dot com currently

0:19:20.480 --> 0:19:23.080
<v Speaker 1>lists more than four hundred around the world, most of

0:19:23.080 --> 0:19:28.679
<v Speaker 1>which are in southern California, But within hours of the

0:19:28.720 --> 0:19:31.960
<v Speaker 1>crash that killed Bryant, another type of canvas would fast

0:19:32.040 --> 0:19:35.200
<v Speaker 1>become the place for portraits of Bryant, Bryant's numbers twenty

0:19:35.200 --> 0:19:38.520
<v Speaker 1>four and eight, Bryant's daughter Gianna, and the Black Mambas

0:19:38.600 --> 0:19:41.680
<v Speaker 1>for artists. We're doing about four a day each of us,

0:19:42.280 --> 0:19:45.960
<v Speaker 1>so maybe anywhere, like for sure from ten to twenty

0:19:46.000 --> 0:19:49.800
<v Speaker 1>tattoos a day just for Kobe. Mikey Montoya owns and

0:19:49.840 --> 0:19:53.199
<v Speaker 1>operates Sunny Days Tattoo Parlor and Arcadia that's about an

0:19:53.200 --> 0:19:56.080
<v Speaker 1>hour east of Los Angeles. He and his artist Ricky

0:19:56.160 --> 0:19:59.320
<v Speaker 1>remember learning about the crash ms actually flying in from

0:19:59.320 --> 0:20:02.440
<v Speaker 1>New York and um, we had landed, we had got

0:20:02.440 --> 0:20:06.119
<v Speaker 1>in our vehicle, and then um, we saw it. Actually

0:20:06.200 --> 0:20:09.240
<v Speaker 1>he saw it on social media, so he's like, hey,

0:20:09.320 --> 0:20:12.080
<v Speaker 1>guess what happened. And we just kind of took a pause.

0:20:12.160 --> 0:20:15.080
<v Speaker 1>We were on the freeway and we both like kind

0:20:15.080 --> 0:20:18.679
<v Speaker 1>of silent for a while, and um, kind of in shock.

0:20:19.040 --> 0:20:21.520
<v Speaker 1>That's where it took me. Montoya says, as soon as

0:20:21.560 --> 0:20:23.800
<v Speaker 1>he opened his shop, he knew things were going to

0:20:23.840 --> 0:20:26.679
<v Speaker 1>be different. It seems like every walks of life was

0:20:26.760 --> 0:20:29.120
<v Speaker 1>coming in and wanting to get something, even if they

0:20:29.119 --> 0:20:33.679
<v Speaker 1>couldn't actually afford a tattoo. They were, you know, getting

0:20:33.680 --> 0:20:36.840
<v Speaker 1>the money together to get this number eight or twenty four,

0:20:37.040 --> 0:20:40.919
<v Speaker 1>just a little mamba or anything. The colors. It was

0:20:40.960 --> 0:20:45.600
<v Speaker 1>pretty wild, you know, the people showing their um kind

0:20:45.600 --> 0:20:48.439
<v Speaker 1>of their emotional outlet towards it all, in which I

0:20:48.480 --> 0:20:51.520
<v Speaker 1>had a little bit myself and I these people getting

0:20:51.560 --> 0:20:55.760
<v Speaker 1>it permanently. It was. It was very I don't know,

0:20:56.880 --> 0:21:00.160
<v Speaker 1>like um kind of sad, kind of the most as

0:21:00.160 --> 0:21:03.200
<v Speaker 1>were all over the place, even tattooing it. Not knowing

0:21:03.240 --> 0:21:06.520
<v Speaker 1>these people tattooing it. It's not like their father and mother.

