1 00:00:18,200 --> 00:00:21,000 Speaker 1: Welcome back to how Rude Tanneritos. We are back with 2 00:00:21,079 --> 00:00:25,120 Speaker 1: part two of our interview with the beloved Marla Sokoloff. 3 00:00:25,560 --> 00:00:28,320 Speaker 1: This interview is so good you guys, We can't wait 4 00:00:28,360 --> 00:00:30,480 Speaker 1: for you to hear the rest of it. So what 5 00:00:30,560 --> 00:00:33,239 Speaker 1: was it like when you got the call that Fuller 6 00:00:33,320 --> 00:00:37,120 Speaker 1: House was happening and that we wanted you to be 7 00:00:37,159 --> 00:00:38,920 Speaker 1: a part of it and come back and reprise the role. 8 00:00:39,200 --> 00:00:40,879 Speaker 2: I mean was so excited. 9 00:00:40,920 --> 00:00:45,640 Speaker 3: I think Jeff had called me even before I got asked. 10 00:00:45,640 --> 00:00:47,159 Speaker 3: It was like during season one and he was like, 11 00:00:47,200 --> 00:00:48,560 Speaker 3: I want to let you know you are going to 12 00:00:48,640 --> 00:00:51,599 Speaker 3: be on it because you probably already sense my like rejection, 13 00:00:55,080 --> 00:00:57,640 Speaker 3: but he was like, there will be Gia, don't worry. 14 00:00:58,280 --> 00:00:59,560 Speaker 3: I just have to figure out how we're going to 15 00:00:59,600 --> 00:01:00,760 Speaker 3: do it, and I want to get the show up 16 00:01:00,760 --> 00:01:06,360 Speaker 3: and running first. So I was so excited. And they 17 00:01:06,480 --> 00:01:08,320 Speaker 3: really went out of their way to keep it a 18 00:01:08,360 --> 00:01:10,280 Speaker 3: secret from the audience, which was really fun. 19 00:01:11,520 --> 00:01:14,880 Speaker 4: They did love surprising the audience with like bringing the 20 00:01:14,920 --> 00:01:18,000 Speaker 4: guest stars back and stuff, because people did lose their mind. 21 00:01:18,080 --> 00:01:19,319 Speaker 4: They would be so excited. 22 00:01:19,520 --> 00:01:22,680 Speaker 2: Yeah, lost their mind, Yeah you got. 23 00:01:22,760 --> 00:01:25,760 Speaker 1: You got a massive applause when you walked into Stephanie's. 24 00:01:25,800 --> 00:01:29,440 Speaker 1: But yeah, during the girl talking was so huge applause. 25 00:01:29,360 --> 00:01:30,120 Speaker 2: Yeah, no, it was. 26 00:01:30,240 --> 00:01:32,720 Speaker 3: It was really fun, so fun. I'll never forget that. 27 00:01:34,240 --> 00:01:36,440 Speaker 3: And it just the surrealness. I remember you guys had 28 00:01:36,440 --> 00:01:38,000 Speaker 3: already been doing it for a while, and I think 29 00:01:38,040 --> 00:01:39,200 Speaker 3: I said to one of you, like, is. 30 00:01:39,160 --> 00:01:40,720 Speaker 2: This crazy to be back on the. 31 00:01:40,880 --> 00:01:44,120 Speaker 3: Stage with the set and like the dressing rooms upstairs, 32 00:01:44,120 --> 00:01:47,319 Speaker 3: like so much of it just was yeah, so surreal. 33 00:01:47,560 --> 00:01:50,920 Speaker 4: Do you remember us getting in trouble one afternoon? For 34 00:01:51,320 --> 00:01:54,960 Speaker 4: we had gone over to the Warner Brothers store okay 35 00:01:55,720 --> 00:01:58,400 Speaker 4: where we you know, you could get like whatever. It 36 00:01:58,440 --> 00:02:00,480 Speaker 4: was like an employee discount or something. You know, you 37 00:02:00,520 --> 00:02:02,880 Speaker 4: worked there, and they had all the Warner brother all 38 00:02:02,920 --> 00:02:06,240 Speaker 4: the Warner records, all the music available in there when 39 00:02:06,280 --> 00:02:08,079 Speaker 4: you would, you know, go buy CDs at an actual 40 00:02:08,120 --> 00:02:12,600 Speaker 4: physical store right back in the dark ages, and the 41 00:02:12,600 --> 00:02:18,600 Speaker 4: Green Day album had just come out and we were there. 42 00:02:18,760 --> 00:02:23,000 Speaker 4: I think like my mom and maybe Sherry had gone 43 00:02:23,000 --> 00:02:24,919 Speaker 4: to lunch or maybe my mom and your mom. I 44 00:02:24,960 --> 00:02:27,880 Speaker 4: don't know, but my mom like had left for a while. 45 00:02:27,880 --> 00:02:29,400 Speaker 4: It was like going shopping. So I was like, we 46 00:02:29,400 --> 00:02:31,320 Speaker 4: have the dressing room all myself, so we put the 47 00:02:31,360 --> 00:02:32,440 Speaker 4: Green Day album on. 48 00:02:32,960 --> 00:02:35,919 Speaker 2: Oh my god, blast it, blasting. 49 00:02:35,200 --> 00:02:38,880 Speaker 4: It, yes, lasting it, and didn't realize like they'd started 50 00:02:38,919 --> 00:02:41,720 Speaker 4: rehearsal and we were just like a Green Day just 51 00:02:41,840 --> 00:02:44,280 Speaker 4: rocking out in my room and I think Becca, our 52 00:02:44,440 --> 00:02:47,520 Speaker 4: ad came and was like, can you turn it down, 53 00:02:48,440 --> 00:02:51,040 Speaker 4: like we're trying to make a show. Yeah, we're trying 54 00:02:51,080 --> 00:02:52,320 Speaker 4: to make a show. And we were like, oh, we're 55 00:02:52,360 --> 00:02:54,000 Speaker 4: just being like all year old girls rocking out to 56 00:02:54,040 --> 00:02:54,840 Speaker 4: Green Day And. 57 00:02:55,880 --> 00:02:58,040 Speaker 2: No, I totally remember that. That was the best. It 58 00:02:58,080 --> 00:03:01,080 Speaker 2: was so fun. Yeah, I don't remember going to this store, but. 59 00:03:01,120 --> 00:03:03,440 Speaker 4: Yeah, we like we were we that was you know, 60 00:03:03,520 --> 00:03:05,600 Speaker 4: we got to like walk around on the lot by 61 00:03:05,639 --> 00:03:07,800 Speaker 4: our mom would be like okay, fine, you guys can 62 00:03:07,840 --> 00:03:09,959 Speaker 4: go to the commissary by yourself. You know, we'd have 63 00:03:10,000 --> 00:03:12,520 Speaker 4: an hour free. It was like off campus lunch. So 64 00:03:12,560 --> 00:03:15,560 Speaker 4: we'd go watch the commissary and go to the Winner 65 00:03:15,600 --> 00:03:17,680 Speaker 4: Brothers store and we're like look at us, like we're 66 00:03:17,720 --> 00:03:22,760 Speaker 4: like the adults, like by ourselves. But yeah, it was weird, ridiculous, 67 00:03:23,240 --> 00:03:26,080 Speaker 4: best feeling right, probably still probably trying to smoke stolen 68 00:03:26,120 --> 00:03:27,440 Speaker 4: cigarettes somewhere the. 69 00:03:30,320 --> 00:03:31,679 Speaker 2: Yeah, just like clothes. 70 00:03:31,760 --> 00:03:35,760 Speaker 1: Yeah, part of your method acting got smoke back in 71 00:03:35,840 --> 00:03:37,200 Speaker 1: the Commissary. 72 00:03:36,880 --> 00:03:38,080 Speaker 4: Wearing we were both wearing crapped. 73 00:03:38,240 --> 00:03:41,040 Speaker 3: I remember there was like on tape days there was 74 00:03:42,240 --> 00:03:43,560 Speaker 3: like catered meal. 75 00:03:43,960 --> 00:03:46,960 Speaker 4: Do you remember stage on Thursdays? 76 00:03:47,000 --> 00:03:48,640 Speaker 2: And if we do that for Fuller? Did they or 77 00:03:48,720 --> 00:03:49,720 Speaker 2: was I just uneinvited? 78 00:03:50,160 --> 00:03:50,680 Speaker 4: No? 79 00:03:50,680 --> 00:03:51,320 Speaker 1: No, No. 80 00:03:52,880 --> 00:03:57,000 Speaker 4: Seasons of Fuller, remember when we were on the the 81 00:03:57,040 --> 00:04:00,680 Speaker 4: smaller stage for the first season and we would walk 82 00:04:00,880 --> 00:04:05,080 Speaker 4: next door to dinner at that other empty sound stage 83 00:04:05,120 --> 00:04:06,760 Speaker 4: when we were doing Fuller's. 84 00:04:06,280 --> 00:04:08,680 Speaker 1: Right, that was like yes, season one. Yeah, we were 85 00:04:08,680 --> 00:04:09,840 Speaker 1: on the two and a half men's. 86 00:04:09,600 --> 00:04:13,160 Speaker 4: Stay men's stage and it was a lot smaller, and yeah, 87 00:04:13,160 --> 00:04:14,600 Speaker 4: it was kind of we were doing it a little 88 00:04:14,600 --> 00:04:17,680 Speaker 4: bit differently then, but I think on those Friday nights 89 00:04:17,720 --> 00:04:20,279 Speaker 4: we would get we would go over there and have dinner. 