1 00:00:01,639 --> 00:00:04,400 Speaker 1: I have some scalding hot tea. Come on, HPJ Hot 2 00:00:04,400 --> 00:00:06,360 Speaker 1: Producer Joe just revealed to us that what he does 3 00:00:06,360 --> 00:00:07,880 Speaker 1: when he goes into the Apple Store is he goes 4 00:00:07,880 --> 00:00:10,080 Speaker 1: around to all the phones and iPads and he likes 5 00:00:10,119 --> 00:00:14,600 Speaker 1: and subscribes on those iPads to Last Coats podcast. That's 6 00:00:14,760 --> 00:00:17,160 Speaker 1: incredible and I love it. And this is what will 7 00:00:17,160 --> 00:00:19,959 Speaker 1: make project chart Operation is success. Yes, because if you 8 00:00:20,000 --> 00:00:23,080 Speaker 1: don't know, now you know Product Touch Operation is really 9 00:00:23,120 --> 00:00:24,960 Speaker 1: in full of fact. It's actually been a huge success 10 00:00:24,960 --> 00:00:26,439 Speaker 1: to you guys. We even got up to I think 11 00:00:26,560 --> 00:00:29,160 Speaker 1: number sixty one. We got up to number fifty nine. 12 00:00:29,760 --> 00:00:32,519 Speaker 1: We crossed us top sixty, the top sixty girls, Oh 13 00:00:32,560 --> 00:00:35,080 Speaker 1: my goodness. Well, I mean we have HPJ to thing 14 00:00:35,159 --> 00:00:38,519 Speaker 1: for that. And everyone at home who has been rating reviewing. 15 00:00:39,040 --> 00:00:41,000 Speaker 1: I was just telling these guys we are here with 16 00:00:41,040 --> 00:00:44,559 Speaker 1: Pat Regan, Say hi Pat Hi, guys hi um. I 17 00:00:44,640 --> 00:00:47,200 Speaker 1: was just sharing with them that I humiliatingly will grab 18 00:00:47,200 --> 00:00:49,559 Speaker 1: people's phones and you know, I'll do this five star 19 00:00:49,600 --> 00:00:51,199 Speaker 1: review thing. Have you done this? I've done the same 20 00:00:51,240 --> 00:00:53,320 Speaker 1: with my father's and have you have you been doing this? 21 00:00:53,640 --> 00:00:55,960 Speaker 1: I took my straight wife's phone and gave a five 22 00:00:55,960 --> 00:00:58,480 Speaker 1: star review and it saved our marriage. And that's just 23 00:00:58,600 --> 00:01:01,800 Speaker 1: what works for our family. That's amazing. Whatever works for 24 00:01:01,840 --> 00:01:04,640 Speaker 1: your family, and you know you can dictate whatever it's 25 00:01:04,640 --> 00:01:06,120 Speaker 1: gonna work for your family when you do this. I 26 00:01:06,160 --> 00:01:08,640 Speaker 1: mean it works for Joe's family to uh just go 27 00:01:08,680 --> 00:01:12,479 Speaker 1: into iPhone stores and um, you know the iPhone stores. 28 00:01:13,440 --> 00:01:16,720 Speaker 1: So please help us keep making Project chart operation a 29 00:01:16,840 --> 00:01:23,480 Speaker 1: resounding success and we'll see you on the reviews. Look man, oh, 30 00:01:23,520 --> 00:01:26,600 Speaker 1: I see you. Wow, and look over there, how is 31 00:01:26,680 --> 00:01:33,800 Speaker 1: that larger? Yes? Goodness, Dan dong Loss Culture Rista's calling, 32 00:01:34,000 --> 00:01:36,560 Speaker 1: and I would say that we are bravely starting two 33 00:01:36,560 --> 00:01:40,240 Speaker 1: thousand eighteen. Bravely we are recording this on January one. Wow. 34 00:01:40,480 --> 00:01:44,200 Speaker 1: Rabbit rabbit, rabbit, rabbit, rabbit, rabbit rabbit. Yeah. I mean, wait, 35 00:01:44,440 --> 00:01:46,319 Speaker 1: what what do you mean by rabbit? Well, people say 36 00:01:46,400 --> 00:01:48,600 Speaker 1: rabbit rabbit at the first day of every month too. 37 00:01:48,920 --> 00:01:51,920 Speaker 1: I never could love anyone ever said that. It's a 38 00:01:52,120 --> 00:01:55,560 Speaker 1: very sort of like folk see thing that people do. 39 00:01:56,240 --> 00:01:59,240 Speaker 1: Apparently I just learned about this this year because someone 40 00:01:59,280 --> 00:02:03,080 Speaker 1: would just out of nowhere text me rabbit rabbit every 41 00:02:02,760 --> 00:02:06,080 Speaker 1: month every now, like what what? And then I would 42 00:02:06,120 --> 00:02:08,360 Speaker 1: realize slowly with down on me, it was the first 43 00:02:08,400 --> 00:02:12,679 Speaker 1: of the month. That's insane when you when you discover 44 00:02:12,880 --> 00:02:15,720 Speaker 1: a phrase that's popular and well known and you literally 45 00:02:15,800 --> 00:02:18,320 Speaker 1: have never heard of it in your right I can't 46 00:02:18,360 --> 00:02:20,400 Speaker 1: think of one from me right now? What was your 47 00:02:20,440 --> 00:02:22,400 Speaker 1: response just now? When I just said rabbit rabbits? I 48 00:02:22,440 --> 00:02:24,160 Speaker 1: was like, literally, I've never heard that in my life. 49 00:02:24,200 --> 00:02:26,120 Speaker 1: And you know what else, there's a person that I 50 00:02:26,160 --> 00:02:28,000 Speaker 1: heard about who everyone else knows about and I had 51 00:02:28,040 --> 00:02:30,480 Speaker 1: never heard of in my life until this year, Connor 52 00:02:30,480 --> 00:02:33,079 Speaker 1: o Burst. I didn't know who the funk that was 53 00:02:34,040 --> 00:02:37,040 Speaker 1: out doesn't know who? Then that is open for Casey 54 00:02:37,080 --> 00:02:39,320 Speaker 1: Thats Graves one time when I saw her in concerts. Okay, well, 55 00:02:39,360 --> 00:02:40,800 Speaker 1: if he had come out there and I had been 56 00:02:40,800 --> 00:02:42,200 Speaker 1: at that concert, you know what I would have said, 57 00:02:42,200 --> 00:02:45,040 Speaker 1: who is that? Do you want to know something? A 58 00:02:45,040 --> 00:02:47,080 Speaker 1: lot of people were there for Connor. That's insane. And 59 00:02:47,080 --> 00:02:48,760 Speaker 1: then they left when Casey went on, and I was 60 00:02:48,800 --> 00:02:55,079 Speaker 1: like that disrespect is so disrespectful. Number nine, when people people, 61 00:02:55,960 --> 00:03:00,760 Speaker 1: when people leave, they are not having respect. In terms 62 00:03:00,800 --> 00:03:04,800 Speaker 1: of concerts, that's a that rule is a little bit. 63 00:03:04,840 --> 00:03:07,320 Speaker 1: It's a journey to get there. No, no, no, I 64 00:03:07,320 --> 00:03:10,239 Speaker 1: think we just have to say it again. Okay, when 65 00:03:10,360 --> 00:03:17,040 Speaker 1: people leave before the headliner, I have some respect in 66 00:03:17,160 --> 00:03:19,919 Speaker 1: terms of concerts. There we go. That's all. It takes 67 00:03:19,919 --> 00:03:23,680 Speaker 1: every now and then to really cement the permanence of 68 00:03:23,720 --> 00:03:27,680 Speaker 1: a rule of culture. Can I say something, I've been 69 00:03:27,800 --> 00:03:33,240 Speaker 1: really excited about this guest because there's there's guests, and 70 00:03:33,240 --> 00:03:35,680 Speaker 1: then there's this guess. There's there are guests, and then 71 00:03:35,680 --> 00:03:39,080 Speaker 1: there's a guest that really has worked his or her 72 00:03:39,200 --> 00:03:42,600 Speaker 1: or their way into the mythology of what we do 73 00:03:42,680 --> 00:03:47,200 Speaker 1: here and become really this true star. In fact, famously 74 00:03:47,280 --> 00:03:50,560 Speaker 1: you suggested perhaps they should become permanent, and I and 75 00:03:50,640 --> 00:03:55,320 Speaker 1: I really truly in passing, I thought, wow, what are 76 00:03:55,360 --> 00:03:57,600 Speaker 1: some interesting things to do with the show. And I 77 00:03:58,160 --> 00:04:00,520 Speaker 1: don't really want to get into this right now because 78 00:04:00,560 --> 00:04:02,440 Speaker 1: you know, no no, no no no no. I just 79 00:04:02,520 --> 00:04:04,240 Speaker 1: I want that I want us to focus on the 80 00:04:04,240 --> 00:04:06,000 Speaker 1: guest and not about what I said about the guest. 81 00:04:06,040 --> 00:04:07,960 Speaker 1: Unit does that make sense? I do? I do? I 82 00:04:08,000 --> 00:04:11,560 Speaker 1: get that. Famously, our guest the three time and only 83 00:04:11,560 --> 00:04:15,480 Speaker 1: winner of the Lost Cultural restis Icon Award. It's fascinating. 84 00:04:15,600 --> 00:04:18,520 Speaker 1: That's the way it chuck out like we did Coach War. 85 00:04:18,560 --> 00:04:20,520 Speaker 1: And I said, probably like I mean it will be 86 00:04:20,560 --> 00:04:22,640 Speaker 1: crazy if Pat one. We all knew pat would win, 87 00:04:23,720 --> 00:04:26,800 Speaker 1: but then Pat one, and then we had to honor 88 00:04:26,920 --> 00:04:30,200 Speaker 1: that second win at I don't think so, honey, right? 89 00:04:31,160 --> 00:04:32,719 Speaker 1: And who could forget when it came out in the 90 00:04:32,720 --> 00:04:34,840 Speaker 1: mist in the mist and there's a beautiful Mindy Tucker 91 00:04:34,839 --> 00:04:36,400 Speaker 1: photo of him in the mist that he might be 92 00:04:36,480 --> 00:04:39,719 Speaker 1: using for promotional purposes for a credit. Yeah, and of 93 00:04:39,720 --> 00:04:42,760 Speaker 1: course we say shout out to Mindy um. But yes, 94 00:04:42,960 --> 00:04:45,320 Speaker 1: and this is actually really fascinating and upsetting that he 95 00:04:45,360 --> 00:04:47,840 Speaker 1: has a credit because it breaks the whole sort of 96 00:04:48,000 --> 00:04:50,839 Speaker 1: his own mythos, right, I mean he he is, of 97 00:04:50,880 --> 00:04:53,960 Speaker 1: course New York City's most beloved comedian with zero credits 98 00:04:54,000 --> 00:04:58,880 Speaker 1: or projects. Um. Of course, famously um the credits prior 99 00:04:59,080 --> 00:05:02,479 Speaker 1: to this act true credit was they included, Um, one 100 00:05:02,520 --> 00:05:04,800 Speaker 1: time his mom's friend met Colin Quinn on the beach 101 00:05:04,839 --> 00:05:07,760 Speaker 1: and told him that he had comedy, and one time 102 00:05:10,760 --> 00:05:15,120 Speaker 1: a Swedish woman approached him and told him that he 103 00:05:15,160 --> 00:05:18,320 Speaker 1: would do well in Europe sexually. And who could forget 104 00:05:18,360 --> 00:05:21,560 Speaker 1: the fact that his cousin who's a teen, owns a 105 00:05:21,680 --> 00:05:24,080 Speaker 1: vest that was featured in an episode of Ryan Murphy's 106 00:05:24,080 --> 00:05:26,760 Speaker 1: screen queens or who could forget the fact that he 107 00:05:26,960 --> 00:05:30,280 Speaker 1: was blacklisted from the third installment of My show Live 108 00:05:30,360 --> 00:05:34,280 Speaker 1: on broad Day. And we have breaking news. Um, after 109 00:05:34,320 --> 00:05:37,280 Speaker 1: a short hiatus from Lloyd Knight, he has left Lloyd 110 00:05:37,360 --> 00:05:39,159 Speaker 1: Knight for good. We can now report that our guests 111 00:05:39,160 --> 00:05:41,279 Speaker 1: has finally left Lloyd Knight for good. He is on 112 00:05:41,440 --> 00:05:45,400 Speaker 1: to other opportunities, perhaps even paid, perhaps maybe even getting 113 00:05:45,440 --> 00:05:48,800 Speaker 1: twenty bucks from doing a set somewhere. That's huge. Oh yeah, 114 00:05:48,839 --> 00:05:51,000 Speaker 1: that is that that people need to understand that in 115 00:05:51,000 --> 00:05:52,839 Speaker 1: New York City, that is rare. When you find your 116 00:05:52,920 --> 00:05:55,000 Speaker 1: venmoll and there's twenty bucks in there after doing a set, 117 00:05:55,040 --> 00:05:57,600 Speaker 1: It's like a Christmas morning. Absolutely. Now can we talk 118 00:05:57,600 --> 00:06:00,200 Speaker 1: about the actual credit? The actual credit? I can don't 119 00:06:00,200 --> 00:06:03,400 Speaker 1: wait to be to see this. Maybe hooton and holleran, yes, 120 00:06:03,600 --> 00:06:06,240 Speaker 1: you know, I'll be hooting and hollerand Matt what's the credit? Well, 121 00:06:06,240 --> 00:06:09,119 Speaker 1: I'll tell you on Friday, January five at seven pm. 122 00:06:09,160 --> 00:06:12,039 Speaker 1: But the doors open. It's thirty pm at the Duplex 123 00:06:12,480 --> 00:06:16,599 Speaker 1: NYC in the West Village right on Seventh Avenue and 124 00:06:16,640 --> 00:06:21,039 Speaker 1: I think West fourth. Okay, there will be Pat Reagan 125 00:06:21,480 --> 00:06:26,440 Speaker 1: unwrapped and loving it with amazing uh featured guests as well, 126 00:06:26,520 --> 00:06:28,560 Speaker 1: Aaron Jackson, Josh Sharp, Knew let me a pair again. 127 00:06:28,760 --> 00:06:33,240 Speaker 1: The list goes on Derek de Kats. Okay, all right, sorry, Well, 128 00:06:33,279 --> 00:06:35,839 Speaker 1: now that he's spoken out of turn, we must introduce 129 00:06:36,400 --> 00:06:39,520 Speaker 1: Pat Regan. I would never speak of turn on my 130 00:06:39,600 --> 00:06:41,960 Speaker 1: own behalf, but when it comes to my openers, I'm 131 00:06:41,839 --> 00:06:44,800 Speaker 1: a mama bear and I will always, always, always fight 132 00:06:44,880 --> 00:06:47,000 Speaker 1: for them. Yes, you would identify as a Mama bear. 133 00:06:47,200 --> 00:06:50,320 Speaker 1: I would identify as a Mama bear for my openers. Yeah, 134 00:06:50,520 --> 00:06:52,520 Speaker 1: don't come from me, don't come from my family, don't 135 00:06:52,560 --> 00:06:55,400 Speaker 1: come from my openers. So you identify as white gay, 136 00:06:55,560 --> 00:06:58,720 Speaker 1: identify as a white guy, and that is my minority. Um, 137 00:06:58,720 --> 00:07:04,600 Speaker 1: my gay is a minority, you, My gay is a minority. 138 00:07:04,720 --> 00:07:06,719 Speaker 1: And then do you identify as Mama bears? Is that 139 00:07:06,760 --> 00:07:10,800 Speaker 1: a minority? Um, it's not a minority that as a 140 00:07:10,880 --> 00:07:14,600 Speaker 1: marginalized people and in some spaces and in some spaces 141 00:07:14,680 --> 00:07:18,600 Speaker 1: for sure, it's a minority. Absolutely. Okay, So, Pat, I 142 00:07:18,600 --> 00:07:20,080 Speaker 1: think I'm going to get ahead of what you were 143 00:07:20,160 --> 00:07:25,600 Speaker 1: trying to address just now after you're um really shocking cough. 144 00:07:25,840 --> 00:07:28,160 Speaker 1: Now do you want to tell everybody what's going on? Yeah? 145 00:07:28,240 --> 00:07:30,320 Speaker 1: So a couple of different things have going on with 146 00:07:30,360 --> 00:07:32,320 Speaker 1: me right now. I want to hear it as per usual, 147 00:07:32,440 --> 00:07:34,760 Speaker 1: you know, um, we're all multi faceted here. And I 148 00:07:34,760 --> 00:07:36,520 Speaker 1: want to also say, like I already said, it's off there, 149 00:07:36,560 --> 00:07:38,520 Speaker 1: I want to reiterate on the air that my brain 150 00:07:38,520 --> 00:07:40,760 Speaker 1: felt tired right now, so like I might start slow, 151 00:07:40,840 --> 00:07:45,400 Speaker 1: but whatever, this is famously exactly and it's not by design, 152 00:07:45,440 --> 00:07:48,040 Speaker 1: that's not contract. It's really my emotional truth right now 153 00:07:48,360 --> 00:07:51,920 Speaker 1: is that you feel tired. I feel my brain feels tired. Well, 154 00:07:52,120 --> 00:07:53,920 Speaker 1: what kind of events did you get up to last 155 00:07:54,000 --> 00:07:55,480 Speaker 1: night on New Year's Eve that would leave you in 156 00:07:55,520 --> 00:07:58,880 Speaker 1: a tired state? I went to one party that was 157 00:07:58,920 --> 00:08:02,880 Speaker 1: like very ALTI gun comedy scene, absolutely it was. What 158 00:08:03,000 --> 00:08:04,960 Speaker 1: was stressful about the party was I got their thirty 159 00:08:04,960 --> 00:08:08,080 Speaker 1: five minutes after start time, which is safe, I think, 160 00:08:08,200 --> 00:08:11,320 Speaker 1: and of course as the first person there, it was 161 00:08:11,320 --> 00:08:14,920 Speaker 1: a really good party by everyone was like I knew 162 00:08:14,960 --> 00:08:17,480 Speaker 1: people too, about to introduce myself, but not well enough 163 00:08:17,560 --> 00:08:22,000 Speaker 1: to like just start chatting that horrible middle liminal space. 164 00:08:22,040 --> 00:08:24,800 Speaker 1: And it's I, by necessity need to be like central 165 00:08:24,840 --> 00:08:27,120 Speaker 1: to any group of people that I'm involved in. I 166 00:08:27,160 --> 00:08:30,080 Speaker 1: didn't feel like the star of the party. That's my 167 00:08:30,120 --> 00:08:34,200 Speaker 1: anxiety got the best of me and I couldn't stop coughing. Yeah, 168 00:08:34,240 --> 00:08:36,800 Speaker 1: and so the host actually gave me cold medicine, which 169 00:08:36,840 --> 00:08:40,680 Speaker 1: is which is nice, that is um. So then I laughed. 170 00:08:41,160 --> 00:08:43,120 Speaker 1: You didn't refuse the cold medicine out right, though, because 171 00:08:43,160 --> 00:08:44,840 Speaker 1: that's what I would have done. I didn't refuse the 172 00:08:44,840 --> 00:08:47,320 Speaker 1: cold medicine out right because I felt I might need it. 173 00:08:47,559 --> 00:08:50,160 Speaker 1: And that's why they have it. That's why they have it. 174 00:08:50,200 --> 00:08:53,240 Speaker 1: That's why they make it for people to take I 175 00:08:53,320 --> 00:08:55,200 Speaker 1: might have. It would be such a bad week for 176 00:08:55,240 --> 00:08:56,679 Speaker 1: me to get a cold, because I'm interving for a 177 00:08:57,040 --> 00:08:59,640 Speaker 1: job tomorrow or Wednesday, thank you. And I also have 178 00:08:59,720 --> 00:09:02,320 Speaker 1: my on Friday, so it wouldn't be a big week. 179 00:09:02,360 --> 00:09:05,200 Speaker 1: It's a big week. Um. Well, you could get up 180 00:09:05,200 --> 00:09:06,800 Speaker 1: there and you could do the show a little sick. 181 00:09:06,920 --> 00:09:08,320 Speaker 1: I could get up there a little sick, But my 182 00:09:08,360 --> 00:09:10,160 Speaker 1: mom has been very sick in a way. I don't 183 00:09:10,160 --> 00:09:11,679 Speaker 1: think my mom could do a show right now, how 184 00:09:11,960 --> 00:09:13,640 Speaker 1: you know, I don't think she could if I get 185 00:09:13,679 --> 00:09:19,360 Speaker 1: the sickness that my mom has. Um aggressive cold. It's like, yeah, 186 00:09:19,400 --> 00:09:22,280 Speaker 1: it's an aggressive code. It's like a voice affecting colde. 187 00:09:22,600 --> 00:09:24,959 Speaker 1: So it seems like the cough is lingering because it's 188 00:09:25,000 --> 00:09:27,200 Speaker 1: still sort of so. Also, another thing going on with 189 00:09:27,240 --> 00:09:29,160 Speaker 1: me right now is that you just talked about this offer, 190 00:09:29,200 --> 00:09:31,439 Speaker 1: but I want to again bring it in. It's it's, 191 00:09:31,480 --> 00:09:33,080 Speaker 1: it's it would be important to share it on I 192 00:09:33,080 --> 00:09:36,800 Speaker 1: have no problem saying something. Aways Um, I've been chewting 193 00:09:36,840 --> 00:09:39,200 Speaker 1: the correct gum. I've never smoked in my entire life 194 00:09:39,200 --> 00:09:43,640 Speaker 1: a cigarette, and for reasons unbanous to me, I started 195 00:09:43,679 --> 00:09:46,000 Speaker 1: chewing the correct gum and it makes me I'm gonna stop. 196 00:09:46,040 --> 00:09:48,680 Speaker 1: But could this be because you are becoming addicted to 197 00:09:48,679 --> 00:09:53,880 Speaker 1: the nicotine in the gun, Yes, I think so, Yeah, okay, alright, 198 00:09:53,960 --> 00:09:55,760 Speaker 1: but but that's like that also makes me cough. But 199 00:09:56,160 --> 00:10:00,920 Speaker 1: I the nicotine some I think so like when I 200 00:10:00,920 --> 00:10:03,920 Speaker 1: when I chew, it might be a placebo. Maybe I 201 00:10:03,960 --> 00:10:06,000 Speaker 1: don't know, but like maybe I shouldn't have brought that end. 202 00:10:06,200 --> 00:10:07,800 Speaker 1: But no, no, no, I'm glad you did, because no 203 00:10:07,840 --> 00:10:10,880 Speaker 1: one happy you did that. That's quite a quirk totally, 204 00:10:10,920 --> 00:10:12,400 Speaker 1: so that that I think is also a contributed I 205 00:10:12,400 --> 00:10:15,040 Speaker 1: was never quite a quirk. I was about the cough. 206 00:10:15,120 --> 00:10:16,920 Speaker 1: But if we're going to talk about the cough, like 207 00:10:16,920 --> 00:10:19,000 Speaker 1: I want to really make sure I represent all factors, 208 00:10:19,040 --> 00:10:21,199 Speaker 1: and you know what, I do want to apologize to 209 00:10:21,200 --> 00:10:23,800 Speaker 1: you because I was the one who took the cough 210 00:10:23,920 --> 00:10:26,800 Speaker 1: and brought it into this conversation. Absolutely, and I'm right 211 00:10:26,840 --> 00:10:29,360 Speaker 1: now you're drinking tea. We all are, we all are. 212 00:10:29,520 --> 00:10:31,560 Speaker 1: This is this is a nice change of Can I 213 00:10:31,600 --> 00:10:34,440 Speaker 1: tell you something, I actually can't stand when people are coughing. 