WEBVTT - TGI – Episode 524 “Graduation”

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<v Speaker 1>So it was my birthday this last week. I am

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<v Speaker 1>now forty five.

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<v Speaker 2>You're a pup.

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<v Speaker 1>Yeah, And I had a nice little gathering. I had

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<v Speaker 1>friends from out of town come stay with me and

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<v Speaker 1>then had some friends over at the house. It was amazing,

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<v Speaker 1>but it made me think of, I don't know if

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<v Speaker 1>I ever told you guys about the time when I

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<v Speaker 1>turned twenty one? Have I ever told you.

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<v Speaker 3>This birthday twenty first birthday story?

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<v Speaker 1>So I had moved to New York, so you know,

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<v Speaker 1>sort of changed my entire life postboy Mets World. So

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<v Speaker 1>this is when I was twenty and I just spent

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<v Speaker 1>my first semester at Columbia, and I moved to New

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<v Speaker 1>York making all the wrong decisions. I decided to drive

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<v Speaker 1>my car all the way across the country coey in

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<v Speaker 1>a U haul trailer of all my furniture and life

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<v Speaker 1>and stuff, right like in retrospect, like just go and

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<v Speaker 1>figure it out, right, Yes, New York is a difficult city. Well,

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<v Speaker 1>it's an impossible city to have a car in r

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<v Speaker 1>It's also just a difficult city to like deal with stuff.

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<v Speaker 1>So I ended up like bringing all my stuff and

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<v Speaker 1>I rented an apartment. I rented a huge apartment because

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<v Speaker 1>I was like, I'm coming from LA. I'm going to

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<v Speaker 1>spend all the money and have like a because I

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<v Speaker 1>had a loft in LA and I was like, I

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<v Speaker 1>should have a loft in New York. Well guess what

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<v Speaker 1>at that time, especially a loft in New York because

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<v Speaker 1>I had been living in downtown LA where my loft

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<v Speaker 1>was very cheap. So suddenly I was in like just

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<v Speaker 1>spending so much money. I had this huge loft. I

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<v Speaker 1>had no idea how to fill it, like I you know,

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<v Speaker 1>just before that, I just like had furniture from my

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<v Speaker 1>parents or whatever. And so suddenly I just had this

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<v Speaker 1>giant space. And I was in my first semester. I was,

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<v Speaker 1>you know, behind in everything, and I decided. I was like,

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<v Speaker 1>I'm not doing anything for my birthday. I just wanted

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<v Speaker 1>I know, twenty one is a big one. But I

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<v Speaker 1>told my girlfriend. I was like, can we just like

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<v Speaker 1>have a dinner. And I was so stressed out and

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<v Speaker 1>She's like, yeah, okay, we'll have We'll just have you know,

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<v Speaker 1>two of her old friends from college who we were

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<v Speaker 1>now you know, they were living in New York. So

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<v Speaker 1>I was like, yeah, let's just go. The four of

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<v Speaker 1>us have like a fancy dinner. She's like, well, let's

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<v Speaker 1>get dressed up. Let's let's put on like suits and

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<v Speaker 1>you know, nice dresses and make it like a fancy night.

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<v Speaker 1>And I was like, okay, fine. So then the day

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<v Speaker 1>of the my actual birthday, I have a final paper

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<v Speaker 1>due that Monday, and it's a Saturday, and I spend

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<v Speaker 1>all day scrambling to write this giant, you know, research paper,

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<v Speaker 1>and I'm so stressed out and like I actually kind

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<v Speaker 1>of have a breakdown, and my girlfriend's like cleaning the apartment.

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<v Speaker 1>I'm like, why are we cleaning the apartment? Like, you know,

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<v Speaker 1>I just I just don't want to. I don't even

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<v Speaker 1>want to go to dinner. I just want to, like

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<v Speaker 1>I just want to stay up all night and finish

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<v Speaker 1>this paper. And she's like, you know, she she's like,

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<v Speaker 1>calms me down. She's like, you know what, like take

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<v Speaker 1>a break, let's go to dinner. Let's let's at least

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<v Speaker 1>just enjoy ourselves and have a good time. And then

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<v Speaker 1>we go. We have a nice dinner, and the my

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<v Speaker 1>girlfrid friend and her friend and this other woman that

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<v Speaker 1>we were with was like, you know what, we got it,

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<v Speaker 1>Let's go back to the apartment and change our shoes

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<v Speaker 1>before we go get a drink after dinner, you know,

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<v Speaker 1>my twenty one year old drink. And I'm like, oh,

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<v Speaker 1>I'm like, do we have to go all the way

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<v Speaker 1>back to the apartment. We're already out, and they're like, no,

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<v Speaker 1>the shoes, we can't walk, and I'm like, O, get fine,

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<v Speaker 1>And so the four of us get into the elevator

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<v Speaker 1>and go up to my apartment.

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<v Speaker 2>At door party, yep.

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<v Speaker 1>And it was at my apartment, that's why she had

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<v Speaker 1>been cleaning, right, And my first moment was like panic, right,

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<v Speaker 1>like first, there are so many people, and then it

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<v Speaker 1>ended up being the greatest night of my life because

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<v Speaker 1>I like literally started crying and like just running around hugging,

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<v Speaker 1>and everybody's dressed in suits. She had told them all

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<v Speaker 1>to dress like it was a big fancy night, you know.

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<v Speaker 1>So we were all like we fit right in and

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<v Speaker 1>my apartment was just filled with people. And I was like,

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<v Speaker 1>you know, I had moved to New York, I maybe

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<v Speaker 1>you know, I didn't think I had that many friends yet.

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<v Speaker 1>I was like, I don't know that ask.

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<v Speaker 2>Because how did you know these people were already?

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<v Speaker 1>That's the thing she had really done a great job of, like,

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<v Speaker 1>you know, finding a network of people who you know.

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<v Speaker 3>Some would someone tend to you?

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<v Speaker 2>No, No, it was you know I.

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<v Speaker 1>It was like I, because what happened is I moved

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<v Speaker 1>to New York sort of following a couple people, Like

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<v Speaker 1>I had a friend who had I had met in

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<v Speaker 1>college out here who had already transferred to NYU and

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<v Speaker 1>was already there. And then I had a friend who

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<v Speaker 1>had gone through a divorce and moved to New York.

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<v Speaker 1>And it was visiting the two of them actually when

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<v Speaker 1>I decided to move to New York, and they of

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<v Speaker 1>course had their like network of friends. And so within

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<v Speaker 1>that first semester, I had already met a lot of people,

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<v Speaker 1>and of course, you know at college, I had met

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<v Speaker 1>some new people, and she managed to get everybody to come,

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<v Speaker 1>and so it was like it was really my welcome

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<v Speaker 1>to New York moment, like, oh, I actually do know

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<v Speaker 1>a lot of people here. They actually will show up.

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<v Speaker 1>And she had asked them each for whatever reason. On

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<v Speaker 1>the invite. She had made an invite with like rubber

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<v Speaker 1>ducky on like a rubber ducky on the cover, and

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<v Speaker 1>she was like, bring your favorite rubber ducky, and so

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<v Speaker 1>everybody brought duckies, like different themed rubber duckies, you know.

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<v Speaker 3>Have fun different rubber duckies.

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<v Speaker 1>Are you Oh you got to be even gone down

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<v Speaker 1>the rubber ducky rabbit hole.

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<v Speaker 2>No, we'll be in the rubber ducky hole.

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<v Speaker 1>You can find rubber duckies in like, you know, Christmas

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<v Speaker 1>rubber duckies, Halloween rubber ducky whatever. So everybody had brought

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<v Speaker 1>their own rubber ducky and we had a like a

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<v Speaker 1>little Christmas tree that we decorated that that she had

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<v Speaker 1>decorated with rubber duckies just for the party. It was

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<v Speaker 1>so much fun, but it was just that feeling of like,

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<v Speaker 1>oh my god, what is happening? And then you realize

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<v Speaker 1>I have no control over this. I just have to

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<v Speaker 1>like enjoy this and just go with it. And you know,

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<v Speaker 1>having a drink at twenty one, my first legal drink,

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<v Speaker 1>and hanging out with all these friends.

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<v Speaker 3>But you didn't have to get carted on your twenty

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<v Speaker 3>first birthday. Isn't so much of the fun going to

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<v Speaker 3>a place and the.

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<v Speaker 2>License, Yeah, how.

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<v Speaker 3>Old you are?

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<v Speaker 2>The next day, where was your twenty first Danielle.

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<v Speaker 3>My twenty first birthday. My mom took me to Vegas.

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<v Speaker 1>Oh you went right to the gambling. Yeah, did you

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<v Speaker 1>already know age or did you?

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<v Speaker 3>Well, my family plays cards. We're a card family, so

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<v Speaker 3>I grew up playing gin and so yes, I was

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<v Speaker 3>already kind of familiar with card games. I've liked to

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<v Speaker 3>play blackjack from the time I was young. So yeah,

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<v Speaker 3>my mom took me to Vegas, which was really fun,

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<v Speaker 3>and yeah, I we had a great time. My mom

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<v Speaker 3>is a total lightweight and I was a total lightweight,

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<v Speaker 3>and so it wasn't like a big rager of like

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<v Speaker 3>I see how much you can drink thing. I think

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<v Speaker 3>I had like a couple of glasses of wine. My

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<v Speaker 3>mom had half a glass of wine and then was like, I, oh, gosh,

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<v Speaker 3>I think.

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<v Speaker 2>I'm not.

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<v Speaker 1>I think I need to.

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<v Speaker 2>Go light down.

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<v Speaker 3>I was like, it's my twenty first birthday. We can't

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<v Speaker 3>go lay down at nine pm in Vegas. So she

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<v Speaker 3>she toughed it out with me, but it was it

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<v Speaker 3>was a really good time. What did you do Will We've.

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<v Speaker 4>Talked about it many times in this podcast ed to

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<v Speaker 4>Bevicks it.

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<v Speaker 2>Is I had I went order alcohol. Yeah, they were

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<v Speaker 2>they had.

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<v Speaker 4>I went to Edecs with Spencer Moseska the guy I

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<v Speaker 4>moved to Los Angeles with He's still my friend Love

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<v Speaker 4>Hewett and Jason Marsden.

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<v Speaker 2>Ordered a beer and gave them my.

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<v Speaker 4>Idea, my ID and I was so happy and I

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<v Speaker 4>went to go order a second one and Love said,

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<v Speaker 4>are you really gonna have a second beer?

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<v Speaker 2>And that was it.

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<v Speaker 1>I didn't know that was a judge on your twenty

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<v Speaker 1>first birth That was the second beer.

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<v Speaker 2>Yeah, she wrote me a second beer because I wasn't

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<v Speaker 2>really like get yes exactly.

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<v Speaker 3>I've never seen seen you drink.

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<v Speaker 2>But I imagine the second beer is going to put

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<v Speaker 2>you over the edge. So that was it. That was

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<v Speaker 2>my twenty first birthday at ed Beecks. Yeah. Why that

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<v Speaker 2>place was so special to me. Yeah, absolutely so cute.

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<v Speaker 3>Yeah, well, welcome to Pod Meets World. I'm Daniel Fischel.

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<v Speaker 2>I'm rather strong and I should have gotten that second beer.

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<v Speaker 2>I'm Wilfredell.

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<v Speaker 3>Welcome to today's episode recap. It is season five, episode

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<v Speaker 3>twenty four, Graduation. It originally aired May fifteenth, nineteen ninety eight,

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<v Speaker 3>and the synopsis the group is getting ready to graduate

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<v Speaker 3>high school when mister Feenie assigns them one last assignment.

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<v Speaker 3>It was directed by Alan Myerson. It was written by

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<v Speaker 3>Matthew Nelson and Bob Tishler. And then that instance of

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<v Speaker 3>two episodes in a row for that by two people

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<v Speaker 3>that didn't seemingly have ever written an episode together before.

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<v Speaker 1>They must have like pitched this story, got assigned it,

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<v Speaker 1>and then rather than like splitting it up into two scripts,

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<v Speaker 1>they were like, let's just work on the two of

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<v Speaker 1>them together. Yeah, it's really interesting.

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<v Speaker 4>Maybe maybe Matt took one and then Bob took the

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<v Speaker 4>other one, but they just wrote each other.

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<v Speaker 2>So we wrote each other. Yeah, because they weren't writing partners.

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<v Speaker 4>No, So yeah, that's we had part on the show

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<v Speaker 4>several times and these guys were not writing partners.

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<v Speaker 2>So it's weirdly they had two in a row. Yeah.

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<v Speaker 3>So guest starring the return of Some Boy Meets World Favorites.

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<v Speaker 3>First up, and older looking Blake Sennet is back as

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<v Speaker 3>Joseph Joey. They're at epstein Ethan Sipplee returns as Frankie Stacchino,

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<v Speaker 3>and finally, Lee Norris revisits his season one role, the

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<v Speaker 3>lovable and sorely missed Stuart Minkis. This marks the final

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<v Speaker 3>Boy Meets World appearance for all three actors, and even

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<v Speaker 3>that is a bit of a technicality. And we have

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<v Speaker 3>two other very important background cameos in this episode, but

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<v Speaker 3>we will get to those later. Well, this is our

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<v Speaker 3>season five finale.

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<v Speaker 2>I can't.

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<v Speaker 1>I can't.

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<v Speaker 2>This is going by so fast.

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<v Speaker 1>I know.

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<v Speaker 3>Do you remember when we started and we were like,

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<v Speaker 3>we are never going to finish this podcast And here

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<v Speaker 3>we are at the end of season five in the

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<v Speaker 3>year nineteen ninety eight.

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<v Speaker 2>It's crazy.

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<v Speaker 3>It's pretty crazy.

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<v Speaker 4>This is I think also the last year we got

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<v Speaker 4>twenty four, because normally we would get twenty two. First

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<v Speaker 4>we get thirteen and then nine, and then we were

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<v Speaker 4>doing so well they gave us twenty four. But I

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<v Speaker 4>think that was only once or twice. I don't think

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<v Speaker 4>we ever got twenty four again.

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<v Speaker 2>I think it's better.

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<v Speaker 3>I think you're right. I think we do twenty two

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<v Speaker 3>next season.

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<v Speaker 2>Because then season seven.

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<v Speaker 4>Originally we only got picked up for thirteen because don't

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<v Speaker 4>you remember you and I were shooting that movie because

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<v Speaker 4>we were like, oh, we have to have it done

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<v Speaker 4>by thirteen, and then we got picked up for our

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<v Speaker 4>back nine and we're like, okay, we can stop for

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<v Speaker 4>a while and then we're like, oh, we need to

0:10:26.880 --> 0:10:29.240
<v Speaker 4>finish that movie. We were, so yeah, we only got

0:10:29.240 --> 0:10:31.920
<v Speaker 4>picked up for thirteen in year seven one in seven.

0:10:32.080 --> 0:10:34.080
<v Speaker 1>Yeah, so that's interesting.

0:10:34.160 --> 0:10:37.400
<v Speaker 4>Actually, yeah, well I think it's because this is when

0:10:37.440 --> 0:10:39.640
<v Speaker 4>TGIF was going through what are we going to do?

0:10:40.040 --> 0:10:43.079
<v Speaker 2>Phase? Because I think Sabrina was leaving.

0:10:42.920 --> 0:10:45.600
<v Speaker 4>Or something was going on with that, and then Family

0:10:45.679 --> 0:10:48.280
<v Speaker 4>Matters had already gone. So yeah, it was ABC was

0:10:48.320 --> 0:10:49.920
<v Speaker 4>in a serious state of flux at this point.

0:10:50.280 --> 0:10:54.240
<v Speaker 3>Yes, So before we jump into our guest stars, would

0:10:54.280 --> 0:10:57.960
<v Speaker 3>you guys like to talk about our overall thoughts? Writer,

0:10:58.200 --> 0:11:00.920
<v Speaker 3>you usually go first. In the one time I didn't

0:11:00.960 --> 0:11:05.080
<v Speaker 3>explicitly ask you, I made you very angry, So would

0:11:05.080 --> 0:11:06.920
<v Speaker 3>you would you like to tell me your thoughts?

0:11:07.280 --> 0:11:10.200
<v Speaker 1>I really liked this episode. It totally got to me.

0:11:10.280 --> 0:11:12.960
<v Speaker 1>I mean, I think it's just it's really nice to

0:11:12.960 --> 0:11:16.640
<v Speaker 1>have Phoenie moments again and to have that and I thought,

0:11:16.960 --> 0:11:19.480
<v Speaker 1>you know, like as much as bringing back Joey and

0:11:19.520 --> 0:11:21.800
<v Speaker 1>Frankie and Minkus was kind of a joke, it was

0:11:21.800 --> 0:11:24.480
<v Speaker 1>also really nice to just see them again and I

0:11:24.800 --> 0:11:27.080
<v Speaker 1>like sort of send off of like, right, this is

0:11:27.120 --> 0:11:30.560
<v Speaker 1>a whole era of the show, you know, and I

0:11:30.600 --> 0:11:33.680
<v Speaker 1>got kind of emotional. I don't know, I didn't really

0:11:33.760 --> 0:11:38.920
<v Speaker 1>understand Sean's graduation speech. I was a little like, Okay,

0:11:39.120 --> 0:11:41.680
<v Speaker 1>I think you know, but I don't know. It was

0:11:41.720 --> 0:11:43.600
<v Speaker 1>like ended on such a sad note, like it was

0:11:43.640 --> 0:11:45.640
<v Speaker 1>like you know, and I was just wondering what they

0:11:45.640 --> 0:11:49.640
<v Speaker 1>were thinking exactly or where this is going, like why regret?

0:11:49.880 --> 0:11:52.319
<v Speaker 1>Like why is that? Shawn's like, well.

0:11:52.800 --> 0:11:56.480
<v Speaker 3>I actually kind of liked I didn't necessarily You're right

0:11:56.520 --> 0:11:59.600
<v Speaker 3>that it came across as regret, and I think had

0:11:59.640 --> 0:12:02.920
<v Speaker 3>they one of my main critiques was going to be

0:12:03.440 --> 0:12:06.840
<v Speaker 3>that I wish you could have had the speech, but

0:12:06.960 --> 0:12:09.440
<v Speaker 3>instead of it being a speech to the school, which

0:12:09.480 --> 0:12:13.840
<v Speaker 3>then feels like, oh, this poor kid is really regretting

0:12:14.320 --> 0:12:17.600
<v Speaker 3>so many things, if it had just been a conversation

0:12:17.760 --> 0:12:21.520
<v Speaker 3>with Foeni, I think it would have felt like you

0:12:21.679 --> 0:12:26.400
<v Speaker 3>recognizing your potential, right, because I think that's the point,

0:12:26.760 --> 0:12:32.520
<v Speaker 3>you know what I'm I'm capable, I'm very capable, and

0:12:32.600 --> 0:12:35.440
<v Speaker 3>I haven't been doing i haven't been living up to

0:12:35.559 --> 0:12:39.160
<v Speaker 3>my potential. And the feeling is I'm no longer going

0:12:39.240 --> 0:12:41.960
<v Speaker 3>to do that, and this next stage of my life,

0:12:42.040 --> 0:12:44.600
<v Speaker 3>what high school has taught me is that I'm capable

0:12:44.760 --> 0:12:49.160
<v Speaker 3>of more if I apply myself, and so I wondered

0:12:49.200 --> 0:12:52.120
<v Speaker 3>if it was leaning toward the idea hinting at I'm

0:12:52.160 --> 0:12:54.840
<v Speaker 3>not going to take the photography job, which by the way,

0:12:55.080 --> 0:12:59.280
<v Speaker 3>was not mentioned at all no in this episode, And

0:12:59.360 --> 0:13:03.719
<v Speaker 3>so the idea was the regrettable feeling is I do

0:13:04.120 --> 0:13:06.360
<v Speaker 3>You've been telling me all four years about how what

0:13:06.400 --> 0:13:09.240
<v Speaker 3>I'm capable of and I didn't apply myself and in

0:13:09.240 --> 0:13:11.240
<v Speaker 3>this next phase, I'm going to it. But because it

0:13:11.280 --> 0:13:14.040
<v Speaker 3>was delivered to the whole school, it was a little

0:13:14.040 --> 0:13:16.600
<v Speaker 3>bit of a downer, like, oh well, it could have been.

0:13:16.600 --> 0:13:18.480
<v Speaker 1>Just one of those things where I'm saying in the

0:13:18.520 --> 0:13:20.600
<v Speaker 1>speech it sounds like I'm talking to the whole school,

0:13:20.600 --> 0:13:23.960
<v Speaker 1>but I'm very clearly talking to Corey Topanga, Angela ande Fioeni, right,

0:13:23.960 --> 0:13:25.480
<v Speaker 1>Like that would have been a nice turn if it

0:13:25.480 --> 0:13:27.920
<v Speaker 1>had been like you know, and there have been some

0:13:27.960 --> 0:13:30.640
<v Speaker 1>people who have made it, you know, who did take

0:13:30.640 --> 0:13:33.160
<v Speaker 1>advantage of this time, and because of them, I'm gonna

0:13:33.160 --> 0:13:34.400
<v Speaker 1>be okay or something, you know.

0:13:34.360 --> 0:13:34.960
<v Speaker 3>Like something.

0:13:35.000 --> 0:13:36.959
<v Speaker 1>But it was just a little I don't know, it

0:13:37.040 --> 0:13:39.840
<v Speaker 1>felt sentimental for the sake of being sentimentally, you know,

0:13:39.880 --> 0:13:42.240
<v Speaker 1>it felt like they wanted Sean to have like an

0:13:42.240 --> 0:13:45.720
<v Speaker 1>emotional moment a beat, and he did, and it was

0:13:45.800 --> 0:13:48.400
<v Speaker 1>kind of sweet and it felt like honest and cool,

0:13:48.400 --> 0:13:50.320
<v Speaker 1>like I was actually happy with the performance, but it

0:13:50.360 --> 0:13:52.320
<v Speaker 1>was just kind of like I don't know quite know

0:13:52.360 --> 0:13:54.880
<v Speaker 1>what I'm saying, which maybe is cool, Like it kind

0:13:54.880 --> 0:13:57.520
<v Speaker 1>of has this bittersweet feeling to it, so maybe that's fine.

0:13:57.520 --> 0:13:57.920
<v Speaker 1>I don't know.

0:13:59.040 --> 0:14:01.080
<v Speaker 3>Well, I loved it.

0:14:01.720 --> 0:14:02.000
<v Speaker 1>I did.

0:14:02.040 --> 0:14:02.800
<v Speaker 2>I thought it was great.

0:14:02.880 --> 0:14:06.959
<v Speaker 4>I it's you know, and I don't know what's happening

0:14:07.000 --> 0:14:11.439
<v Speaker 4>in the future obviously, but this completely and totally sealed.

0:14:11.040 --> 0:14:13.560
<v Speaker 2>The deal on Sean is the star of the show.

0:14:14.679 --> 0:14:17.479
<v Speaker 4>You're coming to the graduation episode.

