1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypt TV in association with Wolf at the Door. 3 00:00:14,560 --> 00:00:19,279 Speaker 1: We think we know ourselves better than anyone else. Or 4 00:00:19,320 --> 00:00:24,880 Speaker 1: maybe that's a lot. Maybe I'm the only one who 5 00:00:24,920 --> 00:00:55,880 Speaker 1: can't see what I truly am. This is made. I 6 00:00:55,920 --> 00:01:02,360 Speaker 1: can only drive so fast, Isaiah, Sorry, just how far 7 00:01:02,360 --> 00:01:06,959 Speaker 1: are you? I'm an hour out an Okay, you got 8 00:01:06,959 --> 00:01:09,959 Speaker 1: the right place, scrappy, I will tell Yeah, dude, you 9 00:01:10,080 --> 00:01:14,280 Speaker 1: told me. I'm sorry. I say what exactly am I 10 00:01:14,360 --> 00:01:19,399 Speaker 1: driving into? I'll explain when you can't. I can't anyway 11 00:01:21,080 --> 00:01:23,880 Speaker 1: I see. So if I get a ticket, your pain, 12 00:01:30,560 --> 00:01:33,960 Speaker 1: Josh Lend Gianna Williams get down from that roof right now. 13 00:01:35,480 --> 00:01:39,559 Speaker 1: I'm not going. There's nothing wrong with me. Dr Larson 14 00:01:39,680 --> 00:01:42,959 Speaker 1: just wants to help. If you have questions or feelings 15 00:01:43,000 --> 00:01:48,160 Speaker 1: you don't understand. I understand everything just by that makes 16 00:01:48,200 --> 00:01:52,080 Speaker 1: one of us. Then you know I go to therapy too. Well. 17 00:01:52,160 --> 00:01:55,000 Speaker 1: I didn't say there wasn't anything wrong with you. If 18 00:01:55,040 --> 00:01:57,760 Speaker 1: you come down here, I promise I will go inside 19 00:01:57,760 --> 00:02:02,320 Speaker 1: and call Dr Larson. Came first, then I'll come down. 20 00:02:04,000 --> 00:02:20,400 Speaker 1: H Y. I want the forensic details on my backpack 21 00:02:20,520 --> 00:02:22,960 Speaker 1: on my desk the minute we have them. I wasn't 22 00:02:23,000 --> 00:02:26,360 Speaker 1: playing non sitting on him. Detective. Well, then we won't 23 00:02:26,360 --> 00:02:32,040 Speaker 1: have a problem, won't we. Drunk ass hill billy, A 24 00:02:32,080 --> 00:02:35,919 Speaker 1: few bourbons never made anyone a drunk gass Michelle Reid, 25 00:02:36,240 --> 00:02:39,880 Speaker 1: though the moonshine does make him a hell billy. Mrs Marshall, 26 00:02:40,520 --> 00:02:45,080 Speaker 1: I apologize. I didn't expect anyone in my office. It's 27 00:02:45,120 --> 00:02:51,320 Speaker 1: fine workplace. Aggression is a cruel bedfellow of nepotism. What 28 00:02:51,400 --> 00:02:53,960 Speaker 1: can I do for you? Mrs Marshall was hoping for 29 00:02:54,040 --> 00:02:57,360 Speaker 1: a wellness check on a friend of mine, Paul Douglas. 30 00:02:57,919 --> 00:03:00,840 Speaker 1: Wellness check. The man's been meat me at lose for 31 00:03:00,960 --> 00:03:04,800 Speaker 1: coffee the past forty years without fail. This morning he 32 00:03:04,840 --> 00:03:09,560 Speaker 1: didn't show up well. As you pointed out, nepotism seems 33 00:03:09,560 --> 00:03:12,160 Speaker 1: to have made wellness checks a little bit on my 34 00:03:12,240 --> 00:03:16,400 Speaker 1: pay grade. Paul Douglas was a significant contributor to your 35 00:03:16,440 --> 00:03:20,480 Speaker 1: father's election campaign, if I recall, it would be a 36 00:03:20,560 --> 00:03:22,880 Speaker 1: shame if his own daughter didn't take care of this 37 00:03:23,040 --> 00:03:28,240 Speaker 1: town like the Sheriff's office promised, especially its most avid supporters. 