1 00:00:00,200 --> 00:00:10,040 Speaker 1: It's with Jenny Garth and Tori Spelling. Who's ready for 2 00:00:10,080 --> 00:00:16,240 Speaker 1: another episode of Ninea two on OMG? Hello, I'm ready, 3 00:00:16,480 --> 00:00:19,000 Speaker 1: Amy's here. It's me Jenny, and I'm here with Amy. 4 00:00:19,360 --> 00:00:21,279 Speaker 1: Tori is not gonna be with us this week, but 5 00:00:21,880 --> 00:00:25,880 Speaker 1: we have a very exciting episode to talk about. Um. 6 00:00:25,920 --> 00:00:27,600 Speaker 1: I don't know if you watched it or not, but 7 00:00:27,720 --> 00:00:30,480 Speaker 1: we did, because that's what the show is all about. 8 00:00:33,600 --> 00:00:36,400 Speaker 1: It's a good one, you guys. Well, that's what my 9 00:00:36,479 --> 00:00:42,240 Speaker 1: first question was for you. Was this episode awesome or ridiculous? 10 00:00:43,120 --> 00:00:45,200 Speaker 1: Well that's that's pretty much a good way to open 11 00:00:45,280 --> 00:00:49,440 Speaker 1: every episode of our show because you never know. But 12 00:00:49,520 --> 00:00:51,600 Speaker 1: this this one, I don't know. Let's let's just jump 13 00:00:51,680 --> 00:00:56,880 Speaker 1: right in. Okay. Uh. Season three, episode seventeen, The Game 14 00:00:56,960 --> 00:01:02,440 Speaker 1: is Chicken, aired on January six, nine three. We're into 15 00:01:02,440 --> 00:01:06,440 Speaker 1: a new year, did you notice. Oh yeah, that's right, January. Yeah, 16 00:01:06,440 --> 00:01:11,160 Speaker 1: we never get out. Ninety two is long because y'all 17 00:01:11,200 --> 00:01:13,600 Speaker 1: do so many episodes. But it's good because it took 18 00:01:13,640 --> 00:01:15,880 Speaker 1: us a really long time to get through it now, 19 00:01:16,040 --> 00:01:19,200 Speaker 1: but back in two, it was like a blink of 20 00:01:19,200 --> 00:01:23,000 Speaker 1: an eye. So yeah, freshman in college, so I was 21 00:01:23,040 --> 00:01:25,320 Speaker 1: in my freshman year of college. I started fall of 22 00:01:25,400 --> 00:01:30,360 Speaker 1: ninety two, and so this would be January. Yeah, and 23 00:01:30,440 --> 00:01:32,440 Speaker 1: you were this is the year you were getting together 24 00:01:32,480 --> 00:01:35,920 Speaker 1: with the girls to watch the show. Oh my god, definitely. 25 00:01:35,959 --> 00:01:39,320 Speaker 1: And I think it even got more next year because 26 00:01:39,360 --> 00:01:41,360 Speaker 1: I can remember because I know where I lived. Freshman year, 27 00:01:41,720 --> 00:01:44,640 Speaker 1: I lived in like a house with like fifty girls, 28 00:01:45,440 --> 00:01:46,760 Speaker 1: and then the next year I lived in the house 29 00:01:46,800 --> 00:01:49,800 Speaker 1: with a hundred girls. Oh my gosh, I had I 30 00:01:49,840 --> 00:01:52,280 Speaker 1: started sweating right when you said said that that's a 31 00:01:52,400 --> 00:01:55,600 Speaker 1: lot of the best. Yeah, I'd say there was like 32 00:01:55,640 --> 00:01:57,920 Speaker 1: a maybe seventy. Wait, is that what it's like to 33 00:01:57,960 --> 00:02:03,360 Speaker 1: live in a sorority house? Fifty? It's always that many? Yeah, 34 00:02:03,440 --> 00:02:06,520 Speaker 1: pretty much. I mean I would say fifty is yeah, 35 00:02:06,560 --> 00:02:09,839 Speaker 1: because I mean there's two levels in my house, two 36 00:02:09,919 --> 00:02:13,240 Speaker 1: levels of rooms, and you had either two, four or 37 00:02:13,480 --> 00:02:16,760 Speaker 1: six girls in a room. The only sorority houses I've 38 00:02:16,800 --> 00:02:20,120 Speaker 1: seen are the ones in the movies. Okay, so is 39 00:02:20,120 --> 00:02:23,440 Speaker 1: it like a normal house on a street, queue with 40 00:02:23,480 --> 00:02:25,240 Speaker 1: a lawn, and you go in and it's like the 41 00:02:25,280 --> 00:02:27,680 Speaker 1: living room and it's like house, but then upstairs it's 42 00:02:27,720 --> 00:02:32,359 Speaker 1: all the bedrooms exactly. So you go in, first of all, 43 00:02:32,440 --> 00:02:35,360 Speaker 1: do you call it a foyer or a foyer. I 44 00:02:35,440 --> 00:02:38,320 Speaker 1: call it a foyer, Okay, so do I. But then 45 00:02:38,440 --> 00:02:41,200 Speaker 1: on on like h G t V, they always say fouriers. 46 00:02:41,280 --> 00:02:45,320 Speaker 1: So and there's there's that, and here's like a little tidbit. 47 00:02:45,760 --> 00:02:49,720 Speaker 1: So let's say I'm upstairs and I have a girlfriend 48 00:02:49,760 --> 00:02:55,240 Speaker 1: like coming to visit. They say, um, Amy sugar Man, 49 00:02:55,320 --> 00:02:58,359 Speaker 1: you have a guest on two, which means come down 50 00:02:58,400 --> 00:03:00,560 Speaker 1: to level two, you have a gut and you know 51 00:03:00,639 --> 00:03:03,560 Speaker 1: that's a girl. But if they say Amy Sugarman, you 52 00:03:03,560 --> 00:03:06,000 Speaker 1: have a caller on two, that means it's a boy, 53 00:03:06,520 --> 00:03:11,000 Speaker 1: but he's come to see you. A caller. Fashion we 54 00:03:11,000 --> 00:03:14,560 Speaker 1: didn't have. There was no cell phones, there was no internet, 55 00:03:15,040 --> 00:03:17,040 Speaker 1: so the only way someone could call you was you 56 00:03:17,080 --> 00:03:18,760 Speaker 1: had a landline in your room or they had to 57 00:03:18,800 --> 00:03:22,160 Speaker 1: call a pay phone, and like someone's job was to 58 00:03:22,240 --> 00:03:24,840 Speaker 1: just kind of answer the pay phone when people called, 59 00:03:24,880 --> 00:03:26,760 Speaker 1: and then you'd have to go on the intercom and say, 60 00:03:26,800 --> 00:03:29,840 Speaker 1: like Amy Sugarman, line too, or there was two lines 61 00:03:29,919 --> 00:03:32,760 Speaker 1: line one line too. I missed that on so much. 62 00:03:33,840 --> 00:03:36,080 Speaker 1: Oh my god, do you want to come to my 63 00:03:36,120 --> 00:03:39,520 Speaker 1: sorority one day? Like even there old like we could 64 00:03:39,520 --> 00:03:42,040 Speaker 1: go so we can go to a football game and 65 00:03:42,040 --> 00:03:45,320 Speaker 1: then we can stop by the sorority and get like 66 00:03:45,360 --> 00:03:52,400 Speaker 1: a tour wait and pretend like were probably old. I'm 67 00:03:52,440 --> 00:03:57,560 Speaker 1: not sure if it was the me looking forty or 68 00:03:57,720 --> 00:04:01,920 Speaker 1: you being super famous one it's going to I forget 69 00:04:02,160 --> 00:04:04,520 Speaker 1: my age so that I forget that it would be 70 00:04:04,600 --> 00:04:07,120 Speaker 1: weird that I just shoved there. But yeah, wow, I 71 00:04:07,200 --> 00:04:09,280 Speaker 1: love too, because yeah, I've only seen it on House 72 00:04:09,280 --> 00:04:15,600 Speaker 1: Bunny and legally blonde. Legally Blonde is just like a 73 00:04:15,760 --> 00:04:20,120 Speaker 1: very very exaggerated version. Okay, like we don't wear like 74 00:04:20,240 --> 00:04:23,440 Speaker 1: pink and stuff, but we do like well, I mean, 75 00:04:23,680 --> 00:04:26,520 Speaker 1: I don't feel like I'm assuming it's the same, but yeah, people, 76 00:04:26,720 --> 00:04:31,160 Speaker 1: sure we do sometimes wear like themed outfits lots of 77 00:04:31,200 --> 00:04:34,560 Speaker 1: like gummy candy all the time, meaning like not not 78 00:04:34,640 --> 00:04:37,920 Speaker 1: like cbde gums, but it's like whoa, okay, sign me up. 79 00:04:38,839 --> 00:04:41,200 Speaker 1: Like you would always just get like a puffy painted 80 00:04:41,240 --> 00:04:43,240 Speaker 1: box and it would say like your name, and it 81 00:04:43,400 --> 00:04:46,200 Speaker 1: have like gummy bears or gummy worms, and you would 82 00:04:46,200 --> 00:04:48,000 Speaker 1: like grab it while you had to go to like 83 00:04:48,160 --> 00:04:50,800 Speaker 1: something sounds fun. I never had any fun in the 84 00:04:50,880 --> 00:04:55,480 Speaker 1: nineties like that. And every meal is prepared for you. 85 00:04:55,480 --> 00:04:57,120 Speaker 1: You don't even have to do your dishes. You have 86 00:04:57,200 --> 00:05:00,240 Speaker 1: to take your dishes though, and and like I thinking 87 00:05:00,279 --> 00:05:02,120 Speaker 1: maybe even had to scrape them and then put it 88 00:05:02,160 --> 00:05:04,440 Speaker 1: in a pile, but you know, not like washer dishes even. Oh, 89 00:05:04,480 --> 00:05:10,600 Speaker 1: it's the life sounds really nice anyways. Sorry. Synopsis In detention, 90 00:05:10,839 --> 00:05:14,400 Speaker 1: Steve meets Joe, a troublemaking punk who gets him and 91 00:05:14,480 --> 00:05:19,440 Speaker 1: Brandon involved in hot rod racing. I like saying that 92 00:05:19,920 --> 00:05:24,880 Speaker 1: despite Dylan's warnings. Of course, then Brandon realizes one of 93 00:05:24,920 --> 00:05:27,880 Speaker 1: the hot rod racers was behind the wheel when Andrea 94 00:05:28,000 --> 00:05:31,800 Speaker 1: was nearly killed in a hit and run accident. Meanwhile, 95 00:05:32,000 --> 00:05:35,599 Speaker 1: Brenda and Kelly try to distract themselves from the Dylan 96 00:05:35,680 --> 00:05:38,520 Speaker 1: drama by going on a blind date with two kids 97 00:05:38,560 --> 00:05:43,400 Speaker 1: from Princeton Junior High School, while David and Donna butt 98 00:05:43,440 --> 00:05:46,880 Speaker 1: heads as she fills in as a guest DJ at school. 99 00:05:46,920 --> 00:05:52,240 Speaker 1: Directed by Jack Bender, written by Chip Johansson and maybe 100 00:05:52,320 --> 00:05:59,880 Speaker 1: Darren Star. Okay, wow, Okay, this episode The Game Is 101 00:06:00,040 --> 00:06:05,320 Speaker 1: Chicken had pretty much four different storylines, right A. B. C. 102 00:06:05,640 --> 00:06:08,479 Speaker 1: D Ye would you call the A the Chicken the 103 00:06:08,520 --> 00:06:10,960 Speaker 1: Game of Chicken? I really am not going to number 104 00:06:11,000 --> 00:06:14,680 Speaker 1: them or letter them because that would show favoritism or 105 00:06:14,720 --> 00:06:18,640 Speaker 1: it's or it's Kelly Brenda. One of those is they 106 00:06:18,640 --> 00:06:23,440 Speaker 1: I'm gonna go with number one, Donna and David. Oh. 107 00:06:23,720 --> 00:06:28,240 Speaker 1: Donna takes over Mike uh for David and because he's 108 00:06:28,240 --> 00:06:32,920 Speaker 1: got a study because he's graduating in like two days, 109 00:06:34,120 --> 00:06:37,800 Speaker 1: like literally the second semester senior year for him, all 110 00:06:37,839 --> 00:06:40,040 Speaker 1: of a sudden. I don't know how anyone could pull 111 00:06:40,080 --> 00:06:44,839 Speaker 1: that off, but David, I bet you. But we're really 112 00:06:44,880 --> 00:06:50,839 Speaker 1: seeing Donna Uh sort of open up than right and 113 00:06:50,839 --> 00:06:55,120 Speaker 1: and find her voice and blossom. If you will have 114 00:06:55,279 --> 00:06:59,200 Speaker 1: some mad skills. She has some mad DJ skills. The 115 00:06:59,400 --> 00:07:01,640 Speaker 1: DJ skill well, I guess, so she's good to push 116 00:07:01,680 --> 00:07:03,560 Speaker 1: in the buttons. But she's also just kind of good 117 00:07:03,560 --> 00:07:10,400 Speaker 1: at like Riffin talk show host skills her. She knows 118 00:07:10,400 --> 00:07:15,000 Speaker 1: her core audience is uh is women fourteen to eighteen 119 00:07:16,160 --> 00:07:19,880 Speaker 1: as a producer, and you just came out her demo 120 00:07:20,240 --> 00:07:25,920 Speaker 1: is it actually is very hard to go from one 121 00:07:25,960 --> 00:07:30,360 Speaker 1: song to another because Ryan Seacrest used to like have 122 00:07:30,400 --> 00:07:32,120 Speaker 1: to run to the bathroom. So I'd have to do it, 123 00:07:32,640 --> 00:07:35,160 Speaker 1: and it was like your heart is pounding as you're like, 124 00:07:35,200 --> 00:07:36,560 Speaker 1: am I gonna screw this up? I'm I gonna screw 125 00:07:36,600 --> 00:07:41,040 Speaker 1: this up because you're alive. Yeah, and on like Ryan 126 00:07:41,120 --> 00:07:43,880 Speaker 1: Seacrest Radio. That's like to the world, and you have 127 00:07:43,920 --> 00:07:47,840 Speaker 1: to put like a like a production in it's a video. 