1 00:00:01,080 --> 00:00:08,039 Speaker 1: Realty, but real celebrity. Join the Breakfast Morning. Everybody is 2 00:00:08,119 --> 00:00:11,040 Speaker 1: DJ Envy, Angela, Ye, Charloman the guy. We are the 3 00:00:11,080 --> 00:00:15,320 Speaker 1: Breakfast Club special guests in the building. Mister Rico love 4 00:00:16,400 --> 00:00:19,840 Speaker 1: listen Rico produces everything. Everything go out there. He was 5 00:00:19,880 --> 00:00:21,120 Speaker 1: taking pictures up and he was like, let me see 6 00:00:21,120 --> 00:00:23,880 Speaker 1: that pictures sits down here he goes, Yo, this position right, 7 00:00:25,360 --> 00:00:28,520 Speaker 1: everything that's got that's got to be kind of difficult 8 00:00:28,520 --> 00:00:30,440 Speaker 1: reco you can wow, you know what's crazy. I never 9 00:00:30,480 --> 00:00:34,519 Speaker 1: even noticed that. Just that's crazy. I do do that 10 00:00:34,600 --> 00:00:37,320 Speaker 1: about every situation. I always just like, it's my posture right, 11 00:00:37,360 --> 00:00:39,680 Speaker 1: and you do interviews everything about you know, it's the 12 00:00:39,760 --> 00:00:41,720 Speaker 1: lighting right, And I always tell them like I saw 13 00:00:41,760 --> 00:00:43,800 Speaker 1: that light moved by accident. I know you walked back, 14 00:00:43,840 --> 00:00:45,200 Speaker 1: you hit the light. I don't know if you want 15 00:00:45,200 --> 00:00:46,479 Speaker 1: that to be hit like that. Oh no, it's no 16 00:00:46,720 --> 00:00:51,559 Speaker 1: good detail. Absolutely, let me tell you something. You know, 17 00:00:51,600 --> 00:00:53,479 Speaker 1: I'm dark skinned, so we could come up real crazy 18 00:00:53,560 --> 00:00:57,000 Speaker 1: on camera. We got to make sure every little part, 19 00:00:57,160 --> 00:00:58,680 Speaker 1: you know what I mean, Let's put some lotion on 20 00:00:59,040 --> 00:01:01,520 Speaker 1: and that helps. That helps. Do Some people take that 21 00:01:01,560 --> 00:01:04,360 Speaker 1: as controlling, though I don't. I never noticed it as 22 00:01:04,600 --> 00:01:05,920 Speaker 1: much you know. Now, until you just said that, I 23 00:01:06,000 --> 00:01:07,440 Speaker 1: never noticed it. But I don't know how people take it. 24 00:01:07,520 --> 00:01:09,640 Speaker 1: But you know what creatives, I think they respected like 25 00:01:09,680 --> 00:01:12,200 Speaker 1: a guy who um knows you know a little bit 26 00:01:12,200 --> 00:01:14,080 Speaker 1: what he's talking about. And I love that. I just 27 00:01:14,240 --> 00:01:16,360 Speaker 1: you know, i'd be around and I, you know, kind 28 00:01:16,360 --> 00:01:18,319 Speaker 1: of like pay attention to little things, and I pick 29 00:01:18,400 --> 00:01:20,480 Speaker 1: up on little things, and you know, I listened. So 30 00:01:20,560 --> 00:01:22,760 Speaker 1: if I overhear you talking about a lens or something 31 00:01:22,800 --> 00:01:25,240 Speaker 1: like that or different things, then next time I'm somewhere 32 00:01:25,319 --> 00:01:26,800 Speaker 1: or something like, yo, I don't know, but maybe you 33 00:01:26,800 --> 00:01:28,680 Speaker 1: should use another lens because I know those type of 34 00:01:28,760 --> 00:01:30,840 Speaker 1: lens get some fall because I would heard somebody saying 35 00:01:31,680 --> 00:01:33,440 Speaker 1: and they're like, oh, wow, you know you pick up 36 00:01:33,480 --> 00:01:35,720 Speaker 1: on that everything. Yeah, And I always and I always 37 00:01:35,720 --> 00:01:38,160 Speaker 1: ask questions. If I see a film on myself and 38 00:01:38,160 --> 00:01:40,319 Speaker 1: I'm looking in a certain way, I'm like, why is that? Oh? 39 00:01:40,319 --> 00:01:41,920 Speaker 1: Because we shot with the wide and we should have 40 00:01:41,959 --> 00:01:43,480 Speaker 1: went closer on the zoom. So now I'm like, I 41 00:01:43,560 --> 00:01:46,360 Speaker 1: learned that, So next time around, I'm like, yo, don't 42 00:01:46,400 --> 00:01:48,400 Speaker 1: shoot me on the on the wide, shoot me on 43 00:01:48,440 --> 00:01:51,360 Speaker 1: the zoom. Information never hurt nobody, man, it never It 44 00:01:51,440 --> 00:01:53,720 Speaker 1: never does. But you don't work aholic? Yeah, man, but 45 00:01:53,800 --> 00:01:55,680 Speaker 1: you know, how do you work so hard as dud? 46 00:01:55,760 --> 00:01:57,400 Speaker 1: Spend time with your family? Let me I tell your 47 00:01:57,440 --> 00:02:00,360 Speaker 1: story which impressed me. Flew out to Miami and I 48 00:02:00,360 --> 00:02:04,200 Speaker 1: spent the day with Rico, right, and me and Rico 49 00:02:04,240 --> 00:02:06,480 Speaker 1: went to the store one shop and came back and 50 00:02:06,560 --> 00:02:08,760 Speaker 1: I would say, in twenty minutes, he completed about tim 51 00:02:08,800 --> 00:02:11,440 Speaker 1: tongs in twenty minutes, No, lie, And these were impossible. 52 00:02:11,960 --> 00:02:17,560 Speaker 1: I said, light it up online. Ay, all right, I 53 00:02:17,639 --> 00:02:20,280 Speaker 1: got a hook. Did the hook twenty minutes. It wasn't 54 00:02:20,320 --> 00:02:23,880 Speaker 1: it wasn't full songs. It was these concepts, and you know, 55 00:02:23,960 --> 00:02:25,680 Speaker 1: laying ideas. I lay a verse on this one, an 56 00:02:25,720 --> 00:02:27,520 Speaker 1: idea to this one. All right, this the next one, 57 00:02:27,600 --> 00:02:29,600 Speaker 1: give me a hook on this one. Lay a hook 58 00:02:29,639 --> 00:02:31,639 Speaker 1: idea on this one. Because I don't write anything, damn. 59 00:02:32,240 --> 00:02:33,960 Speaker 1: I just listened to the music and it kind of 60 00:02:34,000 --> 00:02:36,680 Speaker 1: like not saying wow, because sometimes it's terrible, you know, 61 00:02:36,760 --> 00:02:39,120 Speaker 1: sometimes good. Just I never I never try to let 62 00:02:39,160 --> 00:02:41,200 Speaker 1: you hear the terrible. Like there was like, for instance, 63 00:02:41,240 --> 00:02:43,120 Speaker 1: shout the fat like your fat Joe wants to record. 64 00:02:43,120 --> 00:02:44,960 Speaker 1: I I got one record for fat Joe. Boom all 65 00:02:45,000 --> 00:02:47,480 Speaker 1: I said that to Joe all right, yo, every this record. 66 00:02:47,639 --> 00:02:48,880 Speaker 1: It was just it was just like that. I was 67 00:02:48,880 --> 00:02:51,600 Speaker 1: saying there, like this mother effort is really now. I 68 00:02:51,639 --> 00:02:54,320 Speaker 1: love the song that you did for Envy. From the 69 00:02:54,320 --> 00:02:56,799 Speaker 1: first time I heard now, I was gonna say, was 70 00:02:56,840 --> 00:02:59,119 Speaker 1: it just him sending you that one or was it 71 00:02:59,200 --> 00:03:01,440 Speaker 1: I caught Envy personally said this is your record. By 72 00:03:01,440 --> 00:03:03,120 Speaker 1: the way, I don't do I don't do records and 73 00:03:03,240 --> 00:03:06,600 Speaker 1: um throwaways. I never do records like I don't shop music. 74 00:03:06,919 --> 00:03:09,240 Speaker 1: I don't you know, a lot of people produces, and 75 00:03:09,240 --> 00:03:10,919 Speaker 1: this is lesson to a lot of guys. You'll make 76 00:03:11,160 --> 00:03:13,520 Speaker 1: if you you'll keep yourself a way more exclusive, if 77 00:03:13,560 --> 00:03:15,760 Speaker 1: you don't send everybody the same record. I would never 78 00:03:15,800 --> 00:03:17,600 Speaker 1: insult Envy like that and send him a record and 79 00:03:17,639 --> 00:03:19,679 Speaker 1: then he go play for somebody and they're like, oh yeah, 80 00:03:19,680 --> 00:03:21,280 Speaker 1: he said that. He said that to me. I got 81 00:03:21,320 --> 00:03:23,560 Speaker 1: that in mind, Embo. So what I do is, I'll 82 00:03:23,600 --> 00:03:25,200 Speaker 1: be in a studio and I'll be selective. I don't 83 00:03:25,200 --> 00:03:27,680 Speaker 1: even I'll do twenty songs and within a few weeks 84 00:03:27,800 --> 00:03:29,600 Speaker 1: and I won't shop any of them, and it'll be 85 00:03:29,639 --> 00:03:31,280 Speaker 1: months ago by nobody has ever heard them. But when 86 00:03:31,280 --> 00:03:33,079 Speaker 1: I get in a studio with somebody and I'm just like, 87 00:03:33,440 --> 00:03:35,440 Speaker 1: you know, I think this will work for you. You know, 88 00:03:35,440 --> 00:03:37,840 Speaker 1: I mean, I believe in collecting catalog and collecting music 89 00:03:37,840 --> 00:03:40,520 Speaker 1: and not whoring yourself out because that way you become 90 00:03:40,520 --> 00:03:42,880 Speaker 1: more exclusive, and then you'll end up with way more 91 00:03:42,880 --> 00:03:45,200 Speaker 1: songs on other artists because you feel they'll feel like 92 00:03:45,600 --> 00:03:47,720 Speaker 1: they feel special, like this record was created for me 93 00:03:47,800 --> 00:03:49,600 Speaker 1: or with me and mine. There's only one wack part 94 00:03:49,600 --> 00:03:51,120 Speaker 1: about the Evy record, and that's the part where it 95 00:03:51,120 --> 00:03:58,920 Speaker 1: says DJ Envy in the beginning. That's like a classic 96 00:03:59,000 --> 00:04:04,800 Speaker 1: I G I love it's about reco to. It is 97 00:04:05,520 --> 00:04:07,880 Speaker 1: you don't really stress artists, and I you know I 98 00:04:07,920 --> 00:04:09,640 Speaker 1: have that problem because I can't stress an artists. I 99 00:04:09,680 --> 00:04:11,680 Speaker 1: can't call an artists a million times. But you have 100 00:04:11,800 --> 00:04:13,839 Speaker 1: that same thing. Why is that with you? Because you'd 101 00:04:13,880 --> 00:04:15,760 Speaker 1: be like, hey, look, if I ask you one time, 102 00:04:16,560 --> 00:04:18,000 Speaker 1: it's your word. If you don't do by your word 103 00:04:18,040 --> 00:04:20,600 Speaker 1: or store with you anymore ever. And I don't mean 104 00:04:20,640 --> 00:04:21,880 Speaker 1: I got a problem with you when I see you 105 00:04:21,880 --> 00:04:23,799 Speaker 1: as love, but it's just on a on a business 106 00:04:24,400 --> 00:04:26,960 Speaker 1: I'm never gonna actually do anything for me. Ever. If 107 00:04:27,000 --> 00:04:29,440 Speaker 1: you noticed all of my singles, I never had features. 108 00:04:29,560 --> 00:04:31,800 Speaker 1: I just it took everything in me to get you know, 109 00:04:31,880 --> 00:04:33,920 Speaker 1: ushering with Kalipha on the remix. That's just one of 110 00:04:34,000 --> 00:04:36,600 Speaker 1: my best friends. Because you would produce a songwriter, So 111 00:04:36,600 --> 00:04:39,320 Speaker 1: why couldn't return the favor? You would think, Bro, you 112 00:04:39,360 --> 00:04:41,320 Speaker 1: got people who won't even tweet for you. Bro, you 113 00:04:41,400 --> 00:04:43,039 Speaker 1: got people who and I don't ask, you know, I 114 00:04:43,080 --> 00:04:44,440 Speaker 1: just I just know if I if I give you 115 00:04:44,480 --> 00:04:46,080 Speaker 1: the number one record number in the studio with you 116 00:04:46,120 --> 00:04:48,960 Speaker 1: and we made millions together, you would think I got 117 00:04:48,960 --> 00:04:51,200 Speaker 1: an album coming out and these guys will call you 118 00:04:51,279 --> 00:04:53,400 Speaker 1: and be like, congratulations on the album. But put that 119 00:04:53,440 --> 00:04:58,200 Speaker 1: on Instagram and something get my followers up. Did you 120 00:04:58,240 --> 00:04:59,800 Speaker 1: know what with Kalipha was gonna talk about on the 121 00:05:00,200 --> 00:05:01,880 Speaker 1: for somebody else? I have an idea, you know, And 122 00:05:02,120 --> 00:05:03,760 Speaker 1: that was the reason I called him. And that's just 123 00:05:03,800 --> 00:05:04,800 Speaker 1: to be honest, you know. I mean a lot of 124 00:05:04,800 --> 00:05:06,359 Speaker 1: people try to make it saying like, no, I didn't 125 00:05:06,360 --> 00:05:07,880 Speaker 1: call you just because of what you're going through. No, 126 00:05:08,000 --> 00:05:10,080 Speaker 1: that's the time to call you. When people when we 127 00:05:10,160 --> 00:05:12,680 Speaker 1: when we make records about getting money, nobody has a 128 00:05:12,680 --> 00:05:15,040 Speaker 1: problem with saying, oh, well, you can relate to get money. 