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Speaker 1: Have you been here before?

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Speaker 2: Have you been in these in the studio?

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Speaker 3: No, this is my first time. Yeah it's nice, but

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Speaker 3: I think it's I think it's very very professional. Scene

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Speaker 3: the suck bucket, Yeah, the suck bucket.

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Speaker 1: Yeah, suck bucket list moment.

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Speaker 2: Yeah, you know you have a reverse bucket list basically where.

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Speaker 3: You're like, those are the things I don't want, Like

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Speaker 3: for me, it's like getting stabbed. Yeah, it's this pillow

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Speaker 3: suck bucket list. It's big falling from anything over Like

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Speaker 3: one story is on my suck bucket list.

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Speaker 1: Do not come back here? You didn't know? You didn't know?

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Speaker 3: No, I didn't know.

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Speaker 1: I didn't know.

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Speaker 3: I mean I in my head I pictured something nice.

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Speaker 1: Or will We'll let you. We'll tell you next time,

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Speaker 1: like when it's cool to come back. We're doing we're

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Speaker 1: really getting our hands dirty here. We're really digging in

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Speaker 1: few months. Yeah, we're super for us.

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Speaker 3: Yeah. Why are the walls not painted? You know?

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Speaker 2: According to the people that work here, it's for sound. Yeah,

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Speaker 2: I don't know, like everything you ask because they know

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Speaker 2: that I'm not like, I don't do that ship.

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Speaker 3: Why does Why is the graffiti saying Jizz was here?

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Speaker 3: What does that mean, well it was, I mean.

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Speaker 1: That's the thing like that was actually the county came

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Speaker 1: in and wrote that, Yeah, because you have to, you

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Speaker 1: have to put up. It doesn't come up that much.

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Speaker 3: They have like a little certificate like please take that out.

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Speaker 2: Go ahead and take that out.

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Speaker 1: Go ahead and take that out. So what we'll just

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Speaker 1: have is a conversation about jizz was here being written

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Speaker 1: on the wall. Uh huh, Cameo saying something incredibly short,

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Speaker 1: honestly halfway words.

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Speaker 4: Yeah, I think a beap will just get the whole

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Speaker 4: sentence beep.

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Speaker 1: What are you gonna do with the with the rest.

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Speaker 3: Of the beat, yeah, yeah, it's gonna take a half

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Speaker 3: a beat.

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Speaker 5: Beap is gonna cover this sometimes.

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Speaker 3: Can Yeah, can we make it a beat? Yeah? A

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Speaker 3: half beep length of words can ruin your career forever.

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Speaker 1: So please just you know.

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Speaker 3: Be use a couple of beeps just to make sure

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Speaker 3: you get it all. Thank you so much. What if

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Speaker 3: this episode was just a beat, just one? I mean,

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Speaker 3: I think with the strikes, it's the it's the polite,

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Speaker 3: it's the responsible thing that will.

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Speaker 1: Yes, you need to set guard rails here.

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Speaker 3: Yeah, I'm no scab.

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Speaker 1: People have been coming in, press their nose against the.

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Speaker 3: Door, trying to trying to get in and fog.

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Speaker 1: Up the glass, trying to get here and promote we

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Speaker 1: get they.

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Speaker 2: Want to they see the live mic. Yeah, and they

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Speaker 2: just they can smell.

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Speaker 3: Companies are struck. Yes, I don't know how I feel

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Speaker 3: about the past dance of strike being used against these companies.

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Speaker 5: Struct companies.

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Speaker 3: These companies are struck. I'm not doesn't know, it doesn't

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Speaker 3: flow from my mouth.

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Speaker 1: Compstruck. I don't why they shortened company to say comp.

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Speaker 3: Compstruckt Yeah, these things are compstruck. And I'm like, it

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Speaker 3: sounds like weird when you say it fast, it sounds

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Speaker 3: like you're saying something else. Just yeah, yeah, I just

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Speaker 3: want to make get clear I very much support every

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Speaker 3: strike that's going on in the country. Yeah.

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Speaker 2: Usually I think some of the language around it could

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Speaker 2: be I mean, it's a there's a writer's strike. We

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Speaker 2: may not use these writers to get some of the

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Speaker 2: wording right.

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Speaker 3: Let's massage the terms.

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Speaker 5: Compstruck, like, let's not.

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Speaker 2: Yeah.

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Speaker 3: I don't know why we all went in on compstruct immediately.

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Speaker 3: I know everyone was like, oh, yeah, you can't work

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Speaker 3: for Disney. It's compstruck. Yeah, what I think. Yeah, just

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Speaker 3: there are ways to present your case to the American

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Speaker 3: public that don't involve off putting terminology.

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Speaker 5: Yeah.

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Speaker 2: I mean it's such a huge portion of it is

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Speaker 2: the messaging to get public support. And you're a school

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Speaker 2: teacher in Iowa hearing that, like, you know, the compstrucks

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Speaker 2: are coming for us, you know, like that that's not

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Speaker 2: going to resonate in the way are saying.

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Speaker 3: Compstructs will not replace us. This kind of stuff. I

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Speaker 3: just it just feels, you know, not a best foot forward.

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Speaker 3: But now we're all in hashtag friend dresser.

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Speaker 1: We love friend. We're supportive of everything that Strake is doing.

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Speaker 1: And also I sort of feel like there has to

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Speaker 1: be a way to like capitalize artist personally in some way.

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Speaker 2: Can I say something about fran sure as we talk

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Speaker 2: about this language, I don't think she should be calling

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Speaker 2: herself the l A f.

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Speaker 1: D Oh Okay.

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Speaker 2: I think that that's going to become confusing because.

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Speaker 3: People will be like called the la FD my houses

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Speaker 3: on fire, yes, yeah, and instead you suddenly have the

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Speaker 3: nanny showing up.

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Speaker 2: Well that's what she's saying though, is like as actors,

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Speaker 2: you know, are collective houses on fire and the l

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Speaker 2: A f D is here, and that she save.

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Speaker 1: Us a strike, that she took emergency powers to take

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Speaker 1: nine one one. Basically, I don't know if.

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Speaker 3: That's actually on the way. Yeah, there was a Starbucks

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Speaker 3: on fire and I saw her with the hose outside

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Speaker 3: and I finally understood what was going on. Yeah, she's

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Speaker 3: still by the way doing that speech. She's still that

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Speaker 3: speech has not stopped. That she Wow, she's been the

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Speaker 3: jig is currently yeah and uh and remarkably small amount

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Speaker 3: of repetition. It's all new talking.

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Speaker 1: Wow.

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Speaker 3: Whoah, she's just got new asks that I think are

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Speaker 3: very very reasonable.

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Speaker 5: Oh, really, what are some of the new things that

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Speaker 5: she wanted, because.

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Speaker 3: She says that what would really help the Screen Actors

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Speaker 3: Guild is if she was CEO of Disney. That's what

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Speaker 3: she's asking for.

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Speaker 1: I like it.

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Speaker 2: Yeah, having somebody who's been on both sides, or maybe

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Speaker 2: they can see what are the.

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Speaker 3: Two sides, the two sides that she's been on.

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Speaker 2: Just she's while she has been uh in sag as

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Speaker 2: a performer, as an artist, Yes, and then for her

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Speaker 2: to take on the role of executive inside one of

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Speaker 2: those companies, she would have possibly more sympathy for the

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Speaker 2: plight of creatives.

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Speaker 3: But so far she's all right, right right, not that

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Speaker 3: she's already been on both sides, but it would be

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Speaker 3: good for someone like that to be on both sides.

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Speaker 1: Yeah, yeaheah, yeah. Well it's Beautition and the Beast. I mean,

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Speaker 1: this is really the credit that is informing the work.

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Speaker 1: Right now. Everyone is like, oh, the ninny, It's like, no,

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Speaker 1: it was when she had to go into whatever that

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Speaker 1: country was, the guy was being crazy.

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Speaker 2: Yea, and then she had to cut his hair so

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Speaker 2: good that he like started to run the was on

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Speaker 2: the government in a normal way.

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Speaker 3: Was it James Bond? Was it a James Bond that

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Speaker 3: was the Was it Timothy Dalton?

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Speaker 5: I believe it was Prince Brosnan.

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Speaker 3: Oh, it was Prince Brosnan, a different James Bond. Well,

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Speaker 3: right now she's not Bemautian on the Beast. He's beautician

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Speaker 3: slashed the Beast. Because she's performing both activities.

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Speaker 5: She's going to beast mode.

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Speaker 3: Yeah, she goes beast mode and then beautian mode.

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Speaker 2: Yeah, and I we you know, yes, people focus on

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Speaker 2: the nanny and I don't think it's fair and I

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Speaker 2: don't want to bring it up every week, but she

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Speaker 2: is obviously in the movie Jack, and they do talk

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Speaker 2: about her rear end in the movie, you know, and

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Speaker 2: we're just sort of checking her. I think someone says

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Speaker 2: something like, she's she's got to ask you crack walnuts

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Speaker 2: with or something like that, you know, like to Jack.

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Speaker 5: Who is a ten year old boy, but.

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Speaker 1: No, he looks much older. Yeah, so the person who

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Speaker 1: said that probably thought, we can assume thought Jack was

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Speaker 1: like a grown adult. He looks like insanely old.

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Speaker 3: Yeah. I wouldn't say insanely old. He just looked the

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Speaker 3: year old for ten year old.

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Speaker 5: It's insane. It wouldn't be worth making a movie.

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Speaker 1: About if it wasn't insane.

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Speaker 3: A ten year old who looks thirteen years old not

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Speaker 3: quite as strong a promise. I thought one of the

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Speaker 3: sad demands that we all watch all of her filmography. Yeah,

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Speaker 3: you know, I thought it was a bit excessive. But

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Speaker 3: I'm working my way through season seven of The Nanny

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Speaker 3: right now. Again, very little repetition in plots. Yeah, every

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Speaker 3: week a new thing.

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Speaker 2: Yeah, brightens up to something.

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Speaker 1: It's it's kind of affecting the negotiations in a way

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Speaker 1: because it's like, Brighton, really, this is really what.

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Speaker 5: What it's season seven. Brighton went off.

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Speaker 2: He snapped on us.

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Speaker 3: Yeah, yeah, well you know he's learned a lot for

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Speaker 3: sixth seasons and he's showing us what he's learned.

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Speaker 5: Sorry, Hayes, you were talking.

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Speaker 1: I was gonna about to do promos and I checked myself.

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Speaker 1: No promo. We're like, we're on string, no writing, no acting, no.

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Speaker 1: But I do want to get to the heart of like,

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Speaker 1: how can we take advantage of the fact that no

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Speaker 1: one else is.

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Speaker 2: Working is working, and all the trucks are available and stuff.

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Speaker 3: Or something.

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Speaker 1: The studios are gasping for God, they are so damn

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Speaker 1: thirsty they are they'll take whatever. And as someone who

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Speaker 1: has been described as mediocrity the guy, how can I

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Speaker 1: take advantage of this moment where all these talented people

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Speaker 1: are not allowed.

