WEBVTT - Grease 2 with Solomon Georgio

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<v Speaker 1>On the Beck dol Cast. The questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands? If do they have individualism? The patriarchy? Zef

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<v Speaker 1>in best start changing it with the Beck del Cast. Hi,

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<v Speaker 1>welcome to the back tail Cast. You're listening to the

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<v Speaker 1>back tail Cast. This is our podcast about movies and

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<v Speaker 1>women in them. My name's Jamie, my name is Caitlin.

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<v Speaker 1>This is our podcast called the back tel Cast, which

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<v Speaker 1>is our podcast. What is this the groundhog Day episode?

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<v Speaker 1>What's it about women in the movies that they're in,

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<v Speaker 1>specifically how those movies portray the female characters, and how

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<v Speaker 1>it's often not very good, almost always bad. Yeah, breaking

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<v Speaker 1>news quick at the at the top of the episode.

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<v Speaker 1>We have heard from Alfred Molina today, I you can

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<v Speaker 1>attest called you crime weeping in my garage, which is

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<v Speaker 1>where I fled to. I just read into my garage

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<v Speaker 1>and called you and Alfred Milena must and and not

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<v Speaker 1>to call him out, but he must search his own

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<v Speaker 1>name regularly on Twitter dot com. Because you did not

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<v Speaker 1>mention him, You did not at him. He was not tagged,

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<v Speaker 1>He was not tagged in any way, and he certainly

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<v Speaker 1>does not follow me on Twitter dot com, so he

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<v Speaker 1>must have found it. I believe what I said was

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<v Speaker 1>that I got so distracted by thinking about how Kris

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<v Speaker 1>Nooth is the poor man's Alfred Molina that I walked

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<v Speaker 1>into traffic, which is true. I did that this morning

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<v Speaker 1>because I've been watching The Good Wife and I hate it,

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<v Speaker 1>but I keep watching it. But Alvia Millana found that

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<v Speaker 1>quoted it was extremely humble. Wanted to give chrisnos his due,

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<v Speaker 1>which like, why bother? But whatever? Uh? And and now

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<v Speaker 1>he alleges that he will come on this podcast. So

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<v Speaker 1>after what a full year, this is the closest we've gotten,

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<v Speaker 1>and I'm not going to let it go right. We

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<v Speaker 1>will stop at nothing to get alphad Milina on this podcast.

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<v Speaker 1>We know he's nearby, We'll do it. We basically recording

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<v Speaker 1>this on August seventeen. The episode won't come up for

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<v Speaker 1>a couple of weeks after this. By the time it

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<v Speaker 1>comes out, he might have probably would have divorced his wife,

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<v Speaker 1>will be fully. I realized recently it's my dream to

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<v Speaker 1>have step children who are older than me and hate me.

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<v Speaker 1>And I think that marrying alph Molina is going to

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<v Speaker 1>be an amazing shortcut to achieving net for sure. Yeah.

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<v Speaker 1>So anyways, asked the breaking news will keep you posted.

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<v Speaker 1>As of August seventeenth, I'm still flying high and crying

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<v Speaker 1>about it, indeed bringing it back to the cast. Hey,

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<v Speaker 1>we should mention what the what this? Even? What is Bechtel? Well,

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<v Speaker 1>it's a test. It requires it to women have to

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<v Speaker 1>talk to each other in a movie. They have to

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<v Speaker 1>have names and their conversation has to be about something

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<v Speaker 1>that's not a man. So we will in with this

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<v Speaker 1>movie that we're talking about later on to see if

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<v Speaker 1>it passes the backdel test. But before we do that,

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<v Speaker 1>we should introduce our terrific guests. He is a hilarious comedian.

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<v Speaker 1>He has a half hour coming out on Comedy Central

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<v Speaker 1>and his first album coming out in October. Somon, Georgia,

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<v Speaker 1>thanks for being here. Thanks for being okay with me

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<v Speaker 1>being late. That's fine. One of us is late almost

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<v Speaker 1>every Oh okay, I've been so late that I've missed

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<v Speaker 1>the episode. It's all good. So we're here to talk

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<v Speaker 1>about Greece too. So why did you pick this movie?

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<v Speaker 1>What's your relationship to it? When did you first see it?

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<v Speaker 1>It is one of those movies that I think is

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<v Speaker 1>in the original. I think I watched it in on

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<v Speaker 1>like TBS or t n T because it came out

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<v Speaker 1>in what eight two? Yeah, yeah, so I was like

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<v Speaker 1>a young kid, and I think I watched Greece before it,

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<v Speaker 1>and then I just like, I get it. But then

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<v Speaker 1>I saw the second I was like this, this is

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<v Speaker 1>what good movies are. I probably watched it plus times.

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<v Speaker 1>It's one of those ones that's always always always on TV,

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<v Speaker 1>just like the really bad TNT edit of Kill Bill

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<v Speaker 1>that's always on TV that I love, or I'm trying

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<v Speaker 1>to think of other movies they're always on Basic Cable

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<v Speaker 1>for some weeks. Back to the Future is always on

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<v Speaker 1>not as much as you think. The Fugitive. Yeah, I

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<v Speaker 1>love that movie. It's one of the few movies where

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<v Speaker 1>wherever it starts, I will sit down and watch it,

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<v Speaker 1>like Cheap to License, because there's like five movies that

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<v Speaker 1>are always on television no matter what. And Heat is

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<v Speaker 1>another one which is very weird because this is a

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<v Speaker 1>very long movie. Yeah, it's it's forever long. That's crazy,

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<v Speaker 1>Jamie want to do for Seagrease to today same. In fact,

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<v Speaker 1>I thought I had seen the first one all the

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<v Speaker 1>way through apparently I have not, because I watched it

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<v Speaker 1>yesterday and I do not remember the second half of

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<v Speaker 1>it at all. So I had not seen that entire

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<v Speaker 1>first one until yesterday, and I gotta be honest, I

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<v Speaker 1>don't really like it. I think, yeah, I like it

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<v Speaker 1>up until a certain point, right up to Stoker Channing's

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<v Speaker 1>abortion song, and then after that, I'm like, it's hard

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<v Speaker 1>to stay on board after that, the first crease, I'm

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<v Speaker 1>like to like, I've seen it a bunch of times,

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<v Speaker 1>and I was like, did it for like Summer Stock

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<v Speaker 1>theater and like all this, Like it's man, it's an

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<v Speaker 1>exhausting show with a with a deeply questionable message. I

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<v Speaker 1>do think that the message is the same in Greece too,

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<v Speaker 1>but it's like flipped in a way that I like

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<v Speaker 1>way better. But it also wasn't like like when Sandy

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<v Speaker 1>churn at the end, there was that was like out

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<v Speaker 1>of nowhere right right, There was no no need for

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<v Speaker 1>that to happen at all. He was already on board, yeah,

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<v Speaker 1>and she's like, oh, I wear leather jackets of smoke

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<v Speaker 1>cigarettes and he's like, now even better. The transformation takes

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<v Speaker 1>place for most I mean, like a good hour there's

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<v Speaker 1>a lot of motorcycle learning and Greece to Yeah, it

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<v Speaker 1>was a really I really liked it. I was riveted.

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<v Speaker 1>I had a fun time watching it. Yeah, for sure,

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<v Speaker 1>Like it's a great deal more than the original and

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<v Speaker 1>the first one. Well, it made the Pink Ladies the star,

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<v Speaker 1>which I think is the better. And also, if you're

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<v Speaker 1>talking about leading men, Max Caufield versus John Travolta, I'm

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<v Speaker 1>fucking going Caufield. Yeah, this felt like Greece too. Felt

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<v Speaker 1>just felt like a like a really good rewriter the

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<v Speaker 1>first Yeah, like it's just a better version. It felt

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<v Speaker 1>like a later draft that was like what if we

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<v Speaker 1>just make this whole thing better? And yeah, but I

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<v Speaker 1>do love though that. Basically, this movie is about a

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<v Speaker 1>woman not liking a very handsome British man because he

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<v Speaker 1>doesn't wear leather jacket's un nerd. He's such a nerd

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<v Speaker 1>because he's British. But he's also like she's also doesn't

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<v Speaker 1>like the toughest boy in school. She's also done with him. Yeah. Yeah,

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<v Speaker 1>I guess she just needed a combination. She needed a

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<v Speaker 1>sensitive guy who wears leather jackets. That's all she wanted,

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<v Speaker 1>and she was not lying because the second one came around,

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<v Speaker 1>she got into his motorcycle. I was like, I don't

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<v Speaker 1>care what your face is. I was really hoping from more.

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<v Speaker 1>I was really hoping for a more dramatic Fantom of

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<v Speaker 1>the Opera style room. And this is the weird scene

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<v Speaker 1>at the end with the Grecian pool. I was like, oh, yeah,

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<v Speaker 1>like high school is a big, big float where he

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<v Speaker 1>comes in. I was like, oh my god. I wanted

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<v Speaker 1>her to That's maybe my only grip of this movie.

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<v Speaker 1>I wanted her to take off his helmet or his

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<v Speaker 1>not even his helmet. It's his Fantom of the Opera

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<v Speaker 1>mass but he's wearing. But also, how great would it

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<v Speaker 1>be to just have sex with somebody wearing a helmet

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<v Speaker 1>and never seen I've been married to the same man

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<v Speaker 1>who has been wearing a scuba helmet for twelve years,

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<v Speaker 1>and we're very happy. I know. I've been married to

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<v Speaker 1>v from V for Vendella as I said a single

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<v Speaker 1>word to me, and I'm having a great time. All

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<v Speaker 1>of these people we just described are better at hiding

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<v Speaker 1>her face. In the Phantom of the app you let

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<v Speaker 1>it out very quickly, yes, and it's like, oh, it's

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<v Speaker 1>Gerard Butler with some sort of allergic reaction happening on

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<v Speaker 1>one alp of his face. Well, I think that's a

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<v Speaker 1>great transition to the recap of Greece too. So the

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<v Speaker 1>story is about Stephanie. She's sort of the lead of

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<v Speaker 1>the Pink Ladies. This kind of click. At Lidel High School,

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<v Speaker 1>Stephanie had been dating the leader of the tea Birds.

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<v Speaker 1>Is that what they called the tea birds? His name

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<v Speaker 1>is Johnny, And she's like, you know what, I'm over.

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<v Speaker 1>We're over. I'm single. Now I'm done. Yeah. Then who

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<v Speaker 1>shows up but Michael Carrington, a British man whose cousins

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<v Speaker 1>with Sandy Olivia Newton. John's character for throw a details.

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<v Speaker 1>I also like that he spends a whole movie speaking

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<v Speaker 1>in a British accent. But Sandy was Australian. I mean,

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<v Speaker 1>I guess there can be interconf Australia. I'm pretty sure. Yeah.

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<v Speaker 1>In any case, it's confusing their relationship. But he shows

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<v Speaker 1>up and he's handsome to boot and he takes an

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<v Speaker 1>interest in Stephanie. But she's like, you don't wear enough

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<v Speaker 1>leather jackets, you don't have enough motorcycles, so hard pass.

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<v Speaker 1>So he's like, well, I'm going to have to win

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<v Speaker 1>her over somehow. So he starts saving up money. He's

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<v Speaker 1>writing essays for the other t bird guys, buys a motorcycle,

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<v Speaker 1>gets a leather jacket, gets some goggles, turns into this

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<v Speaker 1>mystery man. Then Stephanie was like, oh my other jacket goggles,

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<v Speaker 1>sign me up. So she just like hops on the

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<v Speaker 1>back of his motorcycle. They have a kiss, a little smooch,

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<v Speaker 1>and then at one point in the movie there's he's

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<v Speaker 1>like other leather jacket wearing guys from I think another school,

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<v Speaker 1>and they show up. Yeah they're not the Teabers, are

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<v Speaker 1>just another group that seems similar to the Teabirds. They

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<v Speaker 1>look and behave identity. They did the same thing in

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<v Speaker 1>the first movie, right right right, Yeah, guys called crater

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<v Speaker 1>Face a lot. So they show up, and then the

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<v Speaker 1>tea Birds start getting wise to Michael, whose identity still

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<v Speaker 1>remains unknown, and they're like, who's this other who's this

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<v Speaker 1>mystery guy? None of us like him, so they all

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<v Speaker 1>chase him and he jumps over this ravine, I guess,

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<v Speaker 1>and everyone thinks he dies. So then Stephanie's sad and

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<v Speaker 1>she's like, well no, And then there's a everyone's gearing

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<v Speaker 1>up for this talent show and then he shows up

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<v Speaker 1>and he's like, I'm not dead, and then they are

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<v Speaker 1>in love. The end the talent show is okay, help

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<v Speaker 1>me out here, because there are the three spiffy young

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<v Speaker 1>men who are good at singing. Several times, then at

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<v Speaker 1>the end, the Tea Birds are like, we're going to

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<v Speaker 1>take their jackets, which is where they hid their talent,

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<v Speaker 1>because then the Tea Birds go on stage and suddenly

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<v Speaker 1>they can sing and they're really good. I don't know

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<v Speaker 1>why they kidnapped the sweet little spiffy boys. It's like, um,

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<v Speaker 1>Jesus and then Technicolor dream Coat? Is that what's very good? Yes,

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<v Speaker 1>it's all the same to clean together. No, I'm gonna

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<v Speaker 1>stand by Jesus and Detecticolor dream Coat. Jesus was not

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<v Speaker 1>stylish from what I've seen. Judas, however, if we were

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<v Speaker 1>to judge from his first number in j C Superstar,

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<v Speaker 1>extremely stylish. I've been trying to figure out how to

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<v Speaker 1>get that outfit for myself for years. It's like a

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<v Speaker 1>two piece orange tied eye. It's great, You're going to

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<v Speaker 1>have to make it. Yeah, I think, yes, that's what

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<v Speaker 1>it's so good. Anyways, what are we talking about? The

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<v Speaker 1>spiffy boys. But I think the most important part of

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<v Speaker 1>this movie that we gloss over was the return of

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<v Speaker 1>a D. D. Con as Frenchie, which I think is

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<v Speaker 1>so does she reroll back in school to learn chemistry

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<v Speaker 1>so she can like develop skincare products? Not how high

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<v Speaker 1>school works. You don't go back for one class the best, Like,

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<v Speaker 1>I never friend's life is my favorite life because it

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<v Speaker 1>doesn't make any sense. The fact that her character just

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<v Speaker 1>leaves school and becomes a beauty school dropout has nothing

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<v Speaker 1>to do with the first movie. Yeah, it's I like

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<v Speaker 1>the fact that freend she just shows up and you're like,

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<v Speaker 1>here's her side story and you need to know it,

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<v Speaker 1>and it will not make any sense to anyone. How

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<v Speaker 1>much time has passed between the two movies. I know

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<v Speaker 1>it's like four years between the movies were released, but

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<v Speaker 1>like narratively two okay only two years. She was a senior,

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<v Speaker 1>so she she didn't graduate, So I think she just

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<v Speaker 1>came back for her senior year to graduate, and I

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<v Speaker 1>think she's just going to go on to another school.

