WEBVTT - Treacle Tears: The Boston Molasses Disaster

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<v Speaker 1>Pushkin. Tim here with an exciting announcement about the Cautionary Club,

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<v Speaker 1>That's Patreon p A T R e O N dot

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<v Speaker 1>com slash Cautionary Club. Boston, January nineteen nineteen. Giuseppe Yantosca

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<v Speaker 1>stands at his kitchen window searching for his ten year

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<v Speaker 1>old son. All sorts of people come and go in

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<v Speaker 1>Boston's North End, and Giuseppe likes to keep a close

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<v Speaker 1>eye on little Pasquale or Pasqualino as he's affectionately known.

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<v Speaker 1>At home. Giuseppe doesn't speak much English. Like many of

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<v Speaker 1>their neighbors. The Antoscas hail from southern Italy. They're very poor.

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<v Speaker 1>Even with Giuseppe's shifts at the Boston and Maine Railroad,

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<v Speaker 1>backbreaking work laying track, they struggle to make ends meet.

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<v Speaker 1>Fresh milk and meat to rare. It is in the

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<v Speaker 1>Antosca house and Giuseppe and his wife Maria worry about

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<v Speaker 1>their six small children. Where is Pasqualino. Giuseppe surveys Commercial Street,

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<v Speaker 1>the thoroughfare beneath his window that curves along the water.

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<v Speaker 1>It's an unusually fine day from mid January, and the

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<v Speaker 1>harbour is bustling. Fishermen hurry to their lunch, a plate

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<v Speaker 1>of spaghetti at home, perhaps, or a pie from Partial's bakery.

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<v Speaker 1>Dock workers shout as they unload shipping crates and horse

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<v Speaker 1>drawn wagons hauling beer barrels mingle with peddler's carts. Motorized

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<v Speaker 1>trucks rattle to and from the factories that ring the

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<v Speaker 1>north end. Giuseppe scans the elevated railroad that swoops above

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<v Speaker 1>Commercial Street and the freight trains directly beneath it. Finally

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<v Speaker 1>he traces the hulking storage tank that dominates the wharf.

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<v Speaker 1>His eyes flick to a tiny figure clad in red

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<v Speaker 1>and crouching in the shadow of the high steel walls.

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<v Speaker 1>Pasqualino Giuseppe breathes a sigh of relief. Down on the wharf,

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<v Speaker 1>Pasquale An Tosca, and his friends Tony and Maria Destacio

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<v Speaker 1>are huddling beside the enormous storage tank, fifty feet high

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<v Speaker 1>and ninety feet wide. Its grumbles and shudders, and its sweet,

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<v Speaker 1>earthy scent are familiar to them. The tank isn't designed

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<v Speaker 1>to store diesel or grain, but of all things, a thick,

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<v Speaker 1>dark sugary liquid and a glasses. It pools around the

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<v Speaker 1>base of the tank, and the children like to play there,

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<v Speaker 1>dodging stern railroad workers to scoop the sticky liquid into

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<v Speaker 1>their pails and hurrying home with their syrupy treasure. But

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<v Speaker 1>today Pasqualino doesn't feel like playing. He knows his father's

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<v Speaker 1>watching him. He's also very hot beneath his bright red knitwear.

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<v Speaker 1>It's the second sweater his mother insisted he wear that morning.

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<v Speaker 1>She fears him catching a cold. But the day's mild

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<v Speaker 1>and the extra bowlk also slows him down. As he

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<v Speaker 1>gathers firewood, the tank groans, which isn't unusual. A fresh

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<v Speaker 1>load of the sugary substance has recently arrived from the Caribbean.

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<v Speaker 1>Pasqualino looks up at the massive container fifty foot streams

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<v Speaker 1>of molasses seep down its side in long, treakily tears.

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<v Speaker 1>I'm Tim Harford, and you're listening to cautionary tales. Arthur P.

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<v Speaker 1>Gell had his work cut out. It was late nineteen fourteen,

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<v Speaker 1>and had been tasked with building an enormous molasses container

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<v Speaker 1>near Cambridge, Massachusetts. Gell was assistant treasurer at the Purity

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<v Speaker 1>Distilling Company, part of United States Industrial Alcohol or USIA.

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<v Speaker 1>USIA processed molasses into alcohol for munitions like dynamite and

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<v Speaker 1>smokeless powder, so when Europe went to war in nineteen fourteen,

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<v Speaker 1>the company had begun boosting production. Its plant in Cambridge

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<v Speaker 1>was one of the largest in the country, but USIA

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<v Speaker 1>struggled to keep up with demand. It didn't have its

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<v Speaker 1>own storage facility, so it had to source its molasses

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<v Speaker 1>from a broker in South Boston rather than directly from

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<v Speaker 1>the Caribbean. This in turn ate into profits to truly

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<v Speaker 1>make hay while the sun Shone, Usia needed its own tank,

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<v Speaker 1>one that would be up and running by December thirty first,

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<v Speaker 1>nineteen fifteen, and it was decided that reliable, efficient Arthur

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<v Speaker 1>Jell was the man for the job. The deadline was

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<v Speaker 1>virtually impossible, but Gell's bosses had hinted that if he succeeded,

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<v Speaker 1>a New York City promotion was on the cards. He

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<v Speaker 1>was determined to give it his best shot. As Stephen

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<v Speaker 1>Pulio explains in his book Dark Tide, Gell had spent

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<v Speaker 1>his professional life in a range of clerical positions. An

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<v Speaker 1>experienced administrator, he was confident that he knew the right people.