90 00:04:20,279 --> 00:04:22,200 Speaker 4: But then eventually it was just like the meal tickets 91 00:04:22,200 --> 00:04:24,359 Speaker 4: and they send us over to the Commissary, which I 92 00:04:24,400 --> 00:04:25,760 Speaker 4: preferred so I could get my tunea melt. 93 00:04:25,839 --> 00:04:29,160 Speaker 1: You had to get your tradition sandwich before every show, 94 00:04:29,240 --> 00:04:34,159 Speaker 1: your pre game meal. That's my pre show ritual, every pickle. 95 00:04:34,320 --> 00:04:36,839 Speaker 4: Every time I see a tuna melt or order one, 96 00:04:36,920 --> 00:04:39,719 Speaker 4: I think of Andrea Barber from the og full house 97 00:04:39,800 --> 00:04:42,680 Speaker 4: days because that was we would go to the to 98 00:04:42,800 --> 00:04:46,680 Speaker 4: the like lunch truck the roads coach right on like 99 00:04:46,760 --> 00:04:51,320 Speaker 4: the white you know, nondescript food truck on the Lorimar 100 00:04:51,920 --> 00:04:56,080 Speaker 4: Sony lot and we would go and get Martinelli's apple 101 00:04:56,120 --> 00:05:00,960 Speaker 4: cider and Tunea Melts and they were delicious. But that was love. 102 00:05:01,160 --> 00:05:03,640 Speaker 2: Now I went to tune mel Now right now I'm hungry. 103 00:05:04,240 --> 00:05:05,520 Speaker 1: It's such good comfort food. 104 00:05:07,000 --> 00:05:10,120 Speaker 4: But yeah, that was But I do remember us going 105 00:05:10,160 --> 00:05:14,960 Speaker 4: yeah with Commissary was like our our adventure time, you know, 106 00:05:15,040 --> 00:05:17,200 Speaker 4: weird growing up on a lot. Like it's so I 107 00:05:17,240 --> 00:05:20,800 Speaker 4: always think, like I laugh because I get on a 108 00:05:20,839 --> 00:05:22,960 Speaker 4: studio a lot and I'm like, oh, yes, this is 109 00:05:23,240 --> 00:05:27,640 Speaker 4: you know, this feels this chaos feels comfortable, like just 110 00:05:27,720 --> 00:05:29,800 Speaker 4: driving through the lot and there's all manner of things 111 00:05:29,800 --> 00:05:32,120 Speaker 4: happening and like, you know, just weird stuff you see 112 00:05:32,120 --> 00:05:36,320 Speaker 4: that You're like, that's normal, and it just like there's 113 00:05:36,400 --> 00:05:40,240 Speaker 4: no better feeling for me than when I'm on a 114 00:05:40,240 --> 00:05:42,919 Speaker 4: lot or a sound stage or on set somehow. Like 115 00:05:43,000 --> 00:05:44,440 Speaker 4: I'm just like, ah, yeah. 116 00:05:44,120 --> 00:05:45,880 Speaker 3: If you're there for like an audition, because I feel 117 00:05:45,880 --> 00:05:47,280 Speaker 3: like that sends me into like a little bit of 118 00:05:47,320 --> 00:05:47,679 Speaker 3: a spiral. 119 00:05:47,800 --> 00:05:50,719 Speaker 4: When's the last time I do? You and I have 120 00:05:50,800 --> 00:05:52,920 Speaker 4: seen each other at many an audition though, Yeah when 121 00:05:52,960 --> 00:05:56,479 Speaker 4: we were young, Remember I saw you at like Paramount once, 122 00:05:57,000 --> 00:05:59,640 Speaker 4: Paramount once, but I no, I think not Paramount, CBS 123 00:05:59,720 --> 00:05:59,960 Speaker 4: rad for. 124 00:06:01,800 --> 00:06:02,760 Speaker 2: That were sitting recently. 125 00:06:02,800 --> 00:06:06,120 Speaker 3: I'm thinking like between like post full House, I remember 126 00:06:06,120 --> 00:06:09,000 Speaker 3: seeing you at Paramount and then yeah. 127 00:06:09,120 --> 00:06:11,279 Speaker 4: Yeah, and then bringing up as like adults we were 128 00:06:11,320 --> 00:06:14,000 Speaker 4: in we were both in on again some callback on 129 00:06:14,040 --> 00:06:16,640 Speaker 4: something and it was like sitting in the hallway. Now 130 00:06:16,920 --> 00:06:19,520 Speaker 4: you really go on set though, or on a lot 131 00:06:19,600 --> 00:06:20,680 Speaker 4: for auditions. 132 00:06:20,760 --> 00:06:22,520 Speaker 2: Thank god. I don't want to do that ever. 133 00:06:22,600 --> 00:06:24,960 Speaker 4: I miss that though, see I missed you. Yeah. 134 00:06:25,040 --> 00:06:26,719 Speaker 2: See. I think there's two schools of actors. 135 00:06:26,760 --> 00:06:30,040 Speaker 3: There's ones who love that and they want to see 136 00:06:30,080 --> 00:06:31,640 Speaker 3: people and they want to be in the room. 137 00:06:31,760 --> 00:06:32,840 Speaker 2: I'm like, I'm sorry. 138 00:06:32,880 --> 00:06:34,360 Speaker 3: We get to do as many takes as we want 139 00:06:34,360 --> 00:06:39,039 Speaker 3: in the privacy of our own home without traffic and amen. 140 00:06:39,720 --> 00:06:45,800 Speaker 4: Yes, yeah, I don't like that because it's like so hard. 141 00:06:46,640 --> 00:06:49,440 Speaker 4: It's just so hard to like feed off of any energy. 142 00:06:49,480 --> 00:06:51,120 Speaker 4: I guess I don't know, Like for me, it's. 143 00:06:50,960 --> 00:06:52,400 Speaker 2: No, it does put you in a bad position a 144 00:06:52,440 --> 00:06:53,000 Speaker 2: little bit. Isn't it. 145 00:06:53,040 --> 00:06:55,120 Speaker 4: And I like I like getting notes. I like to 146 00:06:55,160 --> 00:06:57,600 Speaker 4: be able to do something and then if the casting 147 00:06:57,600 --> 00:06:59,160 Speaker 4: director or somebody's like, hey, could you give it you 148 00:06:59,200 --> 00:07:00,839 Speaker 4: know again, could you give it a little more edge? 149 00:07:00,880 --> 00:07:02,359 Speaker 4: Like you have such a sweet face? Can you do 150 00:07:02,440 --> 00:07:04,880 Speaker 4: something like? I feel like there's a lot of auditions 151 00:07:04,920 --> 00:07:07,359 Speaker 4: that you'll submit on and have they been able to 152 00:07:07,400 --> 00:07:09,360 Speaker 4: give you a note on something? And I'm like, oh, 153 00:07:09,400 --> 00:07:11,160 Speaker 4: I could totally fix that. And that's what I like 154 00:07:11,200 --> 00:07:13,119 Speaker 4: being in the room is like I can play around 155 00:07:13,120 --> 00:07:14,880 Speaker 4: with it a little bit more. Tapes are always scary 156 00:07:14,880 --> 00:07:17,440 Speaker 4: because it's like I thought this was good, but you 157 00:07:17,560 --> 00:07:19,480 Speaker 4: might think this is not at all what you want 158 00:07:19,520 --> 00:07:20,560 Speaker 4: from the character. 159 00:07:20,280 --> 00:07:23,560 Speaker 3: If I have no idea, Yeah, yeah, no, I totally 160 00:07:23,560 --> 00:07:25,640 Speaker 3: agree with that. I think maybe best case scenario is 161 00:07:25,640 --> 00:07:29,640 Speaker 3: when you do a zoom like callback. Yeah yeah, yeah, yeah, 162 00:07:29,760 --> 00:07:33,600 Speaker 3: I just I yeah, it's so interesting. There are literally 163 00:07:33,640 --> 00:07:35,280 Speaker 3: two schools like people love it or hate it. 164 00:07:35,400 --> 00:07:37,480 Speaker 2: Yeah. I feel like when we first started doing. 165 00:07:38,840 --> 00:07:42,000 Speaker 3: The self tapes, I really thought it was crazy and 166 00:07:42,040 --> 00:07:43,120 Speaker 3: it was so out. 167 00:07:42,960 --> 00:07:45,440 Speaker 4: Of well that well, then then the pandemic came and 168 00:07:45,480 --> 00:07:48,520 Speaker 4: everyone learned how to self tape themselves. Basically, whether you 169 00:07:48,560 --> 00:07:49,600 Speaker 4: were in entertainment or not. 170 00:07:49,880 --> 00:07:51,120 Speaker 3: And now if I were to get like an in 171 00:07:51,160 --> 00:07:54,000 Speaker 3: person audition, I would probably need to like medicate myself. 