WEBVTT - Treacle Tears: The Boston Molasses Disaster

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<v Speaker 1>Pushkin. I'm teaming up with the historian and co host

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<v Speaker 1>of the after Dark podcast, Dr Maddie Pelling to talk

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<v Speaker 1>about her new book Hoax, and we want to hear

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<v Speaker 1>your questions about scams and con artists. We'd have a

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<v Speaker 1>swindler on cautionary tales, and we've featured a fair few

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<v Speaker 1>over the years, including the cheeky art forger Eric Heborn,

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<v Speaker 1>the shoemaker turned captain of Kerpenick, and who could forget

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<v Speaker 1>Dr Brinkley with his miracle cure for impotence goat glands?

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<v Speaker 1>What makes these stories so appealing? We'll aim to answer

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<v Speaker 1>that and any other hoax based question you send in

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<v Speaker 1>just email Tales at Pushkin dot fm by the thirtieth

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<v Speaker 1>of June. Boston, January nineteen nineteen. Giuseppe Yantoska stands at

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<v Speaker 1>his kitchen window searching for his ten year old son.

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<v Speaker 1>All sorts of people come and go in Boston's North End,

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<v Speaker 1>and Giuseppe likes to keep a close eye on little

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<v Speaker 1>Pasquale or Pasqualino, as he's affectionately known at home. Giuseppe

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<v Speaker 1>doesn't speak much English like many of their neighbors. The

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<v Speaker 1>Antoscas hail from southern Italy. They're very poor. Even with

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<v Speaker 1>Giuseppe's shifts at the Boston and Maine Railroad backbreaking work

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<v Speaker 1>laying track, they struggle to make ends meet. Fresh milk

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<v Speaker 1>and meat are rare. It is in the Antosca house

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<v Speaker 1>and Giuseppe and his wife Maria worry about their six

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<v Speaker 1>small children. Where is Pasqualino. Giuseppe surveys Commercial Street, a

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<v Speaker 1>thoroughfare beneath his window that curves along the water. It's

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<v Speaker 1>an unusually fine day from mid January, and the harbor

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<v Speaker 1>is bustling. Fishermen hurry to their lunch, a plate of

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<v Speaker 1>spaghetti at home, power as a pie from Partial's bakery.

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<v Speaker 1>Dock workers shout as they unload shipping crates and horse

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<v Speaker 1>drawn wagons hauling beer barrels mingle with peddler's carts. Motorized

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<v Speaker 1>trucks rattle to and from the factories that ring the

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<v Speaker 1>north end. Giuseppe scans the elevated railroad that swoops above

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<v Speaker 1>Commercial Street and the freight trains directly beneath it. Finally,

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<v Speaker 1>he traces the hulking storage tank that dominates the wharf.

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<v Speaker 1>His eyes flick to a tiny figure clad in red

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<v Speaker 1>and crouching in the shadow of the high steel walls.

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<v Speaker 1>Pasqualino Giuseppe breathes a sigh of relief. Down on the wharf,

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<v Speaker 1>pasquale A Tosca and his friends Tony and Maria Destacio

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<v Speaker 1>are huddling beside the enormous storage tank fifty feet high

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<v Speaker 1>and ninety feet wide. Its grumbles and shudders and its sweet,

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<v Speaker 1>earthy scent are familiar to them. The tank isn't designed

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<v Speaker 1>to store diesel or grain, but of all things, a thick, dark,

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<v Speaker 1>sugary liquid and glasses. It pools around the base of

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<v Speaker 1>the tank, and the children like to play there, dodging

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<v Speaker 1>stern railroad workers to scoop the sticky liquid into their

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<v Speaker 1>pails and hurrying home with their syrupy treasure. But today

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<v Speaker 1>Pasqualino doesn't feel like playing. He knows his father's watching him.

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<v Speaker 1>He's also very hot beneath his bright red knitwear. It's

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<v Speaker 1>the second sweater his mother insisted he wear that morning.

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<v Speaker 1>She fears him catching a cold. But the day's mild,

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<v Speaker 1>and the extra bolk also slows him down. As he

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<v Speaker 1>gathers firewood, the tank groans, which isn't unusual. A fresh

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<v Speaker 1>load of the sugary substance has recently arrived from the Caribbean.

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<v Speaker 1>Pasqualino looks up at the massive container fifty foot streams

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<v Speaker 1>of my glasses seep down its side in long, treakily tears.

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<v Speaker 1>I'm Tim Harford, and you're listening to cautionary tales. Arthur P.

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<v Speaker 1>Gell had his work cut out. It was late nineteen

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<v Speaker 1>fourteen and had been tasked with building an enormous malasses

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<v Speaker 1>contained near Cambridge, Massachusetts. Gell was assistant treasurer at the

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<v Speaker 1>Purity Distilling Company, part of United States Industrial Alcohol or USIA.

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<v Speaker 1>USIA processed molasses into alcohol for munitions like dynamite and

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<v Speaker 1>smokeless powder, so when Europe went to war in nineteen fourteen,

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<v Speaker 1>the company had begun boosting production. Its plant in Cambridge

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<v Speaker 1>was one of the largest in the country, but USIA

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<v Speaker 1>struggled to keep up with demand. It didn't have its

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<v Speaker 1>own storage facility, so it had to source its molasses

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<v Speaker 1>from a broker in South Boston rather than directly from

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<v Speaker 1>the Caribbean. This, in turn, eight into profits. To truly

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<v Speaker 1>make hay while the sun shone, USIA needed its own tank,

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<v Speaker 1>one that would be up and running by December thirty,

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<v Speaker 1>first nineteen teen fifteen, and it was decided that reliable,

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<v Speaker 1>efficient Arthur Jell was the man for the job. The

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<v Speaker 1>deadline was virtually impossible, but Gell's bosses had hinted that

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<v Speaker 1>if he succeeded, a New York City promotion was on

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<v Speaker 1>the cards. He was determined to give it his best shot.