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Speaker 2: To totally distracted doing other stuff?

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Speaker 1: And I go in, Yeah, I'm not say make a

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Speaker 1: movies TV No, what can help? But I got I.

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Speaker 3: Gotta get in, come on, But there's gotta be something.

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Speaker 3: There's gotta be something that's not a movie, not TV,

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Speaker 3: but it's still a form of film about Camille. Cut

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Speaker 3: scenes just video game cuts.

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Speaker 1: We make big ass cut scenes, dude.

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Speaker 2: The cut scenes can be movie leg yes, you know,

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Speaker 2: but they're a cut scenes, so they're okay to do cut.

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Speaker 1: Scenes and any video And when the freaking pencil police

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Speaker 1: come in, they're like, hey, what do you guys do

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Speaker 1: we just pick up the controller? Yeah, and we're like, oh,

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Speaker 1: I'm sorry, just making making What are you doing?

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Speaker 3: Because you know what cutscenes have is people holding video

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Speaker 3: game controllers. Every cutscene has it.

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Speaker 1: The actors. Yeah, of course, as you're directing, producing, even

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Speaker 1: writing the movie, you kind of need to havel.

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Speaker 2: Well, you're gonna want to stay connected to the final Yeah,

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Speaker 2: I mean when you're you know, when you're making a movie,

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Speaker 2: you're watching it on a screen usually, so it's like

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Speaker 2: you want to be the audience and and want to

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Speaker 2: sort of create it.

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Speaker 3: You want to recreate the experience of the people watching,

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Speaker 3: so you know it's working.

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Speaker 2: So when you're directing a cut scene, you hold the

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Speaker 2: video game control.

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Speaker 1: Right, the control When we exhibit it, we will have

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Speaker 1: to think for it to be a real cut scene,

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Speaker 1: we'll have to show it obviously, give the whole audience

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Speaker 1: a controller and give any of them the option to

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Speaker 1: hit triangle just to the entire movie. Yeah, so we

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Speaker 1: just really have to hope.

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Speaker 3: So can you please, this is not a movie. We're notab.

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Speaker 2: This is a cut scene. You can tell because you

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Speaker 2: could just hit triangle if you can.

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Speaker 1: Please don't, please don't do that, because no one else

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Speaker 1: will get to see the movie.

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Speaker 3: Yeah, and we've got some really big cuts because everyone

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Speaker 3: was available.

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Speaker 2: I have to stop calling it a movie.

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Speaker 3: It's not.

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Speaker 1: We just start. We will figure this out. We have

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Speaker 1: to stop calling it a movie.

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Speaker 3: As we were saying, words are very important, you know,

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Speaker 3: Oh my god, you own the meanings of words, and

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Speaker 3: you own the truth. I mean, yes, please bleep that.

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Speaker 3: Oh god, ah, go ahead and bleep that right now.

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Speaker 3: But I think this cut scene idea is pretty good

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Speaker 3: because I'm a big gamer. You know, I play play

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Speaker 3: It's one of my things. And yeah, so I understand like.

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Speaker 1: You're well positioned here.

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Speaker 3: Yeah, yeah, I know what makes a good cut scene.

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Speaker 3: What makes a bad cut scene? You know, we make

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Speaker 3: a nice two hour cut scene.

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Speaker 1: Because these are getting so long, these are getting so long.

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Speaker 6: And scenes, yeah, the cut scenes ever have cuts inside

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Speaker 6: the scene? Yeah, I mean editing inside the scenes. Yeah,

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Speaker 6: almost definitely. Okay, that's going to really help.

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Speaker 3: Us because since we don't want to do a waner

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Speaker 3: one or.

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Speaker 2: Want or not have a two hour water well, I

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Speaker 2: know like to be movie length, although I have to

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Speaker 2: stop calling it a movie.

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Speaker 5: It's not such a bad habit.

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Speaker 3: Yeah, just just why don't you say the length of

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Speaker 3: time it needs to be not compared to the thing

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Speaker 3: that we're not allowed to make right now, absolutely importance

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Speaker 3: of words. The other thing that I know is a

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Speaker 3: requirement for a movie is I mean, everybody knows this

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Speaker 3: is the title of the movie has to show up

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Speaker 3: somewhere in the movie. That's why in Apocalypse Now, the

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Speaker 3: movie about the Big War, they actually have it graffiti,

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Speaker 3: much like Jiz was here. They have it graffiti in

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Speaker 3: a wall at one point because he didn't want to

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Speaker 3: opening credits. So I think technically we can make a

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Speaker 3: movie as long as the title of the movie never

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Speaker 3: shows up during the movie, because then it's not technically

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Speaker 3: a movie, so it's not protected under SAG or WGA.

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Speaker 1: And no one says it or no one says it.

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Speaker 3: We can have people interrupt, like we could be like

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Speaker 3: there's some sort of pulpit and then then it's okay

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Speaker 3: to do. Just make sure nobody says the name of

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Speaker 3: a movie yea, or or that it's written anywhere.

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Speaker 1: And we and we could even use help perfection or

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Speaker 1: whatever or even like do that because people would be like, well,

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Speaker 1: that's already a movie, and we'd be like, well, this

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Speaker 1: isn't a movie.

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Speaker 2: In a movie, this is like this is a cut

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Speaker 2: scene rather talking about and be like, hey, you sell

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Speaker 2: those wild hogs over there, and I go like, well

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Speaker 2: it's not or not, this isn't the movie wild Hogs.

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Speaker 2: You know, yeah, I mean, look at you're holding a

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Speaker 2: control of how could it be wild hot?

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Speaker 1: You can.

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Speaker 6: Week scene we might be able to get off for

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Speaker 6: a wild hogs.

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Speaker 1: You know how during some of the cut scenes, you

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Speaker 1: have a little bit of first person perspective, mobility sometimes

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Speaker 1: sometimes that total three sixth the ability to remember you

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Speaker 1: can just do a little like, uh, look up just

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Speaker 1: a tidy bit, look down just a little bit.

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Speaker 3: Yeah, yeah, yeah.

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Speaker 1: Look right now. Of course, if everyone has the ability

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Speaker 1: to control that in the audience, well, I'll have to

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Speaker 1: come to sort of an agreement on I think.

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Speaker 3: What we can do is if we have like a

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Speaker 3: couple hundred people in an audience, you know, because we're

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Speaker 3: going to get at least that's the only movie, because

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Speaker 3: there's no movie.

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Speaker 2: No, no, no, now I've got you doing it's it's

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Speaker 2: the only cut scene, the only cut scene, that cut.

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Speaker 3: Scene that people can like go to a premiere, the

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Speaker 3: only movie like cut seene airing and only don't say

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Speaker 3: the work.

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Speaker 7: Is.

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Speaker 3: We can just predecide the up down where to look.

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Speaker 3: And so many people are holding controllers.

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Speaker 2: Someone is doing somebody's movie.

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Speaker 3: There'll be like one person who actually is doing it.

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Speaker 3: Oh I'm controlling cut scene. Yeah yeah yeah.

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Speaker 2: If it's just moving around all the time, like yeah,

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Speaker 2: that would be good.

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Speaker 3: Yeah, just just at.

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Speaker 2: The angle, keeps like tilting around in a way that

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Speaker 2: sort of makes you nauseous.

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Speaker 1: And where are people going to be like upset? There's nothing?

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Speaker 3: Yeah, what's okay?

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Speaker 2: We'll watch something else.

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Speaker 3: Yeah, go watch nothing else that's out.

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Speaker 2: Yeah, go see a different movie.

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Speaker 3: It's go see a movie, not a difficulty, a movie

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Speaker 3: instead of a cut scene. Yeah, see a movie instead

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Speaker 3: of awesome, instead of this cute?

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Speaker 1: Is this? Uh? Is this fight? Harr?

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Speaker 2: I mean like we went we went down the road. Look,

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Speaker 2: I mean obviously the timing of the strike sucks, Like

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Speaker 2: I'm happy that we're doing but we were all about

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Speaker 2: to do some big stuff. I know, you're always doing

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Speaker 2: ship You're like, really and don't promote anything.

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Speaker 3: You were on the some huge, huge projects and they're

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Speaker 3: all obviously gone because they're movies, are not cut scenes.

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Speaker 2: We were gonna do, Yeah, we were gonna do a couple.

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Speaker 2: We had a TV thing that was going to be

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Speaker 2: like you remember the show Look.

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Speaker 1: Horses. Yeah, we were gonna we were gonna were not

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Speaker 1: the biggest, like yes, it was really about the track.

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Speaker 5: But we were doing it.

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Speaker 1: We we were people mostly who all survived the entire production.

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Speaker 1: Did not see a single story about that. Yeah, no,

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Speaker 1: all the people were so.

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Speaker 3: We hear about the seven horses that die.

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Speaker 2: Yeah, ever, but that's the normal amount of horses to

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Speaker 2: die during the length of time.

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Speaker 3: Yeah, I think it was time like last I mean, yeah,

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Speaker 3: thirty seven horses died during the filming.

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Speaker 1: They were shooting them out of the camera.

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Speaker 2: There's a very typical number of horses to to to explode.

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Speaker 2: But we had a we had a version of it

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Speaker 2: that I think was improved. We had we were in

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Speaker 2: pre production on it. We had lost more horses than

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Speaker 2: the Wow original version of Luck, but we were figuring

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Speaker 2: that out.

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Speaker 5: You know, they don't report on it.

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Speaker 2: I mean they haven't.

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Speaker 3: I mean that's very ambitious that just in prep you'd

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Speaker 3: lost more horses already than Luck had over the course

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Speaker 3: of the end.

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Speaker 2: We didn't know, you know, I think the people on

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Speaker 2: Luck had more experience with horses.

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Speaker 5: We didn't really know like what they need?

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Speaker 3: Uh and I guess food, sleep, and water.

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Speaker 5: Okay, we could have used you because.

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Speaker 3: All on the metal shoes. So how how what was

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Speaker 3: the cause of death of some of these guys?

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Speaker 1: It was pretty hard, got a lot of them. I

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Speaker 1: think what we found was they cover this up pretty

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Speaker 1: well in the previous incarnation of Luck. But Dusty took

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Speaker 1: care of a lot of them himself. He did. Yeah,

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Speaker 1: what is that?

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Speaker 3: Like, how would he take care.

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Speaker 2: They don't like being hugged, and then what happens with

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Speaker 2: him is like when you tell him not to hug you,

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Speaker 2: that's only going to make him home hard, right, and.

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Speaker 5: So so it was basically so it was like a.

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Speaker 2: Garrotting of people, don't you know. And it was like

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Speaker 2: a guillotine hold.

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Speaker 3: Like, yeah, horses are allergic to human touched. Anytime in

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Speaker 3: a movie you've seen someone like paddle Horse, just know

380
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Speaker 3: that that was the last take that that horse that well, yeah,

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Speaker 3: or it's.