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<v Speaker 1>He consulted other tank manufacturers about the appropriate factor of

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<v Speaker 1>safety for a container like this one, and ordered steel

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<v Speaker 1>plates to form the sides of the cylindrical structure. He

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<v Speaker 1>also negotiated a lease for the perfect spot in Boston's

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<v Speaker 1>North End. Here, steamships from the Caribbean could discharge the molasses,

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<v Speaker 1>and the sugary substance could then travel on to the

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<v Speaker 1>Cambridge plant by railcar. Sure the area was densely populated,

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<v Speaker 1>and there was a children's playground right next to the

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<v Speaker 1>proposed tank site, but Jell knew that the residents of

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<v Speaker 1>the North End were unlikely to resist the structure. Many

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<v Speaker 1>of them were poor immigrants from Italy's south. They didn't

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<v Speaker 1>speak English and kept to their own tight enclave. Their

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<v Speaker 1>political participation was scant. All the same, lease negotiations were slow.

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<v Speaker 1>By the time Gell had secured the location, it was

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<v Speaker 1>September nineteen ten, fifteen, and the clock was ticking. Ever resourceful,

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<v Speaker 1>he installed electric lighting at the wharf so that the

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<v Speaker 1>construction crew could work through the night. But when a

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<v Speaker 1>laborer fell inside the empty tank, Gell lost more time,

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<v Speaker 1>so traumatized with the other workers by the dying man's screams,

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<v Speaker 1>then a superstorm blasted Boston and he lost a further

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<v Speaker 1>two days. Gell couldn't afford any more embarrassing setbacks or expenses.

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<v Speaker 1>When the time came to test the tank for leaks,

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<v Speaker 1>he knew that they could only fill the massive structure

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<v Speaker 1>by tapping into the municipal water supply. This would be

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<v Speaker 1>time consuming and costly, so he came up with a solution.

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<v Speaker 1>The crew ran six inches of water into the bottom

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<v Speaker 1>of the container to just above the first joint. At

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<v Speaker 1>its base if the first joint didn't leak right with

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<v Speaker 1>the rest of them. The tank held its six inches

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<v Speaker 1>of water, and gel announced that it was ready. It

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<v Speaker 1>was late December nineteen fifteen. He had met his impossible deadline.

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<v Speaker 1>Business boomed. From nineteen fourteen to nineteen sixteen, USIA's net

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<v Speaker 1>profit increased nearly ninefold. The investors were thrilled. In April

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<v Speaker 1>nineteen seventeen, the US declared war on Germany, and Gell

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<v Speaker 1>was ready to show the managers in New York that

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<v Speaker 1>Boston could rise to the challenge. That month, a munitions

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<v Speaker 1>factory in Pennsylvania was bombed, the work of foreign employees

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<v Speaker 1>who were angry about the war. Italian anarchists were said

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<v Speaker 1>to be behind other similar bombings. Jell took note and

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<v Speaker 1>increased security at the Boston Tank. A couple of weeks later,

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<v Speaker 1>Gell ran into another complication. A man called Isaac Gonzales

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<v Speaker 1>burst into his Cambridge office uninvited and unapproved. Gonzales was

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<v Speaker 1>also a USIA employee, the assistant to the caretaker at

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<v Speaker 1>the Boston Tank, and he was raving about some leaks

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<v Speaker 1>in the structure. Apparently, the tank oozed gallons of molasses

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<v Speaker 1>on to the wharf. Everyone had noticed, and children even

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<v Speaker 1>liked to play with it. Gonzales shoved tiny pieces of

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<v Speaker 1>steel into Gell's hands and said that rusty flex dropped

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<v Speaker 1>into his hair each time he entered the tank. Gell

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<v Speaker 1>did his best to keep calm. This man was clearly paranoid,

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<v Speaker 1>even obsessed. Molasses had a life of its own, and

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<v Speaker 1>leaks were normal, especially in a relatively new structure, and

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<v Speaker 1>especially after a fresh shipment. Plus, Gel had had the

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<v Speaker 1>tank resealed, so he knew it was being maintained. He

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<v Speaker 1>told Gonzales that he needed to do a better job

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<v Speaker 1>of keeping the neighborhood children away from company property. That

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<v Speaker 1>would shut him up. He thought it didn't shut him up. Next,

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<v Speaker 1>Gonzales revealed he had been sleeping at the tank so

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<v Speaker 1>that he could sound the alarm should it start to fall.

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<v Speaker 1>Gell was disturbed. Company employees should be returning home after work.

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<v Speaker 1>The tank still stands. The tank will stand, he snapped.

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<v Speaker 1>Then he sent the man on his way, promising to

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<v Speaker 1>fire him if he breathed another word of this nonsense. Yes,

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<v Speaker 1>Arthur Jell was a reliable, efficient man. Nothing would hinder

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<v Speaker 1>productivity on his watch. Not saboteurs with bombs, and certainly

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<v Speaker 1>not some jumped up manual laborer Isaac Gonzales returned to

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<v Speaker 1>his post through nineteen seventeen and nineteen eighteen. Other Bostonians

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<v Speaker 1>muttered to him about the tank. The men of Engine

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<v Speaker 1>thirty one firehouse, which stood just along the wharf, commented

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<v Speaker 1>on the obvious leaks that streaked its sides and the

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<v Speaker 1>strange sounds it made. When another local worker pressed his

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<v Speaker 1>back against the tank, he told Isaac it felt as

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<v Speaker 1>though the steel walls were moving, pulsing in and out

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<v Speaker 1>with the flow of the liquid inside. Gonzales continued his

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<v Speaker 1>nighttime vigil in secret. Of course, he knew he couldn't

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<v Speaker 1>speak to jail again, but in nineteen eighteen he complained

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<v Speaker 1>to his superintendent, William White, he waited to see if

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<v Speaker 1>his bosses would do anything. They did. In August, a

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<v Speaker 1>crew arrived at the tank, paint in hand. Gel had

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<v Speaker 1>ordered them to dare the gray steel walls with a

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<v Speaker 1>dark red brown, the color of molasses. Gonzales had had enough.

