1 00:00:17,079 --> 00:00:21,120 Speaker 1: Oh boy, once again, we're here. I am Jerry Clark 2 00:00:21,239 --> 00:00:25,280 Speaker 1: aka d Legendary Jerry. This is story Time with Legendary Jed. 3 00:00:25,280 --> 00:00:28,200 Speaker 1: I have my brother new face here. The reason I'm 4 00:00:28,280 --> 00:00:32,800 Speaker 1: laughing because this brother right here, we got a whole 5 00:00:32,840 --> 00:00:36,360 Speaker 1: different new face, We got a whole different type personal relationship. Man, 6 00:00:36,400 --> 00:00:38,760 Speaker 1: I love this brother. I respect this brother in a 7 00:00:38,800 --> 00:00:41,159 Speaker 1: lot of ways, a lot of ways I look up 8 00:00:41,159 --> 00:00:44,920 Speaker 1: to this brother. So we're not even gonna wait to 9 00:00:45,000 --> 00:00:49,040 Speaker 1: introduce one of Atlanta's I mean, should I even say 10 00:00:49,120 --> 00:00:52,240 Speaker 1: unsung hero because he's definitely a hero. He's definitely a 11 00:00:52,280 --> 00:00:55,720 Speaker 1: hero in this music business. This brother, Nitty Beats has 12 00:00:55,760 --> 00:00:58,400 Speaker 1: done so much. Man, I want you to welcome this 13 00:00:58,480 --> 00:01:01,440 Speaker 1: week's episode story Time of Legendary Jerry. 14 00:01:01,600 --> 00:01:02,600 Speaker 2: Super producer. 15 00:01:03,520 --> 00:01:05,280 Speaker 3: Legendary super producer. 16 00:01:05,560 --> 00:01:09,120 Speaker 4: Man, Man, I appreciate any type of love. Beat Man. 17 00:01:11,720 --> 00:01:12,479 Speaker 4: We're still going. 18 00:01:12,880 --> 00:01:17,120 Speaker 1: And Man, you ain't you ain't stopped, and you stay relevant. Yeah, 19 00:01:17,520 --> 00:01:20,399 Speaker 1: and you still I know you invited me out a 20 00:01:20,440 --> 00:01:24,760 Speaker 1: few months ago, and that was really and and and 21 00:01:24,760 --> 00:01:26,280 Speaker 1: don't get mad at me for saying this, but that 22 00:01:26,360 --> 00:01:28,520 Speaker 1: was really one of the first times I saw your range. 23 00:01:28,560 --> 00:01:31,040 Speaker 1: I knew you had a lot of range. Nitty the 24 00:01:31,160 --> 00:01:36,640 Speaker 1: ship you played for me, it wont urban ship, And 25 00:01:36,760 --> 00:01:39,240 Speaker 1: I said, new fis. I said, this nigga is doing 26 00:01:39,840 --> 00:01:45,720 Speaker 1: this type ship like some other type hop mainstream like 27 00:01:46,720 --> 00:01:51,680 Speaker 1: a yeah on your album, where what what? 28 00:01:53,520 --> 00:01:54,720 Speaker 4: Just walk up into your. 29 00:01:54,600 --> 00:01:57,920 Speaker 1: Mind frame man, and your whole with because like I said, 30 00:01:57,960 --> 00:01:59,960 Speaker 1: your range, man is so incredible. 31 00:02:00,360 --> 00:02:01,600 Speaker 4: No, thank you, bro, I mean. 32 00:02:03,240 --> 00:02:06,200 Speaker 1: I appreciate you coming out there number one, because I 33 00:02:06,200 --> 00:02:08,079 Speaker 1: didn't want everybody to be out there. I wanted people 34 00:02:08,080 --> 00:02:10,720 Speaker 1: that I trust their opinions and that valua their minds. 35 00:02:11,080 --> 00:02:12,600 Speaker 1: So you want of the people that I was, like, 36 00:02:13,280 --> 00:02:16,080 Speaker 1: I told my assistant, he gotta be here if nobody 37 00:02:16,120 --> 00:02:18,799 Speaker 1: else gonna be there. So with the album, I just honestly, man, 38 00:02:18,840 --> 00:02:22,280 Speaker 1: I took about four or five years, and in my mind, 39 00:02:22,320 --> 00:02:24,360 Speaker 1: I made the best piece of worker ever put together, 40 00:02:24,960 --> 00:02:27,760 Speaker 1: you know what I mean. So as a producer, I 41 00:02:27,800 --> 00:02:30,000 Speaker 1: think to go down in history as one of the 42 00:02:30,040 --> 00:02:32,960 Speaker 1: great producers, you gotta you gotta make you a body 43 00:02:33,000 --> 00:02:34,519 Speaker 1: of work and call it the album. 44 00:02:34,960 --> 00:02:35,160 Speaker 4: You know. 45 00:02:35,320 --> 00:02:38,880 Speaker 1: So this is gonna be the one that I'm gonna give. Yeah, 46 00:02:38,919 --> 00:02:41,800 Speaker 1: It's gonna be my chronic you know. So with me, 47 00:02:41,960 --> 00:02:44,480 Speaker 1: you know, every producer that you know We work with 48 00:02:44,520 --> 00:02:46,799 Speaker 1: so many different artists and sometimes we'd be like, man, 49 00:02:46,800 --> 00:02:48,480 Speaker 1: we wish we could have talked some shit on the neck. 50 00:02:48,600 --> 00:02:50,240 Speaker 4: That's how artists are doing, you know. 51 00:02:50,320 --> 00:02:53,040 Speaker 1: So with me, I just had time to put together album, 52 00:02:53,320 --> 00:02:55,960 Speaker 1: you know, and I was like, you know what, let 53 00:02:55,960 --> 00:02:58,400 Speaker 1: me put it together, take my time, because you know, 54 00:02:58,520 --> 00:03:00,400 Speaker 1: I don't need to get no budget from the label 55 00:03:00,480 --> 00:03:02,320 Speaker 1: or nothing like that, so I'm funding the whole thing 56 00:03:02,400 --> 00:03:04,959 Speaker 1: myself and everything. So you know, I just wanted to 57 00:03:04,960 --> 00:03:06,839 Speaker 1: put something together to make people say, you know what, 58 00:03:07,200 --> 00:03:09,320 Speaker 1: we understand him as a creator now, you know what 59 00:03:09,360 --> 00:03:09,679 Speaker 1: I mean. 60 00:03:09,720 --> 00:03:10,519 Speaker 4: So that's what it's about. 