WEBVTT - Sarah Drew

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<v Speaker 1>My whole career started because of a decision I made

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<v Speaker 1>in the bathroom there because we were doing we'd only

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<v Speaker 1>been working.

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<v Speaker 2>Let's it's bad decisions that happened.

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<v Speaker 3>It's a good decision. This is a good choice.

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<v Speaker 4>Hi.

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<v Speaker 1>My name is Sarah Drew and I love horseback riding.

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<v Speaker 2>Hello once again, Welcome one and all to a brand

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<v Speaker 2>spanking new episode of Off the Beat. It's me as always,

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<v Speaker 2>Brian Baumgartner. Is there a doctor in the house. Well, no,

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<v Speaker 2>there's not, but my guest today did play a doctor

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<v Speaker 2>on TV, doctor April Kepner, or as I know her,

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<v Speaker 2>Sarah Drew from Gray's Anatomy. She's not only a doctor,

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<v Speaker 2>but guess what, she's also a mom on Amber Brown,

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<v Speaker 2>a shy teen from Everwood and a popular high school

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<v Speaker 2>girl from Daria. In real life, she is one a

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<v Speaker 2>delightful human two a fantastic actor, but also a real

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<v Speaker 2>life writer and producer of lifetime movies including Reindeer Games, Homecoming,

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<v Speaker 2>and A Cowboy Christmas Romance. So let's dive right in

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<v Speaker 2>to Sarah's life as a pastor's daughter on Long Island,

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<v Speaker 2>starting her career on Daria while she was still in

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<v Speaker 2>high school and making the move behind the camera as

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<v Speaker 2>a writer and producer. Here she is my new friend,

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<v Speaker 2>Sarah Drew.

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<v Speaker 4>Bubble and squeak.

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<v Speaker 3>I love it, Bubble and Squeakna, Bubble and squeak.

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<v Speaker 4>I cook get every more left over from the night pople.

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<v Speaker 2>Hi, Sarah, how are you? I'm so good? How are you?

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<v Speaker 3>I'm great. It's so nice to meet you.

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<v Speaker 2>It is very, very nice to meet you. I've been

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<v Speaker 2>a fan of yours for a long time. Oh, thanks

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<v Speaker 2>for taking the time. Where are you today?

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<v Speaker 3>I'm just at home in l A.

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<v Speaker 2>You're in l A? All right?

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<v Speaker 3>Where are you? Are you in l A?

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<v Speaker 2>I'm I'm adjacent. Yeah, I'm near, I'm near. It's fine.

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<v Speaker 2>It's finally nice here. So we have a we have

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<v Speaker 2>a nice day to sit inside and talk. So there go.

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<v Speaker 2>What what? What's what's happening? I mean we're coming into

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<v Speaker 2>spring here. Are you excited about this?

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<v Speaker 4>Yeah?

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<v Speaker 1>I mean I'm excited to have warm weather again. I'm

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<v Speaker 1>excited for my daughter to want it to get into

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<v Speaker 1>the pool because it's not quite as freezing.

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<v Speaker 3>That's exciting. Gets some energy out when she gets home. Yeah,

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<v Speaker 3>I don't know. I got a movie coming out at

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<v Speaker 3>the end of this month.

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<v Speaker 2>I was just about to say, write new spring blooms

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<v Speaker 2>new things, and so it is.

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<v Speaker 1>Always blooming new, always bloom, always new things.

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<v Speaker 2>We're going to talk about that, uh in a little bit.

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<v Speaker 2>You're in La now, but you came originally from New York.

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<v Speaker 2>I have been I have been researching you. Uh fascinating

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<v Speaker 2>to me childhood. Uh. Your your father was a was

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<v Speaker 2>a pastor. Is that right? Yeah? Now so you you

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<v Speaker 2>saw him in a way performing h a stage?

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<v Speaker 3>Absolutely? Yes.

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<v Speaker 2>Do you do you feel like was was that your

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<v Speaker 2>first sort of in person watching someone in front of

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<v Speaker 2>a group of people. Was this something that was interesting

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<v Speaker 2>to you as a child? Did you Did you think

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<v Speaker 2>about it?

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<v Speaker 3>Absolutely?

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<v Speaker 1>I mean there is there is a lot of theater

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<v Speaker 1>to the church experience.

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<v Speaker 3>For sure.

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<v Speaker 1>You go and you sit down, you get your program,

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<v Speaker 1>you follow along, you sing along sometimes which you don't

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<v Speaker 1>get to do usually in musicals. But and then there's

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<v Speaker 1>a presentation and there's uh it's uh, there is a

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<v Speaker 1>theater aspect to it. So I grew up you know

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<v Speaker 1>that always being a part of my life in a

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<v Speaker 1>big way. I I will say, I mean I started performing.

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<v Speaker 1>I would do little my dad would do little skits,

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<v Speaker 1>little church skits, you know, like for the kids and stuff,

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<v Speaker 1>put on crazy clothes and be silly upfront. He's all

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<v Speaker 1>he's like a big ham He's silly and also deep

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<v Speaker 1>and wonderful and wise and all the things.

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<v Speaker 3>But I started.

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<v Speaker 1>I think the first moment my parents were like, oh,

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<v Speaker 1>this might be a thing was my graduation from kindergarten,

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<v Speaker 1>where I just walked on to the stage with all

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<v Speaker 1>the presents in the world, absolutely eating up the reality

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<v Speaker 1>that there was an audience full of people and just

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<v Speaker 1>was like A is for apple. Well, I think it

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<v Speaker 1>was a Christian school, so I think I said it

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<v Speaker 1>was Bee is for be still and know that.

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<v Speaker 2>I am God.

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<v Speaker 1>So they kind of looked at each other and they're like,

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<v Speaker 1>that's interesting, and then they couldn't get me off the

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<v Speaker 1>stage any opportunity I had.

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<v Speaker 3>I've been performing ever.

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<v Speaker 2>Since, So at a super young age, you decided this

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<v Speaker 2>is what you wanted to do.

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<v Speaker 1>There is an I never wanted to do anything else

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<v Speaker 1>in the world. It was always from my earliest memories,

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<v Speaker 1>all I wanted to do was perform. I would come

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<v Speaker 1>up with shows and make my parents give me tickets,

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<v Speaker 1>like I'd make tickets and then I would do a

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<v Speaker 1>show on the coffee table, you.

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<v Speaker 3>Know, like that.

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<v Speaker 1>That was I wrote a musical when I was eleven,

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<v Speaker 1>Never got never got to make it happen because you know,

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<v Speaker 1>everybody went back to school and nobody had time anymore.

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<v Speaker 1>But but fully had auditions and started rehearsals that you know,

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<v Speaker 1>all the community theater and all the school plays. Anytime

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<v Speaker 1>I could get to jump into somebody else's skin and

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<v Speaker 1>live live a life through somebody else's eyes, I wanted

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<v Speaker 1>to do it.

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<v Speaker 2>So it sounds like not, but I read that your

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<v Speaker 2>your brothers are are also pastors in the church.

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<v Speaker 1>One brother, one brother, and he was a pastor for

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<v Speaker 1>about ten years and now he is working sort of

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<v Speaker 1>adjacent to the church, but he's working for a nonprofit

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<v Speaker 1>that whose whole purpose is to activate the church to

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<v Speaker 1>care about the climate crisis. Okay, so that's what he's

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<v Speaker 1>working on now. But it's in the same world of

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<v Speaker 1>let's let's gather as a community to care and be

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<v Speaker 1>good stewards of the people and the planet that we're on.

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<v Speaker 2>Well, that's a responsible mission, yes, time to accomplish absolutely,

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<v Speaker 2>did you. I mean it sounds like performing was always

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<v Speaker 2>in your blood. Did you ever have a thought to

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<v Speaker 2>go into theology or religious stuy?

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<v Speaker 3>I mean I did.

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<v Speaker 1>I was always in leadership positions. So I would I

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<v Speaker 1>would go to the Christian youth camps, and then I

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<v Speaker 1>would come home from the internships, and then I would

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<v Speaker 1>start a Bible study and I would plan my talks.

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<v Speaker 1>And so in high school I was leading Bible studies,

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<v Speaker 1>and in college as well, I met my husband actually

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<v Speaker 1>leading worship. We sang and he plays guitar too, and

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<v Speaker 1>so that was how I met my husband, always being

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<v Speaker 1>kind of upfront in some sort of leadership position. And

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<v Speaker 1>the interesting thing is I was never interested in going

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<v Speaker 1>into theology for like any kind of pastoral role. I

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<v Speaker 1>knew though that I had giftings and talents for leadership.

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<v Speaker 1>And so really in the last five years since leaving Grays,

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<v Speaker 1>I've been producing and writing and directing too, and so

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<v Speaker 1>that leadership stuff. I find that I feel very at

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<v Speaker 1>home when I'm in a leadership position. It feels very

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<v Speaker 1>very I feel very alive. I love taking care of

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<v Speaker 1>people I love, you know, captaining the ship in a

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<v Speaker 1>way that makes people feel seen and loved in a

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<v Speaker 1>very similar way that I think my dad would pastor

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<v Speaker 1>his church, but obviously not remotely related to religion, just

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<v Speaker 1>related to creating good.

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<v Speaker 2>Community, right. And while that might be a skill that

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<v Speaker 2>you have, undoubtedly these early experiences in the church gave

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<v Speaker 2>you experience and an opportunity to sort of at least

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<v Speaker 2>try that out or flex those muscles. Right.

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<v Speaker 1>Oh, absolutely, yeah, standing up in front of people and

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<v Speaker 1>guiding a discussion and planning, you know, planning my talk

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<v Speaker 1>and writing out the thoughts and listening to you know. Yeah,

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<v Speaker 1>of course, I mean I directed a little bit. I

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<v Speaker 1>remember directing the spring play my senior year of high school.

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<v Speaker 1>So just any opportunity I had to be able to

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<v Speaker 1>in a ship in some way, I did. And then

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<v Speaker 1>I kind of took a seat and was just sort

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<v Speaker 1>of a good soldier as an actor for like twenty

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<v Speaker 1>years before I got my first opportunity to step into

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<v Speaker 1>those leadership roles again.

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<v Speaker 2>You grew up in Stony Brook. Did you find yourself

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<v Speaker 2>going into the city a lot, meaning the city New

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<v Speaker 2>York City?

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<v Speaker 4>Oh?

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<v Speaker 3>Is there another city?

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<v Speaker 4>Right? Yeah?

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<v Speaker 2>Sounds like a New Yorker to see shows? I mean,

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<v Speaker 2>was that a part of your upbringing?

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<v Speaker 3>Absolutely?

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<v Speaker 1>The way that because we didn't have a lot of money.

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<v Speaker 1>My mom, well, she was a research scientist and then

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<v Speaker 1>she left that career to become a teacher at a

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<v Speaker 1>private school that she wanted to put us in because

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<v Speaker 1>I needed to move into a different school situation, and

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<v Speaker 1>she changed careers and became a teacher actually in order

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<v Speaker 1>to get us into this I have a school, so

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<v Speaker 1>we could actually afford to go, so.

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<v Speaker 3>Where we didn't.

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<v Speaker 1>I did not grow up with like a lot of

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<v Speaker 1>extra money or funds lying around. So what we would

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<v Speaker 1>do is we would go at the crack dawn, get

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<v Speaker 1>on the train, take the train into Manhattan, and go

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<v Speaker 1>stand in line for four hours at ts KTS.

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<v Speaker 2>Oh yeah, that's where you were going. Yeah, that's so great.

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<v Speaker 2>I tell people that all the time, like, if you

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<v Speaker 2>put in the effort, you have the opportunity. And particularly

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<v Speaker 2>as someone who who has an interest in the field,

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<v Speaker 2>like I don't know, I'm gonna I'm gonna like date

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<v Speaker 2>myself by references or whatever. But it's like you don't

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<v Speaker 2>have to go see lay Miz or whatever is the

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<v Speaker 2>top show at that moment, Hamilton. I mean, you know,

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<v Speaker 2>eventually those opportunities may become available, but just see stuff

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<v Speaker 2>and experience good bad, or indifferent work that gives you

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<v Speaker 2>touch of a base to pull from as you're moving forward,

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<v Speaker 2>even seeing stuff that maybe is not your thing.

