1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypt TV in association with Wolf at the Door. 3 00:00:17,680 --> 00:00:23,800 Speaker 1: When you died, I ended, and whatever I am now 4 00:00:24,079 --> 00:00:56,880 Speaker 1: was born. This is mad Hi Ashen. We just got 5 00:00:56,960 --> 00:00:59,360 Speaker 1: to the trail. Head is that is in the car 6 00:00:59,440 --> 00:01:04,160 Speaker 1: trying to figure your way out of this? Look, I'm 7 00:01:04,200 --> 00:01:07,959 Speaker 1: sorry I missed you before we left. All right, I 8 00:01:08,040 --> 00:01:10,240 Speaker 1: just want to say I love you and thank you 9 00:01:10,280 --> 00:01:14,039 Speaker 1: for pushing me to do this. Thank You're right, this 10 00:01:14,120 --> 00:01:18,399 Speaker 1: will be good for us. Still three days in the 11 00:01:18,440 --> 00:01:25,240 Speaker 1: woods with Isaiah right for me? Anyways, get Jounston a 12 00:01:25,319 --> 00:01:31,800 Speaker 1: kiss for me. I'll see. Why do you torture yourself 13 00:01:31,880 --> 00:01:36,000 Speaker 1: like that? Mom, you're awake. It doesn't look like you 14 00:01:36,080 --> 00:01:39,000 Speaker 1: even slip. You're going to work. They found me a 15 00:01:39,080 --> 00:01:41,840 Speaker 1: sub until Monday. You're gonna get fired. If you keep 16 00:01:41,880 --> 00:01:44,240 Speaker 1: that up, then I have to go dump the diving 17 00:01:44,319 --> 00:01:48,680 Speaker 1: for textbooks to get a decent education. Don't be so dramatic. 18 00:01:50,800 --> 00:01:53,480 Speaker 1: Isn't it too early to leave for school? I'd like 19 00:01:53,560 --> 00:01:59,160 Speaker 1: as little attention as possible after humiliating myself publicly. Can 20 00:01:59,200 --> 00:02:02,120 Speaker 1: I have lunch? Money? Fridge is empty, my purse is 21 00:02:02,160 --> 00:02:09,160 Speaker 1: on the chair. I can take you walk. Don't be silly. 22 00:02:09,200 --> 00:02:11,720 Speaker 1: It's a mile and a half. It'll take three minutes. 23 00:02:12,040 --> 00:02:17,880 Speaker 1: I said, I walked, all right, you don't come back. No, 24 00:02:18,720 --> 00:02:25,880 Speaker 1: it makes me feel a little better. Actually, hey, josh uh, 25 00:02:26,160 --> 00:02:37,359 Speaker 1: I love you. I know I love you too. Always 26 00:02:37,480 --> 00:02:45,440 Speaker 1: forgets are key? Use this spare Joscelyn. I'm sad to 27 00:02:45,480 --> 00:02:51,760 Speaker 1: check me up on my right apterall oh, sorry, can 28 00:02:51,840 --> 00:02:57,000 Speaker 1: I help you? You're Ashley? Who are you? Is Isaiah here? God? 29 00:02:57,160 --> 00:03:02,880 Speaker 1: Is there? Blood? Are you okay? Is Isaiah here? No? No? No, 30 00:03:03,160 --> 00:03:06,400 Speaker 1: he hasn't been home. All not good? What's going on? 31 00:03:06,919 --> 00:03:09,560 Speaker 1: Whatever you do, do not let him back in this house. 32 00:03:09,639 --> 00:03:26,640 Speaker 1: You hear me, you and your daughter. You aren't safe again. 33 00:03:27,400 --> 00:03:29,920 Speaker 1: You and Gabe head into the woods. Under last second? 34 00:03:30,360 --> 00:03:33,880 Speaker 1: What happens next? We hid for the day. We don't 35 00:03:33,919 --> 00:03:37,280 Speaker 1: have the GPS, so we turned back. We hear something 36 00:03:37,320 --> 00:03:40,120 Speaker 1: in the woods. We run. I don't see him after that. 37 00:03:40,200 --> 00:03:43,440 Speaker 1: I don't believe you again. You head into the woods. 