WEBVTT - Tree of Life

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<v Speaker 1>Men call the Aswatha the Banyan tree, which hath its

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<v Speaker 1>bows beneath its roots above the ever holy tree yea,

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<v Speaker 1>for its leaves are green and waving hymns which whisper truth.

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<v Speaker 1>Who knows the Aswatha knows vEDS? And all its branches

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<v Speaker 1>shoot to heaven and sink to earth, even as the

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<v Speaker 1>deeds of men, which take their birth from qualities. Its

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<v Speaker 1>silver sprays and blooms, and all the eager verdure of

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<v Speaker 1>its girth leap to quick life at kiss of sun

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<v Speaker 1>and air, as men's lives quickened to the temptings fair

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<v Speaker 1>of wooing sense it's hanging Rootlets seek the soil beneath,

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<v Speaker 1>helping to hold it there, as actions rought amid this

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<v Speaker 1>world of men bind them by ever tightening bonds. Again,

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<v Speaker 1>Welcome to stuff to blow your mind from how stop

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<v Speaker 1>where dot com? Hey? You Welcome to stuff to blow

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<v Speaker 1>your mind. My name is Robert Lamb, and my name

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<v Speaker 1>is Christian Saga. And that was a reading from a

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<v Speaker 1>book I can't pronounce the right way, but it's the

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<v Speaker 1>arnold translation. Chapter fifteen. You say it, yes, the bag geta,

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<v Speaker 1>or you know, you can just call it the geta

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<v Speaker 1>I always say it wrong, baga, geta yeah, or just

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<v Speaker 1>the geta. You know, you can be impersonal with it

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<v Speaker 1>if you like. Okay, but yeah, that's the Arenold translation

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<v Speaker 1>chapter fifteen, referring to one of the many world trees,

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<v Speaker 1>the sacred trees, the trees of life that seemed to

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<v Speaker 1>crop up from cultures and traditions around the world, and

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<v Speaker 1>the roots of these trees seem to dive down deep

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<v Speaker 1>into human prehistory. Yeah. I have been thinking about this

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<v Speaker 1>topic for a few years now. I've I've had this

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<v Speaker 1>in the back of my head when I joined the show.

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<v Speaker 1>Here's a little behind the scenes for you all. We

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<v Speaker 1>have this huge spreadsheet document that has all of our

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<v Speaker 1>potential topics in it, and when I first joined the show,

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<v Speaker 1>I probably put I don't know, like two ideas into it,

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<v Speaker 1>and this was like one of the first ones I

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<v Speaker 1>put in there because I was like, I know what

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<v Speaker 1>Robert's into, I know what the show has covered before.

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<v Speaker 1>I need the answer to this question. And the way

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<v Speaker 1>I had framed it was, why are the Kundalini, ig DRIs, sill,

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<v Speaker 1>and suffer off also similar? And these are all basically

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<v Speaker 1>and we're going to get into this. These are all

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<v Speaker 1>representations of tree of life symbology across the world, right.

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<v Speaker 1>And it first struck me when I was reading these

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<v Speaker 1>esoteric books about things like yoga and North myths and

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<v Speaker 1>Cobbalistic mysticism. And then it occurred to me that these

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<v Speaker 1>cosmological symbols, they're so similar, despite the fact that the

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<v Speaker 1>cultures that they come from are vastly different and very

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<v Speaker 1>far away from one another. But I didn't originally think

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<v Speaker 1>of them as trees per se. And now that we've

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<v Speaker 1>sat down and we've done our homework for this episode,

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<v Speaker 1>it's it's pretty obvious that they're they're all trees. Yeah.

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<v Speaker 1>And and if you and if you don't know what

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<v Speaker 1>those those three names were, you don't know these particular

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<v Speaker 1>old trees by name. I feel like most people, you're

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<v Speaker 1>probably connected with some culture or another that has a

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<v Speaker 1>tree symbol within it. And even if you're completely like

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<v Speaker 1>somehow completely removed from uh, you know, ancient traditions and

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<v Speaker 1>spiritual practices and religious history, you are still going to

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<v Speaker 1>encounter the symbol of the tree somewhere in your world.

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<v Speaker 1>And as as with all the symbols, symbols come into

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<v Speaker 1>contact with each other. UH and you. You really can't

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<v Speaker 1>interact with the symbol of the tree, I feel without

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<v Speaker 1>engaging with the legacy of that symbol, which we're going

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<v Speaker 1>to discuss here today. Yeah, exactly, and so we're gonna

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<v Speaker 1>provide you with examples too. Well, we'll get into all

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<v Speaker 1>of those, but really our core question here today is

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<v Speaker 1>wire trees so intimately connected with spiritual training and development

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<v Speaker 1>everywhere in the world, and we'll find that this actually

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<v Speaker 1>goes along with scientific development as well, that the trees

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<v Speaker 1>symbology has been applied there too. Now I have to

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<v Speaker 1>note here we could do the whole episodes just on

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<v Speaker 1>all the various world trees and sacred trees in human tradition.

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<v Speaker 1>We could do a whole episode just on tree spirits

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<v Speaker 1>and the idea that the tree is a home for

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<v Speaker 1>the soul of the departed, But obviously we don't have time.

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<v Speaker 1>We're going to try and at least dip our toes

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<v Speaker 1>and then all the appropriate waters, but we're not gonna

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<v Speaker 1>really have time to immerse ourselves. Yeah, this is one

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<v Speaker 1>of those where you could do just like an entire

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<v Speaker 1>podcast called Tree of Life, and it would be just

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<v Speaker 1>every episode would be about a different one because the

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<v Speaker 1>further we dug into this, the more obvious it was.

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<v Speaker 1>It was in every culture. Everybody has it, and each

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<v Speaker 1>one's fascinating. Each one has its own particular you know, flourishes.

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<v Speaker 1>Uh So, yeah, you could. You could just have a

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<v Speaker 1>Tree of the Week, but unfortunately I won't be able

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<v Speaker 1>to join you for that Tree of the Week on

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<v Speaker 1>Stuff to Blow Your Mind at least because this is

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<v Speaker 1>my last episode of Stuff to Blow your Mind. I'm

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<v Speaker 1>actually moving to Portland, Oregon, So if any of our

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<v Speaker 1>listeners are out that way and you want to help

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<v Speaker 1>me get situated as I move, I would love your advice.

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<v Speaker 1>So what we're gonna do is at the end of

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<v Speaker 1>this episode, I will provide information on how to get

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<v Speaker 1>in contact with me where you can find me online.

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<v Speaker 1>But I want to thank everybody out there, all of

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<v Speaker 1>you for accepting me into your ears for the last

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<v Speaker 1>few years. I've learned so much working on this show

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<v Speaker 1>and interacting with its wonderful community, and I've made so

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<v Speaker 1>many friends from being on this show. So thank you, everybody.

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<v Speaker 1>And I wanted to choose a topic that was, uh,

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<v Speaker 1>something I've really wanted to cover on this show, but

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<v Speaker 1>that's also it's universal man. Yeah, well, I mean for

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<v Speaker 1>for starters, I want to thank you for everything you've

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<v Speaker 1>done for the show and UH and you have helped

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<v Speaker 1>to shape its voice over the past a few years here,

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<v Speaker 1>and I wish you the absolute best in Portland's and

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<v Speaker 1>UH and as we'll get into at the end of

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<v Speaker 1>the show, also your your your future podcast endeavors. Yeah,

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<v Speaker 1>You're gonna remain a friend of Stuff to Boil your

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<v Speaker 1>Mind going forward, and I want everybody to to to

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<v Speaker 1>be clear on that, Like like five years from now,

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<v Speaker 1>I'm going to show up and we're gonna do UH

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<v Speaker 1>an episode on some kind of paraphilia, and then we'll

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<v Speaker 1>mix in like the science of some kind of psychedelic

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<v Speaker 1>drug into it. Right on that note, I am glad

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<v Speaker 1>that your final episode doesn't have to be the zoophilia episode.

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<v Speaker 1>That was one of the ones. I'm kind of your

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<v Speaker 1>Stuff to Boil your Mind bucket was my hit list. Yeah, yeah,

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<v Speaker 1>after the necrophilia episode, I was like, we gotta do

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<v Speaker 1>another paraphilia. So I'm glad we got that out of

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<v Speaker 1>the way as a as ikey as it made us

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<v Speaker 1>both feel when we did it. You know, one of

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<v Speaker 1>the other things I like here is that your last

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<v Speaker 1>episode is kind of accidentally a Christmas episode, or at

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<v Speaker 1>least a Christmas Tree episode, because I found at least

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<v Speaker 1>one source referring to the Christmas tree as as yet

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<v Speaker 1>another symbol, as yet another echo of this global tradition,

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<v Speaker 1>which which honestly I didn't even really think. God, I

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<v Speaker 1>guess it's just because the Christmas tree is just so

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<v Speaker 1>it's kind of so overdone in Western tradition, especially because

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<v Speaker 1>we cut them down right. But yeah, I hadn't thought

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<v Speaker 1>of it either, and it's so obvious now that you

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<v Speaker 1>pointed out. Yeah, and this comes out like somewhat at

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<v Speaker 1>the beginning of December. So maybe this will be an appropriate, uh,

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<v Speaker 1>going into the Holidays episode for everybody to listen to

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<v Speaker 1>and think about trees. So some of you out there

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<v Speaker 1>are probably wondering, what are you guys talking about? What

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<v Speaker 1>is a tree of life? Well, a tree of life

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<v Speaker 1>it's a widespread archetype or motive that shows up in

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<v Speaker 1>many human myths across the world. There seemed to be

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<v Speaker 1>two main forms that show up, the world tree and

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<v Speaker 1>the tree of life. Sometimes it's called the cosmic tree

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<v Speaker 1>or the tree of knowledge in symbology. But the first

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<v Speaker 1>one is a tree that has a vertical center that

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<v Speaker 1>binds together heaven and Earth. And the second one is

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<v Speaker 1>a tree that is the source of life at the

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<v Speaker 1>horizontal center of the Earth, and the concepts that are

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<v Speaker 1>associated with it include life giving force, eternal life, desire

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<v Speaker 1>for heaven, and fertility. So if we look at the

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<v Speaker 1>world tree one first, this is the vertical tradition. The

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<v Speaker 1>tree extends between Earth and heaven and is the connection

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<v Speaker 1>between humans and the gods, and the base of the

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<v Speaker 1>tree is where oracles and profits perform their activities. But

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<v Speaker 1>because the top of this tree reaches up into the heavens,

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<v Speaker 1>it was seen as an entity that actually connected the

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<v Speaker 1>three spheres of what most people thought of as existence Heaven, Earth,

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<v Speaker 1>and then underground, which would be the land of the

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<v Speaker 1>dead in some cultures. Now, what I think is interesting

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<v Speaker 1>about this is that you can easily compare it to

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<v Speaker 1>the Holy Mountain in in global traditions. But the mountain

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<v Speaker 1>is a like a thing. This is not geologically speaking,

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<v Speaker 1>but speaking from like human perspective, the mountain is a

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<v Speaker 1>thing that exists and is solid and is unchanging. But

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<v Speaker 1>the tree is a thing that is obviously grown um

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<v Speaker 1>which puts it more in keeping with, for instance, the

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<v Speaker 1>idea of of a tower of Babbel, the idea of

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<v Speaker 1>hour to reach the heavens of False Mountain, except that

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<v Speaker 1>the tree is is authentic. And it also reminds me,

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<v Speaker 1>of course, of of space elevators and man made thing

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<v Speaker 1>that has grown or built and used to reach the

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<v Speaker 1>heavenly realm or at least you know, lower orbit. Yeah,

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<v Speaker 1>those are all metaphors that have shown up in other cultures,

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<v Speaker 1>not space elevators yet, but we still have time. We

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<v Speaker 1>can do like the space Elevator of Life movie at

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<v Speaker 1>some point. But you're right, mountains actually are interchangeable with

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<v Speaker 1>trees and some of these symbolic legends. But I think

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<v Speaker 1>that trees are usually the fallback because they grow and

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<v Speaker 1>because of their cycle of fertility. Uh. But let's look

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<v Speaker 1>at the horizontal tradition and see how that I think

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<v Speaker 1>that plays into that further. That's this is again the

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<v Speaker 1>tree of life versus the world tree. So this version

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<v Speaker 1>has the tree planted at the center of the world

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<v Speaker 1>and usually it's protected by supernatural guardians. The tree is

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<v Speaker 1>the source of fertility and life, and we humans are

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<v Speaker 1>actually descended from the tree. If it's cut down, the

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<v Speaker 1>ability to reproduce in the world would cease to exist.