61 00:03:11,000 --> 00:03:16,880 Speaker 1: Opinion on the state the state of urban music right now. 62 00:03:17,520 --> 00:03:20,960 Speaker 4: Man, I think I think we're on a reboot right now. 63 00:03:21,000 --> 00:03:25,000 Speaker 1: I think that the urban music right now we went 64 00:03:25,040 --> 00:03:30,080 Speaker 1: through a violence, a dark era, and I think, you 65 00:03:30,120 --> 00:03:32,680 Speaker 1: know what I always did was I was always a 66 00:03:32,680 --> 00:03:34,239 Speaker 1: producer to come in there and I want to throw 67 00:03:34,280 --> 00:03:36,040 Speaker 1: whatever the labels got planned to put out. 68 00:03:36,400 --> 00:03:37,640 Speaker 4: I want to put a record out. 69 00:03:37,480 --> 00:03:39,600 Speaker 1: A single on somebody and make them say, you know what, 70 00:03:40,120 --> 00:03:42,120 Speaker 1: we got to go back to the drawing board because 71 00:03:42,440 --> 00:03:44,520 Speaker 1: this motherfucker needed and came with a record that we 72 00:03:44,560 --> 00:03:47,080 Speaker 1: didn't even see coming, you know, because a lot of 73 00:03:47,120 --> 00:03:49,840 Speaker 1: labels they take years or months to set up an 74 00:03:49,880 --> 00:03:51,600 Speaker 1: artists to come up with a single. So with me, 75 00:03:52,120 --> 00:03:54,160 Speaker 1: if you go back and look at my career, I 76 00:03:54,200 --> 00:03:56,640 Speaker 1: always been a producer that tried to give an artist 77 00:03:56,720 --> 00:03:57,120 Speaker 1: a single. 78 00:03:58,440 --> 00:04:00,880 Speaker 4: So you know, a lot of people damn great job 79 00:04:00,920 --> 00:04:01,320 Speaker 4: of that, man. 80 00:04:01,400 --> 00:04:03,160 Speaker 1: No, I appreciate it, bro, And I just you know, 81 00:04:03,240 --> 00:04:05,880 Speaker 1: that's been my whole goal was to I want to 82 00:04:05,920 --> 00:04:08,040 Speaker 1: make people move with my music. I don't want just 83 00:04:08,120 --> 00:04:10,920 Speaker 1: that record that's on an album that people be like, 84 00:04:10,960 --> 00:04:12,000 Speaker 1: oh it was on the album. 85 00:04:12,120 --> 00:04:13,480 Speaker 4: Oh okay, you know what I'm saying. 86 00:04:13,480 --> 00:04:16,000 Speaker 1: So that's why any artists I worked with, you know, 87 00:04:16,040 --> 00:04:19,039 Speaker 1: I was talking with somebody this morning about it. Even 88 00:04:19,320 --> 00:04:21,760 Speaker 1: you know the rich Hommy Korn record that I did 89 00:04:21,760 --> 00:04:24,800 Speaker 1: with my brother DJ Spins, you know, the Flex record, 90 00:04:24,839 --> 00:04:28,880 Speaker 1: like I never Sunday at the Falcons game was the 91 00:04:28,920 --> 00:04:31,760 Speaker 1: first time me and rich homy Korn ever spoke. 92 00:04:33,680 --> 00:04:34,040 Speaker 2: Personal. 93 00:04:34,279 --> 00:04:37,479 Speaker 4: Yeah, we never had a conversation. Wow, I don't know. 94 00:04:40,440 --> 00:04:43,000 Speaker 1: Yeah, And you know the funny part was that's when 95 00:04:43,000 --> 00:04:47,039 Speaker 1: I seen him he was cutting through and because we 96 00:04:47,120 --> 00:04:49,600 Speaker 1: had never talked, you know, we just we never had 97 00:04:49,640 --> 00:04:52,839 Speaker 1: a conversation and we talked real briefly, and you know, 98 00:04:52,839 --> 00:04:55,560 Speaker 1: we talked about doing some more records coming up pretty soon, but. 99 00:04:55,600 --> 00:04:59,200 Speaker 4: A new face, as they should. I'm looking forward to that. Yeah, 100 00:04:59,200 --> 00:05:01,320 Speaker 4: that was a th That's how you close out all 101 00:05:01,360 --> 00:05:02,480 Speaker 4: the shows. Really. 102 00:05:03,200 --> 00:05:08,960 Speaker 1: Yeah, Corner is a beast man and we shot. 103 00:05:09,160 --> 00:05:12,080 Speaker 4: Yeah man R and p to rich on me meat Man. 104 00:05:12,120 --> 00:05:14,240 Speaker 1: That was one of Kuwan's partners that passed from the 105 00:05:14,279 --> 00:05:18,280 Speaker 1: East Side, you know, so condonances to meet and his 106 00:05:18,640 --> 00:05:22,320 Speaker 1: you know, family and everybody. So we we we celebrate 107 00:05:22,400 --> 00:05:25,279 Speaker 1: fifty years of hip hop and we will continue celebrating 108 00:05:25,279 --> 00:05:30,680 Speaker 1: this culture and his music. Now, I've said this on 109 00:05:30,839 --> 00:05:34,880 Speaker 1: several other shows that needed the South, specifically Atlanta. 110 00:05:34,920 --> 00:05:35,880 Speaker 4: We didn't control this. 111 00:05:35,760 --> 00:05:39,520 Speaker 1: Motherfucker over half in fifty years, and you have been 112 00:05:40,320 --> 00:05:44,800 Speaker 1: firmly with both hands all the way in what has 113 00:05:44,839 --> 00:05:50,159 Speaker 1: happened with not just the South but nationally worldwide. So 114 00:05:50,760 --> 00:05:53,080 Speaker 1: I mean I want to jump into like just somebody 115 00:05:53,200 --> 00:05:56,400 Speaker 1: you know where your mind set, because I mean, like 116 00:05:56,440 --> 00:05:57,680 Speaker 1: I said at the beginning of the show, man, I 117 00:05:57,960 --> 00:05:59,800 Speaker 1: truly do look up to you in our respect you 118 00:05:59,839 --> 00:06:02,159 Speaker 1: on whole different levels. Thank you musically, man, I just 119 00:06:02,200 --> 00:06:05,080 Speaker 1: be sitting back like this Nigga's a fucking beat new face. 120 00:06:05,120 --> 00:06:07,760 Speaker 1: I'm like this, Nigga's a fucking beast man. And I 121 00:06:07,880 --> 00:06:10,720 Speaker 1: look back on you know your I mean, you got 122 00:06:10,760 --> 00:06:11,680 Speaker 1: a lot of big records. 123 00:06:11,720 --> 00:06:12,120 Speaker 4: I look on. 124 00:06:12,360 --> 00:06:14,599 Speaker 1: I look back on boys in the hood, then boys 125 00:06:14,760 --> 00:06:17,640 Speaker 1: I look back on of course the young jock record, 126 00:06:17,960 --> 00:06:20,520 Speaker 1: Uh going down? And I just be like, you know 127 00:06:20,560 --> 00:06:24,120 Speaker 1: about Miss B Miss B? Yeah, shut out of Miss B. Man, 128 00:06:24,400 --> 00:06:27,800 Speaker 1: that's my little sister. Like I ain't talk crazy bottle. Yeah, 129 00:06:27,839 --> 00:06:29,839 Speaker 1: she hit that bitch with the bottle. We got lawsuits 130 00:06:29,880 --> 00:06:31,400 Speaker 1: and everything. Man behind that. 131 00:06:31,600 --> 00:06:34,000 Speaker 4: Hit that bit. Whe's she at? Man? 132 00:06:34,560 --> 00:06:36,480 Speaker 1: Man, I don't talk to her like that. I hadn't 133 00:06:36,480 --> 00:06:38,640 Speaker 1: seen her, so, I mean, I wish I did talk 134 00:06:38,680 --> 00:06:40,600 Speaker 1: to her, but I don't. I don't talk to her 135 00:06:40,680 --> 00:06:44,840 Speaker 1: like that unfortunately. But she real talented, little pretty girl 136 00:06:44,880 --> 00:06:46,840 Speaker 1: from the West Side. Man, she did her thing. Man 137 00:06:46,880 --> 00:06:49,760 Speaker 1: shot Miss B. So, yeah, what I was saying, since 138 00:06:49,839 --> 00:06:53,560 Speaker 1: y'all jumped around, get back, where were you at? 139 00:06:53,560 --> 00:06:53,760 Speaker 4: Man? 140 00:06:54,600 --> 00:06:55,120 Speaker 2: Musically? 