38 00:03:43,480 --> 00:03:47,320 Speaker 1: Under last second? What happens next? What is the point 39 00:03:47,320 --> 00:03:50,600 Speaker 1: of all this? Michelle? What happens next? If you want 40 00:03:50,600 --> 00:03:52,120 Speaker 1: to arrest me, just arrest me and throw me in 41 00:03:52,160 --> 00:03:55,160 Speaker 1: the said already, not until you tell me what you're hiding. 42 00:03:55,920 --> 00:03:59,560 Speaker 1: Until then, we stay in this room talking. You head 43 00:03:59,640 --> 00:04:02,880 Speaker 1: into the woods on July second. It's getting hide in here. 44 00:04:02,880 --> 00:04:05,000 Speaker 1: I need more water. You head into the woods on 45 00:04:05,080 --> 00:04:08,760 Speaker 1: July second. What happens next? Please just let me go. 46 00:04:09,600 --> 00:04:13,000 Speaker 1: You get into the woods on July second. I can't 47 00:04:13,040 --> 00:04:18,360 Speaker 1: be here. I can see something's weighing on you. Isaiah. 48 00:04:19,279 --> 00:04:21,760 Speaker 1: You don't have to keep it in. Just let go. 49 00:04:24,440 --> 00:04:31,000 Speaker 1: Tell me what happened out there? What happened to gain Isaiah? 50 00:04:31,240 --> 00:04:48,839 Speaker 1: Just what happened in the woods? What I can't? No? Please? 51 00:04:51,160 --> 00:05:07,360 Speaker 1: I know? But what if you wrong? He to my brother? Okay, okay, 52 00:05:07,400 --> 00:05:13,440 Speaker 1: why I'm here? Are you talking to someone? It's been 53 00:05:13,440 --> 00:05:20,360 Speaker 1: eleven days without food, two without water. We're starving, we're dying. 54 00:05:20,800 --> 00:05:23,160 Speaker 1: We just have to keep moving. We'll find a way 55 00:05:23,160 --> 00:05:26,560 Speaker 1: out of here. It says, you'll kill me. It's only 56 00:05:26,600 --> 00:05:29,839 Speaker 1: a matter of time. Kill you. What are you talking about? Gay? 57 00:05:30,160 --> 00:05:31,960 Speaker 1: You think you missed your chance of the kind of 58 00:05:32,000 --> 00:05:36,279 Speaker 1: life out built? You figured if I don't come back, 59 00:05:36,400 --> 00:05:40,000 Speaker 1: maybe everyone will take pity on you. Maybe Ashley will 60 00:05:40,080 --> 00:05:43,520 Speaker 1: cry on your shoulder, your moin me side by side, 61 00:05:44,279 --> 00:05:51,760 Speaker 1: best friends reunited, rekindled game, whenever's going on in your mind? 62 00:05:51,800 --> 00:05:55,440 Speaker 1: It's not real? Okay, No, no, it's real. I'm wounded. 63 00:05:56,520 --> 00:06:01,080 Speaker 1: I'm weak. Wasn't a soldier like you. I'm easy to 64 00:06:01,160 --> 00:06:05,760 Speaker 1: leave behind, easy to forget. But I don't want to 65 00:06:05,800 --> 00:06:10,719 Speaker 1: be forgotten. Hey, hey, what are you doing with my knife? 