214 00:10:35,400 --> 00:10:38,640 Speaker 1: I can't stay when people are coughing. And literally I 215 00:10:38,720 --> 00:10:41,600 Speaker 1: just told Bowen I famously can't watch The Crown because 216 00:10:41,640 --> 00:10:45,959 Speaker 1: the first two episodes of The Crown are Lane Pierce Price, 217 00:10:46,240 --> 00:10:48,840 Speaker 1: Land Price from mad Ment just coughing too much. And 218 00:10:48,880 --> 00:10:52,280 Speaker 1: I said, I am not sitting here for that's this 219 00:10:52,360 --> 00:10:54,120 Speaker 1: is just not what works for me and my family 220 00:10:54,559 --> 00:10:57,040 Speaker 1: to sit there and watch the ground when I don't 221 00:10:57,080 --> 00:10:58,680 Speaker 1: want to watch people cough. It doesn't work for me 222 00:10:58,679 --> 00:11:01,920 Speaker 1: and my family. Remember on my Green, I mean I 223 00:11:02,040 --> 00:11:04,600 Speaker 1: r L It's like, okay, maybe that was like not scripted, 224 00:11:04,640 --> 00:11:06,800 Speaker 1: but when it's when it's in the Netflix or Redge, 225 00:11:06,920 --> 00:11:08,800 Speaker 1: I don't need to see it. But I haven't gotten 226 00:11:08,800 --> 00:11:10,199 Speaker 1: into the crying up, but I wanted to because I'm 227 00:11:10,320 --> 00:11:14,080 Speaker 1: very I'm famously very into the succession to the British 228 00:11:14,559 --> 00:11:17,240 Speaker 1: are you. I'm very into it. It is anything where 229 00:11:17,240 --> 00:11:20,280 Speaker 1: like humans are like quantified by like something silly. I like, 230 00:11:21,480 --> 00:11:25,600 Speaker 1: I really like, it's really excellent. I wrote it off 231 00:11:25,960 --> 00:11:28,520 Speaker 1: pretty early on last last year when it came out 232 00:11:28,520 --> 00:11:30,120 Speaker 1: and I was I watched the first two episodes there 233 00:11:30,160 --> 00:11:32,440 Speaker 1: were such a snooze fast. I was like, Okay, this 234 00:11:32,480 --> 00:11:37,080 Speaker 1: is not for me, like this sort of crusty, stupid, 235 00:11:37,400 --> 00:11:41,200 Speaker 1: coughing sort of British sensibility. No, no, thank you. But 236 00:11:41,240 --> 00:11:43,000 Speaker 1: then it really picks up as soon as I mean 237 00:11:43,080 --> 00:11:47,400 Speaker 1: spoiler alert, King George the seventh passed away and so 238 00:11:47,520 --> 00:11:53,160 Speaker 1: immediately Elizabeth must succeeded. It takes succession um and and 239 00:11:53,200 --> 00:11:55,360 Speaker 1: then the show just really picks up after that. But 240 00:11:55,880 --> 00:12:00,600 Speaker 1: why not started there because you need the emotional The 241 00:12:00,640 --> 00:12:05,079 Speaker 1: emotional context of Elizabeth and her relationship with her father 242 00:12:05,240 --> 00:12:08,600 Speaker 1: is very important. So anyway, I don't know, I mean, 243 00:12:08,600 --> 00:12:10,520 Speaker 1: I've never watched the show. I don't know, but you 244 00:12:10,559 --> 00:12:12,199 Speaker 1: want to get into it, well, I love like, I'm 245 00:12:12,280 --> 00:12:14,080 Speaker 1: very attractive to like I always know, like the top 246 00:12:14,120 --> 00:12:18,800 Speaker 1: ten to the Throne rattled them off right now. I 247 00:12:18,880 --> 00:12:28,760 Speaker 1: might not know name is, but on no Charles so Charles, Well, yeah, um, George, Charlotte, Harry, Um, 248 00:12:28,920 --> 00:12:32,559 Speaker 1: and then Charles, and then Edward I believe Charles's younger brother, 249 00:12:32,760 --> 00:12:37,160 Speaker 1: and then Edwards two daughters Beatrice in Eugenie. Then the 250 00:12:37,280 --> 00:12:41,080 Speaker 1: next Um Edwards. The next boy is Andrew, because George, 251 00:12:42,000 --> 00:12:44,079 Speaker 1: because Charles is one of four, So then it's Andrew. 252 00:12:44,440 --> 00:12:46,199 Speaker 1: Then and I think Andrew has a son and a daughter. 253 00:12:46,320 --> 00:12:51,319 Speaker 1: And then it's the sister of Charles. I thought sister 254 00:12:51,480 --> 00:12:53,640 Speaker 1: was the oldest. I thought Anne was the oldest of 255 00:12:53,679 --> 00:12:55,720 Speaker 1: those siblings. But because she's not a girl. If you 256 00:12:55,720 --> 00:12:58,600 Speaker 1: were born like before something, then if you're a girl. 257 00:12:58,600 --> 00:13:00,760 Speaker 1: So it goes to like Charles and his kids, and 258 00:13:00,800 --> 00:13:06,320 Speaker 1: then next after Charles and his kids and a script 259 00:13:06,320 --> 00:13:09,560 Speaker 1: supervisor who's like job is to figure this out there 260 00:13:09,920 --> 00:13:13,439 Speaker 1: in the cast Like okay, guys, wait, actually seventh is Eugenie. 261 00:13:13,640 --> 00:13:18,360 Speaker 1: So I mean in life, I would love that job. Yeah, 262 00:13:18,679 --> 00:13:20,280 Speaker 1: someone comes in and it's just like, hey, actually this 263 00:13:20,320 --> 00:13:23,320 Speaker 1: is nothing. What are your thoughts on Megan? I love her. 264 00:13:23,320 --> 00:13:25,640 Speaker 1: I love her on suits? Yeah, okay, wait, so she 265 00:13:25,880 --> 00:13:28,960 Speaker 1: is like a legit actress. Do you watch suits? No? 266 00:13:29,600 --> 00:13:33,080 Speaker 1: I know you famously watched watch very attractive men in suits. Yeah, 267 00:13:33,120 --> 00:13:36,559 Speaker 1: wait that one. No, two guys, Oh, never mind, I'm 268 00:13:36,559 --> 00:13:38,600 Speaker 1: thinking of I'm thinking of the guy from the Doctor Show. 269 00:13:39,120 --> 00:13:41,400 Speaker 1: I'm thinking of the guy. His name is Mark Firstein. 270 00:13:42,120 --> 00:13:45,960 Speaker 1: I think he's so hot Mark Firstein. If you're listening, 271 00:13:45,960 --> 00:13:50,520 Speaker 1: Matt thinks he's so hot, famously not Megan Marko. No, 272 00:13:50,640 --> 00:13:54,000 Speaker 1: but I've watched suits with straight boys, and I'll tell 273 00:13:54,040 --> 00:13:57,320 Speaker 1: you what they go gaga Overgan. Really, I thought you're 274 00:13:57,320 --> 00:14:00,440 Speaker 1: gonna stay over the men. No, there's I mean the 275 00:14:00,440 --> 00:14:03,720 Speaker 1: gates for Megan, of course, totally. But I mean, but 276 00:14:03,760 --> 00:14:05,000 Speaker 1: I mean, you know when there's one of those girls 277 00:14:05,040 --> 00:14:07,040 Speaker 1: that are like, oh yeah, she's like pretty, she's gorgeous, 278 00:14:07,040 --> 00:14:08,760 Speaker 1: and but then there were like lots of other girls 279 00:14:08,840 --> 00:14:11,240 Speaker 1: and then there's like certain ones that straight boys just love. 280 00:14:11,760 --> 00:14:13,920 Speaker 1: That Royal Pains. That's the shot I was thinking about 281 00:14:14,120 --> 00:14:18,720 Speaker 1: Royal Pains. I just said Royal Pains and the headphones 282 00:14:18,840 --> 00:14:20,680 Speaker 1: knocked off pats. He totally, though I don't have any 283 00:14:20,720 --> 00:14:23,360 Speaker 1: experience of the Royal Pains except that, like, I don't 284 00:14:23,360 --> 00:14:26,480 Speaker 1: respect that all right, So what's good about suits? Just 285 00:14:26,520 --> 00:14:28,920 Speaker 1: the guys are hot or the storylines? So this is 286 00:14:28,960 --> 00:14:31,280 Speaker 1: suits and I never ever wanted to be like on 287 00:14:31,400 --> 00:14:34,080 Speaker 1: college talking about suits, But that's where you are. When 288 00:14:34,120 --> 00:14:36,360 Speaker 1: you come into these doors, you have no idea what's 289 00:14:36,360 --> 00:14:39,000 Speaker 1: going to happen next. Yeah, so suits is like there's 290 00:14:39,040 --> 00:14:43,200 Speaker 1: one hot lawyer, one hot like funk up. Um. You know, 291 00:14:43,280 --> 00:14:45,200 Speaker 1: the hot funk up is really smart like he but 292 00:14:45,240 --> 00:14:48,400 Speaker 1: he's like from the streets and so he I think 293 00:14:48,440 --> 00:14:50,120 Speaker 1: used to make money like taking s a t s 294 00:14:50,120 --> 00:14:52,720 Speaker 1: for people because he's so smart but such a funk 295 00:14:52,800 --> 00:14:57,200 Speaker 1: up and so hot. So then he likes running away 296 00:14:57,200 --> 00:14:59,960 Speaker 1: from the cops or something, and he accidentally runs into 297 00:15:00,000 --> 00:15:02,600 Speaker 1: hot lawyers like law firm who's interviewing new lawyers, and 298 00:15:02,640 --> 00:15:06,360 Speaker 1: he sits down and he's just like so smart and 299 00:15:06,440 --> 00:15:08,240 Speaker 1: hot that the older hot guys like weight, but he's 300 00:15:08,280 --> 00:15:10,600 Speaker 1: such a bas such a funk up, and the older 301 00:15:10,680 --> 00:15:13,720 Speaker 1: lawyers like, I could make something of you. So they 302 00:15:13,800 --> 00:15:15,360 Speaker 1: like that makes a lot of sense narratively that he 303 00:15:15,400 --> 00:15:17,240 Speaker 1: would take a chance on this like hot guy who's 304 00:15:17,240 --> 00:15:19,360 Speaker 1: been the start of two hot white men taking a 305 00:15:19,440 --> 00:15:22,040 Speaker 1: cheer on another. Why is this stay special? Why is 306 00:15:22,120 --> 00:15:25,240 Speaker 1: this stay special over the other days. So so then 307 00:15:25,280 --> 00:15:26,960 Speaker 1: he ends up getting the job this law firm. They 308 00:15:27,000 --> 00:15:30,120 Speaker 1: create this law that he went to Harvard Law and 309 00:15:30,120 --> 00:15:31,800 Speaker 1: then it's kind of the politics of the firm, like 310 00:15:31,800 --> 00:15:33,840 Speaker 1: who will find out that he's like not he's actually 311 00:15:33,880 --> 00:15:36,600 Speaker 1: a funk up um and that young the young hot 312 00:15:36,600 --> 00:15:39,360 Speaker 1: guy and Mega Markel who's apparentlelygal but like she's actually 313 00:15:39,360 --> 00:15:41,960 Speaker 1: really smart too and capable of so much more. They 314 00:15:42,040 --> 00:15:45,160 Speaker 1: kind of have like a romance. So she's not only 315 00:15:45,200 --> 00:15:46,640 Speaker 1: on the show, she's a big part of the show. 316 00:15:46,680 --> 00:15:49,280 Speaker 1: She's a huge part of the show. That's insane. There's 317 00:15:49,280 --> 00:15:51,160 Speaker 1: also this red haired woman on that show and I 318 00:15:51,160 --> 00:15:52,960 Speaker 1: haven't seen it in years, and even when I saw it, 319 00:15:54,720 --> 00:15:58,480 Speaker 1: it was just whenever we don't know their name. Jessica 320 00:15:58,640 --> 00:16:01,840 Speaker 1: turns in a really fun for Mormons and suits. Yeah, 321 00:16:01,960 --> 00:16:05,040 Speaker 1: it's she's it's almost like Joanie from mad Men, but 322 00:16:05,080 --> 00:16:07,440 Speaker 1: like but like a little that feeling when you call 323 00:16:07,520 --> 00:16:11,520 Speaker 1: her Joan. Who then are you her best fucking friends? 324 00:16:11,560 --> 00:16:16,280 Speaker 1: I haven't watched Diapers. Only one person calls her Joanie, 325 00:16:16,360 --> 00:16:19,920 Speaker 1: and that is fucking Roger Sterling and he was sleeping 326 00:16:19,920 --> 00:16:23,840 Speaker 1: with her totally famously, wasn't um, you weren't. But this 327 00:16:23,920 --> 00:16:26,960 Speaker 1: redhead is like bucks some also not as Bucksum, but 328 00:16:27,000 --> 00:16:29,360 Speaker 1: that's a high standard. Joanie is the most bucks them. Yeah, 329 00:16:29,480 --> 00:16:32,360 Speaker 1: and she just like she's fun. But like so maybe 330 00:16:32,360 --> 00:16:34,720 Speaker 1: she doesn't have red hair, maybe like maybe I'm conflating 331 00:16:34,720 --> 00:16:38,360 Speaker 1: the two, but but she's a fun. Part of she 332 00:16:38,520 --> 00:16:40,560 Speaker 1: was fun and everyone is like really up early, like 333 00:16:40,600 --> 00:16:42,680 Speaker 1: doing good work, like at their office, and there's something 334 00:16:42,680 --> 00:16:44,920 Speaker 1: aspirational about watching it because you can tell they got 335 00:16:44,920 --> 00:16:47,240 Speaker 1: their ship together. I thought this exact same thing about 336 00:16:47,720 --> 00:16:50,760 Speaker 1: I was watching Aaron Brockovich two nights ago Humble Brag, 337 00:16:50,960 --> 00:16:53,320 Speaker 1: Thank You, Hombo Brag. There's so many scenes of just 338 00:16:53,960 --> 00:16:57,200 Speaker 1: a character working, staying late at night at the office, 339 00:16:57,240 --> 00:17:00,760 Speaker 1: and there's something aspirational about that too, and similar way 340 00:17:00,800 --> 00:17:04,280 Speaker 1: of watching people getting to the office early and doing Wait, 341 00:17:04,320 --> 00:17:07,560 Speaker 1: so I'm actually glad you actually just said okay, because 342 00:17:07,800 --> 00:17:09,800 Speaker 1: I talked to I think to you about this a 343 00:17:09,840 --> 00:17:14,200 Speaker 1: little bit. Lately. I've been thinking a lot about Julia. Okay, 344 00:17:14,800 --> 00:17:17,320 Speaker 1: is it because of wonder that I don't know what 345 00:17:17,359 --> 00:17:18,879 Speaker 1: it is? You know what? I know what it is. 346 00:17:18,920 --> 00:17:21,320 Speaker 1: I recently watched a Netflix Mona Lisa's smile for the 347 00:17:21,359 --> 00:17:24,919 Speaker 1: first time. Thank you for that. Yes, thank you. Women 348 00:17:24,960 --> 00:17:27,480 Speaker 1: can do anything, be a mom. If you're a white 349 00:17:27,920 --> 00:17:29,920 Speaker 1: I have to tell you Jennifer Goodwins one of Jennifer 350 00:17:29,920 --> 00:17:32,199 Speaker 1: Goodwin's first roles, one of Jennifer Goodwin's first roles, one 351 00:17:32,200 --> 00:17:34,359 Speaker 1: of Maggie Jillenhall's first big part. And I'll tell you what. 352 00:17:34,640 --> 00:17:37,040 Speaker 1: I never liked Maggie Jonehall. I never trusted her. I 353 00:17:37,520 --> 00:17:40,200 Speaker 1: don't trust her still, Okay, because this is me. Katie 354 00:17:40,200 --> 00:17:42,359 Speaker 1: Holmes is fucking family, you know what I mean. And 355 00:17:42,400 --> 00:17:44,320 Speaker 1: I think that when they replaced her, that was callous. 356 00:17:44,640 --> 00:17:47,879 Speaker 1: In Batman and Maggie, it's a girl to me, like 357 00:17:47,880 --> 00:17:49,679 Speaker 1: Maggie broke girl code and that was my That was 358 00:17:49,680 --> 00:17:52,280 Speaker 1: my entrance into Maggie. Who who could have done that? 359 00:17:52,280 --> 00:17:54,879 Speaker 1: Who could have filled in for Katie? It wasn't Katie's choice. 360 00:17:55,240 --> 00:17:57,879 Speaker 1: I'm saying it wasn't. I am making this up, but 361 00:17:57,880 --> 00:17:59,879 Speaker 1: I don't think it was. I remember feeling like it was. 362 00:18:00,040 --> 00:18:01,920 Speaker 1: Katie Holmes was going through that home moment Tom Cruise 363 00:18:01,960 --> 00:18:04,960 Speaker 1: her stock and was like, we hate Katie, hate Katy. 364 00:18:05,000 --> 00:18:08,159 Speaker 1: And I'm not here to defend Katie um, but what 365 00:18:08,240 --> 00:18:10,720 Speaker 1: I will say is like she was that character and 366 00:18:10,760 --> 00:18:12,600 Speaker 1: she's family, and I will we can't put her out 367 00:18:12,640 --> 00:18:15,399 Speaker 1: to pasture. And so Maggie John I just always had 368 00:18:15,400 --> 00:18:17,280 Speaker 1: a bad taste in my mouth. But I'm saying, like, 369 00:18:17,680 --> 00:18:21,640 Speaker 1: you can't blame Maggie for that. For the Katie stuff. No, 370 00:18:21,760 --> 00:18:25,040 Speaker 1: but I think she could have refused the part. She 371 00:18:25,040 --> 00:18:28,480 Speaker 1: could have said the Dark Night because Katie, I would 372 00:18:28,520 --> 00:18:31,199 Speaker 1: I like to her family. I like to think that 373 00:18:31,240 --> 00:18:33,040 Speaker 1: I would have. I like to think if I was 374 00:18:33,119 --> 00:18:35,320 Speaker 1: Maggie Donald and they came to me and they said, listen, 375 00:18:35,359 --> 00:18:38,720 Speaker 1: we're gonna we're gonna sunk over Katie Holmes, this young 376 00:18:38,760 --> 00:18:41,400 Speaker 1: girl in the industry, you would have said, Katie, it's 377 00:18:41,400 --> 00:18:43,920 Speaker 1: the top female role in this film. What do you think? 378 00:18:44,400 --> 00:18:47,320 Speaker 1: So anyways, I just always was like, and then I 379 00:18:47,359 --> 00:18:49,120 Speaker 1: thought Maggie jo like fine. I was like, I don't 380 00:18:49,119 --> 00:18:50,800 Speaker 1: know if I'm like getting something from Maggiejohnho that I 381 00:18:50,840 --> 00:18:55,080 Speaker 1: couldn't have from Honestly, I think here's what I'll say. 382 00:18:55,640 --> 00:18:58,240 Speaker 1: She was giving you a lot in spoiler aller for 383 00:18:58,280 --> 00:19:01,199 Speaker 1: the Dark Knight, the scene where she gets, for lack 384 00:19:01,240 --> 00:19:04,399 Speaker 1: of a better word, incinerated by the joker. Um, she 385 00:19:04,560 --> 00:19:06,879 Speaker 1: was giving you some really good acting when she realized 386 00:19:06,920 --> 00:19:10,480 Speaker 1: that she was not going to live right. Um. And 387 00:19:10,520 --> 00:19:13,520 Speaker 1: I don't And I think that Katie Holmes is about 388 00:19:13,560 --> 00:19:17,879 Speaker 1: as talented as like, I don't know, like like one 389 00:19:17,920 --> 00:19:20,880 Speaker 1: of the more talented birds in the world. She could 390 00:19:20,880 --> 00:19:23,280 Speaker 1: probably do as much as like a penguin could on screen, 391 00:19:23,359 --> 00:19:25,080 Speaker 1: Like she absolutely can come out there and be like, oh, 392 00:19:25,119 --> 00:19:28,320 Speaker 1: that's cute, like and then what it's over? What do 393 00:19:28,320 --> 00:19:30,280 Speaker 1: you think? I want to be really clear about my 394 00:19:30,440 --> 00:19:33,000 Speaker 1: argument is not that Katie Holmes is talented, right, that 395 00:19:33,040 --> 00:19:34,760 Speaker 1: would never be my argument. That has a lot of 396 00:19:34,760 --> 00:19:37,480 Speaker 1: cards to clarify that. My argument is that Katie Holmes 397 00:19:37,480 --> 00:19:48,760 Speaker 1: is family. She had teaching, so she's her family because 398 00:19:48,760 --> 00:19:51,440 Speaker 1: you you feel close because anyone like I didn't feel 399 00:19:51,440 --> 00:19:54,119 Speaker 1: like Maggie donas family yet and he was a new 400 00:19:54,160 --> 00:19:56,640 Speaker 1: person dount too well with you people like but so 401 00:19:56,680 --> 00:20:00,639 Speaker 1: then I smell make her family. So last forward to 402 00:20:00,960 --> 00:20:02,880 Speaker 1: end of the husand seventeen and like there's something I'm 403 00:20:02,960 --> 00:20:05,399 Speaker 1: not just days ago and just isn't going when I 404 00:20:05,440 --> 00:20:09,640 Speaker 1: watched and I'm like, oh, wow, I love Maggie job. Honestly, 405 00:20:09,800 --> 00:20:11,360 Speaker 1: can I tell you the scene that's the real gag 406 00:20:11,640 --> 00:20:13,400 Speaker 1: because I didn't even get to say with the real 407 00:20:13,440 --> 00:20:15,560 Speaker 1: gag of Mona Lisa smile is and this is actually 408 00:20:15,600 --> 00:20:17,679 Speaker 1: indicative of a much larger problem, which is that no 409 00:20:17,680 --> 00:20:21,560 Speaker 1: one ever gives Kirsten Dunts the credit, never gives she 410 00:20:21,600 --> 00:20:23,919 Speaker 1: never gets the credit. And I was recently talking to 411 00:20:24,000 --> 00:20:30,120 Speaker 1: someone about um Slene and how they thought that Shelene 412 00:20:30,119 --> 00:20:33,520 Speaker 1: gave gave nothing in in big little lies, and I said, actually, 413 00:20:33,600 --> 00:20:35,520 Speaker 1: I don't think that's true. I just think she Lene 414 00:20:35,680 --> 00:20:39,760 Speaker 1: makes it look easy. And I think Kirsten Dunns doesn't 415 00:20:39,760 --> 00:20:42,640 Speaker 1: get the credit ever because she makes things look so easy, 416 00:20:42,760 --> 00:20:44,960 Speaker 1: like you never think like, oh, that person is turning 417 00:20:44,960 --> 00:20:48,359 Speaker 1: in an amazing performance, because you don't. It doesn't smell 418 00:20:48,440 --> 00:20:51,800 Speaker 1: like acting. It's just good and the part like so. 419 00:20:53,040 --> 00:20:55,480 Speaker 1: And she's also so malleable. She can do so many 420 00:20:55,480 --> 00:20:58,560 Speaker 1: different things. You can associate her with so many different 421 00:20:58,640 --> 00:21:01,720 Speaker 1: kinds of performances and kinds of movies. So Mona Lisa 422 00:21:01,720 --> 00:21:04,080 Speaker 1: Smile just floats on by and like the story of 423 00:21:04,119 --> 00:21:06,800 Speaker 1: it is like Julia Roberts or whatever. But low Ki, 424 00:21:07,240 --> 00:21:10,840 Speaker 1: Kirsten Dunst is killing it, especially the scene at the 425 00:21:11,359 --> 00:21:15,359 Speaker 1: like towards the end of the movie there's two and 426 00:21:15,359 --> 00:21:18,440 Speaker 1: and give me a hoot and a holler if you agree. Okay, okay, 427 00:21:18,520 --> 00:21:25,840 Speaker 1: Having freshly seen the scene where she's like you and 428 00:21:25,880 --> 00:21:29,280 Speaker 1: she's really talking about herself, and and it's someone that 429 00:21:29,359 --> 00:21:31,639 Speaker 1: was like beating against the chest, like, yeah, that was 430 00:21:31,840 --> 00:21:33,639 Speaker 1: It's a great moment. And then that's funny. I was 431 00:21:33,680 --> 00:21:35,480 Speaker 1: gonna come. I was gonna come for kirst anybody. You 432 00:21:35,520 --> 00:21:38,200 Speaker 1: were done talking. But now that you've worked that scene 433 00:21:38,200 --> 00:21:40,320 Speaker 1: and I'm remembering that, and now I'm going to twist 434 00:21:40,320 --> 00:21:42,800 Speaker 1: the knife. The scene where she's on the bike following 435 00:21:42,880 --> 00:21:45,080 Speaker 1: the car at the end, like looking into the car, Yeah, 436 00:21:45,200 --> 00:21:47,720 Speaker 1: that was a right for me. She she's she There 437 00:21:47,800 --> 00:21:51,400 Speaker 1: was the most lived in performance from her there for sure. 438 00:21:51,560 --> 00:21:54,040 Speaker 1: Julius the full site going that movie and I will 439 00:21:54,080 --> 00:21:57,320 Speaker 1: go forgot she was in a bott and I forgot. 440 00:21:57,359 --> 00:21:58,960 Speaker 1: She was like I think she has I think Julia 441 00:21:59,000 --> 00:22:01,159 Speaker 1: Styles is like very like I think those who like 442 00:22:01,359 --> 00:22:06,040 Speaker 1: love and those who don't love don't I love I 443 00:22:06,080 --> 00:22:09,120 Speaker 1: love ten Things, one of my favorites. I love ten Things, 444 00:22:09,160 --> 00:22:12,800 Speaker 1: Love Larissa Oli. Yeah, Larissa and ten Things really new 445 00:22:12,800 --> 00:22:16,159 Speaker 1: the assignment. But Julia, So I watched Mono Lisa and 446 00:22:16,200 --> 00:22:18,439 Speaker 1: I'm like, I'm just like having this moment with with 447 00:22:18,480 --> 00:22:22,040 Speaker 1: Julia Roberts. Julia Roberts not it's never never Jolie Styles. 448 00:22:22,080 --> 00:22:23,840 Speaker 1: I'm having a moment with Julia Robert. I've never had it. 449 00:22:23,840 --> 00:22:26,399 Speaker 1: I've never had a moment. Was doing. No, we just 450 00:22:26,440 --> 00:22:29,399 Speaker 1: said ten things. But she didn't give you the moment. 