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<v Speaker 1>Right, No, I, I mean we that's that. That was

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<v Speaker 1>the sort of fun and joy and crapshoot of it

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<v Speaker 1>all is that you go, you take the journey, and

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<v Speaker 1>it's a two hour journey into the city, just the

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<v Speaker 1>train ride as a two hour train ride, you know,

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<v Speaker 1>and you're getting up at the crack of dawn to

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<v Speaker 1>get out with the whole family in tow and there's

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<v Speaker 1>no guarantee that you're going to get to see any

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<v Speaker 1>of the shows that you want to see, so it's

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<v Speaker 1>just like a what's available, what can we do? I

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<v Speaker 1>also remember there used to be standing room only tickets

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<v Speaker 1>you can get that I that we used to do

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<v Speaker 1>all the time. I remember seeing Lion King's SR s

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<v Speaker 1>ro O as my mom when I was calling. We

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<v Speaker 1>got some sro tickets so we would stand in the

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<v Speaker 1>back with our our arms on the on the back

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<v Speaker 1>thing in the orchestra and watch the show standing. I mean,

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<v Speaker 1>I I saw so I saw Lee Miz that way,

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<v Speaker 1>I saw a fan of the opera, I saw Lion

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<v Speaker 1>King that way, you know, and then I also remember,

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<v Speaker 1>and this was after I think in my college years,

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<v Speaker 1>when I was home for winter break or something, when

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<v Speaker 1>Wicked was like the height of everything, and they had

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<v Speaker 1>this like lottery so you could put your names in

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<v Speaker 1>and maybe get tickets, and my mom and I actually

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<v Speaker 1>won two tickets and sat and saw Wicked for twenty

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<v Speaker 1>bucks each in the front row, which was amazing. However,

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<v Speaker 1>the show that we saw earlier that day was this

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<v Speaker 1>random show that I don't even remember the name of

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<v Speaker 1>it. It was about a bunch of folks who were homeless

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<v Speaker 1>and the angels that came alongside of them and cared

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<v Speaker 1>for them, and the music was incredible. We were weeping,

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<v Speaker 1>weeping like it was and it only lasted a couple

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<v Speaker 1>of months on Broadway. It wasn't a big hit. And

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<v Speaker 1>I remember being so deeply moved by that show that

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<v Speaker 1>nobody had heard of that we ran got tickets to

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<v Speaker 1>because there were tickets to it at TKTS And that

0:14:04.600 --> 0:14:06.760
<v Speaker 1>was my highlight more than being in the front row

0:14:06.800 --> 0:14:07.400
<v Speaker 1>to see Wicket.

0:14:07.960 --> 0:14:12.079
<v Speaker 2>Yeah, that's amazing, Yeah, I do, I miss so. I

0:14:12.440 --> 0:14:16.160
<v Speaker 2>remember seeing an early version of Cabaret that that same

0:14:16.200 --> 0:14:19.080
<v Speaker 2>way I couldn't get in. Did the the Sro stuff

0:14:19.080 --> 0:14:21.440
<v Speaker 2>and and loved every minute of it.

0:14:21.960 --> 0:14:25.000
<v Speaker 1>I think there's something also about when you're when you're

0:14:25.040 --> 0:14:27.560
<v Speaker 1>making the choice to do the thing that's not very

0:14:27.600 --> 0:14:31.080
<v Speaker 1>comfortable and takes a lot of effort, it makes you

0:14:31.480 --> 0:14:36.760
<v Speaker 1>appreciate the experience also so much more, Like I better

0:14:37.240 --> 0:14:39.040
<v Speaker 1>like this show. I better find all the things that

0:14:39.080 --> 0:14:42.440
<v Speaker 1>are great about the show and love it because I

0:14:42.720 --> 0:14:45.480
<v Speaker 1>spend all day to trying to get in to see

0:14:45.480 --> 0:14:47.800
<v Speaker 1>this and then you like jump for joy that you

0:14:47.840 --> 0:14:51.160
<v Speaker 1>actually got into the the Sro seed, Like, yes.

0:14:51.680 --> 0:14:53.120
<v Speaker 4>I get to see this thing.

0:14:53.560 --> 0:14:56.640
<v Speaker 3>It doesn't matter that I'm standing, you know, I don't know.

0:14:57.960 --> 0:14:58.120
<v Speaker 4>Uh.

0:14:58.600 --> 0:15:01.440
<v Speaker 2>So you're in high school. You're you're in high school

0:15:02.000 --> 0:15:07.840
<v Speaker 2>and you end up getting cast with a voice role

0:15:08.520 --> 0:15:14.440
<v Speaker 2>as Stacy in Daria, which ends up becoming quite quite

0:15:14.480 --> 0:15:17.680
<v Speaker 2>a big thing. Now, how how did that come about

0:15:17.680 --> 0:15:19.440
<v Speaker 2>for you? And let me just say this, I've said

0:15:19.440 --> 0:15:23.000
<v Speaker 2>this a lot, being a voice actor. If you think

0:15:23.040 --> 0:15:25.480
<v Speaker 2>being an actor is hard, being a voice actor is

0:15:25.720 --> 0:15:31.080
<v Speaker 2>way way more difficult, uh to do? How How did

0:15:31.160 --> 0:15:32.840
<v Speaker 2>how did that role come about for you?

0:15:33.640 --> 0:15:33.720
<v Speaker 4>So?

0:15:34.040 --> 0:15:37.000
<v Speaker 1>Yeah, and by the way, I keep trying and nobody

0:15:37.080 --> 0:15:40.720
<v Speaker 1>wants me for any other cartoons or animated anything. You know,

0:15:40.720 --> 0:15:43.360
<v Speaker 1>it doesn't matter that I was on Gray's Anatomy for

0:15:43.440 --> 0:15:46.240
<v Speaker 1>nine years. They're like, Nope, you're not in the Mafia.

0:15:46.720 --> 0:15:49.080
<v Speaker 1>You're not in the Voice Sober Mafia, so you don't

0:15:49.120 --> 0:15:49.840
<v Speaker 1>get to do it.

0:15:50.320 --> 0:15:52.600
<v Speaker 2>How did you get in the mafia though? To start?

0:15:53.360 --> 0:15:54.000
<v Speaker 2>You're there.

0:15:54.120 --> 0:15:57.880
<v Speaker 1>So the interesting thing is it's actually funny because it's

0:15:57.920 --> 0:15:59.480
<v Speaker 1>similar to how Grays turned up.

0:15:59.840 --> 0:16:00.280
<v Speaker 4>It is.

0:16:00.400 --> 0:16:08.560
<v Speaker 1>I I was doing like children's theater at this awesome

0:16:08.760 --> 0:16:12.560
<v Speaker 1>regional theater on Long Island called Gateway Playhouse, and there

0:16:12.680 --> 0:16:16.960
<v Speaker 1>was a so they it was an established regional the

0:16:17.120 --> 0:16:19.840
<v Speaker 1>summerstock theater, so there were professionals that would live there

0:16:19.880 --> 0:16:22.600
<v Speaker 1>and do main stage shows, but during the summer we

0:16:22.640 --> 0:16:27.080
<v Speaker 1>would also the kids in the area would.

0:16:26.760 --> 0:16:28.160
<v Speaker 3>Do children's theater.

0:16:28.360 --> 0:16:30.920
<v Speaker 1>So we would use the same stages as the main

0:16:31.000 --> 0:16:34.400
<v Speaker 1>stage was, so we would be doing like Winnie the

0:16:34.440 --> 0:16:37.240
<v Speaker 1>Pooh on the set of The King and I you know,

0:16:37.360 --> 0:16:39.280
<v Speaker 1>like that's just that was what we were doing, right,

0:16:39.600 --> 0:16:41.440
<v Speaker 1>And our dream was to be on main.

0:16:41.360 --> 0:16:41.960
<v Speaker 3>Stage, you know.

0:16:42.000 --> 0:16:44.400
<v Speaker 1>That was just like, oh, if we could just get

0:16:44.440 --> 0:16:46.720
<v Speaker 1>to main stage, all our dreams would come true.

0:16:47.080 --> 0:16:47.320
<v Speaker 2>Right.

0:16:47.480 --> 0:16:50.680
<v Speaker 1>But with that community, there was like a couple actors

0:16:50.760 --> 0:16:52.920
<v Speaker 1>that I knew a couple friends that I knew there

0:16:52.920 --> 0:16:56.320
<v Speaker 1>who had like a manager who worked out of her

0:16:56.320 --> 0:17:00.280
<v Speaker 1>basement on Long Island, you know, and she and they

0:17:00.280 --> 0:17:02.280
<v Speaker 1>introduced me to her. So I started auditioning for a

0:17:02.320 --> 0:17:04.240
<v Speaker 1>couple of little things and she got me this audition

0:17:05.040 --> 0:17:09.120
<v Speaker 1>for a guest spot on Daria. So I actually started

0:17:09.119 --> 0:17:13.320
<v Speaker 1>on Daria playing a little girl that Daria baby sits for, okay,

0:17:13.400 --> 0:17:15.240
<v Speaker 1>And I remember she would sang the song I can

0:17:15.240 --> 0:17:17.000
<v Speaker 1>hope and I Can dream and I am full love

0:17:17.040 --> 0:17:20.640
<v Speaker 1>self esteem, Like I literally was playing like a seven

0:17:20.720 --> 0:17:23.080
<v Speaker 1>year old or something. So I did that, and they

0:17:23.080 --> 0:17:26.159
<v Speaker 1>had a different actress playing Stacy actually the beginning of

0:17:26.160 --> 0:17:29.159
<v Speaker 1>the show, and then that actress fell out, and then

0:17:29.200 --> 0:17:32.320
<v Speaker 1>they asked me to read for Stacy and to take

0:17:32.359 --> 0:17:34.439
<v Speaker 1>over the role, and then I was Stacy for the

0:17:34.480 --> 0:17:35.240
<v Speaker 1>rest of the run.

0:17:35.760 --> 0:17:37.120
<v Speaker 3>Wow, isn't that crazy?

0:17:38.160 --> 0:17:41.359
<v Speaker 2>Yeah? And this is a good run. And this was

0:17:41.400 --> 0:17:44.040
<v Speaker 2>a big show, Like were you aware as you were

0:17:44.080 --> 0:17:46.479
<v Speaker 2>doing it how big it was? Were you?

0:17:47.080 --> 0:17:48.800
<v Speaker 3>Okay, completely unaware?

0:17:48.840 --> 0:17:53.800
<v Speaker 1>And I got paid nothing because I was I mean nothing, yes.

0:17:53.880 --> 0:17:55.680
<v Speaker 3>Zero, no residuals.

0:17:56.080 --> 0:17:59.800
<v Speaker 1>Like I would go in and record five episodes at once,

0:18:00.000 --> 0:18:01.840
<v Speaker 1>and they'd give me a couple hundred bucks and call

0:18:01.880 --> 0:18:05.720
<v Speaker 1>it a day, like nothing. So, I mean, I think

0:18:05.760 --> 0:18:09.040
<v Speaker 1>about the staying power of that show and I'm just like, well,

0:18:09.160 --> 0:18:11.399
<v Speaker 1>I didn't really have representation then.

0:18:11.440 --> 0:18:13.359
<v Speaker 2>So wow.

0:18:13.800 --> 0:18:17.040
<v Speaker 1>Yeah, I mean I remember I was still recording those

0:18:17.080 --> 0:18:20.280
<v Speaker 1>episodes when I went to college, and they would just

0:18:21.080 --> 0:18:24.560
<v Speaker 1>hold all of my stuff to do all at once,

0:18:24.640 --> 0:18:27.879
<v Speaker 1>and I would take the train in to Manhattan from

0:18:27.960 --> 0:18:30.600
<v Speaker 1>Virginia where I was in college, and I would just

0:18:31.119 --> 0:18:34.480
<v Speaker 1>record for six hours straight, several episodes, all my lines

0:18:35.000 --> 0:18:37.040
<v Speaker 1>and then call it a day. And that's it.

0:18:38.160 --> 0:18:39.959
<v Speaker 2>And you were you in the Union?

0:18:41.080 --> 0:18:45.760
<v Speaker 3>No, no, no, nothing.

0:18:45.640 --> 0:18:50.240
<v Speaker 2>No nothing. You were literally just like I was just a.

0:18:50.440 --> 0:18:59.040
<v Speaker 1>Hired kid that everybody took advantage of. That's inane, a

0:18:59.280 --> 0:19:02.320
<v Speaker 1>single pen of residuals now.

0:19:02.760 --> 0:19:04.879
<v Speaker 2>So you see nothing now, I've never.

0:19:05.040 --> 0:19:08.920
<v Speaker 3>Seen anything, not even just now. I've never seen a cent.

0:19:09.359 --> 0:19:11.800
<v Speaker 2>They just slip you.

0:19:12.640 --> 0:19:13.679
<v Speaker 3>I was non union.

0:19:13.840 --> 0:19:17.879
<v Speaker 1>I had no experience. There was I think they called

0:19:17.920 --> 0:19:20.760
<v Speaker 1>me directly, like the manager might have gotten me that

0:19:21.040 --> 0:19:24.040
<v Speaker 1>first audition, but then they called me direct mes i'd want.

0:19:23.880 --> 0:19:26.080
<v Speaker 3>To come in and read this other part into.

0:19:26.560 --> 0:19:29.840
<v Speaker 1>And for me, I'm like, yay, I'm doing something professional.

0:19:31.280 --> 0:19:36.760
<v Speaker 2>No, wow, all right, Well, yeah, producers of Daria, I'm

0:19:36.760 --> 0:19:37.679
<v Speaker 2>coming after.

0:19:37.440 --> 0:19:40.320
<v Speaker 1>You, I know, and there's some sort of reboot or something.

0:19:40.720 --> 0:19:43.479
<v Speaker 1>I mean, they never include me in any of that stuff.

0:19:43.600 --> 0:19:46.200
<v Speaker 1>It's as if I was never there.

0:19:48.000 --> 0:19:50.800
<v Speaker 2>Well, it's better for them if they pretend you were

0:19:50.840 --> 0:19:56.000
<v Speaker 2>never there, Sarah, What, I don't think that's right. That

0:19:56.160 --> 0:19:56.920
<v Speaker 2>wasn't anyone.