129 00:05:15,160 --> 00:05:17,800 Speaker 1: I just know you went through some serious heartbreak. This 130 00:05:17,960 --> 00:05:20,880 Speaker 1: song is about heartbreak, talk about it? Why not? Because 131 00:05:20,920 --> 00:05:23,039 Speaker 1: men are so comfortable talking about we get money and 132 00:05:23,040 --> 00:05:24,440 Speaker 1: we win in and this this and then and pop 133 00:05:24,480 --> 00:05:26,960 Speaker 1: that and shake that. But we don't express pain. We 134 00:05:27,000 --> 00:05:31,080 Speaker 1: don't express fear, we don't express remorse because we feel 135 00:05:31,120 --> 00:05:33,680 Speaker 1: like that's weak. But I always tell people honesty is 136 00:05:33,680 --> 00:05:36,080 Speaker 1: the most strong thing a man could be. When you're 137 00:05:36,080 --> 00:05:38,280 Speaker 1: honest about who you are, you know, how could you 138 00:05:38,279 --> 00:05:39,920 Speaker 1: sleep at night when you tell the truth? You know 139 00:05:39,920 --> 00:05:42,320 Speaker 1: what I mean, You're like, it's like a weight off you. 140 00:05:42,320 --> 00:05:44,680 Speaker 1: You felt like you got that off. So um, I 141 00:05:44,760 --> 00:05:46,760 Speaker 1: just feel like it was meant for him to get 142 00:05:46,760 --> 00:05:49,320 Speaker 1: on that record. You do have songs about heartbreak and remorse. 143 00:05:49,360 --> 00:05:52,320 Speaker 1: Do you ever cry when you're writing any songs? Never? Never? 144 00:05:52,400 --> 00:05:54,719 Speaker 1: But um, you know I don't. I'm not against cry. 145 00:05:54,760 --> 00:05:57,039 Speaker 1: I just know I haven't cried in like a long time. 146 00:05:57,120 --> 00:06:00,240 Speaker 1: But I'm not against anybody that cries a baby the 147 00:06:00,240 --> 00:06:02,680 Speaker 1: baby's born. No, I haven't cried yet. See what even 148 00:06:02,680 --> 00:06:05,000 Speaker 1: when my son. When my son was born, I think 149 00:06:05,040 --> 00:06:07,479 Speaker 1: I cried when he was like three months because I 150 00:06:07,560 --> 00:06:09,040 Speaker 1: just stare at him when he's sleeping and he just 151 00:06:09,080 --> 00:06:12,520 Speaker 1: kind of get emotional or like, um, little things they 152 00:06:12,520 --> 00:06:16,080 Speaker 1: do when they call you and be like, you know, daddy, 153 00:06:16,160 --> 00:06:18,719 Speaker 1: when are you gonna Why does mommy have a different 154 00:06:18,800 --> 00:06:22,720 Speaker 1: last name than us? You know you're like that. That's 155 00:06:22,839 --> 00:06:26,680 Speaker 1: made me get married. Yeah, those type of things. You'll 156 00:06:26,720 --> 00:06:30,880 Speaker 1: be like, oh man, the only thing that was one 157 00:06:30,920 --> 00:06:34,479 Speaker 1: of the main one you just thought about that like old, 158 00:06:35,800 --> 00:06:38,080 Speaker 1: that was one of the main ones. Like that hurt feeling, 159 00:06:38,200 --> 00:06:41,440 Speaker 1: like because you have got no answer for all you 160 00:06:41,480 --> 00:06:44,200 Speaker 1: ladies out there if you want to figure out, here's 161 00:06:44,200 --> 00:06:49,599 Speaker 1: the script to tell your kids. Now. I want to 162 00:06:49,600 --> 00:06:51,400 Speaker 1: go back to you with these artists, because I find 163 00:06:51,440 --> 00:06:53,960 Speaker 1: it very disrespectful that none of these guys would show 164 00:06:54,000 --> 00:06:55,760 Speaker 1: you the same respect. I'm sure that he didn't say 165 00:06:55,760 --> 00:06:58,000 Speaker 1: none of them. I mean some of them do. But 166 00:06:58,040 --> 00:07:00,400 Speaker 1: what it is is like this, right, Um, You'll see 167 00:07:00,400 --> 00:07:03,920 Speaker 1: people out and you're like, um, one thing I gotta 168 00:07:04,000 --> 00:07:05,520 Speaker 1: this is rand I got to say shout out to 169 00:07:05,560 --> 00:07:07,760 Speaker 1: DJ Kali because he's the best at this, the best 170 00:07:07,760 --> 00:07:10,480 Speaker 1: at Fat Joe and DJ Kalt I think called in 171 00:07:10,520 --> 00:07:12,120 Speaker 1: all respect and I think he would admit this he 172 00:07:12,160 --> 00:07:14,520 Speaker 1: learned it from from Fat Joe, who was the president 173 00:07:14,600 --> 00:07:17,560 Speaker 1: of YO. Run down on Homeboy and make sure you're 174 00:07:17,640 --> 00:07:20,000 Speaker 1: on the record, because I remember and Fat Joe at 175 00:07:20,000 --> 00:07:21,920 Speaker 1: one point was like one of my closest friends in 176 00:07:21,960 --> 00:07:26,000 Speaker 1: the whole entire world, right, So Machow and this me 177 00:07:26,080 --> 00:07:28,360 Speaker 1: and Joe were really close at the time, really really closer. 178 00:07:28,400 --> 00:07:31,160 Speaker 1: And Macha was sitting in the studio like like DEEPO 179 00:07:31,240 --> 00:07:32,720 Speaker 1: waiting for me to do the verse. I'm like, bo, 180 00:07:33,440 --> 00:07:35,600 Speaker 1: I'm gonna do it, and my show would be like, yeah, 181 00:07:35,600 --> 00:07:37,680 Speaker 1: I'm gonna wait for you. And that's the type of 182 00:07:37,720 --> 00:07:40,960 Speaker 1: thing and you gotta respect that because their mentality is 183 00:07:41,280 --> 00:07:43,239 Speaker 1: get it done. I don't care how it makes you feel. 184 00:07:43,280 --> 00:07:45,800 Speaker 1: I don't care how uncomfortable it is or how for me. 185 00:07:45,880 --> 00:07:50,320 Speaker 1: I just my pride ego. It's not because I feel 186 00:07:50,360 --> 00:07:51,840 Speaker 1: like I feel like if I ask you to do 187 00:07:51,960 --> 00:07:54,560 Speaker 1: something for me. And and by the way, I want 188 00:07:54,600 --> 00:07:56,760 Speaker 1: you to understand how this game is set up a 189 00:07:56,760 --> 00:07:58,600 Speaker 1: lot of time where producers and writers when I charge 190 00:07:58,600 --> 00:08:01,400 Speaker 1: a flat rate of fifty thousand for a track and 191 00:08:01,400 --> 00:08:03,800 Speaker 1: then I do a record for whatever person, and they're 192 00:08:03,800 --> 00:08:05,880 Speaker 1: telling me, well, since we get in two records, can 193 00:08:05,880 --> 00:08:08,280 Speaker 1: we get them you know, two for sixty can we 194 00:08:08,280 --> 00:08:09,840 Speaker 1: get two? Can we work this deal out and do 195 00:08:09,880 --> 00:08:11,960 Speaker 1: this whatever? And you're like, man, of course, because to me, 196 00:08:12,000 --> 00:08:13,600 Speaker 1: it ain't about that. It's really about to get in 197 00:08:13,640 --> 00:08:15,280 Speaker 1: the music out. And that's why I've been able to have, 198 00:08:15,640 --> 00:08:17,880 Speaker 1: you know, a certain amount of records out at one time, 199 00:08:17,880 --> 00:08:20,240 Speaker 1: because I always was working deals with people. So I 200 00:08:20,240 --> 00:08:22,480 Speaker 1: feel like, if I work to deal for you, it's 201 00:08:22,520 --> 00:08:24,680 Speaker 1: an unwritten rule like we have when I come back 202 00:08:24,720 --> 00:08:27,600 Speaker 1: around it's love and it's love and I'm not asking anybody. 203 00:08:27,600 --> 00:08:29,280 Speaker 1: I don't even ask people to get on my records 204 00:08:29,760 --> 00:08:32,000 Speaker 1: because I believe it's impossible for an artist to get 205 00:08:32,160 --> 00:08:34,200 Speaker 1: other artists, other people in the world to get to 206 00:08:34,240 --> 00:08:36,200 Speaker 1: know them if they surrounding themselves with people they are 207 00:08:36,200 --> 00:08:39,839 Speaker 1: already familiar with it already. It bugs me out when 208 00:08:39,840 --> 00:08:41,800 Speaker 1: an artist has like, only got one verse on their record. 209 00:08:41,880 --> 00:08:43,640 Speaker 1: They got somebody featured on the hook and then another 210 00:08:43,640 --> 00:08:47,880 Speaker 1: person rapping. Bro, you got one verse on your own single? 211 00:08:48,080 --> 00:08:49,960 Speaker 1: How do you expect people to know you? Even if 212 00:08:50,000 --> 00:08:53,240 Speaker 1: your record does super well, You do shows everywhere. Why 213 00:08:53,280 --> 00:08:55,120 Speaker 1: would I buy your record when I really don't truly 214 00:08:55,120 --> 00:08:57,160 Speaker 1: identify with who you are? And that goes in content 215 00:08:57,200 --> 00:08:59,719 Speaker 1: as well. But with me, I'll say this, I did 216 00:08:59,800 --> 00:09:01,319 Speaker 1: that for you, and that should be a solid And 217 00:09:01,360 --> 00:09:03,120 Speaker 1: then later I should come back and say and I 218 00:09:03,160 --> 00:09:06,320 Speaker 1: have simple things and he knows me, I'll say, you'll 219 00:09:06,360 --> 00:09:09,760 Speaker 1: post this for me on your joint. You know, okay, 220 00:09:09,800 --> 00:09:13,000 Speaker 1: I got you nothing. Then my company, everybody's calling me, 221 00:09:13,040 --> 00:09:15,160 Speaker 1: everybody works for me is telling me bro calling back. 222 00:09:15,320 --> 00:09:18,560 Speaker 1: I'm not calling no grown man back about it right now? 223 00:09:19,080 --> 00:09:24,080 Speaker 1: The same thing I think I like the way call 224 00:09:24,200 --> 00:09:25,680 Speaker 1: them do things. Sometimes you gotta let me tell you, 225 00:09:25,720 --> 00:09:27,080 Speaker 1: let me tell you, let me tell you, and let 226 00:09:27,120 --> 00:09:28,959 Speaker 1: me tell you. The follow through is one thing. But 227 00:09:29,000 --> 00:09:30,600 Speaker 1: then when you see me out again, I'm gonna tell 228 00:09:30,600 --> 00:09:32,440 Speaker 1: you something. If I'm make a mistake and forget something. 