Speaker 1: Realty, but real celebrity. Join the Breakfast Morning. Everybody is
Speaker 1: DJ Envy, Angela, Ye, Charloman the guy. We are the
Speaker 1: Breakfast Club special guests in the building. Mister Rico love
Speaker 1: listen Rico produces everything. Everything go out there. He was
Speaker 1: taking pictures up and he was like, let me see
Speaker 1: that pictures sits down here he goes, Yo, this position right,
Speaker 1: everything that's got that's got to be kind of difficult
Speaker 1: reco you can wow, you know what's crazy. I never
Speaker 1: even noticed that. Just that's crazy. I do do that
Speaker 1: about every situation. I always just like, it's my posture right,
Speaker 1: and you do interviews everything about you know, it's the
Speaker 1: lighting right, And I always tell them like I saw
Speaker 1: that light moved by accident. I know you walked back,
Speaker 1: you hit the light. I don't know if you want
Speaker 1: that to be hit like that. Oh no, it's no
Speaker 1: good detail. Absolutely, let me tell you something. You know,
Speaker 1: I'm dark skinned, so we could come up real crazy
Speaker 1: on camera. We got to make sure every little part,
Speaker 1: you know what I mean, Let's put some lotion on
Speaker 1: and that helps. That helps. Do Some people take that
Speaker 1: as controlling, though I don't. I never noticed it as
Speaker 1: much you know. Now, until you just said that, I
Speaker 1: never noticed it. But I don't know how people take it.
Speaker 1: But you know what creatives, I think they respected like
Speaker 1: a guy who um knows you know a little bit
Speaker 1: what he's talking about. And I love that. I just
Speaker 1: you know, i'd be around and I, you know, kind
Speaker 1: of like pay attention to little things, and I pick
Speaker 1: up on little things, and you know, I listened. So
Speaker 1: if I overhear you talking about a lens or something
Speaker 1: like that or different things, then next time I'm somewhere
Speaker 1: or something like, yo, I don't know, but maybe you
Speaker 1: should use another lens because I know those type of
Speaker 1: lens get some fall because I would heard somebody saying
Speaker 1: and they're like, oh, wow, you know you pick up
Speaker 1: on that everything. Yeah, And I always and I always
Speaker 1: ask questions. If I see a film on myself and
Speaker 1: I'm looking in a certain way, I'm like, why is that? Oh?
Speaker 1: Because we shot with the wide and we should have
Speaker 1: went closer on the zoom. So now I'm like, I
Speaker 1: learned that, So next time around, I'm like, yo, don't
Speaker 1: shoot me on the on the wide, shoot me on
Speaker 1: the zoom. Information never hurt nobody, man, it never It
Speaker 1: never does. But you don't work aholic? Yeah, man, but
Speaker 1: you know, how do you work so hard as dud?
Speaker 1: Spend time with your family? Let me I tell your
Speaker 1: story which impressed me. Flew out to Miami and I
Speaker 1: spent the day with Rico, right, and me and Rico
Speaker 1: went to the store one shop and came back and
Speaker 1: I would say, in twenty minutes, he completed about tim
Speaker 1: tongs in twenty minutes, No, lie, And these were impossible.
Speaker 1: I said, light it up online. Ay, all right, I
Speaker 1: got a hook. Did the hook twenty minutes. It wasn't
Speaker 1: it wasn't full songs. It was these concepts, and you know,
Speaker 1: laying ideas. I lay a verse on this one, an
Speaker 1: idea to this one. All right, this the next one,
Speaker 1: give me a hook on this one. Lay a hook
Speaker 1: idea on this one. Because I don't write anything, damn.
Speaker 1: I just listened to the music and it kind of
Speaker 1: like not saying wow, because sometimes it's terrible, you know,
Speaker 1: sometimes good. Just I never I never try to let
Speaker 1: you hear the terrible. Like there was like, for instance,
Speaker 1: shout the fat like your fat Joe wants to record.
Speaker 1: I I got one record for fat Joe. Boom all
Speaker 1: I said that to Joe all right, yo, every this record.
Speaker 1: It was just it was just like that. I was
Speaker 1: saying there, like this mother effort is really now. I
Speaker 1: love the song that you did for Envy. From the
Speaker 1: first time I heard now, I was gonna say, was
Speaker 1: it just him sending you that one or was it
Speaker 1: I caught Envy personally said this is your record. By
Speaker 1: the way, I don't do I don't do records and
Speaker 1: um throwaways. I never do records like I don't shop music.
Speaker 1: I don't you know, a lot of people produces, and
Speaker 1: this is lesson to a lot of guys. You'll make
Speaker 1: if you you'll keep yourself a way more exclusive, if
Speaker 1: you don't send everybody the same record. I would never
Speaker 1: insult Envy like that and send him a record and
Speaker 1: then he go play for somebody and they're like, oh yeah,
Speaker 1: he said that. He said that to me. I got
Speaker 1: that in mind, Embo. So what I do is, I'll
Speaker 1: be in a studio and I'll be selective. I don't
Speaker 1: even I'll do twenty songs and within a few weeks
Speaker 1: and I won't shop any of them, and it'll be
Speaker 1: months ago by nobody has ever heard them. But when
Speaker 1: I get in a studio with somebody and I'm just like,
Speaker 1: you know, I think this will work for you. You know,
Speaker 1: I mean, I believe in collecting catalog and collecting music
Speaker 1: and not whoring yourself out because that way you become
Speaker 1: more exclusive, and then you'll end up with way more
Speaker 1: songs on other artists because you feel they'll feel like
Speaker 1: they feel special, like this record was created for me
Speaker 1: or with me and mine. There's only one wack part
Speaker 1: about the Evy record, and that's the part where it
Speaker 1: says DJ Envy in the beginning. That's like a classic
Speaker 1: I G I love it's about reco to. It is
Speaker 1: you don't really stress artists, and I you know I
Speaker 1: have that problem because I can't stress an artists. I
Speaker 1: can't call an artists a million times. But you have
Speaker 1: that same thing. Why is that with you? Because you'd
Speaker 1: be like, hey, look, if I ask you one time,
Speaker 1: it's your word. If you don't do by your word
Speaker 1: or store with you anymore ever. And I don't mean
Speaker 1: I got a problem with you when I see you
Speaker 1: as love, but it's just on a on a business
Speaker 1: I'm never gonna actually do anything for me. Ever. If
Speaker 1: you noticed all of my singles, I never had features.