0:19:57.160 --> 0:19:58.320
<v Speaker 3>That can't be true.

0:19:58.840 --> 0:20:03.119
<v Speaker 2>No, it had to have and someone else. Wow, that's crazy.

0:20:03.400 --> 0:20:05.679
<v Speaker 1>But I did have a lot of cool bragging power

0:20:05.760 --> 0:20:08.960
<v Speaker 1>during that time. I didn't watch I didn't watch the show.

0:20:09.080 --> 0:20:11.800
<v Speaker 1>I didn't have MTV, I had no access to it,

0:20:12.320 --> 0:20:14.760
<v Speaker 1>and there was no streaming at that point, so like,

0:20:14.920 --> 0:20:16.800
<v Speaker 1>I never even really saw it.

0:20:17.800 --> 0:20:21.000
<v Speaker 3>And you know, I but people were like, Daria, you're

0:20:21.000 --> 0:20:23.080
<v Speaker 3>on Daria. You have you have a role?

0:20:24.280 --> 0:20:26.400
<v Speaker 1>Yeah, I mean I get a couple hundred bucks every

0:20:26.440 --> 0:20:27.120
<v Speaker 1>few months.

0:20:29.440 --> 0:20:35.440
<v Speaker 2>Oh that's so good, that is so MTV. Wow. All right. Uh, well,

0:20:35.600 --> 0:20:38.040
<v Speaker 2>you say you went to college. You ended up going

0:20:38.080 --> 0:20:43.440
<v Speaker 2>down south Ish South adjacent is what I call Virginia,

0:20:44.400 --> 0:20:48.280
<v Speaker 2>down to the University of Virginia study drama. I had

0:20:48.320 --> 0:20:51.760
<v Speaker 2>a great friend from high school who went there studied drama.

0:20:54.080 --> 0:20:55.359
<v Speaker 2>How was that experience?

0:20:56.280 --> 0:20:59.120
<v Speaker 1>I loved it? I loved down a second. I loved it.

0:20:59.560 --> 0:21:04.840
<v Speaker 1>I I had some incredible professors there. In fact, my

0:21:05.800 --> 0:21:08.520
<v Speaker 1>you know what was so great is first of all,

0:21:08.560 --> 0:21:10.600
<v Speaker 1>I got to have the real college experience, you know,

0:21:10.720 --> 0:21:12.639
<v Speaker 1>like I just got to study all the things. It

0:21:12.680 --> 0:21:16.520
<v Speaker 1>wasn't a conservatory program. The drama department was very friendly,

0:21:16.680 --> 0:21:20.040
<v Speaker 1>not competitive, just like I found I still have some

0:21:20.080 --> 0:21:22.879
<v Speaker 1>of my best friends in the world from doing drama

0:21:23.359 --> 0:21:28.199
<v Speaker 1>at UVA. I lived in awesome houses with good friends,

0:21:28.320 --> 0:21:31.000
<v Speaker 1>like it just was. It was everything you would want

0:21:31.080 --> 0:21:36.520
<v Speaker 1>a college experience to be. I found, you know, I

0:21:36.560 --> 0:21:41.879
<v Speaker 1>found my people. I found other layers to myself that

0:21:41.920 --> 0:21:43.600
<v Speaker 1>I know, all the things that you want to do

0:21:43.640 --> 0:21:44.200
<v Speaker 1>at college.

0:21:44.400 --> 0:21:44.920
<v Speaker 3>It was good.

0:21:45.359 --> 0:21:47.760
<v Speaker 1>It was really really good. And then my professors were amazing.

0:21:47.840 --> 0:21:52.000
<v Speaker 1>And so what's interesting is I I did this musical

0:21:52.040 --> 0:21:54.080
<v Speaker 1>theater program in New York called CAP twenty one the

0:21:54.560 --> 0:21:57.760
<v Speaker 1>summer between my second and third year of college, and

0:21:58.119 --> 0:22:02.040
<v Speaker 1>my whole career started because of a decision I made

0:22:02.280 --> 0:22:07.679
<v Speaker 1>in the bathroom there because we were doing we'd only been.

0:22:07.560 --> 0:22:10.359
<v Speaker 2>Working bad decisions that happened.

0:22:10.400 --> 0:22:12.600
<v Speaker 1>Now this is a good decision, this is a good choice.

0:22:13.440 --> 0:22:16.280
<v Speaker 1>We're in the I'm in the bathroom and we have

0:22:16.680 --> 0:22:21.479
<v Speaker 1>this casting director from Telsea Casting coming to do a

0:22:21.560 --> 0:22:25.119
<v Speaker 1>masterclass with us that afternoon. At this musical theater program,

0:22:25.119 --> 0:22:27.720
<v Speaker 1>we had not worked on monologues at all. We had

0:22:27.800 --> 0:22:31.760
<v Speaker 1>only been doing songs. So every student was planning to

0:22:31.800 --> 0:22:35.960
<v Speaker 1>do two songs for this casting director and get the

0:22:35.960 --> 0:22:39.400
<v Speaker 1>feedback and whatever. In the bathroom, I was like, I've

0:22:39.400 --> 0:22:43.840
<v Speaker 1>been learning during this musical theater program, then maybe musical

0:22:43.880 --> 0:22:47.280
<v Speaker 1>theater isn't for me professionally, and that maybe I'm a

0:22:47.280 --> 0:22:50.080
<v Speaker 1>stronger actor than I am a singer, and I have

0:22:50.119 --> 0:22:52.040
<v Speaker 1>a shot to show this person what I can do

0:22:52.040 --> 0:22:55.359
<v Speaker 1>as an actor. So I pulled out Nora from a

0:22:55.400 --> 0:22:58.719
<v Speaker 1>doll's house because they just had that in my back pocket, right,

0:22:58.960 --> 0:22:59.880
<v Speaker 1>and I did Nora.

0:23:00.080 --> 0:23:02.240
<v Speaker 2>One does as one does, yes.

0:23:02.560 --> 0:23:07.240
<v Speaker 1>And I did Nora for her, and that casting office

0:23:07.560 --> 0:23:10.120
<v Speaker 1>started bringing me in for auditions. And the third one

0:23:10.119 --> 0:23:12.760
<v Speaker 1>I went in for was a production of Romeo and

0:23:12.840 --> 0:23:15.840
<v Speaker 1>Juliet where I was cast as Juliette, and I almost

0:23:15.920 --> 0:23:18.240
<v Speaker 1>didn't audition for it. This was at the Macarter Theater

0:23:18.320 --> 0:23:21.040
<v Speaker 1>in Princeton, New Jersey, because it conflicted with the first

0:23:21.080 --> 0:23:24.240
<v Speaker 1>five years of my fourth year, first five weeks of

0:23:24.280 --> 0:23:26.640
<v Speaker 1>my final year of college and I'm like, I just can't.

0:23:27.080 --> 0:23:30.320
<v Speaker 1>And Will Cantler from Bernie Telsea Casting called me on

0:23:30.359 --> 0:23:32.359
<v Speaker 1>my phone and said, if I have to drive to

0:23:32.440 --> 0:23:35.359
<v Speaker 1>Virginia and put you in my car and drive you

0:23:35.400 --> 0:23:38.199
<v Speaker 1>to this audition, I will do that. This is not

0:23:38.280 --> 0:23:40.640
<v Speaker 1>to be taken lightly. Get your butt to New York.

0:23:41.200 --> 0:23:44.119
<v Speaker 1>And I was like, oh, And what was wonderful is

0:23:44.200 --> 0:23:48.800
<v Speaker 1>that my my my acting coaches at UVA were like,

0:23:49.160 --> 0:23:52.840
<v Speaker 1>of course you go, of course you do it. In fact,

0:23:53.080 --> 0:23:57.879
<v Speaker 1>Richard Warner, my main act the head acting guy there,

0:23:58.280 --> 0:24:02.440
<v Speaker 1>he worked on the audition material with me for like hours,

0:24:03.000 --> 0:24:06.680
<v Speaker 1>just fine tuning it and helping me find it. And

0:24:06.760 --> 0:24:10.280
<v Speaker 1>then the college agreed to give me three credits if

0:24:10.320 --> 0:24:13.960
<v Speaker 1>I kept just to do the show as an independent study,

0:24:14.200 --> 0:24:15.240
<v Speaker 1>if I kept a journal.

0:24:15.320 --> 0:24:16.080
<v Speaker 2>So I have.

0:24:17.000 --> 0:24:22.480
<v Speaker 1>I have a meticulously kept journal diary from my entire

0:24:22.600 --> 0:24:27.199
<v Speaker 1>experience of playing Juliet, which was my launch into my

0:24:27.480 --> 0:24:34.359
<v Speaker 1>entire career as a result of the just nurturing of

0:24:34.400 --> 0:24:38.679
<v Speaker 1>that in that drama department. So I'm very grateful for

0:24:38.840 --> 0:24:39.639
<v Speaker 1>that experience.

0:24:57.640 --> 0:25:02.200
<v Speaker 2>After college, you you entered the theater world. You made

0:25:02.200 --> 0:25:06.120
<v Speaker 2>your Broadway debut in two thousand and three, and did

0:25:06.200 --> 0:25:10.160
<v Speaker 2>you think that that was your life. Did you think

0:25:10.200 --> 0:25:12.480
<v Speaker 2>that theater was what you were going to do or

0:25:12.480 --> 0:25:19.440
<v Speaker 2>did you always have an eye toward television? Film? Was there?

0:25:20.760 --> 0:25:21.520
<v Speaker 2>Where were you at?

0:25:21.600 --> 0:25:24.320
<v Speaker 1>What I always wanted to do? And in fact, right

0:25:24.920 --> 0:25:28.760
<v Speaker 1>before I did the play on Broadway, I actually did

0:25:28.760 --> 0:25:31.359
<v Speaker 1>my first movie, so I did have I did Radio

0:25:31.680 --> 0:25:34.959
<v Speaker 1>with Ed Harris and Debra Winger and Cuba Gooding teens.

0:25:35.200 --> 0:25:40.200
<v Speaker 1>That was my first moment on any set of any

0:25:40.359 --> 0:25:43.359
<v Speaker 1>kind in my whole life was like a scene with

0:25:43.520 --> 0:25:44.280
<v Speaker 1>Ed Harris.

0:25:47.280 --> 0:25:49.480
<v Speaker 2>So that's a good start.

0:25:49.520 --> 0:25:53.680
<v Speaker 1>By the way, my first take, hiss, I love that, man,

0:25:54.119 --> 0:25:57.560
<v Speaker 1>My first take that they laid down. He gathered the

0:25:57.600 --> 0:26:00.720
<v Speaker 1>whole crew around and he said, all right, let's give

0:26:00.760 --> 0:26:04.040
<v Speaker 1>it up for the first take in the future illustrious

0:26:04.080 --> 0:26:06.399
<v Speaker 1>career of Sarah Drew. And he had the whole crew

0:26:06.760 --> 0:26:08.000
<v Speaker 1>give me a standing ovation.

0:26:08.640 --> 0:26:09.360
<v Speaker 2>Wow.

0:26:09.560 --> 0:26:12.200
<v Speaker 3>I mean classy dude, right, the.

0:26:12.160 --> 0:26:13.800
<v Speaker 2>Classic classy Yes.

0:26:13.880 --> 0:26:16.480
<v Speaker 1>Yes, And I'm a twenty two year old, you know.

0:26:16.800 --> 0:26:20.399
<v Speaker 1>And actually I was cast in the Broadway show. I

0:26:20.440 --> 0:26:24.560
<v Speaker 1>did a self tape in my little efficiency apartment in

0:26:25.119 --> 0:26:29.080
<v Speaker 1>where was I Walter Burrows, South Carolina shooting that movie?

0:26:29.119 --> 0:26:31.840
<v Speaker 1>I couldn't get in. I couldn't go in for the audition, right,

0:26:31.920 --> 0:26:34.119
<v Speaker 1>so they so the director for that play at the

0:26:34.160 --> 0:26:35.320
<v Speaker 1>Lincoln Center cast me off of.

0:26:35.359 --> 0:26:36.520
<v Speaker 3>Tape, which is crazy.

0:26:38.160 --> 0:26:42.800
<v Speaker 1>So what I what I My vision I think as

0:26:42.840 --> 0:26:47.040
<v Speaker 1>a teenager was I wanted to be a serious actress.

