WEBVTT - Our Hosts Favorite Authors and Book Recommendations | MiniPod

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<v Speaker 1>Today's mini pod is a little bit of a return

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<v Speaker 1>to last summer. Our very efficient reader, Tiffany has been

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<v Speaker 1>bugging us about our reading and encouraging us to read

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<v Speaker 1>a lot more sources if we could so as we

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<v Speaker 1>hunkered down this hopefully winter break with a book, there

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<v Speaker 1>are plenty of recommendations in this episode. You can find

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<v Speaker 1>a list of all the books that we talk about

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<v Speaker 1>in this episode in the description Happy holidays and happy reading, y'all.

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<v Speaker 2>Welcome, welcome, welcome, welcome, welcome, welcome, welcome.

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<v Speaker 1>Home, everybody. This is Tiffany Cross, Angela Rye and a

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<v Speaker 1>man you get them. And this is a mini pod,

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<v Speaker 1>and we don't know what we're about to talk about.

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<v Speaker 3>Yes, that was Angela's suggestion that we wait and figure

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<v Speaker 3>out what we're going to talk about, and I record, yeah,

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<v Speaker 3>we understand. Well, we've heard you guys in the audience

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<v Speaker 3>ask us about what we're reading, what we like to read,

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<v Speaker 3>and so I thought this might be a good opportunity

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<v Speaker 3>for the co host to share some of their favorite

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<v Speaker 3>books and we would recommend to you guys. I know

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<v Speaker 3>I have a lot I, as I talked about, have

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<v Speaker 3>read Charles Blow's book The Devil you know, so I

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<v Speaker 3>would love for folks to read that we can have

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<v Speaker 3>a conversation about it. I am reading The Color of Money,

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<v Speaker 3>Wealth and Black Banks. I might have a subtitle wrong,

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<v Speaker 3>but it's MRSA but Darenden. I think that's fair name.

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<v Speaker 3>I had her on my show some years ago and

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<v Speaker 3>started the book and embarrassingly so did not finish it.

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<v Speaker 3>And I hate when folks when people do that, this

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<v Speaker 3>is a question I'll ask you, guys, I might be

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<v Speaker 3>a bit of a I don't think it's snobbery. I

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<v Speaker 3>think it's just the art of reading. I do not

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<v Speaker 3>think audio listen. When people say they listen to the audiobook,

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<v Speaker 3>I don't know if that's reading. And I say that

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<v Speaker 3>because like your brain literally processes it differently and for

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<v Speaker 3>the right like when you read something, you're comprehended. It's

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<v Speaker 3>the difference between listening to a podcast like y'all are

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<v Speaker 3>doing now versus actually reading the words, like your brain

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<v Speaker 3>literally processes it. And so you know when you have

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<v Speaker 3>friends with kids and they're like, oh, I did the

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<v Speaker 3>audiobook and the parents are like no.

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<v Speaker 4>No, no, you need to read the book.

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<v Speaker 3>I think if I had kids, i'd be one of

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<v Speaker 3>those parents like, you have to strengthen that skill.

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<v Speaker 4>You have to read. So do you all think that

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<v Speaker 4>audiobooks counts as reading?

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<v Speaker 1>Yeah, if you are an auditory learner, yeah, which some

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<v Speaker 1>people are. Some people like I need to hear it

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<v Speaker 1>out loud. In fact, when I'm actually reading, whether it's

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<v Speaker 1>a report or a book or even an article, sometimes

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<v Speaker 1>I will say out loud to myself a piece that

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<v Speaker 1>is something I want to want to remember, a piece

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<v Speaker 1>that I may want to go back to now.

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<v Speaker 5>Love.

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<v Speaker 1>I love physical books because I like writing in them.

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<v Speaker 1>I got tabs for days. If you wanted to get

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<v Speaker 1>me a you know, a gift and you don't know

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<v Speaker 1>what I like, just get me some post its because

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<v Speaker 1>they're going to end up in books and the flags. Yeah,

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<v Speaker 1>all of that. I love it, and mainly because I

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<v Speaker 1>even commit you know, certain passages to memory when they're

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<v Speaker 1>really you know, that thought provoking and that kind of thing.

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<v Speaker 1>But yeah, I think audio books work just as fine.

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<v Speaker 1>I tell my kids all the time because my son, Jackson, particularly,

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<v Speaker 1>who's a really competitive reader, you know, wants me to

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<v Speaker 1>know that he started the day at page twenty three

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<v Speaker 1>and he ended at one hundred and twenty six I said, well,

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<v Speaker 1>that's good, Jackson, but do you remember what you read?

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<v Speaker 1>But I would not object to at you know, at

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<v Speaker 1>some point when they get introduced to audio books to

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<v Speaker 1>them listening as well, we're gonna get the fundamentals of

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<v Speaker 1>reading down. We're gonna get the fundamentals of you know,

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<v Speaker 1>you know, root words, because it's going to be important

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<v Speaker 1>for you at some some point in time. But I

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<v Speaker 1>will tell you I have I have I have a question.

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<v Speaker 1>One does it make a difference to you listening versus

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<v Speaker 1>reading yourself fiction nonfiction? Because I'll say this for me,

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<v Speaker 1>I am I don't read fiction at all. In fact,

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<v Speaker 1>my therapist has told me you've gotta you have got

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<v Speaker 1>to read more fiction. It is where the imagination, Yes,

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<v Speaker 1>you know it exists. And I'm so like, no, no, no,

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<v Speaker 1>But why would I waste my time on that one?