172 00:07:54,000 --> 00:07:56,280 Speaker 2: I would be so nervous going to it. 173 00:07:56,840 --> 00:07:59,880 Speaker 4: I remember the even as I relate to the seeing 174 00:07:59,880 --> 00:08:01,880 Speaker 4: you in the hallway, and we're like again sitting in 175 00:08:01,920 --> 00:08:03,640 Speaker 4: the hallway, and I think we were joking because we 176 00:08:03,640 --> 00:08:07,680 Speaker 4: were like here we are years later, you know, like 177 00:08:08,200 --> 00:08:10,760 Speaker 4: sitting on the ground in a hallway full of you know, 178 00:08:10,880 --> 00:08:14,600 Speaker 4: other actors, and all like yeah, and we could and 179 00:08:15,200 --> 00:08:17,280 Speaker 4: do you remember that, I all of a sudden remembered 180 00:08:17,360 --> 00:08:22,720 Speaker 4: we could hear everything. It's in the room. 181 00:08:22,800 --> 00:08:25,360 Speaker 2: It's so cruel. I remember that. 182 00:08:25,480 --> 00:08:26,680 Speaker 1: Psychologically, Oh my. 183 00:08:26,640 --> 00:08:30,800 Speaker 4: God, it's such torture because you can hear the person 184 00:08:31,120 --> 00:08:33,480 Speaker 4: and the room, so like you hear the choices that 185 00:08:33,520 --> 00:08:35,680 Speaker 4: they're making and the response they're getting. 186 00:08:35,720 --> 00:08:36,840 Speaker 2: You're just questioning every choice. 187 00:08:36,880 --> 00:08:39,000 Speaker 4: Then all you do is just sit there and go 188 00:08:39,320 --> 00:08:41,760 Speaker 4: my choices, suck, my choices, suck. I made terrible ones. 189 00:08:41,800 --> 00:08:46,040 Speaker 4: They like that better, they and like it's just it's they. 190 00:08:46,400 --> 00:08:48,240 Speaker 3: That I have to make my voice go up at 191 00:08:48,240 --> 00:08:50,720 Speaker 3: the end of that line, okay, right right. 192 00:08:50,640 --> 00:08:53,000 Speaker 4: And then you're like, oh no, they oh that's it. 193 00:08:53,280 --> 00:08:55,040 Speaker 4: Why am I even going in here? And then yeah, 194 00:08:55,080 --> 00:08:56,640 Speaker 4: it's just that's the worst one. 195 00:08:56,800 --> 00:08:59,400 Speaker 2: It's in there for like forty minutes and then you 196 00:08:59,400 --> 00:09:00,280 Speaker 2: go in You're in for like. 197 00:09:00,440 --> 00:09:04,480 Speaker 1: Four right right, yeah, this is the word. 198 00:09:04,480 --> 00:09:05,880 Speaker 4: You're going to hear him in there and they're like, hey, 199 00:09:05,920 --> 00:09:07,480 Speaker 4: good to see you again. Where you're like, oh. 200 00:09:07,400 --> 00:09:09,400 Speaker 2: Great, Yeah, it's like their godfather. 201 00:09:09,640 --> 00:09:13,600 Speaker 4: This is it? Oh perfect, And yet you're still still 202 00:09:13,800 --> 00:09:15,880 Speaker 4: I never feel more at home, right, it's a. 203 00:09:16,280 --> 00:09:18,840 Speaker 2: M yeah, no, it is something. Why do we do 204 00:09:18,880 --> 00:09:20,640 Speaker 2: this for punishment? City over here? 205 00:09:21,000 --> 00:09:23,520 Speaker 1: When you do self tapes at home? Is Alec your reader? 206 00:09:23,559 --> 00:09:24,040 Speaker 1: Your husband? 207 00:09:24,160 --> 00:09:25,400 Speaker 4: Is he your reader? Or who? 208 00:09:25,520 --> 00:09:27,720 Speaker 1: Like that's my biggest beef is I hate having to 209 00:09:27,840 --> 00:09:28,760 Speaker 1: provide my own reader. 210 00:09:28,840 --> 00:09:29,600 Speaker 2: I don't really do. 211 00:09:29,800 --> 00:09:32,920 Speaker 3: I'm not trying to act anymore so I'm mainly directing. 212 00:09:33,040 --> 00:09:36,080 Speaker 3: But when those days were happening, it was Alec and 213 00:09:36,120 --> 00:09:38,000 Speaker 3: I do blame him for the demise of my acting 214 00:09:38,040 --> 00:09:40,960 Speaker 3: career because he truly sucks. 215 00:09:41,080 --> 00:09:43,480 Speaker 2: And or he would I feel like he is really 216 00:09:44,320 --> 00:09:45,960 Speaker 2: so bad and he would want to you know, so, 217 00:09:46,040 --> 00:09:47,800 Speaker 2: what what am I doing in this scene? And like 218 00:09:47,840 --> 00:09:48,280 Speaker 2: where are we? 219 00:09:48,320 --> 00:09:52,079 Speaker 4: I'm like, you're doing You're doing as little like, this 220 00:09:52,160 --> 00:09:53,679 Speaker 4: is your audition. 221 00:09:54,400 --> 00:09:56,240 Speaker 2: So just say say the words please. 222 00:09:57,559 --> 00:10:00,800 Speaker 3: And but now if if I were to do it, 223 00:10:00,840 --> 00:10:03,280 Speaker 3: I would probably just have like a friend because that 224 00:10:03,440 --> 00:10:04,240 Speaker 3: was causing a. 225 00:10:04,160 --> 00:10:06,480 Speaker 2: Lot of fights. He also is like one take, He's like, Okay, 226 00:10:06,480 --> 00:10:08,800 Speaker 2: that was great, and I'm like, well, no that I 227 00:10:08,840 --> 00:10:09,640 Speaker 2: need one more reason. 228 00:10:09,679 --> 00:10:10,079 Speaker 4: That's what. 229 00:10:10,360 --> 00:10:11,280 Speaker 2: No, you don't, you're good. 230 00:10:11,720 --> 00:10:13,960 Speaker 4: I actually go to a place where I do a 231 00:10:13,960 --> 00:10:16,800 Speaker 4: self tape with like a person who's a reader, and 232 00:10:16,840 --> 00:10:18,120 Speaker 4: they have the lighting and the thing. 233 00:10:18,240 --> 00:10:21,240 Speaker 2: I just it's you go to much better. 234 00:10:22,120 --> 00:10:25,720 Speaker 4: No, I go to the Creation Station Studios in North Hollywood. 235 00:10:25,720 --> 00:10:26,840 Speaker 4: A little shout out to them. 236 00:10:26,679 --> 00:10:29,040 Speaker 3: But Intrepid's great too, and they have really good actors there. 237 00:10:29,120 --> 00:10:31,600 Speaker 3: That's why I liked them so much. They're they're actors, 238 00:10:31,679 --> 00:10:31,880 Speaker 3: you know. 239 00:10:32,960 --> 00:10:35,400 Speaker 4: Yeah, yeah, yeah, that's same here too, and that's important, 240 00:10:35,400 --> 00:10:39,240 Speaker 4: like great, yeah, keeping keeping us actors busy doing things 241 00:10:39,280 --> 00:10:40,280 Speaker 4: in between jobs anyway. 242 00:10:40,320 --> 00:10:41,800 Speaker 2: But I also like it because you feel like you're 243 00:10:41,800 --> 00:10:43,319 Speaker 2: an audition, like you have to be off. 244 00:10:43,360 --> 00:10:45,280 Speaker 4: But what I mean, it's like there, yeah, you have. 245 00:10:45,320 --> 00:10:47,720 Speaker 3: To look good, you have to be prepared, you know, 246 00:10:48,000 --> 00:10:49,360 Speaker 3: So I do. I do prefer that. 247 00:10:50,000 --> 00:10:51,920 Speaker 4: Plus I don't think I could get Mescal to do 248 00:10:51,960 --> 00:10:54,840 Speaker 4: an audition. He'd be like, I, well, which is probably 249 00:10:54,880 --> 00:10:56,480 Speaker 4: for the best. He would be like, I am not 250 00:10:57,240 --> 00:10:58,319 Speaker 4: the right person for this. 251 00:10:58,440 --> 00:11:01,400 Speaker 1: Oh it's the worst. Yeah, I used this Michael dol Yeah, 252 00:11:01,440 --> 00:11:04,680 Speaker 1: Michael my boyfriend. He's usually my reader. But he tries 253 00:11:04,720 --> 00:11:08,080 Speaker 1: to act and I'm like, don't you're distracted. Aligns with 254 00:11:08,120 --> 00:11:09,880 Speaker 1: me on Fuller, he would run lines with me. So 255 00:11:10,040 --> 00:11:13,200 Speaker 1: he would be Fernando usually trying to do the Argentinian accent. 256 00:11:13,240 --> 00:11:13,719 Speaker 4: Stop it. 257 00:11:13,800 --> 00:11:15,839 Speaker 1: And He's this tall white man with a red beard, 258 00:11:15,840 --> 00:11:18,720 Speaker 1: and I'm like, no, stop, Like, just stop trying to act. 259 00:11:19,200 --> 00:11:22,920 Speaker 1: Don't do an accent. It's so distracting that Yeah, you're right, 260 00:11:22,960 --> 00:11:25,000 Speaker 1: it makes it. It makes it worse, and it causes 261 00:11:25,120 --> 00:11:26,040 Speaker 1: marital strife. 262 00:11:26,080 --> 00:11:29,720 Speaker 4: Like it's no win situation, no bad news. Let's just 263 00:11:29,760 --> 00:11:32,000 Speaker 4: do this away from the family. 