1 00:00:01,000 --> 00:00:04,440 Speaker 1: Welcome to this classic replay of the Taking a Walk 2 00:00:04,519 --> 00:00:08,440 Speaker 1: podcast with your host Buzz Night and his special guest, 3 00:00:08,760 --> 00:00:13,160 Speaker 1: Jelly Roll. Jelly has been on an incredible ride, selling 4 00:00:13,160 --> 00:00:16,600 Speaker 1: out venues all over the country and winning multiple awards 5 00:00:16,640 --> 00:00:19,919 Speaker 1: for his music, including three CMT Awards for Son of 6 00:00:19,960 --> 00:00:23,640 Speaker 1: a Sinner. Jelly has a checkered past and turned to 7 00:00:23,800 --> 00:00:27,320 Speaker 1: music to find redemption. He started as a rapper and 8 00:00:27,480 --> 00:00:30,639 Speaker 1: found his way to country music, making his debut at 9 00:00:30,680 --> 00:00:33,720 Speaker 1: the Grand Old Opry in November of twenty twenty one. 10 00:00:34,640 --> 00:00:37,880 Speaker 1: Jelly Roll was one of music's biggest stars, and we're 11 00:00:37,960 --> 00:00:41,319 Speaker 1: proud to present this classic replay with Jelly and your 12 00:00:41,360 --> 00:00:43,880 Speaker 1: host Buzz Night on Taking a Walk. 13 00:00:45,040 --> 00:00:48,000 Speaker 2: Well, Jelly Roll, it's so great to have you on 14 00:00:48,120 --> 00:00:54,080 Speaker 2: Taking a Walk here. You started twenty twenty two playing 15 00:00:54,600 --> 00:00:59,240 Speaker 2: eight hundred seats I believe it was in Buffalo, New York, 16 00:00:59,480 --> 00:01:05,760 Speaker 2: and you ended up playing twenty thousand seat sellout at 17 00:01:05,760 --> 00:01:08,720 Speaker 2: your hometown in Nashville. 18 00:01:09,680 --> 00:01:11,080 Speaker 3: What was the first. 19 00:01:10,760 --> 00:01:15,600 Speaker 2: Experience like and what was the Nashville experience like as well? 20 00:01:16,240 --> 00:01:18,760 Speaker 4: It was, you know, the first experience. The funny part 21 00:01:18,800 --> 00:01:20,440 Speaker 4: of that story I don't get to tell nobody is 22 00:01:20,480 --> 00:01:23,720 Speaker 4: because I haven't got the detail it is. I actually 23 00:01:23,920 --> 00:01:26,920 Speaker 4: missed the Buffalo show. I had a flight get canceled 24 00:01:26,920 --> 00:01:30,320 Speaker 4: because of a snowstorm in Buffalo, and I ended up 25 00:01:30,360 --> 00:01:32,520 Speaker 4: having to just skip Buffalo and go to Boston the 26 00:01:32,520 --> 00:01:37,760 Speaker 4: next day, which was the Palladium in Wooston, Massachusetts. So 27 00:01:38,480 --> 00:01:40,280 Speaker 4: it was just funny that my first booking of the 28 00:01:40,360 --> 00:01:42,080 Speaker 4: year was in a club, you know, and then of 29 00:01:42,080 --> 00:01:44,319 Speaker 4: course even the second show. You've probably been to the Palladium. 30 00:01:44,360 --> 00:01:47,039 Speaker 4: I know you came from the Boston market, so you know, 31 00:01:47,080 --> 00:01:49,320 Speaker 4: it's what two thousand cap club or whatever, you know, 32 00:01:49,960 --> 00:01:53,520 Speaker 4: And to end it in a completely sold out arena 33 00:01:53,520 --> 00:01:55,760 Speaker 4: at home was just a testament of the year. I 34 00:01:55,800 --> 00:01:57,840 Speaker 4: was having to tell John Lowe, but the president of 35 00:01:57,880 --> 00:02:00,120 Speaker 4: our Broken Bow Records and the label that signed the 36 00:02:00,160 --> 00:02:02,560 Speaker 4: guy that gave me my chance. And of course there 37 00:02:02,560 --> 00:02:06,120 Speaker 4: were some mishaps with all of the partners and media 38 00:02:06,200 --> 00:02:08,680 Speaker 4: and we're shooting a documentary and filming this big show, 39 00:02:08,720 --> 00:02:10,880 Speaker 4: you know, and Loba wasn't upset, but he was like, man, 40 00:02:10,919 --> 00:02:12,680 Speaker 4: it was just really