128 00:07:47,880 --> 00:07:49,320 Speaker 1: Ever have to go like that like wake a wack 129 00:07:49,360 --> 00:07:52,720 Speaker 1: of but you have to like those things that look 130 00:07:52,760 --> 00:07:56,160 Speaker 1: like volume controls. One has to go up while one's 131 00:07:56,200 --> 00:07:59,440 Speaker 1: going down, and then another one has to go down 132 00:07:59,440 --> 00:08:02,640 Speaker 1: while another one goes up. That you know what that's 133 00:08:02,720 --> 00:08:05,760 Speaker 1: that's hard because you saw it. She segued the song 134 00:08:05,920 --> 00:08:08,880 Speaker 1: or said the song push some buttons and there it went, 135 00:08:10,840 --> 00:08:13,640 Speaker 1: you know, pretty easy. But but did you like her 136 00:08:13,720 --> 00:08:19,040 Speaker 1: DJ hat? She had some very sort of bright colors 137 00:08:19,040 --> 00:08:22,000 Speaker 1: with black, like a lot of black because she was 138 00:08:22,200 --> 00:08:24,960 Speaker 1: edgy for the for the being the DJ, I felt 139 00:08:25,000 --> 00:08:27,080 Speaker 1: like I was in the hat with a giant sunflowers. 140 00:08:27,560 --> 00:08:31,800 Speaker 1: I mean, could you miss it? That was that? But 141 00:08:31,880 --> 00:08:36,160 Speaker 1: it was it was perfect Donna attire the entire episode. 142 00:08:36,200 --> 00:08:39,800 Speaker 1: But we'll get to that. So when she did the song, 143 00:08:40,360 --> 00:08:42,360 Speaker 1: she also knew there were two six bones in the 144 00:08:42,400 --> 00:08:45,000 Speaker 1: human body, I mean, and she used some sort of 145 00:08:45,040 --> 00:08:49,280 Speaker 1: algebra thing. She doesn't get enough credit. Wo, this girl 146 00:08:49,360 --> 00:08:54,760 Speaker 1: is on fire. I really uh was happy to see 147 00:08:54,800 --> 00:08:57,600 Speaker 1: her jump in there and I was even happier to 148 00:08:57,640 --> 00:09:03,280 Speaker 1: see David just call the f down a minute and 149 00:09:03,360 --> 00:09:06,640 Speaker 1: give her a little credit because he's do we feel 150 00:09:06,679 --> 00:09:15,040 Speaker 1: he's always wound up? Yeah, David, he can't unclench, he goes, Yeah, 151 00:09:15,320 --> 00:09:18,079 Speaker 1: I guess he can't. They do always seem to figure 152 00:09:18,080 --> 00:09:20,720 Speaker 1: out their things in forty four minutes, though, do you 153 00:09:20,720 --> 00:09:24,440 Speaker 1: know what I mean? Like they have conflict, it gets 154 00:09:24,559 --> 00:09:27,560 Speaker 1: a little heightened, and then they work it out all 155 00:09:27,600 --> 00:09:30,440 Speaker 1: in the same episode, like we're never totally left hanging 156 00:09:30,559 --> 00:09:36,160 Speaker 1: on them like we are yet I guess, Oh my god. 157 00:09:36,960 --> 00:09:42,240 Speaker 1: But yeah, I like enjoyed their storyline and I think 158 00:09:42,280 --> 00:09:44,040 Speaker 1: they're so great too. I wish Donna was here just 159 00:09:44,120 --> 00:09:49,120 Speaker 1: to talk I mean, donnay see what happens to us too. 160 00:09:52,760 --> 00:09:55,800 Speaker 1: I wish story was here because I wanted to talk 161 00:09:55,840 --> 00:09:58,559 Speaker 1: to her about how it felt to be the DJ 162 00:09:58,840 --> 00:10:01,280 Speaker 1: like and then that was like a cool moment for 163 00:10:01,320 --> 00:10:03,640 Speaker 1: Donna and really cool. Yeah, we really do get to 164 00:10:03,640 --> 00:10:06,080 Speaker 1: see her characters. And they gave Mark and Brian a 165 00:10:06,160 --> 00:10:08,560 Speaker 1: shout out, so for those I mean, actually Mark and 166 00:10:08,559 --> 00:10:11,880 Speaker 1: Brian were national. They do work in real sort of 167 00:10:12,120 --> 00:10:14,400 Speaker 1: l A things like we've talked about, so they said, oh, 168 00:10:14,440 --> 00:10:16,240 Speaker 1: we could be Mark and Briant, which were like the 169 00:10:16,320 --> 00:10:20,240 Speaker 1: hot they were the dj V. Yeah, in the time. 170 00:10:20,280 --> 00:10:23,000 Speaker 1: I think Kevin and Bean came a little bit late 171 00:10:23,280 --> 00:10:25,520 Speaker 1: or or they were just starting to but on a 172 00:10:25,720 --> 00:10:34,480 Speaker 1: on what radio station was that kloss that's Kevin and Bean. 173 00:10:34,640 --> 00:10:36,760 Speaker 1: So Mark and Brian I think, or maybe Mark and 174 00:10:36,760 --> 00:10:40,200 Speaker 1: Byrne went to Kaleos later. You have a lot of 175 00:10:40,280 --> 00:10:44,840 Speaker 1: Kalos stickers on the lockers in the always Oh yeah, 176 00:10:44,880 --> 00:10:48,800 Speaker 1: I was like, what can I find? Well, I don't know. 177 00:10:48,880 --> 00:10:50,959 Speaker 1: It was a good episode and I was happy to 178 00:10:51,000 --> 00:10:54,760 Speaker 1: see them getting along. Um. But her voice was just 179 00:10:54,840 --> 00:10:59,280 Speaker 1: so sweet and I don't know her like Donna's Oh 180 00:10:59,280 --> 00:11:04,680 Speaker 1: my god, I did it. Dory's young voice is so 181 00:11:05,840 --> 00:11:09,920 Speaker 1: it's like pure, like the driven snow. Yeah. She's just 182 00:11:10,400 --> 00:11:15,520 Speaker 1: really adorable in all the episodes. Yeah, well that's all 183 00:11:15,520 --> 00:11:18,439 Speaker 1: I have to say about that one. So okay, so 184 00:11:18,559 --> 00:11:21,319 Speaker 1: shall we go to Yeah, what do you feel about? Whatever? 185 00:11:21,320 --> 00:11:22,720 Speaker 1: Should we go now? I feel like we should go 186 00:11:22,760 --> 00:11:26,880 Speaker 1: to Andrea and her and her PTSD. I did too, 187 00:11:26,960 --> 00:11:31,800 Speaker 1: because what's interesting is they almost could have let it go, 188 00:11:32,240 --> 00:11:36,280 Speaker 1: meaning this story, like we know, they had to work 189 00:11:36,320 --> 00:11:39,439 Speaker 1: it in because she had her surgery in real life, 190 00:11:40,320 --> 00:11:43,720 Speaker 1: and she's off the crutches now almost kind of forgotten 191 00:11:43,720 --> 00:11:47,480 Speaker 1: about it. But like they are, they're out how to 192 00:11:47,640 --> 00:11:51,280 Speaker 1: justify it somehow. It makes sense. We want to find 193 00:11:51,280 --> 00:11:54,520 Speaker 1: out who did this to Andrea. Are sweet, sweet Andrea. 194 00:11:54,720 --> 00:11:57,920 Speaker 1: I'm not sure that her knowing there were stars from 195 00:11:57,920 --> 00:12:02,560 Speaker 1: a hypnosis would have warranted the full arrest that they did, 196 00:12:04,280 --> 00:12:07,000 Speaker 1: straight arrest, like, no question, I know. I did just 197 00:12:07,200 --> 00:12:09,280 Speaker 1: arrest him, and I did not hear them read him 198 00:12:09,400 --> 00:12:14,280 Speaker 1: his rights, she asked, and I was like, what about 199 00:12:14,360 --> 00:12:18,040 Speaker 1: when she's in the peach pit, she's just like non 200 00:12:18,080 --> 00:12:22,760 Speaker 1: shalantly putting money in the jukebox and over here listening 201 00:12:22,840 --> 00:12:27,520 Speaker 1: to the Dylan and Brandon and Steve talk in the booth, 202 00:12:28,280 --> 00:12:34,800 Speaker 1: like what you guys talking about? We don't remember that. 203 00:12:34,960 --> 00:12:38,400 Speaker 1: That's how she finds out that they're They're like, oh, Andrew, 204 00:12:39,120 --> 00:12:41,880 Speaker 1: they totally feel busted for a second, and then they're 205 00:12:41,880 --> 00:12:46,600 Speaker 1: like talking about like card legal things. Did you think 206 00:12:46,640 --> 00:12:49,679 Speaker 1: for a minute you were watching Greece. It totally reminded 207 00:12:49,720 --> 00:12:52,480 Speaker 1: me of Greece. Amy, We are not to the drag 208 00:12:52,880 --> 00:12:57,520 Speaker 1: racist go back to Andrea. You just need to calm down. 209 00:12:58,480 --> 00:13:00,920 Speaker 1: It gets to my most important question though, which I 210 00:13:00,920 --> 00:13:03,000 Speaker 1: don't know whether I should ask now or at the 211 00:13:03,040 --> 00:13:04,760 Speaker 1: very end. I'll save it to the end. I have 212 00:13:04,840 --> 00:13:07,120 Speaker 1: sort of like a nine O two one oh, like 213 00:13:07,960 --> 00:13:10,800 Speaker 1: the theoretical question, I'll save it for the end of 214 00:13:10,960 --> 00:13:14,240 Speaker 1: sounds deep it is. I kind of was like trip 215 00:13:14,320 --> 00:13:22,280 Speaker 1: myself up with her. I felt like, um, so frustrated 216 00:13:23,920 --> 00:13:27,120 Speaker 1: with the vest. There's another that like, I'm almost as 217 00:13:27,120 --> 00:13:29,960 Speaker 1: frustrated with the ugly vests that she's wearing as I 218 00:13:30,080 --> 00:13:34,120 Speaker 1: was earlier in the show with the boom sightings. The 219 00:13:34,160 --> 00:13:37,840 Speaker 1: thing for me is also she was older, meaning in 220 00:13:37,920 --> 00:13:42,360 Speaker 1: real life, why age her up with all the fashion? 221 00:13:42,520 --> 00:13:45,920 Speaker 1: It's like you'd think they could, they would have wanted 222 00:13:45,960 --> 00:13:49,520 Speaker 1: to make her look younger, but instead they really that 223 00:13:49,760 --> 00:13:52,199 Speaker 1: I don't get. I guess it's her character, but it's 224 00:13:52,240 --> 00:13:56,000 Speaker 1: like it's her character full on. But in the vest, 225 00:13:56,120 --> 00:13:58,960 Speaker 1: the vest again with the ugly flowers, Like, there's a 226 00:13:59,040 --> 00:14:02,800 Speaker 1: lot of blazer to which I never wore a blazer 227 00:14:02,800 --> 00:14:06,920 Speaker 1: to high school ever. Do you wear a blazer these days? 228 00:14:07,640 --> 00:14:13,599 Speaker 1: A million percent now? But oh that's my go to 229 00:14:13,160 --> 00:14:16,360 Speaker 1: Tory told me once, if I ever see you in 230 00:14:16,360 --> 00:14:21,640 Speaker 1: a blazer. She hates when I wear blazers. Blazers. I 231 00:14:21,680 --> 00:14:39,160 Speaker 1: love blazers with nothing under whoa. Thanks. Yeah. So Kelly 232 00:14:39,240 --> 00:14:42,200 Speaker 1: was wearing a yellow, bright yellow blazer in this one. 233 00:14:42,240 --> 00:14:44,440 Speaker 1: I think if it was at the end right yellow, 234 00:14:44,880 --> 00:14:47,080 Speaker 1: was it red yellow? It was a lot of a 235 00:14:47,120 --> 00:14:51,040 Speaker 1: lot of jann and had that cool I do remember those. 236 00:14:51,200 --> 00:14:52,720 Speaker 1: It was probably a body suit, but it was like 237 00:14:52,840 --> 00:14:58,160 Speaker 1: almost muscle ta tank tight in the jeans at the 238 00:14:58,280 --> 00:15:00,720 Speaker 1: very end. You know what that was is probably one 239 00:15:00,720 --> 00:15:05,800 Speaker 1: of those thong numbers. Solid the boy with a thong 240 00:15:06,520 --> 00:15:10,120 Speaker 1: can't stand those. Sorry, I won't do a body suit 241 00:15:10,160 --> 00:15:13,760 Speaker 1: ever again after college. Wait, because I wore them so 242 00:15:13,840 --> 00:15:16,800 Speaker 1: much and I'm like, I'm never doing that again. Did 243 00:15:16,800 --> 00:15:21,040 Speaker 1: you have no? They were like just body suits. Did 244 00:15:21,080 --> 00:15:24,200 Speaker 1: you do you wear bodysuits now? No? That I have 245 00:15:24,360 --> 00:15:26,880 Speaker 1: a very long torso. I don't know if you know this, 246 00:15:28,760 --> 00:15:33,840 Speaker 1: but most good, most body suits don't accommodate people because 247 00:15:33,840 --> 00:15:36,160 Speaker 1: they'll just go up the butt, up all the things. 