WEBVTT - How Ventriloquism Works

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<v Speaker 1>Hello, Maine and Greater New England. We're coming to see

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<v Speaker 1>you guys in Portland and we can't wait. We would

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<v Speaker 1>love to see you there. Yep, we'll be at the

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<v Speaker 1>State Theater on August. If you're interested. You can get

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<v Speaker 1>tickets and information at s y s K live dot com.

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<v Speaker 1>There's some lobster at us. Welcome to Stuff You Should Know,

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<v Speaker 1>a production of I Heart Radios How Stuff Works. Hey you,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, and there's

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<v Speaker 1>Charles w Chuck Bryan over there, and there's Jerry, which,

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<v Speaker 1>by the way, we should say Jerry say hey to everybody.

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<v Speaker 1>That's right, Jerry's back. I think we scared everyone. I

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<v Speaker 1>like joked on a short stuff for one of the

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<v Speaker 1>recent episodes that she was gone. She's going from a

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<v Speaker 1>couple of episodes She's but people took it to mean

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<v Speaker 1>like Jerry was just gone. Yeah, so some people were

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<v Speaker 1>a little freaked up by that. So Jerry is not

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<v Speaker 1>going anywhere anyone. She doesn't want to as far as

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<v Speaker 1>we know, and we're not gonna let or even if

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<v Speaker 1>she does. Jerry's here, and you're here too. How are

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<v Speaker 1>you doing. I'm great? Neither one of us removing our lips. No,

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<v Speaker 1>that's how good we are. We've done this whole conversation

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<v Speaker 1>without any I mean, it's astounding what we can do

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<v Speaker 1>just a couple of events. We're basically like Edgar Bergen. Yeah,

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<v Speaker 1>that's a deep cut vent by the way, everyone, we're

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<v Speaker 1>probably gonna say a lot that is short for ventriloquist. Yes, uh,

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<v Speaker 1>And ventriloquism can be a mouthful, so I'm not gonna

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<v Speaker 1>I'm gonna try and say it as little as possible.

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<v Speaker 1>Ventriloquism can be as it can a mouthful and bellyful

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<v Speaker 1>and a mouthful. I had very mixed feelings about all

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<v Speaker 1>of this. Why Well, first of all, I think it

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<v Speaker 1>was it this that I talked about practicing ventriloquism when

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<v Speaker 1>I was a kid. Well, I don't call that. I

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<v Speaker 1>feel like it may have been movie crushed then, but

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<v Speaker 1>I definitely at one point on one of the shows

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<v Speaker 1>mentioned that at one point when I was a child,

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<v Speaker 1>I had a record ventriloquism, record really Train Yourself, and

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<v Speaker 1>for very briefly I thought it was something I wanted

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<v Speaker 1>to do, and I practiced it. Did you have your

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<v Speaker 1>little bow tie? No? I didn't have a yet didn't

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<v Speaker 1>have a costume. But I had a dummy and I

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<v Speaker 1>got a record. You had like a ventriloquist dummy. Yeah,

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<v Speaker 1>not a you know, not an advanced one that looks

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<v Speaker 1>like a cyborg when you turn it around. Sure, but

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<v Speaker 1>I mean like you had a dummy you could sit

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<v Speaker 1>on your knee and make the mouth. Yes, I always

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<v Speaker 1>wanted one of those. You had my dummy and it

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<v Speaker 1>didn't last long? Why not? No? I don't know. I

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<v Speaker 1>think I have a history in my childhood of starting

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<v Speaker 1>things like that and then being like man there that.

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<v Speaker 1>Plus the instructor on the record was really mean. I

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<v Speaker 1>can't even remember which one it was. I think it

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<v Speaker 1>was from like the sixties or something. Probably means sixties

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<v Speaker 1>record instructor. Yeah. But then I also, um, watch the movie,

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<v Speaker 1>you know, dumb Struck. I love that movie, and it's

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<v Speaker 1>just it just filled me with a lot of mixed feelings,

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<v Speaker 1>so because it was sad but also uplifting but also sad, yeah,

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<v Speaker 1>but also uplifting. Yeah. If you haven't seen the documentary

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<v Speaker 1>dumb Struck, you were missing out. It is a it's good, nice,

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<v Speaker 1>low fi h documentary that's really easy to to underestimate. Yeah,

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<v Speaker 1>And I think what I appreciated about it is they

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<v Speaker 1>took five stories of five and triloquists, and each of

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<v Speaker 1>them were at different points in their careers. From the

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<v Speaker 1>kid just starting out to the lady who wants nothing

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<v Speaker 1>more than to be on the cruise ship, to the

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<v Speaker 1>guy who was actively on the cruise ship to the

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<v Speaker 1>point where he killed his marriage. Yeah, well he's just

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<v Speaker 1>spoiling to the lady, you know, the other lady who

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<v Speaker 1>just she had all kinds of problems in life, Yeah,

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<v Speaker 1>but was also very uplifting in that her community rallied

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<v Speaker 1>around her, helped her out. To the big guy, Terry Fader.

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<v Speaker 1>Terry Fader, who you know is because net Worth if

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<v Speaker 1>you believe those sites of like a hundred and fifty

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<v Speaker 1>million bucks, Well, he signed a hundred million dollar deal

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<v Speaker 1>eight years ago with the Mirage that was for five years.

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<v Speaker 1>So he's he's still there, right, Okay, he hopefully negotiated

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<v Speaker 1>an even better deal four years ago. So I just

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<v Speaker 1>want to make sure for people who aren't aware of

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<v Speaker 1>Terry Fader in that deal. If you'll go back to

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<v Speaker 1>the beginning, we said we were talking about ventriloquists, ventriloquism.

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<v Speaker 1>Terry Faders the ventriloquist, and he signed the largest dollar

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<v Speaker 1>deal in the history of Las Vegas as a ventriloquist

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<v Speaker 1>at the time. But yeah, they captured that perfectly in

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<v Speaker 1>that documentary Dumbstruck. Yeah, just all the various components. And

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<v Speaker 1>then my whole I don't want to yuck someone's young,

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<v Speaker 1>but like many times, I don't find them funny. You're crazy,

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<v Speaker 1>And that's at the root of it, is like the

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<v Speaker 1>jokes weren't funny to me. Well, it's it's really they

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<v Speaker 1>kind of stick to that Volleyville tradition in a lot

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<v Speaker 1>of ways. And then bad jokes, yes, But then you

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<v Speaker 1>see the people in the audience just eating it up,

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<v Speaker 1>these old cruise cruisers, just like it's the best thing

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<v Speaker 1>in these old Vegas types that they've ever seen. So

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<v Speaker 1>but far be it from me to yucky yum, But

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<v Speaker 1>that was my emotions were all over the map ball Okay, Well,

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<v Speaker 1>I half regret suggesting this article, but at the same

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<v Speaker 1>time I find this delicious. So let's talk about ancient

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<v Speaker 1>Greece in Egypt. So um, just to make sure everybody

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<v Speaker 1>understands what we're talking about, Chuck Ventriloquism is where you

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<v Speaker 1>make it appear like a dummy is sitting on your

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<v Speaker 1>knee and that words are coming out of that dummy's mouth, right,

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<v Speaker 1>But doesn't have to be on your knee, No, and

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<v Speaker 1>it doesn't necessarily even have to be a dummy. In fact,

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<v Speaker 1>the earliest ones in Greece, like you were saying, even

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<v Speaker 1>before that, inco in Egypt Um around the Middle East,

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<v Speaker 1>there was accounts of ventriloquism, but they didn't say you

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<v Speaker 1>should have seen this ventriloquist I saw last night. He

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<v Speaker 1>was great. They said, you need to go see this

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<v Speaker 1>um medicine man or the soothsayer or the spiritualist, because

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<v Speaker 1>this guy can talk to the spirits in the tree

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<v Speaker 1>or in a rock or in his stomach. And that's

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<v Speaker 1>how ventriloquism originally got its start. It was a spiritual

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<v Speaker 1>practice that was essentially um scam artists. Yeah, I guess

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<v Speaker 1>that's a way to put it. But I mean, like

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<v Speaker 1>they were prophets and religious figures and this is one

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<v Speaker 1>of the things they did. Yeah, And I don't even

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<v Speaker 1>think we broke down really at its root. What we're

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<v Speaker 1>talking about, in its simplest terms, is speaking without moving

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<v Speaker 1>your lips basically, but there's there's a little more mustard

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<v Speaker 1>to it, right, But it's if you're speaking while moving

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<v Speaker 1>your lips, then you are a puppeteer. That's the distinction. Oh,

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<v Speaker 1>I see what you're saying. Yes, you're you're trying to

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<v Speaker 1>make it appear as if something else is speaking instead

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<v Speaker 1>of your whereas the puppeteer will just stand behind the curtain,

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<v Speaker 1>sure they don't care, and move their mouth like like

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<v Speaker 1>there's no tomorrow. Yeah, but the extra mustard I mentioned

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<v Speaker 1>is that, and this is frequently the case when somebody's

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<v Speaker 1>not using a dummy. A ventriloquist not only doesn't move

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<v Speaker 1>their mouth, they can adjust their voice to make it

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<v Speaker 1>sound like their voices coming from some other place away

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<v Speaker 1>from them. What's commonly called is throwing their voice. And

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<v Speaker 1>we'll talk about that later, right, But didn't that just

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<v Speaker 1>a I mean, they're really not throwing their voice. That's

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<v Speaker 1>just a mental trick. Yes, okay, well yes, but it's

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<v Speaker 1>not like they can do something with their voice to

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<v Speaker 1>make it sound like it's coming from a different place. No,

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<v Speaker 1>they can't. Well that's not the way the way I

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<v Speaker 1>read it was. It was just a mental trick of

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<v Speaker 1>believing that's happening. Like, you can't literally make your voice

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<v Speaker 1>sound like it's coming from a different place. So this

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<v Speaker 1>is this is it. Let's just talking about it now, Okay, fine, Um,

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<v Speaker 1>If you are talking to a ventriloquist and they make

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<v Speaker 1>it they throw their voice to make it sound like

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<v Speaker 1>somebody is under the bridge that you two are standing on,

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<v Speaker 1>if you went under the bridge, you would not hear

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<v Speaker 1>that voice coming from under the bridge. They can't throw

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<v Speaker 1>their voice, it's a terrible term for it. But they

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<v Speaker 1>can adjust their voice. They can modulate the volume, they

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<v Speaker 1>can make it sound muffled, they can make it sound

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<v Speaker 1>echoy they can make it sound like it's underwater. They

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<v Speaker 1>can make it sound like it's closer far away. So

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<v Speaker 1>that that's one component of the illusion of ventriloquism is

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<v Speaker 1>they can make it sound like you would expect it

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<v Speaker 1>to sound if there were a voice underwater, under a

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<v Speaker 1>bridge or something like I think I thought you were

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<v Speaker 1>talking about space and time, where it's really just a

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<v Speaker 1>vocal quality it is. And then combined with some other

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<v Speaker 1>magic that they do, some other slight of hand in

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<v Speaker 1>misdirection and all that, which again we'll talk about later. Yeah,