451 00:22:30,280 --> 00:22:35,520 Speaker 1: Yes she did. When she reads the poem, she is 452 00:22:35,560 --> 00:22:37,840 Speaker 1: giving you the moment. Come on, Yes, that's actually real 453 00:22:37,880 --> 00:22:40,840 Speaker 1: love culture number twenty two. When she reads the poem, 454 00:22:41,000 --> 00:22:44,160 Speaker 1: Julia Styles is giving you a moment. Yes, that's true. 455 00:22:44,240 --> 00:22:48,920 Speaker 1: She gives and she goes, you didn't Yes, I don't 456 00:22:48,960 --> 00:22:55,040 Speaker 1: hate you. I don't hate you. Run out of English 457 00:22:55,080 --> 00:22:59,720 Speaker 1: class and speaking, and then we're gonna I'm gonna. Oh 458 00:22:59,720 --> 00:23:02,119 Speaker 1: my god. And when she was mortified when he was 459 00:23:02,119 --> 00:23:04,240 Speaker 1: singing that song on the bleachers, she was like, oh 460 00:23:04,280 --> 00:23:10,760 Speaker 1: my god. She was truly a white Tominas militant plays 461 00:23:10,800 --> 00:23:14,600 Speaker 1: played field hockey, didn't care about the core. Um, yeah, 462 00:23:14,800 --> 00:23:17,480 Speaker 1: I'm sorry, I'm sorry, before we move on. She was 463 00:23:17,480 --> 00:23:19,560 Speaker 1: not a painter. That was not not another team movie. 464 00:23:19,600 --> 00:23:22,560 Speaker 1: And also she and that was of course um parodying 465 00:23:24,119 --> 00:23:26,959 Speaker 1: character and she saw that. But they did play with 466 00:23:27,040 --> 00:23:32,240 Speaker 1: paint in that Yes, their meat cute like montage that 467 00:23:32,359 --> 00:23:34,919 Speaker 1: it was paintball, but it was they throw border blooms 468 00:23:34,920 --> 00:23:38,480 Speaker 1: filled with paint Can we be clear? So unclear what 469 00:23:38,640 --> 00:23:41,520 Speaker 1: that fucking diversion was? Like, what the hell was that like? 470 00:23:41,760 --> 00:23:43,520 Speaker 1: If they were trying to And I will say this, 471 00:23:44,200 --> 00:23:46,679 Speaker 1: shame on that movie because they had an opportunity to 472 00:23:46,720 --> 00:23:48,520 Speaker 1: bring a lot of tourists to whatever that was and 473 00:23:48,560 --> 00:23:51,240 Speaker 1: it was not clear what it was. I know they 474 00:23:51,240 --> 00:23:53,600 Speaker 1: paddle boat there. They had to have a montage of them, 475 00:23:53,640 --> 00:23:55,359 Speaker 1: a montage of them having fun. And they had to 476 00:23:55,400 --> 00:23:58,240 Speaker 1: make a contemporary because it was a contemporary telling obtaining 477 00:23:58,280 --> 00:24:00,359 Speaker 1: of the true and they had to make it modern, 478 00:24:00,400 --> 00:24:03,639 Speaker 1: which at the time was paintballing throwing paintball right. Well, 479 00:24:03,680 --> 00:24:09,080 Speaker 1: then Julia's styles will always take the shakespeareence um reimagining. Yeah, 480 00:24:09,160 --> 00:24:11,919 Speaker 1: she'll always take that, even now that she's like I 481 00:24:11,920 --> 00:24:15,919 Speaker 1: feel done acting, Um, she like, oh right, oh? And 482 00:24:16,119 --> 00:24:19,960 Speaker 1: also taming and then also she did Hamlet, a modern Hamlet. 483 00:24:20,000 --> 00:24:23,720 Speaker 1: She played Ophelia on stage film on a film. I 484 00:24:23,720 --> 00:24:25,800 Speaker 1: think I remember that. Never forgot who. Also, there's big 485 00:24:25,840 --> 00:24:28,080 Speaker 1: names I haven't said. Okay, talking about your moment that 486 00:24:28,119 --> 00:24:31,440 Speaker 1: she gave you? Why are you? Why are you? Why 487 00:24:31,480 --> 00:24:32,920 Speaker 1: do you think? I don't want to say one lasting 488 00:24:32,960 --> 00:24:34,360 Speaker 1: about ten things I hear about you? They may never 489 00:24:34,359 --> 00:24:36,920 Speaker 1: get to say again. Alison, Johnny turn and if I 490 00:24:37,000 --> 00:24:39,800 Speaker 1: performance that was that was one of Alison Jenny's first 491 00:24:39,880 --> 00:24:42,600 Speaker 1: like breakout movie role. It was the first time she 492 00:24:42,640 --> 00:24:44,880 Speaker 1: took a small, nothing part and made it into a thing, 493 00:24:45,040 --> 00:24:49,120 Speaker 1: which well, yeah, I know it was was quarters before that, yes, 494 00:24:49,359 --> 00:24:51,560 Speaker 1: around the same time maybe, but it was like it 495 00:24:51,600 --> 00:24:53,760 Speaker 1: was timed out in the right. It was building on 496 00:24:53,920 --> 00:24:56,200 Speaker 1: all of that. So that's why I don't say about 497 00:24:56,280 --> 00:25:02,639 Speaker 1: Johnny and then um and then um. Okay, So Roberts, 498 00:25:02,720 --> 00:25:04,640 Speaker 1: I've never a moment with her, and not only smell, 499 00:25:04,800 --> 00:25:06,359 Speaker 1: but I thought, like the whole time, I was like, wow, 500 00:25:06,400 --> 00:25:09,080 Speaker 1: like I'm enjoying Roberts right now. And then it also 501 00:25:09,080 --> 00:25:10,919 Speaker 1: got me things like I don't even know Julia Roberts, 502 00:25:10,920 --> 00:25:11,840 Speaker 1: you know what I mean, Like I feel like I 503 00:25:11,960 --> 00:25:14,000 Speaker 1: don't know you know what I mean, Like you know 504 00:25:14,119 --> 00:25:16,800 Speaker 1: the stars of today. I don't know Julie Roberts at all. 505 00:25:17,560 --> 00:25:21,720 Speaker 1: And I've never seen Aaron Brock. But my end I 506 00:25:21,720 --> 00:25:24,680 Speaker 1: would love, you have to you would love. It's never 507 00:25:25,320 --> 00:25:28,840 Speaker 1: not great to watch and it's very relevant now, shall 508 00:25:28,880 --> 00:25:30,800 Speaker 1: I say these political times, because it's all about the 509 00:25:30,800 --> 00:25:33,560 Speaker 1: difference that one person can make and so is Monoise. 510 00:25:33,960 --> 00:25:37,280 Speaker 1: But I um, but my entrance to Julia and my 511 00:25:37,359 --> 00:25:39,960 Speaker 1: favorite joy a moment, of course, has to be my 512 00:25:40,000 --> 00:25:42,679 Speaker 1: best friend's wedding dance at the end of my favorite 513 00:25:42,680 --> 00:25:45,800 Speaker 1: and most of I got moves you've never seen. No 514 00:25:46,000 --> 00:25:48,399 Speaker 1: she's great in it, but she does. And here's the 515 00:25:48,440 --> 00:25:51,719 Speaker 1: thing about my best friend's wedding too. On paper and 516 00:25:51,760 --> 00:25:53,600 Speaker 1: this is the mark of someone that's really great on paper. 517 00:25:53,680 --> 00:25:58,080 Speaker 1: That character is so awful, like you can't like that person, 518 00:25:58,480 --> 00:26:01,000 Speaker 1: like imagine Also it's kind of like this with l Woods. 519 00:26:01,320 --> 00:26:03,760 Speaker 1: Imagine getting that script and being like, oh, and also 520 00:26:03,840 --> 00:26:07,480 Speaker 1: we have to like her by it's like no way, 521 00:26:07,800 --> 00:26:10,560 Speaker 1: so hard but like, but like there's something because just 522 00:26:10,600 --> 00:26:13,040 Speaker 1: because so annoying, you know what I mean, so annoying, 523 00:26:13,359 --> 00:26:18,520 Speaker 1: The motivations are so bizarre, right, yeah, and then to 524 00:26:18,560 --> 00:26:20,320 Speaker 1: turn it around and make it a thing. I think 525 00:26:20,320 --> 00:26:22,200 Speaker 1: my best in Dudding is the best ever I do. 526 00:26:22,480 --> 00:26:26,560 Speaker 1: Cat Me diaz Is and I famously said that the 527 00:26:26,640 --> 00:26:29,800 Speaker 1: Camin diaz Is karaoke scene in that movie was an 528 00:26:29,800 --> 00:26:32,560 Speaker 1: emotional tear jerker. I don't get that, but I still 529 00:26:32,600 --> 00:26:34,600 Speaker 1: don't get I don't know. I don't want to get 530 00:26:34,600 --> 00:26:38,199 Speaker 1: into it. My roommates. My roommate caught me watching her 531 00:26:38,200 --> 00:26:43,240 Speaker 1: in Brockovich this weekend. There's shame around it. Well because 532 00:26:43,280 --> 00:26:45,520 Speaker 1: he was he was like, I tweeted about it. I 533 00:26:45,520 --> 00:26:48,360 Speaker 1: was like last year and Brockovich viewing and then like 534 00:26:49,440 --> 00:26:51,040 Speaker 1: later on the day, I was still watching it at 535 00:26:51,040 --> 00:26:53,480 Speaker 1: home and he goes, didn't you already see this this today? 536 00:26:53,480 --> 00:26:56,199 Speaker 1: And I was like, I didn't finish it. But he 537 00:26:56,359 --> 00:27:01,679 Speaker 1: said that Julia Robert did not deserve the Oscar that 538 00:27:01,800 --> 00:27:04,320 Speaker 1: year over Ellen Burston in rec Room for a Dream. 539 00:27:05,000 --> 00:27:09,280 Speaker 1: Wait was but who was she in? Because that didn't 540 00:27:10,720 --> 00:27:13,960 Speaker 1: legendary actress who plays the mother? Okay that I watched 541 00:27:13,960 --> 00:27:15,920 Speaker 1: that movie in college, and I'll say that woman really 542 00:27:16,000 --> 00:27:18,199 Speaker 1: did a good job. But then she apparently she won 543 00:27:18,200 --> 00:27:21,199 Speaker 1: the Oscar the next year. Ellen versus never want an 544 00:27:21,440 --> 00:27:23,399 Speaker 1: I don't. I don't know that. I actually I have 545 00:27:23,520 --> 00:27:28,879 Speaker 1: to bravely step out and say sorry. If you're like, okay, 546 00:27:28,960 --> 00:27:32,320 Speaker 1: who is an oscar A? I actually consider myself among you. 547 00:27:32,359 --> 00:27:34,000 Speaker 1: But I do not know if Ellen Burston as one 548 00:27:34,040 --> 00:27:35,800 Speaker 1: aner and we have to look and I didn't even 549 00:27:35,800 --> 00:27:38,960 Speaker 1: know who Ellen Burston was. No, no, no no, she did 550 00:27:38,960 --> 00:27:45,159 Speaker 1: win Best Yes in the eighties no, she won, Um 551 00:27:45,280 --> 00:27:48,800 Speaker 1: she wanted in the seventies for what for Scor says 552 00:27:48,880 --> 00:27:52,560 Speaker 1: the film Alice doesn't live here anymore, best doctress the Actually, 553 00:27:52,640 --> 00:27:55,200 Speaker 1: we're going to be crucified for not knowing that. I 554 00:27:55,240 --> 00:27:56,960 Speaker 1: think that we can get a pass on that from 555 00:27:57,000 --> 00:27:59,760 Speaker 1: a seventies movie. I would forgive that. I would forgive 556 00:27:59,800 --> 00:28:04,560 Speaker 1: that someone recently the first person someone said to me that, Um. 557 00:28:04,640 --> 00:28:07,040 Speaker 1: They were like, oh, like, loved your episode of cultural 558 00:28:07,080 --> 00:28:09,479 Speaker 1: as Dust shout to the pachast wrong And I was like, oh, 559 00:28:09,600 --> 00:28:11,640 Speaker 1: thank you get so hard like listening to something because 560 00:28:11,640 --> 00:28:13,600 Speaker 1: you want to get you want to be in the conversation. 561 00:28:13,640 --> 00:28:15,320 Speaker 1: I was like, oh, I know, like I identify with 562 00:28:15,359 --> 00:28:17,720 Speaker 1: that emotionally absolutely. And they were like, especially when the 563 00:28:17,760 --> 00:28:20,840 Speaker 1: person keeps getting like facts wrong. And I was like, okay, 564 00:28:21,280 --> 00:28:22,960 Speaker 1: that was definitely a reader on our podcast, Like I'm 565 00:28:22,960 --> 00:28:25,880 Speaker 1: not saying everything, but I'm not specifically because I listened 566 00:28:25,880 --> 00:28:27,959 Speaker 1: to when I was here before. I listened to that 567 00:28:28,000 --> 00:28:29,920 Speaker 1: back and I said, like, lots and lots of wrong things. 568 00:28:30,000 --> 00:28:35,520 Speaker 1: I said that, um, who's who's whose red hair? Despertus. 569 00:28:36,920 --> 00:28:40,000 Speaker 1: Then Marcia crosses character and Rose places an alien, which 570 00:28:40,040 --> 00:28:42,680 Speaker 1: is like that was truly a crazy thing she had. 571 00:28:42,800 --> 00:28:46,400 Speaker 1: She had an alien like scar. Someone someone did come 572 00:28:46,440 --> 00:28:50,920 Speaker 1: for me. First miss misstating that Anne Hathaway's love interest 573 00:28:50,960 --> 00:28:53,280 Speaker 1: in Devilwa's product was the guy from Rooney and that 574 00:28:53,400 --> 00:28:57,320 Speaker 1: was actually yeah, that was the yes. And you know what, 575 00:28:58,040 --> 00:29:00,480 Speaker 1: I just want to say, just to all the touristes 576 00:29:00,560 --> 00:29:02,680 Speaker 1: out there who are listening, I hope thank you for 577 00:29:02,680 --> 00:29:06,080 Speaker 1: saying this. We are not We are not the paragons 578 00:29:06,120 --> 00:29:09,680 Speaker 1: of truth. We don't have fact checkers here. Okay, we 579 00:29:09,720 --> 00:29:12,160 Speaker 1: do not have that luxury. We are just simply operating 580 00:29:12,280 --> 00:29:17,760 Speaker 1: from a place of common and oftentimes incorrect cultural knowledge. 581 00:29:17,760 --> 00:29:20,600 Speaker 1: And that is the beauty of this podcast that everyone 582 00:29:20,640 --> 00:29:23,160 Speaker 1: can access this. There's no you know, there's no barrier 583 00:29:23,200 --> 00:29:25,880 Speaker 1: of entry here. So when you when you d m 584 00:29:26,000 --> 00:29:28,040 Speaker 1: us on Instagram, be kind also a pat hold my 585 00:29:28,040 --> 00:29:29,800 Speaker 1: hand across the table, because I have to tell you something, 586 00:29:29,840 --> 00:29:31,960 Speaker 1: because I feel like that you identify with me in 587 00:29:31,960 --> 00:29:35,840 Speaker 1: a certain way. This actually is kind of like a 588 00:29:35,880 --> 00:29:37,400 Speaker 1: quote I lived by life by, which is I don't 589 00:29:37,400 --> 00:29:39,440 Speaker 1: know my words, but I do know my heart, and 590 00:29:39,480 --> 00:29:41,520 Speaker 1: I feel that you don't know your words. I have 591 00:29:41,800 --> 00:29:44,760 Speaker 1: no idea my words, but I know my heart like 592 00:29:44,800 --> 00:29:47,240 Speaker 1: the back of my hand. Yeah, exactly. So if I'm 593 00:29:47,280 --> 00:29:49,880 Speaker 1: ever getting something wrong, it's just that I don't know 594 00:29:49,960 --> 00:29:52,080 Speaker 1: my words, but but I do know my heart. Like 595 00:29:52,120 --> 00:29:55,440 Speaker 1: the words I'm saying are wrong, but I am truly 596 00:29:56,120 --> 00:29:57,840 Speaker 1: Now that we had that moment, I feel like Bow 597 00:29:57,880 --> 00:30:00,080 Speaker 1: and Yang he does know his words very well. You 598 00:30:00,120 --> 00:30:02,240 Speaker 1: are a word queen. I don't know my heart. I 599 00:30:02,320 --> 00:30:08,560 Speaker 1: know that's so. That's what's so. Yeah, it takes so 600 00:30:08,640 --> 00:30:11,480 Speaker 1: much longer to know your heart. That's actually really true. 601 00:30:12,200 --> 00:30:15,240 Speaker 1: Can I ask you something? Okay, So, being a white 602 00:30:15,280 --> 00:30:17,160 Speaker 1: gay that was growing up on Long Island, did you 603 00:30:17,200 --> 00:30:19,240 Speaker 1: have a type which I feel like was forced upon 604 00:30:19,320 --> 00:30:21,920 Speaker 1: us and forced fed to us gaze living on the island, 605 00:30:21,920 --> 00:30:26,080 Speaker 1: which was the Tan Guido type man? And I still 606 00:30:26,120 --> 00:30:27,920 Speaker 1: like subscribe to that. Not that I would like date 607 00:30:27,960 --> 00:30:29,880 Speaker 1: that man or not. Maybe I would not clothes minded 608 00:30:29,920 --> 00:30:33,320 Speaker 1: if if you're out there listening, um, but yes, that well, 609 00:30:33,320 --> 00:30:36,200 Speaker 1: I think that will always be like my first alright, 610 00:30:36,320 --> 00:30:42,160 Speaker 1: My first like sexual awakening attraction was cartoon cyclops from 611 00:30:42,280 --> 00:30:44,640 Speaker 1: X Men, and that kind of like stand offish like 612 00:30:44,720 --> 00:30:48,560 Speaker 1: comb over like no attent man that that and then 613 00:30:48,600 --> 00:30:51,880 Speaker 1: also those like very like popped collar like Puka shall necklace, 614 00:30:52,200 --> 00:30:54,680 Speaker 1: and I still will. I'll never pass over a porn 615 00:30:54,720 --> 00:30:57,280 Speaker 1: of that. I'm sorry, But how does how does Scott 616 00:30:57,280 --> 00:31:00,560 Speaker 1: and x men um that? I guess those are two overlapped. 617 00:31:00,880 --> 00:31:03,000 Speaker 1: I don't. I don't know. Okay, that's fine that I wasn't. 618 00:31:03,040 --> 00:31:04,960 Speaker 1: I wasn't like interrogating, you know, and I didn't feel 619 00:31:04,960 --> 00:31:07,320 Speaker 1: like you are. But well, I think that the thread 620 00:31:07,360 --> 00:31:11,719 Speaker 1: here is that you're not like your sexual impulses are 621 00:31:11,760 --> 00:31:14,880 Speaker 1: like crazy. I remember when Jersey Shore came out. My 622 00:31:14,920 --> 00:31:17,560 Speaker 1: first thought was, Oh, it was not that all those 623 00:31:17,560 --> 00:31:20,360 Speaker 1: people are ridiculous. It's like, oh, I desperately want to 624 00:31:20,360 --> 00:31:23,000 Speaker 1: fuck Polly Day. It was like, is very hot? And 625 00:31:23,000 --> 00:31:25,080 Speaker 1: so it was Ronnie and very hot. No, Ronnie, I 626 00:31:25,120 --> 00:31:27,000 Speaker 1: don't get because I think Ronnie has an anger problem. 627 00:31:27,040 --> 00:31:28,800 Speaker 1: I get Ronnie. Yeah, I mean yeah, like if you're 628 00:31:28,800 --> 00:31:31,800 Speaker 1: gonna talk about but then you're getting into their personality 629 00:31:32,040 --> 00:31:34,600 Speaker 1: about Vinnie and Vinnie such as sweet boy. I must 630 00:31:34,600 --> 00:31:37,560 Speaker 1: actually attracted to Vinny, though I am embarrassingly infamously especially 631 00:31:37,560 --> 00:31:40,840 Speaker 1: attracted to the situation for me, situations like a butterface. 632 00:31:41,160 --> 00:31:44,800 Speaker 1: I mean, he's a classic butterface, classic butterface. Was there 633 00:31:44,840 --> 00:31:47,640 Speaker 1: like a type growing up in Denver that was like 634 00:31:47,680 --> 00:31:51,120 Speaker 1: forced on everyone that was like yes, yes, it was like, um, 635 00:31:51,160 --> 00:31:54,440 Speaker 1: the skier swimmer hybrid totally, it was this. It was 636 00:31:54,480 --> 00:31:59,280 Speaker 1: the ski bombs, which are just the geographical um equivalent 637 00:31:59,360 --> 00:32:03,440 Speaker 1: to like a surf a surf bum. Yeah yeah, that's 638 00:32:03,520 --> 00:32:06,760 Speaker 1: I think pervasive, like oh that guy surfs and therefore 639 00:32:06,880 --> 00:32:09,080 Speaker 1: is hot. Yeah. But for me, like my high school 640 00:32:09,120 --> 00:32:11,120 Speaker 1: is very much like the hot guys of my high 641 00:32:11,160 --> 00:32:16,120 Speaker 1: school were tape up like pretty tan tape up like that. 642 00:32:16,200 --> 00:32:18,959 Speaker 1: So remember tape ups. Blowouts? They were big when I'm 643 00:32:19,000 --> 00:32:21,320 Speaker 1: even two years Like everyone's two years younger than me, 644 00:32:21,360 --> 00:32:25,000 Speaker 1: and you guys are included. But when I think three years, 645 00:32:25,480 --> 00:32:28,840 Speaker 1: are you serious? I'm twenty nine? Yeah, but he only 646 00:32:28,880 --> 00:32:31,320 Speaker 1: just turned seven but I only I only just turned 647 00:32:31,320 --> 00:32:34,400 Speaker 1: twenty nine. Well somehow I'm our our birthdays or week apart. 648 00:32:34,480 --> 00:32:39,200 Speaker 1: Scorp Um. I'm very much scorp but I um I 649 00:32:40,400 --> 00:32:43,720 Speaker 1: but no, like blowouts big that like that like Poli 650 00:32:43,800 --> 00:32:47,560 Speaker 1: D haircut yea yeah yeah um and you prescribe to that. 651 00:32:47,720 --> 00:32:49,840 Speaker 1: I subscribed to it, and I like, I still did 652 00:32:49,840 --> 00:32:52,360 Speaker 1: you just correct me? A bitch? Did let me tell 653 00:32:52,400 --> 00:32:56,240 Speaker 1: you something? I just suck you because it prescribed. It 654 00:32:56,320 --> 00:32:59,400 Speaker 1: is prescribed, it could be subscribed to, but it is 655 00:32:59,400 --> 00:33:01,640 Speaker 1: also pressers. And I look to you because I don't 656 00:33:01,640 --> 00:33:03,680 Speaker 1: know my words, but I do know my heart trade 657 00:33:03,680 --> 00:33:05,040 Speaker 1: and I look to you, who knows one of my 658 00:33:05,080 --> 00:33:06,600 Speaker 1: words that I don't know my heart, but I will 659 00:33:06,640 --> 00:33:11,640 Speaker 1: say that prescribe implies a pre like just like a 660 00:33:11,720 --> 00:33:14,840 Speaker 1: pre sort of like prescribe. It's like a doctor like 661 00:33:14,920 --> 00:33:18,200 Speaker 1: writing something down for you or I guess you could say, 662 00:33:18,240 --> 00:33:20,760 Speaker 1: culture prescribe that to me, and I subscribe to it 663 00:33:20,800 --> 00:33:25,239 Speaker 1: in turn, or you ascribe to something. So I mean, 664 00:33:25,240 --> 00:33:27,280 Speaker 1: you know what, no one's wrong, but yeah, all of 665 00:33:27,280 --> 00:33:30,240 Speaker 1: my high school crushes did kind of like fall into that. Okay, 666 00:33:31,200 --> 00:33:32,920 Speaker 1: so you liked a lot of guys that were named 667 00:33:32,920 --> 00:33:40,960 Speaker 1: like Justin m you know. And so now when you're 668 00:33:41,120 --> 00:33:45,280 Speaker 1: out there on the hunt, are you looking for a Justin? 