WEBVTT - John Henson

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<v Speaker 1>The Craig Ferguson Fancy Rascal Stand Up Tour continues throughout

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<v Speaker 1>twenty twenty four. For a full list of dates and tickets,

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<v Speaker 1>go to the Craig Ferguson Show dot com slash tour.

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<v Speaker 1>See you out there, the Greig Ferguson show dot com

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<v Speaker 1>slash Tour. My name is Craig Ferguson. The name of

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<v Speaker 1>this podcast is Joy. I talk to interest in people

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<v Speaker 1>about what brings them happiness. Lee's welcome today. My friend

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<v Speaker 1>for a very long time. He has nothing to do

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<v Speaker 1>with the Muppets, but he's still very good. John Hanson, this.

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<v Speaker 2>Is a rare thing, an afternoon coffee for me.

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<v Speaker 1>Is that bad? We'll find out you are you health

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<v Speaker 1>craze that you look really well right now?

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<v Speaker 2>No, it's more of a function of needing to update

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<v Speaker 2>your prescription right now. This is honestly, I nothing could

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<v Speaker 2>be farther from the truth in terms of health. I

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<v Speaker 2>you know, I get up insanely early. Yeah, but that's

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<v Speaker 2>that's because you're crazy. That's none of it with food exactly.

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<v Speaker 2>That's just I've known you for a long time.

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<v Speaker 1>I mean, you're you're up, You're you're like a deer

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<v Speaker 1>that's going through the forest. And then I imagine you

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<v Speaker 1>sleep like a deer sleeps like just it's quite for

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<v Speaker 1>a little bit.

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<v Speaker 3>And then.

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<v Speaker 2>I always say, like I sleep the way your computer sleeps,

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<v Speaker 2>like the screen is dark, but you press any key

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<v Speaker 2>and it's right there, lights right up. But I you know,

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<v Speaker 2>I get, you know, it's it's as if my body

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<v Speaker 2>thinks I'm a farmer. And so I haven't used an

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<v Speaker 2>alarm clock in ten years.

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<v Speaker 1>I know as I get older, you know, but I

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<v Speaker 1>I as I got older, sleep gets harder to mean

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<v Speaker 1>an elusive mistress. Well, it's weird, man, because when I

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<v Speaker 1>was young, I could sleep like for But now what

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<v Speaker 1>I can do and I'm very happy. But i've i've

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<v Speaker 1>i've uh entered my cat years. Oh you nap a nap?

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<v Speaker 1>I can nap pretty much like if I needed to nap,

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<v Speaker 1>not a nap.

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<v Speaker 2>See, I'm an abject failure at napping, but it doesn't

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<v Speaker 2>stop me from trying all the time. If I can

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<v Speaker 2>get just ten minutes of gray zone, I'm good. That's

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<v Speaker 2>that's that's that's that's meditation.

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<v Speaker 1>Yeah, well in that case, I am freaking Gandhi do

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<v Speaker 1>you meditate? I do I do.

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<v Speaker 2>I think, you know, I it's funny. I still words

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<v Speaker 2>like meditate like I think of it as just like

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<v Speaker 2>framing my mindset, stilling my mind.

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<v Speaker 1>I think that's that's what it is. Yeah, right right.

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<v Speaker 2>I'm no Eggs, but I'm no David Lynch, but I'm

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<v Speaker 2>always I still have the knee jerk fear that when

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<v Speaker 2>you use the word meditate and conversation, people arch and

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<v Speaker 2>eyebrow and you say like, still my mind, and people go.

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<v Speaker 1>Well, that sounds very practical. Yeah, But I I I

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<v Speaker 1>sleep like a rock.

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<v Speaker 2>I just sleep like a rock for like four and

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<v Speaker 2>a half hour. I think that's okay. Yeah, I think

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<v Speaker 2>that the thing to do is I'll beat yourself up.

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<v Speaker 2>I mean, I've just ankled to it. But the way

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<v Speaker 2>I cope with that is I get up at about

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<v Speaker 2>four four thirty, yeah, and I drink just enough coffee

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<v Speaker 2>to bring me to the brink of a seizure, right,

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<v Speaker 2>and then I when I start feeling the jaw lock up.

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<v Speaker 1>Oh yeah, I can switch over to water. Is there

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<v Speaker 1>a time? And then we'll go into you in a

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<v Speaker 1>minute and your life and important things? But is there

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<v Speaker 1>can you see a time? Because I know, like like me.

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<v Speaker 1>You don't drink, you don't do drugs. You have them

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<v Speaker 1>for a long time at nine or five. But I

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<v Speaker 1>don't know how easy it would be for me to

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<v Speaker 1>say goodbye to coffee.

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<v Speaker 2>Coffee and nicorette, no nicotine.

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<v Speaker 1>I'm done. I'm done a long time ago with nicotine.

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<v Speaker 1>But those are the two.

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<v Speaker 2>I'm like, you will pry those from my cold, dead hats.

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<v Speaker 2>I'm not saying goodbye to those yet.

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<v Speaker 1>Well you know it's and well you said yeah though,

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<v Speaker 1>which is good, right, because I would have a hard

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<v Speaker 1>time with call you. I could probably do it, but

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<v Speaker 1>I think, well, why why? Because coffee isn't bad for you,

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<v Speaker 1>is it? I mean everything in moderation, right, Like I

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<v Speaker 1>drink motivation.

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<v Speaker 2>I can't get to that. I drink Probably this is

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<v Speaker 2>for me, assign and progress. This is down for me.

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<v Speaker 2>I drink seven or eight cups of coffee more. Okay,

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<v Speaker 2>I think I got to the root of your sleep problem.

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<v Speaker 1>Fucking idiot.

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<v Speaker 2>And if you if you saw if I were to

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<v Speaker 2>lay out on a table the amount of nicorette gum

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<v Speaker 2>I chew, yeah, you would you would immediately be like,

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<v Speaker 2>we're taking you right to seaters.

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<v Speaker 1>Wow? Really, I didn't know you took nicer I mean,

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<v Speaker 1>I knew you didn't smoke, But when did you stop

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<v Speaker 1>smoking a long time ago? I was supposed going to

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<v Speaker 1>say because I took Nicorette for about a year after

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<v Speaker 1>I stopped smoking.

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<v Speaker 2>But that's I didn't even I didn't start until well

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<v Speaker 2>after I stopped smoking. I just tried it one day

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<v Speaker 2>because I didn't want to smoke a cigarette. And I

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<v Speaker 2>was like this, this, this is my brand of Scotch

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<v Speaker 2>right here.

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<v Speaker 1>You know, I had a scope done on my upper

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<v Speaker 1>endoscopy scope done earlier this year. I remember that, right.

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<v Speaker 1>So they were giving me the propofall before they put

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<v Speaker 1>me out. Sweet my god. So just as we're getting

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<v Speaker 1>I'm talking to the anesthesiologists. I'm in the room and

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<v Speaker 1>he goes, Okay, you're going to feel a little I'm

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<v Speaker 1>gonna feel little wosy for a few seconds and then

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<v Speaker 1>it'll be night night. I was like okay, and then

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<v Speaker 1>he said, okay, I'm letting the stuff going now. And

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<v Speaker 1>I was like, oh my god, that's so good. I tried.

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<v Speaker 1>I tried so hard to stay you live in that

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<v Speaker 1>spot between ten and nine. Oh my god, it was

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<v Speaker 1>so crazy good.

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<v Speaker 2>I actually watch the bag, like when they bring it in.

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<v Speaker 1>I watched that.

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<v Speaker 2>To me, is the drive to the dealer's house. Yeah

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<v Speaker 2>you know what I mean, where it's like it's all

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<v Speaker 2>in front of me. It's all I'm just just sweet anticipation,

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<v Speaker 2>you know.

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<v Speaker 1>But here's the thing though, man, Like we're talking about

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<v Speaker 1>as a couple old druggies. But but here's the thing. Kids,

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<v Speaker 1>no or anyone I know these kids, but people who

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<v Speaker 1>take drugs. Now that phantoel shit is that there. It's

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<v Speaker 1>just like it's a bomb, just goes right off.

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<v Speaker 2>It's and if they say this all the time, is

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<v Speaker 2>like it's in everything now, it's in the pot, it's

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<v Speaker 2>in It's like, you know, everything is laced with fentanyl.

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<v Speaker 2>And I'm thankful because our kids are about the same age.

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<v Speaker 1>Yeah, my youngest is the same age.

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<v Speaker 2>I mean mine is a lot so mine. Mine just

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<v Speaker 2>turned thirteen. And I said, you know, he's seventh grade.

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<v Speaker 2>And I thought, all right, he's entering the phase where

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<v Speaker 2>people are going to begin to experiment. And I said

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<v Speaker 2>to him, like, do you know anybody who's like vaped

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<v Speaker 2>or tried pot or cigarettes or drank. And it was

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<v Speaker 2>as if I had said to him, do you know,

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<v Speaker 2>anybody that uses in travenous drugs. Like he looked at

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<v Speaker 2>me and he goes, no good, And I go really,

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<v Speaker 2>and I go, do you ever smell.

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<v Speaker 1>It at school? And he goes, oh yeah, all the time,

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<v Speaker 1>every time I enter the men's room. Oh god. You know,

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<v Speaker 1>well that's that's tricky, but it is.

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<v Speaker 2>It feels like, you know, the pendulum swings back and forth.

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<v Speaker 2>And I feel like this younger generation, at least where

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<v Speaker 2>I am, and this pocket of kids that my son

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<v Speaker 2>hangs with is very sort of innocent.

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<v Speaker 1>And you know, I think so, I mean, I hope so.

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<v Speaker 1>I mean, Liam's abit the same age as as your boy,

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<v Speaker 1>and he's, uh, he's just you. He done thirteen a

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<v Speaker 1>couple of months ago, and he seems very cognizant of

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<v Speaker 1>what bad idea is. But maybe you know, I'm his dad.

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<v Speaker 1>He's talking to me, you know, I don't know what

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<v Speaker 1>he's saying to his buddies. You know.

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<v Speaker 2>All it takes is like one kid in your class

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<v Speaker 2>with a peanut allergy, and all of a sudden, marijuana

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<v Speaker 2>seems like playing with plutonium, Like, no, man, we can't

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<v Speaker 2>even do skippy.

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<v Speaker 1>Yeah, And I know, I know it's uh it's a

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<v Speaker 1>little tricky, but you know what, I'm glad that I

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<v Speaker 1>passed through the drug sniper alley before they had loaded

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<v Speaker 1>up with fentyl. That's that's terrifying. It's just terrible.

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<v Speaker 2>Otherwise there'd be two other people sitting in the You

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<v Speaker 2>remember Craig Fergus, Yeah he was.

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<v Speaker 1>That was weird. I thought he was gonna get sober. Yeah,

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<v Speaker 1>but he didn't. It was a really good guy. I

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<v Speaker 1>had no idea. Yeah, well neither did he. And yeah,

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<v Speaker 1>because it's one and done right, Yeah, that's just thing

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<v Speaker 1>you can't just like, oh, I better clean up my

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<v Speaker 1>you've fucked. Yeah he won.

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<v Speaker 2>Yeah, it's March Madness, single elimination role.

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<v Speaker 1>God. Yeah, it's crazy. Good sport analogy. Thank you? All right,

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<v Speaker 1>So listen, you know that you are one of the

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<v Speaker 1>few people I know in show business who actually has

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<v Speaker 1>is qualified to be in show business. You know that.

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<v Speaker 1>What do you mean because you haven't good at anything else? No? No, no,

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<v Speaker 1>that that's as everybody else. I know, that's me. But

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<v Speaker 1>you are like you've got a degree in acting. Uh well,

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<v Speaker 1>and I I studied acting quite a bit. You watched

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<v Speaker 1>a couple of.

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<v Speaker 2>Movies I went you know I did not finish college,

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<v Speaker 2>as I say, you are regular show business. Yeah, yeah, yeah,

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<v Speaker 2>I always say I went to college the same way

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<v Speaker 2>Charlie Sheen went to rehab. We were both physically there

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<v Speaker 2>for a period of time. I don't know that any

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<v Speaker 2>of us took a lot away from the experience. But

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<v Speaker 2>and I've said that joke to Charlie, So no, no, no,

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<v Speaker 2>I think it's fine.

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<v Speaker 1>No, I think you're right. I don't know about it, Charlie, So,

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<v Speaker 1>I don't know he's got it. I haven't heard anything.

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<v Speaker 1>You're right with that, Yeah, with that tiger bloodshed.

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<v Speaker 2>Yeah, yeah, he's not exactly flying under the radar when

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<v Speaker 2>he's years. Oh yeah, there's usually you know, there's goddesses.

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<v Speaker 1>Yeah, you know, maybe not tour he did and all that,

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<v Speaker 1>the two and a half man thing and everything.

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<v Speaker 2>I remember I did an episode of Anger Management once

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<v Speaker 2>and is that the one after him?

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<v Speaker 3>Yeah?

