WEBVTT - CZM Book Club: Locust House, by Adam Gnade (Part Three of Four)

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<v Speaker 1>Cool Media. Hello and welcome nichols On Media book Club,

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<v Speaker 1>the only book club where you don't have to do

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<v Speaker 1>the reading, because I do it for you. We are

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<v Speaker 1>doing our summer beach read wherever you find the beach,

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<v Speaker 1>I often find it at creeks, and during our summer

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<v Speaker 1>beach reads, we read something that's a little longer than

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<v Speaker 1>we normally feature, so you can bank up a few

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<v Speaker 1>episodes for a road trip or a summer hike, or

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<v Speaker 1>sitting by the creek and watching the creek, which is

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<v Speaker 1>nicer actually when it's not painfully horrendously hot out, which

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<v Speaker 1>it is right now. I'm really excited about how in

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<v Speaker 1>the future we're only going to have two seasons summer

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<v Speaker 1>in hell Mouth, nine months of summer, three months of Hellmouth.

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<v Speaker 1>That's what we have to look forward to anyway. But

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<v Speaker 1>right now we are continuing our read through a Locust

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<v Speaker 1>House by Adam Gannatti. This is part three. Locust House

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<v Speaker 1>is a novella about the San Diego punk scene and

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<v Speaker 1>the fucked up but still empathizeable people that you find there.

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<v Speaker 1>It's part three of four. You should listen to the

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<v Speaker 1>first two parts. I'm not going to tell you have to,

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<v Speaker 1>but I'm gonna tell you you should. Last week we

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<v Speaker 1>met two people partners, James and Francis, who got a

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<v Speaker 1>lots and ran into their other friend, Joey, who's been

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<v Speaker 1>kind of going off the rails lately. Then they rendezvoued

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<v Speaker 1>with their other pal Tyler and decided to go to

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<v Speaker 1>the closing party of the East Street House aka the

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<v Speaker 1>Avocado Club aka Locust House, so named because the members

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<v Speaker 1>of an electrifying grind core band called the Locust they

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<v Speaker 1>all live there. And that's where we'll pick up for

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<v Speaker 1>this week, with James narrating. I mean, I'm narrating, but

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<v Speaker 1>you know, it's a sort of interviewish format this particular

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<v Speaker 1>part of the book. The book is written in a

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<v Speaker 1>lot of different sort of interesting formats. Here we are,

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<v Speaker 1>this is James. There's this line from Costaveti's great film

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<v Speaker 1>Opening Night, where Gina Rollins character says, when I was seventeen,

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<v Speaker 1>I could do anything. It was so easy. My emotions

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<v Speaker 1>were so close to the surface, finding it harder and

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<v Speaker 1>harder to stay in touch. That's how it was. I mean,

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<v Speaker 1>I wasn't exactly young Francis was. I wasn't. But here's

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<v Speaker 1>the thing. I was a ghost. In high school. I

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<v Speaker 1>had no friends to speak of, and my everyday plan

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<v Speaker 1>was survival. I wanted to live through the day without

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<v Speaker 1>confrontation and get home so I could hide in my

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<v Speaker 1>bedroom and what I don't know, draw, read magazines, stare

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<v Speaker 1>at the wall. My youth was a total shit storm.

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<v Speaker 1>After elementary school, which was great, and so was my childhood,

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<v Speaker 1>a good, ideal, sweet one where I felt loved and

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<v Speaker 1>safe and respected, I hit middle school like a piece

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<v Speaker 1>of hamburger dropped on a grill. Walking the halls of

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<v Speaker 1>peb Middle I felt like a fox hunt constantly in

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<v Speaker 1>a world where no one had ever seen a fox,

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<v Speaker 1>but really intensely wanted to eat one on a bun

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<v Speaker 1>with bacon and mayo. I hated bacon and I hated mayo,

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<v Speaker 1>but more than anything, I hated myself. Of course, as

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<v Speaker 1>it goes, people hated me because I hated myself, and

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<v Speaker 1>because of that, I was scared of my shadow and

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<v Speaker 1>inarticulate and full of heavy, awful weapons, great anxiety that

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<v Speaker 1>sabotaged me at every step. I wanted to die because

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<v Speaker 1>I knew I was nothing, and I wanted to die

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<v Speaker 1>because I knew no one would ever care what I

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<v Speaker 1>had to say. My life was powerless. I saw the

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<v Speaker 1>future as a bland, stultifying thing that looked like those

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<v Speaker 1>horrible shtheads from friends sitting on a couch and some

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<v Speaker 1>fancy ass well lit New York coffee shop trading mild insults.

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<v Speaker 1>Hated them, and I hated that the future, my future

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<v Speaker 1>was headed that way. At the time, I had no

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<v Speaker 1>other frame of reference to tell me life could be

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<v Speaker 1>something else. What I saw, what I knew, was what

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<v Speaker 1>I was given by mainstream media, and if adulthood looked

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<v Speaker 1>like must CTV, I wanted out no future, no fun,

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<v Speaker 1>no hope, no beauty. I was wrong, of course, but

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<v Speaker 1>at that time my true youth I was a dog

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<v Speaker 1>that had been kicked so often I flinched at every tremor.