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<v Speaker 1>He quit his job and joined the army. Cautionary tales

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<v Speaker 1>will return. Usia had done well out of the war

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<v Speaker 1>in Europe, but when the armistice was signed in November

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<v Speaker 1>nineteen eighteen, it faced a steep fall in profits. Assistant

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<v Speaker 1>Treasurer Arthur jel knew all too well that the investors

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<v Speaker 1>wouldn't be happy. But all was not lost. As the

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<v Speaker 1>United States looked to ratify the eighteenth Amendment of the Constitution,

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<v Speaker 1>Usia spotted a slim window of opportunity. The prohibition of

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<v Speaker 1>the manufacture, sale, or transportation of intoxicating liquors wouldn't actually

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<v Speaker 1>go into effect for another year, during which time there

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<v Speaker 1>would surely be a spike in alcohol sales. Usia resolved

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<v Speaker 1>to repurpose its distilleries for the liquor industry. It would

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<v Speaker 1>once again make hay while the sun shone. On January

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<v Speaker 1>the twelfth, nineteen nineteen, a ship cruised into Boston Harbor

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<v Speaker 1>with one point three million gallons of molasses. The dark,

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<v Speaker 1>viscous liquid had been warmed to facilitate its transfer, and

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<v Speaker 1>it flowed easily into the tank. By next morning, the

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<v Speaker 1>container was very nearly full. It held two point three

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<v Speaker 1>million gallons of the sticky substance, weighing roughly twenty six

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<v Speaker 1>million pounds. The weather in Boston had been bitterly cold,

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<v Speaker 1>and when the warm, free flowing molasses topped up the colder,

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<v Speaker 1>thicker liquid already in the tank, something unexpected happened. The

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<v Speaker 1>introduction of all that additional heat accelerated a fermentation process

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<v Speaker 1>producing carbon dioxide. The gas had nowhere to go, and

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<v Speaker 1>it began to push against the steel walls of the tank.

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<v Speaker 1>USIA's only responsibility, as the company saw it, was to

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<v Speaker 1>maximize profit. Somehow, that always seemed to mean profit now

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<v Speaker 1>rather than profit later, and so Arthur Gel prioritized speed,

0:16:22.530 --> 0:16:30.810
<v Speaker 1>growth and quarterly returns. If that sounds familiar, it could

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<v Speaker 1>be because Silicon Valley has become famous or infamous for

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<v Speaker 1>a similar corporate logic. Facebook's motto was move fast and

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<v Speaker 1>Break things, and it became the tech world's battle cry.

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<v Speaker 1>A move fast and break things culture can encourage innovation

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<v Speaker 1>and banish fear of mistakes. After all, errors are path

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<v Speaker 1>of the course, especially when you're making something new. And

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<v Speaker 1>while slow and steady can bring small, consistent benefits to

0:17:05.210 --> 0:17:09.330
<v Speaker 1>a business, throwing caution to the wind might gener rate

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<v Speaker 1>a single, massive payoff. But when a corporation values efficiency

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<v Speaker 1>and growth above all else, there can be other consequences.

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<v Speaker 1>Environmental costs, community welfare and workers' rights fall by the wayside,

0:17:29.330 --> 0:17:35.450
<v Speaker 1>safeguards are eroded, accountability dissolves, and harm is written off

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<v Speaker 1>as a cost of doing business. January fifteenth, nineteen nineteen,

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<v Speaker 1>is a cloudy day in Boston, but unusually mild. The

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<v Speaker 1>weather has been punishingly cold of late, and the people

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<v Speaker 1>of the North End take advantage of the slight thaw.

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<v Speaker 1>At lunchtime, the harbor is a buzz. Workers eat their

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<v Speaker 1>lunch on front steps and chatter on sidewalks. The mood

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<v Speaker 1>is mellow. Tank Superintendant William White has just received a

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<v Speaker 1>phone call from his wife. She has her eye on

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<v Speaker 1>new dress and wants to go shopping together. It'll be

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<v Speaker 1>a quiet work day now that the new load of

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<v Speaker 1>molasses has been safely delivered, and White sees no reason

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<v Speaker 1>not to spoil her. Just before midday, he leaves his post.

0:18:34.330 --> 0:18:38.010
<v Speaker 1>If he had lingered, he might have noticed Pasqualeis and

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<v Speaker 1>Tosca and the Dastasio children sneaking onto the wharf to

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<v Speaker 1>collect firewood. Instead, a railroad worker begins scolding Maria Dastasio.

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<v Speaker 1>You shouldn't be here, he chides, this isn't a playground.

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<v Speaker 1>Just along the wharf. The men of the Engine thirty

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<v Speaker 1>one Firehouse a playing whist on their lunch break, smoking

0:19:03.250 --> 0:19:07.570
<v Speaker 1>their pipes and mocking bay Ruth's ridiculous demands for a

0:19:07.690 --> 0:19:11.090
<v Speaker 1>pay rise. The baseball star would never survive on a

0:19:11.130 --> 0:19:16.170
<v Speaker 1>firefighter's wage, they scoff. Fifty six year old John Barry,

0:19:16.770 --> 0:19:20.650
<v Speaker 1>a stonecutter for the City of Boston Street Department, has

0:19:20.770 --> 0:19:24.890
<v Speaker 1>joined them from his workshop next door. Burly and muscular,

0:19:25.370 --> 0:19:29.850
<v Speaker 1>Barry is physically formidable, but his friends at the firehouse

0:19:30.010 --> 0:19:33.450
<v Speaker 1>know that his ten children are never far from his thoughts.

0:19:36.090 --> 0:19:40.490
<v Speaker 1>What was that It sounded like thunder? One of the

0:19:40.530 --> 0:19:45.890
<v Speaker 1>firefighters scrambles to a window. His face darkens with fear.

0:19:46.730 --> 0:19:51.610
<v Speaker 1>Oh my god, he cries. Run at his kitchen window.