66 00:06:10,880 --> 00:06:17,080 Speaker 1: Gig killer be killed, needle'll be eaten? Hey, hey, dec 67 00:06:17,160 --> 00:06:19,599 Speaker 1: isn't your game now? Please put the knife down? Take 68 00:06:19,680 --> 00:06:33,560 Speaker 1: him bless? Hey, bol Hey, let's just take a friend. Hell, 69 00:06:37,240 --> 00:06:40,440 Speaker 1: what happened as a You don't have to keep this 70 00:06:40,560 --> 00:06:52,680 Speaker 1: secret anymore. Tell me confess. Oh no, what's happening in 71 00:06:52,720 --> 00:07:01,120 Speaker 1: your face? Good teeth? H h. I'm here for my son. 72 00:07:03,800 --> 00:07:06,280 Speaker 1: What did you do to him? I did it. He's 73 00:07:06,320 --> 00:07:09,960 Speaker 1: schooled his body. They were You're done here in Michelle, 74 00:07:10,200 --> 00:07:13,280 Speaker 1: stay away from him. They were right about you. I 75 00:07:13,400 --> 00:07:27,520 Speaker 1: was just too blind to see it. I'm sorry I 76 00:07:27,560 --> 00:07:30,240 Speaker 1: didn't come sooner. I should have suspected when you didn't 77 00:07:30,240 --> 00:07:33,120 Speaker 1: make it to Jocelyn Show made a few calls this morning. 78 00:07:33,760 --> 00:07:35,480 Speaker 1: I'm sure the girls will understand when you get a 79 00:07:35,560 --> 00:07:39,480 Speaker 1: chance to explain. I've never seen Michelle across the line 80 00:07:39,560 --> 00:07:42,360 Speaker 1: like that. She's been that way since we were kids. 81 00:07:43,640 --> 00:07:46,480 Speaker 1: She was the one I got busted for. She's the 82 00:07:46,480 --> 00:07:49,559 Speaker 1: one who actually exchanged on school grounds. They never told 83 00:07:49,560 --> 00:07:54,280 Speaker 1: me that sheriff's daughter buying opioids off elk Ridge Fall's 84 00:07:54,280 --> 00:07:57,960 Speaker 1: biggest disappointment. I'm sure no one knew. Why didn't you 85 00:07:58,040 --> 00:08:01,960 Speaker 1: tell him? It didn't matter that who's my call? A 86 00:08:02,080 --> 00:08:05,280 Speaker 1: bad one? But she could pay and we needed the money. 87 00:08:07,160 --> 00:08:08,840 Speaker 1: I don't know what I'm telling you all. That's not 88 00:08:08,920 --> 00:08:13,000 Speaker 1: like a matter. It does you matter to me? I said, sure? 89 00:08:13,520 --> 00:08:16,840 Speaker 1: Now that I'm the only one left. Ashley's worried about you. 90 00:08:16,840 --> 00:08:21,720 Speaker 1: You know. She thinks you're dealing again. Yeah, you're gonna 91 00:08:21,720 --> 00:08:24,200 Speaker 1: lock me up for it this time too. If you're 92 00:08:24,240 --> 00:08:29,840 Speaker 1: dealing worse, if you're using I'm not. I don't know. 93 00:08:31,400 --> 00:08:34,000 Speaker 1: Maybe I should be locked up. Why would you say that? 94 00:08:35,480 --> 00:08:40,480 Speaker 1: I say? Why did you say that? Is that? That's 95 00:08:40,520 --> 00:08:44,679 Speaker 1: Cat's car in front of the house. Who's Cat? Jesus Christ? 96 00:08:44,720 --> 00:08:47,880 Speaker 1: Look at it? Must have gotten something sort of accident 97 00:08:48,240 --> 00:08:51,160 Speaker 1: and that pull over. Now I'm almost to the driveway. 98 00:08:52,960 --> 00:08:59,920 Speaker 1: Rights there, cat cart I say, what the hell is 99 00:09:00,040 --> 00:09:05,720 Speaker 1: going on? She's outside having a smoke. Wait, Isaiah, I 100 00:09:05,760 --> 00:09:09,800 Speaker 1: think she's got a concussion. She was bleeding. She's confused, disoriented. 