WEBVTT - Chicken, Video Games, and DJ Drama

0:00:00.200 --> 0:00:10.040
<v Speaker 1>It's with Jenny Garth and Tori Spelling. Who's ready for

0:00:10.080 --> 0:00:16.240
<v Speaker 1>another episode of Ninea two on OMG? Hello, I'm ready,

0:00:16.480 --> 0:00:19.000
<v Speaker 1>Amy's here. It's me Jenny, and I'm here with Amy.

0:00:19.360 --> 0:00:21.279
<v Speaker 1>Tori is not gonna be with us this week, but

0:00:21.880 --> 0:00:25.880
<v Speaker 1>we have a very exciting episode to talk about. Um.

0:00:25.920 --> 0:00:27.600
<v Speaker 1>I don't know if you watched it or not, but

0:00:27.720 --> 0:00:30.480
<v Speaker 1>we did, because that's what the show is all about.

0:00:33.600 --> 0:00:36.400
<v Speaker 1>It's a good one, you guys. Well, that's what my

0:00:36.479 --> 0:00:42.240
<v Speaker 1>first question was for you. Was this episode awesome or ridiculous?

0:00:43.120 --> 0:00:45.200
<v Speaker 1>Well that's that's pretty much a good way to open

0:00:45.280 --> 0:00:49.440
<v Speaker 1>every episode of our show because you never know. But

0:00:49.520 --> 0:00:51.600
<v Speaker 1>this this one, I don't know. Let's let's just jump

0:00:51.680 --> 0:00:56.880
<v Speaker 1>right in. Okay. Uh. Season three, episode seventeen, The Game

0:00:56.960 --> 0:01:02.440
<v Speaker 1>is Chicken, aired on January six, nine three. We're into

0:01:02.440 --> 0:01:06.440
<v Speaker 1>a new year, did you notice. Oh yeah, that's right, January. Yeah,

0:01:06.440 --> 0:01:11.160
<v Speaker 1>we never get out. Ninety two is long because y'all

0:01:11.200 --> 0:01:13.600
<v Speaker 1>do so many episodes. But it's good because it took

0:01:13.640 --> 0:01:15.880
<v Speaker 1>us a really long time to get through it now,

0:01:16.040 --> 0:01:19.200
<v Speaker 1>but back in two, it was like a blink of

0:01:19.200 --> 0:01:23.000
<v Speaker 1>an eye. So yeah, freshman in college, so I was

0:01:23.040 --> 0:01:25.320
<v Speaker 1>in my freshman year of college. I started fall of

0:01:25.400 --> 0:01:30.360
<v Speaker 1>ninety two, and so this would be January. Yeah, and

0:01:30.440 --> 0:01:32.440
<v Speaker 1>you were this is the year you were getting together

0:01:32.480 --> 0:01:35.920
<v Speaker 1>with the girls to watch the show. Oh my god, definitely.

0:01:35.959 --> 0:01:39.320
<v Speaker 1>And I think it even got more next year because

0:01:39.360 --> 0:01:41.360
<v Speaker 1>I can remember because I know where I lived. Freshman year,

0:01:41.720 --> 0:01:44.640
<v Speaker 1>I lived in like a house with like fifty girls,

0:01:45.440 --> 0:01:46.760
<v Speaker 1>and then the next year I lived in the house

0:01:46.800 --> 0:01:49.800
<v Speaker 1>with a hundred girls. Oh my gosh, I had I

0:01:49.840 --> 0:01:52.280
<v Speaker 1>started sweating right when you said said that that's a

0:01:52.400 --> 0:01:55.600
<v Speaker 1>lot of the best. Yeah, I'd say there was like

0:01:55.640 --> 0:01:57.920
<v Speaker 1>a maybe seventy. Wait, is that what it's like to

0:01:57.960 --> 0:02:03.360
<v Speaker 1>live in a sorority house? Fifty? It's always that many? Yeah,

0:02:03.440 --> 0:02:06.520
<v Speaker 1>pretty much. I mean I would say fifty is yeah,

0:02:06.560 --> 0:02:09.839
<v Speaker 1>because I mean there's two levels in my house, two

0:02:09.919 --> 0:02:13.240
<v Speaker 1>levels of rooms, and you had either two, four or

0:02:13.480 --> 0:02:16.760
<v Speaker 1>six girls in a room. The only sorority houses I've

0:02:16.800 --> 0:02:20.120
<v Speaker 1>seen are the ones in the movies. Okay, so is

0:02:20.120 --> 0:02:23.440
<v Speaker 1>it like a normal house on a street, queue with

0:02:23.480 --> 0:02:25.240
<v Speaker 1>a lawn, and you go in and it's like the

0:02:25.280 --> 0:02:27.680
<v Speaker 1>living room and it's like house, but then upstairs it's

0:02:27.720 --> 0:02:32.359
<v Speaker 1>all the bedrooms exactly. So you go in, first of all,

0:02:32.440 --> 0:02:35.360
<v Speaker 1>do you call it a foyer or a foyer. I

0:02:35.440 --> 0:02:38.320
<v Speaker 1>call it a foyer, Okay, so do I. But then

0:02:38.440 --> 0:02:41.200
<v Speaker 1>on on like h G t V, they always say fouriers.

0:02:41.280 --> 0:02:45.320
<v Speaker 1>So and there's there's that, and here's like a little tidbit.

0:02:45.760 --> 0:02:49.720
<v Speaker 1>So let's say I'm upstairs and I have a girlfriend

0:02:49.760 --> 0:02:55.240
<v Speaker 1>like coming to visit. They say, um, Amy sugar Man,

0:02:55.320 --> 0:02:58.359
<v Speaker 1>you have a guest on two, which means come down

0:02:58.400 --> 0:03:00.560
<v Speaker 1>to level two, you have a gut and you know

0:03:00.639 --> 0:03:03.560
<v Speaker 1>that's a girl. But if they say Amy Sugarman, you

0:03:03.560 --> 0:03:06.000
<v Speaker 1>have a caller on two, that means it's a boy,

0:03:06.520 --> 0:03:11.000
<v Speaker 1>but he's come to see you. A caller. Fashion we

0:03:11.000 --> 0:03:14.560
<v Speaker 1>didn't have. There was no cell phones, there was no internet,

0:03:15.040 --> 0:03:17.040
<v Speaker 1>so the only way someone could call you was you

0:03:17.080 --> 0:03:18.760
<v Speaker 1>had a landline in your room or they had to

0:03:18.800 --> 0:03:22.160
<v Speaker 1>call a pay phone, and like someone's job was to

0:03:22.240 --> 0:03:24.840
<v Speaker 1>just kind of answer the pay phone when people called,

0:03:24.880 --> 0:03:26.760
<v Speaker 1>and then you'd have to go on the intercom and say,

0:03:26.800 --> 0:03:29.840
<v Speaker 1>like Amy Sugarman, line too, or there was two lines

0:03:29.919 --> 0:03:32.760
<v Speaker 1>line one line too. I missed that on so much.

0:03:33.840 --> 0:03:36.080
<v Speaker 1>Oh my god, do you want to come to my

0:03:36.120 --> 0:03:39.520
<v Speaker 1>sorority one day? Like even there old like we could

0:03:39.520 --> 0:03:42.040
<v Speaker 1>go so we can go to a football game and

0:03:42.040 --> 0:03:45.320
<v Speaker 1>then we can stop by the sorority and get like

0:03:45.360 --> 0:03:52.400
<v Speaker 1>a tour wait and pretend like were probably old. I'm

0:03:52.440 --> 0:03:57.560
<v Speaker 1>not sure if it was the me looking forty or

0:03:57.720 --> 0:04:01.920
<v Speaker 1>you being super famous one it's going to I forget

0:04:02.160 --> 0:04:04.520
<v Speaker 1>my age so that I forget that it would be

0:04:04.600 --> 0:04:07.120
<v Speaker 1>weird that I just shoved there. But yeah, wow, I

0:04:07.200 --> 0:04:09.280
<v Speaker 1>love too, because yeah, I've only seen it on House

0:04:09.280 --> 0:04:15.600
<v Speaker 1>Bunny and legally blonde. Legally Blonde is just like a

0:04:15.760 --> 0:04:20.120
<v Speaker 1>very very exaggerated version. Okay, like we don't wear like

0:04:20.240 --> 0:04:23.440
<v Speaker 1>pink and stuff, but we do like well, I mean,

0:04:23.680 --> 0:04:26.520
<v Speaker 1>I don't feel like I'm assuming it's the same, but yeah, people,

0:04:26.720 --> 0:04:31.160
<v Speaker 1>sure we do sometimes wear like themed outfits lots of

0:04:31.200 --> 0:04:34.560
<v Speaker 1>like gummy candy all the time, meaning like not not

0:04:34.640 --> 0:04:37.920
<v Speaker 1>like cbde gums, but it's like whoa, okay, sign me up.

0:04:38.839 --> 0:04:41.200
<v Speaker 1>Like you would always just get like a puffy painted

0:04:41.240 --> 0:04:43.240
<v Speaker 1>box and it would say like your name, and it

0:04:43.400 --> 0:04:46.200
<v Speaker 1>have like gummy bears or gummy worms, and you would

0:04:46.200 --> 0:04:48.000
<v Speaker 1>like grab it while you had to go to like

0:04:48.160 --> 0:04:50.800
<v Speaker 1>something sounds fun. I never had any fun in the

0:04:50.880 --> 0:04:55.480
<v Speaker 1>nineties like that. And every meal is prepared for you.

0:04:55.480 --> 0:04:57.120
<v Speaker 1>You don't even have to do your dishes. You have

0:04:57.200 --> 0:05:00.240
<v Speaker 1>to take your dishes though, and and like I thinking

0:05:00.279 --> 0:05:02.120
<v Speaker 1>maybe even had to scrape them and then put it

0:05:02.160 --> 0:05:04.440
<v Speaker 1>in a pile, but you know, not like washer dishes even. Oh,

0:05:04.480 --> 0:05:10.600
<v Speaker 1>it's the life sounds really nice anyways. Sorry. Synopsis In detention,

0:05:10.839 --> 0:05:14.400
<v Speaker 1>Steve meets Joe, a troublemaking punk who gets him and

0:05:14.480 --> 0:05:19.440
<v Speaker 1>Brandon involved in hot rod racing. I like saying that

0:05:19.920 --> 0:05:24.880
<v Speaker 1>despite Dylan's warnings. Of course, then Brandon realizes one of

0:05:24.920 --> 0:05:27.880
<v Speaker 1>the hot rod racers was behind the wheel when Andrea

0:05:28.000 --> 0:05:31.800
<v Speaker 1>was nearly killed in a hit and run accident. Meanwhile,

0:05:32.000 --> 0:05:35.599
<v Speaker 1>Brenda and Kelly try to distract themselves from the Dylan

0:05:35.680 --> 0:05:38.520
<v Speaker 1>drama by going on a blind date with two kids

0:05:38.560 --> 0:05:43.400
<v Speaker 1>from Princeton Junior High School, while David and Donna butt

0:05:43.440 --> 0:05:46.880
<v Speaker 1>heads as she fills in as a guest DJ at school.

0:05:46.920 --> 0:05:52.240
<v Speaker 1>Directed by Jack Bender, written by Chip Johansson and maybe

0:05:52.320 --> 0:05:59.880
<v Speaker 1>Darren Star. Okay, wow, Okay, this episode The Game Is

0:06:00.040 --> 0:06:05.320
<v Speaker 1>Chicken had pretty much four different storylines, right A. B. C.

0:06:05.640 --> 0:06:08.479
<v Speaker 1>D Ye would you call the A the Chicken the

0:06:08.520 --> 0:06:10.960
<v Speaker 1>Game of Chicken? I really am not going to number

0:06:11.000 --> 0:06:14.680
<v Speaker 1>them or letter them because that would show favoritism or

0:06:14.720 --> 0:06:18.640
<v Speaker 1>it's or it's Kelly Brenda. One of those is they

0:06:18.640 --> 0:06:23.440
<v Speaker 1>I'm gonna go with number one, Donna and David. Oh.

0:06:23.720 --> 0:06:28.240
<v Speaker 1>Donna takes over Mike uh for David and because he's

0:06:28.240 --> 0:06:32.920
<v Speaker 1>got a study because he's graduating in like two days,

0:06:34.120 --> 0:06:37.800
<v Speaker 1>like literally the second semester senior year for him, all

0:06:37.839 --> 0:06:40.040
<v Speaker 1>of a sudden. I don't know how anyone could pull

0:06:40.080 --> 0:06:44.839
<v Speaker 1>that off, but David, I bet you. But we're really

0:06:44.880 --> 0:06:50.839
<v Speaker 1>seeing Donna Uh sort of open up than right and

0:06:50.839 --> 0:06:55.120
<v Speaker 1>and find her voice and blossom. If you will have

0:06:55.279 --> 0:06:59.200
<v Speaker 1>some mad skills. She has some mad DJ skills. The

0:06:59.400 --> 0:07:01.640
<v Speaker 1>DJ skill well, I guess, so she's good to push

0:07:01.680 --> 0:07:03.560
<v Speaker 1>in the buttons. But she's also just kind of good

0:07:03.560 --> 0:07:10.400
<v Speaker 1>at like Riffin talk show host skills her. She knows

0:07:10.400 --> 0:07:15.000
<v Speaker 1>her core audience is uh is women fourteen to eighteen

0:07:16.160 --> 0:07:19.880
<v Speaker 1>as a producer, and you just came out her demo

0:07:20.240 --> 0:07:25.920
<v Speaker 1>is it actually is very hard to go from one

0:07:25.960 --> 0:07:30.360
<v Speaker 1>song to another because Ryan Seacrest used to like have

0:07:30.400 --> 0:07:32.120
<v Speaker 1>to run to the bathroom. So I'd have to do it,

0:07:32.640 --> 0:07:35.160
<v Speaker 1>and it was like your heart is pounding as you're like,

0:07:35.200 --> 0:07:36.560
<v Speaker 1>am I gonna screw this up? I'm I gonna screw

0:07:36.600 --> 0:07:41.040
<v Speaker 1>this up because you're alive. Yeah, and on like Ryan

0:07:41.120 --> 0:07:43.880
<v Speaker 1>Seacrest Radio. That's like to the world, and you have

0:07:43.920 --> 0:07:47.840
<v Speaker 1>to put like a like a production in it's a video.