hard to find you. That afternoon, 41 00:02:12,680 --> 00:02:15,000 Speaker 4: I said, you got to remember this is this is 42 00:02:15,040 --> 00:02:17,760 Speaker 4: so new to us, you know. I was like, we didn't. 43 00:02:18,600 --> 00:02:20,920 Speaker 4: We had to grow into the arenas in like ten 44 00:02:20,960 --> 00:02:23,040 Speaker 4: months flat. It was hard. You know, it's a pig 45 00:02:23,600 --> 00:02:27,160 Speaker 4: we went from I went from I went into the 46 00:02:27,200 --> 00:02:31,640 Speaker 4: pandemic in a two sprinter van tour right and that 47 00:02:31,760 --> 00:02:34,040 Speaker 4: was a luxury by then, because I took an extra 48 00:02:34,080 --> 00:02:35,720 Speaker 4: sprinter van for me and the family, and I sent 49 00:02:35,720 --> 00:02:38,240 Speaker 4: the band and the other sprinter. So I come out 50 00:02:38,240 --> 00:02:40,840 Speaker 4: of the pandemic straight into a two bus tour and 51 00:02:40,960 --> 00:02:43,959 Speaker 4: ended in a six bus seven truck tour. You know 52 00:02:44,000 --> 00:02:46,760 Speaker 4: what I'm saying. And all these dudes around you are 53 00:02:46,760 --> 00:02:48,240 Speaker 4: just trying to tell you what's going on, and you're 54 00:02:48,280 --> 00:02:50,519 Speaker 4: so confused, just trying to trust them, you know what 55 00:02:50,560 --> 00:02:52,040 Speaker 4: I'm saying, You're just like, are you sure this is 56 00:02:52,080 --> 00:02:54,960 Speaker 4: the right decision to make? By the whole other bus 57 00:02:54,960 --> 00:02:57,360 Speaker 4: of people, they was like, somebody's got to run the lights. 58 00:02:57,360 --> 00:02:59,200 Speaker 4: I was like, God, why are we bringing lights? Because 59 00:02:59,200 --> 00:03:03,320 Speaker 4: you're playing a twelve thousand cap club an arena in 60 00:03:03,360 --> 00:03:06,399 Speaker 4: Michigan at night. You gotta have real production. I never 61 00:03:06,440 --> 00:03:08,359 Speaker 4: took production out until we were doing it at a 62 00:03:08,919 --> 00:03:09,960 Speaker 4: small arena level. 63 00:03:10,880 --> 00:03:13,200 Speaker 3: How does John Lobo make it look so easy? As 64 00:03:13,320 --> 00:03:13,880 Speaker 3: my question? 65 00:03:14,440 --> 00:03:19,639 Speaker 4: Oh listen, Loba acts like nothing. He never he only 66 00:03:19,680 --> 00:03:23,760 Speaker 4: seems excited. He never seems stressed. He's always forward to think. 67 00:03:23,800 --> 00:03:25,560 Speaker 4: I don't know if he goes home and just melts 68 00:03:25,600 --> 00:03:29,160 Speaker 4: into a pall, a ball of putty or something. But 69 00:03:29,639 --> 00:03:31,160 Speaker 4: he's just unbelievable. Man. 70 00:03:32,520 --> 00:03:35,560 Speaker 2: He did this podcast, and I have to tell you, 71 00:03:36,160 --> 00:03:42,040 Speaker 2: his vision and his leadership come shining through in that episode. 72 00:03:42,120 --> 00:03:45,800 Speaker 4: Jelly No, I gotta check it out because he's I 73 00:03:45,840 --> 00:03:47,760 Speaker 4: see it every time I talk to him. I'm so 74 00:03:47,880 --> 00:03:50,240 Speaker 4: blessed to have a label partner that I talked to 75 00:03:50,520 --> 00:03:54,960 Speaker 4: multiple times a week. I mean him, Carson, Adrian Michaels, 76 00:03:55,840 --> 00:03:57,840 Speaker 4: the entire radio team over there. I mean I talk 77 00:03:57,880 --> 00:04:01,120 Speaker 4: to these people obsessively. I mean I probably talked to 78 00:04:01,200 --> 00:04:03,680 Speaker 4: somebody in that office every day twice. 