0:26:47.520 --> 0:26:52.639
<v Speaker 1>However that played out, Maybe it would be in film

0:26:52.640 --> 0:26:55.760
<v Speaker 1>and television, maybe it would be on the stage. I

0:26:55.800 --> 0:26:59.679
<v Speaker 1>didn't have any understanding when I was a teenager of

0:26:59.720 --> 0:27:02.840
<v Speaker 1>what film and television would be. The only experience I

0:27:02.880 --> 0:27:05.320
<v Speaker 1>had was on stage, and I loved it so much

0:27:05.359 --> 0:27:09.000
<v Speaker 1>and it fed my soul in such a profound way

0:27:10.080 --> 0:27:12.840
<v Speaker 1>that I think I most I probably mostly envisioned myself

0:27:12.880 --> 0:27:16.840
<v Speaker 1>as a theater actor. And the biggest dream I had

0:27:17.520 --> 0:27:20.840
<v Speaker 1>was being able to make a living solely from being

0:27:20.880 --> 0:27:23.359
<v Speaker 1>an artist. I did that that I didn't have to

0:27:23.400 --> 0:27:26.480
<v Speaker 1>have a day job. That was the only dream that

0:27:26.560 --> 0:27:29.720
<v Speaker 1>I had that I wanted to be serious. I didn't

0:27:29.720 --> 0:27:35.200
<v Speaker 1>want to do fluff and I wanted to you know. Yeah,

0:27:35.320 --> 0:27:37.440
<v Speaker 1>and and so I think I always thought it might

0:27:37.600 --> 0:27:41.840
<v Speaker 1>it would be stage, and then film and theater at

0:27:41.840 --> 0:27:45.240
<v Speaker 1>film and TV opened the doors to me, and then

0:27:45.280 --> 0:27:47.840
<v Speaker 1>all of a sudden it was like, well, I can

0:27:47.880 --> 0:27:49.440
<v Speaker 1>make a much better living over here.

0:27:53.040 --> 0:28:00.479
<v Speaker 2>There you go. That's like you truth, there you go. Yeah, No,

0:28:00.680 --> 0:28:03.119
<v Speaker 2>I know, well, I mean you know our and I

0:28:03.160 --> 0:28:05.600
<v Speaker 2>won't bore you with it. Our pasts were similar, I

0:28:05.600 --> 0:28:09.720
<v Speaker 2>think for me, I don't, I don't know. I never

0:28:10.800 --> 0:28:13.959
<v Speaker 2>thought about film and television like for me it was.

0:28:14.080 --> 0:28:19.560
<v Speaker 2>I was so singularly focused on the other thing. Yeah,

0:28:19.600 --> 0:28:21.960
<v Speaker 2>for such a long period of time. And so it's

0:28:22.000 --> 0:28:26.480
<v Speaker 2>it's always interesting to me to talk to, you know,

0:28:26.600 --> 0:28:30.600
<v Speaker 2>actors who when they were very young, like like how

0:28:30.640 --> 0:28:34.240
<v Speaker 2>they went about making their decisions. It's very clear to me.

0:28:35.440 --> 0:28:38.920
<v Speaker 2>You you you were looking you, you were you were dating,

0:28:39.280 --> 0:28:44.440
<v Speaker 2>dating around because very very soon after you make your

0:28:44.440 --> 0:28:48.440
<v Speaker 2>Broadway debut on Lincoln Center, you got cast as Hannah

0:28:48.520 --> 0:28:50.960
<v Speaker 2>on Everwood. Now, I don't know if you know this,

0:28:52.360 --> 0:28:56.440
<v Speaker 2>we work together. Wait no, but I we're not on

0:28:56.480 --> 0:28:59.760
<v Speaker 2>the same scene. I was in the Everwood. Yes, I was.

0:29:00.200 --> 0:29:05.880
<v Speaker 2>You were I was in Everwood. I okay, I'm gonna

0:29:05.880 --> 0:29:07.560
<v Speaker 2>be honest with you. I did not go back and

0:29:07.600 --> 0:29:12.360
<v Speaker 2>research my own work. Folkused on you. But I was

0:29:12.400 --> 0:29:19.640
<v Speaker 2>a I was a handy man contractor wow on Everwood.

0:29:21.240 --> 0:29:23.440
<v Speaker 2>So yeah, I was there. I was there at the

0:29:24.280 --> 0:29:26.560
<v Speaker 2>Salt Lake City great American, the.

0:29:27.680 --> 0:29:30.720
<v Speaker 1>Little America, Little Americas stayed a little America.

0:29:31.040 --> 0:29:33.280
<v Speaker 2>Well, it might have been Grand America, but one of

0:29:33.280 --> 0:29:38.720
<v Speaker 2>the one of the America's America, of one of the Americas. Yes,

0:29:39.200 --> 0:29:40.800
<v Speaker 2>and in fact, I don't know if I've told this

0:29:40.880 --> 0:29:42.480
<v Speaker 2>story or not in a long time, but you'll know

0:29:42.520 --> 0:29:47.120
<v Speaker 2>what I'm talking about. I arrived, so I know exactly

0:29:47.120 --> 0:29:49.720
<v Speaker 2>when it was. It was the first week of April

0:29:50.680 --> 0:29:52.600
<v Speaker 2>where I was shooting, and I think I I think

0:29:52.600 --> 0:29:54.760
<v Speaker 2>it was two episodes. I think I shot them at

0:29:54.760 --> 0:29:56.160
<v Speaker 2>the same time, like I stayed.

0:29:56.480 --> 0:29:58.040
<v Speaker 3>Do you remember the season you were in.

0:29:59.440 --> 0:29:59.840
<v Speaker 2>I wasn't.

0:30:00.400 --> 0:30:02.920
<v Speaker 3>I wasn't in season one and two. I only came.

0:30:03.360 --> 0:30:07.560
<v Speaker 2>I think it was season one or two. I really don't,

0:30:07.600 --> 0:30:10.840
<v Speaker 2>but I I was with I know I was with

0:30:11.400 --> 0:30:12.120
<v Speaker 2>mister Wolf.

0:30:12.960 --> 0:30:15.680
<v Speaker 1>Yes, okay, yeah, because he came on when I came on,

0:30:15.760 --> 0:30:16.920
<v Speaker 1>So yeah, it would have been.

0:30:17.240 --> 0:30:21.080
<v Speaker 2>Three or four. Okay, Yeah, this was not this This

0:30:21.160 --> 0:30:24.600
<v Speaker 2>did not change the trajectory of your seasons. I don't

0:30:24.640 --> 0:30:31.680
<v Speaker 2>remember exactly, but I was there. Here's the crazy. My

0:30:31.760 --> 0:30:34.320
<v Speaker 2>memory isn't about the work. My memory is about the extras.

0:30:34.320 --> 0:30:37.480
<v Speaker 2>So I don't think I not the extras, but like

0:30:37.520 --> 0:30:40.840
<v Speaker 2>the extra the outside of work. I don't think at

0:30:40.880 --> 0:30:43.880
<v Speaker 2>that point I might be lying that I had ever

0:30:43.880 --> 0:30:46.120
<v Speaker 2>been to Salt Lake City. And I know things have

0:30:46.280 --> 0:30:49.600
<v Speaker 2>changed now I have, I have been back. But when

0:30:49.640 --> 0:30:53.720
<v Speaker 2>I was there, I arrived on a Monday in April,

0:30:53.960 --> 0:30:59.240
<v Speaker 2>the night the day of the National Championship Basketball Final

0:30:59.320 --> 0:31:01.760
<v Speaker 2>four game, which is always on a Monday, and I'm

0:31:01.760 --> 0:31:04.160
<v Speaker 2>a basketball and I wanted to watch it, and so

0:31:04.240 --> 0:31:07.640
<v Speaker 2>I asked the people there where I was there like

0:31:07.680 --> 0:31:10.080
<v Speaker 2>a sports spot. Was there some place where I could

0:31:10.160 --> 0:31:12.720
<v Speaker 2>watch the game, and they directed me down the road

0:31:13.840 --> 0:31:18.280
<v Speaker 2>and I walked I at least walked home. I don't

0:31:18.280 --> 0:31:22.400
<v Speaker 2>remember how I got there. It was snowing in April

0:31:22.600 --> 0:31:26.080
<v Speaker 2>there in Salt Lake City and I arrived at this

0:31:26.240 --> 0:31:29.160
<v Speaker 2>establishment to just watch a basketball That was all I

0:31:29.240 --> 0:31:33.840
<v Speaker 2>was interested in, and I was told that I had to.

0:31:35.240 --> 0:31:37.280
<v Speaker 2>I was asked if I was a member of the club,

0:31:38.760 --> 0:31:40.320
<v Speaker 2>and I was like, what do you mean? I mean

0:31:40.560 --> 0:31:43.120
<v Speaker 2>this place appeared to be like a TGI Fridays to me,

0:31:43.320 --> 0:31:45.160
<v Speaker 2>like this is a private club. What are you talking about?

0:31:45.800 --> 0:31:48.880
<v Speaker 2>But because they served alcohol in Utah at the time,

0:31:49.520 --> 0:31:55.120
<v Speaker 2>you had to join anywhere you went, So I am

0:31:55.560 --> 0:31:59.680
<v Speaker 2>officially a member. I guess still currently. I never It

0:31:59.720 --> 0:32:02.920
<v Speaker 2>was like two dollars and I had to fill out

0:32:02.960 --> 0:32:05.520
<v Speaker 2>of join the club.

0:32:05.600 --> 0:32:09.360
<v Speaker 1>In order to go into an establishment that serves alcohol.

0:32:09.880 --> 0:32:11.320
<v Speaker 2>Correct, And that was that.

0:32:11.640 --> 0:32:13.480
<v Speaker 3>And I was like, this phenomenal.

0:32:13.960 --> 0:32:18.160
<v Speaker 2>This is people think Hawaii is like a different country.

0:32:18.240 --> 0:32:18.960
<v Speaker 2>This is no.

0:32:19.040 --> 0:32:21.880
<v Speaker 1>I just I just shot a movie. So I've now

0:32:22.280 --> 0:32:25.560
<v Speaker 1>been I've shot five things in Salt Lake City now

0:32:25.640 --> 0:32:27.920
<v Speaker 1>in my life, and I just yeah, I'm there all

0:32:27.960 --> 0:32:30.440
<v Speaker 1>the time and I love it. By the way, my

0:32:30.760 --> 0:32:32.960
<v Speaker 1>husband and I bought our first house, we got our dog.

0:32:34.520 --> 0:32:40.320
<v Speaker 2>Now you're just trying to be nice to the no no, no.

0:32:37.880 --> 0:32:41.880
<v Speaker 3>Listen, I will say still to this day.

0:32:42.440 --> 0:32:45.600
<v Speaker 1>You cannot go into an establishment and get a double

0:32:46.240 --> 0:32:46.840
<v Speaker 1>of anything.

0:32:47.000 --> 0:32:47.440
<v Speaker 2>A double.

0:32:47.600 --> 0:32:49.160
<v Speaker 3>They will not they will.

0:32:48.960 --> 0:32:52.800
<v Speaker 1>Not give no, they cannot serve a double like a

0:32:53.240 --> 0:32:56.360
<v Speaker 1>like a you know, jack and coke with a double.

0:32:56.720 --> 0:32:57.240
<v Speaker 3>They can't.

0:32:57.440 --> 0:33:01.680
<v Speaker 1>They will literally get arrested. Oh so you have to

0:33:01.720 --> 0:33:05.160
<v Speaker 1>have someone else at the table order a shot if

0:33:05.200 --> 0:33:08.240
<v Speaker 1>you want to have a double. Like the rules are

0:33:08.320 --> 0:33:14.360
<v Speaker 1>really interesting. The cocktails I discovered are very weak in

0:33:14.480 --> 0:33:16.400
<v Speaker 1>Salt Lake City.

0:33:17.480 --> 0:33:19.640
<v Speaker 2>Well, you and I are going to get along. Just

0:33:19.800 --> 0:33:22.160
<v Speaker 2>by Sarah, I'm just saying you're going to get you

0:33:22.640 --> 0:33:25.880
<v Speaker 2>and I are going to get along just fine. Yeah,

0:33:26.040 --> 0:33:28.880
<v Speaker 2>that was that was my That was what I remember about.

0:33:29.840 --> 0:33:32.200
<v Speaker 3>I don't remember that. I don't because I lived there

0:33:32.240 --> 0:33:34.760
<v Speaker 3>for two years, and like.

0:33:34.680 --> 0:33:38.040
<v Speaker 2>We bought houses. We bought houses like Scott and I

0:33:38.080 --> 0:33:41.520
<v Speaker 2>had known Scott sort of peripherally. I don't even know

0:33:41.560 --> 0:33:43.960
<v Speaker 2>if that's the right word. And yeah, everyone had a

0:33:43.960 --> 0:33:46.640
<v Speaker 2>house in Park City, like everyone was like, I.

0:33:46.640 --> 0:33:49.600
<v Speaker 1>Wasn't in Park City. I know, I wasn't that fancy

0:33:49.840 --> 0:33:52.200
<v Speaker 1>I was. I didn't live in Park City. I lived

0:33:52.240 --> 0:33:53.000
<v Speaker 1>in Salt Lake.

0:33:53.320 --> 0:33:56.400
<v Speaker 3>I liked Salt Lake. I wasn't like York City was fun,

0:33:56.440 --> 0:33:58.720
<v Speaker 3>but I don't know. It was so much cheaper to

0:33:58.800 --> 0:34:01.040
<v Speaker 3>buy and it was our first time, so we bought

0:34:01.040 --> 0:34:02.320
<v Speaker 3>in Salt Lake City. I love it there.

0:34:02.800 --> 0:34:06.400
<v Speaker 2>You entered season three, as you mentioned, did you find

0:34:06.440 --> 0:34:10.120
<v Speaker 2>it difficult to enter midstream or like you just mentioned,

0:34:10.440 --> 0:34:13.160
<v Speaker 2>other people came in and that made it easier. Was

0:34:13.200 --> 0:34:14.320
<v Speaker 2>it tough for you to start?