0:19:51.890 --> 0:19:56.610
<v Speaker 1>Giuseppe yan Tosca jumps back in horror. He's been following

0:19:56.650 --> 0:20:01.250
<v Speaker 1>his Pasqualino as he gathers firewood, tracing that bright red

0:20:01.290 --> 0:20:05.290
<v Speaker 1>sweater as it bobs along the gray wharf. But something

0:20:05.290 --> 0:20:10.010
<v Speaker 1>has just swallowed the little boy, the kind of dark,

0:20:10.410 --> 0:20:17.450
<v Speaker 1>gleaming wave pushing forwards, tearing towards Commercial Street. Kitchen growls

0:20:17.490 --> 0:20:20.610
<v Speaker 1>and shakes, and before he can move, Giuseppe's been thrown

0:20:20.650 --> 0:20:26.850
<v Speaker 1>to the floor. He hits his head everything goes back.

0:20:29.730 --> 0:20:34.210
<v Speaker 1>At a call box on Commercial Street, policeman Frank McManus

0:20:34.370 --> 0:20:39.730
<v Speaker 1>is making a routine report to headquarters. That chilling sound

0:20:41.330 --> 0:20:46.730
<v Speaker 1>somewhere between a thunderclap sickening scrape of metal, makes him

0:20:46.770 --> 0:20:52.610
<v Speaker 1>turn receiver still to his mouth. He can't quite believe

0:20:52.690 --> 0:20:55.810
<v Speaker 1>what he's seeing, but he manages to utter a few

0:20:56.050 --> 0:20:58.050
<v Speaker 1>shocked words to the dispatcher.

0:20:58.930 --> 0:21:02.650
<v Speaker 2>Send all available rescue vehicles and personnel. Immediately. There's a

0:21:02.810 --> 0:21:09.450
<v Speaker 2>wave of molasses coming down Commercial Street. What follows is

0:21:09.490 --> 0:21:14.930
<v Speaker 2>the stuff of nightmares. The tank has burst clean open

0:21:15.410 --> 0:21:21.210
<v Speaker 2>rid its screaming through the air like shrapnels. A worker

0:21:21.610 --> 0:21:25.370
<v Speaker 2>trapped in the railroad freight office saw the tank's steel

0:21:25.530 --> 0:21:31.890
<v Speaker 2>walls fly into other buildings, which crumpled like egg. Two

0:21:31.930 --> 0:21:36.850
<v Speaker 2>point three million gallons of molasses has rushed onto the wharf,

0:21:37.410 --> 0:21:42.490
<v Speaker 2>a syruped tsunami, thirty five feet high, one hundred and

0:21:42.530 --> 0:21:46.690
<v Speaker 2>sixty feet wide, and traveling at thirty five miles per hour.

0:21:47.450 --> 0:21:51.410
<v Speaker 2>It snuffs out the daylight and wrenches the fire house

0:21:51.450 --> 0:21:59.130
<v Speaker 2>from its foundations on Commercial Street.

0:21:59.730 --> 0:22:04.170
<v Speaker 1>In the dining room of his second floor apartment, Robert Burnette,

0:22:04.530 --> 0:22:08.050
<v Speaker 1>he is a swish like a brushing of wind. A

0:22:08.170 --> 0:22:11.650
<v Speaker 1>shadow falls across the room, and he hurries to the window.

0:22:12.730 --> 0:22:16.810
<v Speaker 1>A great black wave is bearing down on the house.

0:22:18.330 --> 0:22:21.570
<v Speaker 1>Burnett snatches at his front door that the wave is

0:22:21.650 --> 0:22:25.330
<v Speaker 1>already surging up the stairs in the hallway. He slams

0:22:25.370 --> 0:22:29.090
<v Speaker 1>the door and runs for the roof. The wall of

0:22:29.170 --> 0:22:35.850
<v Speaker 1>molasses rebounds off buildings, shattering windows and pulverizing brickwork. It

0:22:36.050 --> 0:22:40.450
<v Speaker 1>twists and snaps the steel girders of an elevated railroad,

0:22:40.850 --> 0:22:45.690
<v Speaker 1>obliterating the track for more than one hundred feet. Horses, carts,

0:22:45.690 --> 0:22:50.330
<v Speaker 1>and motor trucks are overturned, children and adults vanish in

0:22:50.450 --> 0:23:03.170
<v Speaker 1>a treatily deluge. Stonecutter John Barry lies in total darkness,

0:23:03.770 --> 0:23:09.410
<v Speaker 1>wood and metal crushing his back its agony. He can

0:23:09.450 --> 0:23:14.530
<v Speaker 1>barely breathe. When the wave of molasses ripped the firehouse

0:23:14.570 --> 0:23:19.490
<v Speaker 1>off its foundations, the building collapse and the treacherous syrup

0:23:19.930 --> 0:23:26.170
<v Speaker 1>seeped through the debris. Barry is trapped pinned, face down,

0:23:26.930 --> 0:23:32.250
<v Speaker 1>one cheek grinding into molasses. Only his left arm is free,

0:23:32.650 --> 0:23:35.890
<v Speaker 1>and he clears the vial liquid from his face as

0:23:35.930 --> 0:23:42.610
<v Speaker 1>best he can. Barry tries to call out to scream,

0:23:42.930 --> 0:23:47.450
<v Speaker 1>but his voice is thin and reading, he imagines foul

0:23:47.730 --> 0:23:52.770
<v Speaker 1>rats scuttling over his body, burrowing their yellow teeth into

0:23:52.770 --> 0:23:58.290
<v Speaker 1>his flesh. I'm going to die here, he thinks. He

0:23:58.410 --> 0:24:08.650
<v Speaker 1>wonders what will become of his ten children. On his

0:24:08.730 --> 0:24:13.650
<v Speaker 1>kitchen floor, Giuseppe and Tosca comes too. His wife Maria

0:24:13.810 --> 0:24:16.530
<v Speaker 1>is crying in the corner of the room. One of

0:24:16.570 --> 0:24:23.530
<v Speaker 1>their daughters is comforting her bruised. Stunned, Giuseppe pulls himself