101 00:09:10,200 --> 00:09:14,000 Speaker 1: I have to see it. Stay here, do not follow me. 102 00:09:22,760 --> 00:09:27,400 Speaker 1: Don't come any fucking closer. Cat, your face, your arms, 103 00:09:27,559 --> 00:09:31,840 Speaker 1: I will suit you. Keep your voice down, please, I 104 00:09:31,880 --> 00:09:35,200 Speaker 1: saw your car. What happen? You happened? What are you 105 00:09:35,240 --> 00:09:40,120 Speaker 1: talking about? You attacked me last night? You you were 106 00:09:40,200 --> 00:09:43,040 Speaker 1: one of those things like like that Scholl from the 107 00:09:43,160 --> 00:09:50,560 Speaker 1: archives class and Leer's teeth. God, those deep you you're 108 00:09:50,559 --> 00:09:53,840 Speaker 1: going to kill me. No, Cat, it wasn't me. Shut up, 109 00:09:54,080 --> 00:09:57,679 Speaker 1: shut up, buck up, whatever you are, I say, you 110 00:09:57,720 --> 00:10:02,080 Speaker 1: your monster. You don't understand. Stay there. It wasn't me. Cat, 111 00:10:03,360 --> 00:10:05,120 Speaker 1: I never got to the pen, you said, I almost 112 00:10:05,120 --> 00:10:07,120 Speaker 1: picked up by the cops. I've been at the station 113 00:10:07,200 --> 00:10:10,480 Speaker 1: all night. It wasn't me, all right, it wasn't me. 114 00:10:14,520 --> 00:10:17,839 Speaker 1: If it wasn't you, well came after me last night, 115 00:10:19,320 --> 00:10:21,160 Speaker 1: the same thing that came after me and gave in 116 00:10:21,240 --> 00:10:37,440 Speaker 1: the woods and whatever it is, it's the key to everything. Well, 117 00:10:37,480 --> 00:10:40,720 Speaker 1: anything you can dig up for Isaiah Williams. File anything 118 00:10:40,760 --> 00:10:44,000 Speaker 1: that will help me get a warrant. Yeah, sure thing, boss, 119 00:10:44,160 --> 00:10:47,920 Speaker 1: right on that. Do it, or I'll make sure this 120 00:10:47,960 --> 00:10:51,440 Speaker 1: is the last day you wear that badge. Takes one 121 00:10:51,520 --> 00:10:54,360 Speaker 1: call and you'll be out on your ass. Do I 122 00:10:54,480 --> 00:11:02,280 Speaker 1: make myself clear, yes, ma'am, detective, Yes, detective. Also, something 123 00:11:02,320 --> 00:11:07,120 Speaker 1: came for you when you were in with Williams. No 124 00:11:07,240 --> 00:11:11,160 Speaker 1: flash draft, there's something internal, I don't think so. It 125 00:11:11,200 --> 00:11:13,280 Speaker 1: was found in the mail room. Just your name, no 126 00:11:13,400 --> 00:11:20,040 Speaker 1: return address either. All right, comb through the Williams file 127 00:11:20,360 --> 00:11:23,040 Speaker 1: and then get Judge Patterson on the phone. I won't 128 00:11:23,040 --> 00:11:36,600 Speaker 1: that warrant today. Come on, you fucking thing, my rap? 129 00:11:37,200 --> 00:11:44,240 Speaker 1: What have you got for me? What is this security footage? 130 00:11:45,600 --> 00:11:50,680 Speaker 1: I say, come here now, look at this school. These 131 00:11:50,720 --> 00:11:53,680 Speaker 1: antlers aren't early as hell, No way. This thing is 132 00:11:53,679 --> 00:11:56,160 Speaker 1: a deer though. Look at the size of the teeth. 133 00:11:56,880 --> 00:12:04,640 Speaker 1: Predator for sure. Okay, there are drugs too, Alex almost human. 