1 00:00:00,720 --> 00:00:04,200 Speaker 1: Tomorrow's Monsters as a production of My Heart Radio, Flynn 2 00:00:04,200 --> 00:00:17,000 Speaker 1: Picture Company, Psycopia Pictures and Upper Room Productions. Yeah, what 3 00:00:17,280 --> 00:00:19,840 Speaker 1: is that. It's just a little project we've been working on. 4 00:00:20,280 --> 00:00:24,080 Speaker 1: It's called Hive Mind. We realized that shout I had 5 00:00:24,120 --> 00:00:26,680 Speaker 1: more uses than one. It turns out that swarm of 6 00:00:26,720 --> 00:00:28,880 Speaker 1: tiny robots in your head can not only talk to 7 00:00:28,920 --> 00:00:31,600 Speaker 1: each other, they can talk to us too and take 8 00:00:31,640 --> 00:00:36,320 Speaker 1: remote commands. Make it stop. The prototype has been envelopment 9 00:00:36,320 --> 00:00:38,559 Speaker 1: when we needed to test it, and that's where you 10 00:00:38,640 --> 00:00:42,880 Speaker 1: came in. Jack. Congratulations, you are one of our first 11 00:00:42,960 --> 00:00:57,120 Speaker 1: human trial subjects our prototype. Please please, I'm sorry, Jack, 12 00:00:57,680 --> 00:01:10,160 Speaker 1: I can't hear you. M M, I said, please Jack, 13 00:01:10,560 --> 00:01:12,960 Speaker 1: we can. We can talk this through just like a 14 00:01:13,520 --> 00:01:40,640 Speaker 1: nomo faces She sit, Yeah, m hm. Where what is it? So? 15 00:01:40,720 --> 00:01:43,720 Speaker 1: I can draw down on the left or small flat 16 00:01:43,760 --> 00:01:49,120 Speaker 1: box like an old cigarette case, polished steel, nothing fancy, 17 00:01:49,520 --> 00:01:55,920 Speaker 1: funny for complex and flashy shot has been It's undoing 18 00:01:56,000 --> 00:02:01,040 Speaker 1: is in this tiny case two cartridges each field of 19 00:02:01,080 --> 00:02:05,520 Speaker 1: a dull gray solution. Two chances to save lives, one 20 00:02:05,600 --> 00:02:11,400 Speaker 1: of which would hopefully be my own. Well, Cassie, you 21 00:02:11,480 --> 00:02:13,400 Speaker 1: really know how to bring out the best in people. 22 00:02:15,160 --> 00:02:17,280 Speaker 1: But you can have a head of a headache when 23 00:02:17,360 --> 00:02:25,640 Speaker 1: you wake up. Jenna, find a car fast Jack, something 24 00:02:25,720 --> 00:02:27,640 Speaker 1: you with a full charge in a good range at 25 00:02:27,680 --> 00:02:31,040 Speaker 1: least eight h kilometers. The only vehicle nearby with a 26 00:02:31,080 --> 00:02:35,600 Speaker 1: full charge is an older model Act range estimate sixty 27 00:02:35,639 --> 00:02:45,720 Speaker 1: three kilometers. Your vehicle will arrive in two minutes. Were 28 00:02:45,760 --> 00:02:49,760 Speaker 1: not waiting. We have virgent business with dr I can't, sir, 29 00:02:50,040 --> 00:02:53,600 Speaker 1: you don't understand. Now do you see this? Bad for 30 00:02:53,760 --> 00:02:55,919 Speaker 1: federal agents? And we have an urgent matter on the 31 00:02:55,960 --> 00:02:58,120 Speaker 1: other side of that door. By the time I got 32 00:02:58,200 --> 00:03:01,320 Speaker 1: to the lobby, federal agents were already looking for me. 33 00:03:01,840 --> 00:03:05,239 Speaker 1: I waited for a chance to sleep, pasting. Oh do 34 00:03:05,360 --> 00:03:10,959 Speaker 1: you smell that something's burning? What are you doing? Just 35 00:03:11,120 --> 00:03:17,560 Speaker 1: to be safe, I granted me back of the building, 36 00:03:18,600 --> 00:03:20,560 Speaker 1: Jenna sitting the car to the back of the building. 37 00:03:20,720 --> 00:03:47,200 Speaker 1: Now sure things h good. Here's your car for your safety. 