0:12:59.559 --> 0:13:02.040
<v Speaker 1>I have no idea exactly what how the world of

0:13:02.040 --> 0:13:05.480
<v Speaker 1>cosmetics work, but I'm pretty sure you don't need to.

0:13:08.600 --> 0:13:11.920
<v Speaker 1>There's yeah, every scene d D cons and is so

0:13:12.160 --> 0:13:16.160
<v Speaker 1>because everyone in this movie is thirty, but she looks

0:13:16.240 --> 0:13:19.280
<v Speaker 1>thirty and so. And then there's that scene where she's

0:13:19.320 --> 0:13:21.680
<v Speaker 1>like working at her side job and it's like, I

0:13:22.440 --> 0:13:25.319
<v Speaker 1>it's so unclear, and then she says several she's like,

0:13:25.360 --> 0:13:28.800
<v Speaker 1>Stephanie is one of my best friends, but they've never

0:13:28.840 --> 0:13:31.960
<v Speaker 1>seen him hang out, like are you lying? It's just

0:13:32.000 --> 0:13:34.480
<v Speaker 1>like a Pink Ladies thing. But she she sort of

0:13:34.520 --> 0:13:37.360
<v Speaker 1>almost plays like an oracle kind of like faith but

0:13:37.480 --> 0:13:40.839
<v Speaker 1>like not giving any like solid advice, just like this

0:13:40.880 --> 0:13:43.520
<v Speaker 1>is what's happening. She's like, well, he you're not a

0:13:43.600 --> 0:13:46.679
<v Speaker 1>tea birds. You can't even look at Stephanie. She really

0:13:46.760 --> 0:13:51.160
<v Speaker 1>just gives exposition from the previous movie, right, like she

0:13:51.240 --> 0:13:54.199
<v Speaker 1>doesn't push the platford really like does she. I mean,

0:13:54.240 --> 0:13:56.240
<v Speaker 1>she's just like, well, this is how the Pink Ladies

0:13:56.280 --> 0:13:58.040
<v Speaker 1>and the Tea Birds work, and if you don't know

0:13:58.120 --> 0:14:02.920
<v Speaker 1>that then and then she just like you know, but

0:14:02.960 --> 0:14:05.520
<v Speaker 1>she also looks like she's not also that's not how

0:14:05.520 --> 0:14:07.280
<v Speaker 1>it works. When she went to school there like she

0:14:07.360 --> 0:14:09.800
<v Speaker 1>saw that like a shift in that power dynamic. And

0:14:09.800 --> 0:14:11.000
<v Speaker 1>then she's all of a a sudden, She's like, I'm just

0:14:11.040 --> 0:14:16.440
<v Speaker 1>going to reinforce it for this young boy. It used

0:14:16.480 --> 0:14:18.079
<v Speaker 1>to be this way. I changed a little bit, but

0:14:18.120 --> 0:14:21.200
<v Speaker 1>it's going to stay this way again. I'm going to

0:14:21.280 --> 0:14:23.760
<v Speaker 1>go to shining time station. You know, she's living in

0:14:23.800 --> 0:14:26.440
<v Speaker 1>the past. What else do you expect she is, She's

0:14:26.480 --> 0:14:28.840
<v Speaker 1>back in high school. She's the person coming back to

0:14:28.880 --> 0:14:31.720
<v Speaker 1>the frat house. It's just like, I want to see

0:14:31.960 --> 0:14:35.960
<v Speaker 1>her like thirty years later all strangers with Candy going

0:14:36.000 --> 0:14:38.160
<v Speaker 1>back to high school as like a forty seven year old.

0:14:38.280 --> 0:14:41.520
<v Speaker 1>I want to see that sequel Grease three. Baby. She's

0:14:42.080 --> 0:14:45.720
<v Speaker 1>some sort of very strange feedback, like me to get

0:14:45.720 --> 0:14:48.120
<v Speaker 1>my ap English course because I'm going to become a poet.

0:14:52.080 --> 0:14:55.120
<v Speaker 1>She's going to high school, she's only taking a cover class.

0:14:55.160 --> 0:14:58.480
<v Speaker 1>It just doesn't And then she's in That's like the

0:14:58.520 --> 0:15:02.000
<v Speaker 1>one scene she is in with with Stephanie is when

0:15:02.040 --> 0:15:04.400
<v Speaker 1>all the pink ladies that are always together coming and

0:15:04.400 --> 0:15:07.040
<v Speaker 1>they see Frenchie, but they still kind of make fun

0:15:07.080 --> 0:15:09.800
<v Speaker 1>of her a little bit, like it's confusing. They're kind

0:15:09.800 --> 0:15:12.160
<v Speaker 1>of mean to each other, all the pink ladies. Yeah,

0:15:13.200 --> 0:15:16.840
<v Speaker 1>one gets slut shamed by another one and didn't care

0:15:16.960 --> 0:15:19.080
<v Speaker 1>much for that. She's like, you'd full around with anyone.

0:15:19.720 --> 0:15:25.400
<v Speaker 1>And they're also mean to those twin cheerleader, I don't know,

0:15:26.200 --> 0:15:31.760
<v Speaker 1>they're mean girls. Let's keep reinforcing the stereotype. Yeah, so

0:15:31.800 --> 0:15:34.320
<v Speaker 1>who do we have female character wise? We've got Stephanie.

0:15:34.600 --> 0:15:38.120
<v Speaker 1>That's Michelle Fifer and then her other pink ladies, I

0:15:38.120 --> 0:15:41.800
<v Speaker 1>think our poulette. There's Rhonda, I think when more more

0:15:41.840 --> 0:15:45.840
<v Speaker 1>whose name I didn't ever care. Oh right, Sharon's the

0:15:45.880 --> 0:15:49.400
<v Speaker 1>one who's backed into the bunker. Right, Oh, gets like

0:15:49.440 --> 0:15:57.080
<v Speaker 1>manipulated into sex. Yeah, I'm glad that she doesn't or

0:15:57.160 --> 0:16:00.040
<v Speaker 1>like nothing happens and they don't go through with it,

0:16:00.440 --> 0:16:04.080
<v Speaker 1>because otherwise that would have been horrific. Yeah, that seemed

0:16:04.120 --> 0:16:08.840
<v Speaker 1>in age very well. Didn't And also, like a lot

0:16:08.880 --> 0:16:11.080
<v Speaker 1>of scenes in this movie have no like if you

0:16:11.120 --> 0:16:15.760
<v Speaker 1>take that scene out the movies unchanged, it's a it's

0:16:15.800 --> 0:16:19.520
<v Speaker 1>a musical number. That's what both both Greeces are like

0:16:19.520 --> 0:16:21.480
<v Speaker 1>that you can take an entire thing out and you're like,

0:16:21.520 --> 0:16:25.920
<v Speaker 1>this has nothing. Oh, this is the same because, especially

0:16:25.960 --> 0:16:27.920
<v Speaker 1>in the first Greece, you could go from the first

0:16:27.920 --> 0:16:30.520
<v Speaker 1>moment to the last moment and it's pretty much the

0:16:30.560 --> 0:16:33.040
<v Speaker 1>whole story is like, she's not like the other girls,

0:16:33.480 --> 0:16:37.560
<v Speaker 1>just kidding she is. The movie is sober. Yeah, okay,

0:16:37.600 --> 0:16:40.400
<v Speaker 1>so the other there's Dolores, which is I think Paul.

0:16:40.440 --> 0:16:42.800
<v Speaker 1>It's younger sister. She's the one who's like, I read

0:16:42.840 --> 0:16:45.400
<v Speaker 1>a skateboard, I'm not old enough to drive. Wait wait, wait,

0:16:46.280 --> 0:16:48.400
<v Speaker 1>and then we've got French you. We've got a few

0:16:48.920 --> 0:16:52.760
<v Speaker 1>teachers and school administrators like miss Mason. Everyone makes fun

0:16:52.760 --> 0:16:56.880
<v Speaker 1>of her hair slash compliment it. Mr Spears. Mr Spears,

0:16:56.960 --> 0:17:00.720
<v Speaker 1>what's wrong with him? At the end, he walks into

0:17:00.800 --> 0:17:04.960
<v Speaker 1>a pool. I do love the like both movies at

0:17:04.960 --> 0:17:08.119
<v Speaker 1>the same situation, just this airhead school administrator that doesn't

0:17:08.160 --> 0:17:11.480
<v Speaker 1>know Yeah, I think, yeah, it's Ms ms McGee and

0:17:12.359 --> 0:17:16.520
<v Speaker 1>Blanche Like they're this little duo of like clueless. However,

0:17:16.680 --> 0:17:19.560
<v Speaker 1>I do love um. It is an eighties trope that

0:17:19.560 --> 0:17:22.000
<v Speaker 1>that I wish would return. Is Paul. That's younger sister,

0:17:22.119 --> 0:17:25.919
<v Speaker 1>the tough little girl that's there for no other reason

0:17:26.240 --> 0:17:29.000
<v Speaker 1>but to just show up and be like I'm fucking tough,

0:17:29.080 --> 0:17:32.840
<v Speaker 1>and it just disappears. Well there's pops up again. At

0:17:32.880 --> 0:17:34.679
<v Speaker 1>the end You're like, oh, yeah, right, you were a

0:17:34.720 --> 0:17:36.880
<v Speaker 1>person And it's like we have to break up. Well,

0:17:36.880 --> 0:17:40.120
<v Speaker 1>the first time you meet her, she's talking to Michael

0:17:40.880 --> 0:17:43.000
<v Speaker 1>and he's like, can I walk you home? She's like,

0:17:43.040 --> 0:17:44.520
<v Speaker 1>I don't need a babysitter, and he's like, well, what

0:17:44.560 --> 0:17:49.560
<v Speaker 1>if it's a date? And meanwhile, she's thirteen And that

0:17:49.760 --> 0:17:52.560
<v Speaker 1>is gross, but I do it's a weird thing. But

0:17:52.680 --> 0:17:54.960
<v Speaker 1>that Trope, I think it comes back every once in

0:17:54.960 --> 0:17:56.280
<v Speaker 1>a while, and I love it so much. I think

0:17:56.280 --> 0:17:57.840
<v Speaker 1>it should always come back because the last time he

0:17:57.840 --> 0:18:01.400
<v Speaker 1>saw it was kick Ass and like the only time

0:18:01.480 --> 0:18:03.520
<v Speaker 1>that Trope ever got their own movie, I believe was

0:18:03.520 --> 0:18:06.880
<v Speaker 1>Curly Sue. Oh, I've never seen that. Just had the whole,

0:18:06.880 --> 0:18:08.639
<v Speaker 1>the whole tough little girl who has to deal with

0:18:08.680 --> 0:18:13.320
<v Speaker 1>a shitty world and she's had enough. Yeah, she's our

0:18:13.400 --> 0:18:17.440
<v Speaker 1>little Punky. I like the Loris And if you don't

0:18:17.440 --> 0:18:20.680
<v Speaker 1>like her, she's in it for five minutes. She's there

0:18:20.720 --> 0:18:23.879
<v Speaker 1>to just ask some spice and then get up exactly.

0:18:24.359 --> 0:18:25.919
<v Speaker 1>So the first point I wanted to make, and we

0:18:25.920 --> 0:18:28.159
<v Speaker 1>already kind of touched on this. One of the reasons

0:18:28.160 --> 0:18:30.560
<v Speaker 1>I didn't like the first Grease very much and why

0:18:30.560 --> 0:18:32.439
<v Speaker 1>I liked this one a lot better is that the

0:18:32.480 --> 0:18:36.000
<v Speaker 1>first one, the female lead, Sandy was very passive, like

0:18:36.080 --> 0:18:38.040
<v Speaker 1>things were just sort of happening to her. She didn't

0:18:38.040 --> 0:18:40.480
<v Speaker 1>really have any agent. She's spent most of the movie

0:18:40.720 --> 0:18:43.320
<v Speaker 1>just like pining over Danny Zugo and then being like

0:18:43.840 --> 0:18:45.560
<v Speaker 1>he doesn't want to be with me or he's with

0:18:45.640 --> 0:18:48.040
<v Speaker 1>another girl, and I'm stand and I'm not going to

0:18:48.200 --> 0:18:50.439
<v Speaker 1>do anything about it. And then in the end she

0:18:50.520 --> 0:18:55.240
<v Speaker 1>basically changes everything about herself for no reason and it worked,

0:18:55.280 --> 0:18:57.640
<v Speaker 1>and it worked. She got him even though she would

0:18:57.680 --> 0:19:02.159
<v Speaker 1>have had him anyway, and besides, I love a man.