0:21:06.680 --> 0:21:09.959
<v Speaker 1>But to me, um, some of my customers were like

0:21:10.119 --> 0:21:14.000
<v Speaker 1>saying that Kobe was like their father, mother or brother

0:21:14.280 --> 0:21:18.280
<v Speaker 1>or whatnot, no matter the gender, it's just the role

0:21:18.359 --> 0:21:20.679
<v Speaker 1>he played. Which I didn't see it like that, but

0:21:20.760 --> 0:21:23.680
<v Speaker 1>now I do, now, you know. It was it was

0:21:23.720 --> 0:21:26.800
<v Speaker 1>pretty cool. We were doing like each artists, say, there

0:21:26.880 --> 0:21:29.200
<v Speaker 1>was four artists. We were doing about four a day

0:21:29.280 --> 0:21:33.480
<v Speaker 1>each of us. So maybe anywhere like for sure, from

0:21:33.520 --> 0:21:37.280
<v Speaker 1>ten to twenty tattoos a day just for Kobe or

0:21:37.359 --> 0:21:41.840
<v Speaker 1>making appointments or just um, even just Laker tattoos they wanted,

0:21:41.920 --> 0:21:45.800
<v Speaker 1>you know, not necessarily just the eight. They wanted Lakers.

0:21:46.160 --> 0:21:49.240
<v Speaker 1>And usually like kind of couples came in either friends

0:21:49.320 --> 0:21:52.040
<v Speaker 1>or a group of friends or you know. Yeah, so

0:21:52.080 --> 0:21:55.359
<v Speaker 1>they were all talking about it and it um. It

0:21:55.480 --> 0:22:00.240
<v Speaker 1>struck everybody a little bit differently. It was weird us

0:22:00.480 --> 0:22:04.280
<v Speaker 1>especially the younger age people, like I would say, anywhere

0:22:04.320 --> 0:22:09.560
<v Speaker 1>from like thirty down down. They were really into getting

0:22:09.600 --> 0:22:13.320
<v Speaker 1>the little Kobe tattoos. Montoya's friend Ricky is a tattoo

0:22:13.400 --> 0:22:16.320
<v Speaker 1>artist at the shopping is also a big Kobe Bryant fan.

0:22:16.440 --> 0:22:20.479
<v Speaker 1>Probably his logo itself, the mamba symbol of the one

0:22:20.480 --> 0:22:23.520
<v Speaker 1>of the snake, his his main logo for the night

0:22:23.560 --> 0:22:27.359
<v Speaker 1>for Nike. That was probably the most popular one for everybody.

0:22:27.720 --> 0:22:30.800
<v Speaker 1>The snake itself, the amount of scales, on the amount

0:22:30.800 --> 0:22:35.240
<v Speaker 1>of different shades and and just a very intricate logo.

0:22:35.520 --> 0:22:39.560
<v Speaker 1>Popular requests would have to be his portrait, the one

0:22:39.680 --> 0:22:43.800
<v Speaker 1>especially when he's grabbing his jersey and waving around. I

0:22:43.840 --> 0:22:46.639
<v Speaker 1>forgot which game it was, but anyways, grabbed his jersey

0:22:46.640 --> 0:22:49.000
<v Speaker 1>and he shakes it. That's like probably the most popular

0:22:49.119 --> 0:22:52.439
<v Speaker 1>one that everyone gets. The largest one was probably like

0:22:52.520 --> 0:22:55.040
<v Speaker 1>ankle up to up to the knee. I think it

0:22:55.160 --> 0:22:58.200
<v Speaker 1>was behind the back pass to shock when he was

0:22:58.320 --> 0:23:00.880
<v Speaker 1>number eight. And because Ricky is a big fan of Bryant's,

0:23:00.920 --> 0:23:03.720
<v Speaker 1>he says, doing tattoos of the superstar over and over

0:23:03.800 --> 0:23:06.080
<v Speaker 1>got a little emotional and they'll come in. Yeah. I

0:23:06.119 --> 0:23:08.399
<v Speaker 1>would want to put like an extra effort to a

0:23:08.480 --> 0:23:11.240
<v Speaker 1>little bit more extra time to it just because of

0:23:11.280 --> 0:23:13.920
<v Speaker 1>the emotional connection, just to make sure it comes out

0:23:14.359 --> 0:23:20.159
<v Speaker 1>hundred and just better than the usual tattoo. You know.

