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Speaker 1: An Italian restaurant. That's where I was with Nate Coudrey

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Speaker 1: and Hayes Davenport.

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Speaker 2: That, yeah, that was me, Yes, just that you with

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Speaker 2: Nate Quardry. Yeah, I was, Hey Davenport, the good haze man.

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Speaker 2: You were, Heyzeport. But you said you were with Nate Andate. Yes,

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Speaker 2: but I'm right, but that with yourself, Yes, you were

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Speaker 2: really feeling present. Yes, okay, the best feeling is to

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Speaker 2: feel like you are just hanging out with yourself and

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Speaker 2: Nate Quadrey and and that you are one hundred percent yourself,

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Speaker 2: your true self.

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Speaker 1: And we are inspecting the revioli uh huh, just to

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Speaker 1: make sure no surprises. I'm not interested in any surprises

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Speaker 1: from this.

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Speaker 3: Well, and people may not know this about you.

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Speaker 2: When you go to especially an Italian restaurant, because you've

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Speaker 2: said you don't really trust those guys, you will bring

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Speaker 2: a magnifying glass and each piece that comes out, you'll

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Speaker 2: sort of dissect it, take it apoint with the magnifying

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Speaker 2: look at each individual thing, look at the I.

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Speaker 1: Se it open and then peek inside. M Yes, because

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Speaker 1: I have been burned by this.

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Speaker 2: You've gotten tricked before. Yes, cheese in there is a

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Speaker 2: secret or something else.

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Speaker 3: Yes, or like one Easter.

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Speaker 1: I me and myself an Easter egg hunt with Ravioli's.

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Speaker 1: Raviolis are kind of like Easter egg of Italian food,

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Speaker 1: certainly of all the Italian foods. That and Tortellini's those

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Speaker 1: are like kind of the Easter eggs.

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Speaker 3: Yeah.

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Speaker 1: And so I hide some pennies, toys, things like that,

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Speaker 1: my ravioli to hide for myself. The next day, then,

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Speaker 1: of course wake up minute. Of course I'm gonna have

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Speaker 1: midnight snack. I eat my big pie of Reveolis with

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Speaker 1: all the pennies and you and the Tortolini's in which

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Speaker 1: I had hidden clues.

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Speaker 2: As to find the rest. And so now there's still

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Speaker 2: some missing.

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Speaker 1: Still some reviolis with toys at your.

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Speaker 3: Wedding ring was in one of them, yeah, because I

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Speaker 3: was already carved.

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Speaker 2: Yes, and so now those are inside Reveolis somewhere in

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Speaker 2: the house.

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Speaker 3: Yes.

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Speaker 1: And I am I don't know how to put this delicately.

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Speaker 1: I am every few days blasting out a clue.

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Speaker 2: Right, okay, And so then you got to whip out

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Speaker 2: the magnifying glass and get down into the let.

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Speaker 1: Yeah, I see a clue that says, don't uh, don't

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Speaker 1: be slow as a little warm, go to the place

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Speaker 1: that makes the house warm fireplace.

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Speaker 2: Okay, I know right away, Sorry, and maybe I should

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Speaker 2: have can even help me figure this one out. Don't

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Speaker 2: be slow as a little warm, yes, like worm, yeah

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Speaker 2: but they ah.

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Speaker 3: Okay, don't be slow as a little warm. But it's

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Speaker 3: spelled w O r M.

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Speaker 2: But you just know, even when you're reading the first half,

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Speaker 2: when you haven't seen the second half, that it's gotta

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Speaker 2: be mispronounced. Yes, because the back half is You're right,

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Speaker 2: you're rhyming warm with warm.

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Speaker 1: Yes, yeah, like some of these rappers, you know how

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Speaker 1: they just take the same word and the rhyme like

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Speaker 1: tushy with tushy. Yes, I have heard some of that.

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Speaker 1: Who's Who's who?

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Speaker 3: Are you thinking of their juvenile yes? Yes?

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Speaker 2: Well okay, so uh so you so you went to

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Speaker 2: the fireplace and you found old revol is great?

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Speaker 1: Well, why would handbook an Insider's guide to kicking butt

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Speaker 1: and dropping in the red carpet lined back hallways of

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Speaker 1: this industry we call we call show a bit, so

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Speaker 1: we have to taste the words.

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Speaker 3: Every I love.

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Speaker 2: How you've been taking your time with this stuff a

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Speaker 2: little bit, and it's really nice for the audience who

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Speaker 2: doesn't know what to expect, and it's fun for me

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Speaker 2: to try to find your rhythm.

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Speaker 3: Well, we're here with a guest, and isn't that always

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Speaker 3: so special? And we often have a guest?

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Speaker 4: Yes, I know, I actually don't always have a corner.

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Speaker 4: Sometimes sometimes the guest is like going, what are we

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Speaker 4: going to do? But this time I'm like, oh, I

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Speaker 4: guess we're just fringing wind her up and watch her go.

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Speaker 1: It's freaking a parna. Hi, it's freaking a parna from

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Speaker 1: the Corporate show.

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Speaker 5: Hi?

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Speaker 1: Hi, Yeah, are you kidding? And now we've had everyone.

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Speaker 5: From the show.

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Speaker 3: We've had the whole corporate cast except Anna.

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Speaker 5: Any yeah, and Lance Reddick.

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Speaker 3: Lance Reddick and I have not had Lance Reddick.

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Speaker 1: He is often sort of lingering on the periphery of

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Speaker 1: our shows.

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Speaker 2: He will hang out outside and then yeah, or like

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Speaker 2: in the room he's at he's at Earwolf a lot,

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Speaker 2: and he'll just kind of be chilling, just observing.

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Speaker 3: Yes, yeah, but and.

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Speaker 1: Then the show will be like you can sometimes hear

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Speaker 1: us on a show be like do you want you know,

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Speaker 1: and then you just hear from the corner like no, no, no, no.

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Speaker 5: Is he prepping for a role.

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Speaker 3: Yeah, he's going to be a podcaster. Yeah, got Akerman

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Speaker 3: in the movie.

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Speaker 2: Yeah, the big Yeah, there's the big Airwolf movie coming

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Speaker 2: out and Lance is going to play Scott.

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Speaker 5: Wow, that's a that's a that's a great casting.

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Speaker 2: Big prestige movie. Yeah, all the big people involved. Yeah,

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Speaker 2: and him and him is Scott, I think is going

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Speaker 2: to really work. He's going to be able to pull

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Speaker 2: that off.

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Speaker 5: Yeah.

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Speaker 2: The word play, the word play, Yeah, the acronyms, the

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Speaker 2: sort of if you see him in the parking lot,

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Speaker 2: he's he's a little bit nastier to you than if

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Speaker 2: you saw him in the office.

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Speaker 1: I had an encounter with Scott in the parking lot

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Speaker 1: recently where Scott was unwilling to engage him in the

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Speaker 1: way that Sean was hoping to be engaged at that moment.

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Speaker 3: And it's also it's because there were other people around.

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Speaker 2: Oh, if it had been us, here's the thing, and

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Speaker 2: it's sort of like, do you know ever a loving

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Speaker 2: tongue complicated?

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Speaker 3: Yes, well so I do too.

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Speaker 1: I know it's one part that you know about it, Okay,

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Speaker 1: go ahead.

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Speaker 5: Yeah, it feels like it's primarily addressed to one person.

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Speaker 3: Yes, yes, So for me, if I'm singing it, that

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Speaker 3: person's probably Scott yeah yeah, yeah, and what.

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Speaker 1: I also have that person that we're singing that song too.

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Speaker 3: Don't Who's yes, Who's You're complicated? For me? Yeah, it

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Speaker 3: would have to be.

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Speaker 1: The sushi man at the store. Yeah, oh, at the

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Speaker 1: grocery store.

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Speaker 2: Yes, because one on one, you guys have a real

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Speaker 2: thing going on. But when there's a big line around,

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Speaker 2: all of a sudden, he don't know you.

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Speaker 1: Yeah, yes, and he doesn't want to answer any of

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Speaker 1: my questions.

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Speaker 2: Yeah, a part of who's You're complicated?

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Speaker 5: I hate to be on the nose, but maybe my therapist.

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Speaker 1: Yeah yeah, why can't she just like why why is

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Speaker 1: she acting like she's somebody else around everyone else? Yeah?

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Speaker 5: Yeah, why won't she acknowledge me in the elevator?

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Speaker 3: It's very frustrating. Yes, that is weird. That is so

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Speaker 3: strange because.

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Speaker 1: They're not supposed to tell secrets about you and stuff. Yeah,

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Speaker 1: but they can, well they have to pretend like they

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Speaker 1: don't know who you are, or that you're a ghost. Yes,

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Speaker 1: you know, which is that's almost more hurtful.

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Speaker 2: Yeah, they're not even going like they're not even pretending

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Speaker 2: there's no relationship outside of this.

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Speaker 3: They're acting like they are alone in the elevator.

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Speaker 1: Yeah, but they have like that, there's like a chill

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Speaker 1: in the elevator, the.

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Speaker 5: Cold visibly they put on a scarf.

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Speaker 2: Yes, So they don't have to do that. No, it's

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Speaker 2: not necessary. They could just sort of be like hello,

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Speaker 2: and that would be the same. It would be the

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Speaker 2: same effect, rather than loudly going like it's always creepy

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Speaker 2: to be alone in an elevator like this, Yeah, getting

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Speaker 2: frosty in here.

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Speaker 1: So Aparna, Yes, are you just loving everything right now?

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Speaker 5: I'm I'm I'm sitting pretty.

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Speaker 3: I would say, And all this stuff.

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Speaker 5: All this things just keep happening.

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Speaker 3: Are you freaking out?

