WEBVTT - Short Stuff: Venus de Milo

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<v Speaker 1>Hey, I'm welcome to the short stuff. I'm josh, there's chuck.

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<v Speaker 1>Neither one of us have four arms, which means that

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<v Speaker 1>this is the short stuff about Venus de Mila. Let's go.

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<v Speaker 1>That's right. Who resides in the louver, right? I think

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<v Speaker 1>since eighteen twenty one when Louis the what is that

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<v Speaker 1>eight No, yeah, the eighteen man. You threw me off.

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<v Speaker 1>Always forget how to read those. It's been a while. Yeah,

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<v Speaker 1>Louis the eighteenth donated Venus de Mila, one of the

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<v Speaker 1>most famous dare I say statues in the world. Yeah. Also,

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<v Speaker 1>just as a little a side chuck, if you ever

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<v Speaker 1>kind of get tripped up by something like that, you're

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<v Speaker 1>talking to somebody, just swap it out for like a

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<v Speaker 1>word like Louis the Magnificent, but say it authoritatively and

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<v Speaker 1>the person will think that that's the name for that

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<v Speaker 1>particular right, Louis the Overeater. So yeah, So the Venus

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<v Speaker 1>to my Hello first ended up in Paris in eighty one.

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<v Speaker 1>Apparently that was um that was a really good timing

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<v Speaker 1>because the nation of France was kind of in the

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<v Speaker 1>doll drums as far as art is concerned. Right, Yeah,

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<v Speaker 1>there's a gentleman that will make a couple of appearances

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<v Speaker 1>in this episode. His name is Andrew Stewart, and uh,

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<v Speaker 1>I think he's a professor right art art historian and professor, Yeah,

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<v Speaker 1>professor of Greek Studies at UC Berkeley emeritus too. Oh well, yeah,

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<v Speaker 1>the guy knows what he's talking about. Yeah. So apparently France, uh,

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<v Speaker 1>they needed their national pride kind of picked up, and

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<v Speaker 1>apparently Venus went a long way toward doing that. Yeah,

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<v Speaker 1>because Napoleon had sacked a bunch of countries and city

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<v Speaker 1>states and nations art collections plundered, and after the French Revolution,

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<v Speaker 1>Um well no, that was way after the French Revolution,

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<v Speaker 1>after Napoleon was banished, We'll say that France had to

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<v Speaker 1>give back a lot of that art. So the Louver

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<v Speaker 1>kind of got sacked in verse. And then also the

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<v Speaker 1>big dumb rival England, from France's vantage point of course,

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<v Speaker 1>not mine, had just acquired the Elgin Marbles, which meant

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<v Speaker 1>that they had a some sculpture by the greatest sculpture

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<v Speaker 1>of antiquity known to humanity. Faddists, Yeah, I got it. Um.

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<v Speaker 1>So the Venus de Milo comes along and they're like this, this,

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<v Speaker 1>this is the most important thing I ever found. Let's

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<v Speaker 1>um bandy it about as much as possible as such. Yeah,

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<v Speaker 1>and the whole thing with Venus de Milo is sort

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<v Speaker 1>of the mystery surrounding the origins and who the artist

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<v Speaker 1>was and who maybe she had been she may have been,

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<v Speaker 1>and and of course the big question is two questions,

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<v Speaker 1>what happened to those arms and what will those arms

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<v Speaker 1>are doing right before they were broken off, which I

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<v Speaker 1>have to admit I'd never thought of until reading this. Yeah,

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<v Speaker 1>I just never thought of her arms were doing anything

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<v Speaker 1>of note, it's kind of weird now that think about it.