0:34:14.400 --> 0:34:17.000
<v Speaker 3>It was such a wonderful community.

0:34:17.400 --> 0:34:18.880
<v Speaker 1>I mean that's the other thing is like I was

0:34:18.920 --> 0:34:22.600
<v Speaker 1>welcomed with open arms to a very kind.

0:34:22.880 --> 0:34:26.760
<v Speaker 3>Sweet group of people who were all living in Utah together.

0:34:27.120 --> 0:34:29.120
<v Speaker 1>You know, you know, I'm like, I'm like on a

0:34:29.320 --> 0:34:33.920
<v Speaker 1>WB show, and the actors are like sweethearts who are

0:34:33.960 --> 0:34:37.399
<v Speaker 1>not getting all mixed up in the head because of

0:34:38.080 --> 0:34:41.520
<v Speaker 1>being surrounded by the Hollywood scene. We're like in the

0:34:41.560 --> 0:34:47.640
<v Speaker 1>mountains and skiing and gathering around fires and having a

0:34:47.680 --> 0:34:48.480
<v Speaker 1>glass of wine.

0:34:48.560 --> 0:34:48.759
<v Speaker 4>You know.

0:34:48.920 --> 0:34:52.680
<v Speaker 1>Like it was so sweet. That was such a sweet

0:34:52.719 --> 0:34:56.239
<v Speaker 1>community that I was just like welcomed with open arms

0:34:56.560 --> 0:34:59.520
<v Speaker 1>it and they were excited to have somebody new too.

0:35:00.000 --> 0:35:03.160
<v Speaker 3>It was like, Oh, who's this. It was just so lovely.

0:35:03.360 --> 0:35:05.200
<v Speaker 3>I was so loved there.

0:35:06.400 --> 0:35:12.040
<v Speaker 2>The ending felt like it was sort of external to

0:35:12.080 --> 0:35:17.320
<v Speaker 2>what the show was, the WB and the upn merger CW.

0:35:17.360 --> 0:35:20.360
<v Speaker 2>It was all sort of weird. How did you feel

0:35:20.680 --> 0:35:22.280
<v Speaker 2>about about it ending?

0:35:22.880 --> 0:35:24.000
<v Speaker 3>Oh, it was such a bummer.

0:35:24.040 --> 0:35:26.839
<v Speaker 1>And the thing is that the reason we didn't get

0:35:26.960 --> 0:35:31.239
<v Speaker 1>another season is because Seventh Heaven decided to come and.

0:35:31.160 --> 0:35:32.280
<v Speaker 3>Do a bonus season.

0:35:33.280 --> 0:35:37.520
<v Speaker 1>That's literally why we were supposed to do another season, right,

0:35:37.560 --> 0:35:40.760
<v Speaker 1>And they had, in fact, they had, in fact shot

0:35:40.840 --> 0:35:44.600
<v Speaker 1>their finale. They were like three sets of twin babies

0:35:44.640 --> 0:35:47.200
<v Speaker 1>on that show at that point, and all I remember

0:35:47.239 --> 0:35:50.280
<v Speaker 1>thinking was like, good fucking luck with all your babies

0:35:50.320 --> 0:35:50.799
<v Speaker 1>on set.

0:35:51.040 --> 0:35:52.840
<v Speaker 2>Like I was so mad.

0:35:56.680 --> 0:35:59.479
<v Speaker 1>Yeah, no, it was they decided to come back even

0:35:59.600 --> 0:36:04.359
<v Speaker 1>after they did their farewell episode because the numbers were

0:36:04.360 --> 0:36:07.440
<v Speaker 1>big for the farewell episode, obviously because it was a

0:36:07.480 --> 0:36:08.400
<v Speaker 1>farewell episode.

0:36:08.440 --> 0:36:12.960
<v Speaker 2>Guys, God, someone should think about that. Actually, they're smart.

0:36:15.400 --> 0:36:22.839
<v Speaker 2>Every year, every numbers going forever excited you. You then

0:36:23.239 --> 0:36:30.160
<v Speaker 2>had I mean some pretty amazing guest star opportunities on

0:36:30.200 --> 0:36:34.480
<v Speaker 2>some very big shows. I had. You looked quite different

0:36:35.520 --> 0:36:39.319
<v Speaker 2>on mad Men. I will tell you. I know mister

0:36:39.400 --> 0:36:41.680
<v Speaker 2>Ham quite a bit. I'm a big fan of that show,

0:36:41.719 --> 0:36:45.839
<v Speaker 2>and I was like, wait, who was she in that?

0:36:46.160 --> 0:36:47.839
<v Speaker 2>And then I saw you and I was like, oh

0:36:47.920 --> 0:36:56.239
<v Speaker 2>my word, Glee, Medium, Supernatural. Do you have any favorite experiences? Well,

0:36:56.480 --> 0:36:59.160
<v Speaker 2>how was your time on mad Men? Because that you

0:36:59.360 --> 0:37:02.960
<v Speaker 2>had to maybe unlike Daria, you had to have been

0:37:03.040 --> 0:37:08.000
<v Speaker 2>aware of the huge phenomenon that mad Men had become

0:37:08.239 --> 0:37:14.520
<v Speaker 2>basically bore a network. Uh, you know, people were watching

0:37:15.680 --> 0:37:17.800
<v Speaker 2>what do you call it? Basic cable? I guess. I

0:37:17.880 --> 0:37:19.960
<v Speaker 2>mean this is the fact that you know, for the

0:37:20.160 --> 0:37:23.320
<v Speaker 2>for the first time, in huge numbers, tons of awards.

0:37:23.719 --> 0:37:26.799
<v Speaker 2>Was that Was that a positive experience for you?

0:37:26.920 --> 0:37:27.040
<v Speaker 4>Oh?

0:37:27.120 --> 0:37:27.920
<v Speaker 3>Yeah, what I mean?

0:37:27.960 --> 0:37:29.839
<v Speaker 1>The only thing that was said about it is that

0:37:30.200 --> 0:37:33.200
<v Speaker 1>I thought there was so much more room to tell

0:37:33.520 --> 0:37:37.960
<v Speaker 1>a much longer story for those characters, Like, I mean,

0:37:38.560 --> 0:37:41.480
<v Speaker 1>the last time you see my character is when my

0:37:41.600 --> 0:37:44.640
<v Speaker 1>husband's doing Bye Viberti for me and you just see

0:37:44.680 --> 0:37:47.480
<v Speaker 1>my face go, oh is this my life?

0:37:47.880 --> 0:37:48.080
<v Speaker 4>Right?

0:37:48.480 --> 0:37:51.360
<v Speaker 1>And that's and I'm like, that could have been like

0:37:51.840 --> 0:37:54.600
<v Speaker 1>the number of places that you could have gone and

0:37:54.640 --> 0:37:58.080
<v Speaker 1>the layers we could have unpacked in that story, it

0:37:58.080 --> 0:37:59.879
<v Speaker 1>could have been so great. So that's the only that's

0:38:00.040 --> 0:38:02.080
<v Speaker 1>only sadness I have about it because I was only

0:38:02.120 --> 0:38:05.560
<v Speaker 1>there for like four episodes and I but I loved

0:38:05.560 --> 0:38:09.319
<v Speaker 1>every second. I mean, Matt Winer was amazing, super involved

0:38:10.000 --> 0:38:14.239
<v Speaker 1>in exactly how every beat of the scene was going

0:38:14.320 --> 0:38:17.080
<v Speaker 1>to go and needed to go. But in a way

0:38:17.120 --> 0:38:20.200
<v Speaker 1>that I thought was like, I don't know, might have

0:38:20.280 --> 0:38:21.479
<v Speaker 1>driven me crazy if I'd been.

0:38:21.360 --> 0:38:22.200
<v Speaker 3>On the show forever.

0:38:22.480 --> 0:38:24.000
<v Speaker 1>But I was like, oh, I love that you have

0:38:24.080 --> 0:38:28.719
<v Speaker 1>a very specific vision and I'm I'm just a visitor here,

0:38:28.800 --> 0:38:31.520
<v Speaker 1>so like, yeah, lay it on me, what what is

0:38:31.680 --> 0:38:34.000
<v Speaker 1>what is your vision that I can help bring to life?

0:38:34.400 --> 0:38:37.080
<v Speaker 1>And I felt very encouraged there too. It was very

0:38:37.239 --> 0:38:42.160
<v Speaker 1>like encouraging as well. So yeah, it was fun. The

0:38:42.600 --> 0:38:45.800
<v Speaker 1>secrecy though around that show was insane, Like they wouldn't

0:38:45.800 --> 0:38:49.360
<v Speaker 1>even give me the whole script for this stuff. Whenever

0:38:49.400 --> 0:38:53.719
<v Speaker 1>I was on a show, I think I maybe went

0:38:53.760 --> 0:38:57.880
<v Speaker 1>to one table read, but I wasn't allowed to hold

0:38:57.880 --> 0:38:59.799
<v Speaker 1>a copy. I wasn't allowed to have a copy of

0:38:59.800 --> 0:39:00.400
<v Speaker 1>this script.

0:39:01.120 --> 0:39:05.279
<v Speaker 3>I'm like, you, guys, what what are we doing? What

0:39:05.320 --> 0:39:06.040
<v Speaker 3>are we doing here?

0:39:06.640 --> 0:39:10.000
<v Speaker 2>Why it's not national security.

0:39:09.640 --> 0:39:13.440
<v Speaker 3>It's not national like, let's we're pretending.

0:39:13.760 --> 0:39:15.640
<v Speaker 2>That doesn't surpriss me in any way.

0:39:15.719 --> 0:39:18.400
<v Speaker 1>No, but it was a big time hush hush, and

0:39:18.440 --> 0:39:22.359
<v Speaker 1>they'd only give me my sides for my scenes. And

0:39:22.400 --> 0:39:27.319
<v Speaker 1>I do remember, Oh they paid so cheap. But everybody again,

0:39:27.560 --> 0:39:30.160
<v Speaker 1>but everybody would do. Everybody said yes because it's mad men.

0:39:30.600 --> 0:39:35.600
<v Speaker 1>But like I was playing full interesting guest star spots,

0:39:35.640 --> 0:39:41.440
<v Speaker 1>but was getting paid like a day rate, you know, which.

0:39:41.200 --> 0:39:43.600
<v Speaker 3>Is what the industry has kind of gone back to.

0:39:43.760 --> 0:39:49.759
<v Speaker 2>Now. Yeah, not for long, Sarah, Not not for long.

0:39:49.880 --> 0:39:52.160
<v Speaker 2>You may have been paying been paid day rates, but

0:39:52.239 --> 0:39:58.439
<v Speaker 2>not for long, because now Juliet may have launched you,

0:39:58.800 --> 0:40:04.759
<v Speaker 2>but another guest are uh relaunched you. You get a

0:40:04.800 --> 0:40:10.320
<v Speaker 2>guest role on Private Practice, You get introduced to someone

0:40:11.160 --> 0:40:15.880
<v Speaker 2>what's her name again? Oh yeah, Shonda rhymes that was

0:40:15.920 --> 0:40:22.000
<v Speaker 2>a show and what her name is? Uh, you enter

0:40:22.239 --> 0:40:25.400
<v Speaker 2>the universe of Shondaland, and what some people may not

0:40:25.640 --> 0:40:29.960
<v Speaker 2>know is you were actually cast in a in a

0:40:30.320 --> 0:40:36.360
<v Speaker 2>in a new show by Shondaland. A pilot you shot

0:40:36.360 --> 0:40:38.520
<v Speaker 2>that did not get picked up by ABC, by the way,

0:40:39.280 --> 0:40:43.319
<v Speaker 2>was probably the only one she ever did I picked.

0:40:43.719 --> 0:40:46.239
<v Speaker 3>I know, we're all like, this is the one. I mean,

0:40:46.280 --> 0:40:48.160
<v Speaker 3>this is the most sure.

0:40:48.760 --> 0:40:53.400
<v Speaker 1>Congratulations you landed the definite pilot show.

0:40:53.800 --> 0:40:54.240
<v Speaker 3>Yeah.

0:40:54.320 --> 0:40:59.880
<v Speaker 2>Right, well, clearly it wasn't your fault. It didn't go

0:41:00.040 --> 0:41:06.640
<v Speaker 2>oh because she has you join Gray's Anatomy. Now, I'm

0:41:06.640 --> 0:41:09.719
<v Speaker 2>told for two episodes. Yes, that was your contract.

0:41:10.960 --> 0:41:11.600
<v Speaker 3>Yeah. I came in.

0:41:11.800 --> 0:41:16.040
<v Speaker 1>She was like, I've got this fun little two episode

0:41:16.280 --> 0:41:19.520
<v Speaker 1>arc that I would love. You want to come play

0:41:19.560 --> 0:41:22.440
<v Speaker 1>for a couple episodes. I was like sure, as I'd

0:41:22.480 --> 0:41:26.520
<v Speaker 1>been doing all my other little spots along the way. Yeah,

0:41:26.560 --> 0:41:28.960
<v Speaker 1>I go, I do my two and then I go

0:41:29.120 --> 0:41:30.200
<v Speaker 1>and I don't think about it again.

0:41:31.440 --> 0:41:35.120
<v Speaker 2>And then you then you go back for nine years.