264 00:11:32,120 --> 00:11:34,840 Speaker 3: Yeah, it's a better idea, but I am hearing that 265 00:11:34,880 --> 00:11:36,920 Speaker 3: it's going to start going back to in person. So 266 00:11:37,520 --> 00:11:39,480 Speaker 3: Andrew and I we need to figure out some sort 267 00:11:39,520 --> 00:11:39,840 Speaker 3: of a an. 268 00:11:40,120 --> 00:11:42,640 Speaker 4: I do think there I'm saying I think there are 269 00:11:42,640 --> 00:11:45,880 Speaker 4: a lot of I think casting directors also like to 270 00:11:45,920 --> 00:11:47,959 Speaker 4: get the vibe of a person, you know what I mean. 271 00:11:49,120 --> 00:11:51,319 Speaker 4: You walk into the room again and like they can, 272 00:11:51,400 --> 00:11:53,640 Speaker 4: they can be one thing on their self tape and 273 00:11:53,640 --> 00:11:55,120 Speaker 4: then they walk in there and be like, oh my god, 274 00:11:55,160 --> 00:11:58,760 Speaker 4: you're insane, you know, or you're Although if that disqualified 275 00:11:58,800 --> 00:12:03,680 Speaker 4: people from this business, one would work insane. Oh my gosh, 276 00:12:03,800 --> 00:12:09,840 Speaker 4: we love you. Here's always the actor, right, yeah, speaking 277 00:12:09,880 --> 00:12:12,760 Speaker 4: of insane, what was dude, Where's My Car? Like? Because 278 00:12:12,800 --> 00:12:17,520 Speaker 4: that was such a again, such a like like two 279 00:12:17,559 --> 00:12:20,880 Speaker 4: thousands staple movie. 280 00:12:21,160 --> 00:12:23,240 Speaker 3: When I think of that movie, I think of trying 281 00:12:23,280 --> 00:12:25,520 Speaker 3: to not laugh and when you have to like tell 282 00:12:25,559 --> 00:12:27,839 Speaker 3: yourself bad thoughts in order to not be the one 283 00:12:27,840 --> 00:12:32,520 Speaker 3: to ruin the take because everybody was so funny. 284 00:12:31,720 --> 00:12:36,000 Speaker 4: And bad thoughts like what like just picture horrific accidents. 285 00:12:35,679 --> 00:12:38,720 Speaker 3: Exactly, like like someone you love dying, Like I had 286 00:12:38,760 --> 00:12:40,920 Speaker 3: to go to dark places just to not laugh, you know. 287 00:12:41,160 --> 00:12:43,080 Speaker 4: But what if you make jokes about that and then 288 00:12:43,200 --> 00:12:45,040 Speaker 4: then you're just now you're laughing more, Because that would 289 00:12:45,040 --> 00:12:49,959 Speaker 4: be my problem is I'd be like, oh really, yeah, yeah, yeah, 290 00:12:50,000 --> 00:12:50,680 Speaker 4: it would be all bad. 291 00:12:52,040 --> 00:12:53,480 Speaker 3: But yeah, we had a great time, and I remember 292 00:12:53,520 --> 00:12:55,840 Speaker 3: it being like the dead of summer, you know, like 293 00:12:55,920 --> 00:12:59,440 Speaker 3: Ashton was on his hiatus from that seventy show. So 294 00:12:59,440 --> 00:13:02,560 Speaker 3: it was so hot and it was a very long 295 00:13:02,600 --> 00:13:05,280 Speaker 3: shoot because those were the days Whereen Productions had like 296 00:13:05,360 --> 00:13:07,400 Speaker 3: money to shoot, which is so nice. 297 00:13:07,600 --> 00:13:11,199 Speaker 4: So yeah, you'd get like sixteen hour days and like 298 00:13:11,200 --> 00:13:12,959 Speaker 4: like a month or more to shoot. 299 00:13:12,960 --> 00:13:14,920 Speaker 2: AMM remember it being like the whole none. 300 00:13:14,840 --> 00:13:16,640 Speaker 4: Of this thirteen days. What do you mean you can't 301 00:13:16,640 --> 00:13:17,800 Speaker 4: do it in thirteen days? 302 00:13:17,800 --> 00:13:21,880 Speaker 2: Literally like twelve twelve days. It's pretty standard. But I 303 00:13:22,240 --> 00:13:23,120 Speaker 2: just we had the best time. 304 00:13:23,160 --> 00:13:24,760 Speaker 3: It was so fun, and I had such a big 305 00:13:24,800 --> 00:13:28,240 Speaker 3: crush on Sean william Scott, Like it was intense, right, 306 00:13:28,520 --> 00:13:29,840 Speaker 3: So yeah, it was fun. 307 00:13:30,120 --> 00:13:33,440 Speaker 4: Sean Williams Scott always reminded me of Scott White. I 308 00:13:33,440 --> 00:13:37,720 Speaker 4: could see that from the they like from the episode 309 00:13:37,720 --> 00:13:39,320 Speaker 4: and so whenever when you were in that movie, I 310 00:13:39,360 --> 00:13:41,360 Speaker 4: was like, oh my god, it's like it's like our 311 00:13:41,400 --> 00:13:43,720 Speaker 4: little wild Joy right again, except there's the car missing, 312 00:13:43,800 --> 00:13:45,760 Speaker 4: but like it's about a car. Yeah, I don't know. 313 00:13:45,920 --> 00:13:48,400 Speaker 4: It was like my my little brain was like making 314 00:13:48,440 --> 00:13:52,760 Speaker 4: connections and travel. Yeah. I love that. It's funny and 315 00:13:52,800 --> 00:13:55,760 Speaker 4: I just love that, like you were in so many 316 00:13:56,720 --> 00:13:58,040 Speaker 4: iconic That one. 317 00:13:57,880 --> 00:14:00,160 Speaker 3: Is a very I mean talk about niche Like that 318 00:14:00,240 --> 00:14:03,400 Speaker 3: one was not a hit on any level. When it 319 00:14:03,440 --> 00:14:07,720 Speaker 3: came out, I remember it being like a flop, but 320 00:14:07,760 --> 00:14:08,280 Speaker 3: then when it. 321 00:14:08,400 --> 00:14:10,600 Speaker 4: Well, it was a it was a bong hit, but 322 00:14:10,800 --> 00:14:12,280 Speaker 4: it was you know what I mean, like it was 323 00:14:12,280 --> 00:14:13,400 Speaker 4: a it was a movie first. 324 00:14:14,200 --> 00:14:16,120 Speaker 2: So I know my people and someone comes up and 325 00:14:16,160 --> 00:14:17,040 Speaker 2: knows they were just. 326 00:14:17,040 --> 00:14:19,080 Speaker 4: Slow on the updates. I mean, they're like, we'll get 327 00:14:19,120 --> 00:14:21,840 Speaker 4: around watching it, just give us a little bit exactly. 328 00:14:22,240 --> 00:14:24,360 Speaker 3: When somebody comes up and recognizes me from that, I'm like, 329 00:14:24,400 --> 00:14:26,480 Speaker 3: I know everything I need to know about you, like 330 00:14:26,600 --> 00:14:28,280 Speaker 3: I know my. 331 00:14:28,320 --> 00:14:30,120 Speaker 4: People and you're like, where's my car? 332 00:14:30,360 --> 00:14:30,560 Speaker 2: Yeah? 333 00:14:33,400 --> 00:14:35,920 Speaker 1: I want to talk about your your directing career. Yes, 334 00:14:35,960 --> 00:14:39,320 Speaker 1: I don't. I don't know much about that. You've directed 335 00:14:39,360 --> 00:14:43,200 Speaker 1: several several from Sweet On You Rose All Day and 336 00:14:43,240 --> 00:14:45,960 Speaker 1: a Christmas Blending Christmas. 337 00:14:45,160 --> 00:14:47,640 Speaker 3: That was a Rady bunch talk to me create Christmas movie, 338 00:14:47,640 --> 00:14:48,560 Speaker 3: which was very fun. 339 00:14:50,120 --> 00:14:53,840 Speaker 1: Oh okay, So how did you foray into directing? 340 00:14:54,120 --> 00:14:58,200 Speaker 2: And uh? I how did say? It was? 341 00:14:58,280 --> 00:15:00,400 Speaker 3: It kind of was born out of what we're talking about, 342 00:15:00,440 --> 00:15:03,320 Speaker 3: just that frustration with acting and going into all of 343 00:15:03,320 --> 00:15:06,600 Speaker 3: these rooms and sitting in waiting rooms with Jodie Sweet 344 00:15:06,640 --> 00:15:08,920 Speaker 3: and being like what am I still doing? 345 00:15:09,160 --> 00:15:11,440 Speaker 4: That really was yeah, I'm. 346 00:15:11,680 --> 00:15:12,840 Speaker 2: I'm really still doing this. 347 00:15:12,960 --> 00:15:16,440 Speaker 3: And it's somehow I think having kids made it less 348 00:15:16,480 --> 00:15:19,200 Speaker 3: fun for me, because I would get so depressed. 