1 00:00:05,720 --> 00:00:08,039 Speaker 1: Hey, welcome to Stuff to Blow your Mind. My name 2 00:00:08,080 --> 00:00:11,120 Speaker 1: is Robert Lamb and I'm Joe McCormick, and it's Saturday. 3 00:00:11,119 --> 00:00:13,240 Speaker 1: Time to go into the Old Vault. This is for 4 00:00:13,680 --> 00:00:17,799 Speaker 1: an episode that published on April nineteen. This was part 5 00:00:17,840 --> 00:00:20,400 Speaker 1: one of our series on the Sacred Mountain. Oh yeah. 6 00:00:20,440 --> 00:00:22,479 Speaker 1: This is a really fun pair of episodes that we 7 00:00:22,480 --> 00:00:26,640 Speaker 1: did because we get into, of course, various global myths 8 00:00:26,680 --> 00:00:32,040 Speaker 1: and folk traditions concerning sacred high peaks, places where Heaven 9 00:00:32,120 --> 00:00:36,360 Speaker 1: touches the earth, where the gods dwell and strange entities 10 00:00:36,400 --> 00:00:39,720 Speaker 1: may may linger as well, uh, places where you might 11 00:00:39,760 --> 00:00:42,199 Speaker 1: go to uh on a quest to obtain some sort 12 00:00:42,200 --> 00:00:44,600 Speaker 1: of rare substance to put in your potion, that sort 13 00:00:44,600 --> 00:00:47,159 Speaker 1: of thing. But then also we get into like how 14 00:00:47,159 --> 00:00:49,400 Speaker 1: does this match up with you know, to to what 15 00:00:49,479 --> 00:00:53,440 Speaker 1: extent might we explain these phenomena by looking at the 16 00:00:53,479 --> 00:00:59,000 Speaker 1: way our bodies deal with very high altitudes. So it's 17 00:00:59,040 --> 00:01:01,920 Speaker 1: a pretty fun x floration. This is part one. Let's 18 00:01:01,960 --> 00:01:07,320 Speaker 1: dive in Welcome to Stuff to Blow Your Mind, a 19 00:01:07,400 --> 00:01:16,240 Speaker 1: production of I Heart Radios How Stuff Works. Hey are 20 00:01:16,240 --> 00:01:17,959 Speaker 1: you welcome to Stuff to Blow your Mind? My name 21 00:01:18,000 --> 00:01:20,920 Speaker 1: is Robert Lamb and I'm Joe McCormick, and today we 22 00:01:21,000 --> 00:01:24,839 Speaker 1: are going to be discussing the sacred mountain. Of course, 23 00:01:24,880 --> 00:01:27,959 Speaker 1: there's not just one sacred mountain. There are many sacred mountains. 24 00:01:27,959 --> 00:01:31,000 Speaker 1: In fact, you know, you're probably close to one right now, 25 00:01:31,000 --> 00:01:34,080 Speaker 1: because they're all over the world. We we discussed this 26 00:01:34,120 --> 00:01:37,000 Speaker 1: a little bit in our recent episode about pressure, where 27 00:01:37,040 --> 00:01:40,360 Speaker 1: we were talking about how how the atmosphere gets thinner, 28 00:01:40,400 --> 00:01:42,319 Speaker 1: of course as you go higher up, And one of 29 00:01:42,319 --> 00:01:45,600 Speaker 1: the things we started talking about was whether, you know, 30 00:01:45,640 --> 00:01:48,640 Speaker 1: whether that might have anything to do with the prevalence 31 00:01:48,840 --> 00:01:53,160 Speaker 1: of sacred or holy mountains in religious and cultural beliefs 32 00:01:53,200 --> 00:01:56,200 Speaker 1: all around the world, because once you start looking for them, 33 00:01:56,200 --> 00:02:00,680 Speaker 1: they're everywhere and every continent, I guess maybe not some Chaantarctica, 34 00:02:00,840 --> 00:02:05,559 Speaker 1: but every other continent. You know, they're they're mountain top monasteries, 35 00:02:05,640 --> 00:02:08,079 Speaker 1: there are mountains that are believed to be homes of 36 00:02:08,120 --> 00:02:10,679 Speaker 1: the gods. There are mountains that are places of worship, 37 00:02:10,760 --> 00:02:13,720 Speaker 1: mountains that are places of sacrifice, mountains that are believed 38 00:02:13,720 --> 00:02:19,000 Speaker 1: to be forbidden or you know, otherwise magically you know, barred. Yeah, 39 00:02:19,040 --> 00:02:22,040 Speaker 1: and they really are in just about every culture. So 40 00:02:22,560 --> 00:02:25,359 Speaker 1: what we wanted to do in this pair of episodes 41 00:02:25,760 --> 00:02:28,040 Speaker 1: for stuff to pluy your mind is to really get 42 00:02:28,080 --> 00:02:31,280 Speaker 1: into the idea of the sacred mountain. So this first 43 00:02:31,320 --> 00:02:34,919 Speaker 1: episode is really going to be more about, first of all, 44 00:02:35,360 --> 00:02:38,960 Speaker 1: why do we have these different feelings about mountains? Why 45 00:02:39,000 --> 00:02:42,480 Speaker 1: do mountains invoke these different ideas and feelings in the 46 00:02:42,560 --> 00:02:45,120 Speaker 1: human mind. And then we're going to run through some 47 00:02:45,240 --> 00:02:49,520 Speaker 1: notable examples of sacred mountains. I have to did really 48 00:02:49,560 --> 00:02:52,000 Speaker 1: drive home that this will not be an exhaustive mention 49 00:02:52,120 --> 00:02:55,560 Speaker 1: of every sacred mountain tradition. I'm sure we're gonna leave 50 00:02:55,600 --> 00:02:59,680 Speaker 1: off some very good ones, uh, some very notable cultural examples. 51 00:02:59,720 --> 00:03:02,560 Speaker 1: We just can't cover them all, but we'll try and 52 00:03:02,600 --> 00:03:05,760 Speaker 1: cover enough of them to give you a nice grounding. 53 00:03:05,800 --> 00:03:08,760 Speaker 1: And then, of course, if you have a favorite sacred 54 00:03:08,800 --> 00:03:11,880 Speaker 1: mountains that you've visited or just read about, UH, you 55 00:03:11,880 --> 00:03:14,440 Speaker 1: can right into us and perhaps will share those in 56 00:03:14,440 --> 00:03:18,680 Speaker 1: the future listener Male episode. And then that second episode 57 00:03:18,919 --> 00:03:21,120 Speaker 1: that we're going to do about sacred mountains is going 58 00:03:21,160 --> 00:03:25,200 Speaker 1: to get more into the psychology and the neuroscience and 59 00:03:25,760 --> 00:03:31,280 Speaker 1: how and to what extent high altitude UH conditions could 60 00:03:31,320 --> 00:03:34,960 Speaker 1: contribute to this interpretation of the sacred and the holy 61 00:03:35,960 --> 00:03:38,880 Speaker 1: on mountains and on the tops of mountains, that's right. 62 00:03:38,920 --> 00:03:40,440 Speaker 1: And though we are going to look all over the 63 00:03:40,480 --> 00:03:43,280 Speaker 1: world in various places today, I think one place I 64 00:03:43,320 --> 00:03:46,680 Speaker 1: wanted to start with is the mountain you might be 65 00:03:46,800 --> 00:03:50,200 Speaker 1: less familiar with in Greek religion. Oh yeah, because you're 66 00:03:50,200 --> 00:03:53,160 Speaker 1: probably instantly thinking, well, Mount Olympus, that's where the gods 67 00:03:53,200 --> 00:03:56,400 Speaker 1: are the gods, that's where they're plotting all of their 68 00:03:56,800 --> 00:04:02,960 Speaker 1: nefarious ends. But what about mount like aon home of 69 00:04:03,000 --> 00:04:06,120 Speaker 1: the holy werewolf for the not so the unholy werewolf, 70 00:04:06,840 --> 00:04:11,000 Speaker 1: the sanctuary of Zeus, the birthplace of Zeus, and the 71 00:04:11,080 --> 00:04:15,640 Speaker 1: altar of blood sacrifice. Yeah, it invokes a number of 72 00:04:15,680 --> 00:04:17,760 Speaker 1: the different ideas we're gonna be discussing here. So we 73 00:04:17,800 --> 00:04:20,520 Speaker 1: wanted to read just a little bit from Pausanias is 74 00:04:20,520 --> 00:04:24,000 Speaker 1: a historian. He wrote description of Greece. Uh, and this 75 00:04:24,080 --> 00:04:26,800 Speaker 1: is from the second century c E. And this is 76 00:04:26,839 --> 00:04:29,880 Speaker 1: like section eight. This is another one of those old 77 00:04:29,920 --> 00:04:34,240 Speaker 1: texts you can find in full translated online that we're 78 00:04:34,240 --> 00:04:36,279 Speaker 1: just gonna read a couple of paragraphs from it. Okay, 79 00:04:36,440 --> 00:04:38,560 Speaker 1: On the highest point of the mountain is a mound 80 00:04:38,600 --> 00:04:42,280 Speaker 1: of earth forming an altar of Zeus, like Chius and 81 00:04:42,360 --> 00:04:45,800 Speaker 1: from it, most of the Peloponneseis can be seen. Before 82 00:04:45,880 --> 00:04:49,360 Speaker 1: the altar on the east stand two pillars on which 83 00:04:49,400 --> 00:04:53,640 Speaker 1: there were of old gilded eagles. On this altar they 84 00:04:53,680 --> 00:04:57,240 Speaker 1: sacrifice in secret to like He and Zeus. I was 85 00:04:57,320 --> 00:05:00,279 Speaker 1: reluctant to pry into the details of the sacrific vice. 86 00:05:00,760 --> 00:05:03,839 Speaker 1: Let them be as they are, and we're from the beginning. 87 00:05:04,600 --> 00:05:06,359 Speaker 1: On the east side of the mountain, there is a 88 00:05:06,400 --> 00:05:11,320 Speaker 1: sanctuary of Apollo, surnamed Parhassian. They also give him the 89 00:05:11,400 --> 00:05:15,080 Speaker 1: name Pythian. They hold every year a festival in honor 90 00:05:15,120 --> 00:05:17,680 Speaker 1: of the god and sacrifice in the market place a 91 00:05:17,839 --> 00:05:21,760 Speaker 1: boar to Apollo helper. And after the sacrifice here they 92 00:05:21,800 --> 00:05:25,200 Speaker 1: at once carry the victim to the sanctuary of Parhassian 93 00:05:25,240 --> 00:05:28,839 Speaker 1: Apollo in procession to the music of the flute. Cutting 94 00:05:28,839 --> 00:05:31,919 Speaker 1: out the thigh bones, they burn them and also consume 95 00:05:32,040 --> 00:05:34,480 Speaker 1: the meat of the victim on the spot. So here 96 00:05:34,480 --> 00:05:36,960 Speaker 1: we get a description of like sacrifices of a boar. 97 00:05:37,200 --> 00:05:40,159 Speaker 1: Though there have been rumors for a long time that 98 00:05:40,400 --> 00:05:43,280 Speaker 1: human sacrifice was something that happened, you know that you 99 00:05:43,320 --> 00:05:45,840 Speaker 1: would kill humans and offer them up to like He 100 00:05:45,960 --> 00:05:50,000 Speaker 1: and Zeus on mountain, like Caias, so we should at 101 00:05:50,080 --> 00:05:52,640 Speaker 1: least situate this. They mentioned that you could see the 102 00:05:52,640 --> 00:05:55,680 Speaker 1: whole Peloponnese. But mountain like Kon now is it is 103 00:05:55,720 --> 00:05:58,600 Speaker 1: a mountain in the region of Arcadia, which is long 104 00:05:58,640 --> 00:06:01,120 Speaker 1: believed to be sort of this symbol or paragon of 105 00:06:01,160 --> 00:06:06,760 Speaker 1: beautiful