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<v Speaker 1>And the tree is common in quest myths, so that

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<v Speaker 1>you see a lot of myths where like somebody has

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<v Speaker 1>to go and get something, the trees usually involved. So

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<v Speaker 1>for example Gilgamesh he obtains the elixir of immortality after

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<v Speaker 1>fighting the guards of the Tree of Life, and its

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<v Speaker 1>fruit and sap are thought to bestow both knowledge and enlightenment. Now,

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<v Speaker 1>in some variations this is interesting. I only found this

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<v Speaker 1>in a few There are goats at the base of

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<v Speaker 1>the tree and they are also worshiped and seen as

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<v Speaker 1>symbolic of birth and fertility. That's interesting. I was looking

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<v Speaker 1>through um the writings of James Frasier and he made

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<v Speaker 1>some connections there as well, between antlert or horned animals

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<v Speaker 1>and the branches of trees. Well, it seems like the

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<v Speaker 1>goat represents the ibex, which was once worshiped as an

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<v Speaker 1>incarnation of human and herd fertility, so that would make sense,

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<v Speaker 1>and the horn formations connecting together. That also makes sense.

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<v Speaker 1>In other variations, though instead of a goat, it's a

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<v Speaker 1>dragon or a serpent. I guess dragons sometimes have horns,

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<v Speaker 1>but serpents don't usually. Yeah, I mean you do see

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<v Speaker 1>dragons with horns or antlers a lot of traditions. I mean,

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<v Speaker 1>just kind of a reminder that the dragon is essentially

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<v Speaker 1>a chimera. It's a it's a you know, it's a

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<v Speaker 1>it's a creature created out out of pieces of all

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<v Speaker 1>these other animals, including, uh, say, a deer or a goat, right,

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<v Speaker 1>and so these seem to symbolize the spirit of the earth.

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<v Speaker 1>But the serpent is also an image for the quicksilvery

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<v Speaker 1>sap that's within the tree as well, because of the

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<v Speaker 1>way it moves. So that's interesting as well. Yeah, I

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<v Speaker 1>had not realized that. Yeah, and obviously we'll get to this,

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<v Speaker 1>but when we go to the Judeo Christian version of this,

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<v Speaker 1>obviously the serpent and the tree in the Garden of

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<v Speaker 1>Eden that all fits together. Right now, I want to

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<v Speaker 1>remind everybody about archetypes before we get into this, because

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<v Speaker 1>we're gonna definitely throw that term around a lot. Uh.

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<v Speaker 1>Robert and I have covered that in previous episodes. We

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<v Speaker 1>did an episode on on just myth in general and

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<v Speaker 1>taking a look at myths across history. We also did

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<v Speaker 1>an episode on the hero myth and we talked about archetypes,

0:12:09.760 --> 0:12:13.239
<v Speaker 1>and we specifically talked about Karl Gustav Young in those episodes,

0:12:13.840 --> 0:12:16.719
<v Speaker 1>but just to give you a primer refresher what have you.

0:12:17.040 --> 0:12:20.640
<v Speaker 1>He was a psychoanalyst whose main theory was that archetypes

0:12:20.840 --> 0:12:25.800
<v Speaker 1>reappear in the collective unconscious that all human societies share.

0:12:25.800 --> 0:12:29.480
<v Speaker 1>And he saw this as a ancient universal mind that

0:12:29.600 --> 0:12:33.560
<v Speaker 1>was common to all humans. It's like an ancestral memory. Uh.

0:12:33.600 --> 0:12:38.720
<v Speaker 1>And explains why we had the same archetypes across different cultures.

0:12:38.800 --> 0:12:41.400
<v Speaker 1>This is his answer to my question, why why is

0:12:41.480 --> 0:12:44.760
<v Speaker 1>this this symbology exactly the same in these cultures all

0:12:44.800 --> 0:12:48.360
<v Speaker 1>around the world. Uh. And for instance, the hero, as

0:12:48.400 --> 0:12:50.600
<v Speaker 1>we talked about in in in that previous episode, was

0:12:50.640 --> 0:12:54.240
<v Speaker 1>one of the most prominent of these archetypes. Young posits

0:12:54.240 --> 0:12:57.200
<v Speaker 1>that there's this deeper unconscious level that's going on that

0:12:57.320 --> 0:13:02.120
<v Speaker 1>manifests itself as dreams or sometimes in more complex forms

0:13:02.120 --> 0:13:06.280
<v Speaker 1>as myths or fairy tales. So this is in his

0:13:06.559 --> 0:13:09.760
<v Speaker 1>you know, worldview, and we'll cover some some more frameworks

0:13:09.800 --> 0:13:12.920
<v Speaker 1>like this later on in the episode Why these all

0:13:12.960 --> 0:13:17.240
<v Speaker 1>connect together? So the tree itself has been used since

0:13:17.360 --> 0:13:22.559
<v Speaker 1>prehistoric humanity as a representation for the cosmos for God,

0:13:22.760 --> 0:13:26.360
<v Speaker 1>for fertility, knowledge, and eternal life. In fact, there are

0:13:26.400 --> 0:13:30.960
<v Speaker 1>representations of it in prehistoric artistic productions. That's pretty interesting.

0:13:31.000 --> 0:13:34.360
<v Speaker 1>I didn't I didn't realize that. Uh. We also find

0:13:34.760 --> 0:13:38.680
<v Speaker 1>the tree in our conceptions of physical matter. So whether

0:13:38.679 --> 0:13:42.400
<v Speaker 1>you're looking at vegetation or rivers or the circulation systems

0:13:42.440 --> 0:13:47.120
<v Speaker 1>of animals, they're all we use terms from trees, like

0:13:47.200 --> 0:13:50.800
<v Speaker 1>branches for instance, right. Uh. And the human brain in

0:13:50.840 --> 0:13:54.600
<v Speaker 1>these networks actually resembles the trees crown in the spinal

0:13:54.640 --> 0:13:57.600
<v Speaker 1>cords its trunk, so you can see why human beings

0:13:57.600 --> 0:14:01.320
<v Speaker 1>would automatically gravitate towards this symbol. Yeah, the tree is

0:14:01.360 --> 0:14:05.199
<v Speaker 1>just a like a natural symbol and natural metaphor for

0:14:05.280 --> 0:14:08.520
<v Speaker 1>all of these other things were encountering, and it's it's complete.

0:14:08.559 --> 0:14:10.720
<v Speaker 1>You can see it as a silhouette on a hill

0:14:11.320 --> 0:14:14.199
<v Speaker 1>and then use it as a model. It's kind of

0:14:14.200 --> 0:14:18.120
<v Speaker 1>an externalization of cognition to help you understand the rest

0:14:18.160 --> 0:14:22.160
<v Speaker 1>of your world exactly. And they're obviously a symbol for

0:14:22.320 --> 0:14:25.920
<v Speaker 1>the cycle of seasons, right like early humanity to now

0:14:26.360 --> 0:14:30.880
<v Speaker 1>we all know that trees cycle through seasons, blossom, fruit, decay,

0:14:31.000 --> 0:14:34.120
<v Speaker 1>and then are reborn. This is seen as a reflection

0:14:34.280 --> 0:14:38.280
<v Speaker 1>of the regenerative cycle of the cosmos itself and trees then,

0:14:38.320 --> 0:14:41.560
<v Speaker 1>because they have a longer lifespan than ours, they seem

0:14:41.600 --> 0:14:44.000
<v Speaker 1>inexhaustible to us. Right, it seems like they have this

0:14:44.320 --> 0:14:47.520
<v Speaker 1>natural vigor that lasts forever. But that's just because they

0:14:47.520 --> 0:14:50.400
<v Speaker 1>live longer than us. It's like uh, ents in a

0:14:50.480 --> 0:14:53.360
<v Speaker 1>Lord of the Rings. There you go, So yet another

0:14:53.400 --> 0:14:55.840
<v Speaker 1>world tree that we we didn't add to the notes

0:14:55.920 --> 0:14:58.120
<v Speaker 1>here today. Yeah yeah, I also don't think we mentioned

0:14:58.360 --> 0:14:59.800
<v Speaker 1>Game of Thrones at all. But of course they have

0:14:59.880 --> 0:15:02.680
<v Speaker 1>the the spirit trees that the at least the people

0:15:02.720 --> 0:15:04.480
<v Speaker 1>of the North views the Where would is that? What

0:15:05.400 --> 0:15:08.960
<v Speaker 1>with the faces of the children of the forest. Yeah yeah,

0:15:09.080 --> 0:15:12.000
<v Speaker 1>Now remember too that in this symbology, the fruit of

0:15:12.040 --> 0:15:15.480
<v Speaker 1>these trees bestows both knowledge and eternal life. Right, So

0:15:15.680 --> 0:15:19.240
<v Speaker 1>here's an example. The golden apples of Igdrasill are said

0:15:19.280 --> 0:15:23.000
<v Speaker 1>to be stored in Valhalla to restore the youthfulness of

0:15:23.040 --> 0:15:26.520
<v Speaker 1>the gods. But and this is this pun is intended?

0:15:26.560 --> 0:15:30.520
<v Speaker 1>What if it all stemmed from a psychotropic agent that

0:15:30.640 --> 0:15:35.560
<v Speaker 1>was in trees in the original representation. So actually, ethnobotanists

0:15:35.600 --> 0:15:38.040
<v Speaker 1>have been throwing theories around trying to figure this out

0:15:38.040 --> 0:15:40.720
<v Speaker 1>for a while now, and some of the examples that

0:15:40.760 --> 0:15:43.360
<v Speaker 1>they looked at as possibilities where the fly a garrick

0:15:43.800 --> 0:15:46.680
<v Speaker 1>or the Syrian ru trees, But so far they haven't

0:15:46.680 --> 0:15:51.400
<v Speaker 1>been able to find a specific hallucinogenic plant that satisfactorily

0:15:51.920 --> 0:15:55.240
<v Speaker 1>fits with the description of world trees. See, I actually

0:15:55.240 --> 0:15:58.240
<v Speaker 1>found out a way to work in uh psychedelics into

0:15:58.360 --> 0:16:01.080
<v Speaker 1>my last episode. Well, you know, this does make me

0:16:01.320 --> 0:16:03.960
<v Speaker 1>wonder though, it's would it be necessary to be able

0:16:04.000 --> 0:16:07.479
<v Speaker 1>to find like the one the one to one example

0:16:07.560 --> 0:16:10.000
<v Speaker 1>of like here's a tree that produced a psychedelic fruit,

0:16:10.120 --> 0:16:11.840
<v Speaker 1>when it would be seems like it would be just

0:16:11.880 --> 0:16:14.000
<v Speaker 1>as likely that you have the symbol of the tree.

0:16:14.120 --> 0:16:17.280
<v Speaker 1>But then there's this vast knowledge of these other plants

0:16:17.320 --> 0:16:21.680
<v Speaker 1>in your environment that produce various medicinal or psychotropic effects.

0:16:21.760 --> 0:16:24.560
<v Speaker 1>You know, yeah, I agree. I think that some of

0:16:24.600 --> 0:16:28.880
<v Speaker 1>these researchers, what they're trying to do is pinpoint the

0:16:28.920 --> 0:16:32.240
<v Speaker 1>origin place where the myth first started, and a lot

0:16:32.280 --> 0:16:34.040
<v Speaker 1>of it we'll get into this later, but a lot

0:16:34.080 --> 0:16:35.920
<v Speaker 1>of it seems to point to the Middle East. So

0:16:35.960 --> 0:16:38.200
<v Speaker 1>I think that's why they're looking at those particular trees.

0:16:38.200 --> 0:16:41.560
<v Speaker 1>But you're right. I think that as this uh myth

0:16:41.720 --> 0:16:45.760
<v Speaker 1>spread throughout cultures around the world, obviously various trees could

0:16:45.800 --> 0:16:49.080
<v Speaker 1>influence it, depending on what locations there in. So let's

0:16:49.080 --> 0:16:51.040
<v Speaker 1>get Christmas e again for a second. Um. I ran

0:16:51.080 --> 0:16:54.200
<v Speaker 1>across this um. This article in Nature from two thousand

0:16:54.480 --> 0:16:58.520
<v Speaker 1>by ecologist gear hess Mark title Temptations of the Tree

0:16:58.800 --> 0:17:02.360
<v Speaker 1>a perennial image of a life, history and enlightenment and

0:17:02.520 --> 0:17:04.920
<v Speaker 1>uh and he did a wonderful job tying it all

0:17:04.960 --> 0:17:07.520
<v Speaker 1>into Christmas. He says. At this time of year, many

0:17:07.560 --> 0:17:09.800
<v Speaker 1>people the world over bring a Christmas tree into their

0:17:09.840 --> 0:17:12.240
<v Speaker 1>living room to celebrate life. The tree is one of

0:17:12.280 --> 0:17:14.679
<v Speaker 1>the most powerful images in human thought and worship, a

0:17:14.800 --> 0:17:18.119
<v Speaker 1>feature of human environments from tiger to rainforest, and a

0:17:18.200 --> 0:17:23.760
<v Speaker 1>symbol of persistence, fertility, life, descent, destiny, purification and strength,

0:17:23.800 --> 0:17:26.720
<v Speaker 1>a vertical link between the earth and the heavens, A

0:17:26.800 --> 0:17:31.120
<v Speaker 1>place to seek knowledge. Yeah, you know what this is interesting? Actually,

0:17:31.200 --> 0:17:33.359
<v Speaker 1>do you do you and your family get a Christmas

0:17:33.400 --> 0:17:36.639
<v Speaker 1>tree every year? We do? Yeah? I used to. In fact,