229 00:09:32,559 --> 00:09:34,480 Speaker 1: As soon as I see you, I'm like, I forgot 230 00:09:34,480 --> 00:09:36,880 Speaker 1: to do that, let me do it right now. Like 231 00:09:36,960 --> 00:09:38,520 Speaker 1: since I just saw you, let me knock that out 232 00:09:38,559 --> 00:09:41,400 Speaker 1: for you right now. But you know, and and again, 233 00:09:41,720 --> 00:09:44,160 Speaker 1: I don't want anybody this is all, you know, fun. 234 00:09:44,200 --> 00:09:46,200 Speaker 1: I don't want anybody think I'm looking at these guys 235 00:09:46,200 --> 00:09:48,000 Speaker 1: like f them. But at the end of the day, 236 00:09:48,120 --> 00:09:50,160 Speaker 1: I just know I'm not gonna put myself in a 237 00:09:50,240 --> 00:09:53,760 Speaker 1: position where I gotta keep asking you for something, and 238 00:09:54,120 --> 00:09:57,000 Speaker 1: like I said, called and um Joe, they like, they 239 00:09:57,000 --> 00:09:58,720 Speaker 1: don't care, They like, we need to get this done. 240 00:09:58,800 --> 00:10:01,280 Speaker 1: And then you look at how it benefits the artists 241 00:10:01,320 --> 00:10:03,800 Speaker 1: usually that they do the stuff for. Think about if 242 00:10:03,840 --> 00:10:06,559 Speaker 1: anybody whom Kali has done a record with or put 243 00:10:06,640 --> 00:10:09,520 Speaker 1: on his record, it really it benefits both benefits Kalid 244 00:10:09,720 --> 00:10:11,680 Speaker 1: and it benefits the artists. You got a free marketing 245 00:10:12,000 --> 00:10:15,440 Speaker 1: opportunity for him to market your record and work. And 246 00:10:15,440 --> 00:10:19,280 Speaker 1: now when you see, I'm sure, but he leans, he said, 247 00:10:19,280 --> 00:10:21,280 Speaker 1: he said, the newer artists are actually a lot harder 248 00:10:21,280 --> 00:10:25,040 Speaker 1: for him to get than the more established. Really, but 249 00:10:25,120 --> 00:10:27,080 Speaker 1: he keeps going and he but guess what, I bet 250 00:10:27,120 --> 00:10:29,160 Speaker 1: you they're gonna do it. I bet you you're gonna 251 00:10:29,160 --> 00:10:30,719 Speaker 1: sit there in the studio and make sure they do it. 252 00:10:30,720 --> 00:10:32,360 Speaker 1: I bet he's gonna call him every time. If Kali 253 00:10:32,440 --> 00:10:34,680 Speaker 1: got to go a hold everybody, I need all my 254 00:10:34,720 --> 00:10:36,760 Speaker 1: followers to tweet blah blah blah and let him know 255 00:10:36,800 --> 00:10:39,720 Speaker 1: he don't care. Like a different code with these newer artists, 256 00:10:39,720 --> 00:10:41,880 Speaker 1: Like they don't have the same kind of way that 257 00:10:41,920 --> 00:10:43,720 Speaker 1: they were. Oh, let me tell you something, these new 258 00:10:43,800 --> 00:10:45,680 Speaker 1: artists got it all figured out too. By the way 259 00:10:45,840 --> 00:10:48,160 Speaker 1: they think they know everything. Can nobody tell them none? 260 00:10:48,160 --> 00:10:50,200 Speaker 1: Can nobody tell them what what's right or what's wrong? 261 00:10:50,360 --> 00:10:52,960 Speaker 1: And they never had extreme success. The best part about 262 00:10:53,000 --> 00:10:55,200 Speaker 1: my career was I started off with Usher, So I 263 00:10:55,200 --> 00:10:58,000 Speaker 1: start off for Usher. During confessions, you understand when when 264 00:10:58,080 --> 00:11:00,200 Speaker 1: Usher was shut down malls, like when he was shut 265 00:11:00,240 --> 00:11:02,960 Speaker 1: down whole blocks and streets, it was ridiculous, and we'd 266 00:11:03,000 --> 00:11:06,239 Speaker 1: be in Paris somewhere and it'd be like whole everything. 267 00:11:06,440 --> 00:11:08,400 Speaker 1: Then you go be just in Detroit and the same 268 00:11:08,440 --> 00:11:11,360 Speaker 1: thing that happened. So these artists, they'll get a little 269 00:11:11,400 --> 00:11:13,520 Speaker 1: bit of attention and they have a semi hit you 270 00:11:13,520 --> 00:11:16,840 Speaker 1: know what I mean and exactly, and then they'll be like, 271 00:11:17,440 --> 00:11:19,720 Speaker 1: can nobody tell me nothing about a record? About music? 272 00:11:19,720 --> 00:11:21,520 Speaker 1: And then you look at your discography and you'd be like, 273 00:11:22,040 --> 00:11:24,200 Speaker 1: I probably could though you know I probably could tell 274 00:11:24,200 --> 00:11:26,439 Speaker 1: you something because I've consistently been able to do it. 275 00:11:26,559 --> 00:11:28,680 Speaker 1: But you just let these people in time or run 276 00:11:28,679 --> 00:11:30,160 Speaker 1: this course and you see what happens. How does that 277 00:11:30,240 --> 00:11:32,079 Speaker 1: work with the artists that are signed to you? Because 278 00:11:32,120 --> 00:11:34,719 Speaker 1: I know you know obviously you and Tierra Thomas are 279 00:11:34,760 --> 00:11:37,160 Speaker 1: not working together anymore, and you had different ideas on 280 00:11:37,200 --> 00:11:39,240 Speaker 1: where her career should go. Was it a problem where 281 00:11:39,720 --> 00:11:42,680 Speaker 1: she kind of felt like she knew and you know 282 00:11:42,760 --> 00:11:45,680 Speaker 1: she wasn't know. What it is is that, um, First 283 00:11:45,679 --> 00:11:47,319 Speaker 1: of all, she one of the most talented people I've 284 00:11:47,320 --> 00:11:49,240 Speaker 1: ever met in my life, and that's saying a lot. 285 00:11:50,000 --> 00:11:52,560 Speaker 1: One of the most talented writers, really brilliant. But what 286 00:11:52,679 --> 00:11:54,959 Speaker 1: happened was when I signed that she was writing a 287 00:11:54,960 --> 00:11:57,280 Speaker 1: certain type of songs and I signed on it's like 288 00:11:57,559 --> 00:11:59,560 Speaker 1: if I married you because I thought you were this way, 289 00:12:00,000 --> 00:12:01,839 Speaker 1: and then as soon as we got married, things changed. 290 00:12:01,840 --> 00:12:04,600 Speaker 1: I think when um, I think, um, it's safe to 291 00:12:04,600 --> 00:12:06,440 Speaker 1: say everybody knows about the whole situation she was going 292 00:12:06,480 --> 00:12:08,280 Speaker 1: through with the wile and everything. I think it put 293 00:12:08,280 --> 00:12:11,040 Speaker 1: her in a real dark space. Imagine you a sweet girl, 294 00:12:11,520 --> 00:12:14,040 Speaker 1: you know from Indianapolis, and you you get on Twitter 295 00:12:14,080 --> 00:12:15,520 Speaker 1: and every day you get on Instagram and Twitter and 296 00:12:15,559 --> 00:12:18,360 Speaker 1: people are like calling you names and bashing you and 297 00:12:18,360 --> 00:12:19,959 Speaker 1: they don't even know the details or anything. And he's 298 00:12:20,120 --> 00:12:22,080 Speaker 1: going crazy. And now this is not me, a guy 299 00:12:22,120 --> 00:12:24,080 Speaker 1: who's been in the game twelve years and seeing everything. 300 00:12:24,080 --> 00:12:26,080 Speaker 1: I can handle that stuff, you know, But a girl 301 00:12:26,120 --> 00:12:29,160 Speaker 1: who's like, I can't believe I didn't bother nobody. I 302 00:12:29,160 --> 00:12:31,040 Speaker 1: really didn't do anything wrong, and these people are really 303 00:12:31,080 --> 00:12:33,760 Speaker 1: coming at me crazy enough every single day. I think 304 00:12:33,760 --> 00:12:35,400 Speaker 1: it put her in a dark space over her writing 305 00:12:35,480 --> 00:12:38,600 Speaker 1: is concerned and when she wrote songs like gang Signs 306 00:12:38,600 --> 00:12:41,280 Speaker 1: and popular are in Bad when I signed her. So 307 00:12:41,320 --> 00:12:43,480 Speaker 1: then later she started writing different type of records that 308 00:12:43,520 --> 00:12:46,880 Speaker 1: I didn't think were um superstar calible records for her. 309 00:12:46,920 --> 00:12:49,640 Speaker 1: I think she was bigger than the songs she was writing. 310 00:12:49,640 --> 00:12:52,000 Speaker 1: And it's a girl who's super talents could write anything. 311 00:12:52,080 --> 00:12:53,599 Speaker 1: And that's just my opinion of it. So this is 312 00:12:53,600 --> 00:12:56,079 Speaker 1: I don't I don't want anybody to take this as 313 00:12:56,120 --> 00:12:57,560 Speaker 1: meet this and them, because I could never do that. 314 00:12:57,559 --> 00:12:59,400 Speaker 1: I would never. I came on this same show and 315 00:12:59,480 --> 00:13:01,400 Speaker 1: fought in the offended her. So if I can't win 316 00:13:01,440 --> 00:13:04,319 Speaker 1: the show and try to dis how crazy would that 317 00:13:04,360 --> 00:13:07,280 Speaker 1: make me? No? No, no no, no no no, I said 318 00:13:07,280 --> 00:13:09,160 Speaker 1: that she. I think they put her in a dark 319 00:13:09,200 --> 00:13:12,040 Speaker 1: space because you were her biggest champion. You were debuting 320 00:13:12,240 --> 00:13:13,439 Speaker 1: news sounds. You're like, I want to make sure we 321 00:13:13,559 --> 00:13:15,719 Speaker 1: debut her anytime. I was like, I was fighting with 322 00:13:15,800 --> 00:13:17,600 Speaker 1: the company. I need her on to remix. They didn't 323 00:13:17,600 --> 00:13:19,400 Speaker 1: want her hund remix but they don't know. And I'm 324 00:13:19,440 --> 00:13:21,719 Speaker 1: just like, this is my biggest, biggest record, number two 325 00:13:21,720 --> 00:13:23,839 Speaker 1: in the country. I'm not gonna put my artists on it. 326 00:13:24,080 --> 00:13:26,040 Speaker 1: These are type of things that I was going in 327 00:13:26,200 --> 00:13:28,720 Speaker 1: for spending. We we spent you know, a lot of money, 328 00:13:28,880 --> 00:13:30,800 Speaker 1: you know, on her and on a roll out without 329 00:13:30,800 --> 00:13:33,080 Speaker 1: even putting having a chance to really put out a record. 330 00:13:33,280 --> 00:13:35,920 Speaker 1: But um, I think that our visions changed. The one 331 00:13:35,960 --> 00:13:37,400 Speaker 1: thing about me is I know how it feels to 332 00:13:37,480 --> 00:13:39,280 Speaker 1: be an artist, and I know how it feels to 333 00:13:39,320 --> 00:13:40,800 Speaker 1: be pressured. And I said, you know what, I never 334 00:13:40,840 --> 00:13:43,199 Speaker 1: want to be in a situation where I'm forcing you 335 00:13:43,240 --> 00:13:45,079 Speaker 1: to do nothing and we don't like each other. So 336 00:13:45,240 --> 00:13:47,520 Speaker 1: instead of me saying you don't want to do what 337 00:13:47,600 --> 00:13:50,000 Speaker 1: I do, shelfer until she get her mind right, and 338 00:13:50,040 --> 00:13:52,360 Speaker 1: then I'm owing you father, no, let you go free. 339 00:13:53,920 --> 00:13:55,079 Speaker 1: You know what I mean, because I don't want to 340 00:13:55,120 --> 00:13:56,959 Speaker 1: be in that situation. Even though people around me was like, 341 00:13:57,200 --> 00:13:58,480 Speaker 1: you need to get this, you need to do this, 342 00:13:58,720 --> 00:14:00,560 Speaker 1: I'm like, but but I don't have I'm not mad 343 00:14:00,600 --> 00:14:02,439 Speaker 1: at I just don't agree with what she's going to 344 00:14:02,480 --> 00:14:03,760 Speaker 1: She don't agree with what I want her to go. 345 00:14:04,120 --> 00:14:06,400 Speaker 1: But you know is that what she wanted though, or 346 00:14:06,480 --> 00:14:08,880 Speaker 1: did she want to try to still come out but 347 00:14:09,000 --> 00:14:10,400 Speaker 1: still have it her way, or did she want to 348 00:14:10,440 --> 00:14:13,480 Speaker 1: just not be signed anymore. I don't know. I didn't 349 00:14:13,480 --> 00:14:15,079 Speaker 1: even I'm gonna be honest with you. I hadn't to 350 00:14:15,240 --> 00:14:18,040 Speaker 1: be totally honest. I didn't have a conversation with her. 351 00:14:18,360 --> 00:14:21,240 Speaker 1: I just told you know, I just said, I asked 352 00:14:21,280 --> 00:14:23,160 Speaker 1: in the scope, you know, I said, I don't. I 353 00:14:23,160 --> 00:14:25,960 Speaker 1: don't think it's gonna work out what y'all like to 354 00:14:26,160 --> 00:14:27,920 Speaker 1: keep it? Because I don't even want to try to 355 00:14:28,000 --> 00:14:29,840 Speaker 1: box her out. I didn't want to say, well, I'm 356 00:14:29,920 --> 00:14:31,680 Speaker 1: dropping in, y'all, can I said, what y'all like to 357 00:14:31,720 --> 00:14:33,440 Speaker 1: keep it and go straight through in the scope and 358 00:14:33,520 --> 00:14:36,080 Speaker 1: they said no, And I said, cool, Well, then give 359 00:14:36,080 --> 00:14:37,800 Speaker 1: her release. Let her do a thing. If she feels 360 00:14:37,800 --> 00:14:39,680 Speaker 1: like she knows her in her management feel like they know, 361 00:14:40,200 --> 00:14:41,440 Speaker 1: let's do that. Because I don't want to be in 362 00:14:41,480 --> 00:14:43,520 Speaker 1: a situation where I'm holding anybody down and making them 363 00:14:43,560 --> 00:14:47,400 Speaker 1: feel away. You know, do your thing. But what I do, 364 00:14:47,520 --> 00:14:49,040 Speaker 1: what I do is and I'm gonna be And that 365 00:14:49,120 --> 00:14:51,680 Speaker 1: probably makes me the worst because I've had artists before 366 00:14:51,680 --> 00:14:53,960 Speaker 1: and they all no artists ever can walk around and 367 00:14:54,080 --> 00:14:57,160 Speaker 1: say Rico Love did me wrong or Rico did anything. 