248 00:15:36,800 --> 00:15:40,640 Speaker 1: Oh yeah, No, I'm done with body suits forever. And 249 00:15:40,680 --> 00:15:42,920 Speaker 1: I know they look really cute, but like, no, pass, 250 00:15:43,520 --> 00:15:48,520 Speaker 1: I'll just tuck it in. Thanks. Yeah, clostal grandmother, do 251 00:15:48,520 --> 00:15:51,200 Speaker 1: you know what that is? No? I love that's my look. 252 00:15:52,160 --> 00:15:55,960 Speaker 1: So it's hot right now. I am into it, but 253 00:15:56,240 --> 00:16:00,520 Speaker 1: it's not the most flattering. But that's my look. Diane Keaton. Y, 254 00:16:00,720 --> 00:16:03,600 Speaker 1: I want to be Diane Keaton. Go on your TikTok 255 00:16:03,720 --> 00:16:09,200 Speaker 1: because coastal grand is now the cool look for millennials. 256 00:16:09,840 --> 00:16:13,200 Speaker 1: So like, I'm going to rock coastal grand all summer. 257 00:16:13,320 --> 00:16:16,480 Speaker 1: I'm excited for that. Use a little coastal grand right now. 258 00:16:16,840 --> 00:16:20,240 Speaker 1: That sweater? Wait, I am totally coastal grand hold on, 259 00:16:20,520 --> 00:16:25,000 Speaker 1: let me look got I got? My pants are wide legs? 260 00:16:26,440 --> 00:16:29,640 Speaker 1: Oh my god, full coastal grand got a big grandpa sweater. 261 00:16:29,800 --> 00:16:37,040 Speaker 1: So I'm I'm coastal grandparents. Yeah, so should we get 262 00:16:37,040 --> 00:16:45,120 Speaker 1: to not yet? Okay, Steve, somehow, I don't know. It 263 00:16:45,200 --> 00:16:46,640 Speaker 1: just comes out of nowhere that all of a sudden 264 00:16:46,640 --> 00:16:50,320 Speaker 1: he's getting bullied at detention and and and sits on 265 00:16:50,360 --> 00:16:55,360 Speaker 1: a cupcake. I think it was a ding dong. That 266 00:16:55,480 --> 00:16:58,120 Speaker 1: makes it even better? Is that what those are called? 267 00:16:58,320 --> 00:17:00,080 Speaker 1: That kids not bringing a cupcake to school? That g 268 00:17:00,680 --> 00:17:03,200 Speaker 1: like this. I thought the ding dongs were shaped like 269 00:17:03,520 --> 00:17:10,800 Speaker 1: a twinkie. No, there's a brown there's a brown ho 270 00:17:10,800 --> 00:17:15,560 Speaker 1: ho ho thinking of a hoo good one. Oh oh, 271 00:17:15,600 --> 00:17:19,159 Speaker 1: I love those ding dongs. So that was back in 272 00:17:19,160 --> 00:17:22,040 Speaker 1: the day. It was like, that was not a ding dong. 273 00:17:22,200 --> 00:17:25,040 Speaker 1: That was a chocolate cupcaak with the white swirlies on top. 274 00:17:25,080 --> 00:17:26,560 Speaker 1: I don't know the name of it, but the ding 275 00:17:26,640 --> 00:17:30,080 Speaker 1: dong was the one that was in the thin, super 276 00:17:30,160 --> 00:17:36,720 Speaker 1: thin tinfoil. It's coming back to me. It definitely wasn't 277 00:17:36,760 --> 00:17:40,679 Speaker 1: like a Susie Kicks, like that guy had something that 278 00:17:40,680 --> 00:17:42,560 Speaker 1: he got at seven eleven. Do you know what I mean? 279 00:17:42,600 --> 00:17:44,800 Speaker 1: That's where those were sold and you can still buy 280 00:17:44,840 --> 00:17:47,560 Speaker 1: this grocery store. Yeah, I think they still. They're still 281 00:17:47,600 --> 00:17:49,639 Speaker 1: there from the nineties. They have so much shit in 282 00:17:49,680 --> 00:17:53,720 Speaker 1: them that form something. You know, ever breakdown swinkies last 283 00:17:53,760 --> 00:17:56,880 Speaker 1: I think they said like forever. Oh man, it looked 284 00:17:56,880 --> 00:18:00,520 Speaker 1: good until this cupcake. Thank you, thank you, thank you. 285 00:18:00,800 --> 00:18:03,680 Speaker 1: Oh my god. Yes, so it was a cup kick 286 00:18:04,320 --> 00:18:06,600 Speaker 1: a cupcake and then he winds up drag racing behind 287 00:18:06,600 --> 00:18:11,639 Speaker 1: our stages, which do you remember. No, I just recognized 288 00:18:11,680 --> 00:18:17,320 Speaker 1: the street with the helmet circle that had a round 289 00:18:17,359 --> 00:18:20,640 Speaker 1: about thing like what's that cul de sac? Oh? Yeah, 290 00:18:20,680 --> 00:18:23,000 Speaker 1: I just felt like it was that they made them 291 00:18:23,040 --> 00:18:27,359 Speaker 1: wear the helmets, meaning like um, some like safety person 292 00:18:27,520 --> 00:18:32,080 Speaker 1: because like the helmet was so random for me. That 293 00:18:32,359 --> 00:18:36,119 Speaker 1: just crush it for you. Well, it was like when 294 00:18:36,160 --> 00:18:38,800 Speaker 1: they were a helmet when you're in the like or something, 295 00:18:38,880 --> 00:18:43,560 Speaker 1: but like these guys were. I'm almost certain that was 296 00:18:43,640 --> 00:18:47,000 Speaker 1: like a network. They have to wear helmet for one, 297 00:18:47,040 --> 00:18:51,160 Speaker 1: because I really had to drive probably right right. Yes, 298 00:18:51,359 --> 00:18:53,719 Speaker 1: I don't know, of course, but I don't think they 299 00:18:53,720 --> 00:18:58,680 Speaker 1: had stunt drivers. They probably did. Brandon of course gets involved, 300 00:18:58,960 --> 00:19:03,720 Speaker 1: and we see the seed of a future gambling addiction 301 00:19:03,800 --> 00:19:07,639 Speaker 1: with him, I hope. Personally, I honestly have no idea 302 00:19:07,680 --> 00:19:10,480 Speaker 1: what's going to happen in the next episode or after that. 303 00:19:10,640 --> 00:19:15,680 Speaker 1: He but does he get problem? And they've been sprinkling 304 00:19:15,680 --> 00:19:18,240 Speaker 1: it on us for a while. Remember when remember first 305 00:19:18,280 --> 00:19:25,679 Speaker 1: of all, and pardon me, everybody, remember remember when they're 306 00:19:25,680 --> 00:19:28,119 Speaker 1: having Christmas and he's got the money on the game. 307 00:19:28,440 --> 00:19:30,000 Speaker 1: He's all, I got a lot of money on this game. 308 00:19:30,040 --> 00:19:32,240 Speaker 1: And Jim Walsh was like, huh, and He's all, not 309 00:19:32,440 --> 00:19:35,960 Speaker 1: a lot of money. Like, Brandon's got a gambling problem. 310 00:19:36,040 --> 00:19:39,560 Speaker 1: I wrote, g A, he needs gamblers anonymous. Oh, I 311 00:19:39,600 --> 00:19:42,800 Speaker 1: hope that's coming up. Otherwise it was as opportunity to 312 00:19:42,920 --> 00:19:48,919 Speaker 1: the writers. Yeah, but they end up racing um against 313 00:19:48,960 --> 00:19:54,040 Speaker 1: this very, the very the very guy that ran over 314 00:19:54,080 --> 00:20:00,760 Speaker 1: Andrea Frank Padilla Franka. He looked bad. At first, I 315 00:20:00,760 --> 00:20:02,960 Speaker 1: thought they called him Ray Padilla, and I got really 316 00:20:03,000 --> 00:20:05,880 Speaker 1: excited because I know Ray Padilla. That's someone different who's 317 00:20:06,840 --> 00:20:11,440 Speaker 1: um he was my first kiss? No? Is he around still? 318 00:20:13,080 --> 00:20:16,720 Speaker 1: I don't know. I mean, dude, he was alive. I 319 00:20:16,720 --> 00:20:19,800 Speaker 1: don't know. It was junior high and he was just 320 00:20:19,800 --> 00:20:22,719 Speaker 1: a regular old kid in the eighth grade. I wouldn't 321 00:20:22,720 --> 00:20:26,399 Speaker 1: say a regular old kid. Yeah, may I give me 322 00:20:26,440 --> 00:20:31,600 Speaker 1: a little credit? And where was the kiss? He was 323 00:20:31,840 --> 00:20:37,280 Speaker 1: tall and dark and handsome, mysterious and naughty. I knew 324 00:20:37,280 --> 00:20:39,600 Speaker 1: he was naughty. And my mom where he was naughty too. 325 00:20:40,359 --> 00:20:42,280 Speaker 1: That's why she got so mad when she saw me 326 00:20:42,359 --> 00:20:47,800 Speaker 1: kissing him. She saw, Yeah, wait, were you at your house? 327 00:20:47,880 --> 00:20:51,240 Speaker 1: Or like it was a dance? Oh was school dance? 328 00:20:52,280 --> 00:20:57,280 Speaker 1: And he we danced real close. And she not exactly 329 00:20:57,320 --> 00:21:01,080 Speaker 1: a sock cop. No, was it this Sadie Hawkins dance 330 00:21:01,200 --> 00:21:05,080 Speaker 1: or just a regular dance dance? I don't even called 331 00:21:05,080 --> 00:21:08,320 Speaker 1: Sadie Hawkins anymore? They called turnabout. Why is something wrong 332 00:21:08,400 --> 00:21:11,400 Speaker 1: Sadie Hawkins? I don't know. It's not pc to called 333 00:21:11,600 --> 00:21:14,199 Speaker 1: Sadie Hawkins anymore. I'm actually not sure. We'd have to 334 00:21:14,200 --> 00:21:17,679 Speaker 1: google that to know for sure. But it wasn't. It 335 00:21:17,720 --> 00:21:20,639 Speaker 1: wasn't even was Frank Padia. But was it a good 336 00:21:20,720 --> 00:21:24,320 Speaker 1: kiss with Ray? Oh? Yes, yes, multiple kisses or like 337 00:21:24,480 --> 00:21:28,720 Speaker 1: me like that was my onset of I like bad boys. Yeah, 338 00:21:28,800 --> 00:21:31,199 Speaker 1: I like it. Did you kiss once or did you 339 00:21:31,240 --> 00:21:35,160 Speaker 1: like go? Were you going? I don't remember, honestly, Honestly, 340 00:21:35,200 --> 00:21:37,879 Speaker 1: I swear to God, I don't remember. It wasn't. We 341 00:21:37,920 --> 00:21:40,760 Speaker 1: didn't go. I don't know what your mind is doing 342 00:21:40,840 --> 00:21:43,800 Speaker 1: right now, but we did definitely not. We didn't go anywhere. 343 00:21:44,840 --> 00:21:50,440 Speaker 1: We just didn't kissing. Got that, mom? All right, it's 344 00:21:50,640 --> 00:21:55,560 Speaker 1: back to Steve. But trigger point for Steve if you 345 00:21:55,680 --> 00:21:59,080 Speaker 1: bring up the mother, right, that's what I thought. I mean, 346 00:21:59,119 --> 00:22:03,640 Speaker 1: if you mess with Samantha Sanders, you are gonna go down. Yeah. 347 00:22:03,720 --> 00:22:06,760 Speaker 1: I liked how he's got really pissed though, like she 348 00:22:07,000 --> 00:22:09,560 Speaker 1: she adopted me when no one wanted me. That was 349 00:22:09,720 --> 00:22:13,480 Speaker 1: like whoa yea and kind of shut down the other guy. 350 00:22:13,520 --> 00:22:17,280 Speaker 1: But when we first see Steve in this story, um, 351 00:22:17,359 --> 00:22:21,600 Speaker 1: and he's walking through the campus to the detention, he's 352 00:22:21,680 --> 00:22:26,720 Speaker 1: so like erect. Yeah, he's so like lean and he's 353 00:22:26,760 --> 00:22:30,000 Speaker 1: like a mean, lean fighting machine or something. His hair 354 00:22:30,080 --> 00:22:32,880 Speaker 1: looks good and they they really have transitioned a little 355 00:22:32,880 --> 00:22:36,000 Speaker 1: bit his fashion to be less terrible. Yeah, he looked 356 00:22:36,520 --> 00:22:40,960 Speaker 1: wealthier somehow, Yeah, better like more Steve, Like how I 357 00:22:41,000 --> 00:22:44,199 Speaker 1: wanted to Steve to look like we heard that all 358 00:22:44,200 --> 00:22:46,399 Speaker 1: of a sudden detention was through auto shop. Like I 359 00:22:46,480 --> 00:22:49,840 Speaker 1: was like, wait, wasn't isn't like detentions like in the 360 00:22:49,880 --> 00:22:55,119 Speaker 1: gym or something. Library, Oh, they're moving it because he 361 00:22:55,160 --> 00:22:57,040 Speaker 1: went through the auto shop, right, Like, I was like, 362 00:22:57,040 --> 00:22:59,080 Speaker 1: what's going on? Yeah, well, you know they had to 363 00:22:59,160 --> 00:23:02,639 Speaker 1: kind of tie in the old drag racers, but you 364 00:23:02,680 --> 00:23:04,840 Speaker 1: know what the thing is about the lean, mean bodies. 