0:17:36.680 --> 0:17:39.480
<v Speaker 1>my family, like my extended family, owned a Christmas tree

0:17:39.520 --> 0:17:41.600
<v Speaker 1>farm in New England, so it was like part of

0:17:41.640 --> 0:17:46.119
<v Speaker 1>the family like business. You know. Um, and it's always

0:17:46.160 --> 0:17:47.760
<v Speaker 1>sort of been in the back of my head that

0:17:47.760 --> 0:17:50.119
<v Speaker 1>that's why we use Christmas trees. But you know what

0:17:50.160 --> 0:17:52.000
<v Speaker 1>I mean, Like, as you were saying at the beginning,

0:17:52.440 --> 0:17:55.840
<v Speaker 1>we in American culture at least don't really specifically think

0:17:55.840 --> 0:17:58.600
<v Speaker 1>about the fertility stuff that's connected with it. It's more

0:17:58.640 --> 0:18:01.159
<v Speaker 1>about the I guess, like the holiday itself from the

0:18:01.200 --> 0:18:04.160
<v Speaker 1>commercial well, you know, I was more inclined to to

0:18:04.240 --> 0:18:06.959
<v Speaker 1>recognize the fertility aspects of it because it's like you're

0:18:07.000 --> 0:18:09.920
<v Speaker 1>bringing an ever tree, an evergreen tree into your home

0:18:10.040 --> 0:18:12.960
<v Speaker 1>during the winter, and and they're all these various pagan

0:18:13.000 --> 0:18:16.240
<v Speaker 1>connotations there. But for some reason, I never really thought

0:18:16.280 --> 0:18:18.679
<v Speaker 1>about the whole bridge from earth to heaven, despite the

0:18:18.720 --> 0:18:21.399
<v Speaker 1>fact that most in most traditions, you're putting a star

0:18:22.040 --> 0:18:25.560
<v Speaker 1>or an angel, you know, a heavenly being on the

0:18:25.640 --> 0:18:27.840
<v Speaker 1>very top of the tree. Like you couldn't have it.

0:18:27.840 --> 0:18:32.800
<v Speaker 1>It couldn't be anymore clear. This tree is in your house,

0:18:33.119 --> 0:18:36.880
<v Speaker 1>reaching up and connecting your house to heaven. We actually

0:18:36.920 --> 0:18:39.119
<v Speaker 1>have a ceramic tree now, we just have like a

0:18:39.160 --> 0:18:42.240
<v Speaker 1>little like one ft tall ceramic tree. So maybe that's

0:18:42.240 --> 0:18:44.439
<v Speaker 1>why I stopped thinking about that. It doesn't reach to

0:18:44.440 --> 0:18:46.240
<v Speaker 1>the heaven what does it mean that we put gifts

0:18:46.320 --> 0:18:49.480
<v Speaker 1>under the tree. You have really like the root system

0:18:49.600 --> 0:18:51.760
<v Speaker 1>of the tree would be the underworld. Yeah, all of

0:18:51.760 --> 0:18:55.480
<v Speaker 1>our gifts are from Hell. I'll leave that one for

0:18:55.520 --> 0:18:58.440
<v Speaker 1>the listeners to figure out. All right, we should probably

0:18:58.440 --> 0:19:01.320
<v Speaker 1>take a quick break, and when we get back, we

0:19:01.400 --> 0:19:06.359
<v Speaker 1>will jump into some various global examples of the sacred Tree,

0:19:06.400 --> 0:19:08.560
<v Speaker 1>the Tree of life, the Holy Tree, so that we

0:19:08.600 --> 0:19:14.399
<v Speaker 1>can further ground this discussion. Alright, we're back, So why

0:19:14.440 --> 0:19:18.000
<v Speaker 1>don't we start with the example that is probably most

0:19:18.040 --> 0:19:21.160
<v Speaker 1>obvious for many of our listeners, the jude and Christian tree.

0:19:21.160 --> 0:19:22.560
<v Speaker 1>We were already kind of getting into it with a

0:19:22.640 --> 0:19:25.680
<v Speaker 1>Christmas tree, that's right. Yeah. Western audiences are likely familiar

0:19:25.720 --> 0:19:28.240
<v Speaker 1>with the trees of Eden Uh and the Fall of

0:19:28.320 --> 0:19:31.399
<v Speaker 1>Man and the Bible. Humans were denied the fruit of

0:19:31.440 --> 0:19:33.679
<v Speaker 1>the Tree of eternal life, but the ate of the

0:19:33.680 --> 0:19:38.879
<v Speaker 1>Tree of knowledge. Later in Christianity, the god incarnate Jesus

0:19:38.960 --> 0:19:42.359
<v Speaker 1>Christ dies upon an artificial tree of sorts, the Cross

0:19:43.080 --> 0:19:46.400
<v Speaker 1>and Uh. In that essay that I was referencing earlier

0:19:46.760 --> 0:19:50.919
<v Speaker 1>um ecologist gear hess Mark, he quotes a St. Justin

0:19:51.359 --> 0:19:54.919
<v Speaker 1>Martyr who said that the lord quote reigned from the tree,

0:19:55.400 --> 0:19:57.720
<v Speaker 1>meaning both the cross and the Tree of life, so

0:19:57.760 --> 0:20:00.199
<v Speaker 1>the two were kind of combined into one symbol. I

0:20:00.240 --> 0:20:03.200
<v Speaker 1>never thought about that before that the cross is a tree,

0:20:03.359 --> 0:20:06.280
<v Speaker 1>a dead tree, weird, and the wait, the crown of

0:20:06.359 --> 0:20:09.359
<v Speaker 1>thorns too. Well, yeah, you can definitely make that that

0:20:09.400 --> 0:20:12.600
<v Speaker 1>case as well. Huh. Now, outside of just the Christian tradition,

0:20:12.600 --> 0:20:16.080
<v Speaker 1>in Jewish tradition, we have plenty of examples of this

0:20:16.119 --> 0:20:19.760
<v Speaker 1>as well. The Minora, for example, symbolizes the expansion and

0:20:19.800 --> 0:20:22.760
<v Speaker 1>illumination of consciousness in the image of the tree. Yeah,

0:20:22.800 --> 0:20:25.880
<v Speaker 1>and obviously, as I mentioned earlier, the tree is represented

0:20:25.880 --> 0:20:30.560
<v Speaker 1>in Christianity by the tree that's in the Garden of Eden. Interestingly,

0:20:30.720 --> 0:20:34.399
<v Speaker 1>the Christian Church interpretation seems to be one of the

0:20:34.480 --> 0:20:37.800
<v Speaker 1>only ones that associates the tree with guilt and sin.

0:20:38.440 --> 0:20:42.800
<v Speaker 1>It became a loathsome quote tree of temptation only in

0:20:42.920 --> 0:20:45.520
<v Speaker 1>Christian Europe, So that's kind of interesting. As we go

0:20:45.560 --> 0:20:48.520
<v Speaker 1>through our other examples here, you don't really see that. Yeah, well,

0:20:48.520 --> 0:20:49.879
<v Speaker 1>I mean, I guess you could make a case that,

0:20:50.080 --> 0:20:53.880
<v Speaker 1>like the Tree of Knowledge and the Tree of of

0:20:53.920 --> 0:20:58.480
<v Speaker 1>Life in Christian traditions, like they're they're not really vilified

0:20:58.560 --> 0:21:04.560
<v Speaker 1>so much as like human were unsuitable consumers of either fruit. Yeah, yeah,

0:21:04.600 --> 0:21:07.120
<v Speaker 1>that's true. That's true. So this leads us to our

0:21:07.119 --> 0:21:11.280
<v Speaker 1>second example, which is connected to Judaism, which is the

0:21:11.359 --> 0:21:13.879
<v Speaker 1>Jewish mystical doctrine known as Kabbalah. This is one of

0:21:13.880 --> 0:21:16.760
<v Speaker 1>the ones I mentioned at the top. The Seffirof is

0:21:16.800 --> 0:21:20.199
<v Speaker 1>another tree of life within the Cabbala that represents a

0:21:20.320 --> 0:21:24.680
<v Speaker 1>theory of ten creative forces that intervened between the divine

0:21:24.760 --> 0:21:27.720
<v Speaker 1>in our world. Most people probably are familiar with the

0:21:27.840 --> 0:21:31.439
<v Speaker 1>terms Seferroth from Final Fantasy seven. I believe that's the

0:21:31.520 --> 0:21:33.840
<v Speaker 1>end boss. But if if you, if you have so

0:21:33.960 --> 0:21:37.560
<v Speaker 1>much as looked up Kabbala on Wikipedia and even just

0:21:37.600 --> 0:21:40.120
<v Speaker 1>glanced at it, you've probably seen this symbol like this

0:21:40.200 --> 0:21:43.080
<v Speaker 1>is the Probably you could say this is the chief

0:21:43.119 --> 0:21:46.879
<v Speaker 1>symbol of the Yeah. The right side of the Seffroth

0:21:47.080 --> 0:21:51.520
<v Speaker 1>represents principles of unity, harmony, and benevolence, and this side

0:21:51.640 --> 0:21:55.399
<v Speaker 1>is associated with masculinity. The left side is a side

0:21:55.400 --> 0:21:58.679
<v Speaker 1>of power and strict justice that is seen as the

0:21:58.720 --> 0:22:02.719
<v Speaker 1>female side, and it rep presents the fearsome awe of God.

0:22:03.320 --> 0:22:06.200
<v Speaker 1>Now this is not me, this is from the literature.

0:22:06.480 --> 0:22:10.760
<v Speaker 1>When unrestrained, the side the feminine side gives rise to evil.

0:22:10.800 --> 0:22:13.760
<v Speaker 1>So it's pretty obvious that there's some sexist and gendered

0:22:14.400 --> 0:22:17.280
<v Speaker 1>systems going on within Cabala even from the get go.

0:22:17.400 --> 0:22:19.920
<v Speaker 1>But I have to be honest that I don't know

0:22:20.040 --> 0:22:22.680
<v Speaker 1>enough about Cabala other than that basic reading of it

0:22:22.800 --> 0:22:25.719
<v Speaker 1>that I can't comment any further on it. So if

0:22:25.720 --> 0:22:28.280
<v Speaker 1>there's people out there that know it much better, maybe

0:22:28.320 --> 0:22:30.800
<v Speaker 1>maybe it's not sexist. Maybe it makes sense. The way

0:22:30.800 --> 0:22:34.240
<v Speaker 1>that it probably makes sense is because the middle column

0:22:34.480 --> 0:22:38.040
<v Speaker 1>represents an ideal balance between mercy and justice. So it's

0:22:38.040 --> 0:22:44.720
<v Speaker 1>a balancing between gender identities. Yeah, and it recognizes that

0:22:44.760 --> 0:22:47.920
<v Speaker 1>the universe itself could not survive without both of these.

0:22:48.600 --> 0:22:52.040
<v Speaker 1>I looked at this paper by M. Dancy that came

0:22:52.040 --> 0:22:55.520
<v Speaker 1>out in twleven called Archetypes and the Spheres of the

0:22:55.520 --> 0:22:57.959
<v Speaker 1>Tree of Life. It was published in the Scientific Journal

0:22:58.040 --> 0:23:03.120
<v Speaker 1>of Humanistic Studies, and Dancy says cobbalists consider that by

0:23:03.160 --> 0:23:07.760
<v Speaker 1>becoming more and more conscious of these archetypical forces, life

0:23:07.800 --> 0:23:12.960
<v Speaker 1>may become a meaningful adventure based on increased consciousness and

0:23:13.200 --> 0:23:16.639
<v Speaker 1>on the knowledge of the divine. Uh Dancy primarily in

0:23:16.680 --> 0:23:19.160
<v Speaker 1>this paper is citing a book by Gareth Knight that's

0:23:19.200 --> 0:23:23.560
<v Speaker 1>called a practical guide to Cobbalistic symbolism, and it recommends

0:23:23.880 --> 0:23:26.880
<v Speaker 1>the idea really of the suffer roth here is training

0:23:26.920 --> 0:23:30.359
<v Speaker 1>the mind through special techniques like meditation, so that you

0:23:30.400 --> 0:23:34.160
<v Speaker 1>can further understand the archetypes that are within this tree

0:23:34.200 --> 0:23:37.840
<v Speaker 1>of life. So these realizations that come from meditating on

0:23:37.840 --> 0:23:41.840
<v Speaker 1>this are important and cobbalistic practice because it allows the

0:23:41.960 --> 0:23:46.399
<v Speaker 1>significance of the ramification of those symbols to be better understood.

0:23:46.520 --> 0:23:49.640
<v Speaker 1>The basic idea here is that by understanding the archetypes

0:23:49.680 --> 0:23:52.000
<v Speaker 1>of the tree of life, we can better understand our

0:23:52.040 --> 0:23:56.240
<v Speaker 1>own nature and then subsequently become better versions of ourselves.