unspoiled wilderness, and that's down in the Peloponnese. And Zeus, 106 00:06:07,160 --> 00:06:10,800 Speaker 1: like Chaius, is essentially wolf Zeus is. Yeah, it's like 107 00:06:10,920 --> 00:06:14,440 Speaker 1: his his wolf power, ranger form. Yeah, so all everything 108 00:06:14,480 --> 00:06:17,920 Speaker 1: you expect from from Zeus, king of the gods, except 109 00:06:18,160 --> 00:06:20,960 Speaker 1: also with with lupine properties. And there are a lot 110 00:06:21,000 --> 00:06:24,120 Speaker 1: of stories about the sort of the history of this 111 00:06:24,240 --> 00:06:26,560 Speaker 1: mountain and the name like mount like Caon, and some 112 00:06:26,640 --> 00:06:29,040 Speaker 1: tellings is said to be the birthplace or the home 113 00:06:29,080 --> 00:06:32,400 Speaker 1: of Zeus, but also it's named for king like Heon 114 00:06:32,520 --> 00:06:36,520 Speaker 1: of Arcadia, who was, of course, in some myths, foolish 115 00:06:36,600 --> 00:06:39,040 Speaker 1: enough to mess with the gods of the Greek pantheon, 116 00:06:39,080 --> 00:06:43,040 Speaker 1: to mess with a Yeah. So, according to Ovid's telling 117 00:06:43,040 --> 00:06:46,919 Speaker 1: in the Metamorphosis, the king tried to trick Zeus into 118 00:06:46,960 --> 00:06:51,600 Speaker 1: eating human flesh, and Zeus retaliated by turning him into 119 00:06:51,640 --> 00:06:54,400 Speaker 1: a wolf or turning him into a were wolf. And 120 00:06:54,680 --> 00:06:56,680 Speaker 1: I want to read this part of the poem as 121 00:06:56,720 --> 00:07:00,640 Speaker 1: told in Ovid's Metamorphosis, as translated by Garth and Dryden. Okay, 122 00:07:00,720 --> 00:07:03,680 Speaker 1: let's divide, Robert, you do this first section here, this 123 00:07:03,760 --> 00:07:07,239 Speaker 1: dire experiment. He chose to prove if I were mortal 124 00:07:07,520 --> 00:07:11,640 Speaker 1: or undoubted Jove. But first he had resolved to taste 125 00:07:11,640 --> 00:07:15,240 Speaker 1: my power not long before. But in a luckless hour, 126 00:07:16,040 --> 00:07:19,880 Speaker 1: some legates sent from the Molassian state. We're on a 127 00:07:19,920 --> 00:07:24,160 Speaker 1: peaceful errand come to treat of these. He murders one. 128 00:07:24,360 --> 00:07:28,000 Speaker 1: He boils the flesh and lays the mangled morsels in 129 00:07:28,040 --> 00:07:31,520 Speaker 1: a dish. Some part he roasts, then serves it up 130 00:07:31,880 --> 00:07:36,280 Speaker 1: so dressed, and bids me welcome to this humane feast. Okay, 131 00:07:36,280 --> 00:07:38,880 Speaker 1: So the king captures some dudes, burns them, and then 132 00:07:38,960 --> 00:07:42,880 Speaker 1: offers them up to Zeus like here, try it, uh, 133 00:07:43,360 --> 00:07:46,160 Speaker 1: presuming I think to to trick Zeus into eating this 134 00:07:46,240 --> 00:07:50,280 Speaker 1: human flesh, and Zeus continues, moved with disdain. The table. 135 00:07:50,360 --> 00:07:54,560 Speaker 1: I are turned and with the avenging flames the palace burned. 136 00:07:54,880 --> 00:07:58,440 Speaker 1: The tyrant, in a fright for shelter, gains the neighboring 137 00:07:58,560 --> 00:08:03,640 Speaker 1: fields and scours along the planes howling, He fled and fain. 138 00:08:03,880 --> 00:08:07,400 Speaker 1: He would have spoke, but human voice, his brutal tongue 139 00:08:07,440 --> 00:08:12,120 Speaker 1: forsook about his lips. The gathered foam he churns, and 140 00:08:12,560 --> 00:08:16,640 Speaker 1: breathing slaughters still with rage. He burns, but on the 141 00:08:16,720 --> 00:08:21,160 Speaker 1: bleeding flock. His fury turns. His mantle, now his hide 142 00:08:21,200 --> 00:08:25,200 Speaker 1: with rugged hairs, cleaves to his back, a famished face, 143 00:08:25,320 --> 00:08:29,360 Speaker 1: he bears his arms, descend his shoulders, slink away to 144 00:08:29,560 --> 00:08:34,239 Speaker 1: multiply his legs for chase of prey. He grows a wolf. 145 00:08:34,360 --> 00:08:37,960 Speaker 1: His hoary nous remains, and the same rage in other 146 00:08:38,040 --> 00:08:42,679 Speaker 1: members reiins. His eyes still sparkle in a narrower space, 147 00:08:43,160 --> 00:08:46,600 Speaker 1: his jaws retained, the grin and violence of his face, 148 00:08:47,840 --> 00:08:50,240 Speaker 1: And according to some if I remember correctly, this is 149 00:08:50,360 --> 00:08:53,480 Speaker 1: this is kind of the birth of the werewolf. Oh yeah, yeah, 150 00:08:53,520 --> 00:08:55,440 Speaker 1: this is this is a one off, if not the 151 00:08:55,480 --> 00:08:59,400 Speaker 1: earliest accounts you'll find of of of someone turning into 152 00:08:59,440 --> 00:09:02,280 Speaker 1: a LuPone form. I don't remember if we discussed this 153 00:09:02,400 --> 00:09:05,160 Speaker 1: story in the episode we did about the first Monster, 154 00:09:05,440 --> 00:09:08,000 Speaker 1: about like the idea where what was the origin of 155 00:09:08,480 --> 00:09:13,480 Speaker 1: beliefs in beings embodying both human and animal forms? Mixed together. 156 00:09:13,559 --> 00:09:16,080 Speaker 1: We might have mentioned this, but of course apart from 157 00:09:16,160 --> 00:09:18,959 Speaker 1: this myth, which I don't think this is a historical 158 00:09:19,040 --> 00:09:24,120 Speaker 1: record in any case of werewolf transformation. Uh. The Despite 159 00:09:24,120 --> 00:09:26,160 Speaker 1: the story of King like Kean and all this, the 160 00:09:26,200 --> 00:09:30,120 Speaker 1: Mountain like An was in you know, without a doubt, 161 00:09:30,160 --> 00:09:33,319 Speaker 1: a holy site in some versions of Greek religion, since 162 00:09:33,360 --> 00:09:36,160 Speaker 1: it was sort of the home birthplace of Zeus, and 163 00:09:36,280 --> 00:09:39,680 Speaker 1: it was also a place where blood sacrifices and burnt 164 00:09:39,720 --> 00:09:42,680 Speaker 1: offerings to Zeus were brought. And it's long been known 165 00:09:42,760 --> 00:09:46,719 Speaker 1: that animals were sacrificed and burned to Zeus here, but 166 00:09:47,000 --> 00:09:50,599 Speaker 1: recently there's been some there have been some chilling discoveries. 167 00:09:50,760 --> 00:09:54,680 Speaker 1: Archaeologists at the Sanctuary of Zeus have been excavating a 168 00:09:54,760 --> 00:09:57,839 Speaker 1: giant ancient mound of ash about a hundred feet or 169 00:09:57,840 --> 00:10:00,840 Speaker 1: about thirty meters wide that was the site of these 170 00:10:00,840 --> 00:10:04,880 Speaker 1: animal sacrifices, mostly sheep and goat's, beginning around the sixteenth 171 00:10:04,920 --> 00:10:08,440 Speaker 1: century BC, so going way back. And in twenty sixteen 172 00:10:08,480 --> 00:10:11,160 Speaker 1: it was announced that they had found human remains here, 173 00:10:11,520 --> 00:10:14,960 Speaker 1: that they found the skeleton of an adolescent male from 174 00:10:14,960 --> 00:10:18,040 Speaker 1: what appears to be I think it's not positive, but 175 00:10:18,160 --> 00:10:21,520 Speaker 1: it really looks like this was a human sacrifice from 176 00:10:21,520 --> 00:10:25,160 Speaker 1: around the eleventh century b c um. And of course 177 00:10:25,200 --> 00:10:26,800 Speaker 1: this wouldn't be the only case where we know of 178 00:10:26,880 --> 00:10:31,320 Speaker 1: human sacrifice likely taking place up on a mountain. Like 179 00:10:31,480 --> 00:10:34,640 Speaker 1: I think about the you know, going to the to 180 00:10:34,720 --> 00:10:38,840 Speaker 1: South America, the children of Yuyiko or Yuyayako, right, and 181 00:10:38,920 --> 00:10:41,520 Speaker 1: in the late nineties at some point they discovered three 182 00:10:42,000 --> 00:10:44,840 Speaker 1: inca child mummies there that were up on the summit 183 00:10:44,880 --> 00:10:47,160 Speaker 1: of the mountain. Is not known for sure what that is, 184 00:10:47,200 --> 00:10:49,800 Speaker 1: but it appears to be a form of human sacrifice 185 00:10:49,880 --> 00:10:52,520 Speaker 1: that was taking showing the religious significance of the mountain 186 00:10:52,559 --> 00:10:55,760 Speaker 1: there too. Interesting. So I think this is a great 187 00:10:55,760 --> 00:10:58,720 Speaker 1: example to start with here. Uh. It embodies a number 188 00:10:58,720 --> 00:11:02,840 Speaker 1: of different things here pill grimmage, Uh, just the view 189 00:11:03,000 --> 00:11:05,080 Speaker 1: mentioning just how much you can see from up there, 190 00:11:05,360 --> 00:11:07,439 Speaker 1: and the idea too that this puts you put the 191 00:11:07,480 --> 00:11:10,720 Speaker 1: place to put you in closer contact with the divine, 192 00:11:10,800 --> 00:11:13,600 Speaker 1: with the gods. But now I'd like to talk just 193 00:11:13,640 --> 00:11:17,400 Speaker 1: a little bit about the importance of geography and and 194 00:11:17,559 --> 00:11:22,240 Speaker 1: naturally occurring forms as metaphors. We've talked about this will 195 00:11:22,240 --> 00:11:23,760 Speaker 1: get bit on the show before, but you know, you 196 00:11:23,800 --> 00:11:28,920 Speaker 1: can find root, branch, tree, river iconography all over the place. 