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<v Speaker 1>I know if I read this, this is history, this

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<v Speaker 1>is this, this is you know, these are things that

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<v Speaker 1>I can put under my under my two bell. So

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<v Speaker 1>I got to still make that adjustment. But I do

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<v Speaker 1>wonder whether or not it would be different for me

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<v Speaker 1>if I were listening to an audio book of a

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<v Speaker 1>fiction story versus an audio book of a fact story,

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<v Speaker 1>and I wonder if it makes a difference to either

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<v Speaker 1>of you.

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<v Speaker 6>I will say Lenard actually suggests reading the book and

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<v Speaker 6>listening to it at the same time. He was telling

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<v Speaker 6>me that it was a good experience, and he did

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<v Speaker 6>it with Viola Davis's book, So I did that with

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<v Speaker 6>Violet Davis's book, and I agree. So I think it depends.

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<v Speaker 6>I definitely in somebody the way my mind moves. If

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<v Speaker 6>I'm just listening to the audio book and I start

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<v Speaker 6>looking at something else or like I'm texting at the

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<v Speaker 6>same time, you can forget it.

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<v Speaker 2>I basically have blocked everything out.

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<v Speaker 6>But if I'm concentrating just on that book or closing

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<v Speaker 6>my eyes and just listening to that book.

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<v Speaker 2>It helps.

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<v Speaker 6>But I did appreciate the experience of reading and listening

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<v Speaker 6>at the same time.

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<v Speaker 1>Plus fiction non fiction equal leaders.

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<v Speaker 6>I'm not a I'm not a fiction person. I think

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<v Speaker 6>that there was a time, like growing up, where I

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<v Speaker 6>was more of a fiction person, but I think now

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<v Speaker 6>there's so much going on. I feel like, if I'm

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<v Speaker 6>going to be reading, I wanted to be historical based,

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<v Speaker 6>strategy based, political base economics based, something with some solutions

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<v Speaker 6>in there. So I do know like, the last fiction

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<v Speaker 6>book that I was really into is Derek Beale Faces

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<v Speaker 6>at the Bottom of the Well in Law School, And

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<v Speaker 6>it was because I could see it.

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<v Speaker 2>And here we are about to get shipped off to Hell.

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<v Speaker 6>To Mars right now, So I mean, I understand it

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<v Speaker 6>has a little tinge of accuracy.

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<v Speaker 3>I go through about a book a week, and I

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<v Speaker 3>try to go back and forth. If one week is fiction,

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<v Speaker 3>the next week, I'll try to do nonfiction. But I

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<v Speaker 3>really enjoy fiction. Angela, you talked about finding me Viola Davis.

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<v Speaker 4>That book was therapy for me.

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<v Speaker 3>I mean that book Viola Davis, just so I couldn't

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<v Speaker 3>read or listen to that. I read that and I

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<v Speaker 3>can't do audio at the same time as reading because

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<v Speaker 3>our speeds are different. And I'll read something over, like

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<v Speaker 3>if a paragraph or even a sentence it's just beautifully constructed,

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<v Speaker 3>I will read that over and over and over and over.

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<v Speaker 3>Tony Morrison said ones which I it is a torturous

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<v Speaker 3>process to write. I don't believe in ghostwriters either, because

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<v Speaker 3>not that ghostwriters can't have good books, but when people

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<v Speaker 3>say I wrote a book, I'm like, well, did you

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<v Speaker 3>write or did you have a ghostwriter? Because when you

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<v Speaker 3>are writing. Tony Morrison, when I was fourteen, I was

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<v Speaker 3>listening to a conversation with her and Oprah and she

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<v Speaker 3>was saying that as a writer, you will take one

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<v Speaker 3>cent tense and structure it in every possible way to

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<v Speaker 3>make it the point that you want.

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<v Speaker 4>To see what works.

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<v Speaker 3>And I tried to had a discipline to do that,

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<v Speaker 3>and it is a tortuous process and so, but it's

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<v Speaker 3>also a beautiful process when you're all done. So I

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<v Speaker 3>like the way that fiction doesn't constrict you to the

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<v Speaker 3>realms of reality that you know. It can still you

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<v Speaker 3>can learn from it. It can still based in history,

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<v Speaker 3>but it's beautiful writing that you know deeply explores. And

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<v Speaker 3>with fiction, they're more than likely is not a ghostwriter.

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<v Speaker 3>With nonfiction sometimes I think it's particularly with biographies, people will,

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<v Speaker 3>you know, hire somebody. I know a lot of people

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<v Speaker 3>who are like hired ghostwriters who offer They're like, hey,

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<v Speaker 3>I can write this chapter for you, and I'm like,

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<v Speaker 3>as if I would never you know, I want to

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<v Speaker 3>construct this myself. But this leaves me I have some

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<v Speaker 3>sound that I want us to listen to from a

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<v Speaker 3>writer that I thought was so amazing. She since passed away.

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<v Speaker 3>But I'm sure many of you have read Octavia Butler.

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<v Speaker 3>Probably not you, Andrew digit or are you Angel I

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<v Speaker 3>guess since you guys don't read fiction. But her work

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<v Speaker 3>it speaks to so much that's happening right now. And

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<v Speaker 3>she actually made a good point I think, around just

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<v Speaker 3>the process of writing, but also how she bases it

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<v Speaker 3>in what's happening in society. And she was so far

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<v Speaker 3>ahead of her time, So take a listen.