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<v Speaker 2>It was the one that he did on like FX,

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<v Speaker 2>and they gave him like a hundred episode commitment, which

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<v Speaker 2>you know, it is like an astronomical amount of money

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<v Speaker 2>that they guarantee me. And and so I had done

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<v Speaker 2>the episode and gone back to my trailer, and I

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<v Speaker 2>was facetiming my then wife, and while I was getting

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<v Speaker 2>changed and saying I'm all done, I'm getting ready to

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<v Speaker 2>come home. And while we're talking, there's a knock on

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<v Speaker 2>the trailer door and I open it and this guy goes, hey,

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<v Speaker 2>Charlie wants to see it in his trailer, and I

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<v Speaker 2>go okay, and I close the door and she goes,

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<v Speaker 2>don't go at least don't don't did you go of course, yeah, yeah,

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<v Speaker 2>And it was okay. This is the best part about

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<v Speaker 2>it was we sat in his room, me, him and

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<v Speaker 2>another guy and just shot the shit and laughed like

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<v Speaker 2>there was no care in the world. For thirty forty minutes.

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<v Speaker 2>He's smoking cigarettes and then eventually I had like a

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<v Speaker 2>joke that got enough of a laugh where I was like,

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<v Speaker 2>I should leave, Yeah, you know what I mean. I go, well, listen, man,

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<v Speaker 2>I got to take off, and he like drains the

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<v Speaker 2>last of a marlboroughread and goes, yeah, I should get

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<v Speaker 2>back to set. And I went there waiting for you,

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<v Speaker 2>and he goes yeah, and I go, oh, dude, I

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<v Speaker 2>I would have left, like, you know, after five minutes

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<v Speaker 2>if I had known that the whole crew and he goes, am,

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<v Speaker 2>I gonna shoot anything without me and just ambled out

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<v Speaker 2>of the set.

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<v Speaker 1>I don't know how good it is for you to

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<v Speaker 1>be like that though.

0:11:18.240 --> 0:11:21.640
<v Speaker 2>I mean, you know, yeah, but it was I mean

0:11:21.679 --> 0:11:25.640
<v Speaker 2>it was delivered like a boss, like like like I

0:11:25.720 --> 0:11:28.079
<v Speaker 2>believe it. It didn't feel like, oh, this is the

0:11:28.080 --> 0:11:31.240
<v Speaker 2>one time I've done this. Put it that way. He

0:11:31.360 --> 0:11:33.520
<v Speaker 2>did not have any compunction about it.

0:11:33.640 --> 0:11:37.120
<v Speaker 1>Yeah, but so you're not you're not a qualified actor,

0:11:37.160 --> 0:11:39.120
<v Speaker 1>then you just a stand up. I've done it.

0:11:39.320 --> 0:11:41.800
<v Speaker 2>I started acting when I was young, so I did

0:11:41.880 --> 0:11:43.640
<v Speaker 2>a lot of you and like.

0:11:43.600 --> 0:11:44.720
<v Speaker 1>Mary Popin's or something.

0:11:45.320 --> 0:11:48.880
<v Speaker 2>Uh may or may not have done God's Spell, which

0:11:49.360 --> 0:11:51.080
<v Speaker 2>you know that's a that's does that.

0:11:51.000 --> 0:11:53.560
<v Speaker 1>Say a little prayer for you, say a little prefer you?

0:11:53.679 --> 0:11:54.360
<v Speaker 1>Is that goad spell?

0:11:54.640 --> 0:11:55.840
<v Speaker 3>Uh?

0:11:56.120 --> 0:11:57.120
<v Speaker 1>I don't think so.

0:11:57.280 --> 0:11:57.360
<v Speaker 3>No.

0:11:57.520 --> 0:12:00.760
<v Speaker 1>I don't know what age of.

0:12:02.720 --> 0:12:06.480
<v Speaker 2>That's Jesus Christ Superstar. I can't, honestly, I've blocked it out.

0:12:06.520 --> 0:12:10.240
<v Speaker 2>It was high school. But no, I didn't the classic.

0:12:10.160 --> 0:12:12.319
<v Speaker 1>Bullying story in high school because you don't strike me

0:12:12.360 --> 0:12:14.800
<v Speaker 1>as someone whould get No I got.

0:12:15.600 --> 0:12:18.880
<v Speaker 2>I was it was requested that I take my education

0:12:19.040 --> 0:12:22.720
<v Speaker 2>elsewhere after my junior year of high school. Really, and

0:12:23.280 --> 0:12:26.560
<v Speaker 2>you know you got to really ship the bed to

0:12:26.600 --> 0:12:29.640
<v Speaker 2>be asked to leave a public high school. That's not

0:12:29.840 --> 0:12:32.679
<v Speaker 2>you know what I mean, that's not a there. They

0:12:32.679 --> 0:12:35.080
<v Speaker 2>don't keep real tight reins on you.

0:12:35.440 --> 0:12:39.360
<v Speaker 1>And do you remember what caused any particular incident that happened.

0:12:39.520 --> 0:12:45.440
<v Speaker 2>There were a series of unexcused absences. Okay, over a

0:12:45.480 --> 0:12:51.080
<v Speaker 2>couple of years, I had the sales job that I

0:12:51.120 --> 0:12:56.880
<v Speaker 2>that needed attending to during school hours. Got it, and

0:12:56.880 --> 0:12:59.400
<v Speaker 2>and that that was not a that was not a

0:12:59.440 --> 0:13:04.160
<v Speaker 2>well kept secret, And so I repeated my junior year

0:13:04.200 --> 0:13:07.040
<v Speaker 2>of high school. I had to go to another school

0:13:07.120 --> 0:13:09.720
<v Speaker 2>and do it again. Close the store in that still

0:13:10.520 --> 0:13:13.320
<v Speaker 2>I did it was I went to a smaller private

0:13:13.360 --> 0:13:15.480
<v Speaker 2>school that was either for like it was for like

0:13:15.720 --> 0:13:19.040
<v Speaker 2>affluent kids who had been in private school their whole life,

0:13:19.080 --> 0:13:22.640
<v Speaker 2>were kids that needed more structure in their environment, and

0:13:23.040 --> 0:13:25.959
<v Speaker 2>like the sort of reclamation projects.

0:13:26.040 --> 0:13:28.360
<v Speaker 1>And do you ever hear about those ones that like

0:13:28.440 --> 0:13:30.720
<v Speaker 1>people send their kids to schools and Utah and stuff

0:13:30.760 --> 0:13:31.240
<v Speaker 1>like that.

0:13:31.080 --> 0:13:33.280
<v Speaker 2>Where you're like in the fucking wilderness. Yeah, and you're

0:13:33.360 --> 0:13:38.120
<v Speaker 2>I don't know, No, that sounds scary. Yeah, that sounds

0:13:38.160 --> 0:13:40.559
<v Speaker 2>like an episode of Dateline, you know what I mean?

0:13:41.040 --> 0:13:44.760
<v Speaker 2>That sounds like you know where Q the Keith Morrison like,

0:13:45.200 --> 0:13:48.280
<v Speaker 2>but Danny never came home after that.

0:13:48.480 --> 0:13:55.520
<v Speaker 1>So do you know the great Ferguson Fancy Rascals Stand

0:13:55.559 --> 0:13:58.800
<v Speaker 1>Up To It continues throughout the United States in twenty

0:13:59.000 --> 0:14:02.240
<v Speaker 1>twenty four. For a full list of dates and tickets,

0:14:02.280 --> 0:14:06.040
<v Speaker 1>go to the Craig fergusonshow dot com slash Tour. See

0:14:06.080 --> 0:14:13.560
<v Speaker 1>you out there, Hey, So you became a stand up then? Yeah,

0:14:13.559 --> 0:14:15.319
<v Speaker 1>I dropped out of college s to do stand up, right,

0:14:15.600 --> 0:14:18.040
<v Speaker 1>but stand up was stand up like a thing for you,

0:14:19.040 --> 0:14:21.320
<v Speaker 1>like a lot of American stand ups. I know, everybody

0:14:21.360 --> 0:14:24.680
<v Speaker 1>says Richard Pryor. Everybody goes, I was Richard Pryor, and

0:14:24.680 --> 0:14:27.320
<v Speaker 1>that's what I wanted to do. That Like black guys,

0:14:27.360 --> 0:14:29.960
<v Speaker 1>white guys, everybody is like, yeah, black women and white women,

0:14:30.000 --> 0:14:31.360
<v Speaker 1>everybody talks about Richard Pryr.

0:14:31.440 --> 0:14:33.760
<v Speaker 2>It was so I was the youngest of five boys.

0:14:33.880 --> 0:14:38.000
<v Speaker 2>I inherited a collection of comedy album Ah so Bob Newhart,

0:14:38.320 --> 0:14:42.720
<v Speaker 2>Bob Newhart, Richard Pryor, Red Fox, George Carlin.

0:14:43.160 --> 0:14:44.480
<v Speaker 1>So, I you know it was.

0:14:44.600 --> 0:14:48.840
<v Speaker 2>I remember like it all seems sort of dark, but

0:14:48.920 --> 0:14:52.880
<v Speaker 2>I became so obsessed with it that I had one

0:14:52.920 --> 0:14:55.120
<v Speaker 2>of those like turntables where if you closed it, it

0:14:55.160 --> 0:14:56.920
<v Speaker 2>would just play until the end of the album, then

0:14:56.960 --> 0:14:58.640
<v Speaker 2>get up and start at the beginning again. And I

0:14:58.680 --> 0:15:01.400
<v Speaker 2>would put on a comedy album and just close my

0:15:01.440 --> 0:15:04.440
<v Speaker 2>eyes and listen to it over and over and over

0:15:04.560 --> 0:15:06.960
<v Speaker 2>until I could like lip sync with it, until I

0:15:07.000 --> 0:15:08.120
<v Speaker 2>had memorized it.

0:15:08.240 --> 0:15:09.840
<v Speaker 1>Like I was obsessive about it.

0:15:09.880 --> 0:15:12.760
<v Speaker 2>I used to sit up and like I remember when

0:15:13.720 --> 0:15:16.480
<v Speaker 2>SNL started, and I would sit up and record it

0:15:16.520 --> 0:15:19.840
<v Speaker 2>on an audio like on a cassette cassette plan and

0:15:19.920 --> 0:15:22.320
<v Speaker 2>just listen to that shit. So and then I was

0:15:22.360 --> 0:15:23.960
<v Speaker 2>acting and training and stuff a little bit.

0:15:24.200 --> 0:15:25.840
<v Speaker 1>It sounds a little. Look, I'm not a doctor that

0:15:25.840 --> 0:15:28.120
<v Speaker 1>has a little spectrum. It was not. It was not.

0:15:28.360 --> 0:15:30.800
<v Speaker 2>It was you know, not full on rocking back and

0:15:30.840 --> 0:15:32.720
<v Speaker 2>forth in front of the dryer, but it was closed.

0:15:32.800 --> 0:15:35.000
<v Speaker 1>Yeah, it sounds like it may it may You may

0:15:35.040 --> 0:15:35.840
<v Speaker 1>be in there somewhere.

0:15:35.960 --> 0:15:38.880
<v Speaker 2>Yeah, like anyone ever a little O c D, a little,

0:15:38.920 --> 0:15:41.200
<v Speaker 2>a little uncomfortable with human interaction.

0:15:41.440 --> 0:15:45.000
<v Speaker 1>Well yeah, but you're but you're an affection man. I've

0:15:45.040 --> 0:15:47.120
<v Speaker 1>known you for a while. You're I mean, look, I

0:15:47.120 --> 0:15:49.080
<v Speaker 1>don't know enough of it with al I'm talking about

0:15:49.120 --> 0:15:50.560
<v Speaker 1>to know if that is a thing. But I think

0:15:50.600 --> 0:15:52.520
<v Speaker 1>it was more O C D O C D.

0:15:52.760 --> 0:15:54.840
<v Speaker 2>You know what I mean. It was that, it wasn't.

0:15:55.280 --> 0:15:58.640
<v Speaker 2>It wasn't. That was my rain man box of matches

0:15:58.760 --> 0:16:01.440
<v Speaker 2>on the ground. I just look and you know, but

0:16:01.480 --> 0:16:04.800
<v Speaker 2>I would just comedy was. I think being the youngest

0:16:04.800 --> 0:16:08.800
<v Speaker 2>of five and being the youngest by seven years, I

0:16:08.880 --> 0:16:13.480
<v Speaker 2>had to learn to defend myself verbally because I could physically.

0:16:13.600 --> 0:16:15.120
<v Speaker 1>Yeah, what were you and your mom?

0:16:15.280 --> 0:16:20.240
<v Speaker 2>Like, my mom was a like first ballot Hall of

0:16:20.240 --> 0:16:24.160
<v Speaker 2>Fame alcoholic m They sent her jersey to Cooperstown. Yeah,

0:16:24.280 --> 0:16:27.280
<v Speaker 2>second sports reference. Yeah, scoring a good one. Thank you

0:16:27.360 --> 0:16:31.120
<v Speaker 2>feel good about it? Yeah, but yeah, So you know,

0:16:31.200 --> 0:16:34.320
<v Speaker 2>my parents divorced when I was eleven, and my mom

0:16:34.960 --> 0:16:39.360
<v Speaker 2>cratered and I was living alone with her because all

0:16:39.400 --> 0:16:41.400
<v Speaker 2>my brothers were in college and out of the house.

