1 00:00:00,240 --> 00:00:04,680 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,760 --> 00:00:09,080 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,200 --> 00:00:12,119 Speaker 1: learn the stuff they don't want you to know. A 4 00:00:12,240 --> 00:00:24,760 Speaker 1: production of I Heart Radios How Stuff Works. Welcome back 5 00:00:24,800 --> 00:00:27,040 Speaker 1: to the show. My name is Matt Noel is on 6 00:00:27,120 --> 00:00:30,240 Speaker 1: an adventure they called me Ben. We are joined as 7 00:00:30,240 --> 00:00:34,200 Speaker 1: always with our super producer Paul mission Controled decade. Most importantly, 8 00:00:34,240 --> 00:00:36,320 Speaker 1: you are you. You are here, and that makes this 9 00:00:36,440 --> 00:00:38,960 Speaker 1: stuff they don't want you to know. We have a 10 00:00:39,000 --> 00:00:41,519 Speaker 1: special guest of sorts today, Matt, we do. We have 11 00:00:41,720 --> 00:00:45,239 Speaker 1: j J. Paseway. He's a new producer here at the 12 00:00:45,720 --> 00:00:49,959 Speaker 1: I Heart Radio Network, the I Heart Radio Podcast Network. 13 00:00:50,479 --> 00:00:52,960 Speaker 1: That's a hard shrug you're doing there, man. Whatever this 14 00:00:53,120 --> 00:00:56,640 Speaker 1: thing is that we're a part of is called Yeah, 15 00:00:56,680 --> 00:00:58,720 Speaker 1: it's pretty pretty awesome. It's good to good to have 16 00:00:58,760 --> 00:01:00,760 Speaker 1: you here. J J. Apparently he knew like what this 17 00:01:00,840 --> 00:01:05,360 Speaker 1: show was before getting here, right, and we're still friends. Yeah, 18 00:01:05,400 --> 00:01:07,600 Speaker 1: I know, he's like trip. He hasn't looked me in 19 00:01:07,680 --> 00:01:09,600 Speaker 1: the eye yet, just because I kind of like ran 20 00:01:09,680 --> 00:01:13,120 Speaker 1: into the studio right before we hit record. Yeah, and 21 00:01:13,160 --> 00:01:15,800 Speaker 1: I can't see him because my view of J J. 22 00:01:15,840 --> 00:01:18,280 Speaker 1: Oh okay, he's looking at me. Oh gosh. Yeah. Yeah. 23 00:01:18,400 --> 00:01:21,400 Speaker 1: Well you've got sort of blue steel vibe going on today, 24 00:01:21,440 --> 00:01:23,280 Speaker 1: so I can see how people would be, you know, 25 00:01:23,760 --> 00:01:26,480 Speaker 1: got you a little bit intimidated. Oh I'm feeling it. 26 00:01:26,520 --> 00:01:29,000 Speaker 1: I'm feeling the blue steel. Yeah, I'm going for kind 27 00:01:29,000 --> 00:01:30,759 Speaker 1: of an eye of the tiger thing and I'm sort 28 00:01:30,760 --> 00:01:33,080 Speaker 1: of doing it. I'm pulling it off kind of. Oh no, 29 00:01:33,160 --> 00:01:36,280 Speaker 1: I'm seeing the intensity. So just to check in with you, 30 00:01:36,319 --> 00:01:38,880 Speaker 1: everything is good. We just had our big July four, 31 00:01:39,440 --> 00:01:44,840 Speaker 1: like I guess, weekend. Yeah, yeah, I have some some 32 00:01:45,080 --> 00:01:48,040 Speaker 1: traveling that I need to catch up on. But uh yeah, 33 00:01:48,160 --> 00:01:52,520 Speaker 1: July four America, right. I hope you had a good 34 00:01:52,560 --> 00:01:55,800 Speaker 1: weekend as well. And if you are listening in a 35 00:01:55,840 --> 00:01:59,720 Speaker 1: different country, July four, and I think it's weird for 36 00:01:59,760 --> 00:02:02,480 Speaker 1: us to assume everybody knows this. July four is when 37 00:02:02,640 --> 00:02:08,480 Speaker 1: the United States celebrates independence from Britain, right, And the 38 00:02:08,520 --> 00:02:12,880 Speaker 1: way in which the US most often tends to celebrate 39 00:02:12,919 --> 00:02:18,920 Speaker 1: this day is through getting kind of drunk, lighting fireworks 40 00:02:18,960 --> 00:02:22,800 Speaker 1: and having barbecues. There you go, and that's what some 41 00:02:22,919 --> 00:02:28,440 Speaker 1: of us did. That's very diplomatic. How you guys doing 42 00:02:28,440 --> 00:02:30,960 Speaker 1: out there in the booth, thumbs up, thumbs down, thumbs up, 43 00:02:31,000 --> 00:02:33,560 Speaker 1: all the way comes up. That's great. And how are 44 00:02:33,600 --> 00:02:37,040 Speaker 1: you doing, folks out there listening to day? Uh? Do 45 00:02:37,080 --> 00:02:40,120 Speaker 1: you have something on your mind? How We're going to 46 00:02:40,160 --> 00:02:43,720 Speaker 1: investigate some pretty interesting stuff here that may be familiar 47 00:02:43,760 --> 00:02:46,480 Speaker 1: to some of us. If at any time while we're 48 00:02:46,520 --> 00:02:50,520 Speaker 1: exploring this strange rabbit hole, the spirit so moves you 49 00:02:50,560 --> 00:02:52,400 Speaker 1: when you have something on your mind that you want 50 00:02:52,400 --> 00:02:53,800 Speaker 1: to tell us and you don't wanna have to type 51 00:02:53,800 --> 00:02:56,840 Speaker 1: it out, they have no fear. You can pause, the 52 00:02:56,880 --> 00:02:59,600 Speaker 1: show will wait for you, and you can give us 53 00:02:59,600 --> 00:03:02,520 Speaker 1: a call. You can call us at one eight three 54 00:03:02,600 --> 00:03:06,839 Speaker 1: three S T D W I T K. You'll you'll 55 00:03:06,880 --> 00:03:08,880 Speaker 1: figure it out. You'll here, been on there, You'll know 56 00:03:08,919 --> 00:03:11,600 Speaker 1: you're in the right place. And I feel like we've 57 00:03:11,680 --> 00:03:14,600 Speaker 1: established the rules of the call I lied such that 58 00:03:14,720 --> 00:03:18,639 Speaker 1: at this point, you know, fill it up. Yeah, all 59 00:03:18,680 --> 00:03:20,960 Speaker 1: you have to do is call so. So we talked 60 00:03:21,080 --> 00:03:26,320 Speaker 1: at the top here just about how um, honestly odd 61 00:03:26,440 --> 00:03:30,440 Speaker 1: it is when someone, UM, I can't speak for you, Ben, 62 00:03:30,639 --> 00:03:36,040 Speaker 1: but it's an odd experience when someone recognizes your voice. UM. 63 00:03:36,520 --> 00:03:38,840 Speaker 1: And on this show, it's only happened to me a 64 00:03:38,880 --> 00:03:42,200 Speaker 1: handful of times. Um. I'm assuming that it's happened to 65 00:03:42,240 --> 00:03:46,120 Speaker 1: you more because you had a visual presence on this 66 00:03:46,240 --> 00:03:49,200 Speaker 1: show for so long, UM, and so many people watch 67 00:03:49,280 --> 00:03:54,360 Speaker 1: those videos. But today we're talking about the concept of 68 00:03:54,520 --> 00:03:59,000 Speaker 1: being known, of being recognized right to the nth degree. 69 00:03:59,080 --> 00:04:02,320 Speaker 1: As indeed, Matt, we are talking about the concept of celebrity. 70 00:04:02,560 --> 00:04:05,480 Speaker 1: Celebrity is really bizarre when you think about it. Since 71 00:04:05,560 --> 00:04:08,960 Speaker 1: before the dawn of recorded human history, we've looked to 72 00:04:09,160 --> 00:04:12,680 Speaker 1: place our beliefs and our values on the form of 73 00:04:12,720 --> 00:04:17,080 Speaker 1: a familiar face, something that is like us. Abstract ideas 74 00:04:17,080 --> 00:04:20,200 Speaker 1: are all well and good on their own, but generally speaking, 75 00:04:20,560 --> 00:04:24,680 Speaker 1: humans like other humans or things that look like humans, 76 00:04:24,880 --> 00:04:26,560 Speaker 1: and they want that to be sort of a coat 77 00:04:26,680 --> 00:04:30,920 Speaker 1: rack upon which ideas hang, something with which we can 78 00:04:31,080 --> 00:04:37,080 Speaker 1: directly identify. So for a lot of people, maybe during 79 00:04:38,040 --> 00:04:42,680 Speaker 1: the Cold War in the West, when they thought of communism, 80 00:04:43,000 --> 00:04:46,760 Speaker 1: they didn't think of a bunch of ideals written by 81 00:04:46,839 --> 00:04:52,480 Speaker 1: some stuffy, old dead European folks. They they thought about, uh, 82 00:04:52,600 --> 00:04:57,440 Speaker 1: specific propaganda image, maybe a soldier in red marching or something. Yeah, 83 00:04:57,760 --> 00:05:03,960 Speaker 1: we we are a symbol seeking being, uh, the human is, 84 00:05:04,240 --> 00:05:07,640 Speaker 1: and these celebrities a lot of times are the representations 85 00:05:07,720 --> 00:05:11,880 Speaker 1: of from propaganda. Are ways for us to quickly organize 86 00:05:12,279 --> 00:05:14,560 Speaker 1: the way we feel about something or the way way 87 00:05:14,600 --> 00:05:16,680 Speaker 1: we should feel about something, or way we actually do 88 00:05:17,000 --> 00:05:19,720 Speaker 1: feel about something or someone right. And we can be 89 00:05:19,760 --> 00:05:21,880 Speaker 1: blinded by this too, which is a bit of a 90 00:05:21,920 --> 00:05:24,560 Speaker 1: different bag of badgers for us. We can be blinded 91 00:05:24,600 --> 00:05:29,400 Speaker 1: by this in strange ways, and our brains are pretty 92 00:05:29,440 --> 00:05:35,200 Speaker 1: good at making things seem normal. So picture, imagine your mind, 93 00:05:35,880 --> 00:05:39,320 Speaker 1: the most famous person you can think of, the most 94 00:05:39,360 --> 00:05:43,440 Speaker 1: famous person, caveat who is alive today. If that person 95 00:05:43,560 --> 00:05:48,680 Speaker 1: said something that didn't gibe with what they usually say, 96 00:05:48,839 --> 00:05:53,080 Speaker 1: their die hard supporters are more likely to go along 97 00:05:53,160 --> 00:05:57,800 Speaker 1: with it because they identify with the person first interesting 98 00:05:57,960 --> 00:06:00,800 Speaker 1: and the idea that they have. You know, they can 99 00:06:00,839 --> 00:06:04,520 Speaker 1: be led along or let us stray someone see, just 100 00:06:04,640 --> 00:06:06,800 Speaker 1: by the way in which that person with whom they 101 00:06:06,839 --> 00:06:11,159 Speaker 1: identify says or explains a certain thing. And this is 102 00:06:11,200 --> 00:06:14,719 Speaker 1: why human beings love the concept of celebrities. In a 103 00:06:14,760 --> 00:06:18,560 Speaker 1: lot of ways, celebrities today are similar to deities in 104 00:06:18,680 --> 00:06:23,160 Speaker 1: ancient times. You know, people obsess over them. We perform 105 00:06:23,360 --> 00:06:28,880 Speaker 1: certain rituals, and that doesn't necessarily mean you know, you're uh, 106 00:06:29,160 --> 00:06:32,159 Speaker 1: sacrificing and got to Neil de grass Tyson or Bill 107 00:06:32,279 --> 00:06:34,560 Speaker 1: High or something. It can be as simple as checking 108 00:06:34,600 --> 00:06:38,680 Speaker 1: your Instagram stories every day or every couple of hours 109 00:06:38,800 --> 00:06:43,839 Speaker 1: or something right right. Or you always listen to a 110 00:06:44,000 --> 00:06:47,280 Speaker 1: song by your favorite musician when you're about to do 111 00:06:47,360 --> 00:06:50,080 Speaker 1: a thing, you know what I mean, Like you always 112 00:06:50,080 --> 00:06:52,760 Speaker 1: play on the Road Again by Willie Nelson when you're 113 00:06:52,839 --> 00:06:55,719 Speaker 1: on a road trip. So that's the first track at least, 114 00:06:56,279 --> 00:07:02,680 Speaker 1: right right exactly, So when we perform these rituals, we 115 00:07:02,760 --> 00:07:06,800 Speaker 1: feel a genuine personal connection with entities that we may 116 00:07:06,839 --> 00:07:10,520 Speaker 1: have never met and may well never meet an hour lifetime, 117 00:07:10,880 --> 00:07:14,440 Speaker 1: and who may not be anything like the representation that 118 00:07:14,520 --> 00:07:17,760 Speaker 1: exists on whatever medium you're consuming exactly. So it's no 119 00:07:17,800 --> 00:07:20,320 Speaker 1: wonder then that the world of celebrity is also a 120 00:07:20,360 --> 00:07:25,600 Speaker 1: world rife with conspiracy. A while back, I wanted to 121 00:07:25,640 --> 00:07:28,800 Speaker 1: bring this to your attention. A while back, Matt, you 122 00:07:28,880 --> 00:07:33,120 Speaker 1: and I did a strange video which I still think 123 00:07:33,200 --> 00:07:37,600 Speaker 1: holds up. Yeah, it's it's kind of ridiculous, But in 124 00:07:37,640 --> 00:07:40,920 Speaker 1: that video we have this sort of meet the team 125 00:07:41,000 --> 00:07:44,960 Speaker 1: kind of thing, right, and in there you have you 126 00:07:45,120 --> 00:07:50,440 Speaker 1: built this great chart, uh, supporting the notion that Paul 127 00:07:50,520 --> 00:07:53,600 Speaker 1: McCartney had died and been replaced by someone else. Do 128 00:07:53,600 --> 00:07:55,800 Speaker 1: you remember this. I do remember this and shout out 129 00:07:55,920 --> 00:07:59,600 Speaker 1: to Diana, my wife, because she gave me most of 130 00:07:59,600 --> 00:08:01,960 Speaker 1: the information that was included in that. She helped me 131 00:08:02,040 --> 00:08:05,560 Speaker 1: build that thing. She is she has an obsession like 132 00:08:05,600 --> 00:08:09,360 Speaker 1: we're talking about with the Beatles, whether living or dead, 133 00:08:09,760 --> 00:08:13,520 Speaker 1: and she knows so much. She basically was like, oh, yeah, well, 134 00:08:13,560 --> 00:08:15,480 Speaker 1: here's all the things. You just put this on there, 135 00:08:15,480 --> 00:08:17,400 Speaker 1: put that on there, all cut all this stuff out here. 136 00:08:17,440 --> 00:08:20,960 Speaker 1: You got it. That's awesome, man, that's awesome. That video 137 00:08:21,040 --> 00:08:24,640 Speaker 1: is still around on our YouTube channel, which I missed, 138 00:08:24,640 --> 00:08:27,560 Speaker 1: by the way, for some reason. The main thing I 139 00:08:27,600 --> 00:08:30,800 Speaker 1: remember about that video is you holding some kind of 140 00:08:30,880 --> 00:08:36,400 Speaker 1: pipe and looking and explaining this conspiracy thing to me, 141 00:08:36,800 --> 00:08:39,440 Speaker 1: and then we're in a bathroom. Yeah, we realized we're 142 00:08:39,480 --> 00:08:42,120 Speaker 1: in a bathroom and you've been urinating the entire time. 143 00:08:42,320 --> 00:08:46,920 Speaker 1: That's right as it cuts over spoiler. Uh it is 144 00:08:47,200 --> 00:08:49,640 Speaker 1: safe for work. We should say that. We thought that 145 00:08:49,760 --> 00:08:51,920 Speaker 1: was hilarious. We hope you enjoy it. Maybe some of 146 00:08:51,920 --> 00:08:54,560 Speaker 1: our fellow long time listeners in the audience remember that 147 00:08:54,640 --> 00:08:58,679 Speaker 1: when today we're diving back into the world of celebrity conspiracy, 148 00:08:58,760 --> 00:09:01,720 Speaker 1: specifically the idea that some of the world's most famous 149 00:09:01,760 --> 00:09:07,480 Speaker 1: people have been secretly replaced by lookalikes, body doubles, dopplegangers, 150 00:09:07,800 --> 00:09:12,360 Speaker 1: who douple gangers. Who can I say it? So, guess what? 151 00:09:12,960 --> 00:09:16,000 Speaker 1: Here are the facts. It just doesn't sound the same 152 00:09:16,000 --> 00:09:18,880 Speaker 1: when you've got it. Here are the facts. When we 153 00:09:18,920 --> 00:09:21,880 Speaker 1: hear that word celebrity. You know, we've we've been talking 154 00:09:21,880 --> 00:09:23,400 Speaker 1: about this whole time. We're all on the same page. 155 00:09:23,440 --> 00:09:25,600 Speaker 1: We understand what that is. Somebody who is known a 156 00:09:25,679 --> 00:09:29,320 Speaker 1: famous person, an athlete, a musician and actor, maybe even 157 00:09:29,400 --> 00:09:32,200 Speaker 1: one of those insta fluencers. I don't even know how 158 00:09:32,240 --> 00:09:41,120 Speaker 1: you say it. Oh that's good, that's good, that exactly. Um. 159 00:09:41,200 --> 00:09:46,280 Speaker 1: But but there's a there's a thing here, and it's 160 00:09:46,360 --> 00:09:48,360 Speaker 1: it's tough to differentiate, but we're going to try and 161 00:09:48,360 --> 00:09:52,679 Speaker 1: do it. Here between someone being uh, capital F famous. 162 00:09:52,880 --> 00:09:55,320 Speaker 1: It's not really capital, but let's just use a capital 163 00:09:55,320 --> 00:09:58,480 Speaker 1: F as in this person is known throughout the world 164 00:09:58,520 --> 00:10:04,000 Speaker 1: for some reason as a a human person that does things, 165 00:10:04,040 --> 00:10:08,920 Speaker 1: but then an internet famous person that is slightly different. Yeah, 166 00:10:09,040 --> 00:10:12,120 Speaker 1: I would, I would say so, I would completely agree 167 00:10:12,160 --> 00:10:19,040 Speaker 1: with that. So we're talking maybe about athletes, musicians, actors 168 00:10:19,120 --> 00:10:22,480 Speaker 1: and so on. That's often what we mean, right when 169 00:10:22,480 --> 00:10:25,520 Speaker 1: we say, as you say, capital F famous or heads 170 00:10:25,520 --> 00:10:29,280 Speaker 1: of states or heads of religions, people who are photographed 171 00:10:29,559 --> 00:10:32,880 Speaker 1: by other people all the time. And then we have 172 00:10:33,240 --> 00:10:35,760 Speaker 1: and then we have the thing where people are maybe 173 00:10:36,360 --> 00:10:39,880 Speaker 1: more famous in a specific field. That's probably where I 174 00:10:39,880 --> 00:10:46,920 Speaker 1: would put what we call instant fluencers or uh, very 175 00:10:47,040 --> 00:10:51,160 Speaker 1: very well known YouTubers who focus on a specific thing, right, 176 00:10:51,480 --> 00:10:55,000 Speaker 1: And of course we have to be honest. Podcasters fall 177 00:10:55,200 --> 00:10:59,640 Speaker 1: in that. There are some there are some maybe they 178 00:10:59,679 --> 00:11:04,640 Speaker 1: count as capital F famous people who are also podcasters, 179 00:11:04,640 --> 00:11:07,400 Speaker 1: but they're not famous for that makes sense. Thinking about 180 00:11:07,440 --> 00:11:11,440 Speaker 1: Will Ferrell right there, Oh that's right, yeah, yeah, yeah, yeah, 181 00:11:11,559 --> 00:11:13,560 Speaker 1: he'll get into podcasts right now. I think it's just 182 00:11:13,760 --> 00:11:21,400 Speaker 1: Ron Burgundy. Oh yeah, exactly. So, so it's strange and 183 00:11:21,600 --> 00:11:26,959 Speaker 1: it's also, um, it's a bit unsettling the idea or 184 00:11:27,000 --> 00:11:31,480 Speaker 1: the notion of celebrity because it places hierarchical value on 185 00:11:31,640 --> 00:11:36,199 Speaker 1: people in a way that should not really exist. So, 186 00:11:37,760 --> 00:11:40,400 Speaker 1: with all that in mind, if we do a very 187 00:11:40,520 --> 00:11:43,840 Speaker 1: broad definition, if we sort of mash up those kind 188 00:11:43,880 --> 00:11:47,280 Speaker 1: of known in their field people and the worldwide known 189 00:11:47,400 --> 00:11:50,559 Speaker 1: people you know, the Michael Jackson's and so on. You 190 00:11:50,640 --> 00:11:54,000 Speaker 1: smash them all together into one thing. We can ask 191 00:11:54,000 --> 00:11:57,679 Speaker 1: ourselves how many people in this world, in one way 192 00:11:57,760 --> 00:12:02,240 Speaker 1: or another, would be considered amos. It's really really tough 193 00:12:02,320 --> 00:12:05,679 Speaker 1: to tell. Some, like you said, Matt, are known worldwide 194 00:12:06,360 --> 00:12:10,440 Speaker 1: as a kind of eternal position, like the pope changes, 195 00:12:10,760 --> 00:12:13,800 Speaker 1: but everybody is aware of the idea of the pope. 196 00:12:14,240 --> 00:12:17,320 Speaker 1: The pope is very very well known, not always very 197 00:12:17,440 --> 00:12:20,959 Speaker 1: very popular, but very very well known. And some people 198 00:12:20,960 --> 00:12:25,520 Speaker 1: are known more in their field of expertise. What's what's 199 00:12:25,559 --> 00:12:29,480 Speaker 1: someone who would be really specific field of expertise? We 200 00:12:29,520 --> 00:12:34,680 Speaker 1: know I'm thinking of scientists a lot of times, or 201 00:12:35,600 --> 00:12:41,240 Speaker 1: um like perhaps an FBI investigator that is known in 202 00:12:41,320 --> 00:12:46,760 Speaker 1: the true crime world and or the law enforcement field. Great, okay, 203 00:12:47,040 --> 00:12:50,840 Speaker 1: I've got one about Nobel Prize winners. So there's an 204 00:12:50,840 --> 00:12:56,319 Speaker 1: American astrophysicist, John C. Mather, who essentially proved that the 205 00:12:56,360 --> 00:13:00,720 Speaker 1: Big Bang was real, not just the theory. He is 206 00:13:00,920 --> 00:13:05,079 Speaker 1: very well known in his field. But you know, it's 207 00:13:05,120 --> 00:13:08,360 Speaker 1: difficult because if you ask the average this is not 208 00:13:08,400 --> 00:13:10,400 Speaker 1: a ding on the average person. If you ask the 209 00:13:10,400 --> 00:13:17,440 Speaker 1: average person name your two favorite astrophysicists. They might have 210 00:13:17,480 --> 00:13:22,640 Speaker 1: a tough time because most people's conversations are not going 211 00:13:22,720 --> 00:13:24,680 Speaker 1: to relate to that on a day to day basis. 212 00:13:24,920 --> 00:13:28,240 Speaker 1: So we have experts in their field, we have worldwide famous, 213 00:13:28,400 --> 00:13:31,520 Speaker 1: and then we have some infamous people like the child 214 00:13:31,559 --> 00:13:35,680 Speaker 1: molester Jeffrey Epstein. Oh, hey, it's not alleged. We don't 215 00:13:35,679 --> 00:13:38,080 Speaker 1: have to say alleged. Let's do an anti shout out 216 00:13:38,120 --> 00:13:43,400 Speaker 1: to you, Jeffrey Epstein for possibly actually facing charges and 217 00:13:43,440 --> 00:13:47,480 Speaker 1: going to jail. Maybe we'll see, we'll see. It's I 218 00:13:47,520 --> 00:13:50,280 Speaker 1: think at this point the money matters less than the 219 00:13:50,280 --> 00:13:55,120 Speaker 1: potential co conspirators who could be indicted. I don't know. 220 00:13:55,160 --> 00:13:57,160 Speaker 1: I don't want to be too skeptical about it, but 221 00:13:57,280 --> 00:14:01,120 Speaker 1: it's it's just so rare for people at that level 222 00:14:01,120 --> 00:14:03,440 Speaker 1: to go to jail, and especially after what happened last 223 00:14:03,440 --> 00:14:05,559 Speaker 1: time that we have a whole episode on about if 224 00:14:05,559 --> 00:14:09,959 Speaker 1: you're interested, but beware, you will throw things as you're 225 00:14:10,000 --> 00:14:12,640 Speaker 1: listening to it, right, And maybe it'll be like the 226 00:14:12,679 --> 00:14:17,960 Speaker 1: Westminster the Westminster child abuse circle where they tossed out 227 00:14:18,000 --> 00:14:23,040 Speaker 1: a few scapegoats posthumously, and then the people who are 228 00:14:23,080 --> 00:14:27,080 Speaker 1: implicated were also the people investigating it and nothing ever changed. 229 00:14:27,760 --> 00:14:31,320 Speaker 1: I don't know, I you know, hope springs eternal. Anyway. 