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Speaker 1: So it was my birthday this last week. I am

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Speaker 1: now forty five.

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Speaker 2: You're a pup.

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Speaker 1: Yeah, And I had a nice little gathering. I had

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Speaker 1: friends from out of town come stay with me and

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Speaker 1: then had some friends over at the house. It was amazing,

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Speaker 1: but it made me think of, I don't know if

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Speaker 1: I ever told you guys about the time when I

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Speaker 1: turned twenty one? Have I ever told you.

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Speaker 3: This birthday twenty first birthday story?

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Speaker 1: So I had moved to New York, so you know,

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Speaker 1: sort of changed my entire life postboy Mets World. So

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Speaker 1: this is when I was twenty and I just spent

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Speaker 1: my first semester at Columbia, and I moved to New

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Speaker 1: York making all the wrong decisions. I decided to drive

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Speaker 1: my car all the way across the country coey in

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Speaker 1: a U haul trailer of all my furniture and life

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Speaker 1: and stuff, right like in retrospect, like just go and

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Speaker 1: figure it out, right, Yes, New York is a difficult city. Well,

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Speaker 1: it's an impossible city to have a car in r

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Speaker 1: It's also just a difficult city to like deal with stuff.

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Speaker 1: So I ended up like bringing all my stuff and

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Speaker 1: I rented an apartment. I rented a huge apartment because

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Speaker 1: I was like, I'm coming from LA. I'm going to

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Speaker 1: spend all the money and have like a because I

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Speaker 1: had a loft in LA and I was like, I

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Speaker 1: should have a loft in New York. Well guess what

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Speaker 1: at that time, especially a loft in New York because

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Speaker 1: I had been living in downtown LA where my loft

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Speaker 1: was very cheap. So suddenly I was in like just

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Speaker 1: spending so much money. I had this huge loft. I

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Speaker 1: had no idea how to fill it, like I you know,

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Speaker 1: just before that, I just like had furniture from my

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Speaker 1: parents or whatever. And so suddenly I just had this

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Speaker 1: giant space. And I was in my first semester. I was,

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Speaker 1: you know, behind in everything, and I decided. I was like,

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Speaker 1: I'm not doing anything for my birthday. I just wanted

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Speaker 1: I know, twenty one is a big one. But I

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Speaker 1: told my girlfriend. I was like, can we just like

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Speaker 1: have a dinner. And I was so stressed out and

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Speaker 1: She's like, yeah, okay, we'll have We'll just have you know,

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Speaker 1: two of her old friends from college who we were

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Speaker 1: now you know, they were living in New York. So

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Speaker 1: I was like, yeah, let's just go. The four of

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Speaker 1: us have like a fancy dinner. She's like, well, let's

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Speaker 1: get dressed up. Let's let's put on like suits and

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Speaker 1: you know, nice dresses and make it like a fancy night.

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Speaker 1: And I was like, okay, fine. So then the day

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Speaker 1: of the my actual birthday, I have a final paper

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Speaker 1: due that Monday, and it's a Saturday, and I spend

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Speaker 1: all day scrambling to write this giant, you know, research paper,

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Speaker 1: and I'm so stressed out and like I actually kind

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Speaker 1: of have a breakdown, and my girlfriend's like cleaning the apartment.

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Speaker 1: I'm like, why are we cleaning the apartment? Like, you know,

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Speaker 1: I just I just don't want to. I don't even

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Speaker 1: want to go to dinner. I just want to, like

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Speaker 1: I just want to stay up all night and finish

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Speaker 1: this paper. And she's like, you know, she she's like,

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Speaker 1: calms me down. She's like, you know what, like take

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Speaker 1: a break, let's go to dinner. Let's let's at least

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Speaker 1: just enjoy ourselves and have a good time. And then

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Speaker 1: we go. We have a nice dinner, and the my

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Speaker 1: girlfrid friend and her friend and this other woman that

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Speaker 1: we were with was like, you know what, we got it,

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Speaker 1: Let's go back to the apartment and change our shoes

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Speaker 1: before we go get a drink after dinner, you know,

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Speaker 1: my twenty one year old drink. And I'm like, oh,

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Speaker 1: I'm like, do we have to go all the way

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Speaker 1: back to the apartment. We're already out, and they're like, no,

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Speaker 1: the shoes, we can't walk, and I'm like, O, get fine,

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Speaker 1: And so the four of us get into the elevator

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Speaker 1: and go up to my apartment.

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Speaker 2: At door party, yep.

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Speaker 1: And it was at my apartment, that's why she had

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Speaker 1: been cleaning, right, And my first moment was like panic, right,

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Speaker 1: like first, there are so many people, and then it

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Speaker 1: ended up being the greatest night of my life because

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Speaker 1: I like literally started crying and like just running around hugging,

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Speaker 1: and everybody's dressed in suits. She had told them all

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Speaker 1: to dress like it was a big fancy night, you know.

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Speaker 1: So we were all like we fit right in and

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Speaker 1: my apartment was just filled with people. And I was like,

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Speaker 1: you know, I had moved to New York, I maybe

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Speaker 1: you know, I didn't think I had that many friends yet.

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Speaker 1: I was like, I don't know that ask.

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Speaker 2: Because how did you know these people were already?

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Speaker 1: That's the thing she had really done a great job of, like,

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Speaker 1: you know, finding a network of people who you know.

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Speaker 3: Some would someone tend to you?

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Speaker 2: No, No, it was you know I.

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Speaker 1: It was like I, because what happened is I moved

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Speaker 1: to New York sort of following a couple people, Like

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Speaker 1: I had a friend who had I had met in

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Speaker 1: college out here who had already transferred to NYU and

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Speaker 1: was already there. And then I had a friend who

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Speaker 1: had gone through a divorce and moved to New York.

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Speaker 1: And it was visiting the two of them actually when

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Speaker 1: I decided to move to New York, and they of

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Speaker 1: course had their like network of friends. And so within

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Speaker 1: that first semester, I had already met a lot of people,

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Speaker 1: and of course, you know at college, I had met

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Speaker 1: some new people, and she managed to get everybody to come,

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Speaker 1: and so it was like it was really my welcome

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Speaker 1: to New York moment, like, oh, I actually do know

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Speaker 1: a lot of people here. They actually will show up.

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Speaker 1: And she had asked them each for whatever reason. On

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Speaker 1: the invite. She had made an invite with like rubber

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Speaker 1: ducky on like a rubber ducky on the cover, and

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Speaker 1: she was like, bring your favorite rubber ducky, and so

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Speaker 1: everybody brought duckies, like different themed rubber duckies, you know.

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Speaker 3: Have fun different rubber duckies.

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Speaker 1: Are you Oh you got to be even gone down

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Speaker 1: the rubber ducky rabbit hole.

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Speaker 2: No, we'll be in the rubber ducky hole.

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Speaker 1: You can find rubber duckies in like, you know, Christmas

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Speaker 1: rubber duckies, Halloween rubber ducky whatever. So everybody had brought

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Speaker 1: their own rubber ducky and we had a like a

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Speaker 1: little Christmas tree that we decorated that that she had

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Speaker 1: decorated with rubber duckies just for the party. It was

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Speaker 1: so much fun, but it was just that feeling of like,

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Speaker 1: oh my god, what is happening? And then you realize

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Speaker 1: I have no control over this. I just have to

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Speaker 1: like enjoy this and just go with it. And you know,

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Speaker 1: having a drink at twenty one, my first legal drink,

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Speaker 1: and hanging out with all these friends.

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Speaker 3: But you didn't have to get carted on your twenty

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Speaker 3: first birthday. Isn't so much of the fun going to

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Speaker 3: a place and the.

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Speaker 2: License, Yeah, how.

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Speaker 3: Old you are?

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Speaker 2: The next day, where was your twenty first Danielle.

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Speaker 3: My twenty first birthday. My mom took me to Vegas.

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Speaker 1: Oh you went right to the gambling. Yeah, did you

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Speaker 1: already know age or did you?

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Speaker 3: Well, my family plays cards. We're a card family, so

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Speaker 3: I grew up playing gin and so yes, I was

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Speaker 3: already kind of familiar with card games. I've liked to

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Speaker 3: play blackjack from the time I was young. So yeah,

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Speaker 3: my mom took me to Vegas, which was really fun,

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Speaker 3: and yeah, I we had a great time. My mom

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Speaker 3: is a total lightweight and I was a total lightweight,

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Speaker 3: and so it wasn't like a big rager of like

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Speaker 3: I see how much you can drink thing. I think

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Speaker 3: I had like a couple of glasses of wine. My

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Speaker 3: mom had half a glass of wine and then was like, I, oh, gosh,

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Speaker 3: I think.

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Speaker 2: I'm not.

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Speaker 1: I think I need to.

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Speaker 2: Go light down.

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Speaker 3: I was like, it's my twenty first birthday. We can't

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Speaker 3: go lay down at nine pm in Vegas. So she

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Speaker 3: she toughed it out with me, but it was it

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Speaker 3: was a really good time. What did you do Will We've.

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Speaker 4: Talked about it many times in this podcast ed to

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Speaker 4: Bevicks it.

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Speaker 2: Is I had I went order alcohol. Yeah, they were

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Speaker 2: they had.

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Speaker 4: I went to Edecs with Spencer Moseska the guy I

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Speaker 4: moved to Los Angeles with He's still my friend Love

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Speaker 4: Hewett and Jason Marsden.

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Speaker 2: Ordered a beer and gave them my.

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Speaker 4: Idea, my ID and I was so happy and I

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Speaker 4: went to go order a second one and Love said,

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Speaker 4: are you really gonna have a second beer?

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Speaker 2: And that was it.

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Speaker 1: I didn't know that was a judge on your twenty

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Speaker 1: first birth That was the second beer.

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Speaker 2: Yeah, she wrote me a second beer because I wasn't

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Speaker 2: really like get yes exactly.

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Speaker 3: I've never seen seen you drink.

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Speaker 2: But I imagine the second beer is going to put

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Speaker 2: you over the edge. So that was it. That was

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Speaker 2: my twenty first birthday at ed Beecks. Yeah. Why that

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Speaker 2: place was so special to me. Yeah, absolutely so cute.

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Speaker 3: Yeah, well, welcome to Pod Meets World. I'm Daniel Fischel.

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Speaker 2: I'm rather strong and I should have gotten that second beer.

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Speaker 2: I'm Wilfredell.

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Speaker 3: Welcome to today's episode recap. It is season five, episode

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Speaker 3: twenty four, Graduation. It originally aired May fifteenth, nineteen ninety eight,

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Speaker 3: and the synopsis the group is getting ready to graduate

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Speaker 3: high school when mister Feenie assigns them one last assignment.

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Speaker 3: It was directed by Alan Myerson. It was written by

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Speaker 3: Matthew Nelson and Bob Tishler. And then that instance of

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Speaker 3: two episodes in a row for that by two people

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Speaker 3: that didn't seemingly have ever written an episode together before.

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Speaker 1: They must have like pitched this story, got assigned it,

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Speaker 1: and then rather than like splitting it up into two scripts,

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Speaker 1: they were like, let's just work on the two of

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Speaker 1: them together. Yeah, it's really interesting.

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Speaker 4: Maybe maybe Matt took one and then Bob took the

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Speaker 4: other one, but they just wrote each other.

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Speaker 2: So we wrote each other. Yeah, because they weren't writing partners.

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Speaker 4: No, So yeah, that's we had part on the show

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Speaker 4: several times and these guys were not writing partners.

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Speaker 2: So it's weirdly they had two in a row. Yeah.

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Speaker 3: So guest starring the return of Some Boy Meets World Favorites.

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Speaker 3: First up, and older looking Blake Sennet is back as

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Speaker 3: Joseph Joey. They're at epstein Ethan Sipplee returns as Frankie Stacchino,

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Speaker 3: and finally, Lee Norris revisits his season one role, the

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Speaker 3: lovable and sorely missed Stuart Minkis. This marks the final

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Speaker 3: Boy Meets World appearance for all three actors, and even

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Speaker 3: that is a bit of a technicality. And we have

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Speaker 3: two other very important background cameos in this episode, but

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Speaker 3: we will get to those later. Well, this is our

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Speaker 3: season five finale.

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Speaker 2: I can't.

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Speaker 1: I can't.

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Speaker 2: This is going by so fast.

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Speaker 1: I know.

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Speaker 3: Do you remember when we started and we were like,

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Speaker 3: we are never going to finish this podcast And here

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Speaker 3: we are at the end of season five in the

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Speaker 3: year nineteen ninety eight.

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Speaker 2: It's crazy.

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Speaker 3: It's pretty crazy.

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Speaker 4: This is I think also the last year we got

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Speaker 4: twenty four, because normally we would get twenty two. First

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Speaker 4: we get thirteen and then nine, and then we were

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Speaker 4: doing so well they gave us twenty four. But I

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Speaker 4: think that was only once or twice. I don't think

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Speaker 4: we ever got twenty four again.

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Speaker 2: I think it's better.

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Speaker 3: I think you're right. I think we do twenty two

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Speaker 3: next season.

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Speaker 2: Because then season seven.

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Speaker 4: Originally we only got picked up for thirteen because don't

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Speaker 4: you remember you and I were shooting that movie because

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Speaker 4: we were like, oh, we have to have it done

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Speaker 4: by thirteen, and then we got picked up for our

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Speaker 4: back nine and we're like, okay, we can stop for

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Speaker 4: a while and then we're like, oh, we need to

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Speaker 4: finish that movie. We were, so yeah, we only got

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Speaker 4: picked up for thirteen in year seven one in seven.

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Speaker 1: Yeah, so that's interesting.

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Speaker 4: Actually, yeah, well I think it's because this is when

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Speaker 4: TGIF was going through what are we going to do?

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Speaker 2: Phase? Because I think Sabrina was leaving.

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Speaker 4: Or something was going on with that, and then Family

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Speaker 4: Matters had already gone. So yeah, it was ABC was

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Speaker 4: in a serious state of flux at this point.

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Speaker 3: Yes, So before we jump into our guest stars, would

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Speaker 3: you guys like to talk about our overall thoughts? Writer,

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Speaker 3: you usually go first. In the one time I didn't

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Speaker 3: explicitly ask you, I made you very angry, So would

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Speaker 3: you would you like to tell me your thoughts?

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Speaker 1: I really liked this episode. It totally got to me.

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Speaker 1: I mean, I think it's just it's really nice to

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Speaker 1: have Phoenie moments again and to have that and I thought,

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Speaker 1: you know, like as much as bringing back Joey and

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Speaker 1: Frankie and Minkus was kind of a joke, it was

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Speaker 1: also really nice to just see them again and I

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Speaker 1: like sort of send off of like, right, this is

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Speaker 1: a whole era of the show, you know, and I

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Speaker 1: got kind of emotional. I don't know, I didn't really

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Speaker 1: understand Sean's graduation speech. I was a little like, Okay,

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Speaker 1: I think you know, but I don't know. It was

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Speaker 1: like ended on such a sad note, like it was

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Speaker 1: like you know, and I was just wondering what they

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Speaker 1: were thinking exactly or where this is going, like why regret?

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Speaker 1: Like why is that? Shawn's like, well.

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Speaker 3: I actually kind of liked I didn't necessarily You're right

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Speaker 3: that it came across as regret, and I think had

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Speaker 3: they one of my main critiques was going to be

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Speaker 3: that I wish you could have had the speech, but

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Speaker 3: instead of it being a speech to the school, which

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Speaker 3: then feels like, oh, this poor kid is really regretting

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Speaker 3: so many things, if it had just been a conversation

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Speaker 3: with Foeni, I think it would have felt like you

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Speaker 3: recognizing your potential, right, because I think that's the point,

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Speaker 3: you know what I'm I'm capable, I'm very capable, and

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Speaker 3: I haven't been doing i haven't been living up to

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Speaker 3: my potential. And the feeling is I'm no longer going

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Speaker 3: to do that, and this next stage of my life,

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Speaker 3: what high school has taught me is that I'm capable

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Speaker 3: of more if I apply myself, and so I wondered

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Speaker 3: if it was leaning toward the idea hinting at I'm

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Speaker 3: not going to take the photography job, which by the way,

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Speaker 3: was not mentioned at all no in this episode, And

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Speaker 3: so the idea was the regrettable feeling is I do

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Speaker 3: You've been telling me all four years about how what

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Speaker 3: I'm capable of and I didn't apply myself and in

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Speaker 3: this next phase, I'm going to it. But because it

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Speaker 3: was delivered to the whole school, it was a little

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Speaker 3: bit of a downer, like, oh well, it could have been.

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Speaker 1: Just one of those things where I'm saying in the

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Speaker 1: speech it sounds like I'm talking to the whole school,

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Speaker 1: but I'm very clearly talking to Corey Topanga, Angela ande Fioeni, right,

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Speaker 1: Like that would have been a nice turn if it

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Speaker 1: had been like you know, and there have been some

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Speaker 1: people who have made it, you know, who did take

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Speaker 1: advantage of this time, and because of them, I'm gonna

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Speaker 1: be okay or something, you know.

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Speaker 3: Like something.

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Speaker 1: But it was just a little I don't know, it

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Speaker 1: felt sentimental for the sake of being sentimentally, you know,

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Speaker 1: it felt like they wanted Sean to have like an

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Speaker 1: emotional moment a beat, and he did, and it was

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Speaker 1: kind of sweet and it felt like honest and cool,

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Speaker 1: like I was actually happy with the performance, but it

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Speaker 1: was just kind of like I don't know quite know

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Speaker 1: what I'm saying, which maybe is cool, Like it kind

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Speaker 1: of has this bittersweet feeling to it, so maybe that's fine.

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Speaker 1: I don't know.

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Speaker 3: Well, I loved it.

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Speaker 1: I did.

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Speaker 2: I thought it was great.

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Speaker 4: I it's you know, and I don't know what's happening

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Speaker 4: in the future obviously, but this completely and totally sealed.

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Speaker 2: The deal on Sean is the star of the show.

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Speaker 4: You're coming to the graduation episode.

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Speaker 2: You're coming to the end.

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Speaker 4: Of we don't know that Feoene's gonna come on to

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Speaker 4: college with us. Their audience doesn't know this, so as

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Speaker 4: far as we know, they're saying goodbye to mister Feenie.

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Speaker 4: We're doing all this kind of stuff, and they give

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Speaker 4: the moment to Sean. Yeah, you know, you expect Corey

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Speaker 4: to get up there and a or something. I love

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Speaker 4: the idea that it should have been Sean and Feenie

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Speaker 4: having seen together, because frankly, I think they took another

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Speaker 4: moment from Topanga where she earned the final speech, and

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Speaker 4: then it's like, here's my monologue.

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Speaker 2: I'm giving it to Sean and it's like, okay, so

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Speaker 2: I got it. I enjoyed.

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Speaker 4: I really liked the whole episode. I remember shooting this episode.

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Speaker 4: I remember it was like the sun broke on my

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Speaker 4: face because I think I actually broke Bill in a

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Speaker 4: scene and they showed it and getting Bill Daniels to

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Speaker 4: break character and actually, yeah, yeah.

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Speaker 2: Yeah, it was.

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Speaker 4: It was like I ad lib that ending and I

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Speaker 4: was like, oh my god, I think he actually laughed

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Speaker 4: or smiled, which never happens, but again it did.

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Speaker 2: It sealed the deal for me where it was like,

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Speaker 2: oh yeah, Corey.

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Speaker 4: I get they were saving him for the big reveal

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Speaker 4: moment with Tapanga at the end, but they good goodbye

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Speaker 4: John Adams went to Sean, and again I don't think

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Speaker 4: it was necessarily a bad way to go, but it was.

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Speaker 4: They were really once again, think of all the episodes

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Speaker 4: we've had this season and it Sean is essentially the

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Speaker 4: star boy me world, So this one again really showed

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Speaker 4: me that he was and I think it changed changes

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Speaker 4: coming up. I think the star really becomes Corey Topanga

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Speaker 4: in season six and seven, but up till this point,

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Speaker 4: from season two to through season five, I would say

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Speaker 4: Sean is really the boy in boy Me World. He's

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Speaker 4: the one you're rooting for. He's the one you're watching

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Speaker 4: the biggest changes.

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Speaker 1: In the most change he did. He's had the.

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Speaker 4: Biggest arc and emotional arc throughout the entire series. And

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Speaker 4: so this was at the end. It's like, yeah, they

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Speaker 4: gave Sean the moment. So it was and we writer

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Speaker 4: you and I've talked about this one hundred times. We

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Speaker 4: didn't know that was happening, Like we didn't realize that

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00:16:11,000 --> 00:16:13,040
Speaker 4: you were the star of boy Mets World, but you were,

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Speaker 4: and this this ended it. And of course seeing David

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Speaker 4: Combs and was just really sweet and just the whole thing.

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Speaker 4: And yeah, so I I really enjoyed this episode. I

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Speaker 4: liked everything about it. I thought I had a good

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Speaker 4: balance of you know, despite the cringe worthy mister Turner joke,

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Speaker 4: which at the time we thought was hysterical, But you

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Speaker 4: look back as an adult and you're like.

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Speaker 3: Oh, no, why couldn't they. I mean, maybe Tony didn't

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Speaker 3: want to come back or wasn't able to come back.

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Speaker 3: He was working on something.

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Speaker 2: But I don't think we ever asked him.

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Speaker 1: He should have come back.

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Speaker 2: I mean, godbye.

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Speaker 1: I mean, if that's what this is about, is me

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Speaker 1: graduated and saying and why.

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Speaker 2: Is he sitting there with all the teachers and everything.

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Speaker 2: I don't think astuge because he would have come.

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Speaker 3: That's a really overall opportunity.

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Speaker 2: Really liked the episode.

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Speaker 3: I really and really great to see Lee. It was

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Speaker 3: so nice to hug him at the end when he

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Speaker 3: graduates and we all pull him.

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Speaker 1: Into a hug. Do I get one?

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Speaker 4: Yeah?

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00:17:04,680 --> 00:17:05,200
Speaker 2: That was great.