669 00:33:45,680 --> 00:33:47,480 Speaker 1: Not really, but if like that would be like a 670 00:33:47,480 --> 00:33:50,680 Speaker 1: fantasy situation because all those guys are inherently straight, you 671 00:33:50,680 --> 00:33:53,320 Speaker 1: know what I mean, And like like you'll never meet 672 00:33:54,120 --> 00:33:57,040 Speaker 1: like unless they're like um new league, if like you 673 00:33:57,080 --> 00:34:00,840 Speaker 1: won't often meet. I don't like I don't need that, 674 00:34:00,920 --> 00:34:03,480 Speaker 1: but I yeah, I'm like I would also, you know, 675 00:34:03,720 --> 00:34:05,240 Speaker 1: I don't need it. I don't need that. I have 676 00:34:05,240 --> 00:34:07,320 Speaker 1: a question I like to pose to the to the group, 677 00:34:07,960 --> 00:34:12,480 Speaker 1: which is, would you, at this juncture in your in 678 00:34:12,520 --> 00:34:17,319 Speaker 1: your lives, have the patients have the time even if 679 00:34:17,360 --> 00:34:20,920 Speaker 1: the chemistry wasn't like fully, you know, let's just say, Okay, 680 00:34:21,280 --> 00:34:23,719 Speaker 1: you're gonna say, do we have the time and the 681 00:34:23,719 --> 00:34:28,480 Speaker 1: patients to like backer vance in a newly gay person 682 00:34:28,600 --> 00:34:31,040 Speaker 1: into like as as we're in a relationship with them. 683 00:34:31,160 --> 00:34:34,080 Speaker 1: I don't think what do you mean? He means like 684 00:34:34,200 --> 00:34:36,160 Speaker 1: you know, like like like are you going to be 685 00:34:36,200 --> 00:34:39,439 Speaker 1: like their? Sure? Oh no? Like yeah, I think that's 686 00:34:39,480 --> 00:34:42,120 Speaker 1: I think it depends on the person. I do understand though, 687 00:34:42,560 --> 00:34:45,240 Speaker 1: wanting to be someone's like sure, but into the gay world, 688 00:34:45,480 --> 00:34:49,920 Speaker 1: like I understand, especially if the connection is mostly sexual. Right. 689 00:34:50,680 --> 00:34:52,280 Speaker 1: That's why I think a lot of us have stories 690 00:34:52,320 --> 00:34:54,080 Speaker 1: about like a call Me by your Name type situation 691 00:34:54,080 --> 00:34:55,920 Speaker 1: where you hook up with an older guy. When I 692 00:34:55,920 --> 00:34:58,200 Speaker 1: saw that movie, which I would give a solid eight 693 00:34:58,600 --> 00:35:00,360 Speaker 1: point five out of ten, I don't just like it 694 00:35:00,400 --> 00:35:04,200 Speaker 1: as much as Bowen, but I see some issues with it. 695 00:35:04,320 --> 00:35:05,759 Speaker 1: But it wasn't I mean, I'm not going to sit 696 00:35:05,800 --> 00:35:07,279 Speaker 1: here and say it swept me away. But I did 697 00:35:07,800 --> 00:35:11,480 Speaker 1: UM connect very much with that, and I think there 698 00:35:11,640 --> 00:35:18,400 Speaker 1: is something in like, uh a younger or newer gay 699 00:35:18,440 --> 00:35:20,080 Speaker 1: that you're like, I want to be the one that 700 00:35:20,120 --> 00:35:22,960 Speaker 1: saves them, right. I don't necessarily feel that, but I 701 00:35:22,960 --> 00:35:25,040 Speaker 1: I famously from the other side of it. Came out 702 00:35:25,120 --> 00:35:26,560 Speaker 1: when I was like twenty five, so I felt like 703 00:35:26,560 --> 00:35:28,640 Speaker 1: lots of people were like not sure, but it was 704 00:35:28,719 --> 00:35:32,200 Speaker 1: like sexually like but I always felt like gay friends 705 00:35:32,280 --> 00:35:35,920 Speaker 1: like teaching me how to be gay. I feel this 706 00:35:36,000 --> 00:35:38,759 Speaker 1: might be irresponsible for me to say I feel like 707 00:35:39,040 --> 00:35:42,400 Speaker 1: coming out now. There are tons of materials out there, honey, 708 00:35:42,440 --> 00:35:45,799 Speaker 1: for you to read up. It's a whole different story. Honey. 709 00:35:46,560 --> 00:35:47,759 Speaker 1: I've been too during a little bit at my old 710 00:35:47,840 --> 00:35:51,640 Speaker 1: high school, Thank you Algebra. Yeah, it's so funny being 711 00:35:51,640 --> 00:35:53,799 Speaker 1: back there because it's like a Catholic school and there's 712 00:35:53,840 --> 00:35:57,520 Speaker 1: so many like just gay kids. Now at UM, I 713 00:35:57,560 --> 00:35:59,640 Speaker 1: wouldn't have said I was I can communicate it. That's 714 00:35:59,680 --> 00:36:01,560 Speaker 1: what some portant. It's not about being good. It's a 715 00:36:01,840 --> 00:36:04,480 Speaker 1: communicating and also I'm kind of good at it. And 716 00:36:04,960 --> 00:36:09,720 Speaker 1: so you know what, the fact that you just claimed that, yeah, 717 00:36:09,760 --> 00:36:11,239 Speaker 1: I know, I'm in a really good space right now 718 00:36:11,280 --> 00:36:14,520 Speaker 1: about kind of accepting credit when I deserve credit. That's amazing, 719 00:36:14,560 --> 00:36:16,640 Speaker 1: But I do I don't remember any aligebras. Every time 720 00:36:16,640 --> 00:36:17,680 Speaker 1: I'm going to go meet him, I don't know what 721 00:36:17,680 --> 00:36:19,480 Speaker 1: he's doing. I just in the hour before try to 722 00:36:19,560 --> 00:36:21,839 Speaker 1: learn as much Aligebra as I can and then hope 723 00:36:21,840 --> 00:36:24,400 Speaker 1: it like it covers what he's doing. But there's so 724 00:36:24,400 --> 00:36:26,000 Speaker 1: many gay kids out my high school. I always want 725 00:36:26,000 --> 00:36:26,759 Speaker 1: to go up to them be like, you know, you 726 00:36:26,760 --> 00:36:28,920 Speaker 1: would not WoT to do this when us here. It 727 00:36:28,960 --> 00:36:31,560 Speaker 1: wouldn't be appropriate. No, I don't think it would. I 728 00:36:31,600 --> 00:36:34,640 Speaker 1: think also it would jepardize your position. There is absolutely 729 00:36:34,719 --> 00:36:38,120 Speaker 1: jeopardize that. But in some ways I feel like there 730 00:36:38,320 --> 00:36:43,759 Speaker 1: is some thin obligation to let these children know, these 731 00:36:43,800 --> 00:36:48,120 Speaker 1: young girls, know what the struggle was and how we 732 00:36:48,239 --> 00:36:52,919 Speaker 1: paved the way. Truly, well, we're taking credit when when 733 00:36:52,920 --> 00:36:54,560 Speaker 1: credit is due on the other side of the corner 734 00:36:54,560 --> 00:36:56,759 Speaker 1: of this gay uncle, and it's like the exact opposite 735 00:36:56,880 --> 00:36:59,760 Speaker 1: where it's where he makes you feel guilty. Not guilty, 736 00:36:59,800 --> 00:37:02,600 Speaker 1: but like I feel that generational difference were like, which 737 00:37:02,600 --> 00:37:05,000 Speaker 1: I appreciate. Yeah, yeah, totally. I saw a torch song 738 00:37:05,040 --> 00:37:09,360 Speaker 1: with him recently. The third guest we've had, so I 739 00:37:09,360 --> 00:37:11,160 Speaker 1: don't need to need to talk about it, but I will. 740 00:37:11,200 --> 00:37:14,000 Speaker 1: What I will say is that Tabitha from do you 741 00:37:14,040 --> 00:37:17,680 Speaker 1: guys watched Tabitha Tabitha Salon Takeover? Oh yeah, yeah, I'm 742 00:37:17,719 --> 00:37:20,600 Speaker 1: familiar to this Australian lawsbian goes into goes into small 743 00:37:20,600 --> 00:37:23,000 Speaker 1: businesses and is a bit to everyone and to fix 744 00:37:23,040 --> 00:37:25,440 Speaker 1: their business. And she was in the audience fives ahead 745 00:37:25,440 --> 00:37:29,120 Speaker 1: with her girlfriend looking Gardez. Famously, one of Kate McKinnon's 746 00:37:29,160 --> 00:37:31,920 Speaker 1: first um the first sketch Kate McKinnon when was in 747 00:37:32,000 --> 00:37:34,279 Speaker 1: on SNL was an impression of Tabitha. I had no 748 00:37:34,320 --> 00:37:37,920 Speaker 1: idea that was the first I remember. I guess I 749 00:37:37,960 --> 00:37:40,920 Speaker 1: remember her from doing Penelope Cruise, which I guess it 750 00:37:41,120 --> 00:37:44,040 Speaker 1: was bizarre for her to do. When she did Penelope, 751 00:37:44,080 --> 00:37:46,160 Speaker 1: she did an impression of Penelope Cruise that was literally 752 00:37:46,200 --> 00:37:49,680 Speaker 1: like just like less Bliss Bliss with Bliss, like literally 753 00:37:49,719 --> 00:37:53,359 Speaker 1: The joke was this woman says words weird because she 754 00:37:52,960 --> 00:37:59,040 Speaker 1: is she'ssl It's but hey, I mean, I guess you 755 00:37:59,080 --> 00:38:02,200 Speaker 1: can do that. Got right in there. There's definitely a 756 00:38:02,239 --> 00:38:04,000 Speaker 1: way to do that. There's a way to do that. 757 00:38:04,080 --> 00:38:09,160 Speaker 1: What I'm saying is check your privilege. Kate McKinnon, that's 758 00:38:09,160 --> 00:38:12,120 Speaker 1: a beautiful thing about I guess having more gay visibilities, 759 00:38:12,160 --> 00:38:15,920 Speaker 1: we can criticize these these gay successes openly. Yes, it's 760 00:38:15,960 --> 00:38:18,520 Speaker 1: like when you come for Sam Smith, like when I 761 00:38:18,560 --> 00:38:20,760 Speaker 1: come for Sam Smith, but I also come from from 762 00:38:20,800 --> 00:38:23,560 Speaker 1: for him, from a place of supporting him. Yeah, I 763 00:38:23,600 --> 00:38:27,040 Speaker 1: feel that that's a crucial part. People always think that, like, oh, 764 00:38:27,120 --> 00:38:31,520 Speaker 1: gays are talking about each other, gay's gays, gays. I 765 00:38:31,520 --> 00:38:36,200 Speaker 1: would say, everyone's always says gay, um, but that's not necessarily. 766 00:38:36,440 --> 00:38:38,359 Speaker 1: It's just that we want the things that represent us 767 00:38:38,400 --> 00:38:41,400 Speaker 1: to be as good as they expects. And also we 768 00:38:41,440 --> 00:38:45,160 Speaker 1: are allowed I mean I don't think so, honey, critics 769 00:38:45,200 --> 00:38:47,680 Speaker 1: for the most part. But that's why art exist is 770 00:38:47,680 --> 00:38:50,000 Speaker 1: is to have a discussion about call me by your name. 771 00:38:50,000 --> 00:38:51,600 Speaker 1: And when you come out and you give your tweets 772 00:38:51,600 --> 00:38:54,480 Speaker 1: and you make your Facebook post that literally make it 773 00:38:54,520 --> 00:38:56,440 Speaker 1: seem like you're stupid. If you don't like call me 774 00:38:56,440 --> 00:38:58,880 Speaker 1: by your name, then you're contributing to a toxic culture. Thanks. 775 00:39:01,440 --> 00:39:04,040 Speaker 1: I almost always when I connect with the culture, it's 776 00:39:04,080 --> 00:39:07,600 Speaker 1: about like observing people like that's why, like, that's why 777 00:39:07,600 --> 00:39:10,839 Speaker 1: I respond positively to reality TV. Yes, that's why that's 778 00:39:10,880 --> 00:39:12,440 Speaker 1: the big drop for you? For Like, I watched a 779 00:39:12,440 --> 00:39:15,080 Speaker 1: lot of Beverly Hills Housewives yesterday. What do you thought 780 00:39:15,080 --> 00:39:18,360 Speaker 1: of you? Which season? Erica Jayne is a superstar? Okay, 781 00:39:18,360 --> 00:39:21,680 Speaker 1: so this won't win me any fans. I don't like 782 00:39:21,880 --> 00:39:25,040 Speaker 1: Erica Jayne. That's insane. Yeah, it's not like I feel it. 783 00:39:25,160 --> 00:39:27,520 Speaker 1: She it's not what I'm there for, Like like I 784 00:39:27,560 --> 00:39:30,120 Speaker 1: feel like, what are you there for? I'm there for 785 00:39:30,239 --> 00:39:33,040 Speaker 1: like a Lean Davison. I'm there for like I'm there 786 00:39:33,040 --> 00:39:35,000 Speaker 1: for like an owner woman who's like just trying to 787 00:39:35,040 --> 00:39:37,319 Speaker 1: make friends and might navigate her social and I don't 788 00:39:37,360 --> 00:39:38,880 Speaker 1: feel like that's what Erka Jane is using it for 789 00:39:38,920 --> 00:39:41,120 Speaker 1: something else but just fine, but like annoy it's like keeps. 790 00:39:41,160 --> 00:39:44,840 Speaker 1: It's like like I feel like she's like doing drag 791 00:39:44,960 --> 00:39:47,200 Speaker 1: in a way that like I'm not trying to watch, 792 00:39:47,200 --> 00:39:48,960 Speaker 1: Like I'm not trying to watch when I watch housewives, 793 00:39:49,000 --> 00:39:50,239 Speaker 1: you know what I mean? Like I want to see 794 00:39:50,280 --> 00:39:54,120 Speaker 1: like women try to connect over like um, their lives 795 00:39:54,160 --> 00:39:56,200 Speaker 1: and Ricka Jane, I don't think it's willing to I 796 00:39:56,239 --> 00:39:58,000 Speaker 1: think that Erica Jane is different than all the other 797 00:39:58,000 --> 00:40:00,560 Speaker 1: houses because she's not necessarily directly contri ebbitting to the 798 00:40:00,640 --> 00:40:03,080 Speaker 1: drama as much as she is commenting on how ridiculous 799 00:40:03,120 --> 00:40:06,040 Speaker 1: everything is and being too good for it and literally 800 00:40:06,080 --> 00:40:08,800 Speaker 1: being too good for it, which I don't want to watch. 801 00:40:09,160 --> 00:40:11,239 Speaker 1: I do you want someone who? I want someone who's 802 00:40:11,239 --> 00:40:13,680 Speaker 1: they're doing it, and then I care the viewer have 803 00:40:13,760 --> 00:40:16,160 Speaker 1: my own commentary. Erica Jayson is that she doesn't want 804 00:40:16,160 --> 00:40:18,919 Speaker 1: to play ball. Yes, well it's not what she signed 805 00:40:18,960 --> 00:40:20,839 Speaker 1: up for. Tell me if you, but what use bone 806 00:40:20,880 --> 00:40:22,640 Speaker 1: as a brometer for this because he doesn't watch it? 807 00:40:23,000 --> 00:40:25,760 Speaker 1: But tell me if you this wouldn't tickle you. Lisa 808 00:40:25,800 --> 00:40:30,480 Speaker 1: vander Pump, who's like the house familiar she is starting yes, yes, 809 00:40:30,680 --> 00:40:33,239 Speaker 1: like and Lisa Rena also who starts a lot of 810 00:40:33,360 --> 00:40:37,600 Speaker 1: I can't It's like, yeah, after RockA Mars, I will 811 00:40:37,600 --> 00:40:38,880 Speaker 1: follow her to the end of the year, right, but 812 00:40:38,880 --> 00:40:41,399 Speaker 1: she knows she's on Housewives, and it's like really, yeah, 813 00:40:41,880 --> 00:40:44,520 Speaker 1: she needs to like take She's gotten even better since 814 00:40:44,560 --> 00:40:46,560 Speaker 1: like two seasons ago, where she was like literally I 815 00:40:46,560 --> 00:40:49,040 Speaker 1: think her brain was actually literally fried. If I'm like 816 00:40:49,080 --> 00:40:53,280 Speaker 1: trying to contrive like arguments with people literally two different 817 00:40:53,280 --> 00:40:55,640 Speaker 1: things to two people and then be buildered that it's 818 00:40:55,640 --> 00:40:58,560 Speaker 1: like a problem. But okay, So Lisa vander Pump like 819 00:40:58,640 --> 00:41:01,400 Speaker 1: says to someone, you matter not where pink, pink is 820 00:41:01,440 --> 00:41:04,560 Speaker 1: my color? And Erica Jane. They cut to Erica Jane. 821 00:41:04,640 --> 00:41:06,680 Speaker 1: Erica Jane like rolls her eyes direct cut to an 822 00:41:06,760 --> 00:41:08,960 Speaker 1: Erica Jane talking head, and she goes, I'll wear a 823 00:41:08,960 --> 00:41:11,680 Speaker 1: pink wherever the funk I want. You can't own a color. 824 00:41:12,200 --> 00:41:17,320 Speaker 1: Beat it's not possible, and then another beat she goes, also, 825 00:41:17,360 --> 00:41:19,520 Speaker 1: why would you want to own pink? It's not that 826 00:41:19,560 --> 00:41:22,600 Speaker 1: great of her color. And I'm like, you're gotta be 827 00:41:22,680 --> 00:41:25,759 Speaker 1: kidding me. I say that. I like that. I like 828 00:41:25,800 --> 00:41:27,839 Speaker 1: that's like her, like actually giving her opinion on an 829 00:41:27,880 --> 00:41:31,560 Speaker 1: interaction in the way that I feel like, Um, I 830 00:41:31,640 --> 00:41:33,399 Speaker 1: just it feels like she has writers in a way 831 00:41:33,400 --> 00:41:36,680 Speaker 1: that I don't like, Like, well, I don't think that 832 00:41:36,680 --> 00:41:38,800 Speaker 1: we're seeing like an actual person. I feel like we're 833 00:41:38,840 --> 00:41:41,920 Speaker 1: seeing like a performance piece. And that's fine, but it's 834 00:41:41,960 --> 00:41:45,480 Speaker 1: not what I want when I watch Housewives. You want 835 00:41:46,360 --> 00:41:49,440 Speaker 1: I want? I want Sonya Morgan all day God, because 836 00:41:49,920 --> 00:41:52,240 Speaker 1: that's a woman who's trying to engage with her life 837 00:41:52,600 --> 00:41:55,759 Speaker 1: on screen and failing. But like, um, but at least 838 00:41:55,800 --> 00:41:58,480 Speaker 1: what we're seeing is like a real human being. Sonya's 839 00:41:58,480 --> 00:42:01,920 Speaker 1: on real Houses of Eric and she's truly just she's 840 00:42:01,960 --> 00:42:07,440 Speaker 1: just a real like But it's just really interesting to 841 00:42:07,520 --> 00:42:09,880 Speaker 1: hear um and this is just true of anyone who 842 00:42:09,920 --> 00:42:13,000 Speaker 1: talks about reality shows. But like of what we demand 843 00:42:13,120 --> 00:42:16,760 Speaker 1: of reality show you know people, it's just that like 844 00:42:16,760 --> 00:42:19,880 Speaker 1: like you're like, I'm listening to you say I was 845 00:42:20,000 --> 00:42:22,239 Speaker 1: she engaged with her life more? And I'm just like, 846 00:42:22,880 --> 00:42:26,799 Speaker 1: that's so interesting, that's so interesting that we are. I'm 847 00:42:26,840 --> 00:42:28,920 Speaker 1: not saying you're making demands of anybody, but thank you 848 00:42:28,920 --> 00:42:31,960 Speaker 1: for her acknowledging that you're not saying but to hear, 849 00:42:32,040 --> 00:42:35,520 Speaker 1: but to hear just the the overall conversation around around 850 00:42:35,560 --> 00:42:39,719 Speaker 1: reality show stars being like she should change her life 851 00:42:39,719 --> 00:42:42,759 Speaker 1: in this way that is fully on display. Well, well, 852 00:42:42,800 --> 00:42:44,719 Speaker 1: no one has made this demand. They have signed up 853 00:42:44,719 --> 00:42:48,640 Speaker 1: for who I forgot who said maybe it was you, 854 00:42:48,680 --> 00:42:53,640 Speaker 1: maybe it was July, and it's just right now. But 855 00:42:53,760 --> 00:42:57,719 Speaker 1: someone said you have to know the assignment. You said 856 00:42:57,719 --> 00:43:01,960 Speaker 1: that you have to understand that and understands the assigned 857 00:43:02,000 --> 00:43:05,000 Speaker 1: absolutely whenever she's face still face still in the universe 858 00:43:05,080 --> 00:43:06,760 Speaker 1: or no, she's still in the universe, but she hasn't 859 00:43:06,800 --> 00:43:09,600 Speaker 1: made an appearance, and she's never been a regular. She's 860 00:43:09,600 --> 00:43:11,840 Speaker 1: always been like somethingho pops in. Who is the housewife 861 00:43:11,840 --> 00:43:16,040 Speaker 1: who understands the assignment the most? Um, Lisa Wrenna thinks 862 00:43:16,120 --> 00:43:19,040 Speaker 1: that she does, but that doesn't count. It doesn't count. 863 00:43:19,520 --> 00:43:25,319 Speaker 1: Maybe maybe like Durnda Medley, I fucking love Dorenda, you 864 00:43:25,360 --> 00:43:30,680 Speaker 1: would be obsessed with because Dorinda will literally be screaming 865 00:43:31,360 --> 00:43:33,799 Speaker 1: and then but then also on the flip side, DURINGDA 866 00:43:33,840 --> 00:43:36,520 Speaker 1: is like the coolest one. She gets very incoherent. It's 867 00:43:36,560 --> 00:43:39,680 Speaker 1: like when she's when she's sober and present, you're with 868 00:43:39,719 --> 00:43:41,719 Speaker 1: her the most because you're like, yeah, Dorenda gets it, 869 00:43:41,760 --> 00:43:44,200 Speaker 1: like she's like someone that you know, Like you love Dorenda. 870 00:43:44,440 --> 00:43:46,439 Speaker 1: And then when she has a moment where she's being 871 00:43:46,480 --> 00:43:49,840 Speaker 1: like either like to slabby or incoherent, it is so 872 00:43:49,960 --> 00:43:52,480 Speaker 1: crazy because you're like, where is the person who exists 873 00:43:52,520 --> 00:43:55,000 Speaker 1: inside you? That's rational? These are my favorite house wives? 874 00:43:55,840 --> 00:44:00,920 Speaker 1: That is you, Yeah, you're kind of DA favorite housewives. 875 00:44:00,960 --> 00:44:04,279 Speaker 1: My favorite housewife is Carol as well, who's kind of 876 00:44:04,320 --> 00:44:07,560 Speaker 1: boring but like but yeah, she's never like it never 877 00:44:07,640 --> 00:44:10,399 Speaker 1: feels like she's making demands of me to like, um, 878 00:44:10,600 --> 00:44:12,680 Speaker 1: be entertained by her, like she's truly just living like 879 00:44:12,680 --> 00:44:15,239 Speaker 1: she really it's truly voyeuristic to watch her because she's 880 00:44:15,239 --> 00:44:17,160 Speaker 1: not trying to like she doesn't like she's a Kennedy. 881 00:44:17,160 --> 00:44:18,800 Speaker 1: She doesn't care if she gets off the show tomorrow. 882 00:44:18,840 --> 00:44:22,480 Speaker 1: It's crazy that your favorite is Carol, But you also 883 00:44:22,600 --> 00:44:26,720 Speaker 1: prefer a housewife that nixes it up. Um, I don't always. 