382
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Speaker 2: Like that's not a human hand that you're seeing.

383
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Speaker 3: A lot of times they will use fake dummy.

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Speaker 5: Well they'll put it.

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Speaker 2: They'll shove like a rabbit into a glove, and so

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Speaker 2: that's why it's usually a glove that's like wiggling around

387
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Speaker 2: or something. Horses like rabbits, I guess, so they'll just yeah,

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Speaker 2: they'll spray paint the rabbit the cutter of the person's face,

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Speaker 2: but not to cut the person's other hands.

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Speaker 3: So it's kind of a dead giveaway.

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Speaker 2: Yeah, but it's like, yeah, and so often when you

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Speaker 2: watch people pet a horse, you go, well, they weren't

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Speaker 2: wearing an oven min earlier in the scene.

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Speaker 3: Yeah, why is it?

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Speaker 5: Why being petted by a wriggling oven man.

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Speaker 2: Yeah, but it's like they've just dropped like a couple

397
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Speaker 2: of baby rabbits.

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Speaker 3: It's a rabbit with oven minute. Yeah. They don't want

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Speaker 3: to kill the horses.

400
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Speaker 2: No, I mean you'd rather not, and we and we

401
00:19:40,160 --> 00:19:42,800
Speaker 2: never intended to, you know, but we did want to

402
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Speaker 2: bring Dusty.

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Speaker 1: Back because he took care of seven horses pretty much

404
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Speaker 1: right off the rip. But then he's like basically settled

405
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Speaker 1: that got it out of his system. Yeah, so it

406
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Speaker 1: suggests that that show could have actually moved forward without incident.

407
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Speaker 2: Well, he said, they don't you know now they don't

408
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Speaker 2: bother me. I don't bother them.

409
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Speaker 3: It's just sort of had established this dominance.

410
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Speaker 2: I get, I guess.

411
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Speaker 5: Oh wow, but that was okay.

412
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Speaker 2: But then we did hit the point where like a

413
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Speaker 2: lot of the horse experts had quit because they just

414
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Speaker 2: watched us and strangle seven horses. Yeah, and so then

415
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Speaker 2: we kind of were left like fending for ourselves in

416
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Speaker 2: terms of like what they eat, which, you know, are

417
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Speaker 2: you just like, what do you think of horse eats?

418
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Speaker 3: Apples?

419
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Speaker 1: God?

420
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Speaker 2: I wish you were there. You had been there, fuck man, Yeah,

421
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Speaker 2: it's right in front of me.

422
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Speaker 3: The other thing, the issue with horses is if you

423
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Speaker 3: give them enough food, they will eat until they are

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Speaker 3: no more. You got to take the food away.

425
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Speaker 1: Well, then that's probably good. We had so much hay

426
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Speaker 1: just for other like aspects of the production.

427
00:20:48,840 --> 00:20:49,000
Speaker 3: Yeah.

428
00:20:49,119 --> 00:20:51,760
Speaker 1: Yeah, so like now I'm feeling better about the fact

429
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Speaker 1: that the horses didn't get any of it.

430
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Speaker 3: I know that we had this sea story, yeah, sea

431
00:20:58,800 --> 00:21:02,960
Speaker 3: story of rumble Stilts, and we brought it a lot

432
00:21:03,400 --> 00:21:06,159
Speaker 3: which is why forget it. What you were trying to

433
00:21:06,200 --> 00:21:10,080
Speaker 3: spend your entire project was gold out of the ka.

434
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Speaker 1: That you had.

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Speaker 2: It just sucks because then like comes all of a sudden,

436
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Speaker 2: we can't kill any more horses. That wasn't the main point,

437
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Speaker 2: but we can't film the show.

438
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Speaker 6: You know.

439
00:21:19,880 --> 00:21:22,199
Speaker 3: I know the horse thing because my brother, when he

440
00:21:22,240 --> 00:21:24,480
Speaker 3: was a kid, would eat until he threw up every time,

441
00:21:24,560 --> 00:21:26,600
Speaker 3: so you had to actively take food away from him.

442
00:21:26,680 --> 00:21:32,080
Speaker 3: And his nickname was Horse Nonjohnny, That's what we called him.

443
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Speaker 3: I was one of the big projects I was gonna

444
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Speaker 3: do was a biography of my brother. Had just been

445
00:21:38,800 --> 00:21:43,440
Speaker 3: green Light right before w G also so cool.

446
00:21:43,560 --> 00:21:45,000
Speaker 2: Yeah, I was gonna I was.

447
00:21:47,000 --> 00:21:49,440
Speaker 3: I was gonna play I was gonna play him. You

448
00:21:49,480 --> 00:21:52,120
Speaker 3: would play Horse as a child, Yeah, I was gonna

449
00:21:52,119 --> 00:21:55,879
Speaker 3: play Horse as a child up through the current life.

450
00:21:56,680 --> 00:21:59,879
Speaker 3: He's got a whole fascinating, fascinating story.

451
00:22:00,080 --> 00:22:05,919
Speaker 1: Now studios must have been State Heart Wheels. Yeah, we like,

452
00:22:06,000 --> 00:22:08,159
Speaker 1: here's me and my wife. We did that one. Now

453
00:22:08,160 --> 00:22:09,520
Speaker 1: I'm doing my brother. We did that.

454
00:22:09,640 --> 00:22:12,600
Speaker 3: Yeah, you get one about me and my wife. And

455
00:22:12,640 --> 00:22:14,720
Speaker 3: then we were going to do the one about Horse

456
00:22:14,760 --> 00:22:17,040
Speaker 3: my brother, which was the name of the movie was

457
00:22:17,400 --> 00:22:20,639
Speaker 3: Horse my Brother, but I am not a character in

458
00:22:20,680 --> 00:22:25,680
Speaker 3: it because otherwise punctuation who plays my brother? People start

459
00:22:25,720 --> 00:22:28,080
Speaker 3: it was a command instead of like horse, this is

460
00:22:28,119 --> 00:22:30,919
Speaker 3: my brother. Go aheadn't horse my brother?

461
00:22:31,200 --> 00:22:33,520
Speaker 2: Yeah, it might as well horse my brother at this point.

462
00:22:33,480 --> 00:22:36,080
Speaker 3: But any movie with punctuation and the title is not

463
00:22:36,119 --> 00:22:39,639
Speaker 3: going to do well. Master in commander him. Yeah, I

464
00:22:39,800 --> 00:22:42,480
Speaker 3: read a com up. I'm like, I'm.

465
00:22:43,520 --> 00:22:45,679
Speaker 1: I'm yeah. I'm just gonna go.

466
00:22:45,680 --> 00:22:49,240
Speaker 3: Home and watch Luck again. Yeah. So we had one

467
00:22:49,280 --> 00:22:51,080
Speaker 3: hundred and forty five million dollar budget.

468
00:22:53,240 --> 00:22:53,680
Speaker 5: For food.

469
00:22:53,840 --> 00:22:54,280
Speaker 1: The food.

470
00:22:54,520 --> 00:22:56,679
Speaker 3: Yeah, it's how much food he has to eat? It? Well,

471
00:22:56,720 --> 00:23:01,280
Speaker 3: it's me, you know, Yeah, I'm playing him, And a

472
00:23:01,320 --> 00:23:03,320
Speaker 3: lot of that was going to be in the eventual

473
00:23:03,400 --> 00:23:05,960
Speaker 3: legal fees when he sues us, So we had to

474
00:23:06,000 --> 00:23:09,040
Speaker 3: have a big pot ready for all the lawyers.

475
00:23:09,160 --> 00:23:11,800
Speaker 2: He denies that his name was Horse, He denies that

476
00:23:11,880 --> 00:23:15,800
Speaker 2: he aily threw up, He denies.

477
00:23:15,400 --> 00:23:16,720
Speaker 5: That you are brothers.

478
00:23:17,720 --> 00:23:19,639
Speaker 3: What did you say? I'm just saying, like, all the

479
00:23:19,720 --> 00:23:21,760
Speaker 3: legal fees stack up because.

480
00:23:21,760 --> 00:23:26,840
Speaker 2: The the gentleman in question denies basically everything that you're saying.

481
00:23:26,880 --> 00:23:28,880
Speaker 3: Yeah, he says, this is completely made up. I did

482
00:23:28,880 --> 00:23:31,400
Speaker 3: not give you permission where did you get my driver's license?

483
00:23:31,480 --> 00:23:34,440
Speaker 3: Why do you have it as the poster of the film?

484
00:23:34,800 --> 00:23:36,800
Speaker 3: At least black out my address. I mean, there were

485
00:23:36,840 --> 00:23:43,359
Speaker 3: a bunch of issues that we had anticipated, but you know,

486
00:23:43,400 --> 00:23:47,320
Speaker 3: we had a great cast. Emily Blant was playing our

487
00:23:47,400 --> 00:23:53,680
Speaker 3: mom and I'm not I'm not a character.

488
00:23:53,760 --> 00:23:56,399
Speaker 5: And no he's not in it. He can't be in Well,

489
00:23:56,680 --> 00:23:57,520
Speaker 5: who could play him?

490
00:23:57,840 --> 00:23:59,679
Speaker 3: I didn't want to have to see he's playing Horse.

491
00:24:00,480 --> 00:24:01,680
Speaker 5: Yeah, Horse, Oh yeah.

492
00:24:01,720 --> 00:24:03,560
Speaker 3: I didn't want to have to sue the production that

493
00:24:03,600 --> 00:24:07,479
Speaker 3: gets sticky in this. In this version, I am horse

494
00:24:07,960 --> 00:24:13,159
Speaker 3: only child. Mother's Emily Blunt, single mom, even though you know,

495
00:24:13,400 --> 00:24:15,600
Speaker 3: in real life my parents are still together and love

496
00:24:15,680 --> 00:24:19,679
Speaker 3: each other, but in this movie, no, and people are like,

497
00:24:20,000 --> 00:24:23,520
Speaker 3: why is your mom played by someone who looks significantly

498
00:24:23,560 --> 00:24:28,960
Speaker 3: younger than you? But it's you know, poetic license. No,

499
00:24:29,400 --> 00:24:34,040
Speaker 3: it's really cool. It was gonna be Disney, Okay was

500
00:24:34,080 --> 00:24:38,120
Speaker 3: doing Horse my brother and it was one of their

501
00:24:38,160 --> 00:24:40,840
Speaker 3: big releases. You know, I was gonna they were gonna

502
00:24:40,920 --> 00:24:43,920
Speaker 3: like between Avatar three and four, this was going to

503
00:24:43,960 --> 00:24:45,040
Speaker 3: be their biggest one.

504
00:24:45,560 --> 00:24:50,360
Speaker 1: Interesting because you know there's people be like, well Warner brothers,

505
00:24:50,400 --> 00:24:52,840
Speaker 1: like they love brothers, they're obsessed with it. It's in

506
00:24:52,840 --> 00:24:53,240
Speaker 1: the name.