368 00:14:57,200 --> 00:14:58,920 Speaker 1: If you look at how close me and young Chris saw, 369 00:14:59,480 --> 00:15:01,560 Speaker 1: you know what I mean. I took care of young Chris. Bro, 370 00:15:02,000 --> 00:15:03,280 Speaker 1: you know what I mean. I got young Chris. I 371 00:15:03,360 --> 00:15:07,120 Speaker 1: got young Chris an apartment in Miami, and young Chris 372 00:15:07,240 --> 00:15:11,520 Speaker 1: did not come to the apartment one time, one time, 373 00:15:11,640 --> 00:15:13,120 Speaker 1: you know, And that's my brother. We could share those 374 00:15:13,160 --> 00:15:16,640 Speaker 1: types of but because I think what happens is you 375 00:15:16,760 --> 00:15:18,840 Speaker 1: surround yourself with people, you know what I mean, who 376 00:15:19,280 --> 00:15:21,560 Speaker 1: I think at that time, he can admit who was 377 00:15:21,640 --> 00:15:23,920 Speaker 1: in his ear saying, oh, you know you need to 378 00:15:23,960 --> 00:15:25,200 Speaker 1: be doing this, you need to be on this, and 379 00:15:25,280 --> 00:15:26,920 Speaker 1: we you know, he need to be a Philly you 380 00:15:27,000 --> 00:15:28,360 Speaker 1: need to do this and a lot of time home. 381 00:15:28,400 --> 00:15:30,080 Speaker 1: Who wants you to stay home because they feel like 382 00:15:30,160 --> 00:15:32,840 Speaker 1: that's how um, that's what keeps you authentic. But I 383 00:15:33,000 --> 00:15:35,240 Speaker 1: was like, bro, come down here. Think about this. When 384 00:15:35,240 --> 00:15:40,280 Speaker 1: I wrote Motivation, Kelly, it was it was laid out, 385 00:15:40,320 --> 00:15:41,840 Speaker 1: it was laid up, it was a it was a partm. 386 00:15:41,880 --> 00:15:43,640 Speaker 1: I rented this dope apartment on the beach, like right 387 00:15:43,680 --> 00:15:45,320 Speaker 1: down the street from where I was living at the time. 388 00:15:45,400 --> 00:15:47,000 Speaker 1: It was laid out, but and he never went to 389 00:15:47,040 --> 00:15:49,520 Speaker 1: it one time, not one time, and it's and it 390 00:15:49,640 --> 00:15:51,280 Speaker 1: was crazy. And he'll even admit to you he was. 391 00:15:51,440 --> 00:15:53,440 Speaker 1: He was like, I was bugging. I had people in 392 00:15:53,560 --> 00:15:55,440 Speaker 1: my you know, in my around me that was telling 393 00:15:55,480 --> 00:15:56,840 Speaker 1: me certain things. And I'm gonna tell you a crazy 394 00:15:56,880 --> 00:16:00,440 Speaker 1: story about position positioning yourself where the things happened. I 395 00:16:00,560 --> 00:16:04,360 Speaker 1: wrote a motivation for Kelly Rolling and as soon as 396 00:16:04,400 --> 00:16:07,520 Speaker 1: we finished it, Kelly said, where's young Chris. He should 397 00:16:07,560 --> 00:16:11,440 Speaker 1: rap on this? No, she said it like playfully serious. 398 00:16:11,880 --> 00:16:13,680 Speaker 1: She said it like you know, who knows if she 399 00:16:13,800 --> 00:16:15,760 Speaker 1: was even serious or if she even would have followed through, 400 00:16:15,920 --> 00:16:17,560 Speaker 1: But she just said it in passing like real cool, 401 00:16:17,640 --> 00:16:20,440 Speaker 1: like young Christian rap on this. That's your artist, right, 402 00:16:23,120 --> 00:16:24,840 Speaker 1: you could have been. It would have end up right 403 00:16:24,880 --> 00:16:28,440 Speaker 1: being Wayne because they would have lad let's get you 404 00:16:28,480 --> 00:16:29,920 Speaker 1: know how that is. But at the end of the day, 405 00:16:30,520 --> 00:16:33,280 Speaker 1: I told him that he was fun. It's always the opportunity, 406 00:16:33,360 --> 00:16:35,760 Speaker 1: always be around and always be available, you know what 407 00:16:35,800 --> 00:16:38,880 Speaker 1: I mean. I always made myself accessible to the opportunity 408 00:16:39,160 --> 00:16:40,840 Speaker 1: in the beginning of my career and still even now 409 00:16:41,000 --> 00:16:42,760 Speaker 1: if somebody calls me right now with the opportunity. I'm 410 00:16:42,840 --> 00:16:44,400 Speaker 1: jumping on the flight, you know what I mean. I'm 411 00:16:44,440 --> 00:16:46,520 Speaker 1: doing things that a lot of people at my level 412 00:16:46,520 --> 00:16:48,880 Speaker 1: wouldn't be humble enough to do because I just believe 413 00:16:48,960 --> 00:16:51,320 Speaker 1: in winning, and I believe that I haven't made it yet. 414 00:16:51,800 --> 00:16:52,880 Speaker 1: A lot of people look at me and be like, 415 00:16:52,920 --> 00:16:54,760 Speaker 1: oh you do, I haven't made it yet because when 416 00:16:54,760 --> 00:16:56,840 Speaker 1: I when I hang around, I live in the neighborhood 417 00:16:56,840 --> 00:17:00,120 Speaker 1: full of billionaires on purpose because I want to be 418 00:17:00,160 --> 00:17:02,200 Speaker 1: the poorest person in my neighborhood, because I need to 419 00:17:02,280 --> 00:17:05,200 Speaker 1: feel like it's no I'm not. I haven't hit the 420 00:17:05,240 --> 00:17:07,280 Speaker 1: ceiling yet. It's so far from me. And I think 421 00:17:07,320 --> 00:17:09,159 Speaker 1: so many people feel like they made it and they 422 00:17:09,240 --> 00:17:11,200 Speaker 1: have not arrived. I'm here to tell you you have 423 00:17:11,359 --> 00:17:14,080 Speaker 1: not arrived yet because I haven't, and a lot of 424 00:17:14,119 --> 00:17:16,919 Speaker 1: people who are above me feel like they haven't. When 425 00:17:16,960 --> 00:17:18,399 Speaker 1: I was just with Usher the other night and we 426 00:17:18,520 --> 00:17:20,600 Speaker 1: was in the studio just vibing right, and I'm just like, 427 00:17:21,280 --> 00:17:22,840 Speaker 1: he showed me a new house, he just bored in 428 00:17:22,880 --> 00:17:24,639 Speaker 1: the Hollywood Hills just for the you know, I just 429 00:17:24,720 --> 00:17:27,800 Speaker 1: a little little joint our book and I'm like day 430 00:17:28,480 --> 00:17:30,840 Speaker 1: and he don't feel like he's you know, he feels 431 00:17:30,840 --> 00:17:32,520 Speaker 1: like it's still so much for him to do. When 432 00:17:32,560 --> 00:17:34,639 Speaker 1: I'm around Puff and I'm seeing how hard he works, 433 00:17:34,960 --> 00:17:38,320 Speaker 1: I'm like, how can I possibly feel like any opportunity 434 00:17:38,520 --> 00:17:41,720 Speaker 1: is too small for me when I'm looking at guys 435 00:17:41,760 --> 00:17:45,560 Speaker 1: like this who going above and beyond to do whatever. Exactly. 436 00:17:45,640 --> 00:17:47,639 Speaker 1: Know what I'm saying, come on exactly, so you know 437 00:17:47,720 --> 00:17:49,359 Speaker 1: I gotta I gotta grind. So I think it was 438 00:17:49,359 --> 00:17:51,720 Speaker 1: a learning experience for everybody. But I always lived myself 439 00:17:51,760 --> 00:17:54,000 Speaker 1: and always believing an opportunity being there in present. But 440 00:17:54,080 --> 00:17:55,960 Speaker 1: just back to the tie everything I believe in. I 441 00:17:56,040 --> 00:17:57,840 Speaker 1: think she's a superstar. You will never hit me, say 442 00:17:57,840 --> 00:17:59,840 Speaker 1: anything mad about it. Her dad calls me, call me 443 00:17:59,920 --> 00:18:02,040 Speaker 1: the other day. He says, Yo, I'm going to you know, 444 00:18:02,200 --> 00:18:04,040 Speaker 1: out of the country. You know some spots that I 445 00:18:04,160 --> 00:18:05,879 Speaker 1: hang out. Yeah, I got you. Me and her pops 446 00:18:05,920 --> 00:18:08,239 Speaker 1: talk a lot. He's a super cool dude, shout out 447 00:18:08,280 --> 00:18:10,399 Speaker 1: the court. Do you think it reflects bad off you that, 448 00:18:10,560 --> 00:18:12,639 Speaker 1: like none of the artists you signed end up popping 449 00:18:12,680 --> 00:18:16,320 Speaker 1: off the only only I think, Um, yes, yes it does, absolutely, 450 00:18:16,520 --> 00:18:20,000 Speaker 1: and but I'm honest enough to say, um, those things 451 00:18:20,080 --> 00:18:22,159 Speaker 1: didn't work out. But I will also admit. You have 452 00:18:22,240 --> 00:18:25,159 Speaker 1: to admit. Um, I did everything in my power to 453 00:18:25,280 --> 00:18:27,240 Speaker 1: help every artist that it was around me. Every time, 454 00:18:27,920 --> 00:18:29,720 Speaker 1: I think that what I didn't do that I should 455 00:18:29,760 --> 00:18:32,399 Speaker 1: have done was being a little bit more tough on 456 00:18:32,560 --> 00:18:35,000 Speaker 1: him and biddy, like put the fish down a little 457 00:18:35,000 --> 00:18:38,359 Speaker 1: bit more because I just don't. I hate that forcing thing, 458 00:18:38,520 --> 00:18:40,879 Speaker 1: but I should have been like, listen, these are the records. Well, 459 00:18:40,960 --> 00:18:42,920 Speaker 1: it was a song this Tierra had the core popular 460 00:18:43,200 --> 00:18:46,520 Speaker 1: that she hates. It's the first when she performed the 461 00:18:46,560 --> 00:18:48,240 Speaker 1: song for Jimmy Ivin when I first was trying to 462 00:18:48,280 --> 00:18:51,000 Speaker 1: sign her, Jimmy Ivin and John Janet said, this is 463 00:18:51,040 --> 00:18:54,920 Speaker 1: the record. We everything leads up to this record. She 464 00:18:55,160 --> 00:18:57,080 Speaker 1: hated the record after she did it. I guess see 465 00:18:57,119 --> 00:18:59,080 Speaker 1: when she wrote it years ago. But we can't we 466 00:18:59,119 --> 00:19:01,359 Speaker 1: don't know that. We just know that it's a brilliant 467 00:19:01,400 --> 00:19:03,240 Speaker 1: song and it's just a genius lyric and it was 468 00:19:03,280 --> 00:19:06,760 Speaker 1: so clever, and everybody's playing was we're gonna put out 469 00:19:06,920 --> 00:19:08,639 Speaker 1: a warm up and we're gonna put this single up. 470 00:19:09,200 --> 00:19:11,119 Speaker 1: She changed her mind. I think in retrospect, what I 471 00:19:11,160 --> 00:19:13,240 Speaker 1: should have did was saying we're putting this song up 472 00:19:13,359 --> 00:19:15,760 Speaker 1: right on some puff daddy, because that's what he would 473 00:19:15,760 --> 00:19:17,600 Speaker 1: have did. He would have been like because in her 474 00:19:17,640 --> 00:19:19,080 Speaker 1: mind she might have done it so long ago and 475 00:19:19,119 --> 00:19:22,080 Speaker 1: it's so old. But for other people, and then such 476 00:19:22,080 --> 00:19:24,240 Speaker 1: an incredible record, and it's not a record that you 477 00:19:24,280 --> 00:19:25,680 Speaker 1: know a lot of people would say, well, you know, 478 00:19:26,119 --> 00:19:28,040 Speaker 1: I didn't have any bias, so I didn't write this song. 479 00:19:28,520 --> 00:19:30,680 Speaker 1: It was like, I thought it was genius and I 480 00:19:30,760 --> 00:19:33,399 Speaker 1: should have just said, listen, we're putting this record up 481 00:19:33,720 --> 00:19:35,440 Speaker 1: and then let you be mad at me, because I 482 00:19:35,560 --> 00:19:37,920 Speaker 1: looked at the Usher situations. When me and Usher first 483 00:19:37,960 --> 00:19:40,560 Speaker 1: heard Year, me and Usher sitting in the room, I'm 484 00:19:40,680 --> 00:19:42,679 Speaker 1: a nineteen year old kid, and we first herd Year. 485 00:19:42,960 --> 00:19:45,840 Speaker 1: We laughed hysterically. Really, we said, it's the worst song ever. 486 00:19:48,040 --> 00:19:50,200 Speaker 1: Think about this, bro. The first few lines, imagine you 487 00:19:50,280 --> 00:19:52,360 Speaker 1: him Sean Garrett in the high pitch by screaming I'm 488 00:19:52,400 --> 00:19:54,560 Speaker 1: in the club with my homies trying to kick a 489 00:19:54,640 --> 00:19:56,800 Speaker 1: little bi and put it down on a low key. 490 00:19:59,800 --> 00:20:01,560 Speaker 1: That's I was trashed. Bro. We was like looking at 491 00:20:01,560 --> 00:20:03,399 Speaker 1: it like what I was gonna fight? And that was 492 00:20:03,520 --> 00:20:06,880 Speaker 1: I think about this that that yeah, yeah, yeah, I'm 493 00:20:08,400 --> 00:20:12,240 Speaker 1: that line. All the time. We was like and we 494 00:20:12,400 --> 00:20:14,840 Speaker 1: was because we were sitting in the Usher's living room 495 00:20:14,880 --> 00:20:16,879 Speaker 1: and I remember being like a little I was, I 496 00:20:17,000 --> 00:20:19,000 Speaker 1: was I didn't deserve to even speak at the time, 497 00:20:19,280 --> 00:20:21,440 Speaker 1: and I remember him looking at me and he gave 498 00:20:21,480 --> 00:20:23,160 Speaker 1: me a smirk and I just fell on the floor. 499 00:20:23,840 --> 00:20:25,840 Speaker 1: And Mark Pitts and KP was in the room and 500 00:20:25,920 --> 00:20:28,560 Speaker 1: they were like, yeah, tripping, this is a number one record, 501 00:20:28,800 --> 00:20:31,160 Speaker 1: and they tricked Usher, they said, just cut it. We'll 502 00:20:31,160 --> 00:20:32,639 Speaker 1: put it out as a warm up, and you know, 503 00:20:33,480 --> 00:20:35,280 Speaker 1: they put that joint. I went number one right away, 504 00:20:35,520 --> 00:20:37,320 Speaker 1: and even us when he when I saw us again, 505 00:20:37,359 --> 00:20:43,080 Speaker 1: I was like, we was wrong about it because at 506 00:20:43,160 --> 00:20:46,800 Speaker 1: least because because I just admitted that that's work, and 507 00:20:46,880 --> 00:20:49,760 Speaker 1: that's the situations we are in. Sometimes sometimes we think, 508 00:20:49,840 --> 00:20:52,399 Speaker 1: at Usher's level, this is the Confessions album he had 509 00:20:52,400 --> 00:20:54,280 Speaker 1: already had eighty seven or one he had already had 510 00:20:54,400 --> 00:20:56,560 Speaker 1: My Way. So both of them sold seven million each 511 00:20:57,200 --> 00:20:59,640 Speaker 1: and he still was able to admit I was wrong 512 00:20:59,760 --> 00:21:02,159 Speaker 1: or he had an opinion that wasn't correct. And we 513 00:21:02,320 --> 00:21:04,199 Speaker 1: all have those things. So imagine a new artist who 514 00:21:04,240 --> 00:21:07,560 Speaker 1: hasn't had any success and telling you what they're gonna do. 515 00:21:07,920 --> 00:21:10,640 Speaker 1: It's like I should have been like, nah, you're gonna 516 00:21:10,640 --> 00:21:12,520 Speaker 1: have to. We're gonna have to. You know I can. 517 00:21:12,560 --> 00:21:15,720 Speaker 1: I can live with being wrong, and I don't think 518 00:21:15,760 --> 00:21:17,960 Speaker 1: what I what I don't do it I should do? 519 00:21:18,200 --> 00:21:20,879 Speaker 1: Is I care so much and I get so frustrated. 520 00:21:21,160 --> 00:21:22,680 Speaker 1: But I'll just be like, you know what, I ain't 521 00:21:22,680 --> 00:21:24,080 Speaker 1: gonna force you to do it when I should have 522 00:21:24,119 --> 00:21:26,560 Speaker 1: just sometimes let the artists be an artist instead of 523 00:21:26,680 --> 00:21:29,040 Speaker 1: you doing. But but if they knew best they'd be, 524 00:21:29,160 --> 00:21:31,960 Speaker 1: they I would be signed to them, right, And that's 525 00:21:32,000 --> 00:21:34,000 Speaker 1: the thing we gotta have You ever questioned yourself like 526 00:21:34,520 --> 00:21:36,280 Speaker 1: maybe I'm just not cut out to be a label 527 00:21:36,359 --> 00:21:39,159 Speaker 1: on the Let me write my songs because that's what 528 00:21:39,320 --> 00:21:40,879 Speaker 1: that's what people want you to feel. And that's what 529 00:21:40,960 --> 00:21:43,879 Speaker 1: happens with trial and error. Think about think about um, 530 00:21:43,880 --> 00:21:45,639 Speaker 1: I always bring this up. Think about Royals to may 531 00:21:45,720 --> 00:21:49,280 Speaker 1: Back that didn't just pop off? Bro. He tried before 532 00:21:49,320 --> 00:21:50,960 Speaker 1: and then you know certain artists he put out it 533 00:21:51,000 --> 00:21:52,879 Speaker 1: didn't work out, and he was he stayed down with 534 00:21:52,960 --> 00:21:56,679 Speaker 1: his homies and it didn't work out. But in America's society, um, 535 00:21:57,119 --> 00:21:59,919 Speaker 1: that is the definition of success. But an urban culture, 536 00:22:00,720 --> 00:22:03,600 Speaker 1: give up is the answer. You know why, because you'll 537 00:22:03,600 --> 00:22:05,720 Speaker 1: see people comment on you or take something to you like, 538 00:22:05,760 --> 00:22:07,600 Speaker 1: why don't you just do this? Why don't you just 539 00:22:07,680 --> 00:22:09,680 Speaker 1: do this? And I'm like, because I'm not you and 540 00:22:09,800 --> 00:22:11,800 Speaker 1: I'm not regular, and I believe that if you fail, 541 00:22:11,800 --> 00:22:13,679 Speaker 1: you'reupposed to get back up and keep trying. And at 542 00:22:13,720 --> 00:22:15,480 Speaker 1: the end of the day, what does it cost me? 543 00:22:15,680 --> 00:22:17,640 Speaker 1: What it costs you for me to try? And that's 544 00:22:17,680 --> 00:22:19,800 Speaker 1: the craziest thing about black people is that when we 545 00:22:19,880 --> 00:22:21,960 Speaker 1: see somebody trying something, we love to be like, why 546 00:22:21,960 --> 00:22:24,159 Speaker 1: don't you just stop? Why? How does this affect you? 547 00:22:24,880 --> 00:22:26,960 Speaker 1: Why does it bother you so much? Rapper, I will 548 00:22:27,000 --> 00:22:29,440 Speaker 1: tell you to quit after your dreams? Everybody can people 549 00:22:29,520 --> 00:22:31,159 Speaker 1: get back? I agree, but some people are whacked. But 550 00:22:31,200 --> 00:22:32,520 Speaker 1: at the end of the day, what does it take 551 00:22:32,600 --> 00:22:34,199 Speaker 1: for me for him to try it? Don't do nothing 552 00:22:34,240 --> 00:22:35,879 Speaker 1: to me because if nobody's gonna hear it if you 553 00:22:35,880 --> 00:22:40,520 Speaker 1: whack anyway. I love that you put this on Instagram. 554 00:22:40,600 --> 00:22:42,400 Speaker 1: Somebody tweeted you I didn't want to like this week. 555 00:22:42,440 --> 00:22:45,920 Speaker 1: I love album, but it's actually pretty good. Whybody doesn't 556 00:22:46,440 --> 00:22:47,800 Speaker 1: not want to like it? Let me tell you something 557 00:22:47,840 --> 00:22:51,520 Speaker 1: about our people. At all costs, we want to try 558 00:22:51,600 --> 00:22:53,680 Speaker 1: to find the way to embarrass you or say something smart. 559 00:22:53,760 --> 00:22:56,280 Speaker 1: We can't even give a cool compliment. We can't even say, 560 00:22:56,640 --> 00:22:58,959 Speaker 1: you know what, I'm surprised this record is good. If 561 00:22:59,000 --> 00:23:00,720 Speaker 1: that would have been cool, but I didn't want to 562 00:23:00,840 --> 00:23:04,720 Speaker 1: like it. That means that means that I went into 563 00:23:04,760 --> 00:23:08,880 Speaker 1: this situation saying that you I don't like you. Every 564 00:23:08,960 --> 00:23:11,840 Speaker 1: situation I go into, I try to think the positive 565 00:23:11,840 --> 00:23:13,440 Speaker 1: fo I always give. I just want to do it, 566 00:23:13,880 --> 00:23:15,520 Speaker 1: or it's I just because for one thing, if I didn't, 567 00:23:15,560 --> 00:23:16,600 Speaker 1: if I don't feel like it to be dough, I 568 00:23:16,640 --> 00:23:18,680 Speaker 1: just won't listen. But people just go I thought it 569 00:23:18,760 --> 00:23:20,720 Speaker 1: was it was honest of him to say he didn't 570 00:23:20,720 --> 00:23:22,760 Speaker 1: you know that I'm a hater, But I had to 571 00:23:22,800 --> 00:23:24,760 Speaker 1: call him out and say, it's crazy that that's a 572 00:23:24,800 --> 00:23:28,600 Speaker 1: great feeling though, that you won somebody you say that. 573 00:23:29,080 --> 00:23:31,240 Speaker 1: People say that because if I just say, Yo, this 574 00:23:31,320 --> 00:23:33,360 Speaker 1: Reco Love album is dope, guess what I'm gonna get 575 00:23:33,600 --> 00:23:36,960 Speaker 1: you take Pride and Rico. But if you say but 576 00:23:37,040 --> 00:23:39,280 Speaker 1: if you say I didn't want to like it, it's 577 00:23:39,280 --> 00:23:42,200 Speaker 1: a different level. If you say that I'm really surprised 578 00:23:42,440 --> 00:23:44,960 Speaker 1: at how good this album is, then that's one thing. 579 00:23:45,040 --> 00:23:47,000 Speaker 1: But if you say I did not want to like it. 580 00:23:47,080 --> 00:23:48,720 Speaker 1: That means you're saying to yourself, I went into this 581 00:23:48,800 --> 00:23:53,240 Speaker 1: situation not liking you, A good person who never bothered nobody. 582 00:23:53,440 --> 00:23:55,119 Speaker 1: Y'all don't see me doing much. But I don't be 583 00:23:55,200 --> 00:23:57,720 Speaker 1: out here doing no corney. I don't bother nobody. I'm not, 584 00:23:58,160 --> 00:23:59,879 Speaker 1: you know. I just mind my business, take care of 585 00:23:59,880 --> 00:24:01,320 Speaker 1: my family and doing music. When you look on my 586 00:24:01,400 --> 00:24:03,880 Speaker 1: gram you look, all you see is my kids, my dog, 587 00:24:03,960 --> 00:24:05,920 Speaker 1: in my studio. You think you were afraid to be 588 00:24:06,000 --> 00:24:11,200 Speaker 1: fans now absolutely everybody an artist. Everybody's an artist. But 589 00:24:11,320 --> 00:24:12,800 Speaker 1: how do you when you make your music? How do 590 00:24:12,840 --> 00:24:14,720 Speaker 1: you decide what you're gonna keep when you're gonna give away. 591 00:24:15,040 --> 00:24:16,840 Speaker 1: It's really easy because for the past two years, I 592 00:24:16,880 --> 00:24:20,119 Speaker 1: haven't been writing for people. I haven't been writing so 593 00:24:20,200 --> 00:24:23,000 Speaker 1: and say, you know what I mean, it's on yourself, 594 00:24:23,240 --> 00:24:25,320 Speaker 1: and and I was so because the frustration. We spoke 595 00:24:25,359 --> 00:24:26,840 Speaker 1: about it a little time, a little bit the last 596 00:24:26,840 --> 00:24:29,080 Speaker 1: time I was here. When you spend time development and 597 00:24:29,119 --> 00:24:31,240 Speaker 1: building artists, when I did that raiment, that Looking for 598 00:24:31,320 --> 00:24:34,080 Speaker 1: Myself album for Usher, and we worked hard on that record, 599 00:24:34,359 --> 00:24:36,760 Speaker 1: and then to see them just go with a dance 600 00:24:36,800 --> 00:24:40,680 Speaker 1: song after we made this challenging effort to make music 601 00:24:40,760 --> 00:24:42,760 Speaker 1: that was cutting edge and provocative, and then see the 602 00:24:42,800 --> 00:24:44,480 Speaker 1: record company come in and say, all right, that's cool. 603 00:24:44,720 --> 00:24:46,760 Speaker 1: Do this song called Screaming and Doctor Luke and uh 604 00:24:47,200 --> 00:24:49,320 Speaker 1: Homeboy did and we don't put this out this dance record. 