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Speaker 2: Well?

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Speaker 5: I you know, I think that's how it goes. Everything

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Speaker 5: happens at once and then nothing yet wow for a while.

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Speaker 2: Okay, let's we can cut the ship right. Yeah, let's

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Speaker 2: let's shoot us straight.

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Speaker 1: Let's but let's like get down to the thing.

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Speaker 3: Let's really get it. Yeah. We saw this movie.

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Speaker 2: Okay, Okay, I don't know if you know about this one,

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Speaker 2: but you're gonna want.

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Speaker 3: To see it. Yeah, yeah, yeah, so it's one of them.

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Speaker 2: It's probably I think it's the first one like this.

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Speaker 1: Yes, it's about these Eight Oceans. It's not about that

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Speaker 1: at all.

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Speaker 3: No, okay, it's not.

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Speaker 2: We we had just finished Planet Earth too, Yes, and

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Speaker 2: we saw that there was a film of the Eight

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Speaker 2: Oceans and we thought, well, we're.

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Speaker 5: Oh got it. Yeah, you were on a natural a

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Speaker 5: little bit of a kick, yes, yeah, yes, of just

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Speaker 5: learning about this beautiful blue planet of ours, and we said, oh,

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Speaker 5: well this will be nice.

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Speaker 2: Yeah, and there's also some stars I guess who We

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Speaker 2: assumed we're going to be swimming.

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Speaker 3: Right now when we go to see the movie. Is

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Speaker 3: not what we expect? Were we disappointed? Oh no, because

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Speaker 3: every time.

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Speaker 2: You know, who don't want to say his name, closes

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Speaker 2: the door, he or she or they open a window

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Speaker 2: and I don't want to say the name.

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Speaker 3: But this I'm talking about freaking the big Boss. Yes,

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Speaker 3: the real Scott Ackerman.

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Speaker 5: So Scott Ackerman in the sky, that's right. Yeah.

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Speaker 3: So as we're watching and we're not seeing any fish,

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Speaker 3: we're starting to go, well, what is going on in

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Speaker 3: the movie though, Yeah.

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Speaker 1: We have a little conversation like, obviously, this is not

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Speaker 1: what is happening in this movie is not what we

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Speaker 1: thought was going to be happening.

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Speaker 3: So what is happening? Yeah? I think it was probably

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Speaker 3: around minute fifty five and I went, hey, I just

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Speaker 3: break it down with the water.

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Speaker 5: Yes, were there any oceans at that point?

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Speaker 2: There might have been an exterior like some cars are

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Speaker 2: driving them.

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Speaker 3: Okay, okay, yeah.

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Speaker 1: But here's what is happening in the movie. We figure

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Speaker 1: out the big stealing.

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Speaker 5: The big stealing, the.

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Speaker 1: Art of the thievery, the freaking most like unbelievable taking away.

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Speaker 2: The truly epic is a phrase that's maybe overused. Sure, yeah,

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Speaker 2: truly epic for the win is maybe not used enough.

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Speaker 5: Yeah.

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Speaker 2: Either way, this movie's both Wow. The stealing they do

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Speaker 2: is off the charts, lights out, insanity, cool, super cuckoo, crazy,

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Speaker 2: awesome fun.

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Speaker 3: And the way they get away with it. I didn't

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Speaker 3: think they were gonna pull it off, Hayes, did you know?

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Speaker 3: And but now guess what they have?

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Speaker 1: The jewels?

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Speaker 2: Oh?

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Speaker 1: Yes?

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Speaker 2: And I don't know if you heard Have you heard

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Speaker 2: anything about Anne Hathaway in this No?

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Speaker 3: Well, and this is just a rumor.

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Speaker 2: We don't know for sure, but we did a little

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Speaker 2: research when we left and apparently, and I don't want

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Speaker 2: to say this is definitely true. But this is what

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Speaker 2: I've heard is that she was saying it actually felt

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Speaker 2: good to play bad.

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Speaker 1: WHOA, yeah, I actually I am not sure I believe

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Speaker 1: that myself.

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Speaker 3: Well, because you might have said it feels good to

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Speaker 3: play good. That makes sense, yeah, thatexed out, or that

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Speaker 3: it felt very bad to play bad.

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Speaker 2: That playing bad felt bad, and I can relate to that.

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Speaker 2: Of course, I'm a naturally sweet guy. Everybody thinks of

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Speaker 2: me as kind of a sweetie and having.

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Speaker 3: A warm energy. And then on the podcast, I have

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Speaker 3: to play this character where I'm kind of a sad boy.

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Speaker 2: I'm yeah, a little bit nasty and a little bit yes,

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Speaker 2: just socially.

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Speaker 3: Challenged and I and that doesn't feel good.

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Speaker 2: I mean to play bad like that, but it's in

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Speaker 2: service of the show, just like the movie needed someone

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Speaker 2: to play bad.

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Speaker 5: Yeah.

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Speaker 1: So we go home and watch the rest of these.

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Speaker 1: We yell into our remote, oh the holes. Yeah, and

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Speaker 1: now we have watched a total of forty four of these.

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Speaker 5: God, I guess I missed some of them.

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Speaker 3: Well, if you add them all up, Oh, I.

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Speaker 5: See, I see, I see.

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Speaker 2: Yeah.

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Speaker 1: And so here's the thing. We start thinking about, what's

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Speaker 1: the equivalent of the jewels in like, what is it

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Speaker 1: sort of an allegory for in modern life?

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Speaker 5: Yeah, in terms of.

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Speaker 2: If you think about it, what are the jewels represent

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Speaker 2: right in our actual lives? Yes?

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Speaker 1: Oh, pot and the computers at ear wolf.

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Speaker 3: Who's that? Uh friend?

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Speaker 5: That felt like scary like someone was listening. Yes, yes,

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Speaker 5: right now?

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Speaker 1: Yeah, well you know, and also sort of heckling us

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Speaker 1: a little bit.

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Speaker 2: Now I got to change my freaking iPhone ring again.

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Speaker 2: You know how people the crickets won is going to

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Speaker 2: be sold out. That's bold when you're doing a set.

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Speaker 2: That feeling when you're doing a set and someone hits

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Speaker 2: you with the freaking crickets ring tone.

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Speaker 3: Yeah, you know that.

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Speaker 5: That feels like the light of podcasting, like wrap it.

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Speaker 3: Up, Yeah, time to end the show.

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Speaker 1: Yeah, but as with the light on a stand up stage,

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Speaker 1: we do not pay attention to it.

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Speaker 3: We pretend we don't see.

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Speaker 5: It, Okay, blow right through it.

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Speaker 3: We face the other direction, or we lie down.

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Speaker 5: Yeah.

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Speaker 1: So and then later you're like, oh, I was lying down,

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Speaker 1: So then you just go forever.

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Speaker 5: You're lying down on the floor.

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Speaker 1: Yes, they can't. It's very hard for them to get

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Speaker 1: rid of you in that case. Anyway, The jewels are

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Speaker 1: the computers that ear walls.

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Speaker 2: The jewels are the podcasts.

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Speaker 3: And some of the computers and some of the other stuff.

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Speaker 2: And these offices, well, this is obviously the richest podcast

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Speaker 2: company in the entire nation. It's got to be in America. Yes,

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Speaker 2: so I gotta think like, okay, that's the case.

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Speaker 3: And what's a close second. Oh sure. This is not

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Speaker 3: to take anything away from Gamblin.

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Speaker 2: No one is trying to denegrate Gimblet.

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Speaker 1: And we're friends with alexink.

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Speaker 3: Oh we love.

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Speaker 5: Them, are you?

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Speaker 1: Yes?

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Speaker 6: Wow?

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Speaker 3: Yes, Abex Lumberg. So we actually have decided, just like.

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Speaker 2: They do in the movie, can't pull this thing off

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Speaker 2: by ourselves. We need somebody with some special skills.

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Speaker 3: So there's a little bit of a job interview. And

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Speaker 3: as far as corporate.

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Speaker 5: You know, you realize, yeah, we've.

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Speaker 3: Been watching some of your skills and we like what

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Speaker 3: we see.

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Speaker 1: And you just having to be scheduled to come in

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Speaker 1: here at this time. So this is great.

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Speaker 3: That helps us out. This is perfect.

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Speaker 5: Well, then we'll have multitasking.

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Speaker 1: And let me say this, go ahead with these oceans.

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Speaker 1: It used to be just guys doing the stealing.

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Speaker 2: But the thing with the Ocean's eight. Is what we're

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Speaker 2: realizing is the girls can play.

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Speaker 1: It used to be all the girls were allowed to

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Speaker 1: do was pretend to be Julia Roberts.

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Speaker 3: In the best case scenario.

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Speaker 5: Right, her special skill was being.

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Speaker 1: Julia Roberts, who plays which which If you could do that,

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Speaker 1: this is like, if you could be Julia.

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Speaker 5: Roberts, that would open some doors.

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Speaker 3: That would be huge.

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Speaker 2: Well for if they if they thought they were booking

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Speaker 2: Julia Roberts on a whole bunch of shows, but she

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Speaker 2: was requested they bring some of the equipment to her apartment. Yeah,

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Speaker 2: you know, in order to record and then during that

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Speaker 2: time we would know exactly how long they'd be out

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Speaker 2: of the studio for. And they're interviewing Julia Roberts.

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Speaker 1: And we construct an apartment in a truck and back

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Speaker 1: it up to sort of a door. So we open

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Speaker 1: the door and say, okay, just load the stuff into

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Speaker 1: this apartment. It's got a couch in there and stuff

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Speaker 1: looks like a real apartment.

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Speaker 3: And she's in there. You load it in. We filled

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Speaker 3: the truck with gas.