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00:17:06,080 --> 00:17:08,719
Speaker 3: That was very sweet. All right. Jumping into our recap,

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Speaker 3: we start in the John Adams Hallway. Corey eagerly stands

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Speaker 3: by the lockers with an open yearbook. A girl walks by, Hey, Debbie,

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Speaker 3: you want to sign my Debbie doesn't even acknowledge him.

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00:17:18,119 --> 00:17:21,120
Speaker 3: I guess you don't. He sees another classmate, Hey, Mike,

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00:17:21,280 --> 00:17:24,120
Speaker 3: let me sign your Mike is also unfhazed. We were

387
00:17:24,160 --> 00:17:28,200
Speaker 3: never that close. Is this is this the same guy who.

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Speaker 2: Won last week? Everyone is this popular?

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Speaker 3: One knows?

390
00:17:38,520 --> 00:17:38,720
Speaker 1: God?

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Speaker 2: Interesting to get the same thing. It's like, wait a minute,

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Speaker 2: he's prom king. He's Corey Tegan.

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Speaker 3: Average yep, and he enthusiastically turns to Sean.

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Speaker 2: Isn't this great?

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Speaker 3: I mean, I love this week? Sean rolls his eyes. Yeah,

396
00:17:55,080 --> 00:17:57,440
Speaker 3: me too. Is it over yet? Corey tries to lighten

397
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Speaker 3: Sewan's mood, pointing out our old friends Frank and Joey

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00:18:00,960 --> 00:18:04,119
Speaker 3: back at John Adams and they are holding yearbooks of

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Speaker 3: their own. They're going to be graduating this year and

400
00:18:06,400 --> 00:18:10,600
Speaker 3: it only took them eight years. Blake is almost unrecognizable.

401
00:18:10,760 --> 00:18:14,440
Speaker 1: I know, yeah, I wanted to have the It was like, oh, oh,

402
00:18:14,680 --> 00:18:16,879
Speaker 1: it's funny. How much of that actually kind of changes

403
00:18:16,880 --> 00:18:20,080
Speaker 1: as his whole care Yeah, he's doing the same stuff,

404
00:18:20,080 --> 00:18:22,840
Speaker 1: but you're like, you just look like older and more

405
00:18:22,880 --> 00:18:24,440
Speaker 1: clean cut and sort of cool album.

406
00:18:24,520 --> 00:18:28,520
Speaker 3: You're so handsome, I mean, so so handsome and mature looking.

407
00:18:28,640 --> 00:18:31,480
Speaker 4: He's like fully fully rock star by this time, by

408
00:18:31,560 --> 00:18:35,440
Speaker 4: ninety yeah, right, Kylie is really taken off by this point,

409
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Speaker 4: isn't it.

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00:18:36,000 --> 00:18:36,439
Speaker 2: I think so?

411
00:18:36,520 --> 00:18:39,240
Speaker 4: And then it's like early two thousands where they really hit.

412
00:18:39,280 --> 00:18:41,560
Speaker 4: But I think they're they're kind of up and coming

413
00:18:42,200 --> 00:18:43,840
Speaker 4: in a major way at this point.

414
00:18:43,880 --> 00:18:45,639
Speaker 1: I think I didn't know it at the time. I

415
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Speaker 1: don't think because I.

416
00:18:46,720 --> 00:18:49,399
Speaker 4: Never knew play parties that we would early if Jason

417
00:18:49,440 --> 00:18:51,280
Speaker 4: Marson would hire them to come and play at his

418
00:18:51,320 --> 00:18:53,160
Speaker 4: Halloween parties and stuff like that, and we'd go see

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Speaker 4: him at Baseland.

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Speaker 2: And I think this was kind.

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Speaker 3: Of like, yeah, ninety eight, so okay, oh so the.

422
00:18:58,920 --> 00:19:01,399
Speaker 2: No then this is just kind of this okay, all right.

423
00:19:01,440 --> 00:19:03,480
Speaker 2: I thought this was they were getting there already.

424
00:19:03,720 --> 00:19:06,120
Speaker 3: So Frankie pat's Joey on the back. This is it,

425
00:19:06,240 --> 00:19:09,440
Speaker 3: my good friend, Joey, our last week is juvenile delinquents.

426
00:19:09,720 --> 00:19:12,359
Speaker 3: Joey beams, Yeah, out of high school, the real world.

427
00:19:12,680 --> 00:19:15,960
Speaker 3: So what do you think we should be? Frankie shrugs, criminals.

428
00:19:16,160 --> 00:19:19,399
Speaker 3: We should start small. Joey agrees, Yeah, let's rob our

429
00:19:19,440 --> 00:19:22,720
Speaker 3: friends the criminals. Waltz up to Corey and Sean, and

430
00:19:22,760 --> 00:19:26,120
Speaker 3: Frankie explains, because we have shared both good times and bad,

431
00:19:26,160 --> 00:19:28,440
Speaker 3: we would be honored if you would sign these yearbooks

432
00:19:28,520 --> 00:19:29,400
Speaker 3: we have pilferd.

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00:19:31,720 --> 00:19:33,520
Speaker 2: They steal stuff that they're giving the they keep giving

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Speaker 2: everybody for free. I know exactly.

435
00:19:35,760 --> 00:19:37,720
Speaker 3: Actually, don't you have to buy your earbooks?

436
00:19:38,520 --> 00:19:40,199
Speaker 2: I would depend when we were there. I think we

437
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Speaker 2: got one.

438
00:19:41,000 --> 00:19:43,400
Speaker 4: If you paid a certain amount of money, you would

439
00:19:43,400 --> 00:19:45,440
Speaker 4: get a special edition one where it was like gold

440
00:19:45,480 --> 00:19:46,040
Speaker 4: leaf for something.

441
00:19:46,040 --> 00:19:47,920
Speaker 2: But I think they gave everybody one.

442
00:19:48,240 --> 00:19:50,240
Speaker 3: Yeah, they say in the show, you get one for free,

443
00:19:50,240 --> 00:19:51,960
Speaker 3: but I think we had to pay for ours.

444
00:19:52,520 --> 00:19:57,480
Speaker 2: It's California, we give you know, we give our stuff away. Yeah.

445
00:19:57,600 --> 00:20:00,880
Speaker 3: Sean asks you took somebody else's yearbooks. Corey reminds them

446
00:20:00,880 --> 00:20:03,960
Speaker 3: that everyone gets their own. Joey asks where's the joy

447
00:20:03,960 --> 00:20:06,840
Speaker 3: in that and slams his stolen book against Sean's chest.

448
00:20:07,200 --> 00:20:09,440
Speaker 3: Cory asks Frankie, what would you like me to say?

449
00:20:09,600 --> 00:20:12,800
Speaker 3: Frankie grins, just put down your address, and Joey it's yeah,

450
00:20:12,800 --> 00:20:14,600
Speaker 3: and what time you're not going to be home? You know?

451
00:20:15,119 --> 00:20:18,280
Speaker 3: And you don't have a big dog, do you? Very funny?

452
00:20:18,760 --> 00:20:21,280
Speaker 3: Corey and Sewan quickly jot down the information in their yearbooks.

453
00:20:21,359 --> 00:20:24,280
Speaker 3: Frankie's pleased. You boys take care of yourselves and remember

454
00:20:24,480 --> 00:20:27,560
Speaker 3: always stay friends. He smacks Corey on the back, knocking

455
00:20:27,600 --> 00:20:29,240
Speaker 3: the wind out of him. We like to think of

456
00:20:29,280 --> 00:20:32,159
Speaker 3: ourselves as the Corey and Sean of the underworld. Joey

457
00:20:32,240 --> 00:20:34,199
Speaker 3: likes the comparison. I want to be Corey. Can I

458
00:20:34,240 --> 00:20:37,600
Speaker 3: be Corey? Frankie notts that makes me Sean and with that,

459
00:20:37,880 --> 00:20:41,040
Speaker 3: the duo walk off. Screen and out of Boy meets

460
00:20:41,080 --> 00:20:42,119
Speaker 3: world for him.

461
00:20:44,240 --> 00:20:47,640
Speaker 1: The city sure last yea.

462
00:20:48,200 --> 00:20:50,600
Speaker 3: Cory asks Sean, do you see how important this week is?

463
00:20:50,760 --> 00:20:53,280
Speaker 3: Saying goodbye to people we might never see again, saying

464
00:20:53,280 --> 00:20:55,560
Speaker 3: goodbye to people who've been around but we lost touch with.

465
00:20:55,800 --> 00:20:59,040
Speaker 3: Sean is confused, like, who Corey thinks about it? Well,

466
00:20:59,280 --> 00:21:01,480
Speaker 3: I don't really know. I guess there's nobody like that.

467
00:21:01,960 --> 00:21:05,119
Speaker 3: And then the camera pans to the other side of

468
00:21:05,119 --> 00:21:09,920
Speaker 3: the hall Whippan and there stands Stuart Mincus, fucking smug.

469
00:21:10,440 --> 00:21:12,800
Speaker 3: The crowd cheers and Corey acknowledges him.

470
00:21:12,920 --> 00:21:13,520
Speaker 2: Hi Mincas.

471
00:21:13,840 --> 00:21:17,000
Speaker 3: The boy sarcastically asks, oh now, it's high Mincas. For

472
00:21:17,080 --> 00:21:19,120
Speaker 3: the past four years, it's like I haven't even been

473
00:21:19,119 --> 00:21:21,600
Speaker 3: in the same school with you, guys. Seawan admits, we

474
00:21:21,720 --> 00:21:24,439
Speaker 3: just never saw you around, Mancus, isn't hearing it? I was,

475
00:21:24,680 --> 00:21:26,320
Speaker 3: I was just in the other part of the school.

476
00:21:26,560 --> 00:21:29,680
Speaker 3: Sean asks what other part of the school? Mincus responds,

477
00:21:29,680 --> 00:21:32,359
Speaker 3: you know, over there, and he points off camera to

478
00:21:32,400 --> 00:21:34,560
Speaker 3: the side of the hallway we never see. Corey and

479
00:21:34,600 --> 00:21:38,560
Speaker 3: Sean join him in examining the unfamiliar territory. Corey admits, well,

480
00:21:38,600 --> 00:21:40,960
Speaker 3: we don't go there shawnagrees, you go over there, you

481
00:21:41,000 --> 00:21:44,560
Speaker 3: may never come back. Mincus scoffs ah, that's crazy, and

482
00:21:44,600 --> 00:21:47,760
Speaker 3: then waves to this other side and shouts, hey, mister Turner,

483
00:21:48,040 --> 00:21:48,680
Speaker 3: waight up.

484
00:21:49,040 --> 00:21:54,640
Speaker 4: Well, it's had a joke. It is such a joke,

485
00:21:54,760 --> 00:21:58,520
Speaker 4: but it's harsh. But it is such a good joke.

486
00:21:58,600 --> 00:22:02,639
Speaker 4: That's the battle inside of me, as they is. I'm like,

487
00:22:02,680 --> 00:22:04,240
Speaker 4: oh god, it's such a good joke.

488
00:22:04,119 --> 00:22:05,639
Speaker 2: But man, it's harsh.

489
00:22:05,440 --> 00:22:06,199
Speaker 3: Yeah, we loved it.

490
00:22:06,240 --> 00:22:08,520
Speaker 2: I remember distinctly all of us like, oh my god,

491
00:22:08,560 --> 00:22:09,120
Speaker 2: that's so clever.

492
00:22:09,200 --> 00:22:12,840
Speaker 3: But it's a BS send off for a beloved character. Yes,

493
00:22:12,920 --> 00:22:15,119
Speaker 3: but it's a really good joke.

494
00:22:15,240 --> 00:22:17,520
Speaker 2: It is. It's a great joke. Unfortunately.

495
00:22:17,720 --> 00:22:20,560
Speaker 3: Yeah, Corey changes the subject. Well, Sean, I think the

496
00:22:20,600 --> 00:22:23,320
Speaker 3: time has come to sign each other's yearbooks. He sits

497
00:22:23,320 --> 00:22:25,399
Speaker 3: sewn down on the senior couch and stares at him

498
00:22:25,400 --> 00:22:28,440
Speaker 3: with excitement and eager. Corey asks, shall we talk about

499
00:22:28,440 --> 00:22:31,640
Speaker 3: it first? Sean smiles, No, No, let's just def.

500
00:22:32,640 --> 00:22:34,160
Speaker 2: Just like, okay, should we talk?

501
00:22:35,200 --> 00:22:36,440
Speaker 3: That's what we're gonna say.

502
00:22:36,720 --> 00:22:41,359
Speaker 1: So he's great in this episode. The chicken scene, Oh

503
00:22:41,400 --> 00:22:45,239
Speaker 1: my god, I was dying. The chicken bit is, but

504
00:22:45,320 --> 00:22:47,760
Speaker 1: this is is just I just love like, you know,

505
00:22:48,280 --> 00:22:51,240
Speaker 1: over like what is the word like? Over? Eager?

506
00:22:51,320 --> 00:22:56,160
Speaker 3: Core you know, and wants to get it so right,

507
00:22:56,560 --> 00:22:59,760
Speaker 3: really sentimental about every aspect of it, really wants it

508
00:22:59,800 --> 00:23:04,600
Speaker 3: to be good. Boy, Oh boy, where to begin? Huh?

509
00:23:04,600 --> 00:23:06,360
Speaker 3: What am I going to say to you? Man? This

510
00:23:06,400 --> 00:23:08,440
Speaker 3: is going to take me at least a week. Sean

511
00:23:08,520 --> 00:23:10,879
Speaker 3: scribbles a few words enhance the yearbook back to Corey.

512
00:23:10,920 --> 00:23:14,920
Speaker 3: He's done. Corey shocked, you're done. He quickly finds Sean message,

513
00:23:15,280 --> 00:23:16,960
Speaker 3: Hey you write.

514
00:23:16,920 --> 00:23:21,920
Speaker 4: Hey, delivery, Hey, Hey, you write hey?

515
00:23:22,640 --> 00:23:24,760
Speaker 2: And it was just so good.

516
00:23:24,960 --> 00:23:30,600
Speaker 3: And Sean nods and says, and I mean it. Corey questions,

517
00:23:30,680 --> 00:23:34,080
Speaker 3: you don't even write my name? Sean laughs, Corey, it's

518
00:23:34,119 --> 00:23:36,520
Speaker 3: your yearbook? Who else would it be to you? Know

519
00:23:36,600 --> 00:23:38,119
Speaker 3: how I feel about you? Why do I have to

520
00:23:38,119 --> 00:23:40,879
Speaker 3: write it down? Corey explains, because it's the spirit of

521
00:23:40,920 --> 00:23:42,600
Speaker 3: the week. Sean, it's about this place.

522
00:23:42,840 --> 00:23:43,000
Speaker 4: Now.

523
00:23:43,000 --> 00:23:45,600
Speaker 3: Why don't you care about this? And then Tapanga walks

524
00:23:45,680 --> 00:23:48,800
Speaker 3: up holding something important in her hands. Look what we got,

525
00:23:49,440 --> 00:23:51,560
Speaker 3: Corey gush is our senior rings?

526
00:23:51,960 --> 00:23:54,479
Speaker 2: Did you get these? Did either of you actually get

527
00:23:54,480 --> 00:23:55,680
Speaker 2: in high school? Graduation?

528
00:23:57,240 --> 00:23:58,080
Speaker 3: Yeah? I did not know.

529
00:23:58,600 --> 00:23:59,480
Speaker 2: I didn't either I knew it.

530
00:23:59,520 --> 00:24:00,960
Speaker 4: Was a thing, but it was. It's like a thing

531
00:24:01,040 --> 00:24:04,760
Speaker 4: from mostly like the fifties. Yes, my dad had has

532
00:24:04,800 --> 00:24:06,440
Speaker 4: a high school graduated.

533
00:24:06,320 --> 00:24:09,120
Speaker 3: So big for athletes, I think like, oh.

534
00:24:09,040 --> 00:24:11,760
Speaker 2: Okay, I feel like there's like a letter thing.

535
00:24:11,920 --> 00:24:15,320
Speaker 3: Kind of like yeah, if you played sports there. I

536
00:24:15,320 --> 00:24:18,920
Speaker 3: think it's I think there are certain groups of people

537
00:24:19,040 --> 00:24:24,760
Speaker 3: who are more likely to have a senior ring ring, right. Yeah.

538
00:24:25,240 --> 00:24:28,800
Speaker 3: And it's just so funny the way things when you

539
00:24:28,840 --> 00:24:32,920
Speaker 3: are in them feel so big, and like, imagine if

540
00:24:32,960 --> 00:24:35,560
Speaker 3: I had my high school ring, what would I I

541
00:24:35,600 --> 00:24:37,200
Speaker 3: would have melted that thing down.

542
00:24:37,520 --> 00:24:41,800
Speaker 1: And the reunion, the reunion that reunions.

543
00:24:41,359 --> 00:24:44,600
Speaker 2: And I'm not even invited to my reunions. It's true.

544
00:24:44,640 --> 00:24:50,119
Speaker 2: They apparently they've had about it. Do you Here's the

545
00:24:50,119 --> 00:24:50,520
Speaker 2: other thing.

546
00:24:50,640 --> 00:24:53,359
Speaker 4: Do you ever actually look at your high school Do

547
00:24:53,359 --> 00:24:56,440
Speaker 4: you ever occasionally grab your your book and then read

548
00:24:56,520 --> 00:24:59,679
Speaker 4: some of the comments. Yeah, it's because nobody wrote in

549
00:24:59,720 --> 00:25:01,640
Speaker 4: myih school year bok didn't like anybody at the time.

550
00:25:01,680 --> 00:25:04,600
Speaker 4: But I have my middle school one, and going back

551
00:25:04,640 --> 00:25:06,480
Speaker 4: and reading some of the comments, it really is you.

552
00:25:06,680 --> 00:25:08,080
Speaker 4: It's one of those things where all of a sudden

553
00:25:08,119 --> 00:25:10,480
Speaker 4: you're like, oh, I've been here, two hours, right, yes,

554
00:25:10,560 --> 00:25:11,520
Speaker 4: exactly that kind of thing.

555
00:25:12,080 --> 00:25:14,960
Speaker 2: Did you get one for your high school writer?

556
00:25:16,119 --> 00:25:18,000
Speaker 1: Yeah, but I don't know where it is. I don't know. Yeah,

557
00:25:18,000 --> 00:25:20,879
Speaker 1: everybody got a page, So everybody got a page to

558
00:25:20,880 --> 00:25:21,840
Speaker 1: do whatever they wanted.

559
00:25:22,040 --> 00:25:24,200
Speaker 2: So it was a pamphlet basically.

560
00:25:24,359 --> 00:25:26,240
Speaker 1: Yeah, but like you know, a lot of kitchen you

561
00:25:26,400 --> 00:25:29,200
Speaker 1: are right now. Yeah, so, but I would love to

562
00:25:29,240 --> 00:25:30,720
Speaker 1: see them. There's one for every year that I was

563
00:25:30,760 --> 00:25:32,280
Speaker 1: at the school. We always had a year book that

564
00:25:32,359 --> 00:25:33,960
Speaker 1: was like, you know, the whole to be together.

565
00:25:34,480 --> 00:25:37,000
Speaker 2: A year flip, year flip, a year flip.

566
00:25:37,480 --> 00:25:39,960
Speaker 3: It can't be a book. It's not big, not enough

567
00:25:40,040 --> 00:25:40,960
Speaker 3: students to be a book.

568
00:25:41,000 --> 00:25:43,520
Speaker 4: So I just see a bunch of students in like

569
00:25:43,680 --> 00:25:46,640
Speaker 4: monk like robes, like calligraphying for the year.

570
00:25:46,760 --> 00:25:49,280
Speaker 2: They're they're kind of their book to graduate.

571
00:25:49,520 --> 00:25:53,879
Speaker 1: To make the paper exactly, finding it with like thread

572
00:25:55,119 --> 00:25:55,560
Speaker 1: so great.

573
00:25:56,480 --> 00:25:59,360
Speaker 3: Our senior rings they just arrived and to Panga, let

574
00:25:59,359 --> 00:26:01,400
Speaker 3: Sean know he can go get his in the cafeteria.

575
00:26:01,600 --> 00:26:04,280
Speaker 3: Sean corrects her, No, I can't because I didn't order one.

576
00:26:04,320 --> 00:26:07,399
Speaker 3: They're stupid, They mean nothing. Corey and Topanga aren't listening.

577
00:26:07,400 --> 00:26:10,199
Speaker 3: They're too busy admiring their rings. Sean huffs to me

578
00:26:10,600 --> 00:26:14,080
Speaker 3: and walks away. Now focused on to Panga, Corey asks,

579
00:26:14,240 --> 00:26:16,480
Speaker 3: so have you been thinking about Yale? This is a

580
00:26:16,480 --> 00:26:19,360
Speaker 3: big decision. To Pega reminds him, I told you I'm

581
00:26:19,359 --> 00:26:22,880
Speaker 3: going to Penbrook with you. That's what I want. Corey explains,

582
00:26:22,960 --> 00:26:25,320
Speaker 3: you don't turn down Yelle without thinking about it first.

583
00:26:25,600 --> 00:26:28,080
Speaker 3: To Pega assures him she thought about it. Corey pulls

584
00:26:28,080 --> 00:26:30,560
Speaker 3: out a folder. He got some information from the Internet

585
00:26:30,640 --> 00:26:35,240
Speaker 3: last night. How to use the Internet first?

586
00:26:35,320 --> 00:26:37,520
Speaker 2: Is his first Internet kind of talk.

587
00:26:38,200 --> 00:26:41,359
Speaker 3: There's been one other Internet mentioned we have, I think so.

588
00:26:41,560 --> 00:26:44,159
Speaker 3: I think there was one other mention of it somewhere.

589
00:26:44,200 --> 00:26:46,120
Speaker 3: I can't remember exactly where, but it's it's rare.

590
00:26:47,040 --> 00:26:58,600
Speaker 2: I was watching porn on DIALECU, right, Yeah, that's so.