0:16:41.440 --> 0:16:45.080
<v Speaker 2>But so it was like four or five years of

0:16:45.320 --> 0:16:49.720
<v Speaker 2>that's pretty traumatic, John, dude, it was. I have realized

0:16:49.800 --> 0:16:54.760
<v Speaker 2>since you know, you kind of synthesize and naturalize what

0:16:54.840 --> 0:16:57.320
<v Speaker 2>you've lived through, right, like all of a sudden, you've

0:16:57.400 --> 0:16:59.560
<v Speaker 2>just sat with your own story for so long that

0:16:59.600 --> 0:17:03.080
<v Speaker 2>it's not big deal, right, And I think recently I've

0:17:03.840 --> 0:17:07.919
<v Speaker 2>had that experience where like I went back to therapy

0:17:08.000 --> 0:17:10.800
<v Speaker 2>years ago, and I you know that there's that first

0:17:10.840 --> 0:17:13.800
<v Speaker 2>week or two where you're kind of just vomiting your story.

0:17:13.880 --> 0:17:15.200
<v Speaker 1>And bringing them up to speed.

0:17:15.240 --> 0:17:18.720
<v Speaker 2>And I went through this era of living with my

0:17:18.800 --> 0:17:22.400
<v Speaker 2>mom and the years that there was like no hot

0:17:22.440 --> 0:17:25.240
<v Speaker 2>food and no clean clothes and nobody getting up for school,

0:17:25.280 --> 0:17:28.479
<v Speaker 2>and you know, she just was a functional and and

0:17:29.080 --> 0:17:32.359
<v Speaker 2>I just watched the mask of horror come over my

0:17:32.440 --> 0:17:36.280
<v Speaker 2>therapist face and she goes, you know, like the state

0:17:36.400 --> 0:17:40.240
<v Speaker 2>takes kids away for that, and that was a big thing, Like,

0:17:40.800 --> 0:17:46.400
<v Speaker 2>oh my god, she's right, Like in modern times there

0:17:46.400 --> 0:17:49.320
<v Speaker 2>would have been some sort of intervention where it was.

0:17:49.240 --> 0:17:53.760
<v Speaker 1>Connecticut, you're from, right, yeah, yeah, so and then so

0:17:53.840 --> 0:17:54.359
<v Speaker 1>that you.

0:17:54.280 --> 0:17:58.480
<v Speaker 2>Know that that was quite a left turn. And then I,

0:17:58.720 --> 0:18:04.400
<v Speaker 2>you know, I exhibited itself in running with you know,

0:18:05.000 --> 0:18:10.080
<v Speaker 2>wanting to having sort of a compulsive desire to to

0:18:10.240 --> 0:18:12.840
<v Speaker 2>break rules to you know, well.

0:18:12.720 --> 0:18:14.359
<v Speaker 1>Yeah, I mean, look, if you get no structure and

0:18:14.480 --> 0:18:17.679
<v Speaker 1>then suddenly you had much, you start like thinking it

0:18:17.680 --> 0:18:20.600
<v Speaker 1>doesn't apply to you. I mean, it just was.

0:18:21.040 --> 0:18:23.600
<v Speaker 2>It was not a man, I need to bang out

0:18:23.600 --> 0:18:26.320
<v Speaker 2>this book report today because I don't want to do

0:18:26.400 --> 0:18:28.640
<v Speaker 2>it at the last second on Sunday. It was more

0:18:28.680 --> 0:18:31.040
<v Speaker 2>of a hey, if I just don't go to school

0:18:31.080 --> 0:18:32.679
<v Speaker 2>on Monday, no book report.

0:18:32.840 --> 0:18:35.800
<v Speaker 1>Yeah, you know, So when did you do your first

0:18:35.840 --> 0:18:38.119
<v Speaker 1>stand up? Then? How did you like? We freshman year

0:18:38.119 --> 0:18:41.280
<v Speaker 1>of college? Really that young? I take that back. Second.

0:18:41.359 --> 0:18:44.240
<v Speaker 2>It was freshman year at college. I was in and

0:18:44.280 --> 0:18:47.080
<v Speaker 2>I started. I didn't start it. I was a founding

0:18:47.119 --> 0:18:50.719
<v Speaker 2>member of an improv troop at Boston University, right. And

0:18:50.760 --> 0:18:54.640
<v Speaker 2>then sophomore year, I did my first open mic night

0:18:54.960 --> 0:18:57.119
<v Speaker 2>with another guy, a guy that I loved dearly that

0:18:57.160 --> 0:18:58.720
<v Speaker 2>I went to college with his past now, but he

0:18:59.080 --> 0:19:02.800
<v Speaker 2>and I did a two person thing and at an

0:19:02.840 --> 0:19:05.679
<v Speaker 2>open mic night, and I was I mean, it went terribly,

0:19:05.960 --> 0:19:08.280
<v Speaker 2>but I was just fucking hooked. And he never did

0:19:08.320 --> 0:19:09.880
<v Speaker 2>it again, and I just couldn't.

0:19:10.119 --> 0:19:12.680
<v Speaker 1>I couldn't. I was always obsessed with that, yeah, because

0:19:12.680 --> 0:19:16.240
<v Speaker 1>I remember doing stuff guys none of them stayed at it.

0:19:16.359 --> 0:19:17.600
<v Speaker 1>I was like, oh, this is my thing.

0:19:18.080 --> 0:19:20.920
<v Speaker 2>Yeah yeah, and I just I you know, I think

0:19:20.960 --> 0:19:24.600
<v Speaker 2>I'd only done twelve or fifteen open mic nights. When

0:19:24.600 --> 0:19:27.560
<v Speaker 2>I was like, I'm out of college, I'm leaving after

0:19:27.600 --> 0:19:31.160
<v Speaker 2>my sophomore year, and I'm start earning money. I went

0:19:31.200 --> 0:19:34.359
<v Speaker 2>to New York and I was, you know, it was

0:19:34.400 --> 0:19:37.600
<v Speaker 2>sort of a process of putting in the FaceTime, you

0:19:37.640 --> 0:19:38.080
<v Speaker 2>know what I mean.

0:19:38.119 --> 0:19:40.800
<v Speaker 1>And I had a social media then used that you

0:19:40.800 --> 0:19:43.960
<v Speaker 1>couldn't do your your tiktoks and no, it was just

0:19:44.160 --> 0:19:46.679
<v Speaker 1>that it was just pledging the frat, you know, just

0:19:46.720 --> 0:19:48.160
<v Speaker 1>being around. And there was a cup.

0:19:48.240 --> 0:19:50.600
<v Speaker 2>There was a club Boston Comedy Club, which is now

0:19:50.960 --> 0:19:55.520
<v Speaker 2>you know people know and Boston Comedy Club in New York. Yeah,

0:19:56.400 --> 0:19:59.840
<v Speaker 2>and I was. I started working there and then over it.

0:20:00.000 --> 0:20:02.400
<v Speaker 2>I took probably two or three years before I got

0:20:02.720 --> 0:20:04.800
<v Speaker 2>passed in all the clubs and was able to cobble

0:20:04.840 --> 0:20:09.760
<v Speaker 2>together enough of a living just on set pay to

0:20:09.960 --> 0:20:11.640
<v Speaker 2>not have any other job.

0:20:11.840 --> 0:20:14.880
<v Speaker 1>All right, did you ever do the comic strip up

0:20:14.920 --> 0:20:17.200
<v Speaker 1>on a first that second Avenue and that.

0:20:17.240 --> 0:20:20.280
<v Speaker 2>Ended up becoming my home club? That ended up becoming

0:20:20.359 --> 0:20:21.920
<v Speaker 2>Lucien Hold who was the owner.

0:20:21.960 --> 0:20:24.520
<v Speaker 1>Then I know that, you know, that's my first gig

0:20:24.520 --> 0:20:28.359
<v Speaker 1>in America. Really. Yeah. When I was twenty one, I

0:20:28.359 --> 0:20:30.040
<v Speaker 1>was living in New York City. I was working in

0:20:30.080 --> 0:20:34.200
<v Speaker 1>construction in Harlem, and I had other activities downtown m

0:20:35.000 --> 0:20:37.040
<v Speaker 1>but I was interested in being the stand up and

0:20:37.359 --> 0:20:38.760
<v Speaker 1>the time, I don't know if this was at the

0:20:38.800 --> 0:20:40.520
<v Speaker 1>same time for you. I'm a bit older than you.

0:20:41.000 --> 0:20:42.600
<v Speaker 1>But you used to go up there on a Monday

0:20:42.600 --> 0:20:45.000
<v Speaker 1>morning and get a lottery ticket. Yeah, and then Monday

0:20:45.040 --> 0:20:46.840
<v Speaker 1>night was the open mic night, right, but it was

0:20:46.880 --> 0:20:49.439
<v Speaker 1>the following Monday, right, So you went up on Monday

0:20:49.440 --> 0:20:52.600
<v Speaker 1>morning and be a bunch of kids outside waiting for

0:20:52.680 --> 0:20:55.160
<v Speaker 1>their shot to get a lottery ticket. Ten people would

0:20:55.200 --> 0:20:59.159
<v Speaker 1>get picked, and then if you got a lottery ticket,

0:20:59.359 --> 0:21:02.399
<v Speaker 1>you went the following Monday to the open night. Open

0:21:02.440 --> 0:21:05.840
<v Speaker 1>mic night. I went up there. I was like, you know,

0:21:05.920 --> 0:21:08.040
<v Speaker 1>up there to do it, and I'm standing there. My

0:21:09.200 --> 0:21:11.560
<v Speaker 1>number didn't get picked. It was like twenty five kids.

0:21:12.359 --> 0:21:18.320
<v Speaker 1>And I go to the bartender who's running the little raffle,

0:21:18.359 --> 0:21:21.399
<v Speaker 1>and I said, what did I do? Because I'm not

0:21:21.440 --> 0:21:23.919
<v Speaker 1>from around here and I don't know what to do

0:21:23.960 --> 0:21:26.679
<v Speaker 1>about that. And he goes, where are you from? I

0:21:26.720 --> 0:21:29.800
<v Speaker 1>said Scotland and he went he gave me a ticket

0:21:29.800 --> 0:21:31.560
<v Speaker 1>and he went, you just come back next week. I

0:21:31.560 --> 0:21:35.960
<v Speaker 1>gotta fucking see this. And then Lucien Hold was really

0:21:36.040 --> 0:21:38.399
<v Speaker 1>nice to me, but he asked me back after the

0:21:38.440 --> 0:21:41.480
<v Speaker 1>first open night, and then the second open mic. I

0:21:41.520 --> 0:21:44.399
<v Speaker 1>didn't do so well in then we felt our relationship

0:21:44.440 --> 0:21:47.080
<v Speaker 1>didn't proceed beyond that point. It's interesting.

0:21:47.480 --> 0:21:49.040
<v Speaker 2>So I had a couple of years to kind of

0:21:49.240 --> 0:21:52.560
<v Speaker 2>incubate at the Boston Comedy Club, right, getting a lot.

0:21:52.560 --> 0:21:54.520
<v Speaker 2>I did a lot of hostings, so I got stage time.

0:21:54.560 --> 0:21:57.680
<v Speaker 2>And you know, you may remember this if you spend

0:21:57.680 --> 0:21:58.879
<v Speaker 2>a lot of time in New York. But it was

0:22:00.280 --> 0:22:04.520
<v Speaker 2>the role of the MC was not as sort of

0:22:05.200 --> 0:22:07.919
<v Speaker 2>ignored in New York as it is here, Like it

0:22:07.960 --> 0:22:10.280
<v Speaker 2>was a very important role. It was your show, right,

0:22:10.320 --> 0:22:12.320
<v Speaker 2>and you got a lot more stage time, and it

0:22:12.440 --> 0:22:15.080
<v Speaker 2>was your job, like it was your obligation to your

0:22:15.080 --> 0:22:18.480
<v Speaker 2>fellow comics too. You know, you need to warm them

0:22:18.560 --> 0:22:21.120
<v Speaker 2>up and then you turn them over. If somebody kills,

0:22:21.560 --> 0:22:23.240
<v Speaker 2>you need to stay up there for a couple of

0:22:23.280 --> 0:22:25.680
<v Speaker 2>seconds and give them time to simmer down. Remember, if

0:22:25.680 --> 0:22:28.080
<v Speaker 2>somebody dies, you got to bring the crowd back to

0:22:28.160 --> 0:22:31.920
<v Speaker 2>deliver a decent crowd. So if you were a good MC,

0:22:33.000 --> 0:22:35.000
<v Speaker 2>people were like, all right, I trust that, Like it's

0:22:35.080 --> 0:22:36.560
<v Speaker 2>your show, you know what I mean?

0:22:36.680 --> 0:22:37.400
<v Speaker 1>Did you do that?