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Speaker 5: Yeah, just get it on the.

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Speaker 3: Road, drive away. Uh huh. So you know what this

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Speaker 3: business is like.

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Speaker 1: Imagine Josh Julia Roberts walks in up like upstairs.

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Speaker 3: Imagine he's like, oh, go go, go go go. Oh,

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Speaker 3: yes it's Roberts. Oh imagine. Yes, I don't even don't imagine.

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Speaker 5: He sounds.

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Speaker 3: Well, let's talk a little bit about Josh. I know

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Speaker 3: that when we are stealing, we.

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Speaker 2: Do have to be careful. You want to take some things,

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Speaker 2: but you don't want to take everything. And I know

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Speaker 2: that Josh's computer specifically has a series of booby traps,

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Speaker 2: And yeah, I guess if you try to hack into

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Speaker 2: his computer, he as soon as the revenge porn laws

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Speaker 2: were passed, he recorded a bunch of stuff of himself. Yes,

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00:17:45,119 --> 00:17:47,640
Speaker 2: so that essentially, if you try to enter his pass

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00:17:47,800 --> 00:17:51,240
Speaker 2: code and the computer realizes it's not him, it releases

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Speaker 2: he revenge porns himself, and then you have committed a felony.

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Speaker 5: Yesh.

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00:17:56,280 --> 00:18:02,200
Speaker 1: Booby traps describes the mechanisms on the computer and also

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Speaker 1: some of the images and videos that he has.

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Speaker 3: On the computer itself.

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00:18:07,320 --> 00:18:10,080
Speaker 1: Yeah, there's no other way to describe what is being

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00:18:10,119 --> 00:18:13,280
Speaker 1: seen in those videos and images other than booby traps.

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00:18:13,480 --> 00:18:18,439
Speaker 2: Yes, yes, yeah, it's it's like a thirst trap, but

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Speaker 2: it's you'd have to know Josh.

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Speaker 5: Yeah, I mean it's stevious. But in another life, you know,

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00:18:25,000 --> 00:18:28,160
Speaker 5: he could be on your team, because that's pretty well.

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Speaker 3: Well in the next movie.

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Speaker 2: Probably in the next movie, we might find that we're

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00:18:31,359 --> 00:18:34,159
Speaker 2: teamed up with him against some other villains. But I

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00:18:34,200 --> 00:18:36,600
Speaker 2: wanted to ask you, you know how this business works?

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Speaker 1: So yourself?

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00:18:38,160 --> 00:18:43,560
Speaker 5: Oh my skills, I'm well, I'm great at looking at screens.

375
00:18:44,000 --> 00:18:47,879
Speaker 3: Oh yes, that's huge because I get such a headache. Yeah,

376
00:18:48,040 --> 00:18:49,040
Speaker 3: it's so small.

377
00:18:49,800 --> 00:18:51,919
Speaker 5: I'm just the glare doesn't bother me.

378
00:18:52,600 --> 00:18:56,720
Speaker 3: That's do you have the blue light the glasses the.

379
00:18:56,680 --> 00:18:59,320
Speaker 5: Block I used to and now I just go.

380
00:18:59,800 --> 00:19:03,040
Speaker 2: You're actually immune. You actually become immune. Oh you raw

381
00:19:03,080 --> 00:19:04,800
Speaker 2: dog the computer screen. Oh that's cool.

382
00:19:04,840 --> 00:19:09,680
Speaker 1: You need a special light for non screen experience. Oh yeah,

383
00:19:09,720 --> 00:19:13,359
Speaker 1: because I'm seeing these these orange glasses that you're worrying

384
00:19:13,359 --> 00:19:15,560
Speaker 1: are very cool. But now I'm wondering if they're not

385
00:19:15,600 --> 00:19:17,120
Speaker 1: for fashion reasons.

386
00:19:16,640 --> 00:19:22,240
Speaker 3: For wow wow. And she's really become one with the internet.

387
00:19:22,920 --> 00:19:28,159
Speaker 2: So okay, so you're gonna look at screens. Can we

388
00:19:28,240 --> 00:19:29,680
Speaker 2: meet Julia for a minute.

389
00:19:30,200 --> 00:19:32,520
Speaker 3: Oh Julia Roberts, please please?

390
00:19:33,359 --> 00:19:36,680
Speaker 5: Yeah, she laughs a lot.

391
00:19:36,760 --> 00:19:40,119
Speaker 3: Right, Yeah, I'm just like you've been doing throughout the show.

392
00:19:45,600 --> 00:19:51,000
Speaker 3: It's infectious. It gets me going, Yes, oh that's gonna

393
00:19:51,000 --> 00:19:52,359
Speaker 3: trick Josh so bad.

394
00:19:52,720 --> 00:20:01,320
Speaker 2: Oh, Missus Roberts, Missus Brockovich, please write this way.

395
00:20:01,080 --> 00:20:04,560
Speaker 5: William. Was her last movie, Your Mother's.

396
00:20:04,200 --> 00:20:12,440
Speaker 1: Day prom no money, No, it was. It's got to

397
00:20:12,480 --> 00:20:18,560
Speaker 1: be Wonder. Oh she was Missus Wonder.

398
00:20:19,840 --> 00:20:23,600
Speaker 3: Gotcha. Well that's why you don't test the Hayes man.

399
00:20:24,400 --> 00:20:25,480
Speaker 5: You know you're good.

400
00:20:25,680 --> 00:20:29,880
Speaker 3: This man comes loaded for bear, thank you. So one

401
00:20:29,880 --> 00:20:30,600
Speaker 3: of the other.

402
00:20:30,480 --> 00:20:34,640
Speaker 2: Things we need to figure out is obviously podcast computers.

403
00:20:34,680 --> 00:20:35,400
Speaker 3: That's all well and.

404
00:20:35,359 --> 00:20:40,840
Speaker 2: Good, but we got this boss here, Colin Anderson. Now

405
00:20:40,880 --> 00:20:44,560
Speaker 2: the inside of his office is like a freaking crazy museum,

406
00:20:45,359 --> 00:20:47,199
Speaker 2: and we got to be able to get all of

407
00:20:47,240 --> 00:20:48,400
Speaker 2: that stuff out of there.

408
00:20:48,760 --> 00:20:51,280
Speaker 3: He's adult nerds.

409
00:20:51,000 --> 00:20:54,040
Speaker 2: Okay, and he's collecting all this awesome. Have you ever

410
00:20:54,040 --> 00:20:58,920
Speaker 2: been to the Bad Robot Offices? Yes, it's so badass.

411
00:20:59,040 --> 00:21:02,639
Speaker 2: So I was there a month ago. Yeah, and that

412
00:21:02,760 --> 00:21:06,240
Speaker 2: on the shelves in the waiting area, they have these

413
00:21:07,080 --> 00:21:10,800
Speaker 2: toys and optical illusions and stuff.

414
00:21:11,320 --> 00:21:15,280
Speaker 3: And so I see this bowl that looks like.

415
00:21:16,720 --> 00:21:23,800
Speaker 2: Muscles and broth, and it looked so lifelike that I

416
00:21:23,800 --> 00:21:27,359
Speaker 2: I thought for sure this was going to be wet

417
00:21:27,440 --> 00:21:30,000
Speaker 2: if I touch it. And I'm looking at it, and

418
00:21:30,040 --> 00:21:35,960
Speaker 2: I go, man, I it's so incredibly realistic. I'm gonna see.

419
00:21:36,640 --> 00:21:39,160
Speaker 2: I know it's fake, but I have to know for sure.

420
00:21:39,560 --> 00:21:41,520
Speaker 2: And I reach out and I touch it, and no,

421
00:21:41,640 --> 00:21:44,600
Speaker 2: sooner had I touched it than a young intern came

422
00:21:44,640 --> 00:21:46,000
Speaker 2: over and yelled at me.

423
00:21:46,520 --> 00:21:48,200
Speaker 3: It said, excuse me, don't do that.

424
00:21:48,640 --> 00:21:51,680
Speaker 2: He said, Ah, it's kind of like a museum here. Yeah,

425
00:21:51,720 --> 00:21:52,920
Speaker 2: you can look at stuff, but you.

426
00:21:52,840 --> 00:21:55,320
Speaker 3: Don't touch it. And I was like, well, you should

427
00:21:55,320 --> 00:21:56,159
Speaker 3: have a sign.

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00:21:55,960 --> 00:22:01,320
Speaker 7: Then, peoples, And right this way enter the world's shittiest

429
00:22:01,400 --> 00:22:04,480
Speaker 7: children's museum full of fucking toys for babies that all

430
00:22:04,480 --> 00:22:05,960
Speaker 7: these adult people care about.

431
00:22:06,720 --> 00:22:10,960
Speaker 2: And so uh, I thought like that would be a

432
00:22:11,000 --> 00:22:13,280
Speaker 2: good sign. And then as I start to research some

433
00:22:13,359 --> 00:22:19,520
Speaker 2: of these crazy toys and toy uh, men and animals

434
00:22:19,680 --> 00:22:21,760
Speaker 2: are incredibly valuable.

435
00:22:21,840 --> 00:22:23,600
Speaker 3: Colin has every Funko pops.

436
00:22:24,680 --> 00:22:27,600
Speaker 5: I don't know what that is, you know, the pops

437
00:22:27,680 --> 00:22:28,800
Speaker 5: valuable He's got.

438
00:22:29,359 --> 00:22:31,920
Speaker 1: He's got Morty, he's got Ranny's got Stimpy.

439
00:22:32,440 --> 00:22:37,200
Speaker 2: Oh wow, okay, he's got all the silly bands. Yeah,

440
00:22:37,240 --> 00:22:43,919
Speaker 2: he's got he he has every every pog, every fidget spinner, everything,

441
00:22:44,320 --> 00:22:45,680
Speaker 2: every snap bracelet.