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<v Speaker 1>But it's the thing is too, the when you see

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<v Speaker 1>a ventriloquist, quote throwing their voice there generally throwing it

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<v Speaker 1>to a dummy that's about nine inches from their own voice. Yeah, typically,

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<v Speaker 1>so it's not something you know, no, but the original ventriloquists,

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<v Speaker 1>we didn't use dummies, so they were they were much

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<v Speaker 1>more adept at throwing their voice. Gotcha. See, So when

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<v Speaker 1>you went to see one of these belly prophets or whatever,

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<v Speaker 1>and they made it seem like they were speaking with

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<v Speaker 1>a tree, they were talking to a tree and the

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<v Speaker 1>tree was talking back. It sounded to the person standing

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<v Speaker 1>by them that the tree was talking for a number

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<v Speaker 1>of reasons, which we'll talk about later. That's very interesting,

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<v Speaker 1>I think so too. So uh b C. You can

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<v Speaker 1>keep talking about belly prophets. I guess we should explain

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<v Speaker 1>what that is. Um. It was literally like sometimes they

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<v Speaker 1>would talk to something inside their own stomach, and their

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<v Speaker 1>stomach was talking back. And that's where the name actually

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<v Speaker 1>comes from. If you talk about the Latin of the

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<v Speaker 1>Greek words for belly prophet or belly talker, it's ventriloquism,

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<v Speaker 1>ventus belly and l o q u I speak speaking

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<v Speaker 1>from the belly. That's where it comes from. Isn't that bizarre? Yeah,

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<v Speaker 1>but it wasn't Obviously, it wasn't an act at this point,

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<v Speaker 1>like an entertainment act. In fact, it was disparaged as

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<v Speaker 1>of the devil. And of course, you know when Christianity

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<v Speaker 1>came through town and the Spanish Inquisition, it was not

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<v Speaker 1>a good time to be a voice thrower. No, even

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<v Speaker 1>from like the earliest days of Christianity was considered a

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<v Speaker 1>form of necromancy, which was fostered and enabled by the devil.

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<v Speaker 1>So if you were a ventrilo quister, that kind of spiritualist,

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<v Speaker 1>you were basically Satan's minion. That's how ventriloquism was originally seen.

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<v Speaker 1>And there were probably a lot of people who were

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<v Speaker 1>killed over the centuries because in part they were ventriloquists,

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<v Speaker 1>that's right. But it eventually would become entertainment. Uh, once

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<v Speaker 1>everyone kind of got a little more rational and it

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<v Speaker 1>was like, it's not the devil, it's not Satan, and

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<v Speaker 1>it really transitioned to performance. But they still weren't using

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<v Speaker 1>the dummies at this point. No, they weren't. But I

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<v Speaker 1>want to I want to hit on that rational thing

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<v Speaker 1>ventriloquism was kind of rooted out as something that could

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<v Speaker 1>be explained through rationalism during the Enlightenment. That Enlightenment thinkers

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<v Speaker 1>kind of pounced on and said, here's how this works.

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<v Speaker 1>So remember that superstitious belief that you had that somebody

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<v Speaker 1>could commune with the spirits. This is how they did that,

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<v Speaker 1>so stop believing that. So that was a kind of

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<v Speaker 1>a tool of Enlightenment thinkers explaining ventriloquism. It's given away

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<v Speaker 1>all the magic tricks, basically, that's what they did. In fact,

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<v Speaker 1>there was a guy named Um Johann Baptiste of Las

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<v Speaker 1>Chapelle who wrote a five hundred and seventy two page

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<v Speaker 1>book exploring ventriloquism and explaining how it worked. Yeah, but

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<v Speaker 1>as far as the entertainment aspect, pre dummy the kind

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<v Speaker 1>of the first person named as a sixteenth century valet

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<v Speaker 1>to French King Francis. The first name was Louis Brabant,

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<v Speaker 1>and he would entertain the court there and Um, the

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<v Speaker 1>way it sort of came across to me was much

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<v Speaker 1>like a jester could poke fun at people that they

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<v Speaker 1>normally wouldn't allowed to poke fun of. This is what

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<v Speaker 1>this guy would do. But he would just do it

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<v Speaker 1>without moving his lips, and everyone thought it was hysterical.

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<v Speaker 1>That's the whole comic tradition of ventriloquism, is the dummy

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<v Speaker 1>or the imaginary character, if there wasn't a dummy, can

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<v Speaker 1>say things that the ventriloquists himself for herself could never

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<v Speaker 1>get away with. But somehow society has been like, it's

0:12:53.320 --> 0:12:56.800
<v Speaker 1>fine if this inanimate object says it, even though it's

0:12:56.840 --> 0:13:00.240
<v Speaker 1>really this guy saying it. We've all decided it's line

0:13:00.440 --> 0:13:04.840
<v Speaker 1>that they say it. Yeah, I haven't society. I wish

0:13:04.880 --> 0:13:06.839
<v Speaker 1>you guys could see Chuck right now. He's just been

0:13:06.920 --> 0:13:09.839
<v Speaker 1>scowling like this whole episode, that scowling. But if you know,

0:13:09.960 --> 0:13:12.360
<v Speaker 1>like that guy with a big racist act, I'm not

0:13:12.440 --> 0:13:14.600
<v Speaker 1>one of those people that's going it's really just the dummy.

0:13:15.120 --> 0:13:17.480
<v Speaker 1>I'm going, No, that guy is a terrible comedian. Is

0:13:17.600 --> 0:13:21.280
<v Speaker 1>that what all this is about? Jeff Dunham is a ventriloquist. No, no, no,

0:13:22.559 --> 0:13:25.480
<v Speaker 1>But I'm certainly not a part of society thinking like

0:13:25.640 --> 0:13:29.880
<v Speaker 1>that cute little dummy saying terrible things. Okay, but that

0:13:30.080 --> 0:13:34.400
<v Speaker 1>is the long standing tradition, the comedy behind ventriloquism. Yeah,

0:13:34.480 --> 0:13:37.480
<v Speaker 1>not necessarily like racist stuff or anything like that, but

0:13:38.480 --> 0:13:43.640
<v Speaker 1>just zingers and in stinging comments that normally the ventrilo

0:13:43.679 --> 0:13:46.160
<v Speaker 1>because we would not be able to get away with well.

0:13:46.200 --> 0:13:48.000
<v Speaker 1>And not only that, I got the feeling from watching

0:13:48.080 --> 0:13:50.200
<v Speaker 1>that documentary that it's a little bit of a therapy

0:13:50.320 --> 0:13:53.679
<v Speaker 1>for people who don't feel like they can say the

0:13:53.800 --> 0:13:56.000
<v Speaker 1>things they really want to say, so they'll say him

0:13:56.000 --> 0:13:58.880
<v Speaker 1>through the dummy. Yeah, it was remarkable. In Dumbstruck they

0:13:58.920 --> 0:14:01.360
<v Speaker 1>say most ventrilo ust c atly the people who go

0:14:01.480 --> 0:14:04.960
<v Speaker 1>to this convention, that that is covered in the documentary.

0:14:05.160 --> 0:14:08.199
<v Speaker 1>Where are shy people? Yeah, that surprised me. And it's

0:14:08.280 --> 0:14:12.800
<v Speaker 1>like they're the dummies, their alter ego get a little uh,

0:14:13.000 --> 0:14:16.880
<v Speaker 1>it's interesting, a little deep for sure. For sure. That's

0:14:16.920 --> 0:14:18.480
<v Speaker 1>just the kindest way I can say it. Again, I'm

0:14:18.480 --> 0:14:20.840
<v Speaker 1>not yucking the um because people are getting a lot

0:14:20.880 --> 0:14:24.160
<v Speaker 1>out of it. It looks like, um, anytime you have

0:14:24.240 --> 0:14:28.400
<v Speaker 1>conventions like that, it's just as interesting slice of life.

0:14:28.520 --> 0:14:33.360
<v Speaker 1>They're hanging out together. Yes, any and all conventions for sure. Yeah,

0:14:33.560 --> 0:14:37.200
<v Speaker 1>Ventriloquist convention in particular. Yeah, and it always it's good

0:14:37.240 --> 0:14:38.920
<v Speaker 1>because I feel like a lot of times these are

0:14:39.000 --> 0:14:41.640
<v Speaker 1>people that may feel like they're outsiders and that they

0:14:41.680 --> 0:14:45.440
<v Speaker 1>have a family when they hook up with these communities.

0:14:46.200 --> 0:14:49.400
<v Speaker 1>I see there's something great about ventral equation. I mean, heck,

0:14:49.440 --> 0:14:51.000
<v Speaker 1>I'm the one that tried it as a kid. I

0:14:51.120 --> 0:14:52.960
<v Speaker 1>was certainly into it. Do you remember the name of

0:14:53.000 --> 0:14:56.240
<v Speaker 1>your dummy m I don't think I named him, and

0:14:56.360 --> 0:14:59.280
<v Speaker 1>I didn't go by them. I think it just happened

0:14:59.360 --> 0:15:01.400
<v Speaker 1>upon my house at some point. Oh, he just showed

0:15:01.480 --> 0:15:04.040
<v Speaker 1>up at your house. That didn't creep you out at all. Well,

0:15:04.480 --> 0:15:06.560
<v Speaker 1>it must have been my brother that bought it, But

0:15:06.760 --> 0:15:10.760
<v Speaker 1>hope it was enough for me to get a used

0:15:10.840 --> 0:15:15.120
<v Speaker 1>record and give it a shot for two weeks. They're

0:15:15.160 --> 0:15:18.360
<v Speaker 1>really seared into your memory too, that, Yeah it was

0:15:18.560 --> 0:15:20.880
<v Speaker 1>you know, I tried pretty hard for a couple of

0:15:20.960 --> 0:15:24.920
<v Speaker 1>weeks and just couldn't get you. I got it enough.

0:15:25.040 --> 0:15:28.040
<v Speaker 1>I don't hate Vince at all. I'm just not someone

0:15:28.160 --> 0:15:31.200
<v Speaker 1>going it's a dummy saying those things, not a person.

0:15:31.440 --> 0:15:35.160
<v Speaker 1>I got you. Um. But this is how it went

0:15:35.240 --> 0:15:38.520
<v Speaker 1>on for a while. In Europe at least people talked

0:15:38.560 --> 0:15:41.280
<v Speaker 1>like that. Well, there were people in courts all over

0:15:41.360 --> 0:15:46.280
<v Speaker 1>Europe basically transitioning from the gesture to ventriloquists right, because

0:15:46.560 --> 0:15:49.840
<v Speaker 1>the Enlightenment said, look at this weird trick that all

0:15:49.880 --> 0:15:53.800
<v Speaker 1>these spiritual like soothsayers have used over the centuries, over

0:15:53.880 --> 0:15:56.640
<v Speaker 1>the millennia, you can do it too. Here's how they did.

0:15:57.080 --> 0:16:00.600
<v Speaker 1>Let's all stop believing in it. And somehow astounding it

0:16:00.920 --> 0:16:03.680
<v Speaker 1>ended up becoming a performance art. It went from a

0:16:03.720 --> 0:16:07.960
<v Speaker 1>spiritual trick to performance art that people came to appreciate.