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<v Speaker 1>But the funny thing is is, like you said, she

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<v Speaker 1>shrouded in mystery as to her identity. But the one

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<v Speaker 1>thing we know for certain she is not is Venus,

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<v Speaker 1>the goddess of love to Rome. She was Greek and

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<v Speaker 1>produced by the Greeks, so she would have been aphrodite

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<v Speaker 1>at best, but we're not even sure she's aphrodite. She

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<v Speaker 1>could be a number of other people that have been proposed,

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<v Speaker 1>or a number of other goddesses. It didn't even have

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<v Speaker 1>to be a goddess, right, No, it didn't. I saw

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<v Speaker 1>that she could have been an everyday person. But also, um,

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<v Speaker 1>she was found on me losch Uh, the Greek island

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<v Speaker 1>which was really engaged in the sea as far as

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<v Speaker 1>trade and fishing and all that. So some people have

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<v Speaker 1>supposed that she was um actually Amphra Tidy in Amphatidy

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<v Speaker 1>is there an r in there, thank you chuck, um,

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<v Speaker 1>that she's the goddess of the sea, Poseidon's old lady.

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<v Speaker 1>As far as iikers would say, Yeah, and in Venus

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<v Speaker 1>was always thought to be classical, but I think they

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<v Speaker 1>did enough digging and found that she was actually neo classical,

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<v Speaker 1>uh and not classical, although they say they sometimes still

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<v Speaker 1>refer to her as a masterpiece of the classical classical genre. Yeah,

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<v Speaker 1>because she again kind of carries France's national ego on

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<v Speaker 1>her shoulders. Um. So the idea that she was you know,

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<v Speaker 1>created by some unknown master far back in antiquity, um,

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<v Speaker 1>in the classical period is is kind of you know,

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<v Speaker 1>part of France's pride in this thing. But supposedly, yeah,

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<v Speaker 1>they figured out there was a German archaeologist named Adolph

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<v Speaker 1>seriously fort Wrangler, I love that man's last name, foot

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<v Speaker 1>thinker who that's even better, who basically said, yeah, she's

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<v Speaker 1>she's neo classical. You can tell from how she's dressed.

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<v Speaker 1>But then I guess they also when she was found,

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<v Speaker 1>they discovered a pedestal that had the sculptor's signature UM

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<v Speaker 1>that showed that she was very clearly created UM by

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<v Speaker 1>a guy named Alexandro's of Magnesia, not to be confused

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<v Speaker 1>with the milk of Magnesia, but that would be. But

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<v Speaker 1>then they lost it. They conveniently lost this pedestal and said, no, no,

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<v Speaker 1>this this is clearly created by one of the masters.

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<v Speaker 1>We just don't know which one, right, So good set up.

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<v Speaker 1>I think we should take a little break and talk

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<v Speaker 1>about those arms. I'm dina know about the arms right

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<v Speaker 1>after this. Well, now we're on the road, driving in

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<v Speaker 1>your truck. Want to learn a thing or two from

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<v Speaker 1>Josh can chuck it stuff you should know, all right? Arms? Yeah?

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<v Speaker 1>So again, never thought that her arms were doing anything.

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<v Speaker 1>I think I just assumed she was being like like, hey,

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<v Speaker 1>how's it going, I'm holding my hands out here, yeah,

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<v Speaker 1>or maybe like I don't know kind of thing um.

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<v Speaker 1>But there there has been a lot of debate about

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<v Speaker 1>what was going on with her arms. Apparently, at some point,

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<v Speaker 1>an arm that would fit this statue, the venus de

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<v Speaker 1>milo Um an arm holding an apple was found, and

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<v Speaker 1>they think it's possible. Some people think it's possible that

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<v Speaker 1>that was originally attached to the venus to Milo. Yeah,

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<v Speaker 1>and we should also point out there were some other

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<v Speaker 1>things missing from the original statue, like originally she supposedly

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<v Speaker 1>had metal jewelry bracelet earrings in a headband because they're

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<v Speaker 1>little fixation holes on those places in her body. And

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<v Speaker 1>they think that she might have also been painted at

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<v Speaker 1>one point and now that had it away, and then

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<v Speaker 1>the arms were I guess maybe some people might think

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<v Speaker 1>if they never looked into it, that you never had

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<v Speaker 1>the arms, but they were broken off because you can

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<v Speaker 1>see where that there were the dowel rods and everything.