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<v Speaker 1>I didn't have that impressionable, romantic, idealistic teenagehood like a

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<v Speaker 1>lot of people that came later. It came in my

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<v Speaker 1>early twenties, and it came when punk rock found me

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<v Speaker 1>in the audience of that Cha Cafe show and dragged

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<v Speaker 1>me in. It was a moment that arrived when I

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<v Speaker 1>least expected it, and beyond giving me good music, it

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<v Speaker 1>told me life could be shaped however you want, as

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<v Speaker 1>long as you work hard and dig for new options.

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<v Speaker 1>The important thing was to fight every day to make

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<v Speaker 1>your life what you wanted it to be. I had

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<v Speaker 1>so many people telling me life had to be this

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<v Speaker 1>one set thing, and finding out that I didn't have

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<v Speaker 1>to listen to them, that I could come up with

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<v Speaker 1>my own way to live busted my world. And two,

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<v Speaker 1>which is to say, I fell head over heels in

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<v Speaker 1>love with the brutalist, smartest, meanest kind of punk rock.

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<v Speaker 1>And it opened up life like a giant window with

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<v Speaker 1>all the sunlight in the world streaming in. And that

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<v Speaker 1>all led to the final house show A two four one,

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<v Speaker 1>one E Street, the Avocado Club, the E Street House,

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<v Speaker 1>the Locust House, whatever you called it. The place was

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<v Speaker 1>an epicenter for things free of bullshit, a burning atomic

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<v Speaker 1>center point to the neighborhood and the scene and punk

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<v Speaker 1>rock in general. Francis. One of my strongest memories of

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<v Speaker 1>that time has less to do with the party than

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<v Speaker 1>the aftermath. Everyone moved out of the house right and

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<v Speaker 1>as soon as they were gone, the new tenants hung

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<v Speaker 1>an American flag from the second story. It went suddenly

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<v Speaker 1>from the cool house on the block where the best

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<v Speaker 1>bands lived to the fucking White House. You have to

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<v Speaker 1>remem this was just a year after nine to eleven,

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<v Speaker 1>and a lot of us had some pretty ugh, I

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<v Speaker 1>don't want to say, well yeah, okay, anti American sentiments

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<v Speaker 1>at the time. We were angry and we felt let

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<v Speaker 1>down some of us, a lot of us were sure

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<v Speaker 1>our government had cost it. Even if it wasn't an

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<v Speaker 1>inside job like some people say, we were at the

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<v Speaker 1>very least responsible for waging constant global war for money

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<v Speaker 1>and calling it justice. It's an awful thing when you

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<v Speaker 1>grow up thinking that you and your country are the

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<v Speaker 1>good guys, and then you find out it's all bullshit.

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<v Speaker 1>The day I realized we weren't as noble as I'd

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<v Speaker 1>been told, fuck man, it was a crushing moment. It

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<v Speaker 1>changed me. I've never been the same from a very

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<v Speaker 1>young age. I've been looking for community. Most of the

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<v Speaker 1>time you were let down, but sometimes, if even for

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<v Speaker 1>a short while, it felt like we were all in

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<v Speaker 1>it together. That's how our scene felt, and losing that

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<v Speaker 1>house was a huge blow. Maybe not for everyone, maybe

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<v Speaker 1>not even for the bands or the people who lived there,

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<v Speaker 1>but for me it was a symbol of a better, smarter,

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<v Speaker 1>more ethical life. It seemed firm and substantial. It felt

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<v Speaker 1>like something that couldn't be taken away from us. That's

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<v Speaker 1>one thing I've learned. People say that there are things

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<v Speaker 1>that can't be taken from you. Everything can be taken

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<v Speaker 1>from you the place you live, your friends, your family,

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<v Speaker 1>your health, your youth, your sense of self or your dignity,

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<v Speaker 1>your freedom, your confidence, your spirit, anything. There is nothing

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<v Speaker 1>in you that's yours to keep. If someone else wants

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<v Speaker 1>it bad enough, you try to hold on to it.

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<v Speaker 1>But life is inherently unfairly violent. From our scene, and

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<v Speaker 1>even more so at that last party, I felt a

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<v Speaker 1>kind of togetherness that was like what we experienced in

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<v Speaker 1>the weeks following nine to eleven. People were suddenly good

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<v Speaker 1>to each other, and it seemed like we were, oh,

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<v Speaker 1>please get that, and it seemed like we were all

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<v Speaker 1>closer than we were before. Of course, that was over fast.

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<v Speaker 1>In both circumstances, the party was shut down by the

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<v Speaker 1>cops and everyone left. People stopped watching the news after

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<v Speaker 1>the attacks because they couldn't take the footage, or because

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<v Speaker 1>they had to live their lives to get by, to

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<v Speaker 1>keep moving. I understand that. I remember sitting on the

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<v Speaker 1>couch at my mom's house with James and my sister

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<v Speaker 1>Sadie and Rebecca, watching the news reports with the towers

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<v Speaker 1>burning and people jumping out, holding hands, falling, falling, Ugh,

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<v Speaker 1>and us sitting there crying all day, so scared, so uncertain.

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<v Speaker 1>Around dinnertime, a couple of my friends showed up with

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<v Speaker 1>a fucking pizza. They wanted to hang out and then

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<v Speaker 1>go to a show at the Chay or the Epicenter somewhere.

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<v Speaker 1>I was like, what the fuck. I didn't say what

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<v Speaker 1>the fuck, but I did say, haven't you guys been

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<v Speaker 1>watching the news? My friend Timmy Willetts, standing in the

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<v Speaker 1>doorway holding the pizza box, shrugged and said, kind of,

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<v Speaker 1>I know something happened, but like, but they didn't care.