0:14:17.520 --> 0:14:19.360
<v Speaker 2>You're coming to the end.

0:14:19.240 --> 0:14:20.960
<v Speaker 4>Of we don't know that Feoene's gonna come on to

0:14:21.040 --> 0:14:23.600
<v Speaker 4>college with us. Their audience doesn't know this, so as

0:14:23.600 --> 0:14:26.120
<v Speaker 4>far as we know, they're saying goodbye to mister Feenie.

0:14:26.160 --> 0:14:28.520
<v Speaker 4>We're doing all this kind of stuff, and they give

0:14:28.560 --> 0:14:31.920
<v Speaker 4>the moment to Sean. Yeah, you know, you expect Corey

0:14:31.960 --> 0:14:34.760
<v Speaker 4>to get up there and a or something. I love

0:14:34.800 --> 0:14:37.000
<v Speaker 4>the idea that it should have been Sean and Feenie

0:14:37.000 --> 0:14:39.280
<v Speaker 4>having seen together, because frankly, I think they took another

0:14:39.320 --> 0:14:43.200
<v Speaker 4>moment from Topanga where she earned the final speech, and

0:14:43.200 --> 0:14:45.080
<v Speaker 4>then it's like, here's my monologue.

0:14:45.200 --> 0:14:47.720
<v Speaker 2>I'm giving it to Sean and it's like, okay, so

0:14:48.280 --> 0:14:49.280
<v Speaker 2>I got it. I enjoyed.

0:14:49.360 --> 0:14:52.400
<v Speaker 4>I really liked the whole episode. I remember shooting this episode.

0:14:52.480 --> 0:14:55.920
<v Speaker 4>I remember it was like the sun broke on my

0:14:56.000 --> 0:14:58.600
<v Speaker 4>face because I think I actually broke Bill in a

0:14:58.640 --> 0:15:02.040
<v Speaker 4>scene and they showed it and getting Bill Daniels to

0:15:02.080 --> 0:15:05.600
<v Speaker 4>break character and actually, yeah, yeah.

0:15:05.640 --> 0:15:06.040
<v Speaker 2>Yeah, it was.

0:15:06.160 --> 0:15:08.240
<v Speaker 4>It was like I ad lib that ending and I

0:15:08.320 --> 0:15:10.120
<v Speaker 4>was like, oh my god, I think he actually laughed

0:15:10.160 --> 0:15:13.160
<v Speaker 4>or smiled, which never happens, but again it did.

0:15:13.240 --> 0:15:14.800
<v Speaker 2>It sealed the deal for me where it was like,

0:15:14.840 --> 0:15:15.840
<v Speaker 2>oh yeah, Corey.

0:15:16.040 --> 0:15:18.160
<v Speaker 4>I get they were saving him for the big reveal

0:15:18.240 --> 0:15:22.040
<v Speaker 4>moment with Tapanga at the end, but they good goodbye

0:15:22.080 --> 0:15:25.480
<v Speaker 4>John Adams went to Sean, and again I don't think

0:15:25.480 --> 0:15:28.160
<v Speaker 4>it was necessarily a bad way to go, but it was.

0:15:28.360 --> 0:15:31.440
<v Speaker 4>They were really once again, think of all the episodes

0:15:31.480 --> 0:15:35.040
<v Speaker 4>we've had this season and it Sean is essentially the

0:15:35.080 --> 0:15:38.360
<v Speaker 4>star boy me world, So this one again really showed

0:15:38.400 --> 0:15:40.520
<v Speaker 4>me that he was and I think it changed changes

0:15:40.520 --> 0:15:42.840
<v Speaker 4>coming up. I think the star really becomes Corey Topanga

0:15:43.440 --> 0:15:46.320
<v Speaker 4>in season six and seven, but up till this point,

0:15:46.480 --> 0:15:49.640
<v Speaker 4>from season two to through season five, I would say

0:15:49.680 --> 0:15:52.560
<v Speaker 4>Sean is really the boy in boy Me World. He's

0:15:52.560 --> 0:15:54.640
<v Speaker 4>the one you're rooting for. He's the one you're watching

0:15:54.680 --> 0:15:55.800
<v Speaker 4>the biggest changes.

0:15:55.520 --> 0:15:58.160
<v Speaker 1>In the most change he did. He's had the.

0:15:58.120 --> 0:16:01.320
<v Speaker 4>Biggest arc and emotional arc throughout the entire series. And

0:16:01.400 --> 0:16:03.320
<v Speaker 4>so this was at the end. It's like, yeah, they

0:16:03.320 --> 0:16:06.320
<v Speaker 4>gave Sean the moment. So it was and we writer

0:16:06.440 --> 0:16:08.240
<v Speaker 4>you and I've talked about this one hundred times. We

0:16:08.240 --> 0:16:10.800
<v Speaker 4>didn't know that was happening, Like we didn't realize that

0:16:11.000 --> 0:16:13.040
<v Speaker 4>you were the star of boy Mets World, but you were,

0:16:14.000 --> 0:16:16.920
<v Speaker 4>and this this ended it. And of course seeing David

0:16:16.960 --> 0:16:22.400
<v Speaker 4>Combs and was just really sweet and just the whole thing.

0:16:22.440 --> 0:16:25.320
<v Speaker 4>And yeah, so I I really enjoyed this episode. I

0:16:25.360 --> 0:16:26.600
<v Speaker 4>liked everything about it. I thought I had a good

0:16:26.640 --> 0:16:31.240
<v Speaker 4>balance of you know, despite the cringe worthy mister Turner joke,

0:16:31.280 --> 0:16:32.960
<v Speaker 4>which at the time we thought was hysterical, But you

0:16:33.000 --> 0:16:34.160
<v Speaker 4>look back as an adult and you're like.

0:16:34.160 --> 0:16:36.480
<v Speaker 3>Oh, no, why couldn't they. I mean, maybe Tony didn't

0:16:36.520 --> 0:16:37.840
<v Speaker 3>want to come back or wasn't able to come back.

0:16:37.840 --> 0:16:38.760
<v Speaker 3>He was working on something.

0:16:39.120 --> 0:16:40.600
<v Speaker 2>But I don't think we ever asked him.

0:16:40.920 --> 0:16:41.880
<v Speaker 1>He should have come back.

0:16:41.960 --> 0:16:43.720
<v Speaker 2>I mean, godbye.

0:16:43.840 --> 0:16:45.400
<v Speaker 1>I mean, if that's what this is about, is me

0:16:45.480 --> 0:16:47.080
<v Speaker 1>graduated and saying and why.

0:16:46.960 --> 0:16:49.760
<v Speaker 2>Is he sitting there with all the teachers and everything.

0:16:49.760 --> 0:16:52.160
<v Speaker 2>I don't think astuge because he would have come.

0:16:52.800 --> 0:16:55.440
<v Speaker 3>That's a really overall opportunity.

0:16:55.640 --> 0:16:56.600
<v Speaker 2>Really liked the episode.

0:16:56.600 --> 0:16:58.520
<v Speaker 3>I really and really great to see Lee. It was

0:16:58.560 --> 0:17:00.920
<v Speaker 3>so nice to hug him at the end when he

0:17:00.960 --> 0:17:02.200
<v Speaker 3>graduates and we all pull him.

0:17:02.080 --> 0:17:04.360
<v Speaker 1>Into a hug. Do I get one?

0:17:04.440 --> 0:17:04.640
<v Speaker 4>Yeah?

0:17:04.680 --> 0:17:05.200
<v Speaker 2>That was great.

0:17:06.080 --> 0:17:08.719
<v Speaker 3>That was very sweet. All right. Jumping into our recap,

0:17:08.800 --> 0:17:11.800
<v Speaker 3>we start in the John Adams Hallway. Corey eagerly stands

0:17:11.840 --> 0:17:15.480
<v Speaker 3>by the lockers with an open yearbook. A girl walks by, Hey, Debbie,

0:17:15.560 --> 0:17:18.040
<v Speaker 3>you want to sign my Debbie doesn't even acknowledge him.

0:17:18.119 --> 0:17:21.120
<v Speaker 3>I guess you don't. He sees another classmate, Hey, Mike,

0:17:21.280 --> 0:17:24.120
<v Speaker 3>let me sign your Mike is also unfhazed. We were

0:17:24.160 --> 0:17:28.200
<v Speaker 3>never that close. Is this is this the same guy who.

0:17:27.840 --> 0:17:33.960
<v Speaker 2>Won last week? Everyone is this popular?

0:17:37.000 --> 0:17:37.400
<v Speaker 3>One knows?

0:17:38.520 --> 0:17:38.720
<v Speaker 1>God?

0:17:39.000 --> 0:17:41.680
<v Speaker 2>Interesting to get the same thing. It's like, wait a minute,

0:17:41.760 --> 0:17:45.000
<v Speaker 2>he's prom king. He's Corey Tegan.

0:17:47.280 --> 0:17:51.200
<v Speaker 3>Average yep, and he enthusiastically turns to Sean.

0:17:51.280 --> 0:17:51.880
<v Speaker 2>Isn't this great?

0:17:51.960 --> 0:17:55.000
<v Speaker 3>I mean, I love this week? Sean rolls his eyes. Yeah,

0:17:55.080 --> 0:17:57.440
<v Speaker 3>me too. Is it over yet? Corey tries to lighten

0:17:57.480 --> 0:18:00.840
<v Speaker 3>Sewan's mood, pointing out our old friends Frank and Joey

0:18:00.960 --> 0:18:04.119
<v Speaker 3>back at John Adams and they are holding yearbooks of

0:18:04.160 --> 0:18:06.359
<v Speaker 3>their own. They're going to be graduating this year and

0:18:06.400 --> 0:18:10.600
<v Speaker 3>it only took them eight years. Blake is almost unrecognizable.

0:18:10.760 --> 0:18:14.440
<v Speaker 1>I know, yeah, I wanted to have the It was like, oh, oh,

0:18:14.680 --> 0:18:16.879
<v Speaker 1>it's funny. How much of that actually kind of changes

0:18:16.880 --> 0:18:20.080
<v Speaker 1>as his whole care Yeah, he's doing the same stuff,

0:18:20.080 --> 0:18:22.840
<v Speaker 1>but you're like, you just look like older and more

0:18:22.880 --> 0:18:24.440
<v Speaker 1>clean cut and sort of cool album.

0:18:24.520 --> 0:18:28.520
<v Speaker 3>You're so handsome, I mean, so so handsome and mature looking.

0:18:28.640 --> 0:18:31.480
<v Speaker 4>He's like fully fully rock star by this time, by

0:18:31.560 --> 0:18:35.440
<v Speaker 4>ninety yeah, right, Kylie is really taken off by this point,

0:18:35.480 --> 0:18:35.840
<v Speaker 4>isn't it.

0:18:36.000 --> 0:18:36.439
<v Speaker 2>I think so?

0:18:36.520 --> 0:18:39.240
<v Speaker 4>And then it's like early two thousands where they really hit.

0:18:39.280 --> 0:18:41.560
<v Speaker 4>But I think they're they're kind of up and coming

0:18:42.200 --> 0:18:43.840
<v Speaker 4>in a major way at this point.

0:18:43.880 --> 0:18:45.639
<v Speaker 1>I think I didn't know it at the time. I

0:18:45.640 --> 0:18:46.320
<v Speaker 1>don't think because I.

0:18:46.720 --> 0:18:49.399
<v Speaker 4>Never knew play parties that we would early if Jason

0:18:49.440 --> 0:18:51.280
<v Speaker 4>Marson would hire them to come and play at his

0:18:51.320 --> 0:18:53.160
<v Speaker 4>Halloween parties and stuff like that, and we'd go see

0:18:53.200 --> 0:18:53.960
<v Speaker 4>him at Baseland.

0:18:53.960 --> 0:18:55.360
<v Speaker 2>And I think this was kind.

0:18:55.160 --> 0:18:58.879
<v Speaker 3>Of like, yeah, ninety eight, so okay, oh so the.

0:18:58.920 --> 0:19:01.399
<v Speaker 2>No then this is just kind of this okay, all right.

0:19:01.440 --> 0:19:03.480
<v Speaker 2>I thought this was they were getting there already.

0:19:03.720 --> 0:19:06.120
<v Speaker 3>So Frankie pat's Joey on the back. This is it,

0:19:06.240 --> 0:19:09.440
<v Speaker 3>my good friend, Joey, our last week is juvenile delinquents.

0:19:09.720 --> 0:19:12.359
<v Speaker 3>Joey beams, Yeah, out of high school, the real world.

0:19:12.680 --> 0:19:15.960
<v Speaker 3>So what do you think we should be? Frankie shrugs, criminals.

0:19:16.160 --> 0:19:19.399
<v Speaker 3>We should start small. Joey agrees, Yeah, let's rob our

0:19:19.440 --> 0:19:22.720
<v Speaker 3>friends the criminals. Waltz up to Corey and Sean, and

0:19:22.760 --> 0:19:26.120
<v Speaker 3>Frankie explains, because we have shared both good times and bad,

0:19:26.160 --> 0:19:28.440
<v Speaker 3>we would be honored if you would sign these yearbooks

0:19:28.520 --> 0:19:29.400
<v Speaker 3>we have pilferd.

0:19:31.720 --> 0:19:33.520
<v Speaker 2>They steal stuff that they're giving the they keep giving

0:19:33.560 --> 0:19:35.560
<v Speaker 2>everybody for free. I know exactly.

0:19:35.760 --> 0:19:37.720
<v Speaker 3>Actually, don't you have to buy your earbooks?

0:19:38.520 --> 0:19:40.199
<v Speaker 2>I would depend when we were there. I think we

0:19:40.280 --> 0:19:40.840
<v Speaker 2>got one.

0:19:41.000 --> 0:19:43.400
<v Speaker 4>If you paid a certain amount of money, you would

0:19:43.400 --> 0:19:45.440
<v Speaker 4>get a special edition one where it was like gold

0:19:45.480 --> 0:19:46.040
<v Speaker 4>leaf for something.

0:19:46.040 --> 0:19:47.920
<v Speaker 2>But I think they gave everybody one.

0:19:48.240 --> 0:19:50.240
<v Speaker 3>Yeah, they say in the show, you get one for free,

0:19:50.240 --> 0:19:51.960
<v Speaker 3>but I think we had to pay for ours.

0:19:52.520 --> 0:19:57.480
<v Speaker 2>It's California, we give you know, we give our stuff away. Yeah.

0:19:57.600 --> 0:20:00.880
<v Speaker 3>Sean asks you took somebody else's yearbooks. Corey reminds them

0:20:00.880 --> 0:20:03.960
<v Speaker 3>that everyone gets their own. Joey asks where's the joy

0:20:03.960 --> 0:20:06.840
<v Speaker 3>in that and slams his stolen book against Sean's chest.

0:20:07.200 --> 0:20:09.440
<v Speaker 3>Cory asks Frankie, what would you like me to say?

0:20:09.600 --> 0:20:12.800
<v Speaker 3>Frankie grins, just put down your address, and Joey it's yeah,

0:20:12.800 --> 0:20:14.600
<v Speaker 3>and what time you're not going to be home? You know?

0:20:15.119 --> 0:20:18.280
<v Speaker 3>And you don't have a big dog, do you? Very funny?

0:20:18.760 --> 0:20:21.280
<v Speaker 3>Corey and Sewan quickly jot down the information in their yearbooks.

0:20:21.359 --> 0:20:24.280
<v Speaker 3>Frankie's pleased. You boys take care of yourselves and remember

0:20:24.480 --> 0:20:27.560
<v Speaker 3>always stay friends. He smacks Corey on the back, knocking

0:20:27.600 --> 0:20:29.240
<v Speaker 3>the wind out of him. We like to think of

0:20:29.280 --> 0:20:32.159
<v Speaker 3>ourselves as the Corey and Sean of the underworld. Joey

0:20:32.240 --> 0:20:34.199
<v Speaker 3>likes the comparison. I want to be Corey. Can I

0:20:34.240 --> 0:20:37.600
<v Speaker 3>be Corey? Frankie notts that makes me Sean and with that,

0:20:37.880 --> 0:20:41.040
<v Speaker 3>the duo walk off. Screen and out of Boy meets

0:20:41.080 --> 0:20:42.119
<v Speaker 3>world for him.

0:20:44.240 --> 0:20:47.640
<v Speaker 1>The city sure last yea.

0:20:48.200 --> 0:20:50.600
<v Speaker 3>Cory asks Sean, do you see how important this week is?

0:20:50.760 --> 0:20:53.280
<v Speaker 3>Saying goodbye to people we might never see again, saying

0:20:53.280 --> 0:20:55.560
<v Speaker 3>goodbye to people who've been around but we lost touch with.

0:20:55.800 --> 0:20:59.040
<v Speaker 3>Sean is confused, like, who Corey thinks about it? Well,

0:20:59.280 --> 0:21:01.480
<v Speaker 3>I don't really know. I guess there's nobody like that.

0:21:01.960 --> 0:21:05.119
<v Speaker 3>And then the camera pans to the other side of

0:21:05.119 --> 0:21:09.920
<v Speaker 3>the hall Whippan and there stands Stuart Mincus, fucking smug.

0:21:10.440 --> 0:21:12.800
<v Speaker 3>The crowd cheers and Corey acknowledges him.

0:21:12.920 --> 0:21:13.520
<v Speaker 2>Hi Mincas.

0:21:13.840 --> 0:21:17.000
<v Speaker 3>The boy sarcastically asks, oh now, it's high Mincas. For

0:21:17.080 --> 0:21:19.120
<v Speaker 3>the past four years, it's like I haven't even been

0:21:19.119 --> 0:21:21.600
<v Speaker 3>in the same school with you, guys. Seawan admits, we

0:21:21.720 --> 0:21:24.439
<v Speaker 3>just never saw you around, Mancus, isn't hearing it? I was,

0:21:24.680 --> 0:21:26.320
<v Speaker 3>I was just in the other part of the school.

0:21:26.560 --> 0:21:29.680
<v Speaker 3>Sean asks what other part of the school? Mincus responds,

0:21:29.680 --> 0:21:32.359
<v Speaker 3>you know, over there, and he points off camera to

0:21:32.400 --> 0:21:34.560
<v Speaker 3>the side of the hallway we never see. Corey and

0:21:34.600 --> 0:21:38.560
<v Speaker 3>Sean join him in examining the unfamiliar territory. Corey admits, well,

0:21:38.600 --> 0:21:40.960
<v Speaker 3>we don't go there shawnagrees, you go over there, you

0:21:41.000 --> 0:21:44.560
<v Speaker 3>may never come back. Mincus scoffs ah, that's crazy, and

0:21:44.600 --> 0:21:47.760
<v Speaker 3>then waves to this other side and shouts, hey, mister Turner,

0:21:48.040 --> 0:21:48.680
<v Speaker 3>waight up.

0:21:49.040 --> 0:21:54.640
<v Speaker 4>Well, it's had a joke. It is such a joke,

0:21:54.760 --> 0:21:58.520
<v Speaker 4>but it's harsh. But it is such a good joke.

0:21:58.600 --> 0:22:02.639
<v Speaker 4>That's the battle inside of me, as they is. I'm like,

0:22:02.680 --> 0:22:04.240
<v Speaker 4>oh god, it's such a good joke.

0:22:04.119 --> 0:22:05.639
<v Speaker 2>But man, it's harsh.

0:22:05.440 --> 0:22:06.199
<v Speaker 3>Yeah, we loved it.

0:22:06.240 --> 0:22:08.520
<v Speaker 2>I remember distinctly all of us like, oh my god,

0:22:08.560 --> 0:22:09.120
<v Speaker 2>that's so clever.

0:22:09.200 --> 0:22:12.840
<v Speaker 3>But it's a BS send off for a beloved character. Yes,

0:22:12.920 --> 0:22:15.119
<v Speaker 3>but it's a really good joke.

0:22:15.240 --> 0:22:17.520
<v Speaker 2>It is. It's a great joke. Unfortunately.

0:22:17.720 --> 0:22:20.560
<v Speaker 3>Yeah, Corey changes the subject. Well, Sean, I think the

0:22:20.600 --> 0:22:23.320
<v Speaker 3>time has come to sign each other's yearbooks. He sits

0:22:23.320 --> 0:22:25.399
<v Speaker 3>sewn down on the senior couch and stares at him

0:22:25.400 --> 0:22:28.440
<v Speaker 3>with excitement and eager. Corey asks, shall we talk about

0:22:28.440 --> 0:22:31.640
<v Speaker 3>it first? Sean smiles, No, No, let's just def.

0:22:32.640 --> 0:22:34.160
<v Speaker 2>Just like, okay, should we talk?

0:22:35.200 --> 0:22:36.440
<v Speaker 3>That's what we're gonna say.

0:22:36.720 --> 0:22:41.359
<v Speaker 1>So he's great in this episode. The chicken scene, Oh

0:22:41.400 --> 0:22:45.239
<v Speaker 1>my god, I was dying. The chicken bit is, but

0:22:45.320 --> 0:22:47.760
<v Speaker 1>this is is just I just love like, you know,

0:22:48.280 --> 0:22:51.240
<v Speaker 1>over like what is the word like? Over? Eager?

0:22:51.320 --> 0:22:56.160
<v Speaker 3>Core you know, and wants to get it so right,

0:22:56.560 --> 0:22:59.760
<v Speaker 3>really sentimental about every aspect of it, really wants it

0:22:59.800 --> 0:23:04.600
<v Speaker 3>to be good. Boy, Oh boy, where to begin? Huh?

0:23:04.600 --> 0:23:06.360
<v Speaker 3>What am I going to say to you? Man? This

0:23:06.400 --> 0:23:08.440
<v Speaker 3>is going to take me at least a week. Sean

0:23:08.520 --> 0:23:10.879
<v Speaker 3>scribbles a few words enhance the yearbook back to Corey.

0:23:10.920 --> 0:23:14.920
<v Speaker 3>He's done. Corey shocked, you're done. He quickly finds Sean message,

0:23:15.280 --> 0:23:16.960
<v Speaker 3>Hey you write.

0:23:16.920 --> 0:23:21.920
<v Speaker 4>Hey, delivery, Hey, Hey, you write hey?

0:23:22.640 --> 0:23:24.760
<v Speaker 2>And it was just so good.

0:23:24.960 --> 0:23:30.600
<v Speaker 3>And Sean nods and says, and I mean it. Corey questions,

0:23:30.680 --> 0:23:34.080
<v Speaker 3>you don't even write my name? Sean laughs, Corey, it's

0:23:34.119 --> 0:23:36.520
<v Speaker 3>your yearbook? Who else would it be to you? Know

0:23:36.600 --> 0:23:38.119
<v Speaker 3>how I feel about you? Why do I have to

0:23:38.119 --> 0:23:40.879
<v Speaker 3>write it down? Corey explains, because it's the spirit of

0:23:40.920 --> 0:23:42.600
<v Speaker 3>the week. Sean, it's about this place.