141 00:06:55,279 --> 00:06:55,719 Speaker 4: Personally? 142 00:06:55,720 --> 00:06:58,479 Speaker 1: When you because between just and like I said, you 143 00:06:58,520 --> 00:07:00,120 Speaker 1: got so many records, and I want to touch on 144 00:07:00,160 --> 00:07:03,520 Speaker 1: a lot of other stuff musically, but between just those 145 00:07:03,560 --> 00:07:07,359 Speaker 1: two records, where was you at? 146 00:07:07,360 --> 00:07:09,800 Speaker 4: To hit the Bitch with the bottle and what other record. 147 00:07:09,520 --> 00:07:11,480 Speaker 1: I was talking about jocking them boy, I say you I. 148 00:07:11,440 --> 00:07:16,880 Speaker 4: Mean going down. It's going down and them boys, I 149 00:07:16,920 --> 00:07:22,040 Speaker 4: mean them boys. Was put that phone up, nigga. You 150 00:07:22,120 --> 00:07:23,480 Speaker 4: can't go to hear that. You know you can't hear 151 00:07:23,600 --> 00:07:25,760 Speaker 4: NHM one death nigga. 152 00:07:26,280 --> 00:07:30,240 Speaker 1: Seventy We do this ship if you see us all 153 00:07:30,280 --> 00:07:32,480 Speaker 1: we try to really be seriously. This is my big 154 00:07:32,600 --> 00:07:34,000 Speaker 1: this is my this, this is one of my brother 155 00:07:34,280 --> 00:07:37,000 Speaker 1: My daddy had no my mama, but my daddy had 156 00:07:37,000 --> 00:07:40,360 Speaker 1: this nigga probably, But now now rip back to real talk. Listen, 157 00:07:40,560 --> 00:07:42,400 Speaker 1: let's get back to Miss b to Hit the Bitch 158 00:07:42,400 --> 00:07:45,960 Speaker 1: with the Bottle record. That actually was a remix. So 159 00:07:46,000 --> 00:07:48,400 Speaker 1: they brought the record to me. They didn't like the 160 00:07:48,440 --> 00:07:50,600 Speaker 1: but you ain't ain't the record were talking about. You're 161 00:07:50,600 --> 00:07:53,320 Speaker 1: talking about want talking about them boys? 162 00:07:53,520 --> 00:07:54,920 Speaker 2: Said boys an't going down? 163 00:07:54,920 --> 00:07:58,520 Speaker 1: Okay, so the boy let's go back to them blake 164 00:07:58,560 --> 00:08:02,680 Speaker 1: Wood nigga, back to the boys. Them boys was a 165 00:08:02,720 --> 00:08:04,720 Speaker 1: recordd Now we're doing this show man. Look, I got 166 00:08:04,720 --> 00:08:06,880 Speaker 1: somebody calling. Look this first the time we get a 167 00:08:06,920 --> 00:08:08,960 Speaker 1: FaceTime call. Well we live hey, y'all. 168 00:08:09,120 --> 00:08:11,280 Speaker 5: We story time of Legendari looking at this nigga K 169 00:08:11,600 --> 00:08:14,080 Speaker 5: comedy shot out the K dub y'all this story time, 170 00:08:14,200 --> 00:08:15,640 Speaker 5: we get FaceTime calls on. 171 00:08:16,080 --> 00:08:20,800 Speaker 2: Look at it, shower, look at this. He going right 172 00:08:20,800 --> 00:08:30,880 Speaker 2: into the screens. Luther smile, nigga. We can't see that 173 00:08:31,000 --> 00:08:35,800 Speaker 2: one out, y'all. What's up? Man, put SAMs? What's happening 174 00:08:35,800 --> 00:08:36,040 Speaker 2: with you? 175 00:08:36,120 --> 00:08:36,280 Speaker 5: Man? 176 00:08:36,600 --> 00:08:39,319 Speaker 2: Let me tell y'all some storytime legend j This dude 177 00:08:39,400 --> 00:08:39,920 Speaker 2: came up. 178 00:08:40,120 --> 00:08:42,120 Speaker 1: We was talking about him off camera, and this is 179 00:08:42,160 --> 00:08:43,559 Speaker 1: one of the most talented comedians. 180 00:08:43,559 --> 00:08:45,200 Speaker 4: Man. We just waiting on him to blow and he's going. 181 00:08:45,360 --> 00:08:49,320 Speaker 2: Now he cut the live guy. Turn it up, boys, 182 00:08:49,559 --> 00:08:50,520 Speaker 2: use a bush. 183 00:08:50,520 --> 00:08:53,840 Speaker 4: Guy that boy, dug, there you go. 184 00:08:53,960 --> 00:08:56,640 Speaker 2: That nigga so ugly. Boy, he takes shot the swimming trunks. 185 00:08:56,640 --> 00:09:00,680 Speaker 1: Boy, turn that didn't take shot one of the trunks. 186 00:09:00,720 --> 00:09:07,600 Speaker 5: Boy, Hey man, we just had to club. Look, we're 187 00:09:07,600 --> 00:09:09,440 Speaker 5: gonna call you once we get finished doing this great 188 00:09:09,440 --> 00:09:14,360 Speaker 5: interview storytelling K douve on this bitch man, So look, 189 00:09:14,400 --> 00:09:16,360 Speaker 5: you you gonna have you'll find a little two minutes 190 00:09:16,400 --> 00:09:16,720 Speaker 5: of fame. 191 00:09:16,880 --> 00:09:20,200 Speaker 2: U Glass Puss sad. We're gonna hit you back, man. 192 00:09:20,400 --> 00:09:23,800 Speaker 1: But yeah, okay, So with those two records, we were 193 00:09:23,800 --> 00:09:26,400 Speaker 1: talking about Yeah, yeah, with the Them Boys record. Man, 194 00:09:26,440 --> 00:09:30,000 Speaker 1: that was shout out to my homie Block. Block was 195 00:09:30,000 --> 00:09:32,320 Speaker 1: the that's that's my partner man from the East Side. 196 00:09:32,360 --> 00:09:32,480 Speaker 4: Man. 197 00:09:32,480 --> 00:09:35,320 Speaker 1: We've been partners way prior to the music man, you 198 00:09:35,320 --> 00:09:37,760 Speaker 1: know what I'm saying. That's my dog man. But Block 199 00:09:37,960 --> 00:09:39,960 Speaker 1: used to come up to the studio we had on 200 00:09:40,040 --> 00:09:44,440 Speaker 1: Candle Road, and at the time Block was, you know, 201 00:09:44,520 --> 00:09:47,199 Speaker 1: he was just getting into the music game, and he 202 00:09:47,280 --> 00:09:49,960 Speaker 1: was like, nitty man, I need a record for artist 203 00:09:50,360 --> 00:09:53,880 Speaker 1: named Big Ge. So big Gee Edge hanger man I'm 204 00:09:53,880 --> 00:09:56,199 Speaker 1: talking about that was I'm still a fan, you know 205 00:09:56,240 --> 00:09:58,959 Speaker 1: what I mean. But he that record Them Boys was 206 00:09:59,000 --> 00:10:01,959 Speaker 1: supposed to be his record. Originally I made the beat 207 00:10:02,080 --> 00:10:04,320 Speaker 1: and Big Gee wrapped the whole record on the song, 208 00:10:04,920 --> 00:10:07,160 Speaker 1: and yeah. 209 00:10:07,080 --> 00:10:09,920 Speaker 4: Big g killed it and his boys and Block. 