507
00:24:54,000 --> 00:24:55,000
Speaker 3: Yeah, we took it to them.

508
00:24:55,200 --> 00:24:58,280
Speaker 1: Yeah, Andy, people know that it's the longer version. It's

509
00:24:58,280 --> 00:25:02,800
Speaker 1: called Disney Brothers as well. They're all like, yeah, Paramount Brothers, yeah,

510
00:25:02,920 --> 00:25:04,320
Speaker 1: Universal Brothers, Yeah.

511
00:25:04,160 --> 00:25:05,480
Speaker 3: Eight twenty four brothers.

512
00:25:05,920 --> 00:25:15,359
Speaker 2: Yeah yeah, Rap Brothers yeaheah Ron Brothers Yeah, yeah they're different.

513
00:25:15,520 --> 00:25:19,080
Speaker 3: It's brothers used to run this business. No, it's true.

514
00:25:19,119 --> 00:25:21,080
Speaker 3: Well there's there's there's two of.

515
00:25:21,000 --> 00:25:24,159
Speaker 2: You or sometimes more, and so it's just like a

516
00:25:24,240 --> 00:25:26,439
Speaker 2: lot of power bringing into a meeting if you're up

517
00:25:26,440 --> 00:25:27,680
Speaker 2: against just one person.

518
00:25:27,960 --> 00:25:31,320
Speaker 3: We know everything about each other. You know nothing about us.

519
00:25:31,359 --> 00:25:33,920
Speaker 2: Yeah, we grew up together. We shower together and stuff.

520
00:25:36,400 --> 00:25:38,600
Speaker 4: This week on the Patreon the Boys put Together. They're

521
00:25:38,640 --> 00:25:41,679
Speaker 4: wishless for the new Headgum Studio. On the pro Version,

522
00:25:42,000 --> 00:25:44,720
Speaker 4: Sean talks to writer bro Ti Gupta about the movie

523
00:25:44,800 --> 00:25:47,840
Speaker 4: Barton Fink on subtitles On and the flager Ones are

524
00:25:47,840 --> 00:25:51,399
Speaker 4: mostly talking all things basketball. Check out all these shows

525
00:25:51,400 --> 00:25:54,280
Speaker 4: and the free video of today's episode with Kumal at

526
00:25:54,359 --> 00:25:56,919
Speaker 4: patreon dot com. Slash the flager Ones.

527
00:25:58,480 --> 00:26:05,720
Speaker 2: Ham speaking of Yeah, speaking of showering together, Yeah.

528
00:26:05,600 --> 00:26:09,119
Speaker 1: Fight har Fast Drive. This is a game that you

529
00:26:09,200 --> 00:26:13,720
Speaker 1: remember we made together. Yeah, yeah, between twenty eleven or whatever.

530
00:26:14,119 --> 00:26:18,040
Speaker 2: Yeah, and you had helped so much by recording a

531
00:26:18,040 --> 00:26:19,600
Speaker 2: lot of the dialogue for it.

532
00:26:19,800 --> 00:26:22,879
Speaker 3: And to this day, the thing I'm most proud of

533
00:26:23,560 --> 00:26:27,200
Speaker 3: is Fast Drive.

534
00:26:27,280 --> 00:26:31,040
Speaker 1: Okay, Yeah, I'm glad to hear some music were extremely

535
00:26:31,160 --> 00:26:33,640
Speaker 1: difficult to work. I think it was before a lot

536
00:26:33,680 --> 00:26:36,080
Speaker 1: of career stuff kind of gave you.

537
00:26:36,760 --> 00:26:40,200
Speaker 2: The freedom to take risks to I think you were

538
00:26:40,440 --> 00:26:47,640
Speaker 2: so concerned with like establishing a brand, and it wasn't

539
00:26:47,680 --> 00:26:52,920
Speaker 2: necessarily comfortable for you to do some of the more

540
00:26:53,480 --> 00:26:55,000
Speaker 2: unique avant.

541
00:26:54,600 --> 00:26:58,399
Speaker 5: Garde conceptual stuff. We were we were talking.

542
00:26:58,160 --> 00:27:01,119
Speaker 2: About martial arts moves and also you were, you know,

543
00:27:01,280 --> 00:27:05,359
Speaker 2: in the in the scenes we discussed you were taking showers,

544
00:27:05,400 --> 00:27:05,600
Speaker 2: you know.

545
00:27:06,160 --> 00:27:09,480
Speaker 3: I that was the part I didn't understand. I was like,

546
00:27:09,760 --> 00:27:12,679
Speaker 3: is he sweating from fighting so much? Is that it

547
00:27:12,680 --> 00:27:14,919
Speaker 3: shouldn't be focused more on the fights than on the

548
00:27:14,960 --> 00:27:18,320
Speaker 3: showers that he used to take after the fights. But

549
00:27:18,400 --> 00:27:21,040
Speaker 3: you guys also insisted that he showered before the fights,

550
00:27:21,040 --> 00:27:23,440
Speaker 3: And I didn't understand why he needs to shower before

551
00:27:23,640 --> 00:27:24,880
Speaker 3: the fights, Like, but you.

552
00:27:24,960 --> 00:27:28,160
Speaker 1: Hear that, like this is like do you want that

553
00:27:28,680 --> 00:27:31,560
Speaker 1: version of yourself like to come back. Really, No, I'm

554
00:27:31,600 --> 00:27:34,480
Speaker 1: just what was all this work for? No, for doing

555
00:27:34,520 --> 00:27:36,400
Speaker 1: this again, because at the time it was like, oh

556
00:27:36,480 --> 00:27:37,399
Speaker 1: my god.

557
00:27:37,240 --> 00:27:39,200
Speaker 3: I mean I said, it's one of the things I'm

558
00:27:39,200 --> 00:27:39,720
Speaker 3: most proud of.

559
00:27:39,920 --> 00:27:41,680
Speaker 5: Yeah, at the time, I was annoyed.

560
00:27:41,880 --> 00:27:47,080
Speaker 3: Yeah, I just I just don't understand why the whole

561
00:27:47,160 --> 00:27:50,800
Speaker 3: game seems to just be a series of showers. Well, no,

562
00:27:51,359 --> 00:27:53,280
Speaker 3: there's just said make a shampoo noise.

563
00:27:53,440 --> 00:27:54,439
Speaker 1: I don't know what that is.

564
00:27:54,560 --> 00:27:55,840
Speaker 3: I generally, in my way, we.

565
00:27:55,880 --> 00:27:58,280
Speaker 1: Had to cut what you ended up doing. Yeah, so

566
00:27:58,320 --> 00:28:00,399
Speaker 1: that didn't even end up in the episode walk.

567
00:28:00,280 --> 00:28:04,000
Speaker 3: Because I don't in my real life make a shampoo noise.

568
00:28:04,920 --> 00:28:05,680
Speaker 5: Well, yes you do.

569
00:28:05,880 --> 00:28:09,000
Speaker 1: Yeah, And I guess, to be fair, most of I

570
00:28:09,040 --> 00:28:11,840
Speaker 1: was gonna say, lots of performers don't just like put

571
00:28:11,880 --> 00:28:14,680
Speaker 1: their real life like up on screen over and over again.

572
00:28:14,720 --> 00:28:16,200
Speaker 1: But as you're describing that as.

573
00:28:16,320 --> 00:28:20,560
Speaker 3: My brother movie, Yeah, the time that my wife was

574
00:28:20,560 --> 00:28:22,800
Speaker 3: in a coma, I was doing the movie about my

575
00:28:22,840 --> 00:28:25,199
Speaker 3: brother reading so much he throws up every time, and

576
00:28:25,280 --> 00:28:27,440
Speaker 3: the movie about very personal shower.

577
00:28:27,240 --> 00:28:29,439
Speaker 2: And everyone's got a medical affliction, you know.

578
00:28:29,760 --> 00:28:32,679
Speaker 3: Yeah, I mean it's a miracle that we're walking around

579
00:28:32,880 --> 00:28:34,879
Speaker 3: feeling fine, because so much can go wrong.

580
00:28:35,040 --> 00:28:38,160
Speaker 2: But I read for the doctor in Horse my brother. Yeah,

581
00:28:38,240 --> 00:28:39,719
Speaker 2: I don't know if you saw my tape.

582
00:28:39,840 --> 00:28:40,880
Speaker 3: It didn't make it to me.

583
00:28:41,240 --> 00:28:42,760
Speaker 1: Yeah. Yeah.

584
00:28:42,880 --> 00:28:47,120
Speaker 3: We decided to stunt it. Yeah yeah, because you know

585
00:28:47,200 --> 00:28:51,200
Speaker 3: that part. It was sort of the one that everyone

586
00:28:51,240 --> 00:28:52,560
Speaker 3: in town was going out for.

587
00:28:52,600 --> 00:28:52,760
Speaker 1: You know.

588
00:28:52,760 --> 00:28:56,240
Speaker 3: Anytime I'd run into someone like oh, Paul, she or yeah,

589
00:28:56,320 --> 00:28:59,800
Speaker 3: you're reading for the doctor. Oh yeah, I'll tell them that.

590
00:29:00,080 --> 00:29:02,400
Speaker 2: You know you're good, right.

591
00:29:02,320 --> 00:29:05,800
Speaker 1: You'll put a word in to not just like you said,

592
00:29:05,840 --> 00:29:07,800
Speaker 1: it didn't make it to me so fast.

593
00:29:08,560 --> 00:29:10,000
Speaker 3: I mean, it didn't make it to me.

594
00:29:10,160 --> 00:29:13,600
Speaker 1: I know, but usually there's like an in between, like, oh,

595
00:29:13,680 --> 00:29:16,600
Speaker 1: you submitted, I didn't even know. You should have reached out.

596
00:29:17,200 --> 00:29:20,120
Speaker 1: You know that just the instant it didn't make it.

597
00:29:20,120 --> 00:29:22,239
Speaker 5: It seems like not making it to you was a

598
00:29:22,280 --> 00:29:23,600
Speaker 5: decision that you made prior.

599
00:29:23,680 --> 00:29:27,320
Speaker 1: And remember that you know that right in the front

600
00:29:27,320 --> 00:29:29,680
Speaker 1: of your mind that submission did happen.

601
00:29:30,280 --> 00:29:33,440
Speaker 3: I'll admit I had a kill list going into this product.

602
00:29:34,680 --> 00:29:37,880
Speaker 3: I had a blacklist. I said, if these people send

603
00:29:37,920 --> 00:29:43,200
Speaker 3: in tapes, please just I don't want to see them.

604
00:29:43,320 --> 00:29:45,560
Speaker 3: And I don't remember if you were on.

605
00:29:45,640 --> 00:29:47,240
Speaker 5: It, bye bye?

606
00:29:47,280 --> 00:29:47,960
Speaker 2: How would you?