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<v Speaker 1>People move on or they don't feel something as deeply

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<v Speaker 1>as they should. I thought that after nine to eleven

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<v Speaker 1>there should be some kind of greater togetherness in our culture,

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<v Speaker 1>just like I felt as though the energy of that

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<v Speaker 1>party would carry on. In both cases, I was wrong,

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<v Speaker 1>and it was incredibly isolating. Situations like those are moments

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<v Speaker 1>of innocence, and once innocence is replaced by cynicism or

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<v Speaker 1>even a lack of concern. It can deal a heavy blow.

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<v Speaker 1>You experience closeness, but then it's a temporary closeness, and

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<v Speaker 1>once you realize that it's over, then things start feeling

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<v Speaker 1>pretty lonely. I've always wanted people to join together in

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<v Speaker 1>their neighborhoods they're scene, or in their families, whatever it is.

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<v Speaker 1>But the fact of the matter is Americans are bad togetherness.

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<v Speaker 1>We're afraid of it, or we label it as this dangerous,

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<v Speaker 1>subversive thing, this toxic kind of discord in the face

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<v Speaker 1>of rugged American individualism, which is nothing but bullshit and

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<v Speaker 1>self sabotage. Or we find it and it feels so good,

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<v Speaker 1>it feels natural. But just as soon as we're brought together,

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<v Speaker 1>we either let go or allow ourselves to be pulled

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<v Speaker 1>away from each other, or we stop caring, we find

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<v Speaker 1>other things to take up our interest, We get distracted.

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<v Speaker 1>I wanted to take the flag off that porch and

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<v Speaker 1>burn it, just like I wanted to kick George W.

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<v Speaker 1>Bush's grave, half smirking monkey face in. I wanted to

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<v Speaker 1>take the flag in order to keep the house alive,

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<v Speaker 1>which wouldn't work. Of course, the end happened. It was over.

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<v Speaker 1>People go on with their lives, and sometimes what they

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<v Speaker 1>do next is even better. Or people forget, they allow

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<v Speaker 1>themselves to be caught up in something and then they

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<v Speaker 1>brush it off. The house was not the house anymore,

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<v Speaker 1>and it never would be again. I knew that, but

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<v Speaker 1>I had to do something. I had to act. I

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<v Speaker 1>needed some sort of pure driven cleansing to happen. I

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<v Speaker 1>had to burn the flag. There was no other option.

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<v Speaker 1>Much like dear listeners, the compulsion we feel to throw

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<v Speaker 1>to ads, and trust me, I do wish there was

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<v Speaker 1>any other option, but no, I feel compulsed. Here's the ads,

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<v Speaker 1>and we're back. For months after the party, James and

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<v Speaker 1>I had a vague, sort of unrealized plan to steal

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<v Speaker 1>the flag. We talked, talked about it often, but like

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<v Speaker 1>most of our plans at the time, it never got

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<v Speaker 1>off the ground. One night that summer, James, Tyler, Sadie

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<v Speaker 1>and I stayed up late drinking this big jug of

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<v Speaker 1>Carla Rossi Burgundy and listening to Hella's newest record over

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<v Speaker 1>and over again on both speeds, like Tyler loved. At

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<v Speaker 1>some point four am, no later, maybe five, I knew

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<v Speaker 1>it was time I got up off the couch. And

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<v Speaker 1>shushed the room. Sh Okay, listen, okay, guys, let's go

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<v Speaker 1>capture the goddamn fucking flag, I said, and then everyone

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<v Speaker 1>was excited. We trooped on down there, sticking to the

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<v Speaker 1>alleyways in the darker side streets, stopping to sit on

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<v Speaker 1>curbs or garden walls and drink the last of the wine,

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<v Speaker 1>all full of noble purpose and what we thought was righteousness.

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<v Speaker 1>For Tyler and Sadie and maybe even James, it was

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<v Speaker 1>more a fun, crazy thing to do. I wanted them

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<v Speaker 1>to feel like I did, but I knew they didn't. Still,

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<v Speaker 1>they were caught up in the moment, and I let

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<v Speaker 1>myself imagine that they felt it just as much as

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<v Speaker 1>I did. I needed to believe we were all doing

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<v Speaker 1>this thing for the same reason, even if they were

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<v Speaker 1>faking it. A little felt good to be together. It

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<v Speaker 1>scared the hell out of me to think James, of

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<v Speaker 1>all people, didn't feel this as much as I did.

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<v Speaker 1>Knowing I would later find out that he didn't care

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<v Speaker 1>as deeply as me. That he didn't have the same

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<v Speaker 1>ideals was heartbreaking. We're not together anymore, but we're still friends.

0:13:35.280 --> 0:13:37.559
<v Speaker 1>I wish he was more like me, but maybe he's

0:13:37.600 --> 0:13:40.760
<v Speaker 1>happier because he's not. I'll give him that. I can

0:13:40.840 --> 0:13:44.040
<v Speaker 1>understand wanting some distance from the shitty evilness of the world.

0:13:44.880 --> 0:13:47.040
<v Speaker 1>I don't know, maybe I wish I was more like

0:13:47.120 --> 0:13:50.640
<v Speaker 1>him Back then. I lived for parties and believed in

0:13:50.720 --> 0:13:54.120
<v Speaker 1>having fun above all. I still do, but my work

0:13:54.200 --> 0:13:56.720
<v Speaker 1>keeps me away from enjoying myself a lot of the time.