38 00:03:28,800 --> 00:03:32,480 Speaker 1: Not that financial entanglement has anything to do with protecting 39 00:03:32,520 --> 00:03:36,120 Speaker 1: and serving now does it? Of course not, so you'll 40 00:03:36,200 --> 00:03:40,600 Speaker 1: check in on Paul top of my list. Good, something's wrong, 41 00:03:40,760 --> 00:03:54,320 Speaker 1: Detective read. I can feel it in my bones. Wow. 42 00:03:55,240 --> 00:03:57,839 Speaker 1: Really getting a new appreciation for the term ship home 43 00:04:01,400 --> 00:04:15,000 Speaker 1: four five six b schnook thumbs. I'm home. Hi, you 44 00:04:15,080 --> 00:04:21,359 Speaker 1: look like hell quick inside? Oh there, soldier pregnant with 45 00:04:21,400 --> 00:04:24,760 Speaker 1: my own piss? Here? Do they even have flushing toilets 46 00:04:24,800 --> 00:04:28,919 Speaker 1: in the dumb? Do you? You don't want to go 47 00:04:28,960 --> 00:04:32,880 Speaker 1: in there? Jesus? Yeah? I can smell that much from here. 48 00:04:33,520 --> 00:04:37,679 Speaker 1: You should see a doctor about that. Just sit down, okay, 49 00:04:38,839 --> 00:04:50,000 Speaker 1: all right, okay, So how do I explain this? Dude? 50 00:04:50,040 --> 00:04:52,640 Speaker 1: Get ahold of yourself. I haven't seen you this jittery 51 00:04:52,720 --> 00:04:55,800 Speaker 1: since Depth Sergeant Sasquatch threatened to kick your ass the 52 00:04:55,880 --> 00:05:02,000 Speaker 1: second night on base. I don't even know where to start, Isaiah, 53 00:05:02,480 --> 00:05:06,119 Speaker 1: it's me. I got you. I just drove five miles 54 00:05:06,120 --> 00:05:07,760 Speaker 1: to hear whatever it is you're about to tell me, 55 00:05:08,560 --> 00:05:13,080 Speaker 1: So spit it out. Maybe it's better I'll show you 56 00:05:15,720 --> 00:05:26,520 Speaker 1: in the tone in the bag. Yeah, what the fuck? 57 00:05:27,720 --> 00:05:31,279 Speaker 1: What the bush? It's not what you think. A garbage 58 00:05:31,279 --> 00:05:33,960 Speaker 1: back full of bloody body parts inside the cheap motel 59 00:05:34,160 --> 00:05:36,880 Speaker 1: isn't what I think. I know. It looks bad. It 60 00:05:36,880 --> 00:05:39,599 Speaker 1: looks bad. I didn't know who else to call. When 61 00:05:39,640 --> 00:05:42,160 Speaker 1: people say they bury a body for you, it's just 62 00:05:42,200 --> 00:05:45,880 Speaker 1: the same. They don't mean it literally. I'm sorry. You're 63 00:05:45,920 --> 00:05:47,360 Speaker 1: the only one I could trust, the only one I 64 00:05:47,400 --> 00:05:48,719 Speaker 1: knew who would hear me out when I said I 65 00:05:48,720 --> 00:05:54,719 Speaker 1: didn't do this? Then who did? Whatever it was? I 66 00:05:54,760 --> 00:06:10,080 Speaker 1: think it lives in the woods. What yay? Kay? Come 67 00:06:10,080 --> 00:06:13,719 Speaker 1: out gay? I say, gay, I'm pried. He talked to 68 00:06:13,800 --> 00:06:22,720 Speaker 1: my brother. I'm over here. Okay, I got you, ship, 69 00:06:23,560 --> 00:06:28,840 Speaker 1: I say, it fucking cut my leg. Get the flash light. 70 00:06:29,720 --> 00:06:35,960 Speaker 1: It's in my backpack over there, got it? Sure? What 71 00:06:36,520 --> 00:06:41,320 Speaker 1: is it? Is it bad? I say, it's a bad 72 00:06:41,400 --> 00:06:45,599 Speaker 1: You got a first aid? Make a partment. No, don't 73 00:06:45,640 --> 00:06:50,480 Speaker 1: work on the bucket. That's gonna hurt you. Okay, you're 74 00:06:50,480 --> 00:06:59,839 Speaker 1: ready up? No, no, look time from the time. Hey, hey, 75 00:07:00,080 --> 00:07:04,640 Speaker 1: listen to me if you are not gonna die. We 76 00:07:04,839 --> 00:07:08,400 Speaker 1: said it came out here. Whatever attacked me, It wasn't 77 00:07:08,400 --> 00:07:18,440 Speaker 1: a bo it wasn't appeared. It was bigger said where. 