0:23:56.760 --> 0:23:59.879
<v Speaker 1>That sounds nice. I don't know a ton about Cobble

0:24:00.119 --> 0:24:04.120
<v Speaker 1>them other than you know, the connections it has obviously

0:24:04.400 --> 0:24:06.199
<v Speaker 1>some of the occult things that you and I have

0:24:06.280 --> 0:24:09.680
<v Speaker 1>covered in the past. Uh, there's some interesting like overlap there.

0:24:09.920 --> 0:24:12.440
<v Speaker 1>But also obviously it had like kind of a pop

0:24:12.520 --> 0:24:15.200
<v Speaker 1>culture surge, what would you say, in like the mid

0:24:15.240 --> 0:24:18.000
<v Speaker 1>two thousand's, Yeah, I think so. I think that was

0:24:18.040 --> 0:24:21.840
<v Speaker 1>around the time that I picked up a really really

0:24:21.920 --> 0:24:26.320
<v Speaker 1>well um pageinated Cabbala book. Like I I didn't have

0:24:26.440 --> 0:24:30.000
<v Speaker 1>enough time to really get into it, but I was

0:24:30.160 --> 0:24:32.159
<v Speaker 1>leafing through it, and I realized, Wow, this is the

0:24:32.400 --> 0:24:34.400
<v Speaker 1>layout in this book is just amazing. They do such

0:24:34.400 --> 0:24:36.439
<v Speaker 1>a great job with the symbols and these little explanations

0:24:36.440 --> 0:24:39.959
<v Speaker 1>of everything. But then a friend's birthday came up and

0:24:40.000 --> 0:24:41.600
<v Speaker 1>we're like, oh crap, we need to give him something.

0:24:41.800 --> 0:24:44.760
<v Speaker 1>Let's give him this book, and I haven't really, I

0:24:44.800 --> 0:24:47.600
<v Speaker 1>haven't picked that book back up again from another Well,

0:24:47.640 --> 0:24:50.439
<v Speaker 1>it seems like the celebrity that most people associate with

0:24:50.440 --> 0:24:53.440
<v Speaker 1>this is Madonna, right. I believe that she was pretty

0:24:53.440 --> 0:24:56.440
<v Speaker 1>heavily involved with with Coubleism, but that's about the extent

0:24:56.520 --> 0:24:58.680
<v Speaker 1>of my knowledge of it. It seems like, though, when

0:24:58.760 --> 0:25:01.760
<v Speaker 1>whenever I've read over these kind of very basic explanations

0:25:01.760 --> 0:25:05.280
<v Speaker 1>of the symbology, it's very similar to lots of other cultures.

0:25:05.280 --> 0:25:09.160
<v Speaker 1>So it's it's not all that much mystic or occult

0:25:09.240 --> 0:25:11.520
<v Speaker 1>in the sense of that it's different from other things.

0:25:11.800 --> 0:25:15.240
<v Speaker 1>All Right, so we've hit Christian and Jewish tradition. We

0:25:15.280 --> 0:25:18.720
<v Speaker 1>should probably touch in on the Middle East and Islam. Yeah,

0:25:18.720 --> 0:25:22.960
<v Speaker 1>so this example isn't necessarily Islamic in nature, but some

0:25:23.040 --> 0:25:26.800
<v Speaker 1>people believe that the tree of life symbolism actually originated

0:25:26.920 --> 0:25:31.919
<v Speaker 1>in the Middle East. Maybe also Egypt, Mesopotamia, and Greece,

0:25:31.960 --> 0:25:35.560
<v Speaker 1>so somewhere in that general area. Now Jiarraft is an

0:25:35.600 --> 0:25:40.520
<v Speaker 1>almost fourteen thousand square kilometer area that's in southeastern Iran

0:25:41.119 --> 0:25:44.639
<v Speaker 1>and it had great influence on cultural developments of the

0:25:44.720 --> 0:25:47.879
<v Speaker 1>third millennium BC in the Bronze Age, so this is

0:25:47.920 --> 0:25:51.240
<v Speaker 1>seen as a potential area for where this actually all

0:25:51.320 --> 0:25:54.399
<v Speaker 1>started out today. Giraft is also the name for a

0:25:54.480 --> 0:25:57.840
<v Speaker 1>city that is in the Kerman Province of Iran and

0:25:57.920 --> 0:26:02.399
<v Speaker 1>an ancient Iranian religion. There is some evidence that cypress

0:26:02.480 --> 0:26:06.000
<v Speaker 1>trees were considered divine because they were brought from heaven

0:26:06.080 --> 0:26:10.320
<v Speaker 1>by Zarathustra, but the date tree is more commonly a

0:26:10.359 --> 0:26:15.040
<v Speaker 1>symbol of fertility. That is throughout both Egypt and Mesopotamia.

0:26:15.160 --> 0:26:17.439
<v Speaker 1>So some of the first depictions of the Tree of

0:26:17.480 --> 0:26:20.520
<v Speaker 1>Life seemed to be either date trees or palm trees,

0:26:20.600 --> 0:26:23.880
<v Speaker 1>but cypress trees are also associated with it. Uh. These

0:26:23.880 --> 0:26:27.240
<v Speaker 1>are the things that are these trees growing around in Afghanistan,

0:26:27.359 --> 0:26:31.480
<v Speaker 1>so they're associated and this is where that goat Ibec

0:26:31.600 --> 0:26:34.720
<v Speaker 1>symbology seems to come from as well. It's directly related

0:26:34.760 --> 0:26:37.880
<v Speaker 1>to this area of the world. Uh. There's this paper

0:26:38.040 --> 0:26:41.600
<v Speaker 1>by res Garad that came out this year has this

0:26:41.880 --> 0:26:45.760
<v Speaker 1>great overview of symbology and the Journal of History, Culture

0:26:45.840 --> 0:26:52.240
<v Speaker 1>and Art Research, and they use this visual structure, credibility,

0:26:52.280 --> 0:26:56.359
<v Speaker 1>and aesthetics to conduct an analytical and semantic survey of

0:26:56.400 --> 0:27:00.320
<v Speaker 1>how trees and goat symbology is used in artwork from

0:27:00.320 --> 0:27:03.359
<v Speaker 1>this particular region. It's it's pretty interesting. Yeah. This all

0:27:03.480 --> 0:27:06.560
<v Speaker 1>this also reminds me of our Zoophilia episode where we

0:27:06.560 --> 0:27:11.159
<v Speaker 1>talk a little bit about about humanity's closeness to nature

0:27:11.160 --> 0:27:13.880
<v Speaker 1>and closeness to animals through most of its history. So

0:27:14.040 --> 0:27:17.760
<v Speaker 1>it seems natural that you would look to animals and

0:27:17.800 --> 0:27:20.200
<v Speaker 1>as you're thinking about yourself in your world, you use

0:27:20.280 --> 0:27:23.520
<v Speaker 1>them as mirrors, you use them as symbols, And of

0:27:23.560 --> 0:27:26.280
<v Speaker 1>course you would look to trees as well, in much

0:27:26.320 --> 0:27:28.000
<v Speaker 1>the same way that you know, we would look to

0:27:28.040 --> 0:27:30.919
<v Speaker 1>our the digits of our hands and feet and end

0:27:31.000 --> 0:27:34.320
<v Speaker 1>up basing our number systems on those. So, um, I mean,

0:27:34.440 --> 0:27:36.919
<v Speaker 1>I would imagine this is just I'm just going off

0:27:36.960 --> 0:27:38.920
<v Speaker 1>the cuff here. This is not the notes, but they

0:27:39.080 --> 0:27:41.720
<v Speaker 1>if you're an early civilization, you're going to base your

0:27:41.720 --> 0:27:46.160
<v Speaker 1>community around areas that have a ready water source and

0:27:46.400 --> 0:27:50.440
<v Speaker 1>plenty of trees. You know, for lots of reasons. Um, so, yeah,

0:27:50.480 --> 0:27:53.320
<v Speaker 1>it seems logical that the tree would be the center

0:27:53.359 --> 0:27:56.120
<v Speaker 1>of the community. All right, let's look at a few

0:27:56.119 --> 0:27:59.320
<v Speaker 1>other areas of human tradition. So the ancient Egyptians held

0:27:59.320 --> 0:28:01.639
<v Speaker 1>the a casey at ree is sacred, the first couple

0:28:01.760 --> 0:28:04.639
<v Speaker 1>isis and osiris are said to have emerged from it,

0:28:05.200 --> 0:28:08.119
<v Speaker 1>and there are there are various traditions of holy trees

0:28:08.160 --> 0:28:11.400
<v Speaker 1>and spirit trees, at least in African traditions. This gets

0:28:11.400 --> 0:28:14.639
<v Speaker 1>into this whole legacy of of of trees being a

0:28:14.640 --> 0:28:17.800
<v Speaker 1>place where the spirits of the dead reside the people,

0:28:18.480 --> 0:28:22.400
<v Speaker 1>people transform into trees and sometimes you know, trees transform

0:28:22.440 --> 0:28:25.520
<v Speaker 1>into people. There's been there being this, this this strict

0:28:25.600 --> 0:28:29.040
<v Speaker 1>link between the two. Now, if you get into Hinduism

0:28:29.320 --> 0:28:31.919
<v Speaker 1>that there are some wonderful examples here as well. So

0:28:32.000 --> 0:28:35.680
<v Speaker 1>Hinduism has no singular creation story. It has many uh

0:28:35.720 --> 0:28:39.280
<v Speaker 1>there there's there's no singular creation, but rather periodic cycles

0:28:39.440 --> 0:28:44.040
<v Speaker 1>of creation. And this is just one of innumerable universes

0:28:44.280 --> 0:28:48.960
<v Speaker 1>in this view of the cosmos. So in in our reality,

0:28:49.000 --> 0:28:51.480
<v Speaker 1>the idea is that it all begins in a vast ocean,

0:28:51.560 --> 0:28:55.840
<v Speaker 1>a serpent sleeps on its surface, Vishnus sleeps in its coils,

0:28:55.880 --> 0:28:58.959
<v Speaker 1>and a lotus sprouts from his navel, and within it

0:28:59.040 --> 0:29:02.000
<v Speaker 1>is Brahma, and he's urged to meditate on the nature

0:29:02.120 --> 0:29:05.600
<v Speaker 1>of of his coming creation and finally splits the lotus

0:29:05.600 --> 0:29:08.440
<v Speaker 1>into three forms heaven, sky, and Earth. Everything else stems

0:29:08.440 --> 0:29:11.160
<v Speaker 1>from this. So while it's not a tree per se,

0:29:11.240 --> 0:29:13.320
<v Speaker 1>we still see the growth of a plant as the

0:29:13.360 --> 0:29:18.280
<v Speaker 1>means of explaining cosmic emergence. And then also Hinduism holds

0:29:18.360 --> 0:29:22.480
<v Speaker 1>the ashvata or the sacred fig as holy, which we

0:29:22.560 --> 0:29:26.640
<v Speaker 1>referenced in the opening reading from the Bagavadgita. Speaking of

0:29:26.680 --> 0:29:31.360
<v Speaker 1>which the that reading referenced the Banyan tree. I think

0:29:31.400 --> 0:29:34.800
<v Speaker 1>that's how you say banyon Banyan. That tree is the

0:29:34.920 --> 0:29:39.600
<v Speaker 1>perfect representation of a sacred tree with cosmic principles because

0:29:39.640 --> 0:29:43.400
<v Speaker 1>it has aerial roots that come down from its branches.

0:29:43.400 --> 0:29:45.280
<v Speaker 1>I've never seen one of these. It sounds super cool.