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<v Speaker 1>As Stephen Pulio explains in his book Dark Tide, Gell

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<v Speaker 1>had spent his professional life in a range of clerical positions.

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<v Speaker 1>An experienced administrator, he was confident that he knew the

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<v Speaker 1>right people. He consulted other tank manufacturers about the appropriate

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<v Speaker 1>factor of safety for a container like this one, and

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<v Speaker 1>ordered steel plates to form the sides of the cylindrical structure.

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<v Speaker 1>He also negotiated a lease for the perfect spot in

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<v Speaker 1>Boston's North End. Here steamships from the Caribbean could discharge

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<v Speaker 1>the molasses, and the sugary substance could then travel on

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<v Speaker 1>to the Cambridge plant by railcar. Sure, the area was

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<v Speaker 1>densely populated, and there was a children's playground right next

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<v Speaker 1>to the proposed tank site, but Jell knew that the

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<v Speaker 1>residents of the North End were unlikely to resist the structure.

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<v Speaker 1>Many of them were poor immigrants from Italy's south. They

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<v Speaker 1>didn't speak English and kept to their own tight enclave.

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<v Speaker 1>Their political participation was scant. All the same, lease negotiations

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<v Speaker 1>were slow. By the time Gell had secured the location,

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<v Speaker 1>it was September nineteen fifteen and the clock was ticking.

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<v Speaker 1>Ever resourceful, he installed electric lighting at the wharf so

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<v Speaker 1>that the construction crew could work through the night. But

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<v Speaker 1>when a laborer fell inside the empty tank, lost more time,

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<v Speaker 1>so traumatized with the other workers by the dying man's screams.

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<v Speaker 1>Then a superstorm blasted Boston and he lost a further

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<v Speaker 1>two days. Gel couldn't afford any more embarrassing setbacks or expenses.

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<v Speaker 1>When the time came to test the tank for leaks,

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<v Speaker 1>he knew that they could only fill the massive structure

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<v Speaker 1>by tapping into the municipal water supply. This would be

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<v Speaker 1>time consuming and costly, so he came up with a solution.

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<v Speaker 1>The crew ran six inches of water into the bottom

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<v Speaker 1>of the container to just above the first joint at

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<v Speaker 1>its base. If the first joint didn't leak, right with

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<v Speaker 1>the rest of them, the tank held its six inches

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<v Speaker 1>of water and Gel announced that it was ready. It

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<v Speaker 1>was late December nineteen fifteen, he had met his impossible deadline.

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<v Speaker 1>Business boomed. From nineteen fourteen to nineteen sixteen, USIA's net

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<v Speaker 1>profit increased nearly ninefold. The investors were thrilled. In April

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<v Speaker 1>nineteen seventeen, the US declared war on Germany, and Gell

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<v Speaker 1>was ready to show the managers in New York that

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<v Speaker 1>Boston could rise to the challenge. That month, a munitions

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<v Speaker 1>factory in Pennsylvania was bombed, the work of foreign employees

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<v Speaker 1>who were angry about the war. Italian anarchists were said

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<v Speaker 1>to be behind other similar bombings. Jell took note and

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<v Speaker 1>increased security at the Boston Tank. A couple of weeks later,

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<v Speaker 1>Gell ran into another complication. A man called Isaac Gonzales

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<v Speaker 1>burst into his Cambridge office uninvited and unapproved. Gonzales was

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<v Speaker 1>also a USIA employee, the assistant to the caretaker at

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<v Speaker 1>the Boston Tank, and he was raving about some leaks

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<v Speaker 1>in the structure. Apparently the tank oozed gallons of molasses

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<v Speaker 1>onto the wharf. Everyone had noticed, and children even liked

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<v Speaker 1>to play with it. Gonzales shoved tiny pieces of steel

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<v Speaker 1>into Jell's hands and said that rusty flex dropped into

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<v Speaker 1>his hair each time he entered the tank. Gell did

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<v Speaker 1>his best to keep calm. This man was clearly paranoid.

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<v Speaker 1>Even obsessed molasses had a life of its own, and

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<v Speaker 1>leaks were normal, especially in a relatively new structure, and

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<v Speaker 1>especially after a fresh shipment. Plus, Jel had had the

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<v Speaker 1>tank resealed, so he knew it was being maintained. He

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<v Speaker 1>told Gonzales that he needed to do a better job

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<v Speaker 1>of keeping the neighborhood children away from company property. That

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<v Speaker 1>would shut him up. He thought it didn't shut him up. Next,

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<v Speaker 1>Gonzales revealed he had been sleeping at the tank so

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<v Speaker 1>that he could sound the alarm should it start to fall.

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<v Speaker 1>Jell was disturbed. Company employees should be returning home after work.

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<v Speaker 1>The tank still stands. The tank will stand, he snapped.

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<v Speaker 1>Then he sent the man on his way, promising to

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<v Speaker 1>fire him if he breathed another word of this nonsense. Yes,

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<v Speaker 1>Arthur Jell was a reliable, efficient man. Nothing would hinder

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<v Speaker 1>productivity on his watch, not saboteurs with bombs, and certainly

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<v Speaker 1>not some jumped up manual laborer. Isaac Gonzales returned to

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<v Speaker 1>his post through nineteen seventeen and nineteen eighteen, other Bostonians

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<v Speaker 1>muttered to him about the tank. The men of Engine

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<v Speaker 1>thirty one fire house, which stood just along the wharf,

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<v Speaker 1>commented on the obvious leaks that streaked its sides and

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<v Speaker 1>the strange sounds it made. When another local worker pressed

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<v Speaker 1>his back against the tank, he told Isaac it felt

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<v Speaker 1>as though the steel walls were moving, pulsing in and

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<v Speaker 1>out with the flow of the liquid inside. Gonzales continued

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<v Speaker 1>his nighttime vigil in secret. Of course, he knew he

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<v Speaker 1>couldn't speak to jail again, but in nineteen eighteen he

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<v Speaker 1>complained to his superintendent, William White, he waited to see

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<v Speaker 1>if his bosses would do anything. They did. In August,

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<v Speaker 1>a crew arrived at the tank paint in Gel had

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<v Speaker 1>ordered them to adore the gray steel walls with a

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<v Speaker 1>dark red brown, the color of molasses. Gonzales had had enough.