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<v Speaker 5>I got the idea for it when I heard someone

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<v Speaker 5>answer a political question with a political slogan, and he

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<v Speaker 5>didn't seem to realize that he was quoting somebody. He

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<v Speaker 5>seemed to have thought that he had a creative thought there,

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<v Speaker 5>and I wrote this verse. Beware, all too often we

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<v Speaker 5>say what we hear others say, we think what we

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<v Speaker 5>are told that we think, we see what we are

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<v Speaker 5>permitted to see. Worse, we see what we are told

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<v Speaker 5>that we see. Repetition and pride are the keys to this.

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<v Speaker 5>To see and to hear even an obvious lie again

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<v Speaker 5>and again and again may be to say it almost

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<v Speaker 5>by reflex, then to defend it because we have said it,

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<v Speaker 5>and at last to embrace it because we've defended it.

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<v Speaker 5>And because we cannot admit that we've embraced and defended

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<v Speaker 5>an obvious lie. Thus, without thought, without intent, we make

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<v Speaker 5>mere echoes of ourselves, and we say what we hear

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<v Speaker 5>others say.

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<v Speaker 4>This is a work of fiction.

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<v Speaker 3>But that beautifully constructed paragraph I think speaks to so

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<v Speaker 3>much of what's happening in society about how we will

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<v Speaker 3>regurgitate a lie. And I don't mean maga Republicans will

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<v Speaker 3>you know, obviously that happens, but I even mean amongst

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<v Speaker 3>ourselves because something existed, or because you know, we will

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<v Speaker 3>take We talked about this in parody. You know, Fox

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<v Speaker 3>News will run a piece and then the Shade Room

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<v Speaker 3>will post it.

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<v Speaker 4>You know, it's it is something.

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<v Speaker 3>Where it dulls our intellect and it declines our reasoned thinking.

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<v Speaker 3>And so I don't know, I think there are some

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<v Speaker 3>lessons to learn in fiction. But when she talked about that,

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<v Speaker 3>I just thought, Wow, that's true. I see that happening

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<v Speaker 3>a lot from some things that took place in the

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<v Speaker 3>Black Church that I, you know, don't agree with in adulthood.

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<v Speaker 3>But people, you know, it's it's orthodoxy, you know, it's culture.

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<v Speaker 3>These axioms become principal after a while, and if we

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<v Speaker 3>just imagine, but what if this is not the case.

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<v Speaker 3>What if this man saying this to me is wrong?

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<v Speaker 3>What if this leader projecting this to me is incorrect?

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<v Speaker 3>What if this leader really wants to rule and not

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<v Speaker 3>lead and just to question everything around me? So finktion,

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<v Speaker 3>I would say, can invite that kind of Yeah?

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<v Speaker 1>Well that was beautiful. And what I loved about it

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<v Speaker 1>is she said, missus butler h the obvious lie, right,

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<v Speaker 1>is obviously not the truth. So we're not debating with

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<v Speaker 1>another this is true false. We all are looking at

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<v Speaker 1>the thing and saying it's not true, and then we

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<v Speaker 1>keep listening, and then we start to repeat, and then

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<v Speaker 1>the repeating becomes the you know, the our foundation of defense,

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<v Speaker 1>and we fight over it, and then we've gotten so

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<v Speaker 1>deep in we cannot even acknowledge that we all knew

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<v Speaker 1>it was a lie, and I just kept running with it.

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<v Speaker 4>Yeah, what I love?

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<v Speaker 1>So I think, Tiffany, your appreciation is well learned. You're

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<v Speaker 1>a writer, and so you love words. You love the

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<v Speaker 1>written word, not as you know, maybe not even the

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<v Speaker 1>spoken words so much as you love the written Yeah. Sure,

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<v Speaker 1>Michael Harriett is one of those people who I have underlined,

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<v Speaker 1>double underline, circled because he is. It feels like, while

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<v Speaker 1>it comes off so easy as a person who likes

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<v Speaker 1>to see subtexts, I imagine a person who has, as

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<v Speaker 1>you described earlier, written a sentence so many different ways

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<v Speaker 1>that he wants it to stick. He wants it to land,

0:12:18.679 --> 0:12:22.520
<v Speaker 1>and he wants it to land on first impact. I

0:12:22.559 --> 0:12:25.960
<v Speaker 1>appreciate you know, the written word as well, obviously more

0:12:26.160 --> 0:12:30.520
<v Speaker 1>more more fact than fiction, But I do want to

0:12:30.600 --> 0:12:35.760
<v Speaker 1>reprioritize and reorient myself a little bit here because I

0:12:35.800 --> 0:12:39.920
<v Speaker 1>do think there's some truth in this sort of imaginative,

0:12:40.400 --> 0:12:44.360
<v Speaker 1>imaginative space where for a lot of my life I've

0:12:44.400 --> 0:12:47.840
<v Speaker 1>sort of had to live and deal in what is present,

0:12:48.080 --> 0:12:50.520
<v Speaker 1>what I know to be the case, either what has

0:12:50.559 --> 0:12:55.240
<v Speaker 1>happened or forecast to occur, And I do think it

0:12:55.360 --> 0:12:59.079
<v Speaker 1>robs us a little bit of the what's outside the box,

0:12:59.200 --> 0:13:02.080
<v Speaker 1>what's not on the page each what isn't being said?