0:24:23.650 --> 0:24:27.890
<v Speaker 1>up and goes shakily to the front door. He will

0:24:27.930 --> 0:24:34.970
<v Speaker 1>find Pasqualino. If it kills him. Cautionary tales will be

0:24:35.010 --> 0:24:46.570
<v Speaker 1>back shortly. In the first moments of the disaster, the

0:24:46.610 --> 0:24:51.450
<v Speaker 1>molasses flow through the streets of Boston like water, or

0:24:51.530 --> 0:24:56.610
<v Speaker 1>perhaps like ketchup being jiggled out of a bottle. Like ketchup,

0:24:56.810 --> 0:25:01.650
<v Speaker 1>molasses flows freely when being violently shaken and exploding out

0:25:01.690 --> 0:25:05.170
<v Speaker 1>of a high pressure tank is certainly a violent movement,

0:25:06.290 --> 0:25:12.490
<v Speaker 1>but when molasses cools, it thickens. On January fifteenth, the

0:25:12.530 --> 0:25:15.930
<v Speaker 1>temperature in Boston had climbed a little, but the winter

0:25:16.050 --> 0:25:20.450
<v Speaker 1>air was still much cooler than the syrupy liquid, and

0:25:20.530 --> 0:25:23.410
<v Speaker 1>as it flowed out of the tank and through the streets,

0:25:23.970 --> 0:25:31.730
<v Speaker 1>it began to slow and congeal like quicksand trapped its victims.

0:25:32.330 --> 0:25:37.490
<v Speaker 1>As the Boston Post explained, snared in its flood was

0:25:37.530 --> 0:25:42.850
<v Speaker 1>to be stifled. Once it smeared ahead human or animal.

0:25:43.330 --> 0:25:47.370
<v Speaker 1>There was no coughing off the sticky mass. To attempt

0:25:47.410 --> 0:25:49.530
<v Speaker 1>to wipe it with hands was to make it worse.

0:25:50.010 --> 0:25:55.490
<v Speaker 1>It plugged the nostrils almost air tight. Horses thrashed around

0:25:55.570 --> 0:26:00.810
<v Speaker 1>in the glooy mass like so many flies on sticky flypaper.

0:26:02.130 --> 0:26:07.770
<v Speaker 1>They couldn't be freed and were shot dead. At a

0:26:07.810 --> 0:26:13.610
<v Speaker 1>local relief station, nurses and orderlies streaked with molasses treated

0:26:13.650 --> 0:26:18.850
<v Speaker 1>the injured. They carried patients on sticky stretchers, cutaway clothing,

0:26:19.250 --> 0:26:24.490
<v Speaker 1>and cleaned gaping wounds. Anguished Bostonians clamored to know if

0:26:24.490 --> 0:26:29.250
<v Speaker 1>their missing relatives were there. A lucky few were relatively unscathed.

0:26:30.210 --> 0:26:33.450
<v Speaker 1>Five year old Albert Janschi had been picked up by

0:26:33.450 --> 0:26:37.210
<v Speaker 1>the wave and drenched in molasses, but was miraculously unhurt.

0:26:37.850 --> 0:26:40.290
<v Speaker 1>Once it had been cleaned up and had something to eat,

0:26:40.810 --> 0:26:45.290
<v Speaker 1>he was allowed to return home. Others were taken straight

0:26:45.370 --> 0:26:54.130
<v Speaker 1>to the local morgue. In the ruins of the firehouse,

0:26:54.890 --> 0:27:01.050
<v Speaker 1>John Barry's back seared with pain despite his incredible strength,

0:27:01.730 --> 0:27:06.090
<v Speaker 1>he couldn't move. He couldn't see anything either. It was

0:27:06.250 --> 0:27:11.130
<v Speaker 1>pitch black, but he could hear something. With the shred

0:27:11.210 --> 0:27:16.010
<v Speaker 1>of energy he had left, he strained his ears. There

0:27:16.050 --> 0:27:21.050
<v Speaker 1>it was again a man's voice. He wasn't alone down here.

0:27:21.970 --> 0:27:26.090
<v Speaker 1>His friends were imprisoned with him in the debris. And

0:27:26.130 --> 0:27:31.370
<v Speaker 1>then John Barry heard something else, the unmistakable sound of

0:27:31.530 --> 0:27:37.330
<v Speaker 1>sores on wood and metal yielding to flame. Someone knew

0:27:37.410 --> 0:27:47.290
<v Speaker 1>they were down there, Someone was coming to get them.

0:27:47.490 --> 0:27:52.730
<v Speaker 1>Giuseppe jan Tosca spent hours searching for Pasqualino, but to

0:27:52.770 --> 0:27:58.130
<v Speaker 1>no avail. Maria Destacio had been found. She had been

0:27:58.210 --> 0:28:01.050
<v Speaker 1>right in the path of the monstrous wave and had

0:28:01.090 --> 0:28:06.690
<v Speaker 1>suffocated immediately, but her brother Tony had survived. Had been

0:28:06.770 --> 0:28:09.770
<v Speaker 1>thrown against a lamppost and suffered a frac should skull,

0:28:10.450 --> 0:28:13.010
<v Speaker 1>but a firefighter had managed to pull him from the

0:28:13.050 --> 0:28:18.010
<v Speaker 1>morass before he drowned. Could Guiseppe's boy have been rescued

0:28:18.810 --> 0:28:22.050
<v Speaker 1>had he been swept into the harbor, or perhaps he

0:28:22.170 --> 0:28:27.530
<v Speaker 1>was trapped beneath the debris on the wharf. In broken English,

0:28:27.610 --> 0:28:32.290
<v Speaker 1>Touseeppe frantically questioned the dazed and injured along Commercial Street,

0:28:33.370 --> 0:28:35.610
<v Speaker 1>but no one had seen a little boy in a

0:28:35.650 --> 0:28:40.930
<v Speaker 1>red sweater. Firefighters had rallied to reach their trapped colleagues

0:28:40.930 --> 0:28:45.050
<v Speaker 1>from Engine thirty one. Chopping and digging through the wreckage

0:28:45.170 --> 0:28:49.210
<v Speaker 1>was perilous work. With every move they made, the remains

0:28:49.250 --> 0:28:52.730
<v Speaker 1>of the building shifted around them. They found some of

0:28:52.770 --> 0:28:56.330
<v Speaker 1>their fellows in time, but thirty four year old father

0:28:56.450 --> 0:29:00.650
<v Speaker 1>of three, George Lahey was dragged from the wreckage dead.