197 00:11:30,280 --> 00:11:33,120 Speaker 1: I think back to our episode and the Trident as well, which, 198 00:11:33,120 --> 00:11:35,960 Speaker 1: according to some theories, was originally based on a fig leaf. 199 00:11:36,520 --> 00:11:41,000 Speaker 1: So you know it, ancient people turned to natural forms 200 00:11:41,080 --> 00:11:43,800 Speaker 1: as a way of thinking about the world and kind 201 00:11:43,800 --> 00:11:48,160 Speaker 1: of externalizing thought. Uh And and you see that in 202 00:11:48,160 --> 00:11:51,880 Speaker 1: in in every human tradition. So it should come as 203 00:11:51,920 --> 00:11:55,200 Speaker 1: no surprise that mountains speak to us as well. After all, 204 00:11:55,400 --> 00:11:58,880 Speaker 1: a sacred mountain is just one part of an overall 205 00:11:59,040 --> 00:12:01,760 Speaker 1: sacred giog or fie. And I think that's important to note, 206 00:12:02,120 --> 00:12:04,760 Speaker 1: Like ancient people's they wouldn't have thought like, oh, yeah, 207 00:12:04,800 --> 00:12:06,600 Speaker 1: this is just land over here, and that's the lake, 208 00:12:06,720 --> 00:12:09,400 Speaker 1: that's a river, and oh this mountain, that place is holy, 209 00:12:09,440 --> 00:12:13,600 Speaker 1: that's where the gods live. Uh. No, the oceans, the mountains, 210 00:12:13,640 --> 00:12:16,679 Speaker 1: the earth itself, the rivers, all of it comes into 211 00:12:16,720 --> 00:12:20,280 Speaker 1: play for when you're considering a sacred view of the 212 00:12:20,320 --> 00:12:23,920 Speaker 1: world or of the universe. Yeah, you know, I kind 213 00:12:23,920 --> 00:12:27,800 Speaker 1: of think though that, Um, we might be kind of 214 00:12:27,920 --> 00:12:32,160 Speaker 1: unusual as far as like people in history go, given 215 00:12:32,200 --> 00:12:34,600 Speaker 1: that most of you know, most of us and the 216 00:12:34,640 --> 00:12:37,319 Speaker 1: people listening to the show probably most of their exposure 217 00:12:37,360 --> 00:12:42,720 Speaker 1: to religion is like to monotheisms like Christianity, Judaism and Islam, 218 00:12:42,760 --> 00:12:45,440 Speaker 1: which I would say, as far as religions go, have 219 00:12:45,840 --> 00:12:51,440 Speaker 1: unusually low investments in geography and and the land, because 220 00:12:51,480 --> 00:12:54,599 Speaker 1: if you go to ancient pagan religions or indigenous religions 221 00:12:54,679 --> 00:12:58,040 Speaker 1: of of of Europe and Africa and Asia, and in 222 00:12:58,440 --> 00:13:02,280 Speaker 1: the America's, you find kind all kinds of like stories 223 00:13:02,320 --> 00:13:06,480 Speaker 1: about how the land itself was created, and like like 224 00:13:07,080 --> 00:13:09,880 Speaker 1: off the very common stories that the land and the 225 00:13:09,920 --> 00:13:14,000 Speaker 1: features of the land were features of monsters that were 226 00:13:14,040 --> 00:13:16,440 Speaker 1: slain by or the features of a body of a 227 00:13:16,520 --> 00:13:20,200 Speaker 1: god that died long ago, or they have particular connections 228 00:13:20,200 --> 00:13:23,520 Speaker 1: to holy sites that are geographically unique and significant for 229 00:13:23,679 --> 00:13:27,280 Speaker 1: being unique. I mean, I guess Christianity, Islam, and Judaism 230 00:13:27,360 --> 00:13:31,040 Speaker 1: have geographical locations that are holy, but that's mainly for 231 00:13:31,200 --> 00:13:34,400 Speaker 1: like what is believed to be their historical role, right 232 00:13:34,480 --> 00:13:38,920 Speaker 1: events that took place there uh structures that either were there, 233 00:13:38,960 --> 00:13:41,840 Speaker 1: are or are still there in some form or another, 234 00:13:42,320 --> 00:13:44,520 Speaker 1: And that's certainly a part of it as well discuss. 235 00:13:44,559 --> 00:13:47,040 Speaker 1: But there are various other ways to to look at 236 00:13:47,800 --> 00:13:51,439 Speaker 1: at sacred mountains and sacred geography and why those places 237 00:13:51,480 --> 00:13:55,480 Speaker 1: are considered sacred. So just I think one important thing 238 00:13:55,520 --> 00:13:57,280 Speaker 1: to just keep in mind is something I think most 239 00:13:57,320 --> 00:13:59,120 Speaker 1: of us can relate to, and that is just the 240 00:13:59,240 --> 00:14:02,240 Speaker 1: idea of a mountain or an impressive photo of one 241 00:14:02,600 --> 00:14:09,400 Speaker 1: will likely summon feelings of grandeur or intimidation, adventure, peace efforts, seclusion, 242 00:14:09,520 --> 00:14:14,079 Speaker 1: wonder or indeed connection to the heavens. Um. I mean 243 00:14:14,080 --> 00:14:16,960 Speaker 1: this is why you see, uh, you know, posters and 244 00:14:17,040 --> 00:14:20,160 Speaker 1: images and paintings of mountains. I mean they are they're 245 00:14:20,200 --> 00:14:22,360 Speaker 1: beautiful about how and we travel to the mountains and 246 00:14:22,360 --> 00:14:25,920 Speaker 1: then we stand, uh, either atop the mountain or certainly 247 00:14:25,920 --> 00:14:28,600 Speaker 1: at a nice vista, and we we take it all 248 00:14:28,640 --> 00:14:32,280 Speaker 1: in and it it summons feelings and summons emotions and 249 00:14:32,400 --> 00:14:35,240 Speaker 1: takes us outside of ourselves. EO. Wilson talks about this 250 00:14:35,280 --> 00:14:38,840 Speaker 1: a little bit when he's discussing the biophilia hypothesis, and 251 00:14:39,200 --> 00:14:41,280 Speaker 1: I think this is in the context of him generally 252 00:14:41,320 --> 00:14:45,920 Speaker 1: talking about evolutionary explanations for our aesthetic preferences, like why 253 00:14:46,000 --> 00:14:49,640 Speaker 1: is it so often that the pictures we find beautiful 254 00:14:49,760 --> 00:14:53,200 Speaker 1: include vistas from a high point of view, you know, 255 00:14:53,240 --> 00:14:56,040 Speaker 1: being able to look down over a landscape and you 256 00:14:56,120 --> 00:14:59,320 Speaker 1: offer some possible evolutionary explanations for that. You know, maybe 257 00:14:59,600 --> 00:15:02,280 Speaker 1: this is like a more definable point where you can 258 00:15:02,280 --> 00:15:05,520 Speaker 1: see things coming towards you. But yeah, it's hard to 259 00:15:05,600 --> 00:15:07,920 Speaker 1: deny that when I see a mountain. I don't know 260 00:15:07,960 --> 00:15:10,040 Speaker 1: if everybody feels this way as much as I do. 261 00:15:10,320 --> 00:15:12,920 Speaker 1: When I see a mountain, I want to go up it. 262 00:15:13,200 --> 00:15:15,760 Speaker 1: I've never done mountain climbing. I've done hiking and stuff, 263 00:15:15,760 --> 00:15:17,720 Speaker 1: but I do want to go up to the top 264 00:15:17,760 --> 00:15:20,360 Speaker 1: of the highest point and look down well see. And 265 00:15:20,400 --> 00:15:22,560 Speaker 1: I think you and I are different in this regard. Uh, 266 00:15:23,160 --> 00:15:25,960 Speaker 1: You've talked before on the show about how you have 267 00:15:26,000 --> 00:15:28,000 Speaker 1: no problem like walking up to the edge of a cliff. 268 00:15:28,480 --> 00:15:31,560 Speaker 1: I'm a little more reluctant to do that. But still, 269 00:15:31,600 --> 00:15:35,480 Speaker 1: if I see like a crazy you know, cliff or peak, 270 00:15:35,640 --> 00:15:38,520 Speaker 1: or or images of people mountain climbing, I do put 271 00:15:38,560 --> 00:15:42,440 Speaker 1: myself imagine myself up there, and often terrify myself with 272 00:15:42,520 --> 00:15:46,760 Speaker 1: the with the prospect. So I feel like that kind 273 00:15:46,840 --> 00:15:51,440 Speaker 1: of like mental transportation is inevitable. But a couple of 274 00:15:51,440 --> 00:15:53,840 Speaker 1: other things about just how we think about mountains a 275 00:15:53,960 --> 00:15:58,160 Speaker 1: common trope in various mythologies, and we'll touch on Some 276 00:15:58,240 --> 00:16:01,080 Speaker 1: specific examples here in a bit are that the mountain, 277 00:16:01,160 --> 00:16:04,560 Speaker 1: or at least the mountain peak on some level, connects 278 00:16:04,680 --> 00:16:07,200 Speaker 1: Earth to the sky. So it might be like a 279 00:16:07,240 --> 00:16:10,200 Speaker 1: sky pill or situation where the mountain is holding up 280 00:16:10,560 --> 00:16:13,720 Speaker 1: the cosmos, holding up the heavens, holding up the sky, 281 00:16:14,040 --> 00:16:16,400 Speaker 1: or it is in some way an umbilical or a 282 00:16:16,480 --> 00:16:20,400 Speaker 1: ladder and uh. Or that the mountain itself serves as 283 00:16:20,440 --> 00:16:23,320 Speaker 1: a you know, an axis Monday, the central tent pole 284 00:16:23,720 --> 00:16:29,480 Speaker 1: of a sacred cosmos, a stairway to heaven if you will. Well, 285 00:16:29,480 --> 00:16:33,280 Speaker 1: that's really interesting because especially it pairs with older ways 286 00:16:33,320 --> 00:16:35,560 Speaker 1: of thinking about the sky. You know, it's not all 287 00:16:35,600 --> 00:16:38,720 Speaker 1: that uncommon for ancient peoples to have conceived of the 288 00:16:38,760 --> 00:16:41,400 Speaker 1: sky as a place with solid ground that you could 289 00:16:41,400 --> 00:16:43,960 Speaker 1: walk around in, you know, like a firmament. There's a 290 00:16:44,040 --> 00:16:47,520 Speaker 1: dome over the earth and uh. And so you might wonder, well, 291 00:16:47,560 --> 00:16:50,400 Speaker 1: what does something hold up the dome. If there's solid 292 00:16:50,440 --> 00:16:52,680 Speaker 1: ground up there that the gods can walk around in, 293 00:16:53,200 --> 00:16:55,400 Speaker 1: there must be something holding it up. And so you 294 00:16:55,440 --> 00:16:57,600 Speaker 1: can imagine, well, maybe a mountain holds it up. That's 295 00:16:57,640 --> 00:17:00,600 Speaker 1: the obvious answer. In fact, yes, you can see where 296 00:17:00,640 --> 00:17:04,600 Speaker 1: this this complex weave emerges of an attempt to understand 297 00:17:04,720 --> 00:17:07,560 Speaker 1: what is what your visit, what you're actually observing, what 298 00:17:07,640 --> 00:17:11,240 Speaker 1: is the objective reality? And then also these mythic ideas 299 00:17:11,320 --> 00:17:15,240 Speaker 1: of like what does about about structure and uh and 300 00:17:15,240 --> 00:17:19,720 Speaker 1: and center and the importance of place and identity. There's also, 301 00:17:19,760 --> 00:17:21,919 Speaker 1: from a practical sense, the fact that to stand atop 302 00:17:21,960 --> 00:17:24,560 Speaker 1: of great height is to gain a crucial vantage point. 