0:41:35.320 --> 0:41:36.839
<v Speaker 2>Now I'll go back for nine years.

0:41:38.400 --> 0:41:56.200
<v Speaker 4>Yeah.

0:41:56.760 --> 0:41:59.719
<v Speaker 2>You know. It's always fascinating to me to talk to

0:41:59.719 --> 0:42:02.200
<v Speaker 2>people who start your way, and you know what's funny

0:42:02.239 --> 0:42:05.759
<v Speaker 2>because now not always. Obviously, there are people who are

0:42:05.800 --> 0:42:11.600
<v Speaker 2>cast in pilots and as you know, main characters, pivotal characters,

0:42:11.600 --> 0:42:13.600
<v Speaker 2>and they stay forever. And I mean I guess that

0:42:14.080 --> 0:42:17.280
<v Speaker 2>was my case too in a way, though it changed

0:42:17.320 --> 0:42:22.200
<v Speaker 2>a little bit. But yeah, having the opportunity to just work,

0:42:22.280 --> 0:42:24.960
<v Speaker 2>I mean it goes to like the say, yet, do

0:42:25.000 --> 0:42:27.680
<v Speaker 2>you want to come and play? The answer is yes,

0:42:27.920 --> 0:42:32.280
<v Speaker 2>because you truly don't know what can happen from there?

0:42:32.400 --> 0:42:35.080
<v Speaker 2>Did she or anybody else give you an idea of

0:42:35.520 --> 0:42:39.799
<v Speaker 2>what happened over those two episodes that made them give

0:42:39.840 --> 0:42:41.000
<v Speaker 2>you a call to come back?

0:42:41.360 --> 0:42:45.680
<v Speaker 1>I had one of the writers. I mean, this is

0:42:45.719 --> 0:42:49.239
<v Speaker 1>all just like sweet conversations that people told me down

0:42:49.239 --> 0:42:49.600
<v Speaker 1>the road.

0:42:49.600 --> 0:42:53.080
<v Speaker 3>But sure, but one of the writers told.

0:42:52.840 --> 0:42:56.760
<v Speaker 1>Me that after I got fired, there was a riot

0:42:56.800 --> 0:42:59.480
<v Speaker 1>in the writer's room, like the character They're like.

0:42:59.480 --> 0:43:01.840
<v Speaker 3>Why but why? You know?

0:43:02.640 --> 0:43:06.680
<v Speaker 1>I think my mad Men episode aired like right around

0:43:06.719 --> 0:43:10.640
<v Speaker 1>the time that I was like where my episode at

0:43:10.680 --> 0:43:12.879
<v Speaker 1>Grays was about to air. So it was so there

0:43:12.960 --> 0:43:15.960
<v Speaker 1>was just this like what are guys, come on, what

0:43:16.000 --> 0:43:16.439
<v Speaker 1>are we doing?

0:43:16.560 --> 0:43:18.360
<v Speaker 3>Let's find some story for this person.

0:43:19.640 --> 0:43:22.160
<v Speaker 1>So I mean that felt I don't I don't truly

0:43:22.239 --> 0:43:24.480
<v Speaker 1>know you know, that's like the nice things that people

0:43:24.520 --> 0:43:27.759
<v Speaker 1>say to you once you come back. I don't know,

0:43:28.440 --> 0:43:30.319
<v Speaker 1>I don't know what the reality was. All I know

0:43:30.480 --> 0:43:34.040
<v Speaker 1>is that I got a call the morning after my

0:43:34.160 --> 0:43:38.319
<v Speaker 1>firing episode aired, and it was my team saying they

0:43:38.360 --> 0:43:41.560
<v Speaker 1>want to bring you back, and they're talking about it

0:43:41.760 --> 0:43:46.520
<v Speaker 1>being a potent turning into a potential series regular. So

0:43:47.040 --> 0:43:51.200
<v Speaker 1>then I spent all of season six auditioning at every

0:43:51.200 --> 0:43:53.520
<v Speaker 1>episode because that's kind of what you do. You get,

0:43:53.560 --> 0:43:56.160
<v Speaker 1>you do like a few episodes and they throw you

0:43:56.320 --> 0:43:59.440
<v Speaker 1>a little bit more money, and then another few episodes

0:43:59.440 --> 0:44:01.160
<v Speaker 1>and they throw you little bit more money, But then

0:44:01.200 --> 0:44:03.759
<v Speaker 1>they don't tell you if they're actually going to pick

0:44:03.800 --> 0:44:07.759
<v Speaker 1>you up to series regular until June, which is a

0:44:07.800 --> 0:44:11.200
<v Speaker 1>month before they would start shooting shooting the next season.

0:44:11.600 --> 0:44:13.959
<v Speaker 1>So it was really like I would go to every

0:44:13.960 --> 0:44:14.680
<v Speaker 1>table read.

0:44:14.520 --> 0:44:16.640
<v Speaker 3>Going have they given me something.

0:44:16.280 --> 0:44:19.480
<v Speaker 1>To say or do that I could show that maybe

0:44:19.480 --> 0:44:21.719
<v Speaker 1>there's a reason I should stay, you know, like there

0:44:21.760 --> 0:44:25.200
<v Speaker 1>was all there was that feeling of, right, this is

0:44:25.880 --> 0:44:30.000
<v Speaker 1>every every single second you every single word you are

0:44:30.040 --> 0:44:33.759
<v Speaker 1>given to say, every single moment screen moment that you

0:44:33.800 --> 0:44:39.480
<v Speaker 1>are given, is you building a massive audition for them

0:44:39.680 --> 0:44:41.240
<v Speaker 1>to see if they want to keep you around.

0:44:41.600 --> 0:44:46.800
<v Speaker 2>Right in addition to just you know, because this should

0:44:46.880 --> 0:44:51.000
<v Speaker 2>not be undersold, and this is obviously not a comment

0:44:51.080 --> 0:44:53.400
<v Speaker 2>on how important the work is or your performance, but

0:44:53.520 --> 0:44:57.400
<v Speaker 2>also like, what they're also given is an opportunity to

0:44:57.480 --> 0:45:02.920
<v Speaker 2>see if you're an asshole totally like and like how

0:45:03.080 --> 0:45:06.319
<v Speaker 2>you are you? Are you a nice person to work with?

0:45:06.600 --> 0:45:07.080
<v Speaker 4>Yes?

0:45:07.160 --> 0:45:12.840
<v Speaker 2>Because you know, I do personally believe that is a

0:45:14.640 --> 0:45:19.560
<v Speaker 2>that is an underappreciated or undercomment. People don't talk about

0:45:19.560 --> 0:45:23.840
<v Speaker 2>how important that is of just like being a good

0:45:24.000 --> 0:45:30.280
<v Speaker 2>person and wanting to hang out with you for nine years, right, Yeah,

0:45:30.360 --> 0:45:31.000
<v Speaker 2>you're on.

0:45:30.880 --> 0:45:33.880
<v Speaker 1>Set like for that show too. We were still in

0:45:33.960 --> 0:45:38.000
<v Speaker 1>those earlier seasons. We're still doing sixteen hour days. You know,

0:45:38.400 --> 0:45:41.840
<v Speaker 1>these are the people that you're spending the vast maturity

0:45:41.840 --> 0:45:44.319
<v Speaker 1>of your time with. I will say though, and I'm

0:45:44.320 --> 0:45:47.920
<v Speaker 1>not not specifically talking about Grace, but like across the

0:45:48.000 --> 0:45:53.040
<v Speaker 1>Hollywood board, I have not found that the rule applies

0:45:53.880 --> 0:45:57.839
<v Speaker 1>that if you're not an asshole, you get to do

0:45:57.880 --> 0:46:04.920
<v Speaker 1>all the work like if anything, well, well the assholes

0:46:05.239 --> 0:46:10.320
<v Speaker 1>are still very much alive and well doing very good work.

0:46:10.840 --> 0:46:16.239
<v Speaker 2>Yes, But but I will say this rare. Most of

0:46:16.280 --> 0:46:21.160
<v Speaker 2>the time there, it's well, I shouldn't say this a

0:46:21.160 --> 0:46:25.439
<v Speaker 2>lot of the time, but I know they're stuck. No,

0:46:25.480 --> 0:46:28.120
<v Speaker 2>there's because there is a difference. What I mean is,

0:46:28.800 --> 0:46:33.680
<v Speaker 2>particularly if you're brought into a long running show and

0:46:33.719 --> 0:46:38.240
<v Speaker 2>you're there for what you say, essentially an extended audition,

0:46:38.400 --> 0:46:41.040
<v Speaker 2>it's much easier to lose one of those.

0:46:41.200 --> 0:46:44.400
<v Speaker 3>Yes, So totally yes if they're an asshole.

0:46:44.719 --> 0:46:47.040
<v Speaker 2>But I do appreciate what I mean.

0:46:47.160 --> 0:46:48.040
<v Speaker 3>I'm not and I'm.

0:46:47.840 --> 0:46:51.440
<v Speaker 1>Not specifically talking about grays, and I say that across

0:46:51.440 --> 0:46:52.719
<v Speaker 1>the way I'm talking about this.

0:46:53.280 --> 0:46:53.920
<v Speaker 2>I'm going to know.

0:46:54.120 --> 0:46:58.000
<v Speaker 1>Listen, Listen, I'm saying, I am saying I'm talking about

0:46:58.000 --> 0:47:02.640
<v Speaker 1>this on a grander scheme that often I'm noticing it now.

0:47:02.680 --> 0:47:05.520
<v Speaker 1>You just even in the worlds that I'm in right now,

0:47:05.560 --> 0:47:09.120
<v Speaker 1>it's like, do people get the numbers, Great, we'll keep

0:47:09.200 --> 0:47:12.080
<v Speaker 1>hiring them, and and it's like, well, but that person

0:47:12.239 --> 0:47:15.520
<v Speaker 1>was like made so many people's lives so difficult. Sorry,

0:47:15.640 --> 0:47:17.640
<v Speaker 1>they get us the numbers, So that's you know, and

0:47:17.719 --> 0:47:22.839
<v Speaker 1>you kind of go, gosh, when I whatever, I get

0:47:22.880 --> 0:47:26.400
<v Speaker 1>to work with somebody who's like truly good at what

0:47:26.440 --> 0:47:29.880
<v Speaker 1>they do and also truly wonderful to work with.

0:47:30.239 --> 0:47:36.280
<v Speaker 2>Just like yes, yes, well winning yes, well, but you

0:47:35.840 --> 0:47:39.200
<v Speaker 2>you started the story. You start, I mean you started

0:47:39.200 --> 0:47:41.960
<v Speaker 2>our conversation talking about Ed Harris too. I mean like

0:47:42.040 --> 0:47:45.919
<v Speaker 2>that's an example of someone who is supremely talented. Yes,

0:47:45.920 --> 0:47:49.080
<v Speaker 2>and then every story I've ever heard about him is

0:47:49.440 --> 0:47:54.920
<v Speaker 2>like incredibly great, uh, you know, like really successful comedy

0:47:54.960 --> 0:47:57.760
<v Speaker 2>actors that I've had the opportunity to work with, Steve

0:47:57.840 --> 0:48:02.120
<v Speaker 2>Carell and Will Ferrell. It's like, you know, Jenni Fisher jokes,

0:48:02.160 --> 0:48:06.200
<v Speaker 2>It's like they have this unspoken competition happening, like who's

0:48:06.239 --> 0:48:14.960
<v Speaker 2>the nicest guy? You know, so like there's both. I

0:48:15.000 --> 0:48:16.920
<v Speaker 2>but nine years is a long time. I do have

0:48:16.960 --> 0:48:21.160
<v Speaker 2>to tell you. I can't. I mean, I just hot.

0:48:21.239 --> 0:48:24.960
<v Speaker 2>I hated you guys. I mean I hated you guys

0:48:25.080 --> 0:48:28.200
<v Speaker 2>on Gray's Anatomy so much because you know, I mean,

0:48:28.320 --> 0:48:33.600
<v Speaker 2>let's face it, we were up against each other for

0:48:33.680 --> 0:48:35.439
<v Speaker 2>a really long time.

0:48:35.480 --> 0:48:38.680
<v Speaker 3>Oh my gosh, I didn't even you.

0:48:40.400 --> 0:48:44.360
<v Speaker 2>Yeah, I mean a long time. Nine o'clock on Thursday Nights.

0:48:44.440 --> 0:48:49.160
<v Speaker 2>Oh who was it? It was you guys, it was us,

0:48:49.239 --> 0:48:53.120
<v Speaker 2>it was CSI for a while, because like Thursday Nights

0:48:53.239 --> 0:48:56.040
<v Speaker 2>is like for those of you who don't and these

0:48:56.080 --> 0:49:01.200
<v Speaker 2>are days before before streaming. The people who spend the

0:49:01.280 --> 0:49:07.279
<v Speaker 2>most money on advertising are other studios that are advertising

0:49:07.280 --> 0:49:10.520
<v Speaker 2>their movies that are premiering that weekend. And so Thursday

0:49:10.600 --> 0:49:13.239
<v Speaker 2>night is a very big night in television, so a

0:49:13.239 --> 0:49:15.680
<v Speaker 2>lot of networks put their big shows up. But yeah,

0:49:15.719 --> 0:49:18.200
<v Speaker 2>I was like damn it. And I was like the

0:49:18.600 --> 0:49:22.719
<v Speaker 2>resident business business mind on the set of Like we

0:49:22.760 --> 0:49:24.520
<v Speaker 2>would come in and.