0:22:37.520 --> 0:22:39.160
<v Speaker 2>I did that at Boston Comedy Club for a couple

0:22:39.200 --> 0:22:42.879
<v Speaker 2>of years, and then I ended up auditioning Mike Sweeney,

0:22:42.960 --> 0:22:46.080
<v Speaker 2>who many years as the head writer for Conan got

0:22:46.160 --> 0:22:50.240
<v Speaker 2>me an audition at the comic Strip and I auditioned,

0:22:50.320 --> 0:22:53.800
<v Speaker 2>and Lucian you know, pulled me aside famously long winded,

0:22:53.800 --> 0:22:56.040
<v Speaker 2>but I got I love that man, and he said

0:22:56.040 --> 0:22:59.320
<v Speaker 2>something I'll never forget. He goes, you are in the

0:22:59.560 --> 0:23:01.440
<v Speaker 2>single largest.

0:23:01.080 --> 0:23:02.680
<v Speaker 1>Cross section in comedy.

0:23:02.720 --> 0:23:06.240
<v Speaker 2>You are a straight, middle of the road white guy,

0:23:06.840 --> 0:23:10.320
<v Speaker 2>and that means it's going to be that much harder

0:23:10.600 --> 0:23:13.199
<v Speaker 2>for you to break through because there's so many, so

0:23:13.280 --> 0:23:13.720
<v Speaker 2>many of you.

0:23:14.359 --> 0:23:17.160
<v Speaker 1>But if you break, you throw that to me, they said,

0:23:17.200 --> 0:23:20.360
<v Speaker 1>he said, Scottish and he goes.

0:23:20.640 --> 0:23:24.159
<v Speaker 2>But if you break, you break for an entire career,

0:23:24.960 --> 0:23:28.320
<v Speaker 2>as opposed to if you're a character act, you get

0:23:28.359 --> 0:23:31.119
<v Speaker 2>like a three year window before everybody's.

0:23:30.640 --> 0:23:32.679
<v Speaker 1>Like remember yeah who series?

0:23:33.119 --> 0:23:34.040
<v Speaker 3>You know what I mean, that.

0:23:34.119 --> 0:23:35.200
<v Speaker 1>Sort of cautionary tale.

0:23:35.359 --> 0:23:37.439
<v Speaker 2>And you know there are guys like obviously Dice had

0:23:37.480 --> 0:23:41.240
<v Speaker 2>a much longer arc and but you know, the the

0:23:43.400 --> 0:23:46.399
<v Speaker 2>a more sort of outside the box acquired taste, like

0:23:46.880 --> 0:23:49.520
<v Speaker 2>it's you know, it has a shorter shelf life.

0:23:49.760 --> 0:23:51.720
<v Speaker 1>Well, I think that's true of all our forms. Know,

0:23:51.840 --> 0:23:54.959
<v Speaker 1>just stand up. I think that if it's very you know,

0:23:55.080 --> 0:23:58.080
<v Speaker 1>if you stay with like if Boy had stayed Ziggy

0:23:58.080 --> 0:24:00.840
<v Speaker 1>Star does that you know it doesn't be but it

0:24:00.920 --> 0:24:02.240
<v Speaker 1>doesn't stay like that, yeah.

0:24:02.359 --> 0:24:04.440
<v Speaker 2>Right, because you can't be like, you know, your second

0:24:04.440 --> 0:24:06.800
<v Speaker 2>album can't be yet more stardust.

0:24:06.880 --> 0:24:09.840
<v Speaker 1>Yeah, you know what I mean. It's like Biggy started,

0:24:10.560 --> 0:24:12.919
<v Speaker 1>so Biggie started the rap album.

0:24:13.040 --> 0:24:16.560
<v Speaker 2>But I ended up hosting that open mic night. And

0:24:16.600 --> 0:24:20.120
<v Speaker 2>it was your job by the time that I took

0:24:20.160 --> 0:24:20.520
<v Speaker 2>it over.

0:24:20.880 --> 0:24:21.680
<v Speaker 1>It was your job.

0:24:21.760 --> 0:24:26.240
<v Speaker 2>You watched all the comics, right, and then you decided

0:24:26.400 --> 0:24:30.479
<v Speaker 2>who got passed onto a callback for Lucian So it

0:24:30.520 --> 0:24:32.840
<v Speaker 2>was this weird gatekeepery roll.

0:24:33.160 --> 0:24:35.520
<v Speaker 1>So I think that probably happened to me. I got

0:24:35.560 --> 0:24:38.560
<v Speaker 1>called back after the first one, and then Lucien Hold,

0:24:38.600 --> 0:24:42.240
<v Speaker 1>who I Sadly I never connected with him later and

0:24:42.280 --> 0:24:45.160
<v Speaker 1>I wish I had because he's passed now, but he

0:24:45.160 --> 0:24:47.400
<v Speaker 1>he Yeah, I mean I was, I go on late

0:24:47.480 --> 0:24:49.760
<v Speaker 1>night and stuff. I should have gone back and seen him.

0:24:50.000 --> 0:24:52.120
<v Speaker 1>Yeah you know, and in my apartment in New York

0:24:52.200 --> 0:24:54.119
<v Speaker 1>is that like a storin stroll from the Coming strip?

0:24:54.440 --> 0:24:54.600
<v Speaker 3>Oh?

0:24:54.680 --> 0:24:56.879
<v Speaker 1>By all the time, I loved that place. That was.

0:24:56.960 --> 0:24:59.280
<v Speaker 2>I went there my first night in New York City

0:24:59.320 --> 0:25:04.720
<v Speaker 2>and I saw Sandler pre snl right, and I'll never

0:25:04.760 --> 0:25:07.480
<v Speaker 2>forget this man. He walked on stage and he goes,

0:25:08.840 --> 0:25:10.720
<v Speaker 2>you know, nobody knew who he was, you know, and

0:25:10.800 --> 0:25:13.080
<v Speaker 2>he goes, sorry, I'm late everybody I was. I'm in

0:25:13.080 --> 0:25:15.600
<v Speaker 2>the cab driver on the way over. He killed a

0:25:15.640 --> 0:25:19.720
<v Speaker 2>little doggie, and everybody goes on and he goes, yeah,

0:25:19.840 --> 0:25:22.240
<v Speaker 2>he he didn't even hit her with his car. He

0:25:22.320 --> 0:25:24.640
<v Speaker 2>just got out of the car and stabbed it. And

0:25:24.680 --> 0:25:26.399
<v Speaker 2>I was like right away, I was like, you know what,

0:25:26.520 --> 0:25:29.920
<v Speaker 2>no tip, and I just I like, I'll never forget.

0:25:29.960 --> 0:25:31.399
<v Speaker 2>It was my first night in New York City and

0:25:31.440 --> 0:25:35.480
<v Speaker 2>I remember saying to a guy, an older comic there,

0:25:35.680 --> 0:25:38.040
<v Speaker 2>I go, you got any advice for somebody just starting out?

0:25:38.119 --> 0:25:42.360
<v Speaker 2>And he goes, yeah, if there's anything else you can do,

0:25:42.359 --> 0:25:42.720
<v Speaker 2>do that.

0:25:43.160 --> 0:25:44.440
<v Speaker 1>Yeah, I agree, and.

0:25:44.280 --> 0:25:47.320
<v Speaker 2>I go, I got I don't have anything else I

0:25:47.359 --> 0:25:49.359
<v Speaker 2>can do, and he goes, then don't give up your

0:25:49.359 --> 0:25:49.960
<v Speaker 2>seat at the bar.

0:25:50.240 --> 0:25:53.520
<v Speaker 1>Yeah, you know, just don't quit. That's why I'm kind

0:25:53.560 --> 0:25:56.960
<v Speaker 1>of interested in because the stand up world is very

0:25:56.960 --> 0:26:00.800
<v Speaker 1>different now. Young performers male and female and come through

0:26:01.720 --> 0:26:05.119
<v Speaker 1>using like short social media things and build up that

0:26:05.160 --> 0:26:08.119
<v Speaker 1>way and get a following, and but it's not like

0:26:08.160 --> 0:26:12.000
<v Speaker 1>that's that's not it's just not the same thing, you know,

0:26:12.119 --> 0:26:15.160
<v Speaker 1>it's it's not of any last value. It's still Look,

0:26:15.200 --> 0:26:17.120
<v Speaker 1>if you can make somebody laugh for forty five seconds,

0:26:17.160 --> 0:26:20.560
<v Speaker 1>that's great. But to assume that that forty five seconds

0:26:20.640 --> 0:26:24.359
<v Speaker 1>is is going to see you through the comings up

0:26:24.400 --> 0:26:25.160
<v Speaker 1>on a Monday night.

0:26:25.640 --> 0:26:29.000
<v Speaker 2>Yeah, it it feels different thing to me coming from

0:26:29.040 --> 0:26:32.600
<v Speaker 2>New York where there was this huge emphasis. And I'm

0:26:32.640 --> 0:26:34.720
<v Speaker 2>not putting myself in this category. I mean I was

0:26:34.880 --> 0:26:36.960
<v Speaker 2>I was not one of these guys, but there were

0:26:37.880 --> 0:26:41.040
<v Speaker 2>there were guys who like the the emphasis was on

0:26:41.720 --> 0:26:43.600
<v Speaker 2>you got to keep writing, you got to keep evolving,

0:26:43.640 --> 0:26:45.080
<v Speaker 2>you got to keep working on your craft, you got

0:26:45.119 --> 0:26:47.280
<v Speaker 2>to like you know, there were there were guys it

0:26:47.320 --> 0:26:49.760
<v Speaker 2>was almost like a badge of honor if they were

0:26:49.800 --> 0:26:53.840
<v Speaker 2>doing a set and they just refused to go to

0:26:53.880 --> 0:26:56.400
<v Speaker 2>their A list material, if they were trying out new

0:26:56.440 --> 0:26:59.560
<v Speaker 2>shit and they were dying and everyone, every comic in

0:26:59.600 --> 0:27:02.679
<v Speaker 2>the room knew they could kill yeah, but they refuse

0:27:02.880 --> 0:27:04.199
<v Speaker 2>to do it. Oh yeah, you know. It was like

0:27:04.240 --> 0:27:08.480
<v Speaker 2>a badge of honor in La. I got to La

0:27:08.640 --> 0:27:12.119
<v Speaker 2>and it just felt like Land of the shortcut, like

0:27:12.440 --> 0:27:14.919
<v Speaker 2>Land of the I want to do a seven minute

0:27:15.000 --> 0:27:17.800
<v Speaker 2>set for network and get a development deal, and you know,

0:27:17.920 --> 0:27:19.800
<v Speaker 2>it felt like a pass through, like stand up was

0:27:19.840 --> 0:27:20.680
<v Speaker 2>a pass through.

0:27:20.720 --> 0:27:22.919
<v Speaker 1>Sound's right, it was. It was a thing going on

0:27:22.960 --> 0:27:25.879
<v Speaker 1>to something else. And I guess kind of I did that.

0:27:26.040 --> 0:27:27.920
<v Speaker 1>Really That's how I ended up on the Drew Carey

0:27:28.000 --> 0:27:31.119
<v Speaker 1>Show because Drew had done that through you know, his

0:27:31.680 --> 0:27:34.000
<v Speaker 1>ten minutes on Carson or five minutes on Carson then

0:27:34.000 --> 0:27:37.600
<v Speaker 1>and then he'd go to the deal and stuff, and

0:27:37.960 --> 0:27:40.200
<v Speaker 1>I had go. I think I got the addition because

0:27:40.200 --> 0:27:43.600
<v Speaker 1>of doing like a stand up at the the improv

0:27:43.680 --> 0:27:46.520
<v Speaker 1>in LA and then I didn't do stand up for

0:27:46.560 --> 0:27:47.280
<v Speaker 1>ten years.

0:27:48.280 --> 0:27:51.000
<v Speaker 2>I mean that's I did sort of that version of

0:27:51.080 --> 0:27:53.240
<v Speaker 2>I did stand up for I don't know seven years,

0:27:53.240 --> 0:27:56.760
<v Speaker 2>and now you got Talk Soup and then came out here.

0:27:56.920 --> 0:28:01.520
<v Speaker 2>I didn't you know, it was different Cold Cuture, different comics.

0:28:01.560 --> 0:28:05.399
<v Speaker 2>I didn't know anybody. And the first year that I

0:28:05.520 --> 0:28:08.639
<v Speaker 2>was on Talk Soup, it was the OJ trial that

0:28:08.680 --> 0:28:11.040
<v Speaker 2>he was covering live, so I had to be out

0:28:11.119 --> 0:28:13.600
<v Speaker 2>of the studio by like seven thirty in the morning,

0:28:14.280 --> 0:28:16.080
<v Speaker 2>and so I was getting to work at like three

0:28:16.240 --> 0:28:19.639
<v Speaker 2>thirty or four, and it just you couldn't do stand

0:28:19.720 --> 0:28:22.280
<v Speaker 2>up like I couldn't do stand up five nights a week,

0:28:22.600 --> 0:28:25.640
<v Speaker 2>you know, And I blinked, and I had been out

0:28:25.640 --> 0:28:27.399
<v Speaker 2>of stand up for like a year, but I was

0:28:27.440 --> 0:28:28.960
<v Speaker 2>doing television and I.

