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Speaker 1: Wake that ass up in the morning, Breakfast Club Morning.

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Speaker 2: Everybody is the j n V. Jess Hilarious, Charlamagne the guy.

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Speaker 2: We are the Breakfast Club.

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Speaker 3: We got some special guests in the end.

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Speaker 2: Clips.

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Speaker 4: What's up?

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Speaker 1: Is it the clips? Or is it clip Clips? Because

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Speaker 1: I say the clips too clips?

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Speaker 2: You call that.

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Speaker 5: Shot, So it's just clips.

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Speaker 6: What's the origins of the name for people who don't know?

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Speaker 7: So that came from Full of Clips. I came up

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Speaker 7: with it and at the time of Fat Joe had

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Speaker 7: the Full of Clips Crew, so we just shortened it

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Speaker 7: the Clips.

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Speaker 8: Okay, Now I want to go back right because you

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Speaker 8: guys haven't been a long time, for a long time,

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Speaker 8: so I want to start from the history.

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Speaker 2: Of course, I know you guys for a long, long, long,

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Speaker 2: long time.

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Speaker 8: So what got you into rapping and to form the

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Speaker 8: group The clip Clips for people that don't know.

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Speaker 4: Always always been a fan of hip hop like anybody else.

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Speaker 4: You know, My older brother was into the whole cardboard box.

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Speaker 7: Break dancing, boom box rapping when you had to push

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Speaker 7: play and record and wrap directly into the box and yeah, man,

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Speaker 7: just uh just coming up, just coming up under that

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Speaker 7: and uh we went to Chad's house one time and

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Speaker 7: Pusha he wrote his first rap, and Pharrell was like, y'all,

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Speaker 7: should you know be a group? His first rap was incredible,

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Speaker 7: but before that it was just me rapping over there.

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Speaker 8: Now when you're first met Chad and and Pharrell, right, yeah,

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Speaker 8: y'all are totally opposite. So how did y'all even meet

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Speaker 8: and even learn each other? Because growing up in Norfolk

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Speaker 8: in Virginia, like, it's totally two different sides. So what

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Speaker 8: made y'all even say, you know what, let's connect with

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Speaker 8: these guys who wearing tight shirts at the time and

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Speaker 8: tight pants and looked like skateboards and look nothing like

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Speaker 8: y'all serving them, serving them? So it made ya say,

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Speaker 8: you know what, let's link with them and start you know.

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Speaker 7: Actually, so I was a djuh dj Alex in Virginia.

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Speaker 7: Beach lived down the street from me, and we went

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Speaker 7: out and we rented a drum machine and we got

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Speaker 7: the drum machine, but we couldn't work it, and you know,

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Speaker 7: we had to turn it back in, so and we

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Speaker 7: had paid for it, but you know, we was gonna

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Speaker 7: have to turn it back in before we even had

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Speaker 7: a chance to use it. And he was like, you know,

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Speaker 7: let's take it to my homie's house. And we went

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Speaker 7: over there and it happened to be Chad and he

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Speaker 7: knew how to work it. And you know, that's just

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Speaker 7: stuff that we was doing before clip.

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Speaker 2: And that's where it started. So when did y'all take

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Speaker 2: it serious?

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Speaker 8: When did you say, you know, what this rap thing

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Speaker 8: is is something I'm gonna take serious. I'm gonna get

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Speaker 8: off the street to say this is.

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Speaker 2: What it is.

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Speaker 9: I have to say that was in meeting Pharrell. In

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Speaker 9: meeting Pharrell, and you know it was Pharrell, it was

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Speaker 9: the Teddy Riley coming to Virginia. You know, we began

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Speaker 9: to see that it was a real thing, that that

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Speaker 9: that music was was actually attainable in arms reach. I

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Speaker 9: mean we seeing the cars, We're seeing the Ferraris, were

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Speaker 9: seeing Michael Jackson in Virginia Beach. You know, we're seeing

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Speaker 9: MC's whole everybody was was coming, was coming down. And

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Speaker 9: then at the same time we had you know, Timblin

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Speaker 9: and MISSI they was doing their thing. They were you know,

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Speaker 9: they had left home and went to Jersey and was

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Speaker 9: working with Joe Tosy.

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Speaker 4: But these are all our childhood you know, high.

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Speaker 9: School school, for last thing, so we we got to

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Speaker 9: see it from a lot of different angles that you know,

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Speaker 9: music was possible.

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Speaker 3: Why why Virginia don't get the like the credit for

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Speaker 3: being a hip hop hotbed, just a black music hotbed.

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Speaker 1: Not just not just music.

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Speaker 8: You remember Allan Hobson from that area, Michael Vicks from

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Speaker 8: that area, like this, it's so much in that area

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Speaker 8: that people.

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Speaker 3: Forget I'm the music because you got regions and you know,

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Speaker 3: states that get that love.

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Speaker 6: But y'all don't seem to.

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Speaker 2: Well.

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Speaker 9: I think I think it's because I think a lot

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Speaker 9: of people have. Everybody who's made it in Virginia actually

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Speaker 9: had to leave Virginia to make it. I don't think

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Speaker 9: any one particular artist of any of us. None of

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Speaker 9: us broke in Virginia. So we always broke like Clips

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Speaker 9: broke in Philly. You know, you know everybody, everybody broke

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Speaker 9: somewhere else.

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Speaker 1: So I think.

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Speaker 6: Clips broken Philly. I never heard that.

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Speaker 1: Man, yeah clips broken Philly.

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Speaker 9: Man really shoutow cosmic v Yeah, yeah, clips broken Philly.

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Speaker 4: I don't know what record was at the funeral or

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Speaker 4: grind grinding Broken Philly.

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Speaker 8: Now do you remember that when Farrell gave you that

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Speaker 8: beat for grinding. I remember the first time I heard it.

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Speaker 8: It was confusing. Yeah, it was confused. I was confused.

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Speaker 8: So when he first gave it, how did you know

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Speaker 8: that was?

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Speaker 4: You probably got the c D that I was handing out.

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Speaker 2: Yes, I did, Yeah, I believe you did.

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Speaker 9: You know when we heard it first, we was like,

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Speaker 9: you know, we were it was. It kind of took

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Speaker 9: us back because you got to think at that time,

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Speaker 9: Pharrell was singing on every hook.

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Speaker 4: It was uh, whether it was mister Cool and whoever?

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Speaker 9: Right, So, you know, this is our first joint and

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Speaker 9: he like, yo, this is the one, and we like

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Speaker 9: we want you singing, like sing, you better tap or

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Speaker 9: do something. And you know, he was like, now I'm

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Speaker 9: telling you this is this the future. This is what

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Speaker 9: it is.

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Speaker 7: And he was right, and it was confusing because we

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Speaker 7: actually wrote to it twice three times.

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Speaker 4: I think I think I got three joints on that joint.

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Speaker 8: I still can't blend it to this day because I

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Speaker 8: don't know where the beating the snare go at this.

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Speaker 2: Wow, actually blend on it. You just gotta go.

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Speaker 1: That's crazy, that's crazy for you to say.

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Speaker 2: That to this day.

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Speaker 1: J M me up there, me up there.

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Speaker 10: I just love Vegas with envy, rocking, smoking, Thanks, thanks,

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Speaker 10: you know on the album alas you said, you've been

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Speaker 10: both Mason bethists for people who don't know what that

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Speaker 10: line needs.

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Speaker 7: Yeah, I just feel like I understand stood and walked

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Speaker 7: a similar path like Mace, you know, to be in

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Speaker 7: this industry and then to have.

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Speaker 4: A real live revelation of God.

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Speaker 7: And who he is, you know, and then have to

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Speaker 7: navigate your way. As far as navigating, not so much

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Speaker 7: because I knew that I had.

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Speaker 4: To chill, take a step back.

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Speaker 7: And I also want to give you y'all flowers too,

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Speaker 7: because y'all were still messing with me during that time.

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Speaker 7: You let me come in here and you know, promote

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Speaker 7: the documentary and you know, uh my solo projects and everything.

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Speaker 4: So yeah, I appreciate that. But yeah, I feel like.

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Speaker 7: I understand, uh seeing a lot of the same things

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Speaker 7: that that Mace.

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Speaker 4: Uh s.

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Speaker 7: I bought that up because you know, they actually caught

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Speaker 7: me Mason a club. It was in a club in DC,

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Speaker 7: and it was like we got to push your ta

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Speaker 7: in Mason.

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Speaker 2: For a while.

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Speaker 11: Yeah.

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Speaker 4: No, I'm cool with it all. Yeah, I'm cool with

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Speaker 4: it all.

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Speaker 3: That's why I brought it because that's what ultimately caused

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Speaker 3: the clips to you know, in for that.

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Speaker 7: Time.

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Speaker 1: That's right.

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Speaker 2: Yeah, yeah, So what got your back? What was the

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Speaker 2: call that said I want to do this again?

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Speaker 7: There were a few baby steps, I'm gonna say, uh,

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Speaker 7: going out to Wyoming and uh, you know, working on

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Speaker 7: use this gospel with ya with my brother. I always

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Speaker 7: knew that we could do it, but I just knew

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Speaker 7: I needed to sit down period, you know what I'm saying.

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Speaker 4: And uh, what else did we do? We did push

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Speaker 4: his album I Pray for You. We did the Lego album,

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Speaker 4: the album.

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Speaker 1: Yeah, I mean those were.

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Speaker 9: Things I could ask for that I knew, weren't you know,

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Speaker 9: just solid nose and you know, man, from there, it

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Speaker 9: was just like, what we're gonna do?

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Speaker 3: What was the exact moment though, because y'all were on

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Speaker 3: two completely different life paths, So what was the exact

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Speaker 3: moment that said, Okay, it's time to do another album?

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Speaker 4: Okay, So I'll say this.

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Speaker 7: You know, when when we were doing they use this

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Speaker 7: gospel and punch bowl and push his album and whatever.

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Speaker 7: I had to ask my dad. I was like, you know,

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Speaker 7: what do you think about me rapping again? And he said,

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Speaker 7: he said, son, I think you've been too hard on yourself.

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Speaker 7: And my dad's a deacon, you know, like he was

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Speaker 7: a deacon. So to hear him say that, I am

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Speaker 7: like a word.

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Speaker 4: That's how you feel like, you know, And you.

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Speaker 6: Answered one of my questions.

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Speaker 3: I was gonna ask you about that because you talk

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Speaker 3: about that on Birds Don't Sink, right, And I just

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Speaker 3: thought that was such a powerful thing, just just to

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Speaker 3: explain like you was going through his you know, dress

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Speaker 3: and draw seeing his notes. But then he y'all had

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Speaker 3: conversations about you rapping again. I'm gonna ask you, what

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Speaker 3: would those conversations?

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Speaker 7: Yeah, yeah, we you know, just everything was the way

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Speaker 7: it lined up. It told the whole story, and it

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Speaker 7: let me know that God is intentional. These things don't

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Speaker 7: just be happening to us the way you know, we think.

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Speaker 7: God is very gracious and he sets you up. He

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Speaker 7: knows what you can take, he knows how much to

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Speaker 7: put on you. He knows the order and which to put,

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Speaker 7: you know, things in for you. So I just know

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Speaker 7: that He's in control all the time. And the conversations

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Speaker 7: with that record, you know, pushing talking to my mom

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Speaker 7: and me talking to my dad and being able to

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Speaker 7: document those last conversations. Even those conversations was a type

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Speaker 7: of preparation, you know, getting you ready for what was

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Speaker 7: about to take place.

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Speaker 4: So like, I'm I'm cool with it.

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Speaker 8: All, but condolence is first and form, you know. I

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Speaker 8: was when I was in Vegas. You know, I was

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Speaker 8: with family members of yours, and what I like to

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Speaker 8: do is is pull them to the side and just

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Speaker 8: have conversations.

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Speaker 2: I knew I was coming up for an interview and

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Speaker 2: trying to get tea yeah, of course, and one of them.

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Speaker 8: Was like, now we were talking about the albums before

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Speaker 8: I heard the album, and he was like, he was like, yo,

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Speaker 8: the best thing about it. He was like, I had

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Speaker 8: their mom in the car and he was like, the

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Speaker 8: greatest thing that ever happened is the two boys are

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Speaker 8: back together rapping. So how was that feeling of knowing

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Speaker 8: that mom was just super duper happy that her two

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Speaker 8: sons were back.

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Speaker 9: Uh man, you know she that was that was always

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Speaker 9: a big thing, you know for me as a soloist.

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Speaker 1: She would always be like them, Yeah, I want your

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Speaker 1: brother with you.

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Speaker 9: I want them back out there with you, probably just

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Speaker 9: to you know, look over me, watch over me. But

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Speaker 9: that was that was always her thing. She was huge

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Speaker 9: on like us just being together.

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Speaker 3: Yea, now, dis y'all know, y'all had to start the

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Speaker 3: album with a dedication to your parents.

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Speaker 9: Like because it was the hardest record to make, Like

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Speaker 9: it was the hardest record to make.

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Speaker 2: So yeah.

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Speaker 9: So finally, like when we cracked that code, you know,

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Speaker 9: we were you know, we were putting the order in

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Speaker 9: and we was like, man, nah.

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Speaker 4: This this, this has to start, like, this has to

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Speaker 4: start the album.

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Speaker 2: It was.

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Speaker 4: It was polarizing the response, you know, just in the

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Speaker 4: creation of it.

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Speaker 9: Man, everybody who heard it, you know, and there were

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Speaker 9: people in there, like you know, we recorded it in

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Speaker 9: the in the LV headquarters, so it's a room and

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Speaker 9: it's you know, it's open. The mics are like this,

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Speaker 9: ain't no booth you record like this. You look outside,

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Speaker 9: you look through that window right there, and then it's

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Speaker 9: not a window, it's just an open space. Somebody with

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Speaker 9: a sewing machine, somebody with you know, bag shoes whatever.

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Speaker 9: And while we're doing this in real time, everybody's in tears,

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Speaker 9: like everybody just you know, they're they're watching it. By

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Speaker 9: the time we finish it, it's like you know, just

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Speaker 9: like any other record. It's like, man, you know, we

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Speaker 9: we cracked the code on it, like we were satisfied,

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Speaker 9: but it was just so hard to do. And everybody

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Speaker 9: is always like, you know, everybody want to put the

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Speaker 9: hardest record first, and I'm like, nah, man, this this

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Speaker 9: is the this is the hardest record, and I want

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Speaker 9: to see how it like really touches people.

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Speaker 4: You know, from from the jump and the didn't get

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Speaker 4: into everything else.