0:23:42.840 --> 0:23:43.000
<v Speaker 4>Now.

0:23:43.000 --> 0:23:45.600
<v Speaker 3>Why don't you care about this? And then Tapanga walks

0:23:45.680 --> 0:23:48.800
<v Speaker 3>up holding something important in her hands. Look what we got,

0:23:49.440 --> 0:23:51.560
<v Speaker 3>Corey gush is our senior rings?

0:23:51.960 --> 0:23:54.479
<v Speaker 2>Did you get these? Did either of you actually get

0:23:54.480 --> 0:23:55.680
<v Speaker 2>in high school? Graduation?

0:23:57.240 --> 0:23:58.080
<v Speaker 3>Yeah? I did not know.

0:23:58.600 --> 0:23:59.480
<v Speaker 2>I didn't either I knew it.

0:23:59.520 --> 0:24:00.960
<v Speaker 4>Was a thing, but it was. It's like a thing

0:24:01.040 --> 0:24:04.760
<v Speaker 4>from mostly like the fifties. Yes, my dad had has

0:24:04.800 --> 0:24:06.440
<v Speaker 4>a high school graduated.

0:24:06.320 --> 0:24:09.120
<v Speaker 3>So big for athletes, I think like, oh.

0:24:09.040 --> 0:24:11.760
<v Speaker 2>Okay, I feel like there's like a letter thing.

0:24:11.920 --> 0:24:15.320
<v Speaker 3>Kind of like yeah, if you played sports there. I

0:24:15.320 --> 0:24:18.920
<v Speaker 3>think it's I think there are certain groups of people

0:24:19.040 --> 0:24:24.760
<v Speaker 3>who are more likely to have a senior ring ring, right. Yeah.

0:24:25.240 --> 0:24:28.800
<v Speaker 3>And it's just so funny the way things when you

0:24:28.840 --> 0:24:32.920
<v Speaker 3>are in them feel so big, and like, imagine if

0:24:32.960 --> 0:24:35.560
<v Speaker 3>I had my high school ring, what would I I

0:24:35.600 --> 0:24:37.200
<v Speaker 3>would have melted that thing down.

0:24:37.520 --> 0:24:41.800
<v Speaker 1>And the reunion, the reunion that reunions.

0:24:41.359 --> 0:24:44.600
<v Speaker 2>And I'm not even invited to my reunions. It's true.

0:24:44.640 --> 0:24:50.119
<v Speaker 2>They apparently they've had about it. Do you Here's the

0:24:50.119 --> 0:24:50.520
<v Speaker 2>other thing.

0:24:50.640 --> 0:24:53.359
<v Speaker 4>Do you ever actually look at your high school Do

0:24:53.359 --> 0:24:56.440
<v Speaker 4>you ever occasionally grab your your book and then read

0:24:56.520 --> 0:24:59.679
<v Speaker 4>some of the comments. Yeah, it's because nobody wrote in

0:24:59.720 --> 0:25:01.640
<v Speaker 4>myih school year bok didn't like anybody at the time.

0:25:01.680 --> 0:25:04.600
<v Speaker 4>But I have my middle school one, and going back

0:25:04.640 --> 0:25:06.480
<v Speaker 4>and reading some of the comments, it really is you.

0:25:06.680 --> 0:25:08.080
<v Speaker 4>It's one of those things where all of a sudden

0:25:08.119 --> 0:25:10.480
<v Speaker 4>you're like, oh, I've been here, two hours, right, yes,

0:25:10.560 --> 0:25:11.520
<v Speaker 4>exactly that kind of thing.

0:25:12.080 --> 0:25:14.960
<v Speaker 2>Did you get one for your high school writer?

0:25:16.119 --> 0:25:18.000
<v Speaker 1>Yeah, but I don't know where it is. I don't know. Yeah,

0:25:18.000 --> 0:25:20.879
<v Speaker 1>everybody got a page, So everybody got a page to

0:25:20.880 --> 0:25:21.840
<v Speaker 1>do whatever they wanted.

0:25:22.040 --> 0:25:24.200
<v Speaker 2>So it was a pamphlet basically.

0:25:24.359 --> 0:25:26.240
<v Speaker 1>Yeah, but like you know, a lot of kitchen you

0:25:26.400 --> 0:25:29.200
<v Speaker 1>are right now. Yeah, so, but I would love to

0:25:29.240 --> 0:25:30.720
<v Speaker 1>see them. There's one for every year that I was

0:25:30.760 --> 0:25:32.280
<v Speaker 1>at the school. We always had a year book that

0:25:32.359 --> 0:25:33.960
<v Speaker 1>was like, you know, the whole to be together.

0:25:34.480 --> 0:25:37.000
<v Speaker 2>A year flip, year flip, a year flip.

0:25:37.480 --> 0:25:39.960
<v Speaker 3>It can't be a book. It's not big, not enough

0:25:40.040 --> 0:25:40.960
<v Speaker 3>students to be a book.

0:25:41.000 --> 0:25:43.520
<v Speaker 4>So I just see a bunch of students in like

0:25:43.680 --> 0:25:46.640
<v Speaker 4>monk like robes, like calligraphying for the year.

0:25:46.760 --> 0:25:49.280
<v Speaker 2>They're they're kind of their book to graduate.

0:25:49.520 --> 0:25:53.879
<v Speaker 1>To make the paper exactly, finding it with like thread

0:25:55.119 --> 0:25:55.560
<v Speaker 1>so great.

0:25:56.480 --> 0:25:59.360
<v Speaker 3>Our senior rings they just arrived and to Panga, let

0:25:59.359 --> 0:26:01.400
<v Speaker 3>Sean know he can go get his in the cafeteria.

0:26:01.600 --> 0:26:04.280
<v Speaker 3>Sean corrects her, No, I can't because I didn't order one.

0:26:04.320 --> 0:26:07.399
<v Speaker 3>They're stupid, They mean nothing. Corey and Topanga aren't listening.

0:26:07.400 --> 0:26:10.199
<v Speaker 3>They're too busy admiring their rings. Sean huffs to me

0:26:10.600 --> 0:26:14.080
<v Speaker 3>and walks away. Now focused on to Panga, Corey asks,

0:26:14.240 --> 0:26:16.480
<v Speaker 3>so have you been thinking about Yale? This is a

0:26:16.480 --> 0:26:19.360
<v Speaker 3>big decision. To Pega reminds him, I told you I'm

0:26:19.359 --> 0:26:22.880
<v Speaker 3>going to Penbrook with you. That's what I want. Corey explains,

0:26:22.960 --> 0:26:25.320
<v Speaker 3>you don't turn down Yelle without thinking about it first.

0:26:25.600 --> 0:26:28.080
<v Speaker 3>To Pega assures him she thought about it. Corey pulls

0:26:28.080 --> 0:26:30.560
<v Speaker 3>out a folder. He got some information from the Internet

0:26:30.640 --> 0:26:35.240
<v Speaker 3>last night. How to use the Internet first?

0:26:35.320 --> 0:26:37.520
<v Speaker 2>Is his first Internet kind of talk.

0:26:38.200 --> 0:26:41.359
<v Speaker 3>There's been one other Internet mentioned we have, I think so.

0:26:41.560 --> 0:26:44.159
<v Speaker 3>I think there was one other mention of it somewhere.

0:26:44.200 --> 0:26:46.120
<v Speaker 3>I can't remember exactly where, but it's it's rare.

0:26:47.040 --> 0:26:58.600
<v Speaker 2>I was watching porn on DIALECU, right, Yeah, that's so.

0:26:58.960 --> 0:27:01.320
<v Speaker 1>It's so funny. They like, you couldn't just say I

0:27:01.320 --> 0:27:03.359
<v Speaker 1>got some information last night. You have to explain I

0:27:03.400 --> 0:27:05.480
<v Speaker 1>got some information on the Internet, or you go to

0:27:05.480 --> 0:27:08.520
<v Speaker 1>the library. Right, Like however, you'd send away for info

0:27:09.119 --> 0:27:09.640
<v Speaker 1>on the web.

0:27:09.680 --> 0:27:11.399
<v Speaker 4>You'd say that too, like I got something on the

0:27:11.400 --> 0:27:14.280
<v Speaker 4>web last Yeah, this is still.

0:27:14.040 --> 0:27:16.399
<v Speaker 1>Like this was still like Google was one of four

0:27:16.520 --> 0:27:19.080
<v Speaker 1>search engines that were like competing. You know, there's like

0:27:19.119 --> 0:27:24.080
<v Speaker 1>Alta Vista and like Odscape and Yahoo right, so many

0:27:24.080 --> 0:27:25.960
<v Speaker 1>people still used AOL search and.

0:27:25.960 --> 0:27:28.400
<v Speaker 2>New prodigy Prodigy Prodigy.

0:27:29.400 --> 0:27:31.440
<v Speaker 3>He makes her promise she'll read it before she makes

0:27:31.520 --> 0:27:33.199
<v Speaker 3>up her mind. The bell rings and she gives him

0:27:33.200 --> 0:27:36.000
<v Speaker 3>a big smile. I love you, Corey. He nods, well,

0:27:36.119 --> 0:27:42.679
<v Speaker 3>you should. I have to say, I'm very bored, super

0:27:42.720 --> 0:27:48.560
<v Speaker 3>bored by Tepega's whole storyline. Even I don't care whether

0:27:48.600 --> 0:27:50.720
<v Speaker 3>she goes to Yil or not. It hasn't been set

0:27:50.840 --> 0:27:56.040
<v Speaker 3>up appropriately in my mind it has been. I'm honestly,

0:27:56.080 --> 0:27:58.800
<v Speaker 3>here's what it is. I'm very bored by Tepega's character.

0:27:59.119 --> 0:28:03.400
<v Speaker 3>I feel like I just am not interested in anything

0:28:03.480 --> 0:28:05.120
<v Speaker 3>she's doing. I don't care.

0:28:05.800 --> 0:28:09.560
<v Speaker 4>Well, you've also had two episodes kind of two or

0:28:09.560 --> 0:28:11.720
<v Speaker 4>three in a row where she's kind of it's like,

0:28:11.800 --> 0:28:13.520
<v Speaker 4>you know, the Starry Night and everything it was.

0:28:13.800 --> 0:28:15.720
<v Speaker 2>They've made her kind of monotone the whole way through.

0:28:15.880 --> 0:28:17.960
<v Speaker 4>And the thing you're right about going to Yale, because

0:28:17.960 --> 0:28:20.520
<v Speaker 4>it's not about whether Topang is going to go to Yale.

0:28:20.920 --> 0:28:24.560
<v Speaker 4>It's about how Corey's dealing with whether or not is

0:28:24.600 --> 0:28:28.200
<v Speaker 4>going to go to Yale, So it's not even about Topanga.

0:28:27.720 --> 0:28:30.679
<v Speaker 3>The storry night great was boring. It was the like

0:28:31.040 --> 0:28:35.480
<v Speaker 3>every time we've had an opportunity for Topanga to kind

0:28:35.480 --> 0:28:38.040
<v Speaker 3>of show herself.

0:28:37.800 --> 0:28:39.960
<v Speaker 1>Right, what does she want to study? What does she

0:28:40.000 --> 0:28:42.600
<v Speaker 1>want to do at Yale? Or who knows Pembroke? Yeah,

0:28:42.600 --> 0:28:44.760
<v Speaker 1>I mean there's no it's we know that she's type

0:28:44.800 --> 0:28:48.200
<v Speaker 1>A and cares about those carries and smart and she's like,

0:28:48.440 --> 0:28:52.640
<v Speaker 1>you know, aggressive about those things. But yeah, that's a.

0:28:52.640 --> 0:28:56.240
<v Speaker 3>As Topanga leaves her class, Sean returns, pretending to be supportive,

0:28:56.400 --> 0:28:59.640
<v Speaker 3>very smooth. Corey argues, I'm not pretending and I'm not smooth.

0:29:00.080 --> 0:29:02.040
<v Speaker 3>Penga got into Yale, and I'm proud of her. If

0:29:02.040 --> 0:29:04.520
<v Speaker 3>she cheats herself out of going because of me, how

0:29:04.560 --> 0:29:05.280
<v Speaker 3>do I live with that?

0:29:06.560 --> 0:29:07.440
<v Speaker 1>Very good questions?

0:29:07.680 --> 0:29:12.680
<v Speaker 3>Smart fair, very fair. I love this Cory.

0:29:13.000 --> 0:29:15.720
<v Speaker 4>I forgot that they really did for a couple episodes

0:29:15.720 --> 0:29:18.520
<v Speaker 4>set it up where he was kind of encouraging you go.

0:29:18.680 --> 0:29:21.720
<v Speaker 3>I really encouraging Virtugo, even if later when he realizes,

0:29:21.760 --> 0:29:23.720
<v Speaker 3>oh man, this is going to suck for me, he

0:29:23.760 --> 0:29:39.720
<v Speaker 3>does actually really say all the right things. Yeah, Sean

0:29:39.800 --> 0:29:41.920
<v Speaker 3>points out the obvious, but you don't want her to go,

0:29:42.160 --> 0:29:44.680
<v Speaker 3>Corey reassures his friend. I want to support her, and

0:29:44.720 --> 0:29:47.840
<v Speaker 3>I want you to support me for supporting her. Sean

0:29:47.880 --> 0:29:50.240
<v Speaker 3>says he does support him, and he gives an unenthused

0:29:50.400 --> 0:29:54.200
<v Speaker 3>go Corey to prove it. Corey notices the tone. You're pretending,

0:29:54.240 --> 0:29:56.560
<v Speaker 3>aren't you. Sean throws his arms in the air. Yeah,

0:29:56.600 --> 0:30:00.360
<v Speaker 3>cor just like you. He walks away, and Corey's left done,

0:30:02.920 --> 0:30:06.120
<v Speaker 3>and then we're in Phoene's classroom. Mister Phoene happily enters,

0:30:06.160 --> 0:30:09.880
<v Speaker 3>welcome to your final week of Feenie. Everyone, here's your assignment.

0:30:10.200 --> 0:30:12.880
<v Speaker 3>The class groans, but Phoene isn't moved. Oh shut up,

0:30:12.920 --> 0:30:17.080
<v Speaker 3>I'm tired too. This assignment is completely optional and is

0:30:17.080 --> 0:30:20.040
<v Speaker 3>for no credit. Sean is enthused. Oh well, then I'll

0:30:20.040 --> 0:30:22.440
<v Speaker 3>start on it right away. He pauses for a millisecond,

0:30:22.480 --> 0:30:25.840
<v Speaker 3>then announces, Oh look, I'm done. Phoene grins, that's right.

0:30:25.960 --> 0:30:27.880
<v Speaker 3>You don't have to do it. I want you to

0:30:27.880 --> 0:30:30.240
<v Speaker 3>write about what's in your heart during these last weeks

0:30:30.240 --> 0:30:32.760
<v Speaker 3>of school. Sean needs clarity. I don't have to do

0:30:32.800 --> 0:30:35.920
<v Speaker 3>it right. Angela answers, do it, Sean. It's no pressure,

0:30:36.000 --> 0:30:38.560
<v Speaker 3>it'll be fun. Sean is certain it won't be fun.

0:30:38.640 --> 0:30:40.760
<v Speaker 3>Ta Pega declares, I'm doing it, and I'm getting an A.

0:30:41.120 --> 0:30:44.120
<v Speaker 3>Phoene reminds her it's for no credit. To Pega gets

0:30:44.240 --> 0:30:47.000
<v Speaker 3>very intense and grabs Phoenie by the jacket. I have

0:30:47.120 --> 0:30:49.960
<v Speaker 3>six hundred and ninety nine a's I need one more.

0:30:50.400 --> 0:30:53.680
<v Speaker 3>Give me the a, Phoene. He shrugs, Okay, fine, you

0:30:53.720 --> 0:30:55.440
<v Speaker 3>got an A. You don't even have to do it.

0:30:55.480 --> 0:30:57.280
<v Speaker 3>I'll just give you an A because I'm scared of you.

0:30:57.800 --> 0:31:01.640
<v Speaker 3>That's an even seven hundred. Penga needs more info. Seven hundred.

0:31:01.920 --> 0:31:05.920
<v Speaker 3>That's more than anybody, right, Phoene exclaims, oh, more than anybody.

0:31:06.160 --> 0:31:08.800
<v Speaker 3>To Pega's demonic grin doesn't crack as she slides back

0:31:08.800 --> 0:31:11.840
<v Speaker 3>into her seat. Satisfied, he walks, you're you're.

0:31:12.040 --> 0:31:14.120
<v Speaker 2>You're sitting in to frame like looking creepy.

0:31:14.280 --> 0:31:17.000
<v Speaker 1>Was just love the way Bill deliveries. Oh yeah, that's

0:31:17.000 --> 0:31:19.720
<v Speaker 1>more than anyone like you could care less.

0:31:21.040 --> 0:31:26.360
<v Speaker 3>Absolutely by far By father, it's very trump I'm the biggest,

0:31:27.000 --> 0:31:34.680
<v Speaker 3>the best I've got, You've got, uh, it's huge. Phoene

0:31:34.760 --> 0:31:38.800
<v Speaker 3>walks past Corey and whispers good luck in hell, mister Matthews.

0:31:38.880 --> 0:31:40.840
<v Speaker 2>Just great, And.

0:31:40.800 --> 0:31:42.840
<v Speaker 3>Then we're in the guy's apartment. Sean walks through the

0:31:42.880 --> 0:31:44.480
<v Speaker 3>front door to see Jack, who has set up a

0:31:44.480 --> 0:31:48.440
<v Speaker 3>giant banner in the kitchen that reads congratulations Sean. Sadly,

0:31:48.520 --> 0:31:50.520
<v Speaker 3>the sign covers up where the food picture would be,

0:31:50.560 --> 0:31:54.920
<v Speaker 3>so we don't know what this final episode. Jack exclaims, surprise,

0:31:55.160 --> 0:31:58.800
<v Speaker 3>mister graduateur, Why would he do this on a day?

0:31:59.000 --> 0:32:01.240
<v Speaker 3>Isn't they and.

0:32:01.280 --> 0:32:04.400
<v Speaker 2>Just the two of them? I'm putting up banners for

0:32:04.600 --> 0:32:05.320
<v Speaker 2>just the two of us.

0:32:05.400 --> 0:32:13.160
<v Speaker 1>There's no doubt, hat, no noisemaker. Yeah, where's chat?

0:32:13.560 --> 0:32:16.480
<v Speaker 4>I have to say, though, I'm starting to really like

0:32:16.640 --> 0:32:18.160
<v Speaker 4>this relationship between the two of you.

0:32:18.600 --> 0:32:18.920
<v Speaker 2>Yeah.

0:32:19.080 --> 0:32:20.760
<v Speaker 4>I think what they're doing with Sean and Jack, the

0:32:20.800 --> 0:32:22.600
<v Speaker 4>wrestling stuff where then you'd stop and kind of talk

0:32:22.600 --> 0:32:24.400
<v Speaker 4>about why you're doing it, it's great.

0:32:24.800 --> 0:32:25.200
<v Speaker 2>I dig it.

0:32:25.280 --> 0:32:27.240
<v Speaker 1>Yeah, yeah, No, this is the payoff to that you

0:32:27.280 --> 0:32:29.720
<v Speaker 1>know episode that we did mid season where we wrestled

0:32:29.720 --> 0:32:32.920
<v Speaker 1>and all you know, it's when they write to us together.

0:32:33.080 --> 0:32:34.320
<v Speaker 1>It actually works.

0:32:34.440 --> 0:32:35.440
<v Speaker 2>Yeah, I agree, it.

0:32:35.320 --> 0:32:38.920
<v Speaker 4>Works because you're different enough to where it's interesting to

0:32:38.960 --> 0:32:40.200
<v Speaker 4>watch the characters interact.

0:32:41.240 --> 0:32:44.440
<v Speaker 3>My thing, though, is that this little, this little storyline

0:32:44.480 --> 0:32:46.440
<v Speaker 3>of you guys wrestling and you not being into it.

0:32:46.480 --> 0:32:49.920
<v Speaker 3>There's never a resolution to this. There's like, this is

0:32:49.920 --> 0:32:55.240
<v Speaker 3>like the last time it's mentioned, there's never anything more

0:32:55.440 --> 0:32:55.880
<v Speaker 3>between you.

0:32:56.080 --> 0:32:58.360
<v Speaker 1>Well, I think it's all about tying up the loose

0:32:58.480 --> 0:33:01.400
<v Speaker 1>ends from the beginning of the scenes. You think about that. Yeah,

0:33:01.440 --> 0:33:03.800
<v Speaker 1>the beginning of the season was the introduction of Jack

0:33:03.840 --> 0:33:05.400
<v Speaker 1>and that we are never going to be able to

0:33:05.400 --> 0:33:08.680
<v Speaker 1>have a relationship. Now we're living together and wrestling and communicating,

0:33:08.840 --> 0:33:10.240
<v Speaker 1>and I think they just wanted to put a button

0:33:10.280 --> 0:33:13.960
<v Speaker 1>on that whole relationship so we can never address it again. Right, No,

0:33:14.040 --> 0:33:16.200
<v Speaker 1>we do. We do when when Chet comes back and dies.

0:33:16.640 --> 0:33:21.240
<v Speaker 1>But I feel like, wait what, yeah, do what? And

0:33:21.240 --> 0:33:23.440
<v Speaker 1>I don't know if that's next I'm assuming that's next season,

0:33:23.480 --> 0:33:26.800
<v Speaker 1>But like otherwise, you know, I don't think. I don't know.

0:33:26.800 --> 0:33:28.320
<v Speaker 1>I can't wait to see because I just don't think

0:33:28.400 --> 0:33:30.000
<v Speaker 1>Jack and Shawn have much more to do after this.

0:33:30.120 --> 0:33:32.400
<v Speaker 1>I think they were just trying to, you know, wrap

0:33:32.440 --> 0:33:34.840
<v Speaker 1>put a bow on everything. Yeah, and this is this

0:33:35.000 --> 0:33:37.320
<v Speaker 1>was just that was a resolution to some dangling thread

0:33:37.360 --> 0:33:38.600
<v Speaker 1>from the beginning of the season.

0:33:39.840 --> 0:33:42.240
<v Speaker 3>So Sean's eye, I told you, I'm not into this.

0:33:42.480 --> 0:33:44.960
<v Speaker 3>Jack isn't convinced. I've got something that may change your mind.

0:33:45.160 --> 0:33:48.320
<v Speaker 3>He unveils a theme park like caricature drawing of Sean

0:33:48.360 --> 0:33:51.280
<v Speaker 3>that includes him in a graduation cap and robe flying

0:33:51.320 --> 0:33:52.640
<v Speaker 3>in the sky on a diploma.

0:33:52.880 --> 0:33:54.640
<v Speaker 2>I want this, I want.

0:33:55.960 --> 0:33:57.080
<v Speaker 1>Was like, what would.

0:33:58.440 --> 0:34:00.720
<v Speaker 3>Yeah, he had a guy do it for I'm a snapshot.