0:07:47.880 --> 0:07:49.320
<v Speaker 1>Ever have to go like that like wake a wack

0:07:49.360 --> 0:07:52.720
<v Speaker 1>of but you have to like those things that look

0:07:52.760 --> 0:07:56.160
<v Speaker 1>like volume controls. One has to go up while one's

0:07:56.200 --> 0:07:59.440
<v Speaker 1>going down, and then another one has to go down

0:07:59.440 --> 0:08:02.640
<v Speaker 1>while another one goes up. That you know what that's

0:08:02.720 --> 0:08:05.760
<v Speaker 1>that's hard because you saw it. She segued the song

0:08:05.920 --> 0:08:08.880
<v Speaker 1>or said the song push some buttons and there it went,

0:08:10.840 --> 0:08:13.640
<v Speaker 1>you know, pretty easy. But but did you like her

0:08:13.720 --> 0:08:19.040
<v Speaker 1>DJ hat? She had some very sort of bright colors

0:08:19.040 --> 0:08:22.000
<v Speaker 1>with black, like a lot of black because she was

0:08:22.200 --> 0:08:24.960
<v Speaker 1>edgy for the for the being the DJ, I felt

0:08:25.000 --> 0:08:27.080
<v Speaker 1>like I was in the hat with a giant sunflowers.

0:08:27.560 --> 0:08:31.800
<v Speaker 1>I mean, could you miss it? That was that? But

0:08:31.880 --> 0:08:36.160
<v Speaker 1>it was it was perfect Donna attire the entire episode.

0:08:36.200 --> 0:08:39.800
<v Speaker 1>But we'll get to that. So when she did the song,

0:08:40.360 --> 0:08:42.360
<v Speaker 1>she also knew there were two six bones in the

0:08:42.400 --> 0:08:45.000
<v Speaker 1>human body, I mean, and she used some sort of

0:08:45.040 --> 0:08:49.280
<v Speaker 1>algebra thing. She doesn't get enough credit. Wo, this girl

0:08:49.360 --> 0:08:54.760
<v Speaker 1>is on fire. I really uh was happy to see

0:08:54.800 --> 0:08:57.600
<v Speaker 1>her jump in there and I was even happier to

0:08:57.640 --> 0:09:03.280
<v Speaker 1>see David just call the f down a minute and

0:09:03.360 --> 0:09:06.640
<v Speaker 1>give her a little credit because he's do we feel

0:09:06.679 --> 0:09:15.040
<v Speaker 1>he's always wound up? Yeah, David, he can't unclench, he goes, Yeah,

0:09:15.320 --> 0:09:18.079
<v Speaker 1>I guess he can't. They do always seem to figure

0:09:18.080 --> 0:09:20.720
<v Speaker 1>out their things in forty four minutes, though, do you

0:09:20.720 --> 0:09:24.440
<v Speaker 1>know what I mean? Like they have conflict, it gets

0:09:24.559 --> 0:09:27.560
<v Speaker 1>a little heightened, and then they work it out all

0:09:27.600 --> 0:09:30.440
<v Speaker 1>in the same episode, like we're never totally left hanging

0:09:30.559 --> 0:09:36.160
<v Speaker 1>on them like we are yet I guess, Oh my god.

0:09:36.960 --> 0:09:42.240
<v Speaker 1>But yeah, I like enjoyed their storyline and I think

0:09:42.280 --> 0:09:44.040
<v Speaker 1>they're so great too. I wish Donna was here just

0:09:44.120 --> 0:09:49.120
<v Speaker 1>to talk I mean, donnay see what happens to us too.

0:09:52.760 --> 0:09:55.800
<v Speaker 1>I wish story was here because I wanted to talk

0:09:55.840 --> 0:09:58.559
<v Speaker 1>to her about how it felt to be the DJ

0:09:58.840 --> 0:10:01.280
<v Speaker 1>like and then that was like a cool moment for

0:10:01.320 --> 0:10:03.640
<v Speaker 1>Donna and really cool. Yeah, we really do get to

0:10:03.640 --> 0:10:06.080
<v Speaker 1>see her characters. And they gave Mark and Brian a

0:10:06.160 --> 0:10:08.560
<v Speaker 1>shout out, so for those I mean, actually Mark and

0:10:08.559 --> 0:10:11.880
<v Speaker 1>Brian were national. They do work in real sort of

0:10:12.120 --> 0:10:14.400
<v Speaker 1>l A things like we've talked about, so they said, oh,

0:10:14.440 --> 0:10:16.240
<v Speaker 1>we could be Mark and Briant, which were like the

0:10:16.320 --> 0:10:20.240
<v Speaker 1>hot they were the dj V. Yeah, in the time.

0:10:20.280 --> 0:10:23.000
<v Speaker 1>I think Kevin and Bean came a little bit late

0:10:23.280 --> 0:10:25.520
<v Speaker 1>or or they were just starting to but on a

0:10:25.720 --> 0:10:34.480
<v Speaker 1>on what radio station was that kloss that's Kevin and Bean.

0:10:34.640 --> 0:10:36.760
<v Speaker 1>So Mark and Brian I think, or maybe Mark and

0:10:36.760 --> 0:10:40.200
<v Speaker 1>Byrne went to Kaleos later. You have a lot of

0:10:40.280 --> 0:10:44.840
<v Speaker 1>Kalos stickers on the lockers in the always Oh yeah,

0:10:44.880 --> 0:10:48.800
<v Speaker 1>I was like, what can I find? Well, I don't know.

0:10:48.880 --> 0:10:50.959
<v Speaker 1>It was a good episode and I was happy to

0:10:51.000 --> 0:10:54.760
<v Speaker 1>see them getting along. Um. But her voice was just

0:10:54.840 --> 0:10:59.280
<v Speaker 1>so sweet and I don't know her like Donna's Oh

0:10:59.280 --> 0:11:04.680
<v Speaker 1>my god, I did it. Dory's young voice is so

0:11:05.840 --> 0:11:09.920
<v Speaker 1>it's like pure, like the driven snow. Yeah. She's just

0:11:10.400 --> 0:11:15.520
<v Speaker 1>really adorable in all the episodes. Yeah, well that's all

0:11:15.520 --> 0:11:18.439
<v Speaker 1>I have to say about that one. So okay, so

0:11:18.559 --> 0:11:21.319
<v Speaker 1>shall we go to Yeah, what do you feel about? Whatever?

0:11:21.320 --> 0:11:22.720
<v Speaker 1>Should we go now? I feel like we should go

0:11:22.760 --> 0:11:26.880
<v Speaker 1>to Andrea and her and her PTSD. I did too,

0:11:26.960 --> 0:11:31.800
<v Speaker 1>because what's interesting is they almost could have let it go,

0:11:32.240 --> 0:11:36.280
<v Speaker 1>meaning this story, like we know, they had to work

0:11:36.320 --> 0:11:39.439
<v Speaker 1>it in because she had her surgery in real life,

0:11:40.320 --> 0:11:43.720
<v Speaker 1>and she's off the crutches now almost kind of forgotten

0:11:43.720 --> 0:11:47.480
<v Speaker 1>about it. But like they are, they're out how to

0:11:47.640 --> 0:11:51.280
<v Speaker 1>justify it somehow. It makes sense. We want to find

0:11:51.280 --> 0:11:54.520
<v Speaker 1>out who did this to Andrea. Are sweet, sweet Andrea.

0:11:54.720 --> 0:11:57.920
<v Speaker 1>I'm not sure that her knowing there were stars from

0:11:57.920 --> 0:12:02.560
<v Speaker 1>a hypnosis would have warranted the full arrest that they did,

0:12:04.280 --> 0:12:07.000
<v Speaker 1>straight arrest, like, no question, I know. I did just

0:12:07.200 --> 0:12:09.280
<v Speaker 1>arrest him, and I did not hear them read him

0:12:09.400 --> 0:12:14.280
<v Speaker 1>his rights, she asked, and I was like, what about

0:12:14.360 --> 0:12:18.040
<v Speaker 1>when she's in the peach pit, she's just like non

0:12:18.080 --> 0:12:22.760
<v Speaker 1>shalantly putting money in the jukebox and over here listening

0:12:22.840 --> 0:12:27.520
<v Speaker 1>to the Dylan and Brandon and Steve talk in the booth,

0:12:28.280 --> 0:12:34.800
<v Speaker 1>like what you guys talking about? We don't remember that.

0:12:34.960 --> 0:12:38.400
<v Speaker 1>That's how she finds out that they're They're like, oh, Andrew,

0:12:39.120 --> 0:12:41.880
<v Speaker 1>they totally feel busted for a second, and then they're

0:12:41.880 --> 0:12:46.600
<v Speaker 1>like talking about like card legal things. Did you think

0:12:46.640 --> 0:12:49.679
<v Speaker 1>for a minute you were watching Greece. It totally reminded

0:12:49.720 --> 0:12:52.480
<v Speaker 1>me of Greece. Amy, We are not to the drag

0:12:52.880 --> 0:12:57.520
<v Speaker 1>racist go back to Andrea. You just need to calm down.

0:12:58.480 --> 0:13:00.920
<v Speaker 1>It gets to my most important question though, which I

0:13:00.920 --> 0:13:03.000
<v Speaker 1>don't know whether I should ask now or at the

0:13:03.040 --> 0:13:04.760
<v Speaker 1>very end. I'll save it to the end. I have

0:13:04.840 --> 0:13:07.120
<v Speaker 1>sort of like a nine O two one oh, like

0:13:07.960 --> 0:13:10.800
<v Speaker 1>the theoretical question, I'll save it for the end of

0:13:10.960 --> 0:13:14.240
<v Speaker 1>sounds deep it is. I kind of was like trip

0:13:14.320 --> 0:13:22.280
<v Speaker 1>myself up with her. I felt like, um, so frustrated

0:13:23.920 --> 0:13:27.120
<v Speaker 1>with the vest. There's another that like, I'm almost as

0:13:27.120 --> 0:13:29.960
<v Speaker 1>frustrated with the ugly vests that she's wearing as I

0:13:30.080 --> 0:13:34.120
<v Speaker 1>was earlier in the show with the boom sightings. The

0:13:34.160 --> 0:13:37.840
<v Speaker 1>thing for me is also she was older, meaning in

0:13:37.920 --> 0:13:42.360
<v Speaker 1>real life, why age her up with all the fashion?

0:13:42.520 --> 0:13:45.920
<v Speaker 1>It's like you'd think they could, they would have wanted

0:13:45.960 --> 0:13:49.520
<v Speaker 1>to make her look younger, but instead they really that

0:13:49.760 --> 0:13:52.199
<v Speaker 1>I don't get. I guess it's her character, but it's

0:13:52.240 --> 0:13:56.000
<v Speaker 1>like it's her character full on. But in the vest,

0:13:56.120 --> 0:13:58.960
<v Speaker 1>the vest again with the ugly flowers, Like, there's a

0:13:59.040 --> 0:14:02.800
<v Speaker 1>lot of blazer to which I never wore a blazer

0:14:02.800 --> 0:14:06.920
<v Speaker 1>to high school ever. Do you wear a blazer these days?

0:14:07.640 --> 0:14:13.599
<v Speaker 1>A million percent now? But oh that's my go to

0:14:13.160 --> 0:14:16.360
<v Speaker 1>Tory told me once, if I ever see you in

0:14:16.360 --> 0:14:21.640
<v Speaker 1>a blazer. She hates when I wear blazers. Blazers. I

0:14:21.680 --> 0:14:39.160
<v Speaker 1>love blazers with nothing under whoa. Thanks. Yeah. So Kelly

0:14:39.240 --> 0:14:42.200
<v Speaker 1>was wearing a yellow, bright yellow blazer in this one.

0:14:42.240 --> 0:14:44.440
<v Speaker 1>I think if it was at the end right yellow,

0:14:44.880 --> 0:14:47.080
<v Speaker 1>was it red yellow? It was a lot of a

0:14:47.120 --> 0:14:51.040
<v Speaker 1>lot of jann and had that cool I do remember those.

0:14:51.200 --> 0:14:52.720
<v Speaker 1>It was probably a body suit, but it was like

0:14:52.840 --> 0:14:58.160
<v Speaker 1>almost muscle ta tank tight in the jeans at the

0:14:58.280 --> 0:15:00.720
<v Speaker 1>very end. You know what that was is probably one

0:15:00.720 --> 0:15:05.800
<v Speaker 1>of those thong numbers. Solid the boy with a thong

0:15:06.520 --> 0:15:10.120
<v Speaker 1>can't stand those. Sorry, I won't do a body suit

0:15:10.160 --> 0:15:13.760
<v Speaker 1>ever again after college. Wait, because I wore them so

0:15:13.840 --> 0:15:16.800
<v Speaker 1>much and I'm like, I'm never doing that again. Did

0:15:16.800 --> 0:15:21.040
<v Speaker 1>you have no? They were like just body suits. Did

0:15:21.080 --> 0:15:24.200
<v Speaker 1>you do you wear bodysuits now? No? That I have

0:15:24.360 --> 0:15:26.880
<v Speaker 1>a very long torso. I don't know if you know this,

0:15:28.760 --> 0:15:33.840
<v Speaker 1>but most good, most body suits don't accommodate people because

0:15:33.840 --> 0:15:36.160
<v Speaker 1>they'll just go up the butt, up all the things.