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Speaker 2: Did that change you?

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Speaker 8: Because you know, you talk about on the record of

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Speaker 8: where you were and the things that you should have

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Speaker 8: been doing that you weren't doing.

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Speaker 2: Yeah, and then I've seen a for a.

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Speaker 8: Couple of years with you when you had your son,

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Speaker 8: like everything is about your son and you show up

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Speaker 8: more than anything else and that wasn't you beforehand.

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Speaker 2: So did that change you?

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Speaker 4: What is my first son? So you know this is

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Speaker 4: this is this is new to me.

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Speaker 9: But you know, I man, I don't know if it

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Speaker 9: changed me.

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Speaker 4: I would say that my parents prepared me to.

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Speaker 9: Be a dad, like a real dad, because I had

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Speaker 9: a real dad and a real mom.

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Speaker 11: Were there conversations that you wish you had with your mom,

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Speaker 11: like in those moments where you talk about you went

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Speaker 11: to Turks for Thanksgiving.

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Speaker 9: And no, no, like me and my mom was so straight,

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Speaker 9: like we've been, like we always were straight.

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Speaker 1: And I think that the.

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Speaker 9: You know, the whole the Turks thing when you know,

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Speaker 9: and looking at in hindsight, you know, she was like, damn,

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Speaker 9: you're gonna get out of here, you know, you know,

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Speaker 9: looking at it and everything, I sort of feel like

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Speaker 9: she knows, she knew everything, you know.

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Speaker 1: Yeah, so.

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Speaker 4: You know, it's just it's it's it was.

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Speaker 9: It tells the story, you know after you know what

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Speaker 9: I'm saying, like the whole story for me, Like I

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Speaker 9: see it all now, I see it all, but at

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Speaker 9: the time, no, I didn't.

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Speaker 1: I think.

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Speaker 7: I think it also says a lot for you know,

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Speaker 7: being in harmony with your people. Yeah, really you really

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Speaker 7: should be, because that is what gives me a lot

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Speaker 7: of peace knowing that, you know, I was there for

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Speaker 7: my mother, a great relationship with my mother and my

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Speaker 7: father the whole time. So if you're out here and

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Speaker 7: you have like a dysfunction or a lot of dis

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Speaker 7: disdain between family members, you should really try to fix that,

305
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Speaker 7: you know what I'm saying, you should you should really try.

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Speaker 4: To fix that.

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Speaker 7: If possible because right now with my parents being gone,

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Speaker 7: I get a lot of peace just knowing that everything

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Speaker 7: was straight and always straight.

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Speaker 1: That's not the only thing.

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Speaker 3: Yeah, y'all choose who was going to rap about who?

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Speaker 4: That was kind of easy. I mean.

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Speaker 7: And even though we were, you know, just all of

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Speaker 7: us very close knit and tight knit, uh, you know,

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Speaker 7: my dad and I we always talked about things of

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Speaker 7: the Bible, you know, and just whole even my mom

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Speaker 7: because my mom was you know, over the house every

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Speaker 7: Saturday for Bible study. But I don't know, it just

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Speaker 7: seemed like it kind of made more sense for you know,

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Speaker 7: me talking about my dad.

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Speaker 5: Will we get a visual for this video? I mean,

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Speaker 5: it's already shot.

323
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Speaker 1: It's already shot.

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Speaker 6: Look at you. It's not like you already.

325
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Speaker 2: Pull everybody to the side.

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Speaker 3: Definitely asked how difficult is it to rap honestly next

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Speaker 3: to your brother because y'all y'all really know each other,

328
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Speaker 3: so you could be like, yo, you're lying, that ain't happening.

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Speaker 4: We don't. We don't have them kind of issues.

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Speaker 7: Okay, Yeah, it's cool if you're getting it's.

331
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Speaker 6: Real, But is it ever like maybe that's too much?

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Speaker 6: Like maybe we shouldn't say that.

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Speaker 7: I think I think push It likes, especially now he

334
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Speaker 7: likes when I curse, you know, try.

335
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Speaker 4: To like all the way there with it, you know

336
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Speaker 4: what I'm saying.

337
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Speaker 7: But nah, I mean the rapping is is is just

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Speaker 7: like second nature to us and we've been doing this

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Speaker 7: for a.

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Speaker 9: While, so just the funnest rapping has ever been, I'm

341
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Speaker 9: being honest with you, this gound, Yeah, like this is

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Speaker 9: the funnest rap has been.

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Speaker 4: Like this ain't even like that's not a thing, like

344
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Speaker 4: it's you.

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Speaker 9: Know, the rollout and all of that is like the work.

346
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Speaker 9: This the music, not the music is what it is.

347
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Speaker 9: Like the music is there.

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Speaker 8: You feel like you gotta you feel like you got

349
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Speaker 8: to prove yourself though it's like I see it would

350
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Speaker 8: hold right people.

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Speaker 2: Oh you lying? You ain't really do that?

352
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Speaker 9: Ah man, I feel like you gotta bro I've been

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Speaker 9: in this twenty three years, like I've been who I've

354
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Speaker 9: been twenty three years, Like I don't I don't feel

355
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Speaker 9: like I got to prove anything to anybody, And I

356
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Speaker 9: feel like I'm the best at what it is I'm doing.

357
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Speaker 9: Like I don't think nobody talks like this, Nobody like

358
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Speaker 9: it's a lot that comes with this, and I feel like,

359
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Speaker 9: you know, people give you that the coke wrap, Moniker bro.

360
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Speaker 9: We like it's so much deeper than that. And listen,

361
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Speaker 9: I don't even argue that. I don't even argue the

362
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Speaker 9: title no more. It's fine. It's just you know this

363
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Speaker 9: right now, what we're making is for those who know

364
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Speaker 9: and for those who understand, and for those who are

365
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Speaker 9: like you know, into hip hop, into the lifestyle, and

366
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Speaker 9: that I think that's what you're seeing in the.

367
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Speaker 1: Whole rollout of this album.

368
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Speaker 9: This this is high taste level everything, and it's you

369
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Speaker 9: know it and it shows the heritage of like how

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Speaker 9: and what we've been a part of for all these years.

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Speaker 1: You know, whether it's you.

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Speaker 9: Know, high fashion, whether it's car hard, whether it's streetwear,

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Speaker 9: whether you know, whatever it is, it's all hip hop.

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Speaker 4: Like this is we're trying to give the hip hop

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Speaker 4: tutorial of.

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Speaker 9: Like why we loved rappers, you know, the rappers I

377
00:17:02,520 --> 00:17:04,320
Speaker 9: cut my eyebrows broke, you.

378
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Speaker 1: Know, like these things I did, like I did, you

379
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Speaker 1: know what I mean?

380
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Speaker 9: And I want people to love us in that way

381
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Speaker 9: and I want to show that, like, you know, this

382
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Speaker 9: is what this is what hip hop means to us

383
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Speaker 9: like be entrenched, and that's what we're just trying to show.

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Speaker 4: You know. That's funny because.

385
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Speaker 7: That was one of my revelations with my departure, everything

386
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Speaker 7: that we were talking about, the things that we had

387
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Speaker 7: been through, the things that we were sharing, and then

388
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Speaker 7: to see how it all came crashing down with friends

389
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Speaker 7: and family you know, around us and death, yeah, death,

390
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Speaker 7: indictments even to present day. You know what I'm saying,

391
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Speaker 7: The same people that we were running with. We we've

392
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Speaker 7: lost a few, a few more recently. But my revelation

393
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Speaker 7: was when I would hear narratives of you know, they

394
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Speaker 7: weren't into that, or they weren't doing this and that,

395
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Speaker 7: and I'm like, I know what we've been through, and

396
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Speaker 7: for anyone to say anything like that, for to have

397
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Speaker 7: such a sacrifice of all these things going down, just

398
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Speaker 7: for someone to say that which doesn't trouble me at all,

399
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Speaker 7: doesn't bother me. And you know, people have their opinions

400
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Speaker 7: and can say what they want, but to be fighting

401
00:18:16,880 --> 00:18:19,280
Speaker 7: for that and talking that and and then then when

402
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Speaker 7: it happens and then somebody won't say you ain't do that,

403
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Speaker 7: I was like, oh man, I'm chilling.

404
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Speaker 1: I'm good.

405
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Speaker 6: I didn't hear a lot of cocaine wrap on this record, though.

406
00:18:27,440 --> 00:18:31,440
Speaker 6: Was that intentional? Do you think you should not the

407
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Speaker 6: clips project?

408
00:18:32,359 --> 00:18:37,880
Speaker 4: Right? No? I think, you know, I think it's more reminiscent. Yeah,

409
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Speaker 4: if you.

410
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Speaker 11: Give a little in the beginning, a little something in

411
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Speaker 11: the beginning, favorite.

412
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Speaker 1: For who you really they tried.

413
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Speaker 6: They tried to scrap it.

414
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Speaker 1: I tried to scrap it. They tried to scrap that.

415
00:18:58,280 --> 00:18:58,520
Speaker 2: Yeah.

416
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Speaker 6: I told them.

417
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Speaker 1: I was like, you know, that's it.

418
00:19:08,440 --> 00:19:08,679
Speaker 7: It is.

419
00:19:12,320 --> 00:19:18,280
Speaker 9: About want to because I was I was actually mimicking Guru,

420
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Speaker 9: like vocally, and I didn't think I nailed it good enough.

421
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Speaker 4: And I was just like, man, I didn't get Guru.

422
00:19:25,000 --> 00:19:26,640
Speaker 4: Oh yeah, okay, okay.

423
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Speaker 9: I mean, you know, very monotone, very conversational, very then

424
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Speaker 9: and then and it was like you know that, I mean,

425
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Speaker 9: I I just didn't. I wasn't sold on the execution

426
00:19:37,960 --> 00:19:44,440
Speaker 9: can man, that's crazy, that's crazy because it was gone.

427
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Speaker 4: That's my favorite version.

428
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Speaker 3: Did you tell him I don't want to do too

429
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Speaker 3: much of the cocaine thing.

430
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Speaker 4: On this No, I mean, I think you know that's

431
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Speaker 4: a good thing.

432
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Speaker 7: Between my brother and I, things are understood, you know,

433
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Speaker 7: he knows why stand I know where he stands. I

434
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Speaker 7: don't try to age him or he don't try to

435
00:20:01,480 --> 00:20:04,399
Speaker 7: change me. And it's a it's a good playing field

436
00:20:04,680 --> 00:20:06,960
Speaker 7: where we come together and it's just real. We don't

437
00:20:06,960 --> 00:20:11,240
Speaker 7: have to like overcomplish or manufacture anything. It's just it's

438
00:20:11,320 --> 00:20:12,040
Speaker 7: just what it is.

439
00:20:12,560 --> 00:20:14,480
Speaker 8: The the other day, they said I was glazing the

440
00:20:14,480 --> 00:20:16,720
Speaker 8: clips right.

441
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Speaker 1: Crazy.

442
00:20:20,000 --> 00:20:22,120
Speaker 8: That is what I said, was I said, I said

443
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Speaker 8: something to this fact. I said, Push has if he

444
00:20:25,040 --> 00:20:27,960
Speaker 8: hears anybody go at him, he has five records on

445
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Speaker 8: the side of five versus the case.

446
00:20:30,040 --> 00:20:32,239
Speaker 2: I said, I just know because I know who he

447
00:20:32,320 --> 00:20:35,080
Speaker 2: is and what he is. Is that true? No, man,

448
00:20:36,359 --> 00:20:36,600
Speaker 2: I'm not.

449
00:20:37,720 --> 00:20:40,720
Speaker 1: I'm not listen man, you know he said.

450
00:20:40,800 --> 00:20:46,000
Speaker 5: No, he said he looks good like the skins, always fresh.

451
00:20:49,560 --> 00:20:52,920
Speaker 9: Like like I like skin compliments.

452
00:20:53,040 --> 00:20:54,920
Speaker 1: I do like skin compliments. I'm gonna tell.

453
00:20:54,840 --> 00:21:01,560
Speaker 2: You to raps it.

454
00:21:01,640 --> 00:21:04,159
Speaker 8: Sometimes they throw stones that you do you have something

455
00:21:04,280 --> 00:21:05,800
Speaker 8: in the stass for each and every.

456
00:21:05,640 --> 00:21:06,040
Speaker 1: One of them.

457
00:21:06,119 --> 00:21:08,840
Speaker 9: Man, I mean, I think you know, just me being

458
00:21:09,480 --> 00:21:13,240
Speaker 9: a rap artist and me being an MC is that's

459
00:21:13,320 --> 00:21:18,920
Speaker 9: just second nature. And usually most most people who throw stones, man,

460
00:21:19,000 --> 00:21:22,360
Speaker 9: I mean, nobody's perfect. So I mean I can dissect

461
00:21:22,400 --> 00:21:27,400
Speaker 9: anybody just like they could dissect me. But you know, man,

462
00:21:27,520 --> 00:21:33,199
Speaker 9: I try not to. I try not to to engage

463
00:21:33,240 --> 00:21:34,919
Speaker 9: to my like I've done that. Like I've done a

464
00:21:34,920 --> 00:21:36,560
Speaker 9: lot of it, you know what I'm saying. I've done

465
00:21:36,600 --> 00:21:39,680
Speaker 9: it with the best and the biggest, Like I've done it.

466
00:21:40,440 --> 00:21:44,679
Speaker 9: So it's like, you know, you can't just entertain everything

467
00:21:44,680 --> 00:21:48,360
Speaker 9: because everybody and everybody's not good. Like everybody's not good.

468
00:21:48,400 --> 00:21:50,080
Speaker 9: This is this is a new day in a new

469
00:21:50,119 --> 00:21:55,560
Speaker 9: era where like you know, just uh clicks and and

470
00:21:55,560 --> 00:22:00,200
Speaker 9: and and clickbait and and people just say things for

471
00:22:00,200 --> 00:22:02,439
Speaker 9: for attention, and it's like.

472
00:22:03,240 --> 00:22:05,600
Speaker 4: You just can't entertain everything, man, you just can't.

473
00:22:05,720 --> 00:22:07,120
Speaker 6: I feel like you've been trying to catch your body

474
00:22:07,160 --> 00:22:07,720
Speaker 6: since the story.

475
00:22:09,640 --> 00:22:11,000
Speaker 1: I've been trying to catch a body.

476
00:22:11,440 --> 00:22:19,560
Speaker 3: You caught a body. I think those were shots directly

477
00:22:19,720 --> 00:22:23,359
Speaker 3: at you. You were surgical with you said at the

478
00:22:23,440 --> 00:22:25,200
Speaker 3: end of peel Back, the lay is real slow.