591
00:26:58,960 --> 00:27:01,320
Speaker 1: It's so funny. They like, you couldn't just say I

592
00:27:01,320 --> 00:27:03,359
Speaker 1: got some information last night. You have to explain I

593
00:27:03,400 --> 00:27:05,480
Speaker 1: got some information on the Internet, or you go to

594
00:27:05,480 --> 00:27:08,520
Speaker 1: the library. Right, Like however, you'd send away for info

595
00:27:09,119 --> 00:27:09,640
Speaker 1: on the web.

596
00:27:09,680 --> 00:27:11,399
Speaker 4: You'd say that too, like I got something on the

597
00:27:11,400 --> 00:27:14,280
Speaker 4: web last Yeah, this is still.

598
00:27:14,040 --> 00:27:16,399
Speaker 1: Like this was still like Google was one of four

599
00:27:16,520 --> 00:27:19,080
Speaker 1: search engines that were like competing. You know, there's like

600
00:27:19,119 --> 00:27:24,080
Speaker 1: Alta Vista and like Odscape and Yahoo right, so many

601
00:27:24,080 --> 00:27:25,960
Speaker 1: people still used AOL search and.

602
00:27:25,960 --> 00:27:28,400
Speaker 2: New prodigy Prodigy Prodigy.

603
00:27:29,400 --> 00:27:31,440
Speaker 3: He makes her promise she'll read it before she makes

604
00:27:31,520 --> 00:27:33,199
Speaker 3: up her mind. The bell rings and she gives him

605
00:27:33,200 --> 00:27:36,000
Speaker 3: a big smile. I love you, Corey. He nods, well,

606
00:27:36,119 --> 00:27:42,679
Speaker 3: you should. I have to say, I'm very bored, super

607
00:27:42,720 --> 00:27:48,560
Speaker 3: bored by Tepega's whole storyline. Even I don't care whether

608
00:27:48,600 --> 00:27:50,720
Speaker 3: she goes to Yil or not. It hasn't been set

609
00:27:50,840 --> 00:27:56,040
Speaker 3: up appropriately in my mind it has been. I'm honestly,

610
00:27:56,080 --> 00:27:58,800
Speaker 3: here's what it is. I'm very bored by Tepega's character.

611
00:27:59,119 --> 00:28:03,400
Speaker 3: I feel like I just am not interested in anything

612
00:28:03,480 --> 00:28:05,120
Speaker 3: she's doing. I don't care.

613
00:28:05,800 --> 00:28:09,560
Speaker 4: Well, you've also had two episodes kind of two or

614
00:28:09,560 --> 00:28:11,720
Speaker 4: three in a row where she's kind of it's like,

615
00:28:11,800 --> 00:28:13,520
Speaker 4: you know, the Starry Night and everything it was.

616
00:28:13,800 --> 00:28:15,720
Speaker 2: They've made her kind of monotone the whole way through.

617
00:28:15,880 --> 00:28:17,960
Speaker 4: And the thing you're right about going to Yale, because

618
00:28:17,960 --> 00:28:20,520
Speaker 4: it's not about whether Topang is going to go to Yale.

619
00:28:20,920 --> 00:28:24,560
Speaker 4: It's about how Corey's dealing with whether or not is

620
00:28:24,600 --> 00:28:28,200
Speaker 4: going to go to Yale, So it's not even about Topanga.

621
00:28:27,720 --> 00:28:30,679
Speaker 3: The storry night great was boring. It was the like

622
00:28:31,040 --> 00:28:35,480
Speaker 3: every time we've had an opportunity for Topanga to kind

623
00:28:35,480 --> 00:28:38,040
Speaker 3: of show herself.

624
00:28:37,800 --> 00:28:39,960
Speaker 1: Right, what does she want to study? What does she

625
00:28:40,000 --> 00:28:42,600
Speaker 1: want to do at Yale? Or who knows Pembroke? Yeah,

626
00:28:42,600 --> 00:28:44,760
Speaker 1: I mean there's no it's we know that she's type

627
00:28:44,800 --> 00:28:48,200
Speaker 1: A and cares about those carries and smart and she's like,

628
00:28:48,440 --> 00:28:52,640
Speaker 1: you know, aggressive about those things. But yeah, that's a.

629
00:28:52,640 --> 00:28:56,240
Speaker 3: As Topanga leaves her class, Sean returns, pretending to be supportive,

630
00:28:56,400 --> 00:28:59,640
Speaker 3: very smooth. Corey argues, I'm not pretending and I'm not smooth.

631
00:29:00,080 --> 00:29:02,040
Speaker 3: Penga got into Yale, and I'm proud of her. If

632
00:29:02,040 --> 00:29:04,520
Speaker 3: she cheats herself out of going because of me, how

633
00:29:04,560 --> 00:29:05,280
Speaker 3: do I live with that?

634
00:29:06,560 --> 00:29:07,440
Speaker 1: Very good questions?

635
00:29:07,680 --> 00:29:12,680
Speaker 3: Smart fair, very fair. I love this Cory.

636
00:29:13,000 --> 00:29:15,720
Speaker 4: I forgot that they really did for a couple episodes

637
00:29:15,720 --> 00:29:18,520
Speaker 4: set it up where he was kind of encouraging you go.

638
00:29:18,680 --> 00:29:21,720
Speaker 3: I really encouraging Virtugo, even if later when he realizes,

639
00:29:21,760 --> 00:29:23,720
Speaker 3: oh man, this is going to suck for me, he

640
00:29:23,760 --> 00:29:39,720
Speaker 3: does actually really say all the right things. Yeah, Sean

641
00:29:39,800 --> 00:29:41,920
Speaker 3: points out the obvious, but you don't want her to go,

642
00:29:42,160 --> 00:29:44,680
Speaker 3: Corey reassures his friend. I want to support her, and

643
00:29:44,720 --> 00:29:47,840
Speaker 3: I want you to support me for supporting her. Sean

644
00:29:47,880 --> 00:29:50,240
Speaker 3: says he does support him, and he gives an unenthused

645
00:29:50,400 --> 00:29:54,200
Speaker 3: go Corey to prove it. Corey notices the tone. You're pretending,

646
00:29:54,240 --> 00:29:56,560
Speaker 3: aren't you. Sean throws his arms in the air. Yeah,

647
00:29:56,600 --> 00:30:00,360
Speaker 3: cor just like you. He walks away, and Corey's left done,

648
00:30:02,920 --> 00:30:06,120
Speaker 3: and then we're in Phoene's classroom. Mister Phoene happily enters,

649
00:30:06,160 --> 00:30:09,880
Speaker 3: welcome to your final week of Feenie. Everyone, here's your assignment.

650
00:30:10,200 --> 00:30:12,880
Speaker 3: The class groans, but Phoene isn't moved. Oh shut up,

651
00:30:12,920 --> 00:30:17,080
Speaker 3: I'm tired too. This assignment is completely optional and is

652
00:30:17,080 --> 00:30:20,040
Speaker 3: for no credit. Sean is enthused. Oh well, then I'll

653
00:30:20,040 --> 00:30:22,440
Speaker 3: start on it right away. He pauses for a millisecond,

654
00:30:22,480 --> 00:30:25,840
Speaker 3: then announces, Oh look, I'm done. Phoene grins, that's right.

655
00:30:25,960 --> 00:30:27,880
Speaker 3: You don't have to do it. I want you to

656
00:30:27,880 --> 00:30:30,240
Speaker 3: write about what's in your heart during these last weeks

657
00:30:30,240 --> 00:30:32,760
Speaker 3: of school. Sean needs clarity. I don't have to do

658
00:30:32,800 --> 00:30:35,920
Speaker 3: it right. Angela answers, do it, Sean. It's no pressure,

659
00:30:36,000 --> 00:30:38,560
Speaker 3: it'll be fun. Sean is certain it won't be fun.

660
00:30:38,640 --> 00:30:40,760
Speaker 3: Ta Pega declares, I'm doing it, and I'm getting an A.

661
00:30:41,120 --> 00:30:44,120
Speaker 3: Phoene reminds her it's for no credit. To Pega gets

662
00:30:44,240 --> 00:30:47,000
Speaker 3: very intense and grabs Phoenie by the jacket. I have

663
00:30:47,120 --> 00:30:49,960
Speaker 3: six hundred and ninety nine a's I need one more.

664
00:30:50,400 --> 00:30:53,680
Speaker 3: Give me the a, Phoene. He shrugs, Okay, fine, you

665
00:30:53,720 --> 00:30:55,440
Speaker 3: got an A. You don't even have to do it.

666
00:30:55,480 --> 00:30:57,280
Speaker 3: I'll just give you an A because I'm scared of you.

667
00:30:57,800 --> 00:31:01,640
Speaker 3: That's an even seven hundred. Penga needs more info. Seven hundred.

668
00:31:01,920 --> 00:31:05,920
Speaker 3: That's more than anybody, right, Phoene exclaims, oh, more than anybody.

669
00:31:06,160 --> 00:31:08,800
Speaker 3: To Pega's demonic grin doesn't crack as she slides back

670
00:31:08,800 --> 00:31:11,840
Speaker 3: into her seat. Satisfied, he walks, you're you're.

671
00:31:12,040 --> 00:31:14,120
Speaker 2: You're sitting in to frame like looking creepy.

672
00:31:14,280 --> 00:31:17,000
Speaker 1: Was just love the way Bill deliveries. Oh yeah, that's

673
00:31:17,000 --> 00:31:19,720
Speaker 1: more than anyone like you could care less.

674
00:31:21,040 --> 00:31:26,360
Speaker 3: Absolutely by far By father, it's very trump I'm the biggest,

675
00:31:27,000 --> 00:31:34,680
Speaker 3: the best I've got, You've got, uh, it's huge. Phoene

676
00:31:34,760 --> 00:31:38,800
Speaker 3: walks past Corey and whispers good luck in hell, mister Matthews.

677
00:31:38,880 --> 00:31:40,840
Speaker 2: Just great, And.

678
00:31:40,800 --> 00:31:42,840
Speaker 3: Then we're in the guy's apartment. Sean walks through the

679
00:31:42,880 --> 00:31:44,480
Speaker 3: front door to see Jack, who has set up a

680
00:31:44,480 --> 00:31:48,440
Speaker 3: giant banner in the kitchen that reads congratulations Sean. Sadly,

681
00:31:48,520 --> 00:31:50,520
Speaker 3: the sign covers up where the food picture would be,

682
00:31:50,560 --> 00:31:54,920
Speaker 3: so we don't know what this final episode. Jack exclaims, surprise,

683
00:31:55,160 --> 00:31:58,800
Speaker 3: mister graduateur, Why would he do this on a day?

684
00:31:59,000 --> 00:32:01,240
Speaker 3: Isn't they and.

685
00:32:01,280 --> 00:32:04,400
Speaker 2: Just the two of them? I'm putting up banners for

686
00:32:04,600 --> 00:32:05,320
Speaker 2: just the two of us.

687
00:32:05,400 --> 00:32:13,160
Speaker 1: There's no doubt, hat, no noisemaker. Yeah, where's chat?

688
00:32:13,560 --> 00:32:16,480
Speaker 4: I have to say, though, I'm starting to really like

689
00:32:16,640 --> 00:32:18,160
Speaker 4: this relationship between the two of you.

690
00:32:18,600 --> 00:32:18,920
Speaker 2: Yeah.

691
00:32:19,080 --> 00:32:20,760
Speaker 4: I think what they're doing with Sean and Jack, the

692
00:32:20,800 --> 00:32:22,600
Speaker 4: wrestling stuff where then you'd stop and kind of talk

693
00:32:22,600 --> 00:32:24,400
Speaker 4: about why you're doing it, it's great.

694
00:32:24,800 --> 00:32:25,200
Speaker 2: I dig it.

695
00:32:25,280 --> 00:32:27,240
Speaker 1: Yeah, yeah, No, this is the payoff to that you

696
00:32:27,280 --> 00:32:29,720
Speaker 1: know episode that we did mid season where we wrestled

697
00:32:29,720 --> 00:32:32,920
Speaker 1: and all you know, it's when they write to us together.

698
00:32:33,080 --> 00:32:34,320
Speaker 1: It actually works.

699
00:32:34,440 --> 00:32:35,440
Speaker 2: Yeah, I agree, it.

700
00:32:35,320 --> 00:32:38,920
Speaker 4: Works because you're different enough to where it's interesting to

701
00:32:38,960 --> 00:32:40,200
Speaker 4: watch the characters interact.

702
00:32:41,240 --> 00:32:44,440
Speaker 3: My thing, though, is that this little, this little storyline

703
00:32:44,480 --> 00:32:46,440
Speaker 3: of you guys wrestling and you not being into it.

704
00:32:46,480 --> 00:32:49,920
Speaker 3: There's never a resolution to this. There's like, this is

705
00:32:49,920 --> 00:32:55,240
Speaker 3: like the last time it's mentioned, there's never anything more

706
00:32:55,440 --> 00:32:55,880
Speaker 3: between you.

707
00:32:56,080 --> 00:32:58,360
Speaker 1: Well, I think it's all about tying up the loose

708
00:32:58,480 --> 00:33:01,400
Speaker 1: ends from the beginning of the scenes. You think about that. Yeah,

709
00:33:01,440 --> 00:33:03,800
Speaker 1: the beginning of the season was the introduction of Jack

710
00:33:03,840 --> 00:33:05,400
Speaker 1: and that we are never going to be able to

711
00:33:05,400 --> 00:33:08,680
Speaker 1: have a relationship. Now we're living together and wrestling and communicating,

712
00:33:08,840 --> 00:33:10,240
Speaker 1: and I think they just wanted to put a button

713
00:33:10,280 --> 00:33:13,960
Speaker 1: on that whole relationship so we can never address it again. Right, No,

714
00:33:14,040 --> 00:33:16,200
Speaker 1: we do. We do when when Chet comes back and dies.

715
00:33:16,640 --> 00:33:21,240
Speaker 1: But I feel like, wait what, yeah, do what? And

716
00:33:21,240 --> 00:33:23,440
Speaker 1: I don't know if that's next I'm assuming that's next season,

717
00:33:23,480 --> 00:33:26,800
Speaker 1: But like otherwise, you know, I don't think. I don't know.

718
00:33:26,800 --> 00:33:28,320
Speaker 1: I can't wait to see because I just don't think

719
00:33:28,400 --> 00:33:30,000
Speaker 1: Jack and Shawn have much more to do after this.

720
00:33:30,120 --> 00:33:32,400
Speaker 1: I think they were just trying to, you know, wrap

721
00:33:32,440 --> 00:33:34,840
Speaker 1: put a bow on everything. Yeah, and this is this

722
00:33:35,000 --> 00:33:37,320
Speaker 1: was just that was a resolution to some dangling thread

723
00:33:37,360 --> 00:33:38,600
Speaker 1: from the beginning of the season.

724
00:33:39,840 --> 00:33:42,240
Speaker 3: So Sean's eye, I told you, I'm not into this.

725
00:33:42,480 --> 00:33:44,960
Speaker 3: Jack isn't convinced. I've got something that may change your mind.

726
00:33:45,160 --> 00:33:48,320
Speaker 3: He unveils a theme park like caricature drawing of Sean

727
00:33:48,360 --> 00:33:51,280
Speaker 3: that includes him in a graduation cap and robe flying

728
00:33:51,320 --> 00:33:52,640
Speaker 3: in the sky on a diploma.

729
00:33:52,880 --> 00:33:54,640
Speaker 2: I want this, I want.

730
00:33:55,960 --> 00:33:57,080
Speaker 1: Was like, what would.

731
00:33:58,440 --> 00:34:00,720
Speaker 3: Yeah, he had a guy do it for I'm a snapshot.

732
00:34:00,720 --> 00:34:03,720
Speaker 3: Sean grabs the picture and sarcastically says, yeah, that's great now,

733
00:34:03,800 --> 00:34:06,320
Speaker 3: graduation really means a lot to me. He places it

734
00:34:06,400 --> 00:34:08,840
Speaker 3: face down on the counter in the kitchen. Jack is

735
00:34:08,880 --> 00:34:11,560
Speaker 3: offended by Sean's bad attitude and he shoves him. Shawn

736
00:34:11,640 --> 00:34:14,239
Speaker 3: is shocked. He shouts what was that and shoves him

737
00:34:14,280 --> 00:34:17,200
Speaker 3: right back. Jack angrily asks why he doesn't appreciate the

738
00:34:17,239 --> 00:34:19,560
Speaker 3: caricature he had made of him with a big head

739
00:34:19,560 --> 00:34:21,719
Speaker 3: and a tiny body, And you're riding the big diploma

740
00:34:21,800 --> 00:34:23,720
Speaker 3: like it's the magic carpet your future.

741
00:34:23,840 --> 00:34:24,960
Speaker 1: It's such a good line.

742
00:34:27,560 --> 00:34:30,759
Speaker 3: You don't appreciate anything, man, and again he shoves him

743
00:34:30,840 --> 00:34:33,840
Speaker 3: quite forcefully. Sean yells back, it's a crappy picture and

744
00:34:33,920 --> 00:34:36,520
Speaker 3: pushes Jack all the way onto the couch. I hate it.

745
00:34:36,920 --> 00:34:39,239
Speaker 3: They start fighting as Jack tries to reason with him,

746
00:34:39,320 --> 00:34:42,400
Speaker 3: don't you see you will never go to high school ever? Again,

747
00:34:42,680 --> 00:34:46,480
Speaker 3: Sean sarcastically shouts, yeah, hooray. They continue to scrap, and

748
00:34:46,560 --> 00:34:48,640
Speaker 3: Jack says, through gritted teeth, I'm just trying to put

749
00:34:48,640 --> 00:34:51,799
Speaker 3: you in touch with your feelings. Sean responds, while being choked. No,

750
00:34:52,000 --> 00:34:54,640
Speaker 3: you're trying to put me in touch with your feelings.

751
00:34:55,280 --> 00:34:57,319
Speaker 3: And you guys, with your physical comedy with this is

752
00:34:57,640 --> 00:34:59,080
Speaker 3: so well done.

753
00:34:59,239 --> 00:34:59,680
Speaker 1: That's true.

754
00:35:00,160 --> 00:35:03,680
Speaker 3: Didn't really funny, really well done? You remember it all?

755
00:35:03,920 --> 00:35:05,840
Speaker 1: No, I don't. I remember the other one where but

756
00:35:06,560 --> 00:35:09,560
Speaker 1: oh we did this wrestling thing again? But yeah, no,

757
00:35:09,640 --> 00:35:11,120
Speaker 1: it works, it works.

758
00:35:10,920 --> 00:35:14,160
Speaker 3: Looks really good. He pushes his older brother off of him,

759
00:35:14,200 --> 00:35:16,720
Speaker 3: and Jack is confused. Why do we always end up wrestling?

760
00:35:16,840 --> 00:35:21,280
Speaker 3: Sean eventually says, I think it's how we communicate. Jack nods, yeah,

761
00:35:21,400 --> 00:35:24,040
Speaker 3: well I have something else to say. He immediately pounces

762
00:35:24,080 --> 00:35:26,600
Speaker 3: on Seawan and they continue to wrestle. Just then Eric

763
00:35:26,760 --> 00:35:29,720
Speaker 3: walks out of his room in an all black Navy

764
00:35:29,880 --> 00:35:34,879
Speaker 3: steal outfit, fullar with a grappling hook and some other

765
00:35:35,040 --> 00:35:39,520
Speaker 3: cool gadgets. He he thinks he's retiring. I'm gonna stop him.

766
00:35:39,719 --> 00:35:42,799
Speaker 3: I don't know how, but I am. He finds Jack

767
00:35:42,840 --> 00:35:44,520
Speaker 3: and Sean on the floor, still trying to choke each

768
00:35:44,520 --> 00:35:47,160
Speaker 3: other out. Maybe I'll ask the French for help or

769
00:35:47,200 --> 00:35:48,960
Speaker 3: the Belgians. They're not doing anything.

770
00:35:49,120 --> 00:35:50,080
Speaker 2: They're not doing anything.

771
00:35:51,000 --> 00:35:53,239
Speaker 3: Eric places a pair of night goggles over his eyes

772
00:35:53,239 --> 00:35:56,600
Speaker 3: and tells the boys, you babies, stop fighting. Eric struggles

773
00:35:56,640 --> 00:35:58,120
Speaker 3: to make his way out the door, getting his hook

774
00:35:58,160 --> 00:35:59,000
Speaker 3: stuck in the doorframe.

775
00:35:59,080 --> 00:36:03,120
Speaker 2: Finally I lived. You can see Matt laughing sticking the thing.

776
00:36:03,520 --> 00:36:07,919
Speaker 1: Yeah, so fun. Finally, like this is where Eric's gonna

777
00:36:07,960 --> 00:36:10,959
Speaker 1: live for the rest of him. Ye this episode, Yeah,

778
00:36:11,000 --> 00:36:13,920
Speaker 1: we are just launching because I feel like Eric often

779
00:36:14,200 --> 00:36:18,239
Speaker 1: goes zany, but he up until now I has he

780
00:36:18,360 --> 00:36:22,800
Speaker 1: initiated the zany plot like this only this whole situation

781
00:36:22,880 --> 00:36:25,279
Speaker 1: only exists because Eric is going like crazy, right, like

782
00:36:25,320 --> 00:36:28,000
Speaker 1: that's your whole storyline. It's like, I'm gonna navy seal

783
00:36:28,040 --> 00:36:30,320
Speaker 1: my way out of you know, getting Feennie to stop retiring.

784
00:36:30,360 --> 00:36:32,279
Speaker 1: And it's like and then I was thinking about the

785
00:36:32,280 --> 00:36:34,640
Speaker 1: sneak attacks stuff like we keep doing we do this

786
00:36:34,719 --> 00:36:38,120
Speaker 1: from now on. I feel like it just this, give

787
00:36:38,120 --> 00:36:41,080
Speaker 1: Will a costume and let him go crazy pretty much.

788
00:36:41,000 --> 00:36:41,840
Speaker 2: Like that's accurate.