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<v Speaker 1>He quit his job and joined the army. Cautionary tales

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<v Speaker 1>will return. Usia had done well out of the war

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<v Speaker 1>in Europe, but when the armistice was signed in November

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<v Speaker 1>nineteen eighteen, it faced a steep fall in profits. Assistant

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<v Speaker 1>Treasurer Arthur jell knew all too well that the investors

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<v Speaker 1>wouldn't be happy, but all was not lost. As the

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<v Speaker 1>United States looked to ratify the eighteenth Amendment of the Constitution,

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<v Speaker 1>Usia spotted a slim window of opportunity. The prohibition of

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<v Speaker 1>the manufacture, sale, or transportation of intoxicating liquors wouldn't actually

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<v Speaker 1>go into effect for another year, during which time there

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<v Speaker 1>would surely be a spike in alcohol sales. Usia resolved

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<v Speaker 1>to repurpose its distilleries for the liquor industry. It would

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<v Speaker 1>once again make hay while the sun shone. On January

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<v Speaker 1>the twelfth, nineteen nineteen, a ship cruised into Boston Harbor

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<v Speaker 1>with one point three million gallons of molasses. The dark,

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<v Speaker 1>viscous liquid had been warmed to facilitate its transfer, and

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<v Speaker 1>it flowed easily into the tank. By next morning, the

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<v Speaker 1>container was very nearly full. It held two point bis

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<v Speaker 1>three million gallons of the sticky substance, weighing roughly twenty

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<v Speaker 1>six million pounds. The weather in Boston had been bitterly cold,

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<v Speaker 1>and when the warm, free flowing molasses topped up the colder,

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<v Speaker 1>thicker liquid already in the tank, something unexpected happened. The

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<v Speaker 1>introduction of all that additional heat accelerated a fermentation process

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<v Speaker 1>producing carbon dioxide. The gas had nowhere to go, and

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<v Speaker 1>it began to push against the steel walls of the tank.

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<v Speaker 1>USIA's only responsibility, as the company saw it, was to

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<v Speaker 1>maximize profit. Somehow, that always seemed to mean profit now

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<v Speaker 1>rather than profit later, and so Arthur Gel prioritized speed,

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<v Speaker 1>growth and quarterly returns. If that sounds familiar, it could

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<v Speaker 1>be because Silicon Valley has become famous or infamous for

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<v Speaker 1>a similar corporate logic. Facebook's motto was move fast and

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<v Speaker 1>Break things, and it became the tech world's battle cry.

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<v Speaker 1>A move fast and break things culture can encourage innovation

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<v Speaker 1>and banish fear of mistakes. After all, errors are path

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<v Speaker 1>of the course, especially when you're making something new. And

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<v Speaker 1>while slow and steady can bring small, consistent benefits to

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<v Speaker 1>a business, throwing caution to the wind might generate a

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<v Speaker 1>single massive payoff. But when a corporation values efficiency and

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<v Speaker 1>growth above all else, there can be other consequences environmental costs,

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<v Speaker 1>community welfare, and work. Because rights fall by the wayside,

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<v Speaker 1>safeguards are eroded, accountability dissolves, and harm is written off

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<v Speaker 1>as a cost of doing business. January fifteenth, nineteen nineteen

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<v Speaker 1>is a cloudy day in Boston, but unusually mild. The

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<v Speaker 1>weather has been punishingly cold of late, and the people

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<v Speaker 1>of the North End take advantage of the slight thaw

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<v Speaker 1>At lunchtime. The harbor is a buzz Workers eat their

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<v Speaker 1>lunch on front steps and chatter on sidewalks. The mood

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<v Speaker 1>is a mellow tank. Superintendent William White has just received

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<v Speaker 1>a phone call from his wife. She has her eye

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<v Speaker 1>on new dress and wants to go shopping together. It'll

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<v Speaker 1>be a quiet workday now that the new load of

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<v Speaker 1>molasses has been safely delivered, and White sees no not

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<v Speaker 1>to spoil her. Just before midday, he leaves his post.

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<v Speaker 1>If he had lingered, he might have noticed Pasquale and

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<v Speaker 1>Tosca and the Dastacio children sneaking onto the wall to

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<v Speaker 1>collect firewood. Instead. A railroad worker begins scolding Maria d'astasio.

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<v Speaker 1>You shouldn't be here, he chides, this isn't a playground.

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<v Speaker 1>Just along the wharf, the men of the Engine thirty

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<v Speaker 1>one Firehouse are playing whist on their lunch break, smoking

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<v Speaker 1>their pipes and mocking bay Ruth's ridiculous demands for a

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<v Speaker 1>pay rise. The baseball star would never survive on a

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<v Speaker 1>firefighter's wage, They scoff. Fifty six year old John Barry,

0:18:59.850 --> 0:19:03.730
<v Speaker 1>a stonecutter for the City of Boston Street Department, has

0:19:03.810 --> 0:19:07.970
<v Speaker 1>joined them from his workshop next door. Burly and muscular,

0:19:08.450 --> 0:19:12.930
<v Speaker 1>Barry is physically formidable, but his friends at the firehouse

0:19:13.090 --> 0:19:16.530
<v Speaker 1>know that his ten children are never far from his thoughts.

0:19:19.170 --> 0:19:23.570
<v Speaker 1>What was that It sounded like thunder? One of the

0:19:23.610 --> 0:19:28.970
<v Speaker 1>firefighters scrambles to a window. His face darkens with fear.