78 00:07:18,560 --> 00:07:23,160 Speaker 1: The whole stories are true. So come on, those old 79 00:07:23,240 --> 00:07:25,640 Speaker 1: stories are full of ship. Remember right now, you just 80 00:07:25,760 --> 00:07:29,040 Speaker 1: gotta stay with me, Gabe. I calmed down brief, Okay, 81 00:07:29,160 --> 00:07:43,400 Speaker 1: focus on me good, and that's what the joss work. 82 00:07:47,440 --> 00:07:49,160 Speaker 1: So you saw something in the woods when you were 83 00:07:49,200 --> 00:07:51,280 Speaker 1: out there with your brother, and then it came back 84 00:07:51,320 --> 00:07:54,480 Speaker 1: again and killed this Paul guy. You know that sounds 85 00:07:54,480 --> 00:07:57,679 Speaker 1: like total bullshit, right? I swear all. I remember seeing 86 00:07:57,720 --> 00:08:01,800 Speaker 1: Paul in the woods and when I woke up, What 87 00:08:01,920 --> 00:08:05,440 Speaker 1: am I gonna do? If you really think you didn't 88 00:08:05,480 --> 00:08:07,320 Speaker 1: do this, maybe it's best to go to the police. 89 00:08:07,760 --> 00:08:09,920 Speaker 1: A black man with a known record and around the 90 00:08:10,000 --> 00:08:13,080 Speaker 1: mangle body parts of a white city council member. Yeah, 91 00:08:13,200 --> 00:08:15,440 Speaker 1: I'm sure they will totally accept that. I woke up 92 00:08:15,480 --> 00:08:18,120 Speaker 1: and he was like, this story, Come on, Cat, And 93 00:08:18,240 --> 00:08:22,600 Speaker 1: why should I accept it? Because you know me? Cat, 94 00:08:23,320 --> 00:08:26,880 Speaker 1: You know me. I know that you're always the best 95 00:08:26,920 --> 00:08:29,520 Speaker 1: of us overseas, and I know I wouldn't be alive 96 00:08:29,600 --> 00:08:33,079 Speaker 1: today if you weren't. But I also know there's a 97 00:08:33,160 --> 00:08:35,600 Speaker 1: dead body in the bad type that you can't explain. 98 00:08:38,800 --> 00:08:45,240 Speaker 1: God damn it. What's the craft? They fetus simplify? Always loyal? 99 00:08:45,640 --> 00:08:50,000 Speaker 1: But you didn't buy into indoctrination. I don't, but I 100 00:08:50,080 --> 00:08:53,079 Speaker 1: believe in paying my debts. You save my ass in couple, 101 00:08:53,160 --> 00:08:57,679 Speaker 1: I save your ass now, then we'll be square. Thank you, 102 00:08:58,559 --> 00:09:01,640 Speaker 1: don't thank me yet. First things first, we need to 103 00:09:01,679 --> 00:09:06,160 Speaker 1: get rid of all this. I said. We have two options, 104 00:09:06,520 --> 00:09:09,280 Speaker 1: Burnham or Buryham. We can't do that. I guess we 105 00:09:09,280 --> 00:09:12,120 Speaker 1: could think I'm in the river too little riskier. No, 106 00:09:12,360 --> 00:09:16,599 Speaker 1: I mean we can't get rid of them yet? Why not? 107 00:09:17,559 --> 00:09:34,959 Speaker 1: This isn't all of them? When's that says? Supposed to 108 00:09:35,000 --> 00:09:39,280 Speaker 1: be home? I thought he'd already been here. We're gonna 109 00:09:39,360 --> 00:09:43,480 Speaker 1: have a movie marathon. I'll only be gone a few hours. 