607
00:29:48,080 --> 00:29:51,200
Speaker 3: But I would have if I thought of it, I

608
00:29:51,200 --> 00:29:52,920
Speaker 3: would have put you on it, just because I don't

609
00:29:52,920 --> 00:29:57,120
Speaker 3: want your talented you know sort of you know, you

610
00:29:57,680 --> 00:29:59,840
Speaker 3: may take everything good combo.

611
00:30:00,240 --> 00:30:03,640
Speaker 5: Yeah, you're underplaying horse your brother.

612
00:30:03,920 --> 00:30:06,320
Speaker 3: Yeah, really finding sort of the heart of him, and

613
00:30:06,320 --> 00:30:09,640
Speaker 3: then you're you know, juggling and all that kind of stuff.

614
00:30:09,840 --> 00:30:14,560
Speaker 2: I played him, Yeah, I played him strange, I played

615
00:30:14,600 --> 00:30:20,080
Speaker 2: him weird. Yeah, I had him doing this dude muting.

616
00:30:20,640 --> 00:30:21,960
Speaker 1: Yeah, it's throwing up.

617
00:30:22,160 --> 00:30:26,880
Speaker 3: It's very much an Awards movie we're making. Yeah, it's

618
00:30:27,200 --> 00:30:31,480
Speaker 3: very subtle. Yeah, it's more about people's thoughts than the

619
00:30:31,520 --> 00:30:33,760
Speaker 3: things they're doing or saying or showering.

620
00:30:33,880 --> 00:30:35,880
Speaker 1: Do you just put in a not there to say

621
00:30:36,000 --> 00:30:38,360
Speaker 1: in words, very much an words movie that we're not making.

622
00:30:39,520 --> 00:30:42,480
Speaker 3: We're not making, we are not making anymore. It's obviously

623
00:30:42,520 --> 00:30:45,920
Speaker 3: it's been pushed, you know, but I think that it'll

624
00:30:46,040 --> 00:30:48,440
Speaker 3: they say, it'll be one of the first things back

625
00:30:48,440 --> 00:30:51,040
Speaker 3: on the dock as soon as the as soon as we,

626
00:30:51,200 --> 00:30:53,760
Speaker 3: you know, get what we rightfully deserve.

627
00:30:53,720 --> 00:30:55,040
Speaker 1: Do we do we cut scene?

628
00:30:56,800 --> 00:30:58,760
Speaker 2: Could it be a cut scene? My brother? Is a

629
00:30:58,800 --> 00:30:59,320
Speaker 2: cut scene?

630
00:30:59,440 --> 00:31:03,680
Speaker 1: My brother? Some of these cutscenes have an interactive peace

631
00:31:04,200 --> 00:31:06,680
Speaker 1: right where like during the cut scene. You can have

632
00:31:06,760 --> 00:31:10,200
Speaker 1: the character do things you press, press square to throw.

633
00:31:10,200 --> 00:31:12,040
Speaker 2: Press we're square to throw up.

634
00:31:12,080 --> 00:31:12,560
Speaker 1: That's right.

635
00:31:12,600 --> 00:31:14,960
Speaker 3: And also, my you know, my brother's got all this

636
00:31:15,080 --> 00:31:18,000
Speaker 3: legal team lined up to take on a movie adaptation.

637
00:31:18,120 --> 00:31:20,120
Speaker 2: A cut scene at a cut scene, a little more

638
00:31:20,160 --> 00:31:24,240
Speaker 2: freedom there completely throw them off. Cutscenes are the wild West,

639
00:31:24,320 --> 00:31:26,800
Speaker 2: right now, man, Yeah, you do it out there, whatever

640
00:31:26,840 --> 00:31:29,440
Speaker 2: you want, Press square to throw up, you know, yeah, I.

641
00:31:29,480 --> 00:31:31,400
Speaker 1: Can keep people from pressing triangle for.

642
00:31:31,600 --> 00:31:35,120
Speaker 2: At least yeah, yeah, they're bored. At least those are

643
00:31:35,200 --> 00:31:37,760
Speaker 2: square first, that's throw.

644
00:31:37,960 --> 00:31:41,080
Speaker 3: If you tell someone square to throw up, triangle to skip,

645
00:31:41,280 --> 00:31:44,120
Speaker 3: they're definitely hitting square before triangle. That's right.

646
00:31:44,320 --> 00:31:45,840
Speaker 2: Who'd you end up getting for the doc?

647
00:31:47,800 --> 00:31:52,320
Speaker 3: We got Jason Matsukus, Oh my god, yeah, stunt City. Yeah,

648
00:31:52,320 --> 00:31:54,960
Speaker 3: we wanted to stunt it, so we got Jason Mansukus.

649
00:31:56,440 --> 00:32:00,920
Speaker 3: And he didn't read for it. He doesn't know, but

650
00:32:01,080 --> 00:32:03,960
Speaker 3: he's really I think he's going to be really good

651
00:32:04,000 --> 00:32:04,840
Speaker 3: once he finds out.

652
00:32:05,000 --> 00:32:07,360
Speaker 1: That can sometimes be the key to getting some of

653
00:32:07,400 --> 00:32:11,600
Speaker 1: these rules is not reading, not submitting, not knowing that

654
00:32:11,720 --> 00:32:13,760
Speaker 1: you got it.

655
00:32:13,840 --> 00:32:17,240
Speaker 3: This is a loophole in Hollywood. You can attach anybody

656
00:32:17,320 --> 00:32:21,040
Speaker 3: to anything and they don't have to say yes. So

657
00:32:21,120 --> 00:32:23,120
Speaker 3: you can go into a pitch and be like, all right,

658
00:32:23,160 --> 00:32:25,920
Speaker 3: for this movie, I got Emily Blant. That's why we have.

659
00:32:26,120 --> 00:32:26,720
Speaker 1: That's how we have.

660
00:32:27,800 --> 00:32:33,680
Speaker 3: It's the same strategy. She doesn't know about it yet. Yeah,

661
00:32:33,720 --> 00:32:35,360
Speaker 3: you could just be like, I have you know, I

662
00:32:35,360 --> 00:32:39,800
Speaker 3: got Brad pat I got Greta Gerwig, and I got

663
00:32:40,240 --> 00:32:45,600
Speaker 3: Noah bomb back in this movie as actors and Peyton Manning.

664
00:32:45,760 --> 00:32:47,240
Speaker 3: You know, you can say whatever you want.

665
00:32:48,080 --> 00:32:50,920
Speaker 2: I just you know, yeah, that's a I mean, there's

666
00:32:50,960 --> 00:33:00,600
Speaker 2: a I don't mean that. That's how the dudes happened, right, Yeah,

667
00:33:00,600 --> 00:33:01,719
Speaker 2: you had no idea.

668
00:33:01,840 --> 00:33:07,200
Speaker 3: I didn't know the Actually Bowfinger's style just ran behind

669
00:33:07,240 --> 00:33:09,360
Speaker 3: me and shot me while I was just like, you know,

670
00:33:09,400 --> 00:33:12,200
Speaker 3: eating pizza with my wife and stuff. So if you

671
00:33:12,360 --> 00:33:15,240
Speaker 3: notice in that movie, that's how everyone's in that movie.

672
00:33:15,600 --> 00:33:18,360
Speaker 5: No, I know, nobody in the movie being just a

673
00:33:18,440 --> 00:33:19,680
Speaker 5: series of attachments.

674
00:33:20,080 --> 00:33:22,680
Speaker 2: Yeah, it's they attached a lot of people and it

675
00:33:22,760 --> 00:33:25,560
Speaker 2: was really just what they were doing was a documentary

676
00:33:25,600 --> 00:33:28,479
Speaker 2: crew was following different people that they wanted to attach.

677
00:33:28,560 --> 00:33:30,520
Speaker 5: You just go like, this is who stars in the movie.

678
00:33:30,640 --> 00:33:32,240
Speaker 2: He kind of tried to stitch it together.

679
00:33:32,560 --> 00:33:34,520
Speaker 3: Hannibal still doesn't know he's in that movie.

680
00:33:35,280 --> 00:33:37,640
Speaker 2: Yeah, I mean, but that's part of the brilliance of

681
00:33:37,680 --> 00:33:40,160
Speaker 2: the performance. And I feel like the fact that sometimes

682
00:33:40,200 --> 00:33:42,640
Speaker 2: you guys ended up interacting with each other was like

683
00:33:43,240 --> 00:33:44,280
Speaker 2: such a boom.

684
00:33:44,560 --> 00:33:47,040
Speaker 3: It was really exciting when you could get two people

685
00:33:47,080 --> 00:33:49,640
Speaker 3: talking to each other. Yeah. I think that's sort of

686
00:33:49,640 --> 00:33:52,840
Speaker 3: the strength of Flock of Dudes is getting two people

687
00:33:52,880 --> 00:33:54,560
Speaker 3: talking to each other who didn't know they were shooting

688
00:33:54,600 --> 00:33:59,000
Speaker 3: a movie, and the only person who was actually attached

689
00:33:59,040 --> 00:34:01,240
Speaker 3: to it, who signed on was was Brett Gellman.

690
00:34:01,440 --> 00:34:03,120
Speaker 1: He really wanted to be he was.

691
00:34:03,280 --> 00:34:06,960
Speaker 2: Yeah, I remember him being very fired up about it. Yeah,

692
00:34:07,320 --> 00:34:07,880
Speaker 2: just kind of.

693
00:34:08,239 --> 00:34:10,120
Speaker 3: Well, we can't we can't promote it.

694
00:34:10,160 --> 00:34:14,799
Speaker 2: No, no, but do we make it a cut seed?

695
00:34:15,000 --> 00:34:16,839
Speaker 5: I mean, what how do we make it a cut seed?

696
00:34:17,080 --> 00:34:19,280
Speaker 3: What was your favorite what was all of your favorite

697
00:34:19,320 --> 00:34:21,160
Speaker 3: things in Flock of Dudes?

698
00:34:21,920 --> 00:34:26,680
Speaker 2: Me personally, well, I really thought the beer was a character,

699
00:34:26,880 --> 00:34:30,480
Speaker 2: you know, Yeah, I just love what unlucky guess when

700
00:34:30,520 --> 00:34:35,200
Speaker 2: the beer felt like its own character to me, I thought,

701
00:34:35,280 --> 00:34:36,160
Speaker 2: really the high.

702
00:34:36,880 --> 00:34:39,000
Speaker 3: Sort of the star of that movie.

703
00:34:39,280 --> 00:34:39,600
Speaker 1: Really.

704
00:34:39,840 --> 00:34:42,560
Speaker 2: Yeah, and all the well some of the bird Dog

705
00:34:42,600 --> 00:34:47,360
Speaker 2: and Chicks was was aod coarse like Uh, there's a

706
00:34:47,719 --> 00:34:51,359
Speaker 2: there's a time in your life when your friends are

707
00:34:51,400 --> 00:34:57,719
Speaker 2: really your family. Yeah, and it doesn't always get captured

708
00:34:57,760 --> 00:35:00,280
Speaker 2: on screen, especially when people don't know they're in the movie.