0:28:29.040 --> 0:28:31.520
<v Speaker 1>Just like I took the path of the Grad Show

0:28:31.600 --> 0:28:32.879
<v Speaker 1>and that was a great show.

0:28:33.359 --> 0:28:36.320
<v Speaker 2>Like I remember, like sixteen years I was out of

0:28:36.359 --> 0:28:37.879
<v Speaker 2>stand up, and then I was like, I think I'm

0:28:37.920 --> 0:28:39.480
<v Speaker 2>going to go back and try again. I ran into

0:28:39.560 --> 0:28:41.560
<v Speaker 2>Joe Rogan at a club and he goes, you're going

0:28:41.640 --> 0:28:43.520
<v Speaker 2>on and I go yeah, and he goes, how long

0:28:43.520 --> 0:28:44.959
<v Speaker 2>has it been since you did stand up?

0:28:45.000 --> 0:28:49.600
<v Speaker 1>And I goes sixteen years and he goes, how do

0:28:49.640 --> 0:28:51.760
<v Speaker 1>you do? I did all right? I mean, you know,

0:28:51.880 --> 0:28:54.480
<v Speaker 1>I'm a good comic, but it's not it's not my

0:28:55.760 --> 0:28:58.240
<v Speaker 1>I don't feel like that's my fastball. Really.

0:28:58.880 --> 0:29:02.840
<v Speaker 2>I mean I I I am constantly sort of taunting

0:29:02.920 --> 0:29:05.880
<v Speaker 2>myself to like maybe I need to go back and

0:29:06.320 --> 0:29:09.960
<v Speaker 2>and just throw out everything and start fresh of who

0:29:10.000 --> 0:29:13.960
<v Speaker 2>I am now, you know. And because when I went back,

0:29:14.000 --> 0:29:16.400
<v Speaker 2>it was like now I was I wasn't writing the

0:29:16.480 --> 0:29:18.320
<v Speaker 2>jokes I was writing in my twenties. I was writing

0:29:18.400 --> 0:29:20.240
<v Speaker 2>jokes as like now I'm a husband and a father

0:29:20.600 --> 0:29:22.960
<v Speaker 2>right now, Maybe I just need to just turn the

0:29:23.000 --> 0:29:26.520
<v Speaker 2>page again and start over. I feel like I am

0:29:26.920 --> 0:29:29.080
<v Speaker 2>I am most comfortable, and I feel like I am

0:29:29.320 --> 0:29:35.280
<v Speaker 2>at my best when I'm improvising and hosting. Like like,

0:29:36.080 --> 0:29:37.720
<v Speaker 2>I don't know if you feel this way. I don't

0:29:37.720 --> 0:29:40.240
<v Speaker 2>know if between stand up and for instance, what you

0:29:40.280 --> 0:29:42.680
<v Speaker 2>were doing on your talk show, like I've told you this,

0:29:43.640 --> 0:29:48.000
<v Speaker 2>I feel very strongly that what you did on your

0:29:48.080 --> 0:29:52.160
<v Speaker 2>talk show should not be considered a talk show when

0:29:52.160 --> 0:29:54.720
<v Speaker 2>you are talking and comparing it to other talk shows,

0:29:54.840 --> 0:30:00.280
<v Speaker 2>because it was it was not lazy media shit. You're

0:30:00.280 --> 0:30:02.880
<v Speaker 2>you're selling yourself short what you what? And I you know,

0:30:03.280 --> 0:30:06.479
<v Speaker 2>for a comic to realize. You know, anybody who's done

0:30:06.480 --> 0:30:09.160
<v Speaker 2>a talk show knows you go over the questions a

0:30:09.200 --> 0:30:11.480
<v Speaker 2>million times, you go over your answers a million times.

0:30:11.480 --> 0:30:14.040
<v Speaker 2>There is absolutely nothing spontaneous about it.

0:30:14.080 --> 0:30:16.040
<v Speaker 1>And what you did was.

0:30:17.520 --> 0:30:22.240
<v Speaker 2>Entirely throw that that format out and let's just figure

0:30:22.280 --> 0:30:25.880
<v Speaker 2>it out. And to do that with no net is

0:30:26.120 --> 0:30:28.440
<v Speaker 2>to me, I like, I couldn't have a greater sense

0:30:28.480 --> 0:30:30.200
<v Speaker 2>of respect. So I don't know if you like when

0:30:30.240 --> 0:30:33.320
<v Speaker 2>you talk about thinking on your feet, being present, you know,

0:30:33.400 --> 0:30:36.800
<v Speaker 2>being spontaneous when you look at that versus you writing

0:30:36.840 --> 0:30:39.120
<v Speaker 2>and doing stand up if you feel like one is

0:30:39.120 --> 0:30:40.800
<v Speaker 2>definitively stronger than the other.

0:30:41.320 --> 0:30:44.000
<v Speaker 1>I don't see any well, I don't. I don't write

0:30:44.240 --> 0:30:46.400
<v Speaker 1>stand up doing that way. I mean I write for

0:30:46.440 --> 0:30:48.760
<v Speaker 1>myself a boy, Like if I'm going to write an act,

0:30:49.120 --> 0:30:52.400
<v Speaker 1>and I do, I will like I'm going to tell

0:30:52.440 --> 0:30:56.000
<v Speaker 1>this story about that the time I go that thing

0:30:56.040 --> 0:30:58.600
<v Speaker 1>on my ass right, bull points, Yeah, and that's it.

0:30:58.640 --> 0:31:02.320
<v Speaker 1>I never write anymore in that. And so when I

0:31:02.360 --> 0:31:04.840
<v Speaker 1>when I go out and do it, it's like it

0:31:04.960 --> 0:31:05.800
<v Speaker 1>changes every night.

0:31:05.840 --> 0:31:06.080
<v Speaker 3>It's not.

0:31:06.440 --> 0:31:10.280
<v Speaker 1>I mean, it's no, right, very few things land the

0:31:10.280 --> 0:31:14.040
<v Speaker 1>same way every night. Yeah, And that's what you do, right.

0:31:14.360 --> 0:31:17.520
<v Speaker 2>I mean, it's certainly what I did when I was

0:31:17.560 --> 0:31:21.040
<v Speaker 2>doing a lot of stand up, right, Like I remember,

0:31:21.320 --> 0:31:27.360
<v Speaker 2>you know, doing weird shit like you know, in my

0:31:27.480 --> 0:31:31.400
<v Speaker 2>twenties before I got talk soup, I remember doing things like,

0:31:32.000 --> 0:31:34.800
<v Speaker 2>you know, because sometimes you're performing and it's late at night,

0:31:34.880 --> 0:31:36.880
<v Speaker 2>or you get you're in you know, you get a

0:31:36.920 --> 0:31:40.200
<v Speaker 2>crowd that's not necessarily kind of you're not able to

0:31:40.320 --> 0:31:42.760
<v Speaker 2>dance with. And there were times where I would do

0:31:42.800 --> 0:31:45.360
<v Speaker 2>stuff like I'd get frustrated and turn and face the

0:31:45.400 --> 0:31:48.880
<v Speaker 2>wall and I and I and I would do my

0:31:49.160 --> 0:31:52.240
<v Speaker 2>entire act with facial expressions and gestures but with my

0:31:52.360 --> 0:31:54.840
<v Speaker 2>back to them, or I'd lay down on the stage,

0:31:55.400 --> 0:31:56.040
<v Speaker 2>you know, and do.

0:31:56.080 --> 0:31:57.240
<v Speaker 1>And go to ever work.

0:31:57.720 --> 0:32:00.960
<v Speaker 2>It's funny because it would be like it'd be funny

0:32:01.520 --> 0:32:03.520
<v Speaker 2>and then it would get quiet, right, and then it

0:32:03.520 --> 0:32:06.240
<v Speaker 2>would get really funny, and then it would get annoying,

0:32:06.680 --> 0:32:08.160
<v Speaker 2>and then it would you know, it would.

0:32:08.040 --> 0:32:09.520
<v Speaker 1>Just like go through these cycles.

0:32:09.800 --> 0:32:12.920
<v Speaker 2>But I remember being like saying, once, oh, I know

0:32:13.000 --> 0:32:17.160
<v Speaker 2>what you're thinking. Surely he has to turn around. Well,

0:32:17.240 --> 0:32:20.200
<v Speaker 2>ladies and gentlemen, let me teach you a little lesson

0:32:20.280 --> 0:32:24.640
<v Speaker 2>and something I call commitments, you know. And but yeah,

0:32:24.680 --> 0:32:27.360
<v Speaker 2>I mean it was because then it really did feel

0:32:27.360 --> 0:32:29.520
<v Speaker 2>like there was nothing to lose. There were no rules,

0:32:29.720 --> 0:32:31.760
<v Speaker 2>you know, you were just like read.

0:32:31.880 --> 0:32:35.320
<v Speaker 1>So was that leading up to going into the super No,

0:32:35.400 --> 0:32:37.320
<v Speaker 1>that was before talks, all right, so you're going to

0:32:37.440 --> 0:32:39.560
<v Speaker 1>talk soup and talks like it's one of those life

0:32:39.640 --> 0:32:42.280
<v Speaker 1>changing gigs, right, That's one of those legacy gigs because

0:32:42.360 --> 0:32:44.760
<v Speaker 1>no matter what you do, it'll always be part of

0:32:44.800 --> 0:32:47.360
<v Speaker 1>the show, part of the wikipedia.

0:32:48.520 --> 0:32:52.560
<v Speaker 2>And that was very much a bullet pointed TV show.

0:32:52.680 --> 0:32:54.280
<v Speaker 2>It looked like way vibe.

0:32:54.680 --> 0:32:57.440
<v Speaker 1>I mean that that talks to what you were doing

0:32:57.440 --> 0:33:00.320
<v Speaker 1>in talks of very much influenced well I did in

0:33:00.400 --> 0:33:02.920
<v Speaker 1>late night. I was very aware going on Late night,

0:33:03.360 --> 0:33:06.000
<v Speaker 1>like what skunk Boy was doing on Talk Soup. I

0:33:06.080 --> 0:33:09.160
<v Speaker 1>want that vibe. I'm very I'm very aware. Did it

0:33:09.200 --> 0:33:12.760
<v Speaker 1>get you? Well, you know, I got my own podcast.

0:33:14.840 --> 0:33:17.560
<v Speaker 2>It was I always think about this, like I had

0:33:17.600 --> 0:33:20.480
<v Speaker 2>a director, Fred Mendez, who was brilliantly funny, and you know,

0:33:20.520 --> 0:33:22.680
<v Speaker 2>he would come over the stage announce, and whenever we

0:33:22.720 --> 0:33:25.640
<v Speaker 2>had like you know, our sketches were like drawn up

0:33:25.640 --> 0:33:28.320
<v Speaker 2>a play in the dirt, like all right, so I'm

0:33:28.320 --> 0:33:31.040
<v Speaker 2>going to say this, and then you come in and

0:33:31.080 --> 0:33:33.400
<v Speaker 2>you say, you know, and you know these guys are

0:33:33.720 --> 0:33:36.520
<v Speaker 2>crew guys, isn't they like yeah, and you just knew

0:33:36.560 --> 0:33:39.600
<v Speaker 2>when you had built something that was too heavy to fly,

0:33:40.000 --> 0:33:42.000
<v Speaker 2>you know what I mean? And it was got and

0:33:42.000 --> 0:33:45.080
<v Speaker 2>and my uh my director would come right before he rolled.

0:33:45.120 --> 0:33:48.160
<v Speaker 2>He would come over the stage announce and do Tom

0:33:48.200 --> 0:33:50.120
<v Speaker 2>Hanks from saving Private Ryan and go.

0:33:50.440 --> 0:33:53.040
<v Speaker 1>I'll see you on the beach, you.

0:33:52.960 --> 0:33:58.200
<v Speaker 4>Know, likefore the boatlands on Normandy Beach and fucking people's

0:33:58.200 --> 0:33:59.960
<v Speaker 4>because it was like you just knew this is gonna

0:34:00.040 --> 0:34:02.880
<v Speaker 4>be a catastrophic failure and that was sort of that

0:34:02.960 --> 0:34:03.760
<v Speaker 4>was the beauty of it.

0:34:03.880 --> 0:34:06.920
<v Speaker 1>Yeah. But the thing of what people I think, or

0:34:06.960 --> 0:34:11.880
<v Speaker 1>what I never understood ely in Camedy is that failure.

0:34:11.920 --> 0:34:15.240
<v Speaker 1>And Carson was a master of this. When it goes wrong,

0:34:15.480 --> 0:34:18.640
<v Speaker 1>it's better. Now. You can't fake when it goes wrong.

0:34:18.680 --> 0:34:21.360
<v Speaker 1>You can't fake it going wrong. But if you try

0:34:21.640 --> 0:34:24.880
<v Speaker 1>and fail, then that is gold. You know.

0:34:25.239 --> 0:34:29.479
<v Speaker 2>It's the difference between you know, obviously without naming names,

0:34:29.480 --> 0:34:31.520
<v Speaker 2>and I don't even have specific examples in my head,

0:34:31.560 --> 0:34:35.080
<v Speaker 2>but when you're watching SNL and someone really breaks as

0:34:35.160 --> 0:34:40.560
<v Speaker 2>opposed to when someone fans breaking, and you know, it's there's.