365 00:23:05,000 --> 00:23:08,520 Speaker 1: Iron still has the same body that he did, the 366 00:23:08,640 --> 00:23:11,840 Speaker 1: same exact body. I wonder how hard he has to 367 00:23:11,840 --> 00:23:15,240 Speaker 1: work to have that. I don't I know, I know 368 00:23:15,320 --> 00:23:18,600 Speaker 1: he works out, but like I think he's just obsessive, right, 369 00:23:18,640 --> 00:23:25,520 Speaker 1: Maybe he's just lucky, happy and healthy and active that guy. Yeah, 370 00:23:25,880 --> 00:23:30,920 Speaker 1: I like it. But I was wondering why didn't Brandon 371 00:23:31,880 --> 00:23:36,080 Speaker 1: Why instead did did Brandon not want to write an 372 00:23:36,160 --> 00:23:41,600 Speaker 1: expose on the illegal street racing because he probably because 373 00:23:41,600 --> 00:23:43,440 Speaker 1: he wanted his money from it. He liked he got 374 00:23:43,480 --> 00:23:46,679 Speaker 1: that addiction to the money. He loves the gambling, so 375 00:23:46,720 --> 00:23:48,919 Speaker 1: why would he out his own I don't know. I 376 00:23:48,920 --> 00:23:52,439 Speaker 1: felt like it was unlike Brandon, the guy who always 377 00:23:52,480 --> 00:23:56,200 Speaker 1: kind of gets involved in you know, fights for the underdog, 378 00:23:56,200 --> 00:23:59,560 Speaker 1: and like, okay, this brings to this perfect moment from 379 00:23:59,560 --> 00:24:04,800 Speaker 1: my big question. Okay, ready, okay, So now, and when 380 00:24:04,840 --> 00:24:07,960 Speaker 1: I asked this, I don't mean it to like lessen 381 00:24:09,160 --> 00:24:14,240 Speaker 1: your character, your or you or Shannon or Iron or anybody. 382 00:24:14,480 --> 00:24:19,960 Speaker 1: When you watch these episodes, who is the star of 383 00:24:20,000 --> 00:24:23,760 Speaker 1: the whole thing? Is it Luke Perry, Dylan or is 384 00:24:23,800 --> 00:24:27,640 Speaker 1: it Jason Priestley Brandon? Because in this episode you could 385 00:24:27,720 --> 00:24:35,920 Speaker 1: literally argue both. Yeah, I see your point. In this episode, 386 00:24:36,000 --> 00:24:40,159 Speaker 1: I would have to lean towards Dylan. I that was 387 00:24:40,200 --> 00:24:43,760 Speaker 1: where I went to because the star of the show, 388 00:24:44,200 --> 00:24:45,639 Speaker 1: which is like a bad way to say it, but 389 00:24:45,680 --> 00:24:48,280 Speaker 1: you know what I mean, Like, he's the hero saves 390 00:24:48,320 --> 00:24:51,080 Speaker 1: the day. And that's just what Dilwig did. He saves 391 00:24:51,119 --> 00:24:54,760 Speaker 1: the day by bizarrely driving his car into the middle 392 00:24:54,880 --> 00:24:59,520 Speaker 1: of a race and cut them off. Is that? And yeah, 393 00:25:01,040 --> 00:25:02,840 Speaker 1: but I loved it. I was like, oh he and 394 00:25:02,840 --> 00:25:06,919 Speaker 1: he just was so hot. And then Frank Padilla knew him, 395 00:25:07,000 --> 00:25:11,440 Speaker 1: and it's kind of like Dylan said, stop. I loved 396 00:25:11,440 --> 00:25:17,160 Speaker 1: it when Frank goes, who's that McKay? Is that you? Yeah, 397 00:25:17,480 --> 00:25:19,840 Speaker 1: they just called h McKay. It's kind of hot. But 398 00:25:19,920 --> 00:25:24,840 Speaker 1: then you could also argue that Brandon Jason Priestley is 399 00:25:24,880 --> 00:25:27,240 Speaker 1: the star because he went off to get the cops 400 00:25:27,280 --> 00:25:29,440 Speaker 1: and save the day, and he's sort of the he's 401 00:25:29,480 --> 00:25:32,280 Speaker 1: the good guy hero with his arm around Andrea and like, 402 00:25:32,320 --> 00:25:36,760 Speaker 1: look I saved you. Yeah, it's it's like it was weird, 403 00:25:36,880 --> 00:25:39,359 Speaker 1: was like a battle for the for the spotlight between 404 00:25:39,359 --> 00:25:41,280 Speaker 1: those two are not necessarily a battle, but I would 405 00:25:41,320 --> 00:25:43,080 Speaker 1: they had to share it kind of. I see what 406 00:25:43,119 --> 00:25:49,960 Speaker 1: you're saying. But what I mean, I it's hard for 407 00:25:50,000 --> 00:25:52,200 Speaker 1: me because Dylan, in my opinion, is being a real 408 00:25:53,320 --> 00:25:56,959 Speaker 1: d I c k in other areas. So, but I 409 00:25:57,000 --> 00:26:02,760 Speaker 1: did really love seeing the three boys together. The hug. 410 00:26:03,359 --> 00:26:07,280 Speaker 1: The hug when Steve hugs Dylan and is such a 411 00:26:07,320 --> 00:26:14,440 Speaker 1: puddle and Dylan is so strong. I did not love 412 00:26:14,520 --> 00:26:18,280 Speaker 1: the hug, Oh you didn't. I thought it made Steve 413 00:26:18,359 --> 00:26:20,840 Speaker 1: look kind of wimpy. But I love Dylan. I didn't 414 00:26:20,840 --> 00:26:23,239 Speaker 1: think it was a good choice for Steve's character and 415 00:26:23,800 --> 00:26:26,560 Speaker 1: like he'd just done this big like macro thing and 416 00:26:26,560 --> 00:26:30,360 Speaker 1: then he passive cry session on Dylan's shoulder didn't work 417 00:26:30,440 --> 00:26:33,600 Speaker 1: for me. I feel like I'm wildly I was like, 418 00:26:34,080 --> 00:26:38,040 Speaker 1: I wonder if the director pushed that, like put your 419 00:26:38,080 --> 00:26:39,640 Speaker 1: head on his shoulder at the end so we can 420 00:26:39,680 --> 00:26:42,639 Speaker 1: really see like it was like a real babycause I 421 00:26:42,680 --> 00:26:45,080 Speaker 1: felt weird. It just felt weird, yeah, because Steve was 422 00:26:45,200 --> 00:26:48,359 Speaker 1: just like buying time, so he kind of was the 423 00:26:48,400 --> 00:26:52,920 Speaker 1: hero too, essentially, like he's like Brandon's gotta go get 424 00:26:52,960 --> 00:26:54,960 Speaker 1: the cops. I gotta I can't let these people get 425 00:26:54,960 --> 00:26:58,359 Speaker 1: out of here. They're all fine. So he could have 426 00:26:58,400 --> 00:27:00,960 Speaker 1: been almost badass and out of the are like yeah, buddy, 427 00:27:01,480 --> 00:27:03,720 Speaker 1: we did this together, you know, But instead he was 428 00:27:03,800 --> 00:27:08,639 Speaker 1: so like scaredy cat. Yeah melt pepeet a little in 429 00:27:08,680 --> 00:27:11,200 Speaker 1: his pants when he was driving the race car because 430 00:27:11,200 --> 00:27:13,880 Speaker 1: he doesn't know how to do that. I mean, yeah, 431 00:27:13,960 --> 00:27:16,760 Speaker 1: he drives a vet and it's fast and everything, but 432 00:27:17,560 --> 00:27:25,080 Speaker 1: that's that's drag racing. People's been with the hydro nitro 433 00:27:25,960 --> 00:27:28,919 Speaker 1: injector and it totally reminded me of that scene in 434 00:27:28,960 --> 00:27:31,560 Speaker 1: Greece when they're like in that weird thing in l A. 435 00:27:31,720 --> 00:27:36,080 Speaker 1: That's like the river, the river, the river basin. I 436 00:27:36,160 --> 00:27:38,720 Speaker 1: like that scene. That's where they should have been for this. 437 00:27:39,880 --> 00:27:42,080 Speaker 1: What are they called drag racing Now it has a 438 00:27:42,240 --> 00:27:46,720 Speaker 1: name street racing something that's bad, because drag racing is 439 00:27:46,760 --> 00:27:48,800 Speaker 1: the whole. I mean, I've drag race, but it's a 440 00:27:48,800 --> 00:27:53,960 Speaker 1: different kind of drag race. I dragged race like RuPaul together. 441 00:27:54,000 --> 00:27:58,560 Speaker 1: Actually that's a more popular form, way more fun in 442 00:27:58,600 --> 00:28:02,879 Speaker 1: my opinion. Yeah, but I just from the beginning, I 443 00:28:02,920 --> 00:28:09,399 Speaker 1: was like, why, why why is this guy Mr Wardlow 444 00:28:10,560 --> 00:28:14,840 Speaker 1: Joe Wardlow? Yeah, why is Joe all of a sudden, 445 00:28:16,440 --> 00:28:18,040 Speaker 1: Like I don't know, he just came out of nowhere 446 00:28:18,080 --> 00:28:20,520 Speaker 1: and he's picking you so major well yeah, and then 447 00:28:20,520 --> 00:28:22,240 Speaker 1: he was at the peach pit at the end. But hello, 448 00:28:22,320 --> 00:28:25,480 Speaker 1: he's kind of cute. He's that's Thomas Wilson Brown. He 449 00:28:25,520 --> 00:28:27,880 Speaker 1: did like a lot of acting back then. We're gonna 450 00:28:27,920 --> 00:28:31,639 Speaker 1: track him down because he's really great in it. Yeah, 451 00:28:31,680 --> 00:28:35,199 Speaker 1: and he was. It was confusing because Dylan sort of 452 00:28:35,240 --> 00:28:38,040 Speaker 1: thought they were like up to some shenanigans, like going 453 00:28:38,080 --> 00:28:40,320 Speaker 1: to try and get the money and then throw the race. 454 00:28:41,440 --> 00:28:43,320 Speaker 1: So I was like, I didn't really seem like that 455 00:28:43,360 --> 00:28:45,360 Speaker 1: at the end that Joe was trying to do that. 456 00:28:45,600 --> 00:28:47,840 Speaker 1: I know, I couldn't figure out if he was in 457 00:28:47,920 --> 00:28:51,440 Speaker 1: it for Steve's money or what. I didn't I couldn't 458 00:28:51,440 --> 00:28:53,920 Speaker 1: figure love of the drag race. And then then he 459 00:28:54,000 --> 00:28:55,760 Speaker 1: ended up. Then he ends up back at the peach pit. 460 00:28:55,840 --> 00:28:57,640 Speaker 1: So he must be a good guy. Yeah. I think 461 00:28:57,640 --> 00:28:59,360 Speaker 1: he's like a good guy. I don't know if he 462 00:28:59,400 --> 00:29:01,800 Speaker 1: ever comes back again, though, it's like they they're friends 463 00:29:01,960 --> 00:29:03,960 Speaker 1: for like just this one episode. What about when he 464 00:29:03,960 --> 00:29:08,880 Speaker 1: puts the chickens in Steve's car? Oh my god, it 465 00:29:09,040 --> 00:29:13,840 Speaker 1: was the dirty rotten thing. Startled me. Who puts chicken? 466 00:29:13,840 --> 00:29:16,200 Speaker 1: Where do you get the chickens? It's probably the eggs 467 00:29:16,200 --> 00:29:18,479 Speaker 1: were on top. Yeah, I was like, what is he 468 00:29:18,800 --> 00:29:23,400 Speaker 1: is he gonna egg him? There's all the chickens. It 469 00:29:23,560 --> 00:29:26,320 Speaker 1: pood and pood and pecked their way all around the 470 00:29:26,360 --> 00:29:29,640 Speaker 1: inside of that corvette. Man, I'd be pist. I can't. 471 00:29:29,760 --> 00:29:34,680 Speaker 1: I can't do the word poo b I know I 472 00:29:34,720 --> 00:29:38,640 Speaker 1: can do you can take him, yeah, but I cannot 473 00:29:38,680 --> 00:29:45,000 Speaker 1: say pooh. Oh, oh my goodness, this is so fascinating. 474 00:29:45,320 --> 00:29:50,120 Speaker 1: Poop versus pooh the question of the day and not 475 00:29:50,280 --> 00:29:55,280 Speaker 1: po like apostrophe d I can't do food, just like 476 00:29:55,360 --> 00:29:57,560 Speaker 1: saying what you still up? I'm going in reverse. But 477 00:29:57,560 --> 00:30:00,000 Speaker 1: did you notice in the very beginning of the episod 478 00:30:00,040 --> 00:30:03,520 Speaker 1: zown there was like really loud rock music. I don't 479 00:30:03,560 --> 00:30:05,360 Speaker 1: know if I'm getting that just because I watched it 480 00:30:05,400 --> 00:30:10,160 Speaker 1: on Amazon. It was awful. I don't know about the beginning. 