709
00:35:00,520 --> 00:35:01,239
Speaker 1: Yeah.

710
00:35:01,280 --> 00:35:08,279
Speaker 2: And I recall feeling like, not only do they not

711
00:35:08,480 --> 00:35:11,680
Speaker 2: know they're in a movie, I don't know I'm watching

712
00:35:11,680 --> 00:35:13,279
Speaker 2: a movie. Yeah, because I feel like it's just me

713
00:35:13,320 --> 00:35:16,800
Speaker 2: and my buddy's hanging out in the theater. Yeah, having

714
00:35:17,040 --> 00:35:18,759
Speaker 2: having a couple of beers for.

715
00:35:18,760 --> 00:35:20,760
Speaker 3: Four hours, I felt it could have used.

716
00:35:20,600 --> 00:35:24,319
Speaker 2: A Yeah, well but that's.

717
00:35:24,680 --> 00:35:27,719
Speaker 1: Missing, not to like note it to death, but I

718
00:35:27,760 --> 00:35:30,399
Speaker 1: wondered if they should be trying to tag each other.

719
00:35:32,080 --> 00:35:34,120
Speaker 3: Oh yeah, wow, And.

720
00:35:34,080 --> 00:35:37,920
Speaker 1: Then I feel like that got wasn't Hannibal didn't he

721
00:35:38,000 --> 00:35:40,880
Speaker 1: get like, wasn't he tagging people?

722
00:35:41,600 --> 00:35:44,200
Speaker 5: Hannibal tag the ship out of some fuckers?

723
00:35:44,239 --> 00:35:47,520
Speaker 2: Man would tag your ass like you might not want

724
00:35:47,560 --> 00:35:50,400
Speaker 2: to tangle with uh noise.

725
00:35:50,560 --> 00:35:52,200
Speaker 1: Yeah, it sounds like I haven't seen it. So they

726
00:35:52,280 --> 00:35:54,520
Speaker 1: people are tagging each other in flock of Dudes.

727
00:35:54,920 --> 00:35:57,719
Speaker 3: Well, I mean there's some tagging going on, but it's

728
00:35:57,760 --> 00:36:00,960
Speaker 3: not the the star of the movie.

729
00:36:00,680 --> 00:36:03,680
Speaker 1: I would say, So there's there's some a.

730
00:36:03,640 --> 00:36:07,479
Speaker 3: Little bit Okay, his name in the movie is pussy Pop.

731
00:36:09,920 --> 00:36:12,280
Speaker 5: He's tagging, so he's he's tagging somebody.

732
00:36:12,360 --> 00:36:13,759
Speaker 3: You could check that in IMDb.

733
00:36:14,000 --> 00:36:15,399
Speaker 2: Yeah, his name's pussy Pop.

734
00:36:15,520 --> 00:36:17,640
Speaker 1: Yeah, okay, I just met like playing tag.

735
00:36:17,719 --> 00:36:23,239
Speaker 2: I don't mean yeah, no, they the movie may have

736
00:36:23,320 --> 00:36:27,279
Speaker 2: been a little bit stronger, and obviously there were positive elements,

737
00:36:27,320 --> 00:36:30,640
Speaker 2: but that I've seen other movies with Hannibal where he

738
00:36:30,760 --> 00:36:32,520
Speaker 2: is tagging his friends.

739
00:36:32,640 --> 00:36:35,920
Speaker 3: Like tagging as in the game of Tag, and that

740
00:36:36,200 --> 00:36:37,719
Speaker 3: not tagging and bagging.

741
00:36:37,560 --> 00:36:42,919
Speaker 2: And that that was missing possibly from Flock or missed

742
00:36:42,920 --> 00:36:45,560
Speaker 2: opportunity for Flock of Dudes for him to tag some people.

743
00:36:45,800 --> 00:36:48,920
Speaker 3: Right, we definitely what we need is that movie to

744
00:36:48,920 --> 00:36:49,480
Speaker 3: be longer.

745
00:36:50,000 --> 00:36:51,920
Speaker 2: He could have added some tag scenes.

746
00:36:52,640 --> 00:36:55,719
Speaker 3: Yeah, I mean, I have to reiterate, I did not

747
00:36:55,920 --> 00:36:57,960
Speaker 3: know I was in this mode, so I was never

748
00:36:58,000 --> 00:36:58,279
Speaker 3: in a.

749
00:36:58,239 --> 00:37:01,200
Speaker 1: Position to give to implement any notes. No, I'm not.

750
00:37:01,560 --> 00:37:03,520
Speaker 2: Well, That's why I'm comfortable talking, you know. And I

751
00:37:03,560 --> 00:37:07,240
Speaker 2: don't feel like I'm criticizing your work. I'm just evaluating

752
00:37:07,360 --> 00:37:11,439
Speaker 2: something that I enjoyed. But that is there anything wrong

753
00:37:11,480 --> 00:37:13,600
Speaker 2: with having a little Christmas wish list? I could have

754
00:37:13,640 --> 00:37:16,560
Speaker 2: been in Flock of Dude. Yeah there Sanna, Thanks for

755
00:37:16,600 --> 00:37:19,560
Speaker 2: Flock of dudes. Maybe next year, so vaccines.

756
00:37:19,800 --> 00:37:22,520
Speaker 1: Just thinking about next steps with some of the products

757
00:37:22,520 --> 00:37:25,640
Speaker 1: we've been talking about. I'm sort of feeling like it

758
00:37:25,680 --> 00:37:29,200
Speaker 1: is cut scenes, Like obviously we have some like a

759
00:37:29,280 --> 00:37:31,399
Speaker 1: window here, we have a real opportunity. I do feel

760
00:37:31,440 --> 00:37:34,200
Speaker 1: like this is gonna potentially take forever, and that we

761
00:37:34,320 --> 00:37:37,960
Speaker 1: need this thing to go along. Yeah, we need this

762
00:37:38,040 --> 00:37:41,239
Speaker 1: strike to like cause as soon as it is like

763
00:37:41,320 --> 00:37:42,400
Speaker 1: going again that we.

764
00:37:42,640 --> 00:37:44,880
Speaker 2: Lose everybody to we end up on the bottom of it.

765
00:37:45,360 --> 00:37:47,680
Speaker 1: I worry people are gonna not want to show up

766
00:37:47,719 --> 00:37:50,759
Speaker 1: to the theater to hold a controller and watch a

767
00:37:50,800 --> 00:37:51,279
Speaker 1: cut scene.

768
00:37:51,360 --> 00:37:52,439
Speaker 5: No, I think they're gonna.

769
00:37:52,480 --> 00:37:54,719
Speaker 2: I think they're gonna prefer to just eat popcorn or

770
00:37:54,760 --> 00:37:57,240
Speaker 2: something during the during the screening.

771
00:37:57,000 --> 00:37:58,120
Speaker 5: Rather than hold the control.

772
00:37:58,360 --> 00:38:01,040
Speaker 3: All about a controller that has popcorn on it?

773
00:38:02,080 --> 00:38:03,839
Speaker 1: We want it, help me out.

774
00:38:06,120 --> 00:38:08,160
Speaker 5: I'd like to picture it. But there's a couple of

775
00:38:08,200 --> 00:38:08,960
Speaker 5: different ways to go.

776
00:38:12,160 --> 00:38:15,040
Speaker 3: You one way, the obviously, which I know what we're

777
00:38:15,080 --> 00:38:17,840
Speaker 3: all thinking, is you put sticky butter on it and

778
00:38:17,920 --> 00:38:20,879
Speaker 3: stick it to the control so that you're picking butter.

779
00:38:22,440 --> 00:38:22,680
Speaker 2: Yeah.

780
00:38:22,840 --> 00:38:25,239
Speaker 5: I almost said sticky butter at the same time as you.

781
00:38:25,400 --> 00:38:28,160
Speaker 3: Yeah, we were all picturing that.

782
00:38:28,840 --> 00:38:33,840
Speaker 1: Yeah, obviously the corn starch, Like what do you like

783
00:38:33,840 --> 00:38:36,160
Speaker 1: how do you get it? Like really sticky.

784
00:38:35,920 --> 00:38:38,279
Speaker 3: Glue which is made from you know, you guys have

785
00:38:38,280 --> 00:38:40,719
Speaker 3: probably a supply of glue from all the horses you've killed.

786
00:38:40,800 --> 00:38:44,800
Speaker 2: Yeah, that's right, Yeah that is We're so horse blood

787
00:38:44,840 --> 00:38:47,720
Speaker 2: is glue, Like that's like what they don't really explain.

788
00:38:47,880 --> 00:38:50,120
Speaker 1: That's so smart. We did hang on to the horses,

789
00:38:50,160 --> 00:38:52,120
Speaker 1: but we have really been trying to figure it. It's

790
00:38:52,200 --> 00:38:53,560
Speaker 1: going to be with.

791
00:38:54,239 --> 00:38:57,520
Speaker 3: People will be like, oh, this popcorn taste like horses blood?

792
00:38:58,320 --> 00:38:59,360
Speaker 3: What is that about?

793
00:39:01,800 --> 00:39:03,040
Speaker 2: You're telling on yourself.

794
00:39:03,160 --> 00:39:08,000
Speaker 3: The other the other version is you just sort of

795
00:39:08,080 --> 00:39:10,719
Speaker 3: like a basket at the front of a bicycle. You

796
00:39:10,840 --> 00:39:12,920
Speaker 3: just attach a little basket to the controller.

797
00:39:12,960 --> 00:39:13,520
Speaker 2: You know what I mean?

798
00:39:14,360 --> 00:39:17,960
Speaker 1: Slats or a bicycle basket are so big the popcorn

799
00:39:18,080 --> 00:39:18,919
Speaker 1: is gonna fall out.

800
00:39:19,640 --> 00:39:22,600
Speaker 5: No, you don't want to have a bell, right because.

801
00:39:22,400 --> 00:39:25,640
Speaker 3: I don't think No, I'm just I forget I mentioned

802
00:39:25,640 --> 00:39:28,239
Speaker 3: the bicycle. This is really not like a bicycle in

803
00:39:28,320 --> 00:39:31,520
Speaker 3: any way, except the bicycles have baskets, and our controller.

804
00:39:31,120 --> 00:39:32,040
Speaker 1: Can also have a basket.

805
00:39:32,280 --> 00:39:35,560
Speaker 3: Hard to forget it, but it's really all there's no wheels.

806
00:39:35,880 --> 00:39:39,920
Speaker 1: Okay, we don't. We don't need a bell.

807
00:39:39,800 --> 00:39:41,640
Speaker 3: Because then people are just going to be dinging all

808
00:39:41,680 --> 00:39:42,320
Speaker 3: through our cuts.