79 00:04:04,040 --> 00:04:07,520 Speaker 2: You know, you share some similar life paths as the 80 00:04:07,520 --> 00:04:15,440 Speaker 2: great Johnny Cash, prison time, drug challenges, personal trials. What 81 00:04:15,480 --> 00:04:17,720 Speaker 2: does his music mean to. 82 00:04:17,640 --> 00:04:22,840 Speaker 4: You, oh man? Johnny was one of the the whole 83 00:04:22,839 --> 00:04:26,280 Speaker 4: outlaw movement, not limited to Johnny, but that whole era 84 00:04:27,160 --> 00:04:31,160 Speaker 4: was still probably my favorite era in American music history. 85 00:04:31,720 --> 00:04:34,679 Speaker 4: And I say American music history, not just country music history. 86 00:04:34,720 --> 00:04:39,600 Speaker 4: Because Nashville was on fire. You know, Bob Dillon came 87 00:04:39,640 --> 00:04:42,200 Speaker 4: down here and wrote, you know what was the Nashville 88 00:04:42,240 --> 00:04:46,640 Speaker 4: Skyline record came down here into the Johnny Cash Show. 89 00:04:47,120 --> 00:04:50,960 Speaker 4: I mean, Johnny Cash had transcended country music at a 90 00:04:51,040 --> 00:04:54,320 Speaker 4: time into a whole different culture and put a whole 91 00:04:54,320 --> 00:04:57,440 Speaker 4: different look, you know. And he taught me a lot 92 00:04:57,600 --> 00:05:01,240 Speaker 4: no pun intended about how to walk the line, because 93 00:05:01,400 --> 00:05:04,039 Speaker 4: Johnny knew how to walk that line. And I don't 94 00:05:04,040 --> 00:05:07,279 Speaker 4: even mean just in his relationship. I meant in the business, right, 95 00:05:07,960 --> 00:05:10,720 Speaker 4: you know, he stood by his outlawedness. He stood a 96 00:05:10,760 --> 00:05:13,840 Speaker 4: man of character, a man of integrity, morals, what he believed. 97 00:05:13,880 --> 00:05:16,400 Speaker 4: He wasn't afraid to tell you to fuck off, right, 98 00:05:16,800 --> 00:05:20,080 Speaker 4: but equally did fifty two shows of the Johnny Cash Show, 99 00:05:20,120 --> 00:05:25,520 Speaker 4: almost a syndicated television show, big hit, the infamous documentary 100 00:05:25,520 --> 00:05:28,400 Speaker 4: you've probably seen about him, A Richard Nixon, Tricky Dick, 101 00:05:28,400 --> 00:05:30,000 Speaker 4: and the Man in Black. I mean, he had some 102 00:05:30,160 --> 00:05:32,880 Speaker 4: wild political shit happened in the background too, just quiet 103 00:05:32,880 --> 00:05:37,080 Speaker 4: as captain, you know. And Johnny Cash was the ultimate 104 00:05:37,320 --> 00:05:41,480 Speaker 4: to me of that era, the guy that I aspired 105 00:05:41,520 --> 00:05:44,480 Speaker 4: to be. Me and my buddy Ryan Upchurch struggled. Jennings 106 00:05:44,480 --> 00:05:48,640 Speaker 4: and Adam Calhoun were talking reason and Ryan up Church 107 00:05:48,760 --> 00:05:51,040 Speaker 4: is a multi genre artist as well, but does it 108 00:05:51,120 --> 00:05:53,839 Speaker 4: independently and has no aspiration to partner with the label. 109 00:05:54,279 --> 00:05:58,320 Speaker 4: I am anti the system right as far as like 110 00:05:58,360 --> 00:06:01,600 Speaker 4: the establishment, meaning, I think artist should own art, and 111 00:06:01,720 --> 00:06:04,320 Speaker 4: I'm pressing that big in these rooms is that artists 112 00:06:04,320 --> 00:06:06,240 Speaker 4: should own art. There's no reason these artist shouldn't own 113 00:06:06,240 --> 00:06:09,039 Speaker 4: a piece of their masters. Ryan's just like, I'm never 114 00:06:09,120 --> 00:06:11,880 Speaker 4: playing ball with those guys. And I said, well, that's 115 00:06:11,920 --> 00:06:14,000 Speaker 4: what makes this so cool about all four of us 116 00:06:14,120 --> 00:06:19,080 Speaker 4: is because that was Johnny Whalon, Willie, Chris Jesse. Right, 117 00:06:19,600 --> 00:06:22,680 Speaker 4: if you think about it, Johnny played the game, Johnny 118 00:06:22,720 --> 00:06:27,159 Speaker 4: Cash show, big late night TV appearances, stood next to President. 