481 00:30:10,280 --> 00:30:15,080 Speaker 1: I did recognize some equally poor music taste in the 482 00:30:15,160 --> 00:30:19,920 Speaker 1: music when they were racing with Frank at the Big Race. Uh, 483 00:30:20,080 --> 00:30:22,440 Speaker 1: that was seriously some of the worst music that my 484 00:30:22,440 --> 00:30:28,000 Speaker 1: my ears have ever heard. No offense, it almost I 485 00:30:28,040 --> 00:30:30,400 Speaker 1: almost could not watch that part of the show because 486 00:30:30,440 --> 00:30:33,239 Speaker 1: the music was so distracting. Yeah, there was, it was. 487 00:30:33,480 --> 00:30:35,760 Speaker 1: There was some stand out bad music in this one. 488 00:30:35,840 --> 00:30:37,080 Speaker 1: So I don't know if it was like because I 489 00:30:37,120 --> 00:30:39,560 Speaker 1: know they change it depending on where you're watching it, 490 00:30:39,640 --> 00:30:44,800 Speaker 1: like Amazon or like on the DVD or whatever. Probably 491 00:30:46,440 --> 00:30:49,600 Speaker 1: there's more music issues with this show because we did 492 00:30:49,720 --> 00:30:54,360 Speaker 1: use like popular music of that moment, and I know 493 00:30:54,400 --> 00:30:56,800 Speaker 1: a lot of it couldn't get licensed or they couldn't 494 00:30:56,800 --> 00:30:59,080 Speaker 1: make deals or whatever. But I also had a note 495 00:30:59,120 --> 00:31:01,920 Speaker 1: in here, what's going on with Jim? I got really 496 00:31:02,200 --> 00:31:07,480 Speaker 1: confused some issue with money or finances or something he 497 00:31:07,560 --> 00:31:16,000 Speaker 1: was working for him, he was doing I started to 498 00:31:16,440 --> 00:31:19,320 Speaker 1: take interest in. Then I fell as late because he's talking. 499 00:31:19,520 --> 00:31:25,840 Speaker 1: I couldn't understand somebody was having a problem and I 500 00:31:26,040 --> 00:31:27,760 Speaker 1: and they kind of explained it, and then I was 501 00:31:27,800 --> 00:31:29,200 Speaker 1: just like, I can't follow this. So I don't know 502 00:31:29,240 --> 00:31:31,680 Speaker 1: if that's going to be important later, but I hope not, 503 00:31:31,840 --> 00:31:36,960 Speaker 1: because yeah, I checked out Harry even wait wait, wait, wait, 504 00:31:37,000 --> 00:31:39,080 Speaker 1: what about when they drove the vet Remember when they 505 00:31:39,120 --> 00:31:42,240 Speaker 1: peeled out in the Corvette, Brandon jumps in over the door. 506 00:31:43,080 --> 00:31:46,960 Speaker 1: That was really driving that car and he, I know, 507 00:31:47,280 --> 00:31:49,040 Speaker 1: is little ding ny wit did you do it when 508 00:31:49,080 --> 00:31:55,080 Speaker 1: he did that? Because he really liked it. You guys, 509 00:31:56,160 --> 00:31:58,600 Speaker 1: Jenny said, that's so fast. But like you have to 510 00:31:58,640 --> 00:32:02,120 Speaker 1: take a minute because she just said, I don't want 511 00:32:02,120 --> 00:32:04,880 Speaker 1: to repeat it. Just rewind rewind everybody so that you 512 00:32:04,920 --> 00:32:07,000 Speaker 1: can hear what she just said. And I wish you 513 00:32:07,040 --> 00:32:09,240 Speaker 1: had the visual. Well, they really liked it. I'm sure 514 00:32:09,400 --> 00:32:12,840 Speaker 1: that was my point. It was such bad driving because 515 00:32:13,320 --> 00:32:15,120 Speaker 1: and then what about when they're when they're like when 516 00:32:15,160 --> 00:32:17,280 Speaker 1: they're when they find out there under the hood of 517 00:32:17,320 --> 00:32:19,520 Speaker 1: the car at the races and they find out that 518 00:32:19,560 --> 00:32:23,000 Speaker 1: it's really Frank Padilla, the guy with the stars, the 519 00:32:23,000 --> 00:32:26,640 Speaker 1: guy that ran Sweet Andrea over. And then they they're like, 520 00:32:26,680 --> 00:32:28,640 Speaker 1: oh my god, we gotta do something called police do 521 00:32:28,680 --> 00:32:31,880 Speaker 1: this do that. I was like, guys, just were cool, 522 00:32:32,040 --> 00:32:35,080 Speaker 1: be cool, Like they're gonna know you're acting so suspicious, 523 00:32:36,160 --> 00:32:41,280 Speaker 1: don't right? And I know I was nervous, and I'm like, 524 00:32:41,280 --> 00:32:49,719 Speaker 1: where is Brandon running to running? Yeah? But then got running? Yeah? 525 00:32:49,920 --> 00:32:52,920 Speaker 1: How did he suddenly and call the police? I can't like, 526 00:32:53,360 --> 00:32:55,040 Speaker 1: first of all, if you're gonna drag Race, I'm sure 527 00:32:55,040 --> 00:32:58,840 Speaker 1: they're way out like Peacoima and Beverly Hills is very 528 00:32:58,920 --> 00:33:02,840 Speaker 1: far away. I do not think you and get Andrea 529 00:33:02,960 --> 00:33:06,000 Speaker 1: like everything is like so tight, there's nowhere you can 530 00:33:06,080 --> 00:33:09,000 Speaker 1: drag Race like that. I guess. Honestly, she was just 531 00:33:09,000 --> 00:33:11,040 Speaker 1: waiting in her trailer, so it was easy to tend 532 00:33:11,040 --> 00:33:16,880 Speaker 1: to get to her. But thank god Donna has her 533 00:33:17,040 --> 00:33:20,760 Speaker 1: that rare Donna and Dylan seen in the peach pit. Yes, 534 00:33:20,800 --> 00:33:24,960 Speaker 1: that never happened. Very cute, right, I love that. I'm 535 00:33:25,000 --> 00:33:27,200 Speaker 1: sure they loved it. I'm sure they love filming that. 536 00:33:27,280 --> 00:33:31,360 Speaker 1: But but that that gets She says, well, why are 537 00:33:31,400 --> 00:33:33,719 Speaker 1: you here then? If your friends are out in trouble. 538 00:33:34,480 --> 00:33:38,560 Speaker 1: I like that, I know. And he was distracted because 539 00:33:38,560 --> 00:33:42,120 Speaker 1: he was so worried, all very cute. He couldn't listen. 540 00:33:43,120 --> 00:33:48,120 Speaker 1: I couldn't listen to her. Nothing new there. Um, okay, 541 00:33:48,400 --> 00:33:50,280 Speaker 1: are you ready to get to it. Let's take a 542 00:33:50,280 --> 00:33:52,520 Speaker 1: break because I feel tired now. I need to have 543 00:33:52,560 --> 00:34:09,640 Speaker 1: a moment. Just remembered something so good. Why don't they 544 00:34:09,760 --> 00:34:16,760 Speaker 1: use doors? Brandon jumping into the Mustang like through the window, 545 00:34:17,320 --> 00:34:21,080 Speaker 1: or Steve did it in the Corvette like jumped in 546 00:34:21,760 --> 00:34:26,320 Speaker 1: through the windows, Because that's how does that is how 547 00:34:26,480 --> 00:34:29,920 Speaker 1: the Fonds got into the car? I think it was 548 00:34:29,960 --> 00:34:33,680 Speaker 1: the Dukes of Hazard. It was Bow and Luke. Dude, 549 00:34:33,680 --> 00:34:37,160 Speaker 1: they never was on a motorcy No, you're right, you're right, sorry, 550 00:34:38,000 --> 00:34:40,799 Speaker 1: but even on night Rider he used the doors. Well 551 00:34:41,040 --> 00:34:44,320 Speaker 1: I guess kids get for him. But yeah, Bow and 552 00:34:44,400 --> 00:34:47,160 Speaker 1: Luke Duke went in through the windows, and so does 553 00:34:47,360 --> 00:34:51,080 Speaker 1: Steve Sanders. I was like, what, I kind of want 554 00:34:51,080 --> 00:34:54,640 Speaker 1: to try that. I feel like I could do it. 555 00:34:55,760 --> 00:34:57,399 Speaker 1: I've always also wanted to try. Have you ever seen 556 00:34:57,400 --> 00:35:00,040 Speaker 1: when they're like running and they have to slide a 557 00:35:00,040 --> 00:35:02,200 Speaker 1: cross the hood to head in the car really fast? 558 00:35:02,239 --> 00:35:05,520 Speaker 1: I'm like, I don't want to do that because that 559 00:35:05,560 --> 00:35:08,879 Speaker 1: would scratch the hood of the car. But I could 560 00:35:08,920 --> 00:35:10,840 Speaker 1: not get in through the window. I have had to 561 00:35:10,880 --> 00:35:14,520 Speaker 1: do where you someone's parked too close to you, so 562 00:35:14,560 --> 00:35:16,960 Speaker 1: you have to get in the passenger side and climb 563 00:35:16,960 --> 00:35:22,719 Speaker 1: over him. I'm gonna go outside and try to jump 564 00:35:22,760 --> 00:35:24,440 Speaker 1: through my window. You guys, I'll let you know how 565 00:35:24,520 --> 00:35:28,399 Speaker 1: that goes. I don't know how convertible, so it's gonna 566 00:35:28,400 --> 00:35:30,840 Speaker 1: be a little tricky. Okay, let's talk out before we 567 00:35:30,880 --> 00:35:34,600 Speaker 1: get to the double day. I did right Brandon's outfit 568 00:35:34,840 --> 00:35:38,560 Speaker 1: at the peach Pit, unbuttoned with a necklace, washing potatoes. 569 00:35:39,040 --> 00:35:44,440 Speaker 1: That must have been a standout moment for me. Well, 570 00:35:44,480 --> 00:35:46,880 Speaker 1: first of all, before that, I had a problem with 571 00:35:46,920 --> 00:35:53,000 Speaker 1: the potatoes because you really buy that the peach Pit 572 00:35:53,160 --> 00:35:55,840 Speaker 1: is back their hand cutting their French fries every day. 573 00:35:56,120 --> 00:36:02,520 Speaker 1: Brandon is back there doing that every single day. I 574 00:36:02,560 --> 00:36:05,080 Speaker 1: don't think so. And I happen to know that those 575 00:36:05,080 --> 00:36:08,960 Speaker 1: French fries were from Fatburger, so they're they were good. 576 00:36:12,760 --> 00:36:19,279 Speaker 1: Let's do it. Let's talk about our fourth and final storyline, 577 00:36:19,719 --> 00:36:25,240 Speaker 1: which is um Seth Green, Yes, your date, Your girls 578 00:36:25,280 --> 00:36:29,680 Speaker 1: date distracted and they go on a date with Seth Green, 579 00:36:29,840 --> 00:36:37,200 Speaker 1: and some other day. Yeah, it's adorable. They're adorable totally. 580 00:36:37,280 --> 00:36:41,080 Speaker 1: But first of all, Mrs Walsh hosed them so hard 581 00:36:41,640 --> 00:36:44,480 Speaker 1: at that moment when she's like, of course they will, 582 00:36:45,480 --> 00:36:48,760 Speaker 1: and the girls are like dope, they stop in their tracks. 583 00:36:49,600 --> 00:36:52,080 Speaker 1: And how old were those guys supposed to be, like 584 00:36:52,440 --> 00:36:57,800 Speaker 1: seventh grade? Eighth grade? Yeah, they looked yeah, they looked 585 00:36:57,960 --> 00:37:01,080 Speaker 1: to be like maybe little, yeah, but they were just 586 00:37:01,120 --> 00:37:04,080 Speaker 1: so cute. Seth Green was so cute. He looks exactly 587 00:37:04,120 --> 00:37:08,360 Speaker 1: the same today, he really does. That was sort of 588 00:37:08,760 --> 00:37:10,960 Speaker 1: his beginning, all right, and he's gone on to just 589 00:37:12,480 --> 00:37:17,280 Speaker 1: yes of success. Yeah, he's done a million million shows 590 00:37:17,320 --> 00:37:19,920 Speaker 1: and I think he does like voices of animated stuff. 