0:16:08.400 --> 0:16:12.560
<v Speaker 1>But it wasn't until the seventeen fifties that the I

0:16:12.640 --> 0:16:15.360
<v Speaker 1>guess they call them dummies. Uh, you could also call

0:16:15.440 --> 0:16:18.640
<v Speaker 1>them puppets. I've seen other people call them dolls, but

0:16:18.720 --> 0:16:21.360
<v Speaker 1>it seems like dummy is the is the proper term.

0:16:22.240 --> 0:16:27.120
<v Speaker 1>But an Austrian dude named Baron Dominion started using a

0:16:27.200 --> 0:16:30.400
<v Speaker 1>little doll with a little nutcracker mouth, and he could

0:16:30.520 --> 0:16:33.960
<v Speaker 1>move that jaw, that lower jaw, and all of a

0:16:34.000 --> 0:16:37.240
<v Speaker 1>sudden it started to catch on. At first though they

0:16:37.280 --> 0:16:39.240
<v Speaker 1>were using tons and tons of these dolls lined up

0:16:39.280 --> 0:16:41.360
<v Speaker 1>in a row. Yeah. They went from using none to

0:16:41.800 --> 0:16:44.840
<v Speaker 1>tons of them, yeah, and it got pretty unwieldy. And

0:16:44.920 --> 0:16:47.200
<v Speaker 1>then I think everyone sort of realized what you should

0:16:47.240 --> 0:16:51.960
<v Speaker 1>really do is get a dummy, give that dummy a personality.

0:16:52.440 --> 0:16:55.120
<v Speaker 1>And then let that be your act, right. And it

0:16:55.280 --> 0:16:57.440
<v Speaker 1>was one guy in particular who kind of started that

0:16:57.600 --> 0:17:00.840
<v Speaker 1>event named Fred Russell, who was British in the late

0:17:00.960 --> 0:17:05.480
<v Speaker 1>nineteenth century. And I mean the fashion was to have

0:17:05.600 --> 0:17:09.000
<v Speaker 1>like as many as thirty dummies on stage and you

0:17:09.000 --> 0:17:11.320
<v Speaker 1>would act out like a scene, like a courtroom scene

0:17:11.400 --> 0:17:14.720
<v Speaker 1>or something, and the event would use their their feet

0:17:14.800 --> 0:17:18.080
<v Speaker 1>to control everything with pneumatics and they would jump from

0:17:18.160 --> 0:17:20.480
<v Speaker 1>character to character. It must have been amazing to see.

0:17:21.000 --> 0:17:23.200
<v Speaker 1>But Fred Russell was like, I don't feel like carding

0:17:23.200 --> 0:17:25.639
<v Speaker 1>all these people around. I'm just gonna stick to one dummy,

0:17:26.000 --> 0:17:29.680
<v Speaker 1>which was innovative. But even more innovative was that he

0:17:29.920 --> 0:17:34.200
<v Speaker 1>created a character for that dummy. Rather than just like

0:17:34.960 --> 0:17:38.159
<v Speaker 1>having the dummy say whatever was needed for the sketch,

0:17:38.520 --> 0:17:42.560
<v Speaker 1>he would write sketches around the character his dummy, Coster Joe.

0:17:43.119 --> 0:17:45.399
<v Speaker 1>And so he basically is known as the father of

0:17:45.560 --> 0:17:50.480
<v Speaker 1>modern ventriloquism. Yeah, and that really established the uh, the

0:17:50.640 --> 0:17:53.240
<v Speaker 1>thing where you you sell the audience and the fact

0:17:53.280 --> 0:17:55.720
<v Speaker 1>that there are two people performing and it's a buddy

0:17:55.840 --> 0:17:59.159
<v Speaker 1>comedy act, but one of them has his hand in

0:17:59.280 --> 0:18:01.360
<v Speaker 1>the butt of an other. Yeah, and the guy who

0:18:01.400 --> 0:18:03.200
<v Speaker 1>has his hand in the butt of the others the

0:18:03.359 --> 0:18:07.320
<v Speaker 1>straight man, and the guy who um has the hand

0:18:07.359 --> 0:18:10.920
<v Speaker 1>in his butt is the wise cracker. That's right. That's

0:18:10.960 --> 0:18:13.479
<v Speaker 1>the way that I don't think any ventrilo quis has

0:18:13.600 --> 0:18:16.400
<v Speaker 1>ever done at the opposite. Someone should try that, surely,

0:18:16.640 --> 0:18:19.040
<v Speaker 1>I can't believe no one has. I'm sure someone has,

0:18:19.200 --> 0:18:21.040
<v Speaker 1>I hope. So I want to hear about him. Should

0:18:21.040 --> 0:18:23.399
<v Speaker 1>we take a break? I think we should. Man, all right,

0:18:23.480 --> 0:18:26.280
<v Speaker 1>let's take a break and we'll talk about Murphy Brown

0:18:26.440 --> 0:18:51.200
<v Speaker 1>right after this, Chuck, I wanna say from me and

0:18:51.480 --> 0:18:54.000
<v Speaker 1>everybody who listens to stuff, you should know we're very

0:18:54.040 --> 0:18:57.080
<v Speaker 1>proud of you for going through this experience of talking

0:18:57.119 --> 0:19:02.200
<v Speaker 1>about ventrilo quism. And you're past that. The fact that

0:19:02.280 --> 0:19:05.320
<v Speaker 1>I never got very far in my venture loquism career,

0:19:06.720 --> 0:19:09.320
<v Speaker 1>that's right. And it's just a small painful moment in

0:19:09.359 --> 0:19:11.920
<v Speaker 1>my child, right, But you're working it out, man, it's

0:19:11.920 --> 0:19:13.760
<v Speaker 1>worth it. What you know. The other thing is I

0:19:13.840 --> 0:19:15.880
<v Speaker 1>did was I got a record that taught my bird

0:19:15.920 --> 0:19:20.000
<v Speaker 1>how to talk. Oh yeah, did it work? Yeah? She

0:19:20.119 --> 0:19:24.640
<v Speaker 1>could go Hello, Dolly, no, and she could say hello obviously.

0:19:25.280 --> 0:19:27.840
<v Speaker 1>And I taught her to do a jungle call. What

0:19:28.080 --> 0:19:32.040
<v Speaker 1>is that? Co co co co car and then she

0:19:32.280 --> 0:19:35.640
<v Speaker 1>would whistle, uh, do a wolf whistle like a cat call,

0:19:36.480 --> 0:19:39.679
<v Speaker 1>so you'd walk into the room and go nice. Uh.

0:19:39.800 --> 0:19:41.680
<v Speaker 1>And then one else I think it whistled Dixie. Maybe

0:19:41.960 --> 0:19:45.399
<v Speaker 1>should have done a ventuloquism routine with your bird, Dolly.

0:19:45.480 --> 0:19:49.280
<v Speaker 1>She was pretty great. Cockat deal nice not cockatoo. No,

0:19:49.440 --> 0:19:51.920
<v Speaker 1>Coca teal is the one with the big head. Yeah,

0:19:52.000 --> 0:19:54.399
<v Speaker 1>the little smaller things that fly around your house and

0:19:54.440 --> 0:19:58.359
<v Speaker 1>poop on everything. Oh, Cockatoo is a big, bigger yeah. Okay,

0:19:58.440 --> 0:20:00.640
<v Speaker 1>that's a big white guy that I think barretta head

0:20:00.760 --> 0:20:04.000
<v Speaker 1>the fruit loops guy. No, that's a two can I

0:20:04.119 --> 0:20:10.520
<v Speaker 1>got you so? Uh. Candice Bergen is Murphy Brown. She

0:20:10.720 --> 0:20:14.440
<v Speaker 1>is also the daughter of Edgar Bergen, who was totally insane.

0:20:14.920 --> 0:20:17.040
<v Speaker 1>He was not insane. He was a one of the

0:20:17.119 --> 0:20:20.480
<v Speaker 1>most popular entertainers in the country. Yeah, for decades, for

0:20:20.560 --> 0:20:22.480
<v Speaker 1>a long long time. Not just one of the most

0:20:22.560 --> 0:20:25.840
<v Speaker 1>popular ventriloquist like you said, one of the most popular entertainers,

0:20:26.160 --> 0:20:28.880
<v Speaker 1>that's right. Uh. And he did something that one would

0:20:28.880 --> 0:20:31.720
<v Speaker 1>think it's not even possible, which is to have a

0:20:31.880 --> 0:20:37.680
<v Speaker 1>ventriloquism act on the radio. But that's I mean, that's

0:20:37.720 --> 0:20:39.959
<v Speaker 1>a good point, Tom. She wrote this article for us,

0:20:40.040 --> 0:20:42.680
<v Speaker 1>and he says, like that really points out like the

0:20:43.119 --> 0:20:46.000
<v Speaker 1>sea change that Fred Russell brought about, where he was

0:20:46.080 --> 0:20:50.120
<v Speaker 1>writing jokes based around this character that Edgar Bergen created,

0:20:50.200 --> 0:20:55.159
<v Speaker 1>this character of UM, Charlie McCarthy and also Mortimer Snurred,

0:20:55.920 --> 0:20:59.359
<v Speaker 1>and the characters and the jokes and the dialogue and

0:20:59.400 --> 0:21:02.080
<v Speaker 1>the fact that he jumped back and forth between himself

0:21:02.200 --> 0:21:05.320
<v Speaker 1>and these characters. That's what people cared about because, like

0:21:05.440 --> 0:21:07.840
<v Speaker 1>you're Berkin was actually not very good at not moving

0:21:07.920 --> 0:21:11.040
<v Speaker 1>his lips. Radio is perfect for him exactly. But he

0:21:11.240 --> 0:21:14.520
<v Speaker 1>was huge on the radio for like twenty years from

0:21:14.680 --> 0:21:18.439
<v Speaker 1>this ventriloquism routine. He was a ventriloquist on the radio

0:21:18.920 --> 0:21:21.880
<v Speaker 1>for twenty years, that's right. And uh he I don't

0:21:21.880 --> 0:21:24.240
<v Speaker 1>think he began the tradition, but he certainly reinforced the

0:21:24.359 --> 0:21:28.600
<v Speaker 1>tradition of UM going deep with the fact that these

0:21:28.680 --> 0:21:32.600
<v Speaker 1>are little people to them, like uh, he's he's certainly

0:21:32.680 --> 0:21:36.000
<v Speaker 1>not the first or last two give them their own bedrooms,

0:21:36.720 --> 0:21:41.400
<v Speaker 1>their own beds to um, you know, be sometimes they're

0:21:41.440 --> 0:21:45.200
<v Speaker 1>buried with their dummy. He he left ten thousand dollars

0:21:45.280 --> 0:21:48.680
<v Speaker 1>to Charlie McCarthy and his will, he left zero to Candice. Yeah,

0:21:48.720 --> 0:21:50.600
<v Speaker 1>I mean, what do you do with that? She? Yeah,

0:21:50.840 --> 0:21:52.920
<v Speaker 1>she did a lot with it. So what does the

0:21:53.000 --> 0:21:55.000
<v Speaker 1>doll literally do with that? Oh? I see it? To me?