809
00:39:42,840 --> 00:39:44,920
Speaker 2: They're going to go out and start delivering paper to

810
00:39:45,040 --> 00:39:45,399
Speaker 2: the movies.

811
00:39:45,600 --> 00:39:47,960
Speaker 1: And so the movie is outside, is what you're picturing?

812
00:39:48,520 --> 00:39:51,879
Speaker 2: Uh huh? The movie is like is it like at

813
00:39:51,880 --> 00:39:54,880
Speaker 2: a city bike you mean the cut stand or.

814
00:39:54,920 --> 00:39:58,560
Speaker 1: Sorry, yes, we're not shooting a cut scene is outside.

815
00:39:58,880 --> 00:39:59,360
Speaker 3: Some of it.

816
00:39:59,640 --> 00:40:00,640
Speaker 2: I think we're gonna shoot it.

817
00:40:01,000 --> 00:40:03,000
Speaker 3: I mean, the thing is, as you've mentioned, with all

818
00:40:03,080 --> 00:40:04,360
Speaker 3: the studio spaces.

819
00:40:04,000 --> 00:40:06,439
Speaker 2: Available, you know, we could go anywhere.

820
00:40:06,960 --> 00:40:09,160
Speaker 3: They aren't giving any permit, so you could right now

821
00:40:09,239 --> 00:40:13,279
Speaker 3: shoot down any street you want, Sunset, Lasiena, Pico.

822
00:40:13,120 --> 00:40:19,719
Speaker 2: You know the dream Oh god, I can get a

823
00:40:19,760 --> 00:40:22,160
Speaker 2: camera on Peko.

824
00:40:23,239 --> 00:40:28,080
Speaker 3: Okay, Okay, it's not really forget to mention the bicycle thing,

825
00:40:28,680 --> 00:40:31,520
Speaker 3: but I'm saying there's basically what I'm saying is we

826
00:40:31,600 --> 00:40:35,800
Speaker 3: can half people enjoy a cut scene with the experience

827
00:40:36,520 --> 00:40:40,800
Speaker 3: of enjoying a movie, which this isn't with popcorn. So

828
00:40:40,840 --> 00:40:44,719
Speaker 3: I'm saying there's a way to do that. Okay, so

829
00:40:44,760 --> 00:40:45,839
Speaker 3: we're not really missing out.

830
00:40:46,200 --> 00:40:47,000
Speaker 5: How would we do it.

831
00:40:48,760 --> 00:40:52,479
Speaker 3: There's a couple of different hops. I think the other

832
00:40:52,560 --> 00:40:55,200
Speaker 3: thing that I should bring up I don't want to

833
00:40:55,239 --> 00:40:57,799
Speaker 3: be the guy who's poo pooing this and you know,

834
00:40:57,880 --> 00:41:03,600
Speaker 3: I'm on, I'm in, I'm in bored with this cut.

835
00:41:03,680 --> 00:41:10,719
Speaker 3: Things usually are preceded and proceeded post sated and preceded

836
00:41:10,840 --> 00:41:18,200
Speaker 3: by succeeded succeeded by actual game, right, So I guess

837
00:41:18,200 --> 00:41:21,160
Speaker 3: we could just put any game before and after.

838
00:41:21,400 --> 00:41:23,799
Speaker 2: Well, this is yeah, this is actually something that had

839
00:41:23,840 --> 00:41:25,359
Speaker 2: occurred to me too, is.

840
00:41:25,360 --> 00:41:28,400
Speaker 5: Like it had yeah that I don't.

841
00:41:28,239 --> 00:41:32,080
Speaker 2: Really want to go through the ugly business of making

842
00:41:32,120 --> 00:41:36,960
Speaker 2: a game again. Yeah, because well I'm such a painful

843
00:41:37,040 --> 00:41:42,120
Speaker 2: process last time here, So now that I was back then, yeah,

844
00:41:42,280 --> 00:41:49,239
Speaker 2: I just remember it being like so pissed off making for.

845
00:41:49,200 --> 00:41:54,560
Speaker 7: Me, Like I just I have this vivid memory of

846
00:41:54,640 --> 00:41:56,440
Speaker 7: being like the most pissed off.

847
00:41:56,320 --> 00:41:57,319
Speaker 1: I've ever been in my way?

848
00:41:57,400 --> 00:41:59,160
Speaker 3: What was it that pissed you off? Because you really

849
00:41:59,160 --> 00:41:59,640
Speaker 3: didn't this.

850
00:41:59,800 --> 00:42:03,160
Speaker 7: Kind and it's like this tone where it's like you

851
00:42:03,239 --> 00:42:06,719
Speaker 7: don't know what I'm mad about, where it's like what like,

852
00:42:07,400 --> 00:42:10,439
Speaker 7: I mean, if ire you pissed, it's like because it's

853
00:42:10,440 --> 00:42:12,440
Speaker 7: what you're doing because of the.

854
00:42:12,440 --> 00:42:13,680
Speaker 1: Way you're acting, and what was it?

855
00:42:13,880 --> 00:42:17,799
Speaker 2: I mean it was everything was like all these questions

856
00:42:17,880 --> 00:42:20,000
Speaker 2: about like wait, why am I doing this?

857
00:42:20,200 --> 00:42:22,160
Speaker 5: Like why Like it's the shower thing.

858
00:42:22,239 --> 00:42:25,200
Speaker 3: It's all it's the shower, I thought, I thought. And

859
00:42:25,280 --> 00:42:27,080
Speaker 3: again one of the things I'm most proud of in

860
00:42:27,120 --> 00:42:31,200
Speaker 3: my career is have a fast drive. But I felt

861
00:42:31,239 --> 00:42:33,360
Speaker 3: that the focus was all over the place because this

862
00:42:33,560 --> 00:42:39,120
Speaker 3: shower is going on. Why is driving fast part of

863
00:42:39,120 --> 00:42:43,279
Speaker 3: a fight having situation? Is he is he using the

864
00:42:43,320 --> 00:42:47,359
Speaker 3: card of drive to or from the fights? Yeah? These

865
00:42:48,080 --> 00:42:48,480
Speaker 3: he is.

866
00:42:48,560 --> 00:42:49,560
Speaker 2: He's late for the fight.

867
00:42:50,840 --> 00:42:52,640
Speaker 5: The fight is starting.

868
00:42:52,920 --> 00:42:55,399
Speaker 3: Right, and so he has to drive fast to get

869
00:42:55,440 --> 00:42:59,640
Speaker 3: to because these are pre schedular fight that he's getting into. Yeah, okay,

870
00:43:00,160 --> 00:43:01,400
Speaker 3: so they've like decided.

871
00:43:02,040 --> 00:43:04,280
Speaker 2: A lot of it is like he slipped through his alarm.

872
00:43:04,719 --> 00:43:06,880
Speaker 2: He's not going to not shower before. He got a

873
00:43:06,920 --> 00:43:09,960
Speaker 2: shower before, and then like yeah, and then he's going,

874
00:43:10,000 --> 00:43:12,400
Speaker 2: you know, he's showering and then you know, get in

875
00:43:12,480 --> 00:43:13,000
Speaker 2: the car.

876
00:43:13,480 --> 00:43:16,200
Speaker 1: And this whole like cuts he needs to have a

877
00:43:16,320 --> 00:43:19,080
Speaker 1: video game before. Like it's a little bit of twenty

878
00:43:19,120 --> 00:43:23,080
Speaker 1: eleven Kumil to me coming out just allergic to success.

879
00:43:23,480 --> 00:43:26,440
Speaker 2: But I don't mind if there's like just like uh,

880
00:43:27,239 --> 00:43:29,840
Speaker 2: what would you say fifteen sixteen minutes to somebody just

881
00:43:29,880 --> 00:43:33,000
Speaker 2: playing Candy Crush and then and then all of a sudden,

882
00:43:33,160 --> 00:43:34,080
Speaker 2: cutscene starts.

883
00:43:34,360 --> 00:43:37,480
Speaker 3: Yeah, and then after that just bookend at what you

884
00:43:37,520 --> 00:43:38,600
Speaker 3: get Candy Crush again.

885
00:43:38,640 --> 00:43:40,680
Speaker 1: And we should make them I was gonna say they

886
00:43:40,760 --> 00:43:43,719
Speaker 1: get to a certain level so that they can see

887
00:43:43,719 --> 00:43:45,560
Speaker 1: the cut scene, but it should really be that they

888
00:43:46,080 --> 00:43:48,360
Speaker 1: fail a Candy Crush and then they have to buy

889
00:43:49,320 --> 00:43:52,480
Speaker 1: like a few more gems so they can keep like

890
00:43:52,520 --> 00:43:53,080
Speaker 1: put it, well.

891
00:43:53,600 --> 00:43:56,280
Speaker 2: Buy gems or watch the cut scene.

892
00:43:56,080 --> 00:43:59,799
Speaker 1: Like a freemium model, except where you pay to go in.

893
00:44:00,280 --> 00:44:04,160
Speaker 2: Now you pay to watch the cut scene, except you

894
00:44:04,200 --> 00:44:05,920
Speaker 2: pay for everything.

895
00:44:07,800 --> 00:44:09,200
Speaker 1: Yes, pay meum model.

896
00:44:09,640 --> 00:44:17,520
Speaker 3: Yeah, standard payment model, so basically pay me. So do

897
00:44:17,640 --> 00:44:20,680
Speaker 3: we need to And I'm just trying to wrap pay me.

898
00:44:22,280 --> 00:44:25,960
Speaker 3: I'm just trying to U because that's pay me is

899
00:44:26,040 --> 00:44:30,680
Speaker 3: not struck. That's not struck. You could do it, that's.

900
00:44:30,880 --> 00:44:33,239
Speaker 1: You want to because they're doing more of the video game.

901
00:44:33,239 --> 00:44:36,320
Speaker 1: It's a movie. They just did freaking special Mariano, and

902
00:44:36,440 --> 00:44:43,279
Speaker 1: they did uh the guys Sonica Air, which like this

903
00:44:43,320 --> 00:44:44,720
Speaker 1: movie killed more people than.

904
00:44:45,320 --> 00:44:48,440
Speaker 3: Sonica yes, yeah, yeah, yeah.

905
00:44:48,920 --> 00:44:50,640
Speaker 1: And more people than all Wars come by. And we've

906
00:44:50,640 --> 00:44:51,319
Speaker 1: talked about this.

907
00:44:51,400 --> 00:44:54,640
Speaker 5: Yes, the deadliest movie ever released.

908
00:44:54,680 --> 00:44:57,319
Speaker 3: I was shocked that did a sequel, and now they're

909
00:44:57,360 --> 00:45:00,600
Speaker 3: doing a TV show and another sequel. Yeah, I know,

910
00:45:00,760 --> 00:45:02,320
Speaker 3: go ahead, kill more people.

911
00:45:02,520 --> 00:45:04,520
Speaker 2: Well, it's just like the one thing we know that

912
00:45:04,560 --> 00:45:06,480
Speaker 2: the movie has done is kill people.