0:29:45.600 --> 0:29:48.400
<v Speaker 1>It comes the roots, come down from the branches and

0:29:48.440 --> 0:29:51.440
<v Speaker 1>then take root in the ground. So the appearance suggests

0:29:51.480 --> 0:29:55.400
<v Speaker 1>that the tree is actually rooted in the heavens. That

0:29:55.560 --> 0:29:57.400
<v Speaker 1>seems really interesting. And then I think that this is

0:29:57.440 --> 0:30:00.880
<v Speaker 1>connected to Buddhism, right, yeah, yeah, It's said that Siddharta

0:30:00.920 --> 0:30:05.160
<v Speaker 1>Gattama experience enlightenment under the Banyan or sometimes it's referred

0:30:05.160 --> 0:30:09.280
<v Speaker 1>as the Bodhi tree, and thus became the Shakyamuni Buddha,

0:30:09.360 --> 0:30:13.440
<v Speaker 1>the often just referred to as Buddha. And you see

0:30:13.480 --> 0:30:17.200
<v Speaker 1>this depicted in a lot of Buddhist iconography and uh

0:30:17.280 --> 0:30:21.560
<v Speaker 1>and and sometimes just happenstance to that. For instance, if

0:30:21.560 --> 0:30:24.040
<v Speaker 1>you've anyone who's ever been to Thailand, if you go

0:30:24.080 --> 0:30:28.040
<v Speaker 1>to the Ruins of Youth, yea, there's this iconic uh

0:30:28.400 --> 0:30:33.800
<v Speaker 1>Buddha head, a statue head that has been overtaken by

0:30:33.800 --> 0:30:37.040
<v Speaker 1>the roots of a tree. Yeah, and that's interesting, So

0:30:37.320 --> 0:30:39.680
<v Speaker 1>tons of photos have been taken. I wasna, lots of

0:30:39.720 --> 0:30:43.840
<v Speaker 1>symbolic connections there. Yeah. Now, we've talked a bit in

0:30:43.880 --> 0:30:48.600
<v Speaker 1>the past about sacred plants in Chinese mythology, Chinese traditional medicine,

0:30:48.760 --> 0:30:52.200
<v Speaker 1>folk traditions. We've also touched on Chinese cosmology and how

0:30:52.200 --> 0:30:55.200
<v Speaker 1>there are a few different cosmic origin stories. But the

0:30:55.320 --> 0:30:59.440
<v Speaker 1>Chinese definitely have a world tree or two. They have

0:31:00.080 --> 0:31:03.120
<v Speaker 1>actually have quite a few sacred trees. So I was

0:31:03.120 --> 0:31:06.880
<v Speaker 1>reading about this in An Buryl's Chinese Mythology, which again

0:31:07.000 --> 0:31:09.800
<v Speaker 1>I've referenced this this text on the show before. It's

0:31:09.840 --> 0:31:14.000
<v Speaker 1>just a wonderful book on Chinese mythology. And she she

0:31:14.120 --> 0:31:18.520
<v Speaker 1>references uh the Cheyen MoU sky ladder uh, and she

0:31:18.560 --> 0:31:22.760
<v Speaker 1>says that China MoU literally means building tree. At any rate,

0:31:22.800 --> 0:31:26.040
<v Speaker 1>it's situated at the center of the world, so centered

0:31:26.080 --> 0:31:29.720
<v Speaker 1>that it produces neither shadow nor echo. It was created

0:31:29.720 --> 0:31:32.200
<v Speaker 1>by the Yellow Emperor, and it grew into the sky,

0:31:32.320 --> 0:31:35.960
<v Speaker 1>and having reached the impenetrable barrier of the heavens, it

0:31:36.080 --> 0:31:40.720
<v Speaker 1>spreads across its expanse and quote likewise above the barrier

0:31:40.800 --> 0:31:44.120
<v Speaker 1>of the ends of the earth, creating gigantic coils and

0:31:44.160 --> 0:31:47.480
<v Speaker 1>the sky and huge root tangles in the earth. Then

0:31:47.480 --> 0:31:50.560
<v Speaker 1>the gods used this sky ladder to ascend and descend.

0:31:51.040 --> 0:31:53.600
<v Speaker 1>And its trunk is purple, it's blossoms black, and its

0:31:53.600 --> 0:31:56.840
<v Speaker 1>fruit is yellow. Okay, so this is definitely a world tree.

0:31:56.880 --> 0:32:00.320
<v Speaker 1>It's in that vertical tradition of going up to the heavens. Actley.

0:32:00.440 --> 0:32:03.360
<v Speaker 1>Now you have other cosmic trees and Chinese tradition, including

0:32:03.400 --> 0:32:08.080
<v Speaker 1>the Trinity mulberry, the search tree, the accord tree. There's

0:32:08.120 --> 0:32:11.240
<v Speaker 1>the leaning mulberry tree. And this is where the ten

0:32:11.400 --> 0:32:15.440
<v Speaker 1>sons roosted in ancient times before the hero you the

0:32:15.560 --> 0:32:19.200
<v Speaker 1>Archer shot the nine surplus sons down. That's one of

0:32:19.240 --> 0:32:21.400
<v Speaker 1>the um sorry, remind me of this because we talked

0:32:21.400 --> 0:32:24.040
<v Speaker 1>about it in a previous episode. Isn't you the Archer

0:32:24.160 --> 0:32:29.000
<v Speaker 1>one of those uh like mythological iterations of the hero symbol? Yeah? Yeah,

0:32:29.120 --> 0:32:31.120
<v Speaker 1>so that The idea here with this story is that

0:32:31.160 --> 0:32:32.760
<v Speaker 1>there was a time when there were ten sons and

0:32:32.760 --> 0:32:34.720
<v Speaker 1>it was just burning the earth up. You know, we

0:32:34.720 --> 0:32:37.880
<v Speaker 1>couldn't have the crops wouldn't grow. And then the heroic

0:32:37.960 --> 0:32:41.200
<v Speaker 1>Archer comes forth and he's able to shoot the nine

0:32:41.240 --> 0:32:44.360
<v Speaker 1>surplus sons out of the sky, leaving just one son

0:32:44.440 --> 0:32:47.239
<v Speaker 1>took to light and warm the world. Oh wow, he

0:32:47.280 --> 0:32:49.960
<v Speaker 1>would be perfect for the end of our Uninhabitable Earth

0:32:50.000 --> 0:32:52.680
<v Speaker 1>episode that we just recorded. So once the earth the

0:32:52.720 --> 0:32:54.520
<v Speaker 1>sun starts turning into a red giant, he can just

0:32:54.520 --> 0:32:55.840
<v Speaker 1>shoot it down. That's right. As long as he has

0:32:55.880 --> 0:32:58.560
<v Speaker 1>one arrow left in the quiver, we're good, right. Uh.

0:32:58.600 --> 0:33:02.000
<v Speaker 1>In Chinese tradition, there's also the giant peach tree, which

0:33:02.280 --> 0:33:06.000
<v Speaker 1>also tangles against the barrier of heaven. Uh. The peaches

0:33:06.640 --> 0:33:10.400
<v Speaker 1>here they provide immortality to those who consume it. And

0:33:10.480 --> 0:33:13.360
<v Speaker 1>it also serves as a bridge between realms. I have

0:33:13.560 --> 0:33:17.560
<v Speaker 1>a quote here that Beryl provides in her book Uh

0:33:17.600 --> 0:33:20.720
<v Speaker 1>and this is This is from an older Chinese text.

0:33:21.040 --> 0:33:24.120
<v Speaker 1>In Sane See there is to show mountain. On its

0:33:24.160 --> 0:33:27.840
<v Speaker 1>summit is a huge peach tree. It twists and turns

0:33:27.880 --> 0:33:32.000
<v Speaker 1>over three thousand leagues among its branches. On the northeast

0:33:32.040 --> 0:33:35.320
<v Speaker 1>side or what is called goblin gates, through which a

0:33:35.400 --> 0:33:39.280
<v Speaker 1>myriad goblin's pass. On top there two gods. One is

0:33:39.320 --> 0:33:42.440
<v Speaker 1>called Holy Shoe, the other is called yu Lu. These

0:33:42.520 --> 0:33:46.920
<v Speaker 1>lords supervise and control the myriad goblins. Whenever a goblin

0:33:47.040 --> 0:33:50.040
<v Speaker 1>does evil, they bind him with a reed rope and

0:33:50.120 --> 0:33:53.000
<v Speaker 1>feed him to tigers. Then the Yellow Emperor devised a

0:33:53.120 --> 0:33:56.160
<v Speaker 1>ritual ceremony so that they could expel the evil doer

0:33:56.240 --> 0:33:59.920
<v Speaker 1>in due season. They set up a large peachwood figurine

0:34:00.080 --> 0:34:03.240
<v Speaker 1>and painted images of Holy Shoe and Yulu and a

0:34:03.320 --> 0:34:06.600
<v Speaker 1>tiger on gates and doors, and hung reed ropes from

0:34:06.640 --> 0:34:09.680
<v Speaker 1>them so as to harness the evil. So some of

0:34:09.719 --> 0:34:11.759
<v Speaker 1>you probably sat up while you're listening to us and went,

0:34:11.800 --> 0:34:17.440
<v Speaker 1>wait a minute, goblin's But it actually makes sense across cultures.

0:34:17.480 --> 0:34:20.200
<v Speaker 1>So this is here's one of the amazing connections we're

0:34:20.239 --> 0:34:23.279
<v Speaker 1>gonna make. All right, So let's go from Chinese mythology

0:34:23.400 --> 0:34:25.520
<v Speaker 1>to that section that Robert just read to us, right,

0:34:25.800 --> 0:34:28.160
<v Speaker 1>sounds a little Lord of the Rings e right, Yeah, yeah,

0:34:28.200 --> 0:34:31.200
<v Speaker 1>Goblin gates, goblins spilling out of the into out of

0:34:31.239 --> 0:34:34.439
<v Speaker 1>other realms onto our ours, crawling down the world tree. Yeah.

0:34:34.680 --> 0:34:37.520
<v Speaker 1>And then you take that, imagine the little Indiana Jones

0:34:38.000 --> 0:34:43.320
<v Speaker 1>dotted line, and you're traveling across the world to Norris culture.

0:34:43.920 --> 0:34:46.440
<v Speaker 1>And then we get the ig Drissill tree that I

0:34:46.480 --> 0:34:49.400
<v Speaker 1>mentioned at the top. And this is very Lord of

0:34:49.400 --> 0:34:51.400
<v Speaker 1>the Rings. In fact, I would imagine that it probably

0:34:51.440 --> 0:34:56.520
<v Speaker 1>inspired a lot of Tolkien's mythos. Right. But the idea

0:34:56.640 --> 0:35:01.880
<v Speaker 1>here is in the twelfth century Iceland, Dick scholar, poet, historian,

0:35:01.960 --> 0:35:08.280
<v Speaker 1>and politician Snorri Sturlinson wrote about Igdrasill in his epic

0:35:08.360 --> 0:35:13.080
<v Speaker 1>poem The Ada and Igdrasill. A lot of you are

0:35:13.120 --> 0:35:17.200
<v Speaker 1>probably familiar with this, like myself, mainly from Thor and

0:35:17.320 --> 0:35:20.319
<v Speaker 1>Marvel comics. So the Thor movies are pretty big right now.

0:35:20.480 --> 0:35:23.319
<v Speaker 1>And then in the comic books, really, Stanley and Jack

0:35:23.360 --> 0:35:24.960
<v Speaker 1>Kirby were just kind of like, hey, let's take this

0:35:25.160 --> 0:35:28.920
<v Speaker 1>entire entire cultures mythology and we'll just bastardize it and

0:35:28.960 --> 0:35:32.160
<v Speaker 1>turn these into superheroes, uh and make them talk like

0:35:32.200 --> 0:35:35.319
<v Speaker 1>they're in a Shakespearean play. Well, that's that's that's kind

0:35:35.320 --> 0:35:37.800
<v Speaker 1>of that's how mythology works. Yeah, take what came before,

0:35:37.880 --> 0:35:40.880
<v Speaker 1>and then you you repackage it for the current audience.

0:35:41.080 --> 0:35:45.759
<v Speaker 1>Exactly in the original Norris mythology, Igdrasill is also a

0:35:45.800 --> 0:35:48.920
<v Speaker 1>bridge between all of the great realms of existence. In

0:35:48.960 --> 0:35:53.280
<v Speaker 1>its middle is Asgard, but it also reaches the realms

0:35:53.480 --> 0:35:57.000
<v Speaker 1>of frost Giants and Niffelheim. I think is how you

0:35:57.040 --> 0:35:59.160
<v Speaker 1>say it, which is the underworld or the realm of

0:35:59.200 --> 0:36:02.759
<v Speaker 1>the dead? Going off of my Marvel knowledge, not of

0:36:03.160 --> 0:36:06.880
<v Speaker 1>the research into Norris mythology, I think there's also places

0:36:06.960 --> 0:36:10.440
<v Speaker 1>where their dwarves there's like a dark elf place, like

0:36:10.640 --> 0:36:13.160
<v Speaker 1>there are different the nine realms that they reference that

0:36:13.200 --> 0:36:16.320
<v Speaker 1>are connected to Idrisill have like different sort of d

0:36:16.480 --> 0:36:20.879
<v Speaker 1>and d lord throwing species that exist in each one. Now,

0:36:20.880 --> 0:36:23.960
<v Speaker 1>there are three sacred springs that are supposed to be

0:36:23.960 --> 0:36:27.960
<v Speaker 1>beneath Igdrasill. The first is the spring of wisdom and knowledge.

0:36:28.440 --> 0:36:31.200
<v Speaker 1>The second is the well of destiny that's guarded by

0:36:31.239 --> 0:36:34.439
<v Speaker 1>the norns, who are the sisters of fate. Uh And

0:36:34.680 --> 0:36:37.440
<v Speaker 1>the last is the river of life that carries the

0:36:37.480 --> 0:36:41.080
<v Speaker 1>souls of the dead back to be reborn into their

0:36:41.120 --> 0:36:44.600
<v Speaker 1>next incarnations. So you can see Indrasill is both a

0:36:44.680 --> 0:36:48.479
<v Speaker 1>world tree and a tree of life. It's pretty interesting. Now.

0:36:48.600 --> 0:36:51.280
<v Speaker 1>Idrisill is one of those trees that has a serpent.

0:36:51.400 --> 0:36:53.479
<v Speaker 1>Remember we were talking about how sometimes there's goats, sometimes

0:36:53.480 --> 0:36:58.560
<v Speaker 1>there's dragons, sometimes there's serpents. Idrisill serpent is nid hog,

0:36:58.960 --> 0:37:01.919
<v Speaker 1>and this is a serpent that gnaws away at its roots.