0:21:55.040 --> 0:21:57.080
<v Speaker 1>I thought you meant, was Candice Bergin doing? Where's that

0:21:57.160 --> 0:22:00.280
<v Speaker 1>den grand today? You? I don't know who is where

0:22:00.320 --> 0:22:03.639
<v Speaker 1>that money went? I know Kennice Bergen didn't get it. Yeah, Um,

0:22:04.080 --> 0:22:06.800
<v Speaker 1>but she grew up sitting on her father's knee and

0:22:07.720 --> 0:22:09.640
<v Speaker 1>Charlie McCarthy would be on the other knee, and he'd

0:22:09.720 --> 0:22:12.159
<v Speaker 1>make them talk to each other, like he'd squeeze the

0:22:12.160 --> 0:22:13.880
<v Speaker 1>back of her neck when he wanted her to talk

0:22:14.000 --> 0:22:16.480
<v Speaker 1>or whatever, or open her mouth because he would talk

0:22:16.560 --> 0:22:20.200
<v Speaker 1>for her. She had a strange childhood for sure. Was

0:22:20.240 --> 0:22:22.040
<v Speaker 1>there resentment and stuff? Do you know? I think a

0:22:22.080 --> 0:22:26.480
<v Speaker 1>little yeah, if not a lot. Well, you were talking

0:22:26.480 --> 0:22:28.240
<v Speaker 1>about the fact that the strength of the jokes so

0:22:28.440 --> 0:22:31.680
<v Speaker 1>had to be why he was so popular on the radio,

0:22:31.760 --> 0:22:33.800
<v Speaker 1>and that's what they point. One of them makes him

0:22:33.800 --> 0:22:35.720
<v Speaker 1>that dumb struck videos like it's got to be funny.

0:22:36.119 --> 0:22:38.320
<v Speaker 1>No matter how good you are with the lips, it's

0:22:38.359 --> 0:22:42.200
<v Speaker 1>not funny. And I kept thinking, like, alright, when is

0:22:42.280 --> 0:22:44.640
<v Speaker 1>one of these people gonna be funny. Even the big

0:22:44.720 --> 0:22:49.440
<v Speaker 1>famous ones. Yeah, no, I mean like there's even the

0:22:50.640 --> 0:22:55.159
<v Speaker 1>almost two eventula Quisted. Even the the blue ones, the

0:22:55.760 --> 0:22:59.520
<v Speaker 1>not as family friendly ones are still pretty family friendly

0:22:59.600 --> 0:23:02.399
<v Speaker 1>really yeah, except for a few people that really just

0:23:02.480 --> 0:23:05.200
<v Speaker 1>want to shock. Really. One one just comes to mind,

0:23:05.200 --> 0:23:08.040
<v Speaker 1>as far as I could tell, Otto and George Otto

0:23:08.160 --> 0:23:10.480
<v Speaker 1>Peterson I believe is his name, Yeah, and his dummy.

0:23:10.520 --> 0:23:15.040
<v Speaker 1>George had a just absolutely filthy ventilla quest routine and

0:23:15.080 --> 0:23:17.399
<v Speaker 1>Otto was the straight man and George the dummy was

0:23:17.560 --> 0:23:22.200
<v Speaker 1>the um just the total foul mouthed basically guy from

0:23:22.280 --> 0:23:25.400
<v Speaker 1>Jersey is what he was doing. But he apparently those

0:23:25.480 --> 0:23:29.560
<v Speaker 1>two hosted the Adult Video Awards two years in a row,

0:23:30.240 --> 0:23:32.560
<v Speaker 1>and after the second year they're like, you can't come back.

0:23:33.000 --> 0:23:36.920
<v Speaker 1>You've offended all of the porn actors and they don't

0:23:36.960 --> 0:23:39.240
<v Speaker 1>want you to come back. Well, and then the Jeff

0:23:39.280 --> 0:23:42.120
<v Speaker 1>Dunham gott you mentioned, Um, we might as well say

0:23:42.160 --> 0:23:46.240
<v Speaker 1>that this guy sells out arenas doing h characters like

0:23:46.359 --> 0:23:51.120
<v Speaker 1>Ahmed the Dead terrorist and a Mexican immigrants and all

0:23:51.160 --> 0:23:53.920
<v Speaker 1>these stereotypes. But he does it through a puppet, so

0:23:54.000 --> 0:23:56.160
<v Speaker 1>it's fine. So it's fine. So you know, he has

0:23:56.240 --> 0:23:59.120
<v Speaker 1>the Guinness Record for the stand up comedian who sold

0:23:59.160 --> 0:24:03.400
<v Speaker 1>the most tickets and ever and that just mind boggling. Yeah,

0:24:03.640 --> 0:24:06.880
<v Speaker 1>and he should be reclassified though, because some real stand

0:24:06.960 --> 0:24:10.000
<v Speaker 1>up comedian in second places probably deserves that award. I'm

0:24:10.080 --> 0:24:13.719
<v Speaker 1>sure Kevin Hart's like, WTF, Yeah, it's probably him, right. Um,

0:24:14.040 --> 0:24:16.960
<v Speaker 1>So you've got Jeff Duneham in the World Record Book.

0:24:17.119 --> 0:24:20.399
<v Speaker 1>You got Terry Fader with a hundred million dollar um

0:24:21.040 --> 0:24:24.120
<v Speaker 1>mirage deal selling out every single day. And then there's

0:24:24.160 --> 0:24:28.760
<v Speaker 1>a show called America's Got Talent one to three including

0:24:28.880 --> 0:24:32.720
<v Speaker 1>Terry Fader eventula Quist have won that show. Yeah, three

0:24:32.760 --> 0:24:37.440
<v Speaker 1>eventulo quis. So there's like a weird ventrilo quism renaissance

0:24:37.520 --> 0:24:41.800
<v Speaker 1>going on right now. Yeah, and Fader and Um, I

0:24:41.880 --> 0:24:44.640
<v Speaker 1>think who was the other one? Darcy Yeah, Darcy Land

0:24:44.680 --> 0:24:48.040
<v Speaker 1>Farmer are notable. She was just twelve years old. They

0:24:48.119 --> 0:24:52.360
<v Speaker 1>are notable for um being good singers, and they will

0:24:52.400 --> 0:24:55.120
<v Speaker 1>have their dummy sing songs. And I think that's generally

0:24:55.200 --> 0:24:57.800
<v Speaker 1>what seems to knock people out is when this beautiful

0:24:57.880 --> 0:25:00.800
<v Speaker 1>voice comes out of that felt mouth, you know, like

0:25:01.359 --> 0:25:05.119
<v Speaker 1>Terry Fader's dummy does a rendition of Edda James that

0:25:05.359 --> 0:25:11.080
<v Speaker 1>last it's really something to hear and see. It's amazing. Yeah. So, um,

0:25:12.119 --> 0:25:16.000
<v Speaker 1>it's weird because you've got Edgar Bergen from the thirties

0:25:16.080 --> 0:25:20.560
<v Speaker 1>to the late fifties it was a huge heyday of ventriloquism,

0:25:21.359 --> 0:25:23.399
<v Speaker 1>and then you've got this kind of resurgence in the

0:25:23.480 --> 0:25:26.399
<v Speaker 1>two thousand, two thousand tens. But in between, it's not

0:25:26.480 --> 0:25:28.520
<v Speaker 1>like it ever really went away. Some of the most

0:25:29.240 --> 0:25:35.560
<v Speaker 1>recognizable um ventriloquism dummies like Lamb chop Lester, the Dummy, Madam,

0:25:35.720 --> 0:25:40.400
<v Speaker 1>Jerry Mahoney, Madam, all those came in between those two times. Yeah,

0:25:40.440 --> 0:25:43.280
<v Speaker 1>and they existed on The Gong Show and the Sunny

0:25:43.359 --> 0:25:46.200
<v Speaker 1>and Share Show, and they would make these appearances in

0:25:46.280 --> 0:25:49.720
<v Speaker 1>the boom of the seventies variety show. Sure, so it's

0:25:49.760 --> 0:25:51.760
<v Speaker 1>not like it ever went away. And it makes you

0:25:51.800 --> 0:25:55.640
<v Speaker 1>wonder if ventriloquism ever really will go away because for one,

0:25:56.200 --> 0:26:00.000
<v Speaker 1>as everyone to a person can agree, it's astoundingly hilarious

0:26:00.040 --> 0:26:03.399
<v Speaker 1>us the jokes are. And then secondly, to see you

0:26:03.760 --> 0:26:08.840
<v Speaker 1>truly good ventriloquists perform, it's it's something to see. It

0:26:09.000 --> 0:26:12.440
<v Speaker 1>is thrilling, is it to an extent? Yes, I think

0:26:12.520 --> 0:26:14.920
<v Speaker 1>that the one thing I can say that impresses me

0:26:15.200 --> 0:26:19.640
<v Speaker 1>is when it's really fast back and forth between the two,

0:26:20.240 --> 0:26:23.359
<v Speaker 1>because that is just physically impressive to me to be

0:26:23.440 --> 0:26:25.760
<v Speaker 1>able to do that and to do the hand movements

0:26:25.800 --> 0:26:28.040
<v Speaker 1>and sink it out in time. It out really right exactly.

0:26:28.480 --> 0:26:31.120
<v Speaker 1>Or if you're like the great Lester, to drink while

0:26:31.200 --> 0:26:34.000
<v Speaker 1>you're while you're vent dummy is talking. Yeah, I looked

0:26:34.040 --> 0:26:37.320
<v Speaker 1>into that trick. It's really making a sound. He's not talking,

0:26:37.400 --> 0:26:39.879
<v Speaker 1>the dummy isn't. But what the what they're doing is

0:26:39.920 --> 0:26:43.760
<v Speaker 1>they're not drinking. They have tricked glasses. Yeah. Wow, they

0:26:43.840 --> 0:26:51.160
<v Speaker 1>fooled me. So we talked about the Ventriloquism Museum because

0:26:51.200 --> 0:26:54.120
<v Speaker 1>we were talking about dumb Struck. But there is a museum.

0:26:54.160 --> 0:26:57.000
<v Speaker 1>It's a converted house in the suburbs in a subdivision

0:26:57.040 --> 0:27:00.679
<v Speaker 1>I think in in Fort Mitchell, Kentucky, right across Cincinnati,

0:27:01.720 --> 0:27:06.840
<v Speaker 1>and there are I think a thousand dummies where this

0:27:07.040 --> 0:27:09.480
<v Speaker 1>is like where they live now. It's a nightmare room,

0:27:09.600 --> 0:27:11.359
<v Speaker 1>is what it is. Have you seen it. It's in

0:27:11.440 --> 0:27:14.080
<v Speaker 1>that documentary right okay, and there's pictures of it all over.

