WEBVTT - Jade Novah

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 1>Thanks take MATOCHI. We are the authority on all things

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<v Speaker 1>R and B.

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<v Speaker 3>Ladies and gentlemen. Money is Tank Valentine. This it's the

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<v Speaker 3>R and B Money Podcast. It is the authority on

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<v Speaker 3>all things.

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<v Speaker 4>What it is R Yeah, yeah, yeah, we got talent

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<v Speaker 4>in the building. Yeah, it's shining. You see, I got

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<v Speaker 4>glasses on.

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<v Speaker 3>You see it is it somewhere shine? It's the gifts

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<v Speaker 3>are in the buildings. They are Are you well rounded?

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<v Speaker 1>Huh hm hmmm. Do you know your chart?

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<v Speaker 3>Do you do you know either?

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<v Speaker 1>Can you do it all? Man? Don't look shy?

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<v Speaker 3>Sang it, sing it, write it, write it, acted, produce it,

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<v Speaker 3>promote it.

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<v Speaker 1>Doing impression up, doing impression up?

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<v Speaker 5>Guy.

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<v Speaker 2>Yeah, but wait, you don't know your chart, your birth chart?

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<v Speaker 2>Do you all know what time you were born?

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<v Speaker 1>Now you know what? Let's get into the interview. No,

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<v Speaker 1>let's do it. No, listen to it. I don't know

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<v Speaker 1>any of that.

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<v Speaker 4>I went for any of those women in my DMS

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<v Speaker 4>trying to figure out my chart. I will never tell

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<v Speaker 4>you because I don't know it.

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<v Speaker 3>I was the seventh baby born on January first, I

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<v Speaker 3>don't know.

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<v Speaker 1>None of that was in the morning.

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<v Speaker 5>But you don't know what's time.

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<v Speaker 1>Seven seventeen.

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<v Speaker 4>I do know that my father caught a charge on

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<v Speaker 4>the day I was born, because I seen his police record.

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<v Speaker 1>Is that does that? Did that do anything.

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<v Speaker 2>Significant?

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<v Speaker 1>Absolutely had some astrological significance.

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<v Speaker 4>I was just randomly looking at his rap sheet one

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<v Speaker 4>day and I'm like, Dad, are you serious?

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<v Speaker 1>Man? This is my birthday?

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<v Speaker 2>Man trying to get to you.

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<v Speaker 1>He had to, you know, he ad something on him

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<v Speaker 1>and you know he.

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<v Speaker 2>Got you know, yeah, a little celebratory.

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<v Speaker 1>No, not celebratory fireworks.

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<v Speaker 2>Maybe for another time, we'll discuss a gunshote.

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<v Speaker 3>Geez doctor goal slap, slap my son on the back.

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<v Speaker 1>So pull it out on. Hit him again, See what happened?

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<v Speaker 1>Hit him again? See what happened? How you doing? J good?

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<v Speaker 1>I just seen you.

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<v Speaker 2>I did. I seen you at south By Southwest talking

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<v Speaker 2>in a little fireside chat and dropping gems.

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<v Speaker 3>And enough fireside chat. Shout out to Alex Haike over

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<v Speaker 3>a sound Royalties.

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<v Speaker 1>Out there talking about man.

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<v Speaker 3>Man, we're talking about the business man and and getting

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<v Speaker 3>into the ideas of ownership and in ways that the

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<v Speaker 3>business can help you and find ways that people don't

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<v Speaker 3>really know or are able to tap into it.

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<v Speaker 1>Sound.

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<v Speaker 3>Royalty is a one those places that people don't really

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<v Speaker 3>totally understand how it helps you, how it can help

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<v Speaker 3>you sustain your business and grow your business and all

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<v Speaker 3>of these types of things without having to give away ownership.

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<v Speaker 1>You know what I'm saying. So that's where I was,

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<v Speaker 1>you know, doing a panel, and what you're doing here

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<v Speaker 1>is getting the penalty.

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<v Speaker 4>Now we have an example of independence, a clear example

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<v Speaker 4>of independence how you can thrive dependently.

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<v Speaker 3>But also, like you know, I think you know, there

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<v Speaker 3>are so many I mean, there's so many ways of

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<v Speaker 3>skin a cat, but I think you've done it in

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<v Speaker 3>such a way where you've led.

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<v Speaker 2>With your talent that analogy scared me. Do we do

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<v Speaker 2>we have another option for skinning cats as a vegan?

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<v Speaker 2>I find that.

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<v Speaker 1>Here we go, Here we go.

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<v Speaker 2>Peter agreed.

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<v Speaker 3>I mean, but but they didn't eat the cat. It

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<v Speaker 3>just just okay, let's just get.

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<v Speaker 1>Their hair, cam.

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<v Speaker 2>Okay, So I.

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<v Speaker 1>Didn't eat the cat. I don't know part of it.

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<v Speaker 1>It's getting the cat. I'm scared. I'm scared of peed.

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<v Speaker 1>It more than one way to chop down the tree.

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<v Speaker 2>That's still that's not good for the environment.

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<v Speaker 3>All right, Okay, there's there's more than one way.

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<v Speaker 1>To be successful, or you could be literal that's yes, and.

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<v Speaker 3>You've I think I feel and I'm sure most would agree,

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<v Speaker 3>you've let with your talent, like in a in a

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<v Speaker 3>in a space or in a landscape where people are

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<v Speaker 3>leading with a whole lot of other things, like what

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<v Speaker 3>shock value? Ass you know, I'll stop there shock value and.

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<v Speaker 2>Ask maybe that's their talent, maybe because some people are

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<v Speaker 2>really gifted.

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<v Speaker 3>But where I come from, you had to be able

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<v Speaker 3>to sing to turn all that ship off. It'll be

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<v Speaker 3>a sing thank god you and write a song that's

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<v Speaker 3>a plus, but then stand on that stage and deliver

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<v Speaker 3>that ship like nobody's business. But you're also a unicorn

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<v Speaker 3>in the fact that you act and you do all

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<v Speaker 3>of these comedic things and have to commit like that.

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<v Speaker 3>Now you're now you're just showing off. Ah, Now you're

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<v Speaker 3>just showing you're.

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<v Speaker 2>Don't want to talk. I told my friend I was

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<v Speaker 2>coming out here and I was like, yeah, Tank, And

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<v Speaker 2>like the comedian Tank, I'm like, wa, yes, yes, somebody cool.

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<v Speaker 1>Yes, that's really cool. One standup?

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<v Speaker 6>What you doing?

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<v Speaker 2>Stand up? Now?

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<v Speaker 1>I've been doing stand up?

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<v Speaker 2>Okay, I'm gonna have to like, I'm gonna have to

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<v Speaker 2>pick your brain on that because I'm getting ready. I'm

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<v Speaker 2>ready for stand up.

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<v Speaker 3>I'm gonna tell you there's there There is no like blueprint,

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<v Speaker 3>Like everybody's gonna have different advice for you right in

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<v Speaker 3>different you know.

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<v Speaker 1>Just do it. I know what's the worst that can happen?

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<v Speaker 2>I know, yeah, getting heckled, But I mean I think

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<v Speaker 2>that's a part of the process. Like Chappelle, the most

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<v Speaker 2>incredible storyteller comedian of our time, gets heck You.

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<v Speaker 1>Can rebuttle a heckle.

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<v Speaker 3>You're fast and witty enough to get back into It's

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<v Speaker 3>not what you think it is.

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<v Speaker 1>I just can't see j being like, shut the fuck up.

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<v Speaker 2>Most certainly I sold the crowd during an R and

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<v Speaker 2>B concert to shut the fuck up. If the energy

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<v Speaker 2>isn't right, I will call it out.

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<v Speaker 1>Yeah, but we gotta get back to that job.

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<v Speaker 4>How do you tell the R and B? Because I've

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<v Speaker 4>been to your show, Yeah, I could not imagine you

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<v Speaker 4>in the middle of that show where it's like stars

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<v Speaker 4>and beautiful things and lights.

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<v Speaker 2>I'm a Gemini. I mean, I don't know what that

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<v Speaker 2>means to you.

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<v Speaker 1>I know exactly what this means.

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<v Speaker 2>He seems very anti astrology.

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<v Speaker 1>I have a daughter that's a Gemini. I know exactly

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<v Speaker 1>what it is.

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<v Speaker 2>Yes, we can.

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<v Speaker 1>What's your day? Yeah?

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<v Speaker 2>May thirtieth, My daughter's May twenty six made Gemini. So

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<v Speaker 2>when emerald gem is what I like to call us

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<v Speaker 2>because the Burthstone, And okay.

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<v Speaker 3>I'm gonna tell her. You know you're an Emerald. I'm

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<v Speaker 3>call her as soon as we fits. No, it's just

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<v Speaker 3>I think, just literally just jump. You have the material, like,

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<v Speaker 3>you know you're funny. You know you're funny, and so

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<v Speaker 3>it's just discovering how funny you are in this space.

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<v Speaker 1>Yeah, and it trusts me.

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<v Speaker 3>It goes a long way when you can get on

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<v Speaker 3>that stage.

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<v Speaker 2>How long have you been doing stand up though, Shah?

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<v Speaker 1>I started years ago? Yeah, shit, close to.

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<v Speaker 2>Eight nine years old, you've been doing this.

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<v Speaker 1>I had no idea, but I literally jumped off the roof.

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<v Speaker 3>Literally I had. I had never been on stage before.

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<v Speaker 3>And Chris Spencer is getting ready to go up in

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<v Speaker 3>Atlanta and perform.

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<v Speaker 1>Damn was that eight years ago?

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<v Speaker 3>That's more than eight years ago probably, And that was

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<v Speaker 3>more than eight years ago, and Chris and I was like, bro,

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<v Speaker 3>you're here in a Landa, you're going on. You're going

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<v Speaker 3>on stage. She was like, He's like, yeah, what's up.

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<v Speaker 3>He's liked, you want to open? I was like this, man, no,

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<v Speaker 3>you know, I don't be doing those those things. You

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<v Speaker 3>know what I'm saying, though, Well, well maybe, yeah, yeah,

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<v Speaker 3>I want to open. He's like, then shut the funk up.

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<v Speaker 3>I said no, I want to open for real. He

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<v Speaker 3>was like, whatever, all right, just just meet me up here.

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<v Speaker 3>I was like, all right, cool. And I sat there

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<v Speaker 3>and I just start writing jokes right on the spot.

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<v Speaker 3>On the spot, yeah what I thought with jokes anyway.

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<v Speaker 3>So I start writing these jokes and these moms or whatever.

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<v Speaker 3>And so I get there and I'm like, I'm like,

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<v Speaker 3>I say, Chris, I'm like, yes, So what's up? So

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<v Speaker 3>what time do I go on? He was like this,

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<v Speaker 3>fuck are you talking about? I'm like, what time do

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<v Speaker 3>I hit to stay?

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<v Speaker 2>Man?

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<v Speaker 3>I want to open? He's like, man, come outside. So

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<v Speaker 3>we go outside. He's like this, are you sure about this?

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<v Speaker 3>He's like, cause this is what you should do if

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<v Speaker 3>you're gonna do it, say, I said, I got it.

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<v Speaker 3>He said yeah, but this is different. Thank if you

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<v Speaker 3>go I said, I got it. He said all right, okay.

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<v Speaker 2>And how many minutes did you prepare?

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<v Speaker 3>I prepared, Like see, that's the thing. I didn't know

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<v Speaker 3>what minutes were. As I'm writing jokes.

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<v Speaker 1>I don't know back to songwriting, yes, not knowing when

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<v Speaker 1>the hook, know that.

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<v Speaker 3>It was completely foreign to me. I just know I

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<v Speaker 3>had about four or five jokes, you know what I'm saying.

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<v Speaker 3>But I also knew that I was a storyteller, so

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<v Speaker 3>if I needed to extend, I could just I don't

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<v Speaker 3>make up some shit whatever. And so when I get there,

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<v Speaker 3>there are other opening acts. I thought it was going

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<v Speaker 3>to be me and then him, there are other comedians

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<v Speaker 3>and when I say they are going crazy, they are

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<v Speaker 3>fucking ship up. And I like when somebody's singing good

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<v Speaker 3>before I go on, or performing good in the R

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<v Speaker 3>and B space, I know what to do to combat that.

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<v Speaker 3>Take a shirt off.

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<v Speaker 2>That's my method.

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<v Speaker 1>Yeahga's your comedy right there.

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<v Speaker 3>So I never I had never followed a comedian that

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<v Speaker 3>was killing. So I said, if you could give me

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<v Speaker 3>three patrons, just three outs, three of them, Just just

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<v Speaker 3>line me up with three shots of patron really quick,

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<v Speaker 3>because this thing is going crazy. I don't know what's

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<v Speaker 3>gonna happen when I get up there, pads, patrons, He

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<v Speaker 3>called me up to do this set, called me up

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<v Speaker 3>do my set, and I do my set, and it's

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<v Speaker 3>one of those things where anything that could go right

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<v Speaker 3>went right. It was a magical moment, like literally like

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<v Speaker 3>my my ending joke. The girl that was supposed to

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<v Speaker 3>be participating, it was just dance she was supposed to

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<v Speaker 3>be doing. And to make my joke even bigger, she

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<v Speaker 3>fucked around and slipped and fell off the stage.

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<v Speaker 1>And I said, that's my time, good night, and everybody's laughing,

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<v Speaker 1>going crazy like it got.

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<v Speaker 3>It was so crazy. Chris came on, he did it.

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<v Speaker 3>When he started his set, he did his first fifteen

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<v Speaker 3>minutes about me, like this motherfucking came on. So I

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<v Speaker 3>literally jumped out the window.

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<v Speaker 2>That's crazy.

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<v Speaker 3>Almost got booed and it's inglewood, but that's a that's fine.

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<v Speaker 3>It happened, almost got booed in front of baby Face.

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<v Speaker 3>So I came back and said back down. Baby Face

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<v Speaker 3>looked at me, said I took guts in baby Face fashion,

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<v Speaker 3>right right. And then somebody went on stage after me

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<v Speaker 3>and did a whole fifteen minutes about me and my outfit.

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<v Speaker 1>So listen. That's comedy.

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<v Speaker 2>You gotta you gotta yeah, you gotta have a lightheartedness

0:11:26.240 --> 0:11:27.040
<v Speaker 2>and a thick skin.

0:11:27.200 --> 0:11:30.160
<v Speaker 1>You of all people can do stand up.

0:11:30.520 --> 0:11:33.319
<v Speaker 2>Okay, say I received it.

0:11:34.080 --> 0:11:36.240
<v Speaker 1>And you've got when you go up, I'm.

0:11:36.120 --> 0:11:40.760
<v Speaker 2>Coming absolutely not. You will do it like anonymously.

0:11:41.040 --> 0:11:45.440
<v Speaker 3>How about we do it together? Okay, okay, we just

0:11:45.480 --> 0:11:47.920
<v Speaker 3>picked we just we pick a spot. We'll go somewhere

0:11:47.920 --> 0:11:48.880
<v Speaker 3>on lancashim or.

0:11:48.840 --> 0:11:50.160
<v Speaker 2>Go or maybe seasoned.

0:11:51.160 --> 0:11:51.520
<v Speaker 1>I'm not.

0:11:51.640 --> 0:11:53.959
<v Speaker 2>I'm not season jumping together.

0:11:54.600 --> 0:11:59.319
<v Speaker 1>Just nobody. I'm not. I'm not. I'm not known as

0:11:59.320 --> 0:11:59.840
<v Speaker 1>a comedian.

0:12:00.240 --> 0:12:02.760
<v Speaker 2>Clearly you are because when I told someone I was that,

0:12:02.800 --> 0:12:05.640
<v Speaker 2>somebody said, tank to comedian, the comedian, let's do it together.

0:12:05.960 --> 0:12:08.880
<v Speaker 1>You have way more comedic hours than I do. I know.

0:12:08.960 --> 0:12:09.760
<v Speaker 1>That's for a fact.

0:12:10.240 --> 0:12:14.880
<v Speaker 2>Okay, I have some material. Let's let's yeah listen.

0:12:14.880 --> 0:12:18.080
<v Speaker 1>And then you have the trump card when you go

0:12:18.200 --> 0:12:20.000
<v Speaker 1>into that person.

0:12:19.760 --> 0:12:23.199
<v Speaker 7>Impersonations, it's a rap.

0:12:23.400 --> 0:12:25.920
<v Speaker 1>Yeah, yeah, it is a rap.

0:12:26.000 --> 0:12:32.160
<v Speaker 3>That's the that's the it's number one love and comedy impersonations. No,

0:12:33.000 --> 0:12:35.079
<v Speaker 3>I can do a couple, but they're I'm like, great,

0:12:35.160 --> 0:12:36.040
<v Speaker 3>can I hear him?

0:12:36.320 --> 0:12:39.720
<v Speaker 2>No? But who do you do?

0:12:39.760 --> 0:12:39.960
<v Speaker 6>Though?

0:12:40.040 --> 0:12:43.480
<v Speaker 2>Just so I know, who's your who can you impersonate?

0:12:43.720 --> 0:12:44.800
<v Speaker 1>I do Quincy Jones?

0:12:45.480 --> 0:12:47.880
<v Speaker 2>I could, I could already imagine that you would do that.

0:12:47.920 --> 0:12:50.199
<v Speaker 3>Well, I stole that from Jamie. I do Quincy Jones,

0:12:50.720 --> 0:12:52.840
<v Speaker 3>and uh, that might be it.

0:12:52.960 --> 0:12:56.040
<v Speaker 2>Quincy Jones is really big on horoscopes too. I met

0:12:56.080 --> 0:12:58.319
<v Speaker 2>him and he asked what my sign was. Yes, Devin,

0:12:58.360 --> 0:13:01.040
<v Speaker 2>my husband with his sign was that's a thing for him.

0:13:01.400 --> 0:13:05.280
<v Speaker 3>You know, quiz is different. Okay, all right, so let's

0:13:05.320 --> 0:13:07.800
<v Speaker 3>do this. Let's go at the beginning. Yeah, let's start

0:13:07.840 --> 0:13:12.000
<v Speaker 3>at the beginning, all right, the early Jade is it?

0:13:12.120 --> 0:13:13.839
<v Speaker 1>Jade? Nova isn't isn't birth name?

0:13:14.120 --> 0:13:16.400
<v Speaker 2>That is not my birth name. That is my given name.

0:13:16.720 --> 0:13:26.839
<v Speaker 1>Okay, gave it to you. Let me get so, where

0:13:26.880 --> 0:13:28.080
<v Speaker 1>does Jaye Novah come from?

0:13:28.400 --> 0:13:31.560
<v Speaker 2>Well, Jade, I'm really into like stars, and I'm really

0:13:31.600 --> 0:13:34.680
<v Speaker 2>into crystals and all that, and Jade is like the

0:13:34.720 --> 0:13:38.440
<v Speaker 2>stone that represents femininity and love. And and then Nova

0:13:38.600 --> 0:13:41.120
<v Speaker 2>I'm into the cosmos and Nova is an exploding star.

0:13:41.320 --> 0:13:43.080
<v Speaker 2>So I just put those two together and then added

0:13:43.120 --> 0:13:45.480
<v Speaker 2>in h at the end, because why went not you?

0:13:45.880 --> 0:13:55.880
<v Speaker 1>That is really cool? Tank stellar tank cutless Nova.

0:13:58.920 --> 0:13:59.559
<v Speaker 4>This guy.

0:14:03.160 --> 0:14:03.959
<v Speaker 8>Well played.

0:14:07.440 --> 0:14:12.559
<v Speaker 1>The beginning. Let's go back to oh Hire Cleveland.

0:14:12.600 --> 0:14:17.079
<v Speaker 2>From Cleveland, Ohio, born and raised, born and raised.

0:14:17.280 --> 0:14:19.200
<v Speaker 1>I have one question. Do you know Tasha?