0:19:02.840 --> 0:19:07.600
<v Speaker 1>Now she's doing what she had and I can control her.

0:19:08.119 --> 0:19:16.480
<v Speaker 1>And then they fly away, so that is stupid. But

0:19:16.520 --> 0:19:20.200
<v Speaker 1>then that m has shift with Greece to where Stephanie

0:19:20.280 --> 0:19:24.600
<v Speaker 1>becomes the protagonist. She's got agency, we know what she wants,

0:19:24.640 --> 0:19:30.240
<v Speaker 1>she very explicitly says it. And the dance number the

0:19:30.280 --> 0:19:34.440
<v Speaker 1>best song of all the Grease movies. Cool Writer is

0:19:34.600 --> 0:19:37.480
<v Speaker 1>so good. It is so good. It's funny how that

0:19:37.640 --> 0:19:40.080
<v Speaker 1>song sort of ends. There's a lot of songs in

0:19:40.080 --> 0:19:42.760
<v Speaker 1>this movie the end with like it's usually one person

0:19:42.840 --> 0:19:45.920
<v Speaker 1>singing in and they'll just walk away and the song

0:19:46.000 --> 0:19:48.840
<v Speaker 1>won't fade out as they're walking away by themselves. Talking

0:19:48.840 --> 0:19:50.359
<v Speaker 1>about what they want, and you're just like this is

0:19:50.440 --> 0:19:54.680
<v Speaker 1>this is like Michelle Fiber just like walks out of it.

0:19:55.240 --> 0:19:58.879
<v Speaker 1>I'm talking to myself where I believe she keeps singing.

0:20:01.720 --> 0:20:04.160
<v Speaker 1>So there's that moment where we're like, okay, we know

0:20:04.480 --> 0:20:06.960
<v Speaker 1>at least what she wants, you know, as the audience,

0:20:07.000 --> 0:20:09.040
<v Speaker 1>we have an understanding of what she's all about. And

0:20:09.040 --> 0:20:11.240
<v Speaker 1>then there's another moment in the bowling Alley, I think

0:20:11.560 --> 0:20:14.760
<v Speaker 1>where the bowling song the bowling song, and then Johnny's

0:20:14.760 --> 0:20:18.720
<v Speaker 1>all like, I want my trophy, calling women literal trophies

0:20:20.080 --> 0:20:24.720
<v Speaker 1>daughters having none of that. Eventually, oh wait does that

0:20:24.760 --> 0:20:30.359
<v Speaker 1>who that is? The left? Yeah? Oh yeah wait she

0:20:30.440 --> 0:20:34.200
<v Speaker 1>plays um is that? Yeah? I didn't know that? And

0:20:34.560 --> 0:20:36.439
<v Speaker 1>it went and if you if you rewatch it with

0:20:36.520 --> 0:20:44.320
<v Speaker 1>that her inflection, she's or less super talented. Yeah, she

0:20:44.359 --> 0:20:47.080
<v Speaker 1>gets called a trophy, but she's like the second place

0:20:47.160 --> 0:20:50.040
<v Speaker 1>or she like you're the runner up or the whatever,

0:20:50.520 --> 0:20:53.399
<v Speaker 1>the best average and he's like what about first place?

0:20:53.440 --> 0:20:56.560
<v Speaker 1>Best score and stuff. Is all like I'm not a trophy,

0:20:57.080 --> 0:21:00.880
<v Speaker 1>but she never she's she's sort of as exact. She's like, yeah,

0:21:00.960 --> 0:21:04.560
<v Speaker 1>I'm the hottest. I just don't want to date you. Yeah,

0:21:04.600 --> 0:21:06.879
<v Speaker 1>She's like, I ain't no one's trophy. I kiss who

0:21:06.960 --> 0:21:09.000
<v Speaker 1>I want when I want, I'll kiss the next guy

0:21:09.160 --> 0:21:16.400
<v Speaker 1>comes into, who happens to be hot British Michael. But

0:21:16.880 --> 0:21:20.600
<v Speaker 1>the problem that so she has more agency than the

0:21:20.600 --> 0:21:24.320
<v Speaker 1>female lead in the first movie Great. However, the problem

0:21:24.480 --> 0:21:28.000
<v Speaker 1>for me is that everything is still like that song

0:21:28.040 --> 0:21:30.399
<v Speaker 1>in that conversation. The whole story is still framed around

0:21:30.400 --> 0:21:32.520
<v Speaker 1>like which guy she's going to end up with, so

0:21:32.560 --> 0:21:36.080
<v Speaker 1>it's like, you know, still not the feminist masterpiece that

0:21:36.119 --> 0:21:43.520
<v Speaker 1>we're hoping. However, it is based on her decision because

0:21:43.520 --> 0:21:45.720
<v Speaker 1>she's still got Johnny being like I want you, I

0:21:45.760 --> 0:21:48.000
<v Speaker 1>want you, and she's just like, no, I already told

0:21:48.000 --> 0:21:51.720
<v Speaker 1>you we're through, and he keeps trying, and she's like, no,

0:21:51.880 --> 0:21:53.960
<v Speaker 1>I'm gonna I'm gonna be with who I want, and

0:21:53.960 --> 0:21:56.440
<v Speaker 1>it's going to be this mystery fanom of the Opera

0:21:56.720 --> 0:22:03.000
<v Speaker 1>motorcycle guy. I love the Fan of the Opera. It

0:22:03.040 --> 0:22:06.680
<v Speaker 1>never gets home except when he takes off his mask.

0:22:07.240 --> 0:22:10.240
<v Speaker 1>He's extremely hot underneath and hotter than everyone else in

0:22:10.240 --> 0:22:12.119
<v Speaker 1>the movie. I'm gonna start wearing a Fan of the

0:22:12.160 --> 0:22:14.879
<v Speaker 1>Opera masks on dates and stuff, because then when you

0:22:14.960 --> 0:22:17.680
<v Speaker 1>take it off. Guys are like, wow, no matter what's there,

0:22:17.680 --> 0:22:22.880
<v Speaker 1>they'll be like cool, better than better than the mask. Yeah,

0:22:22.920 --> 0:22:26.680
<v Speaker 1>you're hotter than that mask you're just wearing. Johnny is

0:22:26.720 --> 0:22:28.639
<v Speaker 1>weird because I watched the first one as well, and

0:22:29.480 --> 0:22:34.040
<v Speaker 1>Johnny is like a less slightly less desirable Danny Zuka character,

0:22:34.280 --> 0:22:36.600
<v Speaker 1>So I feel like they're almost commenting on that character

0:22:36.640 --> 0:22:40.639
<v Speaker 1>and what a piece of shitty is. He's like basically

0:22:40.680 --> 0:22:43.600
<v Speaker 1>the same character, but this time Stephanie's like, no, you're dumb,

0:22:43.640 --> 0:22:46.040
<v Speaker 1>You're and like points out everything that is wrong with

0:22:46.320 --> 0:22:49.600
<v Speaker 1>basically Danny z Yeah, and that is exactly what should

0:22:49.600 --> 0:22:53.240
<v Speaker 1>be done Danny z piece of ship. With both of

0:22:53.240 --> 0:22:57.200
<v Speaker 1>those characters, Danny Zuko and Johnny, they're just like dripping

0:22:57.240 --> 0:23:00.720
<v Speaker 1>with toxic masculinity. And I feel like this movie does

0:23:00.720 --> 0:23:02.920
<v Speaker 1>a little bit better job than the first one of

0:23:02.960 --> 0:23:06.280
<v Speaker 1>being like, hey, maybe this isn't the best quality to

0:23:06.320 --> 0:23:09.800
<v Speaker 1>have is a man? This movie like yeah, like frames

0:23:09.840 --> 0:23:11.600
<v Speaker 1>it and kind of all the tea birds is like,

0:23:12.119 --> 0:23:15.040
<v Speaker 1>that's not attractive and it's not something that will get

0:23:15.080 --> 0:23:18.159
<v Speaker 1>you a girl friend. Except does Johnny end up with

0:23:18.200 --> 0:23:20.640
<v Speaker 1>paul It? Does she end up accepting I think so.

0:23:21.200 --> 0:23:24.760
<v Speaker 1>I watched it one and a half times, so I

0:23:24.800 --> 0:23:28.880
<v Speaker 1>forget what happened, but I do think they end up together.

0:23:29.040 --> 0:23:30.960
<v Speaker 1>And then I think a couple of the other pink

0:23:31.040 --> 0:23:33.639
<v Speaker 1>ladies end up with the other. But they're you know,

0:23:33.720 --> 0:23:37.080
<v Speaker 1>like secondary characters who are not very invested in. And

0:23:37.119 --> 0:23:40.199
<v Speaker 1>there's a and there is a weird plot contrivance code

0:23:40.280 --> 0:23:42.320
<v Speaker 1>that keeps coming up of like pink ladies can only

0:23:42.480 --> 0:23:44.520
<v Speaker 1>date tea birds, and that's I feel like that's only

0:23:44.520 --> 0:23:47.200
<v Speaker 1>brought up when there's virtually no other reason for Stephanie

0:23:47.280 --> 0:23:50.159
<v Speaker 1>do not at least give Michael a chance. She's like, no,

0:23:50.240 --> 0:23:53.560
<v Speaker 1>I can't or I'll be assassinated or like whatever the

0:23:53.640 --> 0:23:59.600
<v Speaker 1>weird how did that ever come about? Like, all right,

0:23:59.760 --> 0:24:01.719
<v Speaker 1>you the pink ladies with the tea but will make

0:24:01.720 --> 0:24:03.520
<v Speaker 1>a rule, were going date each other? What about a

0:24:03.840 --> 0:24:07.239
<v Speaker 1>future people don't want to date each other? Well, they

0:24:07.359 --> 0:24:10.320
<v Speaker 1>hear it out like they can sing a song about it,

0:24:10.320 --> 0:24:12.479
<v Speaker 1>because I don't give a ship. Well, it's like the

0:24:12.480 --> 0:24:15.119
<v Speaker 1>pirates code empired to the Caribbean, and towards the end

0:24:15.160 --> 0:24:19.720
<v Speaker 1>they realize it's more like actual guidelines anyway, whatever you want.

0:24:19.920 --> 0:24:21.880
<v Speaker 1>It's like they almost call out the fact that that's

0:24:21.880 --> 0:24:24.360
<v Speaker 1>so fucking like because there's one scene where the pink

0:24:24.440 --> 0:24:26.480
<v Speaker 1>ladies are like, you can only date a tabern till

0:24:26.480 --> 0:24:29.760
<v Speaker 1>graduation anyways, and it's like two months before graduation. It's like,

0:24:29.840 --> 0:24:33.280
<v Speaker 1>why would you what? I keep enforcing this. Also, the

0:24:33.280 --> 0:24:36.240
<v Speaker 1>way that time passes in this movie is confusing, because

0:24:36.280 --> 0:24:37.760
<v Speaker 1>it's the first day of school and they're like, time

0:24:37.760 --> 0:24:40.159
<v Speaker 1>to start getting ready for the talent show in June

0:24:40.520 --> 0:24:44.520
<v Speaker 1>September one, right, it's an important talent show. I've said

0:24:44.560 --> 0:24:48.280
<v Speaker 1>that before those times I've walked into high school. It's

0:24:48.280 --> 0:24:49.720
<v Speaker 1>like it's time to get ready for the talent show.

0:24:50.400 --> 0:24:52.639
<v Speaker 1>We'll imagine how long it took to make those amazing

0:24:52.720 --> 0:24:59.040
<v Speaker 1>costumes all the seasons, like some Adrian ship. It was beautiful.

0:24:59.160 --> 0:25:01.240
<v Speaker 1>Like my favorite one is like the one who's wearing

0:25:01.240 --> 0:25:05.520
<v Speaker 1>a baseball glove on her head like that I didn't

0:25:05.560 --> 0:25:08.040
<v Speaker 1>even catch that detail. You need to watch that whole scene.

0:25:08.040 --> 0:25:12.520
<v Speaker 1>And it's yeah, it's a ridiculous one. Like it's the

0:25:12.560 --> 0:25:15.359
<v Speaker 1>same scene as the dance number in the first one

0:25:15.400 --> 0:25:18.440
<v Speaker 1>where it's like no one, no one does this do they?

0:25:18.880 --> 0:25:20.320
<v Speaker 1>Like is this a real school? I want to go

0:25:20.359 --> 0:25:22.240
<v Speaker 1>to the school now because I want to see everything

0:25:22.280 --> 0:25:26.440
<v Speaker 1>that every costume and girl of all seasons is the

0:25:26.480 --> 0:25:30.639
<v Speaker 1>most incredible costume I've ever seen, including that. There's another

0:25:30.640 --> 0:25:33.160
<v Speaker 1>one where Michelle Peiffer comes out, she has the most

0:25:33.160 --> 0:25:36.160
<v Speaker 1>boring costume and then do what are derails the talent shop?

0:25:36.160 --> 0:25:38.399
<v Speaker 1>But she's like wearing a white dress because of course,

0:25:38.520 --> 0:25:41.200
<v Speaker 1>and then the girl behind her is wearing a dress

0:25:41.200 --> 0:25:44.880
<v Speaker 1>that shaped like a cake and has fake legs popping.

0:25:46.160 --> 0:25:52.920
<v Speaker 1>It's missed this whole thing, so I'll send you screenshot that. Yeah. Yeah,

0:25:53.119 --> 0:25:56.399
<v Speaker 1>speaking of costumes though, did you catch the part towards

0:25:56.400 --> 0:26:00.320
<v Speaker 1>the beginning where Stephanie is wearing like short pants and

0:26:00.359 --> 0:26:03.320
<v Speaker 1>then I think it's like ms McGee is like pants

0:26:03.680 --> 0:26:05.320
<v Speaker 1>and then she's like, oh crap, and then she puts

0:26:05.320 --> 0:26:07.560
<v Speaker 1>on a skirt. Is that because I guess pants were

0:26:07.560 --> 0:26:10.280
<v Speaker 1>against the dress code or like women weren't allowed to

0:26:10.280 --> 0:26:14.600
<v Speaker 1>wear pants? Yeah? Yeah, okay, I just wanted to confirmants.