210 00:10:10,080 --> 00:10:12,520 Speaker 1: They sat on the record probably by a month, and 211 00:10:12,559 --> 00:10:14,920 Speaker 1: then Block was like, man, I want to do a 212 00:10:15,000 --> 00:10:20,400 Speaker 1: group with Trick, Daddy g Z or somebody and Little Wayne. 213 00:10:20,440 --> 00:10:23,800 Speaker 1: But anyway, he ended up putting Boys in the Hood together. 214 00:10:24,120 --> 00:10:26,120 Speaker 1: So Boys in the Hood ended up getting on the 215 00:10:26,160 --> 00:10:28,640 Speaker 1: Them Boys beat. They took Big g off and left 216 00:10:28,720 --> 00:10:32,320 Speaker 1: him on one verse and that's how that record came 217 00:10:32,320 --> 00:10:34,640 Speaker 1: out to be so by the time people heard Them Boys, 218 00:10:34,960 --> 00:10:37,440 Speaker 1: the record was about at least a year old and 219 00:10:37,520 --> 00:10:41,000 Speaker 1: the beat was about two years old, and I never 220 00:10:41,080 --> 00:10:41,880 Speaker 1: tracked the beat out. 221 00:10:41,880 --> 00:10:43,560 Speaker 4: So what you hear on Them Boys is my two 222 00:10:43,600 --> 00:10:44,439 Speaker 4: track mix. 223 00:10:45,679 --> 00:10:49,200 Speaker 1: Get the record that was released. I did the same 224 00:10:49,240 --> 00:10:53,080 Speaker 1: thing with It's Going Down. I did a two track 225 00:10:53,120 --> 00:10:54,640 Speaker 1: mix on it. 226 00:10:54,840 --> 00:10:55,959 Speaker 4: Them Boys is a two track. 227 00:10:56,040 --> 00:10:58,559 Speaker 1: The record that came out on Yeah, Them Boys and 228 00:10:59,160 --> 00:11:01,040 Speaker 1: Going Down both them a two track mix. 229 00:11:01,080 --> 00:11:02,600 Speaker 4: But that was something that I learned. 230 00:11:03,280 --> 00:11:06,720 Speaker 1: I spoke with Perill a couple of times and some 231 00:11:06,800 --> 00:11:09,440 Speaker 1: of the older producers that worked with No Limit and stuff, 232 00:11:09,720 --> 00:11:11,319 Speaker 1: and they told me that most of their records they 233 00:11:11,320 --> 00:11:14,160 Speaker 1: did with two track records because sometimes engineers can't get 234 00:11:14,440 --> 00:11:16,400 Speaker 1: the records sound and how you want to sound. 235 00:11:16,720 --> 00:11:21,080 Speaker 4: So that was the trick that the mix, the mastering 236 00:11:21,600 --> 00:11:23,200 Speaker 4: makes a master yep. 237 00:11:23,360 --> 00:11:25,199 Speaker 1: So but yeah, I mean that was there was two 238 00:11:25,200 --> 00:11:27,000 Speaker 1: of my records that I love to this day that 239 00:11:27,400 --> 00:11:29,520 Speaker 1: when I hear them, I just look at the reaction 240 00:11:29,640 --> 00:11:31,400 Speaker 1: and the reaction is still the same, you know what 241 00:11:31,400 --> 00:11:31,679 Speaker 1: I mean. 242 00:11:31,760 --> 00:11:34,160 Speaker 4: So I'm thankful and appreciative because of that though, and. 243 00:11:34,120 --> 00:11:36,000 Speaker 3: To watch that one grow, because like you said, you 244 00:11:36,040 --> 00:11:39,360 Speaker 3: sat on that for months. Then they transitioned from gee 245 00:11:39,520 --> 00:11:42,680 Speaker 3: to adding new people like a Jody and Dude Geezy 246 00:11:43,080 --> 00:11:45,160 Speaker 3: and then you get the Bad Boys South. So when 247 00:11:45,160 --> 00:11:48,040 Speaker 3: the final product come out, it's Bad Boys Out like 248 00:11:48,360 --> 00:11:50,160 Speaker 3: you started as a baby. How did that feel to 249 00:11:50,200 --> 00:11:53,240 Speaker 3: see it? You know, eclipsed like that big though. I 250 00:11:53,240 --> 00:11:54,160 Speaker 3: mean it was everybody. 251 00:11:54,240 --> 00:11:56,160 Speaker 1: It was a blessing man, because the only thing I 252 00:11:56,200 --> 00:11:59,480 Speaker 1: wanted to do in Atlanta was to get getting noticed 253 00:11:59,600 --> 00:12:00,400 Speaker 1: as a producer. 254 00:12:01,120 --> 00:12:01,320 Speaker 4: You know. 255 00:12:01,440 --> 00:12:03,600 Speaker 1: I went to the face and met with homies like 256 00:12:05,640 --> 00:12:11,440 Speaker 1: KP and Colunk, Kay Phillips, you know what I'm saying. 257 00:12:11,440 --> 00:12:13,000 Speaker 1: They was a and rs down there. So I would 258 00:12:13,040 --> 00:12:15,840 Speaker 1: go down there every weekend trying to submit remixes and stuff. 259 00:12:15,880 --> 00:12:19,320 Speaker 1: So I just couldn't get in that click. I couldn't 260 00:12:19,320 --> 00:12:21,280 Speaker 1: get in the Dungeon family click. So I was like, 261 00:12:21,320 --> 00:12:22,960 Speaker 1: you know what, I got to try to make? 262 00:12:23,559 --> 00:12:23,800 Speaker 4: Yeah. 263 00:12:23,880 --> 00:12:26,240 Speaker 1: So I met one of my homegirls that was out 264 00:12:26,240 --> 00:12:29,360 Speaker 1: of Memphis. She introduced me to eight ball and it 265 00:12:29,520 --> 00:12:32,080 Speaker 1: was like he pulled up on me in Magic City 266 00:12:32,160 --> 00:12:34,400 Speaker 1: parking lot. Let the winder down. I threw him a 267 00:12:34,480 --> 00:12:37,400 Speaker 1: CD through with thirty two beats. He let the wind up, 268 00:12:37,440 --> 00:12:41,160 Speaker 1: pulled off and he ended up about it. Thirty days 269 00:12:41,240 --> 00:12:44,000 Speaker 1: later he hit me recording wrapping in my ear on 270 00:12:44,040 --> 00:12:47,120 Speaker 1: the phone and he gave me thirty two thousand about 271 00:12:47,160 --> 00:12:47,839 Speaker 1: eight beats And. 272 00:12:47,760 --> 00:12:50,720 Speaker 4: That was a lunch of my career. Damn a Ball 273 00:12:50,880 --> 00:12:56,400 Speaker 4: and started playing games shot out boys, man, I