0:14:19.960 --> 0:14:22.040
<v Speaker 2>I mean, of course Cleveland.

0:14:22.560 --> 0:14:25.640
<v Speaker 1>I just need to know if you know Tasha.

0:14:26.000 --> 0:14:26.680
<v Speaker 2>I don't know her person.

0:14:26.720 --> 0:14:28.000
<v Speaker 1>I always wanted to meet Tasha.

0:14:28.560 --> 0:14:30.720
<v Speaker 2>Maybe you guys should have her on the shows.

0:14:30.760 --> 0:14:35.120
<v Speaker 3>How you have to listen to that, to to those

0:14:35.200 --> 0:14:40.600
<v Speaker 3>few bars, like really listen to them to understand how

0:14:40.800 --> 0:14:41.800
<v Speaker 3>trap those.

0:14:41.600 --> 0:14:45.600
<v Speaker 2>Bars you're talking about Tasha's bar.

0:14:45.760 --> 0:14:48.840
<v Speaker 3>Absolutely, they literally say, hey, come here, come here, come here,

0:14:48.880 --> 0:14:52.360
<v Speaker 3>get Tasha, come sing. Just just just sing that we

0:14:52.480 --> 0:14:54.040
<v Speaker 3>hear you know what I'm saying, Just sing that ship

0:14:54.280 --> 0:14:54.680
<v Speaker 3>all right?

0:14:55.560 --> 0:14:58.360
<v Speaker 1>Literally just that. And she definitely had a beard in

0:14:58.400 --> 0:14:58.760
<v Speaker 1>her hand.

0:15:00.080 --> 0:15:01.320
<v Speaker 2>Yeah, probably shout.

0:15:03.320 --> 0:15:06.720
<v Speaker 1>So in the beginning, where does this love for music

0:15:06.760 --> 0:15:08.760
<v Speaker 1>come from? Where? Did? Where? Where do you find this?

0:15:09.880 --> 0:15:11.720
<v Speaker 2>I mean? I grew up in a musical family. Like

0:15:11.760 --> 0:15:16.440
<v Speaker 2>my dad, he plays guitar, he plays keys, and he sings,

0:15:16.520 --> 0:15:18.720
<v Speaker 2>and he was in a rock band when he was younger. Actually,

0:15:19.200 --> 0:15:20.720
<v Speaker 2>so I grew up listening to a lot of rock

0:15:20.760 --> 0:15:24.840
<v Speaker 2>and roll. And my mother just loved Broadway musical She

0:15:24.920 --> 0:15:28.360
<v Speaker 2>had like all the Broadway musicals on vinyl, and yeah,

0:15:28.400 --> 0:15:30.320
<v Speaker 2>my sisters sing, So that was just sort of a

0:15:30.320 --> 0:15:32.320
<v Speaker 2>love language in our house, Like we just sang like

0:15:32.400 --> 0:15:35.240
<v Speaker 2>kind of like the Black Partridge Family, well, the Jackson Puff.

0:15:35.440 --> 0:15:38.920
<v Speaker 2>I don't know why I said the Black Partners because

0:15:38.960 --> 0:15:42.120
<v Speaker 2>there's clearly an option for that. But yeah, we were

0:15:42.160 --> 0:15:43.240
<v Speaker 2>like just a musical family.

0:15:43.680 --> 0:15:46.600
<v Speaker 1>And was it was it church related or it was.

0:15:46.600 --> 0:15:50.200
<v Speaker 2>Just more so not so much church related. That came

0:15:50.240 --> 0:15:54.600
<v Speaker 2>a little later in life, but yeah, just singing around.

0:15:54.640 --> 0:15:56.680
<v Speaker 2>Pe would go to nursing homes and perform. My dad

0:15:56.720 --> 0:15:58.880
<v Speaker 2>would write songs and me and my sister would sing

0:15:58.920 --> 0:16:02.120
<v Speaker 2>in a way. So I've always been singing. That's always

0:16:02.160 --> 0:16:05.720
<v Speaker 2>been That's always been my singing lead. Oh I was.

0:16:05.800 --> 0:16:11.280
<v Speaker 2>I was definitely the Beyonce of the group. She was, Yeah,

0:16:11.320 --> 0:16:11.720
<v Speaker 2>she was.

0:16:12.120 --> 0:16:14.320
<v Speaker 1>And is your sister? Does she still sing with you?

0:16:14.320 --> 0:16:16.000
<v Speaker 2>No, both my sisters did at the time, and no,

0:16:16.120 --> 0:16:16.880
<v Speaker 2>neither one of them do.

0:16:17.160 --> 0:16:17.240
<v Speaker 4>No.

0:16:17.480 --> 0:16:19.520
<v Speaker 2>One's a nurse and one is a full time mother

0:16:19.600 --> 0:16:20.080
<v Speaker 2>of six.

0:16:21.000 --> 0:16:27.440
<v Speaker 4>Oh yeah, yeah, yeah, she spent her time raising that family.

0:16:27.920 --> 0:16:29.560
<v Speaker 2>She was listening to the R and B clearly.

0:16:29.800 --> 0:16:33.720
<v Speaker 1>Yeah. So when was the separation though for you where

0:16:33.800 --> 0:16:38.520
<v Speaker 1>you were like this could be a career for me

0:16:38.720 --> 0:16:43.240
<v Speaker 1>or someone identified you as just being different than everybody else.

0:16:43.360 --> 0:16:45.440
<v Speaker 2>Well, I was in a girl group and it started

0:16:45.480 --> 0:16:47.920
<v Speaker 2>off with my sisters actually, and then they went off

0:16:47.920 --> 0:16:49.840
<v Speaker 2>and started doing their own thing, and then the woman

0:16:49.840 --> 0:16:52.320
<v Speaker 2>who was managing us at the time just started bringing

0:16:52.320 --> 0:16:54.560
<v Speaker 2>in different girls. I mean, I feel like they were

0:16:54.600 --> 0:16:56.480
<v Speaker 2>probably over the because I was in this girls group

0:16:56.520 --> 0:16:58.680
<v Speaker 2>from the time I was like eight years old to

0:16:58.800 --> 0:16:59.840
<v Speaker 2>eighteen years old.

0:17:00.240 --> 0:17:00.440
<v Speaker 1>What.

0:17:00.640 --> 0:17:04.000
<v Speaker 2>Yeah, And in that whole time, there was probably about

0:17:04.040 --> 0:17:06.160
<v Speaker 2>twelve girls who came and win. I was the only

0:17:06.280 --> 0:17:08.720
<v Speaker 2>one who stayed in that whole time.

0:17:09.000 --> 0:17:11.080
<v Speaker 1>So that was my name in the group change or

0:17:11.160 --> 0:17:12.120
<v Speaker 1>was it the same name?

0:17:12.200 --> 0:17:15.359
<v Speaker 2>The total package for ten years for ten years.

0:17:15.440 --> 0:17:19.320
<v Speaker 1>Yeah, and they just kept repackaging. That's good. I mean

0:17:19.359 --> 0:17:20.160
<v Speaker 1>they were trying, you.

0:17:20.080 --> 0:17:24.640
<v Speaker 2>Know, yeah, yeah, they were trying to find the right Yeah.

0:17:24.680 --> 0:17:26.760
<v Speaker 2>But that was that was my I guess you would

0:17:26.760 --> 0:17:30.359
<v Speaker 2>say church or boot camp and sort of learning how

0:17:30.720 --> 0:17:33.359
<v Speaker 2>the industry worked and learning how to record in the studio.

0:17:33.480 --> 0:17:36.080
<v Speaker 2>That's pretty much all we did was record demos in

0:17:36.080 --> 0:17:40.240
<v Speaker 2>the studio. And yeah, so ten years of my childhood

0:17:40.280 --> 0:17:42.000
<v Speaker 2>and Cleveland in Cleveland.

0:17:41.600 --> 0:17:43.120
<v Speaker 1>Yep, did you guys perform anywhere?

0:17:43.760 --> 0:17:47.840
<v Speaker 2>Very rarely? We did. We did showcases around like Gerald LeVert,

0:17:47.960 --> 0:17:51.919
<v Speaker 2>he was I wouldn't say he was a part of it,

0:17:51.960 --> 0:17:54.760
<v Speaker 2>but he definitely supported and like whenever he had things

0:17:54.800 --> 0:17:57.480
<v Speaker 2>would allow us to come and sing, and we recorded

0:17:57.520 --> 0:17:59.920
<v Speaker 2>at Trouble, which was his studio in Cleveland on ninety

0:18:00.040 --> 0:18:03.720
<v Speaker 2>third and way shout out. But yeah, Joe Little like

0:18:03.800 --> 0:18:07.440
<v Speaker 2>a lot of those he produced some of my first

0:18:07.560 --> 0:18:09.560
<v Speaker 2>records when I was when I was a kid, Joe

0:18:09.640 --> 0:18:11.800
<v Speaker 2>was that guy. Yeah, he's so talented.

0:18:12.480 --> 0:18:12.680
<v Speaker 6>Man.

0:18:12.760 --> 0:18:15.760
<v Speaker 2>There's so much in Cleveland and these are the guys

0:18:15.800 --> 0:18:17.840
<v Speaker 2>that I was learning from and just working with as

0:18:17.880 --> 0:18:21.000
<v Speaker 2>a kid and in the studio almost every day.

0:18:21.600 --> 0:18:24.920
<v Speaker 1>Yeah, that's crazy. Eight to eighteen yep.

0:18:25.600 --> 0:18:27.879
<v Speaker 2>And then I hated it. I didn't like the way.

0:18:27.760 --> 0:18:30.960
<v Speaker 1>They hated singing. I had like, what part about it

0:18:31.000 --> 0:18:31.400
<v Speaker 1>did you hate?

0:18:31.400 --> 0:18:33.840
<v Speaker 2>But the industry was different back then, you know, like

0:18:33.920 --> 0:18:37.840
<v Speaker 2>there was no social media and it was just this

0:18:38.000 --> 0:18:40.879
<v Speaker 2>goal to get signed to a major label. You know,

0:18:40.920 --> 0:18:44.600
<v Speaker 2>there was really only one sort of trajectory to find

0:18:44.720 --> 0:18:47.440
<v Speaker 2>success at that time, and so everything that kind of

0:18:47.480 --> 0:18:50.280
<v Speaker 2>went along with it, especially being in a group, because

0:18:50.320 --> 0:18:54.640
<v Speaker 2>the group was very much you know, manufactured, like how

0:18:54.680 --> 0:18:57.400
<v Speaker 2>most groups were, where everyone kind of had this role

0:18:57.440 --> 0:18:59.760
<v Speaker 2>that they played that was kind of predetermined. And since

0:18:59.800 --> 0:19:02.240
<v Speaker 2>I'm a kid, like I didn't really know myself enough

0:19:02.280 --> 0:19:04.679
<v Speaker 2>to know who I was and how I wanted to

0:19:04.680 --> 0:19:07.160
<v Speaker 2>show up. I wasn't writing anything. I wasn't picking out

0:19:07.160 --> 0:19:09.200
<v Speaker 2>my clothes. I didn't name the group clearly because I

0:19:09.200 --> 0:19:11.880
<v Speaker 2>wouldn't have went with total package, no shape. But I'm

0:19:11.920 --> 0:19:14.919
<v Speaker 2>just saying like I just didn't have any creative control

0:19:14.960 --> 0:19:17.720
<v Speaker 2>whatsoever and that and so I didn't like that part.

0:19:17.840 --> 0:19:19.919
<v Speaker 2>I didn't like feeling like I had to be this

0:19:20.080 --> 0:19:23.560
<v Speaker 2>sort of intriloquis dummy to do my art, you know,

0:19:23.720 --> 0:19:26.040
<v Speaker 2>carrying out someone else's vision and it's coming out in

0:19:26.040 --> 0:19:26.400
<v Speaker 2>my mouth.

0:19:26.480 --> 0:19:26.520
<v Speaker 3>Like.

0:19:26.600 --> 0:19:29.960
<v Speaker 2>I didn't like that. So I stopped as soon as

0:19:30.000 --> 0:19:32.480
<v Speaker 2>I turned eighteen. I quit the group because I could,

0:19:32.560 --> 0:19:34.600
<v Speaker 2>and honestly I tried to before, but they wouldn't let

0:19:34.640 --> 0:19:35.000
<v Speaker 2>me leave.

0:19:35.400 --> 0:19:36.400
<v Speaker 1>Who wouldn't let you leave?

0:19:36.680 --> 0:19:37.800
<v Speaker 2>Child? Don't get me in trouble.

0:19:38.800 --> 0:19:39.840
<v Speaker 1>You couldn't leave the group?

0:19:39.880 --> 0:19:43.000
<v Speaker 2>No, I tried, and then they tried to sue my family.

0:19:44.320 --> 0:19:44.439
<v Speaker 1>What.

0:19:44.640 --> 0:19:46.320
<v Speaker 2>Yeah, I tried to leave. They would not let me

0:19:46.400 --> 0:19:51.679
<v Speaker 2>runder contract. It's a little dark, maybe we won't.

0:19:51.400 --> 0:19:58.240
<v Speaker 4>Go there, but having an understanding too though, of what

0:19:58.359 --> 0:20:00.760
<v Speaker 4>you get your kids into. Yeah, you know what I mean,

0:20:00.840 --> 0:20:02.959
<v Speaker 4>Like this is an important part of this business as

0:20:02.960 --> 0:20:05.520
<v Speaker 4>well as far as you know, just even from the

0:20:05.520 --> 0:20:10.040
<v Speaker 4>contractual state of you know, what you signed off for, Yeah,

0:20:10.160 --> 0:20:13.000
<v Speaker 4>what you signed or signed up? Sign up for or

0:20:13.080 --> 0:20:14.240
<v Speaker 4>sign off either one.

0:20:14.840 --> 0:20:15.000
<v Speaker 1>Right.

0:20:15.040 --> 0:20:17.760
<v Speaker 4>I think sometimes people, you know, they see the dream

0:20:18.520 --> 0:20:21.280
<v Speaker 4>and maybe not fully see all the things that come

0:20:21.320 --> 0:20:25.040
<v Speaker 4>along with that, or you know, have a you know, shit,

0:20:25.080 --> 0:20:26.480
<v Speaker 4>we would have to have a crystal ball in a

0:20:26.520 --> 0:20:28.959
<v Speaker 4>sense to you know, because people turn to right, we

0:20:29.000 --> 0:20:31.679
<v Speaker 4>all know that, like everything seems sweet until you're in it,

0:20:31.720 --> 0:20:33.280
<v Speaker 4>and then they're like, oh, well this is how it is.

0:20:33.320 --> 0:20:35.040
<v Speaker 4>And since you're in the contract.

0:20:34.600 --> 0:20:37.200
<v Speaker 2>And I've invested so much in you, you can't leave.

0:20:37.600 --> 0:20:37.919
<v Speaker 1>Yeah.

0:20:37.960 --> 0:20:40.040
<v Speaker 2>And I was again also the only girl who did

0:20:40.080 --> 0:20:42.080
<v Speaker 2>sign the contract, which is why all the other people

0:20:42.119 --> 0:20:44.560
<v Speaker 2>were coming and going oh wow. And I had no choice,

0:20:44.600 --> 0:20:48.639
<v Speaker 2>Like I was literally forced in some instances to be

0:20:48.680 --> 0:20:49.280
<v Speaker 2>a part of this.

0:20:50.080 --> 0:20:54.199
<v Speaker 4>So did you ever think of like at that point,

0:20:54.560 --> 0:20:56.760
<v Speaker 4>before you're eighteen, I'm just like, all right, well I'm

0:20:56.800 --> 0:20:58.040
<v Speaker 4>just not going to sing it all anymore.

0:20:58.119 --> 0:21:00.159
<v Speaker 2>Well that's pretty much what it came to. And I

0:21:00.160 --> 0:21:03.000
<v Speaker 2>did stop, like even after I got out of the contract,

0:21:03.080 --> 0:21:04.639
<v Speaker 2>I was like, I don't want to do this anymore,

0:21:04.640 --> 0:21:07.080
<v Speaker 2>because this is all I knew of the industry to be,

0:21:07.359 --> 0:21:09.399
<v Speaker 2>was that I had to carry out someone else's mission

0:21:09.520 --> 0:21:12.159
<v Speaker 2>and you know, sort of submit to everyone else and

0:21:12.280 --> 0:21:15.000
<v Speaker 2>what they wanted for me. And so I started writing

0:21:15.119 --> 0:21:18.000
<v Speaker 2>that's that's really well. Actually I went through a period

0:21:18.000 --> 0:21:20.440
<v Speaker 2>of just I went to college. I just didn't Most

0:21:20.520 --> 0:21:22.360
<v Speaker 2>people who knew me at the time didn't even really

0:21:22.400 --> 0:21:24.600
<v Speaker 2>know that I sang or had ambitions for it, Like

0:21:24.640 --> 0:21:26.680
<v Speaker 2>I was just going to school, like I would do

0:21:26.720 --> 0:21:29.160
<v Speaker 2>talent shows and stuff, but it wasn't like a true ambition.

0:21:29.760 --> 0:21:33.680
<v Speaker 2>And then do you guys know Yanni the producing ya

0:21:33.840 --> 0:21:36.919
<v Speaker 2>you know I have made I've made some YouTube videos

0:21:36.960 --> 0:21:38.720
<v Speaker 2>around that time. I just played around and he saw

0:21:38.760 --> 0:21:40.280
<v Speaker 2>it and I was like, Yo, you're in Cleveland, like

0:21:40.800 --> 0:21:42.920
<v Speaker 2>come and like reference some stuff for us. We have

0:21:43.040 --> 0:21:46.840
<v Speaker 2>this this writing camp called the Skeleton crew Man and

0:21:46.880 --> 0:21:48.640
<v Speaker 2>like just come reference and I was like you know what,

0:21:48.760 --> 0:21:51.080
<v Speaker 2>and he's like, well, i'll pay you. I'm like, don't

0:21:51.119 --> 0:21:54.680
<v Speaker 2>pay me, just let me write too, cause I've never

0:21:54.840 --> 0:21:57.320
<v Speaker 2>been given the opportunity to do that. Like I've always

0:21:57.359 --> 0:21:59.960
<v Speaker 2>been carrying out someone else's songs and singing other people

0:22:00.280 --> 0:22:02.879
<v Speaker 2>you know, I'm sorry, singing other people's song and carrying

0:22:02.880 --> 0:22:05.560
<v Speaker 2>out other people's visions. So he was like cool. So

0:22:05.600 --> 0:22:07.720
<v Speaker 2>he just started giving me tracks. And I was trash

0:22:07.800 --> 0:22:10.320
<v Speaker 2>at first, but he just believed in me and just

0:22:10.320 --> 0:22:12.760
<v Speaker 2>gave me the space. And I was driving to Cleveland

0:22:12.840 --> 0:22:14.359
<v Speaker 2>from I went to Kent State at the time, and

0:22:14.359 --> 0:22:18.200
<v Speaker 2>I would drive that hour to Yanni's studio and write

0:22:18.240 --> 0:22:20.000
<v Speaker 2>and just really work at it. And I became so

0:22:20.080 --> 0:22:22.040
<v Speaker 2>passionate about it, and I started falling in love with

0:22:22.080 --> 0:22:25.359
<v Speaker 2>it and again and realizing like, Okay, I can do

0:22:25.480 --> 0:22:27.480
<v Speaker 2>this if I have control over it, you know, and

0:22:27.520 --> 0:22:30.359
<v Speaker 2>get to be creative and take up space. You know.