0:34:00.720 --> 0:34:03.720
<v Speaker 3>Sean grabs the picture and sarcastically says, yeah, that's great now,

0:34:03.800 --> 0:34:06.320
<v Speaker 3>graduation really means a lot to me. He places it

0:34:06.400 --> 0:34:08.840
<v Speaker 3>face down on the counter in the kitchen. Jack is

0:34:08.880 --> 0:34:11.560
<v Speaker 3>offended by Sean's bad attitude and he shoves him. Shawn

0:34:11.640 --> 0:34:14.239
<v Speaker 3>is shocked. He shouts what was that and shoves him

0:34:14.280 --> 0:34:17.200
<v Speaker 3>right back. Jack angrily asks why he doesn't appreciate the

0:34:17.239 --> 0:34:19.560
<v Speaker 3>caricature he had made of him with a big head

0:34:19.560 --> 0:34:21.719
<v Speaker 3>and a tiny body, And you're riding the big diploma

0:34:21.800 --> 0:34:23.720
<v Speaker 3>like it's the magic carpet your future.

0:34:23.840 --> 0:34:24.960
<v Speaker 1>It's such a good line.

0:34:27.560 --> 0:34:30.759
<v Speaker 3>You don't appreciate anything, man, and again he shoves him

0:34:30.840 --> 0:34:33.840
<v Speaker 3>quite forcefully. Sean yells back, it's a crappy picture and

0:34:33.920 --> 0:34:36.520
<v Speaker 3>pushes Jack all the way onto the couch. I hate it.

0:34:36.920 --> 0:34:39.239
<v Speaker 3>They start fighting as Jack tries to reason with him,

0:34:39.320 --> 0:34:42.400
<v Speaker 3>don't you see you will never go to high school ever? Again,

0:34:42.680 --> 0:34:46.480
<v Speaker 3>Sean sarcastically shouts, yeah, hooray. They continue to scrap, and

0:34:46.560 --> 0:34:48.640
<v Speaker 3>Jack says, through gritted teeth, I'm just trying to put

0:34:48.640 --> 0:34:51.799
<v Speaker 3>you in touch with your feelings. Sean responds, while being choked. No,

0:34:52.000 --> 0:34:54.640
<v Speaker 3>you're trying to put me in touch with your feelings.

0:34:55.280 --> 0:34:57.319
<v Speaker 3>And you guys, with your physical comedy with this is

0:34:57.640 --> 0:34:59.080
<v Speaker 3>so well done.

0:34:59.239 --> 0:34:59.680
<v Speaker 1>That's true.

0:35:00.160 --> 0:35:03.680
<v Speaker 3>Didn't really funny, really well done? You remember it all?

0:35:03.920 --> 0:35:05.840
<v Speaker 1>No, I don't. I remember the other one where but

0:35:06.560 --> 0:35:09.560
<v Speaker 1>oh we did this wrestling thing again? But yeah, no,

0:35:09.640 --> 0:35:11.120
<v Speaker 1>it works, it works.

0:35:10.920 --> 0:35:14.160
<v Speaker 3>Looks really good. He pushes his older brother off of him,

0:35:14.200 --> 0:35:16.720
<v Speaker 3>and Jack is confused. Why do we always end up wrestling?

0:35:16.840 --> 0:35:21.280
<v Speaker 3>Sean eventually says, I think it's how we communicate. Jack nods, yeah,

0:35:21.400 --> 0:35:24.040
<v Speaker 3>well I have something else to say. He immediately pounces

0:35:24.080 --> 0:35:26.600
<v Speaker 3>on Seawan and they continue to wrestle. Just then Eric

0:35:26.760 --> 0:35:29.720
<v Speaker 3>walks out of his room in an all black Navy

0:35:29.880 --> 0:35:34.879
<v Speaker 3>steal outfit, fullar with a grappling hook and some other

0:35:35.040 --> 0:35:39.520
<v Speaker 3>cool gadgets. He he thinks he's retiring. I'm gonna stop him.

0:35:39.719 --> 0:35:42.799
<v Speaker 3>I don't know how, but I am. He finds Jack

0:35:42.840 --> 0:35:44.520
<v Speaker 3>and Sean on the floor, still trying to choke each

0:35:44.520 --> 0:35:47.160
<v Speaker 3>other out. Maybe I'll ask the French for help or

0:35:47.200 --> 0:35:48.960
<v Speaker 3>the Belgians. They're not doing anything.

0:35:49.120 --> 0:35:50.080
<v Speaker 2>They're not doing anything.

0:35:51.000 --> 0:35:53.239
<v Speaker 3>Eric places a pair of night goggles over his eyes

0:35:53.239 --> 0:35:56.600
<v Speaker 3>and tells the boys, you babies, stop fighting. Eric struggles

0:35:56.640 --> 0:35:58.120
<v Speaker 3>to make his way out the door, getting his hook

0:35:58.160 --> 0:35:59.000
<v Speaker 3>stuck in the doorframe.

0:35:59.080 --> 0:36:03.120
<v Speaker 2>Finally I lived. You can see Matt laughing sticking the thing.

0:36:03.520 --> 0:36:07.919
<v Speaker 1>Yeah, so fun. Finally, like this is where Eric's gonna

0:36:07.960 --> 0:36:10.959
<v Speaker 1>live for the rest of him. Ye this episode, Yeah,

0:36:11.000 --> 0:36:13.920
<v Speaker 1>we are just launching because I feel like Eric often

0:36:14.200 --> 0:36:18.239
<v Speaker 1>goes zany, but he up until now I has he

0:36:18.360 --> 0:36:22.800
<v Speaker 1>initiated the zany plot like this only this whole situation

0:36:22.880 --> 0:36:25.279
<v Speaker 1>only exists because Eric is going like crazy, right, like

0:36:25.320 --> 0:36:28.000
<v Speaker 1>that's your whole storyline. It's like, I'm gonna navy seal

0:36:28.040 --> 0:36:30.320
<v Speaker 1>my way out of you know, getting Feennie to stop retiring.

0:36:30.360 --> 0:36:32.279
<v Speaker 1>And it's like and then I was thinking about the

0:36:32.280 --> 0:36:34.640
<v Speaker 1>sneak attacks stuff like we keep doing we do this

0:36:34.719 --> 0:36:38.120
<v Speaker 1>from now on. I feel like it just this, give

0:36:38.120 --> 0:36:41.080
<v Speaker 1>Will a costume and let him go crazy pretty much.

0:36:41.000 --> 0:36:41.840
<v Speaker 2>Like that's accurate.

0:36:43.960 --> 0:36:46.040
<v Speaker 3>Sean and Jack have been staring at this insanity and

0:36:46.160 --> 0:36:48.800
<v Speaker 3>utter confusion. Then they go back to their wrestling match,

0:36:49.160 --> 0:36:51.280
<v Speaker 3>and then we're back at John Adams High. In the hallway,

0:36:51.320 --> 0:36:55.040
<v Speaker 3>we see wild chickens on the floor, congregating around the

0:36:55.080 --> 0:36:59.879
<v Speaker 3>trash can, probably because the hands have placed seed right.

0:37:01.360 --> 0:37:04.839
<v Speaker 3>Corey and Sean enter, and Corey is very excited by

0:37:04.880 --> 0:37:10.719
<v Speaker 3>the livestock. Great chickens in the hallway. Huh. Someone must

0:37:10.719 --> 0:37:15.000
<v Speaker 3>have let them lose is the official senior break. He

0:37:15.120 --> 0:37:17.800
<v Speaker 3>runs around the hallway, pretending to flock his wings like

0:37:17.840 --> 0:37:21.080
<v Speaker 3>a chicken, screaming, oh my gosh, look at the chickens.

0:37:21.719 --> 0:37:23.719
<v Speaker 3>He runs up to a random classmate and shakes him

0:37:23.800 --> 0:37:28.000
<v Speaker 3>chicken alert. Yeah. He has entered a euphoria, surrounded by

0:37:28.080 --> 0:37:32.320
<v Speaker 3>much less enthused classmates. I wonder which crazy senior thought

0:37:32.400 --> 0:37:36.480
<v Speaker 3>this up. This is nuts. Huh. Then Feenie walks in

0:37:36.520 --> 0:37:39.200
<v Speaker 3>and notices the chickens, barely giving them a passing glance.

0:37:39.400 --> 0:37:42.000
<v Speaker 3>He curiously asks Cory, what did you do rent a

0:37:42.040 --> 0:37:46.839
<v Speaker 3>couple of chickens? Corey nuts? Yeah, don't step on them

0:37:46.920 --> 0:37:50.160
<v Speaker 3>or else I lose my deposit. As he bolts away,

0:37:50.800 --> 0:37:54.279
<v Speaker 3>he continues to scream together the.

0:37:54.239 --> 0:37:58.760
<v Speaker 2>Hands go, it's just so Ben and so Cory so good. Uh.

0:37:58.800 --> 0:38:01.120
<v Speaker 3>Sean walks up to Poenians lely admits if I were

0:38:01.120 --> 0:38:03.480
<v Speaker 3>into this, which I'm not. I'd do a senior prank

0:38:03.480 --> 0:38:06.600
<v Speaker 3>that you'd remember. Phoene chuckles, I'm sure you would. He

0:38:06.640 --> 0:38:09.240
<v Speaker 3>then asks Sean if he's working on that final class assignment.

0:38:09.480 --> 0:38:12.360
<v Speaker 3>Sean pretends to be excited, Oh yeah, the assignment. The

0:38:12.360 --> 0:38:16.480
<v Speaker 3>fake excitement quickly fades. No, I'm not. Corey jumps back

0:38:16.480 --> 0:38:18.480
<v Speaker 3>into the hallway, frantically screaming at the top of his

0:38:18.560 --> 0:38:21.640
<v Speaker 3>lungs about the chickens. Again, Phoene advises Sean, I really

0:38:21.680 --> 0:38:25.120
<v Speaker 3>think you should. Sean asks if it's mandatory, and Phoenie emphasizes,

0:38:25.200 --> 0:38:28.000
<v Speaker 3>what you end up doing is up to you, always

0:38:28.040 --> 0:38:30.359
<v Speaker 3>has been. I'm just here to point out what page

0:38:30.400 --> 0:38:33.440
<v Speaker 3>we're on. Phoene leaves and Corey groc's backup. I know,

0:38:34.120 --> 0:38:34.680
<v Speaker 3>I'm just kidding.

0:38:34.800 --> 0:38:36.600
<v Speaker 1>We're not what page we're on. I was like, that's cool.

0:38:36.800 --> 0:38:41.080
<v Speaker 3>It's a beautiful line, and it really does highlight how

0:38:41.840 --> 0:38:45.400
<v Speaker 3>so many things in this show, when with with really

0:38:45.440 --> 0:38:48.960
<v Speaker 3>good guidance from the adults, have ultimately been left up

0:38:49.000 --> 0:38:50.760
<v Speaker 3>to the kids to make their own decision.

0:38:52.080 --> 0:38:52.279
<v Speaker 2>Yeah.

0:38:52.320 --> 0:38:55.120
<v Speaker 1>There's rarely been a you, you have to do this,

0:38:55.120 --> 0:38:57.400
<v Speaker 1>this is the right thing. It's always like, here's the door,

0:38:58.040 --> 0:39:00.239
<v Speaker 1>and here's another door. What are you going to do? Well?

0:39:00.400 --> 0:39:03.080
<v Speaker 3>But but not just here are the two doors, here's

0:39:03.160 --> 0:39:05.880
<v Speaker 3>the door I think is best for you and why.

0:39:06.080 --> 0:39:08.759
<v Speaker 3>But ultimately you have to be the one to make

0:39:08.800 --> 0:39:11.400
<v Speaker 3>the final decision about which door you're going to go through.

0:39:11.440 --> 0:39:13.399
<v Speaker 3>And and I think one of the things that Boy

0:39:13.440 --> 0:39:16.960
<v Speaker 3>Meets World did better than almost any other show is

0:39:17.000 --> 0:39:21.000
<v Speaker 3>that the guidance coming from the adults was always so good,

0:39:21.440 --> 0:39:25.120
<v Speaker 3>even when there were good arguments on both sides. You know,

0:39:25.520 --> 0:39:29.000
<v Speaker 3>sometimes it's it's truly set up that there isn't necessarily

0:39:29.080 --> 0:39:31.680
<v Speaker 3>one right path. They're both good, and you just have

0:39:31.760 --> 0:39:34.160
<v Speaker 3>to be the one to listen to your gut and

0:39:34.160 --> 0:39:36.440
<v Speaker 3>and and say which one you're going to go toward.

0:39:38.040 --> 0:39:42.640
<v Speaker 3>They nobody, nobody was the dumb, stupid parent or the

0:39:42.640 --> 0:39:43.239
<v Speaker 3>the you know.

0:39:44.000 --> 0:39:47.640
<v Speaker 4>Uh, bumbling teacher or any of that kind of stuff.

0:39:47.719 --> 0:39:49.200
<v Speaker 2>And it's also I mean, we saw it with huge

0:39:49.239 --> 0:39:49.839
<v Speaker 2>decisions too.

0:39:49.880 --> 0:39:53.319
<v Speaker 4>I mean Amy and Allen literally walk into a hotel room,

0:39:53.520 --> 0:39:55.799
<v Speaker 4>leaving Corey into hang it to decide whether they're going

0:39:55.880 --> 0:39:57.040
<v Speaker 4>to go have sex in another room.

0:39:57.160 --> 0:39:58.160
<v Speaker 2>Yes, And it's not like.

0:39:58.160 --> 0:40:01.200
<v Speaker 4>Get home, it's just like, hey, you're here's the consequences

0:40:01.600 --> 0:40:02.040
<v Speaker 4>you're ready.

0:40:02.080 --> 0:40:04.279
<v Speaker 2>See you guys stup to you and it's yeah, you're right.

0:40:04.280 --> 0:40:06.400
<v Speaker 4>I'm not sure a lot of other shows, because I

0:40:06.440 --> 0:40:08.800
<v Speaker 4>never call it a kid show geared towards younger people,

0:40:09.400 --> 0:40:11.280
<v Speaker 4>would would do it to that extent.

0:40:12.000 --> 0:40:15.880
<v Speaker 1>Contextualizing the importance of Yale probably would have would have

0:40:15.880 --> 0:40:18.120
<v Speaker 1>been good in a.

0:40:18.120 --> 0:40:20.520
<v Speaker 4>Little bit at the end of the duh, like come on,

0:40:20.680 --> 0:40:23.279
<v Speaker 4>like I know behind. So unless you have a great

0:40:23.320 --> 0:40:25.000
<v Speaker 4>reason not to go, you gotta go.

0:40:25.640 --> 0:40:28.280
<v Speaker 3>I'm not even sure what that point was though, unless

0:40:28.320 --> 0:40:31.040
<v Speaker 3>you have a good reason not to go, well.

0:40:31.000 --> 0:40:33.799
<v Speaker 4>I think it's you know there there might be better

0:40:33.840 --> 0:40:36.719
<v Speaker 4>reasons to not go, and unless you can come up

0:40:36.719 --> 0:40:38.360
<v Speaker 4>with one of those, which there might be two in

0:40:38.400 --> 0:40:38.800
<v Speaker 4>the world.

0:40:39.440 --> 0:40:41.719
<v Speaker 1>So are you and Corey going to break up if

0:40:41.760 --> 0:40:43.799
<v Speaker 1>you go to Yale? Like that seems sad to me.

0:40:43.800 --> 0:40:45.640
<v Speaker 1>If you believe that you're in love and that your

0:40:45.680 --> 0:40:48.880
<v Speaker 1>love is so powerful, it's not going to be effected.

0:40:50.160 --> 0:40:52.719
<v Speaker 3>The idea now that my good reason for not going

0:40:52.760 --> 0:40:54.920
<v Speaker 3>to Yale is because we're going to be engaged. And

0:40:54.960 --> 0:40:57.239
<v Speaker 3>if we're engaged, why doesn't Corey just move to Yale

0:40:57.320 --> 0:40:57.520
<v Speaker 3>with me?

0:40:58.239 --> 0:40:59.160
<v Speaker 1>Right? You should?

0:40:59.560 --> 0:41:02.080
<v Speaker 4>Yeah, you should get her go to school somewhere in

0:41:02.080 --> 0:41:04.680
<v Speaker 4>Connecticut near Yale. That's not that difficult a thing to.

0:41:04.640 --> 0:41:09.160
<v Speaker 1>Do or commit to being engaged, because that's the decision

0:41:09.160 --> 0:41:10.799
<v Speaker 1>you want to make and get married but still go

0:41:10.800 --> 0:41:13.200
<v Speaker 1>to Yale. Right, but you can these things are not.

0:41:13.880 --> 0:41:16.200
<v Speaker 2>Actually opposition, you know exactly now, you know.

0:41:16.320 --> 0:41:18.680
<v Speaker 1>It's like you can be in love and not have

0:41:18.800 --> 0:41:20.160
<v Speaker 1>to sacrifice to that.

0:41:20.360 --> 0:41:27.560
<v Speaker 3>CRY's future and Penbrook is not more important or shouldn't

0:41:27.600 --> 0:41:31.840
<v Speaker 3>be more important than to Penga's future and going to Yale.

0:41:32.520 --> 0:41:38.200
<v Speaker 3>So why is it never even in the cards? And

0:41:38.280 --> 0:41:40.600
<v Speaker 3>maybe it is maybe next season when we get the

0:41:40.680 --> 0:41:44.239
<v Speaker 3>answer when Corey answers, maybe is there a conversation about

0:41:44.280 --> 0:41:46.239
<v Speaker 3>Corey going to Yale and we talk? I don't know,

0:41:46.280 --> 0:41:49.120
<v Speaker 3>maybe there will be. But up until this point, how

0:41:49.160 --> 0:41:51.399
<v Speaker 3>come it's never even been a discussion. How Come it's

0:41:51.400 --> 0:41:54.200
<v Speaker 3>never been a discussion between Hocme, between Corey and Sean

0:41:54.239 --> 0:41:57.440
<v Speaker 3>hokem Hocome. Corey and Sean haven't had that discussion. Hocome

0:41:57.520 --> 0:41:59.360
<v Speaker 3>to Penga and Angela, who, by the way, are probably

0:41:59.360 --> 0:42:02.080
<v Speaker 3>never going to talk it. How come they don't have

0:42:02.120 --> 0:42:06.160
<v Speaker 3>a discussion about any of that. It's so there seems

0:42:06.200 --> 0:42:09.000
<v Speaker 3>like there's so many options for this to not that

0:42:09.000 --> 0:42:11.680
<v Speaker 3>that are just never even.

0:42:11.120 --> 0:42:13.640
<v Speaker 4>If they were, and what they should have done. And again,

0:42:13.680 --> 0:42:16.640
<v Speaker 4>because it's really it's just a word. They're just throwing

0:42:16.640 --> 0:42:18.360
<v Speaker 4>out Yale because people know what it is. So what

0:42:18.360 --> 0:42:20.920
<v Speaker 4>they should have done is something like Cambridge or Oxford,

0:42:21.000 --> 0:42:22.200
<v Speaker 4>where like she would have.

0:42:22.200 --> 0:42:24.200
<v Speaker 2>To move to London, something where it's a.

0:42:24.280 --> 0:42:29.799
<v Speaker 1>Very big yes, exactly, Stanford in California, ride exactly, something

0:42:29.840 --> 0:42:31.800
<v Speaker 1>where it's it's massively different.

0:42:31.840 --> 0:42:34.440
<v Speaker 4>But no, it's like you can't go to school four

0:42:34.480 --> 0:42:37.719
<v Speaker 4>hours from here, like what really? Right? So, yeah, that

0:42:37.760 --> 0:42:39.279
<v Speaker 4>I was hoping they were gonna they should have done

0:42:39.280 --> 0:42:41.759
<v Speaker 4>something much bigger. Oh I applied to this or bond,

0:42:41.800 --> 0:42:43.200
<v Speaker 4>but there was no way I was going to get

0:42:43.200 --> 0:42:45.399
<v Speaker 4>in and they you know, right, yeah, so but.

0:42:45.320 --> 0:42:47.680
<v Speaker 1>No, and then you could have specified why that school?

0:42:47.760 --> 0:42:50.680
<v Speaker 1>You know, right now it's just Yale for generic good schoolness.

0:42:50.680 --> 0:42:52.839
<v Speaker 1>But like if the panga had an interest in art

0:42:53.080 --> 0:42:55.920
<v Speaker 1>or you know, some subject that could only be done

0:42:55.960 --> 0:42:58.480
<v Speaker 1>in this one far away place, it would make so

0:42:58.600 --> 0:42:59.200
<v Speaker 1>much more sense.

0:42:59.200 --> 0:43:02.560
<v Speaker 2>I think she's following Ricky's Paris.

0:43:02.640 --> 0:43:06.680
<v Speaker 4>I just want to meet you in Paris so we

0:43:06.760 --> 0:43:08.200
<v Speaker 4>can look at each other in.

0:43:08.280 --> 0:43:15.200
<v Speaker 2>Food Croissan cosso count the lamination toga you.

0:43:16.680 --> 0:43:19.320
<v Speaker 3>Pene leaves, and Corey rushes back up to Sean again

0:43:19.520 --> 0:43:24.320
<v Speaker 3>yelling about chicken mania. Topanga joins the boys and announces

0:43:24.360 --> 0:43:26.560
<v Speaker 3>she's finished her valedictorian speech and wants to know if

0:43:26.560 --> 0:43:28.799
<v Speaker 3>they'd like to hear it. Sean shakes his head and

0:43:28.840 --> 0:43:32.680
<v Speaker 3>walks away. To be honest, I don't either, no.

0:43:32.719 --> 0:43:34.920
<v Speaker 2>Things, We're god, it's fine.

0:43:35.200 --> 0:43:38.400
<v Speaker 3>The camera bands to reveal Mincas standing by the payphone

0:43:38.440 --> 0:43:41.200
<v Speaker 3>yet again. He is interested to know more. Oh and

0:43:41.239 --> 0:43:44.320
<v Speaker 3>what makes you so sure you're the class valedictorian, little

0:43:44.360 --> 0:43:50.160
<v Speaker 3>missy Tepega confidently responds, because I'm Tapanga. Minka shoots back, well,

0:43:50.320 --> 0:43:53.760
<v Speaker 3>I'm Mincus and I have six hundred and ninety nine a's, which,

0:43:53.800 --> 0:43:57.600
<v Speaker 3>according to my records, is the same as you. Corey

0:43:57.680 --> 0:44:01.520
<v Speaker 3>is astounded you counted a what kind of six psychopath

0:44:01.600 --> 0:44:08.120
<v Speaker 3>counts as Corey looks at the Panga and realizes, Oh, yeah.

0:44:07.160 --> 0:44:07.719
<v Speaker 1>Wasn't he there.

0:44:08.000 --> 0:44:10.080
<v Speaker 3>He was there, he saw the whole thing, He saw it,

0:44:10.320 --> 0:44:10.920
<v Speaker 3>he watched it.