349 00:15:19,440 --> 00:15:21,680 Speaker 4: Now you're like, I now need a job, Like I 350 00:15:21,720 --> 00:15:21,960 Speaker 4: need a. 351 00:15:22,000 --> 00:15:24,360 Speaker 3: Job, like, yeah, I have these girls who are looking 352 00:15:24,360 --> 00:15:26,240 Speaker 3: at me, going, why is mommy crying because she didn't 353 00:15:26,240 --> 00:15:26,800 Speaker 3: get a job. 354 00:15:26,960 --> 00:15:29,480 Speaker 2: It just felt like the whole thing just it was 355 00:15:29,480 --> 00:15:29,920 Speaker 2: hard for me. 356 00:15:29,960 --> 00:15:31,760 Speaker 3: And I would literally pull up auditions and not want 357 00:15:31,800 --> 00:15:34,040 Speaker 3: to get out of the car because I just didn't 358 00:15:34,040 --> 00:15:36,000 Speaker 3: want to see more dead eyes staring at me on 359 00:15:36,000 --> 00:15:38,480 Speaker 3: something I'd worked so hard on. And any job I 360 00:15:38,520 --> 00:15:43,400 Speaker 3: was getting was relationship based or whatever. So one night 361 00:15:43,480 --> 00:15:46,320 Speaker 3: I was crying to my husband at a bar and 362 00:15:47,000 --> 00:15:49,640 Speaker 3: he just looked at me and he said, you have 363 00:15:50,280 --> 00:15:52,400 Speaker 3: so much material that you've written over the years, go 364 00:15:52,520 --> 00:15:56,760 Speaker 3: make something. And it never occurred to me that I 365 00:15:56,760 --> 00:16:00,560 Speaker 3: could actually do that, and so I did. I had 366 00:16:00,560 --> 00:16:02,800 Speaker 3: this short that I made and it wound up being, 367 00:16:03,520 --> 00:16:06,400 Speaker 3: you know, pretty successful, which was great, and I directed 368 00:16:06,400 --> 00:16:08,040 Speaker 3: it and I was in it and I loved the 369 00:16:08,080 --> 00:16:09,560 Speaker 3: directing parts so much more. 370 00:16:10,640 --> 00:16:15,240 Speaker 4: Was that the preschool one? Yes oh yeah, yes about. 371 00:16:15,080 --> 00:16:17,480 Speaker 3: Like the crazy parents, right, And it was born out 372 00:16:17,480 --> 00:16:20,600 Speaker 3: of my children's preschool, Like you walk into their school 373 00:16:20,760 --> 00:16:22,960 Speaker 3: and there was a picture of every kid in the 374 00:16:22,960 --> 00:16:27,480 Speaker 3: class and what they couldn't pultn't eat, And I just thought, 375 00:16:27,720 --> 00:16:28,800 Speaker 3: this was never like this. 376 00:16:28,800 --> 00:16:30,480 Speaker 2: When we were growing up. You know, you just ate 377 00:16:30,520 --> 00:16:34,800 Speaker 2: what they gave you. So, I mean, my daughter now 378 00:16:34,840 --> 00:16:36,520 Speaker 2: has a dairy allergy, so I think the joke is 379 00:16:36,560 --> 00:16:36,800 Speaker 2: on me. 380 00:16:36,920 --> 00:16:40,680 Speaker 4: But she did it then, right, come on, people just 381 00:16:40,720 --> 00:16:42,080 Speaker 4: eats Oh well wait, maybe not. 382 00:16:43,520 --> 00:16:44,760 Speaker 2: But yeah, So it was really fun. 383 00:16:44,800 --> 00:16:48,720 Speaker 3: And then I decided, I think I you know, it 384 00:16:48,920 --> 00:16:51,880 Speaker 3: was it was the first time in my life where 385 00:16:51,880 --> 00:16:53,600 Speaker 3: I felt like, oh, this is actually what I'm supposed 386 00:16:53,600 --> 00:16:55,640 Speaker 3: to be doing, you know, and it was very clear 387 00:16:55,680 --> 00:16:57,840 Speaker 3: to me. And so I took off two years and 388 00:16:57,880 --> 00:17:01,120 Speaker 3: I shadowed every director I possibly could and just tried 389 00:17:01,160 --> 00:17:03,080 Speaker 3: to learn as much without going to film school. 390 00:17:03,080 --> 00:17:06,520 Speaker 2: But our film school is our experience, right, so exactly. 391 00:17:07,040 --> 00:17:09,199 Speaker 3: And then I shadowed a director of a movie that 392 00:17:09,240 --> 00:17:12,040 Speaker 3: I was in and I was filming in Utah, so 393 00:17:12,080 --> 00:17:13,560 Speaker 3: I was away from my kids, and I was able 394 00:17:13,560 --> 00:17:15,760 Speaker 3: to really throw myself into shadowing like the way I'd 395 00:17:15,760 --> 00:17:19,600 Speaker 3: always wanted to. And that company who I know you've 396 00:17:19,600 --> 00:17:25,280 Speaker 3: worked with before, Jody, like Jeff Shank and Peter Sullivan. Yeah, 397 00:17:25,320 --> 00:17:28,320 Speaker 3: they pitched me to Lifetime and they wound up hiring me, 398 00:17:28,480 --> 00:17:31,080 Speaker 3: so I wound up Yeah, so they were really big 399 00:17:31,160 --> 00:17:34,520 Speaker 3: champions of me, which was really exciting. And yeah, it's 400 00:17:34,560 --> 00:17:35,640 Speaker 3: just kind of taken off from there. 401 00:17:36,359 --> 00:17:36,920 Speaker 1: I love it. 402 00:17:37,040 --> 00:17:37,560 Speaker 4: I love it. 403 00:17:37,920 --> 00:17:41,879 Speaker 1: But what do you find the most challenging part of directing? 404 00:17:42,400 --> 00:17:44,480 Speaker 1: Because that would stress me out, Like being the head 405 00:17:44,480 --> 00:17:48,040 Speaker 1: honcho where everybody's coming at you and like asking questions 406 00:17:48,119 --> 00:17:48,960 Speaker 1: that would stress me out. 407 00:17:49,040 --> 00:17:50,720 Speaker 3: You do have to multi time, I mean, yeah, yeah, 408 00:17:50,920 --> 00:17:52,600 Speaker 3: I think the thing that stresses me out the most 409 00:17:52,640 --> 00:17:55,000 Speaker 3: about being a director is just the judgment that because 410 00:17:55,000 --> 00:17:57,119 Speaker 3: a lot of the time I have to win my 411 00:17:57,200 --> 00:17:59,040 Speaker 3: crew over. You know, I work with a lot of 412 00:17:59,080 --> 00:18:01,680 Speaker 3: the same guys. Now it's been a couple of years. 413 00:18:01,720 --> 00:18:03,280 Speaker 3: I think I've been directing for like six or seven 414 00:18:03,320 --> 00:18:05,399 Speaker 3: years now, so I have my like people. But at 415 00:18:05,400 --> 00:18:08,439 Speaker 3: the beginning, people knew me as an actor, and so 416 00:18:08,520 --> 00:18:12,040 Speaker 3: I think the bar was set very low and that 417 00:18:12,160 --> 00:18:16,560 Speaker 3: used to really be hard for me to feel like 418 00:18:16,600 --> 00:18:18,720 Speaker 3: people didn't think I knew what I was doing, and 419 00:18:19,000 --> 00:18:21,000 Speaker 3: you know, so it's kind of like winning people over, 420 00:18:21,320 --> 00:18:25,080 Speaker 3: showing them, you know. I remember my first production meeting 421 00:18:25,080 --> 00:18:27,359 Speaker 3: I ever had. I felt like there was one particular 422 00:18:27,440 --> 00:18:29,920 Speaker 3: crew member who I felt like was challenging me almost 423 00:18:30,040 --> 00:18:33,120 Speaker 3: and within a group of people asking me questions that 424 00:18:33,560 --> 00:18:36,119 Speaker 3: you know, luckily I knew, but he didn't think I 425 00:18:36,160 --> 00:18:36,520 Speaker 3: would know. 426 00:18:38,040 --> 00:18:42,040 Speaker 4: I'm so not shocked that you said he I'm sorry, sorry, 427 00:18:42,080 --> 00:18:43,040 Speaker 4: sorry side note. 428 00:18:43,640 --> 00:18:47,160 Speaker 2: But yeah, yeah it is. 429 00:18:47,400 --> 00:18:50,119 Speaker 3: And I remember I was just so strong in that 430 00:18:50,160 --> 00:18:51,960 Speaker 3: production meeting. But I went to my hotel room and 431 00:18:51,960 --> 00:18:54,719 Speaker 3: stobed to my husband, you know, because I didn't want 432 00:18:54,720 --> 00:18:57,600 Speaker 3: anyone to do I don't cry obviously ever, so I 433 00:18:57,640 --> 00:18:59,280 Speaker 3: wouldn't want anyone to know that I cry. 434 00:18:59,320 --> 00:19:00,520 Speaker 2: But I definitely went. 435 00:19:00,359 --> 00:19:02,120 Speaker 3: Back to my hotel room and I was like, they 436 00:19:02,160 --> 00:19:07,840 Speaker 3: all think I'm stupid. But now I feel like I 437 00:19:07,960 --> 00:19:13,960 Speaker 3: have won that knowledge, and I feel like people don't 438 00:19:13,960 --> 00:19:15,680 Speaker 3: think that way of me anymore. I hope they don't, 439 00:19:15,680 --> 00:19:17,680 Speaker 3: but at the beginning, that was my biggest challenge, is 440 00:19:17,760 --> 00:19:19,399 Speaker 3: kind of getting out of my own way and knowing, 441 00:19:20,280 --> 00:19:22,640 Speaker 3: you know, that I'm there for a reason, and. 442 00:19:22,880 --> 00:19:24,760 Speaker 4: What other people think of you as none of your business. 