479
00:22:25,320 --> 00:22:28,080
Speaker 6: So I feel like you really wanted to go there

480
00:22:28,119 --> 00:22:29,400
Speaker 6: with somebody for the longest.

481
00:22:29,720 --> 00:22:29,960
Speaker 1: Nah.

482
00:22:30,080 --> 00:22:34,320
Speaker 4: Man, no, no, I mean you know it's it's never a.

483
00:22:35,480 --> 00:22:35,640
Speaker 1: Man.

484
00:22:35,640 --> 00:22:37,560
Speaker 9: I got I got for real, I have a lot

485
00:22:37,720 --> 00:22:40,399
Speaker 9: to to to rap about. I got a lot to

486
00:22:40,400 --> 00:22:42,840
Speaker 9: wrap about. I got a lot, a lot of content.

487
00:22:44,119 --> 00:22:49,320
Speaker 9: The creativity is is ever flowing and it don't ever

488
00:22:49,520 --> 00:22:51,760
Speaker 9: have to be about an individual. It don't have to

489
00:22:51,800 --> 00:22:54,399
Speaker 9: be like not for me, Like I mean, like, I

490
00:22:54,400 --> 00:22:57,280
Speaker 9: feel like this album is incredible and I don't think

491
00:22:57,280 --> 00:23:00,320
Speaker 9: it's really dialed anywhere you get.

492
00:23:00,240 --> 00:23:02,320
Speaker 6: A necessory to murder charge because when you listen to

493
00:23:02,320 --> 00:23:02,560
Speaker 6: you for.

494
00:23:08,040 --> 00:23:10,639
Speaker 3: Things that you laid you know, you laid down that

495
00:23:10,800 --> 00:23:12,560
Speaker 3: Kendrick used for you for it, and I think it's

496
00:23:12,640 --> 00:23:13,639
Speaker 3: used in the battle period.

497
00:23:13,760 --> 00:23:17,120
Speaker 9: Man, you know, I think I think you know, great

498
00:23:17,240 --> 00:23:18,480
Speaker 9: great lyricists just.

499
00:23:20,119 --> 00:23:21,840
Speaker 1: You know, tune into the obvious.

500
00:23:22,840 --> 00:23:25,600
Speaker 2: Speak during that battle and yeah, speak during the battle.

501
00:23:31,920 --> 00:23:35,680
Speaker 11: I when do you pick and choose when to say

502
00:23:35,680 --> 00:23:37,440
Speaker 11: something about something because you sit on a lot of

503
00:23:37,440 --> 00:23:38,320
Speaker 11: stuff for a long time.

504
00:23:38,480 --> 00:23:41,560
Speaker 9: Yeah, I mean, I'm I'm always like that, like I

505
00:23:41,600 --> 00:23:44,920
Speaker 9: feel like and that just comes with that just comes

506
00:23:44,960 --> 00:23:50,040
Speaker 9: with like my position in the game and like just

507
00:23:50,640 --> 00:23:53,120
Speaker 9: where I am as an artist. Like, man, I don't

508
00:23:53,160 --> 00:23:56,040
Speaker 9: you know, it's not always a radio record that I have.

509
00:23:56,160 --> 00:24:01,600
Speaker 9: It's not always you know, we don't get you know,

510
00:24:01,960 --> 00:24:04,040
Speaker 9: I'm not putting out music constantly, you know what I'm

511
00:24:04,080 --> 00:24:05,520
Speaker 9: saying every five minutes a new record.

512
00:24:05,880 --> 00:24:09,040
Speaker 4: I feel like, you know, uh, you know, things happen.

513
00:24:09,520 --> 00:24:11,879
Speaker 9: You got to store it. You gotta store, you gotta craft,

514
00:24:11,960 --> 00:24:14,320
Speaker 9: you gotta make it right. You got to set the platform,

515
00:24:14,400 --> 00:24:16,880
Speaker 9: set the stage, breakdown.

516
00:24:16,560 --> 00:24:17,000
Speaker 1: With the hit.

517
00:24:18,000 --> 00:24:20,560
Speaker 8: The situation with death Jam. You guys were on death Jam. Yes,

518
00:24:20,760 --> 00:24:21,920
Speaker 8: decided to leave.

519
00:24:22,359 --> 00:24:23,480
Speaker 1: You crazy too, man.

520
00:24:23,520 --> 00:24:26,800
Speaker 9: You can sit up here and tell Death Jam was like, Yo,

521
00:24:26,920 --> 00:24:29,639
Speaker 9: death Jam, Death Jam don't care about your project.

522
00:24:29,880 --> 00:24:40,440
Speaker 1: Crazy honest man. Man, He's.

523
00:24:42,040 --> 00:24:43,439
Speaker 6: Like, I'm not gonna do that after her, like what

524
00:24:43,520 --> 00:24:45,199
Speaker 6: is You're not to talk about your music? What are

525
00:24:45,200 --> 00:24:46,720
Speaker 6: we gonna be talking about?

526
00:24:47,080 --> 00:24:48,760
Speaker 2: And I actually left that because we didn't sit down,

527
00:24:48,760 --> 00:24:49,560
Speaker 2: but he still wanted to do it.

528
00:24:49,560 --> 00:24:52,000
Speaker 11: But I was pushing for her because I love Cocoa.

529
00:24:52,720 --> 00:24:54,760
Speaker 11: If we've been honest though, because listening to the project

530
00:24:54,760 --> 00:24:56,840
Speaker 11: now and knowing with the background with you're on death Jam,

531
00:24:57,080 --> 00:24:59,280
Speaker 11: you I don't understand why they would let a project

532
00:24:59,280 --> 00:24:59,840
Speaker 11: like this go.

533
00:25:00,640 --> 00:25:02,080
Speaker 8: So what was the call when when when you hit

534
00:25:02,119 --> 00:25:03,560
Speaker 8: it in the album and they called and said, we

535
00:25:03,560 --> 00:25:05,119
Speaker 8: can't put this out, we can't clear this record.

536
00:25:05,160 --> 00:25:06,000
Speaker 2: What was that call?

537
00:25:06,880 --> 00:25:08,399
Speaker 9: I mean, it was you know what it was? It

538
00:25:08,440 --> 00:25:11,680
Speaker 9: was something that I wasn't really dealing with firsthand. They

539
00:25:11,680 --> 00:25:14,960
Speaker 9: were like speaking to my management, uh and my team

540
00:25:15,080 --> 00:25:16,919
Speaker 9: and just like you know, and then it got it

541
00:25:16,920 --> 00:25:19,040
Speaker 9: got a little dicey to where to the point they

542
00:25:19,080 --> 00:25:22,800
Speaker 9: weren't they wouldn't text or email send these things an email.

543
00:25:22,840 --> 00:25:24,840
Speaker 9: They would they would like only talk on the phone,

544
00:25:24,960 --> 00:25:28,880
Speaker 9: and you know, they would instruct not to email us

545
00:25:29,000 --> 00:25:30,359
Speaker 9: back and forth these.

546
00:25:30,320 --> 00:25:32,000
Speaker 1: You know, that type of correspondence.

547
00:25:32,600 --> 00:25:37,439
Speaker 9: So, I mean, man, you know it's I don't know,

548
00:25:37,960 --> 00:25:39,080
Speaker 9: like I don't I don't know why.

549
00:25:39,760 --> 00:25:42,040
Speaker 4: I mean, I can only assume.

550
00:25:42,160 --> 00:25:44,760
Speaker 9: That it was just the optics with everything they got

551
00:25:44,760 --> 00:25:47,920
Speaker 9: going on with litigation, lawsuits and over that the optics

552
00:25:47,920 --> 00:25:52,680
Speaker 9: of clips Kendrick together, because that's that's.

553
00:25:52,440 --> 00:25:54,560
Speaker 1: When it all happened. Like we don't, we don't.

554
00:25:55,000 --> 00:25:57,919
Speaker 9: We don't really deal with the label that much anyway

555
00:25:59,240 --> 00:26:01,919
Speaker 9: outside of nothing.

556
00:26:01,960 --> 00:26:03,399
Speaker 1: Actually, yeah, we don't deal with the label.

557
00:26:03,440 --> 00:26:05,119
Speaker 9: Like we we go make our album and then we

558
00:26:05,160 --> 00:26:06,480
Speaker 9: come and bring the album back.

559
00:26:06,840 --> 00:26:08,520
Speaker 3: But y'all, you and you have worked together before, y'all

560
00:26:08,560 --> 00:26:12,320
Speaker 3: got a classic together. If you ask me, yeah, different, Oh.

561
00:26:12,280 --> 00:26:16,119
Speaker 9: It's a different day. It wasn't you know, that was

562
00:26:16,200 --> 00:26:18,359
Speaker 9: back then. But y'all wasn't even shooting that dude, It

563
00:26:18,400 --> 00:26:19,440
Speaker 9: doesn't it doesn't matter.

564
00:26:19,560 --> 00:26:20,119
Speaker 6: That's crazy.

565
00:26:20,440 --> 00:26:20,640
Speaker 1: Yeah.

566
00:26:20,800 --> 00:26:23,760
Speaker 8: So then so when you wanted to leave, you call

567
00:26:23,840 --> 00:26:25,600
Speaker 8: Hole and then the first room was they just let

568
00:26:25,600 --> 00:26:26,160
Speaker 8: you go for free.

569
00:26:26,240 --> 00:26:27,520
Speaker 2: We was like that can't be true.

570
00:26:27,600 --> 00:26:29,879
Speaker 9: No no, no, no, no no no, we had to pay,

571
00:26:29,880 --> 00:26:30,320
Speaker 9: had to pay.

572
00:26:30,400 --> 00:26:32,359
Speaker 2: So you reached out the whole and Hope sit absolutely possible.

573
00:26:32,680 --> 00:26:36,600
Speaker 4: Was Stephen did Yeah, Stephen, Stephen reached out to him.

574
00:26:36,760 --> 00:26:39,840
Speaker 9: There were other other labels in the in the in

575
00:26:39,920 --> 00:26:43,680
Speaker 9: the bidding, and he just called home, like yo, I

576
00:26:43,720 --> 00:26:45,600
Speaker 9: think there was a there was a there was an

577
00:26:45,680 --> 00:26:48,840
Speaker 9: approval process between one of the labels or something took

578
00:26:48,840 --> 00:26:51,840
Speaker 9: a little long, and he went and ass whole, and

579
00:26:51,920 --> 00:26:55,080
Speaker 9: Hope was like, look, yeah, let's do this now, like

580
00:26:55,359 --> 00:26:58,560
Speaker 9: twenty four hours, maybe maybe forty eight hours. I never

581
00:26:58,600 --> 00:27:01,280
Speaker 9: seen lawyer work like this fast. Yeah, I didn't know

582
00:27:01,440 --> 00:27:02,359
Speaker 9: it even happened like that.

583
00:27:03,040 --> 00:27:05,120
Speaker 6: And what record was all supposed to be on on

584
00:27:05,119 --> 00:27:05,960
Speaker 6: this project?

585
00:27:06,520 --> 00:27:10,800
Speaker 9: Ship man there was I mean we got he was

586
00:27:10,840 --> 00:27:12,560
Speaker 9: saying changing whibs.

587
00:27:12,800 --> 00:27:14,600
Speaker 4: Uh it was Mike Tyson.

588
00:27:14,680 --> 00:27:20,000
Speaker 9: Mike Tyson blow to the face. You know, Whole had

589
00:27:20,000 --> 00:27:22,480
Speaker 9: the album so you know it, Yeah, it was it

590
00:27:22,560 --> 00:27:25,240
Speaker 9: was all for him. To whatever he wanted to do

591
00:27:25,920 --> 00:27:27,080
Speaker 9: to be on so be it.

592
00:27:27,600 --> 00:27:28,880
Speaker 4: Yeah, that was one of the options.

593
00:27:28,960 --> 00:27:31,080
Speaker 6: Yeah, yeah, and nothing moved the spirit.

594
00:27:32,400 --> 00:27:36,200
Speaker 1: Man. I don't know, Man, I don't know, man.

595
00:27:36,280 --> 00:27:39,560
Speaker 3: You know you know on pov Malast you said that

596
00:27:39,640 --> 00:27:42,240
Speaker 3: you came back for the money, that's the devil.

597
00:27:42,280 --> 00:27:43,200
Speaker 6: Can you explain it?

598
00:27:43,840 --> 00:27:44,080
Speaker 4: Yeah?

599
00:27:44,280 --> 00:27:46,919
Speaker 7: I just thought it was a real fly line, you know.

600
00:27:49,119 --> 00:27:52,400
Speaker 7: And for anyone who has any questions about me, I'm

601
00:27:52,480 --> 00:27:56,960
Speaker 7: Jesus inside out, like I'm all the way gone with it,

602
00:27:57,119 --> 00:28:02,400
Speaker 7: like it it's crazy. But uh, I just took artistic liberty,

603
00:28:02,760 --> 00:28:05,760
Speaker 7: you know with that line. And really, to me, you know,

604
00:28:08,160 --> 00:28:11,359
Speaker 7: money is a good thing. You need money, especially to

605
00:28:11,600 --> 00:28:14,560
Speaker 7: you know, you got friends and family to be able

606
00:28:14,600 --> 00:28:15,160
Speaker 7: to help people.

607
00:28:15,560 --> 00:28:18,879
Speaker 4: It's nothing wrong with money. I think people put a

608
00:28:18,960 --> 00:28:20,000
Speaker 4: stigma on money.

609
00:28:20,040 --> 00:28:23,199
Speaker 7: For the Bible says that it is the love of

610
00:28:23,400 --> 00:28:26,120
Speaker 7: money that's the root of all evil, not the money.

611
00:28:26,119 --> 00:28:28,800
Speaker 7: It's how much you love it, What are you willing

612
00:28:29,000 --> 00:28:32,479
Speaker 7: to do for it? What won't you do for do

613
00:28:32,520 --> 00:28:35,760
Speaker 7: you lose all your principles and your moral So I

614
00:28:35,760 --> 00:28:39,040
Speaker 7: don't think we can demonize money. But for me, it

615
00:28:39,080 --> 00:28:40,120
Speaker 7: was just a fly line.

616
00:28:41,040 --> 00:28:49,720
Speaker 9: To the church, right, Nah, not because the line is fresh.

617
00:28:51,400 --> 00:28:54,200
Speaker 4: That's the devil in me. Had to hide it from

618
00:28:54,240 --> 00:28:55,680
Speaker 4: the church. That's the jackal of me.