230 00:14:31,560 --> 00:14:34,760 Speaker 1: So we've got those people infamous, the villains, the well 231 00:14:34,840 --> 00:14:38,640 Speaker 1: known experts in their field, the worldwide. Everybody knows who 232 00:14:38,640 --> 00:14:42,000 Speaker 1: that is kind of people. How do we tell how 233 00:14:42,000 --> 00:14:47,120 Speaker 1: many people in the world are are those sorts of folks? Well, 234 00:14:47,160 --> 00:14:50,280 Speaker 1: we we have some help here in this quest. Even 235 00:14:50,320 --> 00:14:54,200 Speaker 1: if it's not the perfect examination of it, it's it's 236 00:14:54,200 --> 00:14:58,560 Speaker 1: getting us somewhere. Right. There's this mathematician named Samuel Arbesman 237 00:14:59,000 --> 00:15:03,480 Speaker 1: who who took a pretty interesting approach in back inten 238 00:15:03,600 --> 00:15:06,320 Speaker 1: He looked at Wikipedia and they have this thing on 239 00:15:06,360 --> 00:15:09,880 Speaker 1: there called living People. It's a category in which you 240 00:15:09,920 --> 00:15:12,440 Speaker 1: can kind of search and navigate through. And at the 241 00:15:12,480 --> 00:15:17,800 Speaker 1: time that the count in the number of living people 242 00:15:18,280 --> 00:15:22,200 Speaker 1: was just over six hundred thousand, six hundred four thousand, 243 00:15:22,240 --> 00:15:26,680 Speaker 1: one seventy four. And he, uh, you know, he even 244 00:15:26,680 --> 00:15:29,920 Speaker 1: admitted when with his own study and everything he was doing, 245 00:15:30,400 --> 00:15:35,440 Speaker 1: that Wikipedia is no notability standard was pretty low. Uh 246 00:15:35,440 --> 00:15:38,040 Speaker 1: as when it came to like who is famous, who 247 00:15:38,120 --> 00:15:41,320 Speaker 1: is not famous? Who is worthy of being on Wikipedia? Right, 248 00:15:41,360 --> 00:15:43,840 Speaker 1: some of our co workers are in Wikipedia. I don't 249 00:15:43,840 --> 00:15:46,240 Speaker 1: think we are, but so our co workers are, yeah, 250 00:15:46,240 --> 00:15:48,400 Speaker 1: we are not Josh and Chuck. I believe you're on there, 251 00:15:48,440 --> 00:15:50,880 Speaker 1: and I think maybe Holly and Tracy. That makes sense. 252 00:15:51,240 --> 00:15:55,640 Speaker 1: The question here is how many of these over six 253 00:15:55,720 --> 00:16:00,560 Speaker 1: hundred thousand people has everyone heard of? Could one person 254 00:16:00,640 --> 00:16:04,080 Speaker 1: have heard of them all? That is doubtful. It's just 255 00:16:04,320 --> 00:16:08,280 Speaker 1: so many people. But with this in mind, we can, 256 00:16:08,480 --> 00:16:12,960 Speaker 1: at least, as Absmen puts it, get a hint of understanding. 257 00:16:13,360 --> 00:16:14,800 Speaker 1: We can. We can get a little bit of a 258 00:16:14,840 --> 00:16:17,680 Speaker 1: spider sense or a guestament about how common fame is 259 00:16:17,760 --> 00:16:20,920 Speaker 1: in the world. And so here's our shortcut works. He 260 00:16:21,240 --> 00:16:25,400 Speaker 1: divided the famous people count by the global population in 261 00:16:25,520 --> 00:16:31,440 Speaker 1: twenty thirteen, which was seven point oh six billion, approximately, 262 00:16:31,880 --> 00:16:35,040 Speaker 1: and then with that math he got the number of 263 00:16:35,160 --> 00:16:40,480 Speaker 1: point zero zero eight six percent, so much less than 264 00:16:40,640 --> 00:16:44,240 Speaker 1: one percent, which is probably good for everybody's sanity, right, 265 00:16:44,720 --> 00:16:48,600 Speaker 1: and probably bad for the celebrity stalker industry, but you know, 266 00:16:48,680 --> 00:16:51,040 Speaker 1: they're just gonna have to deal with it. This number 267 00:16:51,160 --> 00:16:54,760 Speaker 1: is not ironclad by any means, but it's still pretty 268 00:16:54,760 --> 00:16:58,040 Speaker 1: fascinating because it tells us when we're talking about possible 269 00:16:58,040 --> 00:17:02,720 Speaker 1: celebrity doppelgangers, were also talking about a very small subset 270 00:17:03,000 --> 00:17:07,159 Speaker 1: of an already very tiny slice of humanity, and based 271 00:17:07,160 --> 00:17:10,960 Speaker 1: on that fact alone, we might think initially, we might 272 00:17:11,000 --> 00:17:13,920 Speaker 1: think it would be easy to spot an impersonator or 273 00:17:14,200 --> 00:17:18,800 Speaker 1: a replacement. You know, there's someone saying I am the 274 00:17:18,920 --> 00:17:24,159 Speaker 1: number one, Uh, car Carly ray Jepson fan. Is that 275 00:17:24,200 --> 00:17:27,199 Speaker 1: a person? I think? So. I don't know who it is, 276 00:17:27,240 --> 00:17:31,000 Speaker 1: but I've heard that name before. Okay, so someone loves 277 00:17:31,119 --> 00:17:34,680 Speaker 1: this person, Carly ray Jepson. They say, I've got all 278 00:17:34,720 --> 00:17:39,199 Speaker 1: of her albums or videos, whatever, what is she is? 279 00:17:39,240 --> 00:17:41,720 Speaker 1: She's done it. If it's in the public sphere, then 280 00:17:41,840 --> 00:17:44,119 Speaker 1: I have it, says the super fan. So I would 281 00:17:44,160 --> 00:17:48,359 Speaker 1: notice immediately a change, even if those filthy, casual Carly 282 00:17:48,480 --> 00:17:53,880 Speaker 1: ray Jepson fans don't understand the magnitude of my work. Uh. 283 00:17:53,960 --> 00:17:56,119 Speaker 1: Then we could go a bit further and assume the 284 00:17:56,200 --> 00:18:01,800 Speaker 1: average living celebrity will tend to be photographed and filmed 285 00:18:01,960 --> 00:18:05,439 Speaker 1: more often than the average non celebrity, right, yeah, I 286 00:18:05,440 --> 00:18:08,480 Speaker 1: mean it would have to be, or would it. Yes. 287 00:18:08,880 --> 00:18:11,440 Speaker 1: So a lot of the things we've been discussing thus 288 00:18:11,440 --> 00:18:16,840 Speaker 1: far are our assumptions. We're making assumptions based on you know, 289 00:18:16,920 --> 00:18:22,080 Speaker 1: evidence and numbers and our own experiences, but they are assumptions. 290 00:18:22,080 --> 00:18:24,879 Speaker 1: But really think about it, if we're talking about the 291 00:18:25,480 --> 00:18:31,280 Speaker 1: current president or any president, or maybe some daytime news hosts. Many, 292 00:18:31,480 --> 00:18:35,880 Speaker 1: many famous people have entire groups of people teams who 293 00:18:35,960 --> 00:18:40,399 Speaker 1: are controlling their images. They have offices built around managing 294 00:18:40,680 --> 00:18:44,119 Speaker 1: the icon that is their very own celebrity, that is 295 00:18:44,280 --> 00:18:47,840 Speaker 1: a pr little gem or something that they get to 296 00:18:48,000 --> 00:18:52,440 Speaker 1: show around. And um, it may actually be easier for 297 00:18:52,520 --> 00:18:55,720 Speaker 1: a celebrity to be replaced because in many ways they've 298 00:18:55,760 --> 00:18:58,280 Speaker 1: they've already been replaced by all of these images of 299 00:18:58,280 --> 00:19:02,040 Speaker 1: of themselves, these versions, these virtual versions of themselves that 300 00:19:02,080 --> 00:19:04,720 Speaker 1: are out there. Sure, you know, they've had different haircuts 301 00:19:04,760 --> 00:19:08,120 Speaker 1: over you know, the time that they've been famous. They 302 00:19:08,160 --> 00:19:10,159 Speaker 1: wear a lot of different outfits, They go to all 303 00:19:10,200 --> 00:19:14,440 Speaker 1: these different places and do different things. Um, celebrities. Yeah, 304 00:19:14,480 --> 00:19:16,240 Speaker 1: I think it's a good point. On the celebrities were 305 00:19:16,240 --> 00:19:21,640 Speaker 1: more tightly controlled that one might imagine. When we say replaced, 306 00:19:22,680 --> 00:19:26,200 Speaker 1: we don't necessarily mean somebody's cutting off their fingers one 307 00:19:26,240 --> 00:19:28,960 Speaker 1: by one and sticking other people's fingers on their hands, 308 00:19:28,960 --> 00:19:31,879 Speaker 1: but that would be interesting. They live by scripts a 309 00:19:31,880 --> 00:19:35,960 Speaker 1: lot of times, even if it's not their own intention, 310 00:19:36,280 --> 00:19:40,560 Speaker 1: Like their words may not be their own, and words 311 00:19:40,560 --> 00:19:44,680 Speaker 1: maybe written by publicists or speechwriters or social media gurus. 312 00:19:44,720 --> 00:19:50,440 Speaker 1: Their candid selfies are often carefully orchestrated by professional photographers, 313 00:19:50,520 --> 00:19:54,720 Speaker 1: and their trends and attitudes or their public stances may 314 00:19:54,760 --> 00:19:58,920 Speaker 1: be dictated by deep dive marketing research indicating the most 315 00:19:58,960 --> 00:20:02,680 Speaker 1: attention grabbing responses, opinions, or hot takes of the day, 316 00:20:03,040 --> 00:20:05,440 Speaker 1: or for some movie that they're about to put out. 317 00:20:05,480 --> 00:20:07,840 Speaker 1: They have to say certain things or be careful not 318 00:20:07,960 --> 00:20:11,080 Speaker 1: to say other things. So it might not be as 319 00:20:11,160 --> 00:20:15,639 Speaker 1: difficult for a celebrity to be taken out and replaced. 320 00:20:16,000 --> 00:20:19,000 Speaker 1: It might not be as difficult as it initially sounds, 321 00:20:19,040 --> 00:20:21,320 Speaker 1: because let's admit it sounds kind of out there. But 322 00:20:21,359 --> 00:20:24,960 Speaker 1: the question is, could it really happened? Could some celebrity 323 00:20:25,160 --> 00:20:29,000 Speaker 1: known around the world actually be replaced? And if so, 324 00:20:29,080 --> 00:20:32,520 Speaker 1: how and if so why? And we're going to talk 325 00:20:32,560 --> 00:20:42,080 Speaker 1: about that after a quick word from our sponsor. Here's 326 00:20:42,119 --> 00:20:45,000 Speaker 1: where it gets crazy. We were talking about this earlier 327 00:20:45,080 --> 00:20:50,640 Speaker 1: off air. Body doubles are real stuff happened, yeah, oh 328 00:20:50,680 --> 00:20:55,120 Speaker 1: for real in in two places, and the first one 329 00:20:55,320 --> 00:20:57,960 Speaker 1: is one that you already know about. There are body 330 00:20:58,000 --> 00:21:03,800 Speaker 1: doubles in Hollywood in filmmaking for sure, Yeah, yeah, good call. 331 00:21:03,920 --> 00:21:07,120 Speaker 1: When when you're thinking about stunt doubles and stand ins, 332 00:21:07,320 --> 00:21:10,040 Speaker 1: there are there are people whose job it is to 333 00:21:10,600 --> 00:21:14,000 Speaker 1: to look like a celebrity and either stand in light 334 00:21:14,040 --> 00:21:16,560 Speaker 1: to make sure that it looks good with the costume 335 00:21:16,680 --> 00:21:19,960 Speaker 1: or something. And then also people who get paid to 336 00:21:20,320 --> 00:21:24,920 Speaker 1: do very dangerous, sometimes terrifying things and they look like 337 00:21:25,160 --> 00:21:29,359 Speaker 1: at least similar to a celebrity exactly, and they're but 338 00:21:29,440 --> 00:21:34,400 Speaker 1: they're publicly acknowledged. They're publicly acknowledged, but you won't know 339 00:21:34,560 --> 00:21:37,399 Speaker 1: who they are unless you're a huge fan of stunt 340 00:21:37,480 --> 00:21:40,480 Speaker 1: doubles or you know a person of a celebrity and 341 00:21:40,520 --> 00:21:44,600 Speaker 1: also know their stunt double or a team of stunt doubles. Um. 342 00:21:44,680 --> 00:21:47,840 Speaker 1: But but in there's another case here, and it's politics, 343 00:21:48,160 --> 00:21:51,399 Speaker 1: and that's when you have a huge state actor, a 344 00:21:51,480 --> 00:21:54,760 Speaker 1: figure that's known really, really well, but it is also 345 00:21:55,720 --> 00:22:00,400 Speaker 1: in danger of being assassinated or at least harmed, right right, 346 00:22:00,520 --> 00:22:04,880 Speaker 1: So one of the most famous cases would be Joseph Stalin. 