0:49:24.120 --> 0:49:26.359
<v Speaker 3>So were you like checking in on.

0:49:26.320 --> 0:49:29.000
<v Speaker 2>All the very every Friday morning.

0:49:29.040 --> 0:49:31.399
<v Speaker 1>Yeah, I was in the makeup and then you would

0:49:31.440 --> 0:49:32.920
<v Speaker 1>come in and be like, this is how we did

0:49:33.400 --> 0:49:35.279
<v Speaker 1>freaking Grace anatomy.

0:49:34.880 --> 0:49:37.560
<v Speaker 2>Or we I mean, here's the thing is we we

0:49:38.160 --> 0:49:41.040
<v Speaker 2>were fine against you in the in the coveted eighteen

0:49:41.080 --> 0:49:44.120
<v Speaker 2>to forty nine demographic. But then you know, the first

0:49:44.160 --> 0:49:46.400
<v Speaker 2>number they give is how many people were watching, and

0:49:46.440 --> 0:49:52.200
<v Speaker 2>you guys were like ninety eight billion and against us,

0:49:52.280 --> 0:49:55.239
<v Speaker 2>and it's like, who are all these people that are

0:49:55.239 --> 0:50:00.680
<v Speaker 2>watching the show? But no, I say that in I mean,

0:50:00.760 --> 0:50:04.520
<v Speaker 2>what an incredible run. I just uh, I just heard

0:50:04.640 --> 0:50:09.400
<v Speaker 2>coming back for more the show nine nine years and

0:50:09.440 --> 0:50:11.279
<v Speaker 2>then and then you left for a little bit, and

0:50:11.320 --> 0:50:16.439
<v Speaker 2>then you came back again for some more episodes. After

0:50:16.480 --> 0:50:20.040
<v Speaker 2>a couple of years now. I read when the news

0:50:20.080 --> 0:50:24.480
<v Speaker 2>got out that you were not returning, there was an

0:50:24.520 --> 0:50:29.840
<v Speaker 2>airplane that flew overhead. There was during lunch for everyone

0:50:29.920 --> 0:50:32.600
<v Speaker 2>to see that some fans paid. Now did you pay

0:50:32.680 --> 0:50:36.600
<v Speaker 2>for it? Because you want me, I would not the

0:50:36.719 --> 0:50:39.239
<v Speaker 2>rumor is you paid for it, that you were no

0:50:39.280 --> 0:50:44.000
<v Speaker 2>longer making guests our money and so you I'm totally making.

0:50:43.760 --> 0:50:46.279
<v Speaker 3>Oh do you know it is?

0:50:46.960 --> 0:50:49.600
<v Speaker 1>You know it was this one specific I know who

0:50:49.640 --> 0:50:53.200
<v Speaker 1>it was because she let us know because she reached

0:50:53.239 --> 0:50:55.239
<v Speaker 1>out to both me and Jessica just to make sure

0:50:55.239 --> 0:50:57.200
<v Speaker 1>that we would both be on set, so she didn't

0:50:57.239 --> 0:50:59.800
<v Speaker 1>want to fly the plane. So we knew it was

0:50:59.840 --> 0:51:04.000
<v Speaker 1>going to happen, okay, and we but like we she

0:51:04.239 --> 0:51:06.760
<v Speaker 1>or this fan organized it. And it's a very sweet

0:51:06.800 --> 0:51:09.320
<v Speaker 1>fan who actually had come and done a set visit

0:51:10.080 --> 0:51:11.879
<v Speaker 1>one time, and Jesse Williams and I had hung out

0:51:11.880 --> 0:51:15.080
<v Speaker 1>with her for a while and she's an unbelievable sweetheart.

0:51:15.239 --> 0:51:17.840
<v Speaker 1>But she rallied the troops and was like, this is

0:51:17.880 --> 0:51:20.080
<v Speaker 1>what we're doing, Sarah and Jessica. I hope that you

0:51:20.160 --> 0:51:24.240
<v Speaker 1>get this message. I we are setting, We're sending a plane.

0:51:24.520 --> 0:51:27.600
<v Speaker 1>We're so mad, We're so mad, and we want to

0:51:27.640 --> 0:51:29.440
<v Speaker 1>show you that we and so we like it was

0:51:29.640 --> 0:51:35.000
<v Speaker 1>such an unbelievable gift. I like, in that moment, like

0:51:35.040 --> 0:51:37.200
<v Speaker 1>it was devastating when I was told I wasn't coming back,

0:51:37.200 --> 0:51:39.000
<v Speaker 1>because it came out of nowhere to me. So I

0:51:39.280 --> 0:51:43.400
<v Speaker 1>felt like a huge punch to the gut. Right, But

0:51:43.480 --> 0:51:46.920
<v Speaker 1>the amount of like the outpouring of love was so

0:51:47.160 --> 0:51:50.400
<v Speaker 1>epic that I really wouldn't trade it for anything.

0:51:50.920 --> 0:51:53.120
<v Speaker 2>Yeah, for those of you who don't know, I don't

0:51:53.120 --> 0:51:55.800
<v Speaker 2>know if I set that up entirely great, but basically,

0:51:55.960 --> 0:51:59.960
<v Speaker 2>someone flew a plane over the studio saying, don't don't

0:52:00.160 --> 0:52:02.680
<v Speaker 2>this person go for these two people, not y.

0:52:02.920 --> 0:52:05.520
<v Speaker 3>It was we love you Sarah and Jessica, I think,

0:52:05.640 --> 0:52:06.279
<v Speaker 3>is what it said.

0:52:06.480 --> 0:52:10.360
<v Speaker 2>Yeah, so that was it was difficult for you.

0:52:10.520 --> 0:52:12.040
<v Speaker 3>Oh yeah, it was awful.

0:52:12.200 --> 0:52:17.120
<v Speaker 1>I'd never I you know, I've never been fired from anything.

0:52:17.160 --> 0:52:18.920
<v Speaker 1>And of course they weren't calling it firing. They were

0:52:19.040 --> 0:52:20.840
<v Speaker 1>just saying not picking up your option. But in my

0:52:21.040 --> 0:52:23.759
<v Speaker 1>brain that feels like firing. It's like, well, you could

0:52:23.840 --> 0:52:26.359
<v Speaker 1>keep me, but you choose not to. So I don't

0:52:26.400 --> 0:52:30.719
<v Speaker 1>know how else to interpret that, right, and so, and

0:52:30.840 --> 0:52:35.759
<v Speaker 1>it was, you know, I was aware of what I

0:52:35.800 --> 0:52:37.319
<v Speaker 1>was bringing to the table, and I was just kind

0:52:37.320 --> 0:52:40.600
<v Speaker 1>of confused by all of it, to be perfectly honest,

0:52:40.600 --> 0:52:44.840
<v Speaker 1>it just didn't make sense in my brain. But this

0:52:44.920 --> 0:52:47.520
<v Speaker 1>is the thing, is that happens all the time to

0:52:47.800 --> 0:52:52.880
<v Speaker 1>very wonderful people being wonderful and having talent, and like,

0:52:53.000 --> 0:52:55.839
<v Speaker 1>this is just it's like the nature of the beast, right.

0:52:56.200 --> 0:52:57.840
<v Speaker 3>It just hadn't happened to me yet.

0:52:58.000 --> 0:53:00.640
<v Speaker 1>And so it felt like a like a big blow

0:53:00.840 --> 0:53:04.680
<v Speaker 1>after nine years for it to happened. But I will say,

0:53:04.719 --> 0:53:08.640
<v Speaker 1>like since then, I've I've expanded as an artist in

0:53:08.680 --> 0:53:11.680
<v Speaker 1>so many ways. And I wouldn't have started producing or

0:53:12.200 --> 0:53:16.520
<v Speaker 1>you know, I've been directing and I like all and writing.

0:53:16.680 --> 0:53:19.960
<v Speaker 1>I wouldn't have written my first two things and produced them.

0:53:20.040 --> 0:53:23.799
<v Speaker 1>And so there's like so many good things I don't

0:53:23.800 --> 0:53:24.600
<v Speaker 1>know well.

0:53:24.640 --> 0:53:27.680
<v Speaker 2>And you it's interesting to me because it Yeah, it

0:53:27.840 --> 0:53:32.640
<v Speaker 2>must have been difficult, but you did choose to go back. Yeah,

0:53:32.680 --> 0:53:36.719
<v Speaker 2>so there there was that was that was positive. I

0:53:36.719 --> 0:53:38.839
<v Speaker 2>mean you felt at least okay enough to go back

0:53:38.880 --> 0:53:40.360
<v Speaker 2>and play with them a little bit longer.

0:53:40.760 --> 0:53:45.239
<v Speaker 1>Oh yeah, because I mean again, I loved my community there.

0:53:45.440 --> 0:53:48.120
<v Speaker 1>It wasn't like I wanted to go see everybody I

0:53:48.160 --> 0:53:51.239
<v Speaker 1>wanted to go say hi, I was excited for the

0:53:51.239 --> 0:53:54.040
<v Speaker 1>potential of this, of the story that they pitched to me,

0:53:54.239 --> 0:53:57.239
<v Speaker 1>about how I would be going back, and it all

0:53:57.239 --> 0:53:59.640
<v Speaker 1>felt really good, and I was feeling like I was

0:53:59.680 --> 0:54:01.360
<v Speaker 1>I would getting ready to go.

0:54:02.920 --> 0:54:04.680
<v Speaker 3>Shoot my first.

0:54:05.320 --> 0:54:07.480
<v Speaker 1>Oh no, I was that one was right after I'd

0:54:07.480 --> 0:54:09.120
<v Speaker 1>finished another series. I mean it was like there was

0:54:09.160 --> 0:54:11.640
<v Speaker 1>a lot going on in my world that made it

0:54:11.640 --> 0:54:13.200
<v Speaker 1>all feel really good to go back.

0:54:13.600 --> 0:54:17.520
<v Speaker 2>Yeah, You've talked a lot about taking on leadership roles

0:54:17.560 --> 0:54:22.280
<v Speaker 2>since you left. You have, as you mentioned, You've written,

0:54:22.400 --> 0:54:30.040
<v Speaker 2>You've produced Start, You've done some directing Reindeer Games, Homecoming,

0:54:30.080 --> 0:54:36.839
<v Speaker 2>you also wrote a cowboy Christmas romance with Lifetime, and

0:54:37.680 --> 0:54:40.839
<v Speaker 2>so you've enjoyed being on that side of it and

0:54:40.880 --> 0:54:44.160
<v Speaker 2>developing your own material. Yeah.

0:54:44.239 --> 0:54:45.000
<v Speaker 3>Absolutely.

0:54:45.560 --> 0:54:48.920
<v Speaker 1>I just feel like this, this industry is so we

0:54:49.000 --> 0:54:53.839
<v Speaker 1>have absolutely no control. We There's there's nothing. I could

0:54:53.880 --> 0:54:56.440
<v Speaker 1>sit and wait for my agent to call. I could

0:54:56.480 --> 0:54:58.480
<v Speaker 1>sit and wait for an appointment. I can sit and

0:54:58.520 --> 0:55:01.520
<v Speaker 1>wait to see if the tape I sent out was

0:55:01.560 --> 0:55:05.640
<v Speaker 1>watched by anyone or not. You can throw it into

0:55:05.680 --> 0:55:09.359
<v Speaker 1>the abyss and hope maybe somebody saw it. Like, there's

0:55:09.480 --> 0:55:12.719
<v Speaker 1>so much we have no control over so having a

0:55:12.760 --> 0:55:16.880
<v Speaker 1>creative outlet to be dreaming and thinking about another story,

0:55:16.960 --> 0:55:19.960
<v Speaker 1>a story that I could that I could make and

0:55:20.120 --> 0:55:24.680
<v Speaker 1>bring and and create words I want to say, you know,

0:55:25.520 --> 0:55:28.920
<v Speaker 1>has been like incredibly life giving in the last few years.

0:55:28.920 --> 0:55:29.160
<v Speaker 3>To me.

0:55:30.160 --> 0:55:38.960
<v Speaker 2>You also produced some rather dramatic dark material in the

0:55:39.040 --> 0:55:43.840
<v Speaker 2>years since you left, most recently How She Caught a Killer.

0:55:44.400 --> 0:55:49.759
<v Speaker 2>Is there something about that dark material that is attractive

0:55:49.800 --> 0:55:51.520
<v Speaker 2>to you? The right thing?

0:55:51.640 --> 0:55:53.120
<v Speaker 3>Yeah, No, it's it's interesting.

0:55:53.280 --> 0:55:58.960
<v Speaker 1>I'm I'm interested in the human experience of like seeing

0:55:59.040 --> 0:56:01.239
<v Speaker 1>the glimmers of light in the midst of darkness.

0:56:01.320 --> 0:56:01.720
<v Speaker 3>I don't.