0:26:15.520 --> 0:26:18.280
<v Speaker 1>I think the rule probably if it's back then the

0:26:18.359 --> 0:26:20.920
<v Speaker 1>rules wear skirt and your skirt can't be shorter than

0:26:21.560 --> 0:26:26.880
<v Speaker 1>than yeah, or even longer. I would probably longer than yeah. Yeah,

0:26:26.880 --> 0:26:29.560
<v Speaker 1>because this is still this is the way they remind

0:26:29.880 --> 0:26:32.680
<v Speaker 1>you what error this movie takes place and is very

0:26:32.720 --> 0:26:35.040
<v Speaker 1>clumsy in a way I thought was fine where they

0:26:35.040 --> 0:26:37.640
<v Speaker 1>would just be like as John F. Kennedy would say,

0:26:37.800 --> 0:26:42.080
<v Speaker 1>he was still alive. Like its like before the lu out,

0:26:42.119 --> 0:26:46.119
<v Speaker 1>the principal spews out this JFK quote and it's like

0:26:46.160 --> 0:26:50.359
<v Speaker 1>and now for the lu out. But no, that was

0:26:50.640 --> 0:26:54.120
<v Speaker 1>wearing pants at school was a big no no, right,

0:26:54.400 --> 0:26:56.240
<v Speaker 1>so she why did she wear them? Just go in

0:26:56.240 --> 0:26:58.040
<v Speaker 1>the first place them. She should wear pants whatever she

0:26:58.080 --> 0:27:02.560
<v Speaker 1>wants to. But yeah, she's you don't change the rules

0:27:02.640 --> 0:27:08.600
<v Speaker 1>by not breaking them. It's not permission. The rule of Stephanie.

0:27:08.720 --> 0:27:13.880
<v Speaker 1>The Stephanie code data masked British guy who I think

0:27:13.920 --> 0:27:18.000
<v Speaker 1>also does a fake American accent when he's doing his thing.

0:27:17.560 --> 0:27:21.159
<v Speaker 1>I feel like, oh yeah, so that no, because otherwise,

0:27:21.200 --> 0:27:23.280
<v Speaker 1>like that would be a dead giveaway for who he is.

0:27:23.400 --> 0:27:26.560
<v Speaker 1>So he's doing like a fake American. She full on

0:27:27.040 --> 0:27:30.440
<v Speaker 1>makes out with him for like hours without being like,

0:27:30.800 --> 0:27:33.400
<v Speaker 1>by the way, who are you know that? I got

0:27:33.480 --> 0:27:37.199
<v Speaker 1>like on board, there's a version of my Like if

0:27:37.320 --> 0:27:39.920
<v Speaker 1>I had the opportunity to make out with a goggled

0:27:39.920 --> 0:27:45.280
<v Speaker 1>man when I was sixteen, of course I wouldn't. I

0:27:45.280 --> 0:27:48.280
<v Speaker 1>hadn't do it, like I'll go outside if they get

0:27:48.280 --> 0:27:50.480
<v Speaker 1>on the first motorcycle that pulls up, like if I

0:27:50.520 --> 0:27:53.119
<v Speaker 1>start looking cool writer and a great human being, and

0:27:53.240 --> 0:27:55.119
<v Speaker 1>how much shows up? And I'm just like, you know

0:27:55.160 --> 0:27:59.360
<v Speaker 1>what this was meant to be? Oh? God? And then

0:28:00.080 --> 0:28:04.360
<v Speaker 1>can we talk about the dream sequence? Sure? The dream sequence,

0:28:04.400 --> 0:28:08.360
<v Speaker 1>it's I don't remember the dream Oh it's when Stephanie

0:28:08.400 --> 0:28:12.960
<v Speaker 1>still thinks that Michael's dead or Cool Riders dead. And

0:28:13.000 --> 0:28:16.800
<v Speaker 1>then she has that whole scene when she ruins the

0:28:16.800 --> 0:28:20.359
<v Speaker 1>Talent Show, which like she ruins the Talent Show by

0:28:20.440 --> 0:28:23.400
<v Speaker 1>being in the chorus and not knowing the words, but anyways,

0:28:23.920 --> 0:28:26.160
<v Speaker 1>she starts singing her own song and then it cuts

0:28:26.160 --> 0:28:29.000
<v Speaker 1>to this dream sequence of her running towards Cool Rider.

0:28:29.080 --> 0:28:32.840
<v Speaker 1>She's wearing a Grecian dress, and then he he's not

0:28:32.960 --> 0:28:38.320
<v Speaker 1>a good singer, but he's like, theme, what if I alve?

0:28:40.200 --> 0:28:42.480
<v Speaker 1>She's like, I wish you were, and then they have

0:28:42.600 --> 0:28:46.440
<v Speaker 1>a very intense, weird exchange. She's like, just when I

0:28:46.480 --> 0:28:49.200
<v Speaker 1>thought I found you, I lost you and he's like,

0:28:49.440 --> 0:28:52.360
<v Speaker 1>I know, but it doesn't matter now because we can

0:28:52.400 --> 0:28:56.440
<v Speaker 1>always be together. She's like, okay, and then she wins

0:28:56.440 --> 0:29:00.920
<v Speaker 1>the Talent Show. It's great. I think I must have

0:29:01.000 --> 0:29:04.000
<v Speaker 1>like drifted off during the talent show because I don't remember.

0:29:04.000 --> 0:29:06.760
<v Speaker 1>It's logistically one of the most h It's a fever

0:29:06.880 --> 0:29:10.560
<v Speaker 1>dream of so many things happened, but none of it matters.

0:29:10.760 --> 0:29:14.560
<v Speaker 1>I do remember Johnny like going out onto the stage

0:29:14.680 --> 0:29:17.160
<v Speaker 1>or like being pushed on stage and like ruining someone

0:29:17.240 --> 0:29:20.400
<v Speaker 1>else's song. I don't know. That's when they steal the

0:29:20.440 --> 0:29:23.600
<v Speaker 1>Spiffy Boys jacket and all the talents. It's very weird.

0:29:23.600 --> 0:29:27.320
<v Speaker 1>There's no there's no allowance of resetting a song. Yeah,

0:29:27.560 --> 0:29:29.160
<v Speaker 1>they're not like you want to start with no, No,

0:29:29.360 --> 0:29:31.040
<v Speaker 1>We're gonna just go ahead and say this is ruined.

0:29:31.040 --> 0:29:33.680
<v Speaker 1>You can't do it again. The show must go on.

0:29:33.920 --> 0:29:37.280
<v Speaker 1>But Johnny also wins. It's it's almost like the Talent

0:29:37.320 --> 0:29:40.880
<v Speaker 1>Show didn't happen because they the two people who win, respectively,

0:29:41.040 --> 0:29:44.240
<v Speaker 1>ruined the numbers that they were in. But they're like, no,

0:29:44.400 --> 0:29:46.560
<v Speaker 1>we're putting you out on the lu out float in

0:29:46.600 --> 0:29:49.480
<v Speaker 1>the pool. It's really weird how the school just functions

0:29:49.480 --> 0:29:54.719
<v Speaker 1>with two gangs that they're very aware of, right, and

0:29:54.760 --> 0:29:57.160
<v Speaker 1>it's like if you don't there are people there who

0:29:57.200 --> 0:29:59.400
<v Speaker 1>don't belong to either of this, but really only to

0:29:59.480 --> 0:30:03.800
<v Speaker 1>be shoved. I'm pretty sure the other kids at school,

0:30:03.800 --> 0:30:07.040
<v Speaker 1>like they're a cult and they're just totally The rest

0:30:07.040 --> 0:30:11.440
<v Speaker 1>of the people are thriving behind. They're riding their own

0:30:11.480 --> 0:30:15.120
<v Speaker 1>homework assignments and they're doing great. Yeah, both of the

0:30:15.160 --> 0:30:17.920
<v Speaker 1>gangs that run the school are dumb as rocks, like

0:30:18.320 --> 0:30:21.960
<v Speaker 1>all of them without reservation or full on more. And

0:30:22.080 --> 0:30:25.760
<v Speaker 1>like I would include Stephanie in that assessment because we

0:30:25.840 --> 0:30:30.040
<v Speaker 1>hear snippets of her essay, right, it is ridiculous that

0:30:30.080 --> 0:30:31.840
<v Speaker 1>scene where they're at the diner and he's like helping

0:30:31.880 --> 0:30:35.400
<v Speaker 1>her with her Shakespeare essay and everything that she's saying,

0:30:35.680 --> 0:30:38.160
<v Speaker 1>just like making up words and saying very stupid things,

0:30:38.560 --> 0:30:41.440
<v Speaker 1>and like it's and it makes you wonder why does

0:30:41.800 --> 0:30:45.240
<v Speaker 1>Michael like her? Obviously he wants to fuck her, but

0:30:45.360 --> 0:30:48.920
<v Speaker 1>like what about her personality? There's something great about Michelle

0:30:48.960 --> 0:30:52.280
<v Speaker 1>Pfeiffer that I that very few people acknowledge, and that

0:30:52.360 --> 0:30:56.120
<v Speaker 1>is she is She looks like a very dainty, blonde lady,

0:30:56.160 --> 0:31:02.160
<v Speaker 1>but she is the most Jersey Italian persona. Yeah, like

0:31:02.200 --> 0:31:04.520
<v Speaker 1>everything I've ever seen her, and she's like I've murdered

0:31:04.520 --> 0:31:09.480
<v Speaker 1>some people now I'm here, but I looked good. Yeah,

0:31:09.800 --> 0:31:12.400
<v Speaker 1>That's why I love. I don't know why easily love

0:31:12.440 --> 0:31:14.560
<v Speaker 1>those kind of characters are like feel I feel like

0:31:14.560 --> 0:31:17.000
<v Speaker 1>she can just beat us all up, and I'm quite

0:31:17.000 --> 0:31:22.320
<v Speaker 1>content with that. She's a catwoman, She's yeah. Catwoman. Married

0:31:22.360 --> 0:31:25.600
<v Speaker 1>to the Mob is a phenomenal movie where she is, Oh,

0:31:25.680 --> 0:31:27.800
<v Speaker 1>I have seen that. It's it's a good one. She's

0:31:27.880 --> 0:31:30.040
<v Speaker 1>running away from the mob. It's really I would love

0:31:30.080 --> 0:31:31.840
<v Speaker 1>to see Michelle Fife for a run from the mob.

0:31:32.160 --> 0:31:35.680
<v Speaker 1>Scarface is another one. Oh yeah, I always forget that's her.

0:31:35.960 --> 0:31:39.200
<v Speaker 1>She's in scarface. Yeah, so that was That was right

0:31:39.240 --> 0:31:46.480
<v Speaker 1>after Greece Too. She's exactly weird. It's a solid follow up. Well,

0:31:46.520 --> 0:31:49.320
<v Speaker 1>I was reading a little bit about Maxwell Caulfield who

0:31:49.440 --> 0:31:52.440
<v Speaker 1>is very bitter about Greece Too and like blames it

0:31:52.520 --> 0:31:56.360
<v Speaker 1>for ruining his career mom, which I guess name is

0:31:56.360 --> 0:31:59.320
<v Speaker 1>something he did after her. I personally get. But well,

0:31:59.360 --> 0:32:01.040
<v Speaker 1>there's like a quote for him saying like, oh, they

0:32:01.040 --> 0:32:04.280
<v Speaker 1>were saying that was the next Richard gear But then

0:32:04.320 --> 0:32:08.160
<v Speaker 1>Greece Too sucked and I was back. He was like

0:32:08.360 --> 0:32:10.520
<v Speaker 1>in The Elephant Man on Broadway, like he was a

0:32:10.560 --> 0:32:14.000
<v Speaker 1>serious actor. And then I guess took a gamble on

0:32:14.120 --> 0:32:17.040
<v Speaker 1>like a little blockbuster and thought that it kind of

0:32:17.080 --> 0:32:21.280
<v Speaker 1>like ruined his crew. It's like, you're not sure. Everybody else,

0:32:21.400 --> 0:32:23.440
<v Speaker 1>most of the people from the movie kept working right,

0:32:23.560 --> 0:32:26.760
<v Speaker 1>like everyone's in you know, it seems par for the course.

0:32:26.880 --> 0:32:30.200
<v Speaker 1>But he's bitter about it. Baby, Well, I don't care.

0:32:30.720 --> 0:32:34.000
<v Speaker 1>He still did he how did he age? I mean,

0:32:34.080 --> 0:32:39.280
<v Speaker 1>I guess realistically, he aged realistically. Here's a picture of him. Now,

0:32:40.080 --> 0:32:43.720
<v Speaker 1>that's fine. Yeah, he's doing fine. He's okay. It's not

0:32:43.760 --> 0:32:48.680
<v Speaker 1>the way I prefer, perhaps not for me, but he

0:32:48.720 --> 0:32:56.600
<v Speaker 1>looks slippery. That's what he discovered, jam covering and Greece.