347 00:22:05,560 --> 00:22:12,080 Speaker 1: He was a real pill. He implemented uh controversial plots 348 00:22:12,119 --> 00:22:15,680 Speaker 1: against citizens of the Soviet Union, even ministers and folks 349 00:22:15,680 --> 00:22:20,280 Speaker 1: who are in his inner circle was the leader. Yes, yes, 350 00:22:20,600 --> 00:22:24,439 Speaker 1: people who opposed him were executed after a fake trial 351 00:22:24,720 --> 00:22:27,879 Speaker 1: on a good day. Other days they just disappeared, and 352 00:22:27,920 --> 00:22:32,120 Speaker 1: we mean disappeared from history. They were removed from official photographs, 353 00:22:32,200 --> 00:22:36,600 Speaker 1: real devious stuff. Stalin increased the role of the Soviet 354 00:22:36,680 --> 00:22:40,040 Speaker 1: secret police as he became the absolute power in the thirties, 355 00:22:40,520 --> 00:22:42,600 Speaker 1: and it made sense for him to use these political 356 00:22:42,680 --> 00:22:46,040 Speaker 1: decoys because he was protecting himself from his growing list 357 00:22:46,200 --> 00:22:51,120 Speaker 1: of enemies. We don't know how many body doubles he had. 358 00:22:51,240 --> 00:22:54,160 Speaker 1: He definitely had more than one. We know about two 359 00:22:54,200 --> 00:22:58,120 Speaker 1: for sure. One was a double named Rashid, and he 360 00:22:58,320 --> 00:23:00,840 Speaker 1: was dismissed from the army because he looked too much 361 00:23:00,880 --> 00:23:05,240 Speaker 1: like Stalin. He went home, government agent came to recruit him, 362 00:23:05,320 --> 00:23:08,160 Speaker 1: and he became a sit in for the dictator at 363 00:23:08,240 --> 00:23:11,600 Speaker 1: meetings and banquets. Somehow he survived being in close proximity 364 00:23:11,680 --> 00:23:16,359 Speaker 1: to Stalin, and he died in nine at the ripe 365 00:23:16,359 --> 00:23:19,520 Speaker 1: old age of ninety three. So well done, Rashid, good 366 00:23:19,560 --> 00:23:23,119 Speaker 1: job staying alive. We also, I do have to mention, 367 00:23:23,200 --> 00:23:27,359 Speaker 1: we also have a episode of ridiculous history that's entirely 368 00:23:27,400 --> 00:23:30,160 Speaker 1: about body doubles in the political sphere, so it listen 369 00:23:30,200 --> 00:23:33,000 Speaker 1: to a little bit more of this, but he is 370 00:23:33,040 --> 00:23:37,360 Speaker 1: again just one of Stalin's body doubles. There's one that's 371 00:23:37,600 --> 00:23:41,560 Speaker 1: a little more well known. I would say, oh, yeah, somebody, 372 00:23:41,760 --> 00:23:45,160 Speaker 1: how do you say his name, Felix Dade? Yeah, yeah, 373 00:23:45,200 --> 00:23:47,360 Speaker 1: I think that's good. Oh yeah. So you can head 374 00:23:47,400 --> 00:23:50,000 Speaker 1: on over and listen to that episode of Ridiculous History now, 375 00:23:50,440 --> 00:23:53,760 Speaker 1: or you can hear this abridged version right now. Oh. 376 00:23:54,320 --> 00:23:58,800 Speaker 1: This is one small fact about dadyev. He was so 377 00:23:58,840 --> 00:24:02,320 Speaker 1: good that in nineteen forty five he was flown to 378 00:24:02,440 --> 00:24:07,119 Speaker 1: Yalta and he met with President Roosevelt and Prime Minister Churchill, 379 00:24:07,960 --> 00:24:14,240 Speaker 1: whoa after the after the during the postwar reorganization was 380 00:24:14,280 --> 00:24:18,760 Speaker 1: it was it as the double, it was Stalin. They 381 00:24:18,800 --> 00:24:22,520 Speaker 1: thought they thought he was Stalin. Oh my god, which 382 00:24:22,520 --> 00:24:27,120 Speaker 1: I mean, well done. Right. Yeah. So this is one example. 383 00:24:27,160 --> 00:24:30,399 Speaker 1: But then we also have the examples from the Middle East, 384 00:24:30,520 --> 00:24:34,560 Speaker 1: most famously Iraq. Yes, Saddam Hussein and one of his 385 00:24:34,640 --> 00:24:41,720 Speaker 1: sons were really really big big body double fans. Uh. 386 00:24:41,800 --> 00:24:44,040 Speaker 1: Let's see. Let's see. We've got some quotes here that 387 00:24:44,119 --> 00:24:47,240 Speaker 1: come from inverse dot com. This says the late Rocky 388 00:24:47,280 --> 00:24:51,119 Speaker 1: dictator reportedly employed a roster of body doubles when you know, 389 00:24:51,160 --> 00:24:53,600 Speaker 1: when he was ruling, and when we say roster here, 390 00:24:53,760 --> 00:24:56,679 Speaker 1: we're not talking about one or two really good body doubles. 391 00:24:57,040 --> 00:25:01,320 Speaker 1: We're talking about a dozen dozen this perhaps of people 392 00:25:01,359 --> 00:25:04,880 Speaker 1: who looked similarly enough to him that they were employed 393 00:25:04,920 --> 00:25:09,359 Speaker 1: throughout his rule. Right, He was a prolific fan of 394 00:25:09,400 --> 00:25:14,719 Speaker 1: body doubles, and people would observe this very very close 395 00:25:14,760 --> 00:25:17,359 Speaker 1: eye on it, especially these tensions were ratcheting up in 396 00:25:17,440 --> 00:25:20,200 Speaker 1: that part of the world, and they would they would 397 00:25:20,280 --> 00:25:22,800 Speaker 1: read some more or less kind of read tea leaves 398 00:25:22,960 --> 00:25:26,720 Speaker 1: and try to interpret smaller clues like the way his 399 00:25:26,800 --> 00:25:30,640 Speaker 1: bodyguards acted. You know, did they act differently around the 400 00:25:30,680 --> 00:25:34,600 Speaker 1: true dictator than they did around his body double. Saddam 401 00:25:34,960 --> 00:25:39,280 Speaker 1: was reportedly possessed of a little bit of an ego, 402 00:25:40,240 --> 00:25:42,800 Speaker 1: and he was a big fan of close ups, and 403 00:25:42,840 --> 00:25:45,800 Speaker 1: so people began to think, well, if he doesn't get 404 00:25:45,880 --> 00:25:48,160 Speaker 1: his close up in during one of his many speeches 405 00:25:48,160 --> 00:25:51,680 Speaker 1: and proclamations, that means it's a body double. People were 406 00:25:51,680 --> 00:25:54,520 Speaker 1: so worried about this that in two thousand three, when 407 00:25:54,520 --> 00:25:58,680 Speaker 1: he was captured, then Defense Secretary Donald H. Rumsfeld had 408 00:25:58,720 --> 00:26:02,040 Speaker 1: to like go out and address concerns that they may 409 00:26:02,080 --> 00:26:05,240 Speaker 1: have nabbed a decoy and was you know, they were 410 00:26:05,320 --> 00:26:07,920 Speaker 1: figuring out ways to determine whether this was the real 411 00:26:07,960 --> 00:26:12,399 Speaker 1: Saddam Hussaying and this practice continued. Oh and just to 412 00:26:12,480 --> 00:26:14,680 Speaker 1: jump in there, I remember in two thousand three when 413 00:26:15,000 --> 00:26:19,360 Speaker 1: Saddam was captured, thinking that's not the real Saddam Hussein. 414 00:26:19,840 --> 00:26:21,840 Speaker 1: And I was very skeptical of it. But I didn't 415 00:26:22,800 --> 00:26:25,600 Speaker 1: I didn't know who. I wasn't thinking about it at 416 00:26:25,680 --> 00:26:27,760 Speaker 1: that level at this point, but I was aware just 417 00:26:27,800 --> 00:26:30,920 Speaker 1: through pop culture that he that said i'mous saying did 418 00:26:31,080 --> 00:26:38,080 Speaker 1: employe body doubles and his oldest son, Uday Hussein was 419 00:26:38,240 --> 00:26:42,080 Speaker 1: a monster, and that doesn't have anything to do with 420 00:26:42,280 --> 00:26:44,720 Speaker 1: his practice. He it looks like he learned from dear 421 00:26:44,760 --> 00:26:48,520 Speaker 1: old dad and he started using body doubles as well. 422 00:26:48,920 --> 00:26:52,320 Speaker 1: There was a guy named Latif who said he went 423 00:26:52,400 --> 00:26:56,840 Speaker 1: to school with dude Hussaying and in night he was 424 00:26:57,080 --> 00:27:01,959 Speaker 1: enlisted to be Huday's body double. Non consensually. Yeah, because 425 00:27:02,320 --> 00:27:04,919 Speaker 1: in Iraq, you there's this mandatory thing where you have 426 00:27:04,960 --> 00:27:07,280 Speaker 1: to join the military when you reach a certain age, 427 00:27:07,800 --> 00:27:11,120 Speaker 1: and U Day's body double. But was basically told, yeah, 428 00:27:11,240 --> 00:27:15,000 Speaker 1: you are going to join as U Day. And that's it. 429 00:27:15,080 --> 00:27:20,320 Speaker 1: That's what's what, that's what's happening. And the guy who 430 00:27:20,400 --> 00:27:24,879 Speaker 1: was Day's body double survived, escaped rock and it was 431 00:27:24,920 --> 00:27:29,520 Speaker 1: even a movie made about his story called The Devil's Double. Yeah, 432 00:27:29,560 --> 00:27:34,040 Speaker 1: and you know, yeah, he has one man, the person 433 00:27:34,080 --> 00:27:37,520 Speaker 1: that we're talking about, and he had some stories to tell. 434 00:27:38,040 --> 00:27:40,600 Speaker 1: He had a lot of claims and it's difficult to 435 00:27:41,280 --> 00:27:43,880 Speaker 1: you know, back a lot of that up with hard facts. 436 00:27:43,920 --> 00:27:46,159 Speaker 1: But again, this is a person who experienced them and 437 00:27:46,160 --> 00:27:48,760 Speaker 1: then his claiming to have experienced them. But he said 438 00:27:48,800 --> 00:27:51,840 Speaker 1: he got shot over twenty five times twenty how many times? 439 00:27:51,880 --> 00:27:56,320 Speaker 1: Twenty six times? Twenty six times while he was impersonating 440 00:27:57,160 --> 00:28:01,160 Speaker 1: the son of the Iraqi dictator as well as um 441 00:28:01,240 --> 00:28:05,119 Speaker 1: something else crazy. Oh he he was describing U Day 442 00:28:05,359 --> 00:28:09,520 Speaker 1: as essentially someone who was off his rocker. Oh yeah, 443 00:28:09,560 --> 00:28:15,399 Speaker 1: incredibly violent and enjoyed torturing people, like really enjoyed it. 444 00:28:15,760 --> 00:28:21,640 Speaker 1: And you know, it's tough because that's one person's opinion. 445 00:28:22,520 --> 00:28:26,520 Speaker 1: I don't know enough about him. I've seen other documentation 446 00:28:26,880 --> 00:28:29,880 Speaker 1: of other people claiming very similar things, so I'm inclined 447 00:28:29,920 --> 00:28:32,439 Speaker 1: to believe it. Okay, that's very fair of you. I 448 00:28:32,520 --> 00:28:38,600 Speaker 1: just want to go on record he did torture, be abominable, 449 00:28:38,720 --> 00:28:44,880 Speaker 1: unforgivable things. We're talking repeat sexual assaults, we're talking murdering 450 00:28:45,080 --> 00:28:48,600 Speaker 1: people for the for the thrill of it, like the 451 00:28:48,680 --> 00:28:54,120 Speaker 1: old Diet coke commercial jingle. It's not surprising that he 452 00:28:54,160 --> 00:28:56,760 Speaker 1: would have a body double because there were many, many 453 00:28:56,800 --> 00:29:01,200 Speaker 1: people who wanted him dead for his many many a procities. Okay, 454 00:29:01,680 --> 00:29:03,360 Speaker 1: it's just it's like to the point where it's a 455 00:29:03,400 --> 00:29:06,320 Speaker 1: lot of work for one dude. Oh, dude, I hear you. 456 00:29:06,680 --> 00:29:11,800 Speaker 1: For me, it's trusting. You know any Western source that 457 00:29:11,840 --> 00:29:15,600 Speaker 1: would say that about somebody you know like that, you 458 00:29:15,640 --> 00:29:17,840 Speaker 1: know me, really good point. It's just it's hard for 459 00:29:17,840 --> 00:29:20,600 Speaker 1: me to know where the line is of what's true, 460 00:29:20,600 --> 00:29:23,120 Speaker 1: because I don't I don't disbelieve that he did some 461 00:29:23,120 --> 00:29:26,800 Speaker 1: pretty terrible things. Yeah, I see, But was it exaggerated 462 00:29:26,840 --> 00:29:31,640 Speaker 1: for propaganda purposes and so on? It's a good question. 463 00:29:32,280 --> 00:29:34,560 Speaker 1: There is another question that we should address, which is 464 00:29:34,720 --> 00:29:39,320 Speaker 1: how many more suspected body doubles are out there. According 465 00:29:39,360 --> 00:29:42,640 Speaker 1: to Joe are Reader, who was a former undersecretary for 466 00:29:42,680 --> 00:29:47,320 Speaker 1: the U. S. Army in two thousand one, he said 467 00:29:47,480 --> 00:29:50,760 Speaker 1: that many many world leaders had used body doubles to 468 00:29:50,960 --> 00:29:54,480 Speaker 1: escape capture. He said, Osama bin Laden used body doubles 469 00:29:54,520 --> 00:29:59,240 Speaker 1: man Well Noriega uh, Fidel Castro and more. And there 470 00:29:59,240 --> 00:30:01,640 Speaker 1: were even rumor is that Hitler used a body double 471 00:30:01,720 --> 00:30:04,840 Speaker 1: to escape death. That is a story for another day. 472 00:30:04,880 --> 00:30:08,440 Speaker 1: I think I'm pretty sure a whole episode on that. 473 00:30:08,960 --> 00:30:13,360 Speaker 1: Check it out if you're if you're interested, it's pretty compelling. 