1 00:00:03,480 --> 00:00:07,600 Speaker 1: Welcome to Before Breakfast, a production of iHeartRadio. 2 00:00:09,119 --> 00:00:13,120 Speaker 2: Good Morning, This is Laura. 3 00:00:13,240 --> 00:00:18,319 Speaker 1: Welcome to the Before Breakfast podcast. Today's tip is to 4 00:00:18,440 --> 00:00:22,760 Speaker 1: write for the ear. If you assume that whatever you 5 00:00:22,800 --> 00:00:25,920 Speaker 1: write will be read out loud, and you structure your 6 00:00:25,920 --> 00:00:29,600 Speaker 1: writing to make that possible, your writing will be more 7 00:00:29,640 --> 00:00:35,080 Speaker 1: compelling and clear. This week, I'm sharing several of my 8 00:00:35,240 --> 00:00:38,879 Speaker 1: favorite writing tips. Whether you write for a living or not, 9 00:00:39,840 --> 00:00:43,000 Speaker 1: you may have to write reports or emails or articles 10 00:00:43,000 --> 00:00:47,920 Speaker 1: for industry publications. Certain tactics can make all writing better. 11 00:00:49,479 --> 00:00:52,960 Speaker 1: When I write these podcast scripts, I am obviously writing 12 00:00:53,000 --> 00:00:55,760 Speaker 1: them to be read out loud. That is the whole 13 00:00:55,760 --> 00:01:00,760 Speaker 1: point of a podcast script. But even writing that isn't 14 00:01:00,840 --> 00:01:05,360 Speaker 1: designed to be recorded benefits from approaching it as if 15 00:01:05,400 --> 00:01:10,040 Speaker 1: it would be. That's because of how people actually process 16 00:01:10,280 --> 00:01:15,200 Speaker 1: written language. Many years ago, an editor told me almost 17 00:01:15,240 --> 00:01:20,080 Speaker 1: in passing, that when people read things silently, they are 18 00:01:20,120 --> 00:01:26,080 Speaker 1: actually saying them in their heads. As a result, writing 19 00:01:26,160 --> 00:01:30,600 Speaker 1: that sounds better to the ear reads better even if 20 00:01:30,640 --> 00:01:35,200 Speaker 1: you never actually hear it. When I write these scripts, 21 00:01:35,240 --> 00:01:39,360 Speaker 1: I practice reading them out loud. When I do, I 22 00:01:39,360 --> 00:01:43,840 Speaker 1: immediately see things that need to be edited. Sometimes sentences 23 00:01:43,880 --> 00:01:47,680 Speaker 1: are too long, they need to be broken up so 24 00:01:47,720 --> 00:01:52,400 Speaker 1: I can get through them without gasping for breath. Sometimes 25 00:01:52,440 --> 00:01:56,520 Speaker 1: sentences are all the same length, too many long sentences, 26 00:01:56,640 --> 00:01:59,000 Speaker 1: or for that matter, too many short sentences in. 27 00:01:58,960 --> 00:02:04,760 Speaker 2: A row boring. Finally, certain words and sentence structures sound 28 00:02:04,880 --> 00:02:09,320 Speaker 2: stronger than others. It turns out that ending a sentence 29 00:02:09,440 --> 00:02:14,119 Speaker 2: on a solid one syllable word generally feels more satisfying 30 00:02:14,639 --> 00:02:17,720 Speaker 2: than ending it on a long one. So rather than 31 00:02:17,760 --> 00:02:21,640 Speaker 2: writing being clear and compelling, you want it to be 32 00:02:22,160 --> 00:02:27,600 Speaker 2: compelling and clear. Some of this becomes habit over time. 33 00:02:28,480 --> 00:02:31,240 Speaker 2: If you want an example of what good spoken language 34 00:02:31,280 --> 00:02:35,880 Speaker 2: sounds like, try listening to a really good preacher. These 35 00:02:35,919 --> 00:02:39,640 Speaker 2: people often have it down because they're talking to crowds 36 00:02:39,720 --> 00:02:43,880 Speaker 2: many times a week. But even in the absence of that, 37 00:02:44,840 --> 00:02:48,400 Speaker 2: if you simply commit to reading your own writing out 38 00:02:48,480 --> 00:02:52,400 Speaker 2: loud before you publish it or hit send, you will 39 00:02:52,440 --> 00:02:56,400 Speaker 2: likely spot problems. You will see that some words sound 40 00:02:56,440 --> 00:02:59,840 Speaker 2: better than others, you will see where you are gasping 41 00:02:59,840 --> 00:03:04,079 Speaker 2: from breath, and you'll break things up that will help 42 00:03:04,120 --> 00:03:08,120 Speaker 2: readers be able to make it through your writing too. Now, 43 00:03:08,160 --> 00:03:10,359 Speaker 2: I know that most of us don't do this with 44 00:03:10,600 --> 00:03:14,600 Speaker 2: casual writings such as emails. But imagine if we did 45 00:03:16,040 --> 00:03:20,120 Speaker 2: reading email would feel more pleasurable, and thus we'd be 46 00:03:20,160 --> 00:03:23,560 Speaker 2: able to get our points across and maybe we'd send 47 00:03:23,560 --> 00:03:28,000 Speaker 2: fewer emails. That wouldn't be a bad thing at all. 48 00:03:29,560 --> 00:03:34,680 Speaker 2: In the meantime, this is Laura. Thanks for listening, and 49 00:03:34,800 --> 00:03:37,720 Speaker 2: here's to making the most of our time. 50 00:03:43,720 --> 00:03:46,480 Speaker 3: Hey, everybody, I'd love to hear from you. You can 51 00:03:46,480 --> 00:03:50,000 Speaker 3: send me your tips, your questions, or anything else. Just 52 00:03:50,000 --> 00:03:53,920 Speaker 3: connect with me on Twitter, Facebook and Instagram at before 53 00:03:54,040 --> 00:03:59,840 Speaker 3: Breakfast pod. That's b the number four than Breakfast pod. 54 00:04:00,760 --> 00:04:03,640 Speaker 3: You can also shoot me an email at Before Breakfast 55 00:04:03,720 --> 00:04:07,600 Speaker 3: Podcasts at iHeartMedia dot com that before Breakfast is spelled 56 00:04:07,600 --> 00:04:08,560 Speaker 3: out with all the letters. 57 00:04:09,200 --> 00:04:09,800 Speaker 1: Thanks so much. 58 00:04:09,800 --> 00:04:18,000 Speaker 3: Should I look forward to staying in touch. Before Breakfast 59 00:04:18,040 --> 00:04:22,360 Speaker 3: is a production of iHeartRadio. For more podcasts from iHeartRadio, 60 00:04:22,560 --> 00:04:26,520 Speaker 3: visit the iHeartRadio app, Apple Podcasts, or wherever you listen 61 00:04:26,560 --> 00:04:31,480 Speaker 3: to your favorite shows.