789
00:36:43,960 --> 00:36:46,040
Speaker 3: Sean and Jack have been staring at this insanity and

790
00:36:46,160 --> 00:36:48,800
Speaker 3: utter confusion. Then they go back to their wrestling match,

791
00:36:49,160 --> 00:36:51,280
Speaker 3: and then we're back at John Adams High. In the hallway,

792
00:36:51,320 --> 00:36:55,040
Speaker 3: we see wild chickens on the floor, congregating around the

793
00:36:55,080 --> 00:36:59,879
Speaker 3: trash can, probably because the hands have placed seed right.

794
00:37:01,360 --> 00:37:04,839
Speaker 3: Corey and Sean enter, and Corey is very excited by

795
00:37:04,880 --> 00:37:10,719
Speaker 3: the livestock. Great chickens in the hallway. Huh. Someone must

796
00:37:10,719 --> 00:37:15,000
Speaker 3: have let them lose is the official senior break. He

797
00:37:15,120 --> 00:37:17,800
Speaker 3: runs around the hallway, pretending to flock his wings like

798
00:37:17,840 --> 00:37:21,080
Speaker 3: a chicken, screaming, oh my gosh, look at the chickens.

799
00:37:21,719 --> 00:37:23,719
Speaker 3: He runs up to a random classmate and shakes him

800
00:37:23,800 --> 00:37:28,000
Speaker 3: chicken alert. Yeah. He has entered a euphoria, surrounded by

801
00:37:28,080 --> 00:37:32,320
Speaker 3: much less enthused classmates. I wonder which crazy senior thought

802
00:37:32,400 --> 00:37:36,480
Speaker 3: this up. This is nuts. Huh. Then Feenie walks in

803
00:37:36,520 --> 00:37:39,200
Speaker 3: and notices the chickens, barely giving them a passing glance.

804
00:37:39,400 --> 00:37:42,000
Speaker 3: He curiously asks Cory, what did you do rent a

805
00:37:42,040 --> 00:37:46,839
Speaker 3: couple of chickens? Corey nuts? Yeah, don't step on them

806
00:37:46,920 --> 00:37:50,160
Speaker 3: or else I lose my deposit. As he bolts away,

807
00:37:50,800 --> 00:37:54,279
Speaker 3: he continues to scream together the.

808
00:37:54,239 --> 00:37:58,760
Speaker 2: Hands go, it's just so Ben and so Cory so good. Uh.

809
00:37:58,800 --> 00:38:01,120
Speaker 3: Sean walks up to Poenians lely admits if I were

810
00:38:01,120 --> 00:38:03,480
Speaker 3: into this, which I'm not. I'd do a senior prank

811
00:38:03,480 --> 00:38:06,600
Speaker 3: that you'd remember. Phoene chuckles, I'm sure you would. He

812
00:38:06,640 --> 00:38:09,240
Speaker 3: then asks Sean if he's working on that final class assignment.

813
00:38:09,480 --> 00:38:12,360
Speaker 3: Sean pretends to be excited, Oh yeah, the assignment. The

814
00:38:12,360 --> 00:38:16,480
Speaker 3: fake excitement quickly fades. No, I'm not. Corey jumps back

815
00:38:16,480 --> 00:38:18,480
Speaker 3: into the hallway, frantically screaming at the top of his

816
00:38:18,560 --> 00:38:21,640
Speaker 3: lungs about the chickens. Again, Phoene advises Sean, I really

817
00:38:21,680 --> 00:38:25,120
Speaker 3: think you should. Sean asks if it's mandatory, and Phoenie emphasizes,

818
00:38:25,200 --> 00:38:28,000
Speaker 3: what you end up doing is up to you, always

819
00:38:28,040 --> 00:38:30,359
Speaker 3: has been. I'm just here to point out what page

820
00:38:30,400 --> 00:38:33,440
Speaker 3: we're on. Phoene leaves and Corey groc's backup. I know,

821
00:38:34,120 --> 00:38:34,680
Speaker 3: I'm just kidding.

822
00:38:34,800 --> 00:38:36,600
Speaker 1: We're not what page we're on. I was like, that's cool.

823
00:38:36,800 --> 00:38:41,080
Speaker 3: It's a beautiful line, and it really does highlight how

824
00:38:41,840 --> 00:38:45,400
Speaker 3: so many things in this show, when with with really

825
00:38:45,440 --> 00:38:48,960
Speaker 3: good guidance from the adults, have ultimately been left up

826
00:38:49,000 --> 00:38:50,760
Speaker 3: to the kids to make their own decision.

827
00:38:52,080 --> 00:38:52,279
Speaker 2: Yeah.

828
00:38:52,320 --> 00:38:55,120
Speaker 1: There's rarely been a you, you have to do this,

829
00:38:55,120 --> 00:38:57,400
Speaker 1: this is the right thing. It's always like, here's the door,

830
00:38:58,040 --> 00:39:00,239
Speaker 1: and here's another door. What are you going to do? Well?

831
00:39:00,400 --> 00:39:03,080
Speaker 3: But but not just here are the two doors, here's

832
00:39:03,160 --> 00:39:05,880
Speaker 3: the door I think is best for you and why.

833
00:39:06,080 --> 00:39:08,759
Speaker 3: But ultimately you have to be the one to make

834
00:39:08,800 --> 00:39:11,400
Speaker 3: the final decision about which door you're going to go through.

835
00:39:11,440 --> 00:39:13,399
Speaker 3: And and I think one of the things that Boy

836
00:39:13,440 --> 00:39:16,960
Speaker 3: Meets World did better than almost any other show is

837
00:39:17,000 --> 00:39:21,000
Speaker 3: that the guidance coming from the adults was always so good,

838
00:39:21,440 --> 00:39:25,120
Speaker 3: even when there were good arguments on both sides. You know,

839
00:39:25,520 --> 00:39:29,000
Speaker 3: sometimes it's it's truly set up that there isn't necessarily

840
00:39:29,080 --> 00:39:31,680
Speaker 3: one right path. They're both good, and you just have

841
00:39:31,760 --> 00:39:34,160
Speaker 3: to be the one to listen to your gut and

842
00:39:34,160 --> 00:39:36,440
Speaker 3: and and say which one you're going to go toward.

843
00:39:38,040 --> 00:39:42,640
Speaker 3: They nobody, nobody was the dumb, stupid parent or the

844
00:39:42,640 --> 00:39:43,239
Speaker 3: the you know.

845
00:39:44,000 --> 00:39:47,640
Speaker 4: Uh, bumbling teacher or any of that kind of stuff.

846
00:39:47,719 --> 00:39:49,200
Speaker 2: And it's also I mean, we saw it with huge

847
00:39:49,239 --> 00:39:49,839
Speaker 2: decisions too.

848
00:39:49,880 --> 00:39:53,319
Speaker 4: I mean Amy and Allen literally walk into a hotel room,

849
00:39:53,520 --> 00:39:55,799
Speaker 4: leaving Corey into hang it to decide whether they're going

850
00:39:55,880 --> 00:39:57,040
Speaker 4: to go have sex in another room.

851
00:39:57,160 --> 00:39:58,160
Speaker 2: Yes, And it's not like.

852
00:39:58,160 --> 00:40:01,200
Speaker 4: Get home, it's just like, hey, you're here's the consequences

853
00:40:01,600 --> 00:40:02,040
Speaker 4: you're ready.

854
00:40:02,080 --> 00:40:04,279
Speaker 2: See you guys stup to you and it's yeah, you're right.

855
00:40:04,280 --> 00:40:06,400
Speaker 4: I'm not sure a lot of other shows, because I

856
00:40:06,440 --> 00:40:08,800
Speaker 4: never call it a kid show geared towards younger people,

857
00:40:09,400 --> 00:40:11,280
Speaker 4: would would do it to that extent.

858
00:40:12,000 --> 00:40:15,880
Speaker 1: Contextualizing the importance of Yale probably would have would have

859
00:40:15,880 --> 00:40:18,120
Speaker 1: been good in a.

860
00:40:18,120 --> 00:40:20,520
Speaker 4: Little bit at the end of the duh, like come on,

861
00:40:20,680 --> 00:40:23,279
Speaker 4: like I know behind. So unless you have a great

862
00:40:23,320 --> 00:40:25,000
Speaker 4: reason not to go, you gotta go.

863
00:40:25,640 --> 00:40:28,280
Speaker 3: I'm not even sure what that point was though, unless

864
00:40:28,320 --> 00:40:31,040
Speaker 3: you have a good reason not to go, well.

865
00:40:31,000 --> 00:40:33,799
Speaker 4: I think it's you know there there might be better

866
00:40:33,840 --> 00:40:36,719
Speaker 4: reasons to not go, and unless you can come up

867
00:40:36,719 --> 00:40:38,360
Speaker 4: with one of those, which there might be two in

868
00:40:38,400 --> 00:40:38,800
Speaker 4: the world.

869
00:40:39,440 --> 00:40:41,719
Speaker 1: So are you and Corey going to break up if

870
00:40:41,760 --> 00:40:43,799
Speaker 1: you go to Yale? Like that seems sad to me.

871
00:40:43,800 --> 00:40:45,640
Speaker 1: If you believe that you're in love and that your

872
00:40:45,680 --> 00:40:48,880
Speaker 1: love is so powerful, it's not going to be effected.

873
00:40:50,160 --> 00:40:52,719
Speaker 3: The idea now that my good reason for not going

874
00:40:52,760 --> 00:40:54,920
Speaker 3: to Yale is because we're going to be engaged. And

875
00:40:54,960 --> 00:40:57,239
Speaker 3: if we're engaged, why doesn't Corey just move to Yale

876
00:40:57,320 --> 00:40:57,520
Speaker 3: with me?

877
00:40:58,239 --> 00:40:59,160
Speaker 1: Right? You should?

878
00:40:59,560 --> 00:41:02,080
Speaker 4: Yeah, you should get her go to school somewhere in

879
00:41:02,080 --> 00:41:04,680
Speaker 4: Connecticut near Yale. That's not that difficult a thing to.

880
00:41:04,640 --> 00:41:09,160
Speaker 1: Do or commit to being engaged, because that's the decision

881
00:41:09,160 --> 00:41:10,799
Speaker 1: you want to make and get married but still go

882
00:41:10,800 --> 00:41:13,200
Speaker 1: to Yale. Right, but you can these things are not.

883
00:41:13,880 --> 00:41:16,200
Speaker 2: Actually opposition, you know exactly now, you know.

884
00:41:16,320 --> 00:41:18,680
Speaker 1: It's like you can be in love and not have

885
00:41:18,800 --> 00:41:20,160
Speaker 1: to sacrifice to that.

886
00:41:20,360 --> 00:41:27,560
Speaker 3: CRY's future and Penbrook is not more important or shouldn't

887
00:41:27,600 --> 00:41:31,840
Speaker 3: be more important than to Penga's future and going to Yale.

888
00:41:32,520 --> 00:41:38,200
Speaker 3: So why is it never even in the cards? And

889
00:41:38,280 --> 00:41:40,600
Speaker 3: maybe it is maybe next season when we get the

890
00:41:40,680 --> 00:41:44,239
Speaker 3: answer when Corey answers, maybe is there a conversation about

891
00:41:44,280 --> 00:41:46,239
Speaker 3: Corey going to Yale and we talk? I don't know,

892
00:41:46,280 --> 00:41:49,120
Speaker 3: maybe there will be. But up until this point, how

893
00:41:49,160 --> 00:41:51,399
Speaker 3: come it's never even been a discussion. How Come it's

894
00:41:51,400 --> 00:41:54,200
Speaker 3: never been a discussion between Hocme, between Corey and Sean

895
00:41:54,239 --> 00:41:57,440
Speaker 3: hokem Hocome. Corey and Sean haven't had that discussion. Hocome

896
00:41:57,520 --> 00:41:59,360
Speaker 3: to Penga and Angela, who, by the way, are probably

897
00:41:59,360 --> 00:42:02,080
Speaker 3: never going to talk it. How come they don't have

898
00:42:02,120 --> 00:42:06,160
Speaker 3: a discussion about any of that. It's so there seems

899
00:42:06,200 --> 00:42:09,000
Speaker 3: like there's so many options for this to not that

900
00:42:09,000 --> 00:42:11,680
Speaker 3: that are just never even.

901
00:42:11,120 --> 00:42:13,640
Speaker 4: If they were, and what they should have done. And again,

902
00:42:13,680 --> 00:42:16,640
Speaker 4: because it's really it's just a word. They're just throwing

903
00:42:16,640 --> 00:42:18,360
Speaker 4: out Yale because people know what it is. So what

904
00:42:18,360 --> 00:42:20,920
Speaker 4: they should have done is something like Cambridge or Oxford,

905
00:42:21,000 --> 00:42:22,200
Speaker 4: where like she would have.

906
00:42:22,200 --> 00:42:24,200
Speaker 2: To move to London, something where it's a.

907
00:42:24,280 --> 00:42:29,799
Speaker 1: Very big yes, exactly, Stanford in California, ride exactly, something

908
00:42:29,840 --> 00:42:31,800
Speaker 1: where it's it's massively different.

909
00:42:31,840 --> 00:42:34,440
Speaker 4: But no, it's like you can't go to school four

910
00:42:34,480 --> 00:42:37,719
Speaker 4: hours from here, like what really? Right? So, yeah, that

911
00:42:37,760 --> 00:42:39,279
Speaker 4: I was hoping they were gonna they should have done

912
00:42:39,280 --> 00:42:41,759
Speaker 4: something much bigger. Oh I applied to this or bond,

913
00:42:41,800 --> 00:42:43,200
Speaker 4: but there was no way I was going to get

914
00:42:43,200 --> 00:42:45,399
Speaker 4: in and they you know, right, yeah, so but.

915
00:42:45,320 --> 00:42:47,680
Speaker 1: No, and then you could have specified why that school?

916
00:42:47,760 --> 00:42:50,680
Speaker 1: You know, right now it's just Yale for generic good schoolness.

917
00:42:50,680 --> 00:42:52,839
Speaker 1: But like if the panga had an interest in art

918
00:42:53,080 --> 00:42:55,920
Speaker 1: or you know, some subject that could only be done

919
00:42:55,960 --> 00:42:58,480
Speaker 1: in this one far away place, it would make so

920
00:42:58,600 --> 00:42:59,200
Speaker 1: much more sense.

921
00:42:59,200 --> 00:43:02,560
Speaker 2: I think she's following Ricky's Paris.

922
00:43:02,640 --> 00:43:06,680
Speaker 4: I just want to meet you in Paris so we

923
00:43:06,760 --> 00:43:08,200
Speaker 4: can look at each other in.

924
00:43:08,280 --> 00:43:15,200
Speaker 2: Food Croissan cosso count the lamination toga you.

925
00:43:16,680 --> 00:43:19,320
Speaker 3: Pene leaves, and Corey rushes back up to Sean again

926
00:43:19,520 --> 00:43:24,320
Speaker 3: yelling about chicken mania. Topanga joins the boys and announces

927
00:43:24,360 --> 00:43:26,560
Speaker 3: she's finished her valedictorian speech and wants to know if

928
00:43:26,560 --> 00:43:28,799
Speaker 3: they'd like to hear it. Sean shakes his head and

929
00:43:28,840 --> 00:43:32,680
Speaker 3: walks away. To be honest, I don't either, no.

930
00:43:32,719 --> 00:43:34,920
Speaker 2: Things, We're god, it's fine.

931
00:43:35,200 --> 00:43:38,400
Speaker 3: The camera bands to reveal Mincas standing by the payphone

932
00:43:38,440 --> 00:43:41,200
Speaker 3: yet again. He is interested to know more. Oh and

933
00:43:41,239 --> 00:43:44,320
Speaker 3: what makes you so sure you're the class valedictorian, little

934
00:43:44,360 --> 00:43:50,160
Speaker 3: missy Tepega confidently responds, because I'm Tapanga. Minka shoots back, well,

935
00:43:50,320 --> 00:43:53,760
Speaker 3: I'm Mincus and I have six hundred and ninety nine a's, which,

936
00:43:53,800 --> 00:43:57,600
Speaker 3: according to my records, is the same as you. Corey

937
00:43:57,680 --> 00:44:01,520
Speaker 3: is astounded you counted a what kind of six psychopath

938
00:44:01,600 --> 00:44:08,120
Speaker 3: counts as Corey looks at the Panga and realizes, Oh, yeah.

939
00:44:07,160 --> 00:44:07,719
Speaker 1: Wasn't he there.

940
00:44:08,000 --> 00:44:10,080
Speaker 3: He was there, he saw the whole thing, He saw it,

941
00:44:10,320 --> 00:44:10,920
Speaker 3: he watched it.

942
00:44:10,960 --> 00:44:14,040
Speaker 4: I didn't get that, but this scene between the two

943
00:44:14,080 --> 00:44:16,359
Speaker 4: of you did make me just wish I.

944
00:44:16,320 --> 00:44:18,360
Speaker 2: Could have watched four other seasons.

945
00:44:18,480 --> 00:44:23,359
Speaker 4: Oh my god, of Lee, of Minkis and Joey and

946
00:44:23,360 --> 00:44:24,040
Speaker 4: and Joey and.

947
00:44:24,000 --> 00:44:28,320
Speaker 3: Frank guess somebody by the way to actually goes.

948
00:44:28,960 --> 00:44:32,120
Speaker 4: Yeah, it would have just made me wish for what

949
00:44:32,200 --> 00:44:34,200
Speaker 4: could have been when I saw this scene.

950
00:44:34,719 --> 00:44:37,400
Speaker 3: So Tapanga has an idea. I'll tell you what to do, Stuart.

951
00:44:37,480 --> 00:44:40,080
Speaker 3: You can go get Phoene's grade book and count them again.

952
00:44:40,640 --> 00:44:43,120
Speaker 3: With that, she struts away man kiss now alone with

953
00:44:43,160 --> 00:44:46,520
Speaker 3: Corey is worried. It also would have been nice to

954
00:44:46,520 --> 00:44:47,440
Speaker 3: see Danny here.

955
00:44:47,920 --> 00:44:50,759
Speaker 4: Yeah, I was thinking the same thing. Yeah, Danny and

956
00:44:50,760 --> 00:44:55,239
Speaker 4: and miss and why couldn't you couldn't have Turner and

957
00:44:55,239 --> 00:44:58,000
Speaker 4: Eli sitting at the graduation, Like would that have been.

958
00:44:57,920 --> 00:44:59,719
Speaker 2: The worst thing in the world to have that? You know,

959
00:45:00,080 --> 00:45:00,319
Speaker 2: it's a.

960
00:45:00,280 --> 00:45:03,160
Speaker 3: Little insulting to invite them to be background actors, but.

961
00:45:03,520 --> 00:45:05,440
Speaker 4: Give them a line each you know, walk in that

962
00:45:06,200 --> 00:45:08,080
Speaker 4: we don't go over there, that's you know, you go.

963
00:45:08,120 --> 00:45:09,239
Speaker 2: Also you may never come back.

964
00:45:09,239 --> 00:45:11,080
Speaker 4: And then Turner and Eli come in and be like, hey,

965
00:45:11,400 --> 00:45:13,640
Speaker 4: are you guys coming to class or what what's something

966
00:45:13,680 --> 00:45:13,960
Speaker 4: I mean?

967
00:45:14,000 --> 00:45:16,080
Speaker 1: But also there's this off camera moment or actually it

968
00:45:16,080 --> 00:45:18,359
Speaker 1: is on camera where Sean makes a decision to do

969
00:45:18,400 --> 00:45:20,319
Speaker 1: this speech right like where it's just me in the

970
00:45:20,320 --> 00:45:22,799
Speaker 1: hallway kind of looking for lorn. That could have been

971
00:45:22,800 --> 00:45:25,560
Speaker 1: a scene with Jonathan Turner, Like it could have easily

972
00:45:25,600 --> 00:45:29,120
Speaker 1: been me in a different location finding him because now

973
00:45:29,120 --> 00:45:31,560
Speaker 1: he's left the school or whatever, and me just having

974
00:45:31,560 --> 00:45:33,920
Speaker 1: a conversation with him where he's like, what do you

975
00:45:33,920 --> 00:45:35,400
Speaker 1: think of this time? Or you know, don't you think

976
00:45:35,440 --> 00:45:37,360
Speaker 1: that this is important? And like, you're right, maybe it is?

977
00:45:37,440 --> 00:45:39,440
Speaker 1: And right. It would have just been like a good

978
00:45:39,600 --> 00:45:41,640
Speaker 1: like I find him in some apartment somewhere where he's

979
00:45:41,680 --> 00:45:43,320
Speaker 1: moved on to a different school or now he's teaching

980
00:45:43,320 --> 00:45:46,759
Speaker 1: college courses somewhere, and he's like and we explain why

981
00:45:46,800 --> 00:45:49,239
Speaker 1: he's and I connect with him and he inspires me

982
00:45:49,280 --> 00:45:50,960
Speaker 1: to come back and do the speech. It would have

983
00:45:50,960 --> 00:45:51,480
Speaker 1: been so good.

984
00:45:51,760 --> 00:45:53,319
Speaker 4: Oh god, they really could have gone more. But you've

985
00:45:53,360 --> 00:45:55,520
Speaker 4: gone back and he's still in the hospital in the focast,

986
00:45:55,640 --> 00:45:59,319
Speaker 4: he's still in tracks cold the whole time.

987
00:45:59,480 --> 00:46:01,480
Speaker 1: Just visiting Turner in a wheelchair.

988
00:46:01,719 --> 00:46:03,840
Speaker 2: Oh god, Oh it's horrible.