love, Yeah, 274 00:12:56,520 --> 00:12:56,960 Speaker 4: I got it. 275 00:12:57,000 --> 00:12:59,160 Speaker 1: I had talked to the Ball probably a couple of years, 276 00:12:59,200 --> 00:13:02,640 Speaker 1: but yeah, all is gonna always be. You know, he's 277 00:13:02,760 --> 00:13:05,400 Speaker 1: like one of the goats and somebody who always got 278 00:13:05,440 --> 00:13:08,360 Speaker 1: to be thankful to That launched my career, you know 279 00:13:08,400 --> 00:13:10,559 Speaker 1: what I mean. So I can't never forget that, man, 280 00:13:10,640 --> 00:13:11,960 Speaker 1: But it was it was a good time. 281 00:13:12,480 --> 00:13:15,200 Speaker 3: You would go ahead and versus like you know, I 282 00:13:15,200 --> 00:13:18,199 Speaker 3: remember being in that versus just to you know, because 283 00:13:18,200 --> 00:13:21,199 Speaker 3: it's hard to pick what twenty songs and for your 284 00:13:21,240 --> 00:13:24,080 Speaker 3: record to be one and seeing Droe come out, How 285 00:13:24,080 --> 00:13:26,800 Speaker 3: did that feel to see, you know, years later that 286 00:13:26,800 --> 00:13:28,360 Speaker 3: that was one of the ones they picked, you know, 287 00:13:28,400 --> 00:13:30,800 Speaker 3: because I'm sure you know they got hits right, but. 288 00:13:31,240 --> 00:13:33,080 Speaker 4: You was one of the one. Joe Beat was one 289 00:13:33,120 --> 00:13:33,320 Speaker 4: of them. 290 00:13:33,400 --> 00:13:35,839 Speaker 1: One man, it was big man, you know, because like 291 00:13:36,440 --> 00:13:39,600 Speaker 1: I just because I grew up listening to them boys 292 00:13:40,920 --> 00:13:43,640 Speaker 1: eight Ball and JG. Man, when they came out there 293 00:13:43,640 --> 00:13:45,880 Speaker 1: and Droe came out there and did the verse, man, 294 00:13:45,960 --> 00:13:49,079 Speaker 1: I was like, man, it just gave me chills because 295 00:13:49,640 --> 00:13:52,040 Speaker 1: you know, there was a two artists that I just 296 00:13:52,120 --> 00:13:55,200 Speaker 1: look up to and be like anything they do, it's 297 00:13:55,280 --> 00:13:58,280 Speaker 1: like classical, you know. So it was a blessing man 298 00:13:58,320 --> 00:14:00,720 Speaker 1: to see people rocking out to it, and you know, 299 00:14:01,000 --> 00:14:04,720 Speaker 1: just to see the people. You know, they love the 300 00:14:04,800 --> 00:14:07,600 Speaker 1: music that I gave them, and I'm just having I'm 301 00:14:07,640 --> 00:14:08,800 Speaker 1: having a good time with this man. 302 00:14:08,800 --> 00:14:10,160 Speaker 4: I can't wait to give him some of this new 303 00:14:10,200 --> 00:14:11,680 Speaker 4: stuff though. Oh I can't wait either. 304 00:14:11,679 --> 00:14:11,839 Speaker 3: Man. 305 00:14:11,920 --> 00:14:14,280 Speaker 1: You know when I tell you, man, I wish you 306 00:14:14,360 --> 00:14:17,080 Speaker 1: was there though. Yeah, he everywhere fucking else. 307 00:14:17,080 --> 00:14:17,920 Speaker 4: He wanted that we're. 308 00:14:17,800 --> 00:14:19,840 Speaker 1: Gonna were gonna do another one that because I recorded 309 00:14:19,880 --> 00:14:21,480 Speaker 1: like ten new records since then, so. 310 00:14:22,960 --> 00:14:24,240 Speaker 4: Definitely. Yeah. 311 00:14:24,240 --> 00:14:25,960 Speaker 1: So I got I got one of the records that 312 00:14:27,240 --> 00:14:29,680 Speaker 1: one of the records that's on that everybody kind of 313 00:14:29,680 --> 00:14:32,640 Speaker 1: liking is the one with Plies. So I got a 314 00:14:32,680 --> 00:14:35,080 Speaker 1: record applies. You know, coming the record he always come 315 00:14:35,120 --> 00:14:36,120 Speaker 1: with something that shut. 316 00:14:35,920 --> 00:14:54,680 Speaker 4: The club man, and you heard the man that ship 317 00:14:55,040 --> 00:14:55,840 Speaker 4: and new face. 318 00:14:55,920 --> 00:14:57,600 Speaker 1: Let me tell you what, even blew me away, little 319 00:14:57,600 --> 00:15:01,280 Speaker 1: boy just just just from being in this session here 320 00:15:01,280 --> 00:15:04,440 Speaker 1: and all this new music committee is his son. 321 00:15:05,400 --> 00:15:10,360 Speaker 4: Like he grooming. We always hit grooming in a negative way, 322 00:15:10,600 --> 00:15:11,240 Speaker 4: but he's. 323 00:15:11,080 --> 00:15:14,800 Speaker 1: Literally grooming his son. That next super producer like himself. 324 00:15:14,800 --> 00:15:16,520 Speaker 1: When I heard this little this ship, this little nigga 325 00:15:17,200 --> 00:15:20,280 Speaker 1: boy he producing, Yeah, hey man, he producer. Man, he 326 00:15:20,800 --> 00:15:23,320 Speaker 1: just let's get on your song for me. He just 327 00:15:24,040 --> 00:15:26,040 Speaker 1: did that ship just come naturally? Did you kind of 328 00:15:26,040 --> 00:15:29,080 Speaker 1: be like, all right, so hig drum machine or was 329 00:15:29,080 --> 00:15:29,840 Speaker 1: he just watching you? 330 00:15:30,240 --> 00:15:30,440 Speaker 4: Man? 331 00:15:30,480 --> 00:15:32,600 Speaker 1: To be honest, man, I know you know, I ain't 332 00:15:32,600 --> 00:15:35,560 Speaker 1: no preaching nothing, but I prayed for that little dude. Yeah, 333 00:15:35,720 --> 00:15:37,880 Speaker 1: you know, I pray to give guy a number one. 334 00:15:37,920 --> 00:15:40,520 Speaker 1: I pray to get a son, and I wanted him to, 335 00:15:40,760 --> 00:15:44,680 Speaker 1: you know, do what I do. Yeah, And since he's 336 00:15:44,680 --> 00:15:47,400 Speaker 1: been a baby man like, I've been letting him mess 337 00:15:47,440 --> 00:15:49,440 Speaker 1: with instruments and he watched me more than I knew 338 00:15:49,440 --> 00:15:51,920 Speaker 1: he was watching. So with him, it's just one of 339 00:15:51,960 --> 00:15:54,800 Speaker 1: them things where I'm so proud that he caught it 340 00:15:54,840 --> 00:15:55,400 Speaker 1: so quick. 