591 00:37:19,920 --> 00:37:22,799 Speaker 1: Oh yeah, yeah, that's like his big ticket there. But 592 00:37:23,040 --> 00:37:27,200 Speaker 1: I when I was married to Peter, he did a 593 00:37:27,239 --> 00:37:29,759 Speaker 1: movie with maybe one or two. He was friends with 594 00:37:29,760 --> 00:37:32,239 Speaker 1: Seth and he did a couple of movies with him, 595 00:37:32,280 --> 00:37:34,160 Speaker 1: and I got to know Seth. He has he's really 596 00:37:34,239 --> 00:37:36,640 Speaker 1: nice guy. Did you remember each other from back in 597 00:37:36,640 --> 00:37:39,360 Speaker 1: the day? Like, did you when you re met? You 598 00:37:39,360 --> 00:37:41,960 Speaker 1: know what you're talking to. I don't remember anybody from 599 00:37:42,000 --> 00:37:44,319 Speaker 1: back in the day. People have to like fill in 600 00:37:44,360 --> 00:37:48,960 Speaker 1: all the blanks in my brain and we know I 601 00:37:49,000 --> 00:37:50,759 Speaker 1: was on your show. That happens all the time I 602 00:37:50,840 --> 00:37:54,920 Speaker 1: was on your show. We did scenes together. Yeah, I'm like, 603 00:37:55,040 --> 00:37:57,960 Speaker 1: oh right, yes, yes, I got it. And does it 604 00:37:58,040 --> 00:38:00,480 Speaker 1: come back to her? Yeah? Usually it does. Sometimes no 605 00:38:00,520 --> 00:38:03,920 Speaker 1: one I have to fake it, but was set that 606 00:38:04,320 --> 00:38:06,640 Speaker 1: kind of did kind of didn't. But when I saw it, 607 00:38:06,640 --> 00:38:08,360 Speaker 1: it made me remember it, and I loved it. I 608 00:38:08,440 --> 00:38:13,359 Speaker 1: loved their whole Like that, I've spent an entire day 609 00:38:13,400 --> 00:38:17,080 Speaker 1: with somebody and not remember. Oh my god, you're pointing 610 00:38:17,080 --> 00:38:20,239 Speaker 1: out when an asshole. I am not really, but like 611 00:38:20,320 --> 00:38:23,560 Speaker 1: I've met people briefly and then kind of forgotten. Do 612 00:38:23,600 --> 00:38:24,799 Speaker 1: you know what I mean? You see them again and 613 00:38:24,800 --> 00:38:26,319 Speaker 1: they're like, oh I met you with blah blah blah, 614 00:38:26,400 --> 00:38:34,000 Speaker 1: and you're moeriously a day years ago whatever it was. No, Like, 615 00:38:34,120 --> 00:38:36,759 Speaker 1: I wouldn't forget somebody that I like, went is that 616 00:38:36,920 --> 00:38:42,399 Speaker 1: high school with I don't know, do you remember? I mean, 617 00:38:42,440 --> 00:38:45,160 Speaker 1: I just can't imagine now I might not remember their name. 618 00:38:45,680 --> 00:38:48,600 Speaker 1: So like if I bumped into, like, I don't know 619 00:38:48,680 --> 00:38:50,640 Speaker 1: someone from high school, I might not be able to 620 00:38:50,680 --> 00:38:54,279 Speaker 1: exactly like get the name. But if they I don't 621 00:38:54,280 --> 00:38:58,080 Speaker 1: think I'm gonna forget them unless they look drastically different, 622 00:38:58,840 --> 00:39:03,520 Speaker 1: which happens yeah yeah, yeah, yeah, but yeah not not 623 00:39:03,600 --> 00:39:08,719 Speaker 1: in set case you look exactly the same. But they're 624 00:39:08,719 --> 00:39:10,920 Speaker 1: really good at the art. That arcade where we shot 625 00:39:10,960 --> 00:39:13,680 Speaker 1: those scenes, do you know where it was? Yes? That 626 00:39:13,880 --> 00:39:16,160 Speaker 1: I think it's still there if I'm not mistaken. It's 627 00:39:16,239 --> 00:39:21,560 Speaker 1: the one on um Suppulvita Boulevard in Sherman Oaks and 628 00:39:21,600 --> 00:39:23,919 Speaker 1: it has like a golf and stuff with it now 629 00:39:24,520 --> 00:39:27,279 Speaker 1: and I don't know arcade. I've been there. I've been 630 00:39:27,280 --> 00:39:30,560 Speaker 1: there with my kids. Has a batting cage. It looks 631 00:39:30,600 --> 00:39:33,399 Speaker 1: exactly the same inside. You guys have to go see 632 00:39:33,440 --> 00:39:36,680 Speaker 1: it if if you haven't been there. Oh, Sherman Oaks Park. 633 00:39:36,760 --> 00:39:39,000 Speaker 1: They said it's called some out of towners call it 634 00:39:39,040 --> 00:39:46,919 Speaker 1: supple Vita, but it's Sepulvida, sepple Vita. The Castle Park, 635 00:39:47,160 --> 00:39:49,640 Speaker 1: Castle Park, that's it. That's where we filmed that, and 636 00:39:49,680 --> 00:39:51,879 Speaker 1: I think it's all still there. I want to go 637 00:39:52,600 --> 00:39:58,160 Speaker 1: one million percent is it looks so fud bring your 638 00:39:58,239 --> 00:40:00,759 Speaker 1: vaccine card, but you can go. And they have like 639 00:40:00,800 --> 00:40:05,760 Speaker 1: cotton candy and all the many golf arcade, batting cage. 640 00:40:07,200 --> 00:40:09,960 Speaker 1: Oh my god, that's where we shot that we need 641 00:40:10,000 --> 00:40:13,239 Speaker 1: to have a party there. I just don't believe that 642 00:40:13,280 --> 00:40:15,880 Speaker 1: would be so fun. Let's have a wrap party there. 643 00:40:15,880 --> 00:40:20,279 Speaker 1: Party areas are available for reservations see, or we could 644 00:40:20,280 --> 00:40:24,000 Speaker 1: go roller skating. I'm just saying either one. I'm into it, 645 00:40:24,040 --> 00:40:26,560 Speaker 1: but I want to go to this place first. Feel like, 646 00:40:27,760 --> 00:40:31,560 Speaker 1: let's do it. Let's golf course looks incredible. It's really 647 00:40:31,640 --> 00:40:35,120 Speaker 1: like literally, oh my god. I was a little bit like, 648 00:40:35,320 --> 00:40:40,239 Speaker 1: why would I why would they do this? Why would 649 00:40:40,280 --> 00:40:46,600 Speaker 1: they reunite? Kelly and Brenda have this great story where 650 00:40:47,360 --> 00:40:51,439 Speaker 1: Kelly and Brenda are like best friends that that that 651 00:40:51,520 --> 00:40:53,960 Speaker 1: is a good friendship that they have. They have such 652 00:40:54,560 --> 00:41:01,480 Speaker 1: good girl chemistry. They really made me so so sad 653 00:41:01,640 --> 00:41:06,080 Speaker 1: because I was like, I that I see that what's coming. 654 00:41:06,320 --> 00:41:13,000 Speaker 1: They're gonna lose this their friendship over this guy. And 655 00:41:13,040 --> 00:41:15,640 Speaker 1: they almost know it because they said something and you 656 00:41:15,680 --> 00:41:19,320 Speaker 1: guys said something in this episode of like what but 657 00:41:19,440 --> 00:41:22,000 Speaker 1: if he doesn't pick because what if he doesn't pick 658 00:41:22,080 --> 00:41:27,200 Speaker 1: either one of us? Yeah, and then says giving him 659 00:41:27,200 --> 00:41:32,200 Speaker 1: a bit too much power? Right, Brenda says, um, let's 660 00:41:32,280 --> 00:41:35,480 Speaker 1: we'll never let a guy come between us, and then 661 00:41:35,920 --> 00:41:38,799 Speaker 1: and then they say any guy, Yeah, Like that's what 662 00:41:38,880 --> 00:41:42,239 Speaker 1: I wish would happened. But I gotta be honest, I 663 00:41:42,280 --> 00:41:47,200 Speaker 1: started to get a little ticked off with well because 664 00:41:47,520 --> 00:41:51,440 Speaker 1: it was also perfect and cute and and just I 665 00:41:51,560 --> 00:41:54,760 Speaker 1: just loved seeing them together so much, and the way 666 00:41:54,520 --> 00:42:00,080 Speaker 1: they I don't know, and I remember together with shan In, 667 00:42:00,200 --> 00:42:03,839 Speaker 1: and it was just fun. We had so much girly fun. 668 00:42:03,880 --> 00:42:06,319 Speaker 1: And the photo of you the photo booth, that was 669 00:42:06,360 --> 00:42:09,680 Speaker 1: so cute because the date really became a date for 670 00:42:09,800 --> 00:42:12,000 Speaker 1: the two of you on a date with each other. 671 00:42:12,680 --> 00:42:16,799 Speaker 1: I loved it, but it did feel a little bit 672 00:42:16,880 --> 00:42:20,600 Speaker 1: forced for story telling of it all, you know, like 673 00:42:20,640 --> 00:42:25,280 Speaker 1: because that in real life, when your best friend gets 674 00:42:25,280 --> 00:42:27,480 Speaker 1: together with your boyfriend, you're probably not going to want to, 675 00:42:27,520 --> 00:42:31,680 Speaker 1: like go to the arcade with her be besties. So 676 00:42:31,719 --> 00:42:35,440 Speaker 1: it's a little weird in that respect. But I just 677 00:42:35,480 --> 00:42:39,000 Speaker 1: get I just started to get mad. I guess that 678 00:42:39,080 --> 00:42:43,320 Speaker 1: the writers, I mean, the end is dramatic, very cute. 679 00:42:43,360 --> 00:42:45,680 Speaker 1: You put the picture on the locker. It's a little 680 00:42:45,719 --> 00:42:53,920 Speaker 1: too allowing the competition, like, hey, Dylan, here's our picture together. 681 00:42:54,920 --> 00:42:58,319 Speaker 1: Almost like they should have told him you don't get 682 00:42:58,320 --> 00:43:00,600 Speaker 1: either of us. I mean that's what they should have 683 00:43:00,640 --> 00:43:03,960 Speaker 1: told him. Yeah, And I noticed a lot of people 684 00:43:04,239 --> 00:43:08,759 Speaker 1: on our platforms are saying like they're seeing in a 685 00:43:08,800 --> 00:43:12,680 Speaker 1: different way this whole love, which is exactly what's happening 686 00:43:12,719 --> 00:43:16,680 Speaker 1: with me. I'm I was in it. I didn't know 687 00:43:16,920 --> 00:43:20,360 Speaker 1: to look at it objectively or from a different perspective then, 688 00:43:20,440 --> 00:43:25,120 Speaker 1: and now looking at it, I'm like, these two amazing 689 00:43:25,320 --> 00:43:30,959 Speaker 1: young women deserve so much better. He's a jerk. He's 690 00:43:31,000 --> 00:43:36,319 Speaker 1: treating them, he's mocking their feelings, basically pandering with them. 691 00:43:36,680 --> 00:43:40,920 Speaker 1: I just don't understand why they would love him. My 692 00:43:40,960 --> 00:43:46,160 Speaker 1: struggle is he was he was very into Brenda, believed 693 00:43:46,200 --> 00:43:49,080 Speaker 1: it very high school, but believed it. Yes, you see 694 00:43:49,120 --> 00:43:52,239 Speaker 1: that start to kind of fade, having its problems, which 695 00:43:52,280 --> 00:43:55,360 Speaker 1: would be very high school. Nobody stays together a hundred 696 00:43:55,400 --> 00:43:58,680 Speaker 1: years for the most part in high school. Then you 697 00:43:58,920 --> 00:44:03,120 Speaker 1: see kew Lian Dylan bonding, especially when Brenda, you know, 698 00:44:03,160 --> 00:44:05,880 Speaker 1: first they had that weird conflict, and then when she 699 00:44:05,920 --> 00:44:09,240 Speaker 1: went to Paris, and that seemed very natural. My beef 700 00:44:09,360 --> 00:44:16,799 Speaker 1: now is that it's almost like he's enjoying the threesome 701 00:44:16,960 --> 00:44:19,719 Speaker 1: of it, and it's like that's a little bit that's 702 00:44:19,840 --> 00:44:23,160 Speaker 1: kind of bugging me more, really bugging me, like he 703 00:44:23,160 --> 00:44:25,879 Speaker 1: should have just owned it, stayed with Kelly. He made 704 00:44:25,880 --> 00:44:29,640 Speaker 1: his choice. They made their choice. It's the fact that 705 00:44:29,680 --> 00:44:32,239 Speaker 1: now we've gone backwards again and and you guys are 706 00:44:32,280 --> 00:44:35,839 Speaker 1: working on the friendship. It's just messy. It's messy, and 707 00:44:35,880 --> 00:44:40,359 Speaker 1: I don't understand why the writers chose to do this, 708 00:44:40,560 --> 00:44:44,279 Speaker 1: Like I'm I'm frustrated with them. No offense, but give 709 00:44:44,280 --> 00:44:49,080 Speaker 1: me a break, guys. Well, it's very days of our lives. 