Speaker 1: I just it took everything in me to get you know,
Speaker 1: ushering with Kalipha on the remix. That's just one of
Speaker 1: my best friends. Because you would produce a songwriter, So
Speaker 1: why couldn't return the favor? You would think, Bro, you
Speaker 1: got people who won't even tweet for you. Bro, you
Speaker 1: got people who and I don't ask, you know, I
Speaker 1: just I just know if I if I give you
Speaker 1: the number one record number in the studio with you
Speaker 1: and we made millions together, you would think I got
Speaker 1: an album coming out and these guys will call you
Speaker 1: and be like, congratulations on the album. But put that
Speaker 1: on Instagram and something get my followers up. Did you
Speaker 1: know what with Kalipha was gonna talk about on the
Speaker 1: for somebody else? I have an idea, you know, And
Speaker 1: that was the reason I called him. And that's just
Speaker 1: to be honest, you know. I mean a lot of
Speaker 1: people try to make it saying like, no, I didn't
Speaker 1: call you just because of what you're going through. No,
Speaker 1: that's the time to call you. When people when we
Speaker 1: when we make records about getting money, nobody has a
Speaker 1: problem with saying, oh, well, you can relate to get money.
Speaker 1: I just know you went through some serious heartbreak. This
Speaker 1: song is about heartbreak, talk about it? Why not? Because
Speaker 1: men are so comfortable talking about we get money and
Speaker 1: we win in and this this and then and pop
Speaker 1: that and shake that. But we don't express pain. We
Speaker 1: don't express fear, we don't express remorse because we feel
Speaker 1: like that's weak. But I always tell people honesty is
Speaker 1: the most strong thing a man could be. When you're
Speaker 1: honest about who you are, you know, how could you
Speaker 1: sleep at night when you tell the truth? You know
Speaker 1: what I mean, You're like, it's like a weight off you.
Speaker 1: You felt like you got that off. So um, I
Speaker 1: just feel like it was meant for him to get
Speaker 1: on that record. You do have songs about heartbreak and remorse.
Speaker 1: Do you ever cry when you're writing any songs? Never? Never?
Speaker 1: But um, you know I don't. I'm not against cry.
Speaker 1: I just know I haven't cried in like a long time.
Speaker 1: But I'm not against anybody that cries a baby the
Speaker 1: baby's born. No, I haven't cried yet. See what even
Speaker 1: when my son. When my son was born, I think
Speaker 1: I cried when he was like three months because I
Speaker 1: just stare at him when he's sleeping and he just
Speaker 1: kind of get emotional or like, um, little things they
Speaker 1: do when they call you and be like, you know, daddy,
Speaker 1: when are you gonna Why does mommy have a different
Speaker 1: last name than us? You know you're like that. That's
Speaker 1: made me get married. Yeah, those type of things. You'll
Speaker 1: be like, oh man, the only thing that was one
Speaker 1: of the main one you just thought about that like old,
Speaker 1: that was one of the main ones. Like that hurt feeling,
Speaker 1: like because you have got no answer for all you
Speaker 1: ladies out there if you want to figure out, here's
Speaker 1: the script to tell your kids. Now. I want to
Speaker 1: go back to you with these artists, because I find
Speaker 1: it very disrespectful that none of these guys would show
Speaker 1: you the same respect. I'm sure that he didn't say
Speaker 1: none of them. I mean some of them do. But
Speaker 1: what it is is like this, right, Um, You'll see
Speaker 1: people out and you're like, um, one thing I gotta
Speaker 1: this is rand I got to say shout out to
Speaker 1: DJ Kali because he's the best at this, the best
Speaker 1: at Fat Joe and DJ Kalt I think called in
Speaker 1: all respect and I think he would admit this he
Speaker 1: learned it from from Fat Joe, who was the president
Speaker 1: of YO. Run down on Homeboy and make sure you're
Speaker 1: on the record, because I remember and Fat Joe at
Speaker 1: one point was like one of my closest friends in
Speaker 1: the whole entire world, right, So Machow and this me
Speaker 1: and Joe were really close at the time, really really closer.
Speaker 1: And Macha was sitting in the studio like like DEEPO
Speaker 1: waiting for me to do the verse. I'm like, bo,
Speaker 1: I'm gonna do it, and my show would be like, yeah,
Speaker 1: I'm gonna wait for you. And that's the type of
Speaker 1: thing and you gotta respect that because their mentality is
Speaker 1: get it done. I don't care how it makes you feel.
Speaker 1: I don't care how uncomfortable it is or how for me.
Speaker 1: I just my pride ego. It's not because I feel
Speaker 1: like I feel like if I ask you to do
Speaker 1: something for me. And and by the way, I want
Speaker 1: you to understand how this game is set up a
Speaker 1: lot of time where producers and writers when I charge
Speaker 1: a flat rate of fifty thousand for a track and
Speaker 1: then I do a record for whatever person, and they're
Speaker 1: telling me, well, since we get in two records, can
Speaker 1: we get them you know, two for sixty can we
Speaker 1: get two? Can we work this deal out and do
Speaker 1: this whatever? And you're like, man, of course, because to me,
Speaker 1: it ain't about that. It's really about to get in
Speaker 1: the music out. And that's why I've been able to have,
Speaker 1: you know, a certain amount of records out at one time,
Speaker 1: because I always was working deals with people. So I
Speaker 1: feel like, if I work to deal for you, it's
Speaker 1: an unwritten rule like we have when I come back
Speaker 1: around it's love and it's love and I'm not asking anybody.
Speaker 1: I don't even ask people to get on my records
Speaker 1: because I believe it's impossible for an artist to get
Speaker 1: other artists, other people in the world to get to
Speaker 1: know them if they surrounding themselves with people they are
Speaker 1: already familiar with it already. It bugs me out when
Speaker 1: an artist has like, only got one verse on their record.
Speaker 1: They got somebody featured on the hook and then another
Speaker 1: person rapping. Bro, you got one verse on your own single?
Speaker 1: How do you expect people to know you? Even if
Speaker 1: your record does super well, You do shows everywhere. Why
Speaker 1: would I buy your record when I really don't truly
Speaker 1: identify with who you are? And that goes in content
Speaker 1: as well. But with me, I'll say this, I did
Speaker 1: that for you, and that should be a solid And
Speaker 1: then later I should come back and say and I
Speaker 1: have simple things and he knows me, I'll say, you'll
Speaker 1: post this for me on your joint. You know, okay,
Speaker 1: I got you nothing. Then my company, everybody's calling me,
Speaker 1: everybody works for me is telling me bro calling back.
Speaker 1: I'm not calling no grown man back about it right now?
Speaker 1: The same thing I think I like the way call
Speaker 1: them do things. Sometimes you gotta let me tell you,
Speaker 1: let me tell you, let me tell you, and let
Speaker 1: me tell you. The follow through is one thing. But
Speaker 1: then when you see me out again, I'm gonna tell
Speaker 1: you something. If I'm make a mistake and forget something.
Speaker 1: As soon as I see you, I'm like, I forgot
Speaker 1: to do that, let me do it right now. Like
Speaker 1: since I just saw you, let me knock that out
Speaker 1: for you right now. But you know, and and again,
Speaker 1: I don't want anybody this is all, you know, fun.
Speaker 1: I don't want anybody think I'm looking at these guys
Speaker 1: like f them. But at the end of the day,
Speaker 1: I just know I'm not gonna put myself in a
Speaker 1: position where I gotta keep asking you for something, and
Speaker 1: like I said, called and um Joe, they like, they
Speaker 1: don't care, They like, we need to get this done.