0:13:57.559 --> 0:14:00.800
<v Speaker 1>James has always been optimistic, and he let thing slide

0:14:00.840 --> 0:14:04.720
<v Speaker 1>off his back. We've been that way before, but I'm

0:14:04.720 --> 0:14:09.040
<v Speaker 1>not that way now. Anyway. We took our time, talking

0:14:09.080 --> 0:14:11.920
<v Speaker 1>a lot, saying big things, and letting the grandness of

0:14:11.960 --> 0:14:14.600
<v Speaker 1>what we were about to do color our speech with bold,

0:14:15.040 --> 0:14:20.320
<v Speaker 1>wild ideas and words that would sound preposterous. The next morning, James,

0:14:20.400 --> 0:14:23.520
<v Speaker 1>who was happy drunk, kept saying, I feel like Robin

0:14:23.520 --> 0:14:27.120
<v Speaker 1>Hood and I did too. We had a purpose. We were

0:14:27.080 --> 0:14:29.440
<v Speaker 1>going to strike back for the neighborhood and the scene

0:14:29.480 --> 0:14:32.960
<v Speaker 1>and win one for the good guys. So we got

0:14:33.000 --> 0:14:36.800
<v Speaker 1>to the house and there were cops everywhere. The place

0:14:36.960 --> 0:14:40.320
<v Speaker 1>was a mess, a fire truck and ambulance squad cars

0:14:40.320 --> 0:14:43.240
<v Speaker 1>with lights spinning and flashing on the line of houses

0:14:43.240 --> 0:14:47.840
<v Speaker 1>and parked cars. What said Sadie, She just kept saying

0:14:47.840 --> 0:14:53.400
<v Speaker 1>it over and over again. What what? What? A couple

0:14:53.440 --> 0:14:55.840
<v Speaker 1>of EMTs were on the lawn working on this older

0:14:55.880 --> 0:14:59.479
<v Speaker 1>woman in a torn, open pink bathrobe, full on CPR.

0:14:59.640 --> 0:15:03.080
<v Speaker 1>Then the which was a horrible thing to see. The

0:15:03.120 --> 0:15:07.440
<v Speaker 1>paddles pushed down, the body flopped up, then the paddles again.

0:15:08.360 --> 0:15:11.240
<v Speaker 1>We stood there and watched them try to bring this

0:15:11.360 --> 0:15:14.480
<v Speaker 1>poor fucking woman back to life. And we stood there

0:15:14.520 --> 0:15:16.960
<v Speaker 1>and we stood there, and we stood there, and they

0:15:17.000 --> 0:15:20.200
<v Speaker 1>weren't having any success. But by then Tyler and Sadie

0:15:20.200 --> 0:15:24.000
<v Speaker 1>and I were crying and Ugh, I hope to God

0:15:24.000 --> 0:15:29.760
<v Speaker 1>they'd save her. Nothing happened. They kept working. We turned

0:15:29.760 --> 0:15:32.800
<v Speaker 1>around and walked home. The sun was beginning to come

0:15:32.880 --> 0:15:35.520
<v Speaker 1>up over the housetops to the east, and the four

0:15:35.560 --> 0:15:37.880
<v Speaker 1>of us walked together and no one said a thing.

0:15:38.720 --> 0:15:41.960
<v Speaker 1>It was like a death toll ringing the final toll.

0:15:42.840 --> 0:15:45.280
<v Speaker 1>Not just for the woman. I hope she lived but

0:15:45.320 --> 0:15:48.120
<v Speaker 1>I never found out, but for this thing I wanted

0:15:48.160 --> 0:15:51.560
<v Speaker 1>so badly to be a greater part of my life.

0:15:51.600 --> 0:15:57.800
<v Speaker 1>We never went back. Tyler. It was good to hang

0:15:57.840 --> 0:16:00.880
<v Speaker 1>out with kids like Frankie and James, because that was

0:16:01.000 --> 0:16:04.560
<v Speaker 1>really not me. I wasn't searching for myself like they were,

0:16:04.600 --> 0:16:07.920
<v Speaker 1>and I didn't need the same things they needed. I've

0:16:07.960 --> 0:16:10.520
<v Speaker 1>always had a plan, and these days I am exactly

0:16:10.560 --> 0:16:14.520
<v Speaker 1>where I hoped I would be. People change, but I

0:16:14.560 --> 0:16:19.600
<v Speaker 1>haven't changed much. The wild, manically drinking, drug guzzling Tyler

0:16:19.720 --> 0:16:24.600
<v Speaker 1>Monahan isn't much different from doctor Tyler Monahan because I've

0:16:24.600 --> 0:16:28.320
<v Speaker 1>always been on this path. Frankie and James they were.