710 00:44:49,719 --> 00:44:54,440 Speaker 1: Triangles are such a storyline in almost every soap, so 711 00:44:54,520 --> 00:44:58,560 Speaker 1: it's like the soap element I would say, I mean, 712 00:44:58,600 --> 00:45:03,640 Speaker 1: but yeah, but they're really no focusing at all on 713 00:45:03,719 --> 00:45:06,560 Speaker 1: the feelings of it all that. It's just more about 714 00:45:06,640 --> 00:45:12,040 Speaker 1: the logistics of it and the competition of it. Yeah, yeah, 715 00:45:12,080 --> 00:45:16,120 Speaker 1: you make a really good point and dividing these two girls, 716 00:45:16,200 --> 00:45:20,799 Speaker 1: Like god, that's so interesting because in the nineties that 717 00:45:20,840 --> 00:45:24,040 Speaker 1: would be how this went. But in a show, even 718 00:45:24,080 --> 00:45:27,560 Speaker 1: as like a One Tree Hill or you know the 719 00:45:27,680 --> 00:45:32,440 Speaker 1: shows today, they would have explored more the subtext the 720 00:45:32,560 --> 00:45:37,239 Speaker 1: emotion behind it. Back then, it was so like, this 721 00:45:37,320 --> 00:45:40,839 Speaker 1: is the love triangle, this is the conflict nine oh two, 722 00:45:40,920 --> 00:45:44,200 Speaker 1: one oh. Like, I just feel like today the same 723 00:45:44,200 --> 00:45:46,960 Speaker 1: storyline would be so different. I mean, it did really 724 00:45:47,040 --> 00:45:50,840 Speaker 1: set set me up because I love Kelly and Brenda 725 00:45:50,880 --> 00:45:52,960 Speaker 1: together in this episode, so it's set me up to 726 00:45:53,040 --> 00:45:59,080 Speaker 1: be really devastated if they end up not being friends 727 00:45:59,120 --> 00:46:02,480 Speaker 1: because of Dylan. And like I said, I don't remember 728 00:46:02,480 --> 00:46:08,080 Speaker 1: what happened, so it's a journey's going to happen. I 729 00:46:09,120 --> 00:46:11,400 Speaker 1: at the end, you felt like it was something I 730 00:46:11,440 --> 00:46:15,359 Speaker 1: don't know, but the thing I thought it was dramatic. Yeah, 731 00:46:15,480 --> 00:46:18,919 Speaker 1: the end for me, I don't know the end though, 732 00:46:18,960 --> 00:46:21,440 Speaker 1: it was just like was the first time for me 733 00:46:21,560 --> 00:46:28,160 Speaker 1: that I was actually gripped, like riveted and I And 734 00:46:28,239 --> 00:46:32,279 Speaker 1: it has to do not with the the situation the 735 00:46:32,320 --> 00:46:34,319 Speaker 1: writing so much, but the way it was shot, in 736 00:46:34,320 --> 00:46:39,200 Speaker 1: the way it was produced, the music. Um was it 737 00:46:39,239 --> 00:46:42,520 Speaker 1: was the first time in the show, which after this 738 00:46:42,600 --> 00:46:44,800 Speaker 1: point it happens a number of times, and it happened 739 00:46:44,840 --> 00:46:47,359 Speaker 1: for me quite often, but the music would like just 740 00:46:47,719 --> 00:46:51,480 Speaker 1: pull you in and like grab you and grip you 741 00:46:51,600 --> 00:46:53,799 Speaker 1: to the storyline, and I find I was like what 742 00:46:53,920 --> 00:46:55,759 Speaker 1: is the song? I had that same moment where I'm 743 00:46:55,800 --> 00:46:57,200 Speaker 1: like what is this in the in the in the 744 00:46:57,239 --> 00:46:59,800 Speaker 1: way they used the camera and the like the pushing, 745 00:47:00,000 --> 00:47:03,120 Speaker 1: the slow motion of him walking up to them and 746 00:47:03,160 --> 00:47:06,680 Speaker 1: just the slow motion of the girls, I thought, because 747 00:47:06,680 --> 00:47:09,200 Speaker 1: I really really love that stuff, like just like I 748 00:47:11,160 --> 00:47:16,440 Speaker 1: think that's the hook. So I get why this is 749 00:47:16,480 --> 00:47:20,000 Speaker 1: such a good storyline and so juicy and meaty. But 750 00:47:20,080 --> 00:47:24,560 Speaker 1: at the same time, a therapist would be like, this 751 00:47:24,640 --> 00:47:30,080 Speaker 1: is oh, this is this is this is very unhealthy. Yeah, 752 00:47:30,200 --> 00:47:32,799 Speaker 1: that's what a therapist might say. Um, but it was 753 00:47:32,880 --> 00:47:36,200 Speaker 1: just it felt so gloriously like nineties rom calm. Like 754 00:47:36,239 --> 00:47:38,960 Speaker 1: that ending was just everything for me. I hope that 755 00:47:39,000 --> 00:47:42,359 Speaker 1: the show recognizes that and that there's more because I 756 00:47:42,400 --> 00:47:44,160 Speaker 1: want more of that. It was hard for me not 757 00:47:44,239 --> 00:47:48,440 Speaker 1: to roll into the next episode. Yeah, I did, sneaker. 758 00:47:48,680 --> 00:47:50,560 Speaker 1: I didn't cheat. I didn't cheat. I did start to 759 00:47:50,560 --> 00:47:52,920 Speaker 1: look ahead because I want to see who we can 760 00:47:52,960 --> 00:47:56,719 Speaker 1: have on I did. UM have a couple of notes 761 00:47:56,800 --> 00:48:04,040 Speaker 1: though about UM, the part when Brendan Kelly are getting 762 00:48:04,080 --> 00:48:07,279 Speaker 1: ready for their hot days. I totally wrote a note 763 00:48:07,440 --> 00:48:12,040 Speaker 1: was that your eyes was that your lips. I didn't 764 00:48:12,080 --> 00:48:14,120 Speaker 1: like that and didnt care for those shots they were 765 00:48:14,200 --> 00:48:19,280 Speaker 1: too close. I was actually thought I would never allow 766 00:48:19,320 --> 00:48:23,239 Speaker 1: it now, I would look never allow the camera gets 767 00:48:23,280 --> 00:48:25,600 Speaker 1: like that your face, the camera gets more like the 768 00:48:25,640 --> 00:48:28,359 Speaker 1: camera now. The camera department and the camera get more 769 00:48:28,400 --> 00:48:32,840 Speaker 1: than like two arms link away from me. I started 770 00:48:32,840 --> 00:48:35,239 Speaker 1: to internally combust and have a panic attack. I'm like, 771 00:48:35,280 --> 00:48:38,160 Speaker 1: too close, too close to close? Was that your face? 772 00:48:38,320 --> 00:48:41,560 Speaker 1: Do you know that was standing? Those were our faces. 773 00:48:42,560 --> 00:48:48,520 Speaker 1: I recognized those lips, those teeth. Definitely recognize the teeth 774 00:48:49,600 --> 00:48:52,920 Speaker 1: of not just me, but of Shannon. That was crazy. 775 00:48:53,040 --> 00:48:58,000 Speaker 1: It was just weird. I mean what that was if 776 00:48:58,000 --> 00:49:00,560 Speaker 1: you guys looked good like it was totally fine. I'm like, oh, 777 00:49:00,600 --> 00:49:02,840 Speaker 1: thank god, we were pre pubestent at that, you know, 778 00:49:02,920 --> 00:49:05,720 Speaker 1: we were so can't they couldn't touch it up? Then? Really, 779 00:49:06,000 --> 00:49:08,319 Speaker 1: you couldn't go in and smooth out the pores at 780 00:49:08,320 --> 00:49:11,320 Speaker 1: all or make the teeth like a little less bizarre. 781 00:49:12,840 --> 00:49:15,600 Speaker 1: The eyes wasn't so bad. Get that close to my 782 00:49:15,640 --> 00:49:19,279 Speaker 1: eyes now, I will literally hurt you come that close 783 00:49:19,320 --> 00:49:24,360 Speaker 1: to me with a camera. I was like wow. And also, 784 00:49:24,760 --> 00:49:28,000 Speaker 1: why did they dress like forty year old women? I'm 785 00:49:28,040 --> 00:49:30,880 Speaker 1: telling you you had a plaid blazer in this episode. 786 00:49:31,640 --> 00:49:34,040 Speaker 1: I think a yellow blazer. Somebody had a big bow 787 00:49:34,040 --> 00:49:36,520 Speaker 1: in their hair. I love the bow and Kelly's hair, 788 00:49:36,680 --> 00:49:38,239 Speaker 1: but I'm not talking about that. I'm talking about when 789 00:49:38,239 --> 00:49:40,719 Speaker 1: they got ready for their date, and they looked like 790 00:49:40,760 --> 00:49:44,440 Speaker 1: they were going to the symphony or something. Yes, like 791 00:49:44,480 --> 00:49:47,839 Speaker 1: in a bad eighties award show. Bad hair, bad hair, 792 00:49:48,200 --> 00:49:51,840 Speaker 1: bad makeup, and bad so overdressed. But I guess, you know, 793 00:49:51,880 --> 00:49:54,600 Speaker 1: it's really bring home the point that they're older than 794 00:49:54,640 --> 00:50:00,399 Speaker 1: the boys that were taking it. Oh my got Yeah, 795 00:50:00,400 --> 00:50:05,319 Speaker 1: they were very gussied up. Gussied up, that's what they 796 00:50:05,320 --> 00:50:09,319 Speaker 1: were like this episode. I do think it was ridiculous, 797 00:50:09,440 --> 00:50:12,799 Speaker 1: but I do like it. I the end for me 798 00:50:12,920 --> 00:50:15,360 Speaker 1: just redeemed it all. I have a lot of issues 799 00:50:15,400 --> 00:50:18,640 Speaker 1: with the music and it's the drag racing cart. For 800 00:50:18,719 --> 00:50:21,399 Speaker 1: me was like it felt like the storylines were so 801 00:50:21,440 --> 00:50:25,040 Speaker 1: oddly stitched together somehow, but somehow it worked. I don't know, 802 00:50:25,160 --> 00:50:27,799 Speaker 1: I want more. I don't know about you. You know 803 00:50:27,960 --> 00:50:31,120 Speaker 1: so funny. I like get kind of hooked into it 804 00:50:31,160 --> 00:50:32,880 Speaker 1: when I'm watching it and I'm like, you know, it 805 00:50:32,960 --> 00:50:36,600 Speaker 1: ends and I get up and do whatever, And I realized, like, wow, 806 00:50:36,680 --> 00:50:41,600 Speaker 1: I really like shows, right, You're like that sticks with 807 00:50:41,680 --> 00:50:44,800 Speaker 1: you throughout the day the episode, think about it and 808 00:50:44,880 --> 00:50:48,960 Speaker 1: you care? What do I care? That it's not a 809 00:50:49,000 --> 00:50:59,200 Speaker 1: crappy show? You know what I mean? Your show is 810 00:50:59,239 --> 00:51:04,160 Speaker 1: not crappy. It's really not crappy. Big fan over there, 811 00:51:05,160 --> 00:51:09,680 Speaker 1: thank you. Let's come back and talk about fashion then. 812 00:51:09,840 --> 00:51:14,239 Speaker 1: But I totally like it. I'm glad you like it. 813 00:51:14,400 --> 00:51:16,759 Speaker 1: I'm glad you think it's not crappy. We're taking a break. 814 00:51:28,840 --> 00:51:30,680 Speaker 1: That would be remiss if I didn't just talk one 815 00:51:30,680 --> 00:51:34,319 Speaker 1: more time about the drag racing and how I feel 816 00:51:34,440 --> 00:51:36,520 Speaker 1: very strongly that this should not be happening. They should 817 00:51:36,600 --> 00:51:40,239 Speaker 1: not do a chicken race. Didn't they do that? Like 818 00:51:40,280 --> 00:51:43,000 Speaker 1: foot loose member on the track, that's one saying. It 819 00:51:43,080 --> 00:51:46,040 Speaker 1: was very like, yes, oh my god, his foot stopped 820 00:51:46,080 --> 00:51:49,839 Speaker 1: duck with a shoelaces so stressful. Oh god, I got 821 00:51:49,920 --> 00:51:52,040 Speaker 1: so scared. But then the helmets brought me back to 822 00:51:52,080 --> 00:51:54,680 Speaker 1: reality that it was just a TV show. It's stupid. 823 00:51:54,719 --> 00:51:57,440 Speaker 1: So yeah, why was that sort of of the time, Like, 824 00:51:57,560 --> 00:52:00,399 Speaker 1: I don't know, maybe it's people do that chick can race. 825 00:52:00,600 --> 00:52:03,799 Speaker 1: Somebody's gonna get hurt or die. Yeah, that's bad. It's 826 00:52:03,840 --> 00:52:06,240 Speaker 1: not a good choice. If anybody asks you to chicken 827 00:52:06,360 --> 00:52:10,040 Speaker 1: race them, people don't do it. I'm just saying, all right, 828 00:52:10,120 --> 00:52:13,200 Speaker 1: let's talk fashion, let's talk lines. Um, you've already had 829 00:52:13,239 --> 00:52:16,799 Speaker 1: a lot of fashion comments. You didn't like the Blazers. 830 00:52:17,000 --> 00:52:19,680 Speaker 1: You didn't like my bo like them. I like them, 831 00:52:20,000 --> 00:52:24,839 Speaker 1: I just feel like it's not high school. Yeah, nineties Blazers. 832 00:52:25,640 --> 00:52:30,800 Speaker 1: Doc Martin's I don't know Dona Donna c D jacket 833 00:52:30,840 --> 00:52:35,440 Speaker 1: was pretty fine, my god, very it was very on 834 00:52:35,480 --> 00:52:39,120 Speaker 1: the nose. It was alot of all black, which I 835 00:52:39,160 --> 00:52:41,439 Speaker 1: thought was cool. I like the polka dot ad dress 836 00:52:41,440 --> 00:52:44,279 Speaker 1: in the very beginning. And David looked really cool for 837 00:52:44,360 --> 00:52:47,319 Speaker 1: once in the very first scene, not in the next 838 00:52:47,320 --> 00:52:53,160 Speaker 1: scenes because his shirt choice. But and I really liked 839 00:52:53,640 --> 00:52:57,640 Speaker 1: ward Low. It's a very hard name to say Wardlow, 840 00:52:57,760 --> 00:53:02,640 Speaker 1: Joe Wardlow's jacket. And I like Dylan's red jacket. Dylan 841 00:53:02,719 --> 00:53:08,799 Speaker 1: always looking good. Heart heart heart, Okay, best line, best line. 842 00:53:10,880 --> 00:53:13,799 Speaker 1: This is what stood out to me. Donna's doing her 843 00:53:13,880 --> 00:53:16,239 Speaker 1: djaying when she was kind of bad, and somebody I 844 00:53:16,280 --> 00:53:18,520 Speaker 1: can't remember if it was you or Brenda goes call 845 00:53:18,640 --> 00:53:26,200 Speaker 1: nine one one, she's dying. They gave like a lookout 846 00:53:26,200 --> 00:53:29,000 Speaker 1: Howard Stern reference to and then call nine one one 847 00:53:29,160 --> 00:53:33,440 Speaker 1: she's dying. But then she deems herself. I had I 848 00:53:33,440 --> 00:53:35,319 Speaker 1: couldn't pick one. I had three, okay. The first one 849 00:53:36,280 --> 00:53:40,000 Speaker 1: was from Steve Sanders. It must have been like during 850 00:53:40,000 --> 00:53:42,839 Speaker 1: the fight when in the detention when he says, why 851 00:53:42,840 --> 00:53:49,719 Speaker 1: don't you clam up bone head? Is that was that 852 00:53:49,760 --> 00:53:52,200 Speaker 1: written on the page or did he? Hope so? But 853 00:53:52,280 --> 00:53:54,240 Speaker 1: I think so because it reminds me of the lines 854 00:53:54,280 --> 00:53:58,319 Speaker 1: between David Arquette and Jason Priests, Like it's whoever's writing 855 00:53:58,360 --> 00:54:02,040 Speaker 1: it's right in the same don't you clam up? Bone heading? 