Speaker 1: And then you look at how it benefits the artists
Speaker 1: usually that they do the stuff for. Think about if
Speaker 1: anybody whom Kali has done a record with or put
Speaker 1: on his record, it really it benefits both benefits Kalid
Speaker 1: and it benefits the artists. You got a free marketing
Speaker 1: opportunity for him to market your record and work. And
Speaker 1: now when you see, I'm sure, but he leans, he said,
Speaker 1: he said, the newer artists are actually a lot harder
Speaker 1: for him to get than the more established. Really, but
Speaker 1: he keeps going and he but guess what, I bet
Speaker 1: you they're gonna do it. I bet you you're gonna
Speaker 1: sit there in the studio and make sure they do it.
Speaker 1: I bet he's gonna call him every time. If Kali
Speaker 1: got to go a hold everybody, I need all my
Speaker 1: followers to tweet blah blah blah and let him know
Speaker 1: he don't care. Like a different code with these newer artists,
Speaker 1: Like they don't have the same kind of way that
Speaker 1: they were. Oh, let me tell you something, these new
Speaker 1: artists got it all figured out too. By the way
Speaker 1: they think they know everything. Can nobody tell them none?
Speaker 1: Can nobody tell them what what's right or what's wrong?
Speaker 1: And they never had extreme success. The best part about
Speaker 1: my career was I started off with Usher, So I
Speaker 1: start off for Usher. During confessions, you understand when when
Speaker 1: Usher was shut down malls, like when he was shut
Speaker 1: down whole blocks and streets, it was ridiculous, and we'd
Speaker 1: be in Paris somewhere and it'd be like whole everything.
Speaker 1: Then you go be just in Detroit and the same
Speaker 1: thing that happened. So these artists, they'll get a little
Speaker 1: bit of attention and they have a semi hit you
Speaker 1: know what I mean and exactly, and then they'll be like,
Speaker 1: can nobody tell me nothing about a record? About music?
Speaker 1: And then you look at your discography and you'd be like,
Speaker 1: I probably could though you know I probably could tell
Speaker 1: you something because I've consistently been able to do it.
Speaker 1: But you just let these people in time or run
Speaker 1: this course and you see what happens. How does that
Speaker 1: work with the artists that are signed to you? Because
Speaker 1: I know you know obviously you and Tierra Thomas are
Speaker 1: not working together anymore, and you had different ideas on
Speaker 1: where her career should go. Was it a problem where
Speaker 1: she kind of felt like she knew and you know
Speaker 1: she wasn't know. What it is is that, um, First
Speaker 1: of all, she one of the most talented people I've
Speaker 1: ever met in my life, and that's saying a lot.
Speaker 1: One of the most talented writers, really brilliant. But what
Speaker 1: happened was when I signed that she was writing a
Speaker 1: certain type of songs and I signed on it's like
Speaker 1: if I married you because I thought you were this way,
Speaker 1: and then as soon as we got married, things changed.
Speaker 1: I think when um, I think, um, it's safe to
Speaker 1: say everybody knows about the whole situation she was going
Speaker 1: through with the wile and everything. I think it put
Speaker 1: her in a real dark space. Imagine you a sweet girl,
Speaker 1: you know from Indianapolis, and you you get on Twitter
Speaker 1: and every day you get on Instagram and Twitter and
Speaker 1: people are like calling you names and bashing you and
Speaker 1: they don't even know the details or anything. And he's
Speaker 1: going crazy. And now this is not me, a guy
Speaker 1: who's been in the game twelve years and seeing everything.
Speaker 1: I can handle that stuff, you know, But a girl
Speaker 1: who's like, I can't believe I didn't bother nobody. I
Speaker 1: really didn't do anything wrong, and these people are really
Speaker 1: coming at me crazy enough every single day. I think
Speaker 1: it put her in a dark space over her writing
Speaker 1: is concerned and when she wrote songs like gang Signs
Speaker 1: and popular are in Bad when I signed her. So
Speaker 1: then later she started writing different type of records that
Speaker 1: I didn't think were um superstar calible records for her.
Speaker 1: I think she was bigger than the songs she was writing.
Speaker 1: And it's a girl who's super talents could write anything.
Speaker 1: And that's just my opinion of it. So this is
Speaker 1: I don't I don't want anybody to take this as
Speaker 1: meet this and them, because I could never do that.
Speaker 1: I would never. I came on this same show and
Speaker 1: fought in the offended her. So if I can't win
Speaker 1: the show and try to dis how crazy would that
Speaker 1: make me? No? No, no no, no no no, I said
Speaker 1: that she. I think they put her in a dark
Speaker 1: space because you were her biggest champion. You were debuting
Speaker 1: news sounds. You're like, I want to make sure we
Speaker 1: debut her anytime. I was like, I was fighting with
Speaker 1: the company. I need her on to remix. They didn't
Speaker 1: want her hund remix but they don't know. And I'm
Speaker 1: just like, this is my biggest, biggest record, number two
Speaker 1: in the country. I'm not gonna put my artists on it.
Speaker 1: These are type of things that I was going in
Speaker 1: for spending. We we spent you know, a lot of money,
Speaker 1: you know, on her and on a roll out without
Speaker 1: even putting having a chance to really put out a record.
Speaker 1: But um, I think that our visions changed. The one
Speaker 1: thing about me is I know how it feels to
Speaker 1: be an artist, and I know how it feels to
Speaker 1: be pressured. And I said, you know what, I never
Speaker 1: want to be in a situation where I'm forcing you
Speaker 1: to do nothing and we don't like each other. So
Speaker 1: instead of me saying you don't want to do what
Speaker 1: I do, shelfer until she get her mind right, and
Speaker 1: then I'm owing you father, no, let you go free.
Speaker 1: You know what I mean, because I don't want to
Speaker 1: be in that situation. Even though people around me was like,
Speaker 1: you need to get this, you need to do this,
Speaker 1: I'm like, but but I don't have I'm not mad
Speaker 1: at I just don't agree with what she's going to
Speaker 1: She don't agree with what I want her to go.
Speaker 1: But you know is that what she wanted though, or
Speaker 1: did she want to try to still come out but
Speaker 1: still have it her way, or did she want to
Speaker 1: just not be signed anymore. I don't know. I didn't
Speaker 1: even I'm gonna be honest with you. I hadn't to
Speaker 1: be totally honest. I didn't have a conversation with her.
Speaker 1: I just told you know, I just said, I asked
Speaker 1: in the scope, you know, I said, I don't. I
Speaker 1: don't think it's gonna work out what y'all like to
Speaker 1: keep it? Because I don't even want to try to
Speaker 1: box her out. I didn't want to say, well, I'm
Speaker 1: dropping in, y'all, can I said, what y'all like to
Speaker 1: keep it and go straight through in the scope and
Speaker 1: they said no, And I said, cool, Well, then give
Speaker 1: her release. Let her do a thing. If she feels
Speaker 1: like she knows her in her management feel like they know,
Speaker 1: let's do that. Because I don't want to be in
Speaker 1: a situation where I'm holding anybody down and making them
Speaker 1: feel away. You know, do your thing. But what I do,
Speaker 1: what I do is and I'm gonna be And that
Speaker 1: probably makes me the worst because I've had artists before
Speaker 1: and they all no artists ever can walk around and
Speaker 1: say Rico Love did me wrong or Rico did anything.