989
00:46:04,520 --> 00:46:07,200
Speaker 3: Minkus, now alone with Corey, is worried she did something,

990
00:46:07,239 --> 00:46:09,359
Speaker 3: didn't she. Corey pats him on the back, telling him

991
00:46:09,400 --> 00:46:11,680
Speaker 3: to take it easy. He never had a chance Minka

992
00:46:11,760 --> 00:46:15,200
Speaker 3: says she's evil, Corey, She's an evil little girl. Corey agrees,

993
00:46:15,320 --> 00:46:18,120
Speaker 3: but every time I kiss her, I don't care. He

994
00:46:18,239 --> 00:46:21,040
Speaker 3: strolls back up to his girlfriend. Tapanga tells him she

995
00:46:21,080 --> 00:46:22,839
Speaker 3: read the material on Yelle that he gave her, and

996
00:46:23,120 --> 00:46:25,920
Speaker 3: earnestly asks him, when you said you were serious about

997
00:46:25,920 --> 00:46:29,160
Speaker 3: being supportive. You weren't saying that just to be supportive,

998
00:46:29,200 --> 00:46:31,759
Speaker 3: were you. Corey reminds her Yale is one of the

999
00:46:31,760 --> 00:46:34,080
Speaker 3: best schools in the country, and you deserve to go there.

1000
00:46:34,440 --> 00:46:36,480
Speaker 3: To Panga admits I always tried to be a good

1001
00:46:36,480 --> 00:46:38,640
Speaker 3: student because I thought college would be the most important

1002
00:46:38,680 --> 00:46:41,839
Speaker 3: decision in my life. Corey exclaims, it is what could

1003
00:46:41,880 --> 00:46:47,120
Speaker 3: be more important to Pango listens, Obviously conflicted, Corey reassures her,

1004
00:46:47,400 --> 00:46:51,520
Speaker 3: I'm okay with this. To Panga asks really, Corey notds

1005
00:46:51,640 --> 00:46:56,040
Speaker 3: yeah go. A wide grin spreads across her face. Thank you.

1006
00:46:56,680 --> 00:46:59,919
Speaker 3: She walks away, and melancholic music plays as Corey watch

1007
00:47:00,120 --> 00:47:02,040
Speaker 3: is or Go. He sits down in the middle of

1008
00:47:02,040 --> 00:47:05,080
Speaker 3: the hallway, now with the chickens huddled around him. He asks,

1009
00:47:05,600 --> 00:47:06,759
Speaker 3: you guys gonna leave me too?

1010
00:47:07,560 --> 00:47:12,120
Speaker 4: So we're sitting there watching the scene and all this

1011
00:47:12,160 --> 00:47:14,840
Speaker 4: beautiful stuff just happens. You know, it's you should go

1012
00:47:14,880 --> 00:47:16,680
Speaker 4: to Yale and do all this stuff. And there's dead

1013
00:47:16,719 --> 00:47:19,279
Speaker 4: silence when the scene ends, and Sue just says, how

1014
00:47:19,280 --> 00:47:21,200
Speaker 4: do you think they got the chickens to just sit there?

1015
00:47:23,200 --> 00:47:23,439
Speaker 2: Seed?

1016
00:47:25,800 --> 00:47:27,680
Speaker 4: But I also love the fact that Tapanga hasn't done

1017
00:47:27,680 --> 00:47:31,800
Speaker 4: any research on Yale. Nope, so Corey hands stuff you

1018
00:47:31,840 --> 00:47:34,440
Speaker 4: should do. Hey, I look some stuff up about it.

1019
00:47:34,560 --> 00:47:36,360
Speaker 3: Man explained Yale to you exactly.

1020
00:47:38,880 --> 00:47:39,800
Speaker 2: This is a good school.

1021
00:47:40,560 --> 00:47:42,600
Speaker 3: I guess maybe, and maybe we address this at the

1022
00:47:42,600 --> 00:47:44,840
Speaker 3: beginning of the next season. I don't know, but I

1023
00:47:44,880 --> 00:47:47,759
Speaker 3: guess it's hitting me as I'm reading the recap and

1024
00:47:48,960 --> 00:47:51,880
Speaker 3: thinking about when I watched it. Is the idea here

1025
00:47:52,520 --> 00:47:58,960
Speaker 3: that Tapanga now solidifies her decision about Corey because one

1026
00:47:59,000 --> 00:48:02,759
Speaker 3: of the traits that she wants in him is that

1027
00:48:02,800 --> 00:48:06,279
Speaker 3: he's supportive. That one of the reasons she feels very

1028
00:48:06,320 --> 00:48:11,680
Speaker 3: comfortable turning down Yale is because to lead, he fully

1029
00:48:11,840 --> 00:48:17,120
Speaker 3: supports me best for him and so right, and so

1030
00:48:17,320 --> 00:48:19,799
Speaker 3: I am sure that's the type of man I want

1031
00:48:19,800 --> 00:48:23,839
Speaker 3: to marry, a person who's willing to sacrifice his own good.

1032
00:48:24,560 --> 00:48:27,080
Speaker 1: So therefore I'm going to sacrifice my own good friend.

1033
00:48:27,200 --> 00:48:29,080
Speaker 3: Right, so I'm going to do the same thing for him,

1034
00:48:29,280 --> 00:48:32,640
Speaker 3: even though it's revealed behind the scenes that he wasn't

1035
00:48:32,719 --> 00:48:33,960
Speaker 3: serious about it at all.

1036
00:48:34,040 --> 00:48:36,239
Speaker 1: And also, what is he sacrificing, Like he's still going

1037
00:48:36,280 --> 00:48:37,520
Speaker 1: to Pemberkeca, He's you know.

1038
00:48:37,680 --> 00:48:39,839
Speaker 2: He's sacrificing to Panga. That's what That's what they're trying

1039
00:48:39,840 --> 00:48:40,240
Speaker 2: to say.

1040
00:48:41,000 --> 00:48:44,120
Speaker 1: In the vein of supporting her towards in the name

1041
00:48:44,160 --> 00:48:49,120
Speaker 1: of their relationship, where she's sacrificing actual opportunity and growth

1042
00:48:49,239 --> 00:48:52,320
Speaker 1: outside of the relationship for the relationship. So that's like

1043
00:48:52,360 --> 00:48:56,799
Speaker 1: a very weird equivalency. Like they're actually two completely opposite directions.

1044
00:48:57,200 --> 00:48:59,239
Speaker 1: Like t Bank is basically saying I'm going to hurt

1045
00:48:59,280 --> 00:49:02,440
Speaker 1: myself in my future chances or I'm going to diminish

1046
00:49:02,520 --> 00:49:05,440
Speaker 1: my future for you. Cory's not saying that. He's saying,

1047
00:49:05,680 --> 00:49:09,120
Speaker 1: I'll sacrifice by you know, letting you go and like

1048
00:49:09,320 --> 00:49:09,920
Speaker 1: supporting you.

1049
00:49:09,960 --> 00:49:12,960
Speaker 3: That's and having that be a little harder for me, right,

1050
00:49:13,280 --> 00:49:16,440
Speaker 3: It's so hard being me. Yeah, I might have to

1051
00:49:16,440 --> 00:49:19,120
Speaker 3: travel to see you or yeah, really the hard part.

1052
00:49:19,239 --> 00:49:21,360
Speaker 3: The hardest part is I can't get like I'm not

1053
00:49:21,480 --> 00:49:23,960
Speaker 3: making out with a million girls while you're well that's.

1054
00:49:23,920 --> 00:49:25,560
Speaker 4: Well, that's the he would have cheated on you by

1055
00:49:25,600 --> 00:49:29,320
Speaker 4: the end of graduation. Let's be honest, that's really.

1056
00:49:29,160 --> 00:49:33,839
Speaker 1: Why she didn't go to Ye gotta button this relationship up,

1057
00:49:33,840 --> 00:49:35,560
Speaker 1: otherwise he's out of here. Yep.

1058
00:49:46,920 --> 00:49:49,440
Speaker 3: Well then we are in the John Adams Hallway. Continuing,

1059
00:49:49,520 --> 00:49:52,600
Speaker 3: Cory is staring out into the distance, angry and upset.

1060
00:49:52,920 --> 00:49:55,200
Speaker 3: Sean spots him and doesn't even need to ask. Corey

1061
00:49:55,239 --> 00:49:58,400
Speaker 3: breaks the news, Japang is going to Yale. Sean siys,

1062
00:49:58,960 --> 00:50:01,279
Speaker 3: I told you this is going to be a terrible week.

1063
00:50:01,680 --> 00:50:05,040
Speaker 3: Corey's angry with himself for acting so supportive. Sean asks,

1064
00:50:05,200 --> 00:50:08,040
Speaker 3: so you were just pretending. Corey admits he didn't actually

1065
00:50:08,040 --> 00:50:10,480
Speaker 3: think she'd go through with it. Sean encourages him to

1066
00:50:10,480 --> 00:50:13,320
Speaker 3: tell her how he really feels. Corey insists, I can't.

1067
00:50:13,640 --> 00:50:15,640
Speaker 3: I don't want her making the wrong choice because of me.

1068
00:50:15,960 --> 00:50:19,040
Speaker 3: Sean questions, and you're not pretending this time? Corey shakes

1069
00:50:19,040 --> 00:50:25,160
Speaker 3: his head. No, I'm not so, so what are they saying? So?

1070
00:50:25,160 --> 00:50:30,280
Speaker 3: So he was pretending before, but now he isn't pretending,

1071
00:50:30,440 --> 00:50:32,840
Speaker 3: and he does want her to go.

1072
00:50:33,840 --> 00:50:38,399
Speaker 4: He doesn't want her to go, but he genuinely now

1073
00:50:38,440 --> 00:50:40,960
Speaker 4: has gotten to the place where he understands she should,

1074
00:50:41,160 --> 00:50:43,000
Speaker 4: I think is what they're getting at.

1075
00:50:43,040 --> 00:50:46,360
Speaker 2: But it's not really said right.

1076
00:50:46,760 --> 00:50:50,040
Speaker 1: Which is now it's real Corey really really does support her,

1077
00:50:50,560 --> 00:50:53,200
Speaker 1: and it's all about his sadness. Well, we just got

1078
00:50:53,200 --> 00:50:57,800
Speaker 1: to make it about Corey, you know. So Panga's decision

1079
00:50:57,840 --> 00:50:59,160
Speaker 1: is ultimately about Corey.

1080
00:51:00,080 --> 00:51:03,000
Speaker 3: So now we are in Phoene's office. Phoene is packing

1081
00:51:03,040 --> 00:51:06,919
Speaker 3: his things into boxes with when Topanga enters. I think

1082
00:51:06,960 --> 00:51:10,800
Speaker 3: this is the very first yes to Pega and PHIENI

1083
00:51:10,880 --> 00:51:14,240
Speaker 3: the same scene alone.

1084
00:51:13,160 --> 00:51:15,200
Speaker 4: And it's a great scene, the two of them together.

1085
00:51:15,280 --> 00:51:17,399
Speaker 4: The energy's amazing. They should have done a bunch of these.

1086
00:51:17,719 --> 00:51:17,919
Speaker 1: Yeah.

1087
00:51:18,480 --> 00:51:20,439
Speaker 3: Yeah, So she was in the library and she saw

1088
00:51:20,480 --> 00:51:22,520
Speaker 3: his light was on. What are you still doing here?

1089
00:51:22,719 --> 00:51:24,759
Speaker 3: Phoene explains, I'm just packing up a few things. What

1090
00:51:24,800 --> 00:51:27,440
Speaker 3: on earth are you doing in the library? Topanga admits,

1091
00:51:27,560 --> 00:51:30,480
Speaker 3: I was working on my valedictorian speech. Phoene assures her,

1092
00:51:30,520 --> 00:51:33,200
Speaker 3: your speech will be fine. Give yourself a break to

1093
00:51:33,280 --> 00:51:36,359
Speaker 3: penga size. Now that I'm going to Yale, everyone's going

1094
00:51:36,360 --> 00:51:38,799
Speaker 3: to expect it to be like from someone who's going

1095
00:51:38,800 --> 00:51:41,919
Speaker 3: to Yale. Fine's not going to be enough. Phoene sees

1096
00:51:42,000 --> 00:51:44,400
Speaker 3: right through her. What did you actually come here to

1097
00:51:44,440 --> 00:51:47,359
Speaker 3: ask me to? Panga admits, I don't know what to do.

1098
00:51:47,719 --> 00:51:50,760
Speaker 3: Should I go to Yale? Phoene responds, if you're asking

1099
00:51:50,760 --> 00:51:53,480
Speaker 3: me if Yale is one of the finest academic institutions

1100
00:51:53,480 --> 00:51:57,360
Speaker 3: in the country, I would have to say no. Tapega

1101
00:51:57,440 --> 00:52:01,680
Speaker 3: shakes her head. That's not why I'm asking. Phoene tries again,

1102
00:52:01,840 --> 00:52:03,560
Speaker 3: if you're asking me whether or not you would be

1103
00:52:03,640 --> 00:52:06,560
Speaker 3: successful there, Yale wouldn't have accepted you if they didn't

1104
00:52:06,560 --> 00:52:08,840
Speaker 3: think you could live up to their challenge to Pega

1105
00:52:08,880 --> 00:52:12,600
Speaker 3: again explains, that's not why I'm asking. Phoene gives up.

1106
00:52:12,800 --> 00:52:15,399
Speaker 3: I'll tell you what. I'll retire right now. They share

1107
00:52:15,400 --> 00:52:17,520
Speaker 3: a laugh, and then he cuts to the chase, what

1108
00:52:17,560 --> 00:52:20,480
Speaker 3: do you want to? Pega explains, If I knew what

1109
00:52:20,520 --> 00:52:22,919
Speaker 3: I wanted, I wouldn't have come to you. Phoene tells

1110
00:52:22,960 --> 00:52:26,200
Speaker 3: her to listen very carefully. Unless she has a very

1111
00:52:26,239 --> 00:52:31,040
Speaker 3: good reason for not attending Yale, she should go to.

1112
00:52:31,080 --> 00:52:34,719
Speaker 3: Pega smiles, thanks, mister Phoenie, He assures her, if you

1113
00:52:34,760 --> 00:52:37,000
Speaker 3: need any more counseling, my door is always open to

1114
00:52:37,040 --> 00:52:44,239
Speaker 3: my students. I don't really quite understand what he I'm

1115
00:52:44,280 --> 00:52:47,560
Speaker 3: trying to think, what was he thinking. Do we believe

1116
00:52:47,800 --> 00:52:51,080
Speaker 3: Phoene was trying to guide to Panga toward proposing.

1117
00:52:53,040 --> 00:52:56,880
Speaker 1: No, I think he's just basically presenting the options and saying,

1118
00:52:57,640 --> 00:53:00,279
Speaker 1: you know, what is your what is the alternative to

1119
00:53:00,320 --> 00:53:02,520
Speaker 1: going to Yale? And is you have to decide if

1120
00:53:02,560 --> 00:53:05,600
Speaker 1: that alternative is better? You know, it's it's the It's

1121
00:53:05,600 --> 00:53:08,399
Speaker 1: the exact same scene as the jelly beans, right. It's

1122
00:53:08,440 --> 00:53:10,920
Speaker 1: like it's like, oh, there's all these reasons and all this,

1123
00:53:11,200 --> 00:53:13,879
Speaker 1: but then ultimately love just conquers all and it's like, Nope,

1124
00:53:13,880 --> 00:53:15,840
Speaker 1: it doesn't matter. I can't live without Corey or I

1125
00:53:15,880 --> 00:53:18,560
Speaker 1: can't you know, it doesn't. But it just doesn't seem

1126
00:53:18,640 --> 00:53:19,600
Speaker 1: like an equivalent.

1127
00:53:20,920 --> 00:53:23,960
Speaker 2: It's just equivalent at all. I don't think he's saying,

1128
00:53:25,560 --> 00:53:28,319
Speaker 2: and you know, go get engaged to Corey. Yeah.

1129
00:53:28,440 --> 00:53:30,319
Speaker 3: No, you don't think that's on his radar at all.

1130
00:53:30,440 --> 00:53:32,920
Speaker 2: No, I don't think, so. I gotta hope that's not.

1131
00:53:33,200 --> 00:53:35,840
Speaker 1: What I mean. If that's yeah, I just this is

1132
00:53:35,880 --> 00:53:38,000
Speaker 1: where I go, like, Okay, I know, like and we've

1133
00:53:38,000 --> 00:53:40,840
Speaker 1: already talked about how it's nice that the teachers and

1134
00:53:40,880 --> 00:53:43,799
Speaker 1: the adults don't like weigh in too much or let

1135
00:53:43,840 --> 00:53:46,040
Speaker 1: the kids make but this is when it's time to

1136
00:53:46,080 --> 00:53:49,319
Speaker 1: like really contextualize. This is the responsible adult thing is

1137
00:53:49,320 --> 00:53:51,120
Speaker 1: to be like, hey, I know you're in love, and

1138
00:53:51,160 --> 00:53:53,960
Speaker 1: I know that that's really important to you. But if

1139
00:53:54,000 --> 00:53:57,600
Speaker 1: it's real love, yes, you don't need They'll still be

1140
00:53:57,640 --> 00:54:01,080
Speaker 1: there Like yeah, I mean, I would never never advise

1141
00:54:02,239 --> 00:54:04,640
Speaker 1: to eighteen year olds to make a decision about college

1142
00:54:04,640 --> 00:54:06,520
Speaker 1: based on each other. I would never advise that no

1143
00:54:06,520 --> 00:54:09,080
Speaker 1: matter who you are, no matter what schools you're contemplating,

1144
00:54:09,239 --> 00:54:11,400
Speaker 1: I would always no matter the history of the relationship,

1145
00:54:11,400 --> 00:54:14,000
Speaker 1: I would always say, you know what, at this age,

1146
00:54:14,360 --> 00:54:17,960
Speaker 1: at eighteen, you don't know, like that's just the reality,

1147
00:54:18,040 --> 00:54:20,799
Speaker 1: Like you feel these things and it's really important, and

1148
00:54:20,840 --> 00:54:23,440
Speaker 1: like maybe this relationship will last forever, but you probably

1149
00:54:23,480 --> 00:54:26,600
Speaker 1: shouldn't make decisions based on each and you know because

1150
00:54:26,640 --> 00:54:29,360
Speaker 1: at that age, what do you like, it's hard to

1151
00:54:29,400 --> 00:54:31,239
Speaker 1: plan ahead, Like it's hard to think of like you

1152
00:54:31,239 --> 00:54:33,880
Speaker 1: don't want to do the kind of work, or like

1153
00:54:33,960 --> 00:54:36,560
Speaker 1: it's all you know, so you need adults to say

1154
00:54:36,560 --> 00:54:38,440
Speaker 1: to you, Hey, plant seeds now that are going to

1155
00:54:38,480 --> 00:54:40,920
Speaker 1: pay off later, and the seeds that are probably going

1156
00:54:40,960 --> 00:54:42,799
Speaker 1: to pay off more. Is a great degree from this

1157
00:54:42,920 --> 00:54:45,359
Speaker 1: amazing school, like that's probably going to pay off more

1158
00:54:45,400 --> 00:54:48,120
Speaker 1: than what planting the marriage seed like that may also

1159
00:54:48,160 --> 00:54:50,080
Speaker 1: pay off. But why is it, you know, why are

1160
00:54:50,080 --> 00:54:52,520
Speaker 1: they even in opposition rightever? But exactly, I just but

1161
00:54:52,560 --> 00:54:55,480
Speaker 1: I would never even yeah, I mean, I can't think

1162
00:54:55,520 --> 00:54:57,719
Speaker 1: of a single relationship I knew where they made the

1163
00:54:57,719 --> 00:55:00,279
Speaker 1: decision to go to college based on each other. There

1164
00:55:00,560 --> 00:55:03,200
Speaker 1: where they stay together, yes, or you know like that

1165
00:55:03,400 --> 00:55:07,120
Speaker 1: never people you know decide to apply the same school and.

1166
00:55:07,360 --> 00:55:10,759
Speaker 3: See me to ask her what what would be a

1167
00:55:10,800 --> 00:55:13,720
Speaker 3: good reason for not going, and for her to say,

1168
00:55:13,800 --> 00:55:16,080
Speaker 3: I don't want to be away from Corey and to

1169
00:55:16,120 --> 00:55:18,919
Speaker 3: have another adult say then Corey can go with you

1170
00:55:19,640 --> 00:55:22,040
Speaker 3: even like which still wouldn't be the best advice, because

1171
00:55:22,040 --> 00:55:23,719
Speaker 3: it should be you guys can should go to the

1172
00:55:23,719 --> 00:55:29,360
Speaker 3: colleges you're going to, and you know whatever, But even

1173
00:55:29,440 --> 00:55:31,799
Speaker 3: just to hear it be said that, like you, you

1174
00:55:31,840 --> 00:55:34,719
Speaker 3: can still prioritize yourself. It doesn't have to be you

1175
00:55:34,920 --> 00:55:39,680
Speaker 3: sacrificing yourself. Someone else could sacrifice, or neither of you sacrifice.

1176
00:55:39,719 --> 00:55:42,240
Speaker 3: You both sacrifice by having to travel back and forth.

1177
00:55:42,520 --> 00:55:45,160
Speaker 3: But we never even get to have that conversation because

1178
00:55:45,160 --> 00:55:47,880
Speaker 3: it is so hands off. We need to get to

1179
00:55:47,920 --> 00:55:48,759
Speaker 3: this cliffhanger.

1180
00:55:48,920 --> 00:55:50,399
Speaker 4: I know, but I would love to if it's something

1181
00:55:50,440 --> 00:55:52,960
Speaker 4: along the lines of if you love something, said it free,

1182
00:55:53,040 --> 00:55:54,839
Speaker 4: you know that's it's there's a reason.

1183
00:55:54,840 --> 00:55:57,759
Speaker 2: It's an old adage, so you know it's yeah, so yeah.

1184
00:55:57,800 --> 00:56:01,000
Speaker 3: And that's when a grappling hook shoots into his open window.

1185
00:56:01,080 --> 00:56:04,120
Speaker 3: Phoenie and to Panga are startled when Navy seal Eric

1186
00:56:04,160 --> 00:56:07,840
Speaker 3: appears and climbs through the windowsill. Eric removes his goggles

1187
00:56:07,840 --> 00:56:11,799
Speaker 3: and commands, Phoenie, you're not retiring. You're not going anywhere.

1188
00:56:12,280 --> 00:56:15,720
Speaker 3: Phoeni notes, however, I must learn to close my window.