38 00:03:47,480 --> 00:03:51,160 Speaker 1: Please buckle your seat down. Go go, go go. Where 39 00:03:51,160 --> 00:03:54,720 Speaker 1: do you want to go? His head east? As fast 40 00:03:54,720 --> 00:04:28,000 Speaker 1: as this call? Drive sure thing? Jack m More news 41 00:04:28,040 --> 00:04:31,000 Speaker 1: tonight surrounding the tragic death of Finn Connelly, co founder 42 00:04:31,040 --> 00:04:33,600 Speaker 1: of the biotech startup Next Corp. We now go live 43 00:04:33,640 --> 00:04:37,520 Speaker 1: to Heather Mackintosh and Oakland Heather thanks Ron. Police have 44 00:04:37,680 --> 00:04:41,039 Speaker 1: identified the man seen here as Jack Luck and said 45 00:04:41,080 --> 00:04:44,279 Speaker 1: he is considered dangerous and unstable. If you have any 46 00:04:44,320 --> 00:04:47,440 Speaker 1: information on this man or his whereabouts, please contact the 47 00:04:47,480 --> 00:04:51,280 Speaker 1: police immediately. A winner storm advisory remains an effect for 48 00:04:51,480 --> 00:04:54,200 Speaker 1: much of the East Coast tonight and tomorrow, with some 49 00:04:54,440 --> 00:05:01,040 Speaker 1: areas recording up to January nine. To him, it's just 50 00:05:01,160 --> 00:05:05,840 Speaker 1: outside Arlington. It's been three days since I've got in 51 00:05:05,920 --> 00:05:08,039 Speaker 1: this car and have been on the back roads ever since, 52 00:05:09,279 --> 00:05:12,839 Speaker 1: racing through the heartlands, avoiding all highways and non essential stuffs, 53 00:05:14,440 --> 00:05:18,200 Speaker 1: making a shitty tied, but avoiding detection because my face 54 00:05:18,760 --> 00:05:21,480 Speaker 1: is on every screen and every federal agency is searching 55 00:05:21,520 --> 00:05:27,120 Speaker 1: for me now, scouring camera fees from across America, a 56 00:05:27,320 --> 00:05:32,320 Speaker 1: virtual man hunt for me in less than three hours. 57 00:05:32,360 --> 00:05:34,400 Speaker 1: Max follow is going to close a deal in Arlington 58 00:05:34,480 --> 00:05:38,600 Speaker 1: that will unleash his dangerous invention upon the world. But 59 00:05:38,720 --> 00:05:42,680 Speaker 1: it's not Max that's doing him, because Max it's not 60 00:05:42,839 --> 00:05:47,080 Speaker 1: himself anymore. When he began self experimenting with his own 61 00:05:47,120 --> 00:05:50,800 Speaker 1: mind apps, it changed him. It fractured his psyche, and 62 00:05:50,960 --> 00:05:56,000 Speaker 1: something else is taken over, something that had been deeply repressed, 63 00:05:57,320 --> 00:05:59,640 Speaker 1: locked in the labyrinth of Max's mind since he was 64 00:05:59,680 --> 00:06:05,920 Speaker 1: a board. Something small and strong, something that doesn't sleep, 65 00:06:06,920 --> 00:06:10,520 Speaker 1: has no fear, something that is filled with pure hatred 66 00:06:10,640 --> 00:06:14,520 Speaker 1: for the rest of us, for our frailty, for all 67 00:06:14,600 --> 00:06:25,760 Speaker 1: weakness is for a humdry Jacko became hired a monster Benjamin. 68 00:06:27,640 --> 00:06:29,679 Speaker 1: In order to stop it. I had to keep pace 69 00:06:30,920 --> 00:06:34,000 Speaker 1: about to stay on shine. So I haven't been unconscious 70 00:06:34,000 --> 00:06:36,400 Speaker 1: since I passed out three days ago ahead Max's office, 71 00:06:37,640 --> 00:06:42,200 Speaker 1: right after he fired almost everyone at Next Corp. I'm 72 00:06:42,240 --> 00:06:47,000 Speaker 1: getting close to another crush, now strung down and rationally 73 00:06:47,040 --> 00:06:51,960 Speaker 1: wants left the shire to keep me going. I'm so close, 74 00:06:53,360 --> 00:06:58,200 Speaker 1: like every setback costs me precious time and senny, and 75 00:06:58,320 --> 00:07:02,000 Speaker 1: I'm almost certain if I make it all the way, 76 00:07:04,680 --> 00:07:07,360 Speaker 1: I'll be walking through the door without a fully functioning brain. 