0:23:20.280 --> 0:23:22.960
<v Speaker 1>Montoya says people were willing to pay the price most

0:23:22.960 --> 0:23:25.720
<v Speaker 1>simple tattoo for like say the Kobe it would be

0:23:25.760 --> 0:23:29.399
<v Speaker 1>like a hundred dollars and that's like super simple. Maybe

0:23:29.440 --> 0:23:32.920
<v Speaker 1>one color black and a color, and um it could

0:23:32.960 --> 0:23:36.240
<v Speaker 1>go up to like a thousand dollars for the portraits. UM,

0:23:36.280 --> 0:23:38.960
<v Speaker 1>I would say I did more the smaller ones because

0:23:39.040 --> 0:23:42.760
<v Speaker 1>people didn't have that type of money, you know, on

0:23:42.840 --> 0:23:46.640
<v Speaker 1>the spot. But everybody wanted to represent or show their love.

0:23:47.280 --> 0:23:49.679
<v Speaker 1>So a hundred bucks is way easier to come up

0:23:49.720 --> 0:23:53.200
<v Speaker 1>with then a grand, depending on the placement, if it's

0:23:53.200 --> 0:23:56.200
<v Speaker 1>on the neck or which these young kids even we're

0:23:56.200 --> 0:23:58.760
<v Speaker 1>getting them on their neck because they wanted to show,

0:23:59.480 --> 0:24:02.680
<v Speaker 1>you know, the Kobe eight or twenty four or just

0:24:02.800 --> 0:24:06.800
<v Speaker 1>in l A and purple or yellow or gold. You know,

0:24:07.040 --> 0:24:10.080
<v Speaker 1>a lot of people were getting the Kobe signature too.

0:24:10.440 --> 0:24:13.200
<v Speaker 1>And I had a young, uh guy, maybe like twenty

0:24:13.280 --> 0:24:16.360
<v Speaker 1>years old, and he said that Kobe helped him get

0:24:16.359 --> 0:24:19.240
<v Speaker 1>through high school, that he he like had low self

0:24:19.359 --> 0:24:22.399
<v Speaker 1>esteem and he looked up to Kobe and I guess

0:24:22.480 --> 0:24:26.160
<v Speaker 1>his interviews and and this kid really was the only

0:24:26.200 --> 0:24:29.199
<v Speaker 1>one out of most of them that I tattooed that

0:24:29.280 --> 0:24:33.800
<v Speaker 1>it seemed like it personally really affected him. Not ever

0:24:33.920 --> 0:24:37.160
<v Speaker 1>meeting Kobe or anything, but he told me that this

0:24:37.200 --> 0:24:39.959
<v Speaker 1>guy is like a father to me. So I was like,

0:24:40.040 --> 0:24:43.360
<v Speaker 1>WHOA like after the tattoo, is like, I even kind

0:24:43.359 --> 0:24:45.359
<v Speaker 1>of forgot what I was doing, just listening to this

0:24:45.600 --> 0:24:49.280
<v Speaker 1>kid more interested in his story, you know. Montoya says,

0:24:49.320 --> 0:24:51.399
<v Speaker 1>even more than a year later, he still gets a

0:24:51.440 --> 0:24:55.200
<v Speaker 1>steady stream of requests of Bryant or anything Bryant related

0:24:56.720 --> 0:24:59.680
<v Speaker 1>coming up. The Mayor of Los Angeles talks about Bryant's

0:24:59.680 --> 0:25:03.320
<v Speaker 1>work to end homelessness among young people and Briant's creative

0:25:03.320 --> 0:25:06.639
<v Speaker 1>side would be validated with Hollywood's highest honor. As the

0:25:06.680 --> 0:25:26.080
<v Speaker 1>death and life of Kobe Bryant continues. The grieving process

0:25:26.119 --> 0:25:29.480
<v Speaker 1>for Kobe Bryant's death hit everyone differently with equal emotion.