884 00:44:26,960 --> 00:44:31,000 Speaker 1: I prefer a housewife who's who I'm what I'm looking 885 00:44:31,000 --> 00:44:34,120 Speaker 1: for here, what I'm my criteria here is authenticity, like 886 00:44:35,800 --> 00:44:38,040 Speaker 1: if like do scripted er like I think eric should 887 00:44:38,040 --> 00:44:40,680 Speaker 1: do scripted or do concerts of what she does, but like, um, 888 00:44:40,719 --> 00:44:42,600 Speaker 1: and then and then if that's what you're looking really 889 00:44:42,600 --> 00:44:45,040 Speaker 1: good and pay for that concert. But I don't think 890 00:44:45,120 --> 00:44:49,919 Speaker 1: that she I don't think that there's something about Erica 891 00:44:49,920 --> 00:44:52,360 Speaker 1: that offends me. And also there's something about her that 892 00:44:52,360 --> 00:44:55,640 Speaker 1: feels a very very like pandery to me, like specifically 893 00:44:55,680 --> 00:44:59,080 Speaker 1: the gay man that it's like, um that is also 894 00:44:59,200 --> 00:45:02,400 Speaker 1: like I feel paid gianizing like um, I like she 895 00:45:02,560 --> 00:45:05,000 Speaker 1: like her. She has this creative director Mikey, who's like 896 00:45:05,360 --> 00:45:08,000 Speaker 1: she brings on all the trips and like and like 897 00:45:08,719 --> 00:45:10,319 Speaker 1: it just feels like I don't. I mean, he's living 898 00:45:10,360 --> 00:45:12,640 Speaker 1: his dream life. But also like she like he'll get 899 00:45:12,640 --> 00:45:14,279 Speaker 1: her already, and then she locks him up like in 900 00:45:14,320 --> 00:45:16,600 Speaker 1: his freezer while she like goes to like you know 901 00:45:16,640 --> 00:45:18,400 Speaker 1: what I mean, I don't. I just feel like she 902 00:45:19,080 --> 00:45:22,640 Speaker 1: really like um game and feel like toys to her 903 00:45:22,640 --> 00:45:24,040 Speaker 1: in a way that I don't like. And I don't know. 904 00:45:24,640 --> 00:45:28,880 Speaker 1: Isn't the housewives? No, not in this way, not in 905 00:45:28,920 --> 00:45:31,719 Speaker 1: this way? You know what, Beverly Hills really goes out 906 00:45:31,719 --> 00:45:33,759 Speaker 1: of its way to do And I noticed they really 907 00:45:33,800 --> 00:45:35,399 Speaker 1: go out of their way to do this. And they 908 00:45:35,480 --> 00:45:39,319 Speaker 1: want you to know that the housewives and their housekeepers 909 00:45:39,360 --> 00:45:42,719 Speaker 1: are family. They like, but that that's a that's a 910 00:45:42,920 --> 00:45:45,960 Speaker 1: that's this tradition like New York did that a lot, 911 00:45:46,000 --> 00:45:49,959 Speaker 1: like Loui Anne's house housekeeper was her family Rosie. Um. 912 00:45:50,000 --> 00:45:53,719 Speaker 1: They love that. Oh my god, what do I know? 913 00:45:53,840 --> 00:45:56,680 Speaker 1: I think even I'm following this because it's so it's crazy, 914 00:45:56,880 --> 00:45:59,000 Speaker 1: Like truly, what we've seen in the last ten years 915 00:45:59,120 --> 00:46:01,279 Speaker 1: is like the complete raveling of a person. And it 916 00:46:01,440 --> 00:46:03,520 Speaker 1: is crazy. But she's in treatment now. Maybe it's the 917 00:46:03,520 --> 00:46:05,600 Speaker 1: best thing that could have happened because now she's in treatment. Yeah, 918 00:46:05,600 --> 00:46:08,360 Speaker 1: you gotta get to the bottom. Lunn's narrative is this, 919 00:46:08,640 --> 00:46:12,480 Speaker 1: like she she grew up in Connecticut, was like in 920 00:46:12,600 --> 00:46:15,880 Speaker 1: nursing school, moved to New York on like a modeling contest, 921 00:46:16,000 --> 00:46:18,839 Speaker 1: like one of modeling contest was a strug beautiful girl, 922 00:46:18,880 --> 00:46:22,120 Speaker 1: beautiful young girl. Yes, it was a woman who saw 923 00:46:22,160 --> 00:46:23,880 Speaker 1: what the world had to offer and wanted it. And 924 00:46:23,920 --> 00:46:27,880 Speaker 1: who can fond her for that? Especially not you? And 925 00:46:27,920 --> 00:46:36,439 Speaker 1: not you? And and so she wasn't booking in New York. 926 00:46:36,600 --> 00:46:43,400 Speaker 1: Who can't relate to that? I forget why books? And 927 00:46:43,440 --> 00:46:45,680 Speaker 1: you book too? I never booked. And then my in 928 00:46:45,800 --> 00:46:48,880 Speaker 1: l a last week didn't book. Okay, well guess what 929 00:46:49,000 --> 00:46:53,640 Speaker 1: didn't book? I'm sorry, that's okay. So Luanne goes to Europe, 930 00:46:53,640 --> 00:46:57,399 Speaker 1: I d k y. I forget, and she marries the count. 931 00:46:57,560 --> 00:47:00,719 Speaker 1: Not yet she is like comes this kind of like 932 00:47:00,760 --> 00:47:03,640 Speaker 1: personality in Europe, Like she's like a game show host 933 00:47:03,800 --> 00:47:08,879 Speaker 1: in Europe, and she becomes this like after I forget what, 934 00:47:08,920 --> 00:47:10,680 Speaker 1: but I remember thinking, like, wow, she was like a 935 00:47:10,719 --> 00:47:13,000 Speaker 1: deal or no deal host of Europe. She actually like 936 00:47:13,040 --> 00:47:15,800 Speaker 1: sports commentary. It was insane. She was the Megan Markle 937 00:47:15,880 --> 00:47:19,799 Speaker 1: of the time, a little bet and so she then wait, no, 938 00:47:19,840 --> 00:47:22,319 Speaker 1: actually not at all like the Aaron Andrews of the time. 939 00:47:22,600 --> 00:47:26,200 Speaker 1: It wasn't you know you're a deal deal, You're actually 940 00:47:26,680 --> 00:47:30,200 Speaker 1: actually weirdly right. It's actually weirdly right about a deal 941 00:47:30,280 --> 00:47:32,440 Speaker 1: or no deal. Girl is going to be real family. 942 00:47:32,440 --> 00:47:35,120 Speaker 1: And honestly, when you look back at dealer no deal, 943 00:47:35,320 --> 00:47:41,440 Speaker 1: it was truly offensive insane when you look back. But 944 00:47:41,440 --> 00:47:45,040 Speaker 1: but so so she's like is making her money, like 945 00:47:45,080 --> 00:47:47,719 Speaker 1: as a TV personality in Europe, the time of her 946 00:47:47,800 --> 00:47:49,960 Speaker 1: life meets the count her and I kind of a 947 00:47:49,960 --> 00:47:52,400 Speaker 1: world when they go they subway, come back to New 948 00:47:52,440 --> 00:47:55,279 Speaker 1: York on vocations, subway to court after two weeks, take 949 00:47:55,280 --> 00:47:57,919 Speaker 1: a subway to town Hall, get their marriage, and they 950 00:47:58,000 --> 00:48:00,280 Speaker 1: go to the Swiss Alps where they're raising their kids. 951 00:48:00,360 --> 00:48:03,279 Speaker 1: Thereised no kids there for years. Luanna is driving her 952 00:48:03,320 --> 00:48:08,680 Speaker 1: kids along the Swiss Alps mountainside. Car tumbles off cliff. Okay, destroyed. 953 00:48:08,840 --> 00:48:11,200 Speaker 1: They climb out of the car. She's looking for her kids. 954 00:48:11,280 --> 00:48:13,719 Speaker 1: I swear to God, this woman like this is the 955 00:48:13,760 --> 00:48:19,920 Speaker 1: story of keep going her two kids and she she 956 00:48:20,040 --> 00:48:25,120 Speaker 1: brings them barefoot walking along the Swiss road. Maybefot, I 957 00:48:25,160 --> 00:48:27,200 Speaker 1: forgot what is it? Why isn't this a TV movie. 958 00:48:27,840 --> 00:48:31,440 Speaker 1: It should be You're just So they get to neighbors 959 00:48:31,440 --> 00:48:33,919 Speaker 1: house and knocked. You're like, She's like, our car found 960 00:48:33,960 --> 00:48:37,920 Speaker 1: the cliff. So they get back to her husband account 961 00:48:37,920 --> 00:48:41,120 Speaker 1: he can't believe what's happened. It's the Swiss are never 962 00:48:41,160 --> 00:48:43,880 Speaker 1: the same for lou She after that experience, she felt 963 00:48:44,440 --> 00:48:49,000 Speaker 1: she hated the Alps. Yeah, I mean I would understand, okay. 964 00:48:49,040 --> 00:48:53,920 Speaker 1: So so she moves to the Hampton's, where she becomes 965 00:48:53,920 --> 00:48:55,960 Speaker 1: a New York social and becomes friends with who but 966 00:48:56,120 --> 00:48:58,600 Speaker 1: Jill's Arran, who was in talks with Bravo about her 967 00:48:58,600 --> 00:49:02,200 Speaker 1: show called Manhattan Mom. Jill says, I know this woman, Luman, 968 00:49:02,280 --> 00:49:04,640 Speaker 1: she'd be great. Luma was doing these like insane stupid 969 00:49:04,719 --> 00:49:08,439 Speaker 1: self produced like web videos with her and her daughter, 970 00:49:08,440 --> 00:49:12,520 Speaker 1: like shopping at TJ Max for dealspons look for badgets 971 00:49:13,000 --> 00:49:16,600 Speaker 1: and so yeah, crazy, I've seen them. And is that 972 00:49:16,680 --> 00:49:20,200 Speaker 1: what kind of crossed caused the dissolution of her marriage 973 00:49:20,200 --> 00:49:22,080 Speaker 1: to the Count? The long distance by the time she 974 00:49:22,120 --> 00:49:24,279 Speaker 1: got to the Hemp, the Count came to the Hampton's. 975 00:49:24,320 --> 00:49:26,200 Speaker 1: But by the time they got there, I think, I 976 00:49:26,239 --> 00:49:29,040 Speaker 1: honestly think like the car tumble like played a part, 977 00:49:29,120 --> 00:49:31,360 Speaker 1: Like they just were disconnected. She gets on this reality 978 00:49:31,520 --> 00:49:34,640 Speaker 1: is an origin story. She becomes like desperate to protect 979 00:49:34,640 --> 00:49:36,400 Speaker 1: her family because now her marriage is crumbling. But she 980 00:49:36,520 --> 00:49:38,560 Speaker 1: just shigned up for this um. So for the first 981 00:49:38,719 --> 00:49:42,080 Speaker 1: three seasons, she's very closed off, very like pretentious and 982 00:49:42,200 --> 00:49:45,239 Speaker 1: very um like holier than now because she doesn't want 983 00:49:45,239 --> 00:49:47,960 Speaker 1: anyone to see like the cracks in her life. Count 984 00:49:48,120 --> 00:49:51,640 Speaker 1: leaves her for a younger woman. She's single, and that's 985 00:49:51,640 --> 00:49:54,399 Speaker 1: when she got really real, and that's when audiences really 986 00:49:54,400 --> 00:49:57,640 Speaker 1: came round on her. Also, Jill left to like have 987 00:49:57,760 --> 00:49:59,640 Speaker 1: become like a real villain of the show, and so 988 00:49:59,760 --> 00:50:02,360 Speaker 1: Lou and was like then branched out more by herself. 989 00:50:02,800 --> 00:50:04,520 Speaker 1: And so Lou for a couple of seasons was great. 990 00:50:04,560 --> 00:50:06,800 Speaker 1: Like she famously like was always bringing guys back to 991 00:50:06,880 --> 00:50:08,640 Speaker 1: hotels and like banging them, like but they would go 992 00:50:08,680 --> 00:50:12,239 Speaker 1: on trips, brought guys back, and like an episode where 993 00:50:12,239 --> 00:50:13,760 Speaker 1: she banged the guy and they all got really jealous. 994 00:50:13,760 --> 00:50:15,759 Speaker 1: They all they all got really mad that like she 995 00:50:16,080 --> 00:50:17,840 Speaker 1: like banged him and then like they like left this 996 00:50:17,840 --> 00:50:19,840 Speaker 1: guy like upstairs, y, yeah he was, he was in 997 00:50:19,880 --> 00:50:22,960 Speaker 1: the room and what's her face was so annoying? Was 998 00:50:23,000 --> 00:50:26,560 Speaker 1: like I can't believe there was a man, and so 999 00:50:26,600 --> 00:50:31,280 Speaker 1: how would you feel? And it was really aline lasted 1000 00:50:31,560 --> 00:50:34,560 Speaker 1: all because they were really mad about it. That wasn't fake, 1001 00:50:34,600 --> 00:50:36,160 Speaker 1: they were And lu Ane's thing was, what if I 1002 00:50:36,160 --> 00:50:37,960 Speaker 1: had a man in here and you brought the cameras 1003 00:50:37,960 --> 00:50:40,640 Speaker 1: in because they have like there's unbroken code. Don't bring 1004 00:50:40,640 --> 00:50:42,080 Speaker 1: the cameras in my room and the doors closed because 1005 00:50:42,080 --> 00:50:44,160 Speaker 1: you don't know what I'm doing in there, so whatever, 1006 00:50:44,840 --> 00:50:47,520 Speaker 1: and they were streaming and she famously, now this woman 1007 00:50:47,520 --> 00:50:49,880 Speaker 1: who used to be this like European like Ingenue was 1008 00:50:49,920 --> 00:50:52,680 Speaker 1: slash like Countess is now like in it's morning, she's 1009 00:50:52,680 --> 00:50:55,160 Speaker 1: in huge shades, a big black bikini and just the 1010 00:50:55,160 --> 00:50:57,280 Speaker 1: bathroom and she says like, don't be all on cool, 1011 00:50:57,360 --> 00:50:59,480 Speaker 1: be cool, don't be all on cool, and we've all 1012 00:50:59,480 --> 00:51:02,959 Speaker 1: seen the game. And so then she meets this guy Tom, 1013 00:51:02,960 --> 00:51:06,800 Speaker 1: who has slept with two housewives, Ramona and Sonia previously, 1014 00:51:07,560 --> 00:51:10,720 Speaker 1: and then all they're all they're dying to break this apart, 1015 00:51:10,760 --> 00:51:13,799 Speaker 1: like they just hate that Luian's like winning and um 1016 00:51:14,200 --> 00:51:15,520 Speaker 1: like he's cheating on you, like he's doing all this 1017 00:51:15,560 --> 00:51:17,040 Speaker 1: stuff and take no. Me and Tom love each other 1018 00:51:17,120 --> 00:51:19,480 Speaker 1: like we're both players and we found each other like, 1019 00:51:19,520 --> 00:51:21,440 Speaker 1: I'm the I love when girls like I'm the female 1020 00:51:21,560 --> 00:51:23,279 Speaker 1: version of him, you know what I mean? She was 1021 00:51:23,360 --> 00:51:30,040 Speaker 1: BRILLIANTO that and so then so then on a Miami trip, 1022 00:51:30,200 --> 00:51:33,120 Speaker 1: Bethany gets a photo texted to her from New York 1023 00:51:33,120 --> 00:51:36,719 Speaker 1: City at the regious Regency Hotel, Tom making out with 1024 00:51:36,760 --> 00:51:40,400 Speaker 1: a woman and Bethany her lips at. Bethany Luna long 1025 00:51:40,560 --> 00:51:43,640 Speaker 1: term rivals, filips that doesn't know what to do, sobbing 1026 00:51:43,680 --> 00:51:45,160 Speaker 1: in her badroom. I don't know what to do. I 1027 00:51:45,280 --> 00:51:49,640 Speaker 1: wish I didn't get this. Yeah, it's really hard on. 1028 00:51:49,920 --> 00:51:52,400 Speaker 1: She conflicted about whether or not to tell, and she 1029 00:51:52,440 --> 00:51:55,040 Speaker 1: goes as her enemy famously, she goes Luanna, so she 1030 00:51:55,080 --> 00:51:56,879 Speaker 1: already tells other women and they're talking about it behind 1031 00:51:56,960 --> 00:51:59,480 Speaker 1: LUN's back, but all under the guys, like being a 1032 00:51:59,480 --> 00:52:03,000 Speaker 1: good girl for d and so Bethany says, Lou, I 1033 00:52:03,040 --> 00:52:05,120 Speaker 1: have to tell you something really bad, and lu goes, 1034 00:52:05,360 --> 00:52:07,839 Speaker 1: I hope it's not about Tom, and Bethany goes, it's 1035 00:52:07,840 --> 00:52:10,960 Speaker 1: about Tom. They tell her. She like the flips out, 1036 00:52:11,200 --> 00:52:12,960 Speaker 1: but it becomes this thing where now it's clear Tom 1037 00:52:13,120 --> 00:52:16,120 Speaker 1: cam on cam. Now it becomes clear Toms she on her. 1038 00:52:16,200 --> 00:52:18,279 Speaker 1: But it's also because of the narrative that's built up, 1039 00:52:18,360 --> 00:52:20,600 Speaker 1: like it becomes this thing where if Luan does not 1040 00:52:20,760 --> 00:52:22,680 Speaker 1: marry this man, and the other women win because they've 1041 00:52:22,680 --> 00:52:24,360 Speaker 1: been trying to break them up from the beginning. So 1042 00:52:24,520 --> 00:52:27,600 Speaker 1: she got married, divorced four months later, and then famously 1043 00:52:27,640 --> 00:52:30,520 Speaker 1: what happened. She um in a drunken rage, like would 1044 00:52:30,560 --> 00:52:32,799 Speaker 1: locked herself in someone else's hotel room, like slam doors 1045 00:52:32,800 --> 00:52:34,880 Speaker 1: and cops faces, like telling people that she would kill them, 1046 00:52:34,920 --> 00:52:36,920 Speaker 1: telling coms she would kill them. But what was this 1047 00:52:37,000 --> 00:52:40,000 Speaker 1: Christmas incident about? This year? This is when she got 1048 00:52:41,600 --> 00:52:44,920 Speaker 1: this was that mat is drunken, disorderly and screaming, and 1049 00:52:44,960 --> 00:52:46,959 Speaker 1: she tried to I read a report that she tried 1050 00:52:47,000 --> 00:52:51,080 Speaker 1: to escape from the handcuffs and the cops screaming I'll 1051 00:52:51,120 --> 00:52:55,480 Speaker 1: kill you all. Yeah, it's no, it's and yeah. And 1052 00:52:55,520 --> 00:53:00,399 Speaker 1: there's something you know, like Shakespearean Lee tragic about But 1053 00:53:00,440 --> 00:53:02,880 Speaker 1: I will say I will say this, that is the 1054 00:53:02,880 --> 00:53:06,719 Speaker 1: story of Lou but the story of you out there 1055 00:53:06,760 --> 00:53:09,400 Speaker 1: listening last races listeners. I just want to point to someone, 1056 00:53:10,719 --> 00:53:14,520 Speaker 1: Mariah Carrie Maria. Last night on the New Year's Rock 1057 00:53:14,560 --> 00:53:18,600 Speaker 1: and Eve, she planted her to goddamn wealthy feed and 1058 00:53:18,680 --> 00:53:21,840 Speaker 1: the age and it feels like eight degrees fahrenheit. She 1059 00:53:22,040 --> 00:53:25,520 Speaker 1: was looking freezing as and screaming for her tea, but 1060 00:53:25,760 --> 00:53:27,839 Speaker 1: she never got to get the tea. But she did 1061 00:53:28,400 --> 00:53:33,319 Speaker 1: sing well two of her big songs, her first single ever, 1062 00:53:33,480 --> 00:53:37,560 Speaker 1: Vision of Love and hero and and she sang them. 1063 00:53:37,760 --> 00:53:40,560 Speaker 1: And that is a triumphant story. And I'm happy that 1064 00:53:40,600 --> 00:53:43,800 Speaker 1: two thousand seventeen and this is actually also very indicative 1065 00:53:43,800 --> 00:53:49,080 Speaker 1: of seventeen for me, starts with a tragic display of 1066 00:53:49,160 --> 00:53:52,760 Speaker 1: failure from Mariah, and it comes back and she was triumphant. 1067 00:53:52,840 --> 00:53:57,520 Speaker 1: And maybe that's a narrative. We can ride into your 1068 00:53:57,560 --> 00:54:01,160 Speaker 1: lowest lows, can launch you into your ist ties. Exactly 1069 00:54:01,320 --> 00:54:05,600 Speaker 1: what was your highest high? Running the act kind of 1070 00:54:05,600 --> 00:54:09,160 Speaker 1: word three times in one year? Absolutely, and and it 1071 00:54:09,239 --> 00:54:11,759 Speaker 1: was our honor to bestow that. I would hope that's 1072 00:54:11,800 --> 00:54:14,239 Speaker 1: also both of you are high. What was your highest high? 1073 00:54:15,080 --> 00:54:18,080 Speaker 1: That's not necessarily a bit question, Okay, not necessarily a 1074 00:54:18,120 --> 00:54:25,280 Speaker 1: big question. Highest hiv Um. The live shows were so fun, truly, 1075 00:54:25,320 --> 00:54:28,319 Speaker 1: I mean that, um, And it was really cool to 1076 00:54:28,360 --> 00:54:31,200 Speaker 1: see the response. And that sounds you know, really no, 1077 00:54:31,320 --> 00:54:34,200 Speaker 1: I think that's whatever, but um And going to Australia 1078 00:54:34,320 --> 00:54:37,120 Speaker 1: was really emotional because it was it was just me, 1079 00:54:37,239 --> 00:54:39,200 Speaker 1: Like it was just me, like going back to the 1080 00:54:39,200 --> 00:54:41,319 Speaker 1: place where it was like, oh, like I'm sort of 1081 00:54:41,320 --> 00:54:43,920 Speaker 1: in right here. No, well, it was like my dad 1082 00:54:44,000 --> 00:54:45,799 Speaker 1: kept saying like you're made of these things. You're like 1083 00:54:45,840 --> 00:54:48,920 Speaker 1: you're made of these of the of these minerals, and 1084 00:54:49,239 --> 00:54:50,879 Speaker 1: we have this water and all this stuff like this 1085 00:54:50,920 --> 00:54:52,719 Speaker 1: is this is what made you. And I was like, oh, 1086 00:54:52,760 --> 00:54:56,080 Speaker 1: that's cool. Um, so that what about you, Matt um? Well, 1087 00:54:56,120 --> 00:54:57,600 Speaker 1: I first want to say, that's like me and Ma 1088 00:54:57,680 --> 00:54:59,200 Speaker 1: and Pat we have that, but with like Long Island, 1089 00:54:59,200 --> 00:55:01,279 Speaker 1: New York, that's beautif all that's beautiful and we're made 1090 00:55:01,320 --> 00:55:03,239 Speaker 1: of bagels and like cancer cells in the wall. I 1091 00:55:03,480 --> 00:55:07,600 Speaker 1: love that. Um probably for me probably going to just 1092 00:55:07,760 --> 00:55:11,359 Speaker 1: for laughs, Yes, beautiful. Probably that was the highlight. That's great. 1093 00:55:11,400 --> 00:55:15,160 Speaker 1: But then like also, I think when you have a 1094 00:55:15,200 --> 00:55:17,000 Speaker 1: year with a lot of hi highs, you have you're 1095 00:55:17,040 --> 00:55:18,799 Speaker 1: inherently with a lot of lolos. I had a lot 1096 00:55:18,840 --> 00:55:21,600 Speaker 1: of lolos, big, really big, big time lolos. I had 1097 00:55:21,680 --> 00:55:23,600 Speaker 1: not that high of highs and not that low blow. 1098 00:55:23,719 --> 00:55:27,120 Speaker 1: That's good, that's good. I'm really excited for you about that. 1099 00:55:27,160 --> 00:55:30,319 Speaker 1: Are you banking for higher highsoul sarily lower lows. I 1100 00:55:30,320 --> 00:55:32,200 Speaker 1: would say that that's a fair thing to say that 1101 00:55:32,239 --> 00:55:34,719 Speaker 1: I'm hoping for. Yeah, I had a good year. I 1102 00:55:34,719 --> 00:55:36,800 Speaker 1: had a good year, but a boring year, you know 1103 00:55:36,800 --> 00:55:39,759 Speaker 1: what I mean, Like nothing like things were good this year. 1104 00:55:39,800 --> 00:55:41,640 Speaker 1: Like last time I was here, famously in tw thousand 1105 00:55:41,640 --> 00:55:43,759 Speaker 1: and sixteen, I was like in a bad place. Now 1106 00:55:43,800 --> 00:55:46,000 Speaker 1: I'm in a good place. I think that you starting 1107 00:55:46,040 --> 00:55:47,640 Speaker 1: the year with the show that you're doing is going 1108 00:55:47,680 --> 00:55:49,680 Speaker 1: to be very good thing. Tell us about the show. 1109 00:55:49,920 --> 00:55:52,320 Speaker 1: So I'm gonna be doing my shape called Pat Regan 1110 00:55:52,400 --> 00:55:55,520 Speaker 1: unwrapped in moving at the backs, and I'm gonna I'm 1111 00:55:55,560 --> 00:55:58,400 Speaker 1: doing thirty minutes. It's gonna be a little storytelling. I 1112 00:55:58,440 --> 00:56:01,160 Speaker 1: love it. Um And it's just like this, like where 1113 00:56:01,160 --> 00:56:02,839 Speaker 1: I'm at right now, you know what I mean. It's 1114 00:56:02,880 --> 00:56:04,480 Speaker 1: just like and there'll be lots of my jokes but 1115 00:56:04,560 --> 00:56:07,880 Speaker 1: lots of stories. There's okay, so a little different, a 1116 00:56:07,880 --> 00:56:10,560 Speaker 1: little different. It's somewhere I've done. I've done this similar 1117 00:56:10,600 --> 00:56:13,799 Speaker 1: sets twice before. You've seen it'll be very similar to that, 1118 00:56:13,840 --> 00:56:16,520 Speaker 1: but with new stuff, like a half hour you're doing 1119 00:56:16,520 --> 00:56:19,279 Speaker 1: a half hour. Yeah, and yeah, I'm excited. Aaron and 1120 00:56:19,360 --> 00:56:22,319 Speaker 1: Josh and Knew, Me and Darren are all opening up. 1121 00:56:22,440 --> 00:56:25,680 Speaker 1: That's amazing now. So like also we have to say 1122 00:56:25,680 --> 00:56:27,520 Speaker 1: you shout out to the Duplex, which is becoming a 1123 00:56:27,719 --> 00:56:30,040 Speaker 1: very pre eminent place for people to go do their 1124 00:56:30,040 --> 00:56:33,080 Speaker 1: work and they treat us good. Makes you shout out 1125 00:56:33,080 --> 00:56:35,480 Speaker 1: to the Duke Blex, shout out to the Blackmine place. 