1189
00:56:15,920 --> 00:56:17,759
Speaker 2: Did you see her tight? The thing is like my

1190
00:56:18,120 --> 00:56:22,040
Speaker 2: face is just this little squish whish. You're not going anywhere, Phoenie.

1191
00:56:23,600 --> 00:56:25,399
Speaker 3: It adds to the funny, that's for sure.

1192
00:56:25,480 --> 00:56:25,839
Speaker 1: It does.

1193
00:56:26,440 --> 00:56:28,600
Speaker 3: Eric demands, you are going to live in that house

1194
00:56:28,680 --> 00:56:31,920
Speaker 3: next to my parents until you die or until I die,

1195
00:56:32,120 --> 00:56:36,160
Speaker 3: whichever one comes first, although it probably be you because

1196
00:56:36,200 --> 00:56:40,880
Speaker 3: you're like, what eighty, This dark humor is very funny.

1197
00:56:41,800 --> 00:56:45,040
Speaker 3: Phoenie yells at him get out. Eric immediately responds okay.

1198
00:56:45,239 --> 00:56:47,640
Speaker 3: He gives Topanga a quick high before leaving.

1199
00:56:48,040 --> 00:56:49,560
Speaker 2: It's Eric Hotchega.

1200
00:56:50,200 --> 00:56:52,520
Speaker 3: Eric makes his way out the window while attempting to

1201
00:56:52,520 --> 00:56:54,600
Speaker 3: get his gear in order, and that's when he falls

1202
00:56:54,600 --> 00:56:58,240
Speaker 3: off the windowsill and screams. On the way down. Phoene

1203
00:56:58,280 --> 00:57:00,919
Speaker 3: shakes his head in disbelief and Will, You're exactly right.

1204
00:57:01,000 --> 00:57:03,319
Speaker 3: I think Bill put his head down and covered his

1205
00:57:03,360 --> 00:57:05,840
Speaker 3: face because he was actually laughing.

1206
00:57:06,040 --> 00:57:08,279
Speaker 4: I couldn't believe it because I know I ad lib

1207
00:57:08,360 --> 00:57:10,759
Speaker 4: that and I just did it one take and when

1208
00:57:10,760 --> 00:57:12,880
Speaker 4: I actually because I'm not sure I probably saw it

1209
00:57:12,880 --> 00:57:15,279
Speaker 4: when it came out, but watching it again last night, I.

1210
00:57:15,200 --> 00:57:17,960
Speaker 1: Was like, oh my god, and you do that because

1211
00:57:18,000 --> 00:57:19,640
Speaker 1: that's only like two feet off the ground, so you

1212
00:57:19,640 --> 00:57:21,480
Speaker 1: had to like pretend to fall and then duck.

1213
00:57:22,360 --> 00:57:23,880
Speaker 2: Yeah, like basically flat you can see.

1214
00:57:24,000 --> 00:57:25,760
Speaker 1: I love that scream that you give. That is like

1215
00:57:26,200 --> 00:57:28,400
Speaker 1: the ultimate, But no, can you do it?

1216
00:57:28,400 --> 00:57:28,560
Speaker 4: Will?

1217
00:57:28,600 --> 00:57:31,640
Speaker 2: It's like I don't even remember what I did there.

1218
00:57:31,680 --> 00:57:34,520
Speaker 1: It is, Yeah, you just know the tone that like says,

1219
00:57:34,840 --> 00:57:36,920
Speaker 1: this isn't a real scream, this is a comedy scream.

1220
00:57:36,960 --> 00:57:39,680
Speaker 1: It's okay to laugh at my predicament. It's like it's

1221
00:57:39,680 --> 00:57:44,000
Speaker 1: a very you know, it's a fine it's a fine point. Yes,

1222
00:57:44,080 --> 00:57:46,560
Speaker 1: but like it makes it okay, you know, like it's

1223
00:57:46,800 --> 00:57:47,600
Speaker 1: so funny.

1224
00:57:47,800 --> 00:57:50,800
Speaker 2: I loved that. I remember doing that scene with him

1225
00:57:50,920 --> 00:57:53,560
Speaker 2: is just every time working with Bill was just the best.

1226
00:57:53,680 --> 00:57:54,800
Speaker 1: Really. Yeah.

1227
00:57:55,200 --> 00:57:57,520
Speaker 3: Well, then we're in Phoene's classroom. Phoene's at his desk

1228
00:57:57,520 --> 00:58:00,160
Speaker 3: addressing the seniors for the last time. The bell is

1229
00:58:00,200 --> 00:58:02,320
Speaker 3: about to ring. In a few minutes, you'll be flying

1230
00:58:02,360 --> 00:58:04,320
Speaker 3: out of here like your pants were on fire. But

1231
00:58:04,600 --> 00:58:07,040
Speaker 3: since this is our last class together, I just want

1232
00:58:07,080 --> 00:58:10,160
Speaker 3: to say. And then the school bell rings and almost

1233
00:58:10,280 --> 00:58:12,920
Speaker 3: every student runs out before their teacher can finish his speech,

1234
00:58:13,080 --> 00:58:15,320
Speaker 3: except the stars of the show, the.

1235
00:58:15,320 --> 00:58:19,440
Speaker 4: Three characters Angela's god Angela bolted.

1236
00:58:19,600 --> 00:58:22,440
Speaker 1: Yeah. Yeah, it was weird to see this. It was like, oh,

1237
00:58:22,480 --> 00:58:24,800
Speaker 1: this is the final scene of the show. You know,

1238
00:58:25,240 --> 00:58:28,440
Speaker 1: it's basically, Oh, it's a dress rehearsal for the goodbye

1239
00:58:28,440 --> 00:58:30,920
Speaker 1: that we have at the end. I never remembered this

1240
00:58:31,440 --> 00:58:33,360
Speaker 1: that we'd already kind of done it right where it's

1241
00:58:33,360 --> 00:58:37,160
Speaker 1: like basically tell us about you know, yeahbye.

1242
00:58:37,200 --> 00:58:39,560
Speaker 2: We had to have known by this point we were

1243
00:58:39,560 --> 00:58:40,640
Speaker 2: picked up, right, I mean we.

1244
00:58:40,640 --> 00:58:44,200
Speaker 1: Had to oft yeah, to leave it on a cliffhanger.

1245
00:58:44,480 --> 00:58:45,320
Speaker 1: I feel that.

1246
00:58:45,160 --> 00:58:47,680
Speaker 4: Big a cliffhanger. Whether or not they're going to get married,

1247
00:58:47,720 --> 00:58:50,080
Speaker 4: there's no way they story.

1248
00:58:50,840 --> 00:58:52,640
Speaker 1: The story that Michael always tells is that they put

1249
00:58:52,640 --> 00:58:54,920
Speaker 1: it to the internet right right, whether they should get

1250
00:58:54,960 --> 00:58:58,120
Speaker 1: married or not. Was that during this season or was

1251
00:58:58,160 --> 00:58:58,920
Speaker 1: that next season?

1252
00:59:00,040 --> 00:59:01,680
Speaker 3: It's after this episode airs?

1253
00:59:01,840 --> 00:59:03,240
Speaker 1: It is it after?

1254
00:59:04,880 --> 00:59:07,080
Speaker 2: They wouldn't want to ruin They didn't want to ruin

1255
00:59:07,120 --> 00:59:07,640
Speaker 2: the surprise.

1256
00:59:07,760 --> 00:59:09,800
Speaker 3: It was. I think they had it ready to go

1257
00:59:10,640 --> 00:59:13,840
Speaker 3: the website, so that during this summer while everyone was

1258
00:59:13,880 --> 00:59:17,080
Speaker 3: wondering what's going to be the answer, it was do

1259
00:59:17,240 --> 00:59:17,640
Speaker 3: a poll.

1260
00:59:18,520 --> 00:59:21,560
Speaker 1: But Michael presents it as the network didn't want them

1261
00:59:21,560 --> 00:59:22,080
Speaker 1: to get married?

1262
00:59:22,120 --> 00:59:24,360
Speaker 3: Correct what he wanted his answer to He.

1263
00:59:24,360 --> 00:59:26,600
Speaker 1: Was pushing back and saying, no, the audience is going

1264
00:59:26,680 --> 00:59:27,160
Speaker 1: to want this.

1265
00:59:27,920 --> 00:59:29,760
Speaker 4: Did either of you ever go look at the website?

1266
00:59:29,760 --> 00:59:31,600
Speaker 4: I didn't know there was website till years later. Did

1267
00:59:31,640 --> 00:59:33,400
Speaker 4: anybody actually go on and check it out?

1268
00:59:34,760 --> 00:59:35,000
Speaker 2: No?

1269
00:59:35,280 --> 00:59:37,640
Speaker 1: I'm not one hundred percent sure of the veracity of

1270
00:59:37,640 --> 00:59:38,440
Speaker 1: this entire story.

1271
00:59:38,480 --> 00:59:40,800
Speaker 3: Oh it did. It did exist. The website did exist.

1272
00:59:40,840 --> 00:59:43,959
Speaker 3: We've gotten many letters from people who u and people

1273
00:59:44,040 --> 00:59:47,120
Speaker 3: have recently founded on Time capsule. It still exists. Okay,

1274
00:59:47,160 --> 00:59:49,400
Speaker 3: so that is true, and I don't remember it.

1275
00:59:49,440 --> 00:59:50,480
Speaker 2: I didn't remember see it.

1276
00:59:50,520 --> 00:59:53,120
Speaker 3: I remember seeing it back in the day when it did. Yes,

1277
00:59:53,160 --> 00:59:56,080
Speaker 3: I did see it. They had a big it was

1278
00:59:56,120 --> 00:59:59,160
Speaker 3: a real fancy website too, for the wedding, announcing the wedding,

1279
00:59:59,280 --> 01:00:01,439
Speaker 3: and the bite was on it and the date.

1280
01:00:02,680 --> 01:00:04,480
Speaker 4: I don't think I went online into like two thousand

1281
01:00:04,520 --> 01:00:06,280
Speaker 4: and eight for like the first time ever.

1282
01:00:06,640 --> 01:00:07,520
Speaker 2: This is amazing.

1283
01:00:08,240 --> 01:00:12,280
Speaker 3: Yeah to Pega, Corey and Sean Stacey did. Phoene admits,

1284
01:00:12,480 --> 01:00:14,720
Speaker 3: usually I time it better than that. He reminds the

1285
01:00:14,760 --> 01:00:16,600
Speaker 3: three students that the bell rang, and he gives them

1286
01:00:16,640 --> 01:00:19,200
Speaker 3: a little wave goodbye. Corey says, we want to hear

1287
01:00:19,240 --> 01:00:21,880
Speaker 3: what you have to say. To Panga nods, We've got time.

1288
01:00:22,400 --> 01:00:25,720
Speaker 3: Phoene surprised, Oh well, I was just going to say

1289
01:00:25,720 --> 01:00:28,640
Speaker 3: good luck. The truth is I'm not very good at

1290
01:00:28,680 --> 01:00:31,040
Speaker 3: saying goodbye. And you know who else is not very

1291
01:00:31,040 --> 01:00:35,240
Speaker 3: good at saying goodbye? Are Wesley Staples? Oh yes, yeah,

1292
01:00:35,240 --> 01:00:37,720
Speaker 3: he really isn't. He doesn't like it. He gets very

1293
01:00:37,720 --> 01:00:41,080
Speaker 3: he always will sneak out. He is. This is a

1294
01:00:41,240 --> 01:00:46,120
Speaker 3: very taken directly from Wesley Staples. It's very hard for

1295
01:00:46,200 --> 01:00:48,840
Speaker 3: him to say goodbye. So this it makes me tiery

1296
01:00:48,880 --> 01:00:52,160
Speaker 3: thinking about it, because I've had exactly this moment with Wesley,

1297
01:00:52,200 --> 01:00:54,439
Speaker 3: like Wesley, where did you go? And he's just said,

1298
01:00:54,840 --> 01:00:56,840
Speaker 3: it's too much for me. I can't do it. It's just

1299
01:00:56,840 --> 01:01:00,920
Speaker 3: too much. The audience lets out a big all, and Feenie,

1300
01:01:01,000 --> 01:01:04,920
Speaker 3: who's been nervously fiddling with his hands, asks the three stragglers.

1301
01:01:05,280 --> 01:01:08,040
Speaker 3: We're not gonna get all sappy, are we. Tapega breaks

1302
01:01:08,040 --> 01:01:10,040
Speaker 3: the tension. We want to know if your decision to

1303
01:01:10,080 --> 01:01:12,960
Speaker 3: retire had anything to do with us. Corey admits, we

1304
01:01:13,040 --> 01:01:14,880
Speaker 3: know we haven't made life that easy for you these

1305
01:01:14,920 --> 01:01:17,280
Speaker 3: past couple of years, and Sean adds, I mean when

1306
01:01:17,280 --> 01:01:20,200
Speaker 3: you think about all the stupid stuff we pulled. Corey concludes,

1307
01:01:20,360 --> 01:01:23,439
Speaker 3: you have to be leaving because of us. Peene nods, well,

1308
01:01:24,080 --> 01:01:27,040
Speaker 3: I am, but not because of what you've done to me.

1309
01:01:27,600 --> 01:01:30,480
Speaker 3: It's what you've done for me. Sean shakes his head.

1310
01:01:30,640 --> 01:01:34,320
Speaker 3: We haven't done anything for you. Phoene disagrees. You three

1311
01:01:34,400 --> 01:01:37,120
Speaker 3: have given me more gratification in the past four years

1312
01:01:37,240 --> 01:01:40,760
Speaker 3: than I ever dreamed possible. You must know that, Corey

1313
01:01:40,800 --> 01:01:44,080
Speaker 3: reminds him, but you always complained about how difficult we are.

1314
01:01:44,400 --> 01:01:47,920
Speaker 3: Feeney admits, well, you are. But sometimes the things you

1315
01:01:47,960 --> 01:01:51,080
Speaker 3: complain about most are the things you care the most about.

1316
01:01:51,600 --> 01:01:54,760
Speaker 3: Unfortunately we don't always know that until it's too late.

1317
01:01:55,520 --> 01:02:00,200
Speaker 3: He asks Sean, by the way, how's that paper coming on?

1318
01:02:00,280 --> 01:02:04,439
Speaker 3: Stares up at Feenie, his eyes watery. Great phoene scene,

1319
01:02:04,560 --> 01:02:06,000
Speaker 3: Such a beautiful scene.

1320
01:02:06,520 --> 01:02:09,200
Speaker 4: Great Phoenie scene. Just it's so comforting to see again.

1321
01:02:09,240 --> 01:02:12,320
Speaker 4: It really is just him in front of the classroom teaching.

1322
01:02:12,520 --> 01:02:13,760
Speaker 2: It's I love it.

1323
01:02:13,960 --> 01:02:18,040
Speaker 1: We also just resisting emotion, right than watching somebody who

1324
01:02:18,040 --> 01:02:20,600
Speaker 1: you like. You just want Phoenie to say I love you,

1325
01:02:20,640 --> 01:02:22,880
Speaker 1: I'm going to miss you and do it. But he's

1326
01:02:22,960 --> 01:02:24,800
Speaker 1: not doing good.

1327
01:02:25,360 --> 01:02:40,440
Speaker 3: You know what it all means. That is great. And

1328
01:02:40,480 --> 01:02:42,920
Speaker 3: then we're in John Adams Outside in the hallway, a

1329
01:02:43,040 --> 01:02:45,760
Speaker 3: pensive Sean is sitting on the steps, looking around at

1330
01:02:45,760 --> 01:02:48,800
Speaker 3: the school he's known for so long. We hear applause

1331
01:02:48,800 --> 01:02:50,960
Speaker 3: in the distance, which totally through.

1332
01:02:50,960 --> 01:02:52,440
Speaker 1: I know through me too. I was like, why are

1333
01:02:52,480 --> 01:02:53,040
Speaker 1: we applauding?

1334
01:02:56,080 --> 01:03:01,160
Speaker 3: Then we fade into the graduation ceremony. Feeneye welcomes everyone

1335
01:03:01,200 --> 01:03:04,240
Speaker 3: to the graduation ceremony for the class of nineteen ninety eight.

1336
01:03:04,600 --> 01:03:07,280
Speaker 3: We see Alan, Amy Morgan and Jacker in the audience,

1337
01:03:07,280 --> 01:03:10,320
Speaker 3: and we also see our real life set teachers on stage,

1338
01:03:10,400 --> 01:03:14,720
Speaker 3: Wesley Staples, the very missed David Combs, and the third

1339
01:03:14,760 --> 01:03:18,400
Speaker 3: teacher next to David is Miriam Richards. It was Matthew

1340
01:03:18,480 --> 01:03:23,560
Speaker 3: Lawrence's teacher. Yep, do we you guys remember what it

1341
01:03:23,600 --> 01:03:25,600
Speaker 3: was like having them in the scene. I remember knowing

1342
01:03:25,640 --> 01:03:27,040
Speaker 3: they were going to be a part of it and

1343
01:03:27,080 --> 01:03:30,560
Speaker 3: it being very meaningful and feeling really good that they

1344
01:03:30,600 --> 01:03:30,919
Speaker 3: were there.

1345
01:03:31,160 --> 01:03:33,840
Speaker 4: It was cool because that's I got to drape myself

1346
01:03:33,880 --> 01:03:34,440
Speaker 4: across them.

1347
01:03:34,680 --> 01:03:37,360
Speaker 2: Yeah, so that was the fun part. I remember them

1348
01:03:37,360 --> 01:03:38,600
Speaker 2: all like, we could just push you off, we could

1349
01:03:38,600 --> 01:03:40,080
Speaker 2: push all the wage right now.

1350
01:03:40,400 --> 01:03:45,680
Speaker 3: Very good actors. They they're very present, present, They're great.

1351
01:03:46,120 --> 01:03:49,600
Speaker 3: So Phoene shouts, congratulations, we did it. The students hoot

1352
01:03:49,680 --> 01:03:53,040
Speaker 3: and holler. Phoene says, it's time to introduce the valedictorian,

1353
01:03:53,280 --> 01:03:58,200
Speaker 3: a student who exemplifies academic excellence as well as extracurricular achievement.

1354
01:03:58,920 --> 01:04:01,120
Speaker 3: What's her extra curriculs achievement? Hanging out with.

1355
01:04:01,040 --> 01:04:04,840
Speaker 4: Corey, hanging out with court Virginity and you're part of

1356
01:04:04,840 --> 01:04:06,880
Speaker 4: the Virginity club, right, okay?

1357
01:04:06,920 --> 01:04:08,320
Speaker 3: And social conscience?

1358
01:04:08,840 --> 01:04:12,200
Speaker 1: Did this? Did this set design really bumped me.

1359
01:04:12,080 --> 01:04:14,240
Speaker 3: I mean, the fact that there are more students on

1360
01:04:14,360 --> 01:04:17,000
Speaker 3: stage graduating than there are people in the audience.

1361
01:04:16,640 --> 01:04:18,960
Speaker 1: Watching, just and every shot of the audience watching is

1362
01:04:19,000 --> 01:04:21,320
Speaker 1: so awkward, like and it's just like going from left

1363
01:04:21,360 --> 01:04:24,880
Speaker 1: to it just doesn't It's like the camera's too close

1364
01:04:24,960 --> 01:04:26,959
Speaker 1: to each side and you never get the whole room.

1365
01:04:27,160 --> 01:04:29,920
Speaker 1: Like it's just it's I don't know why we couldn't

1366
01:04:29,960 --> 01:04:32,000
Speaker 1: figure this out a little bit better, Like, come on,

1367
01:04:32,160 --> 01:04:35,600
Speaker 1: let's let's either just do the whole audience separate, like

1368
01:04:35,640 --> 01:04:37,720
Speaker 1: on a different set, you know, and shoot because I

1369
01:04:38,000 --> 01:04:40,200
Speaker 1: but trying to like have it side by side with

1370
01:04:40,280 --> 01:04:42,760
Speaker 1: the podium like in the middle of a triangle shape

1371
01:04:42,840 --> 01:04:44,080
Speaker 1: is just I don't know. Man.

1372
01:04:44,360 --> 01:04:47,000
Speaker 4: This is also our last Alan Myerson episode ever because

1373
01:04:47,120 --> 01:04:48,680
Speaker 4: he was only there for season five. Right.

1374
01:04:48,680 --> 01:04:50,360
Speaker 2: Did he say goodbye to us at the end of.

1375
01:04:50,280 --> 01:04:53,000
Speaker 4: This episode, like literally walked down the line and said

1376
01:04:53,000 --> 01:04:53,840
Speaker 4: goodbye to us, and then.

1377
01:04:53,840 --> 01:04:56,560
Speaker 2: That was goodbye. He stopped at me.

1378
01:04:56,640 --> 01:04:57,920
Speaker 4: Well, no, he said some very nice things to me,

1379
01:04:57,920 --> 01:04:59,400
Speaker 4: and I think some nice things to Rider and then

1380
01:04:59,400 --> 01:05:00,000
Speaker 4: some other people's.

1381
01:05:00,120 --> 01:05:03,480
Speaker 1: He gave me two bags of tapes too, like like

1382
01:05:03,600 --> 01:05:06,440
Speaker 1: shopping bags full of mixtapes and jazz tapes that he

1383
01:05:06,440 --> 01:05:07,880
Speaker 1: had given me. He was really trying to get me

1384
01:05:07,880 --> 01:05:08,400
Speaker 1: into jazz.

1385
01:05:08,600 --> 01:05:12,560
Speaker 4: It was one of my first didn't work did. He

1386
01:05:12,600 --> 01:05:14,200
Speaker 4: just told me, it's like you gotta we got to

1387
01:05:14,200 --> 01:05:15,760
Speaker 4: do a movie together because I was like, I'd love to.

1388
01:05:15,800 --> 01:05:16,880
Speaker 4: He's like, great, then you would go on to the

1389
01:05:16,920 --> 01:05:19,240
Speaker 4: next person. Yeah bye, yeah, but like he was over

1390
01:05:19,280 --> 01:05:20,120
Speaker 4: it by the by.