0:25:29.800 --> 0:25:32.280
<v Speaker 1>Hundreds of thousands of people around the world have written

0:25:32.320 --> 0:25:36.320
<v Speaker 1>songs about Briant, painted murals, tattooed themselves, and even named

0:25:36.320 --> 0:25:39.240
<v Speaker 1>their kids after the superstar. And while these people honor

0:25:39.320 --> 0:25:41.600
<v Speaker 1>Briant for what he gave them, a lot of people

0:25:41.640 --> 0:25:44.520
<v Speaker 1>may not realize how Bryant gave back to others, you know,

0:25:44.520 --> 0:25:46.120
<v Speaker 1>And this issue is one that kind of gets pushed

0:25:46.119 --> 0:25:48.159
<v Speaker 1>on the back burner because he's easy to point the

0:25:48.200 --> 0:25:50.679
<v Speaker 1>blame at those who are homeless and saying, well, you

0:25:50.800 --> 0:25:52.960
<v Speaker 1>made that bad decision, this is where you are, it's

0:25:52.960 --> 0:25:55.720
<v Speaker 1>your fault in life. We all make mistakes. What a

0:25:55.720 --> 0:25:58.879
<v Speaker 1>lot of people never saw was that for his philanthropy

0:25:59.000 --> 0:26:02.600
<v Speaker 1>and for his business careers, there was all about making

0:26:02.760 --> 0:26:05.560
<v Speaker 1>something that would make a difference. Los Angeles Mayor Eric

0:26:05.560 --> 0:26:08.240
<v Speaker 1>Garcetti remembers the day he met Bryant. I was a

0:26:08.280 --> 0:26:11.879
<v Speaker 1>council member now and Ronald McDonald House when he was

0:26:12.040 --> 0:26:16.359
<v Speaker 1>there very kind of quietly visiting UM to see the

0:26:16.400 --> 0:26:18.959
<v Speaker 1>expansion of this place that helps families whose kids are

0:26:18.960 --> 0:26:21.600
<v Speaker 1>being treated for cancer at Children's Hospital and some of

0:26:21.640 --> 0:26:24.320
<v Speaker 1>the other hospitals in Hollywood. UM. He was there to

0:26:24.480 --> 0:26:27.600
<v Speaker 1>just kind of give them some inspiration and say, hey,

0:26:27.600 --> 0:26:29.560
<v Speaker 1>this trademark gret that I got, I'm gonna give some

0:26:29.680 --> 0:26:31.720
<v Speaker 1>to you to help you get through this tough moment.

0:26:32.040 --> 0:26:34.320
<v Speaker 1>I got the impression the very little I knew about

0:26:34.359 --> 0:26:36.639
<v Speaker 1>Kobe Bryant and watching him, I got the impression he

0:26:36.680 --> 0:26:38.159
<v Speaker 1>was sort of the real deal. When it came to

0:26:38.240 --> 0:26:41.960
<v Speaker 1>helping those that needed help and especially the youth. He

0:26:42.080 --> 0:26:44.480
<v Speaker 1>never wanted to rest on the laurels of hey, I'm

0:26:44.520 --> 0:26:46.720
<v Speaker 1>just a sports star. Anything that he was going to

0:26:46.800 --> 0:26:49.000
<v Speaker 1>put his name to anything he was going to help with.

0:26:49.359 --> 0:26:51.360
<v Speaker 1>He and Vanessa were going to give it there. All.