474 00:30:14,240 --> 00:30:19,520 Speaker 1: I don't know, Argentina. I mean, yeah, Nazi Nazi Party 475 00:30:19,560 --> 00:30:24,680 Speaker 1: members did escape there through the ratlines, right, they certainly did. So. 476 00:30:25,560 --> 00:30:28,800 Speaker 1: We also know that body doubles were used in ancient times, 477 00:30:31,000 --> 00:30:33,760 Speaker 1: not even really in ancient times. That were used up 478 00:30:33,840 --> 00:30:40,440 Speaker 1: until the widespread dissemination of photography, right and a v equipment, 479 00:30:41,000 --> 00:30:45,080 Speaker 1: So it became easier to say, oh, no, no, no no, no, 480 00:30:45,120 --> 00:30:48,440 Speaker 1: I've seen a picture of the emperor and you do 481 00:30:48,520 --> 00:30:52,560 Speaker 1: not talk like him, you do not look like him, You, sir, 482 00:30:52,680 --> 00:30:56,600 Speaker 1: are an impostor. Yeah. Basically, any way to record image 483 00:30:56,800 --> 00:30:59,760 Speaker 1: or sound, right, because if you're just dealing with an 484 00:30:59,760 --> 00:31:04,720 Speaker 1: illustration and a written document, even that has quotations or 485 00:31:04,760 --> 00:31:07,920 Speaker 1: something in it, that's the only way to know the 486 00:31:08,440 --> 00:31:13,280 Speaker 1: even the president like George Washington. Imagine how many people 487 00:31:13,360 --> 00:31:17,960 Speaker 1: in the United States actually saw George Washington, and then 488 00:31:18,440 --> 00:31:21,280 Speaker 1: most of what people in the public knew of him 489 00:31:21,400 --> 00:31:27,120 Speaker 1: throughout the world were drawing our paintings, illustrations, paintings, any 490 00:31:27,680 --> 00:31:31,760 Speaker 1: image of him that was just created from another person's 491 00:31:31,840 --> 00:31:35,240 Speaker 1: imagination through looking at him exactly. And now that we 492 00:31:35,320 --> 00:31:39,960 Speaker 1: have access to these amazing surveillance devices called smartphones, it's 493 00:31:40,080 --> 00:31:44,280 Speaker 1: very very easy to not only take pictures of people, 494 00:31:44,320 --> 00:31:47,640 Speaker 1: but to find pictures of people, and they don't have 495 00:31:47,720 --> 00:31:51,640 Speaker 1: to be famous. So it seems like we're back to square. 496 00:31:51,680 --> 00:31:54,760 Speaker 1: What how would you effectively fool people if you were 497 00:31:54,840 --> 00:31:57,640 Speaker 1: a politician and athlete, musician and actor and so on 498 00:31:57,680 --> 00:32:01,080 Speaker 1: and so on in this in this world where it's 499 00:32:01,240 --> 00:32:04,920 Speaker 1: much easier to verify this, it turns out that the 500 00:32:04,960 --> 00:32:09,520 Speaker 1: same technology that made body doubles and impersonations more difficult 501 00:32:09,560 --> 00:32:13,840 Speaker 1: for a time may make it much easier. And we'll 502 00:32:13,880 --> 00:32:17,920 Speaker 1: we'll we'll explore why after a word from our sponsor. 503 00:32:25,360 --> 00:32:27,040 Speaker 1: All Right, that's a bit of a bait and switch, 504 00:32:27,800 --> 00:32:31,960 Speaker 1: because we have to get to celebrity body doubles. This 505 00:32:32,040 --> 00:32:35,080 Speaker 1: is the meat of what we are. This is this 506 00:32:35,160 --> 00:32:39,840 Speaker 1: is the meat of the conspiracy burger. Okay, I didn't 507 00:32:39,840 --> 00:32:41,920 Speaker 1: eat lunch today. I'm just these are all going to 508 00:32:42,000 --> 00:32:45,120 Speaker 1: be food comparisons. Me neither, and I'm right there with you. 509 00:32:45,280 --> 00:32:49,400 Speaker 1: I would like to add some biber bacon on top 510 00:32:49,440 --> 00:32:54,360 Speaker 1: of whatever this sandwich slash hamburger we're creating here. And really, 511 00:32:54,400 --> 00:33:01,160 Speaker 1: there's an entire industry out there of people impersonating celebrities. Really, yeah, 512 00:33:01,280 --> 00:33:03,280 Speaker 1: and and it's it's what we were talking about right 513 00:33:03,320 --> 00:33:07,320 Speaker 1: before the break to your your phone, Instagram, Facebook, social media. 514 00:33:07,920 --> 00:33:11,040 Speaker 1: On the streets of New York City. There are people 515 00:33:11,240 --> 00:33:15,360 Speaker 1: in in l A, my god, just everywhere. Um. There 516 00:33:15,400 --> 00:33:18,960 Speaker 1: are people who impersonate singers and go do shows. There 517 00:33:18,960 --> 00:33:23,240 Speaker 1: are people who impersonate actors and do events. There are 518 00:33:23,280 --> 00:33:28,760 Speaker 1: there are people who impersonate fictional characters. I have some 519 00:33:28,800 --> 00:33:34,600 Speaker 1: pretty good friends who impersonate Bill Murray. Not yet, no 520 00:33:34,640 --> 00:33:36,480 Speaker 1: I had I think that was just him. I think 521 00:33:36,520 --> 00:33:39,440 Speaker 1: that was Bill. Really, no one will ever believe us, 522 00:33:40,160 --> 00:33:44,840 Speaker 1: but but he knows some people who, for instance, appear 523 00:33:45,080 --> 00:33:49,920 Speaker 1: at functions, children's parties and stuff as you know, Cinderella 524 00:33:50,120 --> 00:33:52,600 Speaker 1: or as snow White or something. I also have friends 525 00:33:52,600 --> 00:33:55,280 Speaker 1: who do this. Yeah, and that that seems like a 526 00:33:55,360 --> 00:34:00,560 Speaker 1: really wholesome gig. We're not talking about the was kind 527 00:34:00,600 --> 00:34:05,360 Speaker 1: of impersonators. We're not talking about someone who is doing 528 00:34:05,400 --> 00:34:09,120 Speaker 1: a spot on kiss cover band or something. We're talking 529 00:34:09,280 --> 00:34:17,160 Speaker 1: about impersonators who replace celebrities in a way for the 530 00:34:17,200 --> 00:34:20,800 Speaker 1: purposes of crime. And this goes back to the biber 531 00:34:20,840 --> 00:34:24,400 Speaker 1: bacon that you mentioned earlier. Yea more of a biberrito, 532 00:34:24,600 --> 00:34:29,000 Speaker 1: right it is a yeah, the biberrito comes after the bacon, 533 00:34:29,080 --> 00:34:33,480 Speaker 1: so the bacon is um. Actually it's terrible to call 534 00:34:33,560 --> 00:34:36,080 Speaker 1: that because I'm a big fan of bacon. Big ups 535 00:34:36,120 --> 00:34:38,919 Speaker 1: to you, Bacon, just for existing and being and even 536 00:34:38,920 --> 00:34:41,759 Speaker 1: though you're terrible for me and for the environment and 537 00:34:41,800 --> 00:34:45,280 Speaker 1: all of those things, thank you for providing your oils 538 00:34:46,040 --> 00:34:48,520 Speaker 1: with which to cook other things. Okay, let's just go 539 00:34:48,600 --> 00:34:51,719 Speaker 1: and get on here. So you may you may love 540 00:34:51,800 --> 00:34:55,759 Speaker 1: Justin Bieber, you may loathe him. Either way, there's no 541 00:34:55,840 --> 00:34:58,880 Speaker 1: denying that this guy, the image of him, his voice, 542 00:34:58,960 --> 00:35:05,120 Speaker 1: everything about him extremely extremely popular, and specifically with younger women, 543 00:35:05,200 --> 00:35:08,960 Speaker 1: younger girls, teenage girls in particular. And there's this man 544 00:35:09,160 --> 00:35:13,200 Speaker 1: named Leem wir m o I R. He's thirty, he 545 00:35:13,360 --> 00:35:18,000 Speaker 1: was thirty four years old, and he really capitalized on 546 00:35:18,239 --> 00:35:22,719 Speaker 1: Justin Bieber's popularity and not in a good way. No, 547 00:35:23,360 --> 00:35:30,239 Speaker 1: he would pretend to be this teenager justin Bieber online 548 00:35:30,840 --> 00:35:35,320 Speaker 1: and he would talk to teenage fans and he would 549 00:35:35,360 --> 00:35:43,080 Speaker 1: start hounding them for money and then explicit sexual videos 550 00:35:43,320 --> 00:35:47,040 Speaker 1: of themselves. If they didn't send him money, then he 551 00:35:47,080 --> 00:35:50,719 Speaker 1: would say that he was going to post their videos online. 552 00:35:51,080 --> 00:35:54,920 Speaker 1: This guy is an uber creep, and you have to 553 00:35:54,960 --> 00:35:58,440 Speaker 1: imagine how emotionally traumatizing that is. If you're a huge 554 00:35:58,520 --> 00:36:02,399 Speaker 1: super fan and fav singer, you have, like maybe it's 555 00:36:02,400 --> 00:36:05,919 Speaker 1: your first crush or something, and you think that this 556 00:36:06,000 --> 00:36:10,800 Speaker 1: person is asking you an underage person, a child, for 557 00:36:10,960 --> 00:36:14,120 Speaker 1: what nude videos or something, and then for some reason 558 00:36:14,480 --> 00:36:17,160 Speaker 1: it's got has got to be at least a multimillionaire 559 00:36:17,680 --> 00:36:23,400 Speaker 1: is shaking you down for cash. Hopefully you know you. 560 00:36:23,560 --> 00:36:27,760 Speaker 1: You'd think that someone would recognize that, but again that 561 00:36:27,760 --> 00:36:32,520 Speaker 1: that kind of fog of celebrity. It's powerful, right, and 562 00:36:32,600 --> 00:36:38,320 Speaker 1: some people start successful criminal careers by rinsing and repeating 563 00:36:38,360 --> 00:36:40,560 Speaker 1: this sort of tactic. There's an I person here named 564 00:36:40,600 --> 00:36:45,280 Speaker 1: Emma Charlton who posed as a Vanity Fair editor Anna Wintour, 565 00:36:45,560 --> 00:36:48,480 Speaker 1: the one the one who occurs in that film The 566 00:36:48,520 --> 00:36:52,600 Speaker 1: Devil Wears Product. So Charlton tricked this guy into falling 567 00:36:52,600 --> 00:36:56,480 Speaker 1: in love marrying her, and then she just robbed and blind. 568 00:36:57,600 --> 00:36:59,839 Speaker 1: It turned out she had a long history of im 569 00:37:00,000 --> 00:37:05,280 Speaker 1: personating other people, some famous and fleecing, fleecing various dudes 570 00:37:05,400 --> 00:37:08,160 Speaker 1: that I thought they were in love with her. So 571 00:37:08,280 --> 00:37:11,799 Speaker 1: those are pretty dark. That's still not quite what we're 572 00:37:11,800 --> 00:37:16,560 Speaker 1: what we're getting at, right, Let's let's go to something 573 00:37:16,600 --> 00:37:20,240 Speaker 1: a little bit softer just for a second, right, because 574 00:37:20,239 --> 00:37:26,600 Speaker 1: people also impersonate celebrities for the purpose of pranking. Right, Yeah, 575 00:37:26,640 --> 00:37:29,680 Speaker 1: there was there was this thing that occurred back in 576 00:37:30,680 --> 00:37:35,360 Speaker 1: where this picture of Justin Bieber was going all around 577 00:37:35,440 --> 00:37:37,520 Speaker 1: the internet. I think we may have mentioned it in 578 00:37:37,560 --> 00:37:40,680 Speaker 1: passing before on this show. This is what I meant 579 00:37:40,719 --> 00:37:44,200 Speaker 1: by biberrito, Yes, exactly where it was. It was a 580 00:37:44,200 --> 00:37:48,360 Speaker 1: photograph of Justin Bieber wearing a hat, sunglasses, and a hoodie, 581 00:37:48,600 --> 00:37:51,560 Speaker 1: and he was eating a burrito from the center of 582 00:37:52,200 --> 00:37:54,960 Speaker 1: the burrito rather than at one of the ends. And 583 00:37:55,840 --> 00:37:59,120 Speaker 1: it was supposedly taken by some passersby while Justin Bieber 584 00:37:59,160 --> 00:38:01,320 Speaker 1: was enjoying a burrito just out in the park somewhere, 585 00:38:01,719 --> 00:38:04,440 Speaker 1: and it got retweeted so many, Like I don't even 586 00:38:04,520 --> 00:38:09,160 Speaker 1: know exactly how many times, thousands and thousands of times. 