0:29:03.570 --> 0:29:07.930
<v Speaker 1>After three hours and as many injections of morphine into

0:29:07.970 --> 0:29:12.530
<v Speaker 1>his back, John Barry heard a saw slicing away at

0:29:12.570 --> 0:29:16.450
<v Speaker 1>the wood near his head. It was getting closer and closer,

0:29:17.450 --> 0:29:22.290
<v Speaker 1>and then quite suddenly it stopped, and he felt the

0:29:22.410 --> 0:29:29.210
<v Speaker 1>great weight beheaved from his back. The exhausted stonecutter was

0:29:29.250 --> 0:29:34.730
<v Speaker 1>lifted onto a stretcher and rushed to hospital. When his

0:29:34.850 --> 0:29:39.930
<v Speaker 1>stricken daughters reached the ward, they didn't recognize him. Their

0:29:40.170 --> 0:29:46.210
<v Speaker 1>powerful father had vanished. In his place was a fragile

0:29:46.250 --> 0:29:54.770
<v Speaker 1>old man. Arthur Jell visited the waterfront. He was aghast

0:29:54.810 --> 0:29:59.090
<v Speaker 1>at the devastation, but kept calm. There would be a

0:29:59.330 --> 0:30:04.650
<v Speaker 1>plausible explanation for the disaster, one that absolved Usia and

0:30:04.770 --> 0:30:11.450
<v Speaker 1>himself of any responsibility. In the days that followed, the

0:30:11.530 --> 0:30:17.810
<v Speaker 1>flood clean up operation began. Businesses had been decimated, and

0:30:17.890 --> 0:30:20.730
<v Speaker 1>the harbor police picked all sorts of objects out of

0:30:20.770 --> 0:30:26.210
<v Speaker 1>the water, rolls of cloth, barrels of ale, tubs of lard.

0:30:27.650 --> 0:30:32.250
<v Speaker 1>Firemen spread sand on the pavements and dispersed the tenacious

0:30:32.330 --> 0:30:42.170
<v Speaker 1>molasses with jets of salt water. On January seventeenth, USIA

0:30:42.490 --> 0:30:46.890
<v Speaker 1>issued a statement the company knew beyond question that the

0:30:46.930 --> 0:30:50.770
<v Speaker 1>tank was not weak. This calamity was the work of

0:30:50.810 --> 0:30:59.450
<v Speaker 1>an outside influence. It was another three days before Giuseppe

0:30:59.490 --> 0:31:04.450
<v Speaker 1>and Maria Jantosca learned the fate of their son. Rescue

0:31:04.490 --> 0:31:06.930
<v Speaker 1>workers pulled the body of a little boy in a

0:31:06.970 --> 0:31:12.610
<v Speaker 1>red sweater from the wreckage. A railroad car carried fifty

0:31:12.730 --> 0:31:16.370
<v Speaker 1>feet by the wave had crushed him into a wall.

0:31:17.570 --> 0:31:22.610
<v Speaker 1>Giuseppe was asked to identify the child. He was slicked

0:31:22.810 --> 0:31:29.650
<v Speaker 1>with molasses and his face was horribly disfigured. Weeping, Giuseppe

0:31:29.810 --> 0:31:35.530
<v Speaker 1>lifted his red sweater and saw a second sweater underneath.

0:31:37.490 --> 0:31:42.170
<v Speaker 1>His heart breaking, he gathered Pasqualino's tiny body in his

0:31:42.330 --> 0:31:51.250
<v Speaker 1>arms and hugged him close. One hundred and fifty people

0:31:51.330 --> 0:31:55.130
<v Speaker 1>were injured in the molasses flood, and twenty one people

0:31:55.290 --> 0:31:59.210
<v Speaker 1>lost their lives. It was months before all the bodies

0:31:59.250 --> 0:32:04.810
<v Speaker 1>were recovered. At the inquest into the disaster, Judge Wilfred

0:32:04.930 --> 0:32:09.890
<v Speaker 1>Bolster rebuked USIA, but he was also scared about the

0:32:09.930 --> 0:32:15.610
<v Speaker 1>Boston Buildings Department. The city had bypassed the proper permit procedures.

0:32:16.290 --> 0:32:18.690
<v Speaker 1>No one in the building's department had been qualified to

0:32:18.730 --> 0:32:22.370
<v Speaker 1>assess whether the steel structure was fit for purpose, and

0:32:22.490 --> 0:32:26.130
<v Speaker 1>then accepted the paper design simply because it bore the

0:32:26.210 --> 0:32:31.930
<v Speaker 1>name of a civil engineer. This single accident has cost

0:32:32.090 --> 0:32:36.370
<v Speaker 1>more in material damage than all the supposed economies in

0:32:36.370 --> 0:32:42.410
<v Speaker 1>the building department. Laws are cheap of passage, costly of enforcement.