77 00:07:09,400 --> 00:07:13,640 Speaker 1: I fear that will happened to Max is happening to me. 78 00:07:16,040 --> 00:07:24,040 Speaker 1: I am using myself to something else, something dark. At 79 00:07:24,080 --> 00:07:28,080 Speaker 1: what point must be becoming one star in order to 80 00:07:28,160 --> 00:07:34,520 Speaker 1: catch one. I'm putting over a risk stop now last 81 00:07:34,560 --> 00:07:40,200 Speaker 1: stop before heading into Arlington to stop Max. I don't 82 00:07:40,240 --> 00:07:43,560 Speaker 1: know how much longer I can stay conscious, so I'm 83 00:07:43,560 --> 00:07:47,200 Speaker 1: gonna keep the mic recording from now on in case 84 00:07:47,240 --> 00:07:57,800 Speaker 1: something happens to me, there will be a record Jennifer 85 00:07:57,840 --> 00:08:05,440 Speaker 1: on the network Quantum Encryption connected. You have multiple voice messages. 86 00:08:06,160 --> 00:08:11,880 Speaker 1: Go ahead, Jack, Mrs Baby, I didn't get the file dump. 87 00:08:13,160 --> 00:08:15,640 Speaker 1: My access to the h A servers has been terminated. 88 00:08:16,240 --> 00:08:20,240 Speaker 1: They say they're streamlined in the agency and I have 89 00:08:20,400 --> 00:08:25,160 Speaker 1: been transferred, so I'm officially off the case. But I 90 00:08:25,240 --> 00:08:29,640 Speaker 1: saw the news about Dr Reynolds and Finn Connolly. Jack, 91 00:08:30,680 --> 00:08:33,480 Speaker 1: I can't help you. You need to turn yourself in, 92 00:08:33,840 --> 00:08:38,320 Speaker 1: message skimped said raining web from the A. I wish 93 00:08:38,360 --> 00:08:41,600 Speaker 1: you would stop running. You're only making this more difficult 94 00:08:41,679 --> 00:08:45,000 Speaker 1: for everyone. We don't want to prosecute you. We just 95 00:08:45,040 --> 00:08:49,319 Speaker 1: want to make a deep message skinned Jack. It's max. 96 00:08:53,360 --> 00:09:00,880 Speaker 1: Looks like you you've really snapped man. Look Jack, full 97 00:09:00,920 --> 00:09:06,000 Speaker 1: disclosure here. We are cooperating with the FEDS, complying with 98 00:09:06,160 --> 00:09:13,120 Speaker 1: any and all requests, company documents, video surveillance archives, and 99 00:09:13,240 --> 00:09:20,720 Speaker 1: there's some good ones breaking and entering, theft assault behavior 100 00:09:20,800 --> 00:09:23,640 Speaker 1: that coincides with the murder investigation in which you are 101 00:09:23,679 --> 00:09:29,559 Speaker 1: a prime suspect. But I I just need to know, Jack, 102 00:09:31,760 --> 00:09:38,720 Speaker 1: why did you do it? Why? Finn call me Jack, 103 00:09:43,040 --> 00:09:50,360 Speaker 1: Jen know log often bound down? Okay, Jack, wake me 104 00:09:50,520 --> 00:09:57,280 Speaker 1: up whenever you need me. Okay, even though I just 105 00:09:57,400 --> 00:10:00,520 Speaker 1: loped into an encrypted network I and even though I'm 106 00:10:00,520 --> 00:10:03,520 Speaker 1: wearing sunglasses, a scarf and a baseball cap to dodge 107 00:10:03,559 --> 00:10:06,679 Speaker 1: facial recognition cameras, all they have to do is get 108 00:10:06,720 --> 00:10:09,840 Speaker 1: a drone within range of me and they can control 109 00:10:09,960 --> 00:10:13,800 Speaker 1: my mind. Look onto