619
00:28:55,840 --> 00:28:56,880
Speaker 1: But I'm just talking.

620
00:28:56,600 --> 00:28:59,920
Speaker 4: About the duplicity and the dichotomy.

621
00:28:59,240 --> 00:29:03,640
Speaker 7: Of you know, uh, the mind and and how people think,

622
00:29:03,720 --> 00:29:07,600
Speaker 7: and the two sidedness to people. Sometimes that's everybody, absolutely, Yeah,

623
00:29:07,640 --> 00:29:08,760
Speaker 7: that's everybody.

624
00:29:09,240 --> 00:29:13,160
Speaker 8: Earlier, right, Yeah, when Mace came back, it was on

625
00:29:13,320 --> 00:29:15,680
Speaker 8: his ass right because of the lyrics, because of this

626
00:29:15,840 --> 00:29:16,960
Speaker 8: type of records that he was on.

627
00:29:17,640 --> 00:29:19,960
Speaker 2: But with you, they don't do that with you. Why

628
00:29:19,960 --> 00:29:20,760
Speaker 2: do you think that is?

629
00:29:21,920 --> 00:29:28,400
Speaker 4: Uh, I don't. I don't know, but but I'm gonna

630
00:29:28,400 --> 00:29:29,040
Speaker 4: tell you for me.

631
00:29:29,920 --> 00:29:30,160
Speaker 1: Uh.

632
00:29:30,240 --> 00:29:33,800
Speaker 7: And and looking at Mace now, like I get Mace,

633
00:29:34,040 --> 00:29:37,000
Speaker 7: Like I understand. People are judgmental, you know what I'm saying.

634
00:29:37,800 --> 00:29:40,720
Speaker 7: I've heard a few things about me. You know, I'm

635
00:29:40,720 --> 00:29:42,520
Speaker 7: not gonna like I haven't seen anything.

636
00:29:43,360 --> 00:29:43,560
Speaker 1: Uh.

637
00:29:43,600 --> 00:29:44,520
Speaker 4: But you you have to.

638
00:29:44,520 --> 00:29:47,800
Speaker 7: Know be solid and who you are and if you

639
00:29:47,920 --> 00:29:50,440
Speaker 7: have the Word in you. The Bible says that there

640
00:29:50,600 --> 00:29:54,840
Speaker 7: is none righteous, no, not one, so nobody can like

641
00:29:54,920 --> 00:29:58,120
Speaker 7: truly point the finger. But uh, you better have your

642
00:29:58,240 --> 00:30:00,960
Speaker 7: heart positioned in Jesus Christ by the end of the

643
00:30:01,040 --> 00:30:04,320
Speaker 7: day because when when when the music stop, you definitely

644
00:30:04,360 --> 00:30:05,120
Speaker 7: want to have a seed.

645
00:30:05,400 --> 00:30:07,000
Speaker 1: He taught me that at it because I didn't know.

646
00:30:07,040 --> 00:30:11,840
Speaker 9: He told me, God, God think we all dirty?

647
00:30:11,960 --> 00:30:12,280
Speaker 1: That's what?

648
00:30:13,120 --> 00:30:14,640
Speaker 2: How do your conversations be with it?

649
00:30:14,760 --> 00:30:14,840
Speaker 1: Like?

650
00:30:14,840 --> 00:30:17,960
Speaker 2: Do you know about forgiveness alone?

651
00:30:18,040 --> 00:30:18,840
Speaker 1: No?

652
00:30:19,120 --> 00:30:22,600
Speaker 4: You know what, Listen, I'm gonna tell you. Like my

653
00:30:22,640 --> 00:30:26,520
Speaker 4: brother listens to me, you know now, or he has

654
00:30:26,560 --> 00:30:28,960
Speaker 4: the appearance of listening.

655
00:30:29,200 --> 00:30:30,360
Speaker 1: He hears me. He hears me.

656
00:30:31,280 --> 00:30:34,920
Speaker 7: And any time I get to witness to anybody, you know,

657
00:30:35,680 --> 00:30:38,880
Speaker 7: with with without being preachy or forcing myself.

658
00:30:38,920 --> 00:30:39,680
Speaker 4: You know what I'm saying.

659
00:30:40,160 --> 00:30:43,600
Speaker 7: I the problem is for me is that I happen

660
00:30:43,680 --> 00:30:47,960
Speaker 7: to know how serious this is. And the thing about

661
00:30:48,800 --> 00:30:51,480
Speaker 7: not knowing is that you don't know that you don't know,

662
00:30:51,760 --> 00:30:52,560
Speaker 7: you know what I'm saying.

663
00:30:52,720 --> 00:30:53,360
Speaker 1: So when you're.

664
00:30:53,240 --> 00:30:56,760
Speaker 7: Trying to uh, when people open the door and are

665
00:30:56,800 --> 00:30:59,000
Speaker 7: willing to listen, I just I try to do whatever

666
00:30:59,040 --> 00:31:03,280
Speaker 7: it is I can. But my brother, he's been incredibly

667
00:31:03,440 --> 00:31:07,120
Speaker 7: supportive of me, even in my stepping away.

668
00:31:07,200 --> 00:31:09,960
Speaker 4: He's never you know, was like, Yo, what are you

669
00:31:10,040 --> 00:31:10,760
Speaker 4: doing or this?

670
00:31:10,920 --> 00:31:14,320
Speaker 7: Like he basically just said okay, you know, He asked me,

671
00:31:14,440 --> 00:31:15,000
Speaker 7: was I sure?

672
00:31:15,640 --> 00:31:15,880
Speaker 2: You know?

673
00:31:16,160 --> 00:31:17,920
Speaker 7: And And that meant a lot to me because I

674
00:31:18,120 --> 00:31:20,880
Speaker 7: had a lot. It was like a heavyweight. So to

675
00:31:20,960 --> 00:31:25,280
Speaker 7: have the support of my brother, even through the whole hiatus.

676
00:31:25,360 --> 00:31:27,480
Speaker 4: He would come to me. He was like, Yo, so

677
00:31:27,560 --> 00:31:29,840
Speaker 4: and so was offering this amount of money.

678
00:31:30,880 --> 00:31:34,120
Speaker 1: But what he did, but but but what he would do.

679
00:31:34,160 --> 00:31:37,360
Speaker 7: Was he said, I already told them no, but I

680
00:31:37,360 --> 00:31:39,880
Speaker 7: didn't want this to happen without me letting you know,

681
00:31:40,200 --> 00:31:41,000
Speaker 7: just in case.

682
00:31:41,400 --> 00:31:42,120
Speaker 4: You know what I'm saying.

683
00:31:42,160 --> 00:31:55,520
Speaker 12: So but right right, well, you know, I felt supportive.

684
00:31:55,600 --> 00:31:56,760
Speaker 12: So that's all that matters.

685
00:31:57,760 --> 00:32:01,800
Speaker 4: Robbed when people never feel never feel robed.

686
00:32:01,800 --> 00:32:03,880
Speaker 5: How do you feel when people leak music? Like when

687
00:32:03,920 --> 00:32:05,640
Speaker 5: people release your music prematurely?

688
00:32:05,880 --> 00:32:06,040
Speaker 2: Yo?

689
00:32:06,240 --> 00:32:08,400
Speaker 7: You know, the game goes how it goes, and that's

690
00:32:08,400 --> 00:32:10,800
Speaker 7: how we maneuver, we navigate everything.

691
00:32:11,080 --> 00:32:14,120
Speaker 4: I'm not gonna sit up and be upset about anything.

692
00:32:14,400 --> 00:32:14,600
Speaker 4: You know.

693
00:32:14,720 --> 00:32:18,000
Speaker 7: That happens when we get in there and we create

694
00:32:18,000 --> 00:32:20,080
Speaker 7: and we make our music and we do what we do.

695
00:32:20,240 --> 00:32:22,760
Speaker 7: What else you're gonna do? What else can you do

696
00:32:22,800 --> 00:32:25,360
Speaker 7: other than that? You know what I'm saying. And I

697
00:32:25,400 --> 00:32:28,840
Speaker 7: stand on our product and I love it. And it's

698
00:32:28,880 --> 00:32:31,240
Speaker 7: good for fans to get things sometimes, so it's cool,

699
00:32:31,360 --> 00:32:32,520
Speaker 7: like as long as they enjoy it.

700
00:32:32,520 --> 00:32:32,920
Speaker 1: It's good.

701
00:32:33,360 --> 00:32:35,280
Speaker 11: Did y'all ever think about trying to get another Kendrick

702
00:32:35,360 --> 00:32:38,440
Speaker 11: verse once that leaked before the album? Actually like dropped.

703
00:32:38,600 --> 00:32:41,000
Speaker 4: Man, we try to get all Kendrick versus.

704
00:32:41,880 --> 00:32:46,000
Speaker 8: Why not y'all knew playing that song in Paris for

705
00:32:46,080 --> 00:32:47,400
Speaker 8: everybody's phone out it was going.

706
00:32:47,520 --> 00:32:48,320
Speaker 2: Y'all had to know that.

707
00:32:48,480 --> 00:32:54,560
Speaker 4: Yeah, you know, it's part of it.

708
00:32:54,600 --> 00:32:55,040
Speaker 6: You know.

709
00:32:55,600 --> 00:32:58,440
Speaker 3: NB said something about what you asked about Malice about

710
00:32:58,760 --> 00:33:00,440
Speaker 3: why you don't get the flack. I think one reason

711
00:33:00,520 --> 00:33:02,760
Speaker 3: is because y'all have always had like a spiritual thread

712
00:33:02,800 --> 00:33:06,520
Speaker 3: in your music, especially with the album titles. So how

713
00:33:06,600 --> 00:33:09,200
Speaker 3: is your personal understanding of good and evil evolved?

714
00:33:09,240 --> 00:33:10,160
Speaker 6: Since like hell have.

715
00:33:10,200 --> 00:33:12,680
Speaker 4: No fear good and evil?

716
00:33:13,160 --> 00:33:16,520
Speaker 3: How is your personal understanding of it evolved?

717
00:33:17,680 --> 00:33:19,120
Speaker 6: When you're even talking about rap?

718
00:33:19,160 --> 00:33:21,640
Speaker 3: Like you know, people some people say rap music is secular,

719
00:33:21,680 --> 00:33:23,880
Speaker 3: it's the devil, you shouldn't do it, But then you know,

720
00:33:23,920 --> 00:33:26,440
Speaker 3: you went on your journey, and you were doing it

721
00:33:26,480 --> 00:33:28,480
Speaker 3: even while you're on your journey, but now you're back.

722
00:33:28,600 --> 00:33:32,560
Speaker 7: Like yeah, I think. I think one of the things

723
00:33:32,600 --> 00:33:36,560
Speaker 7: that I have learned is, uh, start with yourself before

724
00:33:36,560 --> 00:33:39,280
Speaker 7: you try to correct anybody matter. I'm not even saying

725
00:33:39,280 --> 00:33:42,280
Speaker 7: you should try and correct anybody, but you start with

726
00:33:42,320 --> 00:33:47,760
Speaker 7: yourself and looking within and and change the things that

727
00:33:47,800 --> 00:33:50,040
Speaker 7: you can change, and work on what you need to

728
00:33:50,080 --> 00:33:54,200
Speaker 7: work on. And then you can like offer some kind

729
00:33:54,200 --> 00:33:57,320
Speaker 7: of advice or if if people are even interested, you

730
00:33:57,320 --> 00:33:59,600
Speaker 7: know what I'm saying, be able to give a reason

731
00:33:59,640 --> 00:34:04,400
Speaker 7: for the hope that you have. And yeah, I think

732
00:34:04,600 --> 00:34:07,200
Speaker 7: if more of us looked at ourselves and instead of

733
00:34:07,200 --> 00:34:10,200
Speaker 7: trying to judge other people, I mean, because you know

734
00:34:10,280 --> 00:34:12,600
Speaker 7: you you you look, you look deep enough, you'll find

735
00:34:12,640 --> 00:34:14,000
Speaker 7: something all the time, you know.

736
00:34:14,120 --> 00:34:18,000
Speaker 5: So what you said about when you went to Wyoming

737
00:34:18,040 --> 00:34:20,240
Speaker 5: to do use this gospel, by the way, the hardest

738
00:34:20,239 --> 00:34:24,080
Speaker 5: song on on that album. How do y'all feel about

739
00:34:24,160 --> 00:34:26,560
Speaker 5: Kanye Now? Do you feel sadness or sympathy for him?

740
00:34:27,760 --> 00:34:28,520
Speaker 5: Y'all see him now?

741
00:34:30,000 --> 00:34:36,839
Speaker 9: No no, no, no, no, no no no.

742
00:34:37,239 --> 00:34:40,080
Speaker 7: I'm gonna say and and and and I'm gonna say

743
00:34:40,080 --> 00:34:42,520
Speaker 7: that I think this goes for for anybody.

744
00:34:44,920 --> 00:34:47,600
Speaker 4: It's crazy. When you have a true.

745
00:34:47,400 --> 00:34:52,040
Speaker 7: Revelation of God, it is radical because when you when

746
00:34:52,160 --> 00:34:54,200
Speaker 7: when when you when the scales fall off your eyes,

747
00:34:54,239 --> 00:34:56,319
Speaker 7: you do you want to run and tell everybody what

748
00:34:56,360 --> 00:34:58,480
Speaker 7: you what you witness or you know we've been missing

749
00:34:58,520 --> 00:35:01,520
Speaker 7: it this whole time. You know, it's how It's how

750
00:35:01,600 --> 00:35:06,319
Speaker 7: I felt. But once you get that, you gotta sit

751
00:35:06,400 --> 00:35:09,759
Speaker 7: down for a minute. You can't get the revelation and

752
00:35:09,800 --> 00:35:14,759
Speaker 7: then try to keep going in this world. The epitome

753
00:35:15,040 --> 00:35:19,279
Speaker 7: of the gospel is denying yourself. That's why Christ got

754
00:35:19,320 --> 00:35:20,959
Speaker 7: on the cross and.

755
00:35:20,880 --> 00:35:22,400
Speaker 4: Gave up his flesh.

756
00:35:22,640 --> 00:35:25,160
Speaker 7: So you have to be willing to give it up

757
00:35:25,200 --> 00:35:28,359
Speaker 7: so you can learn and then let God restore you

758
00:35:28,400 --> 00:35:32,040
Speaker 7: and rebuild you. You know, correctly doesn't mean anybody is

759
00:35:32,080 --> 00:35:35,319
Speaker 7: a perfect person, you know what I'm saying, or or

760
00:35:36,320 --> 00:35:38,480
Speaker 7: you can't even try to have the facade of Okay,

761
00:35:38,520 --> 00:35:39,960
Speaker 7: I'm saved now now I'm perfect.