0:15:36.800 --> 0:15:40.640
<v Speaker 1>Oh yeah, No, I'm done with body suits forever. And

0:15:40.680 --> 0:15:42.920
<v Speaker 1>I know they look really cute, but like, no, pass,

0:15:43.520 --> 0:15:48.520
<v Speaker 1>I'll just tuck it in. Thanks. Yeah, clostal grandmother, do

0:15:48.520 --> 0:15:51.200
<v Speaker 1>you know what that is? No? I love that's my look.

0:15:52.160 --> 0:15:55.960
<v Speaker 1>So it's hot right now. I am into it, but

0:15:56.240 --> 0:16:00.520
<v Speaker 1>it's not the most flattering. But that's my look. Diane Keaton. Y,

0:16:00.720 --> 0:16:03.600
<v Speaker 1>I want to be Diane Keaton. Go on your TikTok

0:16:03.720 --> 0:16:09.200
<v Speaker 1>because coastal grand is now the cool look for millennials.

0:16:09.840 --> 0:16:13.200
<v Speaker 1>So like, I'm going to rock coastal grand all summer.

0:16:13.320 --> 0:16:16.480
<v Speaker 1>I'm excited for that. Use a little coastal grand right now.

0:16:16.840 --> 0:16:20.240
<v Speaker 1>That sweater? Wait, I am totally coastal grand hold on,

0:16:20.520 --> 0:16:25.000
<v Speaker 1>let me look got I got? My pants are wide legs?

0:16:26.440 --> 0:16:29.640
<v Speaker 1>Oh my god, full coastal grand got a big grandpa sweater.

0:16:29.800 --> 0:16:37.040
<v Speaker 1>So I'm I'm coastal grandparents. Yeah, so should we get

0:16:37.040 --> 0:16:45.120
<v Speaker 1>to not yet? Okay, Steve, somehow, I don't know. It

0:16:45.200 --> 0:16:46.640
<v Speaker 1>just comes out of nowhere that all of a sudden

0:16:46.640 --> 0:16:50.320
<v Speaker 1>he's getting bullied at detention and and and sits on

0:16:50.360 --> 0:16:55.360
<v Speaker 1>a cupcake. I think it was a ding dong. That

0:16:55.480 --> 0:16:58.120
<v Speaker 1>makes it even better? Is that what those are called?

0:16:58.320 --> 0:17:00.080
<v Speaker 1>That kids not bringing a cupcake to school? That g

0:17:00.680 --> 0:17:03.200
<v Speaker 1>like this. I thought the ding dongs were shaped like

0:17:03.520 --> 0:17:10.800
<v Speaker 1>a twinkie. No, there's a brown there's a brown ho

0:17:10.800 --> 0:17:15.560
<v Speaker 1>ho ho thinking of a hoo good one. Oh oh,

0:17:15.600 --> 0:17:19.159
<v Speaker 1>I love those ding dongs. So that was back in

0:17:19.160 --> 0:17:22.040
<v Speaker 1>the day. It was like, that was not a ding dong.

0:17:22.200 --> 0:17:25.040
<v Speaker 1>That was a chocolate cupcaak with the white swirlies on top.

0:17:25.080 --> 0:17:26.560
<v Speaker 1>I don't know the name of it, but the ding

0:17:26.640 --> 0:17:30.080
<v Speaker 1>dong was the one that was in the thin, super

0:17:30.160 --> 0:17:36.720
<v Speaker 1>thin tinfoil. It's coming back to me. It definitely wasn't

0:17:36.760 --> 0:17:40.679
<v Speaker 1>like a Susie Kicks, like that guy had something that

0:17:40.680 --> 0:17:42.560
<v Speaker 1>he got at seven eleven. Do you know what I mean?

0:17:42.600 --> 0:17:44.800
<v Speaker 1>That's where those were sold and you can still buy

0:17:44.840 --> 0:17:47.560
<v Speaker 1>this grocery store. Yeah, I think they still. They're still

0:17:47.600 --> 0:17:49.639
<v Speaker 1>there from the nineties. They have so much shit in

0:17:49.680 --> 0:17:53.720
<v Speaker 1>them that form something. You know, ever breakdown swinkies last

0:17:53.760 --> 0:17:56.880
<v Speaker 1>I think they said like forever. Oh man, it looked

0:17:56.880 --> 0:18:00.520
<v Speaker 1>good until this cupcake. Thank you, thank you, thank you.

0:18:00.800 --> 0:18:03.680
<v Speaker 1>Oh my god. Yes, so it was a cup kick

0:18:04.320 --> 0:18:06.600
<v Speaker 1>a cupcake and then he winds up drag racing behind

0:18:06.600 --> 0:18:11.639
<v Speaker 1>our stages, which do you remember. No, I just recognized

0:18:11.680 --> 0:18:17.320
<v Speaker 1>the street with the helmet circle that had a round

0:18:17.359 --> 0:18:20.640
<v Speaker 1>about thing like what's that cul de sac? Oh? Yeah,

0:18:20.680 --> 0:18:23.000
<v Speaker 1>I just felt like it was that they made them

0:18:23.040 --> 0:18:27.359
<v Speaker 1>wear the helmets, meaning like um, some like safety person

0:18:27.520 --> 0:18:32.080
<v Speaker 1>because like the helmet was so random for me. That

0:18:32.359 --> 0:18:36.119
<v Speaker 1>just crush it for you. Well, it was like when

0:18:36.160 --> 0:18:38.800
<v Speaker 1>they were a helmet when you're in the like or something,

0:18:38.880 --> 0:18:43.560
<v Speaker 1>but like these guys were. I'm almost certain that was

0:18:43.640 --> 0:18:47.000
<v Speaker 1>like a network. They have to wear helmet for one,

0:18:47.040 --> 0:18:51.160
<v Speaker 1>because I really had to drive probably right right. Yes,

0:18:51.359 --> 0:18:53.719
<v Speaker 1>I don't know, of course, but I don't think they

0:18:53.720 --> 0:18:58.680
<v Speaker 1>had stunt drivers. They probably did. Brandon of course gets involved,

0:18:58.960 --> 0:19:03.720
<v Speaker 1>and we see the seed of a future gambling addiction

0:19:03.800 --> 0:19:07.639
<v Speaker 1>with him, I hope. Personally, I honestly have no idea

0:19:07.680 --> 0:19:10.480
<v Speaker 1>what's going to happen in the next episode or after that.

0:19:10.640 --> 0:19:15.680
<v Speaker 1>He but does he get problem? And they've been sprinkling

0:19:15.680 --> 0:19:18.240
<v Speaker 1>it on us for a while. Remember when remember first

0:19:18.280 --> 0:19:25.679
<v Speaker 1>of all, and pardon me, everybody, remember remember when they're

0:19:25.680 --> 0:19:28.119
<v Speaker 1>having Christmas and he's got the money on the game.

0:19:28.440 --> 0:19:30.000
<v Speaker 1>He's all, I got a lot of money on this game.

0:19:30.040 --> 0:19:32.240
<v Speaker 1>And Jim Walsh was like, huh, and He's all, not

0:19:32.440 --> 0:19:35.960
<v Speaker 1>a lot of money. Like, Brandon's got a gambling problem.

0:19:36.040 --> 0:19:39.560
<v Speaker 1>I wrote, g A, he needs gamblers anonymous. Oh, I

0:19:39.600 --> 0:19:42.800
<v Speaker 1>hope that's coming up. Otherwise it was as opportunity to

0:19:42.920 --> 0:19:48.919
<v Speaker 1>the writers. Yeah, but they end up racing um against

0:19:48.960 --> 0:19:54.040
<v Speaker 1>this very, the very the very guy that ran over

0:19:54.080 --> 0:20:00.760
<v Speaker 1>Andrea Frank Padilla Franka. He looked bad. At first, I

0:20:00.760 --> 0:20:02.960
<v Speaker 1>thought they called him Ray Padilla, and I got really

0:20:03.000 --> 0:20:05.880
<v Speaker 1>excited because I know Ray Padilla. That's someone different who's

0:20:06.840 --> 0:20:11.440
<v Speaker 1>um he was my first kiss? No? Is he around still?

0:20:13.080 --> 0:20:16.720
<v Speaker 1>I don't know. I mean, dude, he was alive. I

0:20:16.720 --> 0:20:19.800
<v Speaker 1>don't know. It was junior high and he was just

0:20:19.800 --> 0:20:22.719
<v Speaker 1>a regular old kid in the eighth grade. I wouldn't

0:20:22.720 --> 0:20:26.399
<v Speaker 1>say a regular old kid. Yeah, may I give me

0:20:26.440 --> 0:20:31.600
<v Speaker 1>a little credit? And where was the kiss? He was

0:20:31.840 --> 0:20:37.280
<v Speaker 1>tall and dark and handsome, mysterious and naughty. I knew

0:20:37.280 --> 0:20:39.600
<v Speaker 1>he was naughty. And my mom where he was naughty too.

0:20:40.359 --> 0:20:42.280
<v Speaker 1>That's why she got so mad when she saw me

0:20:42.359 --> 0:20:47.800
<v Speaker 1>kissing him. She saw, Yeah, wait, were you at your house?

0:20:47.880 --> 0:20:51.240
<v Speaker 1>Or like it was a dance? Oh was school dance?

0:20:52.280 --> 0:20:57.280
<v Speaker 1>And he we danced real close. And she not exactly

0:20:57.320 --> 0:21:01.080
<v Speaker 1>a sock cop. No, was it this Sadie Hawkins dance

0:21:01.200 --> 0:21:05.080
<v Speaker 1>or just a regular dance dance? I don't even called

0:21:05.080 --> 0:21:08.320
<v Speaker 1>Sadie Hawkins anymore? They called turnabout. Why is something wrong

0:21:08.400 --> 0:21:11.400
<v Speaker 1>Sadie Hawkins? I don't know. It's not pc to called

0:21:11.600 --> 0:21:14.199
<v Speaker 1>Sadie Hawkins anymore. I'm actually not sure. We'd have to

0:21:14.200 --> 0:21:17.679
<v Speaker 1>google that to know for sure. But it wasn't. It

0:21:17.720 --> 0:21:20.639
<v Speaker 1>wasn't even was Frank Padia. But was it a good

0:21:20.720 --> 0:21:24.320
<v Speaker 1>kiss with Ray? Oh? Yes, yes, multiple kisses or like

0:21:24.480 --> 0:21:28.720
<v Speaker 1>me like that was my onset of I like bad boys. Yeah,

0:21:28.800 --> 0:21:31.199
<v Speaker 1>I like it. Did you kiss once or did you

0:21:31.240 --> 0:21:35.160
<v Speaker 1>like go? Were you going? I don't remember, honestly, Honestly,

0:21:35.200 --> 0:21:37.879
<v Speaker 1>I swear to God, I don't remember. It wasn't. We

0:21:37.920 --> 0:21:40.760
<v Speaker 1>didn't go. I don't know what your mind is doing

0:21:40.840 --> 0:21:43.800
<v Speaker 1>right now, but we did definitely not. We didn't go anywhere.

0:21:44.840 --> 0:21:50.440
<v Speaker 1>We just didn't kissing. Got that, mom? All right, it's

0:21:50.640 --> 0:21:55.560
<v Speaker 1>back to Steve. But trigger point for Steve if you

0:21:55.680 --> 0:21:59.080
<v Speaker 1>bring up the mother, right, that's what I thought. I mean,

0:21:59.119 --> 0:22:03.640
<v Speaker 1>if you mess with Samantha Sanders, you are gonna go down. Yeah.

0:22:03.720 --> 0:22:06.760
<v Speaker 1>I liked how he's got really pissed though, like she

0:22:07.000 --> 0:22:09.560
<v Speaker 1>she adopted me when no one wanted me. That was

0:22:09.720 --> 0:22:13.480
<v Speaker 1>like whoa yea and kind of shut down the other guy.

0:22:13.520 --> 0:22:17.280
<v Speaker 1>But when we first see Steve in this story, um,

0:22:17.359 --> 0:22:21.600
<v Speaker 1>and he's walking through the campus to the detention, he's

0:22:21.680 --> 0:22:26.720
<v Speaker 1>so like erect. Yeah, he's so like lean and he's

0:22:26.760 --> 0:22:30.000
<v Speaker 1>like a mean, lean fighting machine or something. His hair

0:22:30.080 --> 0:22:32.880
<v Speaker 1>looks good and they they really have transitioned a little

0:22:32.880 --> 0:22:36.000
<v Speaker 1>bit his fashion to be less terrible. Yeah, he looked

0:22:36.520 --> 0:22:40.960
<v Speaker 1>wealthier somehow, Yeah, better like more Steve, Like how I

0:22:41.000 --> 0:22:44.199
<v Speaker 1>wanted to Steve to look like we heard that all

0:22:44.200 --> 0:22:46.399
<v Speaker 1>of a sudden detention was through auto shop. Like I

0:22:46.480 --> 0:22:49.840
<v Speaker 1>was like, wait, wasn't isn't like detentions like in the

0:22:49.880 --> 0:22:55.119
<v Speaker 1>gym or something. Library, Oh, they're moving it because he

0:22:55.160 --> 0:22:57.040
<v Speaker 1>went through the auto shop, right, Like, I was like,

0:22:57.040 --> 0:22:59.080
<v Speaker 1>what's going on? Yeah, well, you know they had to

0:22:59.160 --> 0:23:02.639
<v Speaker 1>kind of tie in the old drag racers, but you

0:23:02.680 --> 0:23:04.840
<v Speaker 1>know what the thing is about the lean, mean bodies.