341 00:15:55,960 --> 00:15:56,200 Speaker 4: Yeah. 342 00:15:56,280 --> 00:15:58,600 Speaker 1: I taught him one time how to make some beats 343 00:15:58,600 --> 00:16:01,200 Speaker 1: and stuff. And man, he got a catalog right now 344 00:16:01,240 --> 00:16:04,280 Speaker 1: that he build face. He's got about how old he 345 00:16:04,400 --> 00:16:06,880 Speaker 1: just turned fifteen. Man, he just had a birthday November. 346 00:16:07,160 --> 00:16:10,320 Speaker 1: Oh wow, So he's he's somebody who he done? Man, 347 00:16:10,680 --> 00:16:14,080 Speaker 1: Thank you. We got to get him down here one day. Man, 348 00:16:14,080 --> 00:16:16,680 Speaker 1: because he got a clothing the line right now doing 349 00:16:16,720 --> 00:16:20,920 Speaker 1: real good. It's called on rule breakers, you know. 350 00:16:20,880 --> 00:16:23,400 Speaker 4: What I mean. Club. So he's got that going on. Man. 351 00:16:23,440 --> 00:16:26,440 Speaker 4: But he's a little guy that he's so mature. 352 00:16:26,440 --> 00:16:29,320 Speaker 1: He scared me sometime with his conversation and getting a 353 00:16:29,360 --> 00:16:31,800 Speaker 1: little mustache and stuff. Now so I'm starting he kind 354 00:16:31,800 --> 00:16:33,520 Speaker 1: of scaring me, man, you know because hes getting older. 355 00:16:33,560 --> 00:16:35,560 Speaker 1: How did it affect him for for him to be 356 00:16:35,560 --> 00:16:37,520 Speaker 1: in the studio with you with all those male strippers 357 00:16:37,520 --> 00:16:39,040 Speaker 1: that used to be in there with the dogs and stuff. 358 00:16:39,160 --> 00:16:44,600 Speaker 4: Well that's a lot number one used to do a comedian. 359 00:16:44,680 --> 00:16:46,920 Speaker 2: Man, I ain't know. I mean, did that did that 360 00:16:47,040 --> 00:16:48,240 Speaker 2: kind of like did that fluen? 361 00:16:49,680 --> 00:16:51,760 Speaker 4: He know it? Daddy g man? You know that? 362 00:16:51,840 --> 00:16:52,040 Speaker 1: Man? 363 00:16:52,160 --> 00:16:53,520 Speaker 4: Like that's my little dog. 364 00:16:53,600 --> 00:16:56,640 Speaker 1: Story time Legender Man. Once again, I'll say this man, 365 00:16:57,080 --> 00:17:01,720 Speaker 1: new face, nitty beats. This is a Legen Dairy, legendary 366 00:17:01,760 --> 00:17:04,920 Speaker 1: super producer man that I feel should be getting his flowers. 367 00:17:04,920 --> 00:17:07,040 Speaker 1: That's what we do on this show to bring people 368 00:17:07,080 --> 00:17:09,679 Speaker 1: on they should get their flowers. And this man, like 369 00:17:09,720 --> 00:17:13,120 Speaker 1: I said before, he's he's had his thumbprint all over, 370 00:17:13,280 --> 00:17:16,280 Speaker 1: not just head lining in the South, but but worldwide. 371 00:17:16,760 --> 00:17:19,080 Speaker 1: And you deserve your flowers too, bro Like man, you 372 00:17:19,480 --> 00:17:22,760 Speaker 1: let's don't you be humble over here, bro real talking 373 00:17:22,800 --> 00:17:24,960 Speaker 1: man like you got people. I'm glad that you got 374 00:17:25,000 --> 00:17:27,480 Speaker 1: this platform and YouTube, new place. Like I'm glad that 375 00:17:28,119 --> 00:17:29,960 Speaker 1: y'all want to talk to me and here will come 376 00:17:29,960 --> 00:17:32,199 Speaker 1: out of my mind and stuff because like you know, 377 00:17:32,240 --> 00:17:34,320 Speaker 1: I watch y'all. You know, I'm a kind of person 378 00:17:34,320 --> 00:17:37,120 Speaker 1: that just research a lot, so I watched what y'all do. Man, 379 00:17:37,160 --> 00:17:39,760 Speaker 1: and y'all are like some people that we've been needing 380 00:17:39,800 --> 00:17:42,240 Speaker 1: a long time because the only thing we had in 381 00:17:42,240 --> 00:17:44,879 Speaker 1: the land was a bunch of artists and rappers and producers. 382 00:17:45,400 --> 00:17:48,800 Speaker 1: But now we got people. We got our Yeah, we're 383 00:17:48,840 --> 00:17:52,879 Speaker 1: telling and we're telling. We're telling our stories. You know 384 00:17:52,920 --> 00:17:55,320 Speaker 1: what I mean, Shout out to everybody from the a 385 00:17:55,560 --> 00:17:57,920 Speaker 1: from the South. We're telling the story time of legendary Jerry. 386 00:17:58,080 --> 00:18:00,760 Speaker 1: We get these stories out there up to my catch 387 00:18:00,760 --> 00:18:02,919 Speaker 1: a New Yolk and la and all that, but this 388 00:18:03,040 --> 00:18:05,280 Speaker 1: right here storytellme with Lesidi and Jay this in that lineup. 389 00:18:05,280 --> 00:18:07,000 Speaker 4: This is down South and we're gonna. 390 00:18:06,760 --> 00:18:08,920 Speaker 1: Put we go tell our stories because there's a lot 391 00:18:08,920 --> 00:18:11,120 Speaker 1: of stories like this brother right here, man, and I. 392 00:18:11,080 --> 00:18:13,840 Speaker 3: Gotta say personally, like every time I've seen him out, 393 00:18:13,880 --> 00:18:16,160 Speaker 3: you know, even supporting the comedians, like you know, Tip 394 00:18:16,200 --> 00:18:18,200 Speaker 3: gets a lot of credit for being in the comedy scene, 395 00:18:18,240 --> 00:18:20,840 Speaker 3: but this brother, like I was supporting the Nard and 396 00:18:20,880 --> 00:18:23,480 Speaker 3: the Carlos and k Doubb. But I just see this 397 00:18:23,560 --> 00:18:26,280 Speaker 3: brother that doing the same thing, you know, supporting my 398 00:18:26,440 --> 00:18:29,520 Speaker 3: friends essentially, like and he always showed love to me 399 00:18:29,640 --> 00:18:31,840 Speaker 3: even online every once in a while, keep going. We 400 00:18:31,960 --> 00:18:34,080 Speaker 3: just seen each other at the game and just know, 401 00:18:34,240 --> 00:18:36,840 Speaker 3: like I just appreciate that because I just always tell 402 00:18:36,840 --> 00:18:39,320 Speaker 3: people I never know who's watching, you know what I'm saying, 403 00:18:39,600 --> 00:18:43,359 Speaker 3: just stay doing you. So I definitely appreciate you doing 404 00:18:43,400 --> 00:18:46,040 Speaker 3: those type of things. And you talked about remixes and 405 00:18:46,080 --> 00:18:48,439 Speaker 3: trying to sell something and you go back to you know, 406 00:18:48,480 --> 00:18:51,920 Speaker 3: shout out the wicked and neo man so decatur remix 407 00:18:52,000 --> 00:18:52,679 Speaker 3: How indicator? 