0:37:01.960 --> 0:37:05.200
<v Speaker 1>But this serpent is kept at bay by an eagle

0:37:05.600 --> 0:37:08.200
<v Speaker 1>that lives in its upper branches, and the eagle will

0:37:08.239 --> 0:37:11.120
<v Speaker 1>come down occasionally and fight off the fight off the serpent.

0:37:11.440 --> 0:37:13.960
<v Speaker 1>The eagle itself is a symbol of the sun. Again,

0:37:14.320 --> 0:37:16.680
<v Speaker 1>coming right back to this Chinese mythology. So it's kind

0:37:16.680 --> 0:37:19.160
<v Speaker 1>of fascinating to see. This is a perfect example of

0:37:19.200 --> 0:37:21.440
<v Speaker 1>how far away these cultures are from one another, and

0:37:21.520 --> 0:37:24.800
<v Speaker 1>yet how similar their archetypes are. Yeah, I mean it

0:37:24.840 --> 0:37:27.560
<v Speaker 1>would be uh it would be It would be unsettling

0:37:28.000 --> 0:37:30.359
<v Speaker 1>if we didn't have all these additional reads and uh

0:37:31.000 --> 0:37:35.319
<v Speaker 1>um and and analyses to go off on. Yeah, so, uh,

0:37:35.440 --> 0:37:37.279
<v Speaker 1>similar to this, and this is what I wish we

0:37:37.320 --> 0:37:39.799
<v Speaker 1>had more time to get into. But unfortunately, you know,

0:37:39.880 --> 0:37:44.480
<v Speaker 1>we're just we've got too many trees. Uh. There's the

0:37:44.719 --> 0:37:48.879
<v Speaker 1>Yacht's tree in the meso American World tree culture. It's

0:37:49.000 --> 0:37:52.120
<v Speaker 1>very similar to others we've mentioned, especially these last two,

0:37:52.400 --> 0:37:55.440
<v Speaker 1>and it's represented in these cultures as the seabaw tree

0:37:55.760 --> 0:37:58.319
<v Speaker 1>and its access connects the earth in the sky and

0:37:58.360 --> 0:38:02.600
<v Speaker 1>its roots go into the under world. Zibalba. Now the

0:38:02.719 --> 0:38:05.640
<v Speaker 1>Zibalba thing. This is gonna be our segue. We'll just

0:38:05.680 --> 0:38:09.000
<v Speaker 1>talk real briefly about some pop culture examples. The one

0:38:09.040 --> 0:38:12.600
<v Speaker 1>that immediately came to mind for me after Thor is

0:38:12.680 --> 0:38:15.960
<v Speaker 1>Darren Aronofsky is The Fountain, which is about trees of

0:38:16.040 --> 0:38:19.359
<v Speaker 1>life and and they use the terminology for the meso

0:38:19.440 --> 0:38:22.040
<v Speaker 1>American tree a lot in that. And don't forget Avatar,

0:38:22.760 --> 0:38:25.839
<v Speaker 1>that's right central world tree at the heart of that

0:38:25.920 --> 0:38:28.000
<v Speaker 1>movie as well. You also see it in things like

0:38:28.040 --> 0:38:32.439
<v Speaker 1>American Gods, obviously because that's based on myths. But I've

0:38:32.480 --> 0:38:35.480
<v Speaker 1>mentioned World of Warcraft on the show before. I remember

0:38:35.600 --> 0:38:38.440
<v Speaker 1>there's a tree called nord Dressill in World of Warcraft

0:38:38.480 --> 0:38:40.799
<v Speaker 1>that's like literally like a tree that you you go

0:38:40.920 --> 0:38:43.479
<v Speaker 1>to and it has its own you know, video game

0:38:43.520 --> 0:38:47.760
<v Speaker 1>mythology surrounding it. Also, remember you were talking about space

0:38:47.800 --> 0:38:50.400
<v Speaker 1>elevators at the beginning. I hadn't thought of this before.

0:38:50.760 --> 0:38:53.560
<v Speaker 1>The Dark Tower by Stephen King. The Dark Tower is

0:38:53.600 --> 0:38:56.080
<v Speaker 1>a world tree. It's just a variation on it. It

0:38:56.440 --> 0:38:59.480
<v Speaker 1>takes the the idea of a false tree and makes

0:38:59.520 --> 0:39:02.719
<v Speaker 1>it true again in a weird way. Yeah, and then

0:39:02.800 --> 0:39:05.640
<v Speaker 1>of course we see the iterations of the Trio life

0:39:05.680 --> 0:39:08.760
<v Speaker 1>and a lot of pop culture. Obviously, Uh, we can

0:39:08.760 --> 0:39:11.239
<v Speaker 1>trace this back to Joseph Campbell, who we've talked about

0:39:11.239 --> 0:39:14.920
<v Speaker 1>in our myth episodes before, because it is a common

0:39:15.000 --> 0:39:17.360
<v Speaker 1>archetype that he mentions in his book The Hero with

0:39:17.400 --> 0:39:20.120
<v Speaker 1>a Thousand Faces, which is this book that just like

0:39:20.160 --> 0:39:23.200
<v Speaker 1>every screenwriter under the sun since probably like the late

0:39:23.239 --> 0:39:26.239
<v Speaker 1>sixties has been referencing. Alright, well, on that note, let's

0:39:26.280 --> 0:39:28.719
<v Speaker 1>take one more break, and when we get back, we'll

0:39:28.800 --> 0:39:32.120
<v Speaker 1>we'll start teasing a part the the psychology and even

0:39:32.120 --> 0:39:39.760
<v Speaker 1>the science of this fascination, this obsession with tree symbolism. Alright,

0:39:39.800 --> 0:39:41.880
<v Speaker 1>we're back. So we've done a pretty good job I

0:39:41.920 --> 0:39:45.160
<v Speaker 1>think of showing just a lot of examples like putting

0:39:45.200 --> 0:39:47.919
<v Speaker 1>the evidence on the table. Look, there are all these

0:39:47.920 --> 0:39:50.560
<v Speaker 1>world trees, they're very similar, they're all over the world.

0:39:50.760 --> 0:39:53.840
<v Speaker 1>But what we haven't answered yet is why why how

0:39:53.960 --> 0:39:59.680
<v Speaker 1>is it that this happened? Well? What one uh explanation

0:39:59.760 --> 0:40:01.480
<v Speaker 1>that to mind? And I've kind of been alluding to

0:40:01.520 --> 0:40:04.799
<v Speaker 1>this a lot already. It has to do with the

0:40:04.840 --> 0:40:08.600
<v Speaker 1>biophilia hypothesis, which listeners to the show you may remember

0:40:08.640 --> 0:40:11.759
<v Speaker 1>that Joe and I did an episode on biophilia hypothesis

0:40:11.880 --> 0:40:16.480
<v Speaker 1>uh recently. It's a fascinating take on humanity's attachment to nature.

0:40:16.480 --> 0:40:21.040
<v Speaker 1>It's the work of of acclaimed American biologist Edward O. Wilson,

0:40:21.200 --> 0:40:25.200
<v Speaker 1>a highly accomplished scientist and author of numerous books wonderful author,

0:40:25.480 --> 0:40:30.000
<v Speaker 1>including nineteen four's Biophilia The Human Bond with Other Species,

0:40:30.480 --> 0:40:34.680
<v Speaker 1>in which he defined biophilia as humanity's innate tendency to

0:40:34.719 --> 0:40:38.439
<v Speaker 1>focus on living things as opposed to inanimate things any

0:40:38.600 --> 0:40:41.439
<v Speaker 1>in an in effect, he argued for an innate love

0:40:41.520 --> 0:40:44.480
<v Speaker 1>of nature. He said, quote, the object of my reflection

0:40:44.520 --> 0:40:47.640
<v Speaker 1>can be summarized by a single world biophilia, which I

0:40:47.640 --> 0:40:50.640
<v Speaker 1>will be so bold as to define as the innate

0:40:50.680 --> 0:40:54.440
<v Speaker 1>tendency to focus on life and lifelike processes. Okay, so

0:40:54.480 --> 0:40:58.239
<v Speaker 1>you can definitely see a connection here where again, like

0:40:58.280 --> 0:41:01.279
<v Speaker 1>all of these cultures are focusing on the lifelike processes

0:41:01.280 --> 0:41:04.960
<v Speaker 1>that are around them and using this terminology to define

0:41:05.480 --> 0:41:08.600
<v Speaker 1>both the immaterial and in the material things that are

0:41:08.600 --> 0:41:11.560
<v Speaker 1>around them. Right right now, When it comes to evidence

0:41:11.600 --> 0:41:15.920
<v Speaker 1>for this hypothesis, and and it remains a hypothesis, uh there,

0:41:15.920 --> 0:41:19.960
<v Speaker 1>there's various evidence that's presented, including the universal appreciation for

0:41:20.080 --> 0:41:24.360
<v Speaker 1>nature among human cultures, the symbolic use of nature in language.

0:41:24.880 --> 0:41:27.520
<v Speaker 1>So you know, think of all the times just during

0:41:27.520 --> 0:41:30.359
<v Speaker 1>the course of your day that you compare your own

0:41:30.440 --> 0:41:33.840
<v Speaker 1>behaviors and motivations or those around you to the actions

0:41:33.840 --> 0:41:37.520
<v Speaker 1>of animals or plants. Yes, yeah, a lot. Yeah, Like

0:41:37.760 --> 0:41:40.040
<v Speaker 1>if you actually stopped yourself throughout the day, or at

0:41:40.120 --> 0:41:42.600
<v Speaker 1>least in my case, if I stop myself throughout the

0:41:42.640 --> 0:41:46.759
<v Speaker 1>day and realized how many times I use uh, similes

0:41:46.920 --> 0:41:49.839
<v Speaker 1>or metaphors just in my my general conversation that are

0:41:49.880 --> 0:41:53.640
<v Speaker 1>alluding to animal activities or or natural activities. Yeah. And

0:41:53.680 --> 0:41:57.600
<v Speaker 1>then also another bit of of of supporting evidence is

0:41:58.640 --> 0:42:02.560
<v Speaker 1>the spiritual reverence for nature across culture. So animust, God's

0:42:02.840 --> 0:42:07.920
<v Speaker 1>sacred environmental places and sacred trees. So the idea here

0:42:07.960 --> 0:42:10.160
<v Speaker 1>is that our attraction to the natural world is just

0:42:10.280 --> 0:42:13.000
<v Speaker 1>hardwired into us, and so of course we build it

0:42:13.000 --> 0:42:17.200
<v Speaker 1>into our metaphoric and symbolic understanding of the world. Is

0:42:17.239 --> 0:42:21.280
<v Speaker 1>pointed out by Robert Sommer in Trees and human identity,

0:42:21.320 --> 0:42:24.480
<v Speaker 1>and this is collected in identity and the natural environment.

0:42:24.600 --> 0:42:28.520
<v Speaker 1>The psychological significance of nature. Belief in sacred trees and

0:42:28.640 --> 0:42:31.759
<v Speaker 1>tree spirits is of very ancient things and entailing both

0:42:31.920 --> 0:42:35.920
<v Speaker 1>the creation of people from trees, the transformation of people

0:42:36.040 --> 0:42:40.120
<v Speaker 1>into trees and UH. James G. Fraser he discussed his

0:42:40.200 --> 0:42:42.880
<v Speaker 1>numerous examples of this in his work as well, including

0:42:43.080 --> 0:42:46.200
<v Speaker 1>uh uh the I believe it is the Diary tribe

0:42:46.200 --> 0:42:50.319
<v Speaker 1>of South Australia who regarded certain trees as their fathers transformed.

0:42:50.880 --> 0:42:54.799
<v Speaker 1>Some Filipina Islanders also believe the souls of their forefathers

0:42:54.880 --> 0:42:58.759
<v Speaker 1>reside in trees. These just to name a few, we see.

0:42:58.840 --> 0:43:01.520
<v Speaker 1>We see this legacy continu you today, even in the

0:43:01.520 --> 0:43:04.600
<v Speaker 1>form of memory trees, you know, planting planting a tree

0:43:04.600 --> 0:43:08.839
<v Speaker 1>in in remembrance of somebody who has died and uh

0:43:08.880 --> 0:43:13.879
<v Speaker 1>and some of the psychological UH factors that are involved there.

0:43:14.480 --> 0:43:17.359
<v Speaker 1>So I had one example, and I didn't know where

0:43:17.360 --> 0:43:19.919
<v Speaker 1>to place this. This is the best spot I could find.

0:43:19.960 --> 0:43:24.400
<v Speaker 1>Maybe it's a biophilia related example. Uh. It is actually

0:43:24.440 --> 0:43:28.839
<v Speaker 1>thought that the world tree tree of life symbology is

0:43:28.920 --> 0:43:33.360
<v Speaker 1>why you find in graveyards and cemeteries ancient trees that

0:43:33.400 --> 0:43:36.560
<v Speaker 1>are often used, and they're often planted next to springs

0:43:36.560 --> 0:43:39.440
<v Speaker 1>of water. So I wonder if that's related to this

0:43:39.600 --> 0:43:43.799
<v Speaker 1>the idea of the spirits belonging to the trees. Well,

0:43:44.160 --> 0:43:46.680
<v Speaker 1>you know, if you think of a large tree growing

0:43:46.880 --> 0:43:50.359
<v Speaker 1>in a cemetery graveyard, Yeah, I mean it makes perfect sense.