303 00:17:25,040 --> 00:17:27,959 Speaker 1: In some cases that could be purely strategic, such as 304 00:17:28,000 --> 00:17:30,520 Speaker 1: this is the E. O. Wilson thing. Yeah, you can 305 00:17:30,560 --> 00:17:33,200 Speaker 1: see the movements of of herd animals, you can see 306 00:17:33,200 --> 00:17:36,800 Speaker 1: the movements of enemy troops, etcetera. But I also wonder 307 00:17:36,840 --> 00:17:38,920 Speaker 1: if it could be something a little more existential. I 308 00:17:38,960 --> 00:17:44,920 Speaker 1: wonder if if such heights could be considered possibly capable 309 00:17:44,960 --> 00:17:48,960 Speaker 1: of invoking something like the overview effect that proposed a 310 00:17:49,280 --> 00:17:53,280 Speaker 1: state of mind or you know, a state of euphoric 311 00:17:53,440 --> 00:17:57,360 Speaker 1: interconnectedness that ensues when one sees the planet Earth from 312 00:17:57,359 --> 00:18:00,600 Speaker 1: outer space. It's not quite the same, sir, but I'm 313 00:18:00,640 --> 00:18:03,960 Speaker 1: wondering if perhaps that affects scales down to some extent. Yeah, 314 00:18:03,960 --> 00:18:07,160 Speaker 1: I can absolutely see that. So some astronauts report they 315 00:18:07,200 --> 00:18:10,119 Speaker 1: look out the window of the International Space Station or 316 00:18:10,160 --> 00:18:12,840 Speaker 1: of their you know, their vehicle and they see the 317 00:18:12,840 --> 00:18:16,320 Speaker 1: Earth from space, and suddenly it just comes into sharp 318 00:18:16,400 --> 00:18:21,200 Speaker 1: focus that that are you know, petty squabbles are exactly 319 00:18:21,200 --> 00:18:24,440 Speaker 1: that they're petty. You know that they vanish in the 320 00:18:24,480 --> 00:18:26,719 Speaker 1: face of the fact that we're all trapped on this 321 00:18:26,800 --> 00:18:30,440 Speaker 1: ball together. And and it makes human concerns look small 322 00:18:30,880 --> 00:18:33,159 Speaker 1: and makes people feel a strong sense of sort of 323 00:18:33,359 --> 00:18:36,480 Speaker 1: the common interest of all humanity and the connectedness of 324 00:18:36,520 --> 00:18:38,639 Speaker 1: all of our concerns because the fate of the Earth 325 00:18:38,720 --> 00:18:40,600 Speaker 1: is the fate of all of us. And yeah, I 326 00:18:40,840 --> 00:18:43,800 Speaker 1: can absolutely see that happening. I mean, so, imagine you 327 00:18:44,200 --> 00:18:46,720 Speaker 1: normally you live in a small village or a city 328 00:18:46,760 --> 00:18:48,920 Speaker 1: where you are. You know, you you've got your day 329 00:18:48,960 --> 00:18:51,640 Speaker 1: to day concerns, you're angry with your neighbor, or you've 330 00:18:51,640 --> 00:18:54,320 Speaker 1: got your politics that you're doing, if you're like a 331 00:18:54,359 --> 00:18:56,879 Speaker 1: priest or something, and then you go up on a 332 00:18:56,920 --> 00:18:59,520 Speaker 1: mountain and then you look down at the place where 333 00:18:59,520 --> 00:19:01,600 Speaker 1: you come from the village or the city, or the farms, 334 00:19:01,600 --> 00:19:05,440 Speaker 1: and suddenly everything looks tiny. This basic shift in visual 335 00:19:05,600 --> 00:19:09,000 Speaker 1: and optical perspective could very well trigger a kind of 336 00:19:09,040 --> 00:19:11,640 Speaker 1: the same kind of mental shift that people experience when 337 00:19:11,640 --> 00:19:14,600 Speaker 1: they go into space. Yeah, absolutely, I was. I was 338 00:19:14,680 --> 00:19:16,919 Speaker 1: doing a little reading about about some of these ideas, 339 00:19:16,920 --> 00:19:19,960 Speaker 1: and it ran across an excellent little paper by Edwin 340 00:19:20,119 --> 00:19:24,800 Speaker 1: Burne Bomb titled in Sacred Mountains Themes and Teachings, and 341 00:19:24,800 --> 00:19:28,320 Speaker 1: this is from Mountain Research and Development twenty six And 342 00:19:28,560 --> 00:19:29,960 Speaker 1: the author does a great job of just which just 343 00:19:30,040 --> 00:19:32,760 Speaker 1: laying out some basics. For instance, lays out three basic 344 00:19:32,840 --> 00:19:37,280 Speaker 1: ways that mountains are considered sacred uh. And and we 345 00:19:37,320 --> 00:19:39,280 Speaker 1: can as I lay these out, you can certainly think 346 00:19:39,280 --> 00:19:41,600 Speaker 1: two examples we've discussed already, and I think these will 347 00:19:41,640 --> 00:19:45,159 Speaker 1: also be useful in considering examples we discussed in the 348 00:19:45,160 --> 00:19:49,399 Speaker 1: rest of the podcast. So, burn Bomb says, first, specific 349 00:19:49,440 --> 00:19:53,080 Speaker 1: peaks are singled out as places of sanctity. Uh. They're 350 00:19:53,119 --> 00:19:57,400 Speaker 1: supported by myths and practices such as pilgrimages, meditation, and 351 00:19:57,480 --> 00:20:01,960 Speaker 1: even sacrifice. Number two, they may contain sacred sites or 352 00:20:02,000 --> 00:20:05,000 Speaker 1: objects like temples or shrines, or even something more natural 353 00:20:05,080 --> 00:20:09,000 Speaker 1: like a spring. And then number three, the natural setting 354 00:20:09,040 --> 00:20:13,359 Speaker 1: itself awakens a sense of wonder and awe. All three 355 00:20:13,359 --> 00:20:16,359 Speaker 1: of these tend to work together, burn Bomb says, on 356 00:20:16,400 --> 00:20:20,120 Speaker 1: an individual's experience with the sacredness of a mountain, Furthermore, 357 00:20:20,119 --> 00:20:24,640 Speaker 1: Burned Bomb defined ten themes frequently seen in sacred mountains. 358 00:20:24,840 --> 00:20:32,160 Speaker 1: So they are roughly height, center, power, God or God. 359 00:20:32,200 --> 00:20:34,080 Speaker 1: Either the mountains of God itself, where it is the 360 00:20:34,119 --> 00:20:36,720 Speaker 1: home of God's The mountain is a place of worship. 361 00:20:36,800 --> 00:20:40,040 Speaker 1: The mountain is a paradise or a garden. Um is 362 00:20:40,040 --> 00:20:42,840 Speaker 1: a place where the ancestors of the dead may reside, 363 00:20:43,160 --> 00:20:47,439 Speaker 1: a source of cultural identity, a source of healing, or 364 00:20:47,800 --> 00:20:50,440 Speaker 1: or just a source of water, which makes sense because 365 00:20:50,480 --> 00:20:54,600 Speaker 1: I mean help goes downhill exactly, and also as a 366 00:20:54,720 --> 00:20:59,320 Speaker 1: place of renewal. So these are again ten broad themes 367 00:20:59,680 --> 00:21:04,920 Speaker 1: that Embomb identifies in the identity and characterization of sacred mountains. 368 00:21:05,000 --> 00:21:07,400 Speaker 1: All right, well, we can look for these and examples 369 00:21:07,400 --> 00:21:09,400 Speaker 1: of mountains that we talk about. So maybe I'll offer 370 00:21:09,480 --> 00:21:11,399 Speaker 1: up one example of a mountain to think about, and 371 00:21:11,440 --> 00:21:13,520 Speaker 1: then maybe after that take a break and then look 372 00:21:13,520 --> 00:21:16,080 Speaker 1: at some others. Okay, but this first one is one 373 00:21:16,119 --> 00:21:19,280 Speaker 1: I mentioned in the episode where we talked about pressure, 374 00:21:19,359 --> 00:21:22,439 Speaker 1: because I think it's a commonly cited example of a 375 00:21:22,560 --> 00:21:26,040 Speaker 1: very important holy mountain that's holy in multiple religions, not 376 00:21:26,160 --> 00:21:29,320 Speaker 1: just one. Uh. And this would be the peaks. It's 377 00:21:29,320 --> 00:21:32,000 Speaker 1: a peak in the Himalayas, known as Mount Kailash or 378 00:21:32,040 --> 00:21:35,679 Speaker 1: Mount Kailasa uh. And so this is a holy mountain 379 00:21:35,680 --> 00:21:39,280 Speaker 1: in multiple religions. In Hinduism, this mountain is believed to 380 00:21:39,320 --> 00:21:42,399 Speaker 1: be the abode of Lord Shiva, the destroyer of evil, 381 00:21:42,520 --> 00:21:46,560 Speaker 1: and of his wife Parvadi, who together sit in meditation 382 00:21:46,800 --> 00:21:49,680 Speaker 1: at the summit of the mountain. And so the site 383 00:21:49,680 --> 00:21:53,440 Speaker 1: of Mount Kailash is a destination of pilgrimage for many Hindus, 384 00:21:53,480 --> 00:21:57,280 Speaker 1: who climb fifteen thousand feet or about four point six 385 00:21:57,359 --> 00:22:00,719 Speaker 1: kilometers up this ascent path to the bay of the mountain, 386 00:22:01,080 --> 00:22:04,800 Speaker 1: but do not climb its summit. In fact, climbing the 387 00:22:04,840 --> 00:22:08,119 Speaker 1: sacred summit is forbidden, and though while we can't know 388 00:22:08,200 --> 00:22:10,400 Speaker 1: for sure, it's often said that the summit has never 389 00:22:10,520 --> 00:22:14,720 Speaker 1: been climbed by a human uh. Instead, it's believed virtuous 390 00:22:14,760 --> 00:22:17,840 Speaker 1: for pilgrims to walk in a circle around the base 391 00:22:17,920 --> 00:22:20,080 Speaker 1: of the mountain, but not go up to the summit. 392 00:22:20,760 --> 00:22:22,640 Speaker 1: And this, of course is not just a holy site 393 00:22:22,640 --> 00:22:24,760 Speaker 1: for Hindus, as I was saying, but it's also holy 394 00:22:24,800 --> 00:22:28,880 Speaker 1: for Buddhists, for Jaynes, and for people of the indigenous 395 00:22:28,880 --> 00:22:32,000 Speaker 1: religion of Tibetan known as bone. Yes, a very ancient 396 00:22:32,320 --> 00:22:35,280 Speaker 1: animist religion. Yeah. Now, if you look at what a 397 00:22:35,320 --> 00:22:39,520 Speaker 1: picture of Mount Kailosh looks like from below, I mean 398 00:22:40,240 --> 00:22:42,760 Speaker 1: I would say, obviously I already know this about it 399 00:22:42,760 --> 00:22:45,000 Speaker 1: when I've seen pictures of it. But it's not hard 400 00:22:45,040 --> 00:22:49,399 Speaker 1: to see how a person looking up at this peak 401 00:22:49,480 --> 00:22:53,320 Speaker 1: would begin to think that something powerful and holy and 402 00:22:53,400 --> 00:22:57,359 Speaker 1: forbidden resided there. It does not look welcoming to assent 403 00:22:57,640 --> 00:23:00,480 Speaker 1: like it. It doesn't look easy to climb, And I 404 00:23:00,480 --> 00:23:02,840 Speaker 1: think there's something powerful about that to to like see 405 00:23:02,840 --> 00:23:06,680 Speaker 1: a place and think, especially today's day and age, to think, 406 00:23:07,600 --> 00:23:09,600 Speaker 1: I wonder if people have ever been on that spot, 407 00:23:09,600 --> 00:23:12,320 Speaker 1: as a person ever stood there, and if the answer 408 00:23:12,480 --> 00:23:15,560 Speaker 1: is even possibly no, there is something kind of sacred 409 00:23:15,560 --> 00:23:18,840 Speaker 1: about that. Like we've we've pretty much screwed everything else up, 410 00:23:19,080 --> 00:23:22,520 Speaker 1: but that one peak is is pristine. You will not 411 00:23:22,680 --> 00:23:27,520 Speaker 1: find a slim gym wrapper there. Yeah, and that does 412 00:23:27,560 --> 00:23:30,359 Speaker 1: seem important, right, I Mean part of the issue is, Uh, 413 00:23:31,040 --> 00:23:35,000 Speaker 1: anytime there's a mountain that people say has not been climbed, 414 00:23:35,040 --> 00:23:37,359 Speaker 1: obviously people are gonna want to climbate. So I've been 415 00:23:37,359 --> 00:23:40,320 Speaker 1: reading you know, there's political controversy over this. It's