0:32:59.400 --> 0:33:02.480
<v Speaker 1>I did really enjoy his solo number, where again he's

0:33:02.520 --> 0:33:06.120
<v Speaker 1>just wandering around singing to himself. What's the name of

0:33:06.160 --> 0:33:12.840
<v Speaker 1>the song? It's oh Charades. A lot of the thing

0:33:13.000 --> 0:33:16.080
<v Speaker 1>this movie sounds mumbled, it is. I think the only

0:33:16.120 --> 0:33:18.160
<v Speaker 1>song I can recall is cool, right, and the other

0:33:18.200 --> 0:33:21.760
<v Speaker 1>songs definitely fall to the wayside. Well, there's the song

0:33:21.800 --> 0:33:23.920
<v Speaker 1>about I like that. There's a whole song about like

0:33:24.040 --> 0:33:27.800
<v Speaker 1>women's reproduction when they're like the substitute teacher just comes

0:33:27.800 --> 0:33:30.640
<v Speaker 1>in all right, So that I like most of the song,

0:33:31.160 --> 0:33:34.200
<v Speaker 1>and like all the imagery on the board in the

0:33:34.240 --> 0:33:38.720
<v Speaker 1>classroom is like plants, but he's drawing a woman's uterus

0:33:38.720 --> 0:33:43.320
<v Speaker 1>and like Philippian two and she break but anyway, and

0:33:43.360 --> 0:33:46.480
<v Speaker 1>then he's asking different members of the class when is

0:33:46.480 --> 0:33:49.120
<v Speaker 1>it the best time for a woman to conceive? So

0:33:49.160 --> 0:33:51.000
<v Speaker 1>I guess they're in sect said classes. You know, it

0:33:51.000 --> 0:33:52.840
<v Speaker 1>seems like they're in biology. But then they sing the

0:33:52.840 --> 0:33:55.240
<v Speaker 1>whole song, which is obviously like subtext and also that

0:33:56.600 --> 0:34:00.000
<v Speaker 1>watching right she comes in, so she's a music appreciate

0:34:00.000 --> 0:34:03.800
<v Speaker 1>Asian teacher, right, but then she's horny, but they're in

0:34:03.880 --> 0:34:08.960
<v Speaker 1>her class. Stephanie submits her like Shakespeare essay to her class,

0:34:09.120 --> 0:34:13.560
<v Speaker 1>so she's also an English teacher. There's there's very confusing

0:34:13.640 --> 0:34:15.680
<v Speaker 1>what's happening at right? Which one in Greece? Two are

0:34:15.719 --> 0:34:18.480
<v Speaker 1>all about It's all about teen sex, but no one

0:34:18.640 --> 0:34:21.799
<v Speaker 1>is directly talking about it in a manner that makes

0:34:21.840 --> 0:34:26.319
<v Speaker 1>any sense. Right, every st like characters have sex in

0:34:26.360 --> 0:34:28.520
<v Speaker 1>the first one because there's a pregnancy scare. I feel

0:34:28.520 --> 0:34:30.040
<v Speaker 1>like no one actually has sex in this one. Well,

0:34:30.040 --> 0:34:33.320
<v Speaker 1>there's that one offline that ends with the principal breaking

0:34:33.320 --> 0:34:35.799
<v Speaker 1>in the fourth wall where she's like, I haven't had

0:34:35.840 --> 0:34:39.600
<v Speaker 1>my period in two months and then she says makes

0:34:39.640 --> 0:34:42.000
<v Speaker 1>some sort of she's like, you can stay after school

0:34:42.080 --> 0:34:45.600
<v Speaker 1>to make those up joke, right, And then she goes

0:34:46.480 --> 0:34:51.480
<v Speaker 1>and like turns to camera like Okay, I guess that

0:34:51.560 --> 0:34:55.800
<v Speaker 1>was worthwhile. Know that I like the reproduction song strictly

0:34:55.880 --> 0:34:58.319
<v Speaker 1>for the kid with the bass voice who goes like

0:34:58.360 --> 0:35:04.080
<v Speaker 1>where does the pollen go? Four hundred times? Oh, I

0:35:04.120 --> 0:35:07.160
<v Speaker 1>found it interesting. So many times on this podcast we

0:35:07.200 --> 0:35:11.080
<v Speaker 1>have come across a movie where a man surprise kisses

0:35:11.120 --> 0:35:14.680
<v Speaker 1>a woman just I don't know where without that happens

0:35:14.680 --> 0:35:17.920
<v Speaker 1>in this movie, except the roles are reversed right where

0:35:17.920 --> 0:35:21.040
<v Speaker 1>the woman surprise kisses a man. What do we think? Well,

0:35:21.320 --> 0:35:23.360
<v Speaker 1>I think it's just about as okay as it is

0:35:23.400 --> 0:35:25.239
<v Speaker 1>when a man does it to a woman, which is

0:35:25.440 --> 0:35:30.359
<v Speaker 1>not okay, but he was like smitten by it, which

0:35:30.400 --> 0:35:33.800
<v Speaker 1>is how they decided to portray that reaction in this movie.

0:35:34.400 --> 0:35:37.480
<v Speaker 1>Might that happen in real life to certain men, sure,

0:35:37.920 --> 0:35:41.359
<v Speaker 1>but also other men might be like, I don't want

0:35:41.360 --> 0:35:45.880
<v Speaker 1>to be surprise kissed without my permission by anyone? Is

0:35:45.920 --> 0:35:47.800
<v Speaker 1>the troupe? And it isn't because the one I always

0:35:48.040 --> 0:35:51.480
<v Speaker 1>returned to, just because it's the most egregious example of

0:35:51.520 --> 0:35:55.600
<v Speaker 1>that is the Brendan Fraser is a mummy where he's

0:35:55.640 --> 0:35:59.719
<v Speaker 1>in a cage and he lunges Farrell Fraser. Farrell Fraser.

0:36:00.080 --> 0:36:03.480
<v Speaker 1>He's shirtless, he's dirty. He lunges at a woman and

0:36:03.560 --> 0:36:06.440
<v Speaker 1>kisses her and then he's like, you deserved it. Like it.

0:36:06.440 --> 0:36:12.320
<v Speaker 1>It's like the most insane mummy and we're still supposed

0:36:12.320 --> 0:36:15.960
<v Speaker 1>to be Like he's how romant, he can't be controlled.

0:36:17.360 --> 0:36:22.640
<v Speaker 1>That's what I love about him. He won't listen. But yeah,

0:36:22.719 --> 0:36:25.319
<v Speaker 1>I mean because they played it. I don't know he

0:36:25.440 --> 0:36:28.879
<v Speaker 1>was into it. I mean, and maybe maybe I'm am

0:36:28.880 --> 0:36:33.400
<v Speaker 1>I victim blaming Naxal coffeel. Oh no, I don't know.

0:36:33.480 --> 0:36:36.239
<v Speaker 1>It's it's that registered with me too. But I was like,

0:36:36.560 --> 0:36:39.719
<v Speaker 1>but it made him so happy. I mean, if people

0:36:39.719 --> 0:36:41.799
<v Speaker 1>are going to kiss each other, let there be some

0:36:42.040 --> 0:36:44.600
<v Speaker 1>lead in. Let the person know you were about to

0:36:44.640 --> 0:36:46.840
<v Speaker 1>kiss him and make sure they're okay with it. Let

0:36:46.920 --> 0:36:50.239
<v Speaker 1>him go on a date first. Yeah, she she will

0:36:50.280 --> 0:36:53.239
<v Speaker 1>not accept his invitation for a date, no matter how

0:36:53.280 --> 0:36:55.880
<v Speaker 1>many times he has it with his hands tomorrow the

0:36:55.920 --> 0:37:04.200
<v Speaker 1>next day, and just like you don't understand, I'm oh yeah,

0:37:04.200 --> 0:37:07.440
<v Speaker 1>and then she mumbles, unless you're this guy from my

0:37:07.560 --> 0:37:13.000
<v Speaker 1>dreams and he'll show up and he does. He does

0:37:13.719 --> 0:37:16.880
<v Speaker 1>that look that is very much the movie is about

0:37:16.920 --> 0:37:25.720
<v Speaker 1>the secret. Yeah, Michelle, to the point where he shows

0:37:25.800 --> 0:37:29.560
<v Speaker 1>up at like the gas station she works at, She's overwhelmed.

0:37:29.600 --> 0:37:31.480
<v Speaker 1>Everyone's like, are you going to clean my windshield? Can

0:37:31.520 --> 0:37:33.279
<v Speaker 1>I pay for this? Where are your maps? She's like,

0:37:33.840 --> 0:37:35.920
<v Speaker 1>I'm just gonna get on the back of his motorcycle

0:37:35.960 --> 0:37:38.760
<v Speaker 1>and run away. Other other trope we've come up against

0:37:39.080 --> 0:37:42.000
<v Speaker 1>a number of times. Woman who we know isn't like

0:37:42.080 --> 0:37:47.440
<v Speaker 1>the other girls cause she knows about a car. A

0:37:47.800 --> 0:37:52.920
<v Speaker 1>car Julia robertson My best friend's wedding and transformers and

0:37:53.160 --> 0:37:56.480
<v Speaker 1>transfer right. It's like I and we never see her

0:37:56.520 --> 0:37:59.040
<v Speaker 1>do work on a car, but she says the word windshield.

0:37:59.400 --> 0:38:03.040
<v Speaker 1>We see her something overall like and you're like, oh,

0:38:03.080 --> 0:38:05.239
<v Speaker 1>she was definitely wearing the list amount of clothes to

0:38:05.280 --> 0:38:09.480
<v Speaker 1>work on a car. Yeah. Yeah, she's working at like

0:38:09.520 --> 0:38:13.920
<v Speaker 1>a gas station like auto body shop. People need maps, Like,

0:38:13.960 --> 0:38:17.399
<v Speaker 1>oh my god, there was a time where that was true. Yeah.

0:38:17.520 --> 0:38:20.120
<v Speaker 1>I didn't even pick up on that. Good noticing the

0:38:20.160 --> 0:38:24.359
<v Speaker 1>trope Jamie Dan dang Ding. I also love that this

0:38:24.360 --> 0:38:26.760
<v Speaker 1>this movie I think appeals to me so strongly because

0:38:26.760 --> 0:38:30.600
<v Speaker 1>it is a movie with a lot of needless musical numbers,

0:38:30.600 --> 0:38:34.919
<v Speaker 1>which I love, and it's about woman taking a man

0:38:35.360 --> 0:38:43.520
<v Speaker 1>and fixing him, which is my objective. Although she's not

0:38:43.640 --> 0:38:45.840
<v Speaker 1>very active in fixing him. He's sort of he's the

0:38:45.840 --> 0:38:48.320
<v Speaker 1>one who's like, I'm going to change everything about myself

0:38:48.360 --> 0:38:53.080
<v Speaker 1>even easier, but manifest destiny. Like she just like gives

0:38:53.160 --> 0:38:56.200
<v Speaker 1>him the cliff notes via cool Rider of like this

0:38:56.280 --> 0:38:58.520
<v Speaker 1>is what I need you to do. Come back when

0:38:58.520 --> 0:39:01.759
<v Speaker 1>you've exactly like Reddy Pins Jr. Had to. She's all

0:39:01.760 --> 0:39:04.520
<v Speaker 1>that whole way through, and she's like, you know, I'm

0:39:04.520 --> 0:39:07.160
<v Speaker 1>not going to lift a finger for you. If you

0:39:07.200 --> 0:39:09.319
<v Speaker 1>want to be this person, you have to figure it out.

0:39:09.400 --> 0:39:12.680
<v Speaker 1>You're gonna need to like put a motorcycle together with

0:39:12.800 --> 0:39:16.200
<v Speaker 1>scrap metal. You're gonna need to be practicing every day

0:39:16.280 --> 0:39:20.920
<v Speaker 1>after school with Frenchy, the weird feral adults who wanders

0:39:21.000 --> 0:39:26.240
<v Speaker 1>this street and making creams. And he had to become

0:39:26.400 --> 0:39:29.040
<v Speaker 1>the best guy in the motorcycle, not even just go

0:39:29.200 --> 0:39:31.160
<v Speaker 1>it at a motorcycle, like he had to become the

0:39:31.200 --> 0:39:37.319
<v Speaker 1>best up. He jumps over a hundred few Like she

0:39:37.480 --> 0:39:40.839
<v Speaker 1>was not going to accept anything beneath a cool writer,

0:39:41.000 --> 0:39:43.759
<v Speaker 1>How did he get so good so fast? Look if

0:39:43.800 --> 0:39:47.239
<v Speaker 1>you have the need and you have the energy, and like,

0:39:47.400 --> 0:39:54.000
<v Speaker 1>look it's her vision board. He's manifesting too, he too.

0:39:54.120 --> 0:39:56.279
<v Speaker 1>Vision boards working at the same time can do a

0:39:56.320 --> 0:39:59.680
<v Speaker 1>lot of things. I keep screaming this at my lef

0:40:00.000 --> 0:40:07.920
<v Speaker 1>and no, you're right though, I mean, he changes everything.

0:40:08.000 --> 0:40:09.920
<v Speaker 1>So wait, are we to believe what happens to the

0:40:10.040 --> 0:40:12.800
<v Speaker 1>end exactly? So he comes back at like the Luo

0:40:13.880 --> 0:40:17.280
<v Speaker 1>in his garb and his goggles and his leather, basically

0:40:18.160 --> 0:40:23.799
<v Speaker 1>return the opera. But then so he reveals who he is,

0:40:24.120 --> 0:40:27.719
<v Speaker 1>and Stephanie's all like, cool, I like you still, and

0:40:27.760 --> 0:40:29.680
<v Speaker 1>he's like, I wouldn't think you would have liked me

0:40:29.719 --> 0:40:32.400
<v Speaker 1>if you knew who I actually was. She's like, you're crazy.