442
00:22:46,240 --> 00:22:51,920
Speaker 1: Jesus, this is Funko Pops. I'm showing you. You ever

443
00:22:51,920 --> 00:22:55,159
Speaker 1: seen one of these guys? You have to be a

444
00:22:55,240 --> 00:22:56,640
Speaker 1: Funko Pops A partner.

445
00:22:56,680 --> 00:22:57,760
Speaker 5: I guess I need to.

446
00:22:58,640 --> 00:23:00,840
Speaker 3: When are the corporate funk O Pops coming out.

447
00:23:01,640 --> 00:23:02,479
Speaker 5: On the heads?

448
00:23:02,600 --> 00:23:07,760
Speaker 3: Move this a little bit? Not in a way that's satisfying.

449
00:23:09,119 --> 00:23:12,080
Speaker 2: They made Funko Pops for this show I worked on

450
00:23:12,600 --> 00:23:15,359
Speaker 2: called Ash Versus Evil Dead, And I've never been so

451
00:23:15,760 --> 00:23:22,600
Speaker 2: honored to be a part of something that became Funko Pops.

452
00:23:22,640 --> 00:23:26,520
Speaker 2: Of course I couldn't afford it, but Colin's got him.

453
00:23:27,480 --> 00:23:30,840
Speaker 1: He's got Ash and Evil Dead.

454
00:23:31,000 --> 00:23:32,560
Speaker 3: Yes, he has them both.

455
00:23:32,960 --> 00:23:33,320
Speaker 5: Wow.

456
00:23:33,840 --> 00:23:37,439
Speaker 2: So what I'm thinking is we got to make a

457
00:23:37,800 --> 00:23:42,400
Speaker 2: basically a special separate run to Colin's office just.

458
00:23:42,320 --> 00:23:46,520
Speaker 5: For the all of his collection collections.

459
00:23:46,560 --> 00:23:48,600
Speaker 2: And I think that we're going to need somebody on

460
00:23:48,640 --> 00:23:51,600
Speaker 2: the inside to do that. Engineer, Ryan, Engineer, Ryan.

461
00:23:52,080 --> 00:23:55,280
Speaker 3: You know what could be good? We are we are.

462
00:23:55,520 --> 00:24:00,560
Speaker 1: So Ryan is the engineer at Funko Pops magazine.

463
00:24:01,000 --> 00:24:01,400
Speaker 5: Wow.

464
00:24:01,560 --> 00:24:04,399
Speaker 3: And he's he has like a big like sound.

465
00:24:04,720 --> 00:24:07,199
Speaker 1: He's got his microphone or whatever one of his like

466
00:24:07,760 --> 00:24:12,359
Speaker 1: strange musical toys and he comes in with a parna

467
00:24:12,440 --> 00:24:16,800
Speaker 1: who is playing Julia Roberts. Yeah, who is interviewing Colin

468
00:24:17,800 --> 00:24:22,879
Speaker 1: four Funko Pops Magazine. Yes, yes, and of course before

469
00:24:22,880 --> 00:24:25,200
Speaker 1: that interview, we will have to put all your computers

470
00:24:25,200 --> 00:24:26,000
Speaker 1: in a bag.

471
00:24:26,280 --> 00:24:29,680
Speaker 2: M because no one wants anything to leak from the interview,

472
00:24:29,800 --> 00:24:33,479
Speaker 2: and computers have little cameras. Yes, yes, So Hayes and

473
00:24:33,520 --> 00:24:36,119
Speaker 2: I come in, big cover alls, big car heart cover alls.

474
00:24:36,320 --> 00:24:40,760
Speaker 3: We just go like just moving it. Got that over there, boss,

475
00:24:41,840 --> 00:24:44,920
Speaker 3: And then we got like these big freaking canvas sacks. Yeah,

476
00:24:44,920 --> 00:24:45,560
Speaker 3: put everything in.

477
00:24:46,960 --> 00:24:48,760
Speaker 5: Are you sure nothing will be damaged?

478
00:24:49,080 --> 00:24:52,160
Speaker 3: Yeah? Well well guy, yeah, it's not my first day.

479
00:24:52,320 --> 00:24:54,760
Speaker 3: We'll take good care of this stuff. I'll hold it

480
00:24:54,840 --> 00:24:56,800
Speaker 3: right over here. Don't you worry about this.

481
00:24:56,920 --> 00:24:59,639
Speaker 2: You just worry about doing a great interview for Funko

482
00:24:59,720 --> 00:25:00,800
Speaker 2: Pops Magazine.

483
00:25:00,880 --> 00:25:02,200
Speaker 3: I'm a longtime reader.

484
00:25:04,560 --> 00:25:11,680
Speaker 6: Che I know. I'm really sorry. It's just you understand.

485
00:25:11,760 --> 00:25:14,280
Speaker 6: Chef Kevin is here. Chef Kevin's here, and he can't

486
00:25:14,280 --> 00:25:15,200
Speaker 6: hear about the next day.

487
00:25:15,320 --> 00:25:15,919
Speaker 1: I can't know.

488
00:25:16,960 --> 00:25:22,680
Speaker 3: So, Chef Kevin, Hi, good to see you, Kevin. Did

489
00:25:22,720 --> 00:25:24,439
Speaker 3: you have any questions for a partner?

490
00:25:25,520 --> 00:25:30,520
Speaker 8: Okay, Hey, guys, Chef Kevin here, partner, how is going?

491
00:25:31,040 --> 00:25:32,520
Speaker 3: A lot of people sick of Chef Kevin.

492
00:25:33,359 --> 00:25:39,199
Speaker 8: Yeah, so like, what's up, how's your weekend?

493
00:25:39,280 --> 00:25:46,640
Speaker 5: Oh it's not as fine, He's real, Yeah, just laying hello, Kevin.

494
00:25:46,680 --> 00:25:49,200
Speaker 1: I think in the interest of transparency, you should tell

495
00:25:49,240 --> 00:25:51,680
Speaker 1: a partner what people said about you online.

496
00:25:52,400 --> 00:25:55,359
Speaker 3: Like what specifically that they're sick of you.

497
00:25:56,119 --> 00:26:04,760
Speaker 8: Yeah. So I think, yeah, it happens like I've been

498
00:26:04,800 --> 00:26:07,119
Speaker 8: a part of this show. I think I've leaned a

499
00:26:07,119 --> 00:26:10,119
Speaker 8: little too much into it, and the general public's like,

500
00:26:10,160 --> 00:26:13,879
Speaker 8: all right, dial back, the can to take a step back, Yeah,

501
00:26:14,119 --> 00:26:16,080
Speaker 8: enjoy the view.

502
00:26:16,680 --> 00:26:20,080
Speaker 5: How does that feel? That sounds hard to hear.

503
00:26:20,440 --> 00:26:21,439
Speaker 3: Yeah, it is hard.

504
00:26:21,520 --> 00:26:24,720
Speaker 8: I'm not I think I'm a little too sensitive for

505
00:26:24,800 --> 00:26:25,480
Speaker 8: this industry.

506
00:26:25,560 --> 00:26:27,720
Speaker 3: Imagine how hard it is for us. It's our show.

507
00:26:27,880 --> 00:26:29,920
Speaker 2: Yeah, I know, we've been working hard on the show

508
00:26:29,960 --> 00:26:32,080
Speaker 2: for so long and people don't like it. I mean,

509
00:26:32,720 --> 00:26:35,520
Speaker 2: you know, I guess in a way it's maybe unfair

510
00:26:35,560 --> 00:26:37,520
Speaker 2: because you, of course never asked for it, and we're

511
00:26:37,560 --> 00:26:39,800
Speaker 2: forced to be on the microphone and now you're getting

512
00:26:40,600 --> 00:26:45,840
Speaker 2: just kind of dragged. But at the same time, why

513
00:26:45,840 --> 00:26:47,880
Speaker 2: would you ruin our show? I mean, We've been doing

514
00:26:47,880 --> 00:26:49,880
Speaker 2: this thing for years. This is important to us.

515
00:26:51,280 --> 00:26:54,800
Speaker 8: I would say I've never intentionally tried to ruin the show.

516
00:26:56,520 --> 00:26:59,760
Speaker 8: Often I'm put in situations that I never asked to

517
00:27:00,240 --> 00:27:02,000
Speaker 8: say things that.

518
00:27:02,960 --> 00:27:05,959
Speaker 1: An example of a way that you could ruin it

519
00:27:06,119 --> 00:27:08,479
Speaker 1: is we have a Parna here. Let me ask you this,

520
00:27:09,040 --> 00:27:11,760
Speaker 1: when when you go to the Twitter highlights, are you

521
00:27:11,840 --> 00:27:13,439
Speaker 1: ever under the comedians tab?

522
00:27:13,920 --> 00:27:14,160
Speaker 8: No?

523
00:27:14,200 --> 00:27:16,600
Speaker 3: Not ever? No, A partner is on it.

524
00:27:16,560 --> 00:27:19,320
Speaker 1: Every single time I look at it. Yeah, oh my god,

525
00:27:19,480 --> 00:27:23,760
Speaker 1: she's always under the comedians tab. It's great. So because

526
00:27:23,760 --> 00:27:25,880
Speaker 1: Twitter knows I like comedians.

527
00:27:26,040 --> 00:27:31,240
Speaker 2: So why don't you get, you know, get yourself involved

528
00:27:31,240 --> 00:27:34,160
Speaker 2: with somebody who's under the comedians tab in a way.

529
00:27:33,920 --> 00:27:36,560
Speaker 3: That has some substance and ask a question that's not how.