0:26:51.960 --> 0:26:55.160
<v Speaker 1>My Friend's place is at a place where youth who

0:26:55.160 --> 0:26:59.040
<v Speaker 1>are homeless in Hollywood go during the day, and that

0:26:59.119 --> 0:27:01.639
<v Speaker 1>was the second place I saw Vanessa's real kind of

0:27:01.640 --> 0:27:06.040
<v Speaker 1>passion in Kobe's support of these kids who are you know,

0:27:06.160 --> 0:27:08.639
<v Speaker 1>going through the worst things and been through the worst

0:27:08.640 --> 0:27:12.200
<v Speaker 1>things you could imagine in the foster care system, UM,

0:27:12.240 --> 0:27:15.640
<v Speaker 1>you know, being kicked out of households, lgbt Q youth, UM,

0:27:15.720 --> 0:27:19.639
<v Speaker 1>folks who have been abused, and they really just quietly

0:27:19.840 --> 0:27:22.679
<v Speaker 1>poured their love into that place. UM step up on

0:27:22.760 --> 0:27:26.080
<v Speaker 1>Second which is a place just around the corner and

0:27:26.160 --> 0:27:28.800
<v Speaker 1>down the street on on Vine, and other places where

0:27:28.840 --> 0:27:33.720
<v Speaker 1>you have UM homeless housing and services. They gave a

0:27:33.760 --> 0:27:37.399
<v Speaker 1>lot too. And then Homewalk, which was the signature, you know,

0:27:37.520 --> 0:27:39.760
<v Speaker 1>bringing together of over ten thousand people a year to

0:27:39.880 --> 0:27:44.000
<v Speaker 1>walk and raise money against homelessness. UM. Kobe lent his

0:27:44.080 --> 0:27:46.560
<v Speaker 1>name to be the chair, but he wasn't just kind

0:27:46.600 --> 0:27:50.240
<v Speaker 1>of a chair in name only. He really wanted to

0:27:50.240 --> 0:27:53.080
<v Speaker 1>know the issue, wanted to know how he could help.

0:27:53.119 --> 0:27:55.520
<v Speaker 1>And they put their money and their time where their

0:27:55.520 --> 0:27:58.480
<v Speaker 1>mouths were. Only meeting twice, and he always seemed to

0:27:58.480 --> 0:28:02.040
<v Speaker 1>me the most humble. He had a firm handshake, I remember,

0:28:02.080 --> 0:28:06.200
<v Speaker 1>and I remember that he seemed like he genuinely cared

0:28:06.200 --> 0:28:10.720
<v Speaker 1>about meeting you. He he focused match your eyes with his.

0:28:11.000 --> 0:28:12.920
<v Speaker 1>He came in to visit me after I was mayor

0:28:13.000 --> 0:28:14.600
<v Speaker 1>to tell me a little bit about what he was

0:28:14.640 --> 0:28:18.200
<v Speaker 1>doing on the business side and the studio, the animation

0:28:18.240 --> 0:28:22.480
<v Speaker 1>studio that he was starting, and he was so pumped

0:28:22.560 --> 0:28:25.480
<v Speaker 1>up about it. I mean, his enthusiasm. You could see

0:28:25.520 --> 0:28:28.040
<v Speaker 1>that he had done his research. He wasn't coming to

0:28:28.080 --> 0:28:29.840
<v Speaker 1>meet with the mayor at the beginning. He had done

0:28:29.840 --> 0:28:32.560
<v Speaker 1>his research, He had his pitch. He wanted to bring

0:28:32.600 --> 0:28:35.800
<v Speaker 1>that animation back to Los Angeles where Walt Disney and

0:28:35.800 --> 0:28:37.960
<v Speaker 1>all these great animators had started, and much of it

0:28:38.000 --> 0:28:41.280
<v Speaker 1>had gone to other states or other countries. And so

0:28:41.360 --> 0:28:43.160
<v Speaker 1>he had this deep loyalty too. I mean that's the

0:28:43.160 --> 0:28:46.280
<v Speaker 1>other thing. What other player has played for one team

0:28:46.320 --> 0:28:49.960
<v Speaker 1>their entire career. He loved l a and he gave

0:28:50.040 --> 0:28:53.720
<v Speaker 1>everything to this town. He invested here, he invested time here,

0:28:54.000 --> 0:28:57.120
<v Speaker 1>he gave back here, and he did have just that.