762
00:35:40,120 --> 00:35:42,319
Speaker 4: Nah, It just doesn't work like that.

763
00:35:42,600 --> 00:35:44,160
Speaker 2: So I have to deal with it.

764
00:35:44,200 --> 00:35:47,080
Speaker 8: Push because deal with Kanye, because you know, you're not

765
00:35:47,080 --> 00:35:48,520
Speaker 8: the type of person to hold your tongue.

766
00:35:48,520 --> 00:35:49,480
Speaker 2: You know, you don't hold your word.

767
00:35:49,600 --> 00:35:51,560
Speaker 8: So when some of the stuff that he did that

768
00:35:51,920 --> 00:35:54,400
Speaker 8: might not have aligned what you thought, did y'all have

769
00:35:54,440 --> 00:35:55,399
Speaker 8: those conversations?

770
00:35:55,600 --> 00:35:57,360
Speaker 9: Well, I mean, you know, I spoke on it. I

771
00:35:57,400 --> 00:35:59,920
Speaker 9: feel like that's that was the beginning of our fallout.

772
00:36:00,080 --> 00:36:00,480
Speaker 11: M M.

773
00:36:00,920 --> 00:36:04,799
Speaker 1: But you know, he.

774
00:36:04,840 --> 00:36:10,040
Speaker 4: Sits on a lot of miscarriages of justice. I've seen it,

775
00:36:10,239 --> 00:36:11,000
Speaker 4: you know what I'm saying.

776
00:36:11,040 --> 00:36:14,480
Speaker 7: I hear things and things being said, and I see,

777
00:36:14,800 --> 00:36:16,160
Speaker 7: you know, his reserve.

778
00:36:17,000 --> 00:36:19,040
Speaker 4: You know, I admire his restraint.

779
00:36:19,880 --> 00:36:22,360
Speaker 7: People By the time he jumps out the window, you

780
00:36:22,400 --> 00:36:25,880
Speaker 7: think he's going overboard. But I'm telling you as knowing

781
00:36:25,920 --> 00:36:27,680
Speaker 7: my brother, he sits on a lot.

782
00:36:28,520 --> 00:36:31,040
Speaker 8: And what about all that music, because I'm sure you

783
00:36:31,040 --> 00:36:32,840
Speaker 8: you got tons of music, but we never hear the

784
00:36:32,840 --> 00:36:33,759
Speaker 8: stuff that you've done.

785
00:36:35,080 --> 00:36:36,480
Speaker 1: Yeah, you will, because they leak it all.

786
00:36:37,760 --> 00:36:42,880
Speaker 9: They leak it all they put out or just sloppy,

787
00:36:44,239 --> 00:36:45,400
Speaker 9: you know, I don't you know, I don't know.

788
00:36:45,440 --> 00:36:47,440
Speaker 4: I don't I don't use it. I don't even keep it.

789
00:36:48,000 --> 00:36:51,520
Speaker 9: But you know you've you've seen and heard the things

790
00:36:51,520 --> 00:36:52,319
Speaker 9: that have been out there.

791
00:36:52,920 --> 00:36:56,080
Speaker 11: But I saw you say you hate Kanye's leadership and

792
00:36:56,440 --> 00:36:58,400
Speaker 11: you got away from that, got away from that community

793
00:36:58,400 --> 00:37:00,319
Speaker 11: that he built because of the feeling over there, right.

794
00:37:00,520 --> 00:37:03,640
Speaker 11: What was that like last straw of like nah, I

795
00:37:03,680 --> 00:37:04,319
Speaker 11: can't no more.

796
00:37:05,800 --> 00:37:09,200
Speaker 9: I think for me it was I think for me

797
00:37:09,440 --> 00:37:15,960
Speaker 9: it was somewhere around somewhere around the Atlanta the dome,

798
00:37:16,280 --> 00:37:18,520
Speaker 9: the locked in when everybody was locked in the dome,

799
00:37:19,360 --> 00:37:24,200
Speaker 9: and you know, I. You know, like again, man, when

800
00:37:24,280 --> 00:37:27,080
Speaker 9: when we squad and we were working and we're doing

801
00:37:27,080 --> 00:37:27,800
Speaker 9: what we're doing.

802
00:37:28,120 --> 00:37:29,400
Speaker 1: It's just all about the squad.

803
00:37:30,160 --> 00:37:33,040
Speaker 9: And I kind of just felt like, you know, I

804
00:37:33,080 --> 00:37:34,680
Speaker 9: would you know, I would have to leave and go

805
00:37:34,760 --> 00:37:36,759
Speaker 9: do things shows, whatever the case. Maybe I would come

806
00:37:36,800 --> 00:37:38,440
Speaker 9: back and the energy would just be different.

807
00:37:39,600 --> 00:37:39,759
Speaker 2: You know.

808
00:37:39,800 --> 00:37:44,040
Speaker 9: There were conversations being had, uh you know, this is

809
00:37:44,080 --> 00:37:47,239
Speaker 9: this is after Addie Don and everything else, and you

810
00:37:47,239 --> 00:37:49,560
Speaker 9: know it was like, man, I was doing self serving

811
00:37:49,680 --> 00:37:52,440
Speaker 9: things and it was just crazy. It was just a

812
00:37:52,440 --> 00:37:55,120
Speaker 9: lot of like you know, backbiting and things like that,

813
00:37:55,160 --> 00:37:58,120
Speaker 9: and I'm like, damn, this is this is for the squad,

814
00:37:58,760 --> 00:37:59,200
Speaker 9: I thought.

815
00:37:59,760 --> 00:38:03,480
Speaker 8: But you know, so publicly negative about you. We heard

816
00:38:03,560 --> 00:38:06,120
Speaker 8: him say about Sean. We heard him say legend.

817
00:38:06,719 --> 00:38:08,680
Speaker 9: Oh no, for sure he has for sure he has

818
00:38:08,719 --> 00:38:10,320
Speaker 9: he put on remember he put on the little mask.

819
00:38:11,320 --> 00:38:12,440
Speaker 1: He was like screaming in.

820
00:38:12,480 --> 00:38:22,440
Speaker 9: The culturally inappropriate Oh man, yeah, no, listen man, Okay.

821
00:38:22,520 --> 00:38:29,040
Speaker 9: So during during just the sessions, whether it was a beat,

822
00:38:29,080 --> 00:38:31,920
Speaker 9: whether it was you know, just the freestyles before and

823
00:38:31,960 --> 00:38:35,759
Speaker 9: making the songs, whatever the case may be, you know,

824
00:38:36,080 --> 00:38:38,680
Speaker 9: we would get hype about just like man, it's hard

825
00:38:38,760 --> 00:38:41,000
Speaker 9: or whatever whatever it was at.

826
00:38:40,640 --> 00:38:45,480
Speaker 1: The time, and I forgot who said it, but somebody

827
00:38:45,640 --> 00:38:46,520
Speaker 1: it was Mike. Mike.

828
00:38:46,880 --> 00:38:50,000
Speaker 9: Mike was like, man, this ship is culturally in appropriate.

829
00:38:50,960 --> 00:38:55,080
Speaker 9: And Mike also worked on It's Almost Dry, so you

830
00:38:55,120 --> 00:38:57,319
Speaker 9: know how that had a common thread of like the

831
00:38:57,440 --> 00:39:01,239
Speaker 9: Joker laugh through the whole album. He like, Yo, say

832
00:39:01,239 --> 00:39:02,960
Speaker 9: that on the mic, and let me run that through

833
00:39:02,960 --> 00:39:05,920
Speaker 9: a filter, because you know, we just felt like we

834
00:39:06,000 --> 00:39:07,120
Speaker 9: just kept running that back.

835
00:39:07,160 --> 00:39:10,120
Speaker 1: It's culturally inappropriate. He was like, say it through a filter, let's.

836
00:39:09,920 --> 00:39:11,960
Speaker 9: Find a voice and let's just see how it sounds

837
00:39:12,120 --> 00:39:15,359
Speaker 9: on records. And it actually just worked just to have that,

838
00:39:15,600 --> 00:39:18,600
Speaker 9: you know, just another thread to keep it, you know, cohesive,

839
00:39:18,800 --> 00:39:19,960
Speaker 9: keep the album cohesive.

840
00:39:20,400 --> 00:39:22,239
Speaker 3: I mean, I like it just because it's something that

841
00:39:22,280 --> 00:39:25,440
Speaker 3: I feel like we should say something is.

842
00:39:26,160 --> 00:39:27,680
Speaker 9: Yeah, it could have been a line. What I'm saying

843
00:39:27,760 --> 00:39:28,840
Speaker 9: is it could have been a line. It could have

844
00:39:28,840 --> 00:39:31,640
Speaker 9: been a song, it could have been a hook idea.

845
00:39:31,840 --> 00:39:34,440
Speaker 9: At the time, I just you know, I just can't

846
00:39:34,440 --> 00:39:37,279
Speaker 9: remember what it was. But that's that's where that that

847
00:39:37,400 --> 00:39:40,680
Speaker 9: term came from. Something that was just said ignorantly and

848
00:39:40,760 --> 00:39:41,600
Speaker 9: what pissed.

849
00:39:41,280 --> 00:39:43,440
Speaker 8: You off about Travis Scott so much that you had

850
00:39:43,440 --> 00:39:45,759
Speaker 8: to mention him on a RECU Lady, what made you

851
00:39:45,800 --> 00:39:47,239
Speaker 8: say this isn't this nigga's going too far?

852
00:39:47,480 --> 00:39:47,640
Speaker 1: Ah?

853
00:39:47,719 --> 00:39:49,480
Speaker 9: Man, it was just you know, it was just that uh,

854
00:39:49,880 --> 00:39:53,600
Speaker 9: that whole coming to uh coming to Paris. You know,

855
00:39:53,719 --> 00:39:56,560
Speaker 9: he came to Paris during one of our sessions, you know,

856
00:39:56,680 --> 00:39:59,359
Speaker 9: played his album and then he you know, when when

857
00:39:59,360 --> 00:40:02,400
Speaker 9: he left, the album comes out, and you know, the

858
00:40:02,440 --> 00:40:05,080
Speaker 9: record that he played, you know, had a verse up

859
00:40:05,120 --> 00:40:07,040
Speaker 9: there that was, you know, going at p whatever the

860
00:40:07,080 --> 00:40:09,040
Speaker 9: case may be. And I'm like, damn, you just left,

861
00:40:09,200 --> 00:40:12,440
Speaker 9: Like how you how you leave here? You know, let

862
00:40:12,560 --> 00:40:14,640
Speaker 9: he was on your album and then you're letting him,

863
00:40:14,719 --> 00:40:16,799
Speaker 9: you know, play your album for him, you're filming it,

864
00:40:17,120 --> 00:40:19,200
Speaker 9: and then you come back when the album drops you

865
00:40:19,239 --> 00:40:21,640
Speaker 9: got a verse you know, going at him. So I

866
00:40:21,640 --> 00:40:24,080
Speaker 9: just thought that was corny. And again, like you know,

867
00:40:24,160 --> 00:40:26,880
Speaker 9: that's part of the I think that's part of just

868
00:40:27,600 --> 00:40:30,000
Speaker 9: trying to leave all of that behind. And it's like, man,

869
00:40:30,280 --> 00:40:33,480
Speaker 9: like that's the type of thing that happens over in

870
00:40:33,600 --> 00:40:37,480
Speaker 9: that yay world and it's okay, and they you know,

871
00:40:37,520 --> 00:40:39,880
Speaker 9: it's all right. They just brush it off and they

872
00:40:39,920 --> 00:40:41,719
Speaker 9: be friends and they go hang out together and then

873
00:40:41,760 --> 00:40:45,320
Speaker 9: you know, do whatever they do like that doesn't I didn't.

874
00:40:45,360 --> 00:40:47,440
Speaker 9: I didn't like that that was brought into this fold.

875
00:40:47,520 --> 00:40:49,360
Speaker 2: Yeah, gotcha. One time they said that the verse the

876
00:40:49,440 --> 00:40:51,120
Speaker 2: Drake first wasn't done as a yet.

877
00:40:51,120 --> 00:40:53,520
Speaker 4: It doesn't matter when it was done. I don't care

878
00:40:53,560 --> 00:40:54,120
Speaker 4: when it was done.

879
00:40:54,280 --> 00:40:55,480
Speaker 1: You you added to it.

880
00:40:55,560 --> 00:40:58,799
Speaker 9: You actually he actually had a verse after that verse,

881
00:40:59,560 --> 00:41:02,000
Speaker 9: so you you even added to the verse, like.

882
00:41:02,520 --> 00:41:04,600
Speaker 6: Pate etiquette for a situation like that, just.

883
00:41:04,520 --> 00:41:08,239
Speaker 9: Stay the hell away from me, like like I'm not

884
00:41:08,320 --> 00:41:10,560
Speaker 9: I'm not into you anyway, Like I'm not even into

885
00:41:10,640 --> 00:41:13,040
Speaker 9: your swag and none of that, Like it's not into

886
00:41:13,120 --> 00:41:15,279
Speaker 9: none of it. So just stay away, like I only

887
00:41:15,280 --> 00:41:18,080
Speaker 9: want to mess with the real, Like I'm only dealing

888
00:41:18,120 --> 00:41:18,600
Speaker 9: with the real.

889
00:41:18,640 --> 00:41:20,839
Speaker 1: I'm only you know, doing music with the real.

890
00:41:21,239 --> 00:41:24,000
Speaker 9: We just I just let's just let's just this is

891
00:41:24,040 --> 00:41:26,840
Speaker 9: like just drawing a line in the sand for everybody.

892
00:41:26,880 --> 00:41:29,160
Speaker 3: What are you responsible for what an artist does on

893
00:41:29,200 --> 00:41:30,120
Speaker 3: your record?

894
00:41:32,440 --> 00:41:32,839
Speaker 2: M hmm?

895
00:41:33,280 --> 00:41:35,040
Speaker 6: Are you responsible for what an artist doing?

896
00:41:35,840 --> 00:41:38,360
Speaker 11: Like it's Travis responsible for Drake's line?