0:34:41.239 --> 0:34:44.439
<v Speaker 1>The fictureak thing bothers me because I'm like, that's now.

0:34:44.560 --> 0:34:47.040
<v Speaker 1>I mean, look, I'm the world's worst. If I can't

0:34:47.080 --> 0:34:49.560
<v Speaker 1>hold it, and but I can't, I feel like I

0:34:49.600 --> 0:34:53.440
<v Speaker 1>can't tell when it's like yeah, that's oh, yeah, I did.

0:34:53.880 --> 0:34:56.640
<v Speaker 2>I did a movie once, really terrible movie with Kevin

0:34:56.719 --> 0:34:59.240
<v Speaker 2>Nealon and we started getting.

0:34:59.320 --> 0:35:00.759
<v Speaker 1>You know, you and I in the same movie. By

0:35:00.800 --> 0:35:03.279
<v Speaker 1>the way, we were Yeah, I looked at your bio today.

0:35:03.280 --> 0:35:06.160
<v Speaker 1>We were in a movie together. What Yeah, life without

0:35:06.160 --> 0:35:09.240
<v Speaker 1>a dick. Oh my god, that's right. I'm in that movie.

0:35:09.640 --> 0:35:12.040
<v Speaker 2>I am in that movie for two seconds, all right,

0:35:12.080 --> 0:35:14.560
<v Speaker 2>Well I think I'm in it for much more than Yeah. Yeah,

0:35:14.600 --> 0:35:18.240
<v Speaker 2>big scalehill scale, yeah yeah. Oh that's so funny.

0:35:18.520 --> 0:35:19.080
<v Speaker 1>Oh my god.

0:35:19.880 --> 0:35:22.319
<v Speaker 2>I worked with him on an ABC pilot years ago

0:35:22.360 --> 0:35:25.600
<v Speaker 2>that I loved, and at one point I fired him

0:35:25.640 --> 0:35:27.960
<v Speaker 2>on the air, like the in the middle of the pilot,

0:35:27.960 --> 0:35:30.200
<v Speaker 2>I go, hey, bicks, uh, come and see me after

0:35:30.200 --> 0:35:31.839
<v Speaker 2>the show, and he goes, okay, and I go and

0:35:32.880 --> 0:35:37.600
<v Speaker 2>bring all your stuff. But I Kevin and I got

0:35:37.600 --> 0:35:41.040
<v Speaker 2>the giggles. And we were shooting overnight in front of

0:35:41.040 --> 0:35:43.600
<v Speaker 2>the improv and the sun was starting to come up,

0:35:43.719 --> 0:35:45.920
<v Speaker 2>and people were panicking because they're like, dude, this is

0:35:45.960 --> 0:35:48.160
<v Speaker 2>the last night of shooting. We don't have the we

0:35:48.200 --> 0:35:52.080
<v Speaker 2>can't we need this like tuck it in, guys. And

0:35:52.680 --> 0:35:55.200
<v Speaker 2>Kevin couldn't stop laughing, and that was making me laugh.

0:35:55.239 --> 0:35:57.919
<v Speaker 2>And so there's a moment where he has to turn

0:35:57.960 --> 0:36:00.480
<v Speaker 2>to me, and because he was looking out for himself,

0:36:00.480 --> 0:36:03.799
<v Speaker 2>he did this where he was like looking up and

0:36:03.880 --> 0:36:06.960
<v Speaker 2>away at a forty five degree angle, so the it

0:36:07.000 --> 0:36:09.399
<v Speaker 2>was an over the shoulder shot of him, so it

0:36:09.520 --> 0:36:12.040
<v Speaker 2>looked like he was making eye contact with me, but

0:36:12.120 --> 0:36:15.640
<v Speaker 2>he made it exponentially harder for me to keep a

0:36:15.680 --> 0:36:18.440
<v Speaker 2>straight face because it looked like his eyes were rolling back,

0:36:18.480 --> 0:36:21.560
<v Speaker 2>and I said, god man, there's nothing better than those

0:36:21.760 --> 0:36:23.400
<v Speaker 2>kind of I remember.

0:36:23.200 --> 0:36:25.600
<v Speaker 1>Tons of those, so from all over the lord ton

0:36:25.640 --> 0:36:28.000
<v Speaker 1>of shows. I mean, the thing was wow I was

0:36:28.040 --> 0:36:29.840
<v Speaker 1>doing but the time I got to late night, we

0:36:29.880 --> 0:36:32.200
<v Speaker 1>didn't care. Yeah. You know, it was like by the

0:36:32.239 --> 0:36:34.480
<v Speaker 1>time the Skeleton was out there with Josh over tombs

0:36:34.520 --> 0:36:35.280
<v Speaker 1>and stuff, It's.

0:36:35.160 --> 0:36:40.640
<v Speaker 2>Like there was an acknowledged irreverence to like it was

0:36:40.680 --> 0:36:43.759
<v Speaker 2>almost a dare, like what what are you gonna do?

0:36:43.880 --> 0:36:46.879
<v Speaker 1>I kept calling him for the CBS eventually said stop

0:36:46.960 --> 0:36:49.839
<v Speaker 1>saying that, or we're just gonna, We're gonna there's gonna

0:36:49.840 --> 0:36:51.640
<v Speaker 1>be trouble. I used to call it don't give a

0:36:51.680 --> 0:36:55.359
<v Speaker 1>Fuck TV, and THEYD theyvid call it. They'd call it

0:36:55.760 --> 0:36:59.279
<v Speaker 1>don't give it Tucci fruitsy TV. And then I did

0:36:59.280 --> 0:37:01.200
<v Speaker 1>it like two four times, like you know it's coming

0:37:01.200 --> 0:37:03.839
<v Speaker 1>from upstairs. Now you got to stop saying don't give

0:37:03.840 --> 0:37:06.400
<v Speaker 1>a fuck? Yeah, yeah, because and also I get the

0:37:06.440 --> 0:37:09.000
<v Speaker 1>same week it was when I was saying CBS with

0:37:09.160 --> 0:37:13.760
<v Speaker 1>the Z stance for classy and the BS speaks for itself. Oh,

0:37:13.800 --> 0:37:16.400
<v Speaker 1>that's great. They fucking came down on me. They were like, no,

0:37:16.719 --> 0:37:19.680
<v Speaker 1>stop that, you can't say that because that'll become a thing.

0:37:19.760 --> 0:37:22.000
<v Speaker 1>I'm like, that's the whole point. Yeah, They're like, noo,

0:37:23.040 --> 0:37:23.959
<v Speaker 1>it's out there now.

0:37:32.760 --> 0:37:36.080
<v Speaker 2>I learned over the course of doing Wipeout seven seasons of.

0:37:36.040 --> 0:37:37.640
<v Speaker 1>White Out also, I want to get to that because

0:37:37.640 --> 0:37:41.000
<v Speaker 1>wipe up to me, well, carry on talking about white pepforms.

0:37:41.080 --> 0:37:46.040
<v Speaker 2>It became clear that, like you're you're filtering your comedy

0:37:46.080 --> 0:37:49.160
<v Speaker 2>through like there's the producers you work with, and there's

0:37:49.200 --> 0:37:53.280
<v Speaker 2>the producers at the production company, and then there's the executives,

0:37:53.400 --> 0:37:57.080
<v Speaker 2>and so you know, there's like nine people that a

0:37:57.239 --> 0:37:59.920
<v Speaker 2>joke has to make it past to get into the show,

0:38:00.440 --> 0:38:02.840
<v Speaker 2>and so you start losing jokes that you fall in

0:38:02.880 --> 0:38:05.799
<v Speaker 2>love with. And so there were there were two ways

0:38:05.840 --> 0:38:07.400
<v Speaker 2>that we dealt with it. I'm sure you did very

0:38:07.400 --> 0:38:09.520
<v Speaker 2>similar things on your show. But it was it was

0:38:09.560 --> 0:38:12.399
<v Speaker 2>all right, if I have a joke that's on the line,

0:38:12.560 --> 0:38:15.319
<v Speaker 2>I'm going to write half a dozen jokes that are

0:38:15.520 --> 0:38:20.560
<v Speaker 2>so far over the line that maybe it downgrades the

0:38:20.600 --> 0:38:22.719
<v Speaker 2>way this reads to them, and they let it go.

0:38:23.239 --> 0:38:26.759
<v Speaker 2>And then when they kind of caught onto that, I

0:38:26.920 --> 0:38:30.839
<v Speaker 2>just started saying to my writers, like, hey, don't put

0:38:30.880 --> 0:38:35.320
<v Speaker 2>that in the script, and I will magically improvise it

0:38:35.560 --> 0:38:39.799
<v Speaker 2>the day of the shoot. And it led to like

0:38:39.880 --> 0:38:41.120
<v Speaker 2>a protest of.

0:38:41.120 --> 0:38:46.840
<v Speaker 3>The show by the Indigenous peoples of America for a

0:38:46.960 --> 0:38:49.520
<v Speaker 3>joke that I had made that was a little dark,

0:38:50.160 --> 0:38:54.080
<v Speaker 3>and there was a letter writing campaign and phone calls

0:38:54.160 --> 0:38:56.000
<v Speaker 3>to the executives and and.

0:38:55.920 --> 0:38:57.680
<v Speaker 1>I I had.

0:38:57.760 --> 0:39:01.640
<v Speaker 2>And then they called me and it was a It

0:39:01.719 --> 0:39:04.200
<v Speaker 2>was a joke that John Anderson and I were very

0:39:04.239 --> 0:39:06.880
<v Speaker 2>rarely on camera together, and we were on camera and

0:39:06.920 --> 0:39:09.000
<v Speaker 2>I had improvised it and it had gone so well

0:39:09.040 --> 0:39:11.600
<v Speaker 2>they didn't get a backup, so they had nothing to

0:39:11.680 --> 0:39:14.359
<v Speaker 2>cut away too. They had no way to edit it out.

0:39:14.880 --> 0:39:17.520
<v Speaker 2>And they called me and were like, hey, what the hell, man,

0:39:17.600 --> 0:39:20.239
<v Speaker 2>you made this joke and it upset people, and I go,

0:39:21.640 --> 0:39:26.640
<v Speaker 2>it was socratic irony. And I assumed, judging by the

0:39:26.680 --> 0:39:30.040
<v Speaker 2>fact that everyone laughed and you all signed off on

0:39:30.120 --> 0:39:32.719
<v Speaker 2>the episode, that that's the way it was interpreted.

0:39:32.840 --> 0:39:35.360
<v Speaker 1>So oh no, once it goes through the edit process,

0:39:35.440 --> 0:39:39.280
<v Speaker 1>even as to it, then at that point it's on them. Yeah, totally.

0:39:39.400 --> 0:39:42.400
<v Speaker 2>So now when they repeat that episode, they literally just

0:39:42.600 --> 0:39:46.040
<v Speaker 2>dropped the audio so it's just our mouths moving and

0:39:46.080 --> 0:39:48.800
<v Speaker 2>there's no audio and then it comes back like seven

0:39:48.880 --> 0:39:49.440
<v Speaker 2>seconds later.

0:39:49.640 --> 0:39:51.319
<v Speaker 1>Maybe they should have done that in the first place.

0:39:51.600 --> 0:39:55.239
<v Speaker 1>No one to go upsets. It's a different world though, man,

0:39:55.280 --> 0:39:58.239
<v Speaker 1>because you know, if people get upset back then, they

0:39:58.280 --> 0:40:01.200
<v Speaker 1>had to be together a lay right campaign and you know,

0:40:01.239 --> 0:40:05.960
<v Speaker 1>and get organized and come after. You know, it's easy

0:40:06.000 --> 0:40:09.640
<v Speaker 1>to get it's easy to get into trouble. I've I've

0:40:09.719 --> 0:40:12.040
<v Speaker 1>done it, a little trouble. I've done it. Yeah, I

0:40:12.040 --> 0:40:14.880
<v Speaker 1>mean it's it's Did it freak you out when it

0:40:14.920 --> 0:40:16.560
<v Speaker 1>happened to you very much? Yeah?

0:40:16.600 --> 0:40:20.480
<v Speaker 2>Yeah, yeah, because it was you know, I put a

0:40:20.560 --> 0:40:22.840
<v Speaker 2>joke on Twitter that I.

0:40:22.800 --> 0:40:26.000
<v Speaker 1>Remember it was some some political joke or something.

0:40:26.120 --> 0:40:29.160
<v Speaker 2>Yeah, yeah, And it drew an official response from a

0:40:29.200 --> 0:40:33.799
<v Speaker 2>White House spokesperson and it was but it was such

0:40:33.840 --> 0:40:36.880
<v Speaker 2>a it was at the time. It was two thousand

0:40:36.880 --> 0:40:40.480
<v Speaker 2>and twenty, so it was the beginning of the pandemic,

0:40:40.760 --> 0:40:45.440
<v Speaker 2>you know, financial collapse, widespread unrest after the death of

0:40:45.480 --> 0:40:49.080
<v Speaker 2>George Floyd. And I was like, are you fucking kidding me?