0:13:03.440 --> 0:13:05.920
<v Speaker 1>Where are the possibilities for this to go? And I

0:13:05.920 --> 0:13:08.880
<v Speaker 1>think writers, particularly those who are skilled at it, have

0:13:09.040 --> 0:13:14.920
<v Speaker 1>a beautiful way of lifting us off of it. So

0:13:15.000 --> 0:13:18.760
<v Speaker 1>I appreciate that about good writers, but I appreciate them

0:13:18.760 --> 0:13:21.240
<v Speaker 1>an equal measure I think both written and spoken.

0:13:29.559 --> 0:13:31.800
<v Speaker 3>What would you recommend to our audience that they pick

0:13:31.840 --> 0:13:33.480
<v Speaker 3>up and maybe even to me? Maybe I haven't read

0:13:33.480 --> 0:13:34.200
<v Speaker 3>some of the books you have.

0:13:34.760 --> 0:13:38.000
<v Speaker 6>So this is when I'm using this one because this

0:13:38.040 --> 0:13:40.440
<v Speaker 6>is a quote from the Congressional Black Caucus that we

0:13:40.520 --> 0:13:45.520
<v Speaker 6>say often it was no permanent friends, permanent enemies, just

0:13:45.559 --> 0:13:49.480
<v Speaker 6>permanent interests. And this book is from William Lacey Clay.

0:13:49.559 --> 0:13:53.360
<v Speaker 6>This is Congress from Lacy Clay's father. William Lacy Clay

0:13:53.440 --> 0:13:55.720
<v Speaker 6>was one of the CBC founders, and he talks about

0:13:55.720 --> 0:13:59.400
<v Speaker 6>the journey of Black Americans in Congress from eighteen seventy

0:13:59.400 --> 0:13:59.880
<v Speaker 6>to nineteen.

0:14:02.960 --> 0:14:06.640
<v Speaker 2>This book is called Critical Race Theory and it is.

0:14:08.760 --> 0:14:12.080
<v Speaker 6>A collection of essays. It's a text that I used

0:14:12.120 --> 0:14:15.400
<v Speaker 6>in law school. This actually talks about this is It

0:14:15.440 --> 0:14:20.000
<v Speaker 6>includes Kimberly Crenshaw as well as many many other scholars.

0:14:20.440 --> 0:14:23.160
<v Speaker 6>This book is important because it will actually tell you

0:14:23.280 --> 0:14:26.400
<v Speaker 6>about what critical race theory actually is and not the

0:14:26.440 --> 0:14:29.640
<v Speaker 6>nonsense they tell you. So the foreword is by Corno West.

0:14:29.680 --> 0:14:33.880
<v Speaker 6>It's edited by Kimberly Crenshaw, Neil Gatanda, Gary Peller, and

0:14:33.960 --> 0:14:39.320
<v Speaker 6>Kendall Thomas. Medical apartheidr I'm bringing this up because this woman,

0:14:39.600 --> 0:14:44.840
<v Speaker 6>doctor Harriet Washington, talks about why black folks don't or

0:14:44.880 --> 0:14:48.920
<v Speaker 6>why the system, the healthcare system, the medical system has

0:14:48.960 --> 0:14:51.960
<v Speaker 6>not proven itself trustworthy to black people, which is a

0:14:52.000 --> 0:14:55.800
<v Speaker 6>slight modification on what we normally talk about. Very good

0:14:55.840 --> 0:15:00.800
<v Speaker 6>texts Ron Brown. In addition to Reverend Jesse Jackson, Ron

0:15:00.840 --> 0:15:03.840
<v Speaker 6>Brown's picture was on our mantle in the house. My

0:15:03.960 --> 0:15:06.400
<v Speaker 6>dad was in a diehard Democrat, but what he loved

0:15:06.400 --> 0:15:10.120
<v Speaker 6>about Ron Brown was his way of advocating for black people.

0:15:10.240 --> 0:15:13.520
<v Speaker 6>He was the DNC chair and also was the Department

0:15:13.520 --> 0:15:15.480
<v Speaker 6>of Commerce Secretary under Bill Clinton.

0:15:15.680 --> 0:15:16.120
<v Speaker 2>This is his.

0:15:16.160 --> 0:15:24.040
<v Speaker 6>Memoir, Ron Brown, An Uncommon Life. Asada obviously an autobiography,

0:15:26.360 --> 0:15:30.520
<v Speaker 6>very important. This is written by Asada Shakur. She is,

0:15:31.040 --> 0:15:35.240
<v Speaker 6>I believe, the only woman on the FBI's most Wanted list.

0:15:35.360 --> 0:15:38.840
<v Speaker 2>She should not be there. Free Asada all right.

0:15:38.920 --> 0:15:42.600
<v Speaker 6>And finally, my good brother, Resma Menechem has a book

0:15:42.640 --> 0:15:45.400
<v Speaker 6>called My Grandmother's Hands. It's a New York Times bestseller.