0:16:28.960 --> 0:16:33.920
<v Speaker 1>They are, impulsive, naive, emotional. Everything they did they did

0:16:34.080 --> 0:16:36.920
<v Speaker 1>last minute and reckless, and most of the time what

0:16:37.000 --> 0:16:40.600
<v Speaker 1>they tried to do didn't work. There was no premeditative thought,

0:16:40.840 --> 0:16:43.880
<v Speaker 1>none at all. It was on the fly and unexamined,

0:16:43.920 --> 0:16:46.240
<v Speaker 1>and you've got to be very good or very lucky

0:16:46.280 --> 0:16:50.840
<v Speaker 1>to succeed that way. Frankie and James believed in things

0:16:50.880 --> 0:16:54.920
<v Speaker 1>I enjoyed but didn't necessarily have to have. They believed

0:16:54.920 --> 0:16:57.720
<v Speaker 1>in the bands, and they believed in the scene. They

0:16:57.760 --> 0:17:00.880
<v Speaker 1>believed in finding community and in people joining together in

0:17:00.920 --> 0:17:04.080
<v Speaker 1>the name of something bigger than them. I was around

0:17:04.119 --> 0:17:06.679
<v Speaker 1>for all of that, especially the shows and parties. But

0:17:06.760 --> 0:17:10.560
<v Speaker 1>really this sounds more dismissive than I'd like. I was

0:17:10.640 --> 0:17:14.280
<v Speaker 1>just blowing off steam. Things like that party were fun,

0:17:14.359 --> 0:17:18.360
<v Speaker 1>but they were just parties. My prime directive was getting

0:17:18.440 --> 0:17:23.359
<v Speaker 1>shit done. The rest was just. The rest was all diversions,

0:17:23.400 --> 0:17:27.200
<v Speaker 1>great fun, thrilling diversions, but it wasn't all that important

0:17:27.240 --> 0:17:30.360
<v Speaker 1>to me. You don't dwell on the past. You move forward.

0:17:30.440 --> 0:17:33.320
<v Speaker 1>And if you do that and plan well and make calm, rational,

0:17:33.359 --> 0:17:36.600
<v Speaker 1>deliberate choices along the way, you'll find the present is

0:17:36.600 --> 0:17:40.320
<v Speaker 1>a lot better than what came before. We all make mistakes,

0:17:40.320 --> 0:17:42.280
<v Speaker 1>and we all lose things. But if you spend too

0:17:42.320 --> 0:17:47.399
<v Speaker 1>much time looking back, we'll never go anywhere. Much like

0:17:48.000 --> 0:17:52.560
<v Speaker 1>dear listeners, how the ad transitions aren't going anywhere. They

0:17:52.600 --> 0:17:57.440
<v Speaker 1>never look back. They continue forward as they consume, much

0:17:57.520 --> 0:18:16.920
<v Speaker 1>like you will. Here's ads, and we're back the wild.

0:18:17.080 --> 0:18:21.920
<v Speaker 1>Tyler Monahan didn't exist on weekdays. I studied. I spent

0:18:22.040 --> 0:18:24.679
<v Speaker 1>long hours in the chemistry lab, and I tutored, and

0:18:24.720 --> 0:18:27.560
<v Speaker 1>I moved toward my goal at a nice, even keel.

0:18:28.359 --> 0:18:30.919
<v Speaker 1>When I got there, it happened faster than I thought.

0:18:31.440 --> 0:18:33.920
<v Speaker 1>I found I was happier than I imagined I would be.

0:18:34.440 --> 0:18:37.800
<v Speaker 1>Were least contented, secure in my place. I felt a

0:18:37.920 --> 0:18:42.320
<v Speaker 1>little lonely because it was still is something I did

0:18:42.359 --> 0:18:46.680
<v Speaker 1>on my own. Frankie and James have both had, well,

0:18:47.119 --> 0:18:50.480
<v Speaker 1>to be honest, much harder lives than mine. I feel

0:18:50.480 --> 0:18:52.239
<v Speaker 1>bad for them, of course, but when we get what

0:18:52.280 --> 0:18:55.240
<v Speaker 1>we work for, and that's that's what they got, I'll

0:18:55.280 --> 0:18:57.560
<v Speaker 1>always stand behind them and have their back. I mean

0:18:58.119 --> 0:19:01.520
<v Speaker 1>this is serious. I'm serious. I'd give my life for

0:19:01.560 --> 0:19:04.600
<v Speaker 1>those two, and I say that without exaggeration. But I

0:19:04.640 --> 0:19:06.400
<v Speaker 1>know what I am and I know what they are,

0:19:06.440 --> 0:19:11.120
<v Speaker 1>and we're different animals. I get sad thinking about them sometimes,

0:19:11.280 --> 0:19:14.000
<v Speaker 1>and when I do, I feel old. I feel creaky

0:19:14.040 --> 0:19:19.120
<v Speaker 1>and lonely and kind of kind of maybe cold, yeah, cold,

0:19:20.000 --> 0:19:22.760
<v Speaker 1>But then I remember the good things I have, the

0:19:22.800 --> 0:19:25.359
<v Speaker 1>fact that we're only how would you say this, only

0:19:25.520 --> 0:19:29.800
<v Speaker 1>very tangentially involved in each other's lives. These days, it

0:19:29.880 --> 0:19:33.640
<v Speaker 1>is hard. Sometimes. We've talked about that the three of us.

0:19:34.240 --> 0:19:36.919
<v Speaker 1>Some fantasy part of me would love it if we

0:19:37.000 --> 0:19:39.760
<v Speaker 1>all lived in the same house one day, we could

0:19:39.800 --> 0:19:43.000
<v Speaker 1>grow old together, keep each other company. But I know

0:19:43.040 --> 0:19:48.679
<v Speaker 1>it's just that fantasy. We're far too different now, just

0:19:48.720 --> 0:19:53.640
<v Speaker 1>as it was back then. Sometimes I think we are

0:19:53.680 --> 0:19:58.080
<v Speaker 1>truly a lost generation, not in the romantic literary Paris

0:19:58.200 --> 0:20:02.119
<v Speaker 1>nineteen twenties way Frankie always hoped, but lost in the

0:20:02.160 --> 0:20:05.680
<v Speaker 1>sense that America is this huge, vast, enormous place where

0:20:06.200 --> 0:20:09.880
<v Speaker 1>everyone you know lives so astronomically far away from each other.