587 00:38:09,400 --> 00:38:12,960 Speaker 1: It was posted on all kinds of different blogs and 588 00:38:13,320 --> 00:38:16,200 Speaker 1: it became, I guess, a trending thing that was occurring. 589 00:38:16,800 --> 00:38:20,640 Speaker 1: But it turned out that it was literally just some pranksters, uh, 590 00:38:20,840 --> 00:38:24,759 Speaker 1: that we're pretending to be Justin bieber um and that's 591 00:38:24,760 --> 00:38:27,200 Speaker 1: all it was the entire time. But you think that 592 00:38:27,600 --> 00:38:30,319 Speaker 1: you'd think that with the number of people who know 593 00:38:30,400 --> 00:38:34,280 Speaker 1: who this kid is. Who are this guy Justin Bieber? 594 00:38:34,320 --> 00:38:36,640 Speaker 1: I guess he's a bit older now, but who knows 595 00:38:36,640 --> 00:38:39,439 Speaker 1: who he is. They know exactly what he looks like. 596 00:38:40,080 --> 00:38:43,960 Speaker 1: You'd think that somebody somewhere would have figured out that 597 00:38:43,960 --> 00:38:47,200 Speaker 1: that wasn't him. But it didn't happen until these guys 598 00:38:47,239 --> 00:38:50,200 Speaker 1: posted a YouTube video explaining exactly what they did and 599 00:38:50,239 --> 00:38:53,400 Speaker 1: how they did it. Wow. I guess the reaction was 600 00:38:53,480 --> 00:38:57,279 Speaker 1: just so attention grabbing right. Well, and think about this 601 00:38:57,480 --> 00:39:01,880 Speaker 1: around you, on your social media, whatever you're using, everyone 602 00:39:02,120 --> 00:39:05,640 Speaker 1: is believing that this is an actual picture of Justin Bieber. 603 00:39:05,680 --> 00:39:08,760 Speaker 1: So you almost don't even question or you don't question 604 00:39:08,800 --> 00:39:11,359 Speaker 1: it whatsoever. You just take it for granted. Oh that's 605 00:39:11,400 --> 00:39:14,439 Speaker 1: Justin Bieber that's weird. I'm gonna be honest with you, Matt, 606 00:39:14,520 --> 00:39:16,640 Speaker 1: I'm just gonna lay it all out on the table. 607 00:39:16,760 --> 00:39:20,279 Speaker 1: I confess to you. I know ding on the guy, 608 00:39:20,360 --> 00:39:25,320 Speaker 1: but I am not typically in a situation where my 609 00:39:25,320 --> 00:39:29,160 Speaker 1: my Bieber count is very very low on a day 610 00:39:29,160 --> 00:39:33,000 Speaker 1: to day basis. Oh yeah, your encounters with the Beebes 611 00:39:34,080 --> 00:39:37,440 Speaker 1: the Beebes, Yeah, is that a thing? The Beebster? I 612 00:39:37,480 --> 00:39:43,279 Speaker 1: don't know. I don't know. Justin Oh all right, Well, 613 00:39:44,040 --> 00:39:46,399 Speaker 1: you know I wish him the best of luck in 614 00:39:46,480 --> 00:39:48,680 Speaker 1: his career because it's tough work to be a musician. 615 00:39:48,719 --> 00:39:52,319 Speaker 1: I'll tell you this tremendous respect for Justin Bieber on 616 00:39:52,320 --> 00:39:55,759 Speaker 1: this side over here, even though he did he caught 617 00:39:55,840 --> 00:39:58,120 Speaker 1: up doing a lot of things that that has been. 618 00:39:58,360 --> 00:40:00,440 Speaker 1: That's a little kid that has been fighting through the 619 00:40:00,520 --> 00:40:04,640 Speaker 1: music industry since he was a little kid. That's so 620 00:40:04,760 --> 00:40:07,719 Speaker 1: very kind of you. I mean, come on, I don't 621 00:40:07,760 --> 00:40:11,120 Speaker 1: have a statement because I I just don't know much 622 00:40:11,160 --> 00:40:14,319 Speaker 1: about it. But but we see how even a very 623 00:40:14,440 --> 00:40:20,759 Speaker 1: well known person can be uh can be impersonated very seriously. 624 00:40:20,800 --> 00:40:23,279 Speaker 1: It doesn't it doesn't matter how famous you are. Maybe 625 00:40:23,320 --> 00:40:26,080 Speaker 1: to your point about social media, it could make it easier. 626 00:40:26,480 --> 00:40:28,759 Speaker 1: Now we get to the stuff that people will tend 627 00:40:28,800 --> 00:40:31,440 Speaker 1: to dismiss out of hand. What if a celebrity was 628 00:40:31,480 --> 00:40:36,319 Speaker 1: not consensually impersonated, right, What if they were murdered and 629 00:40:36,360 --> 00:40:40,400 Speaker 1: replaced somehow taken out. This brings us to twenty fifteen 630 00:40:40,719 --> 00:40:46,440 Speaker 1: when buzzfeeds Ryan Broderick found a Brazilian blog called Avril 631 00:40:46,680 --> 00:40:51,960 Speaker 1: is Dead, referring to the musician Avril Levine. The idea 632 00:40:52,200 --> 00:40:55,640 Speaker 1: is in the blog not Avril Levine got famous in 633 00:40:55,640 --> 00:40:59,360 Speaker 1: the early two thousand's, and then she was emotionally overwhelmed. 634 00:40:59,480 --> 00:41:03,319 Speaker 1: Her grand father passed away, and she died by suicide 635 00:41:03,440 --> 00:41:06,200 Speaker 1: right after the release of her first album, which was 636 00:41:06,239 --> 00:41:11,240 Speaker 1: called Let Go. Oddly enough, according to this theory, the 637 00:41:11,239 --> 00:41:14,520 Speaker 1: record company, the record label did not let Go because 638 00:41:14,520 --> 00:41:17,640 Speaker 1: the first album was so successful. They said, Okay, we 639 00:41:17,680 --> 00:41:20,520 Speaker 1: can just get someone who looks kind of like her, 640 00:41:20,760 --> 00:41:24,520 Speaker 1: a doppelganger, and keep the machine going, keep the keep 641 00:41:24,560 --> 00:41:28,600 Speaker 1: the money coming. In a little while later, Avril Levine 642 00:41:28,640 --> 00:41:32,520 Speaker 1: finally addressed this idea, and she said in an interview 643 00:41:32,520 --> 00:41:38,360 Speaker 1: on an Australian radio station k i I S, for 644 00:41:38,360 --> 00:41:41,560 Speaker 1: anyone interested the host aster, did you laugh at the 645 00:41:41,600 --> 00:41:43,719 Speaker 1: rumors that went around where you no longer exist? And 646 00:41:43,760 --> 00:41:46,440 Speaker 1: there's a clone of you, to which aver applies. Yes, 647 00:41:46,600 --> 00:41:48,560 Speaker 1: some people think that I'm not the real me, which 648 00:41:48,600 --> 00:41:50,919 Speaker 1: is so weird, Like why would they even think that? 649 00:41:51,280 --> 00:41:55,240 Speaker 1: For supporters of this theory there, you know, you're probably 650 00:41:55,239 --> 00:41:57,760 Speaker 1: white knuckled right now with your hands on the steering 651 00:41:57,760 --> 00:42:01,280 Speaker 1: wheel or whatever, and you're saying, of course that's what 652 00:42:01,640 --> 00:42:07,560 Speaker 1: the clone would say. Yeah exactly, But you know, uh, 653 00:42:08,600 --> 00:42:14,640 Speaker 1: as weird as it sounds, imagine just put yourself in 654 00:42:14,680 --> 00:42:18,680 Speaker 1: the shoes of some record company. Um. Now this is 655 00:42:18,680 --> 00:42:21,600 Speaker 1: gonna sound weird, but just imagine this. You're the head 656 00:42:21,640 --> 00:42:24,040 Speaker 1: of a record label. You just had one of the 657 00:42:24,080 --> 00:42:28,839 Speaker 1: most popular albums ever come out, or at least within 658 00:42:28,880 --> 00:42:32,040 Speaker 1: the past like a couple of years, um, come out 659 00:42:32,080 --> 00:42:36,480 Speaker 1: on your label, and it's this one singer songwriter that 660 00:42:36,680 --> 00:42:38,319 Speaker 1: is going to make you. You You know, they've made you 661 00:42:38,360 --> 00:42:40,680 Speaker 1: millions of dollars, They're gonna make you millions and millions 662 00:42:40,719 --> 00:42:43,879 Speaker 1: of dollars with their next album and everything. What if 663 00:42:43,920 --> 00:42:47,719 Speaker 1: that person dies and it's kept quiet enough to where 664 00:42:47,760 --> 00:42:52,960 Speaker 1: you think, well, maybe we can put out another album. 665 00:42:53,000 --> 00:42:55,759 Speaker 1: I mean, that's insane to think about. Like, what would 666 00:42:55,760 --> 00:42:58,520 Speaker 1: you do given the opportunity? Right exactly, You already have 667 00:42:58,640 --> 00:43:02,120 Speaker 1: millions of dollars. You're going you're set to make millions more, 668 00:43:02,239 --> 00:43:04,520 Speaker 1: tens of millions of dollars. Um, What would you do 669 00:43:04,600 --> 00:43:08,239 Speaker 1: to continue that money flowing in? I don't know. That's 670 00:43:08,320 --> 00:43:11,719 Speaker 1: one of those age old questions. Why do powerful rich 671 00:43:11,800 --> 00:43:14,240 Speaker 1: people do some of the things that they get accused 672 00:43:14,280 --> 00:43:18,640 Speaker 1: of and sometimes uh convicted for? Anyway, So it goes 673 00:43:18,680 --> 00:43:21,960 Speaker 1: to um Black Mirror. Have you seen Season five? Black Mirror? 674 00:43:23,160 --> 00:43:25,320 Speaker 1: So there're only three episodes, but one of them features 675 00:43:25,360 --> 00:43:28,359 Speaker 1: Miley Cyrus and in it she plays a pop star 676 00:43:28,480 --> 00:43:33,200 Speaker 1: called Ashley Oh. And this pop star spoilers by the 677 00:43:33,200 --> 00:43:38,680 Speaker 1: way ahead right after this three to one spoilers. So 678 00:43:39,040 --> 00:43:41,680 Speaker 1: she gets placed in a medically induced coma by her 679 00:43:41,840 --> 00:43:44,840 Speaker 1: management team essentially her aunt and some other people working 680 00:43:44,880 --> 00:43:47,960 Speaker 1: for her, and then they want to replace this pop 681 00:43:48,000 --> 00:43:52,520 Speaker 1: star with an AI. Essentially it's called Ashley Too, but 682 00:43:52,600 --> 00:43:56,960 Speaker 1: it's created from this weird, little, compartmentalized, pr friendly version 683 00:43:57,520 --> 00:44:02,120 Speaker 1: of Ashley Oh's personality. Yeah, the hardware they start off 684 00:44:02,160 --> 00:44:05,319 Speaker 1: with is I very rarely use this word, but it's 685 00:44:05,360 --> 00:44:10,240 Speaker 1: kind of cute. Oh the little tiny Yeah, no, I agreed, 686 00:44:10,440 --> 00:44:13,680 Speaker 1: but in this case they're gonna make use of holograms 687 00:44:14,440 --> 00:44:18,959 Speaker 1: and Ashley Oh's personality to basically replace the pop star 688 00:44:19,800 --> 00:44:23,800 Speaker 1: uh completely And it feels a lot like this story 689 00:44:23,840 --> 00:44:27,960 Speaker 1: with Avril Levine, like to continue the money flowing in, 690 00:44:28,400 --> 00:44:32,120 Speaker 1: they would do whatever they needed to do to make 691 00:44:32,200 --> 00:44:37,040 Speaker 1: this person at least seem real, right, right, and they 692 00:44:37,080 --> 00:44:41,160 Speaker 1: would be able to apply near future technology. Yeah, and 693 00:44:41,280 --> 00:44:43,719 Speaker 1: it's you know, but it's not the first time some 694 00:44:43,800 --> 00:44:47,680 Speaker 1: pop star has been, you know, accused of being not 695 00:44:47,800 --> 00:44:52,880 Speaker 1: the real one, right, that's correct. This one is for you, Diana, 696 00:44:53,000 --> 00:44:56,920 Speaker 1: although working with us on that previous video, I'm pretty 697 00:44:56,920 --> 00:44:59,839 Speaker 1: sure you know all of all of this already. That's 698 00:45:00,239 --> 00:45:05,560 Speaker 1: September nineteen, a rumor that Paul McCartney, famed member of 699 00:45:05,560 --> 00:45:09,680 Speaker 1: the Beatles, had died, began spreading across college campuses in 700 00:45:09,760 --> 00:45:14,920 Speaker 1: the States. These rumors expanded they were there was a 701 00:45:15,000 --> 00:45:18,719 Speaker 1: snowball aggregate effect because people felt they were finding more 702 00:45:18,800 --> 00:45:23,360 Speaker 1: and more clues hidden in album covers and in Beatles songs, 703 00:45:23,719 --> 00:45:27,600 Speaker 1: and clue hunting was infectious, addictive, and fun. Within a 704 00:45:27,600 --> 00:45:31,400 Speaker 1: few weeks, this blows up at its global for most people. 