Speaker 1: If you look at how close me and young Chris saw,
Speaker 1: you know what I mean. I took care of young Chris. Bro,
Speaker 1: you know what I mean. I got young Chris. I
Speaker 1: got young Chris an apartment in Miami, and young Chris
Speaker 1: did not come to the apartment one time, one time,
Speaker 1: you know, And that's my brother. We could share those
Speaker 1: types of but because I think what happens is you
Speaker 1: surround yourself with people, you know what I mean, who
Speaker 1: I think at that time, he can admit who was
Speaker 1: in his ear saying, oh, you know you need to
Speaker 1: be doing this, you need to be on this, and
Speaker 1: we you know, he need to be a Philly you
Speaker 1: need to do this and a lot of time home.
Speaker 1: Who wants you to stay home because they feel like
Speaker 1: that's how um, that's what keeps you authentic. But I
Speaker 1: was like, bro, come down here. Think about this. When
Speaker 1: I wrote Motivation, Kelly, it was it was laid out,
Speaker 1: it was laid up, it was a it was a partm.
Speaker 1: I rented this dope apartment on the beach, like right
Speaker 1: down the street from where I was living at the time.
Speaker 1: It was laid out, but and he never went to
Speaker 1: it one time, not one time, and it's and it
Speaker 1: was crazy. And he'll even admit to you he was.
Speaker 1: He was like, I was bugging. I had people in
Speaker 1: my you know, in my around me that was telling
Speaker 1: me certain things. And I'm gonna tell you a crazy
Speaker 1: story about position positioning yourself where the things happened. I
Speaker 1: wrote a motivation for Kelly Rolling and as soon as
Speaker 1: we finished it, Kelly said, where's young Chris. He should
Speaker 1: rap on this? No, she said it like playfully serious.
Speaker 1: She said it like you know, who knows if she
Speaker 1: was even serious or if she even would have followed through,
Speaker 1: But she just said it in passing like real cool,
Speaker 1: like young Christian rap on this. That's your artist, right,
Speaker 1: you could have been. It would have end up right
Speaker 1: being Wayne because they would have lad let's get you
Speaker 1: know how that is. But at the end of the day,
Speaker 1: I told him that he was fun. It's always the opportunity,
Speaker 1: always be around and always be available, you know what
Speaker 1: I mean. I always made myself accessible to the opportunity
Speaker 1: in the beginning of my career and still even now
Speaker 1: if somebody calls me right now with the opportunity. I'm
Speaker 1: jumping on the flight, you know what I mean. I'm
Speaker 1: doing things that a lot of people at my level
Speaker 1: wouldn't be humble enough to do because I just believe
Speaker 1: in winning, and I believe that I haven't made it yet.
Speaker 1: A lot of people look at me and be like,
Speaker 1: oh you do, I haven't made it yet because when
Speaker 1: I when I hang around, I live in the neighborhood
Speaker 1: full of billionaires on purpose because I want to be
Speaker 1: the poorest person in my neighborhood, because I need to
Speaker 1: feel like it's no I'm not. I haven't hit the
Speaker 1: ceiling yet. It's so far from me. And I think
Speaker 1: so many people feel like they made it and they
Speaker 1: have not arrived. I'm here to tell you you have
Speaker 1: not arrived yet because I haven't, and a lot of
Speaker 1: people who are above me feel like they haven't. When
Speaker 1: I was just with Usher the other night and we
Speaker 1: was in the studio just vibing right, and I'm just like,
Speaker 1: he showed me a new house, he just bored in
Speaker 1: the Hollywood Hills just for the you know, I just
Speaker 1: a little little joint our book and I'm like day
Speaker 1: and he don't feel like he's you know, he feels
Speaker 1: like it's still so much for him to do. When
Speaker 1: I'm around Puff and I'm seeing how hard he works,
Speaker 1: I'm like, how can I possibly feel like any opportunity
Speaker 1: is too small for me when I'm looking at guys
Speaker 1: like this who going above and beyond to do whatever. Exactly.
Speaker 1: Know what I'm saying, come on exactly, so you know
Speaker 1: I gotta I gotta grind. So I think it was
Speaker 1: a learning experience for everybody. But I always lived myself
Speaker 1: and always believing an opportunity being there in present. But
Speaker 1: just back to the tie everything I believe in. I
Speaker 1: think she's a superstar. You will never hit me, say
Speaker 1: anything mad about it. Her dad calls me, call me
Speaker 1: the other day. He says, Yo, I'm going to you know,
Speaker 1: out of the country. You know some spots that I
Speaker 1: hang out. Yeah, I got you. Me and her pops
Speaker 1: talk a lot. He's a super cool dude, shout out
Speaker 1: the court. Do you think it reflects bad off you that,
Speaker 1: like none of the artists you signed end up popping
Speaker 1: off the only only I think, Um, yes, yes it does, absolutely,
Speaker 1: and but I'm honest enough to say, um, those things
Speaker 1: didn't work out. But I will also admit. You have
Speaker 1: to admit. Um, I did everything in my power to
Speaker 1: help every artist that it was around me. Every time,
Speaker 1: I think that what I didn't do that I should
Speaker 1: have done was being a little bit more tough on
Speaker 1: him and biddy, like put the fish down a little
Speaker 1: bit more because I just don't. I hate that forcing thing,
Speaker 1: but I should have been like, listen, these are the records. Well,
Speaker 1: it was a song this Tierra had the core popular
Speaker 1: that she hates. It's the first when she performed the
Speaker 1: song for Jimmy Ivin when I first was trying to
Speaker 1: sign her, Jimmy Ivin and John Janet said, this is
Speaker 1: the record. We everything leads up to this record. She
Speaker 1: hated the record after she did it. I guess see
Speaker 1: when she wrote it years ago. But we can't we
Speaker 1: don't know that. We just know that it's a brilliant
Speaker 1: song and it's just a genius lyric and it was
Speaker 1: so clever, and everybody's playing was we're gonna put out
Speaker 1: a warm up and we're gonna put this single up.
Speaker 1: She changed her mind. I think in retrospect, what I
Speaker 1: should have did was saying we're putting this song up
Speaker 1: right on some puff daddy, because that's what he would
Speaker 1: have did. He would have been like because in her
Speaker 1: mind she might have done it so long ago and
Speaker 1: it's so old. But for other people, and then such
Speaker 1: an incredible record, and it's not a record that you
Speaker 1: know a lot of people would say, well, you know,
Speaker 1: I didn't have any bias, so I didn't write this song.