0:22:30.520 --> 0:22:32.639
<v Speaker 2>I fell in love with it, and that was really

0:22:32.680 --> 0:22:36.280
<v Speaker 2>the thing that shifted my trajectory again and falling in

0:22:36.600 --> 0:22:41.159
<v Speaker 2>love with music again was Yanni was Oh God. The

0:22:41.160 --> 0:22:45.479
<v Speaker 2>first song I wrote with Yanni was called oh God,

0:22:45.600 --> 0:22:50.239
<v Speaker 2>I don't know. There's so many trash ones that there

0:22:50.240 --> 0:22:52.399
<v Speaker 2>were so many no I have And I found like

0:22:52.480 --> 0:22:55.399
<v Speaker 2>a little drive the other day that had all those songs,

0:22:55.400 --> 0:22:58.000
<v Speaker 2>and I'm like, wow, he really had vision because it

0:22:58.040 --> 0:22:58.640
<v Speaker 2>was trash.

0:22:58.800 --> 0:23:02.800
<v Speaker 3>I was trash. I listened to my early tracks like.

0:23:07.480 --> 0:23:09.080
<v Speaker 1>That processes is real.

0:23:09.400 --> 0:23:11.920
<v Speaker 4>That process is real, and it's you know, and it's

0:23:12.000 --> 0:23:14.240
<v Speaker 4>also a testament to the people who stay, who stay

0:23:14.240 --> 0:23:18.160
<v Speaker 4>in it right, because nobody's first song or their first

0:23:18.240 --> 0:23:20.320
<v Speaker 4>track or you know, the first thing that they do

0:23:21.280 --> 0:23:23.280
<v Speaker 4>really sounds good ultimately, you know what I mean, You're

0:23:23.359 --> 0:23:25.639
<v Speaker 4>trying to get to somewhere. It's so funny when you

0:23:25.920 --> 0:23:27.520
<v Speaker 4>see people and they're like, yeah, that's the first song I

0:23:27.560 --> 0:23:28.200
<v Speaker 4>ever did.

0:23:28.560 --> 0:23:29.920
<v Speaker 1>I don't really be believing.

0:23:29.640 --> 0:23:33.000
<v Speaker 4>It depending on how the age.

0:23:33.359 --> 0:23:36.639
<v Speaker 2>Well, I mean tanks first stand up, he kneeled, so

0:23:36.760 --> 0:23:37.720
<v Speaker 2>I guess it's possible.

0:23:39.320 --> 0:23:42.920
<v Speaker 1>That was definitely luck. That was That was also to

0:23:43.320 --> 0:23:44.000
<v Speaker 1>I think with.

0:23:46.160 --> 0:23:48.080
<v Speaker 4>It might have been his first time going on stage,

0:23:49.240 --> 0:23:51.480
<v Speaker 4>but it wasn't his first time kind of preparing.

0:23:51.200 --> 0:23:53.000
<v Speaker 1>His mind to right.

0:23:53.080 --> 0:23:56.040
<v Speaker 4>I'm talking about the first time you put into paper

0:23:56.520 --> 0:23:58.440
<v Speaker 4>and decide I want to try to write a song,

0:23:59.640 --> 0:24:02.240
<v Speaker 4>saying that's your first my first time ever. I had

0:24:02.320 --> 0:24:04.879
<v Speaker 4>never written a song before, and I wrote the greatest

0:24:04.920 --> 0:24:05.320
<v Speaker 4>level of all.

0:24:05.440 --> 0:24:09.119
<v Speaker 2>No, you didn't did not write that song, you know

0:24:09.160 --> 0:24:09.560
<v Speaker 2>what I mean?

0:24:09.640 --> 0:24:12.679
<v Speaker 4>So that part, you know, I'll be listening, but I'll

0:24:12.720 --> 0:24:13.360
<v Speaker 4>be in my head.

0:24:13.359 --> 0:24:17.720
<v Speaker 2>I'm like you, But I love that process, so with

0:24:17.800 --> 0:24:21.080
<v Speaker 2>figuring it out and then watching how over time it

0:24:21.160 --> 0:24:24.959
<v Speaker 2>got better and better better, like it was, it was therapeutic.

0:24:25.080 --> 0:24:25.680
<v Speaker 8>I loved it.

0:24:25.840 --> 0:24:26.480
<v Speaker 6>I love it.

0:24:39.760 --> 0:24:42.320
<v Speaker 1>You have this pub deal now now you have some freedom,

0:24:43.359 --> 0:24:44.200
<v Speaker 1>and you found your man.

0:24:44.560 --> 0:24:50.280
<v Speaker 7>I did you know what I'm saying?

0:24:50.800 --> 0:24:54.600
<v Speaker 3>And that's and that's gotta be cool too, and yeah,

0:24:55.320 --> 0:24:59.480
<v Speaker 3>even in a in a creative space like that's gotta

0:24:59.520 --> 0:25:00.080
<v Speaker 3>be really.

0:25:00.320 --> 0:25:02.560
<v Speaker 4>Because you definitely married like one of the most talented

0:25:02.560 --> 0:25:03.359
<v Speaker 4>people I've ever met.

0:25:03.920 --> 0:25:06.920
<v Speaker 1>I did, because you know, we worked with him.

0:25:07.480 --> 0:25:11.480
<v Speaker 4>Wait when years ago before I want to say, maybe

0:25:11.520 --> 0:25:12.600
<v Speaker 4>before y'all even.

0:25:12.960 --> 0:25:19.720
<v Speaker 1>Were married, probably yeah, probably, yeah, yeah, yeah, yeah.

0:25:19.400 --> 0:25:23.280
<v Speaker 2>Yeah, yeah, Devin's so he was like.

0:25:23.280 --> 0:25:25.000
<v Speaker 1>Yeah, that guy's really talented.

0:25:26.280 --> 0:25:28.359
<v Speaker 2>Yeah, and he's he doesn't even like to say that

0:25:28.400 --> 0:25:31.200
<v Speaker 2>he sings, and it bothers me, like when he goes

0:25:31.440 --> 0:25:33.760
<v Speaker 2>and talks about the things that he's done, he rarely

0:25:33.800 --> 0:25:37.640
<v Speaker 2>acknowledges the fact that he's also a vocalist and very

0:25:37.640 --> 0:25:38.080
<v Speaker 2>cool one.

0:25:38.720 --> 0:25:41.080
<v Speaker 4>Yeah yea like Simpson.

0:25:42.040 --> 0:25:46.879
<v Speaker 2>Yeah, yeah, I'll take it. Yeah, that's babe.

0:25:48.600 --> 0:25:49.399
<v Speaker 1>That's so.

0:25:49.440 --> 0:25:53.120
<v Speaker 4>Did you guys immediately become a writing and production.

0:25:52.840 --> 0:25:57.400
<v Speaker 2>Team pretty much? Yeah, like the first time we got

0:25:57.400 --> 0:25:59.440
<v Speaker 2>in the session together and I do remember the name

0:25:59.480 --> 0:26:01.400
<v Speaker 2>of the song we did. It was called cat Got

0:26:01.400 --> 0:26:04.800
<v Speaker 2>Your Tongue. It was very nasty, and he was just.

0:26:06.760 --> 0:26:13.600
<v Speaker 4>About, yeah, well that's the bring it on back, bring

0:26:13.600 --> 0:26:15.159
<v Speaker 4>it on back, and sometimes they got to get.

0:26:15.000 --> 0:26:16.720
<v Speaker 1>Skinned a.

0:26:20.080 --> 0:26:25.480
<v Speaker 2>Tchet, but yeah, he I just thought he was a

0:26:25.520 --> 0:26:28.080
<v Speaker 2>writer because he did a co write with me. But

0:26:28.119 --> 0:26:31.120
<v Speaker 2>then I discovered all of the layers and any talents

0:26:31.119 --> 0:26:33.960
<v Speaker 2>of Devin Johnson and I'm like, yo, I want to

0:26:33.960 --> 0:26:35.840
<v Speaker 2>work with you. And he's honestly who inspired me to

0:26:35.880 --> 0:26:36.960
<v Speaker 2>want to be an artist because I.

0:26:36.920 --> 0:26:38.960
<v Speaker 1>Was not an artist at this point.

0:26:38.960 --> 0:26:41.200
<v Speaker 2>I was just writing and I had no desire to

0:26:41.240 --> 0:26:44.159
<v Speaker 2>be an artist whatsoever. And he's like, you're crazy. He's like,

0:26:44.200 --> 0:26:45.960
<v Speaker 2>no one's going to sing these songs like you like,

0:26:46.160 --> 0:26:50.240
<v Speaker 2>let's do this, Let's do something. And he inspired me

0:26:50.359 --> 0:26:54.119
<v Speaker 2>to start the solo stuff. He's like, you already have

0:26:54.200 --> 0:26:57.600
<v Speaker 2>some stuff on YouTube, Like let's just keep going from there.

0:26:57.840 --> 0:27:00.399
<v Speaker 2>And that was the vision, Like we'll do some covers,

0:27:00.480 --> 0:27:03.439
<v Speaker 2>I'll reproduce them. You don't have to like all of

0:27:03.480 --> 0:27:06.520
<v Speaker 2>the anxieties that I had around being an artist, like oh,

0:27:06.560 --> 0:27:08.640
<v Speaker 2>the control or the label. He's like, nah, we could

0:27:08.640 --> 0:27:10.840
<v Speaker 2>do this independent like that was always the goal. He's like,

0:27:10.840 --> 0:27:13.520
<v Speaker 2>we're gonna own this. Let's just do this thing. Because

0:27:13.520 --> 0:27:15.840
<v Speaker 2>he had come from being an artist. He was signed

0:27:15.840 --> 0:27:17.520
<v Speaker 2>to Motown and he was able to get out of

0:27:17.560 --> 0:27:20.919
<v Speaker 2>his deal. So we both had similar experiences and just

0:27:21.000 --> 0:27:23.560
<v Speaker 2>kind of switched roles and he's like, I know it

0:27:23.600 --> 0:27:26.520
<v Speaker 2>from this perspective, you know it from that perspective. Let's

0:27:26.800 --> 0:27:29.520
<v Speaker 2>bring all of our knowledge together and like do something

0:27:29.560 --> 0:27:32.520
<v Speaker 2>that hasn't been done and like just really take advantage

0:27:32.560 --> 0:27:35.680
<v Speaker 2>of social media. And so he would reproduce the covers

0:27:35.680 --> 0:27:37.920
<v Speaker 2>that we would do. We were very strategic about trying

0:27:37.960 --> 0:27:40.399
<v Speaker 2>to do songs that didn't have music videos yet, and

0:27:40.440 --> 0:27:42.480
<v Speaker 2>then we would put them out first and we would

0:27:42.480 --> 0:27:45.720
<v Speaker 2>go viral like that was the That was the formula.

0:27:45.880 --> 0:27:48.320
<v Speaker 4>So if y'all found a song that was cracking but

0:27:48.359 --> 0:27:49.600
<v Speaker 4>they didn't have no video to.

0:27:49.600 --> 0:27:51.800
<v Speaker 1>It, yeah you was the video to it, do it.

0:27:51.760 --> 0:28:00.560
<v Speaker 2>And we would play official video and get it. So

0:28:00.640 --> 0:28:04.600
<v Speaker 2>it was Rihanna Diamonds came out and he he heard it.

0:28:04.680 --> 0:28:06.359
<v Speaker 2>He sent we gotta do this right now. So we

0:28:06.440 --> 0:28:08.280
<v Speaker 2>hurried up and did it and shot a video like

0:28:08.280 --> 0:28:10.240
<v Speaker 2>two days later and put it up and then had

0:28:10.320 --> 0:28:14.600
<v Speaker 2>like thirteen million views and it was on Rolling Stone

0:28:14.800 --> 0:28:16.920
<v Speaker 2>like everything, like it was a whole thing.

0:28:17.080 --> 0:28:18.800
<v Speaker 1>Did y'all ever get a cease and desist?

0:28:19.040 --> 0:28:23.280
<v Speaker 2>No? No, I mean there are covers and it's YouTube,

0:28:23.600 --> 0:28:26.120
<v Speaker 2>and YouTube was still like not what it is now,

0:28:26.320 --> 0:28:29.080
<v Speaker 2>like where they can take your things down, but you're still.

0:28:28.760 --> 0:28:33.360
<v Speaker 1>Like cutting into the to the market.

0:28:33.040 --> 0:28:34.960
<v Speaker 2>Share million light.

0:28:35.280 --> 0:28:35.840
<v Speaker 1>Yeah.

0:28:35.880 --> 0:28:38.120
<v Speaker 2>It was kind of crazy. Yeah, I mean the video

0:28:38.200 --> 0:28:40.280
<v Speaker 2>wasn't the greatest, but it was what.

0:28:40.240 --> 0:28:43.040
<v Speaker 3>I mean, you're just tapping into the to the early

0:28:43.120 --> 0:28:46.720
<v Speaker 3>connection of that song and people just wanting to see

0:28:46.760 --> 0:28:48.160
<v Speaker 3>it or hear it wherever it is.

0:28:48.280 --> 0:28:50.120
<v Speaker 2>Yeah, and they're like, I came in for Rihanna, but

0:28:50.600 --> 0:28:51.600
<v Speaker 2>I kind of fuck with it.

0:28:51.960 --> 0:28:53.400
<v Speaker 1>Yeah.

0:28:53.600 --> 0:28:57.320
<v Speaker 2>So yeah, that was the formula to call you.

0:28:58.080 --> 0:28:58.240
<v Speaker 8>Well.

0:28:58.320 --> 0:29:02.720
<v Speaker 2>I ended up singing back from for Rihanna, not mainly

0:29:02.760 --> 0:29:03.280
<v Speaker 2>because of.

0:29:03.240 --> 0:29:05.640
<v Speaker 4>That, but I mean she knew you knew the words

0:29:07.120 --> 0:29:11.440
<v Speaker 4>your part last time, you know your damn part. Right,

0:29:11.800 --> 0:29:13.400
<v Speaker 4>here's a there's a question I have for you.

0:29:13.480 --> 0:29:16.360
<v Speaker 3>Because here's a question I have for you because a

0:29:16.360 --> 0:29:17.760
<v Speaker 3>lot of times.

0:29:18.920 --> 0:29:21.200
<v Speaker 1>Producers get accused.

0:29:22.400 --> 0:29:28.320
<v Speaker 3>Of using their their their gifts, and their their songs

0:29:28.760 --> 0:29:30.840
<v Speaker 3>to romanticize.

0:29:31.520 --> 0:29:35.000
<v Speaker 1>A woman. We get accused of this. They only want

0:29:35.040 --> 0:29:37.880
<v Speaker 1>to do a late night session because I'm a girl.

0:29:39.760 --> 0:29:43.440
<v Speaker 1>How did he How did he sway.

0:29:43.240 --> 0:29:53.440
<v Speaker 3>You we should do a late night session?

0:29:54.600 --> 0:29:55.040
<v Speaker 1>Cats?

0:29:58.040 --> 0:30:02.720
<v Speaker 2>Absolutely it was me. Yeah, Devin wasn't really interested in me.

0:30:03.880 --> 0:30:08.120
<v Speaker 1>No, it was you. I take that shot.

0:30:08.200 --> 0:30:11.640
<v Speaker 2>Sometimes I did and it didn't work. It didn't go

0:30:11.720 --> 0:30:15.920
<v Speaker 2>so well. What do you mean he rejected me? He

0:30:16.000 --> 0:30:17.080
<v Speaker 2>did the first time.

0:30:17.160 --> 0:30:22.080
<v Speaker 1>Yeah, I think we should just really focus on I

0:30:22.080 --> 0:30:24.640
<v Speaker 1>think we should really focus on the music in the business.

0:30:24.640 --> 0:30:26.400
<v Speaker 2>And it wasn't even that. I think he was like

0:30:26.560 --> 0:30:29.000
<v Speaker 2>talking to someone at the time, and he was just like,

0:30:29.080 --> 0:30:31.200
<v Speaker 2>I just want to see He was just so honest,

0:30:31.720 --> 0:30:34.280
<v Speaker 2>you know, because she didn't even live in Atlanta. He's like,

0:30:34.320 --> 0:30:35.880
<v Speaker 2>I just want to kind of see where it's going.

0:30:36.680 --> 0:30:43.720
<v Speaker 2>And didn't go anywhere, and I waited, We'll see how

0:30:43.720 --> 0:30:47.080
<v Speaker 2>that plays, just keeping quirky.

0:30:48.640 --> 0:30:50.080
<v Speaker 1>Did you break out your crystals on him?

0:30:50.400 --> 0:30:53.080
<v Speaker 2>I didn't. I wasn't super I wasn't there quite yet.

0:30:53.240 --> 0:30:55.160
<v Speaker 2>I mean I guess I was because I was starting

0:30:55.160 --> 0:30:57.400
<v Speaker 2>the J and Over thing. But it's almost like the

0:30:57.520 --> 0:31:01.440
<v Speaker 2>name chose me, because then I started to sort of

0:31:01.520 --> 0:31:05.560
<v Speaker 2>become a lot more to those things as time went on,

0:31:05.720 --> 0:31:08.200
<v Speaker 2>like so Yeah, I didn't. I didn't put any spells

0:31:08.200 --> 0:31:12.840
<v Speaker 2>on him yet, but yeah I did. It didn't take long.

0:31:13.560 --> 0:31:16.200
<v Speaker 4>Wow, that man be out here producing and mixing and

0:31:16.240 --> 0:31:21.360
<v Speaker 4>writing and playing musical. I love it.

0:31:22.120 --> 0:31:24.720
<v Speaker 2>I call him the husband because he played.

0:31:26.240 --> 0:31:30.680
<v Speaker 3>Really good the Husbandand have you seen the show live?

0:31:31.240 --> 0:31:32.240
<v Speaker 1>No, I went.

0:31:32.360 --> 0:31:34.560
<v Speaker 4>I went to see the show live. It's really cool

0:31:34.760 --> 0:31:37.000
<v Speaker 4>they got. They put together a really dope show. You

0:31:37.040 --> 0:31:39.000
<v Speaker 4>guys put together a really really dope yank you.

0:31:39.080 --> 0:31:42.560
<v Speaker 2>Thank you. Yeah. Storytelling has always been a big passion

0:31:42.600 --> 0:31:45.600
<v Speaker 2>for both of us, so just the synergy, it just

0:31:45.640 --> 0:31:46.160
<v Speaker 2>made sense.

0:31:46.400 --> 0:31:49.800
<v Speaker 1>Yeah. Yeah, so let's get to Jay Novak. Yeah, let's

0:31:49.800 --> 0:31:50.120
<v Speaker 1>get there.

0:31:50.240 --> 0:31:54.560
<v Speaker 3>And in the first project, your first outing, building, your

0:31:54.600 --> 0:31:56.920
<v Speaker 3>first moment, what went into that.

0:31:56.920 --> 0:32:00.000
<v Speaker 2>It's all blue, right, the first Yes, the first project

0:32:01.240 --> 0:32:03.840
<v Speaker 2>really just from the years of doing covers and like

0:32:03.960 --> 0:32:07.480
<v Speaker 2>mixtapes and things like that over the years. It took

0:32:07.520 --> 0:32:10.960
<v Speaker 2>a while. I think it was twenty eighteen, so literally

0:32:11.080 --> 0:32:13.400
<v Speaker 2>six years after we had been working to put out

0:32:13.520 --> 0:32:18.720
<v Speaker 2>the project. But yeah, it was. We had moved to

0:32:18.760 --> 0:32:21.760
<v Speaker 2>it to LA in that time, so like twenty fifteen,

0:32:21.760 --> 0:32:24.320
<v Speaker 2>we moved to LA and that's when our minds just

0:32:24.320 --> 0:32:27.640
<v Speaker 2>started changing and we started unlearning a lot of things

0:32:27.760 --> 0:32:30.120
<v Speaker 2>and just kind of being around more like minded people.