0:19:29.810 --> 0:19:34.690
<v Speaker 1>Oh my god, he cries. Run at his kitchen window.

0:19:34.970 --> 0:19:39.690
<v Speaker 1>Giuseppe yan Tosca jumps back in horror. He's been following

0:19:39.730 --> 0:19:44.330
<v Speaker 1>his Pasqualino as he gathers firewood, tracing that bright red

0:19:44.370 --> 0:19:48.330
<v Speaker 1>sweater as it bobs along the gray wharf. But something

0:19:48.370 --> 0:19:53.090
<v Speaker 1>has just swallowed the little boy. A kind of dark,

0:19:53.490 --> 0:19:59.890
<v Speaker 1>gleaming wave pushing forwards, tearing towards Commercial Street. The kitchen

0:19:59.970 --> 0:20:03.250
<v Speaker 1>growls and shakes, and before he can move, Giuseppe has

0:20:03.250 --> 0:20:09.250
<v Speaker 1>been thrown to the floor. He hits his head, everything

0:20:09.330 --> 0:20:15.930
<v Speaker 1>goes back. At a call box on Commercial Street, policeman

0:20:16.170 --> 0:20:21.090
<v Speaker 1>Frank McManus is making a routine report to headquarters that

0:20:21.730 --> 0:20:28.090
<v Speaker 1>chilling sound somewhere between a thunderclap and sickening scrape of

0:20:28.170 --> 0:20:34.370
<v Speaker 1>metal makes him turn receiver still to his mouth. He

0:20:34.450 --> 0:20:37.970
<v Speaker 1>can't quite believe what he's seeing, but he manages to

0:20:38.090 --> 0:20:42.370
<v Speaker 1>utter a few shocked words to the dispatcher. Send all

0:20:42.410 --> 0:20:46.370
<v Speaker 1>available rescue vehicles and personnel immediately. There's a wave of

0:20:46.530 --> 0:20:53.250
<v Speaker 1>molasses coming down Commercial Street. What follows is the stuff

0:20:53.370 --> 0:20:59.250
<v Speaker 1>of nightmares. The tank has burst clean open rid, its

0:20:59.330 --> 0:21:05.170
<v Speaker 1>screaming through the air like shrapnels. The worker trapped in

0:21:05.250 --> 0:21:09.410
<v Speaker 1>the railroad freight office saw the tank's steel walls fly

0:21:09.570 --> 0:21:15.690
<v Speaker 1>into other buildings, which crumpled like egg. Two point three

0:21:16.170 --> 0:21:20.570
<v Speaker 1>million gallons of molasses has rushed onto the wharf, a

0:21:20.810 --> 0:21:26.010
<v Speaker 1>syrupite tsunami, thirty five feet high, one hundred and sixty

0:21:26.010 --> 0:21:29.730
<v Speaker 1>feet wide, and traveling at thirty five miles per hour.

0:21:30.490 --> 0:21:34.490
<v Speaker 1>It snuffs out the daylight and wrenches the fire house

0:21:34.530 --> 0:21:43.850
<v Speaker 1>from its foundations on Commercial Street. In the dining room

0:21:43.890 --> 0:21:48.850
<v Speaker 1>of his second floor apartment, Robert Burnett, he is a swish,

0:21:48.890 --> 0:21:53.290
<v Speaker 1>like a brushing of wind. A shadow falls across the room,

0:21:53.490 --> 0:21:57.810
<v Speaker 1>and he hurries to the window. A great black wave

0:21:58.010 --> 0:22:02.890
<v Speaker 1>is bearing down on the house. Burnett snatches at his

0:22:03.010 --> 0:22:06.010
<v Speaker 1>front door that the wave is already surging up the

0:22:06.010 --> 0:22:09.730
<v Speaker 1>stairs in the hallway. He slams the door and runs

0:22:09.730 --> 0:22:14.930
<v Speaker 1>for the roof. The wall of molasses rebounds off buildings,

0:22:14.970 --> 0:22:20.890
<v Speaker 1>shattering windows and pulverizing brickwork. It twists and snaps the

0:22:20.970 --> 0:22:25.530
<v Speaker 1>steel girders of an elevated railroad, obliterating the track for

0:22:25.570 --> 0:22:29.570
<v Speaker 1>more than one hundred feet. Horses, carts, and motor trucks

0:22:29.570 --> 0:22:41.210
<v Speaker 1>are overturned, Children and adults vanish in a treatily deluge.

0:22:42.050 --> 0:22:48.010
<v Speaker 1>Stonecutter John Barry lies in total darkness, wood and metal

0:22:48.370 --> 0:22:54.570
<v Speaker 1>crushing his back its agony. He can barely breathe. When

0:22:54.650 --> 0:22:58.690
<v Speaker 1>the wave of molasses ripped the firehouse off its foundations,

0:22:59.170 --> 0:23:04.570
<v Speaker 1>the building collapse and the treacherous syrup seeped through the debris.

0:23:05.770 --> 0:23:12.810
<v Speaker 1>Barry is trapped, pinned, face down, one cheek grinding into molasses.

0:23:13.610 --> 0:23:16.770
<v Speaker 1>Only his left arm is free, and he clears the

0:23:16.890 --> 0:23:22.410
<v Speaker 1>vile liquid from his face as best he can. Barry

0:23:22.530 --> 0:23:26.970
<v Speaker 1>tries to call out to scream, but his voice is

0:23:27.090 --> 0:23:33.170
<v Speaker 1>thin and reading. He imagines foul rats scuttling over his body,

0:23:34.010 --> 0:23:38.370
<v Speaker 1>burrowing their yellow teeth into his flesh. I'm going to

0:23:38.450 --> 0:23:43.850
<v Speaker 1>die here, he thinks. He wonders what will become of

0:23:43.930 --> 0:23:54.490
<v Speaker 1>his ten children. On his kitchen floor, Giuseppe and Tosca

0:23:54.530 --> 0:23:58.210
<v Speaker 1>comes too. His wife Maria is crying in the corner

0:23:58.290 --> 0:24:04.410
<v Speaker 1>of the room. One of their daughters is comforting her bruised. Stunned,

0:24:05.210 --> 0:24:09.610
<v Speaker 1>Giuseppe pulls himself up and goes shakily to the door.