0:27:14.160 --> 0:27:17.399
<v Speaker 1>But it's a bit of a nightmare room. Um. But

0:27:17.560 --> 0:27:21.240
<v Speaker 1>it's really cool, especially if you're a ventriloquist. Because as

0:27:21.320 --> 0:27:23.760
<v Speaker 1>part of this saying like here, please, you know, take

0:27:23.800 --> 0:27:26.600
<v Speaker 1>care of my dummy after I die. The dummies will

0:27:26.600 --> 0:27:30.680
<v Speaker 1>be kept in good condition. They will be kept clean, washed,

0:27:30.720 --> 0:27:34.720
<v Speaker 1>behind the ears, all that stuff. But no one, no

0:27:34.960 --> 0:27:37.800
<v Speaker 1>one will animate them. It's just part of it. Not

0:27:37.920 --> 0:27:40.400
<v Speaker 1>even the curator of the museum can touch these things.

0:27:40.680 --> 0:27:43.800
<v Speaker 1>You can handle them, the curator can, but to to

0:27:44.000 --> 0:27:48.560
<v Speaker 1>animate them make them talk is a gross violation of

0:27:48.800 --> 0:27:53.200
<v Speaker 1>the dummy vent relationship that was created over the years. Yeah,

0:27:53.280 --> 0:27:56.679
<v Speaker 1>no other hands shall be up the butt right except

0:27:56.680 --> 0:28:00.320
<v Speaker 1>for its original owner. But I think that's fantastic. You

0:28:00.359 --> 0:28:02.920
<v Speaker 1>don't want to disrespect someone's dummy like that now. And

0:28:03.040 --> 0:28:06.440
<v Speaker 1>the Smithsonian article kind of put it in perspective. They said,

0:28:06.480 --> 0:28:08.440
<v Speaker 1>like nobody's just gonna come along and pick up chuck

0:28:08.520 --> 0:28:12.520
<v Speaker 1>berries guitar lucile and start strumming on it or whatever.

0:28:12.720 --> 0:28:16.040
<v Speaker 1>Where was that from Smithsonian? Because BB King has Lucille.

0:28:16.560 --> 0:28:19.000
<v Speaker 1>Oh well, they got it wrong. I got it wrong too.

0:28:19.720 --> 0:28:23.480
<v Speaker 1>There was a Smithsonian magazine article. That's weird, that's Smithsonian.

0:28:23.880 --> 0:28:28.360
<v Speaker 1>Thanks again, Smithsonian. Uh what was it wrong again? Gay

0:28:28.440 --> 0:28:32.680
<v Speaker 1>guy to Springfield. When I said earlier that that room

0:28:32.760 --> 0:28:36.880
<v Speaker 1>is a nightmare. Um, I wasn't disparaging dummies or event trilloquism.

0:28:36.960 --> 0:28:39.840
<v Speaker 1>There is a um, a long standing sort of thing

0:28:40.000 --> 0:28:44.160
<v Speaker 1>in pop culture that dummies are uh you know, will

0:28:44.200 --> 0:28:48.040
<v Speaker 1>come alive at night and kill you. Decidedly creepy when

0:28:48.080 --> 0:28:51.320
<v Speaker 1>they're just laying there on a couch or something. It

0:28:51.400 --> 0:28:54.680
<v Speaker 1>doesn't help that when they're not being animated that they're

0:28:54.720 --> 0:28:59.040
<v Speaker 1>referred to as dead. Yeah, that's laying there, floppy eyes, open,

0:28:59.440 --> 0:29:02.920
<v Speaker 1>mouth ape, and it's just creepy looking. We gotta read

0:29:02.960 --> 0:29:07.880
<v Speaker 1>this some quote from the writer um who wrote this,

0:29:08.280 --> 0:29:11.600
<v Speaker 1>Oh Lauren Canter. That's here. When draped across the table

0:29:11.720 --> 0:29:14.920
<v Speaker 1>or chair away from the performer, the dolls floppy limbs

0:29:15.000 --> 0:29:17.680
<v Speaker 1>resembled out of a dead body, but the eyes remain

0:29:17.760 --> 0:29:20.600
<v Speaker 1>open and the mouth is fixed with a terrifying smile,

0:29:20.960 --> 0:29:24.360
<v Speaker 1>as if the body is a poorly embalmed child corpse. Yeah,

0:29:24.480 --> 0:29:28.280
<v Speaker 1>it's decidedly creepy, so much so that it's been I mean,

0:29:28.360 --> 0:29:31.440
<v Speaker 1>most recently in Toy Story four. Uh have you seen

0:29:31.520 --> 0:29:34.720
<v Speaker 1>that yet? There's Benson. Benson is a is a dummy

0:29:34.880 --> 0:29:37.719
<v Speaker 1>that's every time played up like it's every time he appears.

0:29:37.800 --> 0:29:40.280
<v Speaker 1>It's like a horror movie, gives a horror movie staying

0:29:40.280 --> 0:29:43.840
<v Speaker 1>and he's in the dramatic lighting and that movie magic.

0:29:43.920 --> 0:29:46.360
<v Speaker 1>I remember when I was a kid with Anthony Hopkins

0:29:46.440 --> 0:29:49.920
<v Speaker 1>in did You Ever See Dead Silence? No? But I

0:29:50.040 --> 0:29:52.320
<v Speaker 1>just remember seeing that Magic trailer when I was seven

0:29:52.440 --> 0:29:54.720
<v Speaker 1>and thinking it was the scariest looking thing I've ever seen.

0:29:54.840 --> 0:29:57.760
<v Speaker 1>It was a pretty scary one, although I'll bet you

0:29:57.880 --> 0:30:00.400
<v Speaker 1>dollars to doughnuts it's probably not scary all of it.

0:30:00.800 --> 0:30:06.160
<v Speaker 1>I saw it recently. Fairly scary. Um. The scariest ventriloquism

0:30:06.880 --> 0:30:10.240
<v Speaker 1>TV show or movie of all time is an Alfred

0:30:10.320 --> 0:30:15.520
<v Speaker 1>Hitchcock Presents episode called The Glass Eye. Just go watch it.

0:30:16.040 --> 0:30:19.920
<v Speaker 1>Go find it on Netflix, on Prime, on Hulu, I

0:30:20.000 --> 0:30:22.680
<v Speaker 1>don't care. Just go find the Glass I think it's

0:30:22.720 --> 0:30:26.240
<v Speaker 1>season three. If Alfred Hitchcock Presents and thank me later.

0:30:26.600 --> 0:30:29.520
<v Speaker 1>It will give you chills. Is I'm getting chills right now?

0:30:29.640 --> 0:30:32.400
<v Speaker 1>Is talking about? It was genuinely scary to check that out,

0:30:32.600 --> 0:30:35.200
<v Speaker 1>Just beautifully done well and it sort of sets itself

0:30:35.320 --> 0:30:39.160
<v Speaker 1>up that way, and that you have a inanimate thing

0:30:39.240 --> 0:30:41.480
<v Speaker 1>that you bring to life and all you have to

0:30:41.560 --> 0:30:44.480
<v Speaker 1>do in the story is cross it in some way.

0:30:44.600 --> 0:30:48.040
<v Speaker 1>Either by forgetting about it, leaving it behind, or getting

0:30:48.040 --> 0:30:50.600
<v Speaker 1>a new one. Right. Jealousy is a big thing. Jealousy,

0:30:51.040 --> 0:30:52.560
<v Speaker 1>and then that thing comes to life and kills you

0:30:52.640 --> 0:30:54.680
<v Speaker 1>in your sleep. It's just it's all waiting to be

0:30:54.960 --> 0:30:57.720
<v Speaker 1>But first it starts by killing your friends and loved ones.

0:30:57.960 --> 0:31:00.720
<v Speaker 1>Oh sure, you're right, exactly. You just wake up and

0:31:00.760 --> 0:31:04.880
<v Speaker 1>your wife's gone, Your dummies in there smiling, the windows open,

0:31:05.040 --> 0:31:08.600
<v Speaker 1>that's right. Oh man, I gotta see that now, the

0:31:08.680 --> 0:31:10.960
<v Speaker 1>glass eye. I think I think we should take a

0:31:11.000 --> 0:31:14.320
<v Speaker 1>break and then we'll come back and finally talk about

0:31:14.360 --> 0:31:16.480
<v Speaker 1>throwing your voice. Are you okay with that? Yeah, let's

0:31:16.480 --> 0:31:40.120
<v Speaker 1>do it, Okay, all right, we've kind of hinted at

0:31:40.120 --> 0:31:41.920
<v Speaker 1>it a little bit, we've given a lot of it away,

0:31:42.120 --> 0:31:45.600
<v Speaker 1>but we're gonna talk about throwing your voice and again

0:31:46.080 --> 0:31:48.280
<v Speaker 1>to just come right out and say it. No matter

0:31:48.440 --> 0:31:50.760
<v Speaker 1>what you read on the internet, no matter what you've

0:31:50.800 --> 0:31:55.120
<v Speaker 1>heard from your friend, uh Jimmy, from the dummy that

0:31:55.200 --> 0:31:57.200
<v Speaker 1>talks to you at night while you're trying to sleep,

0:31:57.520 --> 0:32:00.880
<v Speaker 1>who cares. You cannot throw your voice. It's impossible to

0:32:01.120 --> 0:32:06.000
<v Speaker 1>make your voice come from a different location, but you

0:32:06.120 --> 0:32:08.800
<v Speaker 1>can make your voice sound like it's coming from a

0:32:08.840 --> 0:32:11.360
<v Speaker 1>different location if you're really good at it, and that's

0:32:11.400 --> 0:32:13.640
<v Speaker 1>growing your voice. Yeah, and part of the trick is

0:32:13.800 --> 0:32:17.400
<v Speaker 1>a visual illusion that happens when someone is standing there

0:32:17.520 --> 0:32:22.840
<v Speaker 1>watching a human being with a puppet and the puppets talking,

0:32:23.400 --> 0:32:26.840
<v Speaker 1>and you see that with your eyeballs, you are your

0:32:27.040 --> 0:32:30.720
<v Speaker 1>your brain is tricked into just believing. But again, that's

0:32:30.760 --> 0:32:32.880
<v Speaker 1>when you know the dummy is only a foot away. Anyway,

0:32:33.320 --> 0:32:35.800
<v Speaker 1>if you're an audience member two ft away, it's not

0:32:35.920 --> 0:32:38.640
<v Speaker 1>much of a leap. So the it's actually your brain

0:32:38.760 --> 0:32:41.360
<v Speaker 1>doing something. It's not you saying I'm going to decide

0:32:41.400 --> 0:32:43.720
<v Speaker 1>I decided I'm going to just go all in with

0:32:43.840 --> 0:32:47.600
<v Speaker 1>this Ventriloquist. Your brains actual it does. Your brain is

0:32:47.600 --> 0:32:51.600
<v Speaker 1>actually being tricked because there's something appropriately called the Ventriloquist

0:32:51.680 --> 0:32:55.200
<v Speaker 1>effect where if your eyes and your ears are telling

0:32:55.280 --> 0:32:59.840
<v Speaker 1>you two slightly different things, your brain over right over

0:33:00.040 --> 0:33:02.760
<v Speaker 1>rides your ears and goes with your eyes. So if