0:23:05.000 --> 0:23:08.520
<v Speaker 1>Iron still has the same body that he did, the

0:23:08.640 --> 0:23:11.840
<v Speaker 1>same exact body. I wonder how hard he has to

0:23:11.840 --> 0:23:15.240
<v Speaker 1>work to have that. I don't I know, I know

0:23:15.320 --> 0:23:18.600
<v Speaker 1>he works out, but like I think he's just obsessive, right,

0:23:18.640 --> 0:23:25.520
<v Speaker 1>Maybe he's just lucky, happy and healthy and active that guy. Yeah,

0:23:25.880 --> 0:23:30.920
<v Speaker 1>I like it. But I was wondering why didn't Brandon

0:23:31.880 --> 0:23:36.080
<v Speaker 1>Why instead did did Brandon not want to write an

0:23:36.160 --> 0:23:41.600
<v Speaker 1>expose on the illegal street racing because he probably because

0:23:41.600 --> 0:23:43.440
<v Speaker 1>he wanted his money from it. He liked he got

0:23:43.480 --> 0:23:46.679
<v Speaker 1>that addiction to the money. He loves the gambling, so

0:23:46.720 --> 0:23:48.919
<v Speaker 1>why would he out his own I don't know. I

0:23:48.920 --> 0:23:52.439
<v Speaker 1>felt like it was unlike Brandon, the guy who always

0:23:52.480 --> 0:23:56.200
<v Speaker 1>kind of gets involved in you know, fights for the underdog,

0:23:56.200 --> 0:23:59.560
<v Speaker 1>and like, okay, this brings to this perfect moment from

0:23:59.560 --> 0:24:04.800
<v Speaker 1>my big question. Okay, ready, okay, So now, and when

0:24:04.840 --> 0:24:07.960
<v Speaker 1>I asked this, I don't mean it to like lessen

0:24:09.160 --> 0:24:14.240
<v Speaker 1>your character, your or you or Shannon or Iron or anybody.

0:24:14.480 --> 0:24:19.960
<v Speaker 1>When you watch these episodes, who is the star of

0:24:20.000 --> 0:24:23.760
<v Speaker 1>the whole thing? Is it Luke Perry, Dylan or is

0:24:23.800 --> 0:24:27.640
<v Speaker 1>it Jason Priestley Brandon? Because in this episode you could

0:24:27.720 --> 0:24:35.920
<v Speaker 1>literally argue both. Yeah, I see your point. In this episode,

0:24:36.000 --> 0:24:40.159
<v Speaker 1>I would have to lean towards Dylan. I that was

0:24:40.200 --> 0:24:43.760
<v Speaker 1>where I went to because the star of the show,

0:24:44.200 --> 0:24:45.639
<v Speaker 1>which is like a bad way to say it, but

0:24:45.680 --> 0:24:48.280
<v Speaker 1>you know what I mean, Like, he's the hero saves

0:24:48.320 --> 0:24:51.080
<v Speaker 1>the day. And that's just what Dilwig did. He saves

0:24:51.119 --> 0:24:54.760
<v Speaker 1>the day by bizarrely driving his car into the middle

0:24:54.880 --> 0:24:59.520
<v Speaker 1>of a race and cut them off. Is that? And yeah,

0:25:01.040 --> 0:25:02.840
<v Speaker 1>but I loved it. I was like, oh he and

0:25:02.840 --> 0:25:06.919
<v Speaker 1>he just was so hot. And then Frank Padilla knew him,

0:25:07.000 --> 0:25:11.440
<v Speaker 1>and it's kind of like Dylan said, stop. I loved

0:25:11.440 --> 0:25:17.160
<v Speaker 1>it when Frank goes, who's that McKay? Is that you? Yeah,

0:25:17.480 --> 0:25:19.840
<v Speaker 1>they just called h McKay. It's kind of hot. But

0:25:19.920 --> 0:25:24.840
<v Speaker 1>then you could also argue that Brandon Jason Priestley is

0:25:24.880 --> 0:25:27.240
<v Speaker 1>the star because he went off to get the cops

0:25:27.280 --> 0:25:29.440
<v Speaker 1>and save the day, and he's sort of the he's

0:25:29.480 --> 0:25:32.280
<v Speaker 1>the good guy hero with his arm around Andrea and like,

0:25:32.320 --> 0:25:36.760
<v Speaker 1>look I saved you. Yeah, it's it's like it was weird,

0:25:36.880 --> 0:25:39.359
<v Speaker 1>was like a battle for the for the spotlight between

0:25:39.359 --> 0:25:41.280
<v Speaker 1>those two are not necessarily a battle, but I would

0:25:41.320 --> 0:25:43.080
<v Speaker 1>they had to share it kind of. I see what

0:25:43.119 --> 0:25:49.960
<v Speaker 1>you're saying. But what I mean, I it's hard for

0:25:50.000 --> 0:25:52.200
<v Speaker 1>me because Dylan, in my opinion, is being a real

0:25:53.320 --> 0:25:56.959
<v Speaker 1>d I c k in other areas. So, but I

0:25:57.000 --> 0:26:02.760
<v Speaker 1>did really love seeing the three boys together. The hug.

0:26:03.359 --> 0:26:07.280
<v Speaker 1>The hug when Steve hugs Dylan and is such a

0:26:07.320 --> 0:26:14.440
<v Speaker 1>puddle and Dylan is so strong. I did not love

0:26:14.520 --> 0:26:18.280
<v Speaker 1>the hug, Oh you didn't. I thought it made Steve

0:26:18.359 --> 0:26:20.840
<v Speaker 1>look kind of wimpy. But I love Dylan. I didn't

0:26:20.840 --> 0:26:23.239
<v Speaker 1>think it was a good choice for Steve's character and

0:26:23.800 --> 0:26:26.560
<v Speaker 1>like he'd just done this big like macro thing and

0:26:26.560 --> 0:26:30.360
<v Speaker 1>then he passive cry session on Dylan's shoulder didn't work

0:26:30.440 --> 0:26:33.600
<v Speaker 1>for me. I feel like I'm wildly I was like,

0:26:34.080 --> 0:26:38.040
<v Speaker 1>I wonder if the director pushed that, like put your

0:26:38.080 --> 0:26:39.640
<v Speaker 1>head on his shoulder at the end so we can

0:26:39.680 --> 0:26:42.639
<v Speaker 1>really see like it was like a real babycause I

0:26:42.680 --> 0:26:45.080
<v Speaker 1>felt weird. It just felt weird, yeah, because Steve was

0:26:45.200 --> 0:26:48.359
<v Speaker 1>just like buying time, so he kind of was the

0:26:48.400 --> 0:26:52.920
<v Speaker 1>hero too, essentially, like he's like Brandon's gotta go get

0:26:52.960 --> 0:26:54.960
<v Speaker 1>the cops. I gotta I can't let these people get

0:26:54.960 --> 0:26:58.359
<v Speaker 1>out of here. They're all fine. So he could have

0:26:58.400 --> 0:27:00.960
<v Speaker 1>been almost badass and out of the are like yeah, buddy,

0:27:01.480 --> 0:27:03.720
<v Speaker 1>we did this together, you know, But instead he was

0:27:03.800 --> 0:27:08.639
<v Speaker 1>so like scaredy cat. Yeah melt pepeet a little in

0:27:08.680 --> 0:27:11.200
<v Speaker 1>his pants when he was driving the race car because

0:27:11.200 --> 0:27:13.880
<v Speaker 1>he doesn't know how to do that. I mean, yeah,

0:27:13.960 --> 0:27:16.760
<v Speaker 1>he drives a vet and it's fast and everything, but

0:27:17.560 --> 0:27:25.080
<v Speaker 1>that's that's drag racing. People's been with the hydro nitro

0:27:25.960 --> 0:27:28.919
<v Speaker 1>injector and it totally reminded me of that scene in

0:27:28.960 --> 0:27:31.560
<v Speaker 1>Greece when they're like in that weird thing in l A.

0:27:31.720 --> 0:27:36.080
<v Speaker 1>That's like the river, the river, the river basin. I

0:27:36.160 --> 0:27:38.720
<v Speaker 1>like that scene. That's where they should have been for this.

0:27:39.880 --> 0:27:42.080
<v Speaker 1>What are they called drag racing Now it has a

0:27:42.240 --> 0:27:46.720
<v Speaker 1>name street racing something that's bad, because drag racing is

0:27:46.760 --> 0:27:48.800
<v Speaker 1>the whole. I mean, I've drag race, but it's a

0:27:48.800 --> 0:27:53.960
<v Speaker 1>different kind of drag race. I dragged race like RuPaul together.

0:27:54.000 --> 0:27:58.560
<v Speaker 1>Actually that's a more popular form, way more fun in

0:27:58.600 --> 0:28:02.879
<v Speaker 1>my opinion. Yeah, but I just from the beginning, I

0:28:02.920 --> 0:28:09.399
<v Speaker 1>was like, why, why why is this guy Mr Wardlow

0:28:10.560 --> 0:28:14.840
<v Speaker 1>Joe Wardlow? Yeah, why is Joe all of a sudden,

0:28:16.440 --> 0:28:18.040
<v Speaker 1>Like I don't know, he just came out of nowhere

0:28:18.080 --> 0:28:20.520
<v Speaker 1>and he's picking you so major well yeah, and then

0:28:20.520 --> 0:28:22.240
<v Speaker 1>he was at the peach pit at the end. But hello,

0:28:22.320 --> 0:28:25.480
<v Speaker 1>he's kind of cute. He's that's Thomas Wilson Brown. He

0:28:25.520 --> 0:28:27.880
<v Speaker 1>did like a lot of acting back then. We're gonna

0:28:27.920 --> 0:28:31.639
<v Speaker 1>track him down because he's really great in it. Yeah,

0:28:31.680 --> 0:28:35.199
<v Speaker 1>and he was. It was confusing because Dylan sort of

0:28:35.240 --> 0:28:38.040
<v Speaker 1>thought they were like up to some shenanigans, like going

0:28:38.080 --> 0:28:40.320
<v Speaker 1>to try and get the money and then throw the race.

0:28:41.440 --> 0:28:43.320
<v Speaker 1>So I was like, I didn't really seem like that

0:28:43.360 --> 0:28:45.360
<v Speaker 1>at the end that Joe was trying to do that.

0:28:45.600 --> 0:28:47.840
<v Speaker 1>I know, I couldn't figure out if he was in

0:28:47.920 --> 0:28:51.440
<v Speaker 1>it for Steve's money or what. I didn't I couldn't

0:28:51.440 --> 0:28:53.920
<v Speaker 1>figure love of the drag race. And then then he

0:28:54.000 --> 0:28:55.760
<v Speaker 1>ended up. Then he ends up back at the peach pit.

0:28:55.840 --> 0:28:57.640
<v Speaker 1>So he must be a good guy. Yeah. I think

0:28:57.640 --> 0:28:59.360
<v Speaker 1>he's like a good guy. I don't know if he

0:28:59.400 --> 0:29:01.800
<v Speaker 1>ever comes back again, though, it's like they they're friends

0:29:01.960 --> 0:29:03.960
<v Speaker 1>for like just this one episode. What about when he

0:29:03.960 --> 0:29:08.880
<v Speaker 1>puts the chickens in Steve's car? Oh my god, it

0:29:09.040 --> 0:29:13.840
<v Speaker 1>was the dirty rotten thing. Startled me. Who puts chicken?

0:29:13.840 --> 0:29:16.200
<v Speaker 1>Where do you get the chickens? It's probably the eggs

0:29:16.200 --> 0:29:18.479
<v Speaker 1>were on top. Yeah, I was like, what is he

0:29:18.800 --> 0:29:23.400
<v Speaker 1>is he gonna egg him? There's all the chickens. It

0:29:23.560 --> 0:29:26.320
<v Speaker 1>pood and pood and pecked their way all around the

0:29:26.360 --> 0:29:29.640
<v Speaker 1>inside of that corvette. Man, I'd be pist. I can't.

0:29:29.760 --> 0:29:34.680
<v Speaker 1>I can't do the word poo b I know I

0:29:34.720 --> 0:29:38.640
<v Speaker 1>can do you can take him, yeah, but I cannot

0:29:38.680 --> 0:29:45.000
<v Speaker 1>say pooh. Oh, oh my goodness, this is so fascinating.

0:29:45.320 --> 0:29:50.120
<v Speaker 1>Poop versus pooh the question of the day and not

0:29:50.280 --> 0:29:55.280
<v Speaker 1>po like apostrophe d I can't do food, just like

0:29:55.360 --> 0:29:57.560
<v Speaker 1>saying what you still up? I'm going in reverse. But

0:29:57.560 --> 0:30:00.000
<v Speaker 1>did you notice in the very beginning of the episod

0:30:00.040 --> 0:30:03.520
<v Speaker 1>zown there was like really loud rock music. I don't

0:30:03.560 --> 0:30:05.360
<v Speaker 1>know if I'm getting that just because I watched it

0:30:05.400 --> 0:30:10.160
<v Speaker 1>on Amazon. It was awful. I don't know about the beginning.