443 00:19:24,760 --> 00:19:26,080 Speaker 2: None of your business. I say that to my daughters 444 00:19:26,119 --> 00:19:26,560 Speaker 2: all the time. 445 00:19:26,720 --> 00:19:29,640 Speaker 4: True, yeah, doesn't matter. I don't care what you think. Yeah, 446 00:19:29,720 --> 00:19:32,440 Speaker 4: I mean I care, but I don't right right, I 447 00:19:32,520 --> 00:19:34,399 Speaker 4: have one hundred percent care, But also I don't you know, 448 00:19:34,480 --> 00:19:36,320 Speaker 4: I don't know. It depends on the dayct like you 449 00:19:36,359 --> 00:19:38,800 Speaker 4: don't ask me, depends on how much therapy. 450 00:19:38,920 --> 00:19:41,040 Speaker 2: Oh gosh, guys, is that the truth? 451 00:19:41,440 --> 00:19:44,200 Speaker 1: Would you ever come back and do Fullest House? If 452 00:19:44,200 --> 00:19:47,119 Speaker 1: there's a full I played, ga. 453 00:19:47,680 --> 00:19:49,800 Speaker 4: We just are asking everyone. We're like, would you do 454 00:19:49,880 --> 00:19:51,560 Speaker 4: Fullest House? I think at this point we've got a 455 00:19:51,560 --> 00:19:53,040 Speaker 4: full roster. We're just going to start doing. 456 00:19:53,440 --> 00:19:54,960 Speaker 2: Yeah, you should create it. 457 00:19:55,359 --> 00:19:57,560 Speaker 4: We can just do it my garage, you know, right, 458 00:19:57,680 --> 00:20:02,119 Speaker 4: we don't have to Yeah, I mean yeah, Marlarl direct, 459 00:20:02,160 --> 00:20:02,720 Speaker 4: it's right. 460 00:20:02,960 --> 00:20:05,480 Speaker 2: I mean seriously, yeah, we have a full team. 461 00:20:05,880 --> 00:20:06,680 Speaker 4: It's kind of true. 462 00:20:06,720 --> 00:20:09,480 Speaker 3: We've I mean, I really am all for you taking 463 00:20:09,480 --> 00:20:11,560 Speaker 3: this on. I think that would be so genius and 464 00:20:12,200 --> 00:20:14,680 Speaker 3: people wanted. I think people were very I mean you 465 00:20:14,680 --> 00:20:17,080 Speaker 3: you guys know like it was such it was so 466 00:20:17,200 --> 00:20:20,320 Speaker 3: premature that it ended. I don't feel like it's true. 467 00:20:20,560 --> 00:20:24,320 Speaker 4: Well, I think if we give it another like twenty years, 468 00:20:24,400 --> 00:20:27,440 Speaker 4: I think then it'll be like right now, people might 469 00:20:27,480 --> 00:20:29,280 Speaker 4: be like, oh that's kind of sad, but like twenty 470 00:20:29,400 --> 00:20:32,120 Speaker 4: years will be like, guess what, we're old, we're wrinkly, 471 00:20:32,200 --> 00:20:34,280 Speaker 4: and we are coming for you. And they'll be like, 472 00:20:34,359 --> 00:20:35,480 Speaker 4: I want to see this traight. 473 00:20:35,840 --> 00:20:38,760 Speaker 3: I love girl talk in the old age home. Maybe 474 00:20:38,800 --> 00:20:43,200 Speaker 3: like they. 475 00:20:41,440 --> 00:20:44,919 Speaker 4: Girl to be the musical band for this. Yeah, still singing. 476 00:20:45,000 --> 00:20:48,080 Speaker 4: I saw the sign, you know, right, So it's although 477 00:20:48,320 --> 00:20:51,320 Speaker 4: once I saw the sign with my glasses on, is 478 00:20:51,440 --> 00:20:54,600 Speaker 4: what it is this time? For I saw the sign? 479 00:20:55,400 --> 00:20:58,040 Speaker 4: Is that a P or a D? Right? You know 480 00:20:58,080 --> 00:20:58,960 Speaker 4: what I mean? Like a vision? 481 00:20:59,119 --> 00:21:02,040 Speaker 2: It's great, but yeah, I love this for us. It's 482 00:21:02,080 --> 00:21:03,040 Speaker 2: definitely the. 483 00:21:03,040 --> 00:21:06,240 Speaker 4: Crop tops are out though, uh you know what, I'm 484 00:21:06,240 --> 00:21:08,760 Speaker 4: gonna be so old and crazy that I'll be like 485 00:21:09,240 --> 00:21:11,080 Speaker 4: I will wear a shorter crop top than I did 486 00:21:11,080 --> 00:21:13,280 Speaker 4: when I was thirty. You give zero so proud. 487 00:21:13,359 --> 00:21:15,920 Speaker 2: I could tell you that much, non non zero. 488 00:21:16,160 --> 00:21:18,919 Speaker 4: I give very little right now and they're just flying 489 00:21:18,960 --> 00:21:20,040 Speaker 4: away with each day. 490 00:21:20,400 --> 00:21:22,679 Speaker 1: Marl, I have a very important question for you because 491 00:21:22,720 --> 00:21:25,719 Speaker 1: you're you're one of my favorite follows on Instagram. I 492 00:21:25,760 --> 00:21:28,600 Speaker 1: just think you're so fun. You're the best product recommendation. 493 00:21:28,920 --> 00:21:32,320 Speaker 1: I am a big watching Yeah, you are so good 494 00:21:32,520 --> 00:21:34,439 Speaker 1: like spot, I love me. 495 00:21:34,640 --> 00:21:36,399 Speaker 2: A lot of the time. So you're welcome. 496 00:21:36,640 --> 00:21:39,159 Speaker 1: You have you taught me about the sleep crown, like 497 00:21:39,200 --> 00:21:40,240 Speaker 1: I use my sleep. 498 00:21:40,040 --> 00:21:42,520 Speaker 4: Crown every night. Wait, wait, wait, what is a sleep 499 00:21:42,920 --> 00:21:44,800 Speaker 4: When I did kill I have. 500 00:21:44,720 --> 00:21:46,600 Speaker 3: A very important question for you from Andrea, and I 501 00:21:46,640 --> 00:21:47,840 Speaker 3: was like, oh, okay, give it to me. 502 00:21:47,880 --> 00:21:49,639 Speaker 2: What is it? And when it was about the sleep crown, 503 00:21:49,800 --> 00:21:51,080 Speaker 2: I was so honored. 504 00:21:51,160 --> 00:21:52,640 Speaker 4: Yes, what is it? 505 00:21:52,640 --> 00:21:54,520 Speaker 1: It's the sleep crown. You introduced me to the sleep 506 00:21:54,560 --> 00:21:59,160 Speaker 1: crownd it's keep saying what is it? It's a it's 507 00:21:59,200 --> 00:22:02,600 Speaker 1: a pillow, right, but it's like a giant sleep mask 508 00:22:02,760 --> 00:22:04,840 Speaker 1: because it can It's kind of like a weighted pillow, 509 00:22:04,880 --> 00:22:07,520 Speaker 1: but not so much that you're gonna suffer like like 510 00:22:08,240 --> 00:22:11,080 Speaker 1: you I've seen these. I tuck it behind your head 511 00:22:11,280 --> 00:22:13,520 Speaker 1: and it it kind of blocks out just enough sound 512 00:22:13,560 --> 00:22:15,240 Speaker 1: that you can't hear your children, but you could hear 513 00:22:15,400 --> 00:22:18,720 Speaker 1: maybe a murder that's happening. And it blocks out the light. 514 00:22:18,880 --> 00:22:20,480 Speaker 1: So if you're napping in the middle of the day, 515 00:22:20,800 --> 00:22:23,960 Speaker 1: it can help with your sleep hygiene. 516 00:22:23,720 --> 00:22:26,879 Speaker 3: Because I still have like a baby monitor, which is 517 00:22:27,000 --> 00:22:29,120 Speaker 3: very annoying to have like a blaring light in your face. 518 00:22:29,160 --> 00:22:30,600 Speaker 3: So but I still need to hear it. So's I 519 00:22:30,640 --> 00:22:32,560 Speaker 3: think you explain it perfectly, Like I get still she's 520 00:22:32,640 --> 00:22:34,040 Speaker 3: up and crying. I can hear it, but it's that 521 00:22:34,200 --> 00:22:36,919 Speaker 3: like okay that I don't hear, you know, like the 522 00:22:37,000 --> 00:22:41,359 Speaker 3: little white noise in it. Got it, okay, Jody, and 523 00:22:41,480 --> 00:22:43,640 Speaker 3: I paid for mine, you I could get one sent 524 00:22:43,680 --> 00:22:43,840 Speaker 3: to you. 525 00:22:43,920 --> 00:22:45,359 Speaker 2: So I'm gonna. I'm on sleep. 