like 416 00:23:40,920 --> 00:23:43,879 Speaker 1: I think there was one point. I read a team 417 00:23:44,000 --> 00:23:47,080 Speaker 1: of Spanish mountain climbers who announced that they were going 418 00:23:47,119 --> 00:23:49,200 Speaker 1: to climb the mountain. But it's a it's a holy site, 419 00:23:49,240 --> 00:23:51,760 Speaker 1: you're not supposed to climb it. Uh. Even though I 420 00:23:51,800 --> 00:23:54,280 Speaker 1: think the team they were they were not Hindus or 421 00:23:54,840 --> 00:23:58,760 Speaker 1: so they didn't share this belief about the religious forbiddenness 422 00:23:58,840 --> 00:24:02,520 Speaker 1: of the mountaintop. The government authorities prevented them from climbing 423 00:24:02,560 --> 00:24:04,760 Speaker 1: the mountain. I think just because they wanted to avoid 424 00:24:04,840 --> 00:24:07,960 Speaker 1: this leading to unrest, or just two I guess, being 425 00:24:08,000 --> 00:24:10,399 Speaker 1: seen as an insult to people who believe that the 426 00:24:10,400 --> 00:24:13,160 Speaker 1: mountain should not be climbed. I mean, I do tend 427 00:24:13,200 --> 00:24:15,639 Speaker 1: to wonder if people just started climbing a mountain like 428 00:24:15,680 --> 00:24:18,000 Speaker 1: this all the time, would it kind of break the 429 00:24:18,040 --> 00:24:21,320 Speaker 1: spell of this story? Would it make people? Would it 430 00:24:21,440 --> 00:24:23,920 Speaker 1: make the mountains seem less holy? I don't know. That's 431 00:24:23,920 --> 00:24:26,359 Speaker 1: something to consider, And after we come back from this 432 00:24:26,440 --> 00:24:29,480 Speaker 1: next break, uh, we're going to take that consideration into 433 00:24:29,520 --> 00:24:34,159 Speaker 1: specific examples. Uh, not only with actual mountains and some 434 00:24:34,240 --> 00:24:36,320 Speaker 1: of the sacred ideas about them, but then will also 435 00:24:36,320 --> 00:24:39,600 Speaker 1: be looking at some some mythological and even fictional mountains 436 00:24:39,880 --> 00:24:42,680 Speaker 1: which I guess are kind of inherently safe from from 437 00:24:42,840 --> 00:24:47,880 Speaker 1: mountain climbers laundering where they're not supposed to be. Thank alright, 438 00:24:47,920 --> 00:24:50,760 Speaker 1: we're back. So we've been talking about holy mountains in 439 00:24:50,880 --> 00:24:54,040 Speaker 1: religious beliefs and myths around the world. Have you got 440 00:24:54,320 --> 00:24:57,160 Speaker 1: another example you wanted to talk about, Robert? Oh, yeah, here, 441 00:24:57,200 --> 00:24:59,119 Speaker 1: here a couple of good ones. I think, one of 442 00:24:59,119 --> 00:25:02,040 Speaker 1: course is Mountain ru. This is a great example of 443 00:25:02,080 --> 00:25:05,360 Speaker 1: a mythical holy mountain, one that serves as a world 444 00:25:05,400 --> 00:25:09,720 Speaker 1: access in Hindu, Jain Buddhist cosmology, for instance, in Tibetan 445 00:25:09,760 --> 00:25:13,440 Speaker 1: Mandala's uh. Uh these really you know, complex and important 446 00:25:13,440 --> 00:25:16,240 Speaker 1: works of art that are you know, all about conveying 447 00:25:16,920 --> 00:25:23,280 Speaker 1: visually conveying complex um theological ideas. Uh. You'll see Mountain 448 00:25:23,320 --> 00:25:26,239 Speaker 1: Marus sometimes situated as the center of things, surrounded by 449 00:25:26,280 --> 00:25:30,840 Speaker 1: seven oceans, seven concentric mountain ranges, and beyond these ranges 450 00:25:31,200 --> 00:25:35,720 Speaker 1: another ocean and islands. It's it's all an unreal geography, 451 00:25:35,840 --> 00:25:39,240 Speaker 1: you know, and in that a very sacred and symbolic geography, 452 00:25:39,280 --> 00:25:45,080 Speaker 1: a spatial representation of a rich and complex cosmology. Uh 453 00:25:45,119 --> 00:25:48,119 Speaker 1: In in a similar frame of mind, and this is 454 00:25:48,160 --> 00:25:50,359 Speaker 1: a one that's this is completely fictional. It's not a 455 00:25:50,359 --> 00:25:54,520 Speaker 1: part of anybody's mythology. But if you're familiar with the 456 00:25:54,640 --> 00:25:58,119 Speaker 1: Dante's Divine Comedy, we of course have the three books 457 00:25:58,200 --> 00:26:01,560 Speaker 1: right where we begin with the Erno, we have an 458 00:26:01,720 --> 00:26:05,600 Speaker 1: eventually in book three wind up in paradise. But to 459 00:26:05,680 --> 00:26:09,040 Speaker 1: get there, uh, Dante and Virgil have to scale the 460 00:26:09,040 --> 00:26:14,440 Speaker 1: amount of purgatory. Oh uh, the the the the earthly purgatory. 461 00:26:14,840 --> 00:26:18,200 Speaker 1: So this is a mountain that is uh, that extends 462 00:26:18,320 --> 00:26:21,639 Speaker 1: from earth to the threshold of heaven. And at the 463 00:26:21,800 --> 00:26:24,720 Speaker 1: very top of the mountain, at the very peak, that's 464 00:26:24,720 --> 00:26:29,240 Speaker 1: where the earthly paradise is located, the Eden of the 465 00:26:29,280 --> 00:26:32,400 Speaker 1: of the Old Testament in Christian traditions. Okay, so this 466 00:26:32,480 --> 00:26:35,159 Speaker 1: does uh, this makes more sense also if you know 467 00:26:35,280 --> 00:26:39,120 Speaker 1: something about like medieval Catholic theology, right, which which had 468 00:26:39,160 --> 00:26:43,000 Speaker 1: this belief in the idea of purgatory where it wasn't hell. 469 00:26:43,080 --> 00:26:45,960 Speaker 1: You know, you weren't condemned there forever, but you were 470 00:26:46,000 --> 00:26:48,560 Speaker 1: basically a good Christian, but you did some sins that 471 00:26:48,640 --> 00:26:50,679 Speaker 1: were not atoned for, and so you have to go 472 00:26:50,720 --> 00:26:54,000 Speaker 1: to purgatory before you can get to heaven. Right, So 473 00:26:54,080 --> 00:26:57,560 Speaker 1: you spend some time there in you know, it's not hell, 474 00:26:57,680 --> 00:27:00,640 Speaker 1: but it's not nice. It's not pleasant, uh, And you're 475 00:27:00,680 --> 00:27:03,960 Speaker 1: stuck there until you essentially serve out your sentence, you're 476 00:27:04,040 --> 00:27:06,600 Speaker 1: purified of your sin, and then you can be admitted 477 00:27:06,640 --> 00:27:10,679 Speaker 1: into Heaven. Right. It is a literary symbolic representation of 478 00:27:10,800 --> 00:27:17,600 Speaker 1: penitent Christian life. Um. Again, no one holds that the 479 00:27:17,600 --> 00:27:20,239 Speaker 1: amount of Purgatory is a real place. They didn't very 480 00:27:20,320 --> 00:27:24,320 Speaker 1: much a part of the literature here, but it does 481 00:27:24,440 --> 00:27:26,760 Speaker 1: serve as kind of a nice example of some of 482 00:27:26,800 --> 00:27:31,200 Speaker 1: the same ideas of mythological holy mountains. Well, one thing 483 00:27:31,240 --> 00:27:35,800 Speaker 1: I do like about the idea of of holy mountains, 484 00:27:35,840 --> 00:27:40,000 Speaker 1: including Purgatory, actually the amount of Purgatory, is that they 485 00:27:40,040 --> 00:27:43,480 Speaker 1: do seem like an indication of older versions of religion 486 00:27:43,640 --> 00:27:47,240 Speaker 1: that were more that could be situated on earth, because 487 00:27:47,240 --> 00:27:49,119 Speaker 1: there were lots of parts of Earth that we didn't 488 00:27:49,119 --> 00:27:52,760 Speaker 1: know about, right, you know, So like Dante could say, well, yes, 489 00:27:52,840 --> 00:27:55,679 Speaker 1: you can enter Hell through a cave here and you 490 00:27:55,720 --> 00:27:57,639 Speaker 1: go down, then you can go up the mountain of 491 00:27:57,640 --> 00:28:00,359 Speaker 1: Purgatory and that's over here, and that would be okay, 492 00:28:00,440 --> 00:28:02,440 Speaker 1: because you know, there was lots of the earth that 493 00:28:02,520 --> 00:28:05,040 Speaker 1: he didn't know what was there. You could just assume 494 00:28:05,080 --> 00:28:09,920 Speaker 1: it's somewhere undiscovered. Now, there of course plenty of actual 495 00:28:09,960 --> 00:28:13,040 Speaker 1: mountains that are considered sacred, either by association with a 496 00:28:13,080 --> 00:28:15,359 Speaker 1: mythical world mountain. You see that from time to time, 497 00:28:15,359 --> 00:28:19,240 Speaker 1: where there's a mythological mountain and then a nearby mountain 498 00:28:19,240 --> 00:28:22,280 Speaker 1: becomes associated with the same ze, same ideas through traditions, 499 00:28:22,760 --> 00:28:24,800 Speaker 1: and then if we if we, as we have explored 500 00:28:24,840 --> 00:28:27,520 Speaker 1: in past episodes, there's also the added dimensions of various 501 00:28:27,600 --> 00:28:31,920 Speaker 1: pyramids and zigarrots that have been constructed as a sort 502 00:28:31,920 --> 00:28:34,720 Speaker 1: of artificial mountain, allowing the people who built them to 503 00:28:34,760 --> 00:28:40,080 Speaker 1: participate in mountaintops sacred rights and observances in some cases 504 00:28:40,400 --> 00:28:45,840 Speaker 1: in regions where such peaks are are not readily available. 