0:20:10.760 --> 0:20:15.760
<v Speaker 1>There's a deep, sad estrangement in Americans. We're also spread

0:20:15.800 --> 0:20:20.720
<v Speaker 1>apart and isolated, living these remote, far flung lives. We've

0:20:20.800 --> 0:20:24.600
<v Speaker 1>chosen this. Maybe we could have chosen differently. I don't know,

0:20:25.359 --> 0:20:28.640
<v Speaker 1>but this is what we wanted. I am not at

0:20:28.680 --> 0:20:32.280
<v Speaker 1>all nostalgic for those days. I believe in living right

0:20:32.320 --> 0:20:35.800
<v Speaker 1>now and being the best, happiest versions of you that

0:20:35.920 --> 0:20:39.959
<v Speaker 1>you can be, and the past be damned just the same.

0:20:40.640 --> 0:20:43.080
<v Speaker 1>I'd be lying if I didn't say the wild Tyler

0:20:43.200 --> 0:20:47.040
<v Speaker 1>Monahan and he's still there. Wouldn't love to step back

0:20:47.080 --> 0:20:50.359
<v Speaker 1>into the madness sometimes and feel all that all that

0:20:50.560 --> 0:20:53.919
<v Speaker 1>energy bursting around him, energy that was not really his,

0:20:54.119 --> 0:20:57.720
<v Speaker 1>but that he enjoyed nonetheless and was caught up in, and,

0:20:57.760 --> 0:21:04.320
<v Speaker 1>if only for a short time, feltly substantially alive. James.

0:21:05.760 --> 0:21:08.120
<v Speaker 1>The first few hours of the party were spent moving

0:21:08.240 --> 0:21:12.080
<v Speaker 1>room to room, watching whatever band was playing. At that point,

0:21:12.119 --> 0:21:14.080
<v Speaker 1>my bottle of mad Dog was gone, and I was

0:21:14.440 --> 0:21:17.320
<v Speaker 1>floating along stupidly in a way I never would again.

0:21:17.960 --> 0:21:20.600
<v Speaker 1>Seeing the sights like an astronaut on a new planet

0:21:20.720 --> 0:21:24.880
<v Speaker 1>or a tourist in my own neighborhood. The later it got,

0:21:25.000 --> 0:21:27.480
<v Speaker 1>the more people arrived, until you could barely get through

0:21:27.520 --> 0:21:31.040
<v Speaker 1>the holmes. At some point we ran into Ted Boone

0:21:31.080 --> 0:21:34.000
<v Speaker 1>in a leather jacket and a very dirty Joy Division shirt,

0:21:34.160 --> 0:21:36.879
<v Speaker 1>who was visiting from Portland, and dragged me, Tyler and

0:21:36.920 --> 0:21:39.679
<v Speaker 1>Frankie out behind the house and made us do shots

0:21:39.680 --> 0:21:41.560
<v Speaker 1>of brandy with him while he told us about his

0:21:41.640 --> 0:21:45.600
<v Speaker 1>plans to join the seminary. You guys, I'm doing it.

0:21:45.840 --> 0:21:48.320
<v Speaker 1>Next time you see me, I'll be Reverend ted Boone.

0:21:48.880 --> 0:21:50.640
<v Speaker 1>He made the sign of the Cross in the air.

0:21:51.119 --> 0:21:55.200
<v Speaker 1>Tyler shook his head. I don't believe that. You There's

0:21:55.240 --> 0:21:59.000
<v Speaker 1>no way you hate Jesus. I think that's really sweet,

0:21:59.119 --> 0:22:04.160
<v Speaker 1>said Frankie. Ted Boone smiled pleased. Yeah, yeah, I like that.

0:22:04.200 --> 0:22:08.040
<v Speaker 1>It's sweet. You really believe in God, I asked, handing

0:22:08.040 --> 0:22:12.440
<v Speaker 1>the bottle back to him. Is that trick question? Because

0:22:12.640 --> 0:22:15.880
<v Speaker 1>I'm pretty sure you told me different, like many many times,

0:22:17.240 --> 0:22:20.520
<v Speaker 1>Tyler laughed and took the bottle from Ted Boone. That

0:22:20.600 --> 0:22:23.560
<v Speaker 1>bumper sticker on the old Boon Mobile, the one that

0:22:23.680 --> 0:22:27.520
<v Speaker 1>said executing Jesus, for treason is the reason for the season.

0:22:28.400 --> 0:22:31.600
<v Speaker 1>I remember that Ted Boone laughed and shook his head.

0:22:32.280 --> 0:22:34.080
<v Speaker 1>I believe in whatever will get me where I want

0:22:34.080 --> 0:22:38.080
<v Speaker 1>to go. It's kind of fucked up, I said James

0:22:38.400 --> 0:22:42.840
<v Speaker 1>Tyler Francis, welcome to my world. Drink more brandy. You

0:22:42.880 --> 0:22:45.399
<v Speaker 1>will start to believe in many things great and small.