1126 00:56:35,840 --> 00:56:37,880 Speaker 1: Now are you going to be doing UM? Will you 1127 00:56:37,920 --> 00:56:40,880 Speaker 1: ask them to remove the piano? I will not, but 1128 00:56:40,920 --> 00:56:44,239 Speaker 1: I won't be addressing UM because there will be a 1129 00:56:44,239 --> 00:56:46,719 Speaker 1: piano on stage and famously, like I don't know if 1130 00:56:46,719 --> 00:56:49,279 Speaker 1: you identify as a singer, I'm not a singer. I 1131 00:56:49,320 --> 00:56:52,239 Speaker 1: don't sing. I'm a triple threaten other way is how 1132 00:56:53,000 --> 00:56:58,799 Speaker 1: I don't need to list them. Be get podcasting, very 1133 00:56:58,840 --> 00:57:03,200 Speaker 1: good at famously keeping check check and field statist things. 1134 00:57:03,960 --> 00:57:06,319 Speaker 1: U these are threats. Now. I don't want you to 1135 00:57:06,320 --> 00:57:08,880 Speaker 1: start a podcast because I think that people might choose 1136 00:57:08,920 --> 00:57:10,920 Speaker 1: to listen to that one over this one, and that 1137 00:57:11,000 --> 00:57:13,360 Speaker 1: will would be really terrible because I first and foremost 1138 00:57:13,400 --> 00:57:15,440 Speaker 1: care about me and B It would be a huge betrayal. 1139 00:57:16,200 --> 00:57:18,560 Speaker 1: But but it would be a huge betrayal. But do 1140 00:57:18,600 --> 00:57:20,200 Speaker 1: you ever think about starting your own like I don't 1141 00:57:20,240 --> 00:57:22,919 Speaker 1: know platform for your voice on a mass level. Um wow, 1142 00:57:22,960 --> 00:57:24,960 Speaker 1: what a I feel like I'm on the couch of 1143 00:57:25,080 --> 00:57:27,160 Speaker 1: and I hate till they use this kind of inflammatory word. 1144 00:57:27,200 --> 00:57:29,120 Speaker 1: But Ellen, I feel like I'm on a talk show. 1145 00:57:29,160 --> 00:57:31,160 Speaker 1: It's more like I'm not calling you out. I'm saying 1146 00:57:31,200 --> 00:57:32,880 Speaker 1: I feel like I'm on talk show. It's like Stern. 1147 00:57:33,480 --> 00:57:36,600 Speaker 1: I feel like I'm on Stern. But um, maybe yeah, 1148 00:57:36,640 --> 00:57:39,200 Speaker 1: I don't know. Maybe I haven't given it. I think 1149 00:57:39,240 --> 00:57:41,840 Speaker 1: the world is your oyster. I want. I would listen 1150 00:57:41,880 --> 00:57:43,720 Speaker 1: to Pat, and I'm saying again it would be a 1151 00:57:43,800 --> 00:57:45,920 Speaker 1: huge betrayal if he did start his own podcast, but 1152 00:57:46,400 --> 00:57:52,240 Speaker 1: I would listen with enthusiasm. Wow, podcast of Pat really 1153 00:57:52,320 --> 00:57:57,440 Speaker 1: just digging into, Um, the the researched minute of some 1154 00:57:57,560 --> 00:58:00,200 Speaker 1: topic could be running. It could be the Housewives, could 1155 00:58:00,200 --> 00:58:02,200 Speaker 1: be could be anything that he is passionate about. I 1156 00:58:02,560 --> 00:58:05,080 Speaker 1: my deal with like all things, is like I feel 1157 00:58:05,080 --> 00:58:09,280 Speaker 1: like I I have such low awareness of some things 1158 00:58:09,280 --> 00:58:11,440 Speaker 1: that are maybe important, and then like the things that 1159 00:58:11,480 --> 00:58:13,880 Speaker 1: I ran like arbitrary like that I'm drawn to. I 1160 00:58:13,960 --> 00:58:17,720 Speaker 1: become obsessive and like every single thing true. That's culture, 1161 00:58:17,960 --> 00:58:21,440 Speaker 1: that's culture, that is cultural, that's why you can. It's 1162 00:58:21,440 --> 00:58:23,520 Speaker 1: always like easy to say what it is like for me, 1163 00:58:23,560 --> 00:58:26,960 Speaker 1: it's like Orlando Kelly clarkson reality television that was competitive 1164 00:58:27,480 --> 00:58:31,120 Speaker 1: For me, it's running track and field distance running at 1165 00:58:31,120 --> 00:58:33,640 Speaker 1: the NZ double A level, at the professional level, and 1166 00:58:33,760 --> 00:58:38,840 Speaker 1: it's housewives and housewives adjacent reality. I don't, um, oh, 1167 00:58:39,120 --> 00:58:44,680 Speaker 1: I guess it's video games. Um, you know, uh, day planners, 1168 00:58:45,440 --> 00:58:48,360 Speaker 1: Like what's the trendiest day planner? Yeah, And I got 1169 00:58:48,400 --> 00:58:49,720 Speaker 1: a new one for the new year, and it's really 1170 00:58:49,800 --> 00:58:52,360 Speaker 1: it's it's great. I'm worried that I'm gonna fall off 1171 00:58:52,360 --> 00:58:57,360 Speaker 1: of it though. Um. And oh god, did I see 1172 00:58:57,360 --> 00:58:59,360 Speaker 1: you writing your day planner today? When I met you? 1173 00:58:59,400 --> 00:59:01,640 Speaker 1: A graphic it's called guys. You know what do you write? 1174 00:59:01,720 --> 00:59:04,120 Speaker 1: You just like this is what I'm doing today? Um? Yeah. 1175 00:59:04,360 --> 00:59:06,480 Speaker 1: And there's just like you know, fun little layouts for 1176 00:59:06,560 --> 00:59:08,960 Speaker 1: like the month, and you write your you know, you know, 1177 00:59:08,960 --> 00:59:11,480 Speaker 1: your goals, or you can just scribble like like today 1178 00:59:11,520 --> 00:59:13,120 Speaker 1: I was, I was drawing. I was trying to like, 1179 00:59:13,720 --> 00:59:16,280 Speaker 1: you know, costume design, like what my uniform for the 1180 00:59:16,360 --> 00:59:18,800 Speaker 1: year would be, like what like the like the template firm, 1181 00:59:18,840 --> 00:59:19,920 Speaker 1: And I think it's just gonna be like you know, 1182 00:59:20,920 --> 00:59:26,840 Speaker 1: ribbed black sweater, gray running shorts, great joggers pants. You 1183 00:59:26,920 --> 00:59:30,600 Speaker 1: will draw out your like outfit, no poorly. I'm just like, 1184 00:59:30,680 --> 00:59:32,680 Speaker 1: oh like what like? Because I was nice to dreams. 1185 00:59:33,200 --> 00:59:34,960 Speaker 1: I tell you one of my goals for when I'm rich. 1186 00:59:35,520 --> 00:59:40,200 Speaker 1: When I'm rich and stylist kind of, I want to 1187 00:59:40,240 --> 00:59:42,800 Speaker 1: I'm gonna get really into fashion and I'm gonna i 1188 00:59:42,800 --> 00:59:45,120 Speaker 1: want to beat fashion police. Do you watch Project Runway? 1189 00:59:45,680 --> 00:59:47,760 Speaker 1: I have old seasons, but I always like it and 1190 00:59:47,800 --> 00:59:49,720 Speaker 1: I trust my esthetic, but I just don't try, and 1191 00:59:49,720 --> 00:59:51,800 Speaker 1: that's why I often end up in like hoodies and 1192 00:59:51,880 --> 00:59:53,720 Speaker 1: running pants. Matt is a new confert and I feel 1193 00:59:53,760 --> 00:59:57,320 Speaker 1: like Matt has really gotten an education. I love Project Runway, 1194 00:59:57,320 --> 00:59:59,560 Speaker 1: and now I will be more interested in the things 1195 00:59:59,600 --> 01:00:01,200 Speaker 1: I put on my body because of it, like right 1196 01:00:01,200 --> 01:00:03,280 Speaker 1: now for two and I believe I'm gonna be trying 1197 01:00:03,600 --> 01:00:05,840 Speaker 1: like because I love to be four years later. On trends, 1198 01:00:05,960 --> 01:00:07,760 Speaker 1: I love. I love like a button up to the 1199 01:00:07,800 --> 01:00:11,800 Speaker 1: top flannel and in a nicely foot fitting pant. I 1200 01:00:11,800 --> 01:00:14,080 Speaker 1: am on a lifelong quest to find a pant that 1201 01:00:14,160 --> 01:00:19,360 Speaker 1: fits me well yeah, um, and it's hard. It's really 1202 01:00:19,400 --> 01:00:21,440 Speaker 1: hard because a lot of times, like what's good for 1203 01:00:21,440 --> 01:00:24,040 Speaker 1: your waist is not good for the sea. Yeah, I 1204 01:00:24,080 --> 01:00:26,000 Speaker 1: just they yeah, and I don't know where to put 1205 01:00:26,000 --> 01:00:28,400 Speaker 1: them on my HAPs But you know, it's so it's 1206 01:00:28,440 --> 01:00:30,440 Speaker 1: such a struggle. But I think that that's what your 1207 01:00:30,440 --> 01:00:34,480 Speaker 1: thirties are for, is like finding those answers. Um, that's comforting. 1208 01:00:34,680 --> 01:00:36,360 Speaker 1: But yeah, so I want to get willing into fashion, 1209 01:00:36,400 --> 01:00:37,880 Speaker 1: like I just talk out of the money, like like 1210 01:00:37,960 --> 01:00:39,520 Speaker 1: go into a storm, be like these are the things 1211 01:00:39,520 --> 01:00:41,680 Speaker 1: I like. So I end up just like wearing whatever. 1212 01:00:42,080 --> 01:00:44,440 Speaker 1: I do. Want to ask you, just because it's been 1213 01:00:44,480 --> 01:00:50,760 Speaker 1: referenced multiple times in this conversation. Ages such a such 1214 01:00:50,760 --> 01:00:54,040 Speaker 1: a big sort of touchdown for you. Famously, you're the 1215 01:00:54,160 --> 01:00:55,800 Speaker 1: first twenty three year old you you will be the 1216 01:00:55,840 --> 01:00:57,960 Speaker 1: last twenty three year old back. But as as you 1217 01:00:58,080 --> 01:01:00,680 Speaker 1: keep referencing you going into your thirty I want to 1218 01:01:00,680 --> 01:01:02,400 Speaker 1: know a Pat And I'm sorry if it feels like 1219 01:01:02,440 --> 01:01:05,600 Speaker 1: you're on the couch of Ellen, but what are your hopes? 1220 01:01:05,600 --> 01:01:07,360 Speaker 1: He has two love seats, by the way, it's just 1221 01:01:08,640 --> 01:01:12,360 Speaker 1: like to likes. I'm just quoting Pat and I doesn't 1222 01:01:12,400 --> 01:01:14,360 Speaker 1: have a couch. Okay, well guess what. I don't know 1223 01:01:14,440 --> 01:01:17,400 Speaker 1: my couches, but I know my heart I don't know 1224 01:01:17,440 --> 01:01:20,040 Speaker 1: my set. I don't know my set lightouts, but I 1225 01:01:20,120 --> 01:01:24,480 Speaker 1: know my heart. What what is your overall feeling as 1226 01:01:24,520 --> 01:01:26,520 Speaker 1: you as you enter You're not You're not thirty yet, 1227 01:01:26,560 --> 01:01:28,440 Speaker 1: but I'm twenty nine. I'm only twenty nine. You have 1228 01:01:28,600 --> 01:01:31,640 Speaker 1: like a you have, you have another ten months of 1229 01:01:31,680 --> 01:01:36,040 Speaker 1: being exactly, So what what is your overall feeling of 1230 01:01:36,600 --> 01:01:38,720 Speaker 1: Because I'm getting to this point now where I'm just 1231 01:01:38,760 --> 01:01:41,479 Speaker 1: like really thinking about age. But as you enter your series, 1232 01:01:41,680 --> 01:01:43,480 Speaker 1: as you keep referencing it, and I'm just pointing, is 1233 01:01:43,560 --> 01:01:45,520 Speaker 1: that this is just an observation, what is your overall 1234 01:01:45,520 --> 01:01:47,959 Speaker 1: feel totally? So I'm gonna try not to like push 1235 01:01:48,040 --> 01:01:49,480 Speaker 1: to think of answers, but I'm just gonna say things 1236 01:01:49,520 --> 01:01:51,280 Speaker 1: that I feel like I think about as I'm getting 1237 01:01:51,280 --> 01:01:55,200 Speaker 1: over I want um to have a nice apartment, Like 1238 01:01:55,240 --> 01:01:56,880 Speaker 1: I want to have a nice apartment somewhere that's like 1239 01:01:56,920 --> 01:02:01,440 Speaker 1: my space, And they want um to feel like I've crazed, 1240 01:02:01,440 --> 01:02:03,040 Speaker 1: like I think I want to write like essays, like 1241 01:02:03,080 --> 01:02:05,720 Speaker 1: pros essays, and I don't do that quite. I'm doing 1242 01:02:05,800 --> 01:02:08,120 Speaker 1: artists way right now, and I shout out its praises 1243 01:02:08,160 --> 01:02:11,240 Speaker 1: though I have produced nothing since doing it. It's only 1244 01:02:11,360 --> 01:02:15,200 Speaker 1: the only thing is morning pages right exactly. And I 1245 01:02:15,240 --> 01:02:17,440 Speaker 1: also want to run a fast marathon and I'm not 1246 01:02:17,480 --> 01:02:19,640 Speaker 1: sure like what that number is, but like I wanted 1247 01:02:19,720 --> 01:02:22,360 Speaker 1: to be, like I want to feel like I've putten 1248 01:02:22,360 --> 01:02:24,560 Speaker 1: in like five years of like a certain level of 1249 01:02:24,560 --> 01:02:26,240 Speaker 1: training that I know what it looks like. Right now, 1250 01:02:26,240 --> 01:02:28,560 Speaker 1: my life is to transient like always like this week 1251 01:02:28,680 --> 01:02:30,240 Speaker 1: is going to be really bad training and like last 1252 01:02:30,240 --> 01:02:33,000 Speaker 1: week wasn't great at some weeks in the falls, but 1253 01:02:33,080 --> 01:02:34,560 Speaker 1: I want to if this is boring, but I want 1254 01:02:34,600 --> 01:02:36,800 Speaker 1: to like do that by the time I'm thirty five, 1255 01:02:36,920 --> 01:02:39,080 Speaker 1: because after the five you kind of start declining, where 1256 01:02:39,120 --> 01:02:40,720 Speaker 1: even if I could, you could have run really well 1257 01:02:40,760 --> 01:02:43,840 Speaker 1: after that. But if I run my best marathon after that, always, 1258 01:02:43,840 --> 01:02:45,440 Speaker 1: like I wonder if I started, Like I wonder if 1259 01:02:45,440 --> 01:02:48,760 Speaker 1: I because I famously used to run quite a bit 1260 01:02:48,800 --> 01:02:51,720 Speaker 1: and now I'm trying to reclaim that. So that's like 1261 01:02:51,760 --> 01:02:54,800 Speaker 1: on the list, and um, I think I want to 1262 01:02:54,840 --> 01:03:01,960 Speaker 1: be I want to be like I want to write television. 1263 01:03:01,960 --> 01:03:04,200 Speaker 1: I guess also at some point, but I'm not like Marry. 1264 01:03:04,320 --> 01:03:05,840 Speaker 1: I don't need to write. I don't I don't need 1265 01:03:05,880 --> 01:03:07,200 Speaker 1: to I would if I had to choose be like 1266 01:03:07,200 --> 01:03:11,320 Speaker 1: writing television and writing like more like um prozy stuff. 1267 01:03:11,360 --> 01:03:13,280 Speaker 1: I would choose prosy stuff. And I don't know how 1268 01:03:13,360 --> 01:03:14,960 Speaker 1: much of that is. I just like don't like Celtics 1269 01:03:15,040 --> 01:03:16,640 Speaker 1: or like how much of it is, Like that's what 1270 01:03:16,720 --> 01:03:19,160 Speaker 1: I want, But I also have like the least the 1271 01:03:19,240 --> 01:03:20,880 Speaker 1: dream of like not even the dream, but like the 1272 01:03:21,320 --> 01:03:22,800 Speaker 1: part of pond dream of like being on Like I 1273 01:03:22,800 --> 01:03:24,880 Speaker 1: don't need to be on television. I don't need to 1274 01:03:24,920 --> 01:03:27,120 Speaker 1: act anymore, Like I never wanted to act. And just 1275 01:03:27,160 --> 01:03:29,520 Speaker 1: because I like doing comedy like I was, I guess 1276 01:03:29,520 --> 01:03:31,919 Speaker 1: I have to act, but I don't feel good at acting, 1277 01:03:31,960 --> 01:03:34,280 Speaker 1: and I also don't like it. So you were just 1278 01:03:34,320 --> 01:03:38,680 Speaker 1: talking at coffee about the difference between performance and acting, 1279 01:03:39,200 --> 01:03:42,600 Speaker 1: like it's it's this kind of weird thing where it's 1280 01:03:42,640 --> 01:03:45,200 Speaker 1: like you could be very good at like sketch comedy 1281 01:03:45,280 --> 01:03:47,520 Speaker 1: or like improv or something, or being on stage and 1282 01:03:47,560 --> 01:03:49,880 Speaker 1: like doing these things, but then when it comes to 1283 01:03:49,920 --> 01:03:51,680 Speaker 1: like the cameras in your face or like you have 1284 01:03:51,720 --> 01:03:53,800 Speaker 1: to actually engage with something in a real way on 1285 01:03:53,880 --> 01:03:55,880 Speaker 1: stage and like getting to the truth of the situation, 1286 01:03:55,960 --> 01:03:59,320 Speaker 1: like that is so hard. And just because you are 1287 01:03:59,480 --> 01:04:02,440 Speaker 1: good at comedy does not mean you are an actor, 1288 01:04:02,480 --> 01:04:04,560 Speaker 1: and it is so hard. It's so much harder than 1289 01:04:04,560 --> 01:04:06,640 Speaker 1: it looks like. Erica Jane was just doing an audition 1290 01:04:06,680 --> 01:04:09,800 Speaker 1: on Real Housewife and I literally I was like, she 1291 01:04:09,920 --> 01:04:11,840 Speaker 1: turned it out. She was great in that audition, And 1292 01:04:11,880 --> 01:04:13,720 Speaker 1: I'm and I think that she's probably a very talented 1293 01:04:13,720 --> 01:04:15,440 Speaker 1: woman that I would probably get along with, but I 1294 01:04:15,480 --> 01:04:17,920 Speaker 1: don't think that she's a good Real housewife. Right. I 1295 01:04:17,960 --> 01:04:21,200 Speaker 1: was just saying, you know, she accomplished acting on that 1296 01:04:21,240 --> 01:04:23,480 Speaker 1: show in a way that I didn't expect, in a 1297 01:04:23,520 --> 01:04:26,160 Speaker 1: way that like, even though she was doing nothing too great. 1298 01:04:26,400 --> 01:04:27,840 Speaker 1: I turned to Sudy and I was like, wow, she 1299 01:04:27,880 --> 01:04:29,120 Speaker 1: slaid that. You know what, she did really well on 1300 01:04:29,120 --> 01:04:31,720 Speaker 1: that audition. This was an audition from last season, I 1301 01:04:31,720 --> 01:04:36,520 Speaker 1: think season seven. Yeah, um, she she like took notes, 1302 01:04:36,680 --> 01:04:38,400 Speaker 1: like she did a read it with alien and then 1303 01:04:38,400 --> 01:04:41,120 Speaker 1: like she got notes and she slayed the notes, likely 1304 01:04:41,200 --> 01:04:44,760 Speaker 1: took direction. Yeah. Yeah, I think she's a talent, I 1305 01:04:44,800 --> 01:04:48,880 Speaker 1: really do, but I just like, but not a housewife. Okay, 1306 01:04:48,880 --> 01:04:51,040 Speaker 1: So it's kind of like that performance forst acting, Like, 1307 01:04:51,080 --> 01:04:53,120 Speaker 1: I don't think that Sonia Morgan would be a very 1308 01:04:53,160 --> 01:04:56,040 Speaker 1: good yes, exactly anything else, Yes, but she is a 1309 01:04:56,040 --> 01:04:59,960 Speaker 1: good housewife. It's rare to intersect being a good housewife 1310 01:05:00,160 --> 01:05:02,160 Speaker 1: and being a good actors, but Aileen Davison does it. 1311 01:05:02,400 --> 01:05:05,440 Speaker 1: But here's the thing, it's like crazy, imagine imagine, imagine, 1312 01:05:05,480 --> 01:05:08,120 Speaker 1: imagine if you realize that your true talent was being 1313 01:05:08,160 --> 01:05:11,840 Speaker 1: a housewife on television. That's huge. I would right now 1314 01:05:11,880 --> 01:05:13,439 Speaker 1: being a reality star, Like when of the best gigs 1315 01:05:13,440 --> 01:05:15,840 Speaker 1: you can get with spawn con being what it is, 1316 01:05:16,040 --> 01:05:18,080 Speaker 1: you know what I mean, Maybe we should just do that. 1317 01:05:18,920 --> 01:05:20,720 Speaker 1: I would do I would do a reality show in 1318 01:05:20,800 --> 01:05:23,680 Speaker 1: one second, because I love reality. People always ask me 1319 01:05:23,800 --> 01:05:25,959 Speaker 1: if I would do reality and I would do any 1320 01:05:26,000 --> 01:05:29,160 Speaker 1: reality show. I have to reveal something. I would do 1321 01:05:29,400 --> 01:05:32,720 Speaker 1: a cool version of Gay Batch. Yeah, totally. Oh, I 1322 01:05:32,760 --> 01:05:34,160 Speaker 1: don't know, Actually that's the one. I don't know if 1323 01:05:34,160 --> 01:05:35,400 Speaker 1: I would. I don't know if I want to find 1324 01:05:35,480 --> 01:05:38,160 Speaker 1: love on reality TV. It's so humiliating, But what if 1325 01:05:38,160 --> 01:05:40,840 Speaker 1: you were like a breakout start see. Yeah, but there 1326 01:05:40,880 --> 01:05:44,920 Speaker 1: are other there's so many easier avenues. I'm kind of 1327 01:05:44,920 --> 01:05:46,720 Speaker 1: being physician. If I was on Gay Batge, I would 1328 01:05:46,760 --> 01:05:48,160 Speaker 1: be there for the wrong reasons and because I have 1329 01:05:48,240 --> 01:05:50,800 Speaker 1: so much respect for the authenticity of reality television, I 1330 01:05:50,800 --> 01:05:52,800 Speaker 1: would have trouble like being okay with that. I have 1331 01:05:52,800 --> 01:05:55,400 Speaker 1: a question about reasons. Is is it a wrong reason 1332 01:05:55,440 --> 01:05:57,320 Speaker 1: to be there? If your goal is to become the 1333 01:05:57,360 --> 01:06:02,040 Speaker 1: next batch, that's the reason, but okas are bad. But 1334 01:06:02,080 --> 01:06:04,000 Speaker 1: here's the other thing too. In a way, I don't 1335 01:06:04,040 --> 01:06:06,439 Speaker 1: mind wrong reasons if like I'm not a big wrong 1336 01:06:06,480 --> 01:06:10,240 Speaker 1: reasons like Queen, because I think because I think at all, 1337 01:06:10,920 --> 01:06:13,160 Speaker 1: as long as we're opening to the open to the 1338 01:06:13,200 --> 01:06:15,040 Speaker 1: possibility that it could have, even if you're there for 1339 01:06:15,120 --> 01:06:16,640 Speaker 1: the reason you're like, oh if I like this guy 1340 01:06:16,680 --> 01:06:19,440 Speaker 1: and like we explore love to then as long as 1341 01:06:19,480 --> 01:06:20,840 Speaker 1: you're open to that, and I think you just need 1342 01:06:20,880 --> 01:06:22,520 Speaker 1: to be there and be open to it. But some 1343 01:06:22,560 --> 01:06:24,479 Speaker 1: people are there and you can tell like they're they're 1344 01:06:24,720 --> 01:06:27,120 Speaker 1: not ready to emotionally open themselves up and look for love. 1345 01:06:27,320 --> 01:06:29,040 Speaker 1: And I think that's a big gass. I wouldn't be 1346 01:06:29,080 --> 01:06:30,640 Speaker 1: able to do that. But I also would never sign 1347 01:06:30,680 --> 