408 00:18:52,960 --> 00:18:55,240 Speaker 4: Yeah, indicator? How did how did that one come about? 409 00:18:55,760 --> 00:18:55,800 Speaker 5: You? 410 00:18:55,880 --> 00:18:58,280 Speaker 4: Those with some legends at that point, Man. 411 00:18:58,320 --> 00:19:02,760 Speaker 1: I did that beat like by hundred dollars and because 412 00:19:02,840 --> 00:19:05,040 Speaker 1: I was that was like the first record I did 413 00:19:05,080 --> 00:19:09,879 Speaker 1: that hit the radio every time I seen and wicked 414 00:19:09,880 --> 00:19:12,520 Speaker 1: at the Falcons game and every time I see them, 415 00:19:12,880 --> 00:19:13,800 Speaker 1: you know, because I grew up. 416 00:19:13,880 --> 00:19:14,880 Speaker 4: Man, I don't know. 417 00:19:14,800 --> 00:19:17,280 Speaker 1: If you know their history hurt their albums and all that, 418 00:19:17,359 --> 00:19:20,000 Speaker 1: but they was really one of them groups that was 419 00:19:20,000 --> 00:19:27,160 Speaker 1: about that. And I mean, you know, I don't let 420 00:19:27,200 --> 00:19:31,000 Speaker 1: that clean face, smooth food putting in workout here. 421 00:19:32,600 --> 00:19:34,240 Speaker 4: They was over there and Clarkson and stuff. 422 00:19:34,280 --> 00:19:35,960 Speaker 1: Man, you know, but no, I mean when we did 423 00:19:36,000 --> 00:19:40,119 Speaker 1: that record, it was a remix to a record that 424 00:19:40,520 --> 00:19:43,560 Speaker 1: actually the guy that did the record, they gave me 425 00:19:43,600 --> 00:19:47,640 Speaker 1: the opportunity to do the remix. And I always love 426 00:19:47,760 --> 00:19:50,560 Speaker 1: older records. So I went back and replayed a record. 427 00:19:50,920 --> 00:19:53,480 Speaker 1: I didn't want to sample it, so I replayed Can't 428 00:19:53,560 --> 00:19:56,000 Speaker 1: High Love by Earth Wind and Fire, and then we 429 00:19:56,080 --> 00:19:58,240 Speaker 1: put some of the guys from the group called Silk 430 00:19:59,000 --> 00:20:01,040 Speaker 1: to sing the I get them, I. 431 00:20:01,119 --> 00:20:03,920 Speaker 4: Shout out to you know his first R and B 432 00:20:04,040 --> 00:20:06,760 Speaker 4: actually get all yeah. So it was just a blessing man. 433 00:20:07,000 --> 00:20:09,560 Speaker 1: And then by being the name of the record called 434 00:20:09,560 --> 00:20:11,639 Speaker 1: Indicator and I'm from the Cator, I was like, you 435 00:20:11,640 --> 00:20:14,280 Speaker 1: couldn't tell me nothing about bout two weeks. 436 00:20:14,440 --> 00:20:16,360 Speaker 4: I was on a cloud. What you doing that five 437 00:20:16,440 --> 00:20:23,879 Speaker 4: hundred dollars? Man? I went about them jays. 438 00:20:21,240 --> 00:20:25,320 Speaker 1: Man, I was at Walters Board. Soon as you get that, man, 439 00:20:25,359 --> 00:20:27,359 Speaker 1: you couldn't tell me nothing. And then right after that, 440 00:20:27,480 --> 00:20:31,000 Speaker 1: Raheem a Dream came and paid me another about the 441 00:20:31,160 --> 00:20:32,920 Speaker 1: thousand and. 442 00:20:32,760 --> 00:20:34,560 Speaker 2: Then and then he probably came over you at this 443 00:20:34,720 --> 00:20:35,239 Speaker 2: How were you? 444 00:20:35,640 --> 00:20:40,359 Speaker 1: Oh man, this was nineteen woo, this was ninety eight, 445 00:20:41,400 --> 00:20:43,399 Speaker 1: ninety seven, you know what I mean? So I was 446 00:20:43,880 --> 00:20:45,480 Speaker 1: just a young buck getting out the streets. 447 00:20:45,520 --> 00:20:46,080 Speaker 4: Man, I was. 448 00:20:46,640 --> 00:20:49,159 Speaker 1: You gotta think I came from being over the bluff 449 00:20:49,760 --> 00:20:54,719 Speaker 1: trying to survive to I'm in somebody's studio. So I 450 00:20:54,720 --> 00:20:57,520 Speaker 1: didn't know nothing I was. I was out there trapping, 451 00:20:57,560 --> 00:20:59,320 Speaker 1: to be honest, and you know what I'm saying. Then, 452 00:20:59,320 --> 00:21:02,639 Speaker 1: But that's why we've seen me making beachs. They were like, nigga, 453 00:21:02,640 --> 00:21:04,320 Speaker 1: you ain't been making no beach where they had you 454 00:21:04,320 --> 00:21:05,800 Speaker 1: come from? But they didn't know I came out of 455 00:21:05,880 --> 00:21:08,160 Speaker 1: church prior to hitting the streets. 456 00:21:08,760 --> 00:21:10,159 Speaker 4: And speaking of the. 457 00:21:10,160 --> 00:21:15,600 Speaker 1: Streets, uhh, you got an interesting, interesting. 458 00:21:15,200 --> 00:21:18,399 Speaker 4: Uh story? Say story? 459 00:21:19,119 --> 00:21:22,639 Speaker 1: Come Because first of all, rest in peace to the 460 00:21:22,680 --> 00:21:24,439 Speaker 1: late Shorty Low, Man, we missed you. 461 00:21:24,520 --> 00:21:24,960 Speaker 4: I love you. 462 00:21:25,720 --> 00:21:28,360 Speaker 1: Uh, but you back when you was in the streets. Man, 463 00:21:28,400 --> 00:21:31,080 Speaker 1: you are dipping and dabbing over there on the west 464 00:21:31,119 --> 00:21:33,960 Speaker 1: side off Bank, and you had you From what I hear, 465 00:21:34,000 --> 00:21:35,840 Speaker 1: I mean, I do a lot of research on this. 466 00:21:36,160 --> 00:21:37,840 Speaker 4: How you know about this? I think you're about to 467 00:21:37,880 --> 00:21:39,280 Speaker 4: say something, how you Yeah, I mean. 468 00:21:39,480 --> 00:21:42,159 Speaker 1: I do, man, I do a lot of research, man, 469 00:21:42,160 --> 00:21:45,560 Speaker 1: And I've been around in this Atlanta from the streets 470 00:21:46,640 --> 00:21:48,840 Speaker 1: and like I said, rest in peace to Shorty, and 471 00:21:48,840 --> 00:21:50,560 Speaker 1: Shorty Low was on he was. 472 00:21:50,560 --> 00:21:52,760 Speaker 4: A real thorough ass dude. Say that. 473 00:21:53,560 --> 00:21:55,399 Speaker 1: So you was in the streets, I hear from what 474 00:21:55,520 --> 00:22:00,320 Speaker 1: I hear, y'all had. Y'all had a couple of run ends. Yeah, 475 00:22:00,400 --> 00:22:03,200 Speaker 1: and it turned out to be where y'all was amicable years. 