Speaker 1: It was like, I thought it was genius and I
Speaker 1: should have just said, listen, we're putting this record up
Speaker 1: and then let you be mad at me, because I
Speaker 1: looked at the Usher situations. When me and Usher first
Speaker 1: heard Year, me and Usher sitting in the room, I'm
Speaker 1: a nineteen year old kid, and we first herd Year.
Speaker 1: We laughed hysterically. Really, we said, it's the worst song ever.
Speaker 1: Think about this, bro. The first few lines, imagine you
Speaker 1: him Sean Garrett in the high pitch by screaming I'm
Speaker 1: in the club with my homies trying to kick a
Speaker 1: little bi and put it down on a low key.
Speaker 1: That's I was trashed. Bro. We was like looking at
Speaker 1: it like what I was gonna fight? And that was
Speaker 1: I think about this that that yeah, yeah, yeah, I'm
Speaker 1: that line. All the time. We was like and we
Speaker 1: was because we were sitting in the Usher's living room
Speaker 1: and I remember being like a little I was, I
Speaker 1: was I didn't deserve to even speak at the time,
Speaker 1: and I remember him looking at me and he gave
Speaker 1: me a smirk and I just fell on the floor.
Speaker 1: And Mark Pitts and KP was in the room and
Speaker 1: they were like, yeah, tripping, this is a number one record,
Speaker 1: and they tricked Usher, they said, just cut it. We'll
Speaker 1: put it out as a warm up, and you know,
Speaker 1: they put that joint. I went number one right away,
Speaker 1: and even us when he when I saw us again,
Speaker 1: I was like, we was wrong about it because at
Speaker 1: least because because I just admitted that that's work, and
Speaker 1: that's the situations we are in. Sometimes sometimes we think,
Speaker 1: at Usher's level, this is the Confessions album he had
Speaker 1: already had eighty seven or one he had already had
Speaker 1: My Way. So both of them sold seven million each
Speaker 1: and he still was able to admit I was wrong
Speaker 1: or he had an opinion that wasn't correct. And we
Speaker 1: all have those things. So imagine a new artist who
Speaker 1: hasn't had any success and telling you what they're gonna do.
Speaker 1: It's like I should have been like, nah, you're gonna
Speaker 1: have to. We're gonna have to. You know I can.
Speaker 1: I can live with being wrong, and I don't think
Speaker 1: what I what I don't do it I should do?
Speaker 1: Is I care so much and I get so frustrated.
Speaker 1: But I'll just be like, you know what, I ain't
Speaker 1: gonna force you to do it when I should have
Speaker 1: just sometimes let the artists be an artist instead of
Speaker 1: you doing. But but if they knew best they'd be,
Speaker 1: they I would be signed to them, right, And that's
Speaker 1: the thing we gotta have You ever questioned yourself like
Speaker 1: maybe I'm just not cut out to be a label
Speaker 1: on the Let me write my songs because that's what
Speaker 1: that's what people want you to feel. And that's what
Speaker 1: happens with trial and error. Think about think about um,
Speaker 1: I always bring this up. Think about Royals to may
Speaker 1: Back that didn't just pop off? Bro. He tried before
Speaker 1: and then you know certain artists he put out it
Speaker 1: didn't work out, and he was he stayed down with
Speaker 1: his homies and it didn't work out. But in America's society, um,
Speaker 1: that is the definition of success. But an urban culture,
Speaker 1: give up is the answer. You know why, because you'll
Speaker 1: see people comment on you or take something to you like,
Speaker 1: why don't you just do this? Why don't you just
Speaker 1: do this? And I'm like, because I'm not you and
Speaker 1: I'm not regular, and I believe that if you fail,
Speaker 1: you'reupposed to get back up and keep trying. And at
Speaker 1: the end of the day, what does it cost me?
Speaker 1: What it costs you for me to try? And that's
Speaker 1: the craziest thing about black people is that when we
Speaker 1: see somebody trying something, we love to be like, why
Speaker 1: don't you just stop? Why? How does this affect you?
Speaker 1: Why does it bother you so much? Rapper, I will
Speaker 1: tell you to quit after your dreams? Everybody can people
Speaker 1: get back? I agree, but some people are whacked. But
Speaker 1: at the end of the day, what does it take
Speaker 1: for me for him to try it? Don't do nothing
Speaker 1: to me because if nobody's gonna hear it if you
Speaker 1: whack anyway. I love that you put this on Instagram.
Speaker 1: Somebody tweeted you I didn't want to like this week.
Speaker 1: I love album, but it's actually pretty good. Whybody doesn't
Speaker 1: not want to like it? Let me tell you something
Speaker 1: about our people. At all costs, we want to try
Speaker 1: to find the way to embarrass you or say something smart.
Speaker 1: We can't even give a cool compliment. We can't even say,
Speaker 1: you know what, I'm surprised this record is good. If
Speaker 1: that would have been cool, but I didn't want to
Speaker 1: like it. That means that means that I went into
Speaker 1: this situation saying that you I don't like you. Every
Speaker 1: situation I go into, I try to think the positive
Speaker 1: fo I always give. I just want to do it,
Speaker 1: or it's I just because for one thing, if I didn't,
Speaker 1: if I don't feel like it to be dough, I
Speaker 1: just won't listen. But people just go I thought it
Speaker 1: was it was honest of him to say he didn't
Speaker 1: you know that I'm a hater, But I had to
Speaker 1: call him out and say, it's crazy that that's a
Speaker 1: great feeling though, that you won somebody you say that.
Speaker 1: People say that because if I just say, Yo, this
Speaker 1: Reco Love album is dope, guess what I'm gonna get
Speaker 1: you take Pride and Rico. But if you say but
Speaker 1: if you say I didn't want to like it, it's
Speaker 1: a different level. If you say that I'm really surprised
Speaker 1: at how good this album is, then that's one thing.
Speaker 1: But if you say I did not want to like it.
Speaker 1: That means you're saying to yourself, I went into this
Speaker 1: situation not liking you, A good person who never bothered nobody.
Speaker 1: Y'all don't see me doing much. But I don't be
Speaker 1: out here doing no corney. I don't bother nobody. I'm not,
Speaker 1: you know. I just mind my business, take care of
Speaker 1: my family and doing music. When you look on my
Speaker 1: gram you look, all you see is my kids, my dog,
Speaker 1: in my studio. You think you were afraid to be
Speaker 1: fans now absolutely everybody an artist. Everybody's an artist. But
Speaker 1: how do you when you make your music? How do
Speaker 1: you decide what you're gonna keep when you're gonna give away.
Speaker 1: It's really easy because for the past two years, I
Speaker 1: haven't been writing for people. I haven't been writing so
Speaker 1: and say, you know what I mean, it's on yourself,
Speaker 1: and and I was so because the frustration. We spoke
Speaker 1: about it a little time, a little bit the last
Speaker 1: time I was here. When you spend time development and
Speaker 1: building artists, when I did that raiment, that Looking for
Speaker 1: Myself album for Usher, and we worked hard on that record,
Speaker 1: and then to see them just go with a dance
Speaker 1: song after we made this challenging effort to make music
Speaker 1: that was cutting edge and provocative, and then see the
Speaker 1: record company come in and say, all right, that's cool.