0:44:10.960 --> 0:44:14.040
<v Speaker 4>I didn't get that, but this scene between the two

0:44:14.080 --> 0:44:16.359
<v Speaker 4>of you did make me just wish I.

0:44:16.320 --> 0:44:18.360
<v Speaker 2>Could have watched four other seasons.

0:44:18.480 --> 0:44:23.359
<v Speaker 4>Oh my god, of Lee, of Minkis and Joey and

0:44:23.360 --> 0:44:24.040
<v Speaker 4>and Joey and.

0:44:24.000 --> 0:44:28.320
<v Speaker 3>Frank guess somebody by the way to actually goes.

0:44:28.960 --> 0:44:32.120
<v Speaker 4>Yeah, it would have just made me wish for what

0:44:32.200 --> 0:44:34.200
<v Speaker 4>could have been when I saw this scene.

0:44:34.719 --> 0:44:37.400
<v Speaker 3>So Tapanga has an idea. I'll tell you what to do, Stuart.

0:44:37.480 --> 0:44:40.080
<v Speaker 3>You can go get Phoene's grade book and count them again.

0:44:40.640 --> 0:44:43.120
<v Speaker 3>With that, she struts away man kiss now alone with

0:44:43.160 --> 0:44:46.520
<v Speaker 3>Corey is worried. It also would have been nice to

0:44:46.520 --> 0:44:47.440
<v Speaker 3>see Danny here.

0:44:47.920 --> 0:44:50.759
<v Speaker 4>Yeah, I was thinking the same thing. Yeah, Danny and

0:44:50.760 --> 0:44:55.239
<v Speaker 4>and miss and why couldn't you couldn't have Turner and

0:44:55.239 --> 0:44:58.000
<v Speaker 4>Eli sitting at the graduation, Like would that have been.

0:44:57.920 --> 0:44:59.719
<v Speaker 2>The worst thing in the world to have that? You know,

0:45:00.080 --> 0:45:00.319
<v Speaker 2>it's a.

0:45:00.280 --> 0:45:03.160
<v Speaker 3>Little insulting to invite them to be background actors, but.

0:45:03.520 --> 0:45:05.440
<v Speaker 4>Give them a line each you know, walk in that

0:45:06.200 --> 0:45:08.080
<v Speaker 4>we don't go over there, that's you know, you go.

0:45:08.120 --> 0:45:09.239
<v Speaker 2>Also you may never come back.

0:45:09.239 --> 0:45:11.080
<v Speaker 4>And then Turner and Eli come in and be like, hey,

0:45:11.400 --> 0:45:13.640
<v Speaker 4>are you guys coming to class or what what's something

0:45:13.680 --> 0:45:13.960
<v Speaker 4>I mean?

0:45:14.000 --> 0:45:16.080
<v Speaker 1>But also there's this off camera moment or actually it

0:45:16.080 --> 0:45:18.359
<v Speaker 1>is on camera where Sean makes a decision to do

0:45:18.400 --> 0:45:20.319
<v Speaker 1>this speech right like where it's just me in the

0:45:20.320 --> 0:45:22.799
<v Speaker 1>hallway kind of looking for lorn. That could have been

0:45:22.800 --> 0:45:25.560
<v Speaker 1>a scene with Jonathan Turner, Like it could have easily

0:45:25.600 --> 0:45:29.120
<v Speaker 1>been me in a different location finding him because now

0:45:29.120 --> 0:45:31.560
<v Speaker 1>he's left the school or whatever, and me just having

0:45:31.560 --> 0:45:33.920
<v Speaker 1>a conversation with him where he's like, what do you

0:45:33.920 --> 0:45:35.400
<v Speaker 1>think of this time? Or you know, don't you think

0:45:35.440 --> 0:45:37.360
<v Speaker 1>that this is important? And like, you're right, maybe it is?

0:45:37.440 --> 0:45:39.440
<v Speaker 1>And right. It would have just been like a good

0:45:39.600 --> 0:45:41.640
<v Speaker 1>like I find him in some apartment somewhere where he's

0:45:41.680 --> 0:45:43.320
<v Speaker 1>moved on to a different school or now he's teaching

0:45:43.320 --> 0:45:46.759
<v Speaker 1>college courses somewhere, and he's like and we explain why

0:45:46.800 --> 0:45:49.239
<v Speaker 1>he's and I connect with him and he inspires me

0:45:49.280 --> 0:45:50.960
<v Speaker 1>to come back and do the speech. It would have

0:45:50.960 --> 0:45:51.480
<v Speaker 1>been so good.

0:45:51.760 --> 0:45:53.319
<v Speaker 4>Oh god, they really could have gone more. But you've

0:45:53.360 --> 0:45:55.520
<v Speaker 4>gone back and he's still in the hospital in the focast,

0:45:55.640 --> 0:45:59.319
<v Speaker 4>he's still in tracks cold the whole time.

0:45:59.480 --> 0:46:01.480
<v Speaker 1>Just visiting Turner in a wheelchair.

0:46:01.719 --> 0:46:03.840
<v Speaker 2>Oh god, Oh it's horrible.

0:46:04.520 --> 0:46:07.200
<v Speaker 3>Minkus, now alone with Corey, is worried she did something,

0:46:07.239 --> 0:46:09.359
<v Speaker 3>didn't she. Corey pats him on the back, telling him

0:46:09.400 --> 0:46:11.680
<v Speaker 3>to take it easy. He never had a chance Minka

0:46:11.760 --> 0:46:15.200
<v Speaker 3>says she's evil, Corey, She's an evil little girl. Corey agrees,

0:46:15.320 --> 0:46:18.120
<v Speaker 3>but every time I kiss her, I don't care. He

0:46:18.239 --> 0:46:21.040
<v Speaker 3>strolls back up to his girlfriend. Tapanga tells him she

0:46:21.080 --> 0:46:22.839
<v Speaker 3>read the material on Yelle that he gave her, and

0:46:23.120 --> 0:46:25.920
<v Speaker 3>earnestly asks him, when you said you were serious about

0:46:25.920 --> 0:46:29.160
<v Speaker 3>being supportive. You weren't saying that just to be supportive,

0:46:29.200 --> 0:46:31.759
<v Speaker 3>were you. Corey reminds her Yale is one of the

0:46:31.760 --> 0:46:34.080
<v Speaker 3>best schools in the country, and you deserve to go there.

0:46:34.440 --> 0:46:36.480
<v Speaker 3>To Panga admits I always tried to be a good

0:46:36.480 --> 0:46:38.640
<v Speaker 3>student because I thought college would be the most important

0:46:38.680 --> 0:46:41.839
<v Speaker 3>decision in my life. Corey exclaims, it is what could

0:46:41.880 --> 0:46:47.120
<v Speaker 3>be more important to Pango listens, Obviously conflicted, Corey reassures her,

0:46:47.400 --> 0:46:51.520
<v Speaker 3>I'm okay with this. To Panga asks really, Corey notds

0:46:51.640 --> 0:46:56.040
<v Speaker 3>yeah go. A wide grin spreads across her face. Thank you.

0:46:56.680 --> 0:46:59.919
<v Speaker 3>She walks away, and melancholic music plays as Corey watch

0:47:00.120 --> 0:47:02.040
<v Speaker 3>is or Go. He sits down in the middle of

0:47:02.040 --> 0:47:05.080
<v Speaker 3>the hallway, now with the chickens huddled around him. He asks,

0:47:05.600 --> 0:47:06.759
<v Speaker 3>you guys gonna leave me too?

0:47:07.560 --> 0:47:12.120
<v Speaker 4>So we're sitting there watching the scene and all this

0:47:12.160 --> 0:47:14.840
<v Speaker 4>beautiful stuff just happens. You know, it's you should go

0:47:14.880 --> 0:47:16.680
<v Speaker 4>to Yale and do all this stuff. And there's dead

0:47:16.719 --> 0:47:19.279
<v Speaker 4>silence when the scene ends, and Sue just says, how

0:47:19.280 --> 0:47:21.200
<v Speaker 4>do you think they got the chickens to just sit there?

0:47:23.200 --> 0:47:23.439
<v Speaker 2>Seed?

0:47:25.800 --> 0:47:27.680
<v Speaker 4>But I also love the fact that Tapanga hasn't done

0:47:27.680 --> 0:47:31.800
<v Speaker 4>any research on Yale. Nope, so Corey hands stuff you

0:47:31.840 --> 0:47:34.440
<v Speaker 4>should do. Hey, I look some stuff up about it.

0:47:34.560 --> 0:47:36.360
<v Speaker 3>Man explained Yale to you exactly.

0:47:38.880 --> 0:47:39.800
<v Speaker 2>This is a good school.

0:47:40.560 --> 0:47:42.600
<v Speaker 3>I guess maybe, and maybe we address this at the

0:47:42.600 --> 0:47:44.840
<v Speaker 3>beginning of the next season. I don't know, but I

0:47:44.880 --> 0:47:47.759
<v Speaker 3>guess it's hitting me as I'm reading the recap and

0:47:48.960 --> 0:47:51.880
<v Speaker 3>thinking about when I watched it. Is the idea here

0:47:52.520 --> 0:47:58.960
<v Speaker 3>that Tapanga now solidifies her decision about Corey because one

0:47:59.000 --> 0:48:02.759
<v Speaker 3>of the traits that she wants in him is that

0:48:02.800 --> 0:48:06.279
<v Speaker 3>he's supportive. That one of the reasons she feels very

0:48:06.320 --> 0:48:11.680
<v Speaker 3>comfortable turning down Yale is because to lead, he fully

0:48:11.840 --> 0:48:17.120
<v Speaker 3>supports me best for him and so right, and so

0:48:17.320 --> 0:48:19.799
<v Speaker 3>I am sure that's the type of man I want

0:48:19.800 --> 0:48:23.839
<v Speaker 3>to marry, a person who's willing to sacrifice his own good.

0:48:24.560 --> 0:48:27.080
<v Speaker 1>So therefore I'm going to sacrifice my own good friend.

0:48:27.200 --> 0:48:29.080
<v Speaker 3>Right, so I'm going to do the same thing for him,

0:48:29.280 --> 0:48:32.640
<v Speaker 3>even though it's revealed behind the scenes that he wasn't

0:48:32.719 --> 0:48:33.960
<v Speaker 3>serious about it at all.

0:48:34.040 --> 0:48:36.239
<v Speaker 1>And also, what is he sacrificing, Like he's still going

0:48:36.280 --> 0:48:37.520
<v Speaker 1>to Pemberkeca, He's you know.

0:48:37.680 --> 0:48:39.839
<v Speaker 2>He's sacrificing to Panga. That's what That's what they're trying

0:48:39.840 --> 0:48:40.240
<v Speaker 2>to say.

0:48:41.000 --> 0:48:44.120
<v Speaker 1>In the vein of supporting her towards in the name

0:48:44.160 --> 0:48:49.120
<v Speaker 1>of their relationship, where she's sacrificing actual opportunity and growth

0:48:49.239 --> 0:48:52.320
<v Speaker 1>outside of the relationship for the relationship. So that's like

0:48:52.360 --> 0:48:56.799
<v Speaker 1>a very weird equivalency. Like they're actually two completely opposite directions.

0:48:57.200 --> 0:48:59.239
<v Speaker 1>Like t Bank is basically saying I'm going to hurt

0:48:59.280 --> 0:49:02.440
<v Speaker 1>myself in my future chances or I'm going to diminish

0:49:02.520 --> 0:49:05.440
<v Speaker 1>my future for you. Cory's not saying that. He's saying,

0:49:05.680 --> 0:49:09.120
<v Speaker 1>I'll sacrifice by you know, letting you go and like

0:49:09.320 --> 0:49:09.920
<v Speaker 1>supporting you.

0:49:09.960 --> 0:49:12.960
<v Speaker 3>That's and having that be a little harder for me, right,

0:49:13.280 --> 0:49:16.440
<v Speaker 3>It's so hard being me. Yeah, I might have to

0:49:16.440 --> 0:49:19.120
<v Speaker 3>travel to see you or yeah, really the hard part.

0:49:19.239 --> 0:49:21.360
<v Speaker 3>The hardest part is I can't get like I'm not

0:49:21.480 --> 0:49:23.960
<v Speaker 3>making out with a million girls while you're well that's.

0:49:23.920 --> 0:49:25.560
<v Speaker 4>Well, that's the he would have cheated on you by

0:49:25.600 --> 0:49:29.320
<v Speaker 4>the end of graduation. Let's be honest, that's really.

0:49:29.160 --> 0:49:33.839
<v Speaker 1>Why she didn't go to Ye gotta button this relationship up,

0:49:33.840 --> 0:49:35.560
<v Speaker 1>otherwise he's out of here. Yep.

0:49:46.920 --> 0:49:49.440
<v Speaker 3>Well then we are in the John Adams Hallway. Continuing,

0:49:49.520 --> 0:49:52.600
<v Speaker 3>Cory is staring out into the distance, angry and upset.

0:49:52.920 --> 0:49:55.200
<v Speaker 3>Sean spots him and doesn't even need to ask. Corey

0:49:55.239 --> 0:49:58.400
<v Speaker 3>breaks the news, Japang is going to Yale. Sean siys,

0:49:58.960 --> 0:50:01.279
<v Speaker 3>I told you this is going to be a terrible week.

0:50:01.680 --> 0:50:05.040
<v Speaker 3>Corey's angry with himself for acting so supportive. Sean asks,

0:50:05.200 --> 0:50:08.040
<v Speaker 3>so you were just pretending. Corey admits he didn't actually

0:50:08.040 --> 0:50:10.480
<v Speaker 3>think she'd go through with it. Sean encourages him to

0:50:10.480 --> 0:50:13.320
<v Speaker 3>tell her how he really feels. Corey insists, I can't.

0:50:13.640 --> 0:50:15.640
<v Speaker 3>I don't want her making the wrong choice because of me.

0:50:15.960 --> 0:50:19.040
<v Speaker 3>Sean questions, and you're not pretending this time? Corey shakes

0:50:19.040 --> 0:50:25.160
<v Speaker 3>his head. No, I'm not so, so what are they saying? So?

0:50:25.160 --> 0:50:30.280
<v Speaker 3>So he was pretending before, but now he isn't pretending,

0:50:30.440 --> 0:50:32.840
<v Speaker 3>and he does want her to go.

0:50:33.840 --> 0:50:38.399
<v Speaker 4>He doesn't want her to go, but he genuinely now

0:50:38.440 --> 0:50:40.960
<v Speaker 4>has gotten to the place where he understands she should,

0:50:41.160 --> 0:50:43.000
<v Speaker 4>I think is what they're getting at.

0:50:43.040 --> 0:50:46.360
<v Speaker 2>But it's not really said right.

0:50:46.760 --> 0:50:50.040
<v Speaker 1>Which is now it's real Corey really really does support her,

0:50:50.560 --> 0:50:53.200
<v Speaker 1>and it's all about his sadness. Well, we just got

0:50:53.200 --> 0:50:57.800
<v Speaker 1>to make it about Corey, you know. So Panga's decision

0:50:57.840 --> 0:50:59.160
<v Speaker 1>is ultimately about Corey.

0:51:00.080 --> 0:51:03.000
<v Speaker 3>So now we are in Phoene's office. Phoene is packing

0:51:03.040 --> 0:51:06.919
<v Speaker 3>his things into boxes with when Topanga enters. I think

0:51:06.960 --> 0:51:10.800
<v Speaker 3>this is the very first yes to Pega and PHIENI

0:51:10.880 --> 0:51:14.240
<v Speaker 3>the same scene alone.

0:51:13.160 --> 0:51:15.200
<v Speaker 4>And it's a great scene, the two of them together.

0:51:15.280 --> 0:51:17.399
<v Speaker 4>The energy's amazing. They should have done a bunch of these.

0:51:17.719 --> 0:51:17.919
<v Speaker 1>Yeah.

0:51:18.480 --> 0:51:20.439
<v Speaker 3>Yeah, So she was in the library and she saw

0:51:20.480 --> 0:51:22.520
<v Speaker 3>his light was on. What are you still doing here?

0:51:22.719 --> 0:51:24.759
<v Speaker 3>Phoene explains, I'm just packing up a few things. What

0:51:24.800 --> 0:51:27.440
<v Speaker 3>on earth are you doing in the library? Topanga admits,

0:51:27.560 --> 0:51:30.480
<v Speaker 3>I was working on my valedictorian speech. Phoene assures her,

0:51:30.520 --> 0:51:33.200
<v Speaker 3>your speech will be fine. Give yourself a break to

0:51:33.280 --> 0:51:36.359
<v Speaker 3>penga size. Now that I'm going to Yale, everyone's going

0:51:36.360 --> 0:51:38.799
<v Speaker 3>to expect it to be like from someone who's going

0:51:38.800 --> 0:51:41.919
<v Speaker 3>to Yale. Fine's not going to be enough. Phoene sees

0:51:42.000 --> 0:51:44.400
<v Speaker 3>right through her. What did you actually come here to

0:51:44.440 --> 0:51:47.359
<v Speaker 3>ask me to? Panga admits, I don't know what to do.

0:51:47.719 --> 0:51:50.760
<v Speaker 3>Should I go to Yale? Phoene responds, if you're asking

0:51:50.760 --> 0:51:53.480
<v Speaker 3>me if Yale is one of the finest academic institutions

0:51:53.480 --> 0:51:57.360
<v Speaker 3>in the country, I would have to say no. Tapega

0:51:57.440 --> 0:52:01.680
<v Speaker 3>shakes her head. That's not why I'm asking. Phoene tries again,

0:52:01.840 --> 0:52:03.560
<v Speaker 3>if you're asking me whether or not you would be

0:52:03.640 --> 0:52:06.560
<v Speaker 3>successful there, Yale wouldn't have accepted you if they didn't

0:52:06.560 --> 0:52:08.840
<v Speaker 3>think you could live up to their challenge to Pega

0:52:08.880 --> 0:52:12.600
<v Speaker 3>again explains, that's not why I'm asking. Phoene gives up.

0:52:12.800 --> 0:52:15.399
<v Speaker 3>I'll tell you what. I'll retire right now. They share

0:52:15.400 --> 0:52:17.520
<v Speaker 3>a laugh, and then he cuts to the chase, what

0:52:17.560 --> 0:52:20.480
<v Speaker 3>do you want to? Pega explains, If I knew what

0:52:20.520 --> 0:52:22.919
<v Speaker 3>I wanted, I wouldn't have come to you. Phoene tells

0:52:22.960 --> 0:52:26.200
<v Speaker 3>her to listen very carefully. Unless she has a very

0:52:26.239 --> 0:52:31.040
<v Speaker 3>good reason for not attending Yale, she should go to.

0:52:31.080 --> 0:52:34.719
<v Speaker 3>Pega smiles, thanks, mister Phoenie, He assures her, if you

0:52:34.760 --> 0:52:37.000
<v Speaker 3>need any more counseling, my door is always open to

0:52:37.040 --> 0:52:44.239
<v Speaker 3>my students. I don't really quite understand what he I'm

0:52:44.280 --> 0:52:47.560
<v Speaker 3>trying to think, what was he thinking. Do we believe

0:52:47.800 --> 0:52:51.080
<v Speaker 3>Phoene was trying to guide to Panga toward proposing.

0:52:53.040 --> 0:52:56.880
<v Speaker 1>No, I think he's just basically presenting the options and saying,

0:52:57.640 --> 0:53:00.279
<v Speaker 1>you know, what is your what is the alternative to

0:53:00.320 --> 0:53:02.520
<v Speaker 1>going to Yale? And is you have to decide if

0:53:02.560 --> 0:53:05.600
<v Speaker 1>that alternative is better? You know, it's it's the It's

0:53:05.600 --> 0:53:08.399
<v Speaker 1>the exact same scene as the jelly beans, right. It's

0:53:08.440 --> 0:53:10.920
<v Speaker 1>like it's like, oh, there's all these reasons and all this,

0:53:11.200 --> 0:53:13.879
<v Speaker 1>but then ultimately love just conquers all and it's like, Nope,

0:53:13.880 --> 0:53:15.840
<v Speaker 1>it doesn't matter. I can't live without Corey or I

0:53:15.880 --> 0:53:18.560
<v Speaker 1>can't you know, it doesn't. But it just doesn't seem

0:53:18.640 --> 0:53:19.600
<v Speaker 1>like an equivalent.

0:53:20.920 --> 0:53:23.960
<v Speaker 2>It's just equivalent at all. I don't think he's saying,

0:53:25.560 --> 0:53:28.319
<v Speaker 2>and you know, go get engaged to Corey. Yeah.

0:53:28.440 --> 0:53:30.319
<v Speaker 3>No, you don't think that's on his radar at all.

0:53:30.440 --> 0:53:32.920
<v Speaker 2>No, I don't think, so. I gotta hope that's not.

0:53:33.200 --> 0:53:35.840
<v Speaker 1>What I mean. If that's yeah, I just this is

0:53:35.880 --> 0:53:38.000
<v Speaker 1>where I go, like, Okay, I know, like and we've

0:53:38.000 --> 0:53:40.840
<v Speaker 1>already talked about how it's nice that the teachers and

0:53:40.880 --> 0:53:43.799
<v Speaker 1>the adults don't like weigh in too much or let

0:53:43.840 --> 0:53:46.040
<v Speaker 1>the kids make but this is when it's time to

0:53:46.080 --> 0:53:49.319
<v Speaker 1>like really contextualize. This is the responsible adult thing is

0:53:49.320 --> 0:53:51.120
<v Speaker 1>to be like, hey, I know you're in love, and

0:53:51.160 --> 0:53:53.960
<v Speaker 1>I know that that's really important to you. But if

0:53:54.000 --> 0:53:57.600
<v Speaker 1>it's real love, yes, you don't need They'll still be

0:53:57.640 --> 0:54:01.080
<v Speaker 1>there Like yeah, I mean, I would never never advise

0:54:02.239 --> 0:54:04.640
<v Speaker 1>to eighteen year olds to make a decision about college

0:54:04.640 --> 0:54:06.520
<v Speaker 1>based on each other. I would never advise that no

0:54:06.520 --> 0:54:09.080
<v Speaker 1>matter who you are, no matter what schools you're contemplating,

0:54:09.239 --> 0:54:11.400
<v Speaker 1>I would always no matter the history of the relationship,

0:54:11.400 --> 0:54:14.000
<v Speaker 1>I would always say, you know what, at this age,

0:54:14.360 --> 0:54:17.960
<v Speaker 1>at eighteen, you don't know, like that's just the reality,

0:54:18.040 --> 0:54:20.799
<v Speaker 1>Like you feel these things and it's really important, and

0:54:20.840 --> 0:54:23.440
<v Speaker 1>like maybe this relationship will last forever, but you probably

0:54:23.480 --> 0:54:26.600
<v Speaker 1>shouldn't make decisions based on each and you know because

0:54:26.640 --> 0:54:29.360
<v Speaker 1>at that age, what do you like, it's hard to

0:54:29.400 --> 0:54:31.239
<v Speaker 1>plan ahead, Like it's hard to think of like you

0:54:31.239 --> 0:54:33.880
<v Speaker 1>don't want to do the kind of work, or like

0:54:33.960 --> 0:54:36.560
<v Speaker 1>it's all you know, so you need adults to say

0:54:36.560 --> 0:54:38.440
<v Speaker 1>to you, Hey, plant seeds now that are going to

0:54:38.480 --> 0:54:40.920
<v Speaker 1>pay off later, and the seeds that are probably going

0:54:40.960 --> 0:54:42.799
<v Speaker 1>to pay off more. Is a great degree from this

0:54:42.920 --> 0:54:45.359
<v Speaker 1>amazing school, like that's probably going to pay off more

0:54:45.400 --> 0:54:48.120
<v Speaker 1>than what planting the marriage seed like that may also

0:54:48.160 --> 0:54:50.080
<v Speaker 1>pay off. But why is it, you know, why are

0:54:50.080 --> 0:54:52.520
<v Speaker 1>they even in opposition rightever? But exactly, I just but

0:54:52.560 --> 0:54:55.480
<v Speaker 1>I would never even yeah, I mean, I can't think

0:54:55.520 --> 0:54:57.719
<v Speaker 1>of a single relationship I knew where they made the

0:54:57.719 --> 0:55:00.279
<v Speaker 1>decision to go to college based on each other. There

0:55:00.560 --> 0:55:03.200
<v Speaker 1>where they stay together, yes, or you know like that

0:55:03.400 --> 0:55:07.120
<v Speaker 1>never people you know decide to apply the same school and.