110 00:09:43,520 --> 00:09:46,480 Speaker 1: I'm not sure there's enough time for a marathon. There 111 00:09:46,520 --> 00:09:49,240 Speaker 1: are eight Fast and Furious movies, and he promised we've 112 00:09:49,280 --> 00:09:54,480 Speaker 1: watched them all together. Fast and Furious. Absolutely not. Why 113 00:09:54,600 --> 00:09:58,079 Speaker 1: not let's table the discussion of the objectification of women 114 00:09:58,120 --> 00:10:02,599 Speaker 1: until Isaiah can hear it too. M Why don't you 115 00:10:02,679 --> 00:10:06,600 Speaker 1: like a Glasia? What are you talking about? Of course 116 00:10:06,679 --> 00:10:10,520 Speaker 1: I like him sometimes maybe, but not all the time. 117 00:10:12,800 --> 00:10:15,360 Speaker 1: I've known your uncle a while, and even when we 118 00:10:15,480 --> 00:10:23,200 Speaker 1: were kids, he was just hot and cold, meaning meaning, 119 00:10:25,960 --> 00:10:37,040 Speaker 1: mind your own business. Each popcorn m This is the 120 00:10:37,160 --> 00:10:39,560 Speaker 1: last place I remember. It's right off the county road. 121 00:10:39,720 --> 00:10:43,040 Speaker 1: You sure someone didn't see you. It was dark. Doesn't 122 00:10:43,080 --> 00:10:49,600 Speaker 1: mean no one did that is truck. Yeah, okay, one 123 00:10:49,679 --> 00:10:54,400 Speaker 1: problem at a time. I found most of them over here. 124 00:10:55,920 --> 00:11:01,480 Speaker 1: We're missing a leg, left leg and a head copy 125 00:11:02,320 --> 00:11:07,199 Speaker 1: head and left legs still, m I A you try 126 00:11:07,280 --> 00:11:12,480 Speaker 1: to clean up buried the blood in the dirt. Got 127 00:11:12,559 --> 00:11:15,520 Speaker 1: some showcasings over here. I think you had a rifle 128 00:11:15,600 --> 00:11:20,800 Speaker 1: with him. We shouldn't leave them behind. There are some 129 00:11:20,920 --> 00:11:23,440 Speaker 1: drag marks here. It looks like they head east back 130 00:11:23,480 --> 00:11:26,520 Speaker 1: into the woods. Oh no, don't let your dick shrink 131 00:11:26,559 --> 00:11:28,800 Speaker 1: on me. Now we have to go in there. We 132 00:11:28,840 --> 00:11:34,360 Speaker 1: don't have a choice. I know, cat, but listen, the 133 00:11:34,480 --> 00:11:39,439 Speaker 1: thing that did this it's dangerous. That's why I have 134 00:11:39,800 --> 00:11:44,200 Speaker 1: all twelve inches of this serrated beauty. You're the one 135 00:11:44,240 --> 00:11:47,480 Speaker 1: who dragged me into this raging dumpster fire. I'm not 136 00:11:47,559 --> 00:11:50,199 Speaker 1: stopping until we find the rest of that body. Come on, 137 00:11:53,679 --> 00:12:03,880 Speaker 1: Mr Douglas, ok Ridge falls p d. You really didn't 138 00:12:03,920 --> 00:12:06,920 Speaker 1: need to join me, Mrs Marshall. Paul's one of my 139 00:12:07,080 --> 00:12:10,160 Speaker 1: oldest friends. If there's something the matter, I want to 140 00:12:10,240 --> 00:12:17,439 Speaker 1: know about it. Huh, doors unlocked, that's unusual, I take it. 141 00:12:18,280 --> 00:12:21,600 Speaker 1: Man built his own bunker in the basement. It's more 142 00:12:21,760 --> 00:12:26,120 Speaker 1: than unusual. He must have left in a hurry. Mr 143 00:12:26,200 --> 00:12:30,079 Speaker 1: Douglas got a request for a wellness check. You want 144 00:12:30,080 --> 00:12:35,000 Speaker 1: to be sure you're all right. You take down here, 145 00:12:35,160 --> 00:12:42,920 Speaker 1: I'll look upstairs. Mrs Marshall, please wait outside, Mr Douglas. 146 00:12:48,280 --> 00:12:59,520 Speaker 1: What the hell? What is all this? September four? Subject 147 00:12:59,600 --> 00:13:04,880 Speaker 1: and row Subject trailed to north thirty eight oh one 148 00:13:04,920 --> 00:13:13,760 Speaker 1: oh two? West cops really can't help, Snoop? And can they? Nothing? Upstairs? 