Speaker 1: Do this song called Screaming and Doctor Luke and uh
Speaker 1: Homeboy did and we don't put this out this dance record.
Speaker 1: We're like, but that goes against everything we've been building.
Speaker 1: Just big enough. He ain't got to take that. You
Speaker 1: got to accept that. But sometimes people make decisions because
Speaker 1: they feel like, think about that. Remember the year conversation.
Speaker 1: Now you're questioning it stuff. You're like, right, so maybe
Speaker 1: they might be right this time. And I don't, you know,
Speaker 1: so I think sometimes when you go into situations with artists.
Speaker 1: I did a brand to Brandy at mean was the
Speaker 1: last Brandy. I'm two eleven. Me and uh Sean Garrett
Speaker 1: did the majority of that album, and I thought it
Speaker 1: was some incredible records on there. And then when the
Speaker 1: album came out, we thought we're gonna get this push.
Speaker 1: I gave a shout out to Brianna, gave Brianna super
Speaker 1: discount for like five records. And I'm thinking, because I
Speaker 1: don't think about that that up from me. I'm thinking
Speaker 1: about legacy. I'm thinking about it. I have the opportunity
Speaker 1: to be on the greatest one of the greatest singers
Speaker 1: of ever album. I did a record and then she said,
Speaker 1: all right, cool, you know what I don't want to
Speaker 1: do from through the album, the more I'm gonna go
Speaker 1: do the game, the TV show, I'm gonna go do
Speaker 1: this and im And it's like, all right, this thing
Speaker 1: that I take so serious. By the way, I'm a
Speaker 1: person who really you know this, everybody I think could
Speaker 1: notice about me. I'm very serious about music. I'm passionate
Speaker 1: about it. So every song means something to me. It's
Speaker 1: not just a check. You really hit me. Talking about money,
Speaker 1: you hit me. I even get frustrated when people ask
Speaker 1: me about money or like how much money did you
Speaker 1: make on this? I'm like, I don't like talking about
Speaker 1: stuff like that, but um, I got frustrated because look
Speaker 1: at every song as a baby too. I wrote a
Speaker 1: song on Brandy's album called no Such Thing, It's too Late,
Speaker 1: Harley Breathing, and Paint this House and can you hear
Speaker 1: Me Now? And these songs were incredible to me, some
Speaker 1: of my best works. Not man, I nearly enough. You
Speaker 1: know what I mean, And you look at it and
Speaker 1: you're like these songs meant so much in this strust.
Speaker 1: You spent all this time. I think you spent a
Speaker 1: year on a on a Usher album. You spend a
Speaker 1: you know, six months on this Brandy album. You do this,
Speaker 1: all these projects that you're really passionate about, and they
Speaker 1: out of your control. It's like you had a child
Speaker 1: and then Tobody takes it and just raise it how
Speaker 1: they want to raise it, and you're like, but that's
Speaker 1: my child. And that's how it felt. So I just
Speaker 1: felt like, you know what, let me do something that
Speaker 1: I love. And obviously um artists, you know, it's just
Speaker 1: you know, it ain't the same type of paper. I
Speaker 1: completely understand why you want to be a solo artist
Speaker 1: if now it makes perfect sense because you know people
Speaker 1: will say that too, like why you want to be
Speaker 1: as artist, why you should be a singer songwriter or
Speaker 1: song but just and also just listen to the music, man,
Speaker 1: and listen. Listen to the music and listen to This
Speaker 1: album is so real to me because it's my honest contribution.
Speaker 1: It's like me saying who I really am and how
Speaker 1: I really feel. And you know, I don't come out
Speaker 1: or force man, I don't do a bunch of corny stuff.
Speaker 1: I don't really when I look at you know, some
Speaker 1: people that came before me, and people would be like, well,
Speaker 1: this person did this, But I look at it, I'm like,
Speaker 1: it looked like he's trying. It looked like she trying
Speaker 1: to look like it's too much. But with me, it's
Speaker 1: I get in the van and go from city to
Speaker 1: city and do a hundred interviews in a day. I
Speaker 1: go do promo. I just left LA. I did promo
Speaker 1: all day LA. I got off the plane and came
Speaker 1: straight here, and then I got a full day and
Speaker 1: then I go to sleeping. I wake up at six am,
Speaker 1: and I got an audition for a movie, and then
Speaker 1: I got to do the same thing promotion all day,
Speaker 1: and then the next day the same thing that I'm
Speaker 1: gonna plane in the fly to Miami to spend time
Speaker 1: with my kids. This is serious to me. So when
Speaker 1: you look at this effort that I'm putting forth, if
Speaker 1: nothing else, you could say, it gotta be something to it,
Speaker 1: because the man made too much money in the other
Speaker 1: world to be just doing this and not making the
Speaker 1: same type of paper. Why is it easy to swallow
Speaker 1: your pride to go out and do the new artist hustle,
Speaker 1: the stuff you don't have to do, like do one
Speaker 1: hundred interviews in a day. But you can't pick up
Speaker 1: the phone and say, hey, man, could you do this record?
Speaker 1: Because it's something I'm doing for me. Got you now?
Speaker 1: When I'm I control that, I control how hard I work.
Speaker 1: I can't control if you're gonna say yes. And I
Speaker 1: can't control. And one thing I'm uncomfortable with is a
Speaker 1: no from a person who I think should say yes.
Speaker 1: I would rather, I would rather, I would rather us
Speaker 1: not even talk about it because I don't want to
Speaker 1: feel away about it the same you know what I mean.
Speaker 1: And it's the same way. The girl was really like
Speaker 1: the girls, what about you dealing with a girl you
Speaker 1: didn't tricked off a lot of money whatever whatever. You
Speaker 1: took her out and you're like, let me get some
Speaker 1: of that, and she's like, no, he's in a relationship.
Speaker 1: Um Man, you know what if me and my girl
Speaker 1: took the girl out and we spent a bunch of
Speaker 1: money on her and she was acting funny, my girl
Speaker 1: would tell her, sweeth, you gotta go. I just wanted
Speaker 1: you to give me the same manth you gave before
Speaker 1: that's nothing like right somebody that folks say yes, but
Speaker 1: you cannot like it. I don't mean you're gonna take it.
Speaker 1: You know what I'm saying. So is out right now?
Speaker 1: Turn the lights on? Turn the lights on? T T L. Yeah,
Speaker 1: real quick. Though the album is super important to me.