0:32:31.320 --> 0:32:34.800
<v Speaker 2>LA changed some things for me, and All Blue was

0:32:34.840 --> 0:32:38.160
<v Speaker 2>like the manifestation of that change in me, which is

0:32:38.160 --> 0:32:39.760
<v Speaker 2>why I was saying, like I think I kind of

0:32:39.800 --> 0:32:43.200
<v Speaker 2>became Jay Nova like in that time that I was

0:32:43.200 --> 0:32:48.240
<v Speaker 2>in LA, Like really yeah, transformed and All Blue was

0:32:48.320 --> 0:32:50.800
<v Speaker 2>just the embodiment of that for sure.

0:32:50.960 --> 0:32:52.400
<v Speaker 1>And how do you feel like it was received?

0:32:52.800 --> 0:32:56.360
<v Speaker 2>It was really well received. It debuted number two independently

0:32:56.440 --> 0:33:02.600
<v Speaker 2>on the iTunes. Is it really well? Is it really

0:33:02.680 --> 0:33:05.200
<v Speaker 2>really well? And I'm really proud of it. That's my baby.

0:33:05.360 --> 0:33:08.240
<v Speaker 2>All Blue is probably my favorite project still to this day.

0:33:08.360 --> 0:33:12.600
<v Speaker 4>So for you guys now going into the space of

0:33:12.640 --> 0:33:16.560
<v Speaker 4>releasing your own music, can you give us a little

0:33:16.600 --> 0:33:19.720
<v Speaker 4>bit of insight of how that went right?

0:33:19.760 --> 0:33:20.760
<v Speaker 1>Being your own.

0:33:20.600 --> 0:33:24.360
<v Speaker 4>Label rocess, putting your own money up like you know,

0:33:24.360 --> 0:33:28.120
<v Speaker 4>because everybody yells independent, everybody yells independent or you know

0:33:28.240 --> 0:33:30.920
<v Speaker 4>what I should or shouldn't do, but they don't really

0:33:30.960 --> 0:33:33.360
<v Speaker 4>know all the things that go into that. Being your

0:33:33.400 --> 0:33:37.680
<v Speaker 4>own publicist, your own marketing department, figuring out content. Can

0:33:37.720 --> 0:33:39.600
<v Speaker 4>you give us a little bit of insight, you know,

0:33:39.760 --> 0:33:43.160
<v Speaker 4>just did you guys put together a budget starting off,

0:33:43.240 --> 0:33:44.920
<v Speaker 4>or were you just like, you know, whatever come in

0:33:44.960 --> 0:33:45.640
<v Speaker 4>we putting toward this.

0:33:46.000 --> 0:33:49.400
<v Speaker 2>Yeah, we were really winging it early on, like I

0:33:49.440 --> 0:33:52.000
<v Speaker 2>And it's funny because we went to your fireside chat

0:33:52.040 --> 0:33:55.480
<v Speaker 2>at south By Southwest where you were talking about if

0:33:55.520 --> 0:33:59.000
<v Speaker 2>you knew what you know now then, like about setting

0:33:59.080 --> 0:34:02.120
<v Speaker 2>up a business and like really putting things into place

0:34:02.240 --> 0:34:06.640
<v Speaker 2>to really run your stuff like a true business. You know.

0:34:07.320 --> 0:34:09.560
<v Speaker 2>I wish that I had known what I knew now

0:34:09.719 --> 0:34:12.440
<v Speaker 2>then because we were just kind of winging it, and

0:34:12.600 --> 0:34:16.440
<v Speaker 2>we were taking advantage of more non traditional ways to

0:34:16.480 --> 0:34:20.040
<v Speaker 2>get visibility. So like the covers for example, or my

0:34:20.280 --> 0:34:23.200
<v Speaker 2>comedy for example, which is another thing that Devin sort

0:34:23.239 --> 0:34:26.040
<v Speaker 2>of encouraged me to do, like yo, it's all going

0:34:26.080 --> 0:34:28.080
<v Speaker 2>to feed itself. Because I'm thinking, like, okay, well if

0:34:28.080 --> 0:34:29.680
<v Speaker 2>I do comedy, are people going to be able to

0:34:29.680 --> 0:34:33.439
<v Speaker 2>take music seriously? But He's like, not, like it's a thing,

0:34:33.560 --> 0:34:36.480
<v Speaker 2>like it's all you, it's authentic. Just keep showing up,

0:34:36.640 --> 0:34:39.760
<v Speaker 2>like you know, authentically. And so those were the things

0:34:39.760 --> 0:34:42.440
<v Speaker 2>that gave us the visibility, that gave us this social

0:34:42.520 --> 0:34:46.080
<v Speaker 2>following for people to just organically want to tap into

0:34:46.120 --> 0:34:49.279
<v Speaker 2>the music. But we did do a distribution deal with

0:34:49.320 --> 0:34:51.640
<v Speaker 2>the first project, so we went through Empire, so we

0:34:51.719 --> 0:34:54.600
<v Speaker 2>had help on that front, so it wasn't like we were,

0:34:54.760 --> 0:34:58.960
<v Speaker 2>you know, doing it alone. Yeah, and Tina had just

0:34:59.000 --> 0:35:01.560
<v Speaker 2>come on at the time, so yeah, it was we

0:35:01.640 --> 0:35:03.239
<v Speaker 2>had help and we had set it up in a

0:35:03.280 --> 0:35:06.520
<v Speaker 2>way to where we had already done. Some of the

0:35:06.520 --> 0:35:09.520
<v Speaker 2>project was done, the album was done, the like, everything

0:35:09.600 --> 0:35:11.480
<v Speaker 2>was ready to go. They were just there to really

0:35:11.520 --> 0:35:14.000
<v Speaker 2>just help us handle more of the administrative things that

0:35:14.040 --> 0:35:15.879
<v Speaker 2>you were talking about, like the PR.

0:35:15.560 --> 0:35:16.200
<v Speaker 4>And the marketing.

0:35:16.680 --> 0:35:19.480
<v Speaker 2>So yeah, though we were independent, we definitely had that

0:35:19.640 --> 0:35:24.480
<v Speaker 2>help with the distribution. But yeah, I think now though

0:35:26.239 --> 0:35:30.120
<v Speaker 2>I'm more we're more in a space of doing things

0:35:30.200 --> 0:35:34.920
<v Speaker 2>completely independently, you know, like where we're handling our own

0:35:35.120 --> 0:35:39.360
<v Speaker 2>budget allocations and marketing and running ads and more of

0:35:39.400 --> 0:35:41.600
<v Speaker 2>the business side of things that I would have loved

0:35:41.600 --> 0:35:43.560
<v Speaker 2>for us to have done back then because then we

0:35:43.560 --> 0:35:46.320
<v Speaker 2>would have you know, we've all been ours at the time.

0:35:46.440 --> 0:35:48.959
<v Speaker 2>But you know, you live, you learn.

0:35:50.440 --> 0:35:54.160
<v Speaker 1>And what was your standout Your standout track from this from.

0:35:53.960 --> 0:35:57.359
<v Speaker 2>From the new project, from All Blue Blue, I mean,

0:35:57.400 --> 0:35:59.480
<v Speaker 2>I think the most popular one was All Blue, but

0:35:59.600 --> 0:36:08.680
<v Speaker 2>my favor it was Cosmic Love Into it, Yes, cosmically

0:36:08.920 --> 0:36:10.560
<v Speaker 2>was that purposely done?

0:36:10.960 --> 0:36:14.000
<v Speaker 4>What now for you to find that space in music

0:36:14.040 --> 0:36:14.239
<v Speaker 4>for you?

0:36:14.360 --> 0:36:14.480
<v Speaker 1>Right?

0:36:14.520 --> 0:36:17.880
<v Speaker 4>Because they have you know, people have toxic music, people

0:36:17.920 --> 0:36:21.640
<v Speaker 4>have you know, people have you know, nasty music, people

0:36:21.719 --> 0:36:23.240
<v Speaker 4>have cosmic music.

0:36:23.080 --> 0:36:27.040
<v Speaker 1>You know what I mean? Like, but what's that what

0:36:27.200 --> 0:36:27.919
<v Speaker 1>you sought after?

0:36:28.000 --> 0:36:29.680
<v Speaker 4>Like, okay, you know what I want to make my

0:36:29.960 --> 0:36:31.640
<v Speaker 4>projects and my music about this.

0:36:31.800 --> 0:36:34.640
<v Speaker 1>I want to put this into the songs.

0:36:34.680 --> 0:36:38.400
<v Speaker 2>Absolutely, that was the intention by this At this point,

0:36:38.440 --> 0:36:40.759
<v Speaker 2>Devin and I were already married, I think three years

0:36:40.800 --> 0:36:43.320
<v Speaker 2>when the project came out, and I saw the beauty

0:36:43.360 --> 0:36:46.680
<v Speaker 2>of partnership. I saw healthy, a healthy love that I

0:36:46.719 --> 0:36:50.279
<v Speaker 2>honestly had never experienced before. And so, like you said,

0:36:50.320 --> 0:36:55.960
<v Speaker 2>the narrative in music is this divisive mindset, like especially

0:36:56.440 --> 0:36:58.960
<v Speaker 2>hip hop and some R and B. You know right now,

0:36:59.040 --> 0:37:03.560
<v Speaker 2>it's not promoting black love. It's just it's very angry,

0:37:03.800 --> 0:37:06.319
<v Speaker 2>and I'm like, no, we need to show and we

0:37:06.400 --> 0:37:09.400
<v Speaker 2>need to be a light in this industry that doesn't

0:37:09.440 --> 0:37:12.759
<v Speaker 2>have much of that. So it was very much intentional

0:37:12.800 --> 0:37:16.680
<v Speaker 2>to be to be cosmic, to be a light, to

0:37:16.760 --> 0:37:20.160
<v Speaker 2>be high vibrational, like that's that's always been the goal

0:37:20.200 --> 0:37:23.640
<v Speaker 2>because it's authentic to who we are and music there

0:37:23.800 --> 0:37:25.920
<v Speaker 2>is like a spell, you know, the things that you

0:37:26.000 --> 0:37:28.719
<v Speaker 2>say over and over and over again. Lyrics are like mantras.

0:37:28.760 --> 0:37:31.200
<v Speaker 2>And I just didn't want to be responsible for poisoning

0:37:31.239 --> 0:37:34.600
<v Speaker 2>anyone with something that is low vibrational or that leads

0:37:34.640 --> 0:37:36.480
<v Speaker 2>to their brokenness.

0:37:36.719 --> 0:37:41.319
<v Speaker 4>Yeah, that wasn't and also isn't you it is? Yeah,

0:37:41.400 --> 0:37:43.239
<v Speaker 4>you know what I mean. I'm not saying that isn't

0:37:43.239 --> 0:37:46.359
<v Speaker 4>you like giving them something that you know, because there

0:37:46.360 --> 0:37:48.560
<v Speaker 4>are artists who are just they sign up for what

0:37:48.600 --> 0:37:51.279
<v Speaker 4>they sign up for, and they whatever the song is,

0:37:51.800 --> 0:37:53.200
<v Speaker 4>like it's a hit record, they're gonna sing it.

0:37:53.880 --> 0:37:56.360
<v Speaker 2>Yeah. Nah, I will say no with the quickness. But

0:37:56.400 --> 0:37:58.080
<v Speaker 2>I guess that's the advantage of being able to write

0:37:58.080 --> 0:37:59.960
<v Speaker 2>your own stuff, right, you know, and not having to

0:38:00.080 --> 0:38:01.640
<v Speaker 2>because that's what it would have been for me if

0:38:01.640 --> 0:38:04.000
<v Speaker 2>I had continued in that group and stayed, you know,

0:38:04.080 --> 0:38:06.120
<v Speaker 2>living under someone else's mission.

0:38:06.560 --> 0:38:08.600
<v Speaker 3>But you also have to decide what you're willing to

0:38:08.640 --> 0:38:12.520
<v Speaker 3>live with too, Yeah, because you know, it may be

0:38:12.680 --> 0:38:15.799
<v Speaker 3>it may be lucrative to sing this song that's outside

0:38:15.800 --> 0:38:20.560
<v Speaker 3>of your existence in a sense, but for you, it's like,

0:38:21.719 --> 0:38:24.240
<v Speaker 3>I mean, I'd rather live and die with me sure,

0:38:24.360 --> 0:38:27.000
<v Speaker 3>and that's a hard decision to make.

0:38:27.600 --> 0:38:29.680
<v Speaker 2>Well, I guess it depends on what you want out

0:38:29.680 --> 0:38:32.719
<v Speaker 2>of it, you know, Like my idea of success has

0:38:32.880 --> 0:38:36.400
<v Speaker 2>changed over the years, and I am My idea of

0:38:36.440 --> 0:38:38.960
<v Speaker 2>success is only doing the things that make me happy.

0:38:39.520 --> 0:38:43.000
<v Speaker 2>I don't have to be at a Beyonce level of

0:38:43.080 --> 0:38:47.080
<v Speaker 2>visibility for me to feel like I've arrived. I feel

0:38:47.120 --> 0:38:49.680
<v Speaker 2>like I've arrived because I have found my tribe and

0:38:49.719 --> 0:38:52.560
<v Speaker 2>I'm able to be authentic. That matters so much more

0:38:52.640 --> 0:38:56.240
<v Speaker 2>to me than having something that might be universally accepted.

0:38:56.239 --> 0:38:58.799
<v Speaker 2>But I'm miserable singing it all the time. Like if

0:38:58.840 --> 0:39:00.960
<v Speaker 2>I'm not happy, then what's the point even if I

0:39:01.040 --> 0:39:03.719
<v Speaker 2>do have this, you know, from the outside looking in

0:39:04.280 --> 0:39:07.239
<v Speaker 2>crazy level of success, like is it really success?

0:39:08.040 --> 0:39:11.640
<v Speaker 1>Listen, the greatest mindset but not normal.

0:39:13.680 --> 0:39:15.840
<v Speaker 2>You don't think now, like in this day and age

0:39:15.880 --> 0:39:17.560
<v Speaker 2>with all these independent creatives, that.

0:39:17.440 --> 0:39:18.360
<v Speaker 1>That is I think that.

0:39:18.520 --> 0:39:21.440
<v Speaker 3>I think that as I think that because there's so

0:39:21.600 --> 0:39:24.759
<v Speaker 3>much more money and independence, people are willing to do

0:39:24.800 --> 0:39:28.240
<v Speaker 3>anything to get the money. Now they haven't like nobody's

0:39:28.320 --> 0:39:31.120
<v Speaker 3>zoned in on the Oh this is me. People have

0:39:31.239 --> 0:39:33.440
<v Speaker 3>zoned in on oh this is where the bag is

0:39:34.040 --> 0:39:37.200
<v Speaker 3>and so that's been the excuse for people doing everything.

0:39:37.640 --> 0:39:40.680
<v Speaker 3>But look at my bag, though, people will throw that out.

0:39:40.640 --> 0:39:42.560
<v Speaker 2>Fast, like what kind of things were they? Like, where

0:39:42.560 --> 0:39:43.680
<v Speaker 2>are they getting this bag from?

0:39:43.760 --> 0:39:47.000
<v Speaker 3>I'm curious, I mean from streaming, I mean from YouTube,

0:39:47.000 --> 0:39:50.800
<v Speaker 3>from streaming, from listen, big business, from fortune. Five hundred

0:39:50.840 --> 0:39:56.680
<v Speaker 3>companies have bought into the ratchet. You you can get sponsorship,

0:39:57.440 --> 0:39:58.160
<v Speaker 3>but the bullshit.

0:39:59.000 --> 0:40:00.680
<v Speaker 1>Absolutely that's crazy.

0:40:00.760 --> 0:40:03.200
<v Speaker 2>And see I always looked at it like music wasn't

0:40:03.239 --> 0:40:05.719
<v Speaker 2>really the cash cow. Like music, of all the things

0:40:05.719 --> 0:40:08.000
<v Speaker 2>that I do, I probably make the least for music

0:40:08.080 --> 0:40:11.319
<v Speaker 2>unless it's touring. You know. I think brand deals are

0:40:11.400 --> 0:40:13.560
<v Speaker 2>just again like more of the business of what we've

0:40:13.560 --> 0:40:16.880
<v Speaker 2>created and not looking cause yeah, that's where the mindset

0:40:16.920 --> 0:40:18.799
<v Speaker 2>shift came for me. Like there was a time where

0:40:18.840 --> 0:40:21.120
<v Speaker 2>I'm like, oh, I'm an artist, I must be mysterious,

0:40:21.200 --> 0:40:23.560
<v Speaker 2>and you know, all these antiquated ideas of what it

0:40:23.640 --> 0:40:26.680
<v Speaker 2>is to be an artist and not really understanding where

0:40:26.719 --> 0:40:30.160
<v Speaker 2>we're shifting to. And so a lot of people hurt

0:40:30.160 --> 0:40:33.080
<v Speaker 2>themselves by still trying to perpetuate that same idea of

0:40:33.080 --> 0:40:34.440
<v Speaker 2>what it is to be an artist. And all I'm

0:40:34.440 --> 0:40:36.839
<v Speaker 2>only going, you know, I don't need TikTok or social media.

0:40:36.880 --> 0:40:38.520
<v Speaker 2>I'm just going to post a couple of times and

0:40:38.600 --> 0:40:40.479
<v Speaker 2>do X, Y and Z, and it's like, okay, cool,

0:40:40.520 --> 0:40:43.320
<v Speaker 2>you can do that, or you can take the ego

0:40:43.400 --> 0:40:45.279
<v Speaker 2>out of it and figure out how to make an

0:40:45.360 --> 0:40:47.879
<v Speaker 2>actual business out of what you do. And there are

0:40:47.880 --> 0:40:50.280
<v Speaker 2>so many moving parts, and if you were doing anything,

0:40:50.360 --> 0:40:53.080
<v Speaker 2>you have to do some things that you don't necessarily love.

0:40:53.440 --> 0:40:55.360
<v Speaker 2>And I don't mean like in an integrity sake. I

0:40:55.360 --> 0:40:57.400
<v Speaker 2>just see as far as the work you know to

0:40:57.520 --> 0:40:59.160
<v Speaker 2>get where you have to go, and a lot of

0:40:59.200 --> 0:41:00.920
<v Speaker 2>people don't want to do it, which is why a

0:41:00.960 --> 0:41:03.879
<v Speaker 2>lot of people end up just signing deals because they

0:41:03.920 --> 0:41:06.839
<v Speaker 2>can just be a vessel for someone else's agenda. And

0:41:06.880 --> 0:41:08.799
<v Speaker 2>I just I can't do that shit.

0:41:09.920 --> 0:41:12.560
<v Speaker 4>You're preaching now, Yeah, you're preaching them you talk to talk.

0:41:12.880 --> 0:41:16.320
<v Speaker 4>I can't, Yeah, because what you're saying should be followed.

0:41:17.160 --> 0:41:20.160
<v Speaker 4>In my opinion, even if you do decide to do

0:41:20.239 --> 0:41:22.400
<v Speaker 4>a deal somewhere, that's fine, but you have to do

0:41:22.440 --> 0:41:24.600
<v Speaker 4>the work. You gotta do the work if you really

0:41:24.640 --> 0:41:28.319
<v Speaker 4>and truly believe it in your artistry and you want

0:41:28.360 --> 0:41:31.319
<v Speaker 4>the world to see it. When all these things are

0:41:31.320 --> 0:41:33.480
<v Speaker 4>going on and everything that's going on in the world

0:41:34.680 --> 0:41:40.759
<v Speaker 4>posting that one time, unless I won't say in case,

0:41:40.800 --> 0:41:42.920
<v Speaker 4>but unless that's just you know who you are, and

0:41:42.920 --> 0:41:47.799
<v Speaker 4>that's fine, But you can't expect these results to come

0:41:47.880 --> 0:41:50.919
<v Speaker 4>from that type of work ethic.