530
00:27:36,560 --> 00:27:38,600
Speaker 2: Was your weekend, but maybe like how do you get

531
00:27:38,600 --> 00:27:40,639
Speaker 2: in the funny zone? Or one of our other famous

532
00:27:40,680 --> 00:27:43,560
Speaker 2: questions that actually comedians love to answer.

533
00:27:44,480 --> 00:27:50,920
Speaker 8: Hey, Aparna, chef Kevin here, like what's your secret?

534
00:27:51,400 --> 00:27:52,800
Speaker 1: What close?

535
00:27:54,160 --> 00:27:54,439
Speaker 2: I am?

536
00:27:56,560 --> 00:27:59,760
Speaker 5: I don't know if I'm comfortable sharing my secrets on

537
00:28:00,040 --> 00:28:00,919
Speaker 5: this podcast.

538
00:28:01,040 --> 00:28:03,240
Speaker 2: This isn't the spit, This isn't the spot for you

539
00:28:03,320 --> 00:28:04,600
Speaker 2: to release the big secret.

540
00:28:04,600 --> 00:28:06,480
Speaker 3: You know, he wouldn't do a big announcement on here.

541
00:28:06,760 --> 00:28:09,320
Speaker 5: I think I'd have to tee it up if I

542
00:28:09,359 --> 00:28:10,160
Speaker 5: was gonna.

543
00:28:09,920 --> 00:28:11,119
Speaker 3: It's a pretty big show.

544
00:28:11,920 --> 00:28:15,560
Speaker 5: I'm not saying it's not a big show. Yeah, I

545
00:28:15,640 --> 00:28:19,640
Speaker 5: just have to plot my career accordingly. Yeah, and now

546
00:28:20,000 --> 00:28:21,800
Speaker 5: is not a good time for secrets.

547
00:28:22,359 --> 00:28:24,560
Speaker 1: Can't put it, can't put it back in the in

548
00:28:24,640 --> 00:28:25,159
Speaker 1: the tube?

549
00:28:25,960 --> 00:28:26,240
Speaker 5: Right?

550
00:28:26,560 --> 00:28:29,600
Speaker 2: Do you want to talk about some of the plots

551
00:28:29,640 --> 00:28:31,760
Speaker 2: you've done up until now that have sort of come

552
00:28:31,800 --> 00:28:35,080
Speaker 2: to fruition, Like, what are the plans that have gone well?

553
00:28:35,640 --> 00:28:45,520
Speaker 5: Sure, I had a fairly active mine, and I think

554
00:28:45,600 --> 00:28:47,560
Speaker 5: I I.

555
00:28:47,400 --> 00:28:48,680
Speaker 3: Had that's the sweet spot.

556
00:28:48,960 --> 00:28:51,320
Speaker 5: Good time with it. I'm not on Snapchat yet, but

557
00:28:51,360 --> 00:28:55,360
Speaker 5: there are rumors brewing about it.

558
00:28:55,360 --> 00:28:58,120
Speaker 3: Instagram stories just eating Snapchat's launch.

559
00:28:59,040 --> 00:29:00,600
Speaker 5: What the wait?

560
00:29:00,840 --> 00:29:02,240
Speaker 3: What Instagram stories?

561
00:29:02,920 --> 00:29:06,640
Speaker 5: Instagram Stories? That does feel like the direction we're moving in,

562
00:29:06,800 --> 00:29:08,400
Speaker 5: but I'm still not on there.

563
00:29:09,240 --> 00:29:11,000
Speaker 3: WHOA, you're not an Instant.

564
00:29:11,200 --> 00:29:12,680
Speaker 5: I'm not on Insta Stories.

565
00:29:13,440 --> 00:29:15,680
Speaker 3: But if you're on Instant, you own those stories are

566
00:29:15,760 --> 00:29:16,200
Speaker 3: right there.

567
00:29:16,560 --> 00:29:17,840
Speaker 5: I haven't checked them.

568
00:29:17,960 --> 00:29:20,400
Speaker 3: Okay, all right, they're right there.

569
00:29:20,720 --> 00:29:21,040
Speaker 1: WHOA.

570
00:29:21,320 --> 00:29:24,240
Speaker 2: So the amount of restraint that you're exercising there is

571
00:29:24,280 --> 00:29:26,040
Speaker 2: like you would pass the marshmallow test.

572
00:29:26,400 --> 00:29:29,240
Speaker 5: Well, yeah, it's I think it's like tantric sex. You

573
00:29:29,360 --> 00:29:30,040
Speaker 5: just gotta wait.

574
00:29:31,040 --> 00:29:33,920
Speaker 3: Yes, thank you. It is a huge thing for us.

575
00:29:34,440 --> 00:29:37,200
Speaker 2: Yes, we both have had sex, so we were comfortable

576
00:29:37,240 --> 00:29:37,840
Speaker 2: talking about it.

577
00:29:37,960 --> 00:29:40,920
Speaker 1: Yeah, but we do not bust famously.

578
00:29:41,160 --> 00:29:46,040
Speaker 3: Yes, no, yes, I am saving my love for marriage.

579
00:29:46,080 --> 00:29:55,000
Speaker 3: That's that's canon. So let's let's get back to the plan.

580
00:29:55,440 --> 00:29:57,840
Speaker 2: But maybe in a way that we are not telling

581
00:29:57,880 --> 00:29:59,120
Speaker 2: Jeff Kevin exactly what the plan.

582
00:29:59,240 --> 00:30:02,480
Speaker 1: Okay, well, here's man, oly dude, Chef Kevin is here. Yeah,

583
00:30:02,520 --> 00:30:05,920
Speaker 1: there's no Chef Kevin is essentially the guard.

584
00:30:06,800 --> 00:30:08,640
Speaker 2: Is there a way to make Kevin the inside man

585
00:30:08,680 --> 00:30:10,320
Speaker 2: without him ever knowing he's helping us?

586
00:30:10,480 --> 00:30:10,680
Speaker 3: Yes?

587
00:30:11,160 --> 00:30:15,200
Speaker 1: So wait, oh, maybe we have Chef Kevin like he's

588
00:30:15,240 --> 00:30:17,640
Speaker 1: like the guests on the show, like we're doing a

589
00:30:17,680 --> 00:30:19,200
Speaker 1: special celebrated war.

590
00:30:19,600 --> 00:30:21,880
Speaker 3: Finally, yes, it's like an anniversary or something.

591
00:30:21,920 --> 00:30:24,440
Speaker 1: Meanwhile, so okay, here start doing that.

592
00:30:24,800 --> 00:30:27,160
Speaker 2: Hey, so, Chef Kevin, I don't know if you realize,

593
00:30:27,200 --> 00:30:31,440
Speaker 2: but it's actually exactly the special amount of time since

594
00:30:31,440 --> 00:30:34,040
Speaker 2: you started appearing on the show. And even though we

595
00:30:34,080 --> 00:30:36,240
Speaker 2: give you a hard time, we really do appreciate you

596
00:30:36,320 --> 00:30:39,280
Speaker 2: and we wanted to give you a second to talk

597
00:30:39,280 --> 00:30:40,880
Speaker 2: about some of your interests.

598
00:30:41,440 --> 00:30:45,840
Speaker 1: I have to get some water for my voice. I

599
00:30:45,880 --> 00:30:48,120
Speaker 1: have to go out for one second.

600
00:30:48,240 --> 00:30:52,960
Speaker 8: Okay, hey guys, chef Kevin here. I think I'll start

601
00:30:53,000 --> 00:30:58,320
Speaker 8: prefacing my appearances by apologizing if you need to skip

602
00:30:58,320 --> 00:30:59,880
Speaker 8: through this part, I get it.

603
00:31:00,520 --> 00:31:01,160
Speaker 3: But okay.

604
00:31:01,200 --> 00:31:03,920
Speaker 2: So yeah, people were saying that they use the fifteen

605
00:31:03,960 --> 00:31:08,320
Speaker 2: second skip whenever they hear Kevin starts until they just

606
00:31:08,360 --> 00:31:09,800
Speaker 2: stop hearing him.

607
00:31:10,120 --> 00:31:11,120
Speaker 5: That's horrible.

608
00:31:11,480 --> 00:31:15,480
Speaker 3: Yeah, it's pretty brutal. It's a pretty specific observation.

609
00:31:17,960 --> 00:31:20,520
Speaker 2: Part of did you have any new stand up jokes

610
00:31:20,520 --> 00:31:23,400
Speaker 2: you wanted to try out on Kevin as like an honor,

611
00:31:23,720 --> 00:31:26,000
Speaker 2: you know, because it's like his birthday or something.

612
00:31:26,240 --> 00:31:33,080
Speaker 5: Oh well, I was thinking about doing a bit about whole.

613
00:31:33,040 --> 00:31:37,320
Speaker 2: Thirty Okay, yes, and so area you.

614
00:31:37,240 --> 00:31:40,600
Speaker 5: Feel like that has traction with you right now?

615
00:31:40,760 --> 00:31:43,520
Speaker 8: Is that like the diet thing where people like do

616
00:31:43,600 --> 00:31:45,440
Speaker 8: a food thing for thirty.

617
00:31:44,920 --> 00:31:46,560
Speaker 3: See perfect, So he knows it.

618
00:31:46,600 --> 00:31:49,200
Speaker 5: So you do know it's my lapto?

619
00:31:50,440 --> 00:31:51,160
Speaker 8: What the heck?

620
00:31:51,680 --> 00:31:51,800
Speaker 1: Oh?

621
00:31:52,280 --> 00:31:54,400
Speaker 3: Okay, all right, huge hole?