0:55:07.360 --> 0:55:10.759
<v Speaker 3>See me to ask her what what would be a

0:55:10.800 --> 0:55:13.720
<v Speaker 3>good reason for not going, and for her to say,

0:55:13.800 --> 0:55:16.080
<v Speaker 3>I don't want to be away from Corey and to

0:55:16.120 --> 0:55:18.919
<v Speaker 3>have another adult say then Corey can go with you

0:55:19.640 --> 0:55:22.040
<v Speaker 3>even like which still wouldn't be the best advice, because

0:55:22.040 --> 0:55:23.719
<v Speaker 3>it should be you guys can should go to the

0:55:23.719 --> 0:55:29.360
<v Speaker 3>colleges you're going to, and you know whatever, But even

0:55:29.440 --> 0:55:31.799
<v Speaker 3>just to hear it be said that, like you, you

0:55:31.840 --> 0:55:34.719
<v Speaker 3>can still prioritize yourself. It doesn't have to be you

0:55:34.920 --> 0:55:39.680
<v Speaker 3>sacrificing yourself. Someone else could sacrifice, or neither of you sacrifice.

0:55:39.719 --> 0:55:42.240
<v Speaker 3>You both sacrifice by having to travel back and forth.

0:55:42.520 --> 0:55:45.160
<v Speaker 3>But we never even get to have that conversation because

0:55:45.160 --> 0:55:47.880
<v Speaker 3>it is so hands off. We need to get to

0:55:47.920 --> 0:55:48.759
<v Speaker 3>this cliffhanger.

0:55:48.920 --> 0:55:50.399
<v Speaker 4>I know, but I would love to if it's something

0:55:50.440 --> 0:55:52.960
<v Speaker 4>along the lines of if you love something, said it free,

0:55:53.040 --> 0:55:54.839
<v Speaker 4>you know that's it's there's a reason.

0:55:54.840 --> 0:55:57.759
<v Speaker 2>It's an old adage, so you know it's yeah, so yeah.

0:55:57.800 --> 0:56:01.000
<v Speaker 3>And that's when a grappling hook shoots into his open window.

0:56:01.080 --> 0:56:04.120
<v Speaker 3>Phoenie and to Panga are startled when Navy seal Eric

0:56:04.160 --> 0:56:07.840
<v Speaker 3>appears and climbs through the windowsill. Eric removes his goggles

0:56:07.840 --> 0:56:11.799
<v Speaker 3>and commands, Phoenie, you're not retiring. You're not going anywhere.

0:56:12.280 --> 0:56:15.720
<v Speaker 3>Phoeni notes, however, I must learn to close my window.

0:56:15.920 --> 0:56:17.759
<v Speaker 2>Did you see her tight? The thing is like my

0:56:18.120 --> 0:56:22.040
<v Speaker 2>face is just this little squish whish. You're not going anywhere, Phoenie.

0:56:23.600 --> 0:56:25.399
<v Speaker 3>It adds to the funny, that's for sure.

0:56:25.480 --> 0:56:25.839
<v Speaker 1>It does.

0:56:26.440 --> 0:56:28.600
<v Speaker 3>Eric demands, you are going to live in that house

0:56:28.680 --> 0:56:31.920
<v Speaker 3>next to my parents until you die or until I die,

0:56:32.120 --> 0:56:36.160
<v Speaker 3>whichever one comes first, although it probably be you because

0:56:36.200 --> 0:56:40.880
<v Speaker 3>you're like, what eighty, This dark humor is very funny.

0:56:41.800 --> 0:56:45.040
<v Speaker 3>Phoenie yells at him get out. Eric immediately responds okay.

0:56:45.239 --> 0:56:47.640
<v Speaker 3>He gives Topanga a quick high before leaving.

0:56:48.040 --> 0:56:49.560
<v Speaker 2>It's Eric Hotchega.

0:56:50.200 --> 0:56:52.520
<v Speaker 3>Eric makes his way out the window while attempting to

0:56:52.520 --> 0:56:54.600
<v Speaker 3>get his gear in order, and that's when he falls

0:56:54.600 --> 0:56:58.240
<v Speaker 3>off the windowsill and screams. On the way down. Phoene

0:56:58.280 --> 0:57:00.919
<v Speaker 3>shakes his head in disbelief and Will, You're exactly right.

0:57:01.000 --> 0:57:03.319
<v Speaker 3>I think Bill put his head down and covered his

0:57:03.360 --> 0:57:05.840
<v Speaker 3>face because he was actually laughing.

0:57:06.040 --> 0:57:08.279
<v Speaker 4>I couldn't believe it because I know I ad lib

0:57:08.360 --> 0:57:10.759
<v Speaker 4>that and I just did it one take and when

0:57:10.760 --> 0:57:12.880
<v Speaker 4>I actually because I'm not sure I probably saw it

0:57:12.880 --> 0:57:15.279
<v Speaker 4>when it came out, but watching it again last night, I.

0:57:15.200 --> 0:57:17.960
<v Speaker 1>Was like, oh my god, and you do that because

0:57:18.000 --> 0:57:19.640
<v Speaker 1>that's only like two feet off the ground, so you

0:57:19.640 --> 0:57:21.480
<v Speaker 1>had to like pretend to fall and then duck.

0:57:22.360 --> 0:57:23.880
<v Speaker 2>Yeah, like basically flat you can see.

0:57:24.000 --> 0:57:25.760
<v Speaker 1>I love that scream that you give. That is like

0:57:26.200 --> 0:57:28.400
<v Speaker 1>the ultimate, But no, can you do it?

0:57:28.400 --> 0:57:28.560
<v Speaker 4>Will?

0:57:28.600 --> 0:57:31.640
<v Speaker 2>It's like I don't even remember what I did there.

0:57:31.680 --> 0:57:34.520
<v Speaker 1>It is, Yeah, you just know the tone that like says,

0:57:34.840 --> 0:57:36.920
<v Speaker 1>this isn't a real scream, this is a comedy scream.

0:57:36.960 --> 0:57:39.680
<v Speaker 1>It's okay to laugh at my predicament. It's like it's

0:57:39.680 --> 0:57:44.000
<v Speaker 1>a very you know, it's a fine it's a fine point. Yes,

0:57:44.080 --> 0:57:46.560
<v Speaker 1>but like it makes it okay, you know, like it's

0:57:46.800 --> 0:57:47.600
<v Speaker 1>so funny.

0:57:47.800 --> 0:57:50.800
<v Speaker 2>I loved that. I remember doing that scene with him

0:57:50.920 --> 0:57:53.560
<v Speaker 2>is just every time working with Bill was just the best.

0:57:53.680 --> 0:57:54.800
<v Speaker 1>Really. Yeah.

0:57:55.200 --> 0:57:57.520
<v Speaker 3>Well, then we're in Phoene's classroom. Phoene's at his desk

0:57:57.520 --> 0:58:00.160
<v Speaker 3>addressing the seniors for the last time. The bell is

0:58:00.200 --> 0:58:02.320
<v Speaker 3>about to ring. In a few minutes, you'll be flying

0:58:02.360 --> 0:58:04.320
<v Speaker 3>out of here like your pants were on fire. But

0:58:04.600 --> 0:58:07.040
<v Speaker 3>since this is our last class together, I just want

0:58:07.080 --> 0:58:10.160
<v Speaker 3>to say. And then the school bell rings and almost

0:58:10.280 --> 0:58:12.920
<v Speaker 3>every student runs out before their teacher can finish his speech,

0:58:13.080 --> 0:58:15.320
<v Speaker 3>except the stars of the show, the.

0:58:15.320 --> 0:58:19.440
<v Speaker 4>Three characters Angela's god Angela bolted.

0:58:19.600 --> 0:58:22.440
<v Speaker 1>Yeah. Yeah, it was weird to see this. It was like, oh,

0:58:22.480 --> 0:58:24.800
<v Speaker 1>this is the final scene of the show. You know,

0:58:25.240 --> 0:58:28.440
<v Speaker 1>it's basically, Oh, it's a dress rehearsal for the goodbye

0:58:28.440 --> 0:58:30.920
<v Speaker 1>that we have at the end. I never remembered this

0:58:31.440 --> 0:58:33.360
<v Speaker 1>that we'd already kind of done it right where it's

0:58:33.360 --> 0:58:37.160
<v Speaker 1>like basically tell us about you know, yeahbye.

0:58:37.200 --> 0:58:39.560
<v Speaker 2>We had to have known by this point we were

0:58:39.560 --> 0:58:40.640
<v Speaker 2>picked up, right, I mean we.

0:58:40.640 --> 0:58:44.200
<v Speaker 1>Had to oft yeah, to leave it on a cliffhanger.

0:58:44.480 --> 0:58:45.320
<v Speaker 1>I feel that.

0:58:45.160 --> 0:58:47.680
<v Speaker 4>Big a cliffhanger. Whether or not they're going to get married,

0:58:47.720 --> 0:58:50.080
<v Speaker 4>there's no way they story.

0:58:50.840 --> 0:58:52.640
<v Speaker 1>The story that Michael always tells is that they put

0:58:52.640 --> 0:58:54.920
<v Speaker 1>it to the internet right right, whether they should get

0:58:54.960 --> 0:58:58.120
<v Speaker 1>married or not. Was that during this season or was

0:58:58.160 --> 0:58:58.920
<v Speaker 1>that next season?

0:59:00.040 --> 0:59:01.680
<v Speaker 3>It's after this episode airs?

0:59:01.840 --> 0:59:03.240
<v Speaker 1>It is it after?

0:59:04.880 --> 0:59:07.080
<v Speaker 2>They wouldn't want to ruin They didn't want to ruin

0:59:07.120 --> 0:59:07.640
<v Speaker 2>the surprise.

0:59:07.760 --> 0:59:09.800
<v Speaker 3>It was. I think they had it ready to go

0:59:10.640 --> 0:59:13.840
<v Speaker 3>the website, so that during this summer while everyone was

0:59:13.880 --> 0:59:17.080
<v Speaker 3>wondering what's going to be the answer, it was do

0:59:17.240 --> 0:59:17.640
<v Speaker 3>a poll.

0:59:18.520 --> 0:59:21.560
<v Speaker 1>But Michael presents it as the network didn't want them

0:59:21.560 --> 0:59:22.080
<v Speaker 1>to get married?

0:59:22.120 --> 0:59:24.360
<v Speaker 3>Correct what he wanted his answer to He.

0:59:24.360 --> 0:59:26.600
<v Speaker 1>Was pushing back and saying, no, the audience is going

0:59:26.680 --> 0:59:27.160
<v Speaker 1>to want this.

0:59:27.920 --> 0:59:29.760
<v Speaker 4>Did either of you ever go look at the website?

0:59:29.760 --> 0:59:31.600
<v Speaker 4>I didn't know there was website till years later. Did

0:59:31.640 --> 0:59:33.400
<v Speaker 4>anybody actually go on and check it out?

0:59:34.760 --> 0:59:35.000
<v Speaker 2>No?

0:59:35.280 --> 0:59:37.640
<v Speaker 1>I'm not one hundred percent sure of the veracity of

0:59:37.640 --> 0:59:38.440
<v Speaker 1>this entire story.

0:59:38.480 --> 0:59:40.800
<v Speaker 3>Oh it did. It did exist. The website did exist.

0:59:40.840 --> 0:59:43.959
<v Speaker 3>We've gotten many letters from people who u and people

0:59:44.040 --> 0:59:47.120
<v Speaker 3>have recently founded on Time capsule. It still exists. Okay,

0:59:47.160 --> 0:59:49.400
<v Speaker 3>so that is true, and I don't remember it.

0:59:49.440 --> 0:59:50.480
<v Speaker 2>I didn't remember see it.

0:59:50.520 --> 0:59:53.120
<v Speaker 3>I remember seeing it back in the day when it did. Yes,

0:59:53.160 --> 0:59:56.080
<v Speaker 3>I did see it. They had a big it was

0:59:56.120 --> 0:59:59.160
<v Speaker 3>a real fancy website too, for the wedding, announcing the wedding,

0:59:59.280 --> 1:00:01.439
<v Speaker 3>and the bite was on it and the date.

1:00:02.680 --> 1:00:04.480
<v Speaker 4>I don't think I went online into like two thousand

1:00:04.520 --> 1:00:06.280
<v Speaker 4>and eight for like the first time ever.

1:00:06.640 --> 1:00:07.520
<v Speaker 2>This is amazing.

1:00:08.240 --> 1:00:12.280
<v Speaker 3>Yeah to Pega, Corey and Sean Stacey did. Phoene admits,

1:00:12.480 --> 1:00:14.720
<v Speaker 3>usually I time it better than that. He reminds the

1:00:14.760 --> 1:00:16.600
<v Speaker 3>three students that the bell rang, and he gives them

1:00:16.640 --> 1:00:19.200
<v Speaker 3>a little wave goodbye. Corey says, we want to hear

1:00:19.240 --> 1:00:21.880
<v Speaker 3>what you have to say. To Panga nods, We've got time.

1:00:22.400 --> 1:00:25.720
<v Speaker 3>Phoene surprised, Oh well, I was just going to say

1:00:25.720 --> 1:00:28.640
<v Speaker 3>good luck. The truth is I'm not very good at

1:00:28.680 --> 1:00:31.040
<v Speaker 3>saying goodbye. And you know who else is not very

1:00:31.040 --> 1:00:35.240
<v Speaker 3>good at saying goodbye? Are Wesley Staples? Oh yes, yeah,

1:00:35.240 --> 1:00:37.720
<v Speaker 3>he really isn't. He doesn't like it. He gets very

1:00:37.720 --> 1:00:41.080
<v Speaker 3>he always will sneak out. He is. This is a

1:00:41.240 --> 1:00:46.120
<v Speaker 3>very taken directly from Wesley Staples. It's very hard for

1:00:46.200 --> 1:00:48.840
<v Speaker 3>him to say goodbye. So this it makes me tiery

1:00:48.880 --> 1:00:52.160
<v Speaker 3>thinking about it, because I've had exactly this moment with Wesley,

1:00:52.200 --> 1:00:54.439
<v Speaker 3>like Wesley, where did you go? And he's just said,

1:00:54.840 --> 1:00:56.840
<v Speaker 3>it's too much for me. I can't do it. It's just

1:00:56.840 --> 1:01:00.920
<v Speaker 3>too much. The audience lets out a big all, and Feenie,

1:01:01.000 --> 1:01:04.920
<v Speaker 3>who's been nervously fiddling with his hands, asks the three stragglers.

1:01:05.280 --> 1:01:08.040
<v Speaker 3>We're not gonna get all sappy, are we. Tapega breaks

1:01:08.040 --> 1:01:10.040
<v Speaker 3>the tension. We want to know if your decision to

1:01:10.080 --> 1:01:12.960
<v Speaker 3>retire had anything to do with us. Corey admits, we

1:01:13.040 --> 1:01:14.880
<v Speaker 3>know we haven't made life that easy for you these

1:01:14.920 --> 1:01:17.280
<v Speaker 3>past couple of years, and Sean adds, I mean when

1:01:17.280 --> 1:01:20.200
<v Speaker 3>you think about all the stupid stuff we pulled. Corey concludes,

1:01:20.360 --> 1:01:23.439
<v Speaker 3>you have to be leaving because of us. Peene nods, well,

1:01:24.080 --> 1:01:27.040
<v Speaker 3>I am, but not because of what you've done to me.

1:01:27.600 --> 1:01:30.480
<v Speaker 3>It's what you've done for me. Sean shakes his head.

1:01:30.640 --> 1:01:34.320
<v Speaker 3>We haven't done anything for you. Phoene disagrees. You three

1:01:34.400 --> 1:01:37.120
<v Speaker 3>have given me more gratification in the past four years

1:01:37.240 --> 1:01:40.760
<v Speaker 3>than I ever dreamed possible. You must know that, Corey

1:01:40.800 --> 1:01:44.080
<v Speaker 3>reminds him, but you always complained about how difficult we are.

1:01:44.400 --> 1:01:47.920
<v Speaker 3>Feeney admits, well, you are. But sometimes the things you

1:01:47.960 --> 1:01:51.080
<v Speaker 3>complain about most are the things you care the most about.

1:01:51.600 --> 1:01:54.760
<v Speaker 3>Unfortunately we don't always know that until it's too late.

1:01:55.520 --> 1:02:00.200
<v Speaker 3>He asks Sean, by the way, how's that paper coming on?

1:02:00.280 --> 1:02:04.439
<v Speaker 3>Stares up at Feenie, his eyes watery. Great phoene scene,

1:02:04.560 --> 1:02:06.000
<v Speaker 3>Such a beautiful scene.

1:02:06.520 --> 1:02:09.200
<v Speaker 4>Great Phoenie scene. Just it's so comforting to see again.

1:02:09.240 --> 1:02:12.320
<v Speaker 4>It really is just him in front of the classroom teaching.

1:02:12.520 --> 1:02:13.760
<v Speaker 2>It's I love it.

1:02:13.960 --> 1:02:18.040
<v Speaker 1>We also just resisting emotion, right than watching somebody who

1:02:18.040 --> 1:02:20.600
<v Speaker 1>you like. You just want Phoenie to say I love you,

1:02:20.640 --> 1:02:22.880
<v Speaker 1>I'm going to miss you and do it. But he's

1:02:22.960 --> 1:02:24.800
<v Speaker 1>not doing good.

1:02:25.360 --> 1:02:40.440
<v Speaker 3>You know what it all means. That is great. And

1:02:40.480 --> 1:02:42.920
<v Speaker 3>then we're in John Adams Outside in the hallway, a

1:02:43.040 --> 1:02:45.760
<v Speaker 3>pensive Sean is sitting on the steps, looking around at

1:02:45.760 --> 1:02:48.800
<v Speaker 3>the school he's known for so long. We hear applause

1:02:48.800 --> 1:02:50.960
<v Speaker 3>in the distance, which totally through.

1:02:50.960 --> 1:02:52.440
<v Speaker 1>I know through me too. I was like, why are

1:02:52.480 --> 1:02:53.040
<v Speaker 1>we applauding?

1:02:56.080 --> 1:03:01.160
<v Speaker 3>Then we fade into the graduation ceremony. Feeneye welcomes everyone

1:03:01.200 --> 1:03:04.240
<v Speaker 3>to the graduation ceremony for the class of nineteen ninety eight.

1:03:04.600 --> 1:03:07.280
<v Speaker 3>We see Alan, Amy Morgan and Jacker in the audience,

1:03:07.280 --> 1:03:10.320
<v Speaker 3>and we also see our real life set teachers on stage,

1:03:10.400 --> 1:03:14.720
<v Speaker 3>Wesley Staples, the very missed David Combs, and the third

1:03:14.760 --> 1:03:18.400
<v Speaker 3>teacher next to David is Miriam Richards. It was Matthew

1:03:18.480 --> 1:03:23.560
<v Speaker 3>Lawrence's teacher. Yep, do we you guys remember what it

1:03:23.600 --> 1:03:25.600
<v Speaker 3>was like having them in the scene. I remember knowing

1:03:25.640 --> 1:03:27.040
<v Speaker 3>they were going to be a part of it and

1:03:27.080 --> 1:03:30.560
<v Speaker 3>it being very meaningful and feeling really good that they

1:03:30.600 --> 1:03:30.919
<v Speaker 3>were there.

1:03:31.160 --> 1:03:33.840
<v Speaker 4>It was cool because that's I got to drape myself

1:03:33.880 --> 1:03:34.440
<v Speaker 4>across them.

1:03:34.680 --> 1:03:37.360
<v Speaker 2>Yeah, so that was the fun part. I remember them

1:03:37.360 --> 1:03:38.600
<v Speaker 2>all like, we could just push you off, we could

1:03:38.600 --> 1:03:40.080
<v Speaker 2>push all the wage right now.

1:03:40.400 --> 1:03:45.680
<v Speaker 3>Very good actors. They they're very present, present, They're great.

1:03:46.120 --> 1:03:49.600
<v Speaker 3>So Phoene shouts, congratulations, we did it. The students hoot

1:03:49.680 --> 1:03:53.040
<v Speaker 3>and holler. Phoene says, it's time to introduce the valedictorian,

1:03:53.280 --> 1:03:58.200
<v Speaker 3>a student who exemplifies academic excellence as well as extracurricular achievement.

1:03:58.920 --> 1:04:01.120
<v Speaker 3>What's her extra curriculs achievement? Hanging out with.

1:04:01.040 --> 1:04:04.840
<v Speaker 4>Corey, hanging out with court Virginity and you're part of

1:04:04.840 --> 1:04:06.880
<v Speaker 4>the Virginity club, right, okay?

1:04:06.920 --> 1:04:08.320
<v Speaker 3>And social conscience?

1:04:08.840 --> 1:04:12.200
<v Speaker 1>Did this? Did this set design really bumped me.

1:04:12.080 --> 1:04:14.240
<v Speaker 3>I mean, the fact that there are more students on

1:04:14.360 --> 1:04:17.000
<v Speaker 3>stage graduating than there are people in the audience.

1:04:16.640 --> 1:04:18.960
<v Speaker 1>Watching, just and every shot of the audience watching is

1:04:19.000 --> 1:04:21.320
<v Speaker 1>so awkward, like and it's just like going from left

1:04:21.360 --> 1:04:24.880
<v Speaker 1>to it just doesn't It's like the camera's too close

1:04:24.960 --> 1:04:26.959
<v Speaker 1>to each side and you never get the whole room.