605 00:24:49,359 --> 00:24:51,320 Speaker 1: We're like, but that goes against everything we've been building. 606 00:24:51,680 --> 00:24:53,040 Speaker 1: Just big enough. He ain't got to take that. You 607 00:24:53,240 --> 00:24:55,600 Speaker 1: got to accept that. But sometimes people make decisions because 608 00:24:55,640 --> 00:24:58,520 Speaker 1: they feel like, think about that. Remember the year conversation. 609 00:24:59,119 --> 00:25:02,359 Speaker 1: Now you're questioning it stuff. You're like, right, so maybe 610 00:25:02,520 --> 00:25:04,320 Speaker 1: they might be right this time. And I don't, you know, 611 00:25:04,440 --> 00:25:06,920 Speaker 1: so I think sometimes when you go into situations with artists. 612 00:25:07,359 --> 00:25:09,159 Speaker 1: I did a brand to Brandy at mean was the 613 00:25:09,280 --> 00:25:12,080 Speaker 1: last Brandy. I'm two eleven. Me and uh Sean Garrett 614 00:25:12,119 --> 00:25:13,720 Speaker 1: did the majority of that album, and I thought it 615 00:25:13,800 --> 00:25:16,440 Speaker 1: was some incredible records on there. And then when the 616 00:25:16,440 --> 00:25:18,359 Speaker 1: album came out, we thought we're gonna get this push. 617 00:25:18,520 --> 00:25:20,880 Speaker 1: I gave a shout out to Brianna, gave Brianna super 618 00:25:20,960 --> 00:25:23,560 Speaker 1: discount for like five records. And I'm thinking, because I 619 00:25:23,600 --> 00:25:25,360 Speaker 1: don't think about that that up from me. I'm thinking 620 00:25:25,359 --> 00:25:27,600 Speaker 1: about legacy. I'm thinking about it. I have the opportunity 621 00:25:27,600 --> 00:25:28,880 Speaker 1: to be on the greatest one of the greatest singers 622 00:25:28,880 --> 00:25:32,440 Speaker 1: of ever album. I did a record and then she said, 623 00:25:32,440 --> 00:25:34,240 Speaker 1: all right, cool, you know what I don't want to 624 00:25:34,280 --> 00:25:35,960 Speaker 1: do from through the album, the more I'm gonna go 625 00:25:36,040 --> 00:25:37,480 Speaker 1: do the game, the TV show, I'm gonna go do 626 00:25:37,600 --> 00:25:39,760 Speaker 1: this and im And it's like, all right, this thing 627 00:25:39,840 --> 00:25:41,359 Speaker 1: that I take so serious. By the way, I'm a 628 00:25:41,440 --> 00:25:43,880 Speaker 1: person who really you know this, everybody I think could 629 00:25:44,040 --> 00:25:46,880 Speaker 1: notice about me. I'm very serious about music. I'm passionate 630 00:25:46,920 --> 00:25:49,280 Speaker 1: about it. So every song means something to me. It's 631 00:25:49,320 --> 00:25:51,440 Speaker 1: not just a check. You really hit me. Talking about money, 632 00:25:51,520 --> 00:25:53,840 Speaker 1: you hit me. I even get frustrated when people ask 633 00:25:53,880 --> 00:25:55,520 Speaker 1: me about money or like how much money did you 634 00:25:55,560 --> 00:25:57,080 Speaker 1: make on this? I'm like, I don't like talking about 635 00:25:57,080 --> 00:26:00,200 Speaker 1: stuff like that, but um, I got frustrated because look 636 00:26:00,200 --> 00:26:01,800 Speaker 1: at every song as a baby too. I wrote a 637 00:26:01,800 --> 00:26:03,760 Speaker 1: song on Brandy's album called no Such Thing, It's too Late, 638 00:26:04,040 --> 00:26:06,760 Speaker 1: Harley Breathing, and Paint this House and can you hear 639 00:26:06,840 --> 00:26:08,600 Speaker 1: Me Now? And these songs were incredible to me, some 640 00:26:08,680 --> 00:26:14,320 Speaker 1: of my best works. Not man, I nearly enough. You 641 00:26:14,359 --> 00:26:15,639 Speaker 1: know what I mean, And you look at it and 642 00:26:15,680 --> 00:26:17,560 Speaker 1: you're like these songs meant so much in this strust. 643 00:26:17,720 --> 00:26:19,399 Speaker 1: You spent all this time. I think you spent a 644 00:26:19,480 --> 00:26:21,480 Speaker 1: year on a on a Usher album. You spend a 645 00:26:21,720 --> 00:26:23,879 Speaker 1: you know, six months on this Brandy album. You do this, 646 00:26:24,200 --> 00:26:28,119 Speaker 1: all these projects that you're really passionate about, and they 647 00:26:28,240 --> 00:26:29,840 Speaker 1: out of your control. It's like you had a child 648 00:26:30,200 --> 00:26:32,840 Speaker 1: and then Tobody takes it and just raise it how 649 00:26:32,880 --> 00:26:34,960 Speaker 1: they want to raise it, and you're like, but that's 650 00:26:35,040 --> 00:26:36,760 Speaker 1: my child. And that's how it felt. So I just 651 00:26:36,800 --> 00:26:38,080 Speaker 1: felt like, you know what, let me do something that 652 00:26:38,160 --> 00:26:41,480 Speaker 1: I love. And obviously um artists, you know, it's just 653 00:26:42,080 --> 00:26:44,480 Speaker 1: you know, it ain't the same type of paper. I 654 00:26:44,560 --> 00:26:46,720 Speaker 1: completely understand why you want to be a solo artist 655 00:26:47,000 --> 00:26:49,000 Speaker 1: if now it makes perfect sense because you know people 656 00:26:49,000 --> 00:26:50,320 Speaker 1: will say that too, like why you want to be 657 00:26:50,400 --> 00:26:52,560 Speaker 1: as artist, why you should be a singer songwriter or 658 00:26:52,600 --> 00:26:55,560 Speaker 1: song but just and also just listen to the music, man, 659 00:26:55,600 --> 00:26:57,639 Speaker 1: and listen. Listen to the music and listen to This 660 00:26:57,760 --> 00:27:01,840 Speaker 1: album is so real to me because it's my honest contribution. 661 00:27:02,240 --> 00:27:04,040 Speaker 1: It's like me saying who I really am and how 662 00:27:04,119 --> 00:27:06,440 Speaker 1: I really feel. And you know, I don't come out 663 00:27:06,640 --> 00:27:08,840 Speaker 1: or force man, I don't do a bunch of corny stuff. 664 00:27:08,840 --> 00:27:10,280 Speaker 1: I don't really when I look at you know, some 665 00:27:10,400 --> 00:27:12,320 Speaker 1: people that came before me, and people would be like, well, 666 00:27:12,359 --> 00:27:14,040 Speaker 1: this person did this, But I look at it, I'm like, 667 00:27:14,080 --> 00:27:16,040 Speaker 1: it looked like he's trying. It looked like she trying 668 00:27:16,080 --> 00:27:18,440 Speaker 1: to look like it's too much. But with me, it's 669 00:27:19,040 --> 00:27:20,680 Speaker 1: I get in the van and go from city to 670 00:27:20,760 --> 00:27:22,720 Speaker 1: city and do a hundred interviews in a day. I 671 00:27:22,880 --> 00:27:24,840 Speaker 1: go do promo. I just left LA. I did promo 672 00:27:24,920 --> 00:27:26,720 Speaker 1: all day LA. I got off the plane and came 673 00:27:26,800 --> 00:27:28,920 Speaker 1: straight here, and then I got a full day and 674 00:27:28,960 --> 00:27:30,600 Speaker 1: then I go to sleeping. I wake up at six am, 675 00:27:30,640 --> 00:27:32,080 Speaker 1: and I got an audition for a movie, and then 676 00:27:32,080 --> 00:27:34,040 Speaker 1: I got to do the same thing promotion all day, 677 00:27:34,119 --> 00:27:35,359 Speaker 1: and then the next day the same thing that I'm 678 00:27:35,359 --> 00:27:36,880 Speaker 1: gonna plane in the fly to Miami to spend time 679 00:27:36,880 --> 00:27:39,280 Speaker 1: with my kids. This is serious to me. So when 680 00:27:39,320 --> 00:27:41,199 Speaker 1: you look at this effort that I'm putting forth, if 681 00:27:41,240 --> 00:27:44,720 Speaker 1: nothing else, you could say, it gotta be something to it, 682 00:27:44,880 --> 00:27:47,840 Speaker 1: because the man made too much money in the other 683 00:27:47,920 --> 00:27:50,040 Speaker 1: world to be just doing this and not making the 684 00:27:50,080 --> 00:27:51,800 Speaker 1: same type of paper. Why is it easy to swallow 685 00:27:51,800 --> 00:27:53,680 Speaker 1: your pride to go out and do the new artist hustle, 686 00:27:53,720 --> 00:27:55,000 Speaker 1: the stuff you don't have to do, like do one 687 00:27:55,040 --> 00:27:56,960 Speaker 1: hundred interviews in a day. But you can't pick up 688 00:27:56,960 --> 00:27:58,280 Speaker 1: the phone and say, hey, man, could you do this record? 689 00:27:58,280 --> 00:28:00,320 Speaker 1: Because it's something I'm doing for me. Got you now? 690 00:28:00,400 --> 00:28:02,960 Speaker 1: When I'm I control that, I control how hard I work. 691 00:28:03,000 --> 00:28:04,720 Speaker 1: I can't control if you're gonna say yes. And I 692 00:28:04,760 --> 00:28:06,920 Speaker 1: can't control. And one thing I'm uncomfortable with is a 693 00:28:07,040 --> 00:28:08,760 Speaker 1: no from a person who I think should say yes. 694 00:28:09,240 --> 00:28:12,600 Speaker 1: I would rather, I would rather, I would rather us 695 00:28:12,720 --> 00:28:14,720 Speaker 1: not even talk about it because I don't want to 696 00:28:14,760 --> 00:28:16,399 Speaker 1: feel away about it the same you know what I mean. 697 00:28:16,520 --> 00:28:18,800 Speaker 1: And it's the same way. The girl was really like 698 00:28:19,680 --> 00:28:21,399 Speaker 1: the girls, what about you dealing with a girl you 699 00:28:21,440 --> 00:28:23,440 Speaker 1: didn't tricked off a lot of money whatever whatever. You 700 00:28:23,640 --> 00:28:24,800 Speaker 1: took her out and you're like, let me get some 701 00:28:24,840 --> 00:28:27,320 Speaker 1: of that, and she's like, no, he's in a relationship. 702 00:28:28,960 --> 00:28:31,880 Speaker 1: Um Man, you know what if me and my girl 703 00:28:32,000 --> 00:28:35,520 Speaker 1: took the girl out and we spent a bunch of 704 00:28:35,600 --> 00:28:38,240 Speaker 1: money on her and she was acting funny, my girl 705 00:28:38,280 --> 00:28:43,360 Speaker 1: would tell her, sweeth, you gotta go. I just wanted 706 00:28:43,360 --> 00:28:44,600 Speaker 1: you to give me the same manth you gave before 707 00:28:44,760 --> 00:28:51,120 Speaker 1: that's nothing like right somebody that folks say yes, but 708 00:28:51,240 --> 00:28:53,040 Speaker 1: you cannot like it. I don't mean you're gonna take it. 709 00:28:53,680 --> 00:28:56,480 Speaker 1: You know what I'm saying. So is out right now? 710 00:28:57,240 --> 00:29:00,440 Speaker 1: Turn the lights on? Turn the lights on? T T L. Yeah, 711 00:29:00,520 --> 00:29:02,600 Speaker 1: real quick. Though the album is super important to me. 712 00:29:02,600 --> 00:29:04,240 Speaker 1: I want you to understand the meaning behind turn the 713 00:29:04,320 --> 00:29:05,719 Speaker 1: lights on. A lot of people will say your name 714 00:29:05,760 --> 00:29:07,560 Speaker 1: the album turn the lights on, obviously, because you say 715 00:29:07,600 --> 00:29:09,600 Speaker 1: turn the lights on, and every song you're write it's 716 00:29:09,640 --> 00:29:13,040 Speaker 1: a true meaning. I think the lights they represent success, 717 00:29:13,120 --> 00:29:15,480 Speaker 1: and they represent money, and they represent things that happen 718 00:29:15,560 --> 00:29:18,000 Speaker 1: to you when you become successful. I want to write 719 00:29:18,000 --> 00:29:19,840 Speaker 1: about so when the lights come on you and even 720 00:29:20,360 --> 00:29:22,440 Speaker 1: on an intro I talk about it. It's saying what 721 00:29:22,560 --> 00:29:24,440 Speaker 1: you're gonna do when the lights come on? Like if 722 00:29:24,480 --> 00:29:26,080 Speaker 1: you if you went from one day to not having 723 00:29:26,120 --> 00:29:27,960 Speaker 1: none and then the next day somebody gave you ten 724 00:29:28,040 --> 00:29:31,680 Speaker 1: million dollars, your life changes like that, and your views 725 00:29:31,720 --> 00:29:34,320 Speaker 1: on marriage, your views on relationships, give views on monogamy, 726 00:29:34,480 --> 00:29:36,560 Speaker 1: they change. And instead of me making a whole album 727 00:29:36,560 --> 00:29:38,440 Speaker 1: about how many cars I bought in my big house 728 00:29:38,520 --> 00:29:39,880 Speaker 1: and this, this and that, I said, well, let me 729 00:29:39,920 --> 00:29:42,040 Speaker 1: talk about how those things affect you as a person. 