622
00:31:56,360 --> 00:32:01,480
Speaker 2: Okay, So, oh god, I I shouldn't and eating those

623
00:32:01,520 --> 00:32:02,520
Speaker 2: old raviolis.

624
00:32:02,560 --> 00:32:04,160
Speaker 3: I've gotta be excused.

625
00:32:07,200 --> 00:32:09,800
Speaker 5: So I got.

626
00:32:11,160 --> 00:32:14,920
Speaker 1: The honey. Yeah, First of all, the honey is like

627
00:32:14,960 --> 00:32:16,920
Speaker 1: a term for the hall that I got, but I

628
00:32:16,960 --> 00:32:17,760
Speaker 1: also did get.

629
00:32:17,880 --> 00:32:20,040
Speaker 5: You also literally are holding honey.

630
00:32:21,000 --> 00:32:22,240
Speaker 1: I got some real honey.

631
00:32:22,440 --> 00:32:22,760
Speaker 8: Uh huh.

632
00:32:22,920 --> 00:32:25,960
Speaker 1: I got this computer. Yeah, that's my laptop you have

633
00:32:26,120 --> 00:32:33,200
Speaker 1: again that I found outside somebody was searching on their laptop.

634
00:32:33,640 --> 00:32:36,720
Speaker 1: Come on, the best things to do with San Francisco.

635
00:32:38,080 --> 00:32:41,520
Speaker 8: I'm going on a trip afar on. Oh I don't.

636
00:32:41,640 --> 00:32:43,920
Speaker 8: I've never been there, so I don't really know, Like,

637
00:32:43,960 --> 00:32:45,240
Speaker 8: what are things to do there?

638
00:32:45,560 --> 00:32:45,800
Speaker 5: Yeah?

639
00:32:46,000 --> 00:32:48,880
Speaker 8: So I was googling what are fun things to do there?

640
00:32:49,000 --> 00:32:51,480
Speaker 3: I'll save that for Sean. I'll enjoy that.

641
00:32:51,520 --> 00:32:54,000
Speaker 1: And look at this. I got these shoes.

642
00:32:54,480 --> 00:32:54,960
Speaker 3: I got the.

643
00:32:54,880 --> 00:32:55,840
Speaker 1: Cuckoo and Weie.

644
00:32:55,840 --> 00:32:58,560
Speaker 3: Shit do you ever do who charted?

645
00:32:58,800 --> 00:32:59,080
Speaker 5: Yeah?

646
00:32:59,200 --> 00:33:02,040
Speaker 1: Did you do it? In the Cuckoo and Wee Wee days? Yeah,

647
00:33:02,640 --> 00:33:07,440
Speaker 1: this is the most valuable shoe in the world. They

648
00:33:07,480 --> 00:33:10,640
Speaker 1: are not doing Cuckoo and Weie show anymore.

649
00:33:10,840 --> 00:33:11,920
Speaker 3: There's no more Cuckoo.

650
00:33:12,040 --> 00:33:19,960
Speaker 1: They look on warn see mint out in box because

651
00:33:20,040 --> 00:33:21,560
Speaker 1: you know, Cuckoo not doing the show anymore.

652
00:33:21,600 --> 00:33:22,560
Speaker 5: I didn't realize that.

653
00:33:22,760 --> 00:33:25,720
Speaker 1: Most imagine that. Now, how much do you want this shoe?

654
00:33:25,960 --> 00:33:28,680
Speaker 5: I want? I want to wear it. That's not even

655
00:33:28,720 --> 00:33:30,200
Speaker 5: my size, but I want it.

656
00:33:30,240 --> 00:33:32,400
Speaker 1: And of course I got the shoe for Adam Sacks,

657
00:33:33,080 --> 00:33:36,080
Speaker 1: former CEO of You're Wolf, another very valuable shoe.

658
00:33:37,320 --> 00:33:37,640
Speaker 6: Sean.

659
00:33:38,240 --> 00:33:40,880
Speaker 1: Yeah, I got this laptop I saw. I thought you

660
00:33:40,880 --> 00:33:43,040
Speaker 1: would enjoy this. Somebody was searching on this.

661
00:33:44,080 --> 00:33:45,840
Speaker 5: Sean has a bunch of stores, Sean.

662
00:33:46,440 --> 00:33:50,760
Speaker 1: Somebody was searching the twenty two best things to do

663
00:33:50,800 --> 00:33:55,640
Speaker 1: in San Francisco. Whoa that he was currently looking at

664
00:33:56,040 --> 00:34:01,800
Speaker 1: number one, the Golden Gate bridge. That feels Oh wow,

665
00:34:01,960 --> 00:34:04,760
Speaker 1: which I worry a little bit, is right?

666
00:34:04,840 --> 00:34:06,320
Speaker 2: It's a little dark, is it?

667
00:34:06,400 --> 00:34:10,880
Speaker 3: Baby? A cry for help. I'm going to think of it.

668
00:34:11,160 --> 00:34:14,399
Speaker 3: Last last time I saw Kevin's computer.

669
00:34:14,200 --> 00:34:17,560
Speaker 2: All beIN he also was looking at the Golden Gate.

670
00:34:21,160 --> 00:34:22,200
Speaker 3: This was months ago.

671
00:34:22,800 --> 00:34:25,799
Speaker 1: Wow, he has a thing with the Golden Gate. Bread.

672
00:34:25,960 --> 00:34:28,160
Speaker 3: Well, I got so I got some. I got a

673
00:34:28,160 --> 00:34:28,959
Speaker 3: pretty big haul.

674
00:34:30,000 --> 00:34:30,239
Speaker 8: Yeah.

675
00:34:30,280 --> 00:34:31,320
Speaker 5: Oh my gosh.

676
00:34:31,360 --> 00:34:34,640
Speaker 3: So this is Kevin's name tag and now, okay, normal

677
00:34:34,760 --> 00:34:35,400
Speaker 3: name tag.

678
00:34:35,280 --> 00:34:37,320
Speaker 1: Right, It's like I would call that a name plate.

679
00:34:37,160 --> 00:34:40,160
Speaker 2: Nameplate, nameplate, yes, yes, that goes on his desk. So okay,

680
00:34:40,280 --> 00:34:42,480
Speaker 2: just a normal nameplate, right, So no big deal, not

681
00:34:42,480 --> 00:34:47,040
Speaker 2: worth much. Oh it turns out, but the felt underneath.

682
00:34:47,080 --> 00:34:52,440
Speaker 2: Part of it has a freaking Sclarborough Country freaking insignia

683
00:34:52,640 --> 00:34:57,439
Speaker 2: engraved into it, So this is actually a signature.

684
00:34:56,920 --> 00:35:01,960
Speaker 3: Scarborough Country name plate. You can't not get these anymore.

685
00:35:01,560 --> 00:35:08,160
Speaker 1: Because the show left ear Wolf's ear Wolf, it does it, Yes, acrimoniously.

686
00:35:08,440 --> 00:35:10,920
Speaker 3: They went to Feral, which I think is thriving. I

687
00:35:10,920 --> 00:35:11,799
Speaker 3: haven't heard.

688
00:35:11,800 --> 00:35:14,280
Speaker 2: Exactly what's going on with them lately, but they definitely

689
00:35:14,360 --> 00:35:16,719
Speaker 2: went over there. Uh so it seems like that was

690
00:35:16,760 --> 00:35:20,440
Speaker 2: a smart move. And yeah, and then also I got

691
00:35:20,640 --> 00:35:23,799
Speaker 2: a broken flute that you gave Kevin. We finally got

692
00:35:23,800 --> 00:35:25,680
Speaker 2: that back from him, Hayes. I know that you never

693
00:35:25,760 --> 00:35:28,920
Speaker 2: meant for him to actually take it. Well, i'd actually

694
00:35:28,960 --> 00:35:30,120
Speaker 2: give him one of the main pieces.

695
00:35:30,160 --> 00:35:31,240
Speaker 3: You didn't give him one of the pieces.

696
00:35:31,480 --> 00:35:34,719
Speaker 1: Then my wife threw it out.

697
00:35:33,840 --> 00:35:38,320
Speaker 3: And then there was one. There was one Oodie's gluten

698
00:35:38,400 --> 00:35:42,120
Speaker 3: free soft and chewy plane bagel in the freezer. It

699
00:35:42,200 --> 00:35:43,840
Speaker 3: seems to have been there forever.

700
00:35:44,840 --> 00:35:49,359
Speaker 2: Uh. And there's actually even coupons on this thing. Get

701
00:35:49,440 --> 00:35:53,440
Speaker 2: seven dollars when you buy three items eat well and

702
00:35:53,640 --> 00:35:54,839
Speaker 2: cash in well.

703
00:35:55,000 --> 00:35:56,240
Speaker 3: I think that's what we're doing.

704
00:35:56,320 --> 00:35:59,000
Speaker 1: Baby, Let's keep going in then party, you get a

705
00:35:59,040 --> 00:36:02,640
Speaker 1: couple you do usually rubber route and you get a

706
00:36:02,719 --> 00:36:03,719
Speaker 1: couple of heists.

707
00:36:04,880 --> 00:36:05,759
Speaker 3: Okay, is that all right?

708
00:36:05,960 --> 00:36:06,200
Speaker 1: Dude?

709
00:36:06,920 --> 00:36:12,600
Speaker 3: Okay, dude, eleven plugs on this freaking power chord.

710
00:36:14,680 --> 00:36:18,040
Speaker 1: So, Kevin, what songs do you have you been doing

711
00:36:18,080 --> 00:36:19,360
Speaker 1: in your cover band lately?

712
00:36:20,040 --> 00:36:20,120
Speaker 2: So?