0:22:45.920 --> 0:22:49.000
<v Speaker 1>Drink now, because I am in a grand, amorous mood,

0:22:49.000 --> 0:22:51.840
<v Speaker 1>and I must find sexual companionship of the young and

0:22:51.920 --> 0:22:54.840
<v Speaker 1>firm breasted kind, or I will wither like the vine

0:22:54.880 --> 0:22:58.399
<v Speaker 1>without shade. You're kind of a villain ted boon. You

0:22:58.440 --> 0:23:01.840
<v Speaker 1>know that, right bank on it, he said, with an

0:23:01.840 --> 0:23:05.800
<v Speaker 1>evil grin. I took the bottle from Tyler and unscrewed

0:23:05.800 --> 0:23:12.359
<v Speaker 1>the cap. After that, I was fucked. And dear listener,

0:23:13.200 --> 0:23:15.680
<v Speaker 1>that's where we're going to leave it today, right as

0:23:15.720 --> 0:23:20.159
<v Speaker 1>the party gets going. Obviously, you'll notice that this is

0:23:20.200 --> 0:23:23.000
<v Speaker 1>not a story about a party. I mean it is,

0:23:23.080 --> 0:23:25.240
<v Speaker 1>but you know it's not a story about a party.

0:23:25.280 --> 0:23:27.719
<v Speaker 1>It's a story about our lives and who we are

0:23:27.760 --> 0:23:30.640
<v Speaker 1>and who we used to be and all of that. Hazel,

0:23:30.720 --> 0:23:34.560
<v Speaker 1>who helps behind the scene, says, quote, I really like

0:23:34.640 --> 0:23:37.760
<v Speaker 1>how this novella plays with time scales, stretching a few

0:23:37.800 --> 0:23:41.120
<v Speaker 1>hours into a whole book and compressing a lifespan in between,

0:23:41.800 --> 0:23:44.080
<v Speaker 1>the way that Adam writes about punks growing out of

0:23:44.119 --> 0:23:46.800
<v Speaker 1>the scene is really relatable to me. We can't burn

0:23:46.840 --> 0:23:49.440
<v Speaker 1>bright forever and what do you do with yourself once

0:23:49.480 --> 0:23:53.359
<v Speaker 1>you've burnt out? And it's sad, but it's also like fine.

0:23:53.920 --> 0:23:56.800
<v Speaker 1>Life has phases, and this book so perfectly captures what

0:23:56.840 --> 0:23:59.199
<v Speaker 1>it's like to be young and what it's like to

0:23:59.240 --> 0:24:04.679
<v Speaker 1>have been young once. Really good shit, Thanks Adam. I

0:24:04.680 --> 0:24:07.480
<v Speaker 1>guess I would say that that's how I feel about

0:24:07.480 --> 0:24:12.560
<v Speaker 1>it too. I really think by showing different people's perspective

0:24:12.720 --> 0:24:16.280
<v Speaker 1>on that particular thing, I think it does a lot

0:24:16.280 --> 0:24:20.080
<v Speaker 1>of good. Or the story's good because it shows that

0:24:20.880 --> 0:24:23.360
<v Speaker 1>I am not feeling articulate. It has been a long

0:24:23.480 --> 0:24:30.680
<v Speaker 1>day of smog, not small wildfire smoke. But I really

0:24:30.760 --> 0:24:34.560
<v Speaker 1>like the like balance of nostalgia non nostalgia, right, Like

0:24:34.600 --> 0:24:36.720
<v Speaker 1>a lot of the characters like, aha, it used to

0:24:36.720 --> 0:24:39.280
<v Speaker 1>be kind of crazy. That's kind of shitty, right, and

0:24:39.359 --> 0:24:41.720
<v Speaker 1>other people are like fuck, I thought we all meant

0:24:41.720 --> 0:24:43.280
<v Speaker 1>it when we said we were trying to do this

0:24:43.359 --> 0:24:48.040
<v Speaker 1>like revolutionary shit, And you know, other people are like, Yeah,

0:24:48.080 --> 0:24:49.960
<v Speaker 1>this is always just the stage. This is always I

0:24:50.119 --> 0:24:53.560
<v Speaker 1>was going to be and uh, that's how it is,

0:24:54.119 --> 0:24:55.560
<v Speaker 1>you know. And I think that's like one of the

0:24:55.600 --> 0:24:59.400
<v Speaker 1>main things about being young is thinking that you're going

0:24:59.440 --> 0:25:05.200
<v Speaker 1>to enter a static thing, that adulthood is the static thing,

0:25:05.280 --> 0:25:08.600
<v Speaker 1>and you're gonna you know, your friend group in your

0:25:08.600 --> 0:25:11.040
<v Speaker 1>early twenties is the only friend group you've ever had

0:25:11.040 --> 0:25:14.639
<v Speaker 1>in your early twenties, and it feels eternal, and then

0:25:14.920 --> 0:25:19.000
<v Speaker 1>people burn out or die or drift away or you

0:25:19.040 --> 0:25:23.160
<v Speaker 1>do these things. You know, I don't know. That's why

0:25:23.200 --> 0:25:26.000
<v Speaker 1>this book stuck with me. Like I said, I read

0:25:26.000 --> 0:25:28.480
<v Speaker 1>it all in one night the day I picked it

0:25:28.560 --> 0:25:31.159
<v Speaker 1>up out of my stack of Adam Ganotti books because

0:25:31.560 --> 0:25:33.639
<v Speaker 1>I did what you all should do, which is I

0:25:33.640 --> 0:25:36.359
<v Speaker 1>found when Adam Gannatti was speaking. I actually didn't know

0:25:36.440 --> 0:25:38.399
<v Speaker 1>his work particularly well yet, but I went to go

0:25:38.440 --> 0:25:41.919
<v Speaker 1>see him speak and was pretty blown away by the

0:25:41.960 --> 0:25:44.920
<v Speaker 1>reading he did. And so then I just bought his

0:25:45.119 --> 0:25:49.320
<v Speaker 1>entire collection of books, because that's what my brain says

0:25:49.400 --> 0:25:53.119
<v Speaker 1>is the thing I should do. But who is Adam Ganatti?