705 00:45:31,920 --> 00:45:36,840 Speaker 1: This craze was short lived, and Paul McCartney, if it 706 00:45:36,960 --> 00:45:39,719 Speaker 1: is him, has an interview where he says, no, I've 707 00:45:39,760 --> 00:45:44,160 Speaker 1: I've been taking some family time. I've been in Scotland, Kenya, 708 00:45:44,239 --> 00:45:46,320 Speaker 1: places like that. I've been kind of off the grid 709 00:45:46,400 --> 00:45:50,279 Speaker 1: because you know, I'm massively rich. Yeah, and I can 710 00:45:50,320 --> 00:45:53,840 Speaker 1: just go places like that. John Lennon is very stressful 711 00:45:53,880 --> 00:45:59,680 Speaker 1: to work with. That's pretty obvious, right, I mean, yeah, 712 00:46:00,920 --> 00:46:05,000 Speaker 1: I know McCartney also has his quirks. Sure, sure, that's true. 713 00:46:05,320 --> 00:46:08,640 Speaker 1: Just trying to give John Letton benefit of the doubt, Okay, 714 00:46:08,840 --> 00:46:12,560 Speaker 1: right right, I mean right, that's that's true. Well, McCartney, though, 715 00:46:12,600 --> 00:46:15,080 Speaker 1: he has this interview in Life magazine where he's like, 716 00:46:15,840 --> 00:46:20,600 Speaker 1: you know, very much alive or whatever and just hoped 717 00:46:20,640 --> 00:46:26,120 Speaker 1: over to Scotland year And despite denying the rumors, the 718 00:46:26,160 --> 00:46:28,720 Speaker 1: exaggerated rumors of his death in a very Mark Twain 719 00:46:28,960 --> 00:46:33,680 Speaker 1: esque way, Uh, McCartney still had to confront these things. 720 00:46:33,760 --> 00:46:37,719 Speaker 1: People said that he was a lookalike. His real name 721 00:46:37,760 --> 00:46:43,440 Speaker 1: was William Shears Campbell or William Shepherd. William Campbell allegedly 722 00:46:43,480 --> 00:46:48,680 Speaker 1: became Billy shears On Sergeant Pepper, and William Shephard was 723 00:46:48,719 --> 00:46:54,560 Speaker 1: supposedly the inspiration behind the continuing story of Bungalow Bill. 724 00:46:55,320 --> 00:46:59,640 Speaker 1: That's awesome. It's a weird one. Hello, Bill, were you 725 00:46:59,680 --> 00:47:01,920 Speaker 1: listen to a lot of Beatles at my house? To 726 00:47:02,080 --> 00:47:05,720 Speaker 1: all of this stuff rings so true to me? Ah, 727 00:47:05,800 --> 00:47:08,200 Speaker 1: I love it? So how did this? How did this 728 00:47:08,239 --> 00:47:12,440 Speaker 1: one start? Oh? There's an article it's called is Beatle 729 00:47:12,680 --> 00:47:17,040 Speaker 1: Paul McCartney Dead? And it was written September seventeenth, nineteen 730 00:47:17,160 --> 00:47:20,719 Speaker 1: sixty nine this gentleman named Tim Harper, who was the 731 00:47:20,840 --> 00:47:24,320 Speaker 1: editor of the Drake Times Delphic. It was a student 732 00:47:24,360 --> 00:47:28,560 Speaker 1: newspaper of Drake University over in Des Moines, Iowa. Now 733 00:47:28,600 --> 00:47:32,640 Speaker 1: this article, it, uh, it addressed the rumor, essentially the 734 00:47:32,719 --> 00:47:34,960 Speaker 1: rumor mill that was kind of going around the school 735 00:47:35,440 --> 00:47:39,040 Speaker 1: that all these clues, if you put them together, it 736 00:47:39,120 --> 00:47:41,799 Speaker 1: means that Paul McCartney has somehow died. And let's let's 737 00:47:41,840 --> 00:47:45,080 Speaker 1: look at some of these uh messages here. So it 738 00:47:45,239 --> 00:47:49,600 Speaker 1: includes a message that says, turn me on, dead man. 739 00:47:50,520 --> 00:47:52,520 Speaker 1: And this comes from the White album from the song 740 00:47:52,640 --> 00:47:56,279 Speaker 1: Revolution nine. And it's when you play it backwards. It's 741 00:47:56,280 --> 00:47:59,040 Speaker 1: that old backwards masking thing that we've talked about before. 742 00:47:59,760 --> 00:48:04,560 Speaker 1: And uh, this uh apparently if you like look at 743 00:48:04,600 --> 00:48:06,920 Speaker 1: all of the rumors and the things that were published, 744 00:48:06,920 --> 00:48:08,359 Speaker 1: if you try to trace it all the way back. 745 00:48:08,400 --> 00:48:11,840 Speaker 1: You get to this article, the the one that we 746 00:48:11,920 --> 00:48:15,879 Speaker 1: just mentioned in Iowa, right right right by Tim Harper. So, 747 00:48:16,000 --> 00:48:19,120 Speaker 1: according to music journalist Merrill Nowdon, this was the first 748 00:48:19,200 --> 00:48:22,840 Speaker 1: published work on the idea that Paul McCartney was dead 749 00:48:23,120 --> 00:48:27,359 Speaker 1: because of some backward masks lyrics turned me on dead man. 750 00:48:27,520 --> 00:48:30,960 Speaker 1: It's weird, weird flex So we have let's do one 751 00:48:30,960 --> 00:48:33,719 Speaker 1: more example. What about Abbey Road? He wasn't wearing shoes 752 00:48:33,760 --> 00:48:36,640 Speaker 1: and he was smoking. What about Abbey Road? Just saying 753 00:48:37,160 --> 00:48:39,440 Speaker 1: you didn't standing with four people who all looked kind 754 00:48:39,440 --> 00:48:43,120 Speaker 1: of like what you gotta differentiate yourself. But just Paul, 755 00:48:44,239 --> 00:48:46,719 Speaker 1: I don't know, man. What about that car crash? I 756 00:48:46,760 --> 00:48:49,000 Speaker 1: don't know. He wasn't a car crash, and as many 757 00:48:50,160 --> 00:48:54,440 Speaker 1: I don't know. So I have got to say a 758 00:48:54,480 --> 00:48:57,120 Speaker 1: lot of people still think that is a fringe theory, 759 00:48:57,400 --> 00:49:00,719 Speaker 1: among them being the man who, as we record this podcast, 760 00:49:00,840 --> 00:49:03,799 Speaker 1: claims to be Paul Paul McCartney. He would say he 761 00:49:03,840 --> 00:49:06,439 Speaker 1: claims to be that because he is Paul McCartney. Yeah, 762 00:49:06,520 --> 00:49:11,920 Speaker 1: he would. It's I I am profoundly inspired by your 763 00:49:11,920 --> 00:49:16,160 Speaker 1: commitment to this. I know it's do you seriously think 764 00:49:16,160 --> 00:49:19,799 Speaker 1: it's the case I don't I will, I will. I 765 00:49:19,840 --> 00:49:23,839 Speaker 1: will send you and Diana on an adventure in a 766 00:49:23,880 --> 00:49:28,719 Speaker 1: foreign country if it turns out that he is not 767 00:49:28,840 --> 00:49:35,160 Speaker 1: really Paul McCartney. Okay, accepted deal. I will work will 768 00:49:35,200 --> 00:49:38,359 Speaker 1: be to prove that that is not Paul. Uh. So 769 00:49:38,520 --> 00:49:41,880 Speaker 1: we'll do one more before Matt Diana put me in 770 00:49:41,880 --> 00:49:46,400 Speaker 1: the poorhouse, and that is Taylor Swift. People, this is 771 00:49:46,440 --> 00:49:49,320 Speaker 1: a weird one. I felt people were arguing, based entirely 772 00:49:49,320 --> 00:49:51,759 Speaker 1: on the photographs, that Taylor Swift is in fact the 773 00:49:51,840 --> 00:49:57,279 Speaker 1: clone of a former Satanic priestess. Yeah, right, as you do. 774 00:49:57,520 --> 00:50:00,720 Speaker 1: This dates back to two thousand and eleven, and people 775 00:50:00,840 --> 00:50:04,360 Speaker 1: say that Swift is actually a clone of one Zena 776 00:50:04,560 --> 00:50:07,319 Speaker 1: love A, the daughter of the founder of the Church 777 00:50:07,360 --> 00:50:10,840 Speaker 1: of Satan, Anton LaVey. And there are a bunch of 778 00:50:10,920 --> 00:50:16,200 Speaker 1: videos on YouTube comparing the two. I would suggest I 779 00:50:16,239 --> 00:50:17,920 Speaker 1: would take a look at them if you want. They 780 00:50:17,960 --> 00:50:20,839 Speaker 1: don't look very similar. But a lot of that is interpretive, 781 00:50:21,080 --> 00:50:24,480 Speaker 1: and I the beholder and so on. So right now, 782 00:50:24,520 --> 00:50:27,360 Speaker 1: it doesn't seem that there's too much sand to the 783 00:50:27,480 --> 00:50:31,160 Speaker 1: idea that celebrities could be killed, replaced, or taken out. 784 00:50:31,200 --> 00:50:34,319 Speaker 1: We're not quite at that black mirror level, yet at 785 00:50:34,400 --> 00:50:38,600 Speaker 1: least not in person. It is going to happen, though 786 00:50:39,200 --> 00:50:41,920 Speaker 1: it's going to happen, it's not gonna maybe happen in person, 787 00:50:42,360 --> 00:50:45,440 Speaker 1: but we are in the world of deep fakes. What 788 00:50:45,640 --> 00:50:50,000 Speaker 1: is what is deep fake? Aside from another episode, well so, yeah, 789 00:50:50,320 --> 00:50:54,839 Speaker 1: that's a way to digitally manipulate the sound and image 790 00:50:55,680 --> 00:50:59,640 Speaker 1: on you know, in digital photography and audio, to make 791 00:50:59,680 --> 00:51:03,000 Speaker 1: it seem as though a person, in this case a 792 00:51:03,040 --> 00:51:07,120 Speaker 1: celebrity or well known individual is saying or doing something 793 00:51:07,600 --> 00:51:12,279 Speaker 1: that they are actually not. And it's quite effective. If 794 00:51:12,320 --> 00:51:16,640 Speaker 1: you go back to I'm by the way just watching Mr. 795 00:51:16,719 --> 00:51:21,360 Speaker 1: Robots season three and back in season two, they had 796 00:51:21,560 --> 00:51:24,080 Speaker 1: just a quick little piece of video that happens on 797 00:51:24,120 --> 00:51:28,399 Speaker 1: a television screen where President Obama is talking and he 798 00:51:28,440 --> 00:51:33,480 Speaker 1: mentions one of the characters, Tyrrell Wellick and it at 799 00:51:33,520 --> 00:51:38,359 Speaker 1: the time in I remember being taken aback by it, 800 00:51:38,560 --> 00:51:41,760 Speaker 1: I didn't understand, like, how did they get the president 801 00:51:41,840 --> 00:51:44,560 Speaker 1: to say that? Why would they why would he agree 802 00:51:44,560 --> 00:51:47,520 Speaker 1: to that? What do you pay a president when he 803 00:51:47,600 --> 00:51:52,320 Speaker 1: makes a quick little cameo counterpoint? You don't pay presidents. 804 00:51:52,360 --> 00:51:56,040 Speaker 1: You donate to their foundations, charities and campaign funds. There 805 00:51:56,120 --> 00:51:59,480 Speaker 1: you go, there you go. I was perplexed by it, 806 00:51:59,560 --> 00:52:02,919 Speaker 1: and I I remember I think we even I can't 807 00:52:02,920 --> 00:52:05,279 Speaker 1: remember we mentioned it on the show like when it 808 00:52:05,360 --> 00:52:08,160 Speaker 1: came out, but we we have talked about it since then. 809 00:52:09,000 --> 00:52:12,920 Speaker 1: And you can see there are YouTube channels online with 810 00:52:12,960 --> 00:52:18,480 Speaker 1: the deep fakes that are super just believable and scary, 811 00:52:18,920 --> 00:52:24,040 Speaker 1: making putting other people's faces on bodies, making those bodies 812 00:52:24,080 --> 00:52:28,759 Speaker 1: say things, putting words into the mouths of other people 813 00:52:28,800 --> 00:52:31,840 Speaker 1: who are being interviewed. If you if you want to, 814 00:52:31,920 --> 00:52:34,000 Speaker 1: let's just stay on the President Obama thing. If you 815 00:52:34,040 --> 00:52:37,799 Speaker 1: go to two years later, after the Mr. Robots Season 816 00:52:37,840 --> 00:52:41,360 Speaker 1: two things, you go to this video that Jordan Peel 817 00:52:41,440 --> 00:52:45,600 Speaker 1: made and he he impersonated President Obama quite a bit 818 00:52:45,600 --> 00:52:47,799 Speaker 1: in his career, or he continues to do that, but 819 00:52:48,040 --> 00:52:50,560 Speaker 1: for a while there was one of uh, you know, 820 00:52:50,600 --> 00:52:52,640 Speaker 1: one of the funniest things he was doing. At least 821 00:52:52,640 --> 00:52:55,719 Speaker 1: according to me, he nailed the voice, just so so 822 00:52:55,760 --> 00:52:59,680 Speaker 1: good with the voice. Well, he made a video of 823 00:52:59,760 --> 00:53:04,080 Speaker 1: him talking and a deep faked video of President Obama 824 00:53:04,239 --> 00:53:06,759 Speaker 1: saying all the things that Jordan Peel was saying. I 825 00:53:06,800 --> 00:53:10,080 Speaker 1: remember that, yeah, And it was in warning to everyone 826 00:53:10,560 --> 00:53:14,839 Speaker 1: that you have to really trust the news sources that 827 00:53:14,960 --> 00:53:18,440 Speaker 1: you look at. You have to trust the videos you've watched. 