1:04:27.160 --> 1:04:29.920
<v Speaker 1>Like it's just it's I don't know why we couldn't

1:04:29.960 --> 1:04:32.000
<v Speaker 1>figure this out a little bit better, Like, come on,

1:04:32.160 --> 1:04:35.600
<v Speaker 1>let's let's either just do the whole audience separate, like

1:04:35.640 --> 1:04:37.720
<v Speaker 1>on a different set, you know, and shoot because I

1:04:38.000 --> 1:04:40.200
<v Speaker 1>but trying to like have it side by side with

1:04:40.280 --> 1:04:42.760
<v Speaker 1>the podium like in the middle of a triangle shape

1:04:42.840 --> 1:04:44.080
<v Speaker 1>is just I don't know. Man.

1:04:44.360 --> 1:04:47.000
<v Speaker 4>This is also our last Alan Myerson episode ever because

1:04:47.120 --> 1:04:48.680
<v Speaker 4>he was only there for season five. Right.

1:04:48.680 --> 1:04:50.360
<v Speaker 2>Did he say goodbye to us at the end of.

1:04:50.280 --> 1:04:53.000
<v Speaker 4>This episode, like literally walked down the line and said

1:04:53.000 --> 1:04:53.840
<v Speaker 4>goodbye to us, and then.

1:04:53.840 --> 1:04:56.560
<v Speaker 2>That was goodbye. He stopped at me.

1:04:56.640 --> 1:04:57.920
<v Speaker 4>Well, no, he said some very nice things to me,

1:04:57.920 --> 1:04:59.400
<v Speaker 4>and I think some nice things to Rider and then

1:04:59.400 --> 1:05:00.000
<v Speaker 4>some other people's.

1:05:00.120 --> 1:05:03.480
<v Speaker 1>He gave me two bags of tapes too, like like

1:05:03.600 --> 1:05:06.440
<v Speaker 1>shopping bags full of mixtapes and jazz tapes that he

1:05:06.440 --> 1:05:07.880
<v Speaker 1>had given me. He was really trying to get me

1:05:07.880 --> 1:05:08.400
<v Speaker 1>into jazz.

1:05:08.600 --> 1:05:12.560
<v Speaker 4>It was one of my first didn't work did. He

1:05:12.600 --> 1:05:14.200
<v Speaker 4>just told me, it's like you gotta we got to

1:05:14.200 --> 1:05:15.760
<v Speaker 4>do a movie together because I was like, I'd love to.

1:05:15.800 --> 1:05:16.880
<v Speaker 4>He's like, great, then you would go on to the

1:05:16.920 --> 1:05:19.240
<v Speaker 4>next person. Yeah bye, yeah, but like he was over

1:05:19.280 --> 1:05:20.120
<v Speaker 4>it by the by.

1:05:20.000 --> 1:05:23.160
<v Speaker 3>This point, I think Minkus pops up and bitterly explains

1:05:23.240 --> 1:05:26.120
<v Speaker 3>she got one more lousy a than I did. He's

1:05:26.160 --> 1:05:28.600
<v Speaker 3>pulled back down to his seat and Feenie introduces miss

1:05:28.680 --> 1:05:31.760
<v Speaker 3>to Panga Lawrence. She smiles at Corey as she approaches

1:05:31.800 --> 1:05:34.320
<v Speaker 3>the podium, and the audience applauds. Sean is clapping, but

1:05:34.360 --> 1:05:36.640
<v Speaker 3>he notices Corey isn't Corey is.

1:05:36.640 --> 1:05:39.800
<v Speaker 1>With my clapping, oh, because it's all fake everybody around

1:05:40.280 --> 1:05:43.800
<v Speaker 1>I know. But I'm like, I'm on care it's so awful,

1:05:43.840 --> 1:05:45.000
<v Speaker 1>Like it looks so weird.

1:05:45.160 --> 1:05:47.520
<v Speaker 2>I'm like everybody talking all the time.

1:05:48.040 --> 1:05:50.080
<v Speaker 3>I will say, I did not notice.

1:05:51.880 --> 1:05:54.400
<v Speaker 1>Everybody like what you were just doing will is better

1:05:54.440 --> 1:05:56.760
<v Speaker 1>because it was faster, like I'm doing like this slow Like.

1:05:56.680 --> 1:05:59.840
<v Speaker 2>There's like, what are you doing?

1:06:02.320 --> 1:06:05.280
<v Speaker 3>Corey explains, I can't. The closer we get to graduating,

1:06:05.320 --> 1:06:08.080
<v Speaker 3>the closer she gets to Yale on the mic, Topega

1:06:08.120 --> 1:06:11.040
<v Speaker 3>thanks mister Feenie and greets her classmates. I worked very

1:06:11.040 --> 1:06:13.920
<v Speaker 3>hard on the speech. However, I'm not going to give it.

1:06:14.360 --> 1:06:17.280
<v Speaker 3>And then we get a very sitcomments cutaway to audience members,

1:06:17.320 --> 1:06:20.600
<v Speaker 3>gasping because I know somebody who could give a much

1:06:20.640 --> 1:06:25.000
<v Speaker 3>better speech than I ever could. Ladies and gentlemen, I.

1:06:25.000 --> 1:06:28.360
<v Speaker 1>Don't why does Topanga sacrifice for Sean.

1:06:29.000 --> 1:06:33.120
<v Speaker 3>It doesn't, especially because this isn't a message to everyone,

1:06:33.280 --> 1:06:38.120
<v Speaker 3>It's a message to Angela, Topanga, Corey and Feenie.

1:06:40.160 --> 1:06:42.600
<v Speaker 1>So yeah, but it's also like, why does she believe

1:06:42.600 --> 1:06:45.080
<v Speaker 1>that Sean is going to have a better speech than her,

1:06:46.000 --> 1:06:46.680
<v Speaker 1>because you're.

1:06:46.480 --> 1:06:49.439
<v Speaker 3>Can assume that. Again, a thing we did not see

1:06:49.480 --> 1:06:52.760
<v Speaker 3>on camera but is only alluded to here is because

1:06:52.760 --> 1:06:54.920
<v Speaker 3>Sean and Topanga have spoken.

1:06:54.960 --> 1:06:56.920
<v Speaker 2>And they read because he said I read her speech,

1:06:56.960 --> 1:06:57.400
<v Speaker 2>and I.

1:06:57.360 --> 1:07:01.400
<v Speaker 3>Read her speech exactly, so we have communicated. Yeah, and

1:07:01.520 --> 1:07:05.800
<v Speaker 3>you maybe have asked me, I have real I would

1:07:05.840 --> 1:07:08.880
<v Speaker 3>like to give the speech. It's gonna be my final paper,

1:07:09.840 --> 1:07:13.880
<v Speaker 3>and I have said, yes, you deserve.

1:07:13.960 --> 1:07:16.880
<v Speaker 4>You graduated with a one point too. You barely got out.

1:07:17.080 --> 1:07:18.520
<v Speaker 4>You're right, take the Valedictoria.

1:07:18.600 --> 1:07:20.000
<v Speaker 3>Take the valedictorian speech.

1:07:22.080 --> 1:07:27.520
<v Speaker 1>Isol be your girlfriend. You got kidnapped by those other girls.

1:07:27.560 --> 1:07:33.560
<v Speaker 1>You your experience, read the one that you are the

1:07:33.600 --> 1:07:36.720
<v Speaker 1>one that But that's what I'm like, Okay, I guess

1:07:36.760 --> 1:07:39.440
<v Speaker 1>even in this off camera Scete'm imagining she read Sewan's

1:07:39.480 --> 1:07:41.760
<v Speaker 1>paper and was like, this is a better speech to

1:07:41.800 --> 1:07:43.600
<v Speaker 1>what I would say. Well, and that's where I'm like,

1:07:43.640 --> 1:07:44.520
<v Speaker 1>what does Sean say?

1:07:44.520 --> 1:07:48.360
<v Speaker 3>That's really no, I'll be honest, it's not better, But

1:07:48.760 --> 1:07:50.479
<v Speaker 3>I'm going to go out on a limb and say

1:07:51.040 --> 1:07:54.920
<v Speaker 3>to Panga doesn't actually read his speech. She shows her

1:07:54.960 --> 1:08:00.120
<v Speaker 3>speech to Sean, and Sean says, I have something i

1:08:00.120 --> 1:08:01.240
<v Speaker 3>I'd like to share.

1:08:01.520 --> 1:08:03.200
<v Speaker 1>Can you step aside?

1:08:03.760 --> 1:08:06.880
<v Speaker 3>Step aside for me and Topanga Without even saying we'll

1:08:06.960 --> 1:08:10.160
<v Speaker 3>let me compare, because Topanga wouldn't do that, she just says,

1:08:10.480 --> 1:08:13.000
<v Speaker 3>I'm a woman. I automatically.

1:08:14.000 --> 1:08:16.280
<v Speaker 2>Woman, I'm a woman, And before.

1:08:16.000 --> 1:08:18.200
<v Speaker 3>You go, will you explain starry Night to me?

1:08:18.439 --> 1:08:18.759
<v Speaker 1>Please?

1:08:21.800 --> 1:08:24.240
<v Speaker 2>Pang is not yet, you can't do it.

1:08:24.320 --> 1:08:29.639
<v Speaker 4>Yeah, And it would have been such a wonderful wrap

1:08:29.720 --> 1:08:32.200
<v Speaker 4>up for Tapanga to go from that Phoenie scene to

1:08:32.320 --> 1:08:35.559
<v Speaker 4>then hearing her speech, you know, and that's kind of

1:08:35.600 --> 1:08:38.080
<v Speaker 4>where I wanted it to go. And I forgot that

1:08:38.880 --> 1:08:40.320
<v Speaker 4>Shawn's actually the one to give the speech.

1:08:40.320 --> 1:08:42.920
<v Speaker 2>I was like, oh, oh, I know, Oh, I just.

1:08:42.840 --> 1:08:46.440
<v Speaker 1>Wish that Seawn's speech was such a slam dunk a message.

1:08:46.640 --> 1:08:48.559
<v Speaker 1>It was like if Sean got up there and was like,

1:08:48.920 --> 1:08:51.599
<v Speaker 1>I'm not supposed to be giving this speech, but i

1:08:51.640 --> 1:08:55.280
<v Speaker 1>am because and then says something so poetic or so

1:08:55.439 --> 1:09:00.760
<v Speaker 1>beautiful and like describes something that everybody can relate to

1:09:00.840 --> 1:09:02.760
<v Speaker 1>in a way that you know, and like I'm not

1:09:02.760 --> 1:09:06.400
<v Speaker 1>the valedictorian because of this, but I am this and

1:09:06.479 --> 1:09:09.439
<v Speaker 1>this is what you are and that's an amazing you know,

1:09:09.479 --> 1:09:11.160
<v Speaker 1>I've changed it. Like we like we talked about like

1:09:11.360 --> 1:09:13.719
<v Speaker 1>I came from nothing. I came from a trailer park.

1:09:13.760 --> 1:09:16.200
<v Speaker 1>I have nothing, And because of this school I'm now

1:09:16.240 --> 1:09:18.000
<v Speaker 1>going to go on to because of.

1:09:17.960 --> 1:09:21.160
<v Speaker 3>These people who believe these people myself and now I've

1:09:21.160 --> 1:09:23.320
<v Speaker 3>gotten accepted into Penbrook and I'm not gonna make the

1:09:23.360 --> 1:09:26.120
<v Speaker 3>same mistakes here. I'm gonna you know, do better there

1:09:26.160 --> 1:09:26.519
<v Speaker 3>or whatever.

1:09:26.640 --> 1:09:29.439
<v Speaker 1>Right, And also so this is a message to other people.

1:09:29.439 --> 1:09:31.880
<v Speaker 1>Instead it just becomes a self indulgent, sentimental thing of

1:09:31.920 --> 1:09:34.599
<v Speaker 1>like I could have done better. I'm so sad. I'm

1:09:34.600 --> 1:09:38.840
<v Speaker 1>so sad, which is not motivating. No, No, it's just

1:09:38.880 --> 1:09:40.519
<v Speaker 1>like whoa, that's intense, you know.

1:09:42.200 --> 1:09:46.040
<v Speaker 2>Through like yeah I shouldn't. The writers just really really.

1:09:45.840 --> 1:09:49.320
<v Speaker 1>Liked me doing the like also like that Sean. They

1:09:49.360 --> 1:09:53.799
<v Speaker 1>just like Sean sad. They like like puppy dog sad Sean.

1:09:53.960 --> 1:09:55.920
<v Speaker 1>And so it's like they just kind of wrote that

1:09:56.640 --> 1:09:59.000
<v Speaker 1>and it's not this. I don't know, it's not as meaningful.

1:09:59.439 --> 1:10:02.160
<v Speaker 4>Yeah, because they he easily could have to Panga could

1:10:02.160 --> 1:10:04.120
<v Speaker 4>have given the speech and then walked back and they

1:10:04.120 --> 1:10:06.000
<v Speaker 4>still would have had the same ending that they had before.

1:10:06.160 --> 1:10:08.120
<v Speaker 2>I mean, that's not well, we needed to Panga be

1:10:08.120 --> 1:10:08.559
<v Speaker 2>sitting down.

1:10:08.600 --> 1:10:12.160
<v Speaker 4>Well, ten things happened between them and the proposal, so

1:10:12.160 --> 1:10:13.719
<v Speaker 4>she easily could have been back in her seat.

1:10:13.880 --> 1:10:16.120
<v Speaker 2>So yeah, it doesn't This was strange to me.

1:10:16.920 --> 1:10:20.759
<v Speaker 3>Ladies and gentlemen, My good friend Sean Hunter. Sean pulls

1:10:20.760 --> 1:10:23.080
<v Speaker 3>a letter out of his gown and grins at Corey, Hey,

1:10:23.200 --> 1:10:25.519
<v Speaker 3>you only go to high school. Once. He walks up

1:10:25.520 --> 1:10:27.320
<v Speaker 3>to the podium and gives to Panga a big hug.

1:10:27.640 --> 1:10:30.080
<v Speaker 3>He begins by thanking to Panga and revealing you know

1:10:30.360 --> 1:10:33.519
<v Speaker 3>I read her speech. It kicked butt. He continues. I

1:10:33.560 --> 1:10:36.840
<v Speaker 3>attended John Adams High School sporadically during the last four years.

1:10:36.920 --> 1:10:39.160
<v Speaker 3>I barely have a C average. That's why I'm here,

1:10:41.479 --> 1:10:43.960
<v Speaker 3>he explains it. When mister Feeney's very last assignment was

1:10:44.000 --> 1:10:46.040
<v Speaker 3>to write about his feelings this week, his reaction was

1:10:46.080 --> 1:10:48.040
<v Speaker 3>the same as always. I can't wait to get out

1:10:48.080 --> 1:10:50.800
<v Speaker 3>of here. In the stands to Panga tells Corey, I

1:10:50.840 --> 1:10:52.519
<v Speaker 3>know what I want to do with my life, but

1:10:52.640 --> 1:10:55.200
<v Speaker 3>Corey shushes her. Shawn is speaking in public. This will

1:10:55.200 --> 1:10:59.120
<v Speaker 3>never happen again in their lives. Sean continues, But now

1:10:59.200 --> 1:11:01.920
<v Speaker 3>high school is over, and just when I'm finally free,

1:11:02.000 --> 1:11:04.519
<v Speaker 3>I find myself sneaking back into this place and sitting

1:11:04.520 --> 1:11:06.479
<v Speaker 3>in the hall thinking about my friends and all the

1:11:06.479 --> 1:11:09.639
<v Speaker 3>time we spent there. He started thinking about mister Feenie too,

1:11:09.760 --> 1:11:12.439
<v Speaker 3>because he always told them what to do. Without telling

1:11:12.479 --> 1:11:15.400
<v Speaker 3>them what to do, You taught us about life. He

1:11:15.520 --> 1:11:17.719
<v Speaker 3>was thinking about how much this place has been his home,

1:11:18.040 --> 1:11:20.160
<v Speaker 3>how many times he screwed up while he was here,

1:11:20.720 --> 1:11:24.639
<v Speaker 3>how I could have done better. I could have done better, Yes,

1:11:24.880 --> 1:11:25.679
<v Speaker 3>start his papers.

1:11:25.920 --> 1:11:27.880
<v Speaker 1>I mean that's pretty it's actually it's pretty great. He

1:11:27.960 --> 1:11:30.960
<v Speaker 1>is direct to Feenie and admitting that I didn't. I

1:11:31.080 --> 1:11:35.000
<v Speaker 1>just want the resolve to be like, well, I could

1:11:35.000 --> 1:11:38.400
<v Speaker 1>have done better, and therefore I'm going to move forward. Yeah,

1:11:38.520 --> 1:11:42.280
<v Speaker 1>just that, it's just needs another thirty seconds of real

1:11:42.520 --> 1:11:47.840
<v Speaker 1>summation of yeah, but instead it's just emotional Sean.

1:11:48.040 --> 1:11:49.799
<v Speaker 3>He folds up his final paper.

1:11:50.240 --> 1:11:51.160
<v Speaker 2>That's what I wrote.

1:11:51.720 --> 1:11:56.759
<v Speaker 3>That's how I feel. I'm sorry I could have done better.

1:11:57.520 --> 1:12:00.840
<v Speaker 3>Congratulations to those of you who did.

1:12:01.640 --> 1:12:04.240
<v Speaker 2>In fact, devaledictorian should have given the speech right.

1:12:05.320 --> 1:12:07.799
<v Speaker 3>The audience applauds loudly for Sean, and as he returns

1:12:07.840 --> 1:12:12.280
<v Speaker 3>to his seat, Phoene, shit, exactly like that. Well, Phoene

1:12:12.280 --> 1:12:17.120
<v Speaker 3>shakes his hand. That was a fine paper. No one

1:12:17.280 --> 1:12:18.280
<v Speaker 3>could have done better.

1:12:18.560 --> 1:12:19.880
<v Speaker 1>I think probably could have.

1:12:21.120 --> 1:12:22.800
<v Speaker 4>I also think he called it fine for a reason.

1:12:22.840 --> 1:12:25.200
<v Speaker 4>That's what Susan say. Fine is the other F word.

1:12:26.840 --> 1:12:28.519
<v Speaker 2>How do you look? You look fine? Oh great, that's

1:12:28.520 --> 1:12:29.200
<v Speaker 2>the other word.

1:12:29.320 --> 1:12:33.120
<v Speaker 3>So yeah. Phoene retakes the podium and announces now I

1:12:33.160 --> 1:12:36.240
<v Speaker 3>would like to say something just then Eric shoots up

1:12:36.240 --> 1:12:40.160
<v Speaker 3>from the crowd and have graduates. No, you're not going anywhere.

1:12:40.520 --> 1:12:44.839
<v Speaker 3>Hi everybody, Hi, mom, Hi dad. Eric walks down the bleachers,

1:12:44.880 --> 1:12:49.479
<v Speaker 3>maneuvering through the students and wearing a very cool soon

1:12:49.720 --> 1:12:54.120
<v Speaker 3>right right, I me too, It's so cool.

1:12:54.280 --> 1:12:55.360
<v Speaker 2>Yeah, it looks pretty styling.

1:12:55.760 --> 1:12:59.000
<v Speaker 3>Hey, kids, congratulations. He lands at Phoene and grabs the mic.

1:12:59.080 --> 1:13:00.840
<v Speaker 3>As most of you already at the end of this

1:13:00.880 --> 1:13:03.639
<v Speaker 3>school year, mister Feenie will be retiring as a former

1:13:03.680 --> 1:13:06.040
<v Speaker 3>student at John Adams High. It made me real mad.

1:13:06.320 --> 1:13:10.280
<v Speaker 3>His voice deepens. Hello, I'm Eric Matthews. Phoene tries to

1:13:10.320 --> 1:13:13.200
<v Speaker 3>grab the microphone but is unsuccessful. Eric shouts back off.

1:13:13.240 --> 1:13:16.040
<v Speaker 3>Old Man Corey is concerned, but Eric assures him he

1:13:16.080 --> 1:13:19.200
<v Speaker 3>knows what he's doing. Eric says into the mic, mister Feenie,

1:13:19.360 --> 1:13:21.080
<v Speaker 3>I could tell you what I think about you, but

1:13:21.120 --> 1:13:22.960
<v Speaker 3>it would just come out a bunch of words, and

1:13:23.000 --> 1:13:24.960
<v Speaker 3>I know that nobody could say it better than a

1:13:25.000 --> 1:13:28.840
<v Speaker 3>little girl named Lulu. He ac cues the music and

1:13:28.880 --> 1:13:31.680
<v Speaker 3>grabs Pheeney's shoulders to sway him back and forth. We

1:13:31.720 --> 1:13:34.559
<v Speaker 3>see some of the students faces. They are confused, and

1:13:34.760 --> 1:13:38.519
<v Speaker 3>rightfully so. Eric begins to sing to Sir with love.

1:13:38.760 --> 1:13:41.400
<v Speaker 3>Phoene tries to escape, but Eric yanks him back into

1:13:41.400 --> 1:13:44.160
<v Speaker 3>his arms. In the audience, Alan whispers to his family,

1:13:44.240 --> 1:13:47.400
<v Speaker 3>come on, let's get out of here. Eric continues to sing,

1:13:47.400 --> 1:13:51.040
<v Speaker 3>not realizing his family is fleeing from embarrassment. Phoeney finally

1:13:51.040 --> 1:13:53.800
<v Speaker 3>breaks free from Eric's grasp and sits back down. Eric,

1:13:53.880 --> 1:13:56.280
<v Speaker 3>still singing, decides to lay across David and Wesley, who

1:13:56.360 --> 1:13:59.240
<v Speaker 3>are sitting right next to mister Feenie. His head lays

1:13:59.240 --> 1:14:01.640
<v Speaker 3>in poor Phoene's lap, who was just unsure what to

1:14:01.680 --> 1:14:02.320
<v Speaker 3>do now.

1:14:02.479 --> 1:14:06.120
<v Speaker 1>I remember correctly, will you like worked on this all

1:14:06.200 --> 1:14:08.120
<v Speaker 1>week with the song, and I remember you saying like

1:14:08.600 --> 1:14:11.800
<v Speaker 1>that in practice, you were singing it more straight like,

1:14:12.120 --> 1:14:14.599
<v Speaker 1>and then when you got out here, you just like went, well,

1:14:14.640 --> 1:14:15.000
<v Speaker 1>well yeah.

1:14:15.240 --> 1:14:16.000
<v Speaker 2>Michael came up.

1:14:15.880 --> 1:14:17.240
<v Speaker 4>To me, He's like, hey, I need to talk to you.