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<v Speaker 1>Because it wasn't carved as one big piece. You know,

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<v Speaker 1>these arms were put on afterward. But um, yeah, like

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<v Speaker 1>you said, they found an arm with an apple, and

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<v Speaker 1>some people are like, well, yeah, she was holding an

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<v Speaker 1>apple on one of those hands, which actually fits. There's

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<v Speaker 1>a Greek myth called the Judgment of Paris about a

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<v Speaker 1>mythological um contest between Aphrodite, the goddess of love, hera

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<v Speaker 1>Zeus's wife, and Athena, the goddess of war and um

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<v Speaker 1>this contest between them was won by Aphrodite and the

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<v Speaker 1>prize was an apple, So this would have kind of

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<v Speaker 1>commented on the judgment of Paris and Aphrodite winning this.

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<v Speaker 1>And apparently it's symbolic of like the choice that that

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<v Speaker 1>people have in life, or that men back in ancient

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<v Speaker 1>Greece had right. So, um, your your choice in life

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<v Speaker 1>was between love, war and politics, Aphrodite Athena or hera

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<v Speaker 1>um and the Aphrodite one that people wanted to they

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<v Speaker 1>wanted they wanted to live with their heart. That's what

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<v Speaker 1>the statue symbolize in that sense. Yeah, and that's one

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<v Speaker 1>take on it. Um. I like this other one a lot.

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<v Speaker 1>This woman Elizabeth Wayland Barber, who's professor Emerita of Archaeology

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<v Speaker 1>and Linguistics at Occidental College, which I used to live near.

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<v Speaker 1>So I'm all about that. Um. She says, you know

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<v Speaker 1>what I think, And and she even did like this

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<v Speaker 1>three D renderings to sort of prove her point. She said,

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<v Speaker 1>I think she was a regular lady who was weaving

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<v Speaker 1>um thread. And she said, if you look at the

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<v Speaker 1>angle of the back and and ladies were doing all

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<v Speaker 1>this textile work back then, if you look at her

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<v Speaker 1>positioning and the way she was leaning and even where

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<v Speaker 1>exactly she was looking. It looks to me like she

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<v Speaker 1>was spinning thread. And they if you, you know, if

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<v Speaker 1>you look online, she has their pictures of her three

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<v Speaker 1>D rendered spinning the thread and it looks real enough

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<v Speaker 1>to me for someone who knows nothing about spent the

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<v Speaker 1>thread spinning. Well. Also, not only that, apparently the musculature

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<v Speaker 1>of her shoulders and arms, um, would be about what

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<v Speaker 1>you would expect for somebody who was spinning. She makes

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<v Speaker 1>a weird position. Yeah, well, she makes a really good case.

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<v Speaker 1>But also she this doesn't even need to be a

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<v Speaker 1>statue of just an ordinary person because apparently she says

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<v Speaker 1>Aphrodite was also the goddess of spinning, well, the goddess

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<v Speaker 1>of procreation and love. Um, so this would fit still anyway. Yeah,

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<v Speaker 1>that's a good point. Um. I did see another thing

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<v Speaker 1>that said, you know, from the angle of her back

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<v Speaker 1>that they said, it's one of those things where retroactically

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<v Speaker 1>you look back and it's like, you know, did Mona

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<v Speaker 1>Lisa have a disease or something? And they said, did

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<v Speaker 1>Venus de Milo have some sort of spinal condition? Because

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<v Speaker 1>when you look at the way her back is twisted

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<v Speaker 1>and angled. It is a very irregular um route for

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<v Speaker 1>the spine. But you know it's also a statue. Is

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<v Speaker 1>it one of those things that would be that would

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<v Speaker 1>be explained by the spinning position? Well, I mean it,

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<v Speaker 1>she says. It matches what could have been a spinning position.

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<v Speaker 1>But a spinning position could have been hard on your back. Maybe,

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<v Speaker 1>I don't know. I would guess it would be hard

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<v Speaker 1>on your back for sure. It doesn't sound like something

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<v Speaker 1>I'd wanted to so the Venus de Milo. If you

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<v Speaker 1>haven't ever seen it, go see it. It's pretty neat.

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<v Speaker 1>It's in the loop. You can get there pretty easily,

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<v Speaker 1>especially if you're vaccinated against COVID nineteen. Good test. Uh,

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<v Speaker 1>since I said COVID nineteen, everybody that means short stuff

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