0:32:43.170 --> 0:32:52.010
<v Speaker 1>They do not execute themselves, Bolster declared. Despite Judge Bolster's rebuke,

0:32:52.450 --> 0:32:56.010
<v Speaker 1>a grand jury found that there was insufficient evidence to

0:32:56.050 --> 0:33:00.610
<v Speaker 1>return an indictment of manslaughter. The people of Boston were

0:33:00.650 --> 0:33:06.530
<v Speaker 1>appalled USIA was getting away with it. A group of

0:33:06.610 --> 0:33:11.050
<v Speaker 1>Bostonians prepared to sue the company. If nobody would go

0:33:11.090 --> 0:33:13.810
<v Speaker 1>to jail for their carelessness, they could at least be

0:33:13.850 --> 0:33:17.610
<v Speaker 1>made to pay a price, But USIA had some tricks

0:33:17.650 --> 0:33:23.930
<v Speaker 1>up its sleeve. Today, it's generally believed that the Boston

0:33:24.050 --> 0:33:28.730
<v Speaker 1>molasses disaster was the result of brittle fracture, the sudden

0:33:29.090 --> 0:33:32.930
<v Speaker 1>catastrophic failure of the tank structure due to poor design.

0:33:34.010 --> 0:33:38.010
<v Speaker 1>To withstand the strains they would experience, the tank walls

0:33:38.050 --> 0:33:41.490
<v Speaker 1>needed to be at least twice as thick. Over time,

0:33:41.770 --> 0:33:46.730
<v Speaker 1>as the tank was repeatedly emptied and refilled, the steel fatigued.

0:33:47.450 --> 0:33:51.090
<v Speaker 1>The fatal fracture probably began as a circular hatch at

0:33:51.090 --> 0:33:57.570
<v Speaker 1>the base of the tank. Engineers balance efficiency, resource allocation,

0:33:57.970 --> 0:34:03.770
<v Speaker 1>and safety. Arthur Jell, who oversaw the tank's rapid construction,

0:34:04.530 --> 0:34:09.290
<v Speaker 1>was a skilled administrator, but he wasn't an engineer. His

0:34:09.410 --> 0:34:13.650
<v Speaker 1>focus wasn't the complex harmony of function and long term

0:34:13.730 --> 0:34:20.170
<v Speaker 1>public safety, but short term profit. USIA regarded the residents

0:34:20.210 --> 0:34:25.290
<v Speaker 1>of Boston's North End not as vulnerable individuals worthy of dignity,

0:34:25.930 --> 0:34:30.130
<v Speaker 1>but as factors in a business model. The company had

0:34:30.210 --> 0:34:34.770
<v Speaker 1>taken advantage of a power imbalance, knowing that the Italian

0:34:34.770 --> 0:34:38.770
<v Speaker 1>Americans who lived near the harbor were unlikely to resist

0:34:38.930 --> 0:34:44.370
<v Speaker 1>the building of the Malasses tank. USIA also knew that

0:34:44.450 --> 0:34:49.130
<v Speaker 1>people were suspicious of Italian Americans, and in its next move,

0:34:49.730 --> 0:34:54.090
<v Speaker 1>it sought to capitalize on that fear. In the wake

0:34:54.170 --> 0:34:59.650
<v Speaker 1>of the disaster, one hundred and nineteen Bostonians sued USIA,

0:35:00.450 --> 0:35:04.170
<v Speaker 1>arguing that the Great Va of Malasses had been structurally

0:35:04.210 --> 0:35:12.130
<v Speaker 1>deficient and built without proper safeguards. Caretaker Isaac Gonzalez, who'd

0:35:12.170 --> 0:35:15.690
<v Speaker 1>warned off the gel about the tank and been dismissed,

0:35:16.530 --> 0:35:20.970
<v Speaker 1>took the stand and told of how molasses had oozed

0:35:21.090 --> 0:35:27.370
<v Speaker 1>incessantly through the tank's riveted joins. John Barry, his hair

0:35:27.490 --> 0:35:31.730
<v Speaker 1>now white from the stress of his ordeal, also testified

0:35:32.650 --> 0:35:35.770
<v Speaker 1>he could no longer work as a stonecutter because he

0:35:35.810 --> 0:35:40.330
<v Speaker 1>couldn't stand up straight. My back hurts all the time,

0:35:40.850 --> 0:35:44.970
<v Speaker 1>he said. It's as though my spine is breaking. The

0:35:45.010 --> 0:35:50.850
<v Speaker 1>doctor says there's no cure. Giuseppe and Tosca described the

0:35:50.970 --> 0:35:56.050
<v Speaker 1>earth shattering moment his Pasqualino was engulfed by a dark wave.

0:35:57.650 --> 0:36:02.090
<v Speaker 1>USIA countered that Pasquale an Tosca shouldn't have been there

0:36:02.130 --> 0:36:06.810
<v Speaker 1>at all. A company is under no obligation to make

0:36:06.850 --> 0:36:13.650
<v Speaker 1>its premises safe for trespassing, snarled one defense attorney. USIA

0:36:13.850 --> 0:36:17.610
<v Speaker 1>held that at lunchtime on January the fifteenth, nineteen nineteen,

0:36:18.410 --> 0:36:23.890
<v Speaker 1>unknown anarchists, probably Italian, had dropped a bomb in the tank.

0:36:25.170 --> 0:36:28.610
<v Speaker 1>The company had spent more than fifty thousand dollars on

0:36:28.810 --> 0:36:33.530
<v Speaker 1>expert witnesses to support its claims. It continued to take

0:36:33.570 --> 0:36:38.410
<v Speaker 1>this line even after a professor from MIT testified that

0:36:38.490 --> 0:36:43.290
<v Speaker 1>the tank had been of insufficient thickness to withstand the

0:36:43.330 --> 0:36:49.050
<v Speaker 1>pressure of the molasses inside. Order Sir Hugh Ogden listen

0:36:49.130 --> 0:36:53.330
<v Speaker 1>to nearly one thousand witnesses and heard over twenty thousand

0:36:53.410 --> 0:36:58.970
<v Speaker 1>pages of testimony. The proceedings took five years, but in

0:36:59.010 --> 0:37:05.650
<v Speaker 1>the end he rejected USIA's claims of sabotage. I cannot

0:37:05.650 --> 0:37:10.330
<v Speaker 1>help feeling that a proper regard for the appalling possibility