1:14:17.240 --> 1:14:19.760
<v Speaker 4>You singing this week? I went like, what is you

1:14:19.840 --> 1:14:23.160
<v Speaker 4>singing this week? We got you with a professional coach, right,

1:14:23.280 --> 1:14:26.200
<v Speaker 4>And so for a week, for like two hours a day,

1:14:26.360 --> 1:14:28.720
<v Speaker 4>I went and was learning to with the guy on

1:14:28.760 --> 1:14:31.439
<v Speaker 4>the piano, like learning to sing to serve with love,

1:14:31.520 --> 1:14:33.640
<v Speaker 4>really heartfelt, and in my head the whole time, I

1:14:33.720 --> 1:14:35.840
<v Speaker 4>was like, this isn't how I'm gonna do it right,

1:14:35.920 --> 1:14:39.479
<v Speaker 4>This is a joke, Like I'm not going to actually

1:14:39.479 --> 1:14:42.160
<v Speaker 4>get out there and serenade him. I've got to Eric

1:14:42.280 --> 1:14:45.720
<v Speaker 4>serenade him, and so yeah, it was strange to like

1:14:45.840 --> 1:14:47.200
<v Speaker 4>have to work on it a note, you gotta hit

1:14:47.200 --> 1:14:48.880
<v Speaker 4>this note, and we got to do and it was

1:14:49.400 --> 1:14:51.120
<v Speaker 4>it was a fun way for like to have the

1:14:51.160 --> 1:14:53.719
<v Speaker 4>vocal practice, to be honest with you, but it had.

1:14:53.560 --> 1:14:55.760
<v Speaker 2>Nothing to do with the final performance.

1:14:55.840 --> 1:14:58.920
<v Speaker 3>Yeah, it's so funny to me because obviously we've had

1:14:59.000 --> 1:15:03.680
<v Speaker 3>another of heartfelt, sentimental little moment here where Sean has

1:15:03.800 --> 1:15:05.880
<v Speaker 3>kind of brought the mood down with his I could

1:15:05.920 --> 1:15:09.639
<v Speaker 3>have done better thing, and we desperately need the comedic relief.

1:15:10.000 --> 1:15:15.400
<v Speaker 3>But I so loved the sentimental ending between Eric and

1:15:15.439 --> 1:15:17.760
<v Speaker 3>Feenie of last week where you said, if I'm really

1:15:17.800 --> 1:15:21.920
<v Speaker 3>really quiet, will you stay? And then this song, which

1:15:21.960 --> 1:15:25.240
<v Speaker 3>is a very funny moment, but it goes on for

1:15:25.320 --> 1:15:28.760
<v Speaker 3>a little too long, the whole song, Yes, the whole thing,

1:15:29.320 --> 1:15:33.559
<v Speaker 3>and yeah, I don't know, I feel it. So it

1:15:33.600 --> 1:15:35.600
<v Speaker 3>was so funny. It would have been so funny for

1:15:35.720 --> 1:15:38.400
<v Speaker 3>like a few seconds, and then when he breaks away,

1:15:38.600 --> 1:15:39.960
<v Speaker 3>something else has to happen, but.

1:15:40.120 --> 1:15:42.120
<v Speaker 2>He cut it off. I agree, Yeah, it was it

1:15:42.160 --> 1:15:42.880
<v Speaker 2>went on too long.

1:15:43.320 --> 1:15:46.640
<v Speaker 3>Meanwhile, Franky and Joey are there and they love the performance.

1:15:47.000 --> 1:15:49.719
<v Speaker 3>Eric's rendition is becoming more and more passionate, until Feeni

1:15:49.840 --> 1:15:51.759
<v Speaker 3>has had enough and he pushes him to the ground.

1:15:52.160 --> 1:15:54.200
<v Speaker 3>Eric is determined to finish and he jumps up for

1:15:54.240 --> 1:15:57.439
<v Speaker 3>a big finale. Corey, Sean and Tapanga look on in

1:15:57.520 --> 1:15:59.080
<v Speaker 3>horror of our mouths.

1:15:59.120 --> 1:16:02.880
<v Speaker 4>Again, those are that one reaction shot was hysterical.

1:16:02.400 --> 1:16:03.720
<v Speaker 3>I know, with all three of us make it in

1:16:03.760 --> 1:16:06.880
<v Speaker 3>the same pace. And then we transition into later At

1:16:06.880 --> 1:16:10.200
<v Speaker 3>the graduation ceremony, Foene is proudly handing a diploma to

1:16:10.240 --> 1:16:10.800
<v Speaker 3>Seawan Hunter.

1:16:10.960 --> 1:16:11.800
<v Speaker 2>Do you remember this?

1:16:12.200 --> 1:16:14.240
<v Speaker 4>Do you remember what we were doing the entire time

1:16:14.320 --> 1:16:17.559
<v Speaker 4>during rehearsal, which was just so fun?

1:16:18.000 --> 1:16:20.920
<v Speaker 1>That's right, we would not god, So, yeah, so there was.

1:16:20.960 --> 1:16:22.919
<v Speaker 2>It was for the whole week of rehearsal.

1:16:22.920 --> 1:16:25.919
<v Speaker 4>It was usually just Mattie and I sitting in the audience,

1:16:26.720 --> 1:16:28.720
<v Speaker 4>and then it was matt and then Rusty came in

1:16:28.760 --> 1:16:30.240
<v Speaker 4>and the family came in. And so what we were

1:16:30.280 --> 1:16:33.519
<v Speaker 4>doing what we went to during rehearsal and for run throughs,

1:16:33.680 --> 1:16:36.800
<v Speaker 4>is that every time Bill would say somebody's name like

1:16:36.880 --> 1:16:41.880
<v Speaker 4>and Shawn Hunter, screaming, clapping, going nuts like we're the

1:16:41.880 --> 1:16:45.839
<v Speaker 4>whole audience yeah, yeah, he got to court Corey Matthews,

1:16:46.200 --> 1:16:47.040
<v Speaker 4>dead silence.

1:16:47.960 --> 1:16:50.280
<v Speaker 2>Nobody made a sound, and so we were doing it

1:16:50.320 --> 1:16:54.840
<v Speaker 2>for he was walking.

1:16:55.280 --> 1:16:59.479
<v Speaker 4>Guys were having so much to the point we were

1:16:59.520 --> 1:17:00.000
<v Speaker 4>doing it again.

1:17:00.080 --> 1:17:05.640
<v Speaker 1>I remember looking angry and quiet, trying to smile.

1:17:06.320 --> 1:17:10.839
<v Speaker 4>Because we're just going Angela who pangers Corey Matthews.

1:17:15.120 --> 1:17:17.639
<v Speaker 2>We had so much fun. Oh, he was getting so rankled.

1:17:17.640 --> 1:17:19.040
<v Speaker 2>He's come on, come.

1:17:18.880 --> 1:17:22.720
<v Speaker 3>On, that's so funny. So Phoene is probably handing a

1:17:22.760 --> 1:17:25.400
<v Speaker 3>diploma to Sean Hunter. Jack tells those of plauding around

1:17:25.479 --> 1:17:27.439
<v Speaker 3>him in the crowd, that's my little brother right there,

1:17:27.600 --> 1:17:30.480
<v Speaker 3>and they all shush him, which seems like an insane

1:17:30.520 --> 1:17:34.439
<v Speaker 3>thing to do at a graduation. Sean embraces Corey into

1:17:34.439 --> 1:17:37.360
<v Speaker 3>Panga before taking a seat. Phoenie calls to Panga Lawrence

1:17:37.400 --> 1:17:40.000
<v Speaker 3>and she beams as she receives the diploma. She walks

1:17:40.000 --> 1:17:42.040
<v Speaker 3>back to the two boys and gives them another hug.

1:17:42.720 --> 1:17:45.920
<v Speaker 3>Phoene calls Corey Matthews and he excitedly takes his diploma,

1:17:46.000 --> 1:17:47.680
<v Speaker 3>showing it off to his parents, who are sitting in

1:17:47.680 --> 1:17:50.679
<v Speaker 3>the crowd. The hugs continue as he grabs Tapanga and Sean,

1:17:51.000 --> 1:17:54.479
<v Speaker 3>and then Phoenie calls Stuart Minkus. He gets his diploma

1:17:54.560 --> 1:17:57.600
<v Speaker 3>and turns to the group to celebrate. After a little deliberation,

1:17:57.760 --> 1:18:00.000
<v Speaker 3>they all stand up and happily give him a bit

1:18:00.240 --> 1:18:00.760
<v Speaker 3>group hug.

1:18:01.120 --> 1:18:02.479
<v Speaker 1>Can anybody else notice?

1:18:03.760 --> 1:18:08.720
<v Speaker 4>Matthews mincis more it's like everybody on her show's last

1:18:08.760 --> 1:18:09.599
<v Speaker 4>name ends with an M.

1:18:09.880 --> 1:18:12.439
<v Speaker 3>I know, well it's Laura, yeah, and then Lawrence. It

1:18:12.479 --> 1:18:15.479
<v Speaker 3>actually goes pretty well in order. There's not a ton

1:18:15.520 --> 1:18:18.160
<v Speaker 3>of names, you know, in between. It's not too had.

1:18:18.080 --> 1:18:20.400
<v Speaker 2>At a lot of m last names on our show.

1:18:20.680 --> 1:18:21.640
<v Speaker 2>Yeah we did ye.

1:18:22.000 --> 1:18:24.439
<v Speaker 3>Angela Moore is called next, and she and Sean hugg

1:18:24.479 --> 1:18:26.479
<v Speaker 3>Once she places her tassel on the other side of

1:18:26.479 --> 1:18:30.400
<v Speaker 3>her cap pregnant, you're.

1:18:30.280 --> 1:18:32.599
<v Speaker 2>Just like she's graduating for two you can tell.

1:18:35.240 --> 1:18:38.479
<v Speaker 3>Meanwhile, Corey picks up his conversation with Tapanga. So you

1:18:38.520 --> 1:18:41.519
<v Speaker 3>were going to say something? Was it important? Topeka asks,

1:18:41.680 --> 1:18:43.320
<v Speaker 3>you mean that I decided what I want to do

1:18:43.360 --> 1:18:48.120
<v Speaker 3>with my life. Corey nods yeah, that. Tapega explains mister

1:18:48.120 --> 1:18:50.120
<v Speaker 3>Feoene says that I should go to Yale unless I

1:18:50.160 --> 1:18:52.680
<v Speaker 3>have a really good reason not to. Corey tells her

1:18:52.800 --> 1:18:56.479
<v Speaker 3>there isn't any good reason, but Tapanga disagrees, Actually there is.

1:18:57.040 --> 1:18:59.839
<v Speaker 3>She starts to explain, but is interrupted by Phoene officially

1:18:59.880 --> 1:19:03.559
<v Speaker 3>introducing the John Adams High School class of nineteen hundred

1:19:03.600 --> 1:19:07.080
<v Speaker 3>and ninety eight, the graduate.

1:19:07.160 --> 1:19:13.840
<v Speaker 2>Graduating class here n nine ninety seven. Okay, ninety four, cool, cool,

1:19:14.080 --> 1:19:14.559
<v Speaker 2>just check it.

1:19:14.680 --> 1:19:18.120
<v Speaker 3>Just a graduate stand yet the graduate stand with pride

1:19:18.160 --> 1:19:21.519
<v Speaker 3>except for Topanga. She holds Corey's arm and asks, will

1:19:21.560 --> 1:19:24.679
<v Speaker 3>you marry me? Corey sits back down as soft music

1:19:24.720 --> 1:19:26.960
<v Speaker 3>plays in the background. He looks like he's seen a

1:19:26.960 --> 1:19:37.840
<v Speaker 3>ghost when this bomb means well, so there it is.

1:19:37.960 --> 1:19:42.679
<v Speaker 3>There's our season five recap, rest in peace. I guess

1:19:42.720 --> 1:19:44.759
<v Speaker 3>mister Turner and.

1:19:45.120 --> 1:19:49.080
<v Speaker 4>Micascas, Allan Myerson, Frankie and Joey.

1:19:49.240 --> 1:19:50.080
<v Speaker 2>Frankie and Joey.

1:19:50.160 --> 1:19:51.719
<v Speaker 1>Yeah, what a season?

1:19:52.760 --> 1:19:57.519
<v Speaker 3>All right? So this is ABC dot dot com. Oh yeah,

1:19:57.560 --> 1:20:00.639
<v Speaker 3>presented by Jello. Oh and look at the uh who

1:20:00.640 --> 1:20:02.880
<v Speaker 3>wants to be Okay?

1:20:02.920 --> 1:20:03.120
<v Speaker 4>Wow?

1:20:03.240 --> 1:20:08.240
<v Speaker 3>That was after the fact, yeah, after the fact. So,

1:20:08.840 --> 1:20:11.479
<v Speaker 3>but they had one. It was like this for before

1:20:12.240 --> 1:20:14.160
<v Speaker 3>which wedding ideas do you like best?

1:20:14.479 --> 1:20:15.519
<v Speaker 1>Should we have the wedding?

1:20:15.800 --> 1:20:20.559
<v Speaker 3>Yeah's parents in a hotel outside which you check out

1:20:20.560 --> 1:20:23.320
<v Speaker 3>my video before you start? Will you click on that Okay,

1:20:23.320 --> 1:20:26.439
<v Speaker 3>so it's a pink page. It has our wedding, which

1:20:26.479 --> 1:20:28.920
<v Speaker 3>wedding ideas? Do you like best? Answer all the questions

1:20:28.920 --> 1:20:31.040
<v Speaker 3>and let us know. Plus, if you like, check out

1:20:31.200 --> 1:20:33.960
<v Speaker 3>my video before you start, thanks to Panga.

1:20:34.080 --> 1:20:35.120
<v Speaker 2>Did you do a video?

1:20:35.640 --> 1:20:36.599
<v Speaker 3>I know that's what I'm wondering.

1:20:36.840 --> 1:20:38.720
<v Speaker 5>The video is no longer hosted on there.

1:20:38.720 --> 1:20:39.639
<v Speaker 1>I can't get the video.

1:20:39.720 --> 1:20:42.320
<v Speaker 2>Oh no you, I mean you must have.

1:20:42.640 --> 1:20:43.080
<v Speaker 3>I must have.

1:20:43.240 --> 1:20:45.320
<v Speaker 2>You're not going to cut to somebody else. So this is.

1:20:45.280 --> 1:20:49.400
<v Speaker 3>Definitely the website for after we had where we were

1:20:49.400 --> 1:20:51.000
<v Speaker 3>getting married? Where's the poll?

1:20:51.600 --> 1:20:53.920
<v Speaker 5>So a lot this is from wayback Machine, which like

1:20:53.960 --> 1:20:56.880
<v Speaker 5>catalogs old websites, and a lot of the poll results

1:20:56.920 --> 1:20:59.679
<v Speaker 5>won't come up. There's a photo album that I don't

1:20:59.680 --> 1:21:02.519
<v Speaker 5>think will load all the way but.

1:21:03.400 --> 1:21:09.439
<v Speaker 4>Memory's but but there we go to listen. Click each

1:21:09.520 --> 1:21:15.839
<v Speaker 4>picture to hear marriage boy.

1:21:15.320 --> 1:21:18.080
<v Speaker 3>A little picture of young Ben. Click to listen. Apparently

1:21:18.120 --> 1:21:20.080
<v Speaker 3>there was a message there is there are there more pictures?

1:21:20.160 --> 1:21:21.080
<v Speaker 3>Or is that the only one that loads?

1:21:21.080 --> 1:21:22.360
<v Speaker 5>It looks like that's the only one.

1:21:23.000 --> 1:21:24.880
<v Speaker 2>Okay, it's a terrible photo.

1:21:24.880 --> 1:21:27.400
<v Speaker 1>And see I'm wondering if there really was a poll

1:21:27.479 --> 1:21:29.559
<v Speaker 1>for whether they should get married That's what I want

1:21:29.560 --> 1:21:30.320
<v Speaker 1>to know, because this.

1:21:30.280 --> 1:21:34.640
<v Speaker 3>Is where I remember it. I do remember it. I

1:21:34.680 --> 1:21:37.720
<v Speaker 3>remember it being a big and I remember going to

1:21:37.760 --> 1:21:39.960
<v Speaker 3>it and there being like a vote a vote thing.

1:21:40.200 --> 1:21:40.960
<v Speaker 2>Did you vote?

1:21:41.680 --> 1:21:42.360
<v Speaker 3>I think I did.

1:21:42.560 --> 1:21:44.320
<v Speaker 2>Did you Did you vote yeay or nay?

1:21:44.680 --> 1:21:48.320
<v Speaker 3>I think I voted yay okay. I don't remember, but

1:21:48.400 --> 1:21:50.000
<v Speaker 3>I think I probably would have.

1:21:50.280 --> 1:21:52.360
<v Speaker 4>There would have been some some great irony about you

1:21:52.520 --> 1:21:53.400
<v Speaker 4>voting against it.

1:21:53.760 --> 1:21:54.760
<v Speaker 3>No, I don't think you did.

1:21:54.800 --> 1:21:56.960
<v Speaker 1>I think at the time I was to the audience

1:21:57.080 --> 1:21:59.400
<v Speaker 1>after to Panga and propose.

1:21:59.479 --> 1:22:02.080
<v Speaker 3>I think it was this summer. So, yeah, this entire break.

1:22:02.120 --> 1:22:04.479
<v Speaker 1>So the idea that if the poll failed, then what

1:22:04.640 --> 1:22:04.960
<v Speaker 1>you guys?

1:22:05.200 --> 1:22:09.560
<v Speaker 3>His answer would be no, oh okay because the next episode,

1:22:09.800 --> 1:22:12.840
<v Speaker 3>our next episode recap will be season six, episode one,

1:22:12.960 --> 1:22:16.599
<v Speaker 3>which is titled his Answer Part one.

1:22:16.800 --> 1:22:18.840
<v Speaker 2>So are we taking a break? We sure?

1:22:18.880 --> 1:22:20.880
<v Speaker 3>Are Are we taking a gap year?

1:22:21.240 --> 1:22:21.799
<v Speaker 2>We are.

1:22:21.600 --> 1:22:24.519
<v Speaker 3>We're taking a gap year. We're doing a very modern

1:22:24.640 --> 1:22:26.960
<v Speaker 3>day graduate from high school thing. We're going to be

1:22:27.000 --> 1:22:29.679
<v Speaker 3>taking a gap year before we enter college. The gap

1:22:29.760 --> 1:22:33.360
<v Speaker 3>year will not actually be a full year, but it

1:22:33.439 --> 1:22:35.240
<v Speaker 3>will be Yeah. No, we're not going to take a

1:22:35.280 --> 1:22:37.759
<v Speaker 3>full year, but we are going to take a little

1:22:37.800 --> 1:22:39.519
<v Speaker 3>bit of time to give ourselves a break before we

1:22:39.560 --> 1:22:40.519
<v Speaker 3>jump into the next season.

1:22:40.760 --> 1:22:43.200
<v Speaker 2>It is just time for us to go to the gap, right.

1:22:43.760 --> 1:22:47.840
<v Speaker 3>Exactly sweet. So we will be having some very very

1:22:47.880 --> 1:22:52.240
<v Speaker 3>fun episodes before we dive into season six, including the

1:22:52.280 --> 1:22:56.280
<v Speaker 3>return of brah Meets World next week. And then we

1:22:56.320 --> 1:22:59.479
<v Speaker 3>are also going to do season drafts for season's four.

1:22:59.720 --> 1:23:04.320
<v Speaker 3>And we didn't do a season four draft, and a

1:23:04.360 --> 1:23:05.800
<v Speaker 3>lot of you called us out on it. A lot

1:23:05.800 --> 1:23:09.160
<v Speaker 3>of you said, what the hell, where's my season four draft?

1:23:09.200 --> 1:23:10.519
<v Speaker 3>And we don't want to leave you hanging, So we're

1:23:10.520 --> 1:23:12.120
<v Speaker 3>gonna do a season four draft and then we'll do

1:23:12.120 --> 1:23:12.840
<v Speaker 3>a season five.

1:23:13.240 --> 1:23:14.639
<v Speaker 1>To lose again, so we can't.

1:23:15.240 --> 1:23:17.000
<v Speaker 4>We never even got the I think I might have

1:23:17.160 --> 1:23:20.080
<v Speaker 4>won the film Festival the film Festival, which is why

1:23:20.080 --> 1:23:22.639
<v Speaker 4>nobody told me, because they're like, we don't want Will

1:23:22.680 --> 1:23:24.920
<v Speaker 4>to know that he actually didn't come in last price.

1:23:25.000 --> 1:23:28.080
<v Speaker 3>I was just told you'll get the results soon.

1:23:28.280 --> 1:23:30.720
<v Speaker 2>Yeah. I don't buy that. I don't buy it. Buy it.

1:23:30.800 --> 1:23:34.160
<v Speaker 3>We'll find out another really wonderful Feoene episode. We also

1:23:34.200 --> 1:23:36.920
<v Speaker 3>have a cliffhanger about Phoenie. Is he gonna retire? What's

1:23:36.960 --> 1:23:41.920
<v Speaker 3>he gonna do? Non nou and we have a very

1:23:41.960 --> 1:23:47.439
<v Speaker 3>special Christmas surprise for you all. We are very excited

1:23:47.479 --> 1:23:49.680
<v Speaker 3>to reveal it to you, so stay tuned for a

1:23:49.720 --> 1:23:54.800
<v Speaker 3>special Bill Daniels Christmas episode coming to you soon. Thank

1:23:54.800 --> 1:23:56.559
<v Speaker 3>you all for joining us for this episode of Pod

1:23:56.560 --> 1:23:58.679
<v Speaker 3>Meets World. As always, you can follow us on Instagram

1:23:58.720 --> 1:24:01.000
<v Speaker 3>pod Meets World Show. You can send us your emails

1:24:01.040 --> 1:24:05.000
<v Speaker 3>podmeets Worldshow at gmail dot com, and we have merch

1:24:05.800 --> 1:24:14.639
<v Speaker 3>to merch with Podmeetsworldshow dot com will send us out.

1:24:14.960 --> 1:24:16.839
<v Speaker 2>We love you all, pod dismissed.

1:24:18.160 --> 1:24:21.679
<v Speaker 4>Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1:24:21.800 --> 1:24:26.000
<v Speaker 4>Wilfredell and Ryder Strong executive producers Jensenkarp and Amy Sugarman,

1:24:26.320 --> 1:24:29.840
<v Speaker 4>Executive in charge of production, Danielle Romo, producer and editor,

1:24:29.880 --> 1:24:33.679
<v Speaker 4>Tara Sudbaksch, producer, Maddy Moore, engineer and Boy Meets World

1:24:33.720 --> 1:24:36.639
<v Speaker 4>superfan Easton Allen. Our theme song is by Kyle Morton

1:24:36.640 --> 1:24:38.760
<v Speaker 4>of Typhoon and you can follow us on Instagram at

1:24:38.840 --> 1:24:41.880
<v Speaker 4>podmeets World Show or email us at Podmeets Worldshow at

1:24:41.920 --> 1:24:44.600
<v Speaker 4>gmail dot com