0:15:45.720 --> 0:15:49.160
<v Speaker 6>It helps deepen us into what ancestral trauma looks like,

0:15:49.240 --> 0:15:52.480
<v Speaker 6>what it means to regulate and corregulate our nervous systems,

0:15:53.160 --> 0:15:56.000
<v Speaker 6>and how to ensure that we heal from racialized trauma

0:15:56.200 --> 0:15:59.560
<v Speaker 6>in the body. It's a somatic therapy book that teaches

0:15:59.640 --> 0:16:03.840
<v Speaker 6>us different for modalities to call upon to heal ourselves

0:16:04.080 --> 0:16:06.000
<v Speaker 6>and to heal the communities that we.

0:16:05.920 --> 0:16:06.440
<v Speaker 2>Are a part of.

0:16:06.640 --> 0:16:08.400
<v Speaker 4>But I did we meet him? Did we have dinner

0:16:08.440 --> 0:16:10.400
<v Speaker 4>with him somewhere?

0:16:10.560 --> 0:16:12.720
<v Speaker 3>I remember you talking about this book that you just loved,

0:16:12.760 --> 0:16:15.640
<v Speaker 3>and it was maybe it was definitely.

0:16:15.760 --> 0:16:19.480
<v Speaker 6>I definitely had been breaking bread with Resmuk. Maybe you

0:16:19.520 --> 0:16:22.920
<v Speaker 6>were there, Tip, I'm sure, if not there in spirit.

0:16:23.280 --> 0:16:25.560
<v Speaker 6>Oh yeah, he was there panel for me.

0:16:25.760 --> 0:16:27.960
<v Speaker 4>That was years ago. I remember when you said.

0:16:27.760 --> 0:16:29.560
<v Speaker 2>That for the centennial.

0:16:29.720 --> 0:16:33.320
<v Speaker 4>Yep, what you got, Andrew oh Man.

0:16:33.480 --> 0:16:36.000
<v Speaker 1>I felt, for one, your book is all the way

0:16:36.000 --> 0:16:40.680
<v Speaker 1>at the top, as is my friend Kenisha doctsha Oh Grant.

0:16:41.960 --> 0:16:43.360
<v Speaker 1>So I didn't get to pull them down.

0:16:43.200 --> 0:16:45.160
<v Speaker 6>Saying you can't reach it. I didn't get my tip

0:16:45.160 --> 0:16:45.920
<v Speaker 6>book let me grant.

0:16:46.400 --> 0:16:53.840
<v Speaker 1>They're up at the top, but some that were closer

0:16:54.280 --> 0:16:58.560
<v Speaker 1>down obviously out there.

0:17:00.280 --> 0:17:00.520
<v Speaker 4>You know.

0:17:00.800 --> 0:17:03.440
<v Speaker 3>I feel like that was okay, Thank you guys. I

0:17:03.480 --> 0:17:05.639
<v Speaker 3>feel like that was my first book and I've turned

0:17:05.640 --> 0:17:07.600
<v Speaker 3>in a rough draft and they published it. Because now

0:17:07.680 --> 0:17:09.240
<v Speaker 3>when I read it, I'm like I would I never

0:17:09.280 --> 0:17:11.320
<v Speaker 3>wrote like that but thank you.

0:17:12.440 --> 0:17:14.119
<v Speaker 1>Hey, you got a book out there for him? All right?

0:17:14.400 --> 0:17:19.040
<v Speaker 1>Another one coming, So four hundred souls, My fellow rattler

0:17:19.760 --> 0:17:27.520
<v Speaker 1>Iram Kendy and Keisha Blaine, and I especially, especially especially enjoy.

0:17:27.600 --> 0:17:30.280
<v Speaker 1>I told you about my tabs and stuff and books,

0:17:30.400 --> 0:17:33.800
<v Speaker 1>just just proof that I put tabs in books when

0:17:33.840 --> 0:17:40.000
<v Speaker 1>I read them. My favorite essayist contributor, of course, would

0:17:40.000 --> 0:17:42.520
<v Speaker 1>be none other than Michael Harriot.

0:17:43.480 --> 0:17:47.040
<v Speaker 4>Harriot Harriott and I just have let it go.

0:17:47.200 --> 0:17:49.399
<v Speaker 1>But I don't know why, Michael, forgive me. I like

0:17:49.480 --> 0:17:51.080
<v Speaker 1>pronouncing it that way, but I'm gonna do it with you.

0:17:54.080 --> 0:17:56.760
<v Speaker 1>Harriet Harriet Harriott, who is our grit? Can? I say?

0:17:56.800 --> 0:17:57.159
<v Speaker 5>Griott?

0:17:58.000 --> 0:18:00.600
<v Speaker 4>Sure, Michael Harriott, are agree?

0:18:00.920 --> 0:18:01.040
<v Speaker 2>Got?

0:18:01.560 --> 0:18:06.639
<v Speaker 1>Okay? There it is? But I love The hero of

0:18:06.640 --> 0:18:10.600
<v Speaker 1>this drama is black people. All black people, the free blacks,

0:18:10.640 --> 0:18:14.919
<v Speaker 1>the uncloaked maroons, the black elite, the preachers, the reverends,

0:18:15.040 --> 0:18:18.399
<v Speaker 1>the doormen and doctors, the sharecroppers and soldiers. They are

0:18:18.480 --> 0:18:21.960
<v Speaker 1>all protagonists in our epic adventure. Spoiler alert, the hero

0:18:22.119 --> 0:18:26.200
<v Speaker 1>of this story does not die ever. This hero is

0:18:26.280 --> 0:18:31.280
<v Speaker 1>long suffering, but unkillable, bloody, and unbowed. In this story

0:18:31.880 --> 0:18:36.359
<v Speaker 1>and in all the subsequent sequels now and forever. This

0:18:36.520 --> 0:18:40.320
<v Speaker 1>hero almost never wins, but we still get to be

0:18:40.400 --> 0:18:45.359
<v Speaker 1>the heroes of the true American stories simply because we

0:18:45.400 --> 0:18:50.040
<v Speaker 1>are undestructible. Try as they might, we will never be

0:18:50.200 --> 0:18:51.480
<v Speaker 1>extinguished ever.