526 00:22:45,440 --> 00:22:46,639 Speaker 4: Okay, I pay. 527 00:22:46,560 --> 00:22:48,520 Speaker 1: For my name, but let's get them as a sponsor. 528 00:22:48,680 --> 00:22:51,000 Speaker 4: I am all about anything to help me sleep because 529 00:22:51,040 --> 00:22:54,119 Speaker 4: it's it's a female. Sometimes it's great and sometimes it's terrible. 530 00:22:54,400 --> 00:22:56,240 Speaker 4: I love it, love the female. 531 00:22:56,240 --> 00:22:57,480 Speaker 2: To see it. It's great. 532 00:22:57,920 --> 00:23:00,000 Speaker 3: So yeah, we're I'm definitely going to try. I'm gonna 533 00:23:00,040 --> 00:23:02,160 Speaker 3: I'm going to reach out to her. She couldn't be lovelier. 534 00:23:02,240 --> 00:23:04,640 Speaker 3: And they have these drops and all these companies now 535 00:23:04,760 --> 00:23:07,159 Speaker 3: the kids today, they do drops. So you can't go 536 00:23:07,200 --> 00:23:09,800 Speaker 3: onto a website and just buy something. For certain companies, 537 00:23:09,840 --> 00:23:13,320 Speaker 3: it's like drop on you know, February third, Like. 538 00:23:13,400 --> 00:23:15,880 Speaker 4: You said drops. I was like, like like a serum 539 00:23:17,040 --> 00:23:21,560 Speaker 4: I am. I'm like like a like a right and 540 00:23:21,640 --> 00:23:25,359 Speaker 4: so right right release. It's it's a. 541 00:23:26,200 --> 00:23:27,840 Speaker 3: Release and the owner of the company is see me 542 00:23:27,920 --> 00:23:30,600 Speaker 3: order it so many times again because my daughter's stole mine. 543 00:23:30,400 --> 00:23:32,600 Speaker 2: So I had to keep replacing mine. And then there's 544 00:23:32,600 --> 00:23:33,240 Speaker 2: a travel one. 545 00:23:33,240 --> 00:23:35,040 Speaker 3: So I needed the travel one anyway, and so now 546 00:23:35,080 --> 00:23:38,680 Speaker 3: she gets me the travel like fifteen minute access before 547 00:23:38,680 --> 00:23:39,080 Speaker 3: the drop. 548 00:23:39,760 --> 00:23:43,280 Speaker 4: Oh look at you you are Okay, Now I'm gonna 549 00:23:43,240 --> 00:23:45,919 Speaker 4: need the hook up. Wow, I'm gonna yeah, I'm definitely 550 00:23:46,000 --> 00:23:46,880 Speaker 4: gonna check this out. 551 00:23:47,200 --> 00:23:49,920 Speaker 1: She's the best. So I love your meal I love 552 00:23:49,920 --> 00:23:53,119 Speaker 1: your meal plans that you post weekly. I love that 553 00:23:53,119 --> 00:23:55,320 Speaker 1: you make fun of your husband for like his washing 554 00:23:55,480 --> 00:23:57,639 Speaker 1: and all of all of the things that he does. 555 00:23:57,680 --> 00:23:58,760 Speaker 4: Well, he killed your career, so. 556 00:23:59,400 --> 00:24:03,120 Speaker 3: Kill people sometimes think, I mean the amount of things 557 00:24:03,160 --> 00:24:07,320 Speaker 3: I don't show of him because it's like I always 558 00:24:07,320 --> 00:24:08,920 Speaker 3: get approval, you know, like can I. 559 00:24:08,880 --> 00:24:10,080 Speaker 2: Post this right right? 560 00:24:10,119 --> 00:24:12,200 Speaker 4: You're like, I'll make fun of you, but like okay. 561 00:24:13,400 --> 00:24:15,639 Speaker 3: No, he'll be in like my bathrobe or something. He's like, 562 00:24:15,680 --> 00:24:17,199 Speaker 3: you cannot post me in that. 563 00:24:17,440 --> 00:24:18,280 Speaker 2: So fair enough. 564 00:24:18,840 --> 00:24:20,720 Speaker 3: But the amount of things I don't post of him 565 00:24:21,119 --> 00:24:23,960 Speaker 3: are you know, And it's true. I married Danny Tayner. 566 00:24:24,000 --> 00:24:27,719 Speaker 3: I mean he is, oh, such a clean freak. It's crazy, 567 00:24:27,760 --> 00:24:28,320 Speaker 3: which is great. 568 00:24:28,680 --> 00:24:31,879 Speaker 4: Wow, the irony of that, you know, Ga, Mary's Janny. 569 00:24:32,080 --> 00:24:33,879 Speaker 4: I mean not like in a way, not sorry that 570 00:24:34,040 --> 00:24:34,920 Speaker 4: but like you know. 571 00:24:35,520 --> 00:24:38,879 Speaker 2: I mean he will. Yeah, he gets in crevices. I 572 00:24:38,920 --> 00:24:39,840 Speaker 2: didn't know this house had. 573 00:24:40,160 --> 00:24:43,680 Speaker 1: Wow, that's well, you know that's an asset. I you know, 574 00:24:44,240 --> 00:24:46,000 Speaker 1: you get you get content to make fun of him, 575 00:24:46,000 --> 00:24:46,880 Speaker 1: and you get a clean house. 576 00:24:46,920 --> 00:24:47,040 Speaker 2: Right. 577 00:24:47,040 --> 00:24:48,879 Speaker 4: So's someone in powerwasher windows? 578 00:24:48,920 --> 00:24:50,480 Speaker 2: I'm in now. My kids are like ya on it. 579 00:24:50,520 --> 00:24:53,359 Speaker 3: If I'm not home, my older daughter will be like, mo, 580 00:24:53,520 --> 00:24:56,240 Speaker 3: my god, Dad, you know cleaning a gutter for you? 581 00:24:56,280 --> 00:24:57,680 Speaker 3: I got to send it to you. I'm like, oh, yeah, 582 00:24:57,800 --> 00:24:59,960 Speaker 3: send me that fantastic. I'm glad I didn't miss it. 583 00:25:00,240 --> 00:25:02,280 Speaker 4: Love it. They know, they know. 584 00:25:02,840 --> 00:25:05,320 Speaker 1: So what's your current favorite product that you're using, whether 585 00:25:05,359 --> 00:25:08,639 Speaker 1: it's skincare or I don't know, food related or anything 586 00:25:08,720 --> 00:25:12,320 Speaker 1: cooking related. Do you have a current phase? I noticed 587 00:25:12,359 --> 00:25:14,800 Speaker 1: you're using a water bottle that's not a Stanley? 588 00:25:15,000 --> 00:25:16,240 Speaker 2: Is this listen? I was? 589 00:25:16,480 --> 00:25:17,520 Speaker 1: Is this your new favorite? 590 00:25:17,520 --> 00:25:19,760 Speaker 3: Definably one of the first to love a Stanley? But 591 00:25:19,880 --> 00:25:23,840 Speaker 3: I did hear, ladies that the straw, like the constant straw, 592 00:25:25,040 --> 00:25:26,040 Speaker 3: is going to give us like. 593 00:25:27,560 --> 00:25:28,959 Speaker 2: Sprinkles on our lips. 594 00:25:29,560 --> 00:25:34,919 Speaker 4: And no, yeah, but that's but that's like you have 595 00:25:35,119 --> 00:25:37,080 Speaker 4: Do you know how much you have to suck on 596 00:25:37,080 --> 00:25:40,080 Speaker 4: a straw or smoke cigarette, Like, you gotta be doing 597 00:25:40,160 --> 00:25:42,760 Speaker 4: that a lot to I mean, I drink if your 598 00:25:42,800 --> 00:25:43,679 Speaker 4: skin is prone to that. 599 00:25:44,000 --> 00:25:45,880 Speaker 1: I drink a lot of water too. Now I'm concerned 600 00:25:45,920 --> 00:25:46,720 Speaker 1: about my lippering. 601 00:25:46,880 --> 00:25:49,800 Speaker 4: I only drink when there's a straw like that for 602 00:25:49,880 --> 00:25:51,680 Speaker 4: some reason for me, like that's my. 603 00:25:51,640 --> 00:25:54,000 Speaker 2: Little like I drink Stanley. 604 00:25:54,400 --> 00:25:56,879 Speaker 4: I don't like gulping it. Apparently I drink very loudly. 605 00:25:56,920 --> 00:25:59,080 Speaker 4: My husband made be ware of that. Really. I was like, 606 00:25:59,560 --> 00:26:00,880 Speaker 4: He's like, are you can? And I was like, I'm 607 00:26:00,880 --> 00:26:04,000 Speaker 4: just drinking. He was like, problem, like really loudly. 608 00:26:04,240 --> 00:26:07,639 Speaker 1: Yeah. I would see Michael the Jody, Oh, Jody and 609 00:26:07,640 --> 00:26:09,240 Speaker 1: I are going to have all the lip wrinkles in 610 00:26:09,280 --> 00:26:13,440 Speaker 1: our in our Girl Talk reunion in twenty years, Marla's gonna. 611 00:26:13,200 --> 00:26:16,719 Speaker 4: Have still a nice Sorry, I'll blame. I'll just be like, 612 00:26:16,800 --> 00:26:19,280 Speaker 4: that's Gia started me smoking, and now I have these. 613 00:26:19,640 --> 00:26:21,840 Speaker 2: It's always going to come down to being my fall guys. 614 00:26:21,880 --> 00:26:24,320 Speaker 2: That's just the beat of existence. 