476 00:22:03,359 --> 00:22:03,600 Speaker 5: Yeah. 477 00:22:03,800 --> 00:22:05,679 Speaker 1: I mean I could talk about it now, man, like 478 00:22:08,080 --> 00:22:09,560 Speaker 1: shout and Low rest in peace. 479 00:22:09,640 --> 00:22:13,240 Speaker 4: Man. He was out there doing his thing, and let's 480 00:22:13,280 --> 00:22:18,240 Speaker 4: just say me and my people were doing our thing. Yeah. 481 00:22:18,280 --> 00:22:20,440 Speaker 4: So what happened with that situation? 482 00:22:20,720 --> 00:22:22,840 Speaker 1: Just because I don't want to go into too many details, 483 00:22:22,840 --> 00:22:28,879 Speaker 1: but basically some stuff it's like when you got the 484 00:22:28,920 --> 00:22:31,280 Speaker 1: bad guy meet the bad guy, and then the other 485 00:22:31,320 --> 00:22:32,359 Speaker 1: bad guy get the up on. 486 00:22:34,280 --> 00:22:36,560 Speaker 4: Somebody had to take the al. So at that point 487 00:22:37,080 --> 00:22:37,920 Speaker 4: I took the AL. 488 00:22:38,280 --> 00:22:43,200 Speaker 1: I got caught down bad, and you know, I don't 489 00:22:43,200 --> 00:22:45,520 Speaker 1: want to go into detail, but some street stuff went 490 00:22:45,560 --> 00:22:49,920 Speaker 1: on and I was I took the l and let's just. 491 00:22:49,920 --> 00:22:53,120 Speaker 4: Say that rest and piece of shot of Low. 492 00:22:53,600 --> 00:22:56,679 Speaker 1: After we found out that, oh that was me and 493 00:22:56,760 --> 00:22:59,520 Speaker 1: he knew that was me, Low reached out to me 494 00:22:59,680 --> 00:23:03,240 Speaker 1: himself and it was like, let's straighten this situation out, 495 00:23:03,400 --> 00:23:06,480 Speaker 1: and like, yeah, because they could have they could have 496 00:23:06,600 --> 00:23:09,679 Speaker 1: killed me, to be honest, you know, and it was 497 00:23:09,760 --> 00:23:13,880 Speaker 1: like I thought I was. That was the first time, honestly, man, 498 00:23:13,920 --> 00:23:15,480 Speaker 1: I seen I know, I know a lot of people 499 00:23:15,480 --> 00:23:18,040 Speaker 1: talk about stuff, but that was the first time I 500 00:23:18,119 --> 00:23:21,359 Speaker 1: seen myself I know it sounds crazy, but I seen 501 00:23:21,359 --> 00:23:23,440 Speaker 1: myself within a second turned. 502 00:23:23,240 --> 00:23:24,600 Speaker 4: From a baby to the age. 503 00:23:24,640 --> 00:23:27,840 Speaker 1: I was then like real quick like that because the 504 00:23:27,880 --> 00:23:29,879 Speaker 1: gun was on me like this and I thought I 505 00:23:29,920 --> 00:23:31,960 Speaker 1: was about to die. So they say I prepared myself 506 00:23:32,000 --> 00:23:34,920 Speaker 1: to die. But you know, that's all the detail them 507 00:23:34,920 --> 00:23:38,160 Speaker 1: give you about that. But let's just say that Low 508 00:23:38,280 --> 00:23:41,480 Speaker 1: made everything right and me and him never spoke on 509 00:23:41,560 --> 00:23:45,840 Speaker 1: that situation. We host the party together even up until 510 00:23:45,840 --> 00:23:48,919 Speaker 1: his death. We would always have mutual respect because I 511 00:23:48,920 --> 00:23:51,280 Speaker 1: felt like when you're playing in the streets and stuff like, 512 00:23:51,720 --> 00:23:53,600 Speaker 1: that's part of the rules that come with that. So 513 00:23:53,640 --> 00:23:55,680 Speaker 1: we didn't there was no reason supposed to speak on that, 514 00:23:56,320 --> 00:24:00,440 Speaker 1: you know, as me and so you know, on y'all 515 00:24:00,520 --> 00:24:04,119 Speaker 1: kept going as being you know, he became who he 516 00:24:04,240 --> 00:24:07,320 Speaker 1: was and you became who you are. And yeah, and 517 00:24:07,359 --> 00:24:09,440 Speaker 1: we got the chance to work together. We got the 518 00:24:09,520 --> 00:24:13,400 Speaker 1: chance to work together. Awkward at first or was it no, man, 519 00:24:13,480 --> 00:24:15,640 Speaker 1: Because it wasn't awkward, because it's kind of like if 520 00:24:15,640 --> 00:24:18,040 Speaker 1: you know, if I know what you've been doing, and 521 00:24:18,080 --> 00:24:20,840 Speaker 1: you know what I was out here doing, we kind 522 00:24:20,840 --> 00:24:21,200 Speaker 1: of like. 523 00:24:21,920 --> 00:24:25,160 Speaker 4: We got you, but we're gonna let that go. Man. 524 00:24:25,200 --> 00:24:26,879 Speaker 1: That's what it was, man, because like I said, they 525 00:24:26,960 --> 00:24:30,359 Speaker 1: spared me. You know I would they did. 526 00:24:30,560 --> 00:24:31,400 Speaker 4: Yeah, I thank god. 527 00:24:31,520 --> 00:24:34,240 Speaker 1: So, like I said, you know, with Low Man, at 528 00:24:34,280 --> 00:24:35,600 Speaker 1: the end of the day, we got the chance to 529 00:24:35,640 --> 00:24:38,520 Speaker 1: work on the record of remix that I did called 530 00:24:38,600 --> 00:24:41,200 Speaker 1: Get Big with my homie Duro out of Dallas, and 531 00:24:41,240 --> 00:24:44,080 Speaker 1: I got Puffed Darrow Gotti and Shorty Low happened to 532 00:24:44,119 --> 00:24:46,360 Speaker 1: be on that record, man, And I was happy after that. Man, 533 00:24:46,400 --> 00:24:48,480 Speaker 1: But I always been a fan of Sharty low Man. 534 00:24:48,560 --> 00:24:50,800 Speaker 1: Rest in peace and shout out to his family and 535 00:24:51,200 --> 00:24:53,639 Speaker 1: Johnny Debil everybody you know that's part of that movement. 536 00:24:53,920 --> 00:24:56,879 Speaker 1: Hey man, These type stories you get on Storytime unless 537 00:24:57,480 --> 00:25:00,919 Speaker 1: only here. You can't get him nowhere else. Jerry Clark 538 00:25:00,960 --> 00:25:03,320 Speaker 1: aka the Legendary j I got a new face. 539 00:25:04,200 --> 00:25:05,320 Speaker 4: My brother Niitty be t. 540 00:25:11,119 --> 00:25:14,680 Speaker 1: Storytime with the Legendary Jerry's hosted by me, the One 541 00:25:14,760 --> 00:25:20,320 Speaker 1: and Only Jerry Clark. Music has been provided by July 542 00:25:20,640 --> 00:25:25,280 Speaker 1: the Producer. 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