119 00:06:27,360 --> 00:06:29,760 Speaker 4: You know, man Wayling Jennings didn't give a shit about 120 00:06:29,800 --> 00:06:31,560 Speaker 4: none of that. Dude. He showed up every now and 121 00:06:31,560 --> 00:06:34,080 Speaker 4: then to a late night TV show and that's about it, 122 00:06:34,160 --> 00:06:38,440 Speaker 4: you know what I'm saying. It's like, so it's really 123 00:06:38,480 --> 00:06:41,880 Speaker 4: cool to see that even in this generation, that outlaw 124 00:06:42,000 --> 00:06:44,440 Speaker 4: blossoms different ways just like it did back then. 125 00:06:44,640 --> 00:06:50,960 Speaker 2: You know, I love your appreciation for the historical figures 126 00:06:51,000 --> 00:06:52,880 Speaker 2: and the music that's been around you. 127 00:06:53,400 --> 00:06:57,039 Speaker 4: Yeah, well it's bound to repeat itself. So I just 128 00:06:57,080 --> 00:06:59,039 Speaker 4: wanted to check and see where I might fit into 129 00:06:59,080 --> 00:07:02,280 Speaker 4: the future landscape. And I started getting obsessed with these eras, 130 00:07:02,400 --> 00:07:07,880 Speaker 4: and I mimicked my entire songwriting style from that nineteen 131 00:07:08,040 --> 00:07:13,440 Speaker 4: sixty seven to seventy six era, everything from Segur to 132 00:07:13,560 --> 00:07:16,600 Speaker 4: Dylan to Cash to Willie to Whalan write that whole, 133 00:07:17,400 --> 00:07:21,320 Speaker 4: James Taylor, Jim Crochey, these are the guys that made 134 00:07:21,360 --> 00:07:22,600 Speaker 4: me want to write songs. 135 00:07:24,120 --> 00:07:25,880 Speaker 3: John Prine, I would imagine. 136 00:07:25,520 --> 00:07:30,000 Speaker 2: Zah, absolutely, Do you remember the first time that you 137 00:07:30,720 --> 00:07:31,680 Speaker 2: rapped something? 138 00:07:32,240 --> 00:07:39,160 Speaker 4: Oh? Absolutely, dude. I went downstairs. So my mother struggled 139 00:07:39,200 --> 00:07:42,440 Speaker 4: with like mental health and addiction stuff, right, and she'd 140 00:07:42,440 --> 00:07:44,280 Speaker 4: come to the kitchen and the whole house would come. 141 00:07:44,360 --> 00:07:46,520 Speaker 4: We'd listen to music. And when I realized that music 142 00:07:46,600 --> 00:07:49,960 Speaker 4: was affecting her addiction, I was like, Oh, this makes 143 00:07:50,000 --> 00:07:53,520 Speaker 4: mom happy, I should go write music, right, So I 144 00:07:53,560 --> 00:07:57,320 Speaker 4: went upstairs and I wrote a rap because hip hop 145 00:07:57,360 --> 00:08:02,080 Speaker 4: was super influential in our culture, and I was. I 146 00:08:02,160 --> 00:08:04,040 Speaker 4: went downstairs with my little sheet of paper, and she 147 00:08:04,080 --> 00:08:05,680 Speaker 4: had all of her friends at the kitchen table. I 148 00:08:05,680 --> 00:08:07,640 Speaker 4: called them the Golden Girls, like six or seven month 149 00:08:07,680 --> 00:08:09,480 Speaker 4: and they'd all come to the kitchen table together. They 150 00:08:09,640 --> 00:08:13,680 Speaker 4: just changed smoked cigarettes, and I came down. She turned 151 00:08:13,720 --> 00:08:15,920 Speaker 4: the record off and said what you got? I said, 152 00:08:15,920 --> 00:08:17,600 Speaker 4: listen to this, And I held my little sheet of 153 00:08:17,640 --> 00:08:20,160 Speaker 4: paper up and I was shaking the whole time, and 154 00:08:20,200 --> 00:08:21,880 Speaker 4: I wrapped her a little wrap. And I was probably 155 00:08:21,880 --> 00:08:23,640 Speaker 4: twelve years old. Eleven years old. 156 00:08:25,440 --> 00:08:26,920 Speaker 3: Do you remember what you wrapped you too? 157 00:08:27,000 --> 00:08:29,920 Speaker 4: I don't remember anything. It was just like, you know, 158 00:08:30,080 --> 00:08:33,560 Speaker 4: I don't like I just remember that feeling of everybody 159 00:08:33,720 --> 