149 00:13:14,360 --> 00:13:17,599 Speaker 1: Did notice his truck's missing, though, So this isn't the 150 00:13:17,679 --> 00:13:25,480 Speaker 1: last place he's been. You're probably right, Lord, haven't seen 151 00:13:25,559 --> 00:13:28,360 Speaker 1: a huncle junk radio like that since we cleared out 152 00:13:28,440 --> 00:13:33,880 Speaker 1: my Daddy's shipped thirty years ago. Oh what'd you find that? 153 00:13:34,720 --> 00:13:39,600 Speaker 1: Not sure? Looks like a log of some kind, dates, times, coordinates, 154 00:13:40,960 --> 00:13:47,440 Speaker 1: like he was tracking something could be incollegible, that one 155 00:13:48,440 --> 00:13:50,760 Speaker 1: always acting like the head of the damned c I 156 00:13:50,880 --> 00:13:56,760 Speaker 1: A probably went sniffing around and found himself some trouble. Yeah, 157 00:13:56,840 --> 00:14:00,400 Speaker 1: but what kind of trouble? I'm not the detective, he am. 158 00:14:00,480 --> 00:14:04,560 Speaker 1: I some of this looks like it's written in code, 159 00:14:06,000 --> 00:14:11,000 Speaker 1: more likely some obscure bygone language. Paul was into that crap. 160 00:14:11,840 --> 00:14:17,360 Speaker 1: He minded in Latin. You know Latin. Nothing screams inferiority 161 00:14:17,520 --> 00:14:24,640 Speaker 1: complex more than a Latin minor. These entries start August one, 162 00:14:25,520 --> 00:14:30,680 Speaker 1: what about Probably a coincidence, it's just August first was 163 00:14:30,720 --> 00:14:42,080 Speaker 1: when we found Zaiah Williams. Excuse me, read, I'll be 164 00:14:42,240 --> 00:15:02,880 Speaker 1: right there. No, I want to see it myself. Thanks 165 00:15:02,920 --> 00:15:05,720 Speaker 1: for coming, Hernesto. I wouldn't have called, but you don't 166 00:15:05,800 --> 00:15:08,960 Speaker 1: have to convince me to spend time with my granddaughter. Hi, 167 00:15:09,120 --> 00:15:13,920 Speaker 1: Poppy Jocelyn. Wow, look at you all growing up in 168 00:15:13,960 --> 00:15:16,560 Speaker 1: the blink of an eye? Can you tell mom that 169 00:15:17,000 --> 00:15:20,960 Speaker 1: she still thinks I need a babysitter. He's not a babysitter. 170 00:15:21,320 --> 00:15:24,280 Speaker 1: He's here to hang out with you while you're gone. 171 00:15:24,680 --> 00:15:28,680 Speaker 1: It sounds like a babysitter than me. I smelled popcorn. 172 00:15:29,360 --> 00:15:32,360 Speaker 1: Does that mean win for a movie night? If you 173 00:15:32,520 --> 00:15:37,640 Speaker 1: like born PG stuff. She's got Barenta blocks up, maybe 174 00:15:37,680 --> 00:15:40,840 Speaker 1: a board game? Then great? Why don't you go choose 175 00:15:40,880 --> 00:15:47,640 Speaker 1: something and set it up for Poppy? Whatever? She's a spitfire, 176 00:15:47,720 --> 00:15:51,800 Speaker 1: a't she? Hm? You know that if it came around, 177 00:15:54,440 --> 00:15:56,560 Speaker 1: I'll only be gone a few hours. I just didn't 178 00:15:56,560 --> 00:16:02,120 Speaker 1: want her to be alone. Considering well, everything where you headed. 179 00:16:03,000 --> 00:16:08,120 Speaker 1: I have a grief counseling group, mats Over and Randolph. 180 00:16:09,080 --> 00:16:13,280 Speaker 1: I see, I used to go to Randolph myself for group. 