0:24:10.410 --> 0:24:17.730
<v Speaker 1>He will find Pasqualino. If it kills him. Cautionary tails

0:24:17.730 --> 0:24:29.130
<v Speaker 1>would be back shortly. In the first moments of the disaster,

0:24:29.570 --> 0:24:33.290
<v Speaker 1>the molasses flowed through the streets of Boston like water,

0:24:34.370 --> 0:24:37.770
<v Speaker 1>or perhaps like ketchup being jiggled out of a bottle.

0:24:38.970 --> 0:24:43.410
<v Speaker 1>Like ketchup, molasses flows freely when being violently shaken and

0:24:43.570 --> 0:24:47.210
<v Speaker 1>exploding out of a high pressure tank is certainly a

0:24:47.330 --> 0:24:54.690
<v Speaker 1>violent movement, but when malasses cools, it thickens. On January

0:24:54.690 --> 0:24:57.810
<v Speaker 1>the fifteenth, the temperature in Boston had climbed a little,

0:24:58.450 --> 0:25:01.450
<v Speaker 1>but the winter air was still much cooler than the

0:25:01.490 --> 0:25:05.130
<v Speaker 1>syrupy liquid, and as it flowed out of the tank

0:25:05.250 --> 0:25:09.930
<v Speaker 1>and through the streets, it began to slow and congeal

0:25:11.290 --> 0:25:17.530
<v Speaker 1>like quicksand it tracked its victims. As the Boston Post explained,

0:25:18.690 --> 0:25:22.610
<v Speaker 1>snared in its flood was to be stifled Once it

0:25:22.770 --> 0:25:27.930
<v Speaker 1>smeared ahead human or animal, there was no coughing off

0:25:28.010 --> 0:25:31.610
<v Speaker 1>the sticky mass. To attempt to wipe it with hands

0:25:31.730 --> 0:25:35.090
<v Speaker 1>was to make it worse. It plugged the nostrils almost

0:25:35.130 --> 0:25:40.730
<v Speaker 1>air tight. Horses thrashed around in the glooy mass like

0:25:41.010 --> 0:25:46.170
<v Speaker 1>so many flies on sticky flypaper. They couldn't be freed

0:25:47.130 --> 0:25:53.130
<v Speaker 1>and were shot dead. At a local relief station, nurses

0:25:53.210 --> 0:25:58.530
<v Speaker 1>and orderlies streaked with molasses treated the injured. They carried

0:25:58.610 --> 0:26:04.170
<v Speaker 1>patients on sticky stretchers, cutaway clothing, and cleaned gaping wounds.

0:26:05.090 --> 0:26:09.010
<v Speaker 1>Anguished Bostonians clamored to know if their missing relatives were there.

0:26:09.930 --> 0:26:14.490
<v Speaker 1>A lucky few were relatively unscathed. Five year old Albert

0:26:14.610 --> 0:26:17.810
<v Speaker 1>Janshi had been picked up by the wave and drenched

0:26:17.810 --> 0:26:21.570
<v Speaker 1>in molasses, but was miraculously unhurt. Once he had been

0:26:21.650 --> 0:26:24.450
<v Speaker 1>cleaned up and had something to eat, he was allowed

0:26:24.450 --> 0:26:35.130
<v Speaker 1>to return home. Others were taken straight to the local morgue.

0:26:35.370 --> 0:26:40.410
<v Speaker 1>In the ruins of the firehouse, John Barry's back seared

0:26:40.490 --> 0:26:46.570
<v Speaker 1>with pain. Despite his incredible strength, he couldn't move. He

0:26:46.570 --> 0:26:51.370
<v Speaker 1>couldn't see anything either. It was pitch black, but he

0:26:51.370 --> 0:26:55.690
<v Speaker 1>could hear something with the shred of energy he had left.

0:26:56.450 --> 0:27:01.810
<v Speaker 1>He strained his ears. There it was again a man's voice.

0:27:02.690 --> 0:27:06.850
<v Speaker 1>He wasn't alone down here. His friends were imprisoned with

0:27:06.970 --> 0:27:11.690
<v Speaker 1>him in the debris. And then John Barry heard something else,

0:27:12.530 --> 0:27:17.810
<v Speaker 1>the unmistakable sound of sores on wood and metal yielding

0:27:17.850 --> 0:27:23.610
<v Speaker 1>to flame. Someone knew they were down there, Someone was

0:27:23.690 --> 0:27:33.930
<v Speaker 1>coming to get them. Giuseppe jan Tosca spent hours searching

0:27:33.970 --> 0:27:39.850
<v Speaker 1>for Pasqualino, but to no avail. Maria Destacio had been found.

0:27:40.850 --> 0:27:43.170
<v Speaker 1>She had been right in the path of the monstrous

0:27:43.210 --> 0:27:48.930
<v Speaker 1>wave and had suffocated immediately, but her brother Tony had survived.

0:27:49.370 --> 0:27:51.890
<v Speaker 1>He had been thrown against a lamppost and suffered a

0:27:51.930 --> 0:27:55.810
<v Speaker 1>fractured skull, but a firefighter had managed to pull him

0:27:55.810 --> 0:28:00.330
<v Speaker 1>from the morass before he drowned. Could Giuseppe's boy have

0:28:00.410 --> 0:28:04.530
<v Speaker 1>been rescued had he been swept into the harbor, or

0:28:04.570 --> 0:28:07.810
<v Speaker 1>perhaps he was trapped beneath the debris on the wharf.