0:25:53.400 --> 0:25:55.520
<v Speaker 1>You might be asking. You're probably not asking, because I've

0:25:55.520 --> 0:25:57.560
<v Speaker 1>read his bio twice before on this thing, but I'm

0:25:57.600 --> 0:26:01.880
<v Speaker 1>going to read it again. Born in San Diego, California,

0:26:02.240 --> 0:26:05.000
<v Speaker 1>Adam Gannatti now lives on a six acre farm in

0:26:05.080 --> 0:26:09.240
<v Speaker 1>rural Kansas, near the towns of Lawrence and Tonganoxie and

0:26:09.280 --> 0:26:13.520
<v Speaker 1>a half hour outside Kansas City, Missouri. On September twenty sixth,

0:26:13.600 --> 0:26:16.800
<v Speaker 1>twenty twenty six, the Numero Group will reissue Gannatti's two

0:26:16.800 --> 0:26:21.440
<v Speaker 1>thousand five debut Talking Songs record Run, Hide, Retreat, Surrender

0:26:21.640 --> 0:26:25.040
<v Speaker 1>on twelve inch final. In October of twenty twenty six,

0:26:25.359 --> 0:26:29.760
<v Speaker 1>his fourteenth book, Wild Horseshit Horseshit's Two Words will be

0:26:29.800 --> 0:26:32.440
<v Speaker 1>released by Brett and Roses Press in conjunction with three

0:26:32.480 --> 0:26:36.840
<v Speaker 1>to one G. Recent works have included the Home and

0:26:36.920 --> 0:26:40.480
<v Speaker 1>Away Quartet and the Talking Song's collection The World of

0:26:40.520 --> 0:26:43.679
<v Speaker 1>Today and the World of Tomorrow, issued on cassette in

0:26:43.680 --> 0:26:46.840
<v Speaker 1>twenty twenty one and Layethe Cut CD in twenty twenty six.

0:26:47.320 --> 0:26:50.480
<v Speaker 1>Gannatti's work is published and issued by Brett and Roses Press,

0:26:50.680 --> 0:26:54.080
<v Speaker 1>three to one G. Hello America Stereo Cassette and the

0:26:54.160 --> 0:27:00.199
<v Speaker 1>Numero Group. And I'm your Host, Margaret kildoy Ana. I

0:27:00.240 --> 0:27:02.800
<v Speaker 1>have music. I don't know if I plug some stuff

0:27:02.840 --> 0:27:04.680
<v Speaker 1>I don't plug as often. You can find my black

0:27:04.720 --> 0:27:07.400
<v Speaker 1>metal band Femino School, which was me and several other

0:27:07.480 --> 0:27:10.480
<v Speaker 1>amazing musicians. We haven't put out anything in a long time,

0:27:10.560 --> 0:27:13.240
<v Speaker 1>but it is real good. And you can also find

0:27:13.280 --> 0:27:16.480
<v Speaker 1>my sad Girl Beepboop electronic music at Nomadic war Machine

0:27:16.760 --> 0:27:20.399
<v Speaker 1>and other sad Girl electronic music a two piece band

0:27:20.640 --> 0:27:22.960
<v Speaker 1>called the Lathe. You can find all of these things

0:27:22.960 --> 0:27:26.360
<v Speaker 1>wherever you listen to music. Band Camp is a good one.

0:27:26.600 --> 0:27:30.000
<v Speaker 1>I'd recommend that over Spotify. I will be back next

0:27:30.000 --> 0:27:35.600
<v Speaker 1>week with one more Locust House. And don't forget about

0:27:35.600 --> 0:27:38.000
<v Speaker 1>our girl Agnes from the first episode. She will be

0:27:38.080 --> 0:27:42.560
<v Speaker 1>back and fighting until then. Carry the words of Ursula

0:27:42.640 --> 0:27:47.840
<v Speaker 1>k Legwin. We live in capitalism. Its power seems inescapable,

0:27:48.440 --> 0:27:52.760
<v Speaker 1>so did the divine right of kings. And yeah we

0:27:52.800 --> 0:28:00.919
<v Speaker 1>can and we will imagine a better world together. Bye everyone.

0:28:02.200 --> 0:28:04.680
<v Speaker 1>It could happen here as a production of cool Zone Media.

0:28:04.760 --> 0:28:07.440
<v Speaker 1>For more podcasts from cool Zone Media, visit our website

0:28:07.480 --> 0:28:10.600
<v Speaker 1>Coolzonemedia dot com, or check us out on the iHeartRadio app,

0:28:10.640 --> 0:28:13.959
<v Speaker 1>Apple Podcasts, or wherever you listen to podcasts. You can

0:28:14.000 --> 0:28:16.720
<v Speaker 1>find sources where it could Happen here updated monthly at

0:28:16.720 --> 0:28:20.000
<v Speaker 1>coolzonemedia dot com. Slash Sources thanks for listening.