0:41:51.040 --> 0:41:53.400
<v Speaker 2>And you can't just rely on social media either. You

0:41:53.480 --> 0:41:56.160
<v Speaker 2>have to build a community, and you have to get

0:41:56.160 --> 0:41:59.000
<v Speaker 2>their emails, and you have to get their phone numbers,

0:41:59.040 --> 0:42:02.000
<v Speaker 2>and you have to not only rely on social media

0:42:02.040 --> 0:42:04.319
<v Speaker 2>because social media might not be here one day. It's

0:42:04.320 --> 0:42:07.440
<v Speaker 2>about the connection and for people who are anti social

0:42:07.520 --> 0:42:09.160
<v Speaker 2>media and doing all the things that they have to

0:42:09.160 --> 0:42:11.919
<v Speaker 2>do to get there. It's like before social media, people

0:42:11.920 --> 0:42:14.400
<v Speaker 2>had to go out and do shows and ghrind you

0:42:14.400 --> 0:42:17.000
<v Speaker 2>know what I mean, Like there was there's always a hustle.

0:42:17.040 --> 0:42:19.080
<v Speaker 2>There is always going to be something that you have

0:42:19.160 --> 0:42:21.319
<v Speaker 2>to do if you really want to do it. And nowadays,

0:42:21.360 --> 0:42:24.799
<v Speaker 2>even with some of my major label peers, like you know,

0:42:25.480 --> 0:42:27.520
<v Speaker 2>they still have to do that stuff too. And then

0:42:27.520 --> 0:42:30.440
<v Speaker 2>the labels move reactively, so you still got to do

0:42:30.520 --> 0:42:32.719
<v Speaker 2>it whether or not you have a label behind you

0:42:32.800 --> 0:42:36.280
<v Speaker 2>or not, so you may as well do it. Everything

0:42:36.360 --> 0:42:40.239
<v Speaker 2>is changing and now they're literally waiting on you. So

0:42:40.320 --> 0:42:42.960
<v Speaker 2>if you if what are you doing it for? So

0:42:43.000 --> 0:42:45.160
<v Speaker 2>that's why I asked that question, like what are you?

0:42:45.200 --> 0:42:46.040
<v Speaker 2>What are you doing it for?

0:42:46.239 --> 0:42:49.040
<v Speaker 1>Yeah? Yeah, yeah, let's get to the second album.

0:42:49.080 --> 0:42:50.239
<v Speaker 2>Sure stages.

0:42:50.760 --> 0:42:51.560
<v Speaker 1>I love stages.

0:42:51.880 --> 0:42:53.680
<v Speaker 2>Yeah yeah, thank you?

0:42:54.080 --> 0:42:56.680
<v Speaker 1>That. Uh you were wild for somebody's.

0:42:56.200 --> 0:43:03.720
<v Speaker 7>Son again, something that's going on in social media and

0:43:03.840 --> 0:43:05.040
<v Speaker 7>making a song out.

0:43:04.920 --> 0:43:08.440
<v Speaker 1>Of it, somebody's son. I was like, oh, somebody's son.

0:43:09.920 --> 0:43:17.799
<v Speaker 8>Oh god, no, not today, but yet that was a

0:43:18.600 --> 0:43:23.160
<v Speaker 8>I think that was my real introduction to that project.

0:43:23.640 --> 0:43:24.920
<v Speaker 2>Man, you know what I mean.

0:43:24.960 --> 0:43:29.120
<v Speaker 3>I was like, Oh, she's dope up, thank you, like

0:43:29.400 --> 0:43:34.520
<v Speaker 3>really really good. And and I don't like there's no

0:43:34.760 --> 0:43:38.080
<v Speaker 3>like with your projects, like in listening to your projects,

0:43:38.120 --> 0:43:40.919
<v Speaker 3>like there's no fall off, there's no saying where where

0:43:41.480 --> 0:43:44.600
<v Speaker 3>you know there's there's not a whole lot behind her,

0:43:44.600 --> 0:43:48.040
<v Speaker 3>whereas you consider a major project versus an independent project,

0:43:48.080 --> 0:43:51.280
<v Speaker 3>like your project is your project is competing in fighting

0:43:51.280 --> 0:43:54.840
<v Speaker 3>for real space. You know what I'm saying sonically lyrically

0:43:55.000 --> 0:43:56.480
<v Speaker 3>Like you know what I'm saying. He's talking about the shows.

0:43:56.520 --> 0:43:57.719
<v Speaker 3>I haven't been to show. I want to go. But

0:43:57.800 --> 0:44:00.520
<v Speaker 3>if he say it's a show, it's definitely show because

0:44:00.520 --> 0:44:01.720
<v Speaker 3>he don't he don't go to shows.

0:44:01.880 --> 0:44:05.480
<v Speaker 4>Yeah, yeah, I bought March too. Maybe you signed my

0:44:05.520 --> 0:44:09.440
<v Speaker 4>T shirt? He don't do that, No, I don't.

0:44:09.480 --> 0:44:12.239
<v Speaker 3>So it's got to be a thing. If you got

0:44:12.239 --> 0:44:18.759
<v Speaker 3>the Valentine. I was in there away to stay away.

0:44:19.080 --> 0:44:22.880
<v Speaker 4>With all the cool lights. Yeah, they ain't even have

0:44:22.880 --> 0:44:25.560
<v Speaker 4>my size in March. You know what all y'all got left?

0:44:25.600 --> 0:44:25.719
<v Speaker 2>Is it?

0:44:25.760 --> 0:44:27.759
<v Speaker 1>Okay? She's been sending a lot of merch out here. Okay, cool,

0:44:27.760 --> 0:44:32.000
<v Speaker 1>give me the two X. It's fine. It's fine, Taylor,

0:44:32.239 --> 0:44:34.160
<v Speaker 1>It's fine. And what did you learn?

0:44:34.640 --> 0:44:37.160
<v Speaker 3>What or what more did you learn coming from your

0:44:37.239 --> 0:44:39.759
<v Speaker 3>first project to your second project that you felt it.

0:44:39.880 --> 0:44:42.520
<v Speaker 1>Was more useful. I learned.

0:44:43.840 --> 0:44:48.040
<v Speaker 2>That this really is a business. I don't even know

0:44:48.080 --> 0:44:51.480
<v Speaker 2>how much I want to get into what happened exactly,

0:44:51.520 --> 0:44:55.279
<v Speaker 2>but it was a very pivotal time for me. I

0:44:55.360 --> 0:44:59.600
<v Speaker 2>had started doing radio. Actually, I was hosting a morning

0:44:59.640 --> 0:45:04.319
<v Speaker 2>show on V one O three in Atlanta. Sure it was.

0:45:04.400 --> 0:45:05.400
<v Speaker 2>It was an experience.

0:45:05.520 --> 0:45:08.520
<v Speaker 1>Oh yeah, but uh huh.

0:45:08.560 --> 0:45:12.239
<v Speaker 2>I love Ready such a man man, he's a good

0:45:12.239 --> 0:45:14.960
<v Speaker 2>guy man. He took a chance on me, and you know,

0:45:15.080 --> 0:45:17.400
<v Speaker 2>it was a It was an interesting time because I

0:45:17.440 --> 0:45:22.319
<v Speaker 2>was learning a lot about myself. I wasn't really prepared

0:45:22.680 --> 0:45:27.280
<v Speaker 2>for that world quite yet and balancing still doing my artistry.

0:45:27.320 --> 0:45:30.120
<v Speaker 2>Like you have to wake up at three thirty every day,

0:45:31.120 --> 0:45:33.399
<v Speaker 2>three thirty camera ready, be there?

0:45:34.920 --> 0:45:37.440
<v Speaker 1>Oh yeah, okay, alright.

0:45:37.120 --> 0:45:40.960
<v Speaker 2>Three thirty, be there at four ish to prep and

0:45:41.000 --> 0:45:44.239
<v Speaker 2>then I'm prepping with shade room articles like all this

0:45:44.360 --> 0:45:46.800
<v Speaker 2>low vibrational stuff. I mean, I get it, I understand,

0:45:46.840 --> 0:45:50.360
<v Speaker 2>but it just was so opposite of what I normally

0:45:50.440 --> 0:45:53.439
<v Speaker 2>consume and how I move about my day. And then

0:45:53.719 --> 0:45:57.600
<v Speaker 2>you know, I have to be there until like noon,

0:45:58.000 --> 0:46:01.920
<v Speaker 2>and then I was touring on the weekend and it

0:46:01.960 --> 0:46:04.239
<v Speaker 2>was a lot. It was a lot, and I it

0:46:04.280 --> 0:46:07.880
<v Speaker 2>was it was meant like my mental health was dwindling.

0:46:07.920 --> 0:46:13.160
<v Speaker 2>I was holding on by like like it was. It

0:46:13.200 --> 0:46:17.480
<v Speaker 2>was rough so in that my output wasn't as great

0:46:17.520 --> 0:46:20.200
<v Speaker 2>as it should have been. It was taking me a

0:46:20.200 --> 0:46:23.160
<v Speaker 2>really long time to get the project together, and ultimately,

0:46:23.239 --> 0:46:27.399
<v Speaker 2>like Empire, myself decided to part ways, which was really

0:46:27.440 --> 0:46:29.880
<v Speaker 2>difficult for me because now I'm out here by myself.

0:46:29.920 --> 0:46:34.600
<v Speaker 2>Like I literally found out the day before somebody's son

0:46:34.680 --> 0:46:37.040
<v Speaker 2>was supposed to come out that I had already gotten

0:46:37.040 --> 0:46:41.000
<v Speaker 2>the song done and the artwork and everything, and They're like,

0:46:41.200 --> 0:46:45.560
<v Speaker 2>m no, just kind of let me and try with

0:46:45.719 --> 0:46:49.319
<v Speaker 2>this project. And then I'm like, okay, cool, I can

0:46:49.400 --> 0:46:51.680
<v Speaker 2>do this myself. I figured it out. We spent so

0:46:51.719 --> 0:46:56.319
<v Speaker 2>much money. We're doing a tour behind it, invested so

0:46:56.520 --> 0:46:58.719
<v Speaker 2>much money and time into it. I ended up leaving

0:46:58.719 --> 0:47:00.640
<v Speaker 2>the station because I just could and I didn't have

0:47:00.640 --> 0:47:04.240
<v Speaker 2>the capacity. And then the day before we were supposed

0:47:04.280 --> 0:47:09.359
<v Speaker 2>to go on tour, the world shut. Now, yeah, it

0:47:09.400 --> 0:47:13.600
<v Speaker 2>was a rough time. So I learned that regardless of

0:47:13.640 --> 0:47:16.319
<v Speaker 2>all these things going on, that business is still going

0:47:16.360 --> 0:47:19.040
<v Speaker 2>to operate as business, whether your mental health is able

0:47:19.080 --> 0:47:21.719
<v Speaker 2>to keep up or not. And yeah, it was a

0:47:21.760 --> 0:47:24.719
<v Speaker 2>really hard lesson, but we still put out the project independently,

0:47:25.440 --> 0:47:29.800
<v Speaker 2>like without anyone else, and it debuted number one that time.

0:47:29.400 --> 0:47:32.839
<v Speaker 1>Come on.

0:47:33.280 --> 0:47:37.279
<v Speaker 2>Completely independent. Well all the obstacles that we had gone through,

0:47:37.320 --> 0:47:39.880
<v Speaker 2>and it was a lot of them, but we still

0:47:39.880 --> 0:47:41.959
<v Speaker 2>put it out and it you know, the tour didn't

0:47:41.960 --> 0:47:45.160
<v Speaker 2>get to happen, But that time during quarantine allowed me

0:47:45.200 --> 0:47:48.200
<v Speaker 2>the opportunity to really just kind of revamp, learn more

0:47:48.239 --> 0:47:51.520
<v Speaker 2>about myself, you know, and just be more prepared.

0:47:51.600 --> 0:47:53.640
<v Speaker 1>Where were you Where were you doing quarantine?

0:47:53.640 --> 0:47:57.360
<v Speaker 2>And Atlanta? Thank god? Yeah, thank god it was Atlanta.

0:47:57.400 --> 0:48:00.320
<v Speaker 2>We had just moved back for the radio show. Actually,

0:48:01.040 --> 0:48:03.120
<v Speaker 2>what timing it was perfect time.

0:48:03.280 --> 0:48:08.000
<v Speaker 1>It was in Atlanta, Like cool, who's quarantine? Ya? Y'all?

0:48:08.000 --> 0:48:11.359
<v Speaker 1>Shut down? You shut y'all. We might shut it down,

0:48:11.360 --> 0:48:13.080
<v Speaker 1>but got down.

0:48:13.239 --> 0:48:16.839
<v Speaker 3>I don't know, no nigga name quarantine, nigga Nick come

0:48:16.880 --> 0:48:18.759
<v Speaker 3>around here and niggas gonna be up. Nigga, Tell me

0:48:19.160 --> 0:48:27.640
<v Speaker 3>I was that house down Atlanta strip clubs? Wow, wide open?

0:48:28.560 --> 0:48:33.440
<v Speaker 3>That's actually where I caught COVID. Yeah, almost died.

0:48:33.640 --> 0:48:35.200
<v Speaker 2>I don't know.

0:48:47.239 --> 0:48:48.200
<v Speaker 1>Do you do anything?

0:48:48.760 --> 0:48:51.360
<v Speaker 3>Are you able to do anything pivotal like during Quarantine

0:48:51.440 --> 0:48:54.000
<v Speaker 3>with this project to to get the noise and the

0:48:54.040 --> 0:48:54.880
<v Speaker 3>buzz going for it.

0:48:56.040 --> 0:48:59.319
<v Speaker 2>Honestly, I started to shift more into comedy at that

0:48:59.640 --> 0:49:05.560
<v Speaker 2>got your I I had got my agent reached out

0:49:05.680 --> 0:49:08.400
<v Speaker 2>because SNL reached out, and they asked me to audition.

0:49:08.600 --> 0:49:11.640
<v Speaker 2>And they were like, would she audition because I know

0:49:11.719 --> 0:49:14.000
<v Speaker 2>she does music? Is this even a passion? We've seen

0:49:14.040 --> 0:49:16.920
<v Speaker 2>some of her videos? And I'm like, absolutely, I would.

0:49:17.320 --> 0:49:21.640
<v Speaker 2>And it was a very interesting process, especially because it

0:49:21.719 --> 0:49:26.080
<v Speaker 2>was during COVID. But yeah, I did the audition. I

0:49:26.120 --> 0:49:29.759
<v Speaker 2>auditioned twice and then I made it to test week

0:49:30.239 --> 0:49:32.360
<v Speaker 2>and I made it down to the final eight people

0:49:32.480 --> 0:49:35.400
<v Speaker 2>like I was very close to getting on that particular

0:49:35.440 --> 0:49:39.240
<v Speaker 2>season and it didn't end up happening. But I'm actually

0:49:39.239 --> 0:49:43.120
<v Speaker 2>grateful that it didn't. It it affirmed me in that, Okay,

0:49:43.160 --> 0:49:45.560
<v Speaker 2>this is definitely a space that I need to be.

0:49:45.960 --> 0:49:47.960
<v Speaker 2>I mean, I knew it, but you know, like it

0:49:48.000 --> 0:49:52.920
<v Speaker 2>was it was the conference and I'm like, cool, this

0:49:53.000 --> 0:49:56.120
<v Speaker 2>did it? You know what I'm saying. So I'm like,

0:49:56.160 --> 0:49:58.759
<v Speaker 2>this is I want to really focus this time on this.

0:49:58.840 --> 0:50:01.319
<v Speaker 2>And because it's more self contained, you know, we were

0:50:01.320 --> 0:50:03.680
<v Speaker 2>just shooting stuff at home and I created it was

0:50:03.719 --> 0:50:06.920
<v Speaker 2>called the Real Divas Series where I was like impersonating

0:50:06.920 --> 0:50:10.719
<v Speaker 2>all these different divas Beyonce and Erica and they were

0:50:10.760 --> 0:50:14.480
<v Speaker 2>in the house with COVID and it was just so can.

0:50:14.360 --> 0:50:17.160
<v Speaker 4>You go from one to the other just quick?

0:50:17.239 --> 0:50:18.719
<v Speaker 1>Quick? Quick? Yeah?

0:50:18.800 --> 0:50:21.120
<v Speaker 4>Like like or do you need time to like how

0:50:21.160 --> 0:50:21.440
<v Speaker 4>does that?

0:50:21.480 --> 0:50:22.440
<v Speaker 1>How does that go? Oh?

0:50:22.520 --> 0:50:24.879
<v Speaker 2>God, I don't know. I don't know. I've never had

0:50:24.920 --> 0:50:25.840
<v Speaker 2>like a rapid fire.

0:50:26.200 --> 0:50:28.239
<v Speaker 1>Yeah, we could try, you know, I'm just saying, is

0:50:28.239 --> 0:50:29.000
<v Speaker 1>that how you do it?

0:50:29.040 --> 0:50:29.120
<v Speaker 6>Like?

0:50:29.120 --> 0:50:29.360
<v Speaker 1>Are you?

0:50:29.480 --> 0:50:29.640
<v Speaker 3>Yeah?

0:50:29.680 --> 0:50:31.879
<v Speaker 1>No, I'm not saying you.

0:50:32.000 --> 0:50:34.120
<v Speaker 4>I mean, like you would like to, but I know

0:50:34.480 --> 0:50:35.600
<v Speaker 4>I don't have one of them type of show.

0:50:36.360 --> 0:50:38.439
<v Speaker 1>Yeah, nigga dance.

0:50:38.560 --> 0:50:42.920
<v Speaker 4>No, okay, even though the people in the comments be

0:50:43.239 --> 0:50:47.280
<v Speaker 4>pretty much saying nigga dance, We're not like that.

0:50:47.640 --> 0:50:50.080
<v Speaker 2>I mean, I do one character at a time. I do,

0:50:50.160 --> 0:50:52.640
<v Speaker 2>I do one character at a time. But that was

0:50:52.680 --> 0:50:54.560
<v Speaker 2>that was the time when I was really honing in

0:50:54.600 --> 0:50:58.720
<v Speaker 2>on it and yeah, just building it. And it supported

0:50:58.719 --> 0:51:01.880
<v Speaker 2>the music too, because our numbers started going crazy just

0:51:01.920 --> 0:51:04.280
<v Speaker 2>from these sketches that we were making, and so people

0:51:04.280 --> 0:51:06.399
<v Speaker 2>were then going and listening to the music because ain't

0:51:06.400 --> 0:51:08.600
<v Speaker 2>nobody else had antybody had shit to do, you know.

0:51:09.200 --> 0:51:11.960
<v Speaker 2>So it was just that was what was starting to

0:51:12.040 --> 0:51:14.799
<v Speaker 2>take more of the focus, was just the writing and

0:51:14.320 --> 0:51:15.440
<v Speaker 2>the comedy.

0:51:15.520 --> 0:51:17.239
<v Speaker 1>Here's a question, were you monetizing that?

0:51:17.440 --> 0:51:18.799
<v Speaker 2>Oh abso freaking.

0:51:20.160 --> 0:51:22.479
<v Speaker 1>Where did you.

0:51:22.400 --> 0:51:26.360
<v Speaker 4>Find it that there were more opportunities during that time?

0:51:26.640 --> 0:51:30.000
<v Speaker 2>It's for that content, Yeah there was. And even in

0:51:30.040 --> 0:51:31.719
<v Speaker 2>the music side, like I feel like I did so

0:51:31.800 --> 0:51:34.759
<v Speaker 2>many virtual shows that I was getting crazy bad.

0:51:35.280 --> 0:51:38.839
<v Speaker 1>He would do virtual He didn't want to do it,

0:51:38.960 --> 0:51:39.440
<v Speaker 1>and I was.

0:51:39.560 --> 0:51:43.120
<v Speaker 2>I was singing right in front of no one. I was,

0:51:42.719 --> 0:51:44.520
<v Speaker 2>and I was, and I was getting the bread, I

0:51:44.680 --> 0:51:46.600
<v Speaker 2>was look collecting the checks.