0:28:09.450 --> 0:28:13.410
<v Speaker 1>In broken English, to Seppi frantically questioned the dazed and

0:28:13.610 --> 0:28:17.890
<v Speaker 1>injured along Commercial Street, but no one had seen a

0:28:17.930 --> 0:28:22.170
<v Speaker 1>little boy in a red sweater. Firefighters had rallied to

0:28:22.210 --> 0:28:26.930
<v Speaker 1>reach their trapped colleagues from Engine thirty one chopping and

0:28:26.970 --> 0:28:30.610
<v Speaker 1>digging through the wreckage was perilous work. With every move

0:28:30.690 --> 0:28:34.810
<v Speaker 1>they made, the remains of the building shifted around them.

0:28:35.050 --> 0:28:38.130
<v Speaker 1>They found some of their fellows in time, but thirty

0:28:38.170 --> 0:28:42.370
<v Speaker 1>four year old father of three, George Lahey was dragged

0:28:42.370 --> 0:28:48.850
<v Speaker 1>from the wreckage dead. After three hours and as many

0:28:49.010 --> 0:28:53.810
<v Speaker 1>injections of morphine into his back, John Barry heard a

0:28:53.850 --> 0:28:57.650
<v Speaker 1>saw slicing away at the wood near his head. It

0:28:57.730 --> 0:29:03.650
<v Speaker 1>was getting closer and closer, and then quite suddenly it stopped,

0:29:04.530 --> 0:29:08.090
<v Speaker 1>and he felt the great weight beheaved from his back.

0:29:10.330 --> 0:29:14.570
<v Speaker 1>The exhausted stonecutter was lifted onto a stretcher and rushed

0:29:14.610 --> 0:29:20.810
<v Speaker 1>to hospital. When his stricken daughters reached the ward, they

0:29:20.810 --> 0:29:27.050
<v Speaker 1>didn't recognize him. Their powerful father had vanished. In his

0:29:27.170 --> 0:29:35.690
<v Speaker 1>place was a fragile old man. Arthur Jell visited the waterfront.

0:29:36.610 --> 0:29:41.450
<v Speaker 1>He was aghast at the devastation, but kept calm. There

0:29:41.490 --> 0:29:45.770
<v Speaker 1>would be a plausible explanation for the disaster, one that

0:29:45.930 --> 0:29:53.730
<v Speaker 1>absolved Usia and himself of any responsibility. In the days

0:29:53.770 --> 0:29:59.370
<v Speaker 1>that followed, the flood, clean up operation began. Businesses had

0:29:59.370 --> 0:30:03.010
<v Speaker 1>been decimated and the harbor police picked all sorts of

0:30:03.010 --> 0:30:07.610
<v Speaker 1>objects out of the water rolls of cloth, barrels of ale,

0:30:08.370 --> 0:30:13.530
<v Speaker 1>tubs of lar. Firemen spread sand on the pavements and

0:30:13.690 --> 0:30:22.770
<v Speaker 1>dispersed the tenacious molasses with jets of salt water. On

0:30:22.890 --> 0:30:28.810
<v Speaker 1>January seventeenth, USIA issued a statement the company knew beyond

0:30:28.970 --> 0:30:33.330
<v Speaker 1>question that the tank was not weak. This calamity was

0:30:33.370 --> 0:30:40.730
<v Speaker 1>the work of an outside influence. It was another three

0:30:40.850 --> 0:30:45.370
<v Speaker 1>days before Giuseppe and Maria Yantosca learned the fate of

0:30:45.410 --> 0:30:49.450
<v Speaker 1>their son. Rescue workers pulled the body of a little

0:30:49.450 --> 0:30:53.610
<v Speaker 1>boy in a red sweater from the wreckage. A railroad

0:30:53.690 --> 0:30:58.730
<v Speaker 1>car carried fifty feet by the wave had crushed him

0:30:58.730 --> 0:31:03.450
<v Speaker 1>into a wall. Giuseppe was asked to identify the child.

0:31:04.530 --> 0:31:11.170
<v Speaker 1>He was slicked with molasses and his face was horribly disfigured. Weeping,

0:31:12.210 --> 0:31:18.610
<v Speaker 1>Giuseppe lifted his red sweater and saw a second sweater underneath.

0:31:20.570 --> 0:31:25.250
<v Speaker 1>His heart breaking, he gathered Pasqualino's tiny body in his

0:31:25.410 --> 0:31:34.330
<v Speaker 1>arms and hugged him close. One hundred and fifty people

0:31:34.410 --> 0:31:38.210
<v Speaker 1>were injured in the molasses flood, and twenty one people

0:31:38.370 --> 0:31:42.290
<v Speaker 1>lost their lives. It was months before all the bodies

0:31:42.330 --> 0:31:47.890
<v Speaker 1>were recovered. At the inquest into the disaster, Judge Wilfred

0:31:48.010 --> 0:31:53.450
<v Speaker 1>Bolster rebuked USIA. He was also scathing about the Boston

0:31:53.530 --> 0:31:58.690
<v Speaker 1>Buildings Department. The city had bypassed the proper permit procedures.

0:31:59.370 --> 0:32:01.770
<v Speaker 1>No one in the building's department had been qualified to

0:32:01.810 --> 0:32:05.490
<v Speaker 1>assess whether the steel structure was fit for purpose, and

0:32:05.530 --> 0:32:09.250
<v Speaker 1>then accepted the paper design simply because it bore the

0:32:09.330 --> 0:32:15.010
<v Speaker 1>name of a civil engineer. This single accident has cost

0:32:15.170 --> 0:32:19.410
<v Speaker 1>more in material damage than all the supposed economies in

0:32:19.450 --> 0:32:25.490
<v Speaker 1>the building department. Laws are cheap of passage, costly of enforcement.