505 00:28:46,040 --> 00:28:48,040 Speaker 1: Well yeah, and just like in the case, say, like 506 00:28:48,160 --> 00:28:50,680 Speaker 1: in Mount Kailosh, where it is believed that Lord Shiva 507 00:28:50,680 --> 00:28:54,440 Speaker 1: and Parvati are dwell on top of the mountain. The ziggurat, 508 00:28:54,680 --> 00:28:57,760 Speaker 1: I think is interpreted by many modern scholars to have 509 00:28:57,920 --> 00:29:00,360 Speaker 1: been thought to be a home of the God by 510 00:29:00,360 --> 00:29:02,120 Speaker 1: the people who use them, so like that maybe the 511 00:29:02,120 --> 00:29:04,960 Speaker 1: priests would go up there and do some kind of right, 512 00:29:05,000 --> 00:29:07,000 Speaker 1: but it was also believed that the God would come 513 00:29:07,040 --> 00:29:09,040 Speaker 1: down and like sleep the night on the top of 514 00:29:09,040 --> 00:29:11,640 Speaker 1: the zigguratte or might maybe even live there for some 515 00:29:11,760 --> 00:29:15,520 Speaker 1: period absolutely, uh, you know, and another quick thing I 516 00:29:15,520 --> 00:29:18,400 Speaker 1: want to mention and looking at at various mountain myths, 517 00:29:18,440 --> 00:29:22,240 Speaker 1: I noticed that, you know, primordial beings often form mountains 518 00:29:22,240 --> 00:29:24,480 Speaker 1: out of the soil, or as we mentioned earlier, they 519 00:29:24,520 --> 00:29:28,600 Speaker 1: they their bodies or the bodies of loved ones become 520 00:29:28,640 --> 00:29:33,640 Speaker 1: the mountains. And you know, it's it's easy to sort 521 00:29:33,680 --> 00:29:36,720 Speaker 1: of take the formation of mountains for granted, with even 522 00:29:36,760 --> 00:29:41,920 Speaker 1: just sort of a you know, um, a casual understanding 523 00:29:42,000 --> 00:29:46,280 Speaker 1: of say, plectictonics and so forth. Basically, you know, just 524 00:29:46,360 --> 00:29:51,080 Speaker 1: a surface level understanding of geology. But imagine trying to 525 00:29:51,120 --> 00:29:53,400 Speaker 1: understand what a mountain was if you really had no 526 00:29:53,480 --> 00:29:56,080 Speaker 1: idea about any of these things. I mean, unless you 527 00:29:57,040 --> 00:30:01,360 Speaker 1: we're witnessed to volcanic eruption. Um, you know there there 528 00:30:01,360 --> 00:30:05,000 Speaker 1: there are no mountain formation processes that are going to 529 00:30:05,040 --> 00:30:08,800 Speaker 1: be readily observable, and so it makes as much sense 530 00:30:08,800 --> 00:30:11,200 Speaker 1: of anything to turn to some of these, uh, these 531 00:30:11,320 --> 00:30:16,720 Speaker 1: these purely mythological and cosmic explanations from why they are there. Well, 532 00:30:16,760 --> 00:30:18,520 Speaker 1: you can get even weirder with it. I mean, one 533 00:30:18,560 --> 00:30:21,000 Speaker 1: of my favorite examples. Is the coolest place I've ever 534 00:30:21,040 --> 00:30:24,720 Speaker 1: been the Mount Stephen trilobite beds up in Britain. Mount Stephen, 535 00:30:24,720 --> 00:30:28,760 Speaker 1: British Columbia, which is part of the Burgess Shale formation 536 00:30:28,800 --> 00:30:31,600 Speaker 1: that I went to a couple of years ago. And 537 00:30:31,720 --> 00:30:35,480 Speaker 1: so you try to imagine that, not having a any 538 00:30:35,520 --> 00:30:38,240 Speaker 1: kind of scientific understanding, you go up a mountain and 539 00:30:38,280 --> 00:30:41,400 Speaker 1: then up near the top there's just like a cliff 540 00:30:41,480 --> 00:30:45,320 Speaker 1: where pieces of rock or shearing off and they've got 541 00:30:45,360 --> 00:30:49,600 Speaker 1: the imprints of strange undersea monsters on them, and it's 542 00:30:49,640 --> 00:30:52,400 Speaker 1: like you'd have no idea of figuring out how so 543 00:30:52,480 --> 00:30:55,960 Speaker 1: this once was sedimentary rock at the bottom of an 544 00:30:55,960 --> 00:30:59,320 Speaker 1: ocean and it has been pushed up and made into 545 00:30:59,320 --> 00:31:02,720 Speaker 1: a mountain over hundreds of millions of years. Yeah, even 546 00:31:02,760 --> 00:31:07,200 Speaker 1: knowing the geological geological processes in in place here, it's 547 00:31:07,200 --> 00:31:10,280 Speaker 1: still amazing to behold and well beyond the scope of 548 00:31:10,640 --> 00:31:13,840 Speaker 1: human lifetime and and uh and really sort of natural 549 00:31:13,920 --> 00:31:17,640 Speaker 1: human perception. Absolutely so, just to them to run through 550 00:31:17,680 --> 00:31:19,800 Speaker 1: some more examples here holy mountains that can kind of 551 00:31:19,840 --> 00:31:23,240 Speaker 1: give a nice overview of some of these different different ideas. 552 00:31:23,960 --> 00:31:29,040 Speaker 1: I was reading about the denhe Bane, the Navajo creation 553 00:31:29,120 --> 00:31:32,920 Speaker 1: myth um complete with the creation and recreation of the 554 00:31:32,960 --> 00:31:37,200 Speaker 1: sacred mountains across five worlds. So that involves the idea 555 00:31:37,240 --> 00:31:39,760 Speaker 1: that four other worlds preceded the one that we live 556 00:31:39,800 --> 00:31:41,719 Speaker 1: in now. And this is an idea that pops up 557 00:31:41,720 --> 00:31:46,680 Speaker 1: in various Meso American and Native American religions. For the Aztecs, 558 00:31:47,120 --> 00:31:50,720 Speaker 1: uh kawata Peck served as the mythical sacred mountain the 559 00:31:50,760 --> 00:31:56,480 Speaker 1: serpent Mountain Uh in their mythical homeland of Asplan, and 560 00:31:56,560 --> 00:32:02,480 Speaker 1: according to Nicoletta mastri On thought Co, the Great Temple 561 00:32:02,480 --> 00:32:05,200 Speaker 1: of Tactalan is thought to be a replica of this 562 00:32:05,280 --> 00:32:10,280 Speaker 1: holy mountain. So another example of recreating the holy mountain. 563 00:32:10,400 --> 00:32:14,040 Speaker 1: An artificial holy mountain created uh, you know, in the 564 00:32:14,240 --> 00:32:19,560 Speaker 1: likeness of a mythological form. In Norse mythology, human Bjorg 565 00:32:19,880 --> 00:32:23,480 Speaker 1: is the mountain where the by frost connects Asgard and 566 00:32:23,640 --> 00:32:27,080 Speaker 1: mid Guard Uh. This is home of the god him Doll. 567 00:32:27,640 --> 00:32:30,560 Speaker 1: And then there's also perhaps that the less famous near Borg. 568 00:32:31,120 --> 00:32:34,920 Speaker 1: This is the hiding place of the meat of poetry. 569 00:32:35,640 --> 00:32:39,440 Speaker 1: Mount Fuji is important in Japanese culture. It represents, according 570 00:32:39,480 --> 00:32:42,720 Speaker 1: to burn Baum quote quest for beauty and simplicity that 571 00:32:42,880 --> 00:32:45,920 Speaker 1: lies at the heart of Japanese culture, and I think, yeah, 572 00:32:45,920 --> 00:32:48,400 Speaker 1: Mount Fuji Is is one of these examples that like 573 00:32:48,520 --> 00:32:51,760 Speaker 1: it's it's a cultural it's part of its cultural pride, 574 00:32:51,840 --> 00:32:54,360 Speaker 1: like it is a part of the natural geography that 575 00:32:54,360 --> 00:32:56,240 Speaker 1: people can take pride in and find a sense of 576 00:32:56,280 --> 00:32:58,960 Speaker 1: identity in one thing. I think every time I see 577 00:32:59,000 --> 00:33:01,080 Speaker 1: an image of Mount fuji Is it just looks very 578 00:33:01,160 --> 00:33:06,320 Speaker 1: visually perfect, is very like gracefully sloped and symmetrical, kind 579 00:33:06,360 --> 00:33:10,440 Speaker 1: of like it is a work of art. Yeah, yeah, exactly. Yeah. 580 00:33:10,480 --> 00:33:14,000 Speaker 1: If you go to Tanzania, you will find Mount Kilimanjaro, 581 00:33:14,560 --> 00:33:19,680 Speaker 1: and some of the Chaga people of that region, their 582 00:33:19,720 --> 00:33:23,000 Speaker 1: myths and beliefs about the dormant volcano hold that it 583 00:33:23,000 --> 00:33:28,240 Speaker 1: contains gateways to the spirit world. In Chinese mythology, though, 584 00:33:28,240 --> 00:33:31,160 Speaker 1: there are a few different holy mountains of note. One 585 00:33:31,520 --> 00:33:36,320 Speaker 1: is Mount Bougeo or BuJo Shan, and it's associated with 586 00:33:36,480 --> 00:33:39,600 Speaker 1: the Pamir mountains in Central Asia, and it's one of 587 00:33:39,640 --> 00:33:42,760 Speaker 1: the sky pillars holding up the heavens. And again there 588 00:33:42,840 --> 00:33:46,200 Speaker 1: is a mountain trope found in various cultures. Uh, there's 589 00:33:46,600 --> 00:33:48,760 Speaker 1: a myth in which it was damaged by the water 590 00:33:48,880 --> 00:33:53,680 Speaker 1: god gong Gong in his ancient battle for supremacy against 591 00:33:53,720 --> 00:33:57,720 Speaker 1: the Yellow Emperor, and then after the Yellow Emperor's victory, 592 00:33:58,240 --> 00:34:03,440 Speaker 1: the goddess Nuah had repair the damage. But in Chinese 593 00:34:03,520 --> 00:34:08,200 Speaker 1: myth the the the Kunlon Mountain is perhaps the most important, 594 00:34:08,719 --> 00:34:11,799 Speaker 1: as described in the excellent Handbook of Chinese Mythology by 595 00:34:11,880 --> 00:34:14,680 Speaker 1: yang On and Turner. Uh, it is not only a 596 00:34:14,760 --> 00:34:17,880 Speaker 1: key pillar of the sky but also on abode of 597 00:34:17,960 --> 00:34:21,080 Speaker 1: gods and immortals. And there are really a lot of 598 00:34:21,120 --> 00:34:25,880 Speaker 1: descriptions of it, and it's various fountains, magical trees, magical animals. 599 00:34:26,120 --> 00:34:30,600 Speaker 1: It's really an entire sacred ecology unto itself. And if 600 00:34:30,600 --> 00:34:34,360 Speaker 1: there's a particular magical plant, magical item, or sacred water 601 00:34:34,480 --> 00:34:38,759 Speaker 1: that you wish to obtain uh, then Uh Kunlon is 602 00:34:38,800 --> 00:34:42,520 Speaker 1: the place you'll find it. Yeah, it's it's it's everything 603 00:34:42,680 --> 00:34:45,960 Speaker 1: it includes Uh. It holds, for instance, the Sweet Spring 604 00:34:46,120 --> 00:34:49,160 Speaker 1: and Emerald Lake, the Pearl tree, the Jade tree, the 605 00:34:49,200 --> 00:34:53,360 Speaker 1: tree of Immortality, Sinnabar River, which prevents death if you 606 00:34:53,440 --> 00:34:57,640 Speaker 1: drink it, uh, the weak river where nothing floats. Um. 607 00:34:57,800 --> 00:35:00,920 Speaker 1: So it has has all the magical items. Just scaling 608 00:35:00,960 --> 00:35:04,319 Speaker 1: it and uh and scaling to the appropriate terraces on 609 00:35:04,360 --> 00:35:08,239 Speaker 1: the mountain, according to some traditions, means that you can 610 00:35:08,600 --> 00:35:13,719 Speaker 1: take on divine powers yourself over natural forces, perhaps acquire immortality, 611 00:35:13,840 --> 00:35:18,040 Speaker 1: or even take on spirit status yourself, again, provided you 612 00:35:18,080 --> 00:35:20,600 Speaker 1: know where to climb and you can survive the dangers. 