00:08:35,800 Speaker 4: cheering me on and telling me to go write another one. 160 00:08:35,840 --> 00:08:37,560 Speaker 4: In hindsight, they were just trying to get rid of me. 161 00:08:38,040 --> 00:08:40,040 Speaker 4: That's how we do kids. Yeah, Greg, go write another 162 00:08:40,080 --> 00:08:45,199 Speaker 4: one of those. I'll give you another magic moment real quick, 163 00:08:45,240 --> 00:08:48,040 Speaker 4: if you got time. I walked into middle school. I 164 00:08:48,080 --> 00:08:50,640 Speaker 4: went to this school called Cameron Middle School on Murphspur Road. 165 00:08:50,679 --> 00:08:54,559 Speaker 4: It was across the street from the JC Napier Project homes, 166 00:08:55,200 --> 00:08:59,200 Speaker 4: and so, needless to say, I was one of seven 167 00:08:59,240 --> 00:09:03,079 Speaker 4: white kids at the whole school, right, And I would 168 00:09:03,120 --> 00:09:06,000 Speaker 4: walk every day by the breakfast because you know that 169 00:09:06,080 --> 00:09:09,000 Speaker 4: you get free breakfast at school, and they would always 170 00:09:09,040 --> 00:09:11,680 Speaker 4: be sitting outside of the lunch room pounding on the 171 00:09:11,679 --> 00:09:16,079 Speaker 4: table and rapping. So I'd say maybe my seventh grade year, 172 00:09:16,240 --> 00:09:18,200 Speaker 4: sixth grade year, I finally got the courage to go 173 00:09:18,240 --> 00:09:20,800 Speaker 4: over and see if I could fit in the mix, 174 00:09:20,880 --> 00:09:23,280 Speaker 4: you know. And I walked in and they would freestyle, 175 00:09:23,400 --> 00:09:25,720 Speaker 4: you know, about teachers and like stuff that was happening 176 00:09:25,720 --> 00:09:28,640 Speaker 4: in middle school, you know. And I came in and uh, 177 00:09:29,600 --> 00:09:31,720 Speaker 4: I think I made a joke about running from a 178 00:09:31,760 --> 00:09:34,760 Speaker 4: principal and him catching me because I was fat, because 179 00:09:34,760 --> 00:09:37,720 Speaker 4: I was a big kid too, and whatever the line was. 180 00:09:37,840 --> 00:09:42,040 Speaker 4: I just remember watching one hundred black kids in the 181 00:09:42,040 --> 00:09:45,600 Speaker 4: hallway lose their shit, just like because this is like 182 00:09:45,640 --> 00:09:49,200 Speaker 4: you have. Eminem wasn't out yet, right, nobody really connected 183 00:09:49,240 --> 00:09:50,960 Speaker 4: with the Beastie boys. They had been out, but it 184 00:09:51,000 --> 00:09:52,680 Speaker 4: wasn't in a culture that I knew who the beast 185 00:09:52,760 --> 00:09:55,440 Speaker 4: Boys were. But these kids didn't like Vanilla Ice was 186 00:09:55,960 --> 00:09:57,679 Speaker 4: you know what I mean, this wasn't even really a 187 00:09:57,720 --> 00:10:00,480 Speaker 4: thing thing yet. So it's like this was an un thing, 188 00:10:00,559 --> 00:10:02,439 Speaker 4: Like why is there a white kid in here rapping 189 00:10:02,480 --> 00:10:05,120 Speaker 4: and he's good at it? So it was really really 190 00:10:05,320 --> 00:10:07,720 Speaker 4: I remember that being the two times I caught the bug. 191 00:10:09,040 --> 00:10:10,400 Speaker 3: What was it like working with em and. 192 00:10:10,520 --> 00:10:15,040 Speaker 4: M Nothing short of unreal. I mean, he's the goat. 193 00:10:15,640 --> 00:10:18,240 Speaker 4: Anything connected with him is just I think he's the 194 00:10:18,240 --> 00:10:22,079 Speaker 4: greatest rapper ever. I think he will go down as 195 00:10:22,120 --> 00:10:23,319 Speaker 4: the greatest rapper ever. 196 00:10:24,559 --> 00:10:31,600 Speaker 3: You have this unbelievable lack of being categorized in one genre. 