0:32:26.250 --> 0:32:35.090
<v Speaker 1>They do not execute themselves, Bolster declared. Despite Judge Bolster's rebuke,

0:32:35.530 --> 0:32:39.090
<v Speaker 1>a grand jury found that there was insufficient evidence to

0:32:39.130 --> 0:32:43.690
<v Speaker 1>return an indictment of manslaughter. The people of Boston were

0:32:43.730 --> 0:32:49.610
<v Speaker 1>appalled USIA was getting away with it. A group of

0:32:49.690 --> 0:32:54.130
<v Speaker 1>Bostonians prepared to sue the company. If nobody would go

0:32:54.170 --> 0:32:56.890
<v Speaker 1>to jail for their carelessness, they could at least be

0:32:56.890 --> 0:33:00.690
<v Speaker 1>made to pay a price, But USIA had some tricks

0:33:00.730 --> 0:33:07.010
<v Speaker 1>up its sleeve. Today, it's generally believed that the Boston

0:33:07.130 --> 0:33:11.810
<v Speaker 1>molasses disaster was the result of brittle fracture, the sudden

0:33:12.170 --> 0:33:16.010
<v Speaker 1>catastrophic failure of the tank structure due to poor design

0:33:17.090 --> 0:33:21.090
<v Speaker 1>to withstand the strains they would experience. The tank walls

0:33:21.130 --> 0:33:24.570
<v Speaker 1>needed to be at least twice as thick. Over time,

0:33:24.850 --> 0:33:29.810
<v Speaker 1>as the tank was repeatedly emptied and refilled, the steel fatigued.

0:33:30.530 --> 0:33:34.170
<v Speaker 1>The fatal fracture probably began as a circular hatch at

0:33:34.170 --> 0:33:40.650
<v Speaker 1>the base of the tank. Engineers balance efficiency, resource allocation,

0:33:41.050 --> 0:33:46.850
<v Speaker 1>and safety. Arthur Jell, who oversaw the tank's rapid construction,

0:33:47.610 --> 0:33:52.330
<v Speaker 1>was a skilled administrator, but he wasn't an engineer. His

0:33:52.490 --> 0:33:56.730
<v Speaker 1>focus wasn't the complex harmony of function and long term

0:33:56.810 --> 0:34:03.130
<v Speaker 1>public safety, but short term profit. USIA regarded the residence

0:34:03.250 --> 0:34:08.970
<v Speaker 1>of Boston's North End not as vulnerable individuals worthy of dignity,

0:34:09.250 --> 0:34:13.770
<v Speaker 1>as factors in a business model. The company had taken

0:34:13.890 --> 0:34:18.490
<v Speaker 1>advantage of a power imbalance, knowing that the Italian Americans

0:34:18.530 --> 0:34:22.130
<v Speaker 1>who lived near the harbor were unlikely to resist the

0:34:22.130 --> 0:34:27.930
<v Speaker 1>building of the Malasses tank. USIA also knew that people

0:34:28.010 --> 0:34:32.210
<v Speaker 1>were suspicious of Italian Americans, and in its next move,

0:34:32.810 --> 0:34:37.170
<v Speaker 1>it sought to capitalize on that fear. In the wake

0:34:37.250 --> 0:34:42.690
<v Speaker 1>of the disaster, one hundred and nineteen Bostonians sued USIA,

0:34:43.530 --> 0:34:47.250
<v Speaker 1>arguing that the Great Vat of Malasses had been structurally

0:34:47.290 --> 0:34:54.490
<v Speaker 1>deficient and built without proper safeguards. Former caretaker Isaac Gonzalez,

0:34:54.770 --> 0:34:57.890
<v Speaker 1>who had warned half the gel about the tank and

0:34:57.970 --> 0:35:03.170
<v Speaker 1>been dismissed, took the stand and told of how malasses

0:35:03.250 --> 0:35:10.450
<v Speaker 1>had oozed incessantly through the tank's riveted joins. His hair,

0:35:10.570 --> 0:35:14.810
<v Speaker 1>now white from the stress of his ordeal, also testified

0:35:15.730 --> 0:35:18.850
<v Speaker 1>he could no longer work as a stonecutter because he

0:35:18.850 --> 0:35:23.450
<v Speaker 1>couldn't stand up straight. My back hurts all the time,

0:35:23.890 --> 0:35:28.010
<v Speaker 1>he said. It's as though my spine is breaking. The

0:35:28.090 --> 0:35:34.010
<v Speaker 1>doctor says there's no cure. Giuseppe and Tosca described the

0:35:34.050 --> 0:35:39.090
<v Speaker 1>earth shattering moment his Pasqualino was engulfed by a dark wave.

0:35:40.730 --> 0:35:45.130
<v Speaker 1>USIA countered that Pasquale an Tosca shouldn't have been there

0:35:45.210 --> 0:35:49.850
<v Speaker 1>at all. A company is under no obligation to make

0:35:49.930 --> 0:35:56.730
<v Speaker 1>its premises safe for trespassers, snarled one defense attorney. USIA

0:35:56.890 --> 0:36:00.650
<v Speaker 1>held that at lunchtime on January the fifteenth, nineteen nineteen,

0:36:01.490 --> 0:36:06.930
<v Speaker 1>unknown anarchists, probably Italian, had dropped a bomb in the tank.