713
00:36:20,160 --> 00:36:23,280
Speaker 8: I'm in a Rage against the Machine tribute band Afarna

714
00:36:23,719 --> 00:36:28,080
Speaker 8: uh huh and we're playing we're working on Testify. Call

715
00:36:28,160 --> 00:36:28,880
Speaker 8: them like a bomb?

716
00:36:29,120 --> 00:36:30,560
Speaker 3: Is it really a tribute?

717
00:36:31,000 --> 00:36:31,120
Speaker 1: Like?

718
00:36:31,280 --> 00:36:33,600
Speaker 2: I understand calling it a cover band because you're covering

719
00:36:33,640 --> 00:36:35,839
Speaker 2: their songs, But is it a great tribute to Rage

720
00:36:35,840 --> 00:36:37,880
Speaker 2: against the Machine for you to play their songs?

721
00:36:38,040 --> 00:36:38,400
Speaker 1: Yes?

722
00:36:39,000 --> 00:36:42,319
Speaker 8: Well, a cover band plays a variety of bands, I think,

723
00:36:42,360 --> 00:36:46,319
Speaker 8: and a tribute band plays specifically one band. Yeah. I

724
00:36:46,360 --> 00:36:48,759
Speaker 8: got called I got called out in the reddit for

725
00:36:48,800 --> 00:36:52,000
Speaker 8: that too, for saying it was a cover band. People

726
00:36:52,000 --> 00:36:53,120
Speaker 8: were like, is it though?

727
00:36:53,880 --> 00:36:56,919
Speaker 2: Okay, have you thought about working in one more song

728
00:36:57,000 --> 00:36:57,839
Speaker 2: from somebody else?

729
00:36:57,920 --> 00:36:59,560
Speaker 8: I should and then call it a cover band?

730
00:36:59,600 --> 00:37:00,839
Speaker 3: Yeah, get a cover band?

731
00:37:01,600 --> 00:37:01,880
Speaker 6: Hm?

732
00:37:01,920 --> 00:37:04,279
Speaker 3: What would what would be the one song that a

733
00:37:04,400 --> 00:37:05,840
Speaker 3: Rage cover band.

734
00:37:06,200 --> 00:37:08,479
Speaker 6: We're talking here now would be a very good time

735
00:37:08,560 --> 00:37:12,400
Speaker 6: to go steal stuff from your wall, do a freaking

736
00:37:12,440 --> 00:37:13,080
Speaker 6: big steal.

737
00:37:14,440 --> 00:37:17,000
Speaker 3: I'll be Kevin, can you record this sure?

738
00:37:17,239 --> 00:37:17,800
Speaker 8: I'm watching?

739
00:37:19,400 --> 00:37:22,360
Speaker 1: Okay, he didn't pee before, Yes.

740
00:37:22,239 --> 00:37:23,680
Speaker 3: He did, he did?

741
00:37:23,920 --> 00:37:25,799
Speaker 5: Maybe he just met in general and his.

742
00:37:29,280 --> 00:37:31,040
Speaker 2: No, but I've been talking to Ryan for a while

743
00:37:31,120 --> 00:37:38,320
Speaker 2: now and he did pee before. Oh okay, yeah, Kevin,

744
00:37:38,400 --> 00:37:42,080
Speaker 2: just give me an idea. What don't we steal the

745
00:37:42,160 --> 00:37:43,439
Speaker 2: stuff that's actually.

746
00:37:43,280 --> 00:37:45,000
Speaker 6: Is in the studio?

747
00:37:45,960 --> 00:37:48,560
Speaker 1: Yeah, this all this stuff's been right under our noses

748
00:37:48,600 --> 00:37:49,239
Speaker 1: the whole time.

749
00:37:49,520 --> 00:37:52,360
Speaker 2: Mm hmmm this mic I'm talking into h.

750
00:37:53,840 --> 00:37:55,040
Speaker 1: Does it come out of the thing.

751
00:37:56,800 --> 00:38:01,279
Speaker 8: So please be careful. It's a little Ryan's gonna get

752
00:38:01,280 --> 00:38:01,719
Speaker 8: so mad.

753
00:38:01,840 --> 00:38:05,920
Speaker 2: Mine's freaking stuck too, Hey is why is it stuck?

754
00:38:07,000 --> 00:38:07,239
Speaker 1: People?

755
00:38:07,360 --> 00:38:07,759
Speaker 8: See that?

756
00:38:07,880 --> 00:38:08,759
Speaker 5: Thank him right out?

757
00:38:08,840 --> 00:38:12,400
Speaker 3: What the heck? Oh? That wasn't safe for it to

758
00:38:12,400 --> 00:38:18,359
Speaker 3: be like that. I could have barked someone. It sparks everywhere.

759
00:38:21,680 --> 00:38:28,120
Speaker 1: Wow. Yeah, these will get really good resale at Gimblet. Oh. Yes,

760
00:38:28,360 --> 00:38:29,520
Speaker 1: our friend Alex Inc.

761
00:38:29,760 --> 00:38:32,160
Speaker 2: Gimblet's going to pay through the nose for this stuff.

762
00:38:32,560 --> 00:38:36,480
Speaker 3: Imagine a freaking Sclorbo country Kevin Bartelton nameplate, a freaking

763
00:38:36,640 --> 00:38:40,719
Speaker 3: cuckoo we Wei shoe, Adam Sacks.

764
00:38:40,760 --> 00:38:44,360
Speaker 2: All stuff that is completely exclusive to this office. Can't

765
00:38:44,360 --> 00:38:45,640
Speaker 2: get it anywhere.

766
00:38:45,239 --> 00:38:47,440
Speaker 1: And Alex Ankin is in a little bit of financial

767
00:38:47,480 --> 00:38:50,280
Speaker 1: trouble since he put a lot of money into that show.

768
00:38:50,840 --> 00:38:54,680
Speaker 5: Oh yeah, Gimblet No Adam Sax's show.

769
00:38:55,320 --> 00:39:00,960
Speaker 1: No, No Alex the real life Alex ink Oh leveraged

770
00:39:01,080 --> 00:39:04,480
Speaker 1: all his dollars, every penny he had.

771
00:39:05,000 --> 00:39:08,640
Speaker 2: He made one big bet on Zach Braff. Yes, and

772
00:39:08,680 --> 00:39:11,080
Speaker 2: it came tell his snake guys.

773
00:39:12,400 --> 00:39:14,520
Speaker 8: Parne. Would you do a podcast? Would you host a

774
00:39:14,520 --> 00:39:16,600
Speaker 8: podcast like conceiveing a good host?

775
00:39:16,760 --> 00:39:16,880
Speaker 1: Now?

776
00:39:17,000 --> 00:39:20,000
Speaker 3: This is Kevin's version of the Big Heist?

777
00:39:21,960 --> 00:39:26,960
Speaker 2: Anythink about doing one?

778
00:39:27,600 --> 00:39:30,719
Speaker 1: Wow? Right? Look? How happy right it is? This is

779
00:39:30,800 --> 00:39:33,600
Speaker 1: Ryan's new calling. I've never seen him so happy.

780
00:39:34,200 --> 00:39:36,040
Speaker 3: Are you getting photos of freaking gear?

781
00:39:36,480 --> 00:39:36,800
Speaker 7: Wow?

782
00:39:38,360 --> 00:39:40,759
Speaker 3: Everything needed to do spontaneous?

783
00:39:44,719 --> 00:39:45,000
Speaker 8: Wow?

784
00:39:45,120 --> 00:39:46,399
Speaker 3: He got the freaking.

785
00:39:46,160 --> 00:39:48,600
Speaker 5: Sponge buttons Pelican case.

786
00:39:49,280 --> 00:39:53,440
Speaker 1: These are Look it's the real spawn button from Spot.

787
00:39:53,560 --> 00:39:54,520
Speaker 3: You ever do that show?

788
00:39:54,880 --> 00:39:58,359
Speaker 2: No, I've heard, well you never will because they're ending

789
00:39:58,480 --> 00:40:01,840
Speaker 2: is gone their end. But now, actually you would be

790
00:40:01,880 --> 00:40:03,879
Speaker 2: so great on Spot and Kevin wants you to host

791
00:40:03,920 --> 00:40:06,080
Speaker 2: a podcast.

792
00:40:04,480 --> 00:40:07,000
Speaker 3: What we do we have?

793
00:40:07,760 --> 00:40:10,399
Speaker 2: Do we have these buttons? Make money for us? When

794
00:40:10,400 --> 00:40:11,880
Speaker 2: we get a partner run and Spot?

795
00:40:12,080 --> 00:40:12,719
Speaker 5: Oh?

796
00:40:12,760 --> 00:40:14,279
Speaker 3: Do you want to do a spot? Real quick?

797
00:40:14,360 --> 00:40:17,360
Speaker 5: Should I just start it from a different location.

798
00:40:19,200 --> 00:40:21,520
Speaker 1: Uh yeah, well that's well that's how they do that's

799
00:40:21,520 --> 00:40:24,480
Speaker 1: how they do it. Yeah, but that's fake when they

800
00:40:24,520 --> 00:40:27,760
Speaker 1: say like, oh, the location is it's usually people submit

801
00:40:27,800 --> 00:40:31,040
Speaker 1: locations for that show that are like normy places because

802
00:40:31,280 --> 00:40:34,239
Speaker 1: they're like, it's a very elitist show. So they'll be

803
00:40:34,360 --> 00:40:40,480
Speaker 1: like the freaking like waffle house or whatever, because it's

804
00:40:40,520 --> 00:40:42,840
Speaker 1: like that's it's funny restaurant where normies.

805
00:40:43,040 --> 00:40:46,000
Speaker 8: What is for the intro she does her whole thirty bit?

806
00:40:47,480 --> 00:40:50,040
Speaker 3: Oh okay, I have no I haven't heard the bit,

807
00:40:50,160 --> 00:40:50,840
Speaker 3: but I love.