Speaker 1: I want you to understand the meaning behind turn the
Speaker 1: lights on. A lot of people will say your name
Speaker 1: the album turn the lights on, obviously, because you say
Speaker 1: turn the lights on, and every song you're write it's
Speaker 1: a true meaning. I think the lights they represent success,
Speaker 1: and they represent money, and they represent things that happen
Speaker 1: to you when you become successful. I want to write
Speaker 1: about so when the lights come on you and even
Speaker 1: on an intro I talk about it. It's saying what
Speaker 1: you're gonna do when the lights come on? Like if
Speaker 1: you if you went from one day to not having
Speaker 1: none and then the next day somebody gave you ten
Speaker 1: million dollars, your life changes like that, and your views
Speaker 1: on marriage, your views on relationships, give views on monogamy,
Speaker 1: they change. And instead of me making a whole album
Speaker 1: about how many cars I bought in my big house
Speaker 1: and this, this and that, I said, well, let me
Speaker 1: talk about how those things affect you as a person.
Speaker 1: So it's really strong titles. It's a song called for
Speaker 1: the kids, and it's talking about a lot of us
Speaker 1: in life and in relationships. People stay in relationship but
Speaker 1: because of the kids. And it's a song called run
Speaker 1: for Me. And this is a true, honest story. I
Speaker 1: broke up with my girl for like three months. This
Speaker 1: album takes place within that space where we've broken up
Speaker 1: in three months. The whole album I don't like when
Speaker 1: somebody says now to Run for Me is such a
Speaker 1: strong song and what it represents. It was a girl
Speaker 1: I was seeing while I was broke up with my girl,
Speaker 1: and I was really into her and I was feeling
Speaker 1: it and I just said to up one day, you know,
Speaker 1: well I can't. I can't mess with you no more.
Speaker 1: And even watching this interview right now, I know she's
Speaker 1: gonna be like looking at me, like shaking ahead, but
Speaker 1: I was, I can't mess with you no more. And
Speaker 1: she's like, what what I said. If my girl called
Speaker 1: me right now I want to get back with me,
Speaker 1: I'm not. I'm gonna get back with Dare. And that's
Speaker 1: just me being a hunting because I know where this
Speaker 1: is going. We're not just having fun. We're catching feelings
Speaker 1: right now. And I know that foot no matter how
Speaker 1: deep our feelings get into this situation. If she called
Speaker 1: me right now and say all right, cool I want
Speaker 1: us to be back together, I'm gonna leave and I'm
Speaker 1: not even gonna never told to you anyway. Man, you
Speaker 1: know I was out here being a whole you know,
Speaker 1: why not out here violent? And you know we deal
Speaker 1: We deal with those things. I spoke about that on
Speaker 1: the album as well. We deal with things. And you know, man,
Speaker 1: we were I love. Sometimes we just really and then
Speaker 1: you mess up and then what what happens is sometimes
Speaker 1: one day at a time. But were air Yeah yeah, yeah, yeah,
Speaker 1: it's it's like a lot of it's a lot of
Speaker 1: real records. But wouldn't you want that from your artists?
Speaker 1: I think, think about this, right, think about this. We
Speaker 1: get on Instagram, and we get on Twitter, we go
Speaker 1: on social networks. Were going on a ball alert. We
Speaker 1: go on shave room to find dirt about personal lives
Speaker 1: of our artists, right, and that's the thing that gets
Speaker 1: the most attention, right. But then these incredible artists, they
Speaker 1: don't talk about personal issues on their projects. And they
Speaker 1: wonder why they don't sell. They're buying your personal life
Speaker 1: on social media and somebody else getting paid for it.
Speaker 1: But why don't you give examples of the truth that
Speaker 1: you went through. That don't mean you have to give
Speaker 1: details or what day or what girl, what person? Why
Speaker 1: don't you give a little bit of who you are?
Speaker 1: And And I'm gonna be honest with you. Do I
Speaker 1: expect my mom to sell a bunch of out of
Speaker 1: the gate? Probably won't. Probably won't. But at the end
Speaker 1: of the day, one year from today, I promise you,
Speaker 1: we're gonna be in a different space because we're gonna
Speaker 1: work this record and you introduce one person. If every
Speaker 1: week you get a few more people to tell, a
Speaker 1: few more people to tell a few more people, you
Speaker 1: gotta work it, and you gotta say something that's worth hearing.
Speaker 1: It's only so much we could turn up. It's a
Speaker 1: bunch of club records. And guess what they know when
Speaker 1: they when they listen to that record in the club
Speaker 1: and they're like, cool, your first single was a big
Speaker 1: club anthem. But guess what, in a few months, it's
Speaker 1: gonna be another one of you. We're gonna be sick
Speaker 1: of that sound, and as soon as that sound is over,
Speaker 1: we're gonna be sick of that. And the producer is
Speaker 1: really eating more than the artists art because they like cool.
Speaker 1: When you're going, I'm gonna still be me. You're gonna
Speaker 1: come and go. People are not gonna They're not attached
Speaker 1: you because you haven't given them something to hold onto.
Speaker 1: When I first listened to you Know So Sick by Neil,
Speaker 1: I was like, bro, this Virginius at It made me
Speaker 1: even want to know who this guy was class It
Speaker 1: made me feel something. And I think artists are making
Speaker 1: records that don't make people feel anything, and that's why
Speaker 1: they don't stick. And that's what I was talking about yesterday.
Speaker 1: I'm talking about The Little Way. Believe me. It's sold
Speaker 1: a million records, but it ain't stick. You know a
Speaker 1: lot of those. So but I think at that level,
Speaker 1: he already has people who love him. And that's a
Speaker 1: different conversation. I'm talking about more a new artist who
Speaker 1: are trying to establish a base. The reason why they
Speaker 1: don't know what's so important to me is because it
Speaker 1: was it was a chess move, you know why it
Speaker 1: was a conversation starter. I can't believe he said that
Speaker 1: the reason why bitches be like what's so important is
Speaker 1: because it was like I can't believe he said that.
Speaker 1: And now people gotta come to know who Rico Love is.
Speaker 1: And I would know some artists who who have had
Speaker 1: bigger records and the people don't know who they are,
Speaker 1: and they know who I am, because you have to
Speaker 1: who is this dude? Even if they like you whack
Speaker 1: are you this? Are you ugly? And you black? You
Speaker 1: did it? They still know who I am and they
Speaker 1: still recognize me. And I think music has to do that.
Speaker 1: If you're not doing that as a new artist, if
Speaker 1: your record is not saying something for real, I'm telling
Speaker 1: you that big club record, enjoy it. Enjoy it, I think,
Speaker 1: and other people enjoy about you though, is you do
Speaker 1: have something to say, Like even when you see you
Speaker 1: in your interviews, you're honest, you got something to say.