the tiny robots in my brain, 110 00:10:14,480 --> 00:10:17,719 Speaker 1: the space invaders. A thing called them before he was 111 00:10:17,800 --> 00:10:26,280 Speaker 1: thrown off a building. This is gonna be tricky. H 112 00:10:28,040 --> 00:11:03,120 Speaker 1: h have you've seen bad days? Check? M hm? Hello? Hello? Yeah, right, hey, Hey, 113 00:11:03,240 --> 00:11:07,680 Speaker 1: is anybody there? I'm locked in it? Hello, I'm locked 114 00:11:07,679 --> 00:11:20,480 Speaker 1: in Hello. Don't fucking move, David, David truth though, Okay, 115 00:11:21,240 --> 00:11:23,200 Speaker 1: hold on now, we can work this out. You don't 116 00:11:23,240 --> 00:11:24,679 Speaker 1: have to do this, David. Please. You don't have to 117 00:11:24,720 --> 00:11:28,280 Speaker 1: be next cools point anymore. You understand it? Not David? 118 00:11:28,400 --> 00:12:00,520 Speaker 1: When when we no? No? No? So ye you be sir. 119 00:12:01,280 --> 00:12:03,839 Speaker 1: You can't go in here. This is the president of 120 00:12:03,920 --> 00:12:08,280 Speaker 1: sweet right right. I mean, if I'm ex fuller, who 121 00:12:08,360 --> 00:12:13,240 Speaker 1: are you, Truesdale? He's expecting me. So, first of all, 122 00:12:13,280 --> 00:12:16,480 Speaker 1: I need you to back up. No, touching. Where's your badge? 123 00:12:17,040 --> 00:12:19,560 Speaker 1: I don't know what you're talking about, but this room 124 00:12:19,679 --> 00:12:23,120 Speaker 1: is the badholders. You understand if you would have head 125 00:12:23,160 --> 00:12:27,960 Speaker 1: down to the concert said no touching. What's going on here? 126 00:12:29,679 --> 00:12:35,240 Speaker 1: Is there a problem? Bradley? David, Mr Fuller, you know 127 00:12:35,520 --> 00:12:40,120 Speaker 1: this man? Actually, this is the man I was telling 128 00:12:40,160 --> 00:12:48,120 Speaker 1: you about, the Senator. This is David David Treusdale. Oh, yes, yes, 129 00:12:48,200 --> 00:12:53,960 Speaker 1: the war hero. Bradley stand down. It's okay, yes, sir, 130 00:12:54,360 --> 00:12:58,240 Speaker 1: he's with Mr Fuller. Would you excuse the two of 131 00:12:58,360 --> 00:13:01,720 Speaker 1: us for a moment. Mr Cherusdale had a long trip 132 00:13:01,800 --> 00:13:04,800 Speaker 1: and I need to get him settled. Of course, of 133 00:13:04,920 --> 00:13:20,000 Speaker 1: course I'll keep these gentlemen entertained. Thank you, Senator. All right, 134 00:13:25,400 --> 00:13:29,199 Speaker 1: you're awfully twitchy, David. I can help you with that, 135 00:13:29,720 --> 00:13:34,760 Speaker 1: but not right now. I'm afraid you'll have to wait. Okay, 136 00:13:35,080 --> 00:13:38,559 Speaker 1: you know I watched you on the map as you 137 00:13:38,679 --> 00:13:42,000 Speaker 1: moved across the desert and then I've lost you in 138 00:13:42,080 --> 00:13:48,840 Speaker 1: the blizzard. I was also tracking your pulse, blood pressure, 139 00:13:49,480 --> 00:13:53,880 Speaker 1: brain waves. They were dipping and spiking increasingly erratic wave lengths, 140 00:13:53,960 --> 00:14:02,720 Speaker 1: and then you just disappeared. So m what the fuck 141 00:14:02,880 --> 00:14:12,360 Speaker 1: happened to you? David, I haven't. Is he alive? Yeah, 142 00:14:13,559 --> 00:14:16,599 Speaker 1: but probably not for long, at least not without a 143 00:14:16,679 --> 00:14:21,080 Speaker 1: medic I told you to exercise restraint. I had no choice, 144 00:14:21,280 --> 00:14:22,880 Speaker 1: no way he was going to come with that a flat. 145 00:14:22,960 --> 00:14:28,600 Speaker 1: Whereas he now