0:18:53.280 --> 0:18:56.000
<v Speaker 2>Trying to figure out why you got to read excerpt.

0:18:56.000 --> 0:18:58.719
<v Speaker 1>That's that's the only one I read because he's one

0:18:58.760 --> 0:19:02.920
<v Speaker 1>of my favorite and of course Heaven McGhee the Some

0:19:03.119 --> 0:19:10.800
<v Speaker 1>of Us again evidence I do books, wrote wrote really

0:19:10.920 --> 0:19:15.680
<v Speaker 1>beautifully and I think accessively about why black, brown, working

0:19:15.680 --> 0:19:17.960
<v Speaker 1>class white folks should be in common cause with each other.

0:19:19.640 --> 0:19:23.000
<v Speaker 1>And then this is my political scientist in me, because

0:19:23.040 --> 0:19:25.879
<v Speaker 1>I think these are very important for anyone who is

0:19:25.880 --> 0:19:31.359
<v Speaker 1>interested in strategy around politics, the Art of war. Of

0:19:31.359 --> 0:19:42.119
<v Speaker 1>course Sunsu the Well which one Tachi ching is also

0:19:43.119 --> 0:19:50.920
<v Speaker 1>a must read, and the Analects of Confucius, and I

0:19:51.000 --> 0:19:55.000
<v Speaker 1>just think these are important philosophical documents. And in the

0:19:55.119 --> 0:19:58.639
<v Speaker 1>Art of War, I think it is really tactical and strategic,

0:19:59.240 --> 0:20:04.520
<v Speaker 1>and it is revived centuries, uh, and it's still highly

0:20:04.600 --> 0:20:12.880
<v Speaker 1>regarded by I think political scientists around strategies, strategies to win.

0:20:13.680 --> 0:20:18.080
<v Speaker 1>And then just a just a slight favorite. Uh. The

0:20:18.119 --> 0:20:23.639
<v Speaker 1>obstacle is the Way. I said, I think during our

0:20:23.680 --> 0:20:28.760
<v Speaker 1>New Year's show that the only way is through. You know,

0:20:28.840 --> 0:20:31.840
<v Speaker 1>you try to feel like Lee, It's just there's too much,

0:20:32.240 --> 0:20:35.320
<v Speaker 1>you know, I just want to blink out, numb out,

0:20:35.880 --> 0:20:40.000
<v Speaker 1>and so The Obstacles the Way is one of those

0:20:40.000 --> 0:20:41.520
<v Speaker 1>books that just sort of helps to encourage you to

0:20:41.520 --> 0:20:44.720
<v Speaker 1>push through. Well, have I got a lot of favorites.

0:20:45.240 --> 0:20:48.080
<v Speaker 3>I've not read any of the books that you guys reference,

0:20:48.359 --> 0:20:52.720
<v Speaker 3>so yeah, but this is great because now, yes, exactly

0:20:53.480 --> 0:20:55.760
<v Speaker 3>what black A f history, of course, but the other

0:20:55.800 --> 0:20:58.679
<v Speaker 3>books I had in all the books, Angela read your

0:20:58.720 --> 0:21:02.199
<v Speaker 3>home book. I've read my own book, but the Assada Chaqueur,

0:21:02.400 --> 0:21:05.800
<v Speaker 3>I'd really like to read that one. In the conversations

0:21:05.840 --> 0:21:07.719
<v Speaker 3>I've had with the elders lately, her name has come

0:21:07.800 --> 0:21:09.199
<v Speaker 3>up a lot, so I think I'm gonna put that

0:21:09.240 --> 0:21:13.280
<v Speaker 3>next on my list, So thank you, guys. Mine is

0:21:13.640 --> 0:21:18.000
<v Speaker 3>How to Say Babylon by Sophia Sinclair. And this was

0:21:18.040 --> 0:21:23.200
<v Speaker 3>recommended to me by Van Newkirk, who also recommended that

0:21:23.280 --> 0:21:26.320
<v Speaker 3>I write a book. I write my second book, but

0:21:26.400 --> 0:21:31.199
<v Speaker 3>it's so beautifully written. I mean, just somebody I didn't know,

0:21:31.240 --> 0:21:32.520
<v Speaker 3>and you might think, well, why do I want to

0:21:32.520 --> 0:21:34.479
<v Speaker 3>read a memoir someone I didn't know, but it was

0:21:34.600 --> 0:21:36.440
<v Speaker 3>so beautifully written and so captivating.

0:21:36.480 --> 0:21:36.919
<v Speaker 4>I love it.

0:21:37.640 --> 0:21:38.560
<v Speaker 2>I'm about to order it.

0:21:39.560 --> 0:21:40.600
<v Speaker 4>And who has already.