0:51:47.000 --> 0:51:50.680
<v Speaker 1>I did one you didn't like it. I did, but

0:51:50.719 --> 0:51:52.120
<v Speaker 1>I did it with my band, so that was the

0:51:52.160 --> 0:51:53.759
<v Speaker 1>only way I would do it. I was like, man,

0:51:53.800 --> 0:51:55.359
<v Speaker 1>I guess somebody gotta be in the room, bro.

0:51:55.520 --> 0:51:57.719
<v Speaker 2>I mean I had my husband, you know, he was

0:51:57.760 --> 0:51:58.760
<v Speaker 2>with me doing the stuff.

0:51:58.880 --> 0:52:01.040
<v Speaker 3>Yeah, but I was just like my wife and my

0:52:01.160 --> 0:52:03.239
<v Speaker 3>kids just sitting there looking at me like doing it.

0:52:03.280 --> 0:52:10.319
<v Speaker 1>I was like, I don't want to do that.

0:52:10.560 --> 0:52:14.080
<v Speaker 3>And then my music is like sexual in nature, you

0:52:14.080 --> 0:52:17.359
<v Speaker 3>know what I'm saying, Like, Yeah, just take my shirt

0:52:17.400 --> 0:52:18.480
<v Speaker 3>off by myself.

0:52:20.239 --> 0:52:21.040
<v Speaker 2>That's fun.

0:52:21.520 --> 0:52:23.000
<v Speaker 1>Just be like rubbing all on me.

0:52:24.000 --> 0:52:27.080
<v Speaker 2>Slur ya could have been myself, I feel it.

0:52:27.200 --> 0:52:30.879
<v Speaker 3>But we did the Woman with the band, Donna, Keith

0:52:30.880 --> 0:52:37.480
<v Speaker 3>Sweat's House, Uh, the Slash Studios Slash, uh Slash, Slash.

0:52:37.200 --> 0:52:39.840
<v Speaker 1>Slash Slash. It was crazy.

0:52:39.960 --> 0:52:43.200
<v Speaker 3>It was really dum yeah fun, but you know your

0:52:43.239 --> 0:52:45.440
<v Speaker 3>comedy was going crazy.

0:52:46.080 --> 0:52:47.799
<v Speaker 1>It was a hilarious.

0:52:47.800 --> 0:52:50.760
<v Speaker 3>That's why I'm like, you got the ultimate trump card

0:52:51.440 --> 0:52:54.560
<v Speaker 3>when it comes to stand up, Like dialing into these

0:52:55.239 --> 0:52:58.960
<v Speaker 3>these characters is just gold. Like you know, with like

0:52:59.080 --> 0:53:02.240
<v Speaker 3>Jamie Fox, you're putting yourself on that kind of level.

0:53:02.840 --> 0:53:06.000
<v Speaker 2>That's the goal. That's the goal. And even in the

0:53:06.040 --> 0:53:10.080
<v Speaker 2>show that Jay saw like if the show feels like

0:53:10.120 --> 0:53:12.200
<v Speaker 2>a variety show. So we would go in and out

0:53:12.239 --> 0:53:15.600
<v Speaker 2>of I mean not necessarily stand up, but kind of

0:53:15.680 --> 0:53:18.960
<v Speaker 2>sort of just fun moments, and I would do the

0:53:18.960 --> 0:53:22.239
<v Speaker 2>impersonations and you know, telling a story from beginning to end.

0:53:22.280 --> 0:53:24.839
<v Speaker 2>So it was already there. It's just stand up.

0:53:24.880 --> 0:53:25.760
<v Speaker 8>Is man.

0:53:25.920 --> 0:53:26.560
<v Speaker 1>It's the same.

0:53:27.480 --> 0:53:30.120
<v Speaker 3>And you actually are going to be You're you're better

0:53:30.200 --> 0:53:33.760
<v Speaker 3>prepared for stand up because you already work the stage.

0:53:34.120 --> 0:53:34.759
<v Speaker 1>You have the cheek.

0:53:35.160 --> 0:53:43.840
<v Speaker 7>Yeah yeah, yeah, yeah, I will take my shirt up

0:53:43.880 --> 0:53:46.239
<v Speaker 7>and sing a minute.

0:53:46.200 --> 0:53:46.520
<v Speaker 2>Say.

0:53:48.480 --> 0:53:50.360
<v Speaker 1>They would that would have saved you? That wouldn't have

0:53:50.360 --> 0:53:53.880
<v Speaker 1>saved you. No, I wasn't there. Thanks, don't make no

0:53:53.920 --> 0:53:56.320
<v Speaker 1>money from comedy song. It was already.

0:53:56.360 --> 0:54:00.600
<v Speaker 4>I see you when you get back to know I've

0:54:00.600 --> 0:54:02.440
<v Speaker 4>been to a gang government. I actually haven't been to

0:54:02.480 --> 0:54:06.560
<v Speaker 4>a gang government. And he's funny and I'm his real friend,

0:54:07.400 --> 0:54:09.239
<v Speaker 4>like we have I'm like cheap.

0:54:09.320 --> 0:54:13.400
<v Speaker 1>That was too far. We still got to sell some

0:54:13.600 --> 0:54:13.759
<v Speaker 1>n B.

0:54:13.920 --> 0:54:17.799
<v Speaker 2>You what do you talk about in your stand up? Like,

0:54:18.000 --> 0:54:19.640
<v Speaker 2>just give me an example, like.

0:54:19.640 --> 0:54:22.800
<v Speaker 3>I really go through like my family life. You know

0:54:22.840 --> 0:54:26.200
<v Speaker 3>what I'm saying, like like like my wife, my kids,

0:54:26.560 --> 0:54:28.440
<v Speaker 3>you know what I'm saying, I really tell those stories.

0:54:28.480 --> 0:54:30.719
<v Speaker 3>You know what I'm saying, tell you know, tell some

0:54:30.840 --> 0:54:33.280
<v Speaker 3>music stories. You know what I'm saying. I got comedy

0:54:33.320 --> 0:54:36.680
<v Speaker 3>that I do from the piano, got musical songs that

0:54:36.719 --> 0:54:39.080
<v Speaker 3>are like, you know what I'm saying, I gotta, I gotta.

0:54:39.160 --> 0:54:39.760
<v Speaker 1>I got a.

0:54:39.640 --> 0:54:47.640
<v Speaker 3>Song called trash. We're talking about a woman's almost vagina.

0:54:47.719 --> 0:54:48.600
<v Speaker 2>And it's called track.

0:54:49.080 --> 0:54:52.080
<v Speaker 1>It's called I'm.

0:54:51.880 --> 0:54:53.239
<v Speaker 2>Gonna need some context.

0:54:54.640 --> 0:54:56.080
<v Speaker 4>We still got to sell R and B music, this

0:54:56.160 --> 0:54:58.600
<v Speaker 4>nigga tripping, and that's the conversations that we had.

0:54:59.200 --> 0:55:01.840
<v Speaker 1>But it was in the joke space. It worked.

0:55:02.680 --> 0:55:04.759
<v Speaker 3>I'd be having reminded me still tanks, not on R

0:55:04.760 --> 0:55:07.839
<v Speaker 3>and B stage, So I needless to say, I cut

0:55:07.880 --> 0:55:08.560
<v Speaker 3>that joke out of.

0:55:10.800 --> 0:55:13.360
<v Speaker 1>It went over very well. But we still got records.

0:55:13.440 --> 0:55:16.640
<v Speaker 2>And you don't think you could from from that because

0:55:16.640 --> 0:55:17.960
<v Speaker 2>that's only a specific person.

0:55:18.239 --> 0:55:20.239
<v Speaker 1>I have enough jokes to where I didn't need to

0:55:20.239 --> 0:55:21.120
<v Speaker 1>take a chance with that one.

0:55:21.200 --> 0:55:21.640
<v Speaker 2>That's fair.

0:55:22.239 --> 0:55:24.480
<v Speaker 1>So I was like, you know, let me not. You know,

0:55:24.520 --> 0:55:27.960
<v Speaker 1>women in here like me, so my trigger, my trigger.

0:55:28.080 --> 0:55:29.640
<v Speaker 1>So this nigga told.

0:55:29.400 --> 0:55:33.560
<v Speaker 3>Me, all right, so now let's focus. You have an

0:55:33.600 --> 0:55:35.600
<v Speaker 3>album out now.

0:55:44.040 --> 0:55:45.880
<v Speaker 6>The great singers.

0:55:49.640 --> 0:55:53.040
<v Speaker 2>I can't that's not how no one does. I mean

0:55:53.239 --> 0:55:56.719
<v Speaker 2>not people do, haven't.

0:55:56.719 --> 0:55:58.560
<v Speaker 1>I don't know? The mine is all.

0:56:03.200 --> 0:56:05.960
<v Speaker 2>That was great, But yes, new album Who It Is?

0:56:08.040 --> 0:56:10.680
<v Speaker 3>It described this process because it's got to be different

0:56:10.680 --> 0:56:11.439
<v Speaker 3>from the first two.

0:56:11.520 --> 0:56:12.480
<v Speaker 1>You've lived, you've.

0:56:12.360 --> 0:56:14.279
<v Speaker 4>Learned, yes, and now you're talking about where I did,

0:56:14.440 --> 0:56:15.840
<v Speaker 4>and now you're come on, now.

0:56:15.760 --> 0:56:18.240
<v Speaker 2>Come on, where have I been? It is a concept album.

0:56:18.440 --> 0:56:23.200
<v Speaker 2>It's like combining storytelling and contemporary R and B music.

0:56:23.719 --> 0:56:27.240
<v Speaker 2>So it's a love language origin story. It's a journey

0:56:27.280 --> 0:56:31.759
<v Speaker 2>to self love. So it goes back to my childhood

0:56:32.040 --> 0:56:36.439
<v Speaker 2>and my dad has not been very verbal about love

0:56:36.520 --> 0:56:38.360
<v Speaker 2>or words of affirmation. He wasn't like, oh I'm a

0:56:38.360 --> 0:56:41.080
<v Speaker 2>pretty good my baby girl. That just wasn't his give.

0:56:41.200 --> 0:56:43.239
<v Speaker 2>And I'm coming to find out that's a lot of

0:56:43.280 --> 0:56:46.000
<v Speaker 2>people from that generation didn't really know how to verbalize

0:56:46.000 --> 0:56:48.480
<v Speaker 2>love in that way. But that's kind of how my

0:56:48.800 --> 0:56:51.239
<v Speaker 2>love language became words of affirmation because I didn't get

0:56:51.280 --> 0:56:52.799
<v Speaker 2>it from him, so I was looking for it in

0:56:52.840 --> 0:56:55.240
<v Speaker 2>all these other people. So it goes on this journey

0:56:55.280 --> 0:56:58.319
<v Speaker 2>of how I navigated my relationships with sort of this

0:56:58.960 --> 0:57:01.840
<v Speaker 2>kind of baseless thing of oh, if you tell me

0:57:01.840 --> 0:57:03.280
<v Speaker 2>you love me or if you tell me that I'm pretty,

0:57:03.280 --> 0:57:05.719
<v Speaker 2>then that's enough to make a relationship work and not

0:57:06.040 --> 0:57:09.959
<v Speaker 2>you know, action behind it. And so ultimately I learned

0:57:09.960 --> 0:57:12.440
<v Speaker 2>how to use words of affirmation to affirm myself and

0:57:12.480 --> 0:57:15.200
<v Speaker 2>that's why it becomes this sort of self love journey.

0:57:15.239 --> 0:57:19.000
<v Speaker 2>And I have really really amazing features on this project

0:57:19.120 --> 0:57:21.440
<v Speaker 2>because I wrote it out like a script. I wanted

0:57:21.440 --> 0:57:24.800
<v Speaker 2>it to feel like visuals through sound, and I wanted

0:57:24.800 --> 0:57:27.040
<v Speaker 2>the project to be something that you could immerse yourself

0:57:27.080 --> 0:57:29.200
<v Speaker 2>in and not have to have a screen like you

0:57:29.200 --> 0:57:31.280
<v Speaker 2>know people are. We're in the age of where the visuals.

0:57:31.320 --> 0:57:34.080
<v Speaker 2>I'm want the visual system. It's like, nah, let the music.

0:57:34.200 --> 0:57:36.360
<v Speaker 2>It's supposed to be an audio experience, you know, when

0:57:36.360 --> 0:57:38.800
<v Speaker 2>we come away from that so much and everyone's just

0:57:38.840 --> 0:57:41.480
<v Speaker 2>kind of distracted by all the ass you speak of

0:57:41.560 --> 0:57:43.640
<v Speaker 2>and all the smoke and mirrors that we've discussed.

0:57:43.680 --> 0:57:49.080
<v Speaker 1>You know, no I've spoken of.

0:57:49.160 --> 0:57:51.919
<v Speaker 2>As No, not you speaking of ass.

0:57:52.160 --> 0:57:55.360
<v Speaker 1>You talk about how you can.

0:57:58.720 --> 0:58:02.919
<v Speaker 4>He's somebody for promotions, promotional promotional, only for promotional use.

0:58:04.040 --> 0:58:06.640
<v Speaker 2>But like you know, just visuals have become such an

0:58:06.720 --> 0:58:08.640
<v Speaker 2>expectation and I wanted people to really be able to

0:58:08.640 --> 0:58:11.360
<v Speaker 2>immerse themselves and hear the music and feel like they

0:58:11.360 --> 0:58:15.280
<v Speaker 2>were in my world. And so yeah, that was the intent.

0:58:15.520 --> 0:58:18.560
<v Speaker 2>And Wayne Brady played my dad on it, which is

0:58:18.600 --> 0:58:30.320
<v Speaker 2>really cool. I just always by Leslie Junior played my

0:58:30.440 --> 0:58:34.560
<v Speaker 2>love interest. He played Miles. Tony Baker played my boss.

0:58:34.800 --> 0:58:38.480
<v Speaker 3>Tony Baker is absolutely I heard him on it. I

0:58:38.520 --> 0:58:41.120
<v Speaker 3>was like this, he is so stupid. He'll be trying

0:58:41.160 --> 0:58:41.960
<v Speaker 3>to be funny and he.

0:58:42.000 --> 0:58:45.200
<v Speaker 2>Just his voice voice. He literally has just one of

0:58:45.240 --> 0:58:46.880
<v Speaker 2>those voices that he could say anything.

0:58:48.280 --> 0:58:51.360
<v Speaker 1>Yeah, it's a gift either look funnier or sound funny.

0:58:51.480 --> 0:58:54.600
<v Speaker 2>And luckily he just signed and he just sounded nice guy.

0:58:54.600 --> 0:58:59.400
<v Speaker 2>He's a speaking guy. Well he doesn't. He said that

0:58:59.480 --> 0:59:01.120
<v Speaker 2>he don't like to say that he is because the

0:59:01.200 --> 0:59:03.280
<v Speaker 2>people have a really high expectation for him. If you

0:59:03.320 --> 0:59:05.160
<v Speaker 2>ever ate a cookie that wasn't He just don't want

0:59:05.160 --> 0:59:05.600
<v Speaker 2>that pressure.

0:59:06.760 --> 0:59:08.960
<v Speaker 1>The god you got, I don't want that pressure.

0:59:09.040 --> 0:59:11.760
<v Speaker 3>I just want to be able to just eat it

0:59:11.840 --> 0:59:15.880
<v Speaker 3>with no nobody looking for just the morsel.

0:59:16.040 --> 0:59:20.440
<v Speaker 2>You the morsels are really good, so you press.

0:59:20.360 --> 0:59:22.400
<v Speaker 1>No, I don't. I just I just did that just now.

0:59:22.480 --> 0:59:23.280
<v Speaker 2>That was really good.

0:59:23.400 --> 0:59:25.560
<v Speaker 1>But I was working on much of him he's working on.

0:59:25.720 --> 0:59:26.680
<v Speaker 1>I watched that food all.

0:59:27.360 --> 0:59:30.240
<v Speaker 3>So, yeah, that's dope because when it came on, I

0:59:30.280 --> 0:59:32.320
<v Speaker 3>was listening to like the narration in this story and

0:59:32.400 --> 0:59:33.240
<v Speaker 3>you did the job.

0:59:33.360 --> 0:59:41.400
<v Speaker 2>And yeah, another vegan, Tabitha Brown plays my favor are vegans?

0:59:41.680 --> 0:59:43.080
<v Speaker 2>Ken Dixon another vegan.

0:59:43.120 --> 0:59:46.919
<v Speaker 1>I'm just saying, are you I saw and I don't

0:59:46.960 --> 0:59:50.200
<v Speaker 1>know what he ates? Are you telling them? No, I'm

0:59:50.240 --> 0:59:52.280
<v Speaker 1>just saying I saw can be a vegan snitch.

0:59:52.360 --> 0:59:56.640
<v Speaker 3>Bro Listen, First of all, if you're gonna say I

0:59:56.640 --> 0:59:57.160
<v Speaker 3>don't want.

0:59:57.000 --> 1:00:00.480
<v Speaker 1>To I don't want to see you, why can't you? No,

1:00:00.560 --> 1:00:02.000
<v Speaker 1>you can go to Noble. You can go to Noble.

1:00:02.120 --> 1:00:04.920
<v Speaker 1>They got great Bigan options and Noble I can attest

1:00:04.920 --> 1:00:08.800
<v Speaker 1>to that. Yeah, are you recruiting vegans? Is that going on?

1:00:09.440 --> 1:00:11.200
<v Speaker 3>Is that the Is that why I'm not a part

1:00:11.200 --> 1:00:12.920
<v Speaker 3>of this project?

1:00:13.280 --> 1:00:13.720
<v Speaker 1>You did not?

1:00:13.880 --> 1:00:14.160
<v Speaker 2>I did?

1:00:14.320 --> 1:00:14.960
<v Speaker 1>When you don't?

1:00:15.960 --> 1:00:17.800
<v Speaker 2>No, I did. I reached out. I wanted you to

1:00:18.120 --> 1:00:20.240
<v Speaker 2>be in it. You reach out to who I haven't

1:00:20.240 --> 1:00:20.720
<v Speaker 2>reached out to?

1:00:20.800 --> 1:00:23.240
<v Speaker 1>Jay, you're not vegan.

1:00:24.320 --> 1:00:27.280
<v Speaker 2>He's like, look, I'm not going there, but yeah I did.

1:00:27.280 --> 1:00:29.560
<v Speaker 2>I wanted you to be on it. I did.

1:00:31.000 --> 1:00:32.080
<v Speaker 1>I won't miss the next one.

1:00:32.720 --> 1:00:36.600
<v Speaker 2>Okay, yeah, but that's the project.

1:00:36.240 --> 1:00:38.480
<v Speaker 1>And I'll go vegan while I do my part.

1:00:39.160 --> 1:00:40.560
<v Speaker 2>You'll be planting based during the product.

1:00:40.960 --> 1:00:41.640
<v Speaker 1>I've gone vegan.

1:00:41.960 --> 1:00:45.680
<v Speaker 2>Okay, how long what's the longest you've done shoot?

1:00:45.720 --> 1:00:47.960
<v Speaker 1>I went vegan. I was doing vegan for maybe like

1:00:48.840 --> 1:00:50.280
<v Speaker 1>six seven months.

1:00:50.400 --> 1:00:51.840
<v Speaker 3>And then I just and then I went and then

1:00:51.840 --> 1:00:57.040
<v Speaker 3>I went with vegetarian for a while, then pescatarian, and

1:00:57.080 --> 1:01:00.600
<v Speaker 3>then and then when I started training, I felt like

1:01:00.720 --> 1:01:03.080
<v Speaker 3>I felt like pause. I felt on my body was

1:01:03.080 --> 1:01:06.760
<v Speaker 3>crying out for crying out for meat. Pause again. I

1:01:06.840 --> 1:01:07.800
<v Speaker 3>just feel like it needed.