613 00:35:21,520 --> 00:35:24,960 Speaker 1: Various important mythic events are sometimes set on the mountain, 614 00:35:25,320 --> 00:35:29,239 Speaker 1: including the goddess Nua's marriage to her brother and the 615 00:35:29,280 --> 00:35:32,839 Speaker 1: subsequent population of the world. So again that's just there's 616 00:35:32,880 --> 00:35:35,879 Speaker 1: just a few examples. There's so many other sacred mountains 617 00:35:36,000 --> 00:35:38,600 Speaker 1: um that that we didn't You either didn't have time 618 00:35:38,640 --> 00:35:42,360 Speaker 1: to include or just didn't have time to research. But again, 619 00:35:42,800 --> 00:35:44,960 Speaker 1: if we left one out that you're particularly fond of 620 00:35:45,160 --> 00:35:48,600 Speaker 1: or you've visited yourself, certainly right into us. Well, and 621 00:35:48,719 --> 00:35:52,800 Speaker 1: these I would point out are just the sacred mountains 622 00:35:52,840 --> 00:35:57,879 Speaker 1: that have accumulated like myths with staying power over theres 623 00:35:57,920 --> 00:36:00,319 Speaker 1: because I would say there are a number were of 624 00:36:00,480 --> 00:36:05,560 Speaker 1: now pretty well observed phenomena that would under normal circumstances 625 00:36:05,680 --> 00:36:09,080 Speaker 1: be creating new sacred mountain myths all the time, and 626 00:36:09,120 --> 00:36:11,239 Speaker 1: maybe we should explore that when we come back from 627 00:36:11,239 --> 00:36:16,560 Speaker 1: a break. Than alright, we're back, we've discussed all these 628 00:36:16,800 --> 00:36:22,040 Speaker 1: mythological ideas about about mountains and sacred mountains. But well, 629 00:36:22,120 --> 00:36:25,680 Speaker 1: let's get into some more recent accounts that shed light 630 00:36:25,840 --> 00:36:29,520 Speaker 1: on some of the things that are happening when humans 631 00:36:29,600 --> 00:36:31,640 Speaker 1: go to great heights. All right, so I want to 632 00:36:31,640 --> 00:36:35,440 Speaker 1: talk about an English mountaineer named Frank Smythe, who was 633 00:36:35,600 --> 00:36:38,960 Speaker 1: famous and accomplished as a climber in his day, and 634 00:36:39,000 --> 00:36:42,680 Speaker 1: in nineteen thirty three he attempted to reach the summit 635 00:36:42,719 --> 00:36:46,080 Speaker 1: of Mount Everest and if he had been successful, he 636 00:36:46,080 --> 00:36:48,319 Speaker 1: would have been the first person in history to do it. 637 00:36:48,440 --> 00:36:51,719 Speaker 1: But he failed. He fell short by only about three 638 00:36:51,840 --> 00:36:54,640 Speaker 1: hundred meters or a thousand feet, which I'm sure is 639 00:36:54,719 --> 00:36:57,080 Speaker 1: very frustrating when you know you're that close and you 640 00:36:57,120 --> 00:36:59,000 Speaker 1: can see it and you can't make it up. But 641 00:36:59,719 --> 00:37:02,600 Speaker 1: of once you hit those kind of altitudes, you're facing 642 00:37:02,600 --> 00:37:04,520 Speaker 1: a lot of problems. And number one, he would have 643 00:37:04,520 --> 00:37:09,080 Speaker 1: been climbing without oxygen assistance. This is something that climbers 644 00:37:09,120 --> 00:37:14,759 Speaker 1: today obviously benefit from um But Smythe described in a 645 00:37:15,000 --> 00:37:20,280 Speaker 1: first hand account after this experience a strange set of 646 00:37:20,440 --> 00:37:24,640 Speaker 1: things that he saw and and felt while he was 647 00:37:24,800 --> 00:37:27,399 Speaker 1: alone on this climb. So I just wanted to read 648 00:37:27,440 --> 00:37:31,400 Speaker 1: a few sections from a from a piece that Smythe 649 00:37:31,400 --> 00:37:35,720 Speaker 1: wrote called mirages at twenty eight thousand feet. Smythe wrote quote, 650 00:37:36,239 --> 00:37:40,960 Speaker 1: during my solitary climb, too curious phenomena were experienced. It 651 00:37:41,080 --> 00:37:44,439 Speaker 1: is with great diffidence that I described them, and then 652 00:37:44,600 --> 00:37:48,840 Speaker 1: only at rutledge. Is the the expedition leader's request. I 653 00:37:48,920 --> 00:37:51,880 Speaker 1: prefer to draw no inferences from them, and merely to 654 00:37:52,000 --> 00:37:54,719 Speaker 1: describe them. The first was one that is by no 655 00:37:54,800 --> 00:37:57,640 Speaker 1: means unique, and has been experienced in the past by 656 00:37:57,680 --> 00:38:01,880 Speaker 1: solitary wanderers, now not only in mountains, but on desert 657 00:38:01,960 --> 00:38:05,920 Speaker 1: wastes and in polar regions. All the time that I 658 00:38:06,000 --> 00:38:09,759 Speaker 1: was climbing alone, I had a strong feeling that I 659 00:38:09,840 --> 00:38:14,879 Speaker 1: was accompanied by a second person. This feeling was so 660 00:38:14,920 --> 00:38:19,279 Speaker 1: strong that it completely eliminated all loneliness I might otherwise 661 00:38:19,280 --> 00:38:22,600 Speaker 1: have felt. It even seemed that I was tied to 662 00:38:22,680 --> 00:38:26,320 Speaker 1: my companion by our rope, and that if I slipped, 663 00:38:26,440 --> 00:38:30,440 Speaker 1: he would hold me. I remember constantly glancing back over 664 00:38:30,480 --> 00:38:33,960 Speaker 1: my shoulder, and once, when after reaching my highest point, 665 00:38:34,280 --> 00:38:37,160 Speaker 1: I stopped to try and eat some mint cake, I 666 00:38:37,239 --> 00:38:40,520 Speaker 1: carefully divided it and turned around with one half in 667 00:38:40,600 --> 00:38:43,640 Speaker 1: my hand. It was almost a shock to find no 668 00:38:43,719 --> 00:38:46,359 Speaker 1: one to whom to give it. It seemed to me 669 00:38:46,440 --> 00:38:49,839 Speaker 1: that this presence was a strong, helpful and friendly one, 670 00:38:50,160 --> 00:38:52,960 Speaker 1: and it was not until Camp six was cited that 671 00:38:53,000 --> 00:38:55,720 Speaker 1: the link connecting me, as it seemed at the time, 672 00:38:56,040 --> 00:38:59,719 Speaker 1: to the beyond was snapped, and although shipped in and 673 00:38:59,800 --> 00:39:02,800 Speaker 1: the camp were but a few yards away, I suddenly 674 00:39:02,960 --> 00:39:06,040 Speaker 1: felt alone. The second phenomenon may or may not have 675 00:39:06,080 --> 00:39:09,560 Speaker 1: been an optical illusion. Personally, I am convinced that it 676 00:39:09,680 --> 00:39:12,200 Speaker 1: was not. I was still some two hundred feet above 677 00:39:12,280 --> 00:39:15,960 Speaker 1: Camp six and a considerable distance horizontally from it, when 678 00:39:16,320 --> 00:39:18,640 Speaker 1: chancing to glance in the direction of the north ridge, 679 00:39:18,680 --> 00:39:22,080 Speaker 1: I saw two curious looking objects floating in the sky. 680 00:39:22,239 --> 00:39:25,680 Speaker 1: They strongly resembled kite balloons in shape, but one possessed 681 00:39:25,680 --> 00:39:28,799 Speaker 1: what appeared to be squat underdeveloped wings, and the other 682 00:39:28,880 --> 00:39:32,799 Speaker 1: a protuberant suggestive of a beak. They hovered motionless, but 683 00:39:32,880 --> 00:39:36,799 Speaker 1: seemed slowly to pulsate, a pulsation incidentally much slower than 684 00:39:36,800 --> 00:39:39,640 Speaker 1: my own heartbeats, which is of interest supposing that it 685 00:39:39,680 --> 00:39:42,680 Speaker 1: was an optical illusion. The two objects were very dark 686 00:39:42,680 --> 00:39:45,840 Speaker 1: in color and were silhouetted sharply against the sky or 687 00:39:45,880 --> 00:39:49,920 Speaker 1: possibly a background of clouds. So interested was I that 688 00:39:50,000 --> 00:39:52,719 Speaker 1: I stopped to observe them. My brain appeared to be 689 00:39:52,760 --> 00:39:55,560 Speaker 1: working normally, and I deliberately put myself through a series 690 00:39:55,600 --> 00:39:58,520 Speaker 1: of tests. First of all, I glanced away. The objects 691 00:39:58,520 --> 00:40:00,759 Speaker 1: did not follow my vision, but they were still there 692 00:40:00,760 --> 00:40:04,560 Speaker 1: when I looked back again. Then I looked away again, 693 00:40:04,760 --> 00:40:08,720 Speaker 1: and this time identified by name a number of peaks, valleys, 694 00:40:08,719 --> 00:40:11,520 Speaker 1: and glaciers by way of a mental test. But when 695 00:40:11,520 --> 00:40:14,359 Speaker 1: I looked back again, the objects still confronted me. At 696 00:40:14,400 --> 00:40:16,759 Speaker 1: this I gave them up as a bad job. But 697 00:40:16,880 --> 00:40:19,200 Speaker 1: just as I was starting to move again, a mist 698 00:40:19,280 --> 00:40:23,440 Speaker 1: suddenly drifted across. Gradually, they disappeared behind it, and when 699 00:40:23,480 --> 00:40:26,160 Speaker 1: a minute or two later it had drifted clear, exposing 700 00:40:26,440 --> 00:40:29,600 Speaker 1: the whole of the north Ridge once more, they had vanished, 701 00:40:29,640 --> 00:40:36,759 Speaker 1: as mysteriously as they came. Strange experiences when climbing Everest alone. Now, 702 00:40:36,920 --> 00:40:40,560 Speaker 1: this third man syndrome in particular is not at all 703 00:40:40,680 --> 00:40:43,920 Speaker 1: unique to Smile, as he points out, In fact, reports 704 00:40:43,960 --> 00:40:47,600 Speaker 1: like this come from many people in lonely struggles where 705 00:40:47,640 --> 00:40:51,000 Speaker 1: survival seems to be at risk. Uh. There were reports 706 00:40:51,120 --> 00:40:54,600 Speaker 1: from the Ernest Shackleton expedition through Antarctica in nineteen sixteen 707 00:40:54,680 --> 00:40:58,359 Speaker 1: that they often believe there to be another companion among them. 708 00:40:59,400 --> 00:41:01,920 Speaker 1: There was one piece in the British Medical Journal in 709 00:41:01,960 --> 00:41:04,799 Speaker 1: two thousand and eight where a doctor and so this 710 00:41:04,880 --> 00:41:07,560 Speaker 1: is much more recent, where a doctor and mountain climber 711 00:41:07,640 --> 00:41:11,840 Speaker 1: named Jeremy Windsor described his own firsthand experiences of this 712 00:41:11,960 --> 00:41:15,240 Speaker 1: kind when he was climbing Mount Everest. He wrote quote, 713 00:41:15,719 --> 00:41:19,240 Speaker 1: I first met Jimmy on the balcony, a cold, wind 714 00:41:19,280 --> 00:41:22,520 Speaker 1: swept snow shelf, high up on the southeast ridge of 715 00:41:22,560 --> 00:41:25,920 Speaker 1: Mount Everest, at an altitude of more than eight thousand, 716 00:41:25,960 --> 00:41:29,640 Speaker 1: two hundred meters. Our introduction had been brief, with little 717 00:41:29,680 --> 00:41:32,360 Speaker 1: more than a muffled hello and a few words of 718 00:41:32,440 --> 00:41:36,640 Speaker 1: encouragement passing between us over my right shoulder. Obscured by 719 00:41:36,680 --> 00:41:39,279 Speaker 1: the bulky oxygen mask and the rim of down that 720 00:41:39,400 --> 00:41:42,240 Speaker 1: smothered my face, I was sure I could see Jimmy 721 00:41:42,280 --> 00:41:45,800 Speaker 1: moving lightly in the darkness, but despite him remaining close 722 00:41:45,840 --> 00:41:47,960 Speaker 1: by me for the rest of the day, I didn't 723 00:41:47,960 --> 00:41:51,640 Speaker 1: see him again. At the time, it hadn't worried me. Instead, 724 00:41:51,680 --> 00:41:54,600 Speaker 1: I was warmed by the thought of human company, and 725 00:41:54,640 --> 00:41:58,000 Speaker 1: too breathless to question what seemed so real. If the 726 00:41:58,040 --> 00:42:00,640 Speaker 1: truth be told in my thoughts were really nothing more 727 00:42:00,680 --> 00:42:04,360 Speaker 1: than brief flickers of images or sounds that vanished with 728 00:42:04,440 --> 00:42:07,600 Speaker 1: the onset of each new breath. So once again a 729 00:42:07,680 --> 00:42:12,640 Speaker 1: mysterious other accompanying someone as they scale great heights. Yeah, 730 00:42:12,719 --> 00:42:14,400 Speaker 1: and so in the middle of this, I was actually 731 00:42:14,440 --> 00:42:18,440 Speaker 1: reading an NPR article about this phenomenon that reminded me 732 00:42:18,640 --> 00:42:21,759 Speaker 1: of a haunting passage in the fifth section of T. S. 733 00:42:21,800 --> 00:42:24,880 Speaker 1: Eliot's The Waste Land. That's the section entitled what the 734 00:42:24,880 --> 00:42:28,200 Speaker 1: Thunder Said, which is an idea taken from the Upanishads. 