0:21:40.359 --> 0:21:44.080
<v Speaker 3>Talked about black a f history, but Michael Harritt Harriet

0:21:44.080 --> 0:21:51.560
<v Speaker 3>Harry ots Michael Harriet is such a gift and his

0:21:51.640 --> 0:21:53.560
<v Speaker 3>book was so popular. It was on the New York

0:21:53.560 --> 0:21:57.560
<v Speaker 3>Times bestseller list forever fell off and then inexplicably just

0:21:57.600 --> 0:21:59.680
<v Speaker 3>bounced back on there because I think people were like, oh,

0:21:59.720 --> 0:22:01.800
<v Speaker 3>I know it was a dope, but there are still

0:22:01.880 --> 0:22:05.040
<v Speaker 3>have so many yes. And I have so many highlights

0:22:05.880 --> 0:22:09.240
<v Speaker 3>of this book. Another one, the Love Songs of W. E. B. D.

0:22:09.320 --> 0:22:09.600
<v Speaker 4>Boys.

0:22:09.680 --> 0:22:14.879
<v Speaker 3>This is fiction, but it is beautifully beautifully written and

0:22:14.960 --> 0:22:19.679
<v Speaker 3>takes you through generations and time. I have others that

0:22:19.760 --> 0:22:22.879
<v Speaker 3>I don't have pictures of, but The Poison What Bible

0:22:22.960 --> 0:22:25.680
<v Speaker 3>is probably my all time favorite book by Barbara Kingsolver.

0:22:26.240 --> 0:22:29.639
<v Speaker 3>I give that book away, and Michael Harriet's book away.

0:22:30.080 --> 0:22:32.919
<v Speaker 3>And another book, Ghana Must Go, And I'm embarrassed to

0:22:32.920 --> 0:22:35.280
<v Speaker 3>not remember the writer's name. She's a woman, but it's

0:22:35.320 --> 0:22:38.800
<v Speaker 3>just an amazing book about three siblings who are Ghanaian

0:22:38.960 --> 0:22:40.840
<v Speaker 3>and it goes back and forth with them from Ghana

0:22:40.880 --> 0:22:41.440
<v Speaker 3>to America.

0:22:42.080 --> 0:22:42.960
<v Speaker 4>So that's my book.

0:22:43.240 --> 0:22:45.080
<v Speaker 3>So if you guys are looking for something to read,

0:22:45.280 --> 0:22:49.440
<v Speaker 3>that's your NLP, this summer reading list or autumn reading

0:22:49.480 --> 0:22:54.040
<v Speaker 3>list or whenever you get to your read Yes, exactly.

0:22:53.680 --> 0:22:55.560
<v Speaker 2>I'm reading something from this now.

0:22:55.720 --> 0:23:00.560
<v Speaker 6>Okay, this is from Resma and I and I think

0:23:00.600 --> 0:23:02.920
<v Speaker 6>it goes back to I know this is an evergreen episode,

0:23:02.960 --> 0:23:04.920
<v Speaker 6>so God only knows, but this goes back to our

0:23:05.000 --> 0:23:08.080
<v Speaker 6>episode from today that we recorded prior. This is about

0:23:08.080 --> 0:23:10.760
<v Speaker 6>when democracy falls? Is I guess the name of the episode,

0:23:10.840 --> 0:23:14.280
<v Speaker 6>something like that. It says an African American elder said

0:23:14.280 --> 0:23:16.919
<v Speaker 6>to me recently. There is a root to the trauma tree,

0:23:17.200 --> 0:23:19.840
<v Speaker 6>and what we see now is the fruit that tree,

0:23:19.880 --> 0:23:23.800
<v Speaker 6>which was planted roughly fifteen centuries ago, now casts a

0:23:23.880 --> 0:23:27.639
<v Speaker 6>shadow across our entire nation. Today, many of us still

0:23:27.680 --> 0:23:31.200
<v Speaker 6>feed each other. It's bitter, poisonous fruit. None of us

0:23:31.280 --> 0:23:34.240
<v Speaker 6>ask for this trauma, none of us deserves it, yet

0:23:34.240 --> 0:23:36.560
<v Speaker 6>none of us can avoid it. It is part of

0:23:36.600 --> 0:23:40.720
<v Speaker 6>our personal and national histories. In many American bodies, the

0:23:40.760 --> 0:23:45.400
<v Speaker 6>Civil War, or the American Revolution, or the Crusades rages on.

0:23:46.000 --> 0:23:46.440
<v Speaker 2>Today.

0:23:46.640 --> 0:23:50.679
<v Speaker 6>We're head of reckoning. We Americans have an opportunity and

0:23:50.760 --> 0:23:54.880
<v Speaker 6>an obligation to recognize the trauma embedded in our bodies,

0:23:54.920 --> 0:23:59.439
<v Speaker 6>to accept and metabolize the clean pain of healing, and

0:23:59.520 --> 0:24:02.840
<v Speaker 6>to move through and out of our trauma. This will

0:24:02.960 --> 0:24:06.000
<v Speaker 6>enable us to mend our hearts and bodies and to

0:24:06.080 --> 0:24:06.600
<v Speaker 6>grow up.

0:24:08.119 --> 0:24:12.960
<v Speaker 3>That That is why I like reading, because I would

0:24:13.000 --> 0:24:16.119
<v Speaker 3>read that over and over. It's beautiful to hear you

0:24:16.280 --> 0:24:18.440
<v Speaker 3>read it. But I don't even know if I could.