1:01:07.600 --> 1:01:09.320
<v Speaker 2>To your body was crying out for me.

1:01:09.520 --> 1:01:12.560
<v Speaker 3>No, you can't do that. Once I paused. Okay, once

1:01:12.600 --> 1:01:15.120
<v Speaker 3>I pause, we got to get out of there. And

1:01:15.160 --> 1:01:18.040
<v Speaker 3>it's just like, because I'm training twice a day, so

1:01:18.120 --> 1:01:20.080
<v Speaker 3>I felt like I needed that kind of protein.

1:01:20.600 --> 1:01:21.880
<v Speaker 1>I got you pause again.

1:01:24.080 --> 1:01:26.960
<v Speaker 3>So so that was kind of like, but I still

1:01:27.120 --> 1:01:29.920
<v Speaker 3>I still dabbling vegan food, raw food, like I had

1:01:30.200 --> 1:01:31.640
<v Speaker 3>I had a raw chef that I would call and

1:01:31.680 --> 1:01:34.080
<v Speaker 3>she would make dope raw dishes for me and bring

1:01:34.120 --> 1:01:34.439
<v Speaker 3>them over.

1:01:34.480 --> 1:01:34.960
<v Speaker 1>Like all of that.

1:01:34.880 --> 1:01:37.240
<v Speaker 2>Stuff living foods down here before.

1:01:37.520 --> 1:01:38.520
<v Speaker 1>No where is that.

1:01:38.520 --> 1:01:42.000
<v Speaker 2>It's downtown. We stopped there on the way here. It's

1:01:42.040 --> 1:01:46.760
<v Speaker 2>incredible wild living. They figured that ship out. It's amazing.

1:01:46.800 --> 1:01:48.240
<v Speaker 2>They have raw burgers.

1:01:48.280 --> 1:01:50.520
<v Speaker 1>But why it's all the way downtown, I don't know.

1:01:50.720 --> 1:01:54.440
<v Speaker 2>It's amazing, it's worth it. It's worth that's where the

1:01:54.520 --> 1:01:55.000
<v Speaker 2>vegans go.

1:01:55.640 --> 1:01:58.120
<v Speaker 1>No, it's a vegan spot right up here Crossroads.

1:01:57.640 --> 1:02:01.880
<v Speaker 2>And Crossroads is everything and was holly Oh they opened up.

1:02:01.960 --> 1:02:03.080
<v Speaker 2>They did open up a new local.

1:02:03.200 --> 1:02:06.320
<v Speaker 1>I think it's Court Kardashian and.

1:02:07.600 --> 1:02:09.080
<v Speaker 2>Yeah, yeah, I think it's Travis Barkers.

1:02:09.160 --> 1:02:12.680
<v Speaker 1>Yea, yeah. They full vegan, like given her supplements, all

1:02:12.680 --> 1:02:15.280
<v Speaker 1>that stuff, all vegan. So they're heavy.

1:02:15.400 --> 1:02:17.160
<v Speaker 2>They could have been on the album.

1:02:17.280 --> 1:02:19.760
<v Speaker 1>They could have you get Travis boy. I know you're

1:02:19.800 --> 1:02:20.920
<v Speaker 1>gonna get it next time. I know.

1:02:23.040 --> 1:02:23.240
<v Speaker 4>How.

1:02:23.360 --> 1:02:25.120
<v Speaker 1>So, how are you feeling about the movement of this

1:02:25.200 --> 1:02:25.800
<v Speaker 1>both this project?

1:02:25.840 --> 1:02:28.160
<v Speaker 2>So I'm feeling really great about it, I am. I

1:02:28.200 --> 1:02:32.280
<v Speaker 2>think just there's a lot of relatability with that self

1:02:32.280 --> 1:02:34.680
<v Speaker 2>love journey and sort of that vulnerability and talking about

1:02:34.720 --> 1:02:37.680
<v Speaker 2>therapy and just sort of you know, falling in love

1:02:37.720 --> 1:02:39.560
<v Speaker 2>with yourself is something that a lot of people can

1:02:39.600 --> 1:02:41.360
<v Speaker 2>relate to. Even the story I was telling you with

1:02:41.440 --> 1:02:43.960
<v Speaker 2>my dad and him not being able to verbalize love.

1:02:44.240 --> 1:02:46.439
<v Speaker 2>There have been so many people who've been reaching out

1:02:46.560 --> 1:02:48.880
<v Speaker 2>and just telling me like yo, like this has inspired

1:02:48.920 --> 1:02:51.160
<v Speaker 2>me to go into therapy or just inspire me to

1:02:51.200 --> 1:02:54.800
<v Speaker 2>have these conversations, and you know, cause really it's about

1:02:54.800 --> 1:02:58.160
<v Speaker 2>accountability too. And like Wayne and I have a duet

1:02:58.240 --> 1:03:00.360
<v Speaker 2>on the project that's called Maybe It's Me. It's a

1:03:00.360 --> 1:03:02.840
<v Speaker 2>father daughter duet which I hadn't really heard too much

1:03:02.920 --> 1:03:05.439
<v Speaker 2>of in R and V. And everything's usually romantic love

1:03:05.520 --> 1:03:08.920
<v Speaker 2>or friendship, but this duet between a father and her

1:03:09.000 --> 1:03:11.800
<v Speaker 2>daughter just saying, you know, at some point, I can

1:03:11.840 --> 1:03:14.160
<v Speaker 2>no longer blame you for the way I show up

1:03:14.160 --> 1:03:16.320
<v Speaker 2>in my relationships because you were doing the best that

1:03:16.360 --> 1:03:18.720
<v Speaker 2>you could. Now it's up to me to be the

1:03:18.800 --> 1:03:21.200
<v Speaker 2>change in myself so that I can show up and

1:03:21.200 --> 1:03:25.800
<v Speaker 2>be in more healthy relationships. And so yeah, people were like,

1:03:25.960 --> 1:03:28.320
<v Speaker 2>I'm gonna have a conversation with my father, I'm gonna

1:03:28.320 --> 1:03:31.080
<v Speaker 2>have a conversation with my mother. And then I released

1:03:31.080 --> 1:03:33.520
<v Speaker 2>a self love workbook that's sort of a companion to

1:03:33.560 --> 1:03:36.120
<v Speaker 2>the album to give people a space to sort of

1:03:36.120 --> 1:03:38.240
<v Speaker 2>write their own stories and to kind of like do

1:03:38.400 --> 1:03:40.720
<v Speaker 2>their own healing and work. It's got like inner child

1:03:40.800 --> 1:03:44.920
<v Speaker 2>activities and self love activities and then just journal prompts

1:03:44.920 --> 1:03:47.439
<v Speaker 2>based off of the songs from the project. So I'm

1:03:47.520 --> 1:03:50.880
<v Speaker 2>really falling in love and embracing this like healing wellness

1:03:50.880 --> 1:03:53.960
<v Speaker 2>space that's sort of organically come from this project.

1:03:54.360 --> 1:03:54.680
<v Speaker 1>Wow.

1:03:55.000 --> 1:03:56.680
<v Speaker 2>Yeah, it's been beautiful.

1:03:57.200 --> 1:04:00.320
<v Speaker 4>And it's completarly one percent independent it is.

1:03:59.760 --> 1:04:02.000
<v Speaker 1>Yeah, what's the name of the label?

1:04:02.240 --> 1:04:06.720
<v Speaker 2>Oh, Let there be Arts, you know, because we are creators.

1:04:06.920 --> 1:04:09.000
<v Speaker 2>Let there be Art, and you know, it's Devin and

1:04:09.040 --> 1:04:12.560
<v Speaker 2>I's company, and we're actually getting ready to launch an

1:04:12.600 --> 1:04:17.360
<v Speaker 2>indie collective, like an initiative to help empower other independent artists.

1:04:17.400 --> 1:04:19.280
<v Speaker 2>So that what we were talking about, right, like creating

1:04:19.280 --> 1:04:21.560
<v Speaker 2>that blueprint because a lot of people don't know the

1:04:21.640 --> 1:04:25.360
<v Speaker 2>business of being an independent artist and they get overwhelmed

1:04:25.400 --> 1:04:27.720
<v Speaker 2>by publishing. There's so much money that is out there

1:04:27.760 --> 1:04:30.680
<v Speaker 2>that people are not collecting. I'm just saying, there's so

1:04:30.760 --> 1:04:33.480
<v Speaker 2>many things that we have learned along the way over

1:04:33.520 --> 1:04:36.480
<v Speaker 2>the course of doing these three projects and just sort

1:04:36.520 --> 1:04:38.880
<v Speaker 2>of creating a blueprint for people to be able to

1:04:38.880 --> 1:04:41.280
<v Speaker 2>focus on the creative and not have to worry about

1:04:41.320 --> 1:04:45.440
<v Speaker 2>all of the nuances and getting your publishing and getting

1:04:45.480 --> 1:04:47.840
<v Speaker 2>your songs registered. Like there are people who are doing

1:04:47.880 --> 1:04:50.400
<v Speaker 2>this at a very high level who are independent artists

1:04:50.560 --> 1:04:53.280
<v Speaker 2>who didn't even know that they could how to upload

1:04:53.320 --> 1:04:56.320
<v Speaker 2>their music to DSPs. A really good friend of mine

1:04:57.360 --> 1:04:59.920
<v Speaker 2>pay is giving someone ten or fifteen percent of their

1:05:00.040 --> 1:05:03.640
<v Speaker 2>publishing because they put the music on the DSP and

1:05:03.680 --> 1:05:06.720
<v Speaker 2>I'm like, you don't got to do that. There's better ways,

1:05:06.840 --> 1:05:08.960
<v Speaker 2>like you know, and so just really giving them the

1:05:09.040 --> 1:05:13.880
<v Speaker 2>tools and then also creating a wellness initiative. We're starting

1:05:13.920 --> 1:05:17.000
<v Speaker 2>a residency down in Atlanta called Spaces where it's gonna

1:05:17.040 --> 1:05:21.400
<v Speaker 2>feel like, you know, it's for independent creatives, but it's

1:05:21.440 --> 1:05:23.560
<v Speaker 2>also going to be a space where we have speakers

1:05:23.600 --> 1:05:27.040
<v Speaker 2>coming in and teaching financial literacy or mental health. You know,

1:05:27.080 --> 1:05:29.640
<v Speaker 2>we're gonna do yoga and stretching in mindfulness because it's

1:05:29.680 --> 1:05:32.000
<v Speaker 2>holistic at the end of the day, because I learned

1:05:32.080 --> 1:05:35.040
<v Speaker 2>that when I went through my depression trying to you know,

1:05:35.160 --> 1:05:37.440
<v Speaker 2>navigate all these things and not really take care of

1:05:37.480 --> 1:05:41.520
<v Speaker 2>myself first. That's important. So to be successful, it has

1:05:41.560 --> 1:05:45.280
<v Speaker 2>to be holistic. And so I'm really excited about launching

1:05:45.320 --> 1:05:47.439
<v Speaker 2>that through our company Let There Be R and really

1:05:47.520 --> 1:05:51.919
<v Speaker 2>just giving other independent artists a blueprint because we don't

1:05:51.920 --> 1:05:53.480
<v Speaker 2>have it and we don't have to go through the

1:05:53.520 --> 1:05:55.720
<v Speaker 2>major label route. They make it so hard. We were

1:05:55.800 --> 1:05:58.040
<v Speaker 2>just talking about that too. You know, they make it

1:05:58.080 --> 1:06:00.320
<v Speaker 2>hard to figure out how to do it yoursel self,

1:06:01.360 --> 1:06:03.640
<v Speaker 2>and it shouldn't have to be that hard. It's all

1:06:03.640 --> 1:06:04.920
<v Speaker 2>there be giving you the information.

1:06:05.080 --> 1:06:06.320
<v Speaker 1>Yeah, yeah, yeah.

1:06:07.200 --> 1:06:10.360
<v Speaker 3>Did you know that when you were in total package

1:06:10.400 --> 1:06:12.880
<v Speaker 3>that you would become the total package?

1:06:13.800 --> 1:06:17.480
<v Speaker 2>Come on, manifestation, I kind of do keep becoming.

1:06:17.120 --> 1:06:21.280
<v Speaker 1>The name you. I'm telling you like you're you're everything.

1:06:21.560 --> 1:06:22.880
<v Speaker 2>Thank you, thank you?

1:06:37.520 --> 1:06:42.760
<v Speaker 9>Ah he go, he go, here, he go, he go?

1:06:46.040 --> 1:06:53.720
<v Speaker 9>What you got, Jade Novah?

1:06:53.800 --> 1:06:58.200
<v Speaker 1>Somewhere amongst the stars and the quasars and all the

1:06:58.240 --> 1:07:00.040
<v Speaker 1>cool ship and all the cool.

1:06:59.840 --> 1:07:07.080
<v Speaker 3>Shit, there are some songs that mean a whole lot

1:07:07.120 --> 1:07:12.240
<v Speaker 3>to you. We'd like to know what these songs.

1:07:11.840 --> 1:07:18.480
<v Speaker 1>Are, these other worldly songs from your third eye? Do

1:07:18.560 --> 1:07:28.240
<v Speaker 1>people want to know your top five? Your top five?

1:07:29.520 --> 1:07:39.360
<v Speaker 1>Come on, wait, top five? Your top five on the singers?

1:07:39.480 --> 1:07:40.000
<v Speaker 2>What else?

1:07:41.360 --> 1:07:48.680
<v Speaker 1>Alrathy songs? Oh yeah, we wanta do you got to show?

1:07:49.160 --> 1:07:52.680
<v Speaker 1>What will do be doude when you let us go?

1:07:57.280 --> 1:07:57.520
<v Speaker 10>Yeah?

1:08:08.720 --> 1:08:12.880
<v Speaker 1>Your five.

1:08:23.080 --> 1:08:28.519
<v Speaker 2>That was really something? So what you want?

1:08:29.000 --> 1:08:29.960
<v Speaker 1>Here? Here we go?

1:08:30.280 --> 1:08:36.240
<v Speaker 3>Tell your top five R and B singers.

1:08:38.840 --> 1:08:44.639
<v Speaker 2>Wow, I'm not good at favorites, but I will tell

1:08:44.680 --> 1:08:46.840
<v Speaker 2>you five people.

1:08:47.000 --> 1:08:49.960
<v Speaker 1>That's fine that I love. That's fine in R and B.

1:08:50.760 --> 1:08:53.000
<v Speaker 2>Stevie Wonders my awesome, and I can say that's number

1:08:53.000 --> 1:08:57.240
<v Speaker 2>one without a doubt. Stevie Wonder is what are we

1:08:57.280 --> 1:08:58.719
<v Speaker 2>talking about? He's Stevie Wonder.

1:09:00.360 --> 1:09:00.679
<v Speaker 1>Hmmm.

1:09:01.360 --> 1:09:02.400
<v Speaker 2>Whitney Houston.

1:09:03.720 --> 1:09:05.000
<v Speaker 1>Levels, you know what I mean?

1:09:06.280 --> 1:09:14.800
<v Speaker 2>Oh, Brandy, okay, Oh this is getting hard because there's

1:09:14.840 --> 1:09:16.400
<v Speaker 2>a bunch more that I want to name, and now

1:09:16.439 --> 1:09:17.920
<v Speaker 2>I don't know how to consolidate.

1:09:18.840 --> 1:09:19.599
<v Speaker 1>She's going fast?

1:09:22.479 --> 1:09:25.920
<v Speaker 2>Can I do like to if I said, just go fast? Okay?

1:09:26.120 --> 1:09:27.120
<v Speaker 2>Tony Bryson.

1:09:28.320 --> 1:09:33.439
<v Speaker 1>Mm hmm. To Mia is so cold. She does not

1:09:33.800 --> 1:09:37.920
<v Speaker 1>get the respect she is so called.

1:09:38.000 --> 1:09:41.520
<v Speaker 2>To me is one. She is a huge inspiration.

1:09:41.560 --> 1:09:47.080
<v Speaker 3>She is a flat footed, stand alone sanger. Don't need

1:09:47.240 --> 1:09:48.160
<v Speaker 3>nothing else.

1:09:48.680 --> 1:09:51.280
<v Speaker 2>Jesus Christ, Tamya is is it?

1:09:51.640 --> 1:09:52.240
<v Speaker 1>Absolutely?

1:09:52.600 --> 1:09:53.960
<v Speaker 2>I gotta say Beyonce.

1:09:53.720 --> 1:09:58.679
<v Speaker 1>To could you better?

1:09:58.920 --> 1:10:01.599
<v Speaker 2>Of course? I think that was seven.

1:10:04.880 --> 1:10:09.439
<v Speaker 1>I know he's gonna say that on you. Okay, you're

1:10:09.439 --> 1:10:13.599
<v Speaker 1>gonna stop there, I mean there, I asked. I did

1:10:13.640 --> 1:10:14.200
<v Speaker 1>ask the question.

1:10:17.520 --> 1:10:20.360
<v Speaker 2>I'm gonna stop there. I feel I feel good. I

1:10:20.400 --> 1:10:21.639
<v Speaker 2>feel good about your.

1:10:21.560 --> 1:10:23.839
<v Speaker 1>Top five R and B songs.

1:10:24.800 --> 1:10:25.160
<v Speaker 10>Mm hmm.

1:10:25.800 --> 1:10:36.960
<v Speaker 2>OVERJOYEDV Gonna build your castle love. This is hard. Oh

1:10:37.000 --> 1:10:40.280
<v Speaker 2>my god. I should have been prepared for this. This

1:10:40.360 --> 1:10:42.400
<v Speaker 2>is Can y'all edit this so it could be a

1:10:42.439 --> 1:10:43.040
<v Speaker 2>lot quicker.

1:10:43.880 --> 1:10:47.280
<v Speaker 1>We need all this jeez, Oh.

1:10:47.160 --> 1:10:52.280
<v Speaker 2>My gosh, rmy songs to me, you put a move

1:10:52.320 --> 1:10:52.840
<v Speaker 2>on my heart.

1:10:54.240 --> 1:10:56.000
<v Speaker 1>Yeah yeah, yeah, yeah.

1:10:55.840 --> 1:10:56.680
<v Speaker 2>That's up there for me.

1:10:56.960 --> 1:10:57.280
<v Speaker 1>That song.

1:10:58.160 --> 1:11:01.760
<v Speaker 2>Every time it does something.

1:11:02.360 --> 1:11:03.040
<v Speaker 1>She sang.

1:11:04.880 --> 1:11:10.000
<v Speaker 3>God this way before the two way before pitch correction.

1:11:10.400 --> 1:11:13.080
<v Speaker 2>Yea to me, it's incredible.

1:11:13.720 --> 1:11:21.400
<v Speaker 3>So I had to say that she sang it correctly. Yes, ooh, y'all,

1:11:21.520 --> 1:11:23.160
<v Speaker 3>Oh my god, you're gonna make me go. Pull that

1:11:23.240 --> 1:11:24.519
<v Speaker 3>song up and let's do it in the car.

1:11:24.720 --> 1:11:25.840
<v Speaker 1>You should as soon as I leave.

1:11:26.680 --> 1:11:29.720
<v Speaker 2>Q's Duke Joint was an incredible project. Incredible, and then

1:11:29.720 --> 1:11:33.680
<v Speaker 2>obviously her first album was incredible as well. Oh R

1:11:33.720 --> 1:11:36.639
<v Speaker 2>and B songs. Okay, so we got Stevie, we got Tamya.

1:11:36.960 --> 1:11:38.280
<v Speaker 2>I'm just gonna try and pick one from each of

1:11:38.320 --> 1:11:40.480
<v Speaker 2>the people that I said to just make things easier.

1:11:41.640 --> 1:11:48.320
<v Speaker 2>So Brandy, I really love Say You Will by Brandy.