134 00:12:05,520 --> 00:12:15,520 Speaker 1: Are you seeing this, Asaiah? I think you Hi Hi 135 00:12:15,600 --> 00:12:21,920 Speaker 1: the door? Whatever you're feeling it in your head? Hid 136 00:12:22,760 --> 00:12:32,439 Speaker 1: hire Jesus Christ. What the hell are you as a 137 00:12:32,640 --> 00:12:47,679 Speaker 1: Williams Isaiah? She needs to go to the hospital. I'm 138 00:12:47,720 --> 00:12:50,920 Speaker 1: going to take it bullshit, you are what is going on? 139 00:12:51,200 --> 00:12:54,760 Speaker 1: Just stay out of this, Ashley Isaiah. You haven't slept, 140 00:12:55,360 --> 00:12:57,440 Speaker 1: Neither of you are in any sort of condition. It's 141 00:12:57,480 --> 00:13:00,760 Speaker 1: still too late for the well intended lecture. Pop, father's right. 142 00:13:01,360 --> 00:13:03,560 Speaker 1: It seems like you're two form some little cold listen now, 143 00:13:03,640 --> 00:13:07,959 Speaker 1: huh perfect. Look Isaiah, if you're in some sort of trouble, 144 00:13:09,200 --> 00:13:12,240 Speaker 1: we can't help you. Just tell us the truth, please, 145 00:13:12,559 --> 00:13:23,880 Speaker 1: I can't. All right, I'm sorry. No, No, there's time. 146 00:13:24,120 --> 00:13:27,920 Speaker 1: Where are you going? I'm following him. You stay here 147 00:13:27,920 --> 00:13:29,679 Speaker 1: in case I'm not back by the time Joscelyn gets 148 00:13:29,720 --> 00:13:32,000 Speaker 1: home from school. I should be the one to go. No, 149 00:13:32,240 --> 00:13:36,280 Speaker 1: I'm going. No more secrets, no more lies, just no 150 00:13:36,320 --> 00:14:00,240 Speaker 1: more Hello. Hello? Anybody work here? Hey there? H yeah, 151 00:14:02,679 --> 00:14:07,640 Speaker 1: it's been up here yet, I see. I'll just sit 152 00:14:07,679 --> 00:14:16,400 Speaker 1: here and wait. Isn't today a school day? You want 153 00:14:16,400 --> 00:14:20,680 Speaker 1: to attendance, officer? No, then it's none of your business. 154 00:14:21,200 --> 00:14:24,280 Speaker 1: It's just a sketchy motel. Is a pretty strange place 155 00:14:24,280 --> 00:14:27,280 Speaker 1: to see someone your age on the school day. It's 156 00:14:27,280 --> 00:14:29,960 Speaker 1: a strange place to see anyone. This place is a 157 00:14:30,000 --> 00:14:34,600 Speaker 1: ship hole. What's your name? Do you really think i'd 158 00:14:34,640 --> 00:14:39,360 Speaker 1: tell you that? I'll tell you mine. No, thanks, Okay, 159 00:14:39,400 --> 00:14:44,440 Speaker 1: then I guess we'll just have to stay strangers, strangers 160 00:14:44,520 --> 00:14:56,120 Speaker 1: in this lobby together waiting. I guess so. Just my 161 00:14:56,200 --> 00:15:02,080 Speaker 1: name is Jocelyn? Nice to meet you, jos Win and 162 00:15:02,200 --> 00:15:06,800 Speaker 1: your name is so sorry to keep you waiting wrestling 163 00:15:06,800 --> 00:15:09,280 Speaker 1: with the John back there? What can I do you for, 164 00:15:09,320 --> 00:15:14,200 Speaker 1: a sweetheart, I'm looking for my uncle Isaiah Williams. I 165 00:15:14,240 --> 00:15:17,840 Speaker 1: think he's staying here. Oh I'm sorry. I can't give 166 00:15:17,840 --> 00:15:21,320 Speaker 1: out guest information. But you're saying he's a guest. I 167 00:15:21,440 --> 00:15:26,640 Speaker 1: really can't say. All right, Um, can I wait here 168 00:15:26,680 --> 00:15:29,640 Speaker 1: maybe for him to leave or come back or whatever. 169 00:15:30,160 --> 00:15:36,600 Speaker 1: Aren't you supposed to be in school? Right? Okay, Um, 170 00:15:36,640 --> 00:15:40,000 Speaker 1: I'll just take the next buss. Oh yeah, a stranger? 