1391
01:05:20,000 --> 01:05:23,160
Speaker 3: This point, I think Minkus pops up and bitterly explains

1392
01:05:23,240 --> 01:05:26,120
Speaker 3: she got one more lousy a than I did. He's

1393
01:05:26,160 --> 01:05:28,600
Speaker 3: pulled back down to his seat and Feenie introduces miss

1394
01:05:28,680 --> 01:05:31,760
Speaker 3: to Panga Lawrence. She smiles at Corey as she approaches

1395
01:05:31,800 --> 01:05:34,320
Speaker 3: the podium, and the audience applauds. Sean is clapping, but

1396
01:05:34,360 --> 01:05:36,640
Speaker 3: he notices Corey isn't Corey is.

1397
01:05:36,640 --> 01:05:39,800
Speaker 1: With my clapping, oh, because it's all fake everybody around

1398
01:05:40,280 --> 01:05:43,800
Speaker 1: I know. But I'm like, I'm on care it's so awful,

1399
01:05:43,840 --> 01:05:45,000
Speaker 1: Like it looks so weird.

1400
01:05:45,160 --> 01:05:47,520
Speaker 2: I'm like everybody talking all the time.

1401
01:05:48,040 --> 01:05:50,080
Speaker 3: I will say, I did not notice.

1402
01:05:51,880 --> 01:05:54,400
Speaker 1: Everybody like what you were just doing will is better

1403
01:05:54,440 --> 01:05:56,760
Speaker 1: because it was faster, like I'm doing like this slow Like.

1404
01:05:56,680 --> 01:05:59,840
Speaker 2: There's like, what are you doing?

1405
01:06:02,320 --> 01:06:05,280
Speaker 3: Corey explains, I can't. The closer we get to graduating,

1406
01:06:05,320 --> 01:06:08,080
Speaker 3: the closer she gets to Yale on the mic, Topega

1407
01:06:08,120 --> 01:06:11,040
Speaker 3: thanks mister Feenie and greets her classmates. I worked very

1408
01:06:11,040 --> 01:06:13,920
Speaker 3: hard on the speech. However, I'm not going to give it.

1409
01:06:14,360 --> 01:06:17,280
Speaker 3: And then we get a very sitcomments cutaway to audience members,

1410
01:06:17,320 --> 01:06:20,600
Speaker 3: gasping because I know somebody who could give a much

1411
01:06:20,640 --> 01:06:25,000
Speaker 3: better speech than I ever could. Ladies and gentlemen, I.

1412
01:06:25,000 --> 01:06:28,360
Speaker 1: Don't why does Topanga sacrifice for Sean.

1413
01:06:29,000 --> 01:06:33,120
Speaker 3: It doesn't, especially because this isn't a message to everyone,

1414
01:06:33,280 --> 01:06:38,120
Speaker 3: It's a message to Angela, Topanga, Corey and Feenie.

1415
01:06:40,160 --> 01:06:42,600
Speaker 1: So yeah, but it's also like, why does she believe

1416
01:06:42,600 --> 01:06:45,080
Speaker 1: that Sean is going to have a better speech than her,

1417
01:06:46,000 --> 01:06:46,680
Speaker 1: because you're.

1418
01:06:46,480 --> 01:06:49,439
Speaker 3: Can assume that. Again, a thing we did not see

1419
01:06:49,480 --> 01:06:52,760
Speaker 3: on camera but is only alluded to here is because

1420
01:06:52,760 --> 01:06:54,920
Speaker 3: Sean and Topanga have spoken.

1421
01:06:54,960 --> 01:06:56,920
Speaker 2: And they read because he said I read her speech,

1422
01:06:56,960 --> 01:06:57,400
Speaker 2: and I.

1423
01:06:57,360 --> 01:07:01,400
Speaker 3: Read her speech exactly, so we have communicated. Yeah, and

1424
01:07:01,520 --> 01:07:05,800
Speaker 3: you maybe have asked me, I have real I would

1425
01:07:05,840 --> 01:07:08,880
Speaker 3: like to give the speech. It's gonna be my final paper,

1426
01:07:09,840 --> 01:07:13,880
Speaker 3: and I have said, yes, you deserve.

1427
01:07:13,960 --> 01:07:16,880
Speaker 4: You graduated with a one point too. You barely got out.

1428
01:07:17,080 --> 01:07:18,520
Speaker 4: You're right, take the Valedictoria.

1429
01:07:18,600 --> 01:07:20,000
Speaker 3: Take the valedictorian speech.

1430
01:07:22,080 --> 01:07:27,520
Speaker 1: Isol be your girlfriend. You got kidnapped by those other girls.

1431
01:07:27,560 --> 01:07:33,560
Speaker 1: You your experience, read the one that you are the

1432
01:07:33,600 --> 01:07:36,720
Speaker 1: one that But that's what I'm like, Okay, I guess

1433
01:07:36,760 --> 01:07:39,440
Speaker 1: even in this off camera Scete'm imagining she read Sewan's

1434
01:07:39,480 --> 01:07:41,760
Speaker 1: paper and was like, this is a better speech to

1435
01:07:41,800 --> 01:07:43,600
Speaker 1: what I would say. Well, and that's where I'm like,

1436
01:07:43,640 --> 01:07:44,520
Speaker 1: what does Sean say?

1437
01:07:44,520 --> 01:07:48,360
Speaker 3: That's really no, I'll be honest, it's not better, But

1438
01:07:48,760 --> 01:07:50,479
Speaker 3: I'm going to go out on a limb and say

1439
01:07:51,040 --> 01:07:54,920
Speaker 3: to Panga doesn't actually read his speech. She shows her

1440
01:07:54,960 --> 01:08:00,120
Speaker 3: speech to Sean, and Sean says, I have something i

1441
01:08:00,120 --> 01:08:01,240
Speaker 3: I'd like to share.

1442
01:08:01,520 --> 01:08:03,200
Speaker 1: Can you step aside?

1443
01:08:03,760 --> 01:08:06,880
Speaker 3: Step aside for me and Topanga Without even saying we'll

1444
01:08:06,960 --> 01:08:10,160
Speaker 3: let me compare, because Topanga wouldn't do that, she just says,

1445
01:08:10,480 --> 01:08:13,000
Speaker 3: I'm a woman. I automatically.

1446
01:08:14,000 --> 01:08:16,280
Speaker 2: Woman, I'm a woman, And before.

1447
01:08:16,000 --> 01:08:18,200
Speaker 3: You go, will you explain starry Night to me?

1448
01:08:18,439 --> 01:08:18,759
Speaker 1: Please?

1449
01:08:21,800 --> 01:08:24,240
Speaker 2: Pang is not yet, you can't do it.

1450
01:08:24,320 --> 01:08:29,639
Speaker 4: Yeah, And it would have been such a wonderful wrap

1451
01:08:29,720 --> 01:08:32,200
Speaker 4: up for Tapanga to go from that Phoenie scene to

1452
01:08:32,320 --> 01:08:35,559
Speaker 4: then hearing her speech, you know, and that's kind of

1453
01:08:35,600 --> 01:08:38,080
Speaker 4: where I wanted it to go. And I forgot that

1454
01:08:38,880 --> 01:08:40,320
Speaker 4: Shawn's actually the one to give the speech.

1455
01:08:40,320 --> 01:08:42,920
Speaker 2: I was like, oh, oh, I know, Oh, I just.

1456
01:08:42,840 --> 01:08:46,440
Speaker 1: Wish that Seawn's speech was such a slam dunk a message.

1457
01:08:46,640 --> 01:08:48,559
Speaker 1: It was like if Sean got up there and was like,

1458
01:08:48,920 --> 01:08:51,599
Speaker 1: I'm not supposed to be giving this speech, but i

1459
01:08:51,640 --> 01:08:55,280
Speaker 1: am because and then says something so poetic or so

1460
01:08:55,439 --> 01:09:00,760
Speaker 1: beautiful and like describes something that everybody can relate to

1461
01:09:00,840 --> 01:09:02,760
Speaker 1: in a way that you know, and like I'm not

1462
01:09:02,760 --> 01:09:06,400
Speaker 1: the valedictorian because of this, but I am this and

1463
01:09:06,479 --> 01:09:09,439
Speaker 1: this is what you are and that's an amazing you know,

1464
01:09:09,479 --> 01:09:11,160
Speaker 1: I've changed it. Like we like we talked about like

1465
01:09:11,360 --> 01:09:13,719
Speaker 1: I came from nothing. I came from a trailer park.

1466
01:09:13,760 --> 01:09:16,200
Speaker 1: I have nothing, And because of this school I'm now

1467
01:09:16,240 --> 01:09:18,000
Speaker 1: going to go on to because of.

1468
01:09:17,960 --> 01:09:21,160
Speaker 3: These people who believe these people myself and now I've

1469
01:09:21,160 --> 01:09:23,320
Speaker 3: gotten accepted into Penbrook and I'm not gonna make the

1470
01:09:23,360 --> 01:09:26,120
Speaker 3: same mistakes here. I'm gonna you know, do better there

1471
01:09:26,160 --> 01:09:26,519
Speaker 3: or whatever.

1472
01:09:26,640 --> 01:09:29,439
Speaker 1: Right, And also so this is a message to other people.

1473
01:09:29,439 --> 01:09:31,880
Speaker 1: Instead it just becomes a self indulgent, sentimental thing of

1474
01:09:31,920 --> 01:09:34,599
Speaker 1: like I could have done better. I'm so sad. I'm

1475
01:09:34,600 --> 01:09:38,840
Speaker 1: so sad, which is not motivating. No, No, it's just

1476
01:09:38,880 --> 01:09:40,519
Speaker 1: like whoa, that's intense, you know.

1477
01:09:42,200 --> 01:09:46,040
Speaker 2: Through like yeah I shouldn't. The writers just really really.

1478
01:09:45,840 --> 01:09:49,320
Speaker 1: Liked me doing the like also like that Sean. They

1479
01:09:49,360 --> 01:09:53,799
Speaker 1: just like Sean sad. They like like puppy dog sad Sean.

1480
01:09:53,960 --> 01:09:55,920
Speaker 1: And so it's like they just kind of wrote that

1481
01:09:56,640 --> 01:09:59,000
Speaker 1: and it's not this. I don't know, it's not as meaningful.

1482
01:09:59,439 --> 01:10:02,160
Speaker 4: Yeah, because they he easily could have to Panga could

1483
01:10:02,160 --> 01:10:04,120
Speaker 4: have given the speech and then walked back and they

1484
01:10:04,120 --> 01:10:06,000
Speaker 4: still would have had the same ending that they had before.

1485
01:10:06,160 --> 01:10:08,120
Speaker 2: I mean, that's not well, we needed to Panga be

1486
01:10:08,120 --> 01:10:08,559
Speaker 2: sitting down.

1487
01:10:08,600 --> 01:10:12,160
Speaker 4: Well, ten things happened between them and the proposal, so

1488
01:10:12,160 --> 01:10:13,719
Speaker 4: she easily could have been back in her seat.

1489
01:10:13,880 --> 01:10:16,120
Speaker 2: So yeah, it doesn't This was strange to me.

1490
01:10:16,920 --> 01:10:20,759
Speaker 3: Ladies and gentlemen, My good friend Sean Hunter. Sean pulls

1491
01:10:20,760 --> 01:10:23,080
Speaker 3: a letter out of his gown and grins at Corey, Hey,

1492
01:10:23,200 --> 01:10:25,519
Speaker 3: you only go to high school. Once. He walks up

1493
01:10:25,520 --> 01:10:27,320
Speaker 3: to the podium and gives to Panga a big hug.

1494
01:10:27,640 --> 01:10:30,080
Speaker 3: He begins by thanking to Panga and revealing you know

1495
01:10:30,360 --> 01:10:33,519
Speaker 3: I read her speech. It kicked butt. He continues. I

1496
01:10:33,560 --> 01:10:36,840
Speaker 3: attended John Adams High School sporadically during the last four years.

1497
01:10:36,920 --> 01:10:39,160
Speaker 3: I barely have a C average. That's why I'm here,

1498
01:10:41,479 --> 01:10:43,960
Speaker 3: he explains it. When mister Feeney's very last assignment was

1499
01:10:44,000 --> 01:10:46,040
Speaker 3: to write about his feelings this week, his reaction was

1500
01:10:46,080 --> 01:10:48,040
Speaker 3: the same as always. I can't wait to get out

1501
01:10:48,080 --> 01:10:50,800
Speaker 3: of here. In the stands to Panga tells Corey, I

1502
01:10:50,840 --> 01:10:52,519
Speaker 3: know what I want to do with my life, but

1503
01:10:52,640 --> 01:10:55,200
Speaker 3: Corey shushes her. Shawn is speaking in public. This will

1504
01:10:55,200 --> 01:10:59,120
Speaker 3: never happen again in their lives. Sean continues, But now

1505
01:10:59,200 --> 01:11:01,920
Speaker 3: high school is over, and just when I'm finally free,

1506
01:11:02,000 --> 01:11:04,519
Speaker 3: I find myself sneaking back into this place and sitting

1507
01:11:04,520 --> 01:11:06,479
Speaker 3: in the hall thinking about my friends and all the

1508
01:11:06,479 --> 01:11:09,639
Speaker 3: time we spent there. He started thinking about mister Feenie too,

1509
01:11:09,760 --> 01:11:12,439
Speaker 3: because he always told them what to do. Without telling

1510
01:11:12,479 --> 01:11:15,400
Speaker 3: them what to do, You taught us about life. He

1511
01:11:15,520 --> 01:11:17,719
Speaker 3: was thinking about how much this place has been his home,

1512
01:11:18,040 --> 01:11:20,160
Speaker 3: how many times he screwed up while he was here,

1513
01:11:20,720 --> 01:11:24,639
Speaker 3: how I could have done better. I could have done better, Yes,

1514
01:11:24,880 --> 01:11:25,679
Speaker 3: start his papers.

1515
01:11:25,920 --> 01:11:27,880
Speaker 1: I mean that's pretty it's actually it's pretty great. He

1516
01:11:27,960 --> 01:11:30,960
Speaker 1: is direct to Feenie and admitting that I didn't. I

1517
01:11:31,080 --> 01:11:35,000
Speaker 1: just want the resolve to be like, well, I could

1518
01:11:35,000 --> 01:11:38,400
Speaker 1: have done better, and therefore I'm going to move forward. Yeah,

1519
01:11:38,520 --> 01:11:42,280
Speaker 1: just that, it's just needs another thirty seconds of real

1520
01:11:42,520 --> 01:11:47,840
Speaker 1: summation of yeah, but instead it's just emotional Sean.

1521
01:11:48,040 --> 01:11:49,799
Speaker 3: He folds up his final paper.

1522
01:11:50,240 --> 01:11:51,160
Speaker 2: That's what I wrote.

1523
01:11:51,720 --> 01:11:56,759
Speaker 3: That's how I feel. I'm sorry I could have done better.

1524
01:11:57,520 --> 01:12:00,840
Speaker 3: Congratulations to those of you who did.

1525
01:12:01,640 --> 01:12:04,240
Speaker 2: In fact, devaledictorian should have given the speech right.

1526
01:12:05,320 --> 01:12:07,799
Speaker 3: The audience applauds loudly for Sean, and as he returns

1527
01:12:07,840 --> 01:12:12,280
Speaker 3: to his seat, Phoene, shit, exactly like that. Well, Phoene

1528
01:12:12,280 --> 01:12:17,120
Speaker 3: shakes his hand. That was a fine paper. No one

1529
01:12:17,280 --> 01:12:18,280
Speaker 3: could have done better.

1530
01:12:18,560 --> 01:12:19,880
Speaker 1: I think probably could have.

1531
01:12:21,120 --> 01:12:22,800
Speaker 4: I also think he called it fine for a reason.

1532
01:12:22,840 --> 01:12:25,200
Speaker 4: That's what Susan say. Fine is the other F word.

1533
01:12:26,840 --> 01:12:28,519
Speaker 2: How do you look? You look fine? Oh great, that's

1534
01:12:28,520 --> 01:12:29,200
Speaker 2: the other word.

1535
01:12:29,320 --> 01:12:33,120
Speaker 3: So yeah. Phoene retakes the podium and announces now I

1536
01:12:33,160 --> 01:12:36,240
Speaker 3: would like to say something just then Eric shoots up

1537
01:12:36,240 --> 01:12:40,160
Speaker 3: from the crowd and have graduates. No, you're not going anywhere.

1538
01:12:40,520 --> 01:12:44,839
Speaker 3: Hi everybody, Hi, mom, Hi dad. Eric walks down the bleachers,

1539
01:12:44,880 --> 01:12:49,479
Speaker 3: maneuvering through the students and wearing a very cool soon

1540
01:12:49,720 --> 01:12:54,120
Speaker 3: right right, I me too, It's so cool.

1541
01:12:54,280 --> 01:12:55,360
Speaker 2: Yeah, it looks pretty styling.

1542
01:12:55,760 --> 01:12:59,000
Speaker 3: Hey, kids, congratulations. He lands at Phoene and grabs the mic.

1543
01:12:59,080 --> 01:13:00,840
Speaker 3: As most of you already at the end of this

1544
01:13:00,880 --> 01:13:03,639
Speaker 3: school year, mister Feenie will be retiring as a former

1545
01:13:03,680 --> 01:13:06,040
Speaker 3: student at John Adams High. It made me real mad.

1546
01:13:06,320 --> 01:13:10,280
Speaker 3: His voice deepens. Hello, I'm Eric Matthews. Phoene tries to

1547
01:13:10,320 --> 01:13:13,200
Speaker 3: grab the microphone but is unsuccessful. Eric shouts back off.

1548
01:13:13,240 --> 01:13:16,040
Speaker 3: Old Man Corey is concerned, but Eric assures him he

1549
01:13:16,080 --> 01:13:19,200
Speaker 3: knows what he's doing. Eric says into the mic, mister Feenie,

1550
01:13:19,360 --> 01:13:21,080
Speaker 3: I could tell you what I think about you, but

1551
01:13:21,120 --> 01:13:22,960
Speaker 3: it would just come out a bunch of words, and

1552
01:13:23,000 --> 01:13:24,960
Speaker 3: I know that nobody could say it better than a

1553
01:13:25,000 --> 01:13:28,840
Speaker 3: little girl named Lulu. He ac cues the music and

1554
01:13:28,880 --> 01:13:31,680
Speaker 3: grabs Pheeney's shoulders to sway him back and forth. We

1555
01:13:31,720 --> 01:13:34,559
Speaker 3: see some of the students faces. They are confused, and

1556
01:13:34,760 --> 01:13:38,519
Speaker 3: rightfully so. Eric begins to sing to Sir with love.

1557
01:13:38,760 --> 01:13:41,400
Speaker 3: Phoene tries to escape, but Eric yanks him back into

1558
01:13:41,400 --> 01:13:44,160
Speaker 3: his arms. In the audience, Alan whispers to his family,

1559
01:13:44,240 --> 01:13:47,400
Speaker 3: come on, let's get out of here. Eric continues to sing,

1560
01:13:47,400 --> 01:13:51,040
Speaker 3: not realizing his family is fleeing from embarrassment. Phoeney finally

1561
01:13:51,040 --> 01:13:53,800
Speaker 3: breaks free from Eric's grasp and sits back down. Eric,

1562
01:13:53,880 --> 01:13:56,280
Speaker 3: still singing, decides to lay across David and Wesley, who

1563
01:13:56,360 --> 01:13:59,240
Speaker 3: are sitting right next to mister Feenie. His head lays

1564
01:13:59,240 --> 01:14:01,640
Speaker 3: in poor Phoene's lap, who was just unsure what to

1565
01:14:01,680 --> 01:14:02,320
Speaker 3: do now.

1566
01:14:02,479 --> 01:14:06,120
Speaker 1: I remember correctly, will you like worked on this all

1567
01:14:06,200 --> 01:14:08,120
Speaker 1: week with the song, and I remember you saying like

1568
01:14:08,600 --> 01:14:11,800
Speaker 1: that in practice, you were singing it more straight like,

1569
01:14:12,120 --> 01:14:14,599
Speaker 1: and then when you got out here, you just like went, well,

1570
01:14:14,640 --> 01:14:15,000
Speaker 1: well yeah.

1571
01:14:15,240 --> 01:14:16,000
Speaker 2: Michael came up.

1572
01:14:15,880 --> 01:14:17,240
Speaker 4: To me, He's like, hey, I need to talk to you.

1573
01:14:17,240 --> 01:14:19,760
Speaker 4: You singing this week? I went like, what is you

1574
01:14:19,840 --> 01:14:23,160
Speaker 4: singing this week? We got you with a professional coach, right,

1575
01:14:23,280 --> 01:14:26,200
Speaker 4: And so for a week, for like two hours a day,

1576
01:14:26,360 --> 01:14:28,720
Speaker 4: I went and was learning to with the guy on

1577
01:14:28,760 --> 01:14:31,439
Speaker 4: the piano, like learning to sing to serve with love,

1578
01:14:31,520 --> 01:14:33,640
Speaker 4: really heartfelt, and in my head the whole time, I

1579
01:14:33,720 --> 01:14:35,840
Speaker 4: was like, this isn't how I'm gonna do it right,

1580
01:14:35,920 --> 01:14:39,479
Speaker 4: This is a joke, Like I'm not going to actually

1581
01:14:39,479 --> 01:14:42,160
Speaker 4: get out there and serenade him. I've got to Eric

1582
01:14:42,280 --> 01:14:45,720
Speaker 4: serenade him, and so yeah, it was strange to like

1583
01:14:45,840 --> 01:14:47,200
Speaker 4: have to work on it a note, you gotta hit

1584
01:14:47,200 --> 01:14:48,880
Speaker 4: this note, and we got to do and it was

1585
01:14:49,400 --> 01:14:51,120
Speaker 4: it was a fun way for like to have the

1586
01:14:51,160 --> 01:14:53,719
Speaker 4: vocal practice, to be honest with you, but it had.

1587
01:14:53,560 --> 01:14:55,760
Speaker 2: Nothing to do with the final performance.