197 00:10:31,800 --> 00:10:35,720 Speaker 2: You've got rap, you've got rock, you've got country, you've 198 00:10:35,760 --> 00:10:39,960 Speaker 2: got spiritual. Damn you're even like a motivational speaker in 199 00:10:40,040 --> 00:10:40,720 Speaker 2: your own way. 200 00:10:41,760 --> 00:10:44,920 Speaker 3: How does that make you feel that you defy categorization? 201 00:10:46,440 --> 00:10:49,040 Speaker 4: Lifelong dream? I feel like my whole life I just 202 00:10:49,040 --> 00:10:51,400 Speaker 4: wanted to defye categories, you know, I just wanted to. 203 00:10:52,240 --> 00:10:55,240 Speaker 4: I feel like a lot of us live in that space. 204 00:10:56,040 --> 00:10:58,000 Speaker 4: We were just so taught that we have to fit 205 00:10:58,040 --> 00:11:02,120 Speaker 4: into a certain box for identity, identity purposes, you know, 206 00:11:02,440 --> 00:11:05,000 Speaker 4: because when I was a kid, you couldn't come to 207 00:11:05,080 --> 00:11:08,559 Speaker 4: school on Monday with a Shanaia Twain shirt and come 208 00:11:08,600 --> 00:11:13,240 Speaker 4: back to school Friday with it with a Snoop Dogg shirt. Right. 209 00:11:13,320 --> 00:11:16,280 Speaker 4: You were either a country person, you were a rock person, 210 00:11:16,480 --> 00:11:19,280 Speaker 4: you were a rap person. You were identified in these 211 00:11:19,320 --> 00:11:23,320 Speaker 4: these little boxes. And I just remember thinking, then, well, man, 212 00:11:23,360 --> 00:11:26,800 Speaker 4: that's not that can't that's not right, because I like 213 00:11:27,120 --> 00:11:31,560 Speaker 4: Offspring and Snoop Dogg, you know, I like Johnny Cash 214 00:11:31,720 --> 00:11:34,719 Speaker 4: and I like Jim Crochey, you know, why can't I 215 00:11:35,040 --> 00:11:38,120 Speaker 4: you know, And what has happened through the era of 216 00:11:38,160 --> 00:11:42,320 Speaker 4: streaming is now we see that more than ever, right, 217 00:11:42,440 --> 00:11:45,080 Speaker 4: And so me blending the genres is just me kind 218 00:11:45,080 --> 00:11:47,920 Speaker 4: of doing what I feel passionate about. But my daughter's 219 00:11:47,960 --> 00:11:50,720 Speaker 4: an example of I listened to her cleaning her room yesterday. 220 00:11:50,800 --> 00:11:52,520 Speaker 4: Every time she cleans her room, she turns on the 221 00:11:52,559 --> 00:11:54,080 Speaker 4: music to make sure the whole house can hear it. 222 00:11:54,720 --> 00:11:58,040 Speaker 4: And that's maybe our punishment for punishing her to make 223 00:11:58,080 --> 00:12:02,440 Speaker 4: her clean her room, and she blairs everything from Ariana 224 00:12:02,600 --> 00:12:05,960 Speaker 4: Grande to Cardi B. You know what I mean. It's 225 00:12:06,040 --> 00:12:08,560 Speaker 4: like the fact that my kid knows the new Chris 226 00:12:08,679 --> 00:12:11,240 Speaker 4: Young song, and she also knows the new NBA Young 227 00:12:11,280 --> 00:12:13,800 Speaker 4: Boy song. That's not weird to anybody in her school, 228 00:12:14,200 --> 00:12:16,920 Speaker 4: you know, and my generation that would have been fucking weird, 229 00:12:17,040 --> 00:12:17,680 Speaker 4: you know what I mean? 230 00:12:20,160 --> 00:12:23,079 Speaker 3: Jelly, If you ran the prison system, what would. 231 00:12:22,920 --> 00:12:26,760 Speaker 4: You do well? If I ran the prison system, I 232 00:12:26,800 --> 00:12:31,440 Speaker 4: would attempt to bring more programming, rehabilitation and trade work 233 00:12:31,600 --> 00:12:35,160 Speaker 4: skills there, and I would try to create systems to 234 00:12:35,240 --> 00:12:39,600 Speaker 4: offer housings in different areas, right because a lot of 235 00:12:39,600 --> 00:12:42,320 Speaker 4: the problem that happens, especially in the juvenile cases, because 236 00:12:42,320 --> 00:12:45,000 Speaker 4: I'm super passionate about the juveniles because I was a 237 