171 00:15:41,160 --> 00:15:45,440 Speaker 1: Who are you talking to? There was a woman sitting 172 00:15:45,520 --> 00:15:48,920 Speaker 1: right there winning with me. Only saw you on the 173 00:15:48,920 --> 00:15:53,280 Speaker 1: way up. Hon Did she say what she was here for? No, 174 00:15:54,720 --> 00:16:08,440 Speaker 1: she didn't. Hi, door, whatever you're feeling in your head? Hi, 175 00:16:12,200 --> 00:16:29,800 Speaker 1: Hi door? Do not now Pickford? You received dollar offering? Yes, 176 00:16:31,040 --> 00:16:37,440 Speaker 1: a cure for blindness? Who is this? Say nothing? You 177 00:16:37,920 --> 00:16:43,800 Speaker 1: have been chosen chosen for what? Thirty nine seven thirty 178 00:16:43,880 --> 00:16:51,600 Speaker 1: four North eight twelve fifty six west nineteen hundred dollars? 179 00:16:52,760 --> 00:17:15,520 Speaker 1: We do not wait? But m yeah, yeah, which way 180 00:17:15,560 --> 00:17:20,560 Speaker 1: did it head? Cat? Which way? I don't know? Southeast? 181 00:17:20,600 --> 00:17:31,080 Speaker 1: I think further down. I dragged it a bit. Yeah, 182 00:17:32,280 --> 00:17:36,680 Speaker 1: there's a trail like the one we saw with Paul Cat. 183 00:17:36,720 --> 00:17:45,639 Speaker 1: Did you hear me? Cat? I'm sorry, I said, but 184 00:17:45,720 --> 00:17:50,520 Speaker 1: I can't come with you, not this time. I won't. Ah, 185 00:17:50,600 --> 00:17:56,480 Speaker 1: you're right, I shouldn't have stay here. Push the seat 186 00:17:56,520 --> 00:17:59,119 Speaker 1: back and hunker down out of sight. The minute you 187 00:17:59,160 --> 00:18:02,800 Speaker 1: see something, I don't care what it is. You take off. Okay, 188 00:18:04,080 --> 00:18:08,840 Speaker 1: what about you? I need to face it. I need 189 00:18:08,880 --> 00:18:13,800 Speaker 1: to face me. I'll be okay, all right, I don't 190 00:18:13,840 --> 00:18:17,800 Speaker 1: think twice you hear something, you don't have to tell 191 00:18:17,800 --> 00:18:42,640 Speaker 1: me again. Okay, Uh, I'll see you. So what who 192 00:18:42,760 --> 00:18:57,840 Speaker 1: is y Ashley? Oh? God? No, turn around, please turn around. No, 193 00:18:58,160 --> 00:19:03,960 Speaker 1: don't follow him. No, God, damn it. This family is 194 00:19:04,000 --> 00:19:22,280 Speaker 1: going to be the death of me. Hey, hey, are 195 00:19:22,320 --> 00:19:34,920 Speaker 1: you out there? Huh? Are you out there? Worshare? I worsh? 196 00:19:35,320 --> 00:19:55,760 Speaker 1: Where are you? Worsh? Jesus Christ? This is what I am. 197 00:19:55,760 --> 00:20:07,080 Speaker 1: This is what I would become. Yes, right, muster, are 198 00:20:06,560 --> 00:20:13,800 Speaker 1: you are Frost? Stop? Stop? Stop? Why are you doing 199 00:20:13,840 --> 00:20:37,520 Speaker 1: this to name kill? Kill kill kill name it song 200 00:20:37,840 --> 00:20:42,320 Speaker 1: hit now? Please put the knight hill it by eating. Look, 201 00:20:42,400 --> 00:20:48,440 Speaker 1: let's just take him broad take him. Let just don't 202 00:20:51,200 --> 00:20:59,359 Speaker 1: get up, get all stop it. You're gonna kill me. 203 00:21:01,000 --> 00:21:10,560 Speaker 1: You're really gonna kill me, I said, super side, you're 204 00:21:10,600 --> 00:21:27,119 Speaker 1: gonna kill me. Hit your brother, ye, kill or be killed? Killed, 205 00:21:28,800 --> 00:22:00,080 Speaker 1: kill ya flash, eat his flesh, I say, wrong, Y 206 00:22:06,119 --> 00:22:10,000 Speaker 1: wasn't real. No, no, no, no it was it was 207 00:22:10,080 --> 00:22:23,960 Speaker 1: the dream. Killed up ash No, But but I was 208 00:22:24,080 --> 00:22:27,200 Speaker 1: so hungry. It's his blood, his body. I couldn't help, 209 00:22:27,240 --> 00:22:56,479 Speaker 1: but I couldn't get blow myself, Fresh said stick await Ashley. 