0:40:32.680 --> 0:40:36.759
<v Speaker 1>You did this because she said in the beginning, Oh,

0:40:36.800 --> 0:40:39.759
<v Speaker 1>I wouldn't like you when you're you. Um, she's gas

0:40:39.840 --> 0:40:43.560
<v Speaker 1>lighting him, and I'm completely okay with that. It's nice

0:40:43.560 --> 0:40:50.000
<v Speaker 1>to see everything in a while. Yeah, I always liked you. Yeah,

0:40:50.200 --> 0:40:55.320
<v Speaker 1>you're not crazy at all. Let her do it. Yeah, please,

0:40:55.400 --> 0:40:59.320
<v Speaker 1>let's see more women gaslighting men. You're right, hell yeah,

0:40:59.680 --> 0:41:03.040
<v Speaker 1>Well there's like that small I feel like the only

0:41:03.040 --> 0:41:05.080
<v Speaker 1>reason that was supposed to work. Besides the fact that

0:41:05.120 --> 0:41:07.359
<v Speaker 1>nothing in this movie has to make sense per se.

0:41:07.719 --> 0:41:09.840
<v Speaker 1>It's like there was a little bit of a connection

0:41:09.880 --> 0:41:11.759
<v Speaker 1>in that scene in the diner where she's like, you

0:41:11.760 --> 0:41:14.520
<v Speaker 1>probably think I'm dumb, and he's like, no, I think

0:41:14.520 --> 0:41:17.560
<v Speaker 1>you're really hot. Like he still doesn't say I don't

0:41:17.560 --> 0:41:20.360
<v Speaker 1>think you're dumb. Well, he's like, I'm dumb too. I

0:41:20.440 --> 0:41:22.880
<v Speaker 1>just have a British accent, so no one notices, and

0:41:22.920 --> 0:41:25.040
<v Speaker 1>I can say some big words like don't be insecure.

0:41:25.440 --> 0:41:28.040
<v Speaker 1>You're writing ever, you're writing everyone at this high school's essays.

0:41:28.600 --> 0:41:34.160
<v Speaker 1>He's gaslighting himself. That's things. If you're so good at gaslighting,

0:41:34.160 --> 0:41:37.879
<v Speaker 1>you eventually make something gaslight themselves, and that is it's

0:41:37.920 --> 0:41:41.920
<v Speaker 1>just a way of manifest and cutting out the middle man.

0:41:43.640 --> 0:41:46.160
<v Speaker 1>So in that way, she's like an evil mastermind, and

0:41:46.200 --> 0:41:51.280
<v Speaker 1>I respect her. She got what she wanted by literally

0:41:51.280 --> 0:41:53.800
<v Speaker 1>putting the least amount of effort and by just simply

0:41:54.160 --> 0:41:58.040
<v Speaker 1>a manipulative suggestion you're right via a very catchy song.

0:41:58.160 --> 0:42:01.879
<v Speaker 1>Maybe that's probably the catchiest. Yeah, yeah, I mean cool

0:42:02.000 --> 0:42:05.320
<v Speaker 1>Rider is better than any song in Greece. One. Yeah,

0:42:05.480 --> 0:42:08.360
<v Speaker 1>it doesn't mention if he raped a woman in it

0:42:08.440 --> 0:42:10.799
<v Speaker 1>at all, which is all right, did she bread up

0:42:10.880 --> 0:42:14.759
<v Speaker 1>that fight? Yeah, that's still right there. But I mean

0:42:14.800 --> 0:42:18.239
<v Speaker 1>and then this one, the bomb shelter scene, is like

0:42:20.080 --> 0:42:22.040
<v Speaker 1>there is I mean, at first, she's like, I want

0:42:22.040 --> 0:42:24.680
<v Speaker 1>to leave, and he's like, you can't, can't. There's a

0:42:24.680 --> 0:42:28.680
<v Speaker 1>war outside, there's a nuclear bombs dropping. Okay, but they're

0:42:28.719 --> 0:42:31.719
<v Speaker 1>both sucking dumb as rocks. It's well, yeah, she he

0:42:31.760 --> 0:42:36.439
<v Speaker 1>convinceits her. The Russians are dropping nuclear warheads on them

0:42:36.960 --> 0:42:39.640
<v Speaker 1>right just right then, and she's like, you're right, we

0:42:39.680 --> 0:42:41.480
<v Speaker 1>have to we have to stay in here for our

0:42:41.520 --> 0:42:45.879
<v Speaker 1>country and for our country. And then I think they're

0:42:45.920 --> 0:42:48.799
<v Speaker 1>about to start like making out, and then she's like,

0:42:48.840 --> 0:42:50.839
<v Speaker 1>wait a minute, and then opens the door. I forget

0:42:50.880 --> 0:42:52.440
<v Speaker 1>what happens, but she opens the door, and then the

0:42:52.440 --> 0:42:55.120
<v Speaker 1>two other tea birds like fall out into the bunker

0:42:56.280 --> 0:42:58.400
<v Speaker 1>and she does. She's like, oh so I like that.

0:42:58.719 --> 0:43:00.920
<v Speaker 1>There's a bunch of times in this movie where the

0:43:01.000 --> 0:43:04.960
<v Speaker 1>tea birds, who are very toxic in their masculinity, being

0:43:05.600 --> 0:43:09.520
<v Speaker 1>very toxic towards the women, and they don't stand for it.

0:43:09.560 --> 0:43:13.960
<v Speaker 1>They're like, uh no, you're being gross. No, thank you

0:43:14.280 --> 0:43:16.520
<v Speaker 1>a little bit, but then they eventually right they used

0:43:16.520 --> 0:43:18.319
<v Speaker 1>to come because they all end up together at the end,

0:43:18.600 --> 0:43:20.960
<v Speaker 1>which is not ideal. But I feel like in the

0:43:21.040 --> 0:43:25.840
<v Speaker 1>first movie a lot of that toxic masculinity went unchallenged

0:43:26.000 --> 0:43:29.279
<v Speaker 1>or like so, like remember in one of the very

0:43:29.320 --> 0:43:32.439
<v Speaker 1>opening scenes in the first Greece, there's just a guy

0:43:32.640 --> 0:43:36.120
<v Speaker 1>lying on the bleachers looking up a woman's skirt and

0:43:36.120 --> 0:43:38.200
<v Speaker 1>then she like noticed someone points it out to her

0:43:38.200 --> 0:43:40.560
<v Speaker 1>and she says like and she runs away, and then

0:43:40.600 --> 0:43:44.080
<v Speaker 1>all the other dudes were like, oh cool. Well that's

0:43:44.080 --> 0:43:46.480
<v Speaker 1>why it's like the Tea Birds characters are like kind

0:43:46.480 --> 0:43:48.480
<v Speaker 1>of unchanged from the first movie. But it's just like

0:43:48.520 --> 0:43:52.320
<v Speaker 1>they're not made to seem very cool. They're framed differently.

0:43:52.400 --> 0:43:55.040
<v Speaker 1>They're not in charge of the school. Yeah, it was

0:43:55.080 --> 0:43:56.520
<v Speaker 1>weird that they were in charge in the school to

0:43:56.520 --> 0:43:59.359
<v Speaker 1>begin with, Like ther dumbest Danny Zuku had to take

0:43:59.400 --> 0:44:02.360
<v Speaker 1>a fu pe class and he was so frail that

0:44:02.400 --> 0:44:08.240
<v Speaker 1>he couldn't do anything. Why are these guys in charge?

0:44:08.719 --> 0:44:11.280
<v Speaker 1>They know how to fix up a car, and honestly,

0:44:11.320 --> 0:44:13.960
<v Speaker 1>in my book, that's the hottest thing you can do

0:44:14.120 --> 0:44:17.880
<v Speaker 1>cars cars. Just kidding. It's like they're the bad gang

0:44:17.920 --> 0:44:20.319
<v Speaker 1>and there's an even like meaner gang that's cruel in

0:44:20.360 --> 0:44:25.440
<v Speaker 1>them in a nearby school, right within motorcycle distance. But

0:44:25.760 --> 0:44:27.719
<v Speaker 1>so those guys in the first one, they were all

0:44:27.760 --> 0:44:31.280
<v Speaker 1>about cars, like convertible whatever, and then in this movie

0:44:31.400 --> 0:44:36.160
<v Speaker 1>it's all about the motorcycle. Times are change, times are changing,

0:44:36.920 --> 0:44:38.799
<v Speaker 1>And be honestly, the motorcycle is my thing too. I

0:44:38.800 --> 0:44:42.560
<v Speaker 1>get it. I enjoy it bad boys. It seems like

0:44:42.560 --> 0:44:45.360
<v Speaker 1>there's at least some element of skill involved. Danny Zuka

0:44:45.480 --> 0:44:49.920
<v Speaker 1>jumps no ravine, Yeah, no, n and it does drive

0:44:49.960 --> 0:44:55.880
<v Speaker 1>through like you almost, like almost, But also like Danny Zua,

0:44:56.960 --> 0:44:59.799
<v Speaker 1>there's no like like like there's zero. I don't think

0:44:59.800 --> 0:45:04.080
<v Speaker 1>there's the explanation of the ravine survival. I think we

0:45:04.200 --> 0:45:08.239
<v Speaker 1>just assumed he made the jump and then hid for

0:45:08.320 --> 0:45:13.160
<v Speaker 1>a few days, Like the fuck are you doing there?

0:45:13.680 --> 0:45:15.799
<v Speaker 1>I didn't even think of that yet. Where was he

0:45:16.200 --> 0:45:18.880
<v Speaker 1>when he's hiding? He's had one of two things happened.

0:45:18.920 --> 0:45:20.719
<v Speaker 1>You survived and you should have been a school the

0:45:20.760 --> 0:45:23.680
<v Speaker 1>next day, or you managed to get an injury that

0:45:23.719 --> 0:45:29.480
<v Speaker 1>required only two days of recovery. He's mysterious with parents.

0:45:30.000 --> 0:45:33.360
<v Speaker 1>He lived with his aunt and uncle. Oh so okay,

0:45:33.520 --> 0:45:37.440
<v Speaker 1>so Sandy Sandy's parents I guess also this exchange program

0:45:37.440 --> 0:45:39.440
<v Speaker 1>at this school, just only taking in one student at

0:45:39.440 --> 0:45:42.960
<v Speaker 1>a time, and they're always white. And then and and

0:45:43.120 --> 0:45:46.320
<v Speaker 1>announced them on the intercom the day they get there.

0:45:46.640 --> 0:45:48.840
<v Speaker 1>We have another white kid. This is a very white movie,

0:45:49.200 --> 0:45:52.520
<v Speaker 1>by the way, even whiter I think than the first movie.

0:45:52.800 --> 0:45:56.640
<v Speaker 1>I cannot confirm that because they're both very white. Is

0:45:56.680 --> 0:45:59.680
<v Speaker 1>there a non white character in this movie? I cannot.

0:46:00.239 --> 0:46:03.239
<v Speaker 1>On either film, and the first one, at least you

0:46:03.320 --> 0:46:06.000
<v Speaker 1>see a couple of extras who are people of color.

0:46:06.440 --> 0:46:08.600
<v Speaker 1>I don't even know if you see that in Greece too,

0:46:08.640 --> 0:46:11.320
<v Speaker 1>If you would say, just a tiny glimpse of someone

0:46:11.400 --> 0:46:13.719
<v Speaker 1>looking at this wide shot of the bawling scene is

0:46:14.239 --> 0:46:18.800
<v Speaker 1>literally like the picture of Paul Ryan's interns, like a

0:46:19.040 --> 0:46:25.360
<v Speaker 1>sea of white teenagers, very unappealing. Any other scenes that

0:46:25.400 --> 0:46:27.600
<v Speaker 1>anyone wants to talk, or any other points people would

0:46:27.640 --> 0:46:31.920
<v Speaker 1>like to make. Man, this is a great movie. It's

0:46:31.960 --> 0:46:34.960
<v Speaker 1>so fun. I was prepared for like a This was

0:46:35.000 --> 0:46:37.680
<v Speaker 1>like a position to me as like a bad movie. Yeah,

0:46:37.719 --> 0:46:41.480
<v Speaker 1>because it's people mocked it for so long. I think

0:46:41.520 --> 0:46:43.839
<v Speaker 1>it's it's one of those things where it's earned its

0:46:43.840 --> 0:46:47.560
<v Speaker 1>own cult following. And I prefer it more than the

0:46:47.600 --> 0:46:50.680
<v Speaker 1>original because it's just it's just a little more effervescent

0:46:50.719 --> 0:46:53.799
<v Speaker 1>and a little and there's there's more dynamics between human

0:46:53.840 --> 0:46:57.680
<v Speaker 1>beings and just also sucking. I can't reiterate how great

0:46:57.760 --> 0:47:00.560
<v Speaker 1>of a song cool Writer is. It is hands down

0:47:01.440 --> 0:47:04.120
<v Speaker 1>the movie like it should. You should just listen to

0:47:04.160 --> 0:47:06.239
<v Speaker 1>it in general as a song to listen to, because

0:47:06.239 --> 0:47:08.279
<v Speaker 1>it actually holds up as a pop song on its own.

0:47:08.440 --> 0:47:10.960
<v Speaker 1>It's really yeah, and it's uh oh we well, we

0:47:10.960 --> 0:47:14.560
<v Speaker 1>didn't say a female director, uh choreographer from the first movie,

0:47:14.560 --> 0:47:18.600
<v Speaker 1>like Salomon said, I love a choreographer directed movie. I e.