00:12:45,040 --> 00:12:49,679 Speaker 4: juvenile offender that got charged on an adult. You take 238 00:12:49,720 --> 00:12:52,000 Speaker 4: a fifteen year old kid that's in a broken home 239 00:12:52,559 --> 00:12:54,920 Speaker 4: with a family that does drugs and a cousin that 240 00:12:55,000 --> 00:12:57,040 Speaker 4: lives there that sells drugs, and you put them in 241 00:12:57,120 --> 00:13:01,079 Speaker 4: juvenile and then you send them right to that house 242 00:13:02,520 --> 00:13:05,960 Speaker 4: and wonder how that kid triggered back into trouble, you know. 243 00:13:06,840 --> 00:13:10,480 Speaker 4: I think that I would focus on offering opportunities for 244 00:13:10,559 --> 00:13:12,640 Speaker 4: inmates to get out of prison and move to halfway 245 00:13:12,640 --> 00:13:16,440 Speaker 4: houses in different states with trade work available there, you know, 246 00:13:16,600 --> 00:13:19,679 Speaker 4: or different cities. You know. Take the Chattanooga guys and 247 00:13:19,720 --> 00:13:23,520 Speaker 4: move them to Humbole, Tennessee. And take the Memphis guys 248 00:13:23,520 --> 00:13:26,040 Speaker 4: and move them to Chattanooga, you know, and just try 249 00:13:26,040 --> 00:13:29,320 Speaker 4: to create culture and structure because you can't continue, I know, 250 00:13:29,360 --> 00:13:34,960 Speaker 4: troubles everywhere, but sometimes new playgrounds, new playmates, you know, 251 00:13:35,240 --> 00:13:37,200 Speaker 4: And I think that I would just focus on that, 252 00:13:37,240 --> 00:13:40,160 Speaker 4: focus on the rehabilitation of it. It's I look back 253 00:13:40,160 --> 00:13:42,000 Speaker 4: at my time in jail and all the time I did, 254 00:13:42,000 --> 00:13:45,360 Speaker 4: and I didn't learn a single skill in there, right, 255 00:13:45,440 --> 00:13:48,040 Speaker 4: Like I didn't learn a single skill like you're just 256 00:13:48,720 --> 00:13:52,480 Speaker 4: They just make smarter criminals. You put two hundred criminals 257 00:13:52,480 --> 00:13:54,600 Speaker 4: in a room together and don't give them anything to 258 00:13:54,640 --> 00:13:56,440 Speaker 4: go look forward to. They're not going to do nothing 259 00:13:56,480 --> 00:14:01,439 Speaker 4: but gamble, fight, and teach each other criminal ways. That's it. 260 00:14:01,960 --> 00:14:05,360 Speaker 4: That's all that happens in jail. They gamble, they fight, 261 00:14:05,720 --> 00:14:08,319 Speaker 4: and they teach each other better ways to be criminals. 262 00:14:08,360 --> 00:14:11,199 Speaker 4: My favorite thing about the George J. Younges story, I'm sure 263 00:14:11,200 --> 00:14:13,880 Speaker 4: you've seen the movie Blow, is when he says I 264 00:14:13,960 --> 00:14:18,120 Speaker 4: went in with a bachelor's degree in weed and came 265 00:14:18,120 --> 00:14:22,880 Speaker 4: out with a PhD In cocaine, And that is so true. 266 00:14:23,000 --> 00:14:24,880 Speaker 4: You know how many guys I've seen go to jail, 267 00:14:24,920 --> 00:14:27,560 Speaker 4: small drug dealers and meet a big drug dealer in jail, 268 00:14:27,600 --> 00:14:32,760 Speaker 4: and you know they're not focused on rehab. Now. Luckily, 269 00:14:32,840 --> 00:14:35,800 Speaker 4: here in Nashville, Sheriff Hall is really open to the 270 00:14:35,840 --> 00:14:39,040 Speaker 4: idea of programming, so I've been talking to him a lot. 271 00:14:39,480 --> 00:14:41,800 Speaker 4: So we're gonna start making changes on that, hopefully on 272 00:14:41,840 --> 00:14:43,880 Speaker 4: a national level, but we're gonna start where it matters 273 00:14:43,920 --> 00:14:44,840 Speaker 4: most right here at home. 274 00:14:46,120 --> 00:14:49,840 Speaker 2: And when you did the sellout at the arena, you 275 00:14:49,920 --> 00:14:52,640 Speaker 2: put your money where your mouth is to begin a 276 00:14:52,680 --> 00:14:53,440 Speaker 2: project there? 