828 00:53:18,960 --> 00:53:21,200 Speaker 1: Um and it's becoming harder and harder to do that. 829 00:53:21,440 --> 00:53:22,840 Speaker 1: I would say the ups, I would say, you have 830 00:53:22,960 --> 00:53:26,480 Speaker 1: to distrust more stuff. Well, yeah, you you have to 831 00:53:26,520 --> 00:53:29,080 Speaker 1: trust the humans that are behind the things, right exactly, 832 00:53:29,080 --> 00:53:30,960 Speaker 1: You have to trust the source or you have to 833 00:53:31,040 --> 00:53:35,239 Speaker 1: at least do your own due diligence on this. And Hollywood, 834 00:53:35,280 --> 00:53:38,759 Speaker 1: of course, it's very, very excited over the moon about this. 835 00:53:38,800 --> 00:53:43,880 Speaker 1: Can you imagine how much more affordable films will become? 836 00:53:44,360 --> 00:53:50,000 Speaker 1: Why would you need to pay whomever you know, like 837 00:53:50,360 --> 00:53:54,839 Speaker 1: Julia Roberts or um Idris Elba. What would you need 838 00:53:54,880 --> 00:53:58,080 Speaker 1: to pay them millions and millions of dollars every time 839 00:53:58,120 --> 00:53:59,920 Speaker 1: you make a movie when you could just buy the 840 00:54:00,239 --> 00:54:04,960 Speaker 1: rights to their likeness and their voice and then use 841 00:54:05,080 --> 00:54:09,640 Speaker 1: deep fake technology. Holograms are there that they're pretty sophisticated, 842 00:54:09,680 --> 00:54:11,160 Speaker 1: but we're not on the point where they can replace 843 00:54:11,239 --> 00:54:14,439 Speaker 1: human beings yet. Well, and at this point almost all 844 00:54:14,480 --> 00:54:18,680 Speaker 1: consumption occurs on our phones. True. Also, I gotta go 845 00:54:18,760 --> 00:54:23,120 Speaker 1: on this one pitch pitch one thing. Okay, so imagine 846 00:54:23,160 --> 00:54:29,640 Speaker 1: we combine deep fakes with AI kind of limited AI. 847 00:54:31,280 --> 00:54:34,280 Speaker 1: This leads us to a strange place, very very quickly. 848 00:54:34,719 --> 00:54:39,400 Speaker 1: I have a prediction. I predict that in the mid future, 849 00:54:39,400 --> 00:54:43,439 Speaker 1: you know, mid term future. So it's completely possible that 850 00:54:43,560 --> 00:54:49,879 Speaker 1: we could democratize screenwriting and filmmaking in a very strange way, 851 00:54:50,000 --> 00:54:54,160 Speaker 1: a way that would not require more than one human 852 00:54:54,200 --> 00:54:57,120 Speaker 1: being to be involved. Imagine if you had something that 853 00:54:57,200 --> 00:55:01,120 Speaker 1: was like Alexa or Sirie or Google Home or whatever, 854 00:55:01,600 --> 00:55:04,560 Speaker 1: and instead of just messing with audio, this would mess 855 00:55:04,600 --> 00:55:07,040 Speaker 1: with audio and visual. So you could just say to it. 856 00:55:07,440 --> 00:55:15,080 Speaker 1: You could say, hey, Google or Alexa, combine Police Academy 857 00:55:15,200 --> 00:55:19,560 Speaker 1: for and just name another film, back to the Future 858 00:55:19,640 --> 00:55:22,120 Speaker 1: three and Back to the Future three. Just combine those 859 00:55:22,160 --> 00:55:25,239 Speaker 1: together and make a film for me. And then this 860 00:55:25,320 --> 00:55:28,400 Speaker 1: algorithm would be able to write the script for that 861 00:55:28,400 --> 00:55:32,279 Speaker 1: that combines these things, take the references from the other 862 00:55:32,400 --> 00:55:36,279 Speaker 1: visual aspects and combine those so that we would have 863 00:55:37,000 --> 00:55:39,840 Speaker 1: something like, you know, back to the Police Academy for 864 00:55:40,200 --> 00:55:42,279 Speaker 1: or back to the Police Academy three, you know what 865 00:55:42,320 --> 00:55:46,040 Speaker 1: I mean, or Police Academy to the future. You know, 866 00:55:46,040 --> 00:55:50,520 Speaker 1: it's completely possible, And then that means the only human 867 00:55:50,560 --> 00:55:54,280 Speaker 1: being involved in that entire process once this technology exists 868 00:55:54,600 --> 00:55:58,319 Speaker 1: is the person who asked the question, and I think 869 00:55:58,400 --> 00:56:02,879 Speaker 1: we're on the way there. Wow, pretty pretty stunning stuff. Yeah, 870 00:56:03,400 --> 00:56:06,520 Speaker 1: it's funny too, because all you'd have to do is 871 00:56:06,560 --> 00:56:09,520 Speaker 1: combine some of the top grossing films over the past 872 00:56:10,080 --> 00:56:14,200 Speaker 1: fifty years basically, and then you could just have new 873 00:56:14,280 --> 00:56:18,040 Speaker 1: hits and change the proper nounds and scriptwriting is so 874 00:56:18,200 --> 00:56:23,440 Speaker 1: formulaic anyways for a lot of those films. But it 875 00:56:23,520 --> 00:56:26,480 Speaker 1: appears that at least four now, at least in the 876 00:56:26,480 --> 00:56:29,640 Speaker 1: cases we've outlined, there's no solid proof of celebrities being 877 00:56:29,680 --> 00:56:36,080 Speaker 1: actively murdered and replaced. Yet we do see the numerous 878 00:56:36,120 --> 00:56:41,200 Speaker 1: possibilities for replacement, if not, if not assassination. Uh. And 879 00:56:41,280 --> 00:56:45,839 Speaker 1: we do know that there are likely body doubles out 880 00:56:45,880 --> 00:56:50,480 Speaker 1: there in other other forms other uh, I mean there's 881 00:56:50,520 --> 00:56:53,480 Speaker 1: still bodies other forms or other applications would be a 882 00:56:53,520 --> 00:56:56,080 Speaker 1: better way to say it, you know. And I just 883 00:56:56,120 --> 00:56:59,120 Speaker 1: have to say something here. I believe that a lot 884 00:56:59,160 --> 00:57:03,560 Speaker 1: of these allegations that come up with body doubles, especially 885 00:57:03,680 --> 00:57:09,279 Speaker 1: with um celebrities who were younger women at the time 886 00:57:09,280 --> 00:57:13,359 Speaker 1: when they became celebrities, like your Taylor Swifts and your 887 00:57:13,400 --> 00:57:16,400 Speaker 1: Avril Levine's and all this. Um, A lot of this 888 00:57:16,600 --> 00:57:20,560 Speaker 1: feels like, I don't want to say, I don't know 889 00:57:20,600 --> 00:57:24,720 Speaker 1: if it's body shaming isn't the right term, but the 890 00:57:24,880 --> 00:57:30,400 Speaker 1: disbelief that a celebrity, especially a female celebrity, looks differently 891 00:57:30,440 --> 00:57:33,840 Speaker 1: than she did when she was, you know, seventeen eighteen, 892 00:57:33,880 --> 00:57:38,000 Speaker 1: whenever she became popular or younger. UM, I think has 893 00:57:38,080 --> 00:57:42,160 Speaker 1: to do with our own perceptions of that and how 894 00:57:42,200 --> 00:57:47,040 Speaker 1: we've been manipulated by media to view women as they age. 895 00:57:47,520 --> 00:57:51,520 Speaker 1: Is that I feel like there's something there because there's 896 00:57:51,560 --> 00:57:54,960 Speaker 1: there's an interview with Avril Levine where she was being asked, 897 00:57:55,080 --> 00:57:56,960 Speaker 1: you know, have you heard the rumors that you were 898 00:57:57,000 --> 00:57:59,760 Speaker 1: replaced in everything that we were discussing, and the images 899 00:57:59,800 --> 00:58:02,000 Speaker 1: of her she does not look like she did at 900 00:58:02,080 --> 00:58:06,000 Speaker 1: least in too whatever that whenever she was interviewed or something. 901 00:58:06,440 --> 00:58:09,080 Speaker 1: She does not look anything like the Avril Levine that 902 00:58:09,120 --> 00:58:12,160 Speaker 1: we all grew up watching on MTV. And it's just 903 00:58:12,440 --> 00:58:16,920 Speaker 1: the nature of growing up and changing. And I don't know, 904 00:58:17,000 --> 00:58:19,480 Speaker 1: I feel like there's something in there with the way 905 00:58:19,520 --> 00:58:24,000 Speaker 1: we treat celebrities and follow them over all of this time, UM, 906 00:58:25,120 --> 00:58:28,320 Speaker 1: that maybe we just lose sight of who the person 907 00:58:28,480 --> 00:58:31,360 Speaker 1: is when you're looking at them. The fact that human 908 00:58:31,400 --> 00:58:35,040 Speaker 1: beings age and changes. Yeah, I don't see that. So 909 00:58:35,720 --> 00:58:38,600 Speaker 1: that's where we're leaving the conversation today. I know this 910 00:58:38,680 --> 00:58:40,400 Speaker 1: was a really long one. I think this is our 911 00:58:40,480 --> 00:58:43,720 Speaker 1: longest episode we've done in a while us. So we 912 00:58:43,840 --> 00:58:49,080 Speaker 1: want to hear from you what celebrity replacement theories, if any, 913 00:58:49,240 --> 00:58:52,840 Speaker 1: do you feel have some true grit? What do you 914 00:58:52,960 --> 00:58:58,880 Speaker 1: think would be the most likely, uh scenario wherein this 915 00:58:59,000 --> 00:59:02,160 Speaker 1: could occur? And if you have proof of it, let 916 00:59:02,240 --> 00:59:06,080 Speaker 1: us know if you are if you are Paul McCartney 917 00:59:06,080 --> 00:59:09,400 Speaker 1: and you're just tired of hearing this, Uh, that's that's fine. 918 00:59:09,480 --> 00:59:11,640 Speaker 1: Let us know. We we hope we were fair about 919 00:59:11,680 --> 00:59:16,000 Speaker 1: that case. Or just send us pictures of your favorite 920 00:59:16,040 --> 00:59:18,400 Speaker 1: doppel gangers. It's often said that everyone in the world 921 00:59:18,480 --> 00:59:20,600 Speaker 1: has someone who looks exactly like them. Have you ever 922 00:59:20,640 --> 00:59:23,240 Speaker 1: met your doppelganger? Was it cool? Were they cool? How 923 00:59:23,280 --> 00:59:25,920 Speaker 1: did it go? Tell us? You can find us on Facebook, 924 00:59:25,920 --> 00:59:27,880 Speaker 1: you can find us on Instagram, you can find us 925 00:59:27,920 --> 00:59:30,560 Speaker 1: on Twitter. You can also give us a call directly. 926 00:59:30,960 --> 00:59:33,760 Speaker 1: We are one h three three st d W y 927 00:59:33,880 --> 00:59:36,160 Speaker 1: t K. Leave a message. We will hear it, we 928 00:59:36,280 --> 00:59:39,160 Speaker 1: might get on the show. Yeah. And if none of 929 00:59:39,200 --> 00:59:43,080 Speaker 1: that quite bags your badgers, you want to contact us 930 00:59:43,360 --> 00:59:46,040 Speaker 1: in what is now the old fashioned way, there's good news. 931 00:59:46,280 --> 00:59:49,840 Speaker 1: You can reach us directly via email. We are conspiracy 932 00:59:49,840 --> 01:00:10,880 Speaker 1: at iHeart radio dot com. M hmmm. Stuff they Don't 933 01:00:10,880 --> 01:00:13,000 Speaker 1: Want You to Know is a production of iHeart Radio's 934 01:00:13,040 --> 01:00:15,720 Speaker 1: How Stuff Works. For more podcasts from my heart Radio, 935 01:00:15,880 --> 01:00:18,680 Speaker 1: visit the i heart Radio app, Apple Podcasts, or wherever 936 01:00:18,800 --> 01:00:20,080 Speaker 1: you listen to your favorite shows.