01:06:33,520 Speaker 1: up for that reason. So I think Wells as an 1348 01:06:33,520 --> 01:06:35,920 Speaker 1: example of that, like someone who like big Time, who 1349 01:06:35,960 --> 01:06:38,480 Speaker 1: is there not for the right reasons, but not even 1350 01:06:38,480 --> 01:06:40,840 Speaker 1: like yeah, like I think well As there for his ego. 1351 01:06:40,880 --> 01:06:42,760 Speaker 1: That's my ballas is there. My sister was like Oh 1352 01:06:42,800 --> 01:06:45,360 Speaker 1: my god, Wells and his girlfriend who's her name from 1353 01:06:45,360 --> 01:06:48,439 Speaker 1: Modern Family? I don't know her name. What's Sarah Hyland? Yeah, 1354 01:06:48,600 --> 01:06:51,880 Speaker 1: she's like my sister likes a bachelor and bachelor and 1355 01:06:51,920 --> 01:06:54,840 Speaker 1: she was like, oh, Wells Adams and um, Sarah Hyland 1356 01:06:54,880 --> 01:06:56,320 Speaker 1: are so cute. They're so cute, and I kind of 1357 01:06:56,360 --> 01:06:58,240 Speaker 1: was like, yeah, but you know, they're only dating each 1358 01:06:58,240 --> 01:07:00,600 Speaker 1: other because they're famous and wouldn't be dating if they 1359 01:07:00,600 --> 01:07:03,440 Speaker 1: weren't famous. And literally what they have in common is 1360 01:07:03,480 --> 01:07:05,880 Speaker 1: the fact that sometimes people take pictures of them, right, 1361 01:07:05,880 --> 01:07:08,200 Speaker 1: we'll see I could like knowing well As the way 1362 01:07:08,240 --> 01:07:11,080 Speaker 1: that I do, and feeling like I kind of know 1363 01:07:11,160 --> 01:07:13,880 Speaker 1: Sarah just from like watching her. I could see them 1364 01:07:13,880 --> 01:07:16,080 Speaker 1: like being really in love. But I think that Wells 1365 01:07:16,080 --> 01:07:17,920 Speaker 1: would never like go on like I think Wells and 1366 01:07:17,920 --> 01:07:20,280 Speaker 1: he is someone who requires that certain level of privacy 1367 01:07:20,320 --> 01:07:21,960 Speaker 1: that he couldn't do it there and I think he, 1368 01:07:22,120 --> 01:07:24,240 Speaker 1: like if you watch, if you watch JoJo's season, like, 1369 01:07:24,240 --> 01:07:27,680 Speaker 1: Wells is completely unable to like try to open himself 1370 01:07:27,760 --> 01:07:30,760 Speaker 1: up to a relationship. And then why is he repeatedly 1371 01:07:30,800 --> 01:07:33,600 Speaker 1: on these shows because he's popular. He especially was popular 1372 01:07:33,600 --> 01:07:36,439 Speaker 1: in Joe Joe's season because he's like they they they 1373 01:07:36,760 --> 01:07:39,200 Speaker 1: would have you believe he's like witty and funny. He 1374 01:07:39,280 --> 01:07:43,200 Speaker 1: certainly would. It becomes increasingly clear that he's not, but 1375 01:07:43,560 --> 01:07:46,080 Speaker 1: they let him go on extended bits on Bachelor in 1376 01:07:46,080 --> 01:07:48,680 Speaker 1: Paradise as like this girl went into the ocean and 1377 01:07:48,720 --> 01:07:50,960 Speaker 1: he like narrated it as like this like Australian sea 1378 01:07:51,000 --> 01:07:52,480 Speaker 1: captain or something, and I was like, what the fun 1379 01:07:52,960 --> 01:07:55,480 Speaker 1: it's contextually he was funny in joy because he was 1380 01:07:55,480 --> 01:07:57,960 Speaker 1: like at least like the voice of reason, but then 1381 01:07:58,000 --> 01:08:00,040 Speaker 1: he became like during his first season at bachel in 1382 01:08:00,120 --> 01:08:02,560 Speaker 1: Paradise he famously like when on a date with Ashley, 1383 01:08:02,600 --> 01:08:06,600 Speaker 1: I who's of course the biggest I will watch. Actually 1384 01:08:06,600 --> 01:08:09,040 Speaker 1: I's full spawn con stories like I don't care, like 1385 01:08:09,080 --> 01:08:11,600 Speaker 1: I actually have a storm. Actually I had the storm. 1386 01:08:11,680 --> 01:08:14,400 Speaker 1: Actually I had the storm and her she's only guilty 1387 01:08:14,400 --> 01:08:16,439 Speaker 1: of feeling. That was when it became he that like voice. 1388 01:08:16,520 --> 01:08:18,840 Speaker 1: That that's when that's the well's first season where he 1389 01:08:18,880 --> 01:08:21,120 Speaker 1: had already been on his season, and then that's always 1390 01:08:21,120 --> 01:08:23,960 Speaker 1: a change, like every season two of every housewife second 1391 01:08:23,960 --> 01:08:26,400 Speaker 1: season is their real first season, but that's when we're 1392 01:08:26,400 --> 01:08:29,400 Speaker 1: seeing them after they've already been on not even relaxed 1393 01:08:29,400 --> 01:08:32,519 Speaker 1: but aware, so like they then they've seen them right, 1394 01:08:32,560 --> 01:08:34,120 Speaker 1: they know how they look and so well as that 1395 01:08:34,439 --> 01:08:38,040 Speaker 1: you could tell Um his first batch of in Paradise season, 1396 01:08:38,600 --> 01:08:42,760 Speaker 1: I knew he was funny, like Elissa Edwards, and and 1397 01:08:42,800 --> 01:08:44,840 Speaker 1: then and then it only got worse in his second 1398 01:08:44,840 --> 01:08:47,439 Speaker 1: Batchel in Paradise season, which he though. I have more 1399 01:08:47,479 --> 01:08:49,080 Speaker 1: respect for that because he didn't come in as a 1400 01:08:49,160 --> 01:08:50,640 Speaker 1: as a contestant. He was there just as like a 1401 01:08:50,640 --> 01:08:54,680 Speaker 1: bartender who wasn't looking for love. You lean into it 1402 01:08:54,720 --> 01:08:56,760 Speaker 1: and you either succeeded leaning into it, I think, like 1403 01:08:56,760 --> 01:09:00,160 Speaker 1: Elissa Edwards does. Like e Lissa Edwards, this probably the 1404 01:09:00,200 --> 01:09:04,640 Speaker 1: most famous Rupol's drags. It really is, you know what, 1405 01:09:04,720 --> 01:09:07,559 Speaker 1: you should maybe even start with All Stars three, which 1406 01:09:07,560 --> 01:09:11,679 Speaker 1: is about an all Star season. That's fine, I didn't. 1407 01:09:11,720 --> 01:09:13,400 Speaker 1: I think you can start because you get a lot 1408 01:09:13,439 --> 01:09:15,840 Speaker 1: of you catch up really quickly with an altar because 1409 01:09:15,880 --> 01:09:17,760 Speaker 1: they have to give you background on on queens that 1410 01:09:17,800 --> 01:09:20,320 Speaker 1: have been there. So I also think with Rupole's drags, 1411 01:09:20,400 --> 01:09:23,160 Speaker 1: you can start with literally any season because that one season, 1412 01:09:23,200 --> 01:09:25,040 Speaker 1: no matter what the quality of that is, Like some 1413 01:09:25,080 --> 01:09:27,639 Speaker 1: people might even say season seven is quote unquote bad, 1414 01:09:28,040 --> 01:09:30,880 Speaker 1: Like you can start with and All Stars one I 1415 01:09:30,880 --> 01:09:33,559 Speaker 1: think is not as being bad, but you could start 1416 01:09:33,560 --> 01:09:35,880 Speaker 1: with any and get obsessed regardless of quality, because of 1417 01:09:35,920 --> 01:09:37,679 Speaker 1: what the show is, and then just start from wherever 1418 01:09:37,720 --> 01:09:41,559 Speaker 1: you want. In the beginning, you can pick the season 1419 01:09:41,560 --> 01:09:43,600 Speaker 1: that your favorite queen was in, but I think you 1420 01:09:43,600 --> 01:09:47,519 Speaker 1: would love why. I feel like your reality show media 1421 01:09:47,600 --> 01:09:51,439 Speaker 1: diet has to include, well, it's becoming I am have 1422 01:09:51,560 --> 01:09:54,360 Speaker 1: an increased sense of guilt, like over not wi I mean, 1423 01:09:54,520 --> 01:09:56,360 Speaker 1: don't feel guilt about I get that too, have Game 1424 01:09:56,360 --> 01:09:59,360 Speaker 1: of Thrones. Just just just you know, make that actionable 1425 01:09:59,400 --> 01:10:02,280 Speaker 1: and just do totally. It'll be on action items than 1426 01:10:02,400 --> 01:10:05,280 Speaker 1: you because actually, I'm sorry to everyone listening if you 1427 01:10:05,280 --> 01:10:07,360 Speaker 1: don't watch Rupole's drag race, But actually it's going to 1428 01:10:07,439 --> 01:10:09,720 Speaker 1: be a part of twenty eighteen Lost Culture Racists. We 1429 01:10:09,760 --> 01:10:11,919 Speaker 1: are going to be talking a lot about Rupol's drags 1430 01:10:12,640 --> 01:10:14,519 Speaker 1: like it's going to be something that we talk about. 1431 01:10:14,640 --> 01:10:17,759 Speaker 1: So you don't bravely that is brave in this climate. 1432 01:10:18,240 --> 01:10:22,280 Speaker 1: I think that I, um, lately, I think that I 1433 01:10:22,360 --> 01:10:24,120 Speaker 1: lately I've been watching a lot of Survivor, even like 1434 01:10:24,160 --> 01:10:26,920 Speaker 1: old seasons of Survivor. But is that true or is 1435 01:10:26,960 --> 01:10:29,479 Speaker 1: that just I think that because it's true. Yeah, he 1436 01:10:29,520 --> 01:10:31,360 Speaker 1: thinks that, but based on research that he's done on 1437 01:10:31,439 --> 01:10:34,080 Speaker 1: his own life. I reflected and I and I came 1438 01:10:34,120 --> 01:10:35,519 Speaker 1: to the conclusion that I've been watching quite a bit 1439 01:10:35,520 --> 01:10:38,080 Speaker 1: of Surviving. Watched the pilot episode of the first season. 1440 01:10:38,160 --> 01:10:40,519 Speaker 1: I've recently watched it, and I was like, Oh, this 1441 01:10:40,600 --> 01:10:43,160 Speaker 1: was finding its sea legs. If you will, do you 1442 01:10:43,200 --> 01:10:45,960 Speaker 1: want to hear something hysterically funny. I have never seen 1443 01:10:46,000 --> 01:10:48,880 Speaker 1: the first season of Survivor. I've seen almost every other season. Yeah, 1444 01:10:48,920 --> 01:10:50,920 Speaker 1: but I watched the season finale of the first season. 1445 01:10:50,920 --> 01:10:55,479 Speaker 1: I was literally same, literally saying, that's how I got 1446 01:10:55,560 --> 01:10:57,760 Speaker 1: into Survivor was the final four of the first season, 1447 01:10:57,800 --> 01:11:01,160 Speaker 1: which was famously Rudy, Susan Kelly, and Richard and Susan 1448 01:11:01,160 --> 01:11:03,519 Speaker 1: Hawk's famous speech but I and then I came into 1449 01:11:04,960 --> 01:11:10,040 Speaker 1: with a heavy Minnesota accent, um, but I am that 1450 01:11:10,120 --> 01:11:12,439 Speaker 1: was a star in the making moment because she didn't 1451 01:11:12,479 --> 01:11:16,000 Speaker 1: understand what reality is telling that reality reality now is 1452 01:11:16,040 --> 01:11:19,200 Speaker 1: a whole different game. And then it went through like 1453 01:11:19,240 --> 01:11:22,000 Speaker 1: an adolescence where it was like, um, now these people 1454 01:11:22,000 --> 01:11:24,080 Speaker 1: are coming on having seniority shows, and now we're in 1455 01:11:24,080 --> 01:11:26,360 Speaker 1: a new place where like these people have grown up 1456 01:11:26,400 --> 01:11:28,280 Speaker 1: watching it and it's it's like just a part of 1457 01:11:28,280 --> 01:11:30,400 Speaker 1: their world. Like even I'm a big I watch Big 1458 01:11:30,400 --> 01:11:33,599 Speaker 1: Brother on CBS and that is my sister's obsessed. That's 1459 01:11:33,640 --> 01:11:35,519 Speaker 1: the kind of fans because it's on three times a week. 1460 01:11:36,200 --> 01:11:38,519 Speaker 1: It demands that you not have a relationship like it 1461 01:11:38,560 --> 01:11:41,000 Speaker 1: demands like it demands you for the summer. And there's 1462 01:11:41,000 --> 01:11:44,439 Speaker 1: also live feeds we can watch and even Julie Chen 1463 01:11:44,640 --> 01:11:47,960 Speaker 1: is like posted up yeah, true, Jolie Chen should get 1464 01:11:48,200 --> 01:11:50,880 Speaker 1: em an Oscar Award for a Big Brother an Oscar 1465 01:11:50,920 --> 01:11:54,880 Speaker 1: Award and Oscar Award. The title of the episode, sorry, No, 1466 01:11:55,080 --> 01:11:58,559 Speaker 1: it's the story of Lou misleading. It makes you think 1467 01:11:58,560 --> 01:12:00,320 Speaker 1: the wholepisode is going to be about Lou and it's not. 1468 01:12:00,400 --> 01:12:02,280 Speaker 1: This episode has been so much more than about It's 1469 01:12:02,280 --> 01:12:11,000 Speaker 1: not about the big chunk. Remember Julia TB Julia Style's conversation, 1470 01:12:11,040 --> 01:12:13,080 Speaker 1: but most of the Big Brother conversations with them like 1471 01:12:13,160 --> 01:12:14,880 Speaker 1: laying around on like you know, their couches, but they're 1472 01:12:14,920 --> 01:12:17,120 Speaker 1: big like comforts on them and they're like I think 1473 01:12:17,160 --> 01:12:18,599 Speaker 1: I'm like do you think I'm an Amanda? And they 1474 01:12:18,800 --> 01:12:21,240 Speaker 1: they're they're only points. They're like trying to figure out 1475 01:12:21,240 --> 01:12:24,120 Speaker 1: who they are to the outside world who's watching, which 1476 01:12:24,160 --> 01:12:25,960 Speaker 1: is like that's something we didn't see on reality like 1477 01:12:26,040 --> 01:12:28,360 Speaker 1: five years ago. Who do you think Bowen would be 1478 01:12:28,400 --> 01:12:31,400 Speaker 1: Pat's favorite queen? Because I think I know, Oh this 1479 01:12:31,479 --> 01:12:33,280 Speaker 1: is so hard. I think I know who would be 1480 01:12:33,360 --> 01:12:38,839 Speaker 1: his favorite queen. I think he would appreciate Tricksy because 1481 01:12:39,240 --> 01:12:42,559 Speaker 1: of her. It has it has to be someone who's 1482 01:12:42,640 --> 01:12:45,960 Speaker 1: not that self aware. So really someone who I guess 1483 01:12:46,000 --> 01:12:48,080 Speaker 1: knows the assigned. I don't know someone who knows the assignment, 1484 01:12:48,120 --> 01:12:51,160 Speaker 1: but it's also like not fully tapped into what makes 1485 01:12:51,160 --> 01:12:54,880 Speaker 1: them watchable. I think that's maybe I'm like misreading what 1486 01:12:54,960 --> 01:12:58,400 Speaker 1: Pat response to it. So it's like it's it's knowing, 1487 01:12:58,640 --> 01:13:00,680 Speaker 1: but like Lisa Wrenna knows the ASA, but she's still 1488 01:13:00,720 --> 01:13:04,000 Speaker 1: not authentic because she's trying to The assignment is to 1489 01:13:04,200 --> 01:13:06,840 Speaker 1: just be authentic, and so if you're trying to do that, 1490 01:13:06,880 --> 01:13:08,080 Speaker 1: then you're not you know what I mean. So it's 1491 01:13:08,080 --> 01:13:10,200 Speaker 1: like I don't know what that means in the Rue 1492 01:13:10,240 --> 01:13:13,599 Speaker 1: Paul verse, but for House, I think it's like I 1493 01:13:13,640 --> 01:13:19,559 Speaker 1: truly think it's like maybe a cheat. I think actually, 1494 01:13:20,800 --> 01:13:24,760 Speaker 1: like when I'm something for everybody, um, when I've seen 1495 01:13:24,920 --> 01:13:28,600 Speaker 1: drug shows like around town. I think when I'm the 1496 01:13:28,640 --> 01:13:31,080 Speaker 1: ones that I when I'm impressed or like when I'm 1497 01:13:31,120 --> 01:13:32,479 Speaker 1: the ones that I get in, the moments that I 1498 01:13:32,479 --> 01:13:35,960 Speaker 1: get into are like the fun, like impressive, almost like athletic, 1499 01:13:36,080 --> 01:13:39,840 Speaker 1: like um dance stuff. I will say that watching a 1500 01:13:39,840 --> 01:13:43,120 Speaker 1: live drag performance is so far away from what the 1501 01:13:43,200 --> 01:13:46,200 Speaker 1: entertainment value of drag race. So but having you having 1502 01:13:46,240 --> 01:13:48,200 Speaker 1: said that, I do think you'd like as you like 1503 01:13:48,240 --> 01:13:49,800 Speaker 1: a Lissa, you like cheat G. You might even like 1504 01:13:49,880 --> 01:13:52,040 Speaker 1: Kennedy because Kennedy is authentic, and I think that when 1505 01:13:52,040 --> 01:13:55,040 Speaker 1: I wanted, even though she's not the most interesting engaging queen, 1506 01:13:55,880 --> 01:13:58,280 Speaker 1: I love Kennedy. Love Kennedy, I think, and I think 1507 01:13:58,320 --> 01:13:59,920 Speaker 1: that I agree that I think what I would respond 1508 01:14:00,000 --> 01:14:02,439 Speaker 1: too is not necessarily like. I think that the one 1509 01:14:02,439 --> 01:14:04,839 Speaker 1: who I who's drag I like the best wouldn't necessarily 1510 01:14:04,840 --> 01:14:06,200 Speaker 1: be the one who I like the best, but I 1511 01:14:06,200 --> 01:14:08,880 Speaker 1: would on a personal level. Yeah, I think you would 1512 01:14:08,960 --> 01:14:12,120 Speaker 1: hate the like look queens. You would not like. You 1513 01:14:12,120 --> 01:14:14,080 Speaker 1: would not be a Violet trash key fan, you would 1514 01:14:14,080 --> 01:14:16,040 Speaker 1: not be a Pearl fan. I might like that though 1515 01:14:16,080 --> 01:14:18,040 Speaker 1: I like the like the realism of like I like 1516 01:14:18,080 --> 01:14:20,880 Speaker 1: when I feel like, they're really recognizable characters from my 1517 01:14:20,960 --> 01:14:22,160 Speaker 1: life that I've seen, you know what I mean, Like 1518 01:14:22,320 --> 01:14:23,640 Speaker 1: when it's Ago, I know that woman, you know what 1519 01:14:23,680 --> 01:14:25,080 Speaker 1: I mean? That's fun to me. But then I'm like, 1520 01:14:25,080 --> 01:14:28,439 Speaker 1: wait then do isn't it just like characters the Drag 1521 01:14:28,560 --> 01:14:31,639 Speaker 1: Race too. That it's that's very interesting is that it's 1522 01:14:31,680 --> 01:14:35,479 Speaker 1: a show about professional attaining some sort of professional success 1523 01:14:35,600 --> 01:14:39,479 Speaker 1: or actualization, where it's you know, might be true in 1524 01:14:39,479 --> 01:14:41,120 Speaker 1: the Housewives the World, but it's like you're watching these 1525 01:14:41,120 --> 01:14:44,280 Speaker 1: people grow as artists, and so you might respond to 1526 01:14:44,320 --> 01:14:47,639 Speaker 1: certain narratives about people like learning and learn, like figuring 1527 01:14:47,640 --> 01:14:49,880 Speaker 1: out in the moment what makes them great. I feel 1528 01:14:49,880 --> 01:14:52,599 Speaker 1: like maybe like a Kimchi Pat would like or someone 1529 01:14:52,640 --> 01:14:54,559 Speaker 1: you know, someone who has like this great arc of 1530 01:14:54,640 --> 01:14:56,640 Speaker 1: like I don't know what I'm like, I don't I'm 1531 01:14:56,680 --> 01:14:58,559 Speaker 1: out of my league here, and then who like totally 1532 01:14:58,640 --> 01:15:01,000 Speaker 1: I always respond to that. My favorite genre of movie 1533 01:15:01,120 --> 01:15:03,040 Speaker 1: is like Girl in Big City, like trying to make it, 1534 01:15:04,240 --> 01:15:06,479 Speaker 1: and I think you would like I recently just mist 1535 01:15:06,520 --> 01:15:09,760 Speaker 1: Frances Hat and I really liked that. Lady Bird is 1536 01:15:09,760 --> 01:15:11,720 Speaker 1: the only great growing movie I've seen. I've never seen 1537 01:15:11,840 --> 01:15:17,560 Speaker 1: Lady Burt. You would love like that. I want to 1538 01:15:17,600 --> 01:15:23,679 Speaker 1: say one thing about All Stars coming up. Somebody told 1539 01:15:23,760 --> 01:15:28,160 Speaker 1: me a hint about some tea, and I will say, 1540 01:15:28,280 --> 01:15:30,200 Speaker 1: if this tea is true, it is going to be 1541 01:15:30,280 --> 01:15:35,080 Speaker 1: a unpredictable and very fun season. You can you say 1542 01:15:35,240 --> 01:15:38,080 Speaker 1: what that t is. If I said the tea, it 1543 01:15:38,120 --> 01:15:44,599 Speaker 1: would actually be sort of revealing the success of one 1544 01:15:44,680 --> 01:15:47,840 Speaker 1: or two contestants. And therefore I will tell you after 1545 01:15:48,040 --> 01:15:49,840 Speaker 1: if you want to know, I will not get mad 1546 01:15:49,880 --> 01:15:53,720 Speaker 1: at you because I have been really through it on 1547 01:15:53,760 --> 01:15:57,320 Speaker 1: this podcast and in my private life about potentially ruining 1548 01:15:58,120 --> 01:16:02,720 Speaker 1: quote unquote things. But I don't think that. I think 1549 01:16:02,720 --> 01:16:04,599 Speaker 1: that people are out again me is what I'm saying. 1550 01:16:04,880 --> 01:16:09,320 Speaker 1: Are always okay? So but I'm being brave into yes famously. 1551 01:16:09,400 --> 01:16:12,360 Speaker 1: And something that the listeners can look forward to in is, 1552 01:16:12,400 --> 01:16:16,040 Speaker 1: you know, maybe some specific content relating to drag race 1553 01:16:16,160 --> 01:16:20,720 Speaker 1: on culture. There definitely will be and and yeah, we're 1554 01:16:20,760 --> 01:16:23,040 Speaker 1: we're taking a stand, you know, you know, we're taking 1555 01:16:23,040 --> 01:16:26,479 Speaker 1: a stand outside of the regular episode release, Cadence. I mean, 1556 01:16:26,560 --> 01:16:28,439 Speaker 1: maybe you've listened to our episodes in the past with 1557 01:16:28,560 --> 01:16:31,320 Speaker 1: Josh Sharpen and Jackson and also Nicole Silverberg where we 1558 01:16:31,479 --> 01:16:34,080 Speaker 1: talked entirely about RuPaul jack Race of the entire time. 1559 01:16:35,000 --> 01:16:37,040 Speaker 1: I don't know if it'll be that will be, it 1560 01:16:37,120 --> 01:16:39,519 Speaker 1: might not be that in depth, but we're going to 1561 01:16:39,600 --> 01:16:42,000 Speaker 1: be discussing it absolutely. Okay, let's move on it. I 1562 01:16:42,000 --> 01:16:44,120 Speaker 1: don't think so, honey. Yeah, I get so nervous for 1563 01:16:44,280 --> 01:16:48,040 Speaker 1: that's insane because you're the icon and that's fine. And 1564 01:16:48,080 --> 01:16:51,320 Speaker 1: that's why because you think that Heavy is the crown, 1565 01:16:51,800 --> 01:16:53,280 Speaker 1: Heavy is the ground and that is at least of 1566 01:16:53,360 --> 01:16:59,439 Speaker 1: inner pump quote is it really? What's the best real house? 