0:30:10.280 --> 0:30:15.080
<v Speaker 1>I did recognize some equally poor music taste in the

0:30:15.160 --> 0:30:19.920
<v Speaker 1>music when they were racing with Frank at the Big Race. Uh,

0:30:20.080 --> 0:30:22.440
<v Speaker 1>that was seriously some of the worst music that my

0:30:22.440 --> 0:30:28.000
<v Speaker 1>my ears have ever heard. No offense, it almost I

0:30:28.040 --> 0:30:30.400
<v Speaker 1>almost could not watch that part of the show because

0:30:30.440 --> 0:30:33.239
<v Speaker 1>the music was so distracting. Yeah, there was, it was.

0:30:33.480 --> 0:30:35.760
<v Speaker 1>There was some stand out bad music in this one.

0:30:35.840 --> 0:30:37.080
<v Speaker 1>So I don't know if it was like because I

0:30:37.120 --> 0:30:39.560
<v Speaker 1>know they change it depending on where you're watching it,

0:30:39.640 --> 0:30:44.800
<v Speaker 1>like Amazon or like on the DVD or whatever. Probably

0:30:46.440 --> 0:30:49.600
<v Speaker 1>there's more music issues with this show because we did

0:30:49.720 --> 0:30:54.360
<v Speaker 1>use like popular music of that moment, and I know

0:30:54.400 --> 0:30:56.800
<v Speaker 1>a lot of it couldn't get licensed or they couldn't

0:30:56.800 --> 0:30:59.080
<v Speaker 1>make deals or whatever. But I also had a note

0:30:59.120 --> 0:31:01.920
<v Speaker 1>in here, what's going on with Jim? I got really

0:31:02.200 --> 0:31:07.480
<v Speaker 1>confused some issue with money or finances or something he

0:31:07.560 --> 0:31:16.000
<v Speaker 1>was working for him, he was doing I started to

0:31:16.440 --> 0:31:19.320
<v Speaker 1>take interest in. Then I fell as late because he's talking.

0:31:19.520 --> 0:31:25.840
<v Speaker 1>I couldn't understand somebody was having a problem and I

0:31:26.040 --> 0:31:27.760
<v Speaker 1>and they kind of explained it, and then I was

0:31:27.800 --> 0:31:29.200
<v Speaker 1>just like, I can't follow this. So I don't know

0:31:29.240 --> 0:31:31.680
<v Speaker 1>if that's going to be important later, but I hope not,

0:31:31.840 --> 0:31:36.960
<v Speaker 1>because yeah, I checked out Harry even wait wait, wait, wait,

0:31:37.000 --> 0:31:39.080
<v Speaker 1>what about when they drove the vet Remember when they

0:31:39.120 --> 0:31:42.240
<v Speaker 1>peeled out in the Corvette, Brandon jumps in over the door.

0:31:43.080 --> 0:31:46.960
<v Speaker 1>That was really driving that car and he, I know,

0:31:47.280 --> 0:31:49.040
<v Speaker 1>is little ding ny wit did you do it when

0:31:49.080 --> 0:31:55.080
<v Speaker 1>he did that? Because he really liked it. You guys,

0:31:56.160 --> 0:31:58.600
<v Speaker 1>Jenny said, that's so fast. But like you have to

0:31:58.640 --> 0:32:02.120
<v Speaker 1>take a minute because she just said, I don't want

0:32:02.120 --> 0:32:04.880
<v Speaker 1>to repeat it. Just rewind rewind everybody so that you

0:32:04.920 --> 0:32:07.000
<v Speaker 1>can hear what she just said. And I wish you

0:32:07.040 --> 0:32:09.240
<v Speaker 1>had the visual. Well, they really liked it. I'm sure

0:32:09.400 --> 0:32:12.840
<v Speaker 1>that was my point. It was such bad driving because

0:32:13.320 --> 0:32:15.120
<v Speaker 1>and then what about when they're when they're like when

0:32:15.160 --> 0:32:17.280
<v Speaker 1>they're when they find out there under the hood of

0:32:17.320 --> 0:32:19.520
<v Speaker 1>the car at the races and they find out that

0:32:19.560 --> 0:32:23.000
<v Speaker 1>it's really Frank Padilla, the guy with the stars, the

0:32:23.000 --> 0:32:26.640
<v Speaker 1>guy that ran Sweet Andrea over. And then they they're like,

0:32:26.680 --> 0:32:28.640
<v Speaker 1>oh my god, we gotta do something called police do

0:32:28.680 --> 0:32:31.880
<v Speaker 1>this do that. I was like, guys, just were cool,

0:32:32.040 --> 0:32:35.080
<v Speaker 1>be cool, Like they're gonna know you're acting so suspicious,

0:32:36.160 --> 0:32:41.280
<v Speaker 1>don't right? And I know I was nervous, and I'm like,

0:32:41.280 --> 0:32:49.719
<v Speaker 1>where is Brandon running to running? Yeah? But then got running? Yeah?

0:32:49.920 --> 0:32:52.920
<v Speaker 1>How did he suddenly and call the police? I can't like,

0:32:53.360 --> 0:32:55.040
<v Speaker 1>first of all, if you're gonna drag Race, I'm sure

0:32:55.040 --> 0:32:58.840
<v Speaker 1>they're way out like Peacoima and Beverly Hills is very

0:32:58.920 --> 0:33:02.840
<v Speaker 1>far away. I do not think you and get Andrea

0:33:02.960 --> 0:33:06.000
<v Speaker 1>like everything is like so tight, there's nowhere you can

0:33:06.080 --> 0:33:09.000
<v Speaker 1>drag Race like that. I guess. Honestly, she was just

0:33:09.000 --> 0:33:11.040
<v Speaker 1>waiting in her trailer, so it was easy to tend

0:33:11.040 --> 0:33:16.880
<v Speaker 1>to get to her. But thank god Donna has her

0:33:17.040 --> 0:33:20.760
<v Speaker 1>that rare Donna and Dylan seen in the peach pit. Yes,

0:33:20.800 --> 0:33:24.960
<v Speaker 1>that never happened. Very cute, right, I love that. I'm

0:33:25.000 --> 0:33:27.200
<v Speaker 1>sure they loved it. I'm sure they love filming that.

0:33:27.280 --> 0:33:31.360
<v Speaker 1>But but that that gets She says, well, why are

0:33:31.400 --> 0:33:33.719
<v Speaker 1>you here then? If your friends are out in trouble.

0:33:34.480 --> 0:33:38.560
<v Speaker 1>I like that, I know. And he was distracted because

0:33:38.560 --> 0:33:42.120
<v Speaker 1>he was so worried, all very cute. He couldn't listen.

0:33:43.120 --> 0:33:48.120
<v Speaker 1>I couldn't listen to her. Nothing new there. Um, okay,

0:33:48.400 --> 0:33:50.280
<v Speaker 1>are you ready to get to it. Let's take a

0:33:50.280 --> 0:33:52.520
<v Speaker 1>break because I feel tired now. I need to have

0:33:52.560 --> 0:34:09.640
<v Speaker 1>a moment. Just remembered something so good. Why don't they

0:34:09.760 --> 0:34:16.760
<v Speaker 1>use doors? Brandon jumping into the Mustang like through the window,

0:34:17.320 --> 0:34:21.080
<v Speaker 1>or Steve did it in the Corvette like jumped in

0:34:21.760 --> 0:34:26.320
<v Speaker 1>through the windows, Because that's how does that is how

0:34:26.480 --> 0:34:29.920
<v Speaker 1>the Fonds got into the car? I think it was

0:34:29.960 --> 0:34:33.680
<v Speaker 1>the Dukes of Hazard. It was Bow and Luke. Dude,

0:34:33.680 --> 0:34:37.160
<v Speaker 1>they never was on a motorcy No, you're right, you're right, sorry,

0:34:38.000 --> 0:34:40.799
<v Speaker 1>but even on night Rider he used the doors. Well

0:34:41.040 --> 0:34:44.320
<v Speaker 1>I guess kids get for him. But yeah, Bow and

0:34:44.400 --> 0:34:47.160
<v Speaker 1>Luke Duke went in through the windows, and so does

0:34:47.360 --> 0:34:51.080
<v Speaker 1>Steve Sanders. I was like, what, I kind of want

0:34:51.080 --> 0:34:54.640
<v Speaker 1>to try that. I feel like I could do it.

0:34:55.760 --> 0:34:57.399
<v Speaker 1>I've always also wanted to try. Have you ever seen

0:34:57.400 --> 0:35:00.040
<v Speaker 1>when they're like running and they have to slide a

0:35:00.040 --> 0:35:02.200
<v Speaker 1>cross the hood to head in the car really fast?

0:35:02.239 --> 0:35:05.520
<v Speaker 1>I'm like, I don't want to do that because that

0:35:05.560 --> 0:35:08.879
<v Speaker 1>would scratch the hood of the car. But I could

0:35:08.920 --> 0:35:10.840
<v Speaker 1>not get in through the window. I have had to

0:35:10.880 --> 0:35:14.520
<v Speaker 1>do where you someone's parked too close to you, so

0:35:14.560 --> 0:35:16.960
<v Speaker 1>you have to get in the passenger side and climb

0:35:16.960 --> 0:35:22.719
<v Speaker 1>over him. I'm gonna go outside and try to jump

0:35:22.760 --> 0:35:24.440
<v Speaker 1>through my window. You guys, I'll let you know how

0:35:24.520 --> 0:35:28.399
<v Speaker 1>that goes. I don't know how convertible, so it's gonna

0:35:28.400 --> 0:35:30.840
<v Speaker 1>be a little tricky. Okay, let's talk out before we

0:35:30.880 --> 0:35:34.600
<v Speaker 1>get to the double day. I did right Brandon's outfit

0:35:34.840 --> 0:35:38.560
<v Speaker 1>at the peach Pit, unbuttoned with a necklace, washing potatoes.

0:35:39.040 --> 0:35:44.440
<v Speaker 1>That must have been a standout moment for me. Well,

0:35:44.480 --> 0:35:46.880
<v Speaker 1>first of all, before that, I had a problem with

0:35:46.920 --> 0:35:53.000
<v Speaker 1>the potatoes because you really buy that the peach Pit

0:35:53.160 --> 0:35:55.840
<v Speaker 1>is back their hand cutting their French fries every day.

0:35:56.120 --> 0:36:02.520
<v Speaker 1>Brandon is back there doing that every single day. I

0:36:02.560 --> 0:36:05.080
<v Speaker 1>don't think so. And I happen to know that those

0:36:05.080 --> 0:36:08.960
<v Speaker 1>French fries were from Fatburger, so they're they were good.

0:36:12.760 --> 0:36:19.279
<v Speaker 1>Let's do it. Let's talk about our fourth and final storyline,

0:36:19.719 --> 0:36:25.240
<v Speaker 1>which is um Seth Green, Yes, your date, Your girls

0:36:25.280 --> 0:36:29.680
<v Speaker 1>date distracted and they go on a date with Seth Green,

0:36:29.840 --> 0:36:37.200
<v Speaker 1>and some other day. Yeah, it's adorable. They're adorable totally.

0:36:37.280 --> 0:36:41.080
<v Speaker 1>But first of all, Mrs Walsh hosed them so hard

0:36:41.640 --> 0:36:44.480
<v Speaker 1>at that moment when she's like, of course they will,

0:36:45.480 --> 0:36:48.760
<v Speaker 1>and the girls are like dope, they stop in their tracks.

0:36:49.600 --> 0:36:52.080
<v Speaker 1>And how old were those guys supposed to be, like

0:36:52.440 --> 0:36:57.800
<v Speaker 1>seventh grade? Eighth grade? Yeah, they looked yeah, they looked

0:36:57.960 --> 0:37:01.080
<v Speaker 1>to be like maybe little, yeah, but they were just

0:37:01.120 --> 0:37:04.080
<v Speaker 1>so cute. Seth Green was so cute. He looks exactly

0:37:04.120 --> 0:37:08.360
<v Speaker 1>the same today, he really does. That was sort of

0:37:08.760 --> 0:37:10.960
<v Speaker 1>his beginning, all right, and he's gone on to just

0:37:12.480 --> 0:37:17.280
<v Speaker 1>yes of success. Yeah, he's done a million million shows

0:37:17.320 --> 0:37:19.920
<v Speaker 1>and I think he does like voices of animated stuff.