0:47:19.040 --> 0:47:21.680
<v Speaker 1>All of the high school musical movies are directed by

0:47:21.719 --> 0:47:24.759
<v Speaker 1>the choreographer. And you can you can tell because story

0:47:24.840 --> 0:47:29.880
<v Speaker 1>is not super and the dancings are unbeat and the

0:47:29.960 --> 0:47:36.640
<v Speaker 1>dancings in this one are superior. Far. Yeah. Director what's

0:47:36.640 --> 0:47:41.399
<v Speaker 1>her name? Her name Isa? So she choreographed the first

0:47:41.440 --> 0:47:43.840
<v Speaker 1>one and then directed and choreographed the second one. I

0:47:43.880 --> 0:47:49.640
<v Speaker 1>didn't even realize that I didn't do my research. It's okay, yeah,

0:47:49.760 --> 0:47:53.399
<v Speaker 1>I mean I really liked it. I well, okay, let

0:47:53.400 --> 0:47:55.799
<v Speaker 1>me read I liked it. I'm not a big fan

0:47:55.840 --> 0:48:00.759
<v Speaker 1>of musicals. I liked We'll never comprehend that a part

0:48:00.800 --> 0:48:04.920
<v Speaker 1>of people will get it. I liked this one a

0:48:04.960 --> 0:48:08.400
<v Speaker 1>whole lot more than Greece one, and part of that

0:48:08.520 --> 0:48:11.200
<v Speaker 1>is because I think it treats its female characters a

0:48:11.239 --> 0:48:14.120
<v Speaker 1>little better, you know, not a huge amount this could

0:48:14.160 --> 0:48:17.000
<v Speaker 1>have been. If I was to rewrite this movie, it

0:48:17.040 --> 0:48:21.760
<v Speaker 1>would be about Stephanie. She's smart for unch so fucking

0:48:21.840 --> 0:48:26.200
<v Speaker 1>dumb idiot but everyone and like I was, I was like, well,

0:48:26.280 --> 0:48:28.040
<v Speaker 1>all the female characters are down. It's like, oh, but

0:48:28.080 --> 0:48:31.320
<v Speaker 1>all the male characters. Everyone's done. Everyone's on Michael Carrington,

0:48:31.520 --> 0:48:36.560
<v Speaker 1>but he's also the dumbest of all. He's like, he's like,

0:48:36.719 --> 0:48:38.840
<v Speaker 1>I just want to put my dick in this blond lady.

0:48:38.880 --> 0:48:42.320
<v Speaker 1>So I have to pretend to be dumb and change everything.

0:48:42.760 --> 0:48:46.360
<v Speaker 1>Is anyone in high school smart? Yes? I was extremely

0:48:46.960 --> 0:48:48.799
<v Speaker 1>smart and good and I made no mistakes and I

0:48:48.840 --> 0:48:57.560
<v Speaker 1>was perfect. I mean, even if you're like a dumb,

0:48:57.680 --> 0:49:01.120
<v Speaker 1>immature teenager, you can still be like academically smart. You

0:49:01.120 --> 0:49:03.560
<v Speaker 1>don't have to be a fucking idiot who like can't

0:49:03.600 --> 0:49:06.080
<v Speaker 1>string a sentence together and when you're writing a paper

0:49:06.120 --> 0:49:08.080
<v Speaker 1>about Shakespeare. So I would have just made her a

0:49:08.120 --> 0:49:11.279
<v Speaker 1>little smarter and made her not so beholden to this

0:49:11.400 --> 0:49:14.200
<v Speaker 1>weird code that they've all decided as a thing and

0:49:14.239 --> 0:49:17.399
<v Speaker 1>been like, actually, I'm going to go and make out

0:49:17.400 --> 0:49:19.680
<v Speaker 1>with whoever I want, which is something that she says.

0:49:20.239 --> 0:49:22.120
<v Speaker 1>She's like, I can kiss whoever I want, whenever I want,

0:49:22.120 --> 0:49:26.080
<v Speaker 1>And then suddenly she's like, actually, nope, forgotten, only forgot

0:49:26.080 --> 0:49:29.040
<v Speaker 1>the rules. Whoops. So I would have had her be

0:49:29.160 --> 0:49:33.680
<v Speaker 1>more proactive about like breaking these established rules, you know,

0:49:33.760 --> 0:49:37.799
<v Speaker 1>breaking the status quo, actually doing whatever she wants, and not,

0:49:38.000 --> 0:49:40.520
<v Speaker 1>you know, waiting till a man changes for her, although

0:49:40.560 --> 0:49:42.920
<v Speaker 1>I do like that that happens, so I don't know.

0:49:42.960 --> 0:49:44.719
<v Speaker 1>I just would have made her a little bit more. Yeah,

0:49:44.800 --> 0:49:54.120
<v Speaker 1>I can, in good conscience condemn a man changing has

0:49:54.160 --> 0:49:57.560
<v Speaker 1>to be in behavior that I would encourage in acts.

0:49:58.040 --> 0:50:04.560
<v Speaker 1>But he's already like mostly perfect. If you have to,

0:50:04.760 --> 0:50:11.960
<v Speaker 1>you have to test that pliability. How willing are you?

0:50:11.960 --> 0:50:15.480
<v Speaker 1>You're supposed to just assume he might change, Your taste

0:50:15.560 --> 0:50:18.560
<v Speaker 1>might change over the years, exactly. So I just want

0:50:18.560 --> 0:50:22.359
<v Speaker 1>to know, will you drive into a ravine for me? Yeah?

0:50:22.880 --> 0:50:26.400
<v Speaker 1>And he will also have that on my tender bio.

0:50:26.560 --> 0:50:29.040
<v Speaker 1>Must be willing to drive over a ravine because I

0:50:29.040 --> 0:50:32.840
<v Speaker 1>guess what else he'll do for you wash the dishes. Yeah,

0:50:33.120 --> 0:50:34.640
<v Speaker 1>I guess what else will do for you? Hide in

0:50:34.680 --> 0:50:37.720
<v Speaker 1>the woods for two days faking his own dead because

0:50:37.760 --> 0:50:40.440
<v Speaker 1>of the fourth head. And if he's willing to do that,

0:50:40.520 --> 0:50:42.759
<v Speaker 1>help you not assume that you will. Won't that he

0:50:42.800 --> 0:50:46.600
<v Speaker 1>will do with laundry. That's that, And he'll probably take

0:50:46.600 --> 0:50:48.520
<v Speaker 1>as long as it takes to try to make you come,

0:50:48.640 --> 0:50:52.439
<v Speaker 1>Oh my god, for two days pretending to be dead.

0:50:52.600 --> 0:51:00.480
<v Speaker 1>He's gonna go down on Michael like he one. You're

0:51:00.560 --> 0:51:05.040
<v Speaker 1>like this guy. Probably what he's spent learning to do

0:51:05.120 --> 0:51:11.080
<v Speaker 1>those two days, just sucking on peach pits, just making

0:51:11.120 --> 0:51:19.279
<v Speaker 1>sure the two birds think eating pussy is totally They're like,

0:51:19.840 --> 0:51:21.680
<v Speaker 1>or they'll do the thing. They're like the ten second thing,

0:51:21.760 --> 0:51:26.200
<v Speaker 1>like are you good? Okay, my turn? You know they're

0:51:26.480 --> 0:51:29.880
<v Speaker 1>selfish lovers and they have childs. Oh no, they probably

0:51:29.920 --> 0:51:39.560
<v Speaker 1>go in dick hard ready to come in seconds. All right, Hey,

0:51:39.640 --> 0:51:43.680
<v Speaker 1>let's talk about whether or not this movie passes the

0:51:43.680 --> 0:51:46.400
<v Speaker 1>Bectel test. It does. It for sure does. Like in

0:51:46.480 --> 0:51:50.560
<v Speaker 1>the first scene whenever Ms McGee and Blanche come out

0:51:50.600 --> 0:51:56.920
<v Speaker 1>and they're hanging up the flag and it's like, our

0:51:57.000 --> 0:51:59.120
<v Speaker 1>students are going to accomplish great things. It's going to

0:51:59.200 --> 0:52:02.080
<v Speaker 1>be a great school year, blah blah blah, and then

0:52:02.200 --> 0:52:05.319
<v Speaker 1>it happens again, like in the opening dance number, pink

0:52:05.400 --> 0:52:07.680
<v Speaker 1>ladies are talking about stuff. We're talking about being late.

0:52:07.760 --> 0:52:11.160
<v Speaker 1>The twin cheerleaders are like, hey, miss Mason's hair, I

0:52:11.200 --> 0:52:13.640
<v Speaker 1>love it, all three hundred pounds of it. They're talking

0:52:13.640 --> 0:52:18.239
<v Speaker 1>about their friend who gets the nose job. And then

0:52:18.400 --> 0:52:21.040
<v Speaker 1>just several times throughout the movie. Because there's a ton

0:52:21.040 --> 0:52:25.359
<v Speaker 1>of female characters, like probably more than men, even at

0:52:25.440 --> 0:52:29.440
<v Speaker 1>least ones with like significant screen Yeah, because there's a

0:52:29.480 --> 0:52:32.920
<v Speaker 1>lot of throwaway motorcycle guys who are not part of

0:52:32.960 --> 0:52:35.520
<v Speaker 1>like the guys, but they don't they don't really have

0:52:35.600 --> 0:52:37.920
<v Speaker 1>lines or anything like that is basically create or face whatever.

0:52:38.120 --> 0:52:41.400
<v Speaker 1>They're mostly guns right there. Yeah, And most of the

0:52:41.440 --> 0:52:45.040
<v Speaker 1>men we see are those either like random substitute teachers

0:52:45.560 --> 0:52:48.480
<v Speaker 1>or those motorcycle dudes. So at least you get to

0:52:48.480 --> 0:52:50.800
<v Speaker 1>see like a bit more. There's different types of women

0:52:51.680 --> 0:52:53.920
<v Speaker 1>roles in this movie, but it happens a bunch. There

0:52:53.920 --> 0:52:55.880
<v Speaker 1>are a lot of scenes where women are talking and

0:52:55.880 --> 0:52:59.359
<v Speaker 1>they are talking about men, but there are probably just

0:52:59.400 --> 0:53:01.640
<v Speaker 1>as many scene where they're not. And there's a bunch

0:53:01.719 --> 0:53:04.560
<v Speaker 1>of them. Yeah, and and most of the scenes with

0:53:04.600 --> 0:53:08.120
<v Speaker 1>all men are they're lamenting or condemning women in some

0:53:10.120 --> 0:53:14.600
<v Speaker 1>so it's it goes there. They're failing the reverse spectacle

0:53:14.680 --> 0:53:17.839
<v Speaker 1>test is what they're doing. Right. It's like this movie

0:53:17.880 --> 0:53:21.719
<v Speaker 1>everyone's dumb in the same way, so there is like

0:53:21.760 --> 0:53:25.759
<v Speaker 1>a strange equality to it. Yeah. True. Oh. I wanted

0:53:25.800 --> 0:53:28.520
<v Speaker 1>to point out that one of the t Birds is

0:53:28.960 --> 0:53:34.799
<v Speaker 1>Selma's husband from Thelma and Louise. He just yeah, he's

0:53:34.840 --> 0:53:38.360
<v Speaker 1>just that just happens. He got tidecasted as a shitty

0:53:38.400 --> 0:53:41.080
<v Speaker 1>douche bag at least in those two movies. I don't

0:53:41.080 --> 0:53:42.799
<v Speaker 1>know what else he's in. That's probably a good chance

0:53:42.840 --> 0:53:47.719
<v Speaker 1>that he's been character actors. You gotta love him. I

0:53:47.800 --> 0:53:51.080
<v Speaker 1>love a good character actor. Speaking of which, Alfred Molina,

0:53:51.280 --> 0:53:56.920
<v Speaker 1>Alfred Molina, conceivably, given the age range, was eligible to

0:53:56.920 --> 0:53:59.520
<v Speaker 1>play a high school or in this movie. What a

0:53:59.600 --> 0:54:04.359
<v Speaker 1>missed off we have had him. They're like, oh, there's

0:54:04.400 --> 0:54:07.440
<v Speaker 1>a lot of motorcycles, and then there's this the beefcake,

0:54:07.520 --> 0:54:09.560
<v Speaker 1>and he's a little different, he's smart, and then he

0:54:09.719 --> 0:54:13.200
<v Speaker 1>and then hell, he was just he had just done

0:54:13.280 --> 0:54:15.719
<v Speaker 1>his first role in Raiders at the Lost Arc. I

0:54:15.719 --> 0:54:19.720
<v Speaker 1>think in eight one, so he was already in the circuit.

0:54:20.120 --> 0:54:23.640
<v Speaker 1>You know, he probably turned it down. He probably got

0:54:23.640 --> 0:54:28.920
<v Speaker 1>an he probably tried to assume that everything has been off. Okay,

0:54:29.200 --> 0:54:31.840
<v Speaker 1>let's write the movie we rate on our nipple scale

0:54:32.040 --> 0:54:35.120
<v Speaker 1>of zero to five nipples based on it specifically it's

0:54:35.160 --> 0:54:39.840
<v Speaker 1>portrayal of women. I'm gonna give it to two and

0:54:39.880 --> 0:54:44.359
<v Speaker 1>a half. Go with it two, because while we do

0:54:44.600 --> 0:54:49.239
<v Speaker 1>see Stephanie the lead, having more agency than Sandy in

0:54:49.280 --> 0:54:52.160
<v Speaker 1>the first movie, it's still you know, everything is framed

0:54:52.160 --> 0:54:54.440
<v Speaker 1>around like the guy, she's gonna who's she going to

0:54:54.600 --> 0:54:57.520
<v Speaker 1>end up? With? Her relationships to men, and there are

0:54:58.080 --> 0:54:59.920
<v Speaker 1>you do see a lot of like female friendships and

0:55:00.040 --> 0:55:02.600
<v Speaker 1>this movie, although a lot of those aren't like poised

0:55:02.600 --> 0:55:04.880
<v Speaker 1>as these like great things that we should strive for

0:55:05.160 --> 0:55:08.240
<v Speaker 1>because they're most just mean to each other. Every friendship

0:55:08.239 --> 0:55:13.080
<v Speaker 1>in this movie is deeply toxic. Yeah, the whole narrative

0:55:13.360 --> 0:55:17.040
<v Speaker 1>just revolves around Stephanie's pursuit of a man or his

0:55:17.120 --> 0:55:19.880
<v Speaker 1>pursuit of her. So you know, it's not and like

0:55:19.920 --> 0:55:23.520
<v Speaker 1>I said, she's a fucking idiot. Again, everyone is pretty

0:55:23.600 --> 0:55:25.719
<v Speaker 1>much I don't know, they just could have been a

0:55:25.760 --> 0:55:29.200
<v Speaker 1>better representation of women. In this movie, so it gets

0:55:29.200 --> 0:55:33.879
<v Speaker 1>some some nipples off for that thing said I did. Yeah,

0:55:34.680 --> 0:55:36.919
<v Speaker 1>I did enjoy watching this. Like I said, I don't

0:55:36.920 --> 0:55:38.920
<v Speaker 1>really like a lot of musicals, but I did have

0:55:38.920 --> 0:55:42.600
<v Speaker 1>a great and you're right cool writer is a terrific song. Uh,

0:55:42.640 --> 0:55:48.200
<v Speaker 1>and two nipples they belong to I'm gonna say ms Mason,

0:55:48.480 --> 0:55:51.120
<v Speaker 1>who is like we didn't talk much about her, but

0:55:51.160 --> 0:55:54.239
<v Speaker 1>I love how she's mostly just like I'm hot and

0:55:54.320 --> 0:55:56.160
<v Speaker 1>I spent a lot of time with my hair, and

0:55:56.320 --> 0:55:58.160
<v Speaker 1>I kind of want these high school boys to think

0:55:58.160 --> 0:56:03.080
<v Speaker 1>I'm fuckable. And that's kinds of literally was He's like,

0:56:03.120 --> 0:56:06.600
<v Speaker 1>I want to see all of you, and she's like wealthy.