near the loading dock, he's in the trunk. Okay, 146 00:14:29,480 --> 00:14:38,080 Speaker 1: h after you? Where did you catch him? About forty 147 00:14:38,160 --> 00:14:41,760 Speaker 1: miles west of here? He wasn't easy to track. It's 148 00:14:41,840 --> 00:14:44,400 Speaker 1: too bad, you know. I was really rooting for him. 149 00:14:45,200 --> 00:14:49,560 Speaker 1: He's a survivor. I'll give him that. I've always had 150 00:14:49,560 --> 00:14:54,800 Speaker 1: an affinity for those, yourself included. There. Here's the car, 151 00:14:57,120 --> 00:15:06,000 Speaker 1: so I made it across the country in this Yeah, Jesus, 152 00:15:06,160 --> 00:15:09,080 Speaker 1: David Fox sick. I asked you to be more careful 153 00:15:09,080 --> 00:15:14,920 Speaker 1: with our property. Mm hmmm mmmm Well let's let's get 154 00:15:15,000 --> 00:15:20,080 Speaker 1: him out of the trunk against Hey, Jack, you don't 155 00:15:20,120 --> 00:15:41,960 Speaker 1: look so good. Put him in the back soon. Sorry 156 00:15:41,960 --> 00:15:45,680 Speaker 1: about that, Jack, but after what you did the poor Cassie, why, 157 00:15:46,200 --> 00:15:48,880 Speaker 1: I guess Mr Trusdale wasn't willing to take any chances. 158 00:15:50,200 --> 00:15:52,600 Speaker 1: I was worried it might get ugly. David's due for 159 00:15:52,600 --> 00:15:55,400 Speaker 1: an upgrade. He's still on the Beata side and he's 160 00:15:55,440 --> 00:15:58,680 Speaker 1: pretty buggy. Let yeah, I have to go to war 161 00:15:58,800 --> 00:16:02,440 Speaker 1: with the army you got. You know, I originally hired 162 00:16:02,520 --> 00:16:04,960 Speaker 1: David here to just poke around for me, do a 163 00:16:05,040 --> 00:16:07,720 Speaker 1: little bit of recon Look at him, he's more of 164 00:16:07,800 --> 00:16:12,240 Speaker 1: a a blunt force instrument, not really good at blending in. 165 00:16:13,000 --> 00:16:18,440 Speaker 1: Feel me no offense, David. It's just you got to 166 00:16:18,560 --> 00:16:23,200 Speaker 1: use the right tool for the right job, you Jack, 167 00:16:24,320 --> 00:16:30,680 Speaker 1: You were exactly what I was looking for. Look at you, yourself, motivated, cunning, 168 00:16:31,000 --> 00:16:34,520 Speaker 1: just a force of nature. Just point you in the 169 00:16:34,640 --> 00:16:38,320 Speaker 1: right direction and you flush out all of the rats. 170 00:16:39,000 --> 00:16:40,680 Speaker 1: I mean, you found holes in the system that I 171 00:16:40,840 --> 00:16:46,720 Speaker 1: I never even considered. Because you Dave here, I was 172 00:16:46,800 --> 00:16:48,880 Speaker 1: able to fix a hell of a lot of leaks 173 00:16:49,280 --> 00:16:52,000 Speaker 1: like Abby. I just wouldn't have pegged Abbey as a leak, 174 00:16:52,880 --> 00:16:57,360 Speaker 1: But there it was. M h m hm. I took 175 00:16:57,400 --> 00:17:00,240 Speaker 1: care of her myself. It was only a fair. She 176 00:17:00,400 --> 00:17:05,600 Speaker 1: was such an important member of our team. Don't look 177 00:17:05,640 --> 00:17:08,720 Speaker 1: at me like that, Jack, it's your fault that she 178 00:17:08,800 --> 00:17:12,600 Speaker 1: had to die. She would have never talked if you 179 00:17:12,640 --> 00:17:19,119 Speaker 1: hadn't pushed her through. Oh there's that look again. I know. 180 00:17:19,440 --> 00:17:21,760 Speaker 1: I know you showed up in my lab to take 181 00:17:21,880 --> 00:17:24,880 Speaker 1: me down, and I get it. I get it. Revenge 182 00:17:25,000 --> 00:17:27,760 Speaker 1: is a fantastic motivator, isn't it. He did all of 183 