0:37:19.920 --> 0:37:22.799
<v Speaker 1>Oh yeah, yeah, that's like his big ticket there. But

0:37:23.040 --> 0:37:27.200
<v Speaker 1>I when I was married to Peter, he did a

0:37:27.239 --> 0:37:29.759
<v Speaker 1>movie with maybe one or two. He was friends with

0:37:29.760 --> 0:37:32.239
<v Speaker 1>Seth and he did a couple of movies with him,

0:37:32.280 --> 0:37:34.160
<v Speaker 1>and I got to know Seth. He has he's really

0:37:34.239 --> 0:37:36.640
<v Speaker 1>nice guy. Did you remember each other from back in

0:37:36.640 --> 0:37:39.360
<v Speaker 1>the day? Like, did you when you re met? You

0:37:39.360 --> 0:37:41.960
<v Speaker 1>know what you're talking to. I don't remember anybody from

0:37:42.000 --> 0:37:44.319
<v Speaker 1>back in the day. People have to like fill in

0:37:44.360 --> 0:37:48.960
<v Speaker 1>all the blanks in my brain and we know I

0:37:49.000 --> 0:37:50.759
<v Speaker 1>was on your show. That happens all the time I

0:37:50.840 --> 0:37:54.920
<v Speaker 1>was on your show. We did scenes together. Yeah, I'm like,

0:37:55.040 --> 0:37:57.960
<v Speaker 1>oh right, yes, yes, I got it. And does it

0:37:58.040 --> 0:38:00.480
<v Speaker 1>come back to her? Yeah? Usually it does. Sometimes no

0:38:00.520 --> 0:38:03.920
<v Speaker 1>one I have to fake it, but was set that

0:38:04.320 --> 0:38:06.640
<v Speaker 1>kind of did kind of didn't. But when I saw it,

0:38:06.640 --> 0:38:08.360
<v Speaker 1>it made me remember it, and I loved it. I

0:38:08.440 --> 0:38:13.359
<v Speaker 1>loved their whole Like that, I've spent an entire day

0:38:13.400 --> 0:38:17.080
<v Speaker 1>with somebody and not remember. Oh my god, you're pointing

0:38:17.080 --> 0:38:20.239
<v Speaker 1>out when an asshole. I am not really, but like

0:38:20.320 --> 0:38:23.560
<v Speaker 1>I've met people briefly and then kind of forgotten. Do

0:38:23.600 --> 0:38:24.799
<v Speaker 1>you know what I mean? You see them again and

0:38:24.800 --> 0:38:26.319
<v Speaker 1>they're like, oh I met you with blah blah blah,

0:38:26.400 --> 0:38:34.000
<v Speaker 1>and you're moeriously a day years ago whatever it was. No, Like,

0:38:34.120 --> 0:38:36.759
<v Speaker 1>I wouldn't forget somebody that I like, went is that

0:38:36.920 --> 0:38:42.399
<v Speaker 1>high school with I don't know, do you remember? I mean,

0:38:42.440 --> 0:38:45.160
<v Speaker 1>I just can't imagine now I might not remember their name.

0:38:45.680 --> 0:38:48.600
<v Speaker 1>So like if I bumped into, like, I don't know

0:38:48.680 --> 0:38:50.640
<v Speaker 1>someone from high school, I might not be able to

0:38:50.680 --> 0:38:54.279
<v Speaker 1>exactly like get the name. But if they I don't

0:38:54.280 --> 0:38:58.080
<v Speaker 1>think I'm gonna forget them unless they look drastically different,

0:38:58.840 --> 0:39:03.520
<v Speaker 1>which happens yeah yeah, yeah, yeah, but yeah not not

0:39:03.600 --> 0:39:08.719
<v Speaker 1>in set case you look exactly the same. But they're

0:39:08.719 --> 0:39:10.920
<v Speaker 1>really good at the art. That arcade where we shot

0:39:10.960 --> 0:39:13.680
<v Speaker 1>those scenes, do you know where it was? Yes? That

0:39:13.880 --> 0:39:16.160
<v Speaker 1>I think it's still there if I'm not mistaken. It's

0:39:16.239 --> 0:39:21.560
<v Speaker 1>the one on um Suppulvita Boulevard in Sherman Oaks and

0:39:21.600 --> 0:39:23.919
<v Speaker 1>it has like a golf and stuff with it now

0:39:24.520 --> 0:39:27.279
<v Speaker 1>and I don't know arcade. I've been there. I've been

0:39:27.280 --> 0:39:30.560
<v Speaker 1>there with my kids. Has a batting cage. It looks

0:39:30.600 --> 0:39:33.399
<v Speaker 1>exactly the same inside. You guys have to go see

0:39:33.440 --> 0:39:36.680
<v Speaker 1>it if if you haven't been there. Oh, Sherman Oaks Park.

0:39:36.760 --> 0:39:39.000
<v Speaker 1>They said it's called some out of towners call it

0:39:39.040 --> 0:39:46.919
<v Speaker 1>supple Vita, but it's Sepulvida, sepple Vita. The Castle Park,

0:39:47.160 --> 0:39:49.640
<v Speaker 1>Castle Park, that's it. That's where we filmed that, and

0:39:49.680 --> 0:39:51.879
<v Speaker 1>I think it's all still there. I want to go

0:39:52.600 --> 0:39:58.160
<v Speaker 1>one million percent is it looks so fud bring your

0:39:58.239 --> 0:40:00.759
<v Speaker 1>vaccine card, but you can go. And they have like

0:40:00.800 --> 0:40:05.760
<v Speaker 1>cotton candy and all the many golf arcade, batting cage.

0:40:07.200 --> 0:40:09.960
<v Speaker 1>Oh my god, that's where we shot that we need

0:40:10.000 --> 0:40:13.239
<v Speaker 1>to have a party there. I just don't believe that

0:40:13.280 --> 0:40:15.880
<v Speaker 1>would be so fun. Let's have a wrap party there.

0:40:15.880 --> 0:40:20.279
<v Speaker 1>Party areas are available for reservations see, or we could

0:40:20.280 --> 0:40:24.000
<v Speaker 1>go roller skating. I'm just saying either one. I'm into it,

0:40:24.040 --> 0:40:26.560
<v Speaker 1>but I want to go to this place first. Feel like,

0:40:27.760 --> 0:40:31.560
<v Speaker 1>let's do it. Let's golf course looks incredible. It's really

0:40:31.640 --> 0:40:35.120
<v Speaker 1>like literally, oh my god. I was a little bit like,

0:40:35.320 --> 0:40:40.239
<v Speaker 1>why would I why would they do this? Why would

0:40:40.280 --> 0:40:46.600
<v Speaker 1>they reunite? Kelly and Brenda have this great story where

0:40:47.360 --> 0:40:51.439
<v Speaker 1>Kelly and Brenda are like best friends that that that

0:40:51.520 --> 0:40:53.960
<v Speaker 1>is a good friendship that they have. They have such

0:40:54.560 --> 0:41:01.480
<v Speaker 1>good girl chemistry. They really made me so so sad

0:41:01.640 --> 0:41:06.080
<v Speaker 1>because I was like, I that I see that what's coming.

0:41:06.320 --> 0:41:13.000
<v Speaker 1>They're gonna lose this their friendship over this guy. And

0:41:13.040 --> 0:41:15.640
<v Speaker 1>they almost know it because they said something and you

0:41:15.680 --> 0:41:19.320
<v Speaker 1>guys said something in this episode of like what but

0:41:19.440 --> 0:41:22.000
<v Speaker 1>if he doesn't pick because what if he doesn't pick

0:41:22.080 --> 0:41:27.200
<v Speaker 1>either one of us? Yeah, and then says giving him

0:41:27.200 --> 0:41:32.200
<v Speaker 1>a bit too much power? Right, Brenda says, um, let's

0:41:32.280 --> 0:41:35.480
<v Speaker 1>we'll never let a guy come between us, and then

0:41:35.920 --> 0:41:38.799
<v Speaker 1>and then they say any guy, Yeah, Like that's what

0:41:38.880 --> 0:41:42.239
<v Speaker 1>I wish would happened. But I gotta be honest, I

0:41:42.280 --> 0:41:47.200
<v Speaker 1>started to get a little ticked off with well because

0:41:47.520 --> 0:41:51.440
<v Speaker 1>it was also perfect and cute and and just I

0:41:51.560 --> 0:41:54.760
<v Speaker 1>just loved seeing them together so much, and the way

0:41:54.520 --> 0:42:00.080
<v Speaker 1>they I don't know, and I remember together with shan In,

0:42:00.200 --> 0:42:03.839
<v Speaker 1>and it was just fun. We had so much girly fun.

0:42:03.880 --> 0:42:06.319
<v Speaker 1>And the photo of you the photo booth, that was

0:42:06.360 --> 0:42:09.680
<v Speaker 1>so cute because the date really became a date for

0:42:09.800 --> 0:42:12.000
<v Speaker 1>the two of you on a date with each other.

0:42:12.680 --> 0:42:16.799
<v Speaker 1>I loved it, but it did feel a little bit

0:42:16.880 --> 0:42:20.600
<v Speaker 1>forced for story telling of it all, you know, like

0:42:20.640 --> 0:42:25.280
<v Speaker 1>because that in real life, when your best friend gets

0:42:25.280 --> 0:42:27.480
<v Speaker 1>together with your boyfriend, you're probably not going to want to,

0:42:27.520 --> 0:42:31.680
<v Speaker 1>like go to the arcade with her be besties. So

0:42:31.719 --> 0:42:35.440
<v Speaker 1>it's a little weird in that respect. But I just

0:42:35.480 --> 0:42:39.000
<v Speaker 1>get I just started to get mad. I guess that

0:42:39.080 --> 0:42:43.320
<v Speaker 1>the writers, I mean, the end is dramatic, very cute.

0:42:43.360 --> 0:42:45.680
<v Speaker 1>You put the picture on the locker. It's a little

0:42:45.719 --> 0:42:53.920
<v Speaker 1>too allowing the competition, like, hey, Dylan, here's our picture together.

0:42:54.920 --> 0:42:58.319
<v Speaker 1>Almost like they should have told him you don't get

0:42:58.320 --> 0:43:00.600
<v Speaker 1>either of us. I mean that's what they should have

0:43:00.640 --> 0:43:03.960
<v Speaker 1>told him. Yeah, And I noticed a lot of people

0:43:04.239 --> 0:43:08.759
<v Speaker 1>on our platforms are saying like they're seeing in a

0:43:08.800 --> 0:43:12.680
<v Speaker 1>different way this whole love, which is exactly what's happening

0:43:12.719 --> 0:43:16.680
<v Speaker 1>with me. I'm I was in it. I didn't know

0:43:16.920 --> 0:43:20.360
<v Speaker 1>to look at it objectively or from a different perspective then,

0:43:20.440 --> 0:43:25.120
<v Speaker 1>and now looking at it, I'm like, these two amazing

0:43:25.320 --> 0:43:30.959
<v Speaker 1>young women deserve so much better. He's a jerk. He's

0:43:31.000 --> 0:43:36.319
<v Speaker 1>treating them, he's mocking their feelings, basically pandering with them.

0:43:36.680 --> 0:43:40.920
<v Speaker 1>I just don't understand why they would love him. My

0:43:40.960 --> 0:43:46.160
<v Speaker 1>struggle is he was he was very into Brenda, believed

0:43:46.200 --> 0:43:49.080
<v Speaker 1>it very high school, but believed it. Yes, you see

0:43:49.120 --> 0:43:52.239
<v Speaker 1>that start to kind of fade, having its problems, which

0:43:52.280 --> 0:43:55.360
<v Speaker 1>would be very high school. Nobody stays together a hundred

0:43:55.400 --> 0:43:58.680
<v Speaker 1>years for the most part in high school. Then you

0:43:58.920 --> 0:44:03.120
<v Speaker 1>see kew Lian Dylan bonding, especially when Brenda, you know,

0:44:03.160 --> 0:44:05.880
<v Speaker 1>first they had that weird conflict, and then when she

0:44:05.920 --> 0:44:09.240
<v Speaker 1>went to Paris, and that seemed very natural. My beef

0:44:09.360 --> 0:44:16.799
<v Speaker 1>now is that it's almost like he's enjoying the threesome

0:44:16.960 --> 0:44:19.719
<v Speaker 1>of it, and it's like that's a little bit that's

0:44:19.840 --> 0:44:23.160
<v Speaker 1>kind of bugging me more, really bugging me, like he

0:44:23.160 --> 0:44:25.879
<v Speaker 1>should have just owned it, stayed with Kelly. He made

0:44:25.880 --> 0:44:29.640
<v Speaker 1>his choice. They made their choice. It's the fact that

0:44:29.680 --> 0:44:32.239
<v Speaker 1>now we've gone backwards again and and you guys are

0:44:32.280 --> 0:44:35.839
<v Speaker 1>working on the friendship. It's just messy. It's messy, and

0:44:35.880 --> 0:44:40.359
<v Speaker 1>I don't understand why the writers chose to do this,

0:44:40.560 --> 0:44:44.279
<v Speaker 1>Like I'm I'm frustrated with them. No offense, but give

0:44:44.280 --> 0:44:49.080
<v Speaker 1>me a break, guys. Well, it's very days of our lives.