897
00:41:40,360 --> 00:41:42,520
Speaker 9: If you if you come and dance around in front

898
00:41:42,560 --> 00:41:46,360
Speaker 9: of me and and use and use and use footage

899
00:41:46,400 --> 00:41:48,080
Speaker 9: and do all this and all that, I think you're

900
00:41:48,080 --> 00:41:51,560
Speaker 9: responsible for anything that you do that you incorporate the

901
00:41:51,640 --> 00:41:54,399
Speaker 9: people that you know that are that are that are

902
00:41:54,520 --> 00:41:57,760
Speaker 9: that are that are being you know, uh talked about.

903
00:41:58,040 --> 00:42:00,480
Speaker 4: Of course, I can't believe you have to explain this.

904
00:42:00,640 --> 00:42:09,080
Speaker 7: You know, I'm not just taking size of it because

905
00:42:09,120 --> 00:42:09,520
Speaker 7: my brother.

906
00:42:09,640 --> 00:42:12,400
Speaker 3: I'm just saying, you know, but I'm talking about the

907
00:42:12,520 --> 00:42:15,279
Speaker 3: artists who might approach you because of what push your sax.

908
00:42:15,840 --> 00:42:18,880
Speaker 4: I mean, listen, I ride with my brother. You know

909
00:42:18,880 --> 00:42:19,839
Speaker 4: what I'm saying, and.

910
00:42:19,760 --> 00:42:21,480
Speaker 7: That and that's the and that's the thing about this

911
00:42:22,480 --> 00:42:26,600
Speaker 7: having purpose. I know what my purpose is. I'm making

912
00:42:26,880 --> 00:42:30,560
Speaker 7: music with my brother and I'm glorifying my God. That's

913
00:42:30,600 --> 00:42:33,560
Speaker 7: what I'm doing. And when you're in your purpose, if

914
00:42:33,600 --> 00:42:35,840
Speaker 7: anything fall on you didn't follow you, at least you

915
00:42:35,880 --> 00:42:38,200
Speaker 7: know you were where you were supposed to be. And

916
00:42:38,239 --> 00:42:40,280
Speaker 7: That's where I'm at right now. So I'm cool with whatever.

917
00:42:41,760 --> 00:42:48,240
Speaker 3: When people approach you for things, I say, that's.

918
00:42:48,800 --> 00:42:49,359
Speaker 1: All the time.

919
00:42:49,520 --> 00:42:51,399
Speaker 6: But also also be you say, you got a video

920
00:42:51,440 --> 00:42:52,640
Speaker 6: of Travis Crime, no.

921
00:42:53,360 --> 00:43:01,120
Speaker 4: Man in front of me? Oh no, no, that that

922
00:43:01,200 --> 00:43:03,840
Speaker 4: that wasn't that. That's not about crying. So what's on

923
00:43:03,880 --> 00:43:04,280
Speaker 4: the video?

924
00:43:04,680 --> 00:43:05,719
Speaker 1: Oh man? You know?

925
00:43:06,320 --> 00:43:14,320
Speaker 4: Yeah, you know, damn, I got you.

926
00:43:14,920 --> 00:43:15,759
Speaker 6: I'm glad.

927
00:43:17,920 --> 00:43:20,600
Speaker 12: Because can't do anyviews by yourself.

928
00:43:21,800 --> 00:43:25,560
Speaker 2: Created? How did you tell the creator? Yeah?

929
00:43:25,600 --> 00:43:28,000
Speaker 1: Hell yeah right. Tyler's crazy.

930
00:43:29,560 --> 00:43:33,920
Speaker 9: Man, Tyler ben We I mean since uh Trouble on

931
00:43:33,960 --> 00:43:40,160
Speaker 9: my Mind, he's huge, uh star trek Neptune for real clips,

932
00:43:41,000 --> 00:43:45,000
Speaker 9: uh fan like he knows the discography, you know, fromwards

933
00:43:45,040 --> 00:43:49,120
Speaker 9: and backwards. He's He's spoken a lot about how his

934
00:43:50,560 --> 00:43:54,799
Speaker 9: influence he's been influenced by things that we've done. But yeah,

935
00:43:54,840 --> 00:43:56,560
Speaker 9: I mean trouble, I don't even remember the year of

936
00:43:56,560 --> 00:43:59,799
Speaker 9: Trouble on my Mind came out, But since then, we've

937
00:43:59,800 --> 00:44:02,319
Speaker 9: all always been, always been cool, always been tight.

938
00:44:02,840 --> 00:44:05,839
Speaker 4: And yeah, he came through on POV he came through.

939
00:44:08,400 --> 00:44:10,120
Speaker 6: How do you reconcile in nostalgia?

940
00:44:10,239 --> 00:44:13,680
Speaker 3: Fans will feel for the old clips being at y'all

941
00:44:13,719 --> 00:44:15,320
Speaker 3: totally different men today.

942
00:44:16,680 --> 00:44:20,959
Speaker 9: I'd like to think that they've grown with us. Yeah, yeah,

943
00:44:21,080 --> 00:44:27,560
Speaker 9: I'd like to think that they have. And I think that,

944
00:44:27,840 --> 00:44:30,080
Speaker 9: you know, I think that they've grown with us. And

945
00:44:30,120 --> 00:44:34,000
Speaker 9: I feel like our growth is something that you know,

946
00:44:34,760 --> 00:44:38,640
Speaker 9: needs to be studied and studied and just you know,

947
00:44:39,280 --> 00:44:42,360
Speaker 9: maturing in hip hop, maturing in hip hop and just

948
00:44:43,160 --> 00:44:46,680
Speaker 9: culturally just showing you how to navigate and grow in

949
00:44:46,719 --> 00:44:50,000
Speaker 9: this game and still be current and still be you know,

950
00:44:50,360 --> 00:44:53,919
Speaker 9: of the mix, and you know, just just not trying

951
00:44:53,960 --> 00:44:55,760
Speaker 9: to stay nineteen forever.

952
00:44:56,680 --> 00:44:59,680
Speaker 3: Like, Yeah, when the last time you felt this safe?

953
00:45:00,000 --> 00:45:01,839
Speaker 3: Because I can hear it in the music. You feel

954
00:45:01,880 --> 00:45:04,440
Speaker 3: like a homecoming, right, Yeah, people with the things that

955
00:45:04,520 --> 00:45:05,239
Speaker 3: y'all talking about.

956
00:45:05,320 --> 00:45:07,879
Speaker 6: You got Malice back live is on the album Yeah

957
00:45:07,920 --> 00:45:08,760
Speaker 6: for rail production.

958
00:45:09,320 --> 00:45:11,239
Speaker 3: When I'm watching you in interviews, I'm like, damn, push

959
00:45:11,360 --> 00:45:12,840
Speaker 3: is just letting it fly, all of it.

960
00:45:13,360 --> 00:45:15,800
Speaker 6: Yeah, when did you what made you feel so safe

961
00:45:15,800 --> 00:45:16,440
Speaker 6: in this moment?

962
00:45:17,800 --> 00:45:20,239
Speaker 1: I don't, you know. I just think that.

963
00:45:21,760 --> 00:45:22,160
Speaker 4: I don't know.

964
00:45:22,200 --> 00:45:26,200
Speaker 9: For me, I look at it like media has always

965
00:45:26,200 --> 00:45:28,240
Speaker 9: been a big part of the Clips because it's always

966
00:45:28,280 --> 00:45:32,160
Speaker 9: been a story. The Clips always has a story, and

967
00:45:32,239 --> 00:45:34,319
Speaker 9: I don't necessarily think you can get up here and

968
00:45:34,360 --> 00:45:37,080
Speaker 9: lie and play. People see through that, and I'm not

969
00:45:37,120 --> 00:45:40,240
Speaker 9: want to be seen through, Like I don't like I'd

970
00:45:40,320 --> 00:45:42,520
Speaker 9: rather just, you know, just tell the truth and call

971
00:45:42,560 --> 00:45:46,560
Speaker 9: it today versus you know, sitting here trying to tap

972
00:45:46,640 --> 00:45:52,200
Speaker 9: dance around things. So, you know, I don't know, I

973
00:45:52,520 --> 00:45:55,840
Speaker 9: think that it's not about feeling safe, It's just about

974
00:45:56,000 --> 00:45:57,919
Speaker 9: you know this is this is part of the game,

975
00:45:58,120 --> 00:46:01,080
Speaker 9: and this is part of the game for us. And

976
00:46:01,120 --> 00:46:02,719
Speaker 9: I feel like when you got the music to back

977
00:46:02,760 --> 00:46:06,240
Speaker 9: it up, man, you gotta listen, you gotta you gotta

978
00:46:06,239 --> 00:46:08,560
Speaker 9: be musty TV, you gotta be.

979
00:46:09,560 --> 00:46:10,799
Speaker 6: You don't enjoy rappers line.

980
00:46:10,800 --> 00:46:13,120
Speaker 4: I think it was on the album that was one

981
00:46:13,120 --> 00:46:14,440
Speaker 4: of my favorite, and I wanted to say that.

982
00:46:14,600 --> 00:46:17,400
Speaker 6: You've been by rappers you never believed or something.

983
00:46:17,320 --> 00:46:20,719
Speaker 4: I just sung along with I never believe. I wish

984
00:46:20,840 --> 00:46:26,560
Speaker 4: I said that. I wish I said that.

985
00:46:26,560 --> 00:46:30,040
Speaker 9: That's what that's I wish I wish I could have

986
00:46:30,080 --> 00:46:32,680
Speaker 9: said the maceline and I wish I said that line.

987
00:46:32,960 --> 00:46:38,120
Speaker 1: Those are my two takes. Let's say, do y'all do

988
00:46:38,200 --> 00:46:38,839
Speaker 1: that all the time?

989
00:46:38,960 --> 00:46:41,560
Speaker 6: Like if you too? If you to switch verses on

990
00:46:41,560 --> 00:46:42,959
Speaker 6: like a classic clip song like.

991
00:46:43,760 --> 00:46:48,879
Speaker 1: He Ain't give me his verse. They're saying, I'm going

992
00:46:48,920 --> 00:46:50,400
Speaker 1: to right now what y'all talking about?

993
00:46:50,440 --> 00:46:55,239
Speaker 9: That's the debate online.

994
00:46:55,440 --> 00:46:57,000
Speaker 1: I'm go into.

995
00:46:58,120 --> 00:47:02,080
Speaker 4: I'm one too, just off feature off the records, I'm

996
00:47:02,120 --> 00:47:02,880
Speaker 4: going to right now?

997
00:47:07,760 --> 00:47:10,400
Speaker 6: Nor every time.

998
00:47:10,880 --> 00:47:13,520
Speaker 4: I'm sure man, I just I just do me man.

999
00:47:13,719 --> 00:47:18,040
Speaker 7: And I think I think our personalities and experience lends

1000
00:47:18,080 --> 00:47:23,680
Speaker 7: itself to you know, just different scenarios or whatever.

1001
00:47:24,239 --> 00:47:25,000
Speaker 1: Different basis.

1002
00:47:25,080 --> 00:47:27,200
Speaker 7: I can't I can't do what push does you know

1003
00:47:27,280 --> 00:47:29,880
Speaker 7: what I'm saying? I get that, and all I can

1004
00:47:29,920 --> 00:47:30,520
Speaker 7: do is be me.

1005
00:47:30,680 --> 00:47:32,480
Speaker 3: So you've never heard a push line and been like, damn,

1006
00:47:32,480 --> 00:47:34,120
Speaker 3: I wish you said that all the time.

1007
00:47:34,520 --> 00:47:36,560
Speaker 1: Yeah, yeah, all the time.

1008
00:47:36,680 --> 00:47:38,319
Speaker 4: Yeah.

1009
00:47:38,800 --> 00:47:40,560
Speaker 11: I was going to ask at the listening that we

1010
00:47:40,560 --> 00:47:42,399
Speaker 11: went to, y'all talked about y'all didn't have a ton

1011
00:47:42,440 --> 00:47:45,239
Speaker 11: of music. Y'all are very particular about recording, and this

1012
00:47:45,320 --> 00:47:47,600
Speaker 11: is the music we're going to do, and you've always

1013
00:47:47,640 --> 00:47:50,600
Speaker 11: been that way. But it's been so long, So how

1014
00:47:50,600 --> 00:47:52,359
Speaker 11: did you know what you wanted to say? Like? How

1015
00:47:52,360 --> 00:47:53,760
Speaker 11: did you narrow it down to narrative?

1016
00:47:55,840 --> 00:48:01,120
Speaker 9: I think I think the key, the key thing that

1017
00:48:01,160 --> 00:48:03,880
Speaker 9: we were trying to find in the studio was urgency.

1018
00:48:05,400 --> 00:48:09,200
Speaker 9: Urgency was like the key word that regardless of what

1019
00:48:09,239 --> 00:48:11,919
Speaker 9: it was. It could be birds on sing, it had

1020
00:48:12,000 --> 00:48:14,680
Speaker 9: to be urgent. It had to tug at your heart,

1021
00:48:15,040 --> 00:48:17,919
Speaker 9: you know, if you listen to POV, the flow had

1022
00:48:17,960 --> 00:48:20,160
Speaker 9: to be something of you know, or the bars had

1023
00:48:20,160 --> 00:48:24,239
Speaker 9: to be something of urgency. So it wasn't about it

1024
00:48:24,280 --> 00:48:28,600
Speaker 9: wasn't about honestly finding words or topics.

1025
00:48:28,600 --> 00:48:29,400
Speaker 1: To rap about.

1026
00:48:29,520 --> 00:48:31,920
Speaker 9: It was just that the music needed to feel urgent

1027
00:48:31,960 --> 00:48:34,520
Speaker 9: the whole time. I think that was our I think

1028
00:48:34,520 --> 00:48:38,319
Speaker 9: that was our our biggest goal, just to make sure

1029
00:48:38,320 --> 00:48:40,120
Speaker 9: that that sense of urgency was there.

1030
00:48:40,880 --> 00:48:43,640
Speaker 8: Talk about what Virginia means to you, guys, because you

1031
00:48:43,680 --> 00:48:45,920
Speaker 8: get a lot of people that leave their city and

1032
00:48:45,960 --> 00:48:48,040
Speaker 8: they moved to New York, they moved to Jersey, they

1033
00:48:48,040 --> 00:48:50,760
Speaker 8: moved to Atlanta, they moved to the West. You guys

1034
00:48:50,800 --> 00:48:53,879
Speaker 8: have never left Virginia. So what does Virginia mean to you?

1035
00:48:54,880 --> 00:48:56,960
Speaker 4: For me, Virginia is everything.

1036
00:48:58,280 --> 00:49:05,719
Speaker 7: Childhood, upbringing, where my mother, grandmother and great grandmother hel

1037
00:49:05,840 --> 00:49:11,799
Speaker 7: from friends. You know, we were just talking about this.