0:56:08.000 --> 0:56:11.000
<v Speaker 1>She could easily also be a student to give the

0:56:11.040 --> 0:56:15.040
<v Speaker 1>strange age range. So I wasn't super bothered by it. Yes,

0:56:15.120 --> 0:56:18.759
<v Speaker 1>so mine two nipples belong to Miss Mason. The music

0:56:18.800 --> 0:56:24.440
<v Speaker 1>appreciation slash literature teacher at Rydell Catchall. Let me give

0:56:24.480 --> 0:56:29.759
<v Speaker 1>it three because because I automatically and biased towards it

0:56:29.760 --> 0:56:33.640
<v Speaker 1>cut in as a fun movie musical, I agree that it.

0:56:33.920 --> 0:56:35.960
<v Speaker 1>You know, all the problems you pointed out are very

0:56:36.080 --> 0:56:41.440
<v Speaker 1>legitimate pitting it against Greece. One, It's just it's like

0:56:41.480 --> 0:56:45.279
<v Speaker 1>a fan fiction better version of the first one that

0:56:45.320 --> 0:56:49.279
<v Speaker 1>works in favor of the female characters, and like, while

0:56:49.360 --> 0:56:51.759
<v Speaker 1>it would be cool for Steph, I need to be

0:56:51.800 --> 0:56:54.520
<v Speaker 1>like I'm actually going to do me right now. That's

0:56:54.560 --> 0:56:58.280
<v Speaker 1>not how this movie would end in any world. And

0:56:58.719 --> 0:57:01.760
<v Speaker 1>so I don't know. I I liked it. I give

0:57:02.239 --> 0:57:04.640
<v Speaker 1>a lot of stuff that passed because everyone in this

0:57:04.719 --> 0:57:08.600
<v Speaker 1>movie is a fucking moron. If the men were portrayed

0:57:08.640 --> 0:57:12.640
<v Speaker 1>as more able to manipulate, because even like the one

0:57:13.400 --> 0:57:16.560
<v Speaker 1>big male manipulation we see in the bomb Shelter falls

0:57:16.560 --> 0:57:20.720
<v Speaker 1>apart because everyone involved is a fucking idiot and the

0:57:20.760 --> 0:57:26.040
<v Speaker 1>girls have the better songs across the board. The teacher

0:57:26.320 --> 0:57:29.920
<v Speaker 1>is weird, but also the male her male counterpart is weird.

0:57:30.000 --> 0:57:32.360
<v Speaker 1>And then there's the guy from the first movie who

0:57:32.440 --> 0:57:38.440
<v Speaker 1>passes out in the pool. Everyone is he's suffering from

0:57:38.480 --> 0:57:43.560
<v Speaker 1>mental exhaustion or something like that. He's very sick, because

0:57:43.560 --> 0:57:46.240
<v Speaker 1>the last time we see him he is just fallen over.

0:57:46.760 --> 0:57:49.800
<v Speaker 1>He's just slouched over at a mouthful of pills that

0:57:49.880 --> 0:57:52.360
<v Speaker 1>he's trying to swallow, and then like still screams because

0:57:52.360 --> 0:57:54.080
<v Speaker 1>there's a rat on her desk, and then he just

0:57:54.120 --> 0:57:57.480
<v Speaker 1>like passes out. He has muscular district. He doesn't have

0:57:57.560 --> 0:58:03.240
<v Speaker 1>control over his body. Like but anyways, uh, that's another movie.

0:58:04.120 --> 0:58:06.000
<v Speaker 1>I want to give it three. I'm going to give

0:58:06.040 --> 0:58:08.080
<v Speaker 1>one of them to Mr Spears because I just want

0:58:08.120 --> 0:58:09.800
<v Speaker 1>to know more, and then I'm going to give the

0:58:09.800 --> 0:58:12.840
<v Speaker 1>other two to paull It because I feel like she

0:58:12.960 --> 0:58:15.760
<v Speaker 1>ended the movie still thinking she was second best, and

0:58:15.840 --> 0:58:18.360
<v Speaker 1>I wish I do. She thought, I wish he hadn't

0:58:18.360 --> 0:58:20.680
<v Speaker 1>settled for Johnny, but I'm sure she like figures that out.

0:58:20.800 --> 0:58:22.240
<v Speaker 1>She should have gone with that nerd guy at the

0:58:22.280 --> 0:58:26.000
<v Speaker 1>beginning who's like, like the lockers, and he's like, oh,

0:58:26.040 --> 0:58:30.360
<v Speaker 1>you can't go to those lockers. Are like you have

0:58:30.400 --> 0:58:32.960
<v Speaker 1>to lock your locker because these guys will steal everything.

0:58:33.040 --> 0:58:36.920
<v Speaker 1>He's his lockers like times, and actually that's a really

0:58:36.920 --> 0:58:39.360
<v Speaker 1>funny joke because he's speaking to him as though he

0:58:39.400 --> 0:58:41.840
<v Speaker 1>does not understand English very well because he's from a

0:58:41.880 --> 0:58:47.120
<v Speaker 1>different country, but his country invented the damn language. He's like, lockers, lockers,

0:58:47.120 --> 0:58:50.040
<v Speaker 1>You've got to look out the tough boys, lockers, lockers,

0:58:50.120 --> 0:58:52.240
<v Speaker 1>and then just turns around and leaves, and then a

0:58:52.240 --> 0:58:55.400
<v Speaker 1>tough boy comes up and he's like, hey, lockers, Oh,

0:58:55.480 --> 0:58:58.640
<v Speaker 1>I also wanted to point out, while Stephanie has more

0:58:58.800 --> 0:59:01.800
<v Speaker 1>agency than Sandy in the first movie, she still is

0:59:01.840 --> 0:59:05.280
<v Speaker 1>not very active. She's just sort of like gliding through

0:59:05.480 --> 0:59:08.720
<v Speaker 1>the story. That pretty much the only active character is Michael,

0:59:09.280 --> 0:59:14.360
<v Speaker 1>who's just like changing everything about So I if the

0:59:14.400 --> 0:59:16.360
<v Speaker 1>movie went my way the way I wanted it to,

0:59:17.040 --> 0:59:19.360
<v Speaker 1>she would have had a greater desire and then done

0:59:19.360 --> 0:59:21.760
<v Speaker 1>something to actually pursue that and like been more active

0:59:21.800 --> 0:59:24.360
<v Speaker 1>in that. But you know, whatever I will do, I'll

0:59:24.360 --> 0:59:26.280
<v Speaker 1>actually go with the three nipples as well. And I

0:59:26.600 --> 0:59:29.480
<v Speaker 1>definitely do agree. Uh, the movie should have been at

0:59:29.480 --> 0:59:30.680
<v Speaker 1>the end of the movie should have been the tea

0:59:30.680 --> 0:59:35.040
<v Speaker 1>birds being completely dismantled and burned to the ground. They

0:59:35.120 --> 0:59:39.520
<v Speaker 1>represent the patriarchy, let's dismantle it. It should have just been, Okay,

0:59:39.520 --> 0:59:41.959
<v Speaker 1>I got my dream guy a pink ladies, we're gonna

0:59:41.960 --> 0:59:45.640
<v Speaker 1>go punch these te birds in the face. That would

0:59:45.640 --> 0:59:48.000
<v Speaker 1>have been a great ending to the movie, kind of

0:59:48.040 --> 0:59:49.520
<v Speaker 1>like in the end of Mean Girls, when they're like,

0:59:49.600 --> 0:59:52.120
<v Speaker 1>let's not be mean girls anymore, and then when they're seniors,

0:59:52.400 --> 0:59:54.200
<v Speaker 1>you see they're just like all friendly and cool and

0:59:54.240 --> 0:59:57.200
<v Speaker 1>hanging out with whoever, and then you see the junior

0:59:57.240 --> 1:00:00.680
<v Speaker 1>plastics and they're like, what a mistake they're making. Anyway,

1:00:01.000 --> 1:00:02.840
<v Speaker 1>if it didn't with that, yeah, that would have been

1:00:02.920 --> 1:00:04.920
<v Speaker 1>the better ending. Um. And if I'm going to give

1:00:04.920 --> 1:00:07.120
<v Speaker 1>my nipples anything and be to the ravine and whatever

1:00:07.160 --> 1:00:14.200
<v Speaker 1>happened there, maybe maybe he fell into the ravine, was

1:00:14.280 --> 1:00:17.520
<v Speaker 1>knocking on death's door. There's a wizard down there, and

1:00:17.560 --> 1:00:20.600
<v Speaker 1>he's like, I'll grant you three wishes, but you have

1:00:20.640 --> 1:00:29.600
<v Speaker 1>to sell right. I'm like combining Genie the Devil. Okay,

1:00:29.640 --> 1:00:33.600
<v Speaker 1>there's there's some ravine. There's some billy goat down there

1:00:33.840 --> 1:00:40.120
<v Speaker 1>who's like, also this half as wishmaking that he's basically

1:00:40.400 --> 1:00:43.240
<v Speaker 1>he encounters a mythological creature down there who's willing to

1:00:43.280 --> 1:00:46.960
<v Speaker 1>revive him and grant him at a huge price. So

1:00:47.240 --> 1:00:49.720
<v Speaker 1>now Michael's walking around without a soul or without a

1:00:49.760 --> 1:00:54.360
<v Speaker 1>dick or something, but he's alive. We gotta watch Grease three.

1:00:54.400 --> 1:00:57.919
<v Speaker 1>If we never see, we never see what's going on there. Yeah,

1:00:57.960 --> 1:01:00.280
<v Speaker 1>we'll find out, all right it alright Greege three. Okay,

1:01:00.320 --> 1:01:02.680
<v Speaker 1>because you can bring his cousin back in him and

1:01:02.720 --> 1:01:07.920
<v Speaker 1>they have to. Oh God, oh Solomon, thank you so

1:01:08.000 --> 1:01:11.920
<v Speaker 1>much for being here. Ben a delight. Where can people

1:01:11.960 --> 1:01:15.000
<v Speaker 1>find you online. I'm at the Solomon Georgio dot com.

1:01:15.040 --> 1:01:17.480
<v Speaker 1>That is my website with all my dates. I'm also

1:01:17.600 --> 1:01:21.080
<v Speaker 1>at Solomon Georgio on Twitter and Solomon Georgio everywhere else.

1:01:21.400 --> 1:01:24.320
<v Speaker 1>I'm the only one. If there is another one, murder them. Yeah,

1:01:26.320 --> 1:01:29.760
<v Speaker 1>follow Solomon. You can also follow us the becktel Cast

1:01:30.200 --> 1:01:33.640
<v Speaker 1>on backtel Cast, on Twitter and Instagram and on Facebook.

1:01:33.840 --> 1:01:36.200
<v Speaker 1>And you can go to our website, our brand spank

1:01:36.240 --> 1:01:42.240
<v Speaker 1>and new shiny ass website scores space dot com. We're

1:01:42.240 --> 1:01:46.800
<v Speaker 1>not sponsored. It's just way easier. Yeah, go to www

1:01:47.040 --> 1:01:50.919
<v Speaker 1>dot becktel Cast dot com. You can find information about

1:01:50.920 --> 1:01:53.840
<v Speaker 1>our upcoming shows because we have a few coming up

1:01:53.840 --> 1:01:57.040
<v Speaker 1>for different comedy festivals. Check that out. You can donate

1:01:57.080 --> 1:01:59.760
<v Speaker 1>money to us to help us with our production costs.

1:02:00.240 --> 1:02:02.880
<v Speaker 1>You can check out just more information about who we

1:02:02.880 --> 1:02:05.200
<v Speaker 1>are and what we do. Hey, you know what. You

1:02:05.200 --> 1:02:08.720
<v Speaker 1>can also follow me Caitlin at Caitlin Darante on Twitter.

1:02:09.120 --> 1:02:13.919
<v Speaker 1>You can follow me too. I'm on Twitter at Hamburger Phone. Yeah.

1:02:14.560 --> 1:02:20.520
<v Speaker 1>I can't change it. It's been ten years. Don't change yourself.

1:02:20.800 --> 1:02:25.280
<v Speaker 1>Don't be Sandy, don't be Michael Carrington, be you and

1:02:25.400 --> 1:02:32.360
<v Speaker 1>myself and don't change No Reference thanks for listening,