181 00:16:14,600 --> 00:16:18,440 Speaker 1: Not exactly the same kind of guess, but take your time. 182 00:16:19,320 --> 00:16:22,720 Speaker 1: The nice thing about being retired. I don't have anywhere 183 00:16:22,760 --> 00:16:26,000 Speaker 1: else to be, because if you did, you wouldn't be here. 184 00:16:26,880 --> 00:16:30,320 Speaker 1: That's not what I meant, Ashley. I wasn't a good 185 00:16:30,400 --> 00:16:33,400 Speaker 1: father to the boys, I mean after Gigi passed, But 186 00:16:33,560 --> 00:16:36,480 Speaker 1: I want to do better now. I owe that much 187 00:16:36,520 --> 00:16:41,160 Speaker 1: to Gabe, and frankly, so does Isaiah. M hm, No, 188 00:16:42,240 --> 00:16:45,920 Speaker 1: you don't get to say that tonight's side. Isaiah has 189 00:16:45,960 --> 00:16:50,560 Speaker 1: been there for Joscelyn. You haven't. I'll be back as 190 00:16:50,600 --> 00:17:06,320 Speaker 1: soon as I can. Where was this thing going? We're 191 00:17:06,359 --> 00:17:10,800 Speaker 1: pretty deep in I think we should turn back. It's 192 00:17:10,840 --> 00:17:13,840 Speaker 1: nearly dark. Come on, Isaiah, there's no turning back from this. 193 00:17:16,560 --> 00:17:18,400 Speaker 1: What were you doing in the woods in the first place? 194 00:17:19,680 --> 00:17:22,720 Speaker 1: What do you mean You said you blacked out, but 195 00:17:23,080 --> 00:17:26,680 Speaker 1: you were already out here after everything with Gabe, I 196 00:17:26,760 --> 00:17:28,479 Speaker 1: think this would be the last place you'd ever want 197 00:17:28,520 --> 00:17:35,480 Speaker 1: to come back to. So why were you here? It's 198 00:17:35,520 --> 00:17:44,520 Speaker 1: a simple question, Soldier Jesus ship well with found his 199 00:17:44,680 --> 00:17:49,160 Speaker 1: leg what's left of it? Look at these nasty non 200 00:17:49,280 --> 00:17:53,760 Speaker 1: marks because some bear had a hearty lunch. I'm gonna 201 00:17:53,760 --> 00:17:56,480 Speaker 1: back this up, check the rest of the area. Okay, 202 00:17:58,960 --> 00:18:10,920 Speaker 1: Oh god, m h m hm. Now your friend, that's 203 00:18:10,960 --> 00:18:16,080 Speaker 1: his head up there. It's goddamn head, Yeah it is. 204 00:18:19,680 --> 00:18:23,680 Speaker 1: What is this place? It looks like an altar of 205 00:18:23,800 --> 00:18:31,120 Speaker 1: some kind. You need to get out of here. Kay? 206 00:18:31,880 --> 00:18:34,000 Speaker 1: Is there a history of cults in these woods? This 207 00:18:34,160 --> 00:18:39,240 Speaker 1: feels very culty? Alright, alright, let me get his head 208 00:18:39,280 --> 00:18:50,800 Speaker 1: in the back. Oh he was an ugly fucker. M 209 00:18:51,600 --> 00:18:58,800 Speaker 1: almost got it? Need to be so dramatic? Oh god, okay, 210 00:19:00,760 --> 00:19:07,040 Speaker 1: got it? Did you see that ship there? Hey? Are 211 00:19:07,119 --> 00:19:16,760 Speaker 1: you sorry? We need to leave now? Okay, we're gone, 212 00:19:16,800 --> 00:19:28,680 Speaker 1: come on, mhm two three, and I went again. Either 213 00:19:28,840 --> 00:19:32,440 Speaker 1: you're really lucky? Well I really suck at this game. 214 00:19:33,920 --> 00:19:37,960 Speaker 1: My dad was always lucky too. I bet you miss him. 215 00:19:39,200 --> 00:19:43,440 Speaker 1: That's what everyone keeps telling me. I'll be right back, 216 00:19:44,280 --> 00:19:52,159 Speaker 1: set up another Sure, I got nothing else to do, Michelle, Hi, 217 00:19:52,359 --> 00:19:56,520 Speaker 1: cap got the results from the backpack. I thought you 218 00:19:56,640 --> 00:20:01,280 Speaker 1: want to know, all right, you're not going to believe this. 219 00:20:02,440 --> 00:20:07,159 Speaker 1: Diagnostics found two sets of DNA they're confirmed. Both were 220 00:20:07,240 --> 00:20:12,840 Speaker 1: complete samples, fully intact. But the first sample yielded no results. 