1588
01:14:55,840 --> 01:14:58,920
Speaker 3: Yeah, it's so funny to me because obviously we've had

1589
01:14:59,000 --> 01:15:03,680
Speaker 3: another of heartfelt, sentimental little moment here where Sean has

1590
01:15:03,800 --> 01:15:05,880
Speaker 3: kind of brought the mood down with his I could

1591
01:15:05,920 --> 01:15:09,639
Speaker 3: have done better thing, and we desperately need the comedic relief.

1592
01:15:10,000 --> 01:15:15,400
Speaker 3: But I so loved the sentimental ending between Eric and

1593
01:15:15,439 --> 01:15:17,760
Speaker 3: Feenie of last week where you said, if I'm really

1594
01:15:17,800 --> 01:15:21,920
Speaker 3: really quiet, will you stay? And then this song, which

1595
01:15:21,960 --> 01:15:25,240
Speaker 3: is a very funny moment, but it goes on for

1596
01:15:25,320 --> 01:15:28,760
Speaker 3: a little too long, the whole song, Yes, the whole thing,

1597
01:15:29,320 --> 01:15:33,559
Speaker 3: and yeah, I don't know, I feel it. So it

1598
01:15:33,600 --> 01:15:35,600
Speaker 3: was so funny. It would have been so funny for

1599
01:15:35,720 --> 01:15:38,400
Speaker 3: like a few seconds, and then when he breaks away,

1600
01:15:38,600 --> 01:15:39,960
Speaker 3: something else has to happen, but.

1601
01:15:40,120 --> 01:15:42,120
Speaker 2: He cut it off. I agree, Yeah, it was it

1602
01:15:42,160 --> 01:15:42,880
Speaker 2: went on too long.

1603
01:15:43,320 --> 01:15:46,640
Speaker 3: Meanwhile, Franky and Joey are there and they love the performance.

1604
01:15:47,000 --> 01:15:49,719
Speaker 3: Eric's rendition is becoming more and more passionate, until Feeni

1605
01:15:49,840 --> 01:15:51,759
Speaker 3: has had enough and he pushes him to the ground.

1606
01:15:52,160 --> 01:15:54,200
Speaker 3: Eric is determined to finish and he jumps up for

1607
01:15:54,240 --> 01:15:57,439
Speaker 3: a big finale. Corey, Sean and Tapanga look on in

1608
01:15:57,520 --> 01:15:59,080
Speaker 3: horror of our mouths.

1609
01:15:59,120 --> 01:16:02,880
Speaker 4: Again, those are that one reaction shot was hysterical.

1610
01:16:02,400 --> 01:16:03,720
Speaker 3: I know, with all three of us make it in

1611
01:16:03,760 --> 01:16:06,880
Speaker 3: the same pace. And then we transition into later At

1612
01:16:06,880 --> 01:16:10,200
Speaker 3: the graduation ceremony, Foene is proudly handing a diploma to

1613
01:16:10,240 --> 01:16:10,800
Speaker 3: Seawan Hunter.

1614
01:16:10,960 --> 01:16:11,800
Speaker 2: Do you remember this?

1615
01:16:12,200 --> 01:16:14,240
Speaker 4: Do you remember what we were doing the entire time

1616
01:16:14,320 --> 01:16:17,559
Speaker 4: during rehearsal, which was just so fun?

1617
01:16:18,000 --> 01:16:20,920
Speaker 1: That's right, we would not god, So, yeah, so there was.

1618
01:16:20,960 --> 01:16:22,919
Speaker 2: It was for the whole week of rehearsal.

1619
01:16:22,920 --> 01:16:25,919
Speaker 4: It was usually just Mattie and I sitting in the audience,

1620
01:16:26,720 --> 01:16:28,720
Speaker 4: and then it was matt and then Rusty came in

1621
01:16:28,760 --> 01:16:30,240
Speaker 4: and the family came in. And so what we were

1622
01:16:30,280 --> 01:16:33,519
Speaker 4: doing what we went to during rehearsal and for run throughs,

1623
01:16:33,680 --> 01:16:36,800
Speaker 4: is that every time Bill would say somebody's name like

1624
01:16:36,880 --> 01:16:41,880
Speaker 4: and Shawn Hunter, screaming, clapping, going nuts like we're the

1625
01:16:41,880 --> 01:16:45,839
Speaker 4: whole audience yeah, yeah, he got to court Corey Matthews,

1626
01:16:46,200 --> 01:16:47,040
Speaker 4: dead silence.

1627
01:16:47,960 --> 01:16:50,280
Speaker 2: Nobody made a sound, and so we were doing it

1628
01:16:50,320 --> 01:16:54,840
Speaker 2: for he was walking.

1629
01:16:55,280 --> 01:16:59,479
Speaker 4: Guys were having so much to the point we were

1630
01:16:59,520 --> 01:17:00,000
Speaker 4: doing it again.

1631
01:17:00,080 --> 01:17:05,640
Speaker 1: I remember looking angry and quiet, trying to smile.

1632
01:17:06,320 --> 01:17:10,839
Speaker 4: Because we're just going Angela who pangers Corey Matthews.

1633
01:17:15,120 --> 01:17:17,639
Speaker 2: We had so much fun. Oh, he was getting so rankled.

1634
01:17:17,640 --> 01:17:19,040
Speaker 2: He's come on, come.

1635
01:17:18,880 --> 01:17:22,720
Speaker 3: On, that's so funny. So Phoene is probably handing a

1636
01:17:22,760 --> 01:17:25,400
Speaker 3: diploma to Sean Hunter. Jack tells those of plauding around

1637
01:17:25,479 --> 01:17:27,439
Speaker 3: him in the crowd, that's my little brother right there,

1638
01:17:27,600 --> 01:17:30,480
Speaker 3: and they all shush him, which seems like an insane

1639
01:17:30,520 --> 01:17:34,439
Speaker 3: thing to do at a graduation. Sean embraces Corey into

1640
01:17:34,439 --> 01:17:37,360
Speaker 3: Panga before taking a seat. Phoenie calls to Panga Lawrence

1641
01:17:37,400 --> 01:17:40,000
Speaker 3: and she beams as she receives the diploma. She walks

1642
01:17:40,000 --> 01:17:42,040
Speaker 3: back to the two boys and gives them another hug.

1643
01:17:42,720 --> 01:17:45,920
Speaker 3: Phoene calls Corey Matthews and he excitedly takes his diploma,

1644
01:17:46,000 --> 01:17:47,680
Speaker 3: showing it off to his parents, who are sitting in

1645
01:17:47,680 --> 01:17:50,679
Speaker 3: the crowd. The hugs continue as he grabs Tapanga and Sean,

1646
01:17:51,000 --> 01:17:54,479
Speaker 3: and then Phoenie calls Stuart Minkus. He gets his diploma

1647
01:17:54,560 --> 01:17:57,600
Speaker 3: and turns to the group to celebrate. After a little deliberation,

1648
01:17:57,760 --> 01:18:00,000
Speaker 3: they all stand up and happily give him a bit

1649
01:18:00,240 --> 01:18:00,760
Speaker 3: group hug.

1650
01:18:01,120 --> 01:18:02,479
Speaker 1: Can anybody else notice?

1651
01:18:03,760 --> 01:18:08,720
Speaker 4: Matthews mincis more it's like everybody on her show's last

1652
01:18:08,760 --> 01:18:09,599
Speaker 4: name ends with an M.

1653
01:18:09,880 --> 01:18:12,439
Speaker 3: I know, well it's Laura, yeah, and then Lawrence. It

1654
01:18:12,479 --> 01:18:15,479
Speaker 3: actually goes pretty well in order. There's not a ton

1655
01:18:15,520 --> 01:18:18,160
Speaker 3: of names, you know, in between. It's not too had.

1656
01:18:18,080 --> 01:18:20,400
Speaker 2: At a lot of m last names on our show.

1657
01:18:20,680 --> 01:18:21,640
Speaker 2: Yeah we did ye.

1658
01:18:22,000 --> 01:18:24,439
Speaker 3: Angela Moore is called next, and she and Sean hugg

1659
01:18:24,479 --> 01:18:26,479
Speaker 3: Once she places her tassel on the other side of

1660
01:18:26,479 --> 01:18:30,400
Speaker 3: her cap pregnant, you're.

1661
01:18:30,280 --> 01:18:32,599
Speaker 2: Just like she's graduating for two you can tell.

1662
01:18:35,240 --> 01:18:38,479
Speaker 3: Meanwhile, Corey picks up his conversation with Tapanga. So you

1663
01:18:38,520 --> 01:18:41,519
Speaker 3: were going to say something? Was it important? Topeka asks,

1664
01:18:41,680 --> 01:18:43,320
Speaker 3: you mean that I decided what I want to do

1665
01:18:43,360 --> 01:18:48,120
Speaker 3: with my life. Corey nods yeah, that. Tapega explains mister

1666
01:18:48,120 --> 01:18:50,120
Speaker 3: Feoene says that I should go to Yale unless I

1667
01:18:50,160 --> 01:18:52,680
Speaker 3: have a really good reason not to. Corey tells her

1668
01:18:52,800 --> 01:18:56,479
Speaker 3: there isn't any good reason, but Tapanga disagrees, Actually there is.

1669
01:18:57,040 --> 01:18:59,839
Speaker 3: She starts to explain, but is interrupted by Phoene officially

1670
01:18:59,880 --> 01:19:03,559
Speaker 3: introducing the John Adams High School class of nineteen hundred

1671
01:19:03,600 --> 01:19:07,080
Speaker 3: and ninety eight, the graduate.

1672
01:19:07,160 --> 01:19:13,840
Speaker 2: Graduating class here n nine ninety seven. Okay, ninety four, cool, cool,

1673
01:19:14,080 --> 01:19:14,559
Speaker 2: just check it.

1674
01:19:14,680 --> 01:19:18,120
Speaker 3: Just a graduate stand yet the graduate stand with pride

1675
01:19:18,160 --> 01:19:21,519
Speaker 3: except for Topanga. She holds Corey's arm and asks, will

1676
01:19:21,560 --> 01:19:24,679
Speaker 3: you marry me? Corey sits back down as soft music

1677
01:19:24,720 --> 01:19:26,960
Speaker 3: plays in the background. He looks like he's seen a

1678
01:19:26,960 --> 01:19:37,840
Speaker 3: ghost when this bomb means well, so there it is.

1679
01:19:37,960 --> 01:19:42,679
Speaker 3: There's our season five recap, rest in peace. I guess

1680
01:19:42,720 --> 01:19:44,759
Speaker 3: mister Turner and.

1681
01:19:45,120 --> 01:19:49,080
Speaker 4: Micascas, Allan Myerson, Frankie and Joey.

1682
01:19:49,240 --> 01:19:50,080
Speaker 2: Frankie and Joey.

1683
01:19:50,160 --> 01:19:51,719
Speaker 1: Yeah, what a season?

1684
01:19:52,760 --> 01:19:57,519
Speaker 3: All right? So this is ABC dot dot com. Oh yeah,

1685
01:19:57,560 --> 01:20:00,639
Speaker 3: presented by Jello. Oh and look at the uh who

1686
01:20:00,640 --> 01:20:02,880
Speaker 3: wants to be Okay?

1687
01:20:02,920 --> 01:20:03,120
Speaker 4: Wow?

1688
01:20:03,240 --> 01:20:08,240
Speaker 3: That was after the fact, yeah, after the fact. So,

1689
01:20:08,840 --> 01:20:11,479
Speaker 3: but they had one. It was like this for before

1690
01:20:12,240 --> 01:20:14,160
Speaker 3: which wedding ideas do you like best?

1691
01:20:14,479 --> 01:20:15,519
Speaker 1: Should we have the wedding?

1692
01:20:15,800 --> 01:20:20,559
Speaker 3: Yeah's parents in a hotel outside which you check out

1693
01:20:20,560 --> 01:20:23,320
Speaker 3: my video before you start? Will you click on that Okay,

1694
01:20:23,320 --> 01:20:26,439
Speaker 3: so it's a pink page. It has our wedding, which

1695
01:20:26,479 --> 01:20:28,920
Speaker 3: wedding ideas? Do you like best? Answer all the questions

1696
01:20:28,920 --> 01:20:31,040
Speaker 3: and let us know. Plus, if you like, check out

1697
01:20:31,200 --> 01:20:33,960
Speaker 3: my video before you start, thanks to Panga.

1698
01:20:34,080 --> 01:20:35,120
Speaker 2: Did you do a video?

1699
01:20:35,640 --> 01:20:36,599
Speaker 3: I know that's what I'm wondering.

1700
01:20:36,840 --> 01:20:38,720
Speaker 5: The video is no longer hosted on there.

1701
01:20:38,720 --> 01:20:39,639
Speaker 1: I can't get the video.

1702
01:20:39,720 --> 01:20:42,320
Speaker 2: Oh no you, I mean you must have.

1703
01:20:42,640 --> 01:20:43,080
Speaker 3: I must have.

1704
01:20:43,240 --> 01:20:45,320
Speaker 2: You're not going to cut to somebody else. So this is.

1705
01:20:45,280 --> 01:20:49,400
Speaker 3: Definitely the website for after we had where we were

1706
01:20:49,400 --> 01:20:51,000
Speaker 3: getting married? Where's the poll?

1707
01:20:51,600 --> 01:20:53,920
Speaker 5: So a lot this is from wayback Machine, which like

1708
01:20:53,960 --> 01:20:56,880
Speaker 5: catalogs old websites, and a lot of the poll results

1709
01:20:56,920 --> 01:20:59,679
Speaker 5: won't come up. There's a photo album that I don't

1710
01:20:59,680 --> 01:21:02,519
Speaker 5: think will load all the way but.

1711
01:21:03,400 --> 01:21:09,439
Speaker 4: Memory's but but there we go to listen. Click each

1712
01:21:09,520 --> 01:21:15,839
Speaker 4: picture to hear marriage boy.

1713
01:21:15,320 --> 01:21:18,080
Speaker 3: A little picture of young Ben. Click to listen. Apparently

1714
01:21:18,120 --> 01:21:20,080
Speaker 3: there was a message there is there are there more pictures?

1715
01:21:20,160 --> 01:21:21,080
Speaker 3: Or is that the only one that loads?

1716
01:21:21,080 --> 01:21:22,360
Speaker 5: It looks like that's the only one.

1717
01:21:23,000 --> 01:21:24,880
Speaker 2: Okay, it's a terrible photo.

1718
01:21:24,880 --> 01:21:27,400
Speaker 1: And see I'm wondering if there really was a poll

1719
01:21:27,479 --> 01:21:29,559
Speaker 1: for whether they should get married That's what I want

1720
01:21:29,560 --> 01:21:30,320
Speaker 1: to know, because this.

1721
01:21:30,280 --> 01:21:34,640
Speaker 3: Is where I remember it. I do remember it. I

1722
01:21:34,680 --> 01:21:37,720
Speaker 3: remember it being a big and I remember going to

1723
01:21:37,760 --> 01:21:39,960
Speaker 3: it and there being like a vote a vote thing.

1724
01:21:40,200 --> 01:21:40,960
Speaker 2: Did you vote?

1725
01:21:41,680 --> 01:21:42,360
Speaker 3: I think I did.

1726
01:21:42,560 --> 01:21:44,320
Speaker 2: Did you Did you vote yeay or nay?

1727
01:21:44,680 --> 01:21:48,320
Speaker 3: I think I voted yay okay. I don't remember, but

1728
01:21:48,400 --> 01:21:50,000
Speaker 3: I think I probably would have.

1729
01:21:50,280 --> 01:21:52,360
Speaker 4: There would have been some some great irony about you

1730
01:21:52,520 --> 01:21:53,400
Speaker 4: voting against it.

1731
01:21:53,760 --> 01:21:54,760
Speaker 3: No, I don't think you did.

1732
01:21:54,800 --> 01:21:56,960
Speaker 1: I think at the time I was to the audience

1733
01:21:57,080 --> 01:21:59,400
Speaker 1: after to Panga and propose.

1734
01:21:59,479 --> 01:22:02,080
Speaker 3: I think it was this summer. So, yeah, this entire break.

1735
01:22:02,120 --> 01:22:04,479
Speaker 1: So the idea that if the poll failed, then what

1736
01:22:04,640 --> 01:22:04,960
Speaker 1: you guys?

1737
01:22:05,200 --> 01:22:09,560
Speaker 3: His answer would be no, oh okay because the next episode,

1738
01:22:09,800 --> 01:22:12,840
Speaker 3: our next episode recap will be season six, episode one,

1739
01:22:12,960 --> 01:22:16,599
Speaker 3: which is titled his Answer Part one.

1740
01:22:16,800 --> 01:22:18,840
Speaker 2: So are we taking a break? We sure?

1741
01:22:18,880 --> 01:22:20,880
Speaker 3: Are Are we taking a gap year?

1742
01:22:21,240 --> 01:22:21,799
Speaker 2: We are.

1743
01:22:21,600 --> 01:22:24,519
Speaker 3: We're taking a gap year. We're doing a very modern

1744
01:22:24,640 --> 01:22:26,960
Speaker 3: day graduate from high school thing. We're going to be

1745
01:22:27,000 --> 01:22:29,679
Speaker 3: taking a gap year before we enter college. The gap

1746
01:22:29,760 --> 01:22:33,360
Speaker 3: year will not actually be a full year, but it

1747
01:22:33,439 --> 01:22:35,240
Speaker 3: will be Yeah. No, we're not going to take a

1748
01:22:35,280 --> 01:22:37,759
Speaker 3: full year, but we are going to take a little

1749
01:22:37,800 --> 01:22:39,519
Speaker 3: bit of time to give ourselves a break before we

1750
01:22:39,560 --> 01:22:40,519
Speaker 3: jump into the next season.

1751
01:22:40,760 --> 01:22:43,200
Speaker 2: It is just time for us to go to the gap, right.

1752
01:22:43,760 --> 01:22:47,840
Speaker 3: Exactly sweet. So we will be having some very very

1753
01:22:47,880 --> 01:22:52,240
Speaker 3: fun episodes before we dive into season six, including the

1754
01:22:52,280 --> 01:22:56,280
Speaker 3: return of brah Meets World next week. And then we

1755
01:22:56,320 --> 01:22:59,479
Speaker 3: are also going to do season drafts for season's four.

1756
01:22:59,720 --> 01:23:04,320
Speaker 3: And we didn't do a season four draft, and a

1757
01:23:04,360 --> 01:23:05,800
Speaker 3: lot of you called us out on it. A lot

1758
01:23:05,800 --> 01:23:09,160
Speaker 3: of you said, what the hell, where's my season four draft?

1759
01:23:09,200 --> 01:23:10,519
Speaker 3: And we don't want to leave you hanging, So we're

1760
01:23:10,520 --> 01:23:12,120
Speaker 3: gonna do a season four draft and then we'll do

1761
01:23:12,120 --> 01:23:12,840
Speaker 3: a season five.

1762
01:23:13,240 --> 01:23:14,639
Speaker 1: To lose again, so we can't.

1763
01:23:15,240 --> 01:23:17,000
Speaker 4: We never even got the I think I might have

1764
01:23:17,160 --> 01:23:20,080
Speaker 4: won the film Festival the film Festival, which is why

1765
01:23:20,080 --> 01:23:22,639
Speaker 4: nobody told me, because they're like, we don't want Will

1766
01:23:22,680 --> 01:23:24,920
Speaker 4: to know that he actually didn't come in last price.

1767
01:23:25,000 --> 01:23:28,080
Speaker 3: I was just told you'll get the results soon.

1768
01:23:28,280 --> 01:23:30,720
Speaker 2: Yeah. I don't buy that. I don't buy it. Buy it.

1769
01:23:30,800 --> 01:23:34,160
Speaker 3: We'll find out another really wonderful Feoene episode. We also

1770
01:23:34,200 --> 01:23:36,920
Speaker 3: have a cliffhanger about Phoenie. Is he gonna retire? What's

1771
01:23:36,960 --> 01:23:41,920
Speaker 3: he gonna do? Non nou and we have a very

1772
01:23:41,960 --> 01:23:47,439
Speaker 3: special Christmas surprise for you all. We are very excited

1773
01:23:47,479 --> 01:23:49,680
Speaker 3: to reveal it to you, so stay tuned for a

1774
01:23:49,720 --> 01:23:54,800
Speaker 3: special Bill Daniels Christmas episode coming to you soon. Thank

1775
01:23:54,800 --> 01:23:56,559
Speaker 3: you all for joining us for this episode of Pod

1776
01:23:56,560 --> 01:23:58,679
Speaker 3: Meets World. As always, you can follow us on Instagram

1777
01:23:58,720 --> 01:24:01,000
Speaker 3: pod Meets World Show. You can send us your emails

1778
01:24:01,040 --> 01:24:05,000
Speaker 3: podmeets Worldshow at gmail dot com, and we have merch

1779
01:24:05,800 --> 01:24:14,639
Speaker 3: to merch with Podmeetsworldshow dot com will send us out.

1780
01:24:14,960 --> 01:24:16,839
Speaker 2: We love you all, pod dismissed.

1781
01:24:18,160 --> 01:24:21,679
Speaker 4: Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1782
01:24:21,800 --> 01:24:26,000
Speaker 4: Wilfredell and Ryder Strong executive producers Jensenkarp and Amy Sugarman,

1783
01:24:26,320 --> 01:24:29,840
Speaker 4: Executive in charge of production, Danielle Romo, producer and editor,

1784
01:24:29,880 --> 01:24:33,679
Speaker 4: Tara Sudbaksch, producer, Maddy Moore, engineer and Boy Meets World

1785
01:24:33,720 --> 01:24:36,639
Speaker 4: superfan Easton Allen. Our theme song is by Kyle Morton

1786
01:24:36,640 --> 01:24:38,760
Speaker 4: of Typhoon and you can follow us on Instagram at

1787
01:24:38,840 --> 01:24:41,880
Speaker 4: podmeets World Show or email us at Podmeets Worldshow at

1788
01:24:41,920 --> 01:24:44,600
Speaker 4: gmail dot com