0:33:02.800 --> 0:33:04.880
<v Speaker 1>your eyes are telling your brain, hey, I think that

0:33:05.080 --> 0:33:07.480
<v Speaker 1>voice is coming from that dummy, because the dummies lips

0:33:07.480 --> 0:33:11.520
<v Speaker 1>are moving in time with the sound, the brain is

0:33:11.520 --> 0:33:13.280
<v Speaker 1>gonna be like, okay, it's coming out of the dummy,

0:33:13.440 --> 0:33:15.280
<v Speaker 1>even though your ears are like, no, it's coming a

0:33:15.440 --> 0:33:17.960
<v Speaker 1>little to the right of the dummy. Your brain says,

0:33:17.960 --> 0:33:22.840
<v Speaker 1>shut up, ears and actually overrides what your ears are

0:33:22.880 --> 0:33:25.800
<v Speaker 1>sending it and merges it with what your eyes are

0:33:25.880 --> 0:33:30.680
<v Speaker 1>sending it, so that you subjectively experience the sound coming

0:33:30.760 --> 0:33:33.440
<v Speaker 1>out of the dummy. And it sounds bizarre. But if

0:33:33.480 --> 0:33:35.360
<v Speaker 1>you stop and think about it, if you're watching TV

0:33:36.680 --> 0:33:38.560
<v Speaker 1>and you've just got that little speaker built into the

0:33:38.600 --> 0:33:41.240
<v Speaker 1>bottom of the TV, it's not like the sound of

0:33:41.280 --> 0:33:43.640
<v Speaker 1>people talking appears to be coming out of the speaker

0:33:43.640 --> 0:33:45.479
<v Speaker 1>in the bottom of the TV. It seems like it's

0:33:45.520 --> 0:33:48.360
<v Speaker 1>coming out of the people's lips. Same exact thing. That's

0:33:48.400 --> 0:33:52.160
<v Speaker 1>the ventriloquist effect. Yeah, slightly different with movies because they

0:33:52.200 --> 0:33:55.760
<v Speaker 1>actually put speakers behind the movie screen to help with

0:33:55.840 --> 0:33:59.280
<v Speaker 1>that effect. Well, the movie screen so large. But even

0:33:59.320 --> 0:34:01.880
<v Speaker 1>if you just s some jangkee TV that just has

0:34:01.960 --> 0:34:04.520
<v Speaker 1>that terrible speaker built into the bottom or the right

0:34:04.640 --> 0:34:07.440
<v Speaker 1>side or something, it's not like you're like, I can't

0:34:07.480 --> 0:34:09.880
<v Speaker 1>even follow this? What other TVs? What? What else is

0:34:09.920 --> 0:34:12.600
<v Speaker 1>out there that I don't know about? Don't the eldest

0:34:12.640 --> 0:34:16.120
<v Speaker 1>have speakers? Uh? No, you could have home speakers connected

0:34:16.160 --> 0:34:19.080
<v Speaker 1>to your TV, right some speakers might have the some

0:34:19.200 --> 0:34:21.000
<v Speaker 1>TV might have the speaker in the top left, right

0:34:21.080 --> 0:34:22.799
<v Speaker 1>in the bottom right. It's all over the place. It's

0:34:22.840 --> 0:34:26.120
<v Speaker 1>a free for all, gotcha. Another thing that really helps

0:34:26.160 --> 0:34:28.000
<v Speaker 1>us effect too, And this is what you want to

0:34:28.040 --> 0:34:29.560
<v Speaker 1>do anyway, if you want to get act as, you

0:34:29.640 --> 0:34:33.920
<v Speaker 1>want to really give that dummy a distinct personality from

0:34:34.000 --> 0:34:38.000
<v Speaker 1>your own. Uh, it should sound very different. Um, a

0:34:38.080 --> 0:34:40.719
<v Speaker 1>lot of times it's a different accent. You just really

0:34:40.760 --> 0:34:43.759
<v Speaker 1>want to put a distance between who you are and

0:34:43.880 --> 0:34:45.880
<v Speaker 1>how you talk and who that dummy is and how

0:34:45.960 --> 0:34:49.000
<v Speaker 1>they talk. Yeah, because when you when you talk like

0:34:49.120 --> 0:34:52.360
<v Speaker 1>that the first couple of times the dummy speaks, not

0:34:52.480 --> 0:34:55.160
<v Speaker 1>only is it delivering some of the funniest jokes you'll

0:34:55.200 --> 0:34:58.800
<v Speaker 1>ever hear in your life, it's also simultaneously training the

0:34:58.920 --> 0:35:02.560
<v Speaker 1>audience that this is what the dummy sounds like. So

0:35:02.719 --> 0:35:05.560
<v Speaker 1>when you combine the Ventriloquist effect, that your brain is

0:35:05.640 --> 0:35:09.520
<v Speaker 1>overriding what your ears are telling it with the ventriloquist

0:35:09.600 --> 0:35:13.520
<v Speaker 1>looking at the dummy while the dummies talking like, look, everybody,

0:35:13.640 --> 0:35:15.680
<v Speaker 1>this is where our attention should be focused because this

0:35:15.800 --> 0:35:19.240
<v Speaker 1>is who's talking. And then the dummy has its own personality.

0:35:20.239 --> 0:35:24.000
<v Speaker 1>Those things together are the magic of ventriloquism. That's what

0:35:24.320 --> 0:35:28.000
<v Speaker 1>makes ventriloquism work. That's how we come to see an

0:35:28.040 --> 0:35:32.800
<v Speaker 1>inanimate object like a dummy, speaking like a hilarious yokel.

0:35:34.239 --> 0:35:37.880
<v Speaker 1>I'm wondering what the deal is with why they're not

0:35:38.000 --> 0:35:40.200
<v Speaker 1>funny to me? I don't know, man, I think that

0:35:40.360 --> 0:35:42.880
<v Speaker 1>dummy may have killed like your family dog or something,

0:35:42.920 --> 0:35:45.120
<v Speaker 1>and you just block that out. I think I'm a

0:35:45.560 --> 0:35:50.080
<v Speaker 1>discerning uh comedy fan. What the deal is is? They're

0:35:50.120 --> 0:35:55.279
<v Speaker 1>not There's never been some a great comedian. It was like, man,

0:35:55.360 --> 0:35:57.879
<v Speaker 1>I am a smoking hot comedian, so let me get

0:35:57.920 --> 0:36:01.720
<v Speaker 1>a dummy up here. It's it's sort of like prop comedy,

0:36:01.760 --> 0:36:04.000
<v Speaker 1>I guess, and it's the most basic form. Speaking of

0:36:04.080 --> 0:36:08.000
<v Speaker 1>prop comedy, shout out to Carrot Top, who is still around.

0:36:08.040 --> 0:36:10.160
<v Speaker 1>He's got his own Vegas residences. Do you know that

0:36:11.120 --> 0:36:13.399
<v Speaker 1>didn't but doesn't surprise me. I saw him one day

0:36:13.400 --> 0:36:16.840
<v Speaker 1>on the street in Vegas, uh no, down in Florida,

0:36:17.320 --> 0:36:19.800
<v Speaker 1>just walking around. I shouted, Carrot Top. Now he's on

0:36:19.880 --> 0:36:22.040
<v Speaker 1>his mopad. I shouted Carrot Top, and he turned around

0:36:22.040 --> 0:36:25.279
<v Speaker 1>and sped off. Of course he did, because he threw

0:36:25.320 --> 0:36:27.279
<v Speaker 1>a rubber chicken at him. No, I just shouted carrot

0:36:27.320 --> 0:36:31.000
<v Speaker 1>and said, what could you do with this? So um,

0:36:31.800 --> 0:36:33.520
<v Speaker 1>I kind of take offense to that because I like

0:36:33.680 --> 0:36:38.440
<v Speaker 1>to consider myself pretty discerning comedy wise. You are, and

0:36:38.560 --> 0:36:40.560
<v Speaker 1>that's why I'm shocked that you do. You sit around

0:36:40.600 --> 0:36:44.080
<v Speaker 1>and watch this and you're legitimately laughing at how funny

0:36:44.120 --> 0:36:48.160
<v Speaker 1>it is. No, never, but I am impressed with the

0:36:48.440 --> 0:36:56.120
<v Speaker 1>skill and the the stagecraft. Been saying it's very funny. No,

0:36:56.320 --> 0:36:58.560
<v Speaker 1>I don't know if I've ever had an Eventil Chris

0:36:58.680 --> 0:37:01.719
<v Speaker 1>Dummy make me laugh? Okay, I guess I see what

0:37:01.800 --> 0:37:03.120
<v Speaker 1>you're saying now. I'm just trying to get to the

0:37:03.160 --> 0:37:06.040
<v Speaker 1>bottom of how you really feel about the jokes. You know.

0:37:06.239 --> 0:37:12.359
<v Speaker 1>Also shade out. Shout out to shade out, shout yeah

0:37:12.400 --> 0:37:14.920
<v Speaker 1>it is, and if it works, shout out to what

0:37:15.080 --> 0:37:18.600
<v Speaker 1>is it? Nate Burghassy, Oh, I finally saw that guy Special.

0:37:18.719 --> 0:37:20.920
<v Speaker 1>You've been talking him up because he lived up to

0:37:21.000 --> 0:37:24.720
<v Speaker 1>the hype man. He is hilarious. He's coming to Atlanta

0:37:25.000 --> 0:37:27.880
<v Speaker 1>in uh December again. Let's go. You want to go,

0:37:28.280 --> 0:37:31.799
<v Speaker 1>Let's go, all right, we can go backstage. Maybe, Oh

0:37:31.840 --> 0:37:34.160
<v Speaker 1>that'd be great. You might remember me. That'd be really cool.

0:37:34.239 --> 0:37:36.880
<v Speaker 1>Give me backstage. I'll try. We'll both bring our ventula

0:37:36.920 --> 0:37:41.560
<v Speaker 1>because dummies, and we'll heckle him with the dummies. Yeah, well,

0:37:41.640 --> 0:37:43.760
<v Speaker 1>we would never say. Here's the thing, I love puppets

0:37:44.000 --> 0:37:46.560
<v Speaker 1>and puppeteering. I'm like a kid in a in a

0:37:46.680 --> 0:37:48.800
<v Speaker 1>candy store when it comes to stuff like that. Have

0:37:48.880 --> 0:37:52.480
<v Speaker 1>you been to the Center for Puppet Tree Yards? Remember? Oh? Yeah,

0:37:52.480 --> 0:37:55.120
<v Speaker 1>we had our TV show premiere there. Yeah, I love it.

0:37:55.440 --> 0:37:59.280
<v Speaker 1>So there there's I don't know, something happens between puppets

0:37:59.560 --> 0:38:04.200
<v Speaker 1>comedy and the weird Venn diagram that is ventriloquism where

0:38:04.239 --> 0:38:06.560
<v Speaker 1>I just I can't go there. Maybe do you not

0:38:06.719 --> 0:38:10.160
<v Speaker 1>like singers and one liners Henny Youngman type stuff, because

0:38:10.200 --> 0:38:12.440
<v Speaker 1>that's what a lot of events, A lot of it

0:38:12.560 --> 0:38:15.000
<v Speaker 1>is very old school. Yeah, they're not. I'd like to

0:38:15.040 --> 0:38:18.040
<v Speaker 1>maybe see something a little more modern, like a Jeff Dunn.