221 00:20:13,800 --> 00:20:16,919 Speaker 1: So they're not in the system. That's what I figured. 222 00:20:17,000 --> 00:20:22,400 Speaker 1: Two turns out they're not in any system. The sequencing 223 00:20:22,520 --> 00:20:28,200 Speaker 1: doesn't match any known species human or otherwise. Can you 224 00:20:28,320 --> 00:20:30,400 Speaker 1: use the other sample? Maybe? Does she shed some light 225 00:20:31,880 --> 00:20:45,480 Speaker 1: right the blood cap? It's escapes blood match cap. You're 226 00:20:45,480 --> 00:20:51,320 Speaker 1: still there? Have you informed Dashly? No? I wanted to 227 00:20:51,400 --> 00:20:54,560 Speaker 1: hear what you thought of the results. She should hobby 228 00:20:55,119 --> 00:20:58,240 Speaker 1: you coming. I need to go on, Michelle. I know 229 00:20:58,600 --> 00:21:01,200 Speaker 1: it doesn't seem like it, but this is good news. 230 00:21:01,600 --> 00:21:06,320 Speaker 1: Good news. It means I found something. There's something in 231 00:21:06,440 --> 00:21:09,920 Speaker 1: those woods, and whatever it is, God to your son. 232 00:21:20,880 --> 00:21:23,320 Speaker 1: We have to keep cooling. Okay, you need to rest 233 00:21:23,359 --> 00:21:26,400 Speaker 1: that leg just until don These blankets will help prevent 234 00:21:26,480 --> 00:21:29,040 Speaker 1: you from going into shock. Here laid out, you're gonna 235 00:21:29,040 --> 00:21:33,280 Speaker 1: be okay, I promise. Oh no, no, this is a steak. 236 00:21:33,960 --> 00:21:38,840 Speaker 1: I'll keep watching all right. Start thurning that out here. 237 00:21:39,280 --> 00:21:41,760 Speaker 1: We're gonna start running out full soon. Let me worry 238 00:21:41,800 --> 00:21:45,879 Speaker 1: about that. It's still out there. It's my nuts. Listen 239 00:21:45,920 --> 00:21:49,159 Speaker 1: to me. No, No, I'm gonna get you out of this. 240 00:21:49,520 --> 00:21:51,400 Speaker 1: I'm gonna get us out of here. I'm gonna get 241 00:21:51,400 --> 00:21:55,360 Speaker 1: you back to your family. Stop making brother, can't keep 242 00:21:56,400 --> 00:22:00,240 Speaker 1: that's that? Think not to just go to sleep. We'll 243 00:22:00,280 --> 00:22:11,199 Speaker 1: be fine until morning. Let's say it scared T know, Bro, 244 00:22:12,080 --> 00:22:24,080 Speaker 1: I am too. You really suck at climbing fences. I'd 245 00:22:24,119 --> 00:22:25,840 Speaker 1: like to see you climb a fence after getting your 246 00:22:25,960 --> 00:22:28,680 Speaker 1: leg man, go buy an I D enough with the 247 00:22:28,760 --> 00:22:36,640 Speaker 1: guilt chip already here, all right, empty the bag because 248 00:22:36,640 --> 00:22:39,200 Speaker 1: I'm a landfill kind of Bobby and stumps. Would you 249 00:22:39,320 --> 00:22:42,120 Speaker 1: want to go digging around in here? Cops don't either 250 00:22:42,240 --> 00:22:44,879 Speaker 1: unless they have to, and they don't have a reason 251 00:22:44,960 --> 00:22:50,399 Speaker 1: to expect he's here. Take these fires. You'll need to 252 00:22:50,480 --> 00:22:53,360 Speaker 1: take the teeth out if they do find something. Even 253 00:22:53,400 --> 00:22:57,240 Speaker 1: a partial jaw can be compared against dental records. I 254 00:22:57,359 --> 00:23:03,639 Speaker 1: want it all burn, better safe than sorry. M his 255 00:23:03,800 --> 00:23:11,840 Speaker 1: mouth stuck close. Try asking nicely. We'll have to stay 256 00:23:12,400 --> 00:23:15,200 Speaker 1: watching burn. Then burry whatever is left and spread the 257 00:23:15,240 --> 00:23:20,920 Speaker 1: ashes around the yard. Why do you know all this? Step? Mom? 258 00:23:21,040 --> 00:23:27,400 Speaker 1: Number three was an I D Channel junkie. Damn it's done. 259 00:23:28,240 --> 00:23:38,760 Speaker 1: That's the last two lighter fluid honors are yours? We 260 00:23:38,880 --> 00:23:43,400 Speaker 1: did it? Yeah, we did and now that my debt 261 00:23:43,560 --> 00:23:46,760 Speaker 1: is paid, you're gonna tell me why you've been lying 262 00:23:46,800 --> 00:23:49,720 Speaker 1: to me all day. You're gonna tell me the truth, 263 00:23:50,359 --> 00:24:01,040 Speaker 1: every goddamn bit of it. What do you do when 264 00:24:01,080 --> 00:24:07,240 Speaker 1: your instincts failure and you fear all that's left inside 265 00:24:07,320 --> 00:24:16,399 Speaker 1: you as darkness, all consuming, pitch black darkness? Do you 266 00:24:16,600 --> 00:24:21,040 Speaker 1: turn away from who you are? Do you walk into 267 00:24:21,080 --> 00:24:40,160 Speaker 1: the night? Next time? On more Dale, it's my head 268 00:24:41,200 --> 00:24:47,000 Speaker 1: whispers to me, is that this isn't from the hell here. No, no, wait, 269 00:24:48,280 --> 00:24:52,640 Speaker 1: he wouldn't do anything to game. He's not that kind 270 00:24:52,680 --> 00:24:58,560 Speaker 1: of person. Hie the hill, Open the door, Listen to 271 00:24:58,640 --> 00:25:06,040 Speaker 1: me because it's real. I Heart Radio. Blum House Television 272 00:25:06,680 --> 00:25:11,040 Speaker 1: and Crypt TV in association with Wolfe at the Door 273 00:25:11,240 --> 00:25:18,960 Speaker 1: present Mordeo. Executive produced by Jack Davis, Kate Krantz, Darren Brandel, 274 00:25:19,560 --> 00:25:25,800 Speaker 1: Jason Blum, Chris Dickey, Matt Frederick and Alex Williams. Written 275 00:25:25,880 --> 00:25:33,160 Speaker 1: by Caitlin Crabb, Directed by Alex Kemp, Produced by Toby Lawless, 276 00:25:33,600 --> 00:25:40,600 Speaker 1: Winnie Kemp, Daniel Parsons, Co producers, Ben So Tack, Anthony Mgnolo, 277 00:25:41,640 --> 00:25:48,960 Speaker 1: Associate producer Federico Torrado. Starring j L. Fons Nicholson as Isaiah, 278 00:25:49,880 --> 00:25:57,360 Speaker 1: Ashley Platts as Ashley, Olivia Lott as Jocelyn Yvonne Angulo 279 00:25:57,720 --> 00:26:06,040 Speaker 1: as Michelle, with performances by Real Michael Scott, Tacy Adams, Ariella, 280 00:26:06,080 --> 00:26:13,040 Speaker 1: Amar kim Estes, Patty Wilkins. Sound designed by Dean Hovey, 281 00:26:13,880 --> 00:26:20,119 Speaker 1: Original score by Christopher Kemp, Mixing by Mark Scarce, Edited 282 00:26:20,200 --> 00:26:26,880 Speaker 1: by Fernando Diaz, Assistant engineer Noah Sour. Recorded at Wolf 283 00:26:26,960 --> 00:26:33,800 Speaker 1: at the Door Studios. Casting consultant Michelle LeWitt, Production assistants 284 00:26:34,119 --> 00:26:40,959 Speaker 1: Hailey mckeckney and Sophia Gilberto, studio teacher Pearl Hika. Writing 285 00:26:41,000 --> 00:26:46,920 Speaker 1: assistant Bill Hanson. This podcast was recorded under a SAG 286 00:26:47,040 --> 00:26:51,920 Speaker 1: after collective bargaining agreement. Mordeo is a production of I 287 00:26:52,119 --> 00:26:57,800 Speaker 1: Heart Radio Blumhouse Television Crypt TV. For more podcasts from 288 00:26:57,840 --> 00:27:02,440 Speaker 1: I Heart Radio, visit the Heart Radio app, Apple Podcasts, 289 00:27:03,359 --> 00:27:11,080 Speaker 1: or wherever you listen to your favorite shows. MHM