0:24:18.800 --> 0:24:23.840
<v Speaker 3>That was so poetic and literate. And yes, like.

0:24:23.800 --> 0:24:26.280
<v Speaker 6>That's the thing that you'll like about this tip, really

0:24:26.320 --> 0:24:28.520
<v Speaker 6>and I'm serious, like I'm not even saying this because

0:24:28.760 --> 0:24:31.080
<v Speaker 6>of what you just said, and it didn't occur to

0:24:31.080 --> 0:24:33.480
<v Speaker 6>me though right now. I think what you will appreciate

0:24:33.600 --> 0:24:36.720
<v Speaker 6>about this book in particular right now because of what

0:24:36.760 --> 0:24:38.920
<v Speaker 6>you're moving through, And honestly, I might challenge us all

0:24:39.000 --> 0:24:40.639
<v Speaker 6>to I'll pick it back up, Andrew.

0:24:40.680 --> 0:24:41.760
<v Speaker 2>I would read this with you too.

0:24:42.320 --> 0:24:46.520
<v Speaker 6>There are somatic body based practices in this book at

0:24:46.560 --> 0:24:49.640
<v Speaker 6>the end of each chapter to help you move through

0:24:49.640 --> 0:24:53.240
<v Speaker 6>the trauma that you carry in your DNA and the

0:24:53.320 --> 0:24:58.239
<v Speaker 6>trauma that you are currently experiencing by just living in

0:24:58.240 --> 0:25:00.800
<v Speaker 6>this country. And so I think that it really is

0:25:00.800 --> 0:25:03.639
<v Speaker 6>a good like I was going through it in twenty twenty. Yeah,

0:25:03.640 --> 0:25:05.760
<v Speaker 6>but I think it's a great thing to just to

0:25:05.920 --> 0:25:10.160
<v Speaker 6>have an embodied practice to you know, metabolize the history,

0:25:10.200 --> 0:25:13.119
<v Speaker 6>to feel what you're feeling from a DNA and ancestral

0:25:13.119 --> 0:25:16.520
<v Speaker 6>memory standpoint, to feel what you're experiencing as you carry

0:25:16.560 --> 0:25:19.200
<v Speaker 6>what feels familiar even though we haven't lift it before.

0:25:20.680 --> 0:25:23.840
<v Speaker 6>But like the breathwork of it all, like tapping into

0:25:23.920 --> 0:25:26.760
<v Speaker 6>your nervous system, tapping into your survival instinct.

0:25:26.760 --> 0:25:28.920
<v Speaker 2>No one want to tap out of it, humming.

0:25:29.560 --> 0:25:32.800
<v Speaker 6>You know, the practices that are like tapping your foot,

0:25:32.840 --> 0:25:35.440
<v Speaker 6>those are all things that our ancestors did, and part

0:25:35.480 --> 0:25:37.520
<v Speaker 6>of that was helping them to move through their trauma.

0:25:37.640 --> 0:25:42.560
<v Speaker 3>Yeah, okay, I will read a quick excerpt because the

0:25:42.560 --> 0:25:47.199
<v Speaker 3>only one sentence this is from Octavia Butler, parable of

0:25:47.280 --> 0:25:50.280
<v Speaker 3>the Sewer, and I didn't mention this book, but I

0:25:50.320 --> 0:25:54.280
<v Speaker 3>strongly encourage everyone to read that. It begins in twenty

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<v Speaker 3>twenty four, but it was written in the eighties or

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<v Speaker 3>maybe the seventies. And this speaks to something that we've

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<v Speaker 3>talked about a few times on the podcast over the

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<v Speaker 3>weeks and months about immigration and people being shipped off

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<v Speaker 3>to offshore torture camps, and it's just one sentence. The

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<v Speaker 3>main the protagonist is a young girl and she has

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<v Speaker 3>a disorder some might say, I'm called hyper empathy, and

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<v Speaker 3>it causes her to feel whatever the other person is feeling,

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<v Speaker 3>So which is can be a good thing or it

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<v Speaker 3>could be a bad thing. If you're having sex with somebody,

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<v Speaker 3>you have your orgasm, you feel their orgasm.

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<v Speaker 4>If someone has yes, yes, good point.

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<v Speaker 3>If someone unfortunately, if someone is getting raped, you feel

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<v Speaker 3>their pleasure, but you feel your own terror and pain.

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<v Speaker 3>So the book goes through a lot of things as

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<v Speaker 3>she navigates her own hyper empathy. So the one sentence

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<v Speaker 3>I would just read is when she says, if everyone

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<v Speaker 3>could feel everyone else's pain, who would torture amen? So

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<v Speaker 3>maybe we can move with a little bit of empathy

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<v Speaker 3>and imagine that we could feel everybody else.

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<v Speaker 4>With pain.

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<v Speaker 3>And Welcome home.

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<v Speaker 4>Welcome Home.

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<v Speaker 6>Native lamppod is a production of iHeart Radio and partnership

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<v Speaker 6>with Reason Choice Media. For more podcasts from iHeartRadio, visit

0:27:34.240 --> 0:27:37.119
<v Speaker 6>the iHeartRadio app, Apple Podcasts, or wherever you listen to

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<v Speaker 6>your favorite shows.