0:43:50.440 --> 0:43:53.200
<v Speaker 1>Right the underworld the place where the dead go, that

0:43:53.440 --> 0:43:56.640
<v Speaker 1>is where the bodies are are literally laid to rest.

0:43:56.800 --> 0:43:59.520
<v Speaker 1>It's providing sustenance to the tree. And then and then

0:43:59.520 --> 0:44:01.200
<v Speaker 1>you have the tree are you growing up into into

0:44:01.280 --> 0:44:05.840
<v Speaker 1>the sky? And mean, it makes it makes perfect sense. Now,

0:44:06.719 --> 0:44:11.880
<v Speaker 1>there are various additional ways to tackle the symbol of

0:44:11.920 --> 0:44:16.200
<v Speaker 1>the tree, and UH. I found a number of different

0:44:16.200 --> 0:44:19.160
<v Speaker 1>examples here. We're gonna roll through these and discuss these. Uh.

0:44:19.480 --> 0:44:21.920
<v Speaker 1>And at least some of these are pointed out by

0:44:21.920 --> 0:44:24.320
<v Speaker 1>by Richard Sommer and again in that work trees and

0:44:24.400 --> 0:44:27.920
<v Speaker 1>human identity, which I highly recommend. So, first of all,

0:44:28.080 --> 0:44:31.080
<v Speaker 1>there's the Darwinian take on everything. The roll of trees

0:44:31.280 --> 0:44:36.719
<v Speaker 1>in natural selection influence latent and manifest preferences people as

0:44:36.760 --> 0:44:41.400
<v Speaker 1>trees past and present. Uh, preferences merged with self image.

0:44:41.680 --> 0:44:43.879
<v Speaker 1>I am what I like, I like what I am.

0:44:44.840 --> 0:44:47.720
<v Speaker 1>And also Darwin was a fan of trees as symbols

0:44:47.719 --> 0:44:51.360
<v Speaker 1>of evolutionary process He said in eighteen fifty nine The

0:44:51.400 --> 0:44:55.200
<v Speaker 1>Origin of Species. I believe this similarly largely speaks the truth.

0:44:55.800 --> 0:44:59.520
<v Speaker 1>So when when if you've ever looked into a natural

0:44:59.560 --> 0:45:02.520
<v Speaker 1>selection you've probably or even just you know, flipped around

0:45:02.560 --> 0:45:05.920
<v Speaker 1>and say a book on dinosaurs, you've probably encountered these

0:45:06.360 --> 0:45:10.200
<v Speaker 1>these trees, these essentially family trees of of how we

0:45:10.320 --> 0:45:13.440
<v Speaker 1>think different species emerged from each other. And these are

0:45:13.440 --> 0:45:17.759
<v Speaker 1>known as phylogenetic trees. And we're so we're still using

0:45:17.800 --> 0:45:20.719
<v Speaker 1>the tree is a way to understand who we are

0:45:20.920 --> 0:45:23.840
<v Speaker 1>in the world. Yeah, this was the science angle that

0:45:23.880 --> 0:45:25.680
<v Speaker 1>I was mentioning at the top of the episode, the

0:45:25.680 --> 0:45:29.200
<v Speaker 1>phylogenetic tree. Uh. It's used in the sciences as a

0:45:29.280 --> 0:45:34.239
<v Speaker 1>representation of evolutionary relationships between all species on Earth, and

0:45:34.480 --> 0:45:37.799
<v Speaker 1>one paper I downloaded actually was all about this software

0:45:38.120 --> 0:45:42.360
<v Speaker 1>that's being built, these various tools to explore that representation

0:45:42.440 --> 0:45:45.680
<v Speaker 1>that connects eight hundred thousand to two point two million

0:45:45.800 --> 0:45:50.080
<v Speaker 1>species together. The idea being that you're reproducing the phylogenetic

0:45:50.160 --> 0:45:55.160
<v Speaker 1>classification scheme that describes evolutionary relationships, where you're using a

0:45:55.320 --> 0:45:58.360
<v Speaker 1>tree as a map. Yeah. Yeah, now that that piece

0:45:58.360 --> 0:46:01.600
<v Speaker 1>that I referenced earlier by gear hest Mark Temptations of

0:46:01.680 --> 0:46:04.920
<v Speaker 1>the Tree. Uh. Now, he he made an interesting argument here.

0:46:04.960 --> 0:46:08.880
<v Speaker 1>He said that phylogenetic trees have a rhetorical power that's

0:46:08.880 --> 0:46:12.759
<v Speaker 1>hard to shake. Yeah. He reminds readers that ultimately these

0:46:12.760 --> 0:46:18.760
<v Speaker 1>are only sketches of historical hypothesis constructed from imperfect historical evidence.

0:46:18.920 --> 0:46:21.239
<v Speaker 1>So they're not they're not set in stone or set

0:46:21.280 --> 0:46:24.680
<v Speaker 1>in would rather uh like the living physical trees. There's

0:46:24.680 --> 0:46:28.400
<v Speaker 1>almost kind of a trap in referencing, uh, something that

0:46:28.520 --> 0:46:32.200
<v Speaker 1>has a sort of symbolic potency to it like that.

0:46:32.200 --> 0:46:36.400
<v Speaker 1>That's interesting, Yeah, especially like from a rhetorical background, Like

0:46:36.440 --> 0:46:40.200
<v Speaker 1>I could totally see somebody writing like two dissertation trying

0:46:40.200 --> 0:46:44.480
<v Speaker 1>to pull that all apart and how it's used. That's

0:46:44.600 --> 0:46:47.560
<v Speaker 1>very interesting, And I wonder if you could trace how

0:46:47.760 --> 0:46:53.320
<v Speaker 1>tree symbology is used in political rhetoric as well, bringing

0:46:53.320 --> 0:46:55.919
<v Speaker 1>it into a sort of a more contemporary cultural point

0:46:55.960 --> 0:46:58.279
<v Speaker 1>of view, because it's interesting to think of what the

0:46:58.320 --> 0:47:00.360
<v Speaker 1>tree is doing, you know, because it is from a

0:47:00.400 --> 0:47:03.480
<v Speaker 1>human perspective. At any given moment, a tree is is

0:47:03.520 --> 0:47:07.759
<v Speaker 1>a solid thing reaching from earth into the sky. And

0:47:07.840 --> 0:47:09.920
<v Speaker 1>yet at the same time it is it is, it

0:47:10.040 --> 0:47:12.480
<v Speaker 1>is growing, it is reaching in a way that that

0:47:12.560 --> 0:47:15.560
<v Speaker 1>a mountain is not. And when we're aware of it,

0:47:15.600 --> 0:47:17.640
<v Speaker 1>like we know that a tree starts how small, and

0:47:17.680 --> 0:47:20.880
<v Speaker 1>grows larger, but it takes takes place over the course

0:47:20.960 --> 0:47:25.000
<v Speaker 1>of a lifetime or multiple lifetimes. Well, and then on

0:47:25.040 --> 0:47:27.680
<v Speaker 1>top of that, it's vulnerable to a tree maybe chopped down,

0:47:27.719 --> 0:47:31.120
<v Speaker 1>a tree maybe blown down by the wind, whereas a

0:47:31.160 --> 0:47:36.160
<v Speaker 1>mountain would not. Hopefully no, I mean the mountain over time.

0:47:36.239 --> 0:47:39.640
<v Speaker 1>But I don't even know to what extent that was. Uh,

0:47:39.680 --> 0:47:42.279
<v Speaker 1>that that's what That's not something I've looked at in

0:47:42.280 --> 0:47:44.600
<v Speaker 1>the research. But I'm not sure to what extent ancient

0:47:44.640 --> 0:47:50.200
<v Speaker 1>people's were aware of erosion most the mountains. Yeah, well,

0:47:50.440 --> 0:47:55.280
<v Speaker 1>all of this could potentially be explained by another aspect

0:47:55.360 --> 0:47:57.920
<v Speaker 1>that we've already mentioned here today This is young I

0:47:58.040 --> 0:48:02.800
<v Speaker 1>in depth psychology. So the idea here of the archetypes

0:48:02.840 --> 0:48:06.480
<v Speaker 1>and human collective subconscious that I mentioned earlier. There are

0:48:06.520 --> 0:48:10.319
<v Speaker 1>some people that argue the world tree itself actually has

0:48:10.400 --> 0:48:15.680
<v Speaker 1>evolutionary origins, not phylogenetically, but as part of our collective unconscious,

0:48:15.680 --> 0:48:18.000
<v Speaker 1>that it's like all of us have this kind of

0:48:18.080 --> 0:48:21.560
<v Speaker 1>programmed into our minds. Were thinking about numbers with their

0:48:21.600 --> 0:48:25.680
<v Speaker 1>fingers and thinking about other aspects of the world with treats. Yeah,

0:48:25.800 --> 0:48:30.279
<v Speaker 1>outside of Young's perspective, almost all world tree traditions seem

0:48:30.360 --> 0:48:32.439
<v Speaker 1>to have levels to them, and I didn't really mention

0:48:32.480 --> 0:48:34.880
<v Speaker 1>this too much, but some of the examples that I provided,

0:48:34.920 --> 0:48:36.680
<v Speaker 1>so for instance, like the suffer Rath and idris Cill,

0:48:36.719 --> 0:48:40.279
<v Speaker 1>they have variations of levels. These range between eight and

0:48:40.360 --> 0:48:44.560
<v Speaker 1>twenty two throughout cultures, and they seem to represent specific

0:48:44.719 --> 0:48:48.759
<v Speaker 1>states of consciousness. So I Drasill is the example I

0:48:48.920 --> 0:48:51.680
<v Speaker 1>use here. It's composed of the nine worlds I mentioned

0:48:51.680 --> 0:48:54.680
<v Speaker 1>some of these earliers. When it's mapped out, mid Guard,

0:48:54.840 --> 0:48:57.960
<v Speaker 1>which is Earth's representation, is at the center of the

0:48:58.000 --> 0:49:01.480
<v Speaker 1>trunk the world. That's where we of the arrangement of

0:49:01.520 --> 0:49:05.480
<v Speaker 1>all the other worlds around it are north, southeast and

0:49:05.600 --> 0:49:09.360
<v Speaker 1>west on the tree, and those represent awareness and perception.

0:49:09.640 --> 0:49:12.279
<v Speaker 1>But then there's worlds that are above midguard and those

0:49:12.320 --> 0:49:16.400
<v Speaker 1>represent higher levels of consciousness, and worlds below midguard that

0:49:16.520 --> 0:49:21.000
<v Speaker 1>represent the unconscious mind. Now, just going off script here

0:49:21.000 --> 0:49:25.480
<v Speaker 1>for a second, that immediately calls to mind Freudian psychology. Right,

0:49:25.560 --> 0:49:29.200
<v Speaker 1>So it ego super ego. That seems like igor so

0:49:29.480 --> 0:49:32.920
<v Speaker 1>was representing all of that, like thousands of years before

0:49:32.920 --> 0:49:35.560
<v Speaker 1>Freud even put that to paper. Now, another take on

0:49:35.600 --> 0:49:39.879
<v Speaker 1>all of this is the phenomenological approach. This is the idea,

0:49:39.880 --> 0:49:42.440
<v Speaker 1>and we've been talking about this already, is that you

0:49:42.760 --> 0:49:46.160
<v Speaker 1>have metaphors between the natural and the human world. Here

0:49:46.239 --> 0:49:48.400
<v Speaker 1>we have, you know, the roots, trunk, and the canopy

0:49:48.400 --> 0:49:51.120
<v Speaker 1>of a tree, and these are mirroring the infernal or

0:49:51.120 --> 0:49:54.600
<v Speaker 1>subterranean world, the earthly world, and the heavenly world. And uh.