913
00:45:07,719 --> 00:45:09,280
Speaker 5: I would think we could.

914
00:45:09,080 --> 00:45:12,000
Speaker 2: Do something else with the money that we're investing in it,

915
00:45:12,120 --> 00:45:14,680
Speaker 2: unless that was the point in which case, like.

916
00:45:16,320 --> 00:45:20,879
Speaker 3: I go ahead, Like that's why I didn't watch it,

917
00:45:20,960 --> 00:45:25,200
Speaker 3: because uh, it was it was killing people, and Ben Schwartz.

918
00:45:24,920 --> 00:45:29,120
Speaker 1: Isn't it's so scared. Yeah, it's the ring cassette tape

919
00:45:29,120 --> 00:45:31,279
Speaker 1: on a much shorter timeline.

920
00:45:31,560 --> 00:45:35,600
Speaker 3: Yeah that's right. Why Wayne, Why a whole day and

921
00:45:35,640 --> 00:45:40,120
Speaker 3: go watch and die? You fucks you like you're I'm

922
00:45:40,120 --> 00:45:41,400
Speaker 3: curious to childhood.

923
00:45:41,640 --> 00:45:44,680
Speaker 2: I'm curious to see how they'll kill people with the

924
00:45:44,760 --> 00:45:48,880
Speaker 2: TV series, like because that you're you know, generally you

925
00:45:48,880 --> 00:45:51,399
Speaker 2: think you enjoy it in your home, but maybe they're

926
00:45:51,440 --> 00:45:55,200
Speaker 2: gonna be some like group viewing party experience.

927
00:45:55,280 --> 00:45:56,000
Speaker 1: Because it's just.

928
00:45:57,680 --> 00:45:59,520
Speaker 2: I know how the movie killed the most people of

929
00:45:59,520 --> 00:46:03,279
Speaker 2: any movie ever, but I don't really know how the

930
00:46:03,280 --> 00:46:06,640
Speaker 2: TV show is going to do that. And I'm and

931
00:46:06,719 --> 00:46:09,960
Speaker 2: I'm i'd be lying if I said I wasn't intrigued.

932
00:46:10,239 --> 00:46:14,800
Speaker 3: Yeah, I would love to see the TV show if

933
00:46:15,200 --> 00:46:18,200
Speaker 3: it wasn't about sonic and stuff.

934
00:46:18,360 --> 00:46:22,200
Speaker 5: Right, I just you know that was not the part.

935
00:46:22,320 --> 00:46:23,879
Speaker 3: More of a Mariano guy.

936
00:46:24,080 --> 00:46:29,359
Speaker 1: Yeah, becha Mario, Yeah, sorry, regardless, I want to bring

937
00:46:29,440 --> 00:46:32,720
Speaker 1: up this issue again. Even the time we're spending talking

938
00:46:32,719 --> 00:46:34,800
Speaker 1: about this, I worry that they're going to like figure

939
00:46:34,840 --> 00:46:35,840
Speaker 1: out the strike.

940
00:46:35,960 --> 00:46:38,719
Speaker 2: That's been a big concern for me, that they'll sit

941
00:46:38,760 --> 00:46:39,279
Speaker 2: down and talk.

942
00:46:39,480 --> 00:46:42,279
Speaker 1: I have a pitch because like to try and keep

943
00:46:42,320 --> 00:46:43,839
Speaker 1: this going, we're just gonna have to make like more

944
00:46:43,880 --> 00:46:47,279
Speaker 1: and more asks and like figure out more things that

945
00:46:47,360 --> 00:46:48,359
Speaker 1: have to be negotiated.

946
00:46:48,440 --> 00:46:50,520
Speaker 3: Yeah, and it's tough because friends out there putting out

947
00:46:50,600 --> 00:46:52,880
Speaker 3: little fires exactly hard to get a hold of her.

948
00:46:53,120 --> 00:46:55,799
Speaker 1: Yes, but that I mean, that's good the longer it

949
00:46:55,840 --> 00:46:57,839
Speaker 1: takes to get them to the table, but it's just

950
00:46:57,840 --> 00:47:00,480
Speaker 1: like the sooner they settle it, it's that's bad for us.

951
00:47:01,600 --> 00:47:06,000
Speaker 1: I am really hard to buy shoes for. Wait, why

952
00:47:06,480 --> 00:47:08,560
Speaker 1: I just go in there. I don't like any of that.

953
00:47:08,560 --> 00:47:12,960
Speaker 1: It feels you're gonna fe No, I just don't. I'm

954
00:47:13,000 --> 00:47:16,279
Speaker 1: just like, like it's on there. It feels kind of

955
00:47:16,719 --> 00:47:18,759
Speaker 1: weird and They're like, well, it feels weird because it's new, and.

956
00:47:18,800 --> 00:47:22,160
Speaker 5: Yeah, you've got to break it in. You these I

957
00:47:22,160 --> 00:47:23,319
Speaker 5: don't have to break these ones in.

958
00:47:23,400 --> 00:47:24,080
Speaker 2: I wore these.

959
00:47:24,200 --> 00:47:26,520
Speaker 3: I can try to size up. Is that the issue

960
00:47:27,040 --> 00:47:28,040
Speaker 3: if they're so tight?

961
00:47:28,680 --> 00:47:31,200
Speaker 1: Yeah, because I know what my size is.

962
00:47:31,320 --> 00:47:33,399
Speaker 3: This is true. My father in law for a long

963
00:47:33,440 --> 00:47:36,160
Speaker 3: time hated wearing shoes, and then turns out he was

964
00:47:36,160 --> 00:47:38,360
Speaker 3: wearing shoes that were two sizes too small.

965
00:47:38,600 --> 00:47:39,480
Speaker 5: I smell a movie.

966
00:47:39,640 --> 00:47:44,160
Speaker 3: We sold it to a movie. I'm playing my father.

967
00:47:44,320 --> 00:47:45,120
Speaker 2: Buying your father.

968
00:47:45,880 --> 00:47:49,520
Speaker 1: The size is important to me. Lucky number seven. They

969
00:47:49,560 --> 00:47:50,720
Speaker 1: called that for reason.

970
00:47:51,040 --> 00:47:53,240
Speaker 3: Okay, I think I'm getting a full picture.

971
00:47:53,280 --> 00:47:55,840
Speaker 1: That's my shoe size, and so I will if we

972
00:47:55,880 --> 00:47:56,600
Speaker 1: can get.

973
00:47:56,520 --> 00:47:58,520
Speaker 3: Can I say, I'm looking at your feet right now.

974
00:47:59,120 --> 00:48:01,920
Speaker 3: It's something's wrong because your toe is coming out of

975
00:48:02,080 --> 00:48:03,279
Speaker 3: the top of it.

976
00:48:03,520 --> 00:48:06,480
Speaker 1: Well, I can say that's better than it's staying in there.

977
00:48:06,600 --> 00:48:10,000
Speaker 1: From my perspective, it's much better that the toe. I

978
00:48:10,040 --> 00:48:11,359
Speaker 1: could see that come out.

979
00:48:11,560 --> 00:48:15,480
Speaker 3: Yeah, it is an angry purple your toe. It's better

980
00:48:15,520 --> 00:48:16,839
Speaker 3: for me if I don't see it.

981
00:48:16,840 --> 00:48:19,719
Speaker 2: It's very dangerous to be sitting in the room with

982
00:48:19,800 --> 00:48:22,839
Speaker 2: Hayes when he has shoes on because pieces of them

983
00:48:23,239 --> 00:48:27,279
Speaker 2: come shooting off and just and can blast you.

984
00:48:27,480 --> 00:48:29,200
Speaker 1: I think if we get to the point where we say, like, hey,

985
00:48:30,160 --> 00:48:33,879
Speaker 1: thanks for all the counter offers. That's really nice, Like

986
00:48:34,080 --> 00:48:36,319
Speaker 1: we're good to go out pretty much everything. We just

987
00:48:36,480 --> 00:48:42,240
Speaker 1: need to find some shoes for one of our main writers.

988
00:48:43,280 --> 00:48:46,840
Speaker 3: Yeah, okay, but but you're so isn't it going to

989
00:48:46,880 --> 00:48:49,000
Speaker 3: be hard for if you can't find shoes for yourself,

990
00:48:49,080 --> 00:48:51,040
Speaker 3: how will be easier for them to find shoes for you?

991
00:48:51,239 --> 00:48:54,319
Speaker 1: Because Hell, the genius thank you help me.

992
00:48:54,520 --> 00:48:56,880
Speaker 2: Is that it is difficult for them to do and

993
00:48:57,400 --> 00:49:00,720
Speaker 2: will this goes on strike so that we can finish

994
00:49:00,760 --> 00:49:01,880
Speaker 2: our cut scenes.

995
00:49:02,000 --> 00:49:05,120
Speaker 5: Oh my god, because the second there's other movie people.

996
00:49:05,400 --> 00:49:09,640
Speaker 3: Oh my god, goes other stuff. There's movies. Yeah, because

997
00:49:09,640 --> 00:49:13,440
Speaker 3: because these Yeah, because you know the old saying. Netflix

998
00:49:13,480 --> 00:49:17,040
Speaker 3: will release its subscriber viewing numbers before Hayes finds a

999
00:49:17,080 --> 00:49:20,520
Speaker 3: pair of shoes. That's that's where that comes.

1000
00:49:20,600 --> 00:49:25,000
Speaker 2: No, I know, Yeah, it's finally applicable to something in

1001
00:49:25,080 --> 00:49:25,959
Speaker 2: my Yeah.

1002
00:49:26,040 --> 00:49:29,879
Speaker 1: So once they get to thank you for releasing these numbers, Wow,

1003
00:49:29,920 --> 00:49:34,200
Speaker 1: these are huge. Don't you should be very impressed? These

1004
00:49:34,200 --> 00:49:39,960
Speaker 1: are amazing. More people are watching than you even were suggesting.

1005
00:49:39,320 --> 00:49:42,399
Speaker 3: Oh my gosh, people love kissing booth four.

1006
00:49:43,560 --> 00:49:48,640
Speaker 1: We're so like, good to go. Just one little pair of.

1007
00:49:48,719 --> 00:49:51,840
Speaker 2: Shoes, just one other, just a simple pair of shoes.

1008
00:49:52,120 --> 00:49:54,920
Speaker 3: Just do this, and then we'll close up the strike

1009
00:49:56,520 --> 00:50:00,239
Speaker 3: we'll put away all these what are those strike boards all?

1010
00:50:00,520 --> 00:50:01,960
Speaker 3: Shouldn't there be a name for it?

1011
00:50:02,280 --> 00:50:03,280
Speaker 1: Pickets?

1012
00:50:04,440 --> 00:50:08,800
Speaker 3: Yeah, that's what they're called, okay by

1013
00:50:11,040 --> 00:50:12,200
Speaker 4: Hollywood Hamburg