0:37:10.370 --> 0:37:13.370
<v Speaker 1>of damage to persons and property contained in the tank

0:37:13.490 --> 0:37:17.570
<v Speaker 1>in case of accident demanded a higher standard of care

0:37:17.810 --> 0:37:24.050
<v Speaker 1>in inspection from those in authority. Ogden declared. He recommended

0:37:24.050 --> 0:37:28.770
<v Speaker 1>that the plaintiffs receive damages. A private agreement was reached,

0:37:29.250 --> 0:37:33.490
<v Speaker 1>and in nineteen twenty five USIA took a charge against

0:37:33.490 --> 0:37:38.530
<v Speaker 1>profits of six hundred and twenty eight thousand dollars due

0:37:38.570 --> 0:37:43.170
<v Speaker 1>to the Boston tank accident, about eleven point five million

0:37:43.210 --> 0:37:49.490
<v Speaker 1>dollars today, that's not nothing, but split between one hundred

0:37:49.530 --> 0:37:55.810
<v Speaker 1>and nineteen traumatized and grievously injured plaintiffs. It's also not

0:37:56.050 --> 0:38:02.090
<v Speaker 1>very much. USIA closed its Cambridge plant and fired the

0:38:02.130 --> 0:38:05.930
<v Speaker 1>people that worked there, but Arthur P. Gell seems to

0:38:05.970 --> 0:38:09.330
<v Speaker 1>have got his New York City promotion. He took the

0:38:09.450 --> 0:38:14.250
<v Speaker 1>vice presidency at another USIA subsidiary, the American Solvents and

0:38:14.370 --> 0:38:19.530
<v Speaker 1>Chemical Association. Gell remained a company man through and through.

0:38:20.810 --> 0:38:23.650
<v Speaker 1>In nineteen thirty one, he was named in a federal

0:38:23.730 --> 0:38:29.770
<v Speaker 1>grand jury indictment against USIA for violating prohibition laws. He

0:38:29.890 --> 0:38:33.570
<v Speaker 1>died in nineteen sixty three at the ripe old age

0:38:33.610 --> 0:38:39.610
<v Speaker 1>of eighty four, survived by his wife, daughter, and four grandchildren.

0:38:43.130 --> 0:38:47.290
<v Speaker 1>Isaac Gonzales had warned gel about the tank, and when

0:38:47.330 --> 0:38:51.690
<v Speaker 1>his warnings had been repeatedly ignored, he'd quit and joined

0:38:51.690 --> 0:38:56.610
<v Speaker 1>the army. After the war, he faced yet another test

0:38:56.650 --> 0:39:00.530
<v Speaker 1>of his courage. He scaled a burning building to rescue

0:39:00.530 --> 0:39:03.490
<v Speaker 1>a woman and her three small children, wrapping them in

0:39:03.530 --> 0:39:07.610
<v Speaker 1>bedclothes and carrying them out. When they were safe, he

0:39:07.730 --> 0:39:10.530
<v Speaker 1>returned to the blazing upon just in case anyone had

0:39:10.530 --> 0:39:14.930
<v Speaker 1>been left behind. The fire cut his exit off and

0:39:15.010 --> 0:39:18.970
<v Speaker 1>he had to jump to safety from an upper window.

0:39:20.090 --> 0:39:24.090
<v Speaker 1>Gonzales was a hero, but it's hard not to wonder

0:39:24.570 --> 0:39:27.850
<v Speaker 1>if his time at the Molasses Tank might have left

0:39:27.890 --> 0:39:34.050
<v Speaker 1>him with some survivor's guilt, if only Arthur Gel had

0:39:34.050 --> 0:39:47.650
<v Speaker 1>felt the same sense of responsibility. The key source for

0:39:47.690 --> 0:39:52.330
<v Speaker 1>this episode of Cautionary Tales is Dark Tide the Great

0:39:52.490 --> 0:39:57.570
<v Speaker 1>Boston Molasses Flood of nineteen nineteen by Stephen Pulio. For

0:39:57.650 --> 0:40:00.170
<v Speaker 1>a full list of sources, see the show notes at

0:40:00.210 --> 0:40:04.730
<v Speaker 1>Timharford dot com. Cautionary Tales as written by me Tim

0:40:04.770 --> 0:40:08.770
<v Speaker 1>Harford with Andrew Wright, Alice Fines, and Ryan Dilly. It's

0:40:08.770 --> 0:40:12.810
<v Speaker 1>produce by Georgia Mills and Marilyn Rust. The sound design

0:40:12.930 --> 0:40:16.690
<v Speaker 1>and original music are the work of Pascal Wise. Additional

0:40:16.730 --> 0:40:20.250
<v Speaker 1>sound design is by Carlos San Juan at Brain Audio

0:40:20.970 --> 0:40:25.650
<v Speaker 1>Bend and Dapfhaffrey edited the scripts. The show also wouldn't

0:40:25.650 --> 0:40:29.130
<v Speaker 1>have been possible without the work of Jacob Weisberg, Greta Cohene,

0:40:29.450 --> 0:40:34.930
<v Speaker 1>Eric Sandler, Christina Sullivan, Kira Posey, and Owen Miller. Cautionary

0:40:34.970 --> 0:40:38.450
<v Speaker 1>Tales is a production of Pushkin Industries. If you like

0:40:38.530 --> 0:40:41.890
<v Speaker 1>the show, please remember to share, rate, and review. It

0:40:41.930 --> 0:40:43.730
<v Speaker 1>really makes a difference to us. And if you want

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<v Speaker 1>to hear the show, add free and get access to

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<v Speaker 1>exclusive content. Sign up to the Cautionary Club that is

0:40:50.690 --> 0:41:14.450
<v Speaker 1>over at patreon dot com. Slash Cautionary Club contectlyt the

0:41:14.690 --> 0:41:17.010
<v Speaker 1>Compact and