0:49:55.120 --> 0:49:58.120
<v Speaker 1>On top of that, people in society are covered by

0:49:58.160 --> 0:50:00.759
<v Speaker 1>fruits or flowers that are growing within a tree. A

0:50:00.800 --> 0:50:04.640
<v Speaker 1>tree provides a first hand encounter with the world and

0:50:04.800 --> 0:50:07.319
<v Speaker 1>our our place in it. This made me think back

0:50:07.360 --> 0:50:11.800
<v Speaker 1>to my last visit to Zoo Atlanta. Yeah, you go

0:50:11.960 --> 0:50:16.440
<v Speaker 1>all the time, they know you, They know you. Probably

0:50:16.480 --> 0:50:18.640
<v Speaker 1>at the gates, right. Yeah, well they have they have

0:50:18.719 --> 0:50:21.600
<v Speaker 1>this one aviary section and they have a ton of

0:50:21.600 --> 0:50:23.799
<v Speaker 1>birds in there from different parts of the world, and

0:50:23.840 --> 0:50:26.200
<v Speaker 1>there's a large tree in there, and the birds make

0:50:26.239 --> 0:50:28.359
<v Speaker 1>their homes in different parts of the tree, Like there's

0:50:28.400 --> 0:50:34.560
<v Speaker 1>I think it's a scarlet um ibis that it only

0:50:34.600 --> 0:50:36.520
<v Speaker 1>stays at the very top. It's like something it's like

0:50:36.520 --> 0:50:38.480
<v Speaker 1>like like a heavenly bird. If we're thinking of this

0:50:38.520 --> 0:50:41.120
<v Speaker 1>as a world tree, and others make their home and

0:50:41.320 --> 0:50:45.719
<v Speaker 1>other portions of the tree. I believe those ibises are

0:50:46.400 --> 0:50:49.719
<v Speaker 1>natural to Trinidad and Tobago because when I visited there,

0:50:49.920 --> 0:50:53.080
<v Speaker 1>she's almost fifteen years ago, they were all around naturally

0:50:53.120 --> 0:50:55.600
<v Speaker 1>and they did the same thing. Yeah, it's a beautiful bird,

0:50:55.640 --> 0:50:58.360
<v Speaker 1>so you can you can imagine what how how seeing

0:50:58.400 --> 0:51:01.600
<v Speaker 1>things like that in nature within also affect your interpretation

0:51:01.640 --> 0:51:03.600
<v Speaker 1>of the tree and your use of the tree as

0:51:03.640 --> 0:51:06.840
<v Speaker 1>a metaphor. Cool Then, according to Summer, there's also the

0:51:07.120 --> 0:51:11.520
<v Speaker 1>realm of ecopsychology, which I I think sounds an awful

0:51:11.520 --> 0:51:14.200
<v Speaker 1>lot like biophilia. And maybe there's a there's more connection

0:51:14.239 --> 0:51:16.840
<v Speaker 1>there that I'm not aware of. He says, quote, beyond

0:51:16.840 --> 0:51:19.440
<v Speaker 1>the individual self, there is an ecological self that is

0:51:19.560 --> 0:51:23.600
<v Speaker 1>nurtured through contact with and concern for the natural environment.

0:51:23.880 --> 0:51:26.480
<v Speaker 1>A person should feel at one with nature, and if

0:51:26.480 --> 0:51:30.200
<v Speaker 1>these feelings are absent or distorted, a healing process is needed.

0:51:30.360 --> 0:51:35.160
<v Speaker 1>So the tree kind of becomes a way to engage

0:51:35.239 --> 0:51:38.480
<v Speaker 1>in that reconnection. Like even even if you're in the

0:51:38.480 --> 0:51:41.719
<v Speaker 1>middle of the city and uh and and and maybe

0:51:41.760 --> 0:51:44.040
<v Speaker 1>there's not a nearby park, just the symbol of the

0:51:44.120 --> 0:51:46.799
<v Speaker 1>tree can sort of get in touch with that ecological

0:51:47.320 --> 0:51:51.840
<v Speaker 1>biophilic legacy. All of this, the last two, especially phenomenological

0:51:51.920 --> 0:51:56.719
<v Speaker 1>approaches and ecopsychological approaches, make me think of Cormac McCarthy's

0:51:56.760 --> 0:52:00.799
<v Speaker 1>The Road, because the idea I believe behind that book

0:52:00.840 --> 0:52:05.239
<v Speaker 1>is that it's thematically about our ecosystem and basically like

0:52:05.480 --> 0:52:08.480
<v Speaker 1>our mistreatment of the ecosystem. Right, And it's been a

0:52:08.480 --> 0:52:11.560
<v Speaker 1>while since I've read that book. It's super depressing, but

0:52:12.239 --> 0:52:16.680
<v Speaker 1>basically I remember a lot of descriptions of dead trees. Yeah, yeah,

0:52:16.760 --> 0:52:19.959
<v Speaker 1>that's that is a great book, a pretty bleak book.

0:52:19.960 --> 0:52:23.839
<v Speaker 1>I've yet to read it as a father, um, and

0:52:23.960 --> 0:52:25.920
<v Speaker 1>I don't think I'm quite ready to do that. I

0:52:25.960 --> 0:52:30.440
<v Speaker 1>can imagine that would be real tough, um, but certainly

0:52:30.440 --> 0:52:33.280
<v Speaker 1>I yeah. Now that now that you mentioned Court McCarthy

0:52:33.360 --> 0:52:37.279
<v Speaker 1>and the world tree, I wonder he trees come up.

0:52:37.320 --> 0:52:40.200
<v Speaker 1>I mean, trees come up in every work of fiction. Really.

0:52:40.239 --> 0:52:42.759
<v Speaker 1>I mean it's it's in the same It's kind of

0:52:42.760 --> 0:52:44.840
<v Speaker 1>the core argument here is that trees are such a

0:52:44.840 --> 0:52:48.040
<v Speaker 1>part of our world, that they have become an inseparable

0:52:48.120 --> 0:52:52.120
<v Speaker 1>part of our our symbolic understanding of ourselves and the

0:52:52.239 --> 0:52:56.239
<v Speaker 1>universe and cosmology, that it becomes this thing upon which

0:52:56.520 --> 0:53:02.040
<v Speaker 1>we build our our boldest fantasies in our our darkest hors.

0:53:02.080 --> 0:53:04.359
<v Speaker 1>So it's it's one of those things where I feel

0:53:04.360 --> 0:53:06.640
<v Speaker 1>like you could probably tease apart any work of literature

0:53:06.640 --> 0:53:10.480
<v Speaker 1>and say, okay, here's my you know, three ball volume

0:53:10.640 --> 0:53:14.000
<v Speaker 1>study of trees and Cornan McCarthy or trees in the

0:53:14.000 --> 0:53:18.240
<v Speaker 1>work of Shakespeare. I'm sure I'm sure someone has done. Yes. Yeah, Well,

0:53:18.440 --> 0:53:20.320
<v Speaker 1>I think that's part of the reason why I wanted

0:53:20.400 --> 0:53:23.399
<v Speaker 1>to end with this topic, because it seems like it's

0:53:23.400 --> 0:53:27.080
<v Speaker 1>so universal. We're heading into Christmas season and it seems

0:53:27.120 --> 0:53:31.280
<v Speaker 1>like we've found uh no, no pun intended a route

0:53:31.640 --> 0:53:35.759
<v Speaker 1>for the origin of the Christmas tree, right, but that

0:53:35.880 --> 0:53:38.839
<v Speaker 1>it's just this thing that connects us all together, no

0:53:38.880 --> 0:53:43.040
<v Speaker 1>matter what our religion or ethnicity or creeds, whatever trees

0:53:43.080 --> 0:53:46.920
<v Speaker 1>are important to us. Indeed, alright, Christian, well well this

0:53:47.000 --> 0:53:49.279
<v Speaker 1>was it, then, this was this was your your final

0:53:49.280 --> 0:53:52.040
<v Speaker 1>episode of Stuff to Blow Your Mind. So again I

0:53:52.080 --> 0:53:54.560
<v Speaker 1>want to thank you for all that you've done on

0:53:54.600 --> 0:53:56.919
<v Speaker 1>this show, with this show, helping to grow this show

0:53:56.960 --> 0:54:01.040
<v Speaker 1>over the past few years. I we look forward to

0:54:01.120 --> 0:54:03.520
<v Speaker 1>keeping in touch with you in the future. Can you

0:54:03.520 --> 0:54:06.680
<v Speaker 1>tell our listeners where they can continue to uh, to

0:54:06.800 --> 0:54:11.440
<v Speaker 1>listen to you, to read your work over the years ahead. Yeah,

0:54:11.480 --> 0:54:13.400
<v Speaker 1>thank you, and thanks again for having me on the

0:54:13.440 --> 0:54:16.239
<v Speaker 1>show the last couple of years. Everyone out there, and

0:54:16.239 --> 0:54:18.080
<v Speaker 1>and this is Robert and Joe included. You can all

0:54:18.120 --> 0:54:21.600
<v Speaker 1>reach me on Twitter at Christian Sager, or if you

0:54:21.680 --> 0:54:25.600
<v Speaker 1>want to email me, for instance about this episode, UH,

0:54:25.719 --> 0:54:28.960
<v Speaker 1>you can email me at Christian dot Seger at gmail

0:54:29.040 --> 0:54:32.080
<v Speaker 1>dot com. I will also continue to be hanging out

0:54:32.120 --> 0:54:35.280
<v Speaker 1>in our Stuff to Blow Your Mind discussion module on Facebook,

0:54:35.280 --> 0:54:37.200
<v Speaker 1>so you're not getting rid of me that easily. I'll

0:54:37.200 --> 0:54:40.200
<v Speaker 1>be interacting with the awesome community that we have over there.

0:54:40.760 --> 0:54:42.920
<v Speaker 1>I may not be here on the show anymore, but

0:54:43.000 --> 0:54:47.000
<v Speaker 1>I'm still going to be actively writing and podcasting online,

0:54:47.040 --> 0:54:49.560
<v Speaker 1>and as Robert alluded to, I'm continuing to do my

0:54:49.640 --> 0:54:52.960
<v Speaker 1>creator own podcast, super Context. Some of you are familiar

0:54:53.000 --> 0:54:55.680
<v Speaker 1>with this, but if you've never heard it before, it's

0:54:55.680 --> 0:54:59.120
<v Speaker 1>a podcast autopsy of media, how we consume it and

0:54:59.120 --> 0:55:02.600
<v Speaker 1>how it informs our everyday culture. In each episode, we

0:55:02.640 --> 0:55:05.200
<v Speaker 1>try to understand the entertainment world we all live in,

0:55:05.239 --> 0:55:09.080
<v Speaker 1>whether it's film, television, pros, music, or comic books. You

0:55:09.080 --> 0:55:11.479
<v Speaker 1>can find it wherever you get podcasts, or you can

0:55:11.520 --> 0:55:15.520
<v Speaker 1>get it at super Context dot Libson dot com. I'll

0:55:15.560 --> 0:55:18.759
<v Speaker 1>also be publishing a goodbye post to stuff to Blow

0:55:18.800 --> 0:55:21.560
<v Speaker 1>your Mind dot com that will also cover all of

0:55:21.600 --> 0:55:24.000
<v Speaker 1>this stuff. Is where you can find me and uh,

0:55:24.120 --> 0:55:26.880
<v Speaker 1>I imagine that we'll have like cross links between the

0:55:26.920 --> 0:55:30.799
<v Speaker 1>podcast page and that blog page referencing back to both

0:55:30.880 --> 0:55:33.480
<v Speaker 1>one another. That's right, And yeah, I recommend everyone check

0:55:33.480 --> 0:55:36.480
<v Speaker 1>out super Context, even if you if you don't have

0:55:36.520 --> 0:55:39.600
<v Speaker 1>time to listen to it when it comes out. Check

0:55:39.600 --> 0:55:42.719
<v Speaker 1>out the artwork. The artwork is always amusing because you

0:55:42.719 --> 0:55:45.319
<v Speaker 1>you do custom artwork for each episode. I do, yeah,

0:55:45.320 --> 0:55:48.560
<v Speaker 1>I hand draw, well, it's there digitally, but I draw

0:55:49.080 --> 0:55:51.439
<v Speaker 1>the artwork for every episode and they're like weird little

0:55:51.480 --> 0:55:55.080
<v Speaker 1>cartoons that are related to whatever the topic is. Yeah, awesome,

0:55:55.719 --> 0:55:59.120
<v Speaker 1>all right, well thanks again so that this is thanks,

0:55:59.160 --> 0:56:02.279
<v Speaker 1>this is goodbye, and hey, the rest of you, you you

0:56:02.360 --> 0:56:04.640
<v Speaker 1>want to keep up with the Stuff to Blow your Mind,

0:56:05.160 --> 0:56:06.880
<v Speaker 1>make sure you follow us at stuff to Blow your

0:56:06.880 --> 0:56:09.680
<v Speaker 1>Mind dot com. That's where you'll find all the links

0:56:09.800 --> 0:56:14.120
<v Speaker 1>to the various social media platforms that we have, including Facebook,

0:56:14.160 --> 0:56:17.239
<v Speaker 1>including the discussion module that we mentioned already. And if

0:56:17.239 --> 0:56:18.560
<v Speaker 1>you want to get in touch with us the old

0:56:18.560 --> 0:56:22.080
<v Speaker 1>fashioned way, you of course can email us at blow

0:56:22.120 --> 0:56:25.359
<v Speaker 1>the Mind at how stuff works dot com. And yes,

0:56:25.400 --> 0:56:27.920
<v Speaker 1>if if you have something that is Christian specific that

0:56:27.960 --> 0:56:30.600
<v Speaker 1>you send to us, we will try and forward that

0:56:30.719 --> 0:56:33.480
<v Speaker 1>to him as well. Awesome and I will do my

0:56:33.520 --> 0:56:45.840
<v Speaker 1>best to reply for more on this and thousands of

0:56:45.880 --> 0:57:00.360
<v Speaker 1>other topics. Does it how stuff Works dot com Many

0:57:00.440 --> 0:57:04.520
<v Speaker 1>Presents Great was joined to the Join the part