0:44:49.719 --> 0:44:54.440
<v Speaker 1>Triangles are such a storyline in almost every soap, so

0:44:54.520 --> 0:44:58.560
<v Speaker 1>it's like the soap element I would say, I mean,

0:44:58.600 --> 0:45:03.640
<v Speaker 1>but yeah, but they're really no focusing at all on

0:45:03.719 --> 0:45:06.560
<v Speaker 1>the feelings of it all that. It's just more about

0:45:06.640 --> 0:45:12.040
<v Speaker 1>the logistics of it and the competition of it. Yeah, yeah,

0:45:12.080 --> 0:45:16.120
<v Speaker 1>you make a really good point and dividing these two girls,

0:45:16.200 --> 0:45:20.799
<v Speaker 1>Like god, that's so interesting because in the nineties that

0:45:20.840 --> 0:45:24.040
<v Speaker 1>would be how this went. But in a show, even

0:45:24.080 --> 0:45:27.560
<v Speaker 1>as like a One Tree Hill or you know the

0:45:27.680 --> 0:45:32.440
<v Speaker 1>shows today, they would have explored more the subtext the

0:45:32.560 --> 0:45:37.239
<v Speaker 1>emotion behind it. Back then, it was so like, this

0:45:37.320 --> 0:45:40.839
<v Speaker 1>is the love triangle, this is the conflict nine oh two,

0:45:40.920 --> 0:45:44.200
<v Speaker 1>one oh. Like, I just feel like today the same

0:45:44.200 --> 0:45:46.960
<v Speaker 1>storyline would be so different. I mean, it did really

0:45:47.040 --> 0:45:50.840
<v Speaker 1>set set me up because I love Kelly and Brenda

0:45:50.880 --> 0:45:52.960
<v Speaker 1>together in this episode, so it's set me up to

0:45:53.040 --> 0:45:59.080
<v Speaker 1>be really devastated if they end up not being friends

0:45:59.120 --> 0:46:02.480
<v Speaker 1>because of Dylan. And like I said, I don't remember

0:46:02.480 --> 0:46:08.080
<v Speaker 1>what happened, so it's a journey's going to happen. I

0:46:09.120 --> 0:46:11.400
<v Speaker 1>at the end, you felt like it was something I

0:46:11.440 --> 0:46:15.359
<v Speaker 1>don't know, but the thing I thought it was dramatic. Yeah,

0:46:15.480 --> 0:46:18.919
<v Speaker 1>the end for me, I don't know the end though,

0:46:18.960 --> 0:46:21.440
<v Speaker 1>it was just like was the first time for me

0:46:21.560 --> 0:46:28.160
<v Speaker 1>that I was actually gripped, like riveted and I And

0:46:28.239 --> 0:46:32.279
<v Speaker 1>it has to do not with the the situation the

0:46:32.320 --> 0:46:34.319
<v Speaker 1>writing so much, but the way it was shot, in

0:46:34.320 --> 0:46:39.200
<v Speaker 1>the way it was produced, the music. Um was it

0:46:39.239 --> 0:46:42.520
<v Speaker 1>was the first time in the show, which after this

0:46:42.600 --> 0:46:44.800
<v Speaker 1>point it happens a number of times, and it happened

0:46:44.840 --> 0:46:47.359
<v Speaker 1>for me quite often, but the music would like just

0:46:47.719 --> 0:46:51.480
<v Speaker 1>pull you in and like grab you and grip you

0:46:51.600 --> 0:46:53.799
<v Speaker 1>to the storyline, and I find I was like what

0:46:53.920 --> 0:46:55.759
<v Speaker 1>is the song? I had that same moment where I'm

0:46:55.800 --> 0:46:57.200
<v Speaker 1>like what is this in the in the in the

0:46:57.239 --> 0:46:59.800
<v Speaker 1>way they used the camera and the like the pushing,

0:47:00.000 --> 0:47:03.120
<v Speaker 1>the slow motion of him walking up to them and

0:47:03.160 --> 0:47:06.680
<v Speaker 1>just the slow motion of the girls, I thought, because

0:47:06.680 --> 0:47:09.200
<v Speaker 1>I really really love that stuff, like just like I

0:47:11.160 --> 0:47:16.440
<v Speaker 1>think that's the hook. So I get why this is

0:47:16.480 --> 0:47:20.000
<v Speaker 1>such a good storyline and so juicy and meaty. But

0:47:20.080 --> 0:47:24.560
<v Speaker 1>at the same time, a therapist would be like, this

0:47:24.640 --> 0:47:30.080
<v Speaker 1>is oh, this is this is this is very unhealthy. Yeah,

0:47:30.200 --> 0:47:32.799
<v Speaker 1>that's what a therapist might say. Um, but it was

0:47:32.880 --> 0:47:36.200
<v Speaker 1>just it felt so gloriously like nineties rom calm. Like

0:47:36.239 --> 0:47:38.960
<v Speaker 1>that ending was just everything for me. I hope that

0:47:39.000 --> 0:47:42.359
<v Speaker 1>the show recognizes that and that there's more because I

0:47:42.400 --> 0:47:44.160
<v Speaker 1>want more of that. It was hard for me not

0:47:44.239 --> 0:47:48.440
<v Speaker 1>to roll into the next episode. Yeah, I did, sneaker.

0:47:48.680 --> 0:47:50.560
<v Speaker 1>I didn't cheat. I didn't cheat. I did start to

0:47:50.560 --> 0:47:52.920
<v Speaker 1>look ahead because I want to see who we can

0:47:52.960 --> 0:47:56.719
<v Speaker 1>have on I did. UM have a couple of notes

0:47:56.800 --> 0:48:04.040
<v Speaker 1>though about UM, the part when Brendan Kelly are getting

0:48:04.080 --> 0:48:07.279
<v Speaker 1>ready for their hot days. I totally wrote a note

0:48:07.440 --> 0:48:12.040
<v Speaker 1>was that your eyes was that your lips. I didn't

0:48:12.080 --> 0:48:14.120
<v Speaker 1>like that and didnt care for those shots they were

0:48:14.200 --> 0:48:19.280
<v Speaker 1>too close. I was actually thought I would never allow

0:48:19.320 --> 0:48:23.239
<v Speaker 1>it now, I would look never allow the camera gets

0:48:23.280 --> 0:48:25.600
<v Speaker 1>like that your face, the camera gets more like the

0:48:25.640 --> 0:48:28.359
<v Speaker 1>camera now. The camera department and the camera get more

0:48:28.400 --> 0:48:32.840
<v Speaker 1>than like two arms link away from me. I started

0:48:32.840 --> 0:48:35.239
<v Speaker 1>to internally combust and have a panic attack. I'm like,

0:48:35.280 --> 0:48:38.160
<v Speaker 1>too close, too close to close? Was that your face?

0:48:38.320 --> 0:48:41.560
<v Speaker 1>Do you know that was standing? Those were our faces.

0:48:42.560 --> 0:48:48.520
<v Speaker 1>I recognized those lips, those teeth. Definitely recognize the teeth

0:48:49.600 --> 0:48:52.920
<v Speaker 1>of not just me, but of Shannon. That was crazy.

0:48:53.040 --> 0:48:58.000
<v Speaker 1>It was just weird. I mean what that was if

0:48:58.000 --> 0:49:00.560
<v Speaker 1>you guys looked good like it was totally fine. I'm like, oh,

0:49:00.600 --> 0:49:02.840
<v Speaker 1>thank god, we were pre pubestent at that, you know,

0:49:02.920 --> 0:49:05.720
<v Speaker 1>we were so can't they couldn't touch it up? Then? Really,

0:49:06.000 --> 0:49:08.319
<v Speaker 1>you couldn't go in and smooth out the pores at

0:49:08.320 --> 0:49:11.320
<v Speaker 1>all or make the teeth like a little less bizarre.

0:49:12.840 --> 0:49:15.600
<v Speaker 1>The eyes wasn't so bad. Get that close to my

0:49:15.640 --> 0:49:19.279
<v Speaker 1>eyes now, I will literally hurt you come that close

0:49:19.320 --> 0:49:24.360
<v Speaker 1>to me with a camera. I was like wow. And also,

0:49:24.760 --> 0:49:28.000
<v Speaker 1>why did they dress like forty year old women? I'm

0:49:28.040 --> 0:49:30.880
<v Speaker 1>telling you you had a plaid blazer in this episode.

0:49:31.640 --> 0:49:34.040
<v Speaker 1>I think a yellow blazer. Somebody had a big bow

0:49:34.040 --> 0:49:36.520
<v Speaker 1>in their hair. I love the bow and Kelly's hair,

0:49:36.680 --> 0:49:38.239
<v Speaker 1>but I'm not talking about that. I'm talking about when

0:49:38.239 --> 0:49:40.719
<v Speaker 1>they got ready for their date, and they looked like

0:49:40.760 --> 0:49:44.440
<v Speaker 1>they were going to the symphony or something. Yes, like

0:49:44.480 --> 0:49:47.839
<v Speaker 1>in a bad eighties award show. Bad hair, bad hair,

0:49:48.200 --> 0:49:51.840
<v Speaker 1>bad makeup, and bad so overdressed. But I guess, you know,

0:49:51.880 --> 0:49:54.600
<v Speaker 1>it's really bring home the point that they're older than

0:49:54.640 --> 0:50:00.399
<v Speaker 1>the boys that were taking it. Oh my got Yeah,

0:50:00.400 --> 0:50:05.319
<v Speaker 1>they were very gussied up. Gussied up, that's what they

0:50:05.320 --> 0:50:09.319
<v Speaker 1>were like this episode. I do think it was ridiculous,

0:50:09.440 --> 0:50:12.799
<v Speaker 1>but I do like it. I the end for me

0:50:12.920 --> 0:50:15.360
<v Speaker 1>just redeemed it all. I have a lot of issues

0:50:15.400 --> 0:50:18.640
<v Speaker 1>with the music and it's the drag racing cart. For

0:50:18.719 --> 0:50:21.399
<v Speaker 1>me was like it felt like the storylines were so

0:50:21.440 --> 0:50:25.040
<v Speaker 1>oddly stitched together somehow, but somehow it worked. I don't know,

0:50:25.160 --> 0:50:27.799
<v Speaker 1>I want more. I don't know about you. You know

0:50:27.960 --> 0:50:31.120
<v Speaker 1>so funny. I like get kind of hooked into it

0:50:31.160 --> 0:50:32.880
<v Speaker 1>when I'm watching it and I'm like, you know, it

0:50:32.960 --> 0:50:36.600
<v Speaker 1>ends and I get up and do whatever, And I realized, like, wow,

0:50:36.680 --> 0:50:41.600
<v Speaker 1>I really like shows, right, You're like that sticks with

0:50:41.680 --> 0:50:44.800
<v Speaker 1>you throughout the day the episode, think about it and

0:50:44.880 --> 0:50:48.960
<v Speaker 1>you care? What do I care? That it's not a

0:50:49.000 --> 0:50:59.200
<v Speaker 1>crappy show? You know what I mean? Your show is

0:50:59.239 --> 0:51:04.160
<v Speaker 1>not crappy. It's really not crappy. Big fan over there,

0:51:05.160 --> 0:51:09.680
<v Speaker 1>thank you. Let's come back and talk about fashion then.

0:51:09.840 --> 0:51:14.239
<v Speaker 1>But I totally like it. I'm glad you like it.

0:51:14.400 --> 0:51:16.759
<v Speaker 1>I'm glad you think it's not crappy. We're taking a break.

0:51:28.840 --> 0:51:30.680
<v Speaker 1>That would be remiss if I didn't just talk one

0:51:30.680 --> 0:51:34.319
<v Speaker 1>more time about the drag racing and how I feel

0:51:34.440 --> 0:51:36.520
<v Speaker 1>very strongly that this should not be happening. They should

0:51:36.600 --> 0:51:40.239
<v Speaker 1>not do a chicken race. Didn't they do that? Like

0:51:40.280 --> 0:51:43.000
<v Speaker 1>foot loose member on the track, that's one saying. It

0:51:43.080 --> 0:51:46.040
<v Speaker 1>was very like, yes, oh my god, his foot stopped

0:51:46.080 --> 0:51:49.839
<v Speaker 1>duck with a shoelaces so stressful. Oh god, I got

0:51:49.920 --> 0:51:52.040
<v Speaker 1>so scared. But then the helmets brought me back to

0:51:52.080 --> 0:51:54.680
<v Speaker 1>reality that it was just a TV show. It's stupid.

0:51:54.719 --> 0:51:57.440
<v Speaker 1>So yeah, why was that sort of of the time, Like,

0:51:57.560 --> 0:52:00.399
<v Speaker 1>I don't know, maybe it's people do that chick can race.

0:52:00.600 --> 0:52:03.799
<v Speaker 1>Somebody's gonna get hurt or die. Yeah, that's bad. It's

0:52:03.840 --> 0:52:06.240
<v Speaker 1>not a good choice. If anybody asks you to chicken

0:52:06.360 --> 0:52:10.040
<v Speaker 1>race them, people don't do it. I'm just saying, all right,

0:52:10.120 --> 0:52:13.200
<v Speaker 1>let's talk fashion, let's talk lines. Um, you've already had

0:52:13.239 --> 0:52:16.799
<v Speaker 1>a lot of fashion comments. You didn't like the Blazers.

0:52:17.000 --> 0:52:19.680
<v Speaker 1>You didn't like my bo like them. I like them,

0:52:20.000 --> 0:52:24.839
<v Speaker 1>I just feel like it's not high school. Yeah, nineties Blazers.

0:52:25.640 --> 0:52:30.800
<v Speaker 1>Doc Martin's I don't know Dona Donna c D jacket

0:52:30.840 --> 0:52:35.440
<v Speaker 1>was pretty fine, my god, very it was very on

0:52:35.480 --> 0:52:39.120
<v Speaker 1>the nose. It was alot of all black, which I

0:52:39.160 --> 0:52:41.439
<v Speaker 1>thought was cool. I like the polka dot ad dress

0:52:41.440 --> 0:52:44.279
<v Speaker 1>in the very beginning. And David looked really cool for

0:52:44.360 --> 0:52:47.319
<v Speaker 1>once in the very first scene, not in the next

0:52:47.320 --> 0:52:53.160
<v Speaker 1>scenes because his shirt choice. But and I really liked

0:52:53.640 --> 0:52:57.640
<v Speaker 1>ward Low. It's a very hard name to say Wardlow,

0:52:57.760 --> 0:53:02.640
<v Speaker 1>Joe Wardlow's jacket. And I like Dylan's red jacket. Dylan

0:53:02.719 --> 0:53:08.799
<v Speaker 1>always looking good. Heart heart heart, Okay, best line, best line.