1567 01:16:59,600 --> 01:17:03,120 Speaker 1: Heavy had the words? So what I'm thinking about now 1568 01:17:03,200 --> 01:17:05,280 Speaker 1: is like what Luian's headline won't be, And this is 1569 01:17:05,320 --> 01:17:06,640 Speaker 1: what I've settled on. This is what this is what 1570 01:17:06,760 --> 01:17:09,960 Speaker 1: I would pitch M. I have the right to remain silent, 1571 01:17:10,120 --> 01:17:16,320 Speaker 1: but I'll always speak my truth. Can I send it 1572 01:17:16,400 --> 01:17:17,840 Speaker 1: to I would love to be that guy that writes 1573 01:17:17,880 --> 01:17:19,720 Speaker 1: that I wanted. I want to know. This is how 1574 01:17:19,760 --> 01:17:21,599 Speaker 1: you know when you like see like I remember seeing 1575 01:17:21,600 --> 01:17:24,360 Speaker 1: like um like behind the scenes verge of like Ashley 1576 01:17:24,400 --> 01:17:26,200 Speaker 1: Simpson like writing her songs and it's like some guy 1577 01:17:26,439 --> 01:17:27,960 Speaker 1: like old guy with her in a studio and they're 1578 01:17:27,960 --> 01:17:31,320 Speaker 1: like collaborating together for like hours. Like That's how I picture, 1579 01:17:31,400 --> 01:17:33,680 Speaker 1: like those taglines getting rid, Like each housewife goes in 1580 01:17:33,720 --> 01:17:35,479 Speaker 1: and they like they have like a twelve hour Like 1581 01:17:35,520 --> 01:17:38,720 Speaker 1: who are you sing about the housewives that are like 1582 01:17:38,800 --> 01:17:42,200 Speaker 1: pathetic and nothing? Their taglines are always like I'm always 1583 01:17:42,200 --> 01:17:45,720 Speaker 1: extre mad about them. Was like like when Kristen was like, 1584 01:17:45,960 --> 01:17:48,640 Speaker 1: pretty is not as nice as it looks. I was 1585 01:17:48,680 --> 01:17:52,040 Speaker 1: like the previous season, her first season, she got shipped 1586 01:17:52,040 --> 01:17:54,400 Speaker 1: because her tagline was I may not be smart, but 1587 01:17:54,439 --> 01:17:57,639 Speaker 1: I'm pretty, and then she got shipped, so they said 1588 01:17:57,640 --> 01:18:00,080 Speaker 1: pretty is not as dumb as pretty as not as 1589 01:18:00,160 --> 01:18:02,120 Speaker 1: dumb as or something like that. It was just so, 1590 01:18:02,240 --> 01:18:04,840 Speaker 1: But I actually like, I like Kristen Takeman like I 1591 01:18:04,880 --> 01:18:07,479 Speaker 1: don't need you to strong like I need to feel like, 1592 01:18:07,520 --> 01:18:09,640 Speaker 1: but I feel like I know christ and Tykeman if 1593 01:18:09,640 --> 01:18:12,200 Speaker 1: I if I saw her, I connect with her emotional controversial. 1594 01:18:12,200 --> 01:18:14,720 Speaker 1: I'm gonna say this, I am not here for housewives 1595 01:18:14,720 --> 01:18:17,360 Speaker 1: that are young. They're not always they're hit or mess. 1596 01:18:17,640 --> 01:18:20,120 Speaker 1: I don't want young housewives. I want housewives in their 1597 01:18:20,160 --> 01:18:25,120 Speaker 1: forties who feel like there's something on the line totally 1598 01:18:25,160 --> 01:18:27,080 Speaker 1: even if there's not, because they're rich and taken care 1599 01:18:27,120 --> 01:18:30,920 Speaker 1: of her life. They you can see the panic like 1600 01:18:31,080 --> 01:18:33,160 Speaker 1: in their eyes. Because what I love is when there's 1601 01:18:33,160 --> 01:18:34,760 Speaker 1: a nice balance, when there's a cask with like a 1602 01:18:34,800 --> 01:18:37,519 Speaker 1: thirty year old like and then there's but also like 1603 01:18:37,520 --> 01:18:41,760 Speaker 1: a five year old. Yeah, yeah, well anyway, yeah, let's 1604 01:18:41,760 --> 01:18:43,839 Speaker 1: do it. I don't think so, honey, because there's obviously 1605 01:18:43,880 --> 01:18:46,240 Speaker 1: I mean, this episode is looking back onto seventeen and 1606 01:18:46,320 --> 01:18:48,160 Speaker 1: looking forward to as in eighteen, and there's so much 1607 01:18:48,160 --> 01:18:50,479 Speaker 1: to discuss, but we do have to eventually end it. 1608 01:18:51,280 --> 01:18:52,559 Speaker 1: So now we have to do I don't think so, honey, 1609 01:18:52,640 --> 01:18:56,360 Speaker 1: despite your fears, so okay, but to a sewage those fears, 1610 01:18:56,960 --> 01:18:59,200 Speaker 1: you know, Matt and I will go first, as we'll 1611 01:18:59,200 --> 01:19:01,720 Speaker 1: always go first. Thank you always set you up for 1612 01:19:01,760 --> 01:19:04,800 Speaker 1: success things. Don't you ever forget that? Thank you? Okay, man, 1613 01:19:04,800 --> 01:19:06,880 Speaker 1: do you want to go first? Or shall I? I'll 1614 01:19:06,920 --> 01:19:09,600 Speaker 1: go first? Okay, alright, this is Matt Rodgers is I 1615 01:19:09,600 --> 01:19:12,479 Speaker 1: don't think so, honey. His time starts now. I don't 1616 01:19:12,479 --> 01:19:15,680 Speaker 1: think so, honey. People with regrets, okay, because guess what, 1617 01:19:16,080 --> 01:19:18,439 Speaker 1: they're in the past. And unless you have a little 1618 01:19:18,560 --> 01:19:22,200 Speaker 1: um time machine. Doc Brown asked, bitch, you can't go back, 1619 01:19:22,400 --> 01:19:24,840 Speaker 1: and so why would you even waste time saying that 1620 01:19:24,880 --> 01:19:26,960 Speaker 1: you have regrets. Guess what that then that happened two 1621 01:19:26,960 --> 01:19:31,600 Speaker 1: thousand four. You will never go back there, so look forward, honey. 1622 01:19:31,960 --> 01:19:34,760 Speaker 1: I don't think so, honey, regrets. Why would you even 1623 01:19:34,800 --> 01:19:38,840 Speaker 1: waste someone's time saying that you have regrets unless you 1624 01:19:38,880 --> 01:19:41,439 Speaker 1: don't want them to to make that mistake in the 1625 01:19:41,479 --> 01:19:44,639 Speaker 1: future and in that way, and if that's true, don't 1626 01:19:44,720 --> 01:19:47,320 Speaker 1: frame it like one of my biggest regrets is you 1627 01:19:47,320 --> 01:19:50,280 Speaker 1: have to frame it like, honey, for the future, dot 1628 01:19:50,320 --> 01:19:56,439 Speaker 1: dot dot and never mentioned regrets because regrets are you know, 1629 01:19:57,560 --> 01:20:04,200 Speaker 1: regrets are not this season's highest fashion accessory. I'll tell 1630 01:20:04,200 --> 01:20:08,559 Speaker 1: you what is confidence? And button five seconds? What's wrong 1631 01:20:08,600 --> 01:20:11,200 Speaker 1: with being confident? Let me tell you something. What do 1632 01:20:11,200 --> 01:20:18,400 Speaker 1: I regret? Nothing? And I'm so sorry I impose on 1633 01:20:18,439 --> 01:20:20,200 Speaker 1: the sanctity of your I don't think I thought your 1634 01:20:20,200 --> 01:20:21,720 Speaker 1: time was up. I thought we were going to suck 1635 01:20:21,800 --> 01:20:23,280 Speaker 1: on it. That's why I spoke up the bed. Can 1636 01:20:23,320 --> 01:20:25,599 Speaker 1: I tell you something I wanted to? I don't think so, honey. 1637 01:20:25,720 --> 01:20:29,320 Speaker 1: People who don't courtesy flush because earlier today I had 1638 01:20:29,360 --> 01:20:31,639 Speaker 1: to piss someone's ship off the side of the bowl 1639 01:20:31,760 --> 01:20:33,960 Speaker 1: and that was my chet, so converse, I wasn't going 1640 01:20:34,000 --> 01:20:37,280 Speaker 1: to give you up, but he took a big explosive 1641 01:20:37,320 --> 01:20:39,439 Speaker 1: ship and clung to the walls of the toilet, and 1642 01:20:39,520 --> 01:20:41,120 Speaker 1: I had to when I went in after him, I 1643 01:20:41,160 --> 01:20:43,719 Speaker 1: had to piss the ship off the sides of the bowl, 1644 01:20:43,800 --> 01:20:47,080 Speaker 1: and that his friendship. I actually actually wrote a song 1645 01:20:47,080 --> 01:20:52,080 Speaker 1: about this. Cool. Really, you want to perform it now? Sure? Okay, 1646 01:20:52,400 --> 01:20:54,160 Speaker 1: um let save it from the end of the podcast. 1647 01:20:54,280 --> 01:20:55,879 Speaker 1: We can do it at the end because we traditionally 1648 01:20:56,000 --> 01:21:00,160 Speaker 1: ended with a song about this, Okay, so we'll And 1649 01:21:00,200 --> 01:21:02,080 Speaker 1: I'm just thinking, firstly, I hate when you're at like 1650 01:21:02,080 --> 01:21:05,280 Speaker 1: like I was just out of brunch and I and like, 1651 01:21:06,280 --> 01:21:08,080 Speaker 1: I hate when you're at like a close space and 1652 01:21:08,200 --> 01:21:09,360 Speaker 1: this is I don't think this is my I don't 1653 01:21:09,360 --> 01:21:11,519 Speaker 1: think so, honey. But like when you when the flush 1654 01:21:11,680 --> 01:21:14,439 Speaker 1: is not strong and it's like you can't the onus 1655 01:21:14,439 --> 01:21:16,840 Speaker 1: is on you to press down or or when you 1656 01:21:16,880 --> 01:21:18,479 Speaker 1: flush it and it's just like it doesn't really do 1657 01:21:18,560 --> 01:21:21,479 Speaker 1: anything and you have to like, wait, I have to 1658 01:21:21,520 --> 01:21:24,719 Speaker 1: step in because it doesn't matter. That's not an excuse. 1659 01:21:25,040 --> 01:21:27,400 Speaker 1: If you are leaving the bathroom and it looks like 1660 01:21:27,439 --> 01:21:30,040 Speaker 1: you've used it, I agree, but I'm saying it, and 1661 01:21:30,160 --> 01:21:33,920 Speaker 1: I don't care if you leave your piss in the 1662 01:21:33,960 --> 01:21:39,479 Speaker 1: toilet because to save water. That's disgusting, especially if you're 1663 01:21:39,479 --> 01:21:43,960 Speaker 1: a p is highlight er yellow. You're sick, You're sick mentally, 1664 01:21:44,720 --> 01:21:49,400 Speaker 1: physical and treatment and see that, because you know what, honey, 1665 01:21:49,520 --> 01:21:52,559 Speaker 1: you're really sick actually, And you know what's funny about 1666 01:21:52,560 --> 01:21:54,320 Speaker 1: this whole thing. This is what I'm saying is a 1667 01:21:54,360 --> 01:21:55,920 Speaker 1: lot more engaging than my actual I don't think so, 1668 01:21:58,360 --> 01:21:59,800 Speaker 1: but all but I don't think, honey, is going to 1669 01:21:59,840 --> 01:22:01,280 Speaker 1: be real boring, but everything else is going to be 1670 01:22:01,400 --> 01:22:07,720 Speaker 1: so so, so so so good. Um, I'm gonna need 1671 01:22:07,760 --> 01:22:08,960 Speaker 1: my phone for this because so can you get your 1672 01:22:08,960 --> 01:22:11,479 Speaker 1: phone out of time? My phone keeps falling on the ground. 1673 01:22:11,800 --> 01:22:16,280 Speaker 1: No, no no, no, you have to actually, I guess no, 1674 01:22:16,479 --> 01:22:18,559 Speaker 1: I just I just need to reference. Um, it's such 1675 01:22:18,560 --> 01:22:20,479 Speaker 1: a scene right now, be looking from my phone. Okay, 1676 01:22:20,640 --> 01:22:23,160 Speaker 1: just use my just use just alright, this is I 1677 01:22:23,160 --> 01:22:26,400 Speaker 1: don't think I have my phone. I was like, I 1678 01:22:26,439 --> 01:22:28,200 Speaker 1: have to pee and I'm like thinking about that. Well, 1679 01:22:28,240 --> 01:22:30,320 Speaker 1: stop thinking about that, because you're somewhere really where you 1680 01:22:30,320 --> 01:22:33,040 Speaker 1: have to focus, all right. I don't know, honey, bone 1681 01:22:33,040 --> 01:22:35,040 Speaker 1: and your time starts now, I don't think so, honey, 1682 01:22:35,080 --> 01:22:37,680 Speaker 1: The general manager of the Colorado Ski and Golf on 1683 01:22:37,720 --> 01:22:40,360 Speaker 1: Havana Street in Denver, Colorado. Bitch, I had to get 1684 01:22:40,400 --> 01:22:43,520 Speaker 1: my ski boots re sized because one of your salesman 1685 01:22:43,760 --> 01:22:47,519 Speaker 1: sold me a shitty Solomon boot, and Honey, I had to. 1686 01:22:47,840 --> 01:22:50,439 Speaker 1: I was in horrible pain last year when I was skiing, 1687 01:22:50,479 --> 01:22:53,360 Speaker 1: and my dad was f livid. Was like, we have 1688 01:22:53,479 --> 01:22:55,479 Speaker 1: to do we have to correct this, to do something. 1689 01:22:55,479 --> 01:22:58,200 Speaker 1: So next year, which you know is this year. I e. 1690 01:22:58,800 --> 01:23:00,879 Speaker 1: We go to the Ski and Golf off we say 1691 01:23:00,920 --> 01:23:04,280 Speaker 1: someone sold us a terrible product that gave me horrible 1692 01:23:04,840 --> 01:23:08,919 Speaker 1: last year. Can you please help us? George at Colorado 1693 01:23:08,960 --> 01:23:12,600 Speaker 1: Ski and Golf, the general manager roundly ignored us for 1694 01:23:12,640 --> 01:23:15,479 Speaker 1: the better part of forty five fucking minutes until a 1695 01:23:15,600 --> 01:23:18,840 Speaker 1: nice young man, Zach, came and said, we will heap 1696 01:23:18,880 --> 01:23:21,719 Speaker 1: these up seconds, span the width and expand where where 1697 01:23:21,760 --> 01:23:24,080 Speaker 1: is the pressure. I will help you, Zach. I love 1698 01:23:24,080 --> 01:23:27,800 Speaker 1: you so much, but I I will. I will. I'm gonna. 1699 01:23:27,840 --> 01:23:30,360 Speaker 1: I'm gonna do something. I'm responsible. Call three or three 1700 01:23:30,400 --> 01:23:34,639 Speaker 1: three seven four to complain about the general manager. George. 1701 01:23:38,479 --> 01:23:41,200 Speaker 1: I've never done this before, but I will use my 1702 01:23:41,200 --> 01:23:46,000 Speaker 1: platform too. Sick my supporters, I don't see you getting 1703 01:23:46,040 --> 01:23:48,400 Speaker 1: your fucking notebook out and right in that because it's 1704 01:23:48,439 --> 01:23:51,559 Speaker 1: not because I don't. And George of your list question, 1705 01:23:51,960 --> 01:23:56,920 Speaker 1: and George, if you're listening, Treatment, I have a few 1706 01:23:56,920 --> 01:23:59,960 Speaker 1: things to say about that one. George Treatment to come 1707 01:24:00,000 --> 01:24:04,000 Speaker 1: into the stage. Solomon boot free. Zach will always be 1708 01:24:04,040 --> 01:24:07,400 Speaker 1: the savior. Zach was the and was he hot? He 1709 01:24:07,640 --> 01:24:10,439 Speaker 1: was hot. You can't be named Zach, can not be 1710 01:24:10,479 --> 01:24:12,719 Speaker 1: hot to work at a ski shop and rule culture 1711 01:24:12,800 --> 01:24:15,080 Speaker 1: number fifty one, you can't be named Zach. You can 1712 01:24:15,640 --> 01:24:22,160 Speaker 1: and working a ski shop and Zach Zach, I will say, 1713 01:24:22,520 --> 01:24:27,519 Speaker 1: is the platonic ideal of a salesperson who explain he's 1714 01:24:27,600 --> 01:24:29,840 Speaker 1: just so helpful, he was so understanding, he listened, and 1715 01:24:29,880 --> 01:24:32,519 Speaker 1: here's the thing he might work for. He might work 1716 01:24:32,560 --> 01:24:37,080 Speaker 1: on commission the service that he provided for me free 1717 01:24:37,120 --> 01:24:39,920 Speaker 1: of charge. He said, this is totally free. You bought 1718 01:24:39,960 --> 01:24:42,200 Speaker 1: the boot from us, We get to we get to 1719 01:24:42,200 --> 01:24:45,320 Speaker 1: recustomize this for you, totally free. And you know what, 1720 01:24:45,920 --> 01:24:48,599 Speaker 1: but that being but that being said, called their place 1721 01:24:48,760 --> 01:24:51,000 Speaker 1: his points of employment and complain, no, no, no, don't 1722 01:24:51,360 --> 01:24:53,479 Speaker 1: don't even do this. No no, no, I'm sorry. I 1723 01:24:53,800 --> 01:24:56,640 Speaker 1: released the phone number, not not not to do the 1724 01:24:56,720 --> 01:25:03,160 Speaker 1: number not to attack the establishment, but to one complain 1725 01:25:03,160 --> 01:25:07,559 Speaker 1: about George, but to please, please please get zachar promotion 1726 01:25:07,640 --> 01:25:09,720 Speaker 1: or a pay raise. Zach deserves that. I love Zach 1727 01:25:09,800 --> 01:25:12,120 Speaker 1: very much z because what could he be making? I 1728 01:25:12,160 --> 01:25:13,960 Speaker 1: don't know, but he deserves to be making so much more. 1729 01:25:14,000 --> 01:25:16,680 Speaker 1: He was so well spoken, so nice, so genteel. I 1730 01:25:16,720 --> 01:25:19,000 Speaker 1: loved him. I love za. Yah. It sounds like a 1731 01:25:19,080 --> 01:25:22,360 Speaker 1: really good guy. Okay, so you know, um time has come. Okay, 1732 01:25:22,360 --> 01:25:24,639 Speaker 1: I'm gonna do it. This is gonna be pat Regans. 1733 01:25:24,640 --> 01:25:28,080 Speaker 1: I don't think so honey, and his time starts now. Okay, 1734 01:25:28,120 --> 01:25:31,120 Speaker 1: I don't think so honey. Bread because my days eighteen 1735 01:25:31,160 --> 01:25:33,000 Speaker 1: thing is less bread, just less. But I don't like 1736 01:25:33,040 --> 01:25:36,439 Speaker 1: the way it's insidious, invites me every day for lunch. 1737 01:25:36,439 --> 01:25:37,960 Speaker 1: I'm like, I'm not going to have any bread, butch 1738 01:25:38,000 --> 01:25:40,439 Speaker 1: and all. I started considering options, all road leaved the bread, 1739 01:25:40,439 --> 01:25:42,639 Speaker 1: and guess what puts me? I need a twelve hours 1740 01:25:42,680 --> 01:25:45,280 Speaker 1: sleep after I've had even one slice of bread. And 1741 01:25:45,320 --> 01:25:46,400 Speaker 1: I don't like it. I don't like the way it 1742 01:25:46,400 --> 01:25:48,240 Speaker 1: makes me feel. I don't like the way it tempts me. 1743 01:25:48,280 --> 01:25:50,040 Speaker 1: I don't like the way it makes my body look. 1744 01:25:50,080 --> 01:25:52,040 Speaker 1: I don't like makes me feel bloated, like I don't 1745 01:25:52,040 --> 01:25:54,439 Speaker 1: think so honey bread like it's involved in every single dish. 1746 01:25:54,439 --> 01:25:58,559 Speaker 1: It's all over and it ruins lives, it ruins family, damaging, 1747 01:25:58,720 --> 01:26:01,840 Speaker 1: It affects my entire day. I can't escape from it. 1748 01:26:01,840 --> 01:26:04,160 Speaker 1: It's everywhere like it. I think, it acts like gets 1749 01:26:04,160 --> 01:26:05,600 Speaker 1: my friend and I want it, and then when I 1750 01:26:05,640 --> 01:26:07,920 Speaker 1: eat it, I feel so so tired. My brain gets 1751 01:26:08,000 --> 01:26:09,640 Speaker 1: tired as it is right now because guess what, I 1752 01:26:09,720 --> 01:26:11,400 Speaker 1: ate bread. Even though I said I wasn't going to 1753 01:26:11,479 --> 01:26:12,920 Speaker 1: me in the beginning of a teen I'm gonna eat 1754 01:26:13,000 --> 01:26:15,639 Speaker 1: less bread. Also in the beginning of a team eating bread. 1755 01:26:15,720 --> 01:26:17,880 Speaker 1: And that's what I hate about bread. You can't trust 1756 01:26:17,880 --> 01:26:19,719 Speaker 1: that as far as you can throw it on things. Honey, 1757 01:26:19,720 --> 01:26:21,759 Speaker 1: bread makes me so fucking tired. It's like an ambient 1758 01:26:21,800 --> 01:26:24,720 Speaker 1: pill shaped like by that. If you sell bread to 1759 01:26:24,760 --> 01:26:30,360 Speaker 1: be able see treat man, honey, what do you mean? 1760 01:26:30,960 --> 01:26:37,559 Speaker 1: Come on? Deliver God? Thank God. It's like when Meryl. 1761 01:26:37,760 --> 01:26:40,000 Speaker 1: It's like when Meryl is in the post and she 1762 01:26:40,040 --> 01:26:43,200 Speaker 1: gives another amazing performance. It's like she did it again, 1763 01:26:44,080 --> 01:26:46,439 Speaker 1: but bat has done it again. All right, now, listen, 1764 01:26:46,760 --> 01:26:48,240 Speaker 1: how does mouthing over the mic that he has to 1765 01:26:48,240 --> 01:26:50,640 Speaker 1: pee so bad. I guess that we have to in 1766 01:26:50,720 --> 01:26:54,360 Speaker 1: the episode. But wait one more little thing. Um January 1767 01:26:54,400 --> 01:27:01,080 Speaker 1: fi fire texs in advance on Purple past dot com, 1768 01:27:01,280 --> 01:27:02,840 Speaker 1: did you set up your Purple Past account? I sent 1769 01:27:02,880 --> 01:27:05,280 Speaker 1: my prop bast account. Tickets are flying off the shelves 1770 01:27:05,360 --> 01:27:07,800 Speaker 1: that we got them, and and link I might ends 1771 01:27:07,920 --> 01:27:09,560 Speaker 1: up pant riggs b A t R e e g. 1772 01:27:09,680 --> 01:27:12,200 Speaker 1: As my Twitter is at pure Regan, follow me Batch 1773 01:27:12,240 --> 01:27:15,639 Speaker 1: if you don't bow me on Twitter. And now, as 1774 01:27:15,760 --> 01:27:17,760 Speaker 1: as Pat is getting ready to go pee, I'm gonna 1775 01:27:17,760 --> 01:27:20,760 Speaker 1: sing a song about courtesy flush. This is Yang last Coltress, 1776 01:27:20,840 --> 01:27:23,360 Speaker 1: this is Matt Rodgers, last Culturas. We've just Pat Regan. 1777 01:27:23,400 --> 01:27:27,400 Speaker 1: Here we go. Now, you gotta courtesy flush. If you 1778 01:27:27,600 --> 01:27:33,919 Speaker 1: wanna be my husband, cournecy flush with you, leave the toilet, 1779 01:27:34,080 --> 01:27:40,000 Speaker 1: because if you want to leave your pie and up, 1780 01:27:40,840 --> 01:27:45,680 Speaker 1: you gotta curne flash. If you wanna be my husband, 1781 01:27:46,280 --> 01:27:50,960 Speaker 1: take a deep breath, be fine, leave the toilet, because 1782 01:27:51,560 --> 01:27:56,040 Speaker 1: if you want to be with me baby and someday 1783 01:27:56,120 --> 01:28:03,800 Speaker 1: adopt a kid, you gotta courtesy flash. Ah your pianship. 1784 01:28:05,920 --> 01:28:13,400 Speaker 1: You need a flush two times. You need a flush 1785 01:28:13,439 --> 01:28:20,200 Speaker 1: two times, beautiful. This has been a Forever Dog production 1786 01:28:20,640 --> 01:28:25,120 Speaker 1: executive produced by Brett Boham, Joe Silio, and Alex Ramsey. 1787 01:28:25,479 --> 01:28:29,759 Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot 1788 01:28:29,800 --> 01:28:34,400 Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify, 1789 01:28:34,520 --> 01:28:36,880 Speaker 1: or wherever you get your podcasts. Keep up with the 1790 01:28:36,960 --> 01:28:40,200 Speaker 1: latest Forever Dog news by following us on Twitter and 1791 01:28:40,320 --> 01:28:45,480 Speaker 1: Instagram at Forever Dog Team, and liking our page on Facebook.