Speaker 1: Even on Twitter, you engage with people absolutely. People don't
Speaker 1: have no personality, they don't and it's nothing. It's nothing
Speaker 1: to them. And you know what, I've been in the
Speaker 1: game for a long time and I've seen a lot
Speaker 1: of things. You know, mace phraise me, you know, and
Speaker 1: I learned under learning the usher. Know, being on the
Speaker 1: puff and all these guys and watching them, it's like
Speaker 1: so much you could pick up. And I think so
Speaker 1: many guys spend time with artists and they don't pick
Speaker 1: up on it things that are important. It's just like
Speaker 1: if you've been on the I know guys who've been
Speaker 1: on world tours and couldn't tell you anything about any
Speaker 1: cities because you know what they do. They go in
Speaker 1: their room and they smoke, and then when it's time
Speaker 1: for the show, they come out the room, do the show,
Speaker 1: get some girls, go back to the room and they smash,
Speaker 1: go to sleep, go to the next city. And I'm like,
Speaker 1: you're not even educating yourself based upon your surroundings. I'm
Speaker 1: gonna live life, bro, because guess where everything you live,
Speaker 1: everything you see, is regurgitated. When you're a true creative
Speaker 1: everything that I absorbed in my mind, I can give
Speaker 1: it back to the world and I can learn, and
Speaker 1: I can educate myself and teach others through that education.
Speaker 1: And I think we don't do that with our records,
Speaker 1: and that's why we don't sell albums. And that's why
Speaker 1: artists like a Kanye West can put out a record
Speaker 1: without no singles, whether people like the Jesus or not,
Speaker 1: it had no singles and he's still platinum at the
Speaker 1: end of the day. End of the day. Kendrick Lamart
Speaker 1: don't gotta ca a radio smash. People believe what he
Speaker 1: has to say and they believe in him. Jake cold On,
Speaker 1: I'm so inspired by these guys, even Drake. I listen
Speaker 1: to Drake and I'm like, Drake is a genius. You
Speaker 1: know why because he jumping on your records and he
Speaker 1: using your records for the foolishness and then he making
Speaker 1: his record about the real stuff. It's like, all right, cool,
Speaker 1: you're talking about nothing, but I know you're gonna get attention.
Speaker 1: I'm gonna jump on the jay Z used to do that. Everybody.
Speaker 1: Jay Z will be like, oh, he's the new guy,
Speaker 1: jay Z call you what up? I want to get
Speaker 1: your record? Oh my god, jay Z want to work
Speaker 1: with me. And then he'll be like, yeah, I'm gonna
Speaker 1: take this away from you and then go about your business.
Speaker 1: When you're not hot no more, You're not gonna be
Speaker 1: able to call jay Z. Drake is exactly what used
Speaker 1: to do. Genius, genius. But guess what when you listen
Speaker 1: to his record. It's like a guy who smoke all
Speaker 1: the time, but don't buy wheat. You know what I mean,
Speaker 1: when you're smoking heke when you go to his southee like,
Speaker 1: what are we that I don't buy no weed? What
Speaker 1: you're still doing here? One last thing? Do you want
Speaker 1: to see? I'm Floyd and pack yoah fight again. No,
Speaker 1: Floyd don't got nothing to prove the pack Yah. He
Speaker 1: beat that man. He beat him, of course, because I
Speaker 1: know because I saw Floyd well I don't know if
Speaker 1: you guys saw this, but actually tweeting him reached out
Speaker 1: and reached out to him. Yeah. Yeah, he reached out
Speaker 1: to say giving me for free tickets to the to
Speaker 1: his next fight, because you know, I just like to
Speaker 1: defend things that I believe in. You know, I wasn't
Speaker 1: trying to even add him, you know what I mean.
Speaker 1: I just was saying, you know how I felt about
Speaker 1: the fight. And at the end of the day, every
Speaker 1: time Floyd fight, every time he fights, they say he's
Speaker 1: gonna lose, and every time he wins, they say that
Speaker 1: it was he did this and he only won because
Speaker 1: of this or this person ain't boring. But at the
Speaker 1: end of the day, I felt like the fight, if
Speaker 1: you think the fight was born, which I don't, is
Speaker 1: only born because of Pakiel, didn't he the only one
Speaker 1: who didn't fight his fight. Floyd foot the way he fights,
Speaker 1: way he fights, and he stood in the middle of
Speaker 1: the ring and he challenged him. Now, it was a
Speaker 1: few times where Floyd would grab him and you know,
Speaker 1: collect himself. He's trying to figure it out for first
Speaker 1: few rounds, but after that he was here. He was
Speaker 1: taking the flurys. He was have been dodging the flurries.
Speaker 1: So at the end of the day, I don't want
Speaker 1: to see and I don't believe paki All deserved to
Speaker 1: fight Floyd in the first place. He took too many elves.
Speaker 1: That's just me being on it. He took too many els,
Speaker 1: and you don't deserve to fight fight no champion. You
Speaker 1: keep taking these elves from the people that he already
Speaker 1: didn't beat up. So Floyd taking the fight was like, cool,
Speaker 1: I'm gonna do you a side. I'm gonna since everybody
Speaker 1: want to fight, I'm gonna do it, and they're gonna
Speaker 1: cash me out. But you don't deserve to fight him
Speaker 1: no more. And he was a sore loser. I don't
Speaker 1: think I lost the fight. Yeah, come on, bro, you
Speaker 1: lost the fight. So did you know him before he
Speaker 1: reached out? Are you just didn't know him? I still
Speaker 1: don't know him. He reached out and just say, you know,
Speaker 1: it ain't like I'm you know, I'm not gonna probably
Speaker 1: be at floy House tomorrow. You know that. That was
Speaker 1: just no, No, we didn't know each other. He just
Speaker 1: was like, you know, you got four three tickets to
Speaker 1: the next fight. His next fight comes in September, and
Speaker 1: you don't hear nothing. Pride. I'm gonna be like, we're
Speaker 1: gonna tell me to get his tickets, and we're gonna
Speaker 1: be like, yo, we need we need our tickets. I
Speaker 1: remember your problems. Two for me too. For Hrry, I
Speaker 1: got a quick question before we don't stop that. All right,
Speaker 1: all right, this is the thing now that I had
Speaker 1: a conversation about this. If your girl don't like boxing, right,
Speaker 1: do you take her to the fight? If you got
Speaker 1: flour to eat, you better see that's what I don't
Speaker 1: only agree with you because you have to who are
Speaker 1: you gonna take? How you look? But listen, it's a
Speaker 1: bit pastagram. That's why it upsets me because think about this.
Speaker 1: You got friends, you grew up with your whole life
Speaker 1: that love boxing, and you like, I don't watch sports,
Speaker 1: I don't watch this. And as soon as it's time
Speaker 1: to do that, it's like so when we're going to
Speaker 1: the face, so you gotta take up. I'm sure she
Speaker 1: probably do a lot of things for you that she
Speaker 1: don't really want to do that you gotta gotta cash.
Speaker 1: If you got a pot your father like love, Like
Speaker 1: now I gotta take but you're getting four. I'm getting
Speaker 1: four so she can go. It's a lot of it's
Speaker 1: a lot of it's a lot of my homie. It's
Speaker 1: gonna be upset, bro. But yeah, but that's your girl.
Speaker 1: You ain't getting them tickets less you follow up, So
Speaker 1: follow out. You need to follow. I'm gonna tell you.
Speaker 1: We gotta bring some girls with us too. After the fact. Yeah,
Speaker 1: well it's the breakfast club. Me out turning out now,
Speaker 1: I like sing out now, I like something