1:11:49.120 --> 1:11:52.360
<v Speaker 2>I know that's like a wild card, but I really

1:11:52.400 --> 1:11:57.960
<v Speaker 2>love that song. I really love that song. See, Tony,

1:11:58.240 --> 1:12:02.719
<v Speaker 2>there's so many Tony songs. I mean, unbreak my heart?

1:12:03.040 --> 1:12:04.160
<v Speaker 1>Why not?

1:12:05.080 --> 1:12:05.479
<v Speaker 4>Why not?

1:12:05.760 --> 1:12:06.200
<v Speaker 1>Why not?

1:12:07.680 --> 1:12:12.439
<v Speaker 2>Who do we have Beyonce? Ooh, I love the lot

1:12:12.560 --> 1:12:15.040
<v Speaker 2>B Day, that whole project. I'm just can I just

1:12:15.080 --> 1:12:15.360
<v Speaker 2>do that?

1:12:15.600 --> 1:12:16.360
<v Speaker 1>You can't do that.

1:12:16.479 --> 1:12:24.479
<v Speaker 2>You can't beda B Day? Oh, Destiny's Child Desney Fulfield

1:12:24.520 --> 1:12:27.200
<v Speaker 2>has some crazy projects and some crazy songs on there too.

1:12:29.120 --> 1:12:36.200
<v Speaker 2>I'm not doing a good job, Tweter, Oh my goodness,

1:12:38.479 --> 1:12:40.000
<v Speaker 2>I think have I not?

1:12:41.560 --> 1:12:43.800
<v Speaker 3>All right, let's do your vultrying. This is where you

1:12:43.840 --> 1:12:46.040
<v Speaker 3>build your super R and B artists, all right, So

1:12:46.040 --> 1:12:48.000
<v Speaker 3>we're gonna see who you're gonna get the vocal from,

1:12:48.240 --> 1:12:51.280
<v Speaker 3>the performance style, the styling, the heart of the artist,

1:12:51.320 --> 1:12:52.799
<v Speaker 3>and who's going to write for these artists?

1:12:52.800 --> 1:12:54.200
<v Speaker 1>You songwriter? Here we go.

1:12:54.520 --> 1:12:56.200
<v Speaker 3>Who are you going to get the vocal from to

1:12:56.280 --> 1:12:57.960
<v Speaker 3>build your super R and B artist?

1:12:58.439 --> 1:13:04.280
<v Speaker 2>One vocal Whitney Houston. Yeah, because she is. She's Whitney Houston.

1:13:04.360 --> 1:13:09.559
<v Speaker 3>She's the guy is ballads all time. It's it's temple,

1:13:09.760 --> 1:13:12.960
<v Speaker 3>It's up temples all time. It's it's whatever you want.

1:13:12.800 --> 1:13:19.120
<v Speaker 2>It's whatever you want. It's whatever you want. Okay, yep,

1:13:19.760 --> 1:13:24.640
<v Speaker 2>we're gonna go. When Houston I'm grappling with her or

1:13:24.880 --> 1:13:28.960
<v Speaker 2>Beyonce for a reason. I think because Beyonce can rap,

1:13:29.520 --> 1:13:37.560
<v Speaker 2>Beyonce can do anything. Mm hmm. Beyonce Houston, Whitney.

1:13:37.120 --> 1:13:39.320
<v Speaker 1>Knows, Whitney knows.

1:13:40.720 --> 1:13:47.480
<v Speaker 2>Yeah, ship, Yeah, there's something about them as one. I mean, honestly,

1:13:47.840 --> 1:13:51.240
<v Speaker 2>Whitney Houston can sing whatever too. She gave us Queen

1:13:51.280 --> 1:13:53.040
<v Speaker 2>of the Night, and she she has rained.

1:13:53.120 --> 1:13:56.240
<v Speaker 3>I feel like if whatever the time would have required

1:13:56.360 --> 1:13:57.720
<v Speaker 3>of Whitney Houston.

1:13:57.479 --> 1:14:00.880
<v Speaker 2>She could have delivered. So, in all fairness, either one

1:14:00.920 --> 1:14:02.640
<v Speaker 2>of them interchangeably, just depending.

1:14:02.360 --> 1:14:05.240
<v Speaker 3>On what we've just seen, the progression, because Beyonce is

1:14:05.280 --> 1:14:07.840
<v Speaker 3>the evolution of Whitney Houston.

1:14:08.200 --> 1:14:11.880
<v Speaker 2>Absolutely, that versatility that both of them have, that's incredible.

1:14:12.040 --> 1:14:18.400
<v Speaker 3>Yeah yeah, okay, okay, So Winnie knows performance style on stage,

1:14:19.760 --> 1:14:20.400
<v Speaker 3>I'm gonna.

1:14:20.160 --> 1:14:24.920
<v Speaker 2>Have to go with hmm. I'm have to go with Oh,

1:14:26.520 --> 1:14:28.360
<v Speaker 2>we might have to go with do ca I was.

1:14:28.680 --> 1:14:30.240
<v Speaker 2>Have you looked at some of the clips from her

1:14:30.280 --> 1:14:37.760
<v Speaker 2>Coachella performers. She is she allows the people, and it's

1:14:37.840 --> 1:14:40.200
<v Speaker 2>clear she allows the band to do what they need

1:14:40.240 --> 1:14:42.559
<v Speaker 2>to do. She allows the creative director to do what

1:14:42.600 --> 1:14:45.560
<v Speaker 2>they need to do, and she clearly studies and rehearses

1:14:45.640 --> 1:14:49.519
<v Speaker 2>and puts on a good ass show. She is very talented, fire,

1:14:49.720 --> 1:14:58.160
<v Speaker 2>she is incredible. I'm gonna have to go performance styling Rihanna.

1:14:58.640 --> 1:15:03.360
<v Speaker 2>There's nobody cooler. There's nobody cooler. Rihannest building something right now,

1:15:03.400 --> 1:15:06.679
<v Speaker 2>you know what I'm saying, Building something, playing Lego.

1:15:06.560 --> 1:15:12.000
<v Speaker 1>Selling one hundred million represent the heart, the passion of

1:15:12.000 --> 1:15:12.400
<v Speaker 1>the artist.

1:15:14.560 --> 1:15:27.040
<v Speaker 2>Oh, the passion. Hm hmm. I'm gonna have to go

1:15:27.080 --> 1:15:27.799
<v Speaker 2>with jay Nova.

1:15:28.600 --> 1:15:32.639
<v Speaker 1>Yeah, come on, come on, because you fighting for this space. Yeah,

1:15:32.720 --> 1:15:36.080
<v Speaker 1>it's all on your own Yeah, all out my account.

1:15:37.479 --> 1:15:38.439
<v Speaker 2>She got the passion.

1:15:38.520 --> 1:15:39.760
<v Speaker 1>I'm not playing out here.

1:15:40.000 --> 1:15:40.240
<v Speaker 4>Yeah.

1:15:40.600 --> 1:15:43.240
<v Speaker 2>She's been doing this. She was a little baby, been

1:15:43.320 --> 1:15:43.880
<v Speaker 2>doing this.

1:15:44.080 --> 1:15:47.639
<v Speaker 3>I was signed since I was eight. I was under

1:15:47.720 --> 1:15:56.240
<v Speaker 3>contract under Michael, Michael saying it.

1:15:56.320 --> 1:16:02.599
<v Speaker 2>So, Michael, that's really good. A man of many gifts.

1:16:03.400 --> 1:16:07.080
<v Speaker 1>You Yeah, your passion is real, Your passion is real.

1:16:07.560 --> 1:16:08.679
<v Speaker 1>Who's writing for this artist?

1:16:08.960 --> 1:16:20.200
<v Speaker 2>Oh Stevie Wonder, Stevie Wonder, Stevie Wonder. I think that

1:16:20.280 --> 1:16:21.360
<v Speaker 2>might be a cop out though.

1:16:21.479 --> 1:16:22.719
<v Speaker 1>Okay, we'll get deep.

1:16:22.560 --> 1:16:26.120
<v Speaker 2>There, because now I feel like I've created a very

1:16:26.200 --> 1:16:27.160
<v Speaker 2>modern artist.

1:16:28.320 --> 1:16:44.720
<v Speaker 5>So mayhaps m h Frank Ocean Hmmm.

1:16:45.640 --> 1:16:46.440
<v Speaker 2>I'm interested.

1:16:47.000 --> 1:16:48.439
<v Speaker 1>I'm interested as well.

1:16:48.360 --> 1:16:53.559
<v Speaker 2>I'm interested to see what that looks like. Yeah, yeah,

1:16:53.600 --> 1:16:58.760
<v Speaker 2>because Frank Ocean to me has Stevie wonder isms and

1:16:58.840 --> 1:17:02.759
<v Speaker 2>the way he paints a p make sure he's yeah.

1:17:03.320 --> 1:17:05.120
<v Speaker 1>Freak my curiosity.

1:17:05.080 --> 1:17:07.639
<v Speaker 2>Yeah, this is a very interesting artist, curate.

1:17:07.760 --> 1:17:09.960
<v Speaker 3>I mean, the artist is not interesting. The artist is

1:17:09.960 --> 1:17:14.920
<v Speaker 3>a monster. But choosing Frank to write is interesting. I

1:17:14.960 --> 1:17:15.680
<v Speaker 3>want to hear that.

1:17:15.760 --> 1:17:19.040
<v Speaker 2>I want to hear it. I want to hear it intrigued.

1:17:18.640 --> 1:17:23.160
<v Speaker 3>Because it's going to have it's going to have it's

1:17:23.160 --> 1:17:26.439
<v Speaker 3>going to have a different type of depth to it.

1:17:26.439 --> 1:17:30.439
<v Speaker 3>It's not like a it's not a commercial thing. It's

1:17:30.560 --> 1:17:34.799
<v Speaker 3>truly art. It's like you know what I'm saying, Like, yeah.

1:17:34.600 --> 1:17:35.040
<v Speaker 1>I like that.

1:17:35.320 --> 1:17:38.240
<v Speaker 2>Yeah, I think it's going to be interesting, Like you like.

1:17:38.160 --> 1:17:41.800
<v Speaker 1>That's how you build a cult, a cult following with

1:17:41.880 --> 1:17:42.960
<v Speaker 1>that type of material.

1:17:43.640 --> 1:17:50.840
<v Speaker 4>Okay, all right, yeah, oh yeah, we've come to that time.

1:17:51.320 --> 1:18:01.639
<v Speaker 10>What's happening now, cul shit, I ain't.

1:18:01.439 --> 1:18:04.639
<v Speaker 1>Saying no hey, I ain't saying no name. I ain't

1:18:04.680 --> 1:18:10.240
<v Speaker 1>saying no names. I ain't saying no name. Was what

1:18:10.479 --> 1:18:26.000
<v Speaker 1>you did? Don't say she? And I'm saying no name? Yeah?

1:18:26.080 --> 1:18:27.000
<v Speaker 2>What does it all mean?

1:18:28.040 --> 1:18:31.680
<v Speaker 4>So we've come to that point very special segment of

1:18:31.720 --> 1:18:35.080
<v Speaker 4>the show, Will you tell us the story funny or

1:18:35.080 --> 1:18:39.000
<v Speaker 4>fucked up? Are funny and fucked up? The only rule

1:18:39.040 --> 1:18:43.680
<v Speaker 4>to the game. You can't say no names. Come on,

1:18:43.760 --> 1:18:45.519
<v Speaker 4>come on, give us some good Come on, come on

1:18:45.640 --> 1:18:49.040
<v Speaker 4>straight from pleav And, Ohio by way of Atlanta, Georgia.

1:18:49.439 --> 1:19:03.559
<v Speaker 2>Period. What oh, oh god, funny or fucked up? I

1:19:03.600 --> 1:19:15.280
<v Speaker 2>mean I kind of already said one of them, well too, guys, okay,

1:19:15.840 --> 1:19:19.760
<v Speaker 2>kind of fucked up, really fucked up. Actually a very

1:19:19.800 --> 1:19:25.760
<v Speaker 2>dope producer who wanted to work. Yeah, kind of back

1:19:25.800 --> 1:19:28.760
<v Speaker 2>to what you were speaking on earlier. Yeah, oh, I

1:19:28.960 --> 1:19:31.800
<v Speaker 2>just really wanted to work. And I was really excited

1:19:31.880 --> 1:19:36.240
<v Speaker 2>because this producer is very dope and very relevant. And

1:19:36.320 --> 1:19:38.880
<v Speaker 2>he sent me a DM and I'm like, great, let's work.

1:19:40.120 --> 1:19:43.840
<v Speaker 2>Here's my husband's information. He's my partner. We're gonna like

1:19:44.360 --> 1:19:45.759
<v Speaker 2>collaborate or whatever.

1:19:45.920 --> 1:19:46.479
<v Speaker 8>And then.

1:19:49.920 --> 1:19:52.160
<v Speaker 4>This had to do nothing with no husbands.

1:19:54.320 --> 1:19:56.960
<v Speaker 2>He went ghost and I was really disappointed. I was

1:19:57.000 --> 1:19:59.519
<v Speaker 2>really disappointed. But yeah, and it wasn't me trying to

1:19:59.560 --> 1:20:02.200
<v Speaker 2>like even put it just this is the way I work,

1:20:02.280 --> 1:20:05.080
<v Speaker 2>Like he's my business partner, so like that, it just

1:20:05.280 --> 1:20:07.720
<v Speaker 2>was what it was. And yeah, I never heard from

1:20:07.800 --> 1:20:08.280
<v Speaker 2>him again.

1:20:09.640 --> 1:20:10.719
<v Speaker 1>It's probably for the best.

1:20:11.000 --> 1:20:12.320
<v Speaker 2>Yeah, definitely for the best.

1:20:12.439 --> 1:20:13.920
<v Speaker 11>I mean, he wanted to work, but he didn't want

1:20:13.960 --> 1:20:22.960
<v Speaker 11>to work.

1:20:23.600 --> 1:20:26.360
<v Speaker 2>So I'm with you on some of your your your

1:20:26.400 --> 1:20:29.160
<v Speaker 2>women friends who say that that's an interesting thing to navigate,

1:20:29.200 --> 1:20:33.799
<v Speaker 2>and I've the conversations that I have had are wild,

1:20:34.560 --> 1:20:36.640
<v Speaker 2>and so I think that I lost my ability to

1:20:36.720 --> 1:20:40.719
<v Speaker 2>have that whatever that thing is to be a single

1:20:40.840 --> 1:20:45.320
<v Speaker 2>woman in this industry because I've heard that it don't

1:20:45.320 --> 1:20:49.799
<v Speaker 2>even matter. There's a lot of opportunities that I feel

1:20:49.920 --> 1:20:54.440
<v Speaker 2>like are not given because people's intentions.

1:20:53.720 --> 1:20:56.840
<v Speaker 1>Are because you're not allowing a certain access exactly.

1:20:57.040 --> 1:20:58.920
<v Speaker 2>So, but like you said, it's for the better because

1:20:58.920 --> 1:21:00.360
<v Speaker 2>then you're reading out the bullshit.

1:21:00.080 --> 1:21:01.120
<v Speaker 1>It well, and it's for you.

1:21:01.560 --> 1:21:03.640
<v Speaker 3>Like your your path and how you want to go

1:21:03.680 --> 1:21:08.280
<v Speaker 3>about this thing is just set a certain way and

1:21:08.439 --> 1:21:10.799
<v Speaker 3>everything that go alongs with even just how you create

1:21:10.880 --> 1:21:14.559
<v Speaker 3>your music, it just doesn't it doesn't warrant that like

1:21:14.640 --> 1:21:18.240
<v Speaker 3>yours is just different. So I commend you on your path,

1:21:19.400 --> 1:21:23.519
<v Speaker 3>commend you however you go about getting your business done.

1:21:23.640 --> 1:21:26.400
<v Speaker 3>You know, God bless you. I have no judgment at all,

1:21:26.439 --> 1:21:30.760
<v Speaker 3>but I commend you on how you've gone about gone

1:21:30.760 --> 1:21:34.840
<v Speaker 3>about your business is very admirable, very respectable and as

1:21:34.960 --> 1:21:38.200
<v Speaker 3>Jay says, should be studied, it should.

1:21:38.000 --> 1:21:39.920
<v Speaker 2>Be I want to hear these stories. Y'all do the

1:21:39.960 --> 1:21:41.320
<v Speaker 2>song again, and then y'all tell me.

1:21:45.160 --> 1:21:47.800
<v Speaker 3>You're in the hot seat, so we're going to keep

1:21:47.840 --> 1:21:51.960
<v Speaker 3>it on you. Jay, You're super dope. We first of

1:21:52.000 --> 1:21:54.439
<v Speaker 3>all appreciate you coming because we know you know your

1:21:54.479 --> 1:21:59.360
<v Speaker 3>time is real money. Your time is your money. It

1:21:59.400 --> 1:22:02.839
<v Speaker 3>ain't nobody else there is your money, and we appreciate

1:22:02.880 --> 1:22:06.120
<v Speaker 3>you being here. We are we are one hundred percent

1:22:06.160 --> 1:22:09.120
<v Speaker 3>and support you. That is why you are here, so

1:22:09.280 --> 1:22:11.280
<v Speaker 3>we can celebrate you and let people know who and

1:22:11.360 --> 1:22:16.839
<v Speaker 3>what you are. And this is always available to you always.

1:22:17.000 --> 1:22:17.559
<v Speaker 1>Thank you.

1:22:17.920 --> 1:22:21.200
<v Speaker 2>And I'm so proud and inspired at what you both

1:22:21.240 --> 1:22:24.000
<v Speaker 2>have built here, like it's so necessary, and I love

1:22:24.040 --> 1:22:26.920
<v Speaker 2>that y'all highlight independent artists as well, artists from all

1:22:26.960 --> 1:22:29.680
<v Speaker 2>walks of life, like this is some really dope. I mean,

1:22:29.680 --> 1:22:31.519
<v Speaker 2>you know this is dope ship that you've built. Now

1:22:31.520 --> 1:22:33.920
<v Speaker 2>you've got a tour popping from it like you're doing.

1:22:33.960 --> 1:22:35.760
<v Speaker 1>I'm not going to do this. You're not gonna.

1:22:37.840 --> 1:22:41.680
<v Speaker 2>Chain about it, all your plaque about it.

1:22:41.880 --> 1:22:45.040
<v Speaker 1>You're not gonna do. That's incredible about you.

1:22:45.280 --> 1:22:48.800
<v Speaker 2>But I'm saying like it's I'm grateful, like the give

1:22:48.920 --> 1:22:52.559
<v Speaker 2>back because y'all are legends and it's and it's it's

1:22:52.600 --> 1:22:55.240
<v Speaker 2>crazy awesome. I'm honored.

1:22:57.720 --> 1:23:00.640
<v Speaker 3>And this is the R and B Money popocast, the

1:23:00.680 --> 1:23:07.320
<v Speaker 3>authority on all things, all things, all things R and B.

1:23:08.640 --> 1:23:12.599
<v Speaker 1>Fight for yourself because that's what this young lady does

1:23:12.840 --> 1:23:23.080
<v Speaker 1>at jad Novan R and B Money.

1:23:23.240 --> 1:23:25.040
<v Speaker 4>R and B Money is a production of the Black

1:23:25.080 --> 1:23:29.920
<v Speaker 4>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1:23:29.960 --> 1:23:33.800
<v Speaker 4>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:23:33.800 --> 1:23:37.679
<v Speaker 4>favorite shows. Don't forget to subscribe to and rate our show,

1:23:38.040 --> 1:23:40.639
<v Speaker 4>and you can connect with us on social media at

1:23:40.720 --> 1:23:44.920
<v Speaker 4>j Valentine and at the Real Tank. For the extended episode,

1:23:45.080 --> 1:23:49.280
<v Speaker 4>subscribe to YouTube dot com or slash R and B

1:23:49.400 --> 1:23:49.679
<v Speaker 4>Money