1038
00:49:11,840 --> 00:49:14,680
Speaker 7: We have the same friends from you know, way back,

1039
00:49:15,200 --> 00:49:21,799
Speaker 7: and just certain ethics and standards of loyalty, you know

1040
00:49:22,040 --> 00:49:26,640
Speaker 7: that has been bred in Virginia. I absolutely love Virginia.

1041
00:49:26,920 --> 00:49:31,120
Speaker 7: I wouldn't want to move anywhere else. It's my pace,

1042
00:49:31,239 --> 00:49:33,520
Speaker 7: it's my style, is it's what I know.

1043
00:49:33,640 --> 00:49:34,080
Speaker 1: It's home.

1044
00:49:35,200 --> 00:49:39,440
Speaker 9: Yeah, I think I think Virginia, you know, for me,

1045
00:49:40,800 --> 00:49:43,960
Speaker 9: and the fact of like never moving, I always felt

1046
00:49:44,000 --> 00:49:46,640
Speaker 9: like my music would suffered to write and would suffer.

1047
00:49:47,920 --> 00:49:49,279
Speaker 1: I've always felt like that.

1048
00:49:50,480 --> 00:49:54,879
Speaker 9: I don't it's the comfort, the comfort of being there,

1049
00:49:55,160 --> 00:49:57,719
Speaker 9: and I think that it gives a different perspective.

1050
00:49:57,800 --> 00:50:01,160
Speaker 1: I feel like the Clips, Damn the clips.

1051
00:50:01,160 --> 00:50:01,560
Speaker 6: Clips.

1052
00:50:01,800 --> 00:50:03,400
Speaker 1: Yeah, I feel like Clips.

1053
00:50:03,960 --> 00:50:10,200
Speaker 9: I feel like Clips is different because of Virginia. I

1054
00:50:10,200 --> 00:50:14,359
Speaker 9: feel like the music that we and the influences that

1055
00:50:14,440 --> 00:50:18,520
Speaker 9: we've been afforded by living in Virginia, a military town,

1056
00:50:18,560 --> 00:50:21,319
Speaker 9: there were things I never knew about musically or would

1057
00:50:21,320 --> 00:50:27,080
Speaker 9: have never ran across if we weren't in Virginia. And

1058
00:50:27,680 --> 00:50:31,600
Speaker 9: you know, the flavor for yous, the mixtape shops, and

1059
00:50:31,719 --> 00:50:33,000
Speaker 9: you know, I was exposed to.

1060
00:50:34,600 --> 00:50:35,319
Speaker 1: The Bay sound.

1061
00:50:35,360 --> 00:50:39,920
Speaker 9: I was exposed to Houston because of this town. And

1062
00:50:39,960 --> 00:50:42,080
Speaker 9: it was only because like it was such a military

1063
00:50:42,080 --> 00:50:47,640
Speaker 9: town that all these different influences came there musically. Even

1064
00:50:48,320 --> 00:50:53,120
Speaker 9: I mean even the late or early eighties, late eighties,

1065
00:50:53,520 --> 00:50:58,680
Speaker 9: the whole drug culture that the New York to Virginia

1066
00:50:58,760 --> 00:51:02,719
Speaker 9: pipeline that brought so much music, so much influence, it

1067
00:51:02,719 --> 00:51:08,640
Speaker 9: brought so much man, you you know, man, if you

1068
00:51:08,680 --> 00:51:11,399
Speaker 9: just think about, if you if you just think, yeah,

1069
00:51:11,840 --> 00:51:13,920
Speaker 9: if you just think about though, like the nineties, it

1070
00:51:14,000 --> 00:51:16,239
Speaker 9: was it was Mace, it was big, it was Wu Tang,

1071
00:51:16,280 --> 00:51:20,759
Speaker 9: it was everybody rapping about Virginia Beach, like you know,

1072
00:51:22,120 --> 00:51:24,160
Speaker 9: just to to know like it was and it was

1073
00:51:24,200 --> 00:51:29,400
Speaker 9: such it was so impressionable. I think that that that

1074
00:51:29,400 --> 00:51:33,400
Speaker 9: that gave us a lot of fuel, a lot of information,

1075
00:51:34,080 --> 00:51:36,640
Speaker 9: and a lot of different things to take from to

1076
00:51:36,760 --> 00:51:39,000
Speaker 9: create what the clips are today.

1077
00:51:39,719 --> 00:51:42,960
Speaker 8: When you met your wife, yes, do you know she

1078
00:51:43,000 --> 00:51:44,160
Speaker 8: was the one as soon as she said her name?

1079
00:51:44,880 --> 00:51:54,120
Speaker 9: No, no, not from Virginia. Yeah, that was crazy though,

1080
00:51:54,360 --> 00:51:57,520
Speaker 9: But from there to yeah, yeah for sure.

1081
00:51:57,560 --> 00:51:59,960
Speaker 5: So do y'all do y'all like go out in Virginia

1082
00:52:00,080 --> 00:52:04,760
Speaker 5: move around here to totally because a lot of rappers,

1083
00:52:04,960 --> 00:52:07,759
Speaker 5: I'm sorry, a lot of rappers like I have to

1084
00:52:07,840 --> 00:52:09,960
Speaker 5: leave their city because of that. You know, with love

1085
00:52:10,000 --> 00:52:11,319
Speaker 5: comes to hate the bigger you get.

1086
00:52:11,640 --> 00:52:11,839
Speaker 11: Nah.

1087
00:52:11,920 --> 00:52:14,840
Speaker 7: You know, up at the office, they were just talking

1088
00:52:14,840 --> 00:52:17,439
Speaker 7: about what they hear about us at home and how

1089
00:52:17,640 --> 00:52:20,480
Speaker 7: we're out. You know, every time I'm in the grocery store,

1090
00:52:20,719 --> 00:52:22,879
Speaker 7: you know, I'm taking a picture by the peanut butter

1091
00:52:22,920 --> 00:52:23,480
Speaker 7: that I don't.

1092
00:52:23,320 --> 00:52:23,719
Speaker 6: Want to take.

1093
00:52:23,800 --> 00:52:25,320
Speaker 1: I'm not doing, you know, with the people.

1094
00:52:25,400 --> 00:52:28,919
Speaker 7: But just you know, they catch me anywhere and they said,

1095
00:52:28,920 --> 00:52:31,879
Speaker 7: I'm out there officiating weddings and people see me at.

1096
00:52:31,840 --> 00:52:34,520
Speaker 4: The gas station, like you know, we go out. We

1097
00:52:34,600 --> 00:52:35,879
Speaker 4: definitely go out, and.

1098
00:52:35,840 --> 00:52:37,800
Speaker 7: It feels good to be able to you know what

1099
00:52:37,840 --> 00:52:40,080
Speaker 7: I'm saying, Virginia, don't be tripping.

1100
00:52:40,120 --> 00:52:40,959
Speaker 4: Virginia's cool.

1101
00:52:41,600 --> 00:52:43,759
Speaker 11: Y'all are like that. Not everywhere, but like I saw

1102
00:52:43,800 --> 00:52:45,640
Speaker 11: that there was a video you in Miami Push and

1103
00:52:46,040 --> 00:52:48,399
Speaker 11: walked up. I'm like, where is all the people with him?

1104
00:52:48,480 --> 00:52:50,080
Speaker 11: Like you just walking around?

1105
00:52:50,719 --> 00:52:51,799
Speaker 1: Yeah?

1106
00:52:50,920 --> 00:52:55,400
Speaker 2: And what was the security? I was made?

1107
00:52:55,520 --> 00:52:55,680
Speaker 4: Yeah?

1108
00:52:55,719 --> 00:52:58,279
Speaker 9: I had the man I was. I was I was

1109
00:52:58,320 --> 00:53:00,480
Speaker 9: going to get uh. I was want to get a

1110
00:53:00,520 --> 00:53:05,839
Speaker 9: Mother's Day gift, I think, And you know south side man,

1111
00:53:06,120 --> 00:53:07,600
Speaker 9: he just walked Yeah.

1112
00:53:08,120 --> 00:53:11,280
Speaker 4: But you know you all laid back and chill.

1113
00:53:11,160 --> 00:53:14,400
Speaker 9: And you gotta be I mean, you know, you know

1114
00:53:14,480 --> 00:53:20,120
Speaker 9: somebody got a gun. Man, chill, nobody had a gun.

1115
00:53:21,160 --> 00:53:22,000
Speaker 9: Let's leave it there.

1116
00:53:22,840 --> 00:53:27,000
Speaker 5: What is what is the skin regiment? Because brother, Push,

1117
00:53:27,040 --> 00:53:27,719
Speaker 5: I'm sitting.

1118
00:53:27,440 --> 00:53:29,560
Speaker 6: Here, Yeah, and.

1119
00:53:31,800 --> 00:53:34,040
Speaker 5: I've never seen the inside of somebody look.

1120
00:53:34,200 --> 00:53:35,880
Speaker 4: So smooth like that. Like what you.

1121
00:53:40,160 --> 00:53:40,239
Speaker 3: Do?

1122
00:53:40,960 --> 00:53:41,760
Speaker 4: Is the diet?

1123
00:53:41,840 --> 00:53:41,960
Speaker 2: Is it?

1124
00:53:42,120 --> 00:53:42,239
Speaker 4: Like?

1125
00:53:42,239 --> 00:53:42,719
Speaker 1: What is it?

1126
00:53:43,600 --> 00:53:45,000
Speaker 4: I think I think it's working out.

1127
00:53:45,120 --> 00:53:46,040
Speaker 12: I don't know if it's no.

1128
00:53:46,040 --> 00:53:46,640
Speaker 1: You know what I'm saying.

1129
00:53:46,840 --> 00:53:49,560
Speaker 2: The die is that their diets or diet? Yeah?

1130
00:53:52,760 --> 00:53:53,280
Speaker 1: Is that your.

1131
00:53:53,239 --> 00:53:55,920
Speaker 7: Diet is it like, what isn't I think, you know,

1132
00:53:55,960 --> 00:53:59,719
Speaker 7: we work out every day, you know, and we enjoy that.

1133
00:54:00,040 --> 00:54:03,560
Speaker 4: I think that's fine, watching what you eat, you know.

1134
00:54:03,719 --> 00:54:06,839
Speaker 7: I think I think we are the first generation in

1135
00:54:06,880 --> 00:54:08,439
Speaker 7: our family, you.

1136
00:54:08,360 --> 00:54:12,440
Speaker 4: Know, reading labels and calorie counts and proteins and stuff

1137
00:54:12,480 --> 00:54:14,840
Speaker 4: like that. So maybe that's what it is.

1138
00:54:14,880 --> 00:54:19,080
Speaker 5: I don't know that skin is crazy song.

1139
00:54:19,800 --> 00:54:25,040
Speaker 1: Your skin too? All?

1140
00:54:25,880 --> 00:54:26,279
Speaker 2: All right?

1141
00:54:27,520 --> 00:54:28,520
Speaker 6: He produced every song?

1142
00:54:28,680 --> 00:54:31,920
Speaker 4: Yeah, yeah, that's what I feels like.

1143
00:54:31,960 --> 00:54:34,400
Speaker 3: He took like a more when when he produces for

1144
00:54:34,760 --> 00:54:37,560
Speaker 3: it's more like a minimalist approach.

1145
00:54:37,880 --> 00:54:39,520
Speaker 4: I think it's a direct approach.

1146
00:54:39,760 --> 00:54:41,520
Speaker 1: Yeah, I think it's it's.

1147
00:54:42,960 --> 00:54:46,920
Speaker 9: I think it has a lot to do with our

1148
00:54:47,280 --> 00:54:51,840
Speaker 9: vocals being instruments and treating it, treating the vocal like

1149
00:54:51,880 --> 00:54:53,759
Speaker 9: a real instrument, like.

1150
00:54:55,960 --> 00:54:59,839
Speaker 1: You know, versus like overproducing so much.

1151
00:55:00,000 --> 00:55:02,960
Speaker 9: There's so much this this centered around the word. You

1152
00:55:02,960 --> 00:55:04,960
Speaker 9: know what I'm saying when it comes to us that

1153
00:55:05,239 --> 00:55:06,960
Speaker 9: you have to let that breathe. And I think he

1154
00:55:07,040 --> 00:55:08,760
Speaker 9: takes that that direction.

1155
00:55:09,120 --> 00:55:11,480
Speaker 3: How does that change your well? How did that challenge

1156
00:55:11,520 --> 00:55:12,600
Speaker 3: your pin or delivery?

1157
00:55:13,640 --> 00:55:14,160
Speaker 2: Oh?

1158
00:55:14,200 --> 00:55:16,759
Speaker 9: Everything is about the raps anyway. It's always been about

1159
00:55:16,760 --> 00:55:18,440
Speaker 9: the raps. But I don't got a production bone in

1160
00:55:18,480 --> 00:55:20,560
Speaker 9: my body. So I ain't never gonna be able to

1161
00:55:20,680 --> 00:55:24,080
Speaker 9: lean on it, but so much, you know, I think

1162
00:55:24,160 --> 00:55:27,319
Speaker 9: I think that I think there's a standard that just

1163
00:55:27,360 --> 00:55:30,200
Speaker 9: comes with the writing. He just knows that it sounds

1164
00:55:30,239 --> 00:55:32,000
Speaker 9: best minimal with us cutting through.

1165
00:55:32,760 --> 00:55:33,080
Speaker 1: Yeah.

1166
00:55:33,080 --> 00:55:35,040
Speaker 3: So when the beat changes on a record, like with

1167
00:55:35,120 --> 00:55:39,040
Speaker 3: the record that, do you ever say that's why it.

1168
00:55:39,000 --> 00:55:42,360
Speaker 4: Was him, That's why he was on it. He he

1169
00:55:42,840 --> 00:55:44,360
Speaker 4: asked for two eights.

1170
00:55:44,880 --> 00:55:45,040
Speaker 6: Bro.

1171
00:55:45,080 --> 00:55:47,319
Speaker 9: It was like, yo, I got this change, give us

1172
00:55:47,320 --> 00:55:49,280
Speaker 9: two eights. When we heard the be we was like, oh,

1173
00:55:49,400 --> 00:55:53,040
Speaker 9: that's for Noads. I mean and just you know, just

1174
00:55:53,120 --> 00:55:56,040
Speaker 9: knowing like you just know that that no, that that

1175
00:55:56,160 --> 00:55:57,960
Speaker 9: is that he was in a.