0:38:18.080 --> 0:38:20.439
<v Speaker 1>I'm like an evening with type of comedy. I see

0:38:21.080 --> 0:38:25.680
<v Speaker 1>you want a storytelling. Oh what's the guy's name? Oh

0:38:25.840 --> 0:38:29.040
<v Speaker 1>my god, what is his name? This is not making

0:38:29.080 --> 0:38:32.920
<v Speaker 1>for good podcast? Is it a comedian? Oh? You want

0:38:32.960 --> 0:38:36.560
<v Speaker 1>to see Neil Hamburger doing ventrilo That would be pretty great,

0:38:36.640 --> 0:38:41.000
<v Speaker 1>that would be astounding. Is he still around. I don't know.

0:38:41.960 --> 0:38:43.719
<v Speaker 1>I mean, they had that movie a couple of years back.

0:38:43.719 --> 0:38:46.160
<v Speaker 1>I'm sure he's still around, all right, So let's talk

0:38:46.160 --> 0:38:48.200
<v Speaker 1>about how to do this, because this is the stuff

0:38:48.280 --> 0:38:50.880
<v Speaker 1>that really as a kid, I would sit around in

0:38:50.960 --> 0:38:57.800
<v Speaker 1>the mirror with that dumb record on practicing my bs f's, ms, ps,

0:38:58.320 --> 0:39:01.920
<v Speaker 1>vs and w's because you can't really say those letters

0:39:02.360 --> 0:39:05.320
<v Speaker 1>with your mouth closed, because when you're when you're talking

0:39:05.880 --> 0:39:08.439
<v Speaker 1>as eventual, because your mouth closed, your teeth are shut

0:39:08.840 --> 0:39:11.319
<v Speaker 1>and it's just the tip of your tongue moving back

0:39:11.360 --> 0:39:13.359
<v Speaker 1>and forth. Your tongue is actually retracted to the back

0:39:13.400 --> 0:39:16.719
<v Speaker 1>of your mouth. So it's an astounding that just that

0:39:16.840 --> 0:39:18.839
<v Speaker 1>small handful of letters are the ones that are hard

0:39:19.200 --> 0:39:21.239
<v Speaker 1>to pronounce. It is, But if you look at that

0:39:21.320 --> 0:39:25.440
<v Speaker 1>other long list, I mean, anyone with no training whatsoever,

0:39:26.040 --> 0:39:28.360
<v Speaker 1>you can probably get in front of a mirror and

0:39:28.480 --> 0:39:31.920
<v Speaker 1>not move their lips and go a C, D, E, G, H, I,

0:39:32.080 --> 0:39:36.040
<v Speaker 1>j K, L H O q R S t U

0:39:37.200 --> 0:39:40.800
<v Speaker 1>x z. So you're training paid off. This was the

0:39:40.880 --> 0:39:43.839
<v Speaker 1>moment you were training for it. But when it comes

0:39:43.840 --> 0:39:46.400
<v Speaker 1>to those other ones, and the one I really remember

0:39:46.600 --> 0:39:51.520
<v Speaker 1>was bees and ends, So you swap out d s

0:39:51.680 --> 0:39:54.440
<v Speaker 1>for bees. So instead of saying the word boy b

0:39:54.600 --> 0:39:57.799
<v Speaker 1>o y, you say doy, right, but you don't say doy,

0:39:57.920 --> 0:40:01.800
<v Speaker 1>you say yeah you try to and girls. Yeah, exactly.

0:40:02.200 --> 0:40:05.279
<v Speaker 1>And that's the trick, is his context. When you hear

0:40:05.760 --> 0:40:08.840
<v Speaker 1>doys and girls, your brain wants to hear boys and girls,

0:40:09.760 --> 0:40:14.040
<v Speaker 1>and uh, your brain wants to hear uh, what's another

0:40:14.080 --> 0:40:18.200
<v Speaker 1>one here? I don't wonder that one part when the

0:40:18.239 --> 0:40:20.400
<v Speaker 1>guy did Peter Piper picked a peck of pickled peppers,

0:40:20.920 --> 0:40:23.000
<v Speaker 1>he did it really like, these are the ones that

0:40:23.080 --> 0:40:25.799
<v Speaker 1>are really good at it. You just can't see right.

0:40:25.840 --> 0:40:27.960
<v Speaker 1>And that's the thing you and I are, well, I

0:40:28.000 --> 0:40:30.399
<v Speaker 1>should say I'm not very good at it. I'm not either,

0:40:30.680 --> 0:40:34.440
<v Speaker 1>but um ventillo Christs are. And if this sounds really weird,

0:40:34.800 --> 0:40:36.439
<v Speaker 1>all you have to do is say, well, i've seemed

0:40:36.480 --> 0:40:40.200
<v Speaker 1>ventilo christ before, I've never noticed, and they would say exactly, yeah,

0:40:40.320 --> 0:40:42.440
<v Speaker 1>that's how good we are. Start listening a little bit

0:40:42.640 --> 0:40:45.200
<v Speaker 1>for peas and teas. Instead of saying the repeater, you

0:40:45.239 --> 0:40:49.000
<v Speaker 1>would say, teeter, take the tech of tickled tech teppers,

0:40:49.560 --> 0:40:54.560
<v Speaker 1>which sounds ridiculous. But the practice, practice, practice part, you know,

0:40:54.760 --> 0:40:57.759
<v Speaker 1>and even in that documentary, you know, some of them

0:40:57.840 --> 0:41:01.040
<v Speaker 1>were better than others even within that movie. So you

0:41:01.080 --> 0:41:04.800
<v Speaker 1>could see a master at work like Dan Horn or

0:41:04.920 --> 0:41:09.239
<v Speaker 1>the Vegas guy Terry Fader and Dan Horn. I do

0:41:09.360 --> 0:41:13.480
<v Speaker 1>need to shout out that everyone remarked about his articulation.

0:41:13.560 --> 0:41:15.719
<v Speaker 1>What do they call it though, just like how you

0:41:15.800 --> 0:41:19.600
<v Speaker 1>move the puppet basically not even the mouth stuff. Handwork. Yeah,

0:41:19.680 --> 0:41:23.040
<v Speaker 1>the handwork and um, the manipulation is just off the

0:41:23.160 --> 0:41:28.600
<v Speaker 1>charts for him. He really brings it to life. But yeah, yeah,

0:41:28.719 --> 0:41:30.399
<v Speaker 1>he was really really good. But then you would see

0:41:30.440 --> 0:41:35.719
<v Speaker 1>someone else, um, like the beauty contestant who Kimberly he

0:41:35.800 --> 0:41:38.600
<v Speaker 1>really wanted to be on the cruise ship performing and

0:41:38.719 --> 0:41:41.360
<v Speaker 1>she was okay, but you could you know she you

0:41:41.400 --> 0:41:44.480
<v Speaker 1>could hear those teas sometimes and you could hear those

0:41:44.560 --> 0:41:50.080
<v Speaker 1>bees or d's for bees. I didn't notice, well, I

0:41:50.239 --> 0:41:53.479
<v Speaker 1>was really had the headphones in and that was really

0:41:53.520 --> 0:41:55.680
<v Speaker 1>picking it apart. I was studying, and I think that,

0:41:55.920 --> 0:41:58.200
<v Speaker 1>I mean, it's like a magician. Some people go there

0:41:58.200 --> 0:42:00.319
<v Speaker 1>and watch the magic act and some people we'll see

0:42:00.320 --> 0:42:02.440
<v Speaker 1>there and try and figure out what they're doing. I

0:42:02.520 --> 0:42:04.360
<v Speaker 1>think some people go and they just check out and

0:42:04.360 --> 0:42:06.279
<v Speaker 1>they're like, this is the funniest dang thing I've ever seen,

0:42:06.760 --> 0:42:08.600
<v Speaker 1>and other people just stare at the lips with their

0:42:08.719 --> 0:42:12.359
<v Speaker 1>arms cross waiting to catch them. Right, it's a weird thing.

0:42:12.600 --> 0:42:14.920
<v Speaker 1>There's actually a scene like that in Dead Silence, that

0:42:15.080 --> 0:42:17.680
<v Speaker 1>horror movie where boys like I could see your lips

0:42:17.760 --> 0:42:22.920
<v Speaker 1>move and that boy who is who's in? That's the

0:42:23.000 --> 0:42:27.680
<v Speaker 1>lead knowing you've heard of? Okay, so although what's Donnie Wahlberg,

0:42:28.040 --> 0:42:32.000
<v Speaker 1>isn't it? He plays a cop, almost a hapless cop

0:42:32.080 --> 0:42:34.360
<v Speaker 1>who kind of alternates between like a tough guy and

0:42:34.680 --> 0:42:36.960
<v Speaker 1>a guy who can get pushed the floor easily by

0:42:37.040 --> 0:42:40.040
<v Speaker 1>a man who's fifty pounds lighter than him. I thought

0:42:40.080 --> 0:42:42.640
<v Speaker 1>this is an old movie, so this is he doesn't seven? Okay,

0:42:43.000 --> 0:42:46.719
<v Speaker 1>semi recently worth seeing. It actually is super scary in

0:42:46.800 --> 0:42:50.360
<v Speaker 1>a few parts Dead Silence, Dead Silence. It's a little hokey,

0:42:50.480 --> 0:42:53.880
<v Speaker 1>but it's a cult I want to say, a cult classic.

0:42:54.120 --> 0:42:57.080
<v Speaker 1>Not yet, it's a cult favorite. Give it a few years.

0:42:57.239 --> 0:42:59.440
<v Speaker 1>It's got a cold already, it's got a cold following,

0:42:59.480 --> 0:43:01.680
<v Speaker 1>you know, I don't know if it's a cult classic.

0:43:01.920 --> 0:43:03.320
<v Speaker 1>We should read the rest of these though, just in

0:43:03.400 --> 0:43:07.520
<v Speaker 1>case people do want to practice DS for bees for

0:43:07.760 --> 0:43:12.920
<v Speaker 1>f you use E T H as your substitution, u

0:43:13.280 --> 0:43:16.160
<v Speaker 1>ms become ends like I said, nothings instead of muffins,

0:43:17.280 --> 0:43:22.080
<v Speaker 1>tease like we said, become pas vs, become th h

0:43:22.239 --> 0:43:28.000
<v Speaker 1>E liked for victory. Yeah. Again, sounds ridiculous coming out

0:43:28.040 --> 0:43:30.359
<v Speaker 1>of our mouths, right, but we're talking like imagine if

0:43:30.400 --> 0:43:33.200
<v Speaker 1>you played up like an accent or it's a little

0:43:33.360 --> 0:43:35.680
<v Speaker 1>kid who has like buck teeth or something like that,

0:43:36.239 --> 0:43:39.200
<v Speaker 1>then it's explained. It makes all tricks of the trade exactly.