210 00:22:57,119 --> 00:23:03,200 Speaker 1: I don't, God damn myself. He hears, we die understand 211 00:23:11,880 --> 00:23:39,520 Speaker 1: eighty twelve six West All right here, I am you me, 212 00:23:41,160 --> 00:24:05,720 Speaker 1: Mrs Marshall. I don't understand, no, but you will next time. 213 00:24:06,400 --> 00:24:11,680 Speaker 1: On more Dalem, his boats were coming out of his skin. 214 00:24:13,560 --> 00:24:17,480 Speaker 1: We must all understand pain in order to rise above it, 215 00:24:17,960 --> 00:24:26,800 Speaker 1: in order to do what is asked of us. Please, no, don't, Hey, 216 00:24:28,200 --> 00:24:34,360 Speaker 1: you're awake, You're with me. Good, It'll be easier this way. 217 00:24:39,760 --> 00:24:46,080 Speaker 1: I Heart Radio. Blomhouse Television and Crypt TV in association 218 00:24:46,480 --> 00:24:51,400 Speaker 1: with Wolf at the Door present more Dale Executive produced 219 00:24:51,480 --> 00:24:57,919 Speaker 1: by Jack Davis, Kate Krantz, Darren Brandle, Jason Blum, Chris Dicky, 220 00:24:58,560 --> 00:25:04,920 Speaker 1: Matt Frederick and Alex Williams. Written by Caitlin Crab, directed 221 00:25:04,960 --> 00:25:12,080 Speaker 1: by Alex Kemp, Produced by Toby Lawless, Winnie Kemp, Daniel Parsons, 222 00:25:13,160 --> 00:25:20,720 Speaker 1: Co producers ben So Tack, Anthony Magnolo, Associate producer Federico Torrado, 223 00:25:22,000 --> 00:25:28,160 Speaker 1: Starring j L. Fons, Nicholson as Isaiah, Ashley Platts as Ashley, 224 00:25:29,040 --> 00:25:37,160 Speaker 1: Olivia Lott as Jocelyn Yvonne as Michelle, with performances by 225 00:25:37,960 --> 00:25:46,359 Speaker 1: Real Michael Scott, Tacy Adams, Ariella Amar Jamie, Joseph kim Estes, 226 00:25:47,119 --> 00:25:53,920 Speaker 1: Patty Wilkins, Tracy Rooney. Sound designed by Dean Hovey, Original 227 00:25:54,040 --> 00:25:59,840 Speaker 1: score by Christopher Kemp, Mixing by Mark Scarce, Edited by 228 00:26:00,000 --> 00:26:06,600 Speaker 1: Fernando Dias, Assistant engineer Noah Sour Recorded at Wolf at 229 00:26:06,640 --> 00:26:14,000 Speaker 1: the Door Studios. Casting consultant Michelle LeWitt, Production assistants Hayley 230 00:26:14,080 --> 00:26:21,080 Speaker 1: mckeckney and Sophia gilbertel studio teacher Pearl Hika, Writing assistant 231 00:26:21,480 --> 00:26:26,840 Speaker 1: Bill Hanson. This podcast was recorded under a SAG after 232 00:26:27,000 --> 00:26:31,880 Speaker 1: collective bargaining agreement. Mordeo is a production of I Heart 233 00:26:32,000 --> 00:26:37,440 Speaker 1: Radio Blumhouse Television crypt TV. For more podcasts from I 234 00:26:37,600 --> 00:26:41,960 Speaker 1: Heart Radio, visit the i Heart Radio app Apple Podcasts 235 00:26:42,920 --> 00:26:45,320 Speaker 1: or wherever you listen to your favorite shows,