808
00:40:50,680 --> 00:40:55,440
Speaker 5: The area the big yet I was the premise by you?

809
00:40:55,800 --> 00:40:58,759
Speaker 3: What's the idea? Just like what's the deal with old?

810
00:40:58,960 --> 00:41:00,000
Speaker 5: Yeah?

811
00:41:00,080 --> 00:41:01,200
Speaker 3: Like why are people doing this?

812
00:41:01,440 --> 00:41:03,959
Speaker 8: Yeah, that's how Paul does it. It's just all off

813
00:41:04,000 --> 00:41:04,919
Speaker 8: the top of the dome.

814
00:41:05,520 --> 00:41:11,520
Speaker 3: Always sounds like, Ryan, how do I do the buttons

815
00:41:11,560 --> 00:41:13,879
Speaker 3: to work? You want me to hook them up? Does

816
00:41:13,920 --> 00:41:15,680
Speaker 3: that you really have to hook these up?

817
00:41:15,800 --> 00:41:16,600
Speaker 8: You plug it in?

818
00:41:17,080 --> 00:41:19,439
Speaker 1: These the buttons have to be plugged in. It's such

819
00:41:19,440 --> 00:41:20,600
Speaker 1: a simple device.

820
00:41:21,080 --> 00:41:23,440
Speaker 8: No way electricity located?

821
00:41:25,040 --> 00:41:26,560
Speaker 3: Oh wait the powers in the other room?

822
00:41:26,680 --> 00:41:27,439
Speaker 8: Is there another show?

823
00:41:28,560 --> 00:41:30,640
Speaker 3: We would have to do the candles and stuff too.

824
00:41:30,800 --> 00:41:32,279
Speaker 8: Yeah, candles are in there.

825
00:41:32,440 --> 00:41:34,440
Speaker 1: Seems like too much work, and honestly, I can see

826
00:41:34,440 --> 00:41:35,160
Speaker 1: why he's quitting.

827
00:41:35,960 --> 00:41:38,800
Speaker 2: Yeah, I bet his next show. I would almost guarantee

828
00:41:38,840 --> 00:41:40,600
Speaker 2: you no candles are special machine.

829
00:41:42,000 --> 00:41:45,360
Speaker 3: I'll promise you that well, because we will have it. Well. Yeah,

830
00:41:45,360 --> 00:41:46,319
Speaker 3: but I just think that the.

831
00:41:46,280 --> 00:41:49,319
Speaker 1: Candles are in here as well. The entire setup is

832
00:41:49,320 --> 00:41:49,760
Speaker 1: in here.

833
00:41:50,280 --> 00:41:54,400
Speaker 2: Holy shit, candles, yeah, I mean he wants it to

834
00:41:54,440 --> 00:41:55,239
Speaker 2: be romantic.

835
00:41:58,200 --> 00:42:09,239
Speaker 5: See wow, you know, taking out three candles, three candles.

836
00:42:09,120 --> 00:42:10,360
Speaker 8: Yeah, turn the lights off.

837
00:42:10,239 --> 00:42:11,319
Speaker 1: And he turns the lights like this.

838
00:42:13,160 --> 00:42:14,760
Speaker 5: Have you guys all done this show?

839
00:42:15,640 --> 00:42:16,040
Speaker 8: Yeah?

840
00:42:16,400 --> 00:42:18,479
Speaker 2: Yeah, yeah, we did it a couple of times. Hayes

841
00:42:18,520 --> 00:42:19,520
Speaker 2: and I have done it twice.

842
00:42:19,800 --> 00:42:19,920
Speaker 4: Uh.

843
00:42:20,120 --> 00:42:22,319
Speaker 2: It was similar to Chef Kevin on this show, where

844
00:42:22,320 --> 00:42:24,120
Speaker 2: a lot of people didn't really like the way we

845
00:42:24,160 --> 00:42:29,160
Speaker 2: did it, and it was mostly my fault. But we

846
00:42:29,160 --> 00:42:32,600
Speaker 2: were hoping to get one last blast before we uh

847
00:42:33,080 --> 00:42:36,800
Speaker 2: you know, have to kiss that show goodbye forever. Paul

848
00:42:37,560 --> 00:42:41,239
Speaker 2: not mentioning it, and uh, we're approaching the end of

849
00:42:41,239 --> 00:42:42,120
Speaker 2: the tracks, so weird.

850
00:42:42,160 --> 00:42:44,480
Speaker 3: First, I just don't think it's gonna happen.

851
00:42:44,600 --> 00:42:47,640
Speaker 1: I have an idea. Please, It's very dark in here

852
00:42:47,719 --> 00:42:50,400
Speaker 1: right now? Yeah, now, would be a very good time

853
00:42:50,920 --> 00:42:54,600
Speaker 1: for a certain celebrated actress to enter the room.

854
00:42:55,000 --> 00:42:56,960
Speaker 3: Ah and allow.

855
00:42:56,760 --> 00:42:58,080
Speaker 1: Us to make our getaway.

856
00:42:58,880 --> 00:43:06,840
Speaker 2: Okay, oh my gosh, it's Julia Roberts.

857
00:43:06,960 --> 00:43:08,840
Speaker 3: You're here, that's me.

858
00:43:11,280 --> 00:43:13,400
Speaker 5: Julia.

859
00:43:15,480 --> 00:43:15,760
Speaker 3: Wow.

860
00:43:15,800 --> 00:43:18,440
Speaker 1: I thought you were doing you must be doing a movie.

861
00:43:18,600 --> 00:43:20,240
Speaker 1: Are you doing a movie right now?

862
00:43:21,200 --> 00:43:29,840
Speaker 3: M oh Julia wow?

863
00:43:30,680 --> 00:43:32,560
Speaker 1: And I hear you were shooting it at a very

864
00:43:32,600 --> 00:43:35,840
Speaker 1: special location in San Francisco and you're looking for someone

865
00:43:35,920 --> 00:43:36,920
Speaker 1: to go with you.

866
00:43:37,080 --> 00:43:38,440
Speaker 5: The Golden gate Bridge.

867
00:43:38,440 --> 00:43:38,800
Speaker 1: Wow.

868
00:43:39,040 --> 00:43:41,160
Speaker 3: Oh my gosh, Julia Wow.

869
00:43:41,680 --> 00:43:45,719
Speaker 2: Well we know someone who's uh, you know, disturbingly obsessed

870
00:43:45,760 --> 00:43:50,000
Speaker 2: with that exact bridge. Do you think there's any chance

871
00:43:50,040 --> 00:43:51,919
Speaker 2: that he could kind of hitch a ride on your

872
00:43:51,960 --> 00:43:53,719
Speaker 2: private plane?

873
00:43:54,120 --> 00:43:54,319
Speaker 6: Sure?

874
00:43:54,360 --> 00:43:56,080
Speaker 5: I usually travel by truck.

875
00:43:56,520 --> 00:43:59,200
Speaker 3: Oh right, Oh okay, well then why don't you guys

876
00:43:59,239 --> 00:43:59,839
Speaker 3: get into the.

877
00:43:59,760 --> 00:44:04,200
Speaker 8: True Okay, Hi Julia, thanks for thanks for having me.

878
00:44:04,760 --> 00:44:08,799
Speaker 3: Thanks for introduce yourself. Hey, Julia, Chef Kevin here, I'm

879
00:44:08,800 --> 00:44:09,359
Speaker 3: sick of that.

880
00:44:10,120 --> 00:44:12,720
Speaker 5: OHI ran about you online?

881
00:44:13,400 --> 00:44:15,279
Speaker 8: WHOA, I've heard about you online too.

882
00:44:16,560 --> 00:44:17,319
Speaker 1: Nice to meet you.

883
00:44:19,000 --> 00:44:21,480
Speaker 4: Thanks for the main place he's heard about Julia Roberts

884
00:44:21,560 --> 00:44:22,480
Speaker 4: is online.

885
00:44:24,239 --> 00:44:25,319
Speaker 5: Nice to meet you too.

886
00:44:26,000 --> 00:44:27,680
Speaker 1: And Ryan, what time is it? In the show.

887
00:44:29,880 --> 00:44:32,239
Speaker 2: It's about forty seven minutes.

888
00:44:32,080 --> 00:44:38,759
Speaker 1: The perfect getaway, Julia, do you have any shows that

889
00:44:38,840 --> 00:44:39,600
Speaker 1: you want to plug?

890
00:44:39,920 --> 00:44:42,319
Speaker 3: Yeah? Anything coming up you want to get out there?

891
00:44:42,920 --> 00:44:47,640
Speaker 5: Yeah, I'm going to be taking over this podcast. Spontane Nation.

892
00:44:48,440 --> 00:44:52,520
Speaker 1: Wow, Julia Roberts is spot what a git.

893
00:44:54,680 --> 00:44:56,680
Speaker 5: So that's something brewing for.

894
00:44:56,640 --> 00:45:00,080
Speaker 3: Me in corporate Season two, You're going to be.

895
00:45:00,040 --> 00:45:02,680
Speaker 5: Great Season two. I might pop up as a lamp.

896
00:45:04,360 --> 00:45:11,520
Speaker 3: Bye bye. I'm a horny girl Wolf.

897
00:45:11,880 --> 00:45:15,600
Speaker 2: This has been an Earwolf production, executive produced by Scott Ackerman,

898
00:45:15,760 --> 00:45:19,120
Speaker 2: Colin Anderson, and Chris Bannon. For more information and content,

899
00:45:19,239 --> 00:45:20,800
Speaker 2: visit iarwolf dot com.

900
00:45:21,360 --> 00:45:24,520
Speaker 3: Oh