0:56:03.040 --> 0:56:06.279
<v Speaker 1>I do love the like the feel good stuff that

0:56:06.360 --> 0:56:09.120
<v Speaker 1>makes me really happy put smiles on people's faces. But

0:56:09.239 --> 0:56:11.520
<v Speaker 1>even the stuff that I write that is feel good

0:56:12.000 --> 0:56:14.960
<v Speaker 1>always has to have like a like a well of

0:56:15.000 --> 0:56:18.480
<v Speaker 1>depths underneath of like we're really sorting some grief out

0:56:18.560 --> 0:56:21.160
<v Speaker 1>or some family drama out or something, because.

0:56:20.840 --> 0:56:23.799
<v Speaker 3>That's what I feel like life is. For How She

0:56:23.880 --> 0:56:24.440
<v Speaker 3>Caught a Killer.

0:56:24.520 --> 0:56:27.719
<v Speaker 1>I loved it so much because it was about a

0:56:27.840 --> 0:56:31.840
<v Speaker 1>woman seeing a community of women that were usually forgotten.

0:56:32.320 --> 0:56:38.759
<v Speaker 1>So these sex workers who people dehumanize at every turn, right,

0:56:39.239 --> 0:56:43.239
<v Speaker 1>and this cop being like we're not doing enough. This

0:56:43.280 --> 0:56:46.080
<v Speaker 1>is an important community of people. These are human beings,

0:56:46.120 --> 0:56:50.920
<v Speaker 1>these are women with lives, and I will do whatever

0:56:50.960 --> 0:56:54.680
<v Speaker 1>it takes to bring this killer to justice. And that

0:56:54.800 --> 0:56:57.520
<v Speaker 1>to me felt very in line with the things that

0:56:57.520 --> 0:57:00.400
<v Speaker 1>that that draw me to material. It's like, where's the

0:57:00.440 --> 0:57:03.640
<v Speaker 1>redemption story? Where is the where's the hope in the

0:57:03.680 --> 0:57:06.400
<v Speaker 1>midst of the pain? I just feel like that is

0:57:07.480 --> 0:57:10.440
<v Speaker 1>so what I experience living my life as a parent,

0:57:10.960 --> 0:57:13.880
<v Speaker 1>as an artist in the world at large.

0:57:14.120 --> 0:57:16.000
<v Speaker 3>Just we are.

0:57:15.280 --> 0:57:19.760
<v Speaker 1>Constantly holding pain and hope, and you can you can

0:57:20.120 --> 0:57:23.440
<v Speaker 1>allow the hope to win. You can force yourself to

0:57:23.480 --> 0:57:26.479
<v Speaker 1>see the light, or you can stay in the pain

0:57:26.560 --> 0:57:29.960
<v Speaker 1>and the anger and the cynicism. I like to find

0:57:30.320 --> 0:57:34.480
<v Speaker 1>I like to be like hunting for the hope even when.

0:57:34.320 --> 0:57:37.680
<v Speaker 3>Things are blackest. So that's that's what drew me to

0:57:37.720 --> 0:57:38.800
<v Speaker 3>that specific story.

0:57:39.120 --> 0:57:44.240
<v Speaker 2>That's awesome. Yeah, I mean that, I mean that's truly

0:57:44.320 --> 0:57:48.080
<v Speaker 2>what for me. It's all about using art to ask questions,

0:57:49.040 --> 0:57:54.360
<v Speaker 2>not preach, but ask questions and shine lights little lights

0:57:54.360 --> 0:58:00.600
<v Speaker 2>in places that people don't necessarily go to that often.

0:58:01.280 --> 0:58:06.959
<v Speaker 2>So good for you. You have breaking news here on

0:58:07.040 --> 0:58:12.320
<v Speaker 2>the podcast. A new movie coming out this month, premiering

0:58:13.040 --> 0:58:18.920
<v Speaker 2>very shortly here in late April, branching out a new

0:58:19.120 --> 0:58:23.800
<v Speaker 2>Hallmark movie you're starring in. Tell me a little bit

0:58:24.000 --> 0:58:27.600
<v Speaker 2>about this movie and why you're excited about it.

0:58:28.840 --> 0:58:29.640
<v Speaker 3>I love this one.

0:58:29.680 --> 0:58:32.760
<v Speaker 1>It is a story about a single mom and her daughter,

0:58:33.120 --> 0:58:37.760
<v Speaker 1>and she became pregnant through IVF. Doesn't have a partner,

0:58:37.800 --> 0:58:41.440
<v Speaker 1>never had a partner, but wanted to make a family

0:58:41.800 --> 0:58:44.920
<v Speaker 1>and so yeah, so she so she made her family.

0:58:45.040 --> 0:58:49.160
<v Speaker 1>When her daughter's nine, she has an assignment to make

0:58:49.160 --> 0:58:51.200
<v Speaker 1>a family tree and she goes home and she's like,

0:58:51.200 --> 0:58:52.000
<v Speaker 1>who's in my tree?

0:58:52.160 --> 0:58:54.600
<v Speaker 3>I feel like we're just a log. What is our family?

0:58:54.640 --> 0:58:55.280
<v Speaker 3>What is the tree?

0:58:55.640 --> 0:58:59.600
<v Speaker 1>And so we wind up going doing genetic registry to

0:58:59.640 --> 0:59:02.360
<v Speaker 1>try and find because she's too young to get the

0:59:02.440 --> 0:59:06.560
<v Speaker 1>name of the person who's the donor for IVF. So

0:59:06.640 --> 0:59:09.480
<v Speaker 1>we wind up finding the family and it's this beautiful, vibrant,

0:59:10.200 --> 0:59:14.800
<v Speaker 1>large Mexican family who just want to embrace these these

0:59:14.840 --> 0:59:18.800
<v Speaker 1>two humans and like envelop them into this this beautiful,

0:59:19.040 --> 0:59:23.920
<v Speaker 1>chaotic new group of people to love. So it's really

0:59:24.280 --> 0:59:25.360
<v Speaker 1>a wonderful story.

0:59:25.480 --> 0:59:27.520
<v Speaker 3>And then there's a love story that happens, of course

0:59:27.640 --> 0:59:31.120
<v Speaker 3>through the donor and the mom.

0:59:31.480 --> 0:59:34.320
<v Speaker 1>But but but the biggest love story is the story

0:59:34.560 --> 0:59:38.360
<v Speaker 1>between the daughter finding this this guy who's just a

0:59:38.600 --> 0:59:41.600
<v Speaker 1>he was a donor, and then they fall in love.

0:59:41.680 --> 0:59:44.440
<v Speaker 1>They love each other, they just adore each other from

0:59:44.480 --> 0:59:47.200
<v Speaker 1>the first moment. And for me, it's a story about

0:59:47.560 --> 0:59:49.440
<v Speaker 1>how there are a million different ways to make a

0:59:49.480 --> 0:59:55.120
<v Speaker 1>family and and the and the great joy of pulling

0:59:55.200 --> 0:59:58.840
<v Speaker 1>people into your experience and choosing your family. Doesn't have

0:59:58.880 --> 1:00:00.760
<v Speaker 1>to be genetic. It doesn't have to be what you

1:00:00.800 --> 1:00:03.440
<v Speaker 1>were born and raised with. But there are lots of

1:00:03.440 --> 1:00:04.360
<v Speaker 1>different ways to do it.

1:00:04.840 --> 1:00:08.080
<v Speaker 2>Yeah. I mean the log line is, uh, a journey

1:00:08.080 --> 1:00:11.280
<v Speaker 2>of trust, love and discovering the meaning of family. And

1:00:11.800 --> 1:00:15.680
<v Speaker 2>you know, I mean, look, there was a show called

1:00:15.720 --> 1:00:20.640
<v Speaker 2>Modern Family that I remember quite well as well. Yeah,

1:00:20.760 --> 1:00:27.600
<v Speaker 2>that that redefining what family means and and and it

1:00:27.760 --> 1:00:33.320
<v Speaker 2>sounds like the search for not just your daughter, but

1:00:34.240 --> 1:00:37.960
<v Speaker 2>the search for sort of defining what family is is.

1:00:38.120 --> 1:00:38.240
<v Speaker 4>Uh.

1:00:38.960 --> 1:00:43.520
<v Speaker 2>It is a powerful message and I I I, Hey, look,

1:00:44.360 --> 1:00:48.560
<v Speaker 2>I want all of the best for you, so check

1:00:48.600 --> 1:00:50.840
<v Speaker 2>it out. Branching out Hall March.

1:00:51.040 --> 1:00:54.880
<v Speaker 1>I'm also yes, I've also got my I directed a

1:00:55.000 --> 1:00:59.080
<v Speaker 1>radio play that is out right now with LA Theater Works.

1:00:59.200 --> 1:01:03.360
<v Speaker 1>It's called The Fever syndrome. Yes, it's called Fever Syndrome,

1:01:03.400 --> 1:01:08.040
<v Speaker 1>and it's actually starring My Gray's Anatomy co star Kelly McCreary.

1:01:08.600 --> 1:01:12.160
<v Speaker 1>She's playing a really fantastic role in it. It's a

1:01:12.240 --> 1:01:17.040
<v Speaker 1>great it's Hugo Armstrong, Seamus Dever, Patrick Husinger, Kelly McCreary,

1:01:17.400 --> 1:01:22.000
<v Speaker 1>Matthew Floyd Miller, Deshaun k Terry, and Joanne Whaley. And

1:01:22.040 --> 1:01:28.280
<v Speaker 1>they're all in this awesome, meaty family drama that I

1:01:28.320 --> 1:01:29.120
<v Speaker 1>got to direct.

1:01:29.760 --> 1:01:30.640
<v Speaker 3>That's out now.

1:01:31.440 --> 1:01:34.400
<v Speaker 1>Yeah, I have such a blast doing that one. But

1:01:34.440 --> 1:01:37.560
<v Speaker 1>you can go to la la tw dot org and

1:01:37.680 --> 1:01:40.840
<v Speaker 1>search fever Syndrome and you can download it for like five.

1:01:40.640 --> 1:01:47.240
<v Speaker 2>Bucks la tw dot org. Check it out. I mean, look,

1:01:47.560 --> 1:01:49.880
<v Speaker 2>I mean, the only real question that I have for

1:01:49.920 --> 1:01:53.720
<v Speaker 2>you is, I mean, you haven't called me to do anything.

1:01:55.840 --> 1:01:58.360
<v Speaker 2>I mean, here's what it feels like. This relationship is

1:01:58.400 --> 1:02:02.640
<v Speaker 2>one sided. I call you, I call you, you don't

1:02:02.680 --> 1:02:06.320
<v Speaker 2>call me. This is really okay. Well, I mean that's

1:02:06.360 --> 1:02:07.959
<v Speaker 2>where I feel like we're at right now.

1:02:09.360 --> 1:02:12.080
<v Speaker 1>I'm writing a role for you in my head as

1:02:12.120 --> 1:02:12.640
<v Speaker 1>we speak.

1:02:12.800 --> 1:02:17.480
<v Speaker 2>I feel like the relationship is very one sided. Sarah,

1:02:17.680 --> 1:02:20.600
<v Speaker 2>Thank you, thank you so much for being so generous

1:02:20.600 --> 1:02:26.000
<v Speaker 2>with your time. I know you're very busy. Congratulations on

1:02:26.640 --> 1:02:31.200
<v Speaker 2>well everything that you have accomplished, and uh and and

1:02:31.240 --> 1:02:33.800
<v Speaker 2>what's to come next. I'm gonna be watching. I promise

1:02:33.800 --> 1:02:34.760
<v Speaker 2>you that so much.

1:02:34.960 --> 1:02:37.360
<v Speaker 3>It's so fun to chat with you. This was such

1:02:37.400 --> 1:02:37.920
<v Speaker 3>a blast.

1:02:37.960 --> 1:02:52.720
<v Speaker 2>Thanks Brian, Oh my gosh, thank you so much. Sarah,

1:02:53.120 --> 1:02:55.960
<v Speaker 2>Thank you, Sarah. It was so great to talk to

1:02:56.000 --> 1:02:59.680
<v Speaker 2>you and to get to know you. Listeners check out

1:03:00.080 --> 1:03:03.720
<v Speaker 2>Ranching Out, starring My new Friend and Yours Sarah Drew,

1:03:04.160 --> 1:03:08.240
<v Speaker 2>coming out April twenty seventh on Hallmark Channel. Thank you

1:03:08.280 --> 1:03:10.200
<v Speaker 2>all for joining us. I'm going to be back next

1:03:10.240 --> 1:03:16.520
<v Speaker 2>week with another guest, another guest who also could be

1:03:16.560 --> 1:03:28.600
<v Speaker 2>a doctor. Until then, have a wonderful week. Off the

1:03:28.640 --> 1:03:32.520
<v Speaker 2>Beat is hosted and executive produced by me Ryan Baumgartner,

1:03:32.800 --> 1:03:36.800
<v Speaker 2>alongside our executive producer Ling Lee. Our senior producer is

1:03:36.840 --> 1:03:40.880
<v Speaker 2>Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and

1:03:40.920 --> 1:03:45.360
<v Speaker 2>Emily Carr. Our talent producer is Ryan Papa Zachary, and

1:03:45.440 --> 1:03:49.560
<v Speaker 2>our intern is Ali Amir Sahi. Our theme song Bubble

1:03:49.640 --> 1:03:53.640
<v Speaker 2>and Squeak, performed by the one and only Creed Bratton