0:36:08.210 --> 0:36:11.690
<v Speaker 1>The company had spent more than fifty thousand dollars on

0:36:11.890 --> 0:36:16.570
<v Speaker 1>expert witnesses to support its claims. It continued to take

0:36:16.610 --> 0:36:21.490
<v Speaker 1>this line even after a professor from MIT testified that

0:36:21.570 --> 0:36:26.370
<v Speaker 1>the tank had been of insufficient thickness to withstand the

0:36:26.410 --> 0:36:32.130
<v Speaker 1>pressure of the molasses inside. Order Sir Hugh Ogden listen

0:36:32.210 --> 0:36:36.410
<v Speaker 1>to nearly one thousand witnesses and heard over twenty thousand

0:36:36.490 --> 0:36:42.010
<v Speaker 1>pages of testimony. The proceedings took five years, but in

0:36:42.050 --> 0:36:48.730
<v Speaker 1>the end he rejected USIA's claims of sabotage. I cannot

0:36:48.730 --> 0:36:53.410
<v Speaker 1>help feeling that a proper regard for the appalling possibility

0:36:53.410 --> 0:36:56.450
<v Speaker 1>of damage to persons and property contained in the tank

0:36:56.530 --> 0:37:00.650
<v Speaker 1>in case of accident demanded a higher standard of care

0:37:00.890 --> 0:37:07.130
<v Speaker 1>in inspection from those in authority. Ogden declared he recommended

0:37:07.130 --> 0:37:11.810
<v Speaker 1>that the plaintiffs received damage. A private agreement was reached

0:37:12.290 --> 0:37:16.530
<v Speaker 1>and in nineteen twenty five USIA took a charge against

0:37:16.570 --> 0:37:21.610
<v Speaker 1>profits of six hundred and twenty eight thousand dollars due

0:37:21.650 --> 0:37:27.010
<v Speaker 1>to the Boston tank accident, about eleven point five million dollars. Today,

0:37:28.690 --> 0:37:33.250
<v Speaker 1>that's not nothing, but split between one hundred and nineteen

0:37:33.490 --> 0:37:39.650
<v Speaker 1>traumatized and grievously injured plaintiffs. It's also not very much.

0:37:41.530 --> 0:37:45.650
<v Speaker 1>USIA closed its Cambridge plant and fired the people that

0:37:45.730 --> 0:37:49.450
<v Speaker 1>worked there, But Arthur P. Gell seems to have got

0:37:49.490 --> 0:37:53.490
<v Speaker 1>his New York City promotion, he took the vice presidency

0:37:53.570 --> 0:37:58.530
<v Speaker 1>at another USIA subsidiary, the American Solvents and Chemical Association.

0:37:59.770 --> 0:38:04.450
<v Speaker 1>Gell remained a company man through and through. In nineteen

0:38:04.490 --> 0:38:07.490
<v Speaker 1>thirty one, he was named in a federal grand jury

0:38:07.570 --> 0:38:13.530
<v Speaker 1>indictment against USIA for violating prohibition laws. He died in

0:38:13.650 --> 0:38:17.610
<v Speaker 1>nineteen sixty three at the ripe old age of eighty four,

0:38:18.370 --> 0:38:27.450
<v Speaker 1>survived by his wife, daughter, and four grandchildren. Isaac Gonzales

0:38:27.530 --> 0:38:31.010
<v Speaker 1>had warned Jel about the tank, and when his warnings

0:38:31.050 --> 0:38:36.770
<v Speaker 1>had been repeatedly ignored, he'd quit and joined the army.

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<v Speaker 1>After the war, he faced yet another test of his courage.

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<v Speaker 1>He scaled a burning building to rescue a woman and

0:38:44.170 --> 0:38:47.930
<v Speaker 1>her three small children, wrapping them in bedclothes and carrying

0:38:47.970 --> 0:38:51.570
<v Speaker 1>them out. When they were safe, he returned to the

0:38:51.570 --> 0:38:54.410
<v Speaker 1>blazing apartment just in case anyone had been left behind.

0:38:55.210 --> 0:38:58.490
<v Speaker 1>The fire cut his exit off, and he had to

0:38:58.610 --> 0:39:04.610
<v Speaker 1>jump to safety from an upper window. Gonzales was a hero,

0:39:05.690 --> 0:39:08.730
<v Speaker 1>but it's hard not to wonder if his time at

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<v Speaker 1>the Mala Tank might have left him with some survivor's guilt.

0:39:14.370 --> 0:39:20.050
<v Speaker 1>If only Arthur Gell had felt the same sense of responsibility.

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<v Speaker 1>The key source for this episode of Cautionary Tales is

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<v Speaker 1>Dark Tide the Great Boston Molasses Flood of nineteen nineteen

0:39:38.730 --> 0:39:42.330
<v Speaker 1>by Stephen Pulio. For a full list of sources, see

0:39:42.370 --> 0:39:46.730
<v Speaker 1>the show notes at Timharford dot com. Cautionary Tales as

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<v Speaker 1>written by me Tim Harford with Andrew Wright, Alice Fines,

0:39:50.410 --> 0:39:54.450
<v Speaker 1>and Ryan Dilly. It's produced by Georgia Mills and Marilyn Rust.

0:39:55.050 --> 0:39:57.770
<v Speaker 1>The sound design and original music are the work of

0:39:57.890 --> 0:40:01.970
<v Speaker 1>Pascal Wise. Additional sound design is by Carlos San Juan

0:40:02.210 --> 0:40:07.330
<v Speaker 1>at Brain Audio. Bend and Daphaffrey edited the scripts. The

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<v Speaker 1>show also wouldn't have been popped without the work of

0:40:10.330 --> 0:40:15.410
<v Speaker 1>Jacob Weisberg, Greta Cohene, Eric Sandler, Christina Sullivan, Kira Posey,

0:40:15.610 --> 0:40:20.610
<v Speaker 1>and Owen Miller. Cautionary Tales is a production of Pushkin Industries.

0:40:21.090 --> 0:40:23.930
<v Speaker 1>If you like the show, please remember to share, rate,

0:40:24.170 --> 0:40:26.370
<v Speaker 1>and review. It really makes a difference to us. And

0:40:26.410 --> 0:40:28.410
<v Speaker 1>if you want to hear the show, add free and

0:40:28.530 --> 0:40:32.610
<v Speaker 1>get access to exclusive content, sign up to the Cautionary

0:40:32.690 --> 0:40:37.090
<v Speaker 1>Club that is over at patreon dot com Slash Cautionary

0:40:37.130 --> 0:40:48.010
<v Speaker 1>Club