0:40:49.520 --> 0:40:52.200
<v Speaker 2>People are going to be clutching your pearls over what

0:40:52.400 --> 0:40:56.560
<v Speaker 2>is clearly a joke by a guy who has never

0:40:56.719 --> 0:41:01.239
<v Speaker 2>said anything remotely serious in his life. Yeah, and but

0:41:01.320 --> 0:41:03.759
<v Speaker 2>it you know, there were there were death threats. There

0:41:03.880 --> 0:41:08.560
<v Speaker 2>was an interesting touchy time. I mean, I I now

0:41:09.440 --> 0:41:13.200
<v Speaker 2>like I find myself I'm very cautious with who accepted

0:41:13.440 --> 0:41:16.920
<v Speaker 2>except doing stand up shows. Like if I'm doing a

0:41:16.960 --> 0:41:19.360
<v Speaker 2>stand up show and it's a live show, I'm like,

0:41:19.560 --> 0:41:21.920
<v Speaker 2>we know why we're here, And I say to the

0:41:21.960 --> 0:41:24.640
<v Speaker 2>audience at the start, you know, don't because you know,

0:41:24.760 --> 0:41:25.480
<v Speaker 2>don't be tweeting.

0:41:25.480 --> 0:41:27.000
<v Speaker 1>I don't be saying that. If I want to tweet it,

0:41:27.160 --> 0:41:29.120
<v Speaker 1>I got a fucking Twitter account. I can do it.

0:41:29.480 --> 0:41:31.520
<v Speaker 1>You know, leave it the fuck alone and let's have

0:41:31.640 --> 0:41:34.400
<v Speaker 1>enjoy a quiet, sneaky night in the club.

0:41:34.640 --> 0:41:34.759
<v Speaker 4>Right.

0:41:35.200 --> 0:41:37.640
<v Speaker 1>You know this is not forever, because it's not for everybody.

0:41:37.960 --> 0:41:41.080
<v Speaker 1>I used to remember this happened a lot in late night.

0:41:41.680 --> 0:41:44.720
<v Speaker 1>If you I noticed it the first time. When remember

0:41:44.760 --> 0:41:48.279
<v Speaker 1>those like vegetarian vampire movies that were like all the

0:41:48.360 --> 0:41:52.239
<v Speaker 1>kids were watching for a while. What was It's like Twilight? Twilight, Yeah,

0:41:52.239 --> 0:41:54.680
<v Speaker 1>that ship is like that. You know, it was like

0:41:54.719 --> 0:41:57.680
<v Speaker 1>the vampire was like nice and everything in your boyfriend

0:41:58.200 --> 0:42:00.319
<v Speaker 1>and I remember I had one of the actors on

0:42:00.520 --> 0:42:04.040
<v Speaker 1>or something wave Fye vampires. Yeah, like the vampires that

0:42:04.160 --> 0:42:05.000
<v Speaker 1>like care about your.

0:42:04.920 --> 0:42:06.839
<v Speaker 2>Feelings and wear eyeliner and.

0:42:06.840 --> 0:42:10.040
<v Speaker 1>Walk you to school and stuff. But but one of

0:42:10.040 --> 0:42:12.239
<v Speaker 1>the actors we were taking around, there's no but I

0:42:12.360 --> 0:42:17.719
<v Speaker 1>wasn't sufficiently referential to the actor. For the fans of

0:42:17.880 --> 0:42:20.799
<v Speaker 1>that actor who were on I can't even remember who

0:42:20.800 --> 0:42:24.560
<v Speaker 1>it was, and but they were like people gave me

0:42:24.600 --> 0:42:26.640
<v Speaker 1>a hard fucking like, but the fuck, I don't even

0:42:26.680 --> 0:42:30.120
<v Speaker 1>watch these fucking movies. How come I have to be like, now,

0:42:30.160 --> 0:42:31.920
<v Speaker 1>I have to be a fanboy for the thing? You

0:42:31.920 --> 0:42:34.400
<v Speaker 1>were into it, right, right, I don't get it. But

0:42:35.480 --> 0:42:38.440
<v Speaker 1>it's because if you try to appeal to too many people,

0:42:38.800 --> 0:42:40.200
<v Speaker 1>you're going to get into trouble.

0:42:40.239 --> 0:42:42.440
<v Speaker 2>Well, I think the mistake that I made was I

0:42:43.000 --> 0:42:47.000
<v Speaker 2>had been you know, I was sort of exercising my

0:42:47.000 --> 0:42:50.920
<v Speaker 2>my I was feeling my oats on on social media,

0:42:50.960 --> 0:42:53.160
<v Speaker 2>and I, you know, you get away with something, you

0:42:53.200 --> 0:42:55.040
<v Speaker 2>push the envelope and then you think you can push

0:42:55.080 --> 0:42:56.880
<v Speaker 2>it a little bit further. And I had been doing

0:42:57.520 --> 0:43:00.840
<v Speaker 2>I'd been making some jokes that you know, were to like, well,

0:43:01.120 --> 0:43:03.680
<v Speaker 2>I would just say jokes that I thought were you know,

0:43:03.800 --> 0:43:06.000
<v Speaker 2>I was doing this thing where I was trolling the right,

0:43:06.719 --> 0:43:09.680
<v Speaker 2>And I would pick a person and I would post

0:43:09.760 --> 0:43:11.680
<v Speaker 2>a photo of them and I'd write, so and so

0:43:11.800 --> 0:43:14.879
<v Speaker 2>looks like, you know, Steven Miller looks like, or Matt

0:43:14.920 --> 0:43:18.120
<v Speaker 2>Gates looks like. And then but then I would write

0:43:18.360 --> 0:43:22.359
<v Speaker 2>as many jokes in that formula as I could in

0:43:22.400 --> 0:43:25.680
<v Speaker 2>like ten minutes, right, so I might write twenty five

0:43:25.760 --> 0:43:30.200
<v Speaker 2>of them, and the progression of them was to me funny,

0:43:30.320 --> 0:43:32.480
<v Speaker 2>you know what I mean, Like, you know, Matt Gates

0:43:32.480 --> 0:43:35.880
<v Speaker 2>looks like he owns Ted Bundy's rookie card, you know,

0:43:36.080 --> 0:43:39.920
<v Speaker 2>like like you know, and like and that was, you know,

0:43:39.960 --> 0:43:41.480
<v Speaker 2>that was where it started, you know, so you can

0:43:41.480 --> 0:43:43.799
<v Speaker 2>imagine where twenty five was. Yeah, and it was it

0:43:43.840 --> 0:43:46.279
<v Speaker 2>was like it was reverberating a little bit and form

0:43:46.280 --> 0:43:49.760
<v Speaker 2>my level of Twitter exposure and getting a little traction,

0:43:50.080 --> 0:43:53.800
<v Speaker 2>and I just I just kept pushing and the fires

0:43:54.680 --> 0:43:57.239
<v Speaker 2>and yeah, I mean I put it this way that

0:43:57.480 --> 0:43:59.200
<v Speaker 2>I was sort of scared s trade by that, like

0:43:59.239 --> 0:44:02.920
<v Speaker 2>I just you know know what, Like, I'm I'm fine.

0:44:03.280 --> 0:44:06.200
<v Speaker 2>I think it went it went a little crazy.

0:44:06.320 --> 0:44:11.160
<v Speaker 1>Is when so called legit press started using Twitter and

0:44:11.239 --> 0:44:14.839
<v Speaker 1>social media as a source, right, and then you go, well,

0:44:14.840 --> 0:44:17.040
<v Speaker 1>it's not a source, man, It's like it's like walking

0:44:17.080 --> 0:44:19.880
<v Speaker 1>into a bathroom reading something on the stall and saying

0:44:20.040 --> 0:44:23.640
<v Speaker 1>sources say yeah, sources say what where? I mean, what

0:44:23.680 --> 0:44:24.640
<v Speaker 1>the Well, that's the thing.

0:44:24.680 --> 0:44:28.160
<v Speaker 2>It's it's useful as like up to the second news,

0:44:28.560 --> 0:44:31.960
<v Speaker 2>but when the news is coming, when it's now being

0:44:32.040 --> 0:44:36.200
<v Speaker 2>mirrored back from social media, it's like, no, man, you

0:44:36.239 --> 0:44:38.040
<v Speaker 2>guys tell us, we're not telling you.

0:44:38.200 --> 0:44:41.400
<v Speaker 1>Yeah, it's it's very odd, but of course it's really

0:44:41.920 --> 0:44:45.400
<v Speaker 1>it's about money. It's always about money. And you follow

0:44:45.400 --> 0:44:48.080
<v Speaker 1>the money and you get the storyline. Remember the wire,

0:44:48.320 --> 0:44:52.560
<v Speaker 1>you know, follow the money. Yeah, And when it's the money,

0:44:52.640 --> 0:44:55.000
<v Speaker 1>the money is in the clicks and the information sharing

0:44:55.040 --> 0:44:57.480
<v Speaker 1>and the information the clicks. It doesn't matter about being right.

0:44:57.520 --> 0:44:59.600
<v Speaker 1>Nobody gives a shit about being right, he said. Maybe

0:44:59.719 --> 0:45:02.760
<v Speaker 1>some guy on an actual paper that's made of paper,

0:45:02.800 --> 0:45:05.680
<v Speaker 1>but nobody really cares. It's about being first.

0:45:05.760 --> 0:45:09.040
<v Speaker 2>I think I am where I am now with social

0:45:09.120 --> 0:45:11.920
<v Speaker 2>media is what I believe is a similar place to

0:45:11.960 --> 0:45:15.560
<v Speaker 2>where you are, which is it feels like an obligation.

0:45:16.040 --> 0:45:18.319
<v Speaker 1>Now, oh, totally it is. I hire people to do

0:45:18.360 --> 0:45:18.759
<v Speaker 1>it for me.

0:45:18.760 --> 0:45:20.719
<v Speaker 2>And you and and and you have this sort of

0:45:20.840 --> 0:45:25.440
<v Speaker 2>lifeline of like fine, I'll fucking post something on Instagram

0:45:25.480 --> 0:45:29.719
<v Speaker 2>every once in a while, but I cannot bring myself

0:45:29.800 --> 0:45:32.279
<v Speaker 2>to be one of those guys that is like I

0:45:32.480 --> 0:45:35.440
<v Speaker 2>need to have X number of followers and I'm gonna

0:45:35.760 --> 0:45:39.400
<v Speaker 2>you know, chase the followers and the crowd and the reaction.

0:45:39.520 --> 0:45:42.040
<v Speaker 2>It's it just, I don't know, it just makes me

0:45:42.080 --> 0:45:45.880
<v Speaker 2>feel OOGI. Well, it's it's not the same. It's no,

0:45:46.120 --> 0:45:48.560
<v Speaker 2>it's no fun. Yeah, it's gonna be fun, or I

0:45:48.560 --> 0:45:51.160
<v Speaker 2>don't want to. I'm too fucking I'm not talented enough

0:45:51.160 --> 0:45:53.399
<v Speaker 2>to do shit that isn't fun, and it's hard enough

0:45:53.480 --> 0:45:54.479
<v Speaker 2>to do stuff that is fun.

0:45:54.560 --> 0:45:56.560
<v Speaker 1>Yeah, I know. So if it's no fun, I thought,

0:45:57.000 --> 0:45:59.200
<v Speaker 1>that's why I want to very I mean, we're going

0:45:59.239 --> 0:46:01.520
<v Speaker 1>on all over. I want to talk to you about WIPE.

0:46:02.040 --> 0:46:05.560
<v Speaker 1>I'll tell you for why because from my money, hands down,

0:46:05.880 --> 0:46:12.040
<v Speaker 1>guaranteed fucking laugh every single episode, every single no matter

0:46:12.080 --> 0:46:15.560
<v Speaker 1>how many times I've seen the reruns, that fucking show

0:46:17.080 --> 0:46:20.560
<v Speaker 1>every time I see now it's deep into the you know,

0:46:20.920 --> 0:46:26.760
<v Speaker 1>the thousands, and kind of like the satellite, it's everywhere.

0:46:26.760 --> 0:46:30.200
<v Speaker 2>It's fucking it's on Apple TV and Netflix and there

0:46:31.600 --> 0:46:32.279
<v Speaker 2>it's late.

0:46:32.480 --> 0:46:34.239
<v Speaker 1>People can really hurt doing that.

0:46:35.480 --> 0:46:38.759
<v Speaker 2>Yeah, I can imagine some of those, like.

0:46:39.239 --> 0:46:41.680
<v Speaker 1>The boxing glove that comes out the fucking wall though.

0:46:41.680 --> 0:46:46.360
<v Speaker 2>Man, it's you know, I I remember running into Johnny

0:46:46.440 --> 0:46:49.439
<v Speaker 2>Knoxville at one point and he goes, oh my god,

0:46:49.480 --> 0:46:52.319
<v Speaker 2>I love Wipeout and if without dier thing.

0:46:54.680 --> 0:46:58.800
<v Speaker 1>That same movie, it's the zeleg that brings us all together.