0:28:57.560 --> 0:28:59.360
<v Speaker 1>You know. I don't know that he was shy, but

0:28:59.440 --> 0:29:01.760
<v Speaker 1>he was. There was a certain humility where he didn't

0:29:01.760 --> 0:29:04.040
<v Speaker 1>really care what other people thought. He wanted to connect

0:29:04.040 --> 0:29:06.720
<v Speaker 1>with you, and when you're with him, he was focused

0:29:06.760 --> 0:29:08.880
<v Speaker 1>on you. Is the most important person in the room.

0:29:08.960 --> 0:29:14.480
<v Speaker 1>And he won an Oscar. Who knew, well, if anybody

0:29:14.560 --> 0:29:16.480
<v Speaker 1>could go from we have to come up with a

0:29:16.520 --> 0:29:20.840
<v Speaker 1>new category, because you know, folks who win the Oscar

0:29:21.120 --> 0:29:24.840
<v Speaker 1>and the Tony and the Emmy and everything else. I

0:29:24.880 --> 0:29:27.880
<v Speaker 1>don't think anybody's won a championship in an Oscar. Maybe maybe,

0:29:27.920 --> 0:29:30.240
<v Speaker 1>maybe it can be corrected, but that's a pretty big

0:29:30.360 --> 0:29:34.880
<v Speaker 1>jump to go from winning a number of championships, five

0:29:34.960 --> 0:29:37.880
<v Speaker 1>championships and then an Oscar. That's a pretty phenomenal run.

0:29:38.040 --> 0:29:52.640
<v Speaker 1>And the oscar goes to Dear Basketball Glen Key. March four,

0:29:53.800 --> 0:29:57.400
<v Speaker 1>Kobe Bryant wins an Academy Award for Best Animated Short Film.

0:29:57.440 --> 0:29:59.640
<v Speaker 1>The six minute film is based on a poem Bryant

0:29:59.680 --> 0:30:03.880
<v Speaker 1>wrote and was published back backstage, I had the chance

0:30:03.880 --> 0:30:06.800
<v Speaker 1>to ask him about his win and about his collaboration

0:30:06.880 --> 0:30:10.880
<v Speaker 1>with award winning composer John Williams. Former Disney animator Glenn

0:30:11.000 --> 0:30:13.320
<v Speaker 1>Keene also shared in the honor and talks about working

0:30:13.320 --> 0:30:17.200
<v Speaker 1>on the project. Kobe Congratulations and Steve Gregory with my heart.

0:30:17.440 --> 0:30:19.400
<v Speaker 1>I wanted to ask you about how much of this

0:30:19.440 --> 0:30:22.320
<v Speaker 1>project put you out of your comfort zone and what

0:30:22.400 --> 0:30:24.800
<v Speaker 1>was it like working with John Williams. All of it

0:30:24.840 --> 0:30:27.800
<v Speaker 1>put me out of my comfort zone. Um. My, my

0:30:27.880 --> 0:30:30.480
<v Speaker 1>daughter gave me the best piece of advice. I was

0:30:31.320 --> 0:30:34.920
<v Speaker 1>a little word about turning us into a film. I've

0:30:34.960 --> 0:30:37.960
<v Speaker 1>never done that something like that before. And uh, we're

0:30:37.960 --> 0:30:39.880
<v Speaker 1>in a house and we were talking about as a family,

0:30:40.280 --> 0:30:42.440
<v Speaker 1>and my little eleven yeard gihna go as well, Dad,

0:30:43.080 --> 0:30:45.239
<v Speaker 1>you always tell us to go after our dreams. So

0:30:47.520 --> 0:30:51.800
<v Speaker 1>man up. She's eleven. Man up. So I had the

0:30:51.880 --> 0:30:54.040
<v Speaker 1>man up and and go for it. Um. And then

0:30:54.080 --> 0:30:56.960
<v Speaker 1>working with John was incredible. You know, John speaks about