0:43:39.280 --> 0:43:42.279
<v Speaker 1>And another trick of the trade is to uh not

0:43:42.520 --> 0:43:45.480
<v Speaker 1>use those words much, right. Rewrite the sentence, yeah, rewrite

0:43:45.520 --> 0:43:50.839
<v Speaker 1>it so instead of d for boy doy just a kid. Sure,

0:43:51.320 --> 0:43:55.240
<v Speaker 1>like the Elmer Fudd rule, which was well, remember Elmer

0:43:55.280 --> 0:43:58.360
<v Speaker 1>Fudd could like he I guess, stuttered, I guess, and

0:43:58.400 --> 0:44:01.279
<v Speaker 1>then we just abandoned whatever we're we're trying to say, Oh,

0:44:01.360 --> 0:44:04.719
<v Speaker 1>it was porky pig, your porky pig. There's another thing

0:44:04.760 --> 0:44:07.680
<v Speaker 1>about porky pig. Remember when we were talking about Donald Duck.

0:44:07.840 --> 0:44:11.080
<v Speaker 1>How Donald Duck wore a shirt with no pants that's

0:44:11.080 --> 0:44:14.719
<v Speaker 1>actually called porky pig in it? A shirt with no pants. Yeah,

0:44:15.200 --> 0:44:18.359
<v Speaker 1>somebody walking around with just a shirt on, which I've

0:44:18.400 --> 0:44:20.600
<v Speaker 1>said before, I know this because I've mentioned in an

0:44:20.640 --> 0:44:22.960
<v Speaker 1>episode before I was it's the most horrific look a

0:44:23.040 --> 0:44:26.040
<v Speaker 1>man ever Donald, and somebody wrote in and so that's

0:44:26.040 --> 0:44:28.240
<v Speaker 1>actually called porky pig in it, and I'm like, that's

0:44:28.840 --> 0:44:32.239
<v Speaker 1>classic and disturbed people that well. I mean, it's like

0:44:32.360 --> 0:44:35.719
<v Speaker 1>if you're getting dressed, but who puts on their shirt

0:44:35.760 --> 0:44:39.160
<v Speaker 1>before their underwear. There's some weirdos out there who do,

0:44:39.760 --> 0:44:41.520
<v Speaker 1>or I guess a lot of people don't wear underwear.

0:44:42.000 --> 0:44:44.040
<v Speaker 1>There you go, you just figured it out. I just

0:44:44.120 --> 0:44:46.520
<v Speaker 1>remember the scene an Animal House when Donald Sutherland has

0:44:46.600 --> 0:44:49.840
<v Speaker 1>on that cardigan sweater and he goes and gets like

0:44:49.920 --> 0:44:52.200
<v Speaker 1>a box of cereal off the shelf, porky pigging it

0:44:52.360 --> 0:44:54.960
<v Speaker 1>and his sweater races up and you see his butt. Yeah,

0:44:55.600 --> 0:44:59.480
<v Speaker 1>it's disturbing. Oh man, not a good look. There's one

0:44:59.520 --> 0:45:01.000
<v Speaker 1>other thing on to say, we we need to get

0:45:01.000 --> 0:45:04.640
<v Speaker 1>technically here because we've been real silly. But ventriloquists when

0:45:04.719 --> 0:45:07.400
<v Speaker 1>they are speaking, they talk in a resonant voice, so

0:45:07.480 --> 0:45:09.600
<v Speaker 1>it's got a real hump to it, and there's a

0:45:09.680 --> 0:45:12.160
<v Speaker 1>lot of air involved that they pushed through their nose

0:45:12.400 --> 0:45:16.120
<v Speaker 1>and their closed teeth. At the same time, breathing is

0:45:16.200 --> 0:45:18.839
<v Speaker 1>very important, so they get a real resonant voice, which

0:45:18.920 --> 0:45:20.880
<v Speaker 1>is one way that they can project it. They can

0:45:20.920 --> 0:45:24.200
<v Speaker 1>make it sound like it's further away by modulating their voice.

0:45:25.200 --> 0:45:28.480
<v Speaker 1>And there's a ventriloquist called Paul's Arden. He won America's

0:45:28.520 --> 0:45:31.560
<v Speaker 1>Got Talent too, and he's taken it old school where

0:45:31.640 --> 0:45:34.600
<v Speaker 1>he goes out like some of the old ventriloquists who

0:45:34.920 --> 0:45:40.560
<v Speaker 1>um worked before dummies did uh and fools um hapless

0:45:40.600 --> 0:45:44.840
<v Speaker 1>bystanders into thinking somebody's crying out from a dumpster and

0:45:44.960 --> 0:45:47.279
<v Speaker 1>needs help or something like that. He's also the guy,

0:45:47.320 --> 0:45:50.640
<v Speaker 1>I think that it's on America's Got Talent that does

0:45:51.680 --> 0:45:54.720
<v Speaker 1>a mask on a real human. He got Howie Mandel

0:45:54.760 --> 0:45:57.440
<v Speaker 1>up there, and the lady came out and would put

0:45:57.480 --> 0:45:59.920
<v Speaker 1>a mask on Howie Mandel. And knowing how how We

0:46:00.040 --> 0:46:02.600
<v Speaker 1>Mandel is about germs, I could see him just like, yeah,

0:46:02.800 --> 0:46:05.200
<v Speaker 1>this person is putting a mask on his face with

0:46:05.320 --> 0:46:08.080
<v Speaker 1>their hands, and he was kind of like okay. But

0:46:08.200 --> 0:46:11.040
<v Speaker 1>then there's either a remote control or something behind him

0:46:11.400 --> 0:46:14.279
<v Speaker 1>where he moves the mouth, So Howie Mandel just has

0:46:14.360 --> 0:46:16.960
<v Speaker 1>to sit there right. He does the eventually quizit with

0:46:17.080 --> 0:46:20.680
<v Speaker 1>Howowie Mandel's moving mouth, Ye has the dummy. It's pretty hilarious.

0:46:22.760 --> 0:46:24.839
<v Speaker 1>It is. Well, if you want to know more about

0:46:24.880 --> 0:46:27.600
<v Speaker 1>ventula quis M, go practice, go figure it out. You

0:46:27.680 --> 0:46:30.200
<v Speaker 1>can do it. We know you can't. And since I

0:46:30.320 --> 0:46:34.120
<v Speaker 1>said you can do it, it's time for a listener mail.

0:46:36.440 --> 0:46:38.680
<v Speaker 1>Hey guys, my name is Nathan. I'm twenty eight years old.

0:46:38.680 --> 0:46:43.640
<v Speaker 1>I'm a systems engineer and Waka Shaw Wisconsin. Here's how

0:46:43.680 --> 0:46:47.840
<v Speaker 1>you pronounced Did you see that? Uh? He has a

0:46:47.880 --> 0:46:51.160
<v Speaker 1>fancy named Abby. You get married Nick August. He's been

0:46:51.200 --> 0:46:53.960
<v Speaker 1>listening to us for six months and he's hooked, so

0:46:54.239 --> 0:46:56.880
<v Speaker 1>he says this. I just finished the eyewitness testimony episode

0:46:57.440 --> 0:46:59.719
<v Speaker 1>and I finally have something to write in about the

0:46:59.800 --> 0:47:02.719
<v Speaker 1>movie The Twelve Angry Men. Yeah. It was made in

0:47:02.760 --> 0:47:05.879
<v Speaker 1>the nineteen fifties about a jury comprised of twelve angry men.

0:47:06.280 --> 0:47:10.080
<v Speaker 1>The movie covers a lot about prejudice, prejudice, morality, and

0:47:10.160 --> 0:47:12.560
<v Speaker 1>everything else that goes along with courtroom dramas. But one

0:47:12.600 --> 0:47:16.560
<v Speaker 1>of the penultimate scenes regarding eyewitness test is regarding eyewitness testimony.

0:47:16.760 --> 0:47:18.040
<v Speaker 1>I don't want to give it anything away, but it

0:47:18.080 --> 0:47:20.960
<v Speaker 1>really shows how someone can be completely confident in something

0:47:21.000 --> 0:47:24.320
<v Speaker 1>they've seen, but what might not be really what happened

0:47:24.520 --> 0:47:26.960
<v Speaker 1>when you look at the details without knowing it. The

0:47:27.000 --> 0:47:30.360
<v Speaker 1>movie challenges memory versus reality and how we're all victims

0:47:30.440 --> 0:47:33.200
<v Speaker 1>to emotion. Pretty good for a movie about a bunch

0:47:33.239 --> 0:47:36.480
<v Speaker 1>of white dudes uh in the nineteen fifties, I totally

0:47:36.560 --> 0:47:39.560
<v Speaker 1>suggested as a much must watch, especially with the current

0:47:39.760 --> 0:47:44.440
<v Speaker 1>climate of political affairs. To that, keep up the good work, guys.

0:47:45.000 --> 0:47:48.440
<v Speaker 1>Welcome back Jerry. II. How that guy I know? And

0:47:48.480 --> 0:47:51.520
<v Speaker 1>that's from Nathan? Did you add that? No? Wow? Well,

0:47:51.600 --> 0:47:57.640
<v Speaker 1>welcome back Jerry. Guys. Good he's heard this episode before. Well,

0:47:57.719 --> 0:48:00.840
<v Speaker 1>she'd been back before this, so you're late, Nathan. Okay,

0:48:01.160 --> 0:48:04.080
<v Speaker 1>it was Nathan, Nathan. Thanks a lot, and thank you

0:48:04.239 --> 0:48:07.960
<v Speaker 1>for um teaching us how to pronounce with KESHI and

0:48:08.040 --> 0:48:10.600
<v Speaker 1>hello to Abby. Good luck on that wedding. Yeah, mozle,

0:48:10.680 --> 0:48:14.920
<v Speaker 1>tough guys. UM send us the extra breadmaker or whatever

0:48:15.000 --> 0:48:18.600
<v Speaker 1>you get that you don't want, Okay, I'll take a breadmaker,

0:48:18.600 --> 0:48:20.680
<v Speaker 1>all right, let's do it. We'll split custody, all right.

0:48:21.760 --> 0:48:23.440
<v Speaker 1>If you want to get in touch with Chuck me

0:48:23.719 --> 0:48:26.360
<v Speaker 1>or Jerry or Frank the chair too, even um, you

0:48:26.440 --> 0:48:27.960
<v Speaker 1>can go to stuff you Should Know dot com and

0:48:28.040 --> 0:48:31.239
<v Speaker 1>follow our social links. Onto the social media's and find

0:48:31.360 --> 0:48:33.680
<v Speaker 1>us there um. You can also send us a good

0:48:33.680 --> 0:48:38.160
<v Speaker 1>old fashioned email to Stuff Podcast at i heeart radio

0:48:38.600 --> 0:48:44.080
<v Speaker 1>dot com. Stuff you should know is production of iHeart Radios.

0:48:44.080 --> 0:48:46.640
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0:48:46.680 --> 0:48:49.280
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0:48:49.360 --> 0:48:50.600
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