1176
00:55:58,000 --> 00:56:01,880
Speaker 1: Queen's bag of whatever, that was whatever was inspiring him

1177
00:56:01,880 --> 00:56:03,920
Speaker 1: at the time. I was like, man, that was that

1178
00:56:04,040 --> 00:56:04,720
Speaker 1: was for Homie.

1179
00:56:05,320 --> 00:56:08,200
Speaker 11: I know d clues involved to right, Yeah, talk about

1180
00:56:08,800 --> 00:56:09,760
Speaker 11: in the project.

1181
00:56:09,680 --> 00:56:13,759
Speaker 1: Again, man, clue was he wasn't.

1182
00:56:13,960 --> 00:56:18,160
Speaker 4: What happened was, you know, just again making the records, going.

1183
00:56:17,920 --> 00:56:19,760
Speaker 1: Through the records. Uh.

1184
00:56:20,520 --> 00:56:25,919
Speaker 9: We actually stole clues drops from like just awful old

1185
00:56:25,920 --> 00:56:27,080
Speaker 9: mixtapes because.

1186
00:56:26,800 --> 00:56:28,439
Speaker 6: We just felt that it fit.

1187
00:56:29,080 --> 00:56:30,560
Speaker 1: And you know, when he heard it, he was like, no,

1188
00:56:30,640 --> 00:56:31,560
Speaker 1: I got to redo these the.

1189
00:56:33,960 --> 00:56:37,759
Speaker 9: Book, the studio, booked the studio, and he had to

1190
00:56:38,040 --> 00:56:41,640
Speaker 9: he reconfigured everything he did and did it live. But

1191
00:56:42,120 --> 00:56:44,800
Speaker 9: it was just some of those records kind of sparked

1192
00:56:44,800 --> 00:56:48,440
Speaker 9: that nostalgia. And you know when when when we're in

1193
00:56:48,560 --> 00:56:52,600
Speaker 9: the moment, you know whether it's a for real you know,

1194
00:56:52,640 --> 00:56:55,319
Speaker 9: if you hear Farrell singing the hook or you know,

1195
00:56:55,400 --> 00:56:58,120
Speaker 9: we wanted the hook that he's not going to stay on.

1196
00:56:58,200 --> 00:57:00,719
Speaker 9: We gotta kind of finish it just to see what

1197
00:57:00,760 --> 00:57:03,040
Speaker 9: it feels like. So we stole the drops.

1198
00:57:03,080 --> 00:57:06,360
Speaker 4: And once Clue heard it, he you know, did it properly?

1199
00:57:06,680 --> 00:57:07,080
Speaker 1: Yeah.

1200
00:57:07,440 --> 00:57:09,480
Speaker 2: Talk about the Cousins Festival you got going on.

1201
00:57:09,480 --> 00:57:14,280
Speaker 9: In Virginia, oh Man Cousins Festival. Cousins Festival is August thirtieth.

1202
00:57:14,760 --> 00:57:19,400
Speaker 9: It is the best time. It's Labor Day weekend and

1203
00:57:19,480 --> 00:57:23,920
Speaker 9: it is it's an indoor, an outdoor festival, you know

1204
00:57:24,240 --> 00:57:27,840
Speaker 9: outdoor you have a Cousin's Festival stage. It's like all

1205
00:57:27,880 --> 00:57:33,280
Speaker 9: the DJs, you got, backyard band, you got man you know,

1206
00:57:33,400 --> 00:57:36,920
Speaker 9: drug food trucks. It's it's clue as. It's clue As

1207
00:57:37,440 --> 00:57:40,600
Speaker 9: is envy. It's a DJ booth.

1208
00:57:41,840 --> 00:57:44,840
Speaker 1: Ye yeah, we need just there.

1209
00:57:46,640 --> 00:57:49,520
Speaker 9: And then on the inside we have as as the

1210
00:57:49,640 --> 00:57:52,240
Speaker 9: as the day goes on, we have an inside. We

1211
00:57:52,280 --> 00:57:55,720
Speaker 9: have a show and that's gonna be g z T

1212
00:57:55,960 --> 00:57:57,680
Speaker 9: Pain Little Kim.

1213
00:57:58,000 --> 00:57:59,120
Speaker 1: And it's like it.

1214
00:57:59,200 --> 00:58:05,919
Speaker 9: Is the best one day festival time of of of of.

1215
00:58:05,840 --> 00:58:07,240
Speaker 1: Labor Day weekend in Virginia.

1216
00:58:07,400 --> 00:58:10,400
Speaker 8: Why don't you perform at the festival though, because this

1217
00:58:10,400 --> 00:58:11,760
Speaker 8: is the second anyone.

1218
00:58:11,480 --> 00:58:12,600
Speaker 1: Right, yeah, this is the second one.

1219
00:58:12,960 --> 00:58:15,480
Speaker 2: Why don't you perform at your festival?

1220
00:58:15,760 --> 00:58:15,880
Speaker 3: Uh?

1221
00:58:16,080 --> 00:58:20,000
Speaker 9: Well, actually we have a show already booked, so we

1222
00:58:20,120 --> 00:58:24,480
Speaker 9: ruined it. No, not the day of, not the day of,

1223
00:58:24,960 --> 00:58:27,160
Speaker 9: but you know, it just it just didn't make sense.

1224
00:58:27,200 --> 00:58:30,240
Speaker 9: And you know, this is this is really about we

1225
00:58:30,320 --> 00:58:32,840
Speaker 9: take real polls, like yo, who y'all want to see?

1226
00:58:33,040 --> 00:58:34,200
Speaker 2: You know, we just last year.

1227
00:58:35,080 --> 00:58:39,840
Speaker 9: Yeah, last year was Rikabad Larry June, lion babe host

1228
00:58:39,880 --> 00:58:44,760
Speaker 9: of d j's Jermaine, you know, and this year, you know,

1229
00:58:44,880 --> 00:58:46,479
Speaker 9: this year we stepped it up a notch.

1230
00:58:46,680 --> 00:58:48,440
Speaker 11: The show you got already booked is at the tour'll

1231
00:58:48,440 --> 00:58:52,080
Speaker 11: go work game, yes, sorry about that?

1232
00:58:52,480 --> 00:58:54,320
Speaker 1: Yeah yeaheah, yeah, I know, I know.

1233
00:58:54,080 --> 00:59:04,720
Speaker 4: I didn't say it, Kevin. It's all good, man, it's

1234
00:59:04,760 --> 00:59:05,280
Speaker 4: all good.

1235
00:59:05,840 --> 00:59:07,480
Speaker 9: I mean, you know, I'm glad. I'm glad that we're

1236
00:59:07,520 --> 00:59:11,200
Speaker 9: going out there with Earth Game. Those guys are awesome

1237
00:59:11,600 --> 00:59:13,920
Speaker 9: and I feel like the show is going to be incredible,

1238
00:59:14,360 --> 00:59:17,120
Speaker 9: Like twenty five dates, twenty.

1239
00:59:16,800 --> 00:59:21,040
Speaker 2: Five dates, you know game hand for a little bit,

1240
00:59:21,040 --> 00:59:21,520
Speaker 2: you know, man.

1241
00:59:21,480 --> 00:59:23,680
Speaker 4: I didn't know that. Oh wow, crazy.

1242
00:59:24,280 --> 00:59:26,520
Speaker 3: I's got a couple more questions, man, how is your

1243
00:59:26,600 --> 00:59:28,800
Speaker 3: journey as a pastor your spiritual journey?

1244
00:59:28,960 --> 00:59:35,200
Speaker 4: Why does a pastor? No, I'm not, I could, I

1245
00:59:35,320 --> 00:59:35,880
Speaker 4: could be.

1246
00:59:37,240 --> 00:59:38,280
Speaker 1: I'm not a pastor for.

1247
00:59:38,360 --> 00:59:39,200
Speaker 6: Your spiritual journey?

1248
00:59:39,200 --> 00:59:41,920
Speaker 3: How is that helping you navigate this current climbing and

1249
00:59:42,000 --> 00:59:44,600
Speaker 3: hip hop but also this current journey to clips wrong?

1250
00:59:46,520 --> 00:59:51,680
Speaker 7: It helps me with my journey through life with everything,

1251
00:59:52,200 --> 00:59:55,560
Speaker 7: I feel like I actually don't know how you can

1252
00:59:55,680 --> 01:00:02,280
Speaker 7: do it without God anything. Let all things be done

1253
01:00:02,400 --> 01:00:06,400
Speaker 7: decently and in order, And no matter what you're doing,

1254
01:00:07,400 --> 01:00:09,560
Speaker 7: you need to have the Word of God with you,

1255
01:00:09,880 --> 01:00:13,640
Speaker 7: even if it's only to help you in understanding things

1256
01:00:13,680 --> 01:00:17,920
Speaker 7: around you that you can't change, you know, to have peace, uh,

1257
01:00:18,240 --> 01:00:22,280
Speaker 7: in peace with yourself. So it's everything to me. God,

1258
01:00:22,480 --> 01:00:26,080
Speaker 7: God is everything to me first and foremost. And that's

1259
01:00:26,080 --> 01:00:29,120
Speaker 7: not that's not cliche. Like I need Jesus, like I

1260
01:00:29,160 --> 01:00:30,200
Speaker 7: need water and food.

1261
01:00:31,080 --> 01:00:31,720
Speaker 4: It's a fact.

1262
01:00:32,440 --> 01:00:34,760
Speaker 3: Yeah, well, what's what's the song on the new album?

1263
01:00:34,800 --> 01:00:37,320
Speaker 3: You think people are gonna completely misinterpret?

1264
01:00:38,000 --> 01:00:39,280
Speaker 4: I don't know. I don't care.

1265
01:00:39,720 --> 01:00:41,960
Speaker 7: You know what I'm saying, I don't I don't know.

1266
01:00:42,560 --> 01:00:43,760
Speaker 7: It could be the whole album.

1267
01:00:43,800 --> 01:00:44,320
Speaker 4: I don't know.

1268
01:00:45,240 --> 01:00:48,360
Speaker 2: Yeah, let's get into a join of the album. What

1269
01:00:48,480 --> 01:00:50,560
Speaker 2: y'all want to hear? Not the two joints i've been

1270
01:00:50,560 --> 01:00:51,120
Speaker 2: playing fight?

1271
01:00:51,160 --> 01:00:53,200
Speaker 4: Oh yeah, let's get into that.

1272
01:00:53,240 --> 01:00:54,480
Speaker 2: You got to send that to me, please.

1273
01:00:59,520 --> 01:01:00,760
Speaker 6: Already?

1274
01:01:02,000 --> 01:01:03,200
Speaker 1: Or do birds on sing?

1275
01:01:03,600 --> 01:01:03,640
Speaker 2: Like?

1276
01:01:04,320 --> 01:01:06,560
Speaker 1: Yeah, birds on sing?

1277
01:01:06,880 --> 01:01:07,120
Speaker 4: Sure?

1278
01:01:07,200 --> 01:01:07,840
Speaker 6: That's powerful.

1279
01:01:08,080 --> 01:01:09,880
Speaker 2: Well, I appreciate you bubbs for joining.

1280
01:01:09,640 --> 01:01:11,800
Speaker 1: Us, man, thanks for having thank you, thank you very

1281
01:01:11,880 --> 01:01:13,320
Speaker 1: much on y'all.

1282
01:01:13,360 --> 01:01:15,400
Speaker 6: But we're gonna have to wait another fifteen years or.

1283
01:01:16,040 --> 01:01:19,840
Speaker 4: Nah, no, no, I don't think so okay, Yeah, let's

1284
01:01:19,880 --> 01:01:24,240
Speaker 4: just say it. I don't know, y'all just so happy.

1285
01:01:25,640 --> 01:01:29,400
Speaker 3: Yeah, that's why when I said the safe space thing, like,

1286
01:01:29,440 --> 01:01:31,280
Speaker 3: I can really see that, I can see how this

1287
01:01:32,200 --> 01:01:35,880
Speaker 3: is like a divine protection all together having an individual

1288
01:01:35,960 --> 01:01:37,000
Speaker 3: when y'all together.

1289
01:01:36,760 --> 01:01:39,240
Speaker 4: You can I'm with that. I'm with that, I feel

1290
01:01:39,280 --> 01:01:39,920
Speaker 4: that I see that.

1291
01:01:40,200 --> 01:01:42,040
Speaker 5: Yeah, and this is just that ch'a would question how

1292
01:01:42,080 --> 01:01:47,360
Speaker 5: many people still think y'all twins everybody, okay, you growing up,

1293
01:01:47,400 --> 01:01:48,880
Speaker 5: I was like, they are twins. I will I will

1294
01:01:48,880 --> 01:01:49,960
Speaker 5: all get people down.

1295
01:01:50,160 --> 01:01:51,960
Speaker 2: Because they was right from down the street.

1296
01:01:52,000 --> 01:01:53,560
Speaker 4: I'm from Baltimore, you know they right there.

1297
01:01:53,600 --> 01:01:55,320
Speaker 5: But I got family in Virginia, and I was even

1298
01:01:55,360 --> 01:01:57,520
Speaker 5: telling the Virginians, yo, they're twins.

1299
01:01:57,560 --> 01:02:00,400
Speaker 4: Were just like, no, they not, so my bad.

1300
01:02:00,480 --> 01:02:03,560
Speaker 5: Okay, but people do say that it wasn't everybody exactly.

1301
01:02:03,640 --> 01:02:05,280
Speaker 2: Let's get into the record one last thing.

1302
01:02:05,640 --> 01:02:07,680
Speaker 8: Is there ever a problem you say, like I'm not

1303
01:02:07,720 --> 01:02:09,400
Speaker 8: going there or push it, Like if Push is going

1304
01:02:09,440 --> 01:02:12,480
Speaker 8: to a spot a strip club to host it or

1305
01:02:12,520 --> 01:02:15,200
Speaker 8: he's going to strip like that, I'm not doing that, yo.

1306
01:02:15,320 --> 01:02:17,080
Speaker 4: Everybody keeps putting you in the strip club.

1307
01:02:17,120 --> 01:02:18,960
Speaker 1: For every.

1308
01:02:20,960 --> 01:02:22,920
Speaker 4: In the strip club, I usually don't.

1309
01:02:23,400 --> 01:02:25,080
Speaker 1: I mean my book, but.

1310
01:02:25,760 --> 01:02:28,840
Speaker 4: Yeah, work is work, work is work.

1311
01:02:30,760 --> 01:02:35,640
Speaker 2: It's clips its morning. Wake that ass up in the morning.

1312
01:02:35,920 --> 01:02:36,760
Speaker 2: Breakfast club.