0:46:59.040 --> 0:47:03.960
<v Speaker 2>I literally go, really, it seems so tame compared to

0:47:04.080 --> 0:47:07.680
<v Speaker 2>like the jackass stuff, and he goes, uh, yeah, you know,

0:47:07.760 --> 0:47:10.160
<v Speaker 2>it's just fun watching people get smoked.

0:47:10.560 --> 0:47:12.719
<v Speaker 1>And I was like, that's it, that's it, and it is.

0:47:13.120 --> 0:47:16.399
<v Speaker 2>I think Wipeout is in essence, it's it's a sort

0:47:16.440 --> 0:47:21.120
<v Speaker 2>of universal form of physical humor that just bridges ages

0:47:21.239 --> 0:47:24.360
<v Speaker 2>and backgrounds and and and you know, interests, and it

0:47:24.520 --> 0:47:24.840
<v Speaker 2>is and it.

0:47:24.960 --> 0:47:29.040
<v Speaker 1>Also doesn't pretend to be anathon. It's no. And I

0:47:29.120 --> 0:47:32.120
<v Speaker 1>think that's really funny. Like when you who is your

0:47:32.160 --> 0:47:34.040
<v Speaker 1>co host on that? Yeah, John Anderson, right, you and

0:47:34.160 --> 0:47:37.200
<v Speaker 1>Joanah Anderson doing it is the kind of serious sports

0:47:37.280 --> 0:47:41.560
<v Speaker 1>guys with like fucking chef's kiss. I mean, it got

0:47:41.640 --> 0:47:44.040
<v Speaker 1>it just perfect. The tone was just perfect.

0:47:44.080 --> 0:47:46.400
<v Speaker 2>It was a little Laureland hardyish where he was the

0:47:46.440 --> 0:47:48.120
<v Speaker 2>guy who knew what he was doing. And I was

0:47:48.200 --> 0:47:49.560
<v Speaker 2>the idiot that etole I.

0:47:49.680 --> 0:47:54.200
<v Speaker 1>Say, sports guys like every fucking commentary it was.

0:47:54.320 --> 0:47:54.840
<v Speaker 3>It was.

0:47:55.160 --> 0:47:58.600
<v Speaker 2>It was so much fun to do and and I

0:47:58.760 --> 0:48:02.040
<v Speaker 2>remember I remember auditioning for that, and you know, you

0:48:02.200 --> 0:48:04.400
<v Speaker 2>just went in and they showed you a run and

0:48:04.520 --> 0:48:08.840
<v Speaker 2>you just vamped over it, and and I just remember

0:48:08.960 --> 0:48:11.200
<v Speaker 2>going like, oh yeah, Like he goes, do you want

0:48:11.239 --> 0:48:11.799
<v Speaker 2>to watch it first?

0:48:11.840 --> 0:48:14.080
<v Speaker 1>One? No, like, you know, let it run? And he

0:48:14.160 --> 0:48:14.360
<v Speaker 1>did it.

0:48:14.440 --> 0:48:16.560
<v Speaker 2>I did it for like whatever two and a half minutes,

0:48:16.600 --> 0:48:18.439
<v Speaker 2>and he goes, you want to do it again? Nope,

0:48:19.200 --> 0:48:20.440
<v Speaker 2>Like I'm you know, I'm good.

0:48:20.680 --> 0:48:23.320
<v Speaker 1>And it was. I loved that show.

0:48:23.760 --> 0:48:26.320
<v Speaker 2>I love doing it. I've had I've had some you know,

0:48:26.480 --> 0:48:29.680
<v Speaker 2>I think my one of my social media bios says, uh,

0:48:30.320 --> 0:48:33.840
<v Speaker 2>talk soup wipe out and a few shows no one watched, you.

0:48:33.920 --> 0:48:37.959
<v Speaker 1>Know, I talk to though. You know, let's know, let's

0:48:38.000 --> 0:48:41.759
<v Speaker 1>not be wrong about talks. If I am doing the

0:48:41.840 --> 0:48:44.400
<v Speaker 1>late night show, if my late night show is I

0:48:44.440 --> 0:48:49.600
<v Speaker 1>don't know, Bowie, then talk soup is the available underground.

0:48:50.760 --> 0:48:53.040
<v Speaker 4>Is it is?

0:48:53.320 --> 0:48:53.560
<v Speaker 3>It is?

0:48:54.040 --> 0:49:00.160
<v Speaker 2>It's gratifying now to to occasionally hear from people who

0:49:00.320 --> 0:49:03.160
<v Speaker 2>I am enormous fans of, who grew up watching that

0:49:03.280 --> 0:49:06.239
<v Speaker 2>show and we'll say yeah, like I remember running into

0:49:06.520 --> 0:49:09.200
<v Speaker 2>you know, Sasha Baron Cohen Yeah, and him going I

0:49:09.640 --> 0:49:12.040
<v Speaker 2>grew up watching that show on Sky TV And I

0:49:12.160 --> 0:49:13.600
<v Speaker 2>was like what, and he goes, oh, yeah, it was

0:49:13.600 --> 0:49:15.840
<v Speaker 2>a huge influence on me. Or going to like an

0:49:16.000 --> 0:49:18.960
<v Speaker 2>SNL taping and you know, people like Kristen Wig or

0:49:19.080 --> 0:49:21.319
<v Speaker 2>you know whoever like telling you like, oh my god,

0:49:21.400 --> 0:49:24.080
<v Speaker 2>I'd like it. I'm like, really because it was my

0:49:24.160 --> 0:49:26.360
<v Speaker 2>first job in TV and it was basic cable and

0:49:26.440 --> 0:49:29.000
<v Speaker 2>we didn't know if there was anyone watching.

0:49:29.200 --> 0:49:33.520
<v Speaker 1>Well, the thing is though, it was it was so fresh,

0:49:34.640 --> 0:49:37.840
<v Speaker 1>and she was like talk soup. She was like that,

0:49:38.719 --> 0:49:42.360
<v Speaker 1>I think they live. I remember having a conversation the

0:49:42.440 --> 0:49:43.919
<v Speaker 1>last week I was doing Late Night. I was sitting

0:49:43.960 --> 0:49:45.800
<v Speaker 1>with producer Magnate, this is a friend of mine, and

0:49:45.880 --> 0:49:48.839
<v Speaker 1>make said, you know, it's shame people really love this show.

0:49:48.880 --> 0:49:50.680
<v Speaker 1>It's a shame here stepping back, and I was like,

0:49:51.200 --> 0:49:53.239
<v Speaker 1>they may love it now, it's not as much as

0:49:53.239 --> 0:49:55.040
<v Speaker 1>they're going to love it ten years from now. And

0:49:55.160 --> 0:49:57.400
<v Speaker 1>I've not been doing it for a while, right, And

0:49:57.560 --> 0:50:01.160
<v Speaker 1>I felt that when and I believe that's true. People

0:50:01.239 --> 0:50:03.239
<v Speaker 1>coming to the show and they never saw the show

0:50:03.560 --> 0:50:05.719
<v Speaker 1>this is coming to see Me live. They never saw

0:50:05.800 --> 0:50:08.480
<v Speaker 1>the show boy on CBS. They never saw it. They

0:50:08.520 --> 0:50:11.600
<v Speaker 1>watch it on fucking YouTube, right, they watched clips of it. Yeah,

0:50:11.880 --> 0:50:13.279
<v Speaker 1>and I you know you did?

0:50:13.920 --> 0:50:16.959
<v Speaker 2>You know you you sort of Barry Sanders that show

0:50:17.040 --> 0:50:19.400
<v Speaker 2>where you like you retired at the top, like you

0:50:19.680 --> 0:50:21.399
<v Speaker 2>know what I mean, you stepped away from that show

0:50:21.880 --> 0:50:24.880
<v Speaker 2>without writing it into the ground. And that was I

0:50:25.239 --> 0:50:27.640
<v Speaker 2>pulled the plug on my time I Talk Soup after

0:50:27.719 --> 0:50:30.200
<v Speaker 2>four and a half years. Now, that was a daily

0:50:30.320 --> 0:50:33.560
<v Speaker 2>show with no hiatus. It was grueling, you know, three

0:50:33.880 --> 0:50:36.680
<v Speaker 2>three or four writers, Yeah, doing two and a half

0:50:36.800 --> 0:50:40.160
<v Speaker 2>hours a week, three hours a week, and but it

0:50:40.320 --> 0:50:43.560
<v Speaker 2>was you know, there got to it was nineteen ninety

0:50:43.640 --> 0:50:45.640
<v Speaker 2>nine and they had given me the opportunity to sign

0:50:45.640 --> 0:50:49.000
<v Speaker 2>a new four year contract, and the talk shows themselves

0:50:49.160 --> 0:50:51.480
<v Speaker 2>were dying off, you know, they were they were like.

0:50:51.520 --> 0:50:53.719
<v Speaker 1>That show because it was on ice floes, you know.

0:50:54.360 --> 0:50:56.400
<v Speaker 1>And I just thought four and a.

0:50:56.440 --> 0:51:00.359
<v Speaker 2>Half, like, it's fun now, but it could be ringing

0:51:00.480 --> 0:51:02.719
<v Speaker 2>a fucking towel to try. I just don't want to

0:51:02.800 --> 0:51:05.440
<v Speaker 2>be around. I love this too smart to leave.

0:51:05.400 --> 0:51:07.759
<v Speaker 1>The party a little bit early. That was then a

0:51:07.800 --> 0:51:11.600
<v Speaker 1>little bit Yeah, I feel it's just like just like enough.

0:51:12.000 --> 0:51:15.680
<v Speaker 1>Remember having this conversation with Jared Butler, Gerald Butler, Jerry Butler, right,

0:51:15.760 --> 0:51:17.680
<v Speaker 1>and we were working on a movie, one of these

0:51:17.760 --> 0:51:19.880
<v Speaker 1>Dragon movies. We're talking about it just when I was quitting,

0:51:19.880 --> 0:51:23.239
<v Speaker 1>and he said, you're a quitter, and I went, yeah,

0:51:23.320 --> 0:51:25.279
<v Speaker 1>I don't know. It's probably better to get out, Like

0:51:25.400 --> 0:51:27.680
<v Speaker 1>it's like being a boxer. Leave before you get hurt.

0:51:28.040 --> 0:51:31.520
<v Speaker 2>Yeah, you start, you know, Yeah, it's getting take off

0:51:31.600 --> 0:51:33.719
<v Speaker 2>before you're sitting in the corner with the coloring book,

0:51:34.040 --> 0:51:34.680
<v Speaker 2>you know what I mean.

0:51:35.080 --> 0:51:38.759
<v Speaker 1>Yeah, And I kind of I kind of feel that way.

0:51:38.840 --> 0:51:41.440
<v Speaker 1>But I fucking much respect to you, man, and I

0:51:41.680 --> 0:51:44.279
<v Speaker 1>really mean it. I really mean it. You are the

0:51:44.480 --> 0:51:48.960
<v Speaker 1>archetype of an arco. TV don't give a fuck TV

0:51:49.920 --> 0:51:52.680
<v Speaker 1>was put together. You were right there. You were Warhol

0:51:52.800 --> 0:51:56.719
<v Speaker 1>and boy and fucking Jack's ballock. You were rut there

0:51:56.800 --> 0:51:58.440
<v Speaker 1>fucking doing well. That's that is.

0:51:58.719 --> 0:52:01.200
<v Speaker 2>That is more kind than I deserve. But I I

0:52:01.920 --> 0:52:05.279
<v Speaker 2>am grateful to have been in the right place at

0:52:05.320 --> 0:52:07.960
<v Speaker 2>the right time for that rf TV because there there

0:52:08.080 --> 0:52:12.000
<v Speaker 2>was there was no supervision, so there won't you can't

0:52:12.160 --> 0:52:16.120
<v Speaker 2>have that, you know, there was no We'd go months

0:52:16.320 --> 0:52:19.960
<v Speaker 2>without seeing. Nobody ever sat in on my tapings, Nobody

0:52:20.000 --> 0:52:22.360
<v Speaker 2>ever told me what we could say on the last executives.

0:52:22.400 --> 0:52:24.480
<v Speaker 1>Now it's a career, like being a stand up is

0:52:24.480 --> 0:52:27.399
<v Speaker 1>a career. You believe that ship, it's a career like people.

0:52:27.680 --> 0:52:29.720
<v Speaker 1>My dream is to be a stand up. My dream

0:52:30.360 --> 0:52:33.520
<v Speaker 1>was to you know, it was to be anything but

0:52:33.640 --> 0:52:38.359
<v Speaker 1>a fucking that though. Yeah, but there you go. It's

0:52:38.760 --> 0:52:40.759
<v Speaker 1>it works out the way it was that John your joy.

0:52:40.840 --> 0:52:42.960
<v Speaker 1>It's great to be a man. I'm so wonderful to say,

0:52:43.120 --> 0:52:46.160
<v Speaker 1>I'm so happy you came and talked about ship, which

0:52:46.520 --> 0:52:48.879
<v Speaker 1>you know is marsh to me. It's always good to say,

0:52:48.920 --> 0:52:49.719
<v Speaker 1>always good to talk to you.

0:53:00.080 --> 0:53:02.239
<v Speaker 3>I thought thought that nothing