0:53:10.880 --> 0:53:13.799
<v Speaker 1>This is what stood out to me. Donna's doing her

0:53:13.880 --> 0:53:16.239
<v Speaker 1>djaying when she was kind of bad, and somebody I

0:53:16.280 --> 0:53:18.520
<v Speaker 1>can't remember if it was you or Brenda goes call

0:53:18.640 --> 0:53:26.200
<v Speaker 1>nine one one, she's dying. They gave like a lookout

0:53:26.200 --> 0:53:29.000
<v Speaker 1>Howard Stern reference to and then call nine one one

0:53:29.160 --> 0:53:33.440
<v Speaker 1>she's dying. But then she deems herself. I had I

0:53:33.440 --> 0:53:35.319
<v Speaker 1>couldn't pick one. I had three, okay. The first one

0:53:36.280 --> 0:53:40.000
<v Speaker 1>was from Steve Sanders. It must have been like during

0:53:40.000 --> 0:53:42.839
<v Speaker 1>the fight when in the detention when he says, why

0:53:42.840 --> 0:53:49.719
<v Speaker 1>don't you clam up bone head? Is that was that

0:53:49.760 --> 0:53:52.200
<v Speaker 1>written on the page or did he? Hope so? But

0:53:52.280 --> 0:53:54.240
<v Speaker 1>I think so because it reminds me of the lines

0:53:54.280 --> 0:53:58.319
<v Speaker 1>between David Arquette and Jason Priests, Like it's whoever's writing

0:53:58.360 --> 0:54:02.040
<v Speaker 1>it's right in the same don't you clam up? Bone heading?

0:54:03.040 --> 0:54:07.960
<v Speaker 1>To somebody today? What about this one? Um? This was

0:54:08.040 --> 0:54:12.560
<v Speaker 1>Kelly in the arcade when she says, who's to say

0:54:12.560 --> 0:54:15.399
<v Speaker 1>there isn't level on eleven or million and eleven? We're

0:54:15.440 --> 0:54:20.000
<v Speaker 1>gonna die here, Brenda. It actually made me l O

0:54:20.200 --> 0:54:22.520
<v Speaker 1>L like I I chuckled all out to my with

0:54:22.600 --> 0:54:26.239
<v Speaker 1>my just me and yeah, it's a good one. And

0:54:26.280 --> 0:54:28.960
<v Speaker 1>then my third and final line was um from Joe

0:54:29.000 --> 0:54:35.319
<v Speaker 1>wardlow Ah, you're a one man psych Ward you know that. Yeah,

0:54:35.320 --> 0:54:38.600
<v Speaker 1>there was some good good stuff there, some good lines

0:54:38.640 --> 0:54:41.480
<v Speaker 1>in this show, you really like if you really do

0:54:41.680 --> 0:54:46.400
<v Speaker 1>look for them and appreciate them, they're there there. Maybe

0:54:46.440 --> 0:54:49.799
<v Speaker 1>we can do another re enactment. Oh boy, those really

0:54:49.960 --> 0:54:54.279
<v Speaker 1>those hurt. They're very hard. Good. Let's to test my

0:54:54.320 --> 0:54:57.520
<v Speaker 1>acting abilities. I feel like we need to have some

0:54:57.600 --> 0:55:00.600
<v Speaker 1>sort of a like a system in place. Yeah, like

0:55:00.920 --> 0:55:02.960
<v Speaker 1>five peach pit Burgers, you know what I mean, Like

0:55:03.000 --> 0:55:06.719
<v Speaker 1>so five fries. Five fries like this would be so

0:55:07.320 --> 0:55:09.640
<v Speaker 1>on a scale of one to ten because it's so

0:55:10.360 --> 0:55:14.920
<v Speaker 1>how many Mega burgers would you give it seven? Seven

0:55:14.960 --> 0:55:19.120
<v Speaker 1>Mega burgers? Six or seven? Yeah? I think I think

0:55:19.120 --> 0:55:21.799
<v Speaker 1>I'm right there with you because I don't want to

0:55:21.880 --> 0:55:25.640
<v Speaker 1>overdo it because there's there's there's nines and tens out there.

0:55:25.719 --> 0:55:27.640
<v Speaker 1>Because I just love I mean, I love the photo

0:55:27.640 --> 0:55:31.879
<v Speaker 1>boot booth moment so much with with Kelly and Brenda

0:55:31.160 --> 0:55:35.239
<v Speaker 1>and I. In the end, i'd have to give it

0:55:35.320 --> 0:55:38.480
<v Speaker 1>like a six. Probably, I'm just deducting burgers because like,

0:55:38.680 --> 0:55:40.919
<v Speaker 1>I just don't think these guys are going drag racing. Yeah,

0:55:40.920 --> 0:55:42.880
<v Speaker 1>you gotta take some burgers away for the for the

0:55:43.280 --> 0:55:49.040
<v Speaker 1>bad music too, deny them the burgers painful. God. I

0:55:49.040 --> 0:55:50.680
<v Speaker 1>gotta go watch it on the DVD to see if

0:55:50.719 --> 0:55:53.120
<v Speaker 1>it's different music. I don't think it will be. It

0:55:53.239 --> 0:55:58.040
<v Speaker 1>hurt my ears at the open. It was like we

0:55:58.080 --> 0:56:00.520
<v Speaker 1>had new shots of school and it was like they

0:56:00.560 --> 0:56:03.200
<v Speaker 1>really wanted to use them, and so they were like, oh,

0:56:03.239 --> 0:56:06.080
<v Speaker 1>we need music with this. So I don't know if

0:56:06.080 --> 0:56:08.640
<v Speaker 1>it's my age. I think it is your old fo

0:56:08.800 --> 0:56:12.800
<v Speaker 1>darn loud in the words from Back to the Future,

0:56:13.719 --> 0:56:17.000
<v Speaker 1>like I go, is this a thing? Is this what

0:56:17.080 --> 0:56:20.839
<v Speaker 1>happens you guys? Um, you start to I can't believe

0:56:20.840 --> 0:56:24.359
<v Speaker 1>I'm gonna say this, but it's embarrassing when you go,

0:56:24.640 --> 0:56:27.640
<v Speaker 1>like when I go to a restaurant nowadays, which happens

0:56:27.920 --> 0:56:32.840
<v Speaker 1>a lot. Just kidding, not really. I never leave my house. Um,

0:56:33.320 --> 0:56:37.799
<v Speaker 1>but the all the other noises in the back, I

0:56:37.880 --> 0:56:39.800
<v Speaker 1>can make it so I can't hear what the poston

0:56:39.840 --> 0:56:42.359
<v Speaker 1>in front of me is saying. So I literally, if

0:56:42.400 --> 0:56:44.120
<v Speaker 1>this is me, if we're having dinner, I turned my

0:56:44.200 --> 0:56:48.000
<v Speaker 1>head so that my ear is Um, how's the straighter

0:56:48.040 --> 0:56:51.720
<v Speaker 1>line of connection with your mouth so that I can pass?

0:56:52.160 --> 0:56:53.799
<v Speaker 1>But I have to keep looking at you because I

0:56:53.840 --> 0:56:57.279
<v Speaker 1>have to also read your lips while you're talking to

0:56:57.480 --> 0:56:59.560
<v Speaker 1>sort of figure out what you're saying. But then guess what.

0:56:59.719 --> 0:57:02.560
<v Speaker 1>I have no idea what you're saying, and I just say, oh, yes,

0:57:03.280 --> 0:57:07.560
<v Speaker 1>let's go what. I just had my hearing checked. Have

0:57:07.640 --> 0:57:10.480
<v Speaker 1>you had your hearing check? I don't want to do it.

0:57:11.239 --> 0:57:14.080
<v Speaker 1>Have you not seen the TikTok that says we're at

0:57:14.080 --> 0:57:16.400
<v Speaker 1>that age where we have to turn the radio down

0:57:16.440 --> 0:57:22.080
<v Speaker 1>to see. That's so true. I never really thought of that.

0:57:23.080 --> 0:57:30.040
<v Speaker 1>You're like, wait, everybody quiet, I'm driving. Yeah, and the music,

0:57:30.080 --> 0:57:32.720
<v Speaker 1>the loud music. I went to a rock and roll

0:57:32.880 --> 0:57:35.200
<v Speaker 1>show the other Why did you go to? I think

0:57:35.240 --> 0:57:37.479
<v Speaker 1>I told you I went to They told us a theater.

0:57:38.160 --> 0:57:40.960
<v Speaker 1>I want to see Palace and I'm even know if

0:57:40.960 --> 0:57:42.720
<v Speaker 1>that is. It's a great band. I'm a huge fan

0:57:42.800 --> 0:57:48.000
<v Speaker 1>of theirs, kind of like indie all stuff. And I

0:57:48.000 --> 0:57:50.960
<v Speaker 1>had to stand in the back. Yeah, yeah, did your

0:57:50.960 --> 0:57:53.200
<v Speaker 1>ears ring when you got home? You're like, oh, no, yeah,

0:57:53.240 --> 0:57:55.080
<v Speaker 1>that's that. I'm used to that. But like I was,

0:57:55.120 --> 0:57:59.960
<v Speaker 1>literally like, it's a little loud. Can we leave now? Anyway,

0:58:00.680 --> 0:58:06.800
<v Speaker 1>the point is relatable. I hope that you guys have

0:58:06.880 --> 0:58:11.160
<v Speaker 1>a good week and we have our homework. Uh, what's next?

0:58:11.360 --> 0:58:14.960
<v Speaker 1>Next week is episode eighteen of season three Midlife? Now

0:58:15.040 --> 0:58:21.200
<v Speaker 1>what that feels? Gim and Syndish? Oh you think you

0:58:21.240 --> 0:58:26.960
<v Speaker 1>guys are life? Because oh, to be in my midlife?

0:58:27.880 --> 0:58:30.840
<v Speaker 1>Is that? What's happening? Is this? What that is? Midlife?

0:58:32.480 --> 0:58:36.440
<v Speaker 1>I feel like I'm on the upper crust of midlife.

0:58:36.680 --> 0:58:40.920
<v Speaker 1>In the next one, whatever that one is. Wait, I

0:58:40.960 --> 0:58:44.600
<v Speaker 1>have a trible another question for what is what? Am

0:58:44.640 --> 0:58:48.280
<v Speaker 1>I am not a millennial? I'm not a gen you

0:58:48.320 --> 0:58:51.720
<v Speaker 1>and are jen X? Okay? Because the other day and

0:58:51.760 --> 0:58:55.880
<v Speaker 1>I bet you everybody listening is jen X too? What

0:58:56.280 --> 0:58:58.960
<v Speaker 1>they're the best? Those are our people? Are you? The

0:58:58.960 --> 0:59:00.920
<v Speaker 1>other day I asked my has than that question and

0:59:01.000 --> 0:59:02.840
<v Speaker 1>he told me I was a baby boomer and I

0:59:02.960 --> 0:59:07.680
<v Speaker 1>fell down, No, because we're the same age. I think

0:59:07.880 --> 0:59:10.080
<v Speaker 1>we're a year apart or something. But is that what

0:59:10.120 --> 0:59:15.160
<v Speaker 1>he thinks of me? Is he jen Why he's younger

0:59:15.160 --> 0:59:22.320
<v Speaker 1>than you? Right? Yeah, we're gen X. We're not baby boomers.

0:59:22.760 --> 0:59:26.320
<v Speaker 1>Thank god, that is close. We're not even close to

0:59:26.360 --> 0:59:29.240
<v Speaker 1>baby boom boomers. Hold on, I'll get you the years

0:59:29.320 --> 0:59:36.480
<v Speaker 1>for everybody curious that's listening. Gen X years. Gen X range.

0:59:36.760 --> 0:59:42.880
<v Speaker 1>Baby boomers were born between sixty five and eighties. Baby

0:59:42.920 --> 0:59:48.360
<v Speaker 1>boomers were born between And he thinks I'm that old,

0:59:48.640 --> 0:59:52.440
<v Speaker 1>my husband, we have a project we're full gen X

0:59:52.480 --> 0:59:54.920
<v Speaker 1>because it's sixty five to eighty and we're like right

0:59:54.920 --> 0:59:56.480
<v Speaker 1>in the middle of that. Yeah. But you know when

0:59:56.480 --> 0:59:58.560
<v Speaker 1>you're younger and you look at someone who's older, you

0:59:58.600 --> 1:00:01.520
<v Speaker 1>think they're a lot older. Yeah, that's what's happening. We

1:00:01.560 --> 1:00:04.200
<v Speaker 1>need the oping I've got to make an appointment. Better help,

1:00:04.280 --> 1:00:07.200
<v Speaker 1>Where are you people? I guess he's millennials. I guess

1:00:07.200 --> 1:00:09.800
<v Speaker 1>there is no gen y. I thought there was. And

1:00:09.840 --> 1:00:11.440
<v Speaker 1>you know what, it's all making sense to me because

1:00:11.480 --> 1:00:14.280
<v Speaker 1>also my daughter called me a boomer not that long ago,

1:00:14.320 --> 1:00:17.200
<v Speaker 1>and now I know what a boomer is. I thought

1:00:17.240 --> 1:00:18.840
<v Speaker 1>it was just somebody cute that didn't know how to

1:00:18.920 --> 1:00:24.480
<v Speaker 1>use their computer. Whoa jen? Why is millennials? Oh my god,

1:00:24.520 --> 1:00:29.120
<v Speaker 1>I've just learned something. Wait, it's the same. I'm married

1:00:29.160 --> 1:00:32.400
<v Speaker 1>to a millennial. Is that what you just told me? Yeah?

1:00:32.440 --> 1:00:36.680
<v Speaker 1>Oh my god. Yeah, that's tough. I'm breaking out in hives.

1:00:37.160 --> 1:00:41.040
<v Speaker 1>When did gen y change to millennials? Oh? It must

1:00:41.080 --> 1:00:47.720
<v Speaker 1>have had a name change. Wow. On this episode of

1:00:47.800 --> 1:00:52.480
<v Speaker 1>nine o two one off topic. Anyways, watch and watch

1:00:52.560 --> 1:00:55.360
<v Speaker 1>the episode next week. We're we'll be here. I hope

1:00:55.360 --> 1:00:56.280
<v Speaker 1>you guys have a great week.