730 00:29:42,120 --> 00:29:44,200 Speaker 1: So it's really strong titles. It's a song called for 731 00:29:44,320 --> 00:29:46,520 Speaker 1: the kids, and it's talking about a lot of us 732 00:29:46,640 --> 00:29:49,960 Speaker 1: in life and in relationships. People stay in relationship but 733 00:29:50,040 --> 00:29:53,280 Speaker 1: because of the kids. And it's a song called run 734 00:29:53,360 --> 00:29:55,240 Speaker 1: for Me. And this is a true, honest story. I 735 00:29:55,440 --> 00:29:57,040 Speaker 1: broke up with my girl for like three months. This 736 00:29:57,080 --> 00:29:59,200 Speaker 1: album takes place within that space where we've broken up 737 00:29:59,200 --> 00:30:01,000 Speaker 1: in three months. The whole album I don't like when 738 00:30:01,080 --> 00:30:06,360 Speaker 1: somebody says now to Run for Me is such a 739 00:30:06,440 --> 00:30:08,800 Speaker 1: strong song and what it represents. It was a girl 740 00:30:08,840 --> 00:30:10,600 Speaker 1: I was seeing while I was broke up with my girl, 741 00:30:10,840 --> 00:30:12,520 Speaker 1: and I was really into her and I was feeling 742 00:30:12,560 --> 00:30:14,920 Speaker 1: it and I just said to up one day, you know, 743 00:30:15,000 --> 00:30:16,720 Speaker 1: well I can't. I can't mess with you no more. 744 00:30:16,960 --> 00:30:18,560 Speaker 1: And even watching this interview right now, I know she's 745 00:30:18,560 --> 00:30:20,200 Speaker 1: gonna be like looking at me, like shaking ahead, but 746 00:30:20,360 --> 00:30:21,920 Speaker 1: I was, I can't mess with you no more. And 747 00:30:22,000 --> 00:30:23,920 Speaker 1: she's like, what what I said. If my girl called 748 00:30:23,920 --> 00:30:25,120 Speaker 1: me right now I want to get back with me, 749 00:30:25,160 --> 00:30:28,080 Speaker 1: I'm not. I'm gonna get back with Dare. And that's 750 00:30:28,080 --> 00:30:29,680 Speaker 1: just me being a hunting because I know where this 751 00:30:29,840 --> 00:30:32,400 Speaker 1: is going. We're not just having fun. We're catching feelings 752 00:30:32,520 --> 00:30:35,040 Speaker 1: right now. And I know that foot no matter how 753 00:30:35,160 --> 00:30:38,720 Speaker 1: deep our feelings get into this situation. If she called 754 00:30:38,760 --> 00:30:41,600 Speaker 1: me right now and say all right, cool I want 755 00:30:41,680 --> 00:30:43,280 Speaker 1: us to be back together, I'm gonna leave and I'm 756 00:30:43,320 --> 00:30:46,200 Speaker 1: not even gonna never told to you anyway. Man, you 757 00:30:46,280 --> 00:30:49,200 Speaker 1: know I was out here being a whole you know, 758 00:30:49,400 --> 00:30:52,080 Speaker 1: why not out here violent? And you know we deal 759 00:30:52,120 --> 00:30:53,720 Speaker 1: We deal with those things. I spoke about that on 760 00:30:53,800 --> 00:30:56,239 Speaker 1: the album as well. We deal with things. And you know, man, 761 00:30:56,320 --> 00:30:58,880 Speaker 1: we were I love. Sometimes we just really and then 762 00:30:58,920 --> 00:31:02,080 Speaker 1: you mess up and then what what happens is sometimes 763 00:31:03,600 --> 00:31:07,520 Speaker 1: one day at a time. But were air Yeah yeah, yeah, yeah, 764 00:31:07,960 --> 00:31:09,440 Speaker 1: it's it's like a lot of it's a lot of 765 00:31:09,480 --> 00:31:11,840 Speaker 1: real records. But wouldn't you want that from your artists? 766 00:31:11,920 --> 00:31:14,120 Speaker 1: I think, think about this, right, think about this. We 767 00:31:14,240 --> 00:31:16,000 Speaker 1: get on Instagram, and we get on Twitter, we go 768 00:31:16,080 --> 00:31:18,280 Speaker 1: on social networks. Were going on a ball alert. We 769 00:31:18,320 --> 00:31:20,800 Speaker 1: go on shave room to find dirt about personal lives 770 00:31:21,040 --> 00:31:22,680 Speaker 1: of our artists, right, and that's the thing that gets 771 00:31:22,720 --> 00:31:26,160 Speaker 1: the most attention, right. But then these incredible artists, they 772 00:31:26,200 --> 00:31:29,240 Speaker 1: don't talk about personal issues on their projects. And they 773 00:31:29,280 --> 00:31:32,440 Speaker 1: wonder why they don't sell. They're buying your personal life 774 00:31:32,880 --> 00:31:35,360 Speaker 1: on social media and somebody else getting paid for it. 775 00:31:35,640 --> 00:31:37,320 Speaker 1: But why don't you give examples of the truth that 776 00:31:37,400 --> 00:31:38,800 Speaker 1: you went through. That don't mean you have to give 777 00:31:38,840 --> 00:31:41,480 Speaker 1: details or what day or what girl, what person? Why 778 00:31:41,520 --> 00:31:43,040 Speaker 1: don't you give a little bit of who you are? 779 00:31:43,520 --> 00:31:45,200 Speaker 1: And And I'm gonna be honest with you. Do I 780 00:31:45,240 --> 00:31:46,960 Speaker 1: expect my mom to sell a bunch of out of 781 00:31:47,000 --> 00:31:50,320 Speaker 1: the gate? Probably won't. Probably won't. But at the end 782 00:31:50,320 --> 00:31:52,920 Speaker 1: of the day, one year from today, I promise you, 783 00:31:52,960 --> 00:31:55,080 Speaker 1: we're gonna be in a different space because we're gonna 784 00:31:55,080 --> 00:31:57,680 Speaker 1: work this record and you introduce one person. If every 785 00:31:57,720 --> 00:31:59,360 Speaker 1: week you get a few more people to tell, a 786 00:31:59,400 --> 00:32:01,480 Speaker 1: few more people to tell a few more people, you 787 00:32:01,680 --> 00:32:04,200 Speaker 1: gotta work it, and you gotta say something that's worth hearing. 788 00:32:04,360 --> 00:32:06,320 Speaker 1: It's only so much we could turn up. It's a 789 00:32:06,400 --> 00:32:08,600 Speaker 1: bunch of club records. And guess what they know when 790 00:32:08,640 --> 00:32:10,200 Speaker 1: they when they listen to that record in the club 791 00:32:10,280 --> 00:32:12,040 Speaker 1: and they're like, cool, your first single was a big 792 00:32:12,080 --> 00:32:14,040 Speaker 1: club anthem. But guess what, in a few months, it's 793 00:32:14,040 --> 00:32:16,160 Speaker 1: gonna be another one of you. We're gonna be sick 794 00:32:16,200 --> 00:32:18,040 Speaker 1: of that sound, and as soon as that sound is over, 795 00:32:18,120 --> 00:32:20,000 Speaker 1: we're gonna be sick of that. And the producer is 796 00:32:20,040 --> 00:32:22,680 Speaker 1: really eating more than the artists art because they like cool. 797 00:32:22,960 --> 00:32:25,320 Speaker 1: When you're going, I'm gonna still be me. You're gonna 798 00:32:25,360 --> 00:32:27,240 Speaker 1: come and go. People are not gonna They're not attached 799 00:32:27,280 --> 00:32:29,200 Speaker 1: you because you haven't given them something to hold onto. 800 00:32:29,440 --> 00:32:33,000 Speaker 1: When I first listened to you Know So Sick by Neil, 801 00:32:33,760 --> 00:32:35,520 Speaker 1: I was like, bro, this Virginius at It made me 802 00:32:35,520 --> 00:32:37,000 Speaker 1: even want to know who this guy was class It 803 00:32:37,080 --> 00:32:39,760 Speaker 1: made me feel something. And I think artists are making 804 00:32:39,800 --> 00:32:42,120 Speaker 1: records that don't make people feel anything, and that's why 805 00:32:42,120 --> 00:32:43,960 Speaker 1: they don't stick. And that's what I was talking about yesterday. 806 00:32:43,960 --> 00:32:45,920 Speaker 1: I'm talking about The Little Way. Believe me. It's sold 807 00:32:45,960 --> 00:32:48,480 Speaker 1: a million records, but it ain't stick. You know a 808 00:32:48,520 --> 00:32:50,880 Speaker 1: lot of those. So but I think at that level, 809 00:32:51,120 --> 00:32:52,880 Speaker 1: he already has people who love him. And that's a 810 00:32:52,880 --> 00:32:56,400 Speaker 1: different conversation. I'm talking about more a new artist who 811 00:32:56,400 --> 00:32:57,960 Speaker 1: are trying to establish a base. The reason why they 812 00:32:58,000 --> 00:33:00,080 Speaker 1: don't know what's so important to me is because it 813 00:33:00,160 --> 00:33:01,760 Speaker 1: was it was a chess move, you know why it 814 00:33:01,880 --> 00:33:04,640 Speaker 1: was a conversation starter. I can't believe he said that 815 00:33:04,880 --> 00:33:07,200 Speaker 1: the reason why bitches be like what's so important is 816 00:33:07,200 --> 00:33:09,120 Speaker 1: because it was like I can't believe he said that. 817 00:33:09,320 --> 00:33:11,560 Speaker 1: And now people gotta come to know who Rico Love is. 818 00:33:11,760 --> 00:33:14,479 Speaker 1: And I would know some artists who who have had 819 00:33:14,560 --> 00:33:16,240 Speaker 1: bigger records and the people don't know who they are, 820 00:33:16,280 --> 00:33:18,000 Speaker 1: and they know who I am, because you have to 821 00:33:18,240 --> 00:33:20,200 Speaker 1: who is this dude? Even if they like you whack 822 00:33:20,240 --> 00:33:21,720 Speaker 1: are you this? Are you ugly? And you black? You 823 00:33:21,800 --> 00:33:23,600 Speaker 1: did it? They still know who I am and they 824 00:33:23,640 --> 00:33:26,360 Speaker 1: still recognize me. And I think music has to do that. 825 00:33:26,560 --> 00:33:28,200 Speaker 1: If you're not doing that as a new artist, if 826 00:33:28,240 --> 00:33:30,840 Speaker 1: your record is not saying something for real, I'm telling 827 00:33:30,880 --> 00:33:33,920 Speaker 1: you that big club record, enjoy it. Enjoy it, I think, 828 00:33:33,960 --> 00:33:35,360 Speaker 1: and other people enjoy about you though, is you do 829 00:33:35,480 --> 00:33:36,880 Speaker 1: have something to say, Like even when you see you 830 00:33:36,960 --> 00:33:39,680 Speaker 1: in your interviews, you're honest, you got something to say. 831 00:33:39,880 --> 00:33:42,360 Speaker 1: Even on Twitter, you engage with people absolutely. People don't 832 00:33:42,360 --> 00:33:44,760 Speaker 1: have no personality, they don't and it's nothing. It's nothing 833 00:33:44,840 --> 00:33:46,640 Speaker 1: to them. And you know what, I've been in the 834 00:33:46,720 --> 00:33:48,200 Speaker 1: game for a long time and I've seen a lot 835 00:33:48,240 --> 00:33:49,840 Speaker 1: of things. You know, mace phraise me, you know, and 836 00:33:50,160 --> 00:33:53,360 Speaker 1: I learned under learning the usher. Know, being on the 837 00:33:53,400 --> 00:33:55,320 Speaker 1: puff and all these guys and watching them, it's like 838 00:33:55,440 --> 00:33:56,800 Speaker 1: so much you could pick up. And I think so 839 00:33:56,920 --> 00:33:59,560 Speaker 1: many guys spend time with artists and they don't pick 840 00:33:59,640 --> 00:34:01,320 Speaker 1: up on it things that are important. It's just like 841 00:34:01,400 --> 00:34:02,840 Speaker 1: if you've been on the I know guys who've been 842 00:34:02,880 --> 00:34:05,200 Speaker 1: on world tours and couldn't tell you anything about any 843 00:34:05,240 --> 00:34:07,280 Speaker 1: cities because you know what they do. They go in 844 00:34:07,320 --> 00:34:10,000 Speaker 1: their room and they smoke, and then when it's time 845 00:34:10,040 --> 00:34:12,160 Speaker 1: for the show, they come out the room, do the show, 846 00:34:12,400 --> 00:34:15,000 Speaker 1: get some girls, go back to the room and they smash, 847 00:34:15,080 --> 00:34:16,440 Speaker 1: go to sleep, go to the next city. And I'm like, 848 00:34:16,480 --> 00:34:19,399 Speaker 1: you're not even educating yourself based upon your surroundings. I'm 849 00:34:19,400 --> 00:34:22,400 Speaker 1: gonna live life, bro, because guess where everything you live, 850 00:34:22,480 --> 00:34:24,800 Speaker 1: everything you see, is regurgitated. When you're a true creative 851 00:34:25,040 --> 00:34:28,480 Speaker 1: everything that I absorbed in my mind, I can give 852 00:34:28,520 --> 00:34:30,400 Speaker 1: it back to the world and I can learn, and 853 00:34:30,480 --> 00:34:33,560 Speaker 1: I can educate myself and teach others through that education. 