735 00:42:29,480 --> 00:42:31,759 Speaker 1: But of course that already implies the idea of like 736 00:42:31,840 --> 00:42:34,440 Speaker 1: hearing voices coming from something other than people, you know, 737 00:42:34,480 --> 00:42:38,200 Speaker 1: hearing voices in the thunder, but it mentioned something like 738 00:42:38,320 --> 00:42:42,239 Speaker 1: this other companion, or what's known as third man syndrome 739 00:42:42,360 --> 00:42:45,600 Speaker 1: or third man factor. And I went back and reread 740 00:42:45,640 --> 00:42:47,920 Speaker 1: this section of the poem, and it was really interesting. 741 00:42:47,960 --> 00:42:51,080 Speaker 1: Given what we're discussing here. It's talking about a journey 742 00:42:51,080 --> 00:42:54,400 Speaker 1: through the mountains. I'm not sure exactly who's making this 743 00:42:54,480 --> 00:42:57,359 Speaker 1: journey in the context of the poem maybe kind of disembodied. 744 00:42:57,400 --> 00:43:00,359 Speaker 1: It might be implied that this journey is part of 745 00:43:00,360 --> 00:43:02,600 Speaker 1: the search for the Holy Grail, which is a part 746 00:43:02,600 --> 00:43:04,799 Speaker 1: of that poem. But but I could be wrong about that, 747 00:43:05,320 --> 00:43:07,759 Speaker 1: And it's got this idea of the experience of an 748 00:43:07,800 --> 00:43:12,000 Speaker 1: unseen third companion. So Elliott writes, here is no water, 749 00:43:12,080 --> 00:43:15,479 Speaker 1: but only rock, rock, and no water in the sandy road, 750 00:43:15,800 --> 00:43:19,200 Speaker 1: the road winding above among the mountains, which are mountains 751 00:43:19,200 --> 00:43:22,040 Speaker 1: of rock without water. If there were water, we should 752 00:43:22,040 --> 00:43:25,560 Speaker 1: stop and drink. Amongst the rock, one cannot stop or think. 753 00:43:26,000 --> 00:43:28,799 Speaker 1: Sweat is dry, and feet are in the sand. If 754 00:43:28,840 --> 00:43:32,480 Speaker 1: there were only water amongst the rock, dead mountain, mouth 755 00:43:32,560 --> 00:43:36,840 Speaker 1: of curious teeth that cannot spit. Here one can neither stand, 756 00:43:36,960 --> 00:43:40,040 Speaker 1: nor line, nor sit. There is not even silence in 757 00:43:40,080 --> 00:43:44,239 Speaker 1: the mountains, but dry, sterile thunder without rain. There is 758 00:43:44,280 --> 00:43:48,120 Speaker 1: not even solitude in the mountains, but red sullen faces, 759 00:43:48,200 --> 00:43:52,560 Speaker 1: sneer and snarl from doors of mud cracked houses. And 760 00:43:52,600 --> 00:43:55,480 Speaker 1: then a little bit further down, Elliott says, who is 761 00:43:55,520 --> 00:43:58,520 Speaker 1: the third who walks always beside you? When I count, 762 00:43:58,640 --> 00:44:00,879 Speaker 1: there were only you and I t other. But when 763 00:44:00,920 --> 00:44:03,560 Speaker 1: I look ahead up the white road, there is always 764 00:44:03,600 --> 00:44:08,360 Speaker 1: another one walking beside you, gliding wrapped in a brown mantle, hooded. 765 00:44:08,680 --> 00:44:11,000 Speaker 1: I do not know whether a man or woman, But 766 00:44:11,160 --> 00:44:13,520 Speaker 1: who is that on the other side of you. Now, 767 00:44:13,520 --> 00:44:17,160 Speaker 1: of course Elliott is writing before Smith. I think this 768 00:44:17,200 --> 00:44:19,680 Speaker 1: is in the early nineteen twenties, so Elliot's writing before 769 00:44:19,719 --> 00:44:22,600 Speaker 1: Smyth's account is published or any of that. So this 770 00:44:22,800 --> 00:44:25,239 Speaker 1: is a phenomenon that had already been observed, but it 771 00:44:25,239 --> 00:44:29,680 Speaker 1: seems to be especially common among mountain climbers, and it's 772 00:44:29,719 --> 00:44:33,040 Speaker 1: not the only strange perceptual anomaly that's often reported by 773 00:44:33,080 --> 00:44:36,880 Speaker 1: mountain climbers. Think also of Smyth's second phenomenon, where he 774 00:44:36,920 --> 00:44:39,880 Speaker 1: witnesses what you were reading about, Robert, the strange floating 775 00:44:39,960 --> 00:44:43,520 Speaker 1: balloon creatures that uh, they were just up there over 776 00:44:43,560 --> 00:44:47,440 Speaker 1: the peak. And so it's extremely common for mountain climbers 777 00:44:47,440 --> 00:44:53,200 Speaker 1: to report strange experiences, perceptions, mystical encounters in the pursuit 778 00:44:53,239 --> 00:44:57,600 Speaker 1: of high mountain peaks. And obviously, given these modern accounts, 779 00:44:58,200 --> 00:45:01,319 Speaker 1: it's not hard at all to to imagine that they 780 00:45:01,360 --> 00:45:03,600 Speaker 1: may have if something similar was going on in the 781 00:45:03,680 --> 00:45:06,000 Speaker 1: ancient world, they may have played some role in the 782 00:45:06,080 --> 00:45:09,799 Speaker 1: formation of religious beliefs about mountains. Absolutely, I think it's 783 00:45:09,840 --> 00:45:12,520 Speaker 1: it's a it's it's very fascinated to think about. And now, 784 00:45:12,560 --> 00:45:13,919 Speaker 1: of course we don't want to fall into the trap 785 00:45:14,000 --> 00:45:17,680 Speaker 1: of of saying that, you know, all supernatural ideas about 786 00:45:18,040 --> 00:45:21,680 Speaker 1: the mountains can be attributed to whatever is going on 787 00:45:21,719 --> 00:45:26,520 Speaker 1: with third man syndrome. But uh, you can certainly imagine 788 00:45:26,560 --> 00:45:30,480 Speaker 1: how in some cases it might help to produce ideas 789 00:45:30,520 --> 00:45:35,160 Speaker 1: and myths concerning entities and gods in the mountains or 790 00:45:35,480 --> 00:45:39,359 Speaker 1: strengthen those examples of the strengthen those traditions that are 791 00:45:39,400 --> 00:45:42,320 Speaker 1: already set in place. Well, yeah, looking back to Barren 792 00:45:42,400 --> 00:45:46,080 Speaker 1: Bomb's themes that are often seen with sacred mountains, of course, 793 00:45:46,160 --> 00:45:49,719 Speaker 1: there's the idea that that mountains are often gods or 794 00:45:49,760 --> 00:45:51,640 Speaker 1: the home of God's or the body of gods. It 795 00:45:51,719 --> 00:45:54,040 Speaker 1: might be a place to go worship the gods. But also, 796 00:45:54,760 --> 00:45:56,840 Speaker 1: like a couple of things he mentioned, are the idea 797 00:45:56,880 --> 00:46:00,200 Speaker 1: of like ancestors or the dead or might have something 798 00:46:00,239 --> 00:46:02,279 Speaker 1: to do with mountains. And you can clearly see how 799 00:46:03,239 --> 00:46:08,080 Speaker 1: a hallucinated third person or second person or companion on 800 00:46:08,120 --> 00:46:11,879 Speaker 1: a journey could be interpreted as an ancestor. Often when 801 00:46:11,880 --> 00:46:15,600 Speaker 1: people when people hallucinate presence is helping them, they are 802 00:46:15,680 --> 00:46:18,760 Speaker 1: interpreted to be ancestors. And also the idea of mountains 803 00:46:18,760 --> 00:46:21,040 Speaker 1: being a place of pilgrimage, you know, if you're making 804 00:46:21,080 --> 00:46:23,560 Speaker 1: this journey, someone could be there with you to make 805 00:46:23,560 --> 00:46:25,960 Speaker 1: the pilgrimage. All right, on that note, we're going to 806 00:46:26,080 --> 00:46:28,479 Speaker 1: close out this episode, but we are going to pick 807 00:46:28,640 --> 00:46:31,000 Speaker 1: right back up in the next episode of Stuff to 808 00:46:31,000 --> 00:46:33,600 Speaker 1: Blow Your Mind. We're gonna thank everything we've discussed here 809 00:46:34,000 --> 00:46:38,879 Speaker 1: about sacred Mountain traditions and beliefs as well as third 810 00:46:38,920 --> 00:46:41,840 Speaker 1: Man syndrome, and we're gonna go a little deeper into 811 00:46:42,040 --> 00:46:44,800 Speaker 1: the uh uh, into into what seems to be going 812 00:46:44,880 --> 00:46:49,400 Speaker 1: on neurologically, psychologically, and yes, we'll even make just a 813 00:46:49,440 --> 00:46:53,000 Speaker 1: little bit of room for the yetti. In the meantime, 814 00:46:53,040 --> 00:46:54,680 Speaker 1: if you want to check out more episodes of Stuff 815 00:46:54,680 --> 00:46:56,000 Speaker 1: to Blow your Mind, head on over to stuff to 816 00:46:56,000 --> 00:46:58,080 Speaker 1: Blow your Mind dot com. That's the mothership. That's where 817 00:46:58,080 --> 00:47:01,200 Speaker 1: you find all the shows. You'll find links out to 818 00:47:01,239 --> 00:47:04,360 Speaker 1: social media. You will also find a little tab for 819 00:47:04,400 --> 00:47:07,160 Speaker 1: our store, and hey, if you want to support us, 820 00:47:07,200 --> 00:47:09,319 Speaker 1: the best thing you can do is make sure you 821 00:47:09,400 --> 00:47:11,640 Speaker 1: rate interviews Stuff to Blow your Mind wherever you have 822 00:47:11,680 --> 00:47:13,920 Speaker 1: the power to do so, make sure you've subscribed, and 823 00:47:14,000 --> 00:47:16,759 Speaker 1: make sure that you've subscribed to Invention as well. 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