0:30:57.040 --> 0:30:59.960
<v Speaker 1>music as if they're they each key has its own soul,

0:31:01.040 --> 0:31:02.960
<v Speaker 1>and it was amazing to sit with John and to

0:31:03.000 --> 0:31:06.760
<v Speaker 1>sit with Glenn throughout this entire process and here the

0:31:06.800 --> 0:31:08.920
<v Speaker 1>same attention to detail that we each half of our

0:31:08.960 --> 0:31:13.480
<v Speaker 1>craft craft. Um, it's just Um, it's just an amazing

0:31:13.520 --> 0:31:16.160
<v Speaker 1>experience to be able to to work with. I can't

0:31:16.200 --> 0:31:19.120
<v Speaker 1>even mean the guys like he's a real life Obi

0:31:19.120 --> 0:31:22.160
<v Speaker 1>wan kenobi to me. You know, John had written the score.

0:31:22.920 --> 0:31:27.760
<v Speaker 1>He's eighty five years old and wrote the whole thing

0:31:27.800 --> 0:31:30.920
<v Speaker 1>out by hand and pencil, just like the film itself

0:31:30.960 --> 0:31:34.800
<v Speaker 1>has been pencil. Um. He's a he's an old school

0:31:34.800 --> 0:31:40.640
<v Speaker 1>craftsman and with eighty instruments. He wrote that. And the

0:31:40.720 --> 0:31:43.000
<v Speaker 1>day that we were recording it, he was like this

0:31:43.040 --> 0:31:46.320
<v Speaker 1>little kid just so energized, supercharged. What is going on

0:31:46.360 --> 0:31:48.240
<v Speaker 1>with Johnny? He gave me a hug, almost knocked me over.

0:31:48.280 --> 0:31:49.800
<v Speaker 1>I was like, damn, I know I've been retired, but

0:31:49.800 --> 0:31:52.239
<v Speaker 1>I've retired that long man almost knocked me over. And

0:31:52.280 --> 0:31:54.240
<v Speaker 1>he stood up in front of the orchestra and Kobe

0:31:54.280 --> 0:31:58.200
<v Speaker 1>and I sat there. I suddenly realized he's never heard

0:31:58.320 --> 0:32:01.320
<v Speaker 1>the music. He just been hearing it in his head,

0:32:01.360 --> 0:32:03.600
<v Speaker 1>and he wrote it with eighty instruments and recording it

0:32:04.080 --> 0:32:06.520
<v Speaker 1>and he lifted his arms and it was this beautiful

0:32:06.520 --> 0:32:10.400
<v Speaker 1>score of the score that you hear and Kobe, Kobe

0:32:10.440 --> 0:32:14.360
<v Speaker 1>wanted to shout and the red Lake and when it

0:32:14.440 --> 0:32:18.400
<v Speaker 1>was done, John turns to us and says, I promise you,

0:32:18.520 --> 0:32:21.120
<v Speaker 1>it's going to get better. I said, mat, I thought

0:32:21.160 --> 0:32:23.480
<v Speaker 1>we were done. I thought we were done. It was John.

0:32:23.560 --> 0:32:32.200
<v Speaker 1>John was incredible. Boy yeah coming up in episode seven.

0:32:32.400 --> 0:32:36.479
<v Speaker 1>Aside from being a great professional basketball player, a great

0:32:36.920 --> 0:32:42.040
<v Speaker 1>human being that was also African American. Brian's death leaves

0:32:42.080 --> 0:32:45.440
<v Speaker 1>a large void in the African American community and still

0:32:45.520 --> 0:32:50.680
<v Speaker 1>to come Bryant's legacy. The Death and Life of Kobe

0:32:50.680 --> 0:32:53.800
<v Speaker 1>Bryant is a production of KFI News at I Heeart Media,

0:32:53.840 --> 0:33:04.880
<v Speaker 1>Los Angeles for the iHeart podcast network.