854 00:34:33,600 --> 00:34:35,040 Speaker 1: And I think we don't do that with our records, 855 00:34:35,040 --> 00:34:36,839 Speaker 1: and that's why we don't sell albums. And that's why 856 00:34:37,000 --> 00:34:39,720 Speaker 1: artists like a Kanye West can put out a record 857 00:34:39,760 --> 00:34:42,160 Speaker 1: without no singles, whether people like the Jesus or not, 858 00:34:42,360 --> 00:34:44,400 Speaker 1: it had no singles and he's still platinum at the 859 00:34:44,480 --> 00:34:46,560 Speaker 1: end of the day. End of the day. Kendrick Lamart 860 00:34:46,680 --> 00:34:48,960 Speaker 1: don't gotta ca a radio smash. People believe what he 861 00:34:49,080 --> 00:34:51,040 Speaker 1: has to say and they believe in him. Jake cold On, 862 00:34:51,239 --> 00:34:54,200 Speaker 1: I'm so inspired by these guys, even Drake. I listen 863 00:34:54,239 --> 00:34:55,920 Speaker 1: to Drake and I'm like, Drake is a genius. You 864 00:34:55,960 --> 00:34:58,000 Speaker 1: know why because he jumping on your records and he 865 00:34:58,200 --> 00:35:00,680 Speaker 1: using your records for the foolishness and then he making 866 00:35:00,760 --> 00:35:03,239 Speaker 1: his record about the real stuff. It's like, all right, cool, 867 00:35:03,239 --> 00:35:05,040 Speaker 1: you're talking about nothing, but I know you're gonna get attention. 868 00:35:05,120 --> 00:35:07,200 Speaker 1: I'm gonna jump on the jay Z used to do that. Everybody. 869 00:35:07,280 --> 00:35:08,960 Speaker 1: Jay Z will be like, oh, he's the new guy, 870 00:35:09,440 --> 00:35:10,799 Speaker 1: jay Z call you what up? I want to get 871 00:35:10,840 --> 00:35:13,080 Speaker 1: your record? Oh my god, jay Z want to work 872 00:35:13,120 --> 00:35:15,200 Speaker 1: with me. And then he'll be like, yeah, I'm gonna 873 00:35:15,200 --> 00:35:18,560 Speaker 1: take this away from you and then go about your business. 874 00:35:18,600 --> 00:35:20,120 Speaker 1: When you're not hot no more, You're not gonna be 875 00:35:20,200 --> 00:35:23,480 Speaker 1: able to call jay Z. Drake is exactly what used 876 00:35:23,480 --> 00:35:28,000 Speaker 1: to do. Genius, genius. But guess what when you listen 877 00:35:28,040 --> 00:35:29,640 Speaker 1: to his record. It's like a guy who smoke all 878 00:35:29,680 --> 00:35:32,000 Speaker 1: the time, but don't buy wheat. You know what I mean, 879 00:35:32,200 --> 00:35:34,440 Speaker 1: when you're smoking heke when you go to his southee like, 880 00:35:34,440 --> 00:35:37,800 Speaker 1: what are we that I don't buy no weed? What 881 00:35:37,920 --> 00:35:40,399 Speaker 1: you're still doing here? One last thing? Do you want 882 00:35:40,400 --> 00:35:42,800 Speaker 1: to see? I'm Floyd and pack yoah fight again. No, 883 00:35:43,840 --> 00:35:45,640 Speaker 1: Floyd don't got nothing to prove the pack Yah. He 884 00:35:45,719 --> 00:35:48,719 Speaker 1: beat that man. He beat him, of course, because I 885 00:35:48,840 --> 00:35:51,200 Speaker 1: know because I saw Floyd well I don't know if 886 00:35:51,200 --> 00:35:53,640 Speaker 1: you guys saw this, but actually tweeting him reached out 887 00:35:54,120 --> 00:35:56,040 Speaker 1: and reached out to him. Yeah. Yeah, he reached out 888 00:35:56,080 --> 00:35:58,360 Speaker 1: to say giving me for free tickets to the to 889 00:35:58,480 --> 00:36:00,560 Speaker 1: his next fight, because you know, I just like to 890 00:36:00,600 --> 00:36:02,520 Speaker 1: defend things that I believe in. You know, I wasn't 891 00:36:02,560 --> 00:36:03,799 Speaker 1: trying to even add him, you know what I mean. 892 00:36:03,800 --> 00:36:05,879 Speaker 1: I just was saying, you know how I felt about 893 00:36:05,920 --> 00:36:07,600 Speaker 1: the fight. And at the end of the day, every 894 00:36:07,640 --> 00:36:09,880 Speaker 1: time Floyd fight, every time he fights, they say he's 895 00:36:09,920 --> 00:36:12,000 Speaker 1: gonna lose, and every time he wins, they say that 896 00:36:12,280 --> 00:36:14,120 Speaker 1: it was he did this and he only won because 897 00:36:14,120 --> 00:36:16,719 Speaker 1: of this or this person ain't boring. But at the 898 00:36:16,800 --> 00:36:18,759 Speaker 1: end of the day, I felt like the fight, if 899 00:36:18,800 --> 00:36:20,719 Speaker 1: you think the fight was born, which I don't, is 900 00:36:20,760 --> 00:36:22,719 Speaker 1: only born because of Pakiel, didn't he the only one 901 00:36:22,719 --> 00:36:25,040 Speaker 1: who didn't fight his fight. Floyd foot the way he fights, 902 00:36:26,200 --> 00:36:28,320 Speaker 1: way he fights, and he stood in the middle of 903 00:36:28,360 --> 00:36:29,920 Speaker 1: the ring and he challenged him. Now, it was a 904 00:36:29,960 --> 00:36:32,200 Speaker 1: few times where Floyd would grab him and you know, 905 00:36:32,360 --> 00:36:34,000 Speaker 1: collect himself. He's trying to figure it out for first 906 00:36:34,000 --> 00:36:35,680 Speaker 1: few rounds, but after that he was here. He was 907 00:36:35,680 --> 00:36:37,440 Speaker 1: taking the flurys. He was have been dodging the flurries. 908 00:36:37,520 --> 00:36:38,640 Speaker 1: So at the end of the day, I don't want 909 00:36:38,640 --> 00:36:41,279 Speaker 1: to see and I don't believe paki All deserved to 910 00:36:41,360 --> 00:36:43,799 Speaker 1: fight Floyd in the first place. He took too many elves. 911 00:36:44,000 --> 00:36:46,240 Speaker 1: That's just me being on it. He took too many els, 912 00:36:46,440 --> 00:36:48,360 Speaker 1: and you don't deserve to fight fight no champion. You 913 00:36:48,480 --> 00:36:50,400 Speaker 1: keep taking these elves from the people that he already 914 00:36:50,440 --> 00:36:52,520 Speaker 1: didn't beat up. So Floyd taking the fight was like, cool, 915 00:36:52,520 --> 00:36:54,320 Speaker 1: I'm gonna do you a side. I'm gonna since everybody 916 00:36:54,360 --> 00:36:56,120 Speaker 1: want to fight, I'm gonna do it, and they're gonna 917 00:36:56,160 --> 00:36:58,120 Speaker 1: cash me out. But you don't deserve to fight him 918 00:36:58,120 --> 00:36:59,919 Speaker 1: no more. And he was a sore loser. I don't 919 00:37:00,040 --> 00:37:01,880 Speaker 1: think I lost the fight. Yeah, come on, bro, you 920 00:37:01,960 --> 00:37:03,640 Speaker 1: lost the fight. So did you know him before he 921 00:37:03,680 --> 00:37:05,759 Speaker 1: reached out? Are you just didn't know him? I still 922 00:37:05,800 --> 00:37:07,680 Speaker 1: don't know him. He reached out and just say, you know, 923 00:37:08,239 --> 00:37:09,840 Speaker 1: it ain't like I'm you know, I'm not gonna probably 924 00:37:09,840 --> 00:37:12,120 Speaker 1: be at floy House tomorrow. You know that. That was 925 00:37:12,160 --> 00:37:14,279 Speaker 1: just no, No, we didn't know each other. He just 926 00:37:14,400 --> 00:37:16,560 Speaker 1: was like, you know, you got four three tickets to 927 00:37:16,600 --> 00:37:19,200 Speaker 1: the next fight. His next fight comes in September, and 928 00:37:19,320 --> 00:37:29,160 Speaker 1: you don't hear nothing. Pride. I'm gonna be like, we're 929 00:37:29,160 --> 00:37:31,680 Speaker 1: gonna tell me to get his tickets, and we're gonna 930 00:37:31,680 --> 00:37:34,279 Speaker 1: be like, yo, we need we need our tickets. I 931 00:37:34,320 --> 00:37:41,080 Speaker 1: remember your problems. Two for me too. For Hrry, I 932 00:37:41,120 --> 00:37:42,920 Speaker 1: got a quick question before we don't stop that. All right, 933 00:37:43,560 --> 00:37:45,120 Speaker 1: all right, this is the thing now that I had 934 00:37:45,160 --> 00:37:48,359 Speaker 1: a conversation about this. If your girl don't like boxing, right, 935 00:37:50,280 --> 00:37:51,960 Speaker 1: do you take her to the fight? If you got 936 00:37:52,040 --> 00:37:53,879 Speaker 1: flour to eat, you better see that's what I don't 937 00:37:53,880 --> 00:37:56,880 Speaker 1: only agree with you because you have to who are 938 00:37:56,880 --> 00:37:59,759 Speaker 1: you gonna take? How you look? But listen, it's a 939 00:37:59,840 --> 00:38:01,960 Speaker 1: bit pastagram. That's why it upsets me because think about this. 940 00:38:02,239 --> 00:38:04,160 Speaker 1: You got friends, you grew up with your whole life 941 00:38:04,440 --> 00:38:07,960 Speaker 1: that love boxing, and you like, I don't watch sports, 942 00:38:08,000 --> 00:38:09,640 Speaker 1: I don't watch this. And as soon as it's time 943 00:38:09,719 --> 00:38:12,120 Speaker 1: to do that, it's like so when we're going to 944 00:38:12,200 --> 00:38:14,320 Speaker 1: the face, so you gotta take up. I'm sure she 945 00:38:14,400 --> 00:38:16,160 Speaker 1: probably do a lot of things for you that she 946 00:38:16,239 --> 00:38:20,520 Speaker 1: don't really want to do that you gotta gotta cash. 947 00:38:21,640 --> 00:38:23,320 Speaker 1: If you got a pot your father like love, Like 948 00:38:23,480 --> 00:38:26,240 Speaker 1: now I gotta take but you're getting four. I'm getting 949 00:38:26,280 --> 00:38:28,200 Speaker 1: four so she can go. It's a lot of it's 950 00:38:28,200 --> 00:38:29,440 Speaker 1: a lot of it's a lot of my homie. It's 951 00:38:29,440 --> 00:38:32,799 Speaker 1: gonna be upset, bro. But yeah, but that's your girl. 952 00:38:32,920 --> 00:38:34,640 Speaker 1: You ain't getting them tickets less you follow up, So 953 00:38:36,120 --> 00:38:38,160 Speaker 1: follow out. You need to follow. I'm gonna tell you. 954 00:38:38,160 --> 00:38:44,120 Speaker 1: We gotta bring some girls with us too. After the fact. Yeah, 955 00:38:44,840 --> 00:38:48,600 Speaker 1: well it's the breakfast club. Me out turning out now, 956 00:38:49,080 --> 00:38:51,160 Speaker 1: I like sing out now, I like something