856 00:54:03,040 --> 00:54:07,960 Speaker 1: To somebody today? What about this one? Um? This was 857 00:54:08,040 --> 00:54:12,560 Speaker 1: Kelly in the arcade when she says, who's to say 858 00:54:12,560 --> 00:54:15,399 Speaker 1: there isn't level on eleven or million and eleven? We're 859 00:54:15,440 --> 00:54:20,000 Speaker 1: gonna die here, Brenda. It actually made me l O 860 00:54:20,200 --> 00:54:22,520 Speaker 1: L like I I chuckled all out to my with 861 00:54:22,600 --> 00:54:26,239 Speaker 1: my just me and yeah, it's a good one. And 862 00:54:26,280 --> 00:54:28,960 Speaker 1: then my third and final line was um from Joe 863 00:54:29,000 --> 00:54:35,319 Speaker 1: wardlow Ah, you're a one man psych Ward you know that. Yeah, 864 00:54:35,320 --> 00:54:38,600 Speaker 1: there was some good good stuff there, some good lines 865 00:54:38,640 --> 00:54:41,480 Speaker 1: in this show, you really like if you really do 866 00:54:41,680 --> 00:54:46,400 Speaker 1: look for them and appreciate them, they're there there. Maybe 867 00:54:46,440 --> 00:54:49,799 Speaker 1: we can do another re enactment. Oh boy, those really 868 00:54:49,960 --> 00:54:54,279 Speaker 1: those hurt. They're very hard. Good. Let's to test my 869 00:54:54,320 --> 00:54:57,520 Speaker 1: acting abilities. I feel like we need to have some 870 00:54:57,600 --> 00:55:00,600 Speaker 1: sort of a like a system in place. Yeah, like 871 00:55:00,920 --> 00:55:02,960 Speaker 1: five peach pit Burgers, you know what I mean, Like 872 00:55:03,000 --> 00:55:06,719 Speaker 1: so five fries. Five fries like this would be so 873 00:55:07,320 --> 00:55:09,640 Speaker 1: on a scale of one to ten because it's so 874 00:55:10,360 --> 00:55:14,920 Speaker 1: how many Mega burgers would you give it seven? Seven 875 00:55:14,960 --> 00:55:19,120 Speaker 1: Mega burgers? Six or seven? Yeah? I think I think 876 00:55:19,120 --> 00:55:21,799 Speaker 1: I'm right there with you because I don't want to 877 00:55:21,880 --> 00:55:25,640 Speaker 1: overdo it because there's there's there's nines and tens out there. 878 00:55:25,719 --> 00:55:27,640 Speaker 1: Because I just love I mean, I love the photo 879 00:55:27,640 --> 00:55:31,879 Speaker 1: boot booth moment so much with with Kelly and Brenda 880 00:55:31,160 --> 00:55:35,239 Speaker 1: and I. In the end, i'd have to give it 881 00:55:35,320 --> 00:55:38,480 Speaker 1: like a six. Probably, I'm just deducting burgers because like, 882 00:55:38,680 --> 00:55:40,919 Speaker 1: I just don't think these guys are going drag racing. Yeah, 883 00:55:40,920 --> 00:55:42,880 Speaker 1: you gotta take some burgers away for the for the 884 00:55:43,280 --> 00:55:49,040 Speaker 1: bad music too, deny them the burgers painful. God. I 885 00:55:49,040 --> 00:55:50,680 Speaker 1: gotta go watch it on the DVD to see if 886 00:55:50,719 --> 00:55:53,120 Speaker 1: it's different music. I don't think it will be. It 887 00:55:53,239 --> 00:55:58,040 Speaker 1: hurt my ears at the open. It was like we 888 00:55:58,080 --> 00:56:00,520 Speaker 1: had new shots of school and it was like they 889 00:56:00,560 --> 00:56:03,200 Speaker 1: really wanted to use them, and so they were like, oh, 890 00:56:03,239 --> 00:56:06,080 Speaker 1: we need music with this. So I don't know if 891 00:56:06,080 --> 00:56:08,640 Speaker 1: it's my age. I think it is your old fo 892 00:56:08,800 --> 00:56:12,800 Speaker 1: darn loud in the words from Back to the Future, 893 00:56:13,719 --> 00:56:17,000 Speaker 1: like I go, is this a thing? Is this what 894 00:56:17,080 --> 00:56:20,839 Speaker 1: happens you guys? Um, you start to I can't believe 895 00:56:20,840 --> 00:56:24,359 Speaker 1: I'm gonna say this, but it's embarrassing when you go, 896 00:56:24,640 --> 00:56:27,640 Speaker 1: like when I go to a restaurant nowadays, which happens 897 00:56:27,920 --> 00:56:32,840 Speaker 1: a lot. Just kidding, not really. I never leave my house. Um, 898 00:56:33,320 --> 00:56:37,799 Speaker 1: but the all the other noises in the back, I 899 00:56:37,880 --> 00:56:39,800 Speaker 1: can make it so I can't hear what the poston 900 00:56:39,840 --> 00:56:42,359 Speaker 1: in front of me is saying. So I literally, if 901 00:56:42,400 --> 00:56:44,120 Speaker 1: this is me, if we're having dinner, I turned my 902 00:56:44,200 --> 00:56:48,000 Speaker 1: head so that my ear is Um, how's the straighter 903 00:56:48,040 --> 00:56:51,720 Speaker 1: line of connection with your mouth so that I can pass? 904 00:56:52,160 --> 00:56:53,799 Speaker 1: But I have to keep looking at you because I 905 00:56:53,840 --> 00:56:57,279 Speaker 1: have to also read your lips while you're talking to 906 00:56:57,480 --> 00:56:59,560 Speaker 1: sort of figure out what you're saying. But then guess what. 907 00:56:59,719 --> 00:57:02,560 Speaker 1: I have no idea what you're saying, and I just say, oh, yes, 908 00:57:03,280 --> 00:57:07,560 Speaker 1: let's go what. I just had my hearing checked. Have 909 00:57:07,640 --> 00:57:10,480 Speaker 1: you had your hearing check? I don't want to do it. 910 00:57:11,239 --> 00:57:14,080 Speaker 1: Have you not seen the TikTok that says we're at 911 00:57:14,080 --> 00:57:16,400 Speaker 1: that age where we have to turn the radio down 912 00:57:16,440 --> 00:57:22,080 Speaker 1: to see. That's so true. I never really thought of that. 913 00:57:23,080 --> 00:57:30,040 Speaker 1: You're like, wait, everybody quiet, I'm driving. Yeah, and the music, 914 00:57:30,080 --> 00:57:32,720 Speaker 1: the loud music. I went to a rock and roll 915 00:57:32,880 --> 00:57:35,200 Speaker 1: show the other Why did you go to? I think 916 00:57:35,240 --> 00:57:37,479 Speaker 1: I told you I went to They told us a theater. 917 00:57:38,160 --> 00:57:40,960 Speaker 1: I want to see Palace and I'm even know if 918 00:57:40,960 --> 00:57:42,720 Speaker 1: that is. It's a great band. I'm a huge fan 919 00:57:42,800 --> 00:57:48,000 Speaker 1: of theirs, kind of like indie all stuff. And I 920 00:57:48,000 --> 00:57:50,960 Speaker 1: had to stand in the back. Yeah, yeah, did your 921 00:57:50,960 --> 00:57:53,200 Speaker 1: ears ring when you got home? You're like, oh, no, yeah, 922 00:57:53,240 --> 00:57:55,080 Speaker 1: that's that. I'm used to that. But like I was, 923 00:57:55,120 --> 00:57:59,960 Speaker 1: literally like, it's a little loud. Can we leave now? Anyway, 924 00:58:00,680 --> 00:58:06,800 Speaker 1: the point is relatable. I hope that you guys have 925 00:58:06,880 --> 00:58:11,160 Speaker 1: a good week and we have our homework. Uh, what's next? 926 00:58:11,360 --> 00:58:14,960 Speaker 1: Next week is episode eighteen of season three Midlife? Now 927 00:58:15,040 --> 00:58:21,200 Speaker 1: what that feels? Gim and Syndish? Oh you think you 928 00:58:21,240 --> 00:58:26,960 Speaker 1: guys are life? Because oh, to be in my midlife? 929 00:58:27,880 --> 00:58:30,840 Speaker 1: Is that? What's happening? Is this? What that is? Midlife? 930 00:58:32,480 --> 00:58:36,440 Speaker 1: I feel like I'm on the upper crust of midlife. 931 00:58:36,680 --> 00:58:40,920 Speaker 1: In the next one, whatever that one is. Wait, I 932 00:58:40,960 --> 00:58:44,600 Speaker 1: have a trible another question for what is what? Am 933 00:58:44,640 --> 00:58:48,280 Speaker 1: I am not a millennial? I'm not a gen you 934 00:58:48,320 --> 00:58:51,720 Speaker 1: and are jen X? Okay? Because the other day and 935 00:58:51,760 --> 00:58:55,880 Speaker 1: I bet you everybody listening is jen X too? What 936 00:58:56,280 --> 00:58:58,960 Speaker 1: they're the best? Those are our people? Are you? The 937 00:58:58,960 --> 00:59:00,920 Speaker 1: other day I asked my has than that question and 938 00:59:01,000 --> 00:59:02,840 Speaker 1: he told me I was a baby boomer and I 939 00:59:02,960 --> 00:59:07,680 Speaker 1: fell down, No, because we're the same age. I think 940 00:59:07,880 --> 00:59:10,080 Speaker 1: we're a year apart or something. But is that what 941 00:59:10,120 --> 00:59:15,160 Speaker 1: he thinks of me? Is he jen Why he's younger 942 00:59:15,160 --> 00:59:22,320 Speaker 1: than you? Right? Yeah, we're gen X. We're not baby boomers. 943 00:59:22,760 --> 00:59:26,320 Speaker 1: Thank god, that is close. We're not even close to 944 00:59:26,360 --> 00:59:29,240 Speaker 1: baby boom boomers. Hold on, I'll get you the years 945 00:59:29,320 --> 00:59:36,480 Speaker 1: for everybody curious that's listening. Gen X years. Gen X range. 946 00:59:36,760 --> 00:59:42,880 Speaker 1: Baby boomers were born between sixty five and eighties. Baby 947 00:59:42,920 --> 00:59:48,360 Speaker 1: boomers were born between And he thinks I'm that old, 948 00:59:48,640 --> 00:59:52,440 Speaker 1: my husband, we have a project we're full gen X 949 00:59:52,480 --> 00:59:54,920 Speaker 1: because it's sixty five to eighty and we're like right 950 00:59:54,920 --> 00:59:56,480 Speaker 1: in the middle of that. Yeah. But you know when 951 00:59:56,480 --> 00:59:58,560 Speaker 1: you're younger and you look at someone who's older, you 952 00:59:58,600 --> 01:00:01,520 Speaker 1: think they're a lot older. Yeah, that's what's happening. We 953 01:00:01,560 --> 01:00:04,200 Speaker 1: need the oping I've got to make an appointment. Better help, 954 01:00:04,280 --> 01:00:07,200 Speaker 1: Where are you people? I guess he's millennials. I guess 955 01:00:07,200 --> 01:00:09,800 Speaker 1: there is no gen y. I thought there was. And 956 01:00:09,840 --> 01:00:11,440 Speaker 1: you know what, it's all making sense to me because 957 01:00:11,480 --> 01:00:14,280 Speaker 1: also my daughter called me a boomer not that long ago, 958 01:00:14,320 --> 01:00:17,200 Speaker 1: and now I know what a boomer is. I thought 959 01:00:17,240 --> 01:00:18,840 Speaker 1: it was just somebody cute that didn't know how to 960 01:00:18,920 --> 01:00:24,480 Speaker 1: use their computer. Whoa jen? Why is millennials? Oh my god, 961 01:00:24,520 --> 01:00:29,120 Speaker 1: I've just learned something. Wait, it's the same. I'm married 962 01:00:29,160 --> 01:00:32,400 Speaker 1: to a millennial. Is that what you just told me? Yeah? 963 01:00:32,440 --> 01:00:36,680 Speaker 1: Oh my god. Yeah, that's tough. I'm breaking out in hives. 964 01:00:37,160 --> 01:00:41,040 Speaker 1: When did gen y change to millennials? Oh? It must 965 01:00:41,080 --> 01:00:47,720 Speaker 1: have had a name change. Wow. On this episode of 966 01:00:47,800 --> 01:00:52,480 Speaker 1: nine o two one off topic. Anyways, watch and watch 967 01:00:52,560 --> 01:00:55,360 Speaker 1: the episode next week. We're we'll be here. I hope 968 01:00:55,360 --> 01:00:56,280 Speaker 1: you guys have a great week.