615 00:26:24,560 --> 00:26:26,760 Speaker 1: Always, it's always Gia's fault. 616 00:26:27,200 --> 00:26:28,199 Speaker 4: Yeah, when all those fellas. 617 00:26:28,680 --> 00:26:30,400 Speaker 1: So what what are you drinking? What do you drink out? 618 00:26:30,480 --> 00:26:31,080 Speaker 1: Is this glass? 619 00:26:31,160 --> 00:26:33,560 Speaker 2: Is this cut which it's a little old. 620 00:26:33,640 --> 00:26:36,400 Speaker 4: I broke one of those. Recently, you broke it on set, 621 00:26:36,520 --> 00:26:38,439 Speaker 4: dropped it. I had like a I called it my 622 00:26:38,480 --> 00:26:40,640 Speaker 4: emotional support water bottle was glass that had a little 623 00:26:40,680 --> 00:26:42,760 Speaker 4: rubber thing around it, and as I was carrying too 624 00:26:42,760 --> 00:26:44,520 Speaker 4: many things, I dropped it and. 625 00:26:44,520 --> 00:26:45,760 Speaker 2: Just glassed that would be back. 626 00:26:45,760 --> 00:26:49,119 Speaker 4: And everyone was like Jode egg, but I was like, well. 627 00:26:48,960 --> 00:26:49,520 Speaker 2: I love it. 628 00:26:49,600 --> 00:26:51,919 Speaker 3: The only my only note for it is that you 629 00:26:51,960 --> 00:26:54,320 Speaker 3: don't get it doesn't stay as cold as the Stanley, 630 00:26:54,359 --> 00:26:55,320 Speaker 3: like I really like A. 631 00:26:56,480 --> 00:26:58,160 Speaker 4: Oh I don't I want to rheumatize. 632 00:26:58,160 --> 00:27:00,920 Speaker 3: It's perfect for you if you're if you when you're 633 00:27:00,920 --> 00:27:03,160 Speaker 3: ready to give up the lip wrinkles, you just text 634 00:27:03,200 --> 00:27:05,000 Speaker 3: me and I'll send you. Wow. 635 00:27:05,520 --> 00:27:11,359 Speaker 4: Wow, thanks Gia, you realize what you're doing. 636 00:27:11,480 --> 00:27:14,800 Speaker 1: Wow. The barbs are still being through still thirty six 637 00:27:14,920 --> 00:27:15,400 Speaker 1: years later. 638 00:27:15,520 --> 00:27:20,240 Speaker 4: There did your kids? Did your kids watch Full House? 639 00:27:20,280 --> 00:27:23,640 Speaker 4: Like did have? They watched you as Gia on the showy. 640 00:27:23,480 --> 00:27:25,840 Speaker 3: They started with Fuller House just because they were coming 641 00:27:25,880 --> 00:27:28,280 Speaker 3: to tapings and the set and stuff, and then and 642 00:27:28,320 --> 00:27:30,359 Speaker 3: they watched Full House just to kind of catch up 643 00:27:30,359 --> 00:27:31,680 Speaker 3: and see what was really happening. 644 00:27:32,440 --> 00:27:34,240 Speaker 4: Did they like it or they like my kids where 645 00:27:34,240 --> 00:27:34,640 Speaker 4: they're like. 646 00:27:34,960 --> 00:27:37,960 Speaker 2: I really loved it. Yeah, did your girls like it? 647 00:27:38,040 --> 00:27:43,160 Speaker 1: Okay, good, we liked they come into tapings, but the less. 648 00:27:42,920 --> 00:27:45,480 Speaker 4: Impressed coming to craft service and to hang out with 649 00:27:45,560 --> 00:27:47,000 Speaker 4: the kids. They didn't care about the shop. 650 00:27:47,040 --> 00:27:48,440 Speaker 1: I don't care about the storylines. 651 00:27:50,280 --> 00:27:53,040 Speaker 4: They're like, no, this is yeah, I don't care about this. 652 00:27:53,080 --> 00:27:55,119 Speaker 1: Well, my kids just like to make fun of me, like, 653 00:27:55,240 --> 00:27:57,639 Speaker 1: well I was Kimmy Gibbler, so maybe that was unique 654 00:27:57,640 --> 00:27:59,280 Speaker 1: to me. But they just love to make fun of 655 00:27:59,320 --> 00:28:03,040 Speaker 1: what I'm wearing right firstyles, Yeah, you know, constant teasing. 656 00:28:03,680 --> 00:28:07,440 Speaker 4: We've been ridiculed by our own girl talk creations. You know, yes, 657 00:28:08,119 --> 00:28:10,800 Speaker 4: it's true. Oh, guys, maybe they should also all of 658 00:28:10,800 --> 00:28:15,000 Speaker 4: our all of our girls should start a band like yeah, yeah, 659 00:28:15,080 --> 00:28:19,280 Speaker 4: girl talk to there we go. Girls still talking or something? 660 00:28:19,840 --> 00:28:22,880 Speaker 1: Girls still talking, girls texting. It will be something, right, 661 00:28:22,960 --> 00:28:25,359 Speaker 1: girls talk in their lives. 662 00:28:26,160 --> 00:28:29,400 Speaker 4: No, yeah, girls, facetiming is what it would be great. 663 00:28:29,560 --> 00:28:34,240 Speaker 1: Literally, Well, this has been so great, Marla. I'm so 664 00:28:34,280 --> 00:28:37,280 Speaker 1: appreciative guys spending time with us. 665 00:28:37,359 --> 00:28:40,080 Speaker 4: Oh yeah, absolutely, And you know, as we get to 666 00:28:40,120 --> 00:28:42,520 Speaker 4: the later seasons, I'm sure we will have even more 667 00:28:42,600 --> 00:28:44,320 Speaker 4: questions and be like, wait, we need to ask Marla 668 00:28:44,360 --> 00:28:46,440 Speaker 4: to clarify. Yeah, because we haven't even gotten to the 669 00:28:46,480 --> 00:28:50,240 Speaker 4: g episodes yet, so like, yeah, no's we're on season two. 670 00:28:50,440 --> 00:28:53,160 Speaker 3: Oh my gosh, yeah, it'll take you some time. I 671 00:28:53,200 --> 00:28:56,360 Speaker 3: love that you guys are doing this. Back on it anytime. 672 00:28:56,520 --> 00:28:56,920 Speaker 4: So fun. 673 00:28:58,000 --> 00:29:00,440 Speaker 3: Oh yay, so great. I'm so honest that you asked 674 00:29:00,440 --> 00:29:03,120 Speaker 3: me to be honest. So thank you. 675 00:29:02,240 --> 00:29:05,760 Speaker 4: Oh you are a big part of the full house 676 00:29:05,800 --> 00:29:10,920 Speaker 4: fuller House family, so we love you. And uh, here's 677 00:29:10,960 --> 00:29:13,080 Speaker 4: the more, here's the more, rocking out to green Day 678 00:29:13,080 --> 00:29:14,000 Speaker 4: in addressing room. 679 00:29:14,000 --> 00:29:16,080 Speaker 2: Hell, I'm going to listen to Doochie right now just 680 00:29:16,120 --> 00:29:17,280 Speaker 2: to pet back in. 681 00:29:17,480 --> 00:29:26,360 Speaker 4: Yes, so by why bye? 682 00:29:26,680 --> 00:29:27,280 Speaker 1: So great. 683 00:29:28,480 --> 00:29:30,720 Speaker 4: That was such a fun interview. I love Marion, She's 684 00:29:31,080 --> 00:29:33,400 Speaker 4: she's so fun. Thank you all for listening to our 685 00:29:33,440 --> 00:29:36,840 Speaker 4: girl talk fun intended. Uh and if you want to 686 00:29:36,880 --> 00:29:39,640 Speaker 4: listen more, make sure you are liking and subscribing the 687 00:29:39,680 --> 00:29:41,960 Speaker 4: podcast wherever you're listening to it so you can make 688 00:29:41,960 --> 00:29:44,360 Speaker 4: sure and get all those new episodes right when they drop. 689 00:29:44,640 --> 00:29:46,800 Speaker 4: And you can follow us at how Rude podcast on 690 00:29:46,920 --> 00:29:50,560 Speaker 4: Instagram or you can send us any emails, questions, all 691 00:29:50,640 --> 00:29:54,240 Speaker 4: kinds of fun stuff at how Rude podcast at gmail 692 00:29:54,280 --> 00:29:57,200 Speaker 4: dot com. We look forward to hearing from you guys, 693 00:29:57,240 --> 00:30:00,360 Speaker 4: and we are absolutely loving doing this podcast and we 694 00:30:00,480 --> 00:30:03,760 Speaker 4: hope that you Fana Rito's out there are enjoying it too, 695 00:30:04,120 --> 00:30:08,200 Speaker 4: So we will see you next week. And remember the houses. No, 696 00:30:11,000 --> 00:30:13,560 Speaker 4: the world is small, but the house is full. 697 00:30:13,640 --> 00:30:15,160 Speaker 1: It's my favorite part of every day. 698 00:30:15,200 --> 00:30:16,280 Speaker 4: You just get ahead of watching. 699 00:30:16,320 --> 00:30:18,720 Speaker 1: You try to screw this up. 700 00:30:18,400 --> 00:30:22,200 Speaker 4: But I don't watching. We try to not screw it up. Yes, yeah, 701 00:30:22,280 --> 00:30:22,640 Speaker 4: there we go.