00:17:27,840 --> 00:17:31,800 Speaker 1: this just to find out the truth about what happened 184 00:17:31,840 --> 00:17:36,720 Speaker 1: to your brother. You want to know what happened to him. 185 00:17:37,760 --> 00:17:42,880 Speaker 1: It's very simple. Michael showed up in my lab because 186 00:17:43,119 --> 00:17:48,760 Speaker 1: of you, because you couldn't be bothered to deal with 187 00:17:48,880 --> 00:17:52,560 Speaker 1: him anymore, because he'd become a burden too, because you 188 00:17:52,600 --> 00:17:57,640 Speaker 1: couldn't stand his weakness. So, despite all the risks involved, 189 00:17:59,440 --> 00:18:03,920 Speaker 1: you were the one that brought him to me. I 190 00:18:04,119 --> 00:18:09,920 Speaker 1: didn't kill your brother. I didn't have to m m 191 00:18:10,960 --> 00:18:18,200 Speaker 1: he killed himself. Who knows. Maybe he needed something something 192 00:18:18,280 --> 00:18:21,240 Speaker 1: you couldn't provide. Maybe he needed his brother. Maybe he 193 00:18:21,320 --> 00:18:29,760 Speaker 1: needed you, Jack, and you just weren't there. Maybe it's 194 00:18:29,800 --> 00:18:38,800 Speaker 1: all because of you. Help me get him out of here, 195 00:18:38,840 --> 00:18:51,120 Speaker 1: which David, m you know, I'm actually the one who 196 00:18:51,160 --> 00:18:54,320 Speaker 1: tried to help Michael, despite the fact he was a 197 00:18:54,359 --> 00:18:57,560 Speaker 1: plaintiff in a lawsuit against me. I offered him an upgrade, 198 00:18:57,560 --> 00:19:01,480 Speaker 1: but he refused. He wanted to talk to you about 199 00:19:01,560 --> 00:19:06,520 Speaker 1: it first because he still trusted you. David, can you 200 00:19:06,560 --> 00:19:14,040 Speaker 1: remove the tape from his mouth? Yeah? Ah, what are 201 00:19:14,040 --> 00:19:16,440 Speaker 1: you gonna do to me. I just need to run 202 00:19:16,480 --> 00:19:20,960 Speaker 1: a few quick diagnostics, even doing an extreme amount of stress. 203 00:19:21,000 --> 00:19:24,240 Speaker 1: I'm curious to see how my nanites performed under the circumstances, 204 00:19:25,160 --> 00:19:30,199 Speaker 1: and then and my experiments over body. As much as 205 00:19:30,240 --> 00:19:32,520 Speaker 1: I'd like to keep you around a tinker with, you've 206 00:19:32,600 --> 00:19:36,400 Speaker 1: served your purpose. I'm sure you can understand how massive 207 00:19:36,440 --> 00:19:42,080 Speaker 1: a liability you are now. I really enjoyed working with you, though, Jack, 208 00:19:43,200 --> 00:19:47,399 Speaker 1: but it's time to move on. It's a mistake to 209 00:19:47,520 --> 00:19:52,560 Speaker 1: dwell on the past, live only for the future. It's 210 00:19:52,560 --> 00:19:57,760 Speaker 1: a little trick my father taught me. That's funny. I'll 211 00:19:57,800 --> 00:20:01,840 Speaker 1: follow told me a little truth too. Yeah, and what's 212 00:20:01,880 --> 00:20:07,040 Speaker 1: that you never take your eyes off the hands, Ben 213 00:20:09,800 --> 00:20:15,600 Speaker 1: David you're doing. I guess you aren't going to close 214 00:20:15,640 --> 00:20:18,080 Speaker 1: in and it will deal today after room, let me go, 215 00:20:18,280 --> 00:20:23,880 Speaker 1: I musially, How does it feel, Mr Fuller? He held 216 00:20:23,920 --> 00:20:30,200 Speaker 1: against your villa m someone else full controls over you, 217 00:20:32,040 --> 00:20:40,359 Speaker 1: someone dangerous. You got him? Oh yeah, he ain't going nowhere. Okay, 218 00:20:41,880 --> 00:20:45,080 Speaker 1: let's hold him steady and look at me and look 219 00:20:45,119 --> 00:20:48,240 Speaker 1: at me. Look at me. Are you're trying to do 220 00:20:48,400 --> 00:20:50,600 Speaker 1: to me? Chat? Just think of it as a reinstall 221 00:20:52,119 --> 00:20:58,440 Speaker 1: deep breathman, go breathe because me. This is gonna hurt. 222 00:21:00,160 --> 00:21:11,320 Speaker 1: H h h. Yeah, I'm so sorry, Benny. You know, 223 00:21:11,400 --> 00:21:14,320 Speaker 1: if I didn't design this one for pleasure, why did 224 00:21:14,400 --> 00:21:17,440 Speaker 1: you do to me? It's a kill switch and it's 225 00:21:17,480 --> 00:21:23,280 Speaker 1: gonna suck, probably for a few days in the meantime, 226 00:21:24,040 --> 00:21:26,280 Speaker 1: you and mean what it's gonna I wanta take a 227 00:21:26,359 --> 00:21:41,040 Speaker 1: drive and check his his Polster. He's alive. Let's get 228 00:21:41,119 --> 00:21:58,640 Speaker 1: him in the car, all right, Yeah, you better up? Yeah, Hey, 229 00:22:00,080 --> 00:22:21,680 Speaker 1: m what we good? Yeah? Jenna, guess Alvi? Sure thing? Jack? 230 00:22:22,119 --> 00:22:26,080 Speaker 1: Where do you want to go? Just hit waste h 231 00:22:34,359 --> 00:22:39,240 Speaker 1: Tomorrow's Monsters, starring John Boyega as Jack Locke, Darren Chris 232 00:22:39,480 --> 00:22:43,879 Speaker 1: as Max Fuller, Marley Shelton as Cass Berkeley, Clark Gregg 233 00:22:44,080 --> 00:22:48,439 Speaker 1: as Walter Fuller, saw And Guja as David Truesdale, Nicholas 234 00:22:48,480 --> 00:22:52,720 Speaker 1: Takowski as Finn Connolly, Claire Bronson as dr Abbe Reynolds, 235 00:22:53,240 --> 00:22:57,440 Speaker 1: David Chen as Michael Corbin, su Hila Eltar as Jenna, 236 00:22:58,080 --> 00:23:02,720 Speaker 1: Victor Rivera as Eddie Bender, Robert Prolgo as Agent Batty, 237 00:23:03,240 --> 00:23:07,560 Speaker 1: Steve Coulter as Senator Berkeley, wrote A. Griffiths as Rainy Webb, 238 00:23:07,960 --> 00:23:12,200 Speaker 1: with additional performances by Helen Abel, Jason Williams, Michael Anthony, 239 00:23:12,560 --> 00:23:17,080 Speaker 1: Robin Bloodworth, and Teresa Davis. Our first assistant director is 240 00:23:17,119 --> 00:23:21,320 Speaker 1: Michael Monty. Our second assistant director is Sarah Klein. Sound 241 00:23:21,440 --> 00:23:25,200 Speaker 1: and music by Ben Lovett. Additional sound design and editing 242 00:23:25,480 --> 00:23:30,239 Speaker 1: by Benjamin Malcolm, Justin Roboski and Mike Reagan. Casting by 243 00:23:30,320 --> 00:23:34,320 Speaker 1: Jessica Fox thick Pen. This episode features the song Golden 244 00:23:34,359 --> 00:23:37,760 Speaker 1: Times One, written and performed by Ben Lucas Boyson and 245 00:23:37,880 --> 00:23:40,960 Speaker 1: taken from the album Spells on a Race Tapes Records. 246 00:23:41,800 --> 00:23:46,200 Speaker 1: Our executive producers are Scott Sheldon, Shelby Thomas, Alexander Williams, 247 00:23:46,280 --> 00:23:50,320 Speaker 1: and Matthew Frederick. Written by Dan Bush and Nicholas Takowski. 248 00:23:51,320 --> 00:23:55,560 Speaker 1: Created by Dan Bush and Conald Byrne. Directed by Dan Bush, 249 00:23:56,240 --> 00:24:01,040 Speaker 1: Produced by both Flint dan Bush and John Boyega. Tomorrow's 250 00:24:01,119 --> 00:24:04,520 Speaker 1: Monsters is a production of iHeart Radio, Flynn Picture Company, 251 00:24:04,680 --> 00:24:09,320 Speaker 1: Psycopia Pictures, and Upper Room Productions. For more podcasts from 252 00:24:09,359 --> 00:24:13,600 Speaker 1: I heart Radio, visit the iHeart Radio app, Apple Podcasts, 253 00:24:13,960 --> 00:24:15,800 Speaker 1: or wherever you listen to podcasts.