277 00:14:53,480 --> 00:14:54,520 Speaker 3: Can you talk about that? 278 00:14:55,160 --> 00:14:58,960 Speaker 4: Yes, sir not. We started putting together studios inside of 279 00:14:59,000 --> 00:15:03,560 Speaker 4: the Juvenile Downtown, the Impact Youth Outreach that we partner with. 280 00:15:03,640 --> 00:15:06,720 Speaker 4: We hired more staff for full time care for people 281 00:15:06,760 --> 00:15:08,560 Speaker 4: that come out of juvenile so they'll go straight to 282 00:15:08,600 --> 00:15:11,760 Speaker 4: this program. We're getting corridorated by the judges. Let me 283 00:15:11,800 --> 00:15:13,760 Speaker 4: tell you the most beautiful thing about this. And we're 284 00:15:13,760 --> 00:15:17,160 Speaker 4: building studios outside for kids when they come home, music 285 00:15:17,200 --> 00:15:19,760 Speaker 4: programs inside. The next thing we're going to try to 286 00:15:19,760 --> 00:15:23,080 Speaker 4: bring in there is another trade work, whether we partner 287 00:15:23,120 --> 00:15:24,800 Speaker 4: with leaves, heating and air and try to bring h 288 00:15:24,920 --> 00:15:27,160 Speaker 4: VAC in or something just to teach kids, you know, 289 00:15:27,240 --> 00:15:31,840 Speaker 4: more trade work. But this is just scratching the surface. 290 00:15:31,840 --> 00:15:34,000 Speaker 4: I have big dreams. I want to open halfway houses 291 00:15:34,040 --> 00:15:36,720 Speaker 4: around town and I want to really make a difference 292 00:15:36,720 --> 00:15:38,760 Speaker 4: when it comes down to this city. I want to 293 00:15:38,800 --> 00:15:40,520 Speaker 4: That's one of the things I want to be remembered for, 294 00:15:40,640 --> 00:15:43,520 Speaker 4: is you know, I want to be remembered for feeding 295 00:15:43,560 --> 00:15:45,600 Speaker 4: the homeless and visiting the jails. 296 00:15:46,280 --> 00:15:48,560 Speaker 3: Do you have a documentary in the works. 297 00:15:48,800 --> 00:15:50,960 Speaker 4: We do. We do have a documentary to work. I 298 00:15:50,960 --> 00:15:52,560 Speaker 4: don't know how much. I'm allowed to talk about it, 299 00:15:52,600 --> 00:15:56,000 Speaker 4: but we do. We Hulu filmed me, ABC News filmed me, 300 00:15:57,320 --> 00:15:59,640 Speaker 4: or I'd say sixty percent of twenty twenty two. I 301 00:15:59,640 --> 00:16:02,080 Speaker 4: mean in a lot of time with me and uh, 302 00:16:02,120 --> 00:16:04,880 Speaker 4: it should be coming out sometime right here before the 303 00:16:04,920 --> 00:16:08,800 Speaker 4: Midsummer I'm really excited and nervous. Did you let a 304 00:16:08,840 --> 00:16:11,000 Speaker 4: camera crew into your personal life for like four or 305 00:16:11,040 --> 00:16:13,880 Speaker 4: five hundred hours? You know they've probably caught some wild shit. 306 00:16:17,280 --> 00:16:20,160 Speaker 3: Do you still get performance nerves every time? 307 00:16:20,880 --> 00:16:25,600 Speaker 4: Oh? Unbelievably I was. I played the Leslie Jordan tribute 308 00:16:25,600 --> 00:16:27,360 Speaker 4: at the Grand Old Oppery recently, and I could I 309 00:16:27,400 --> 00:16:29,400 Speaker 4: was shaken on stage. You know, you could just see 310 00:16:29,400 --> 00:16:35,520 Speaker 4: my hand shaken the microphone you could see shaken a 311 00:16:35,520 --> 00:16:38,800 Speaker 4: little bit. Yeah. And the day I quit getting those nerves, 312 00:16:38,840 --> 00:16:39,560 Speaker 4: I'll quit torn. 313 00:16:40,880 --> 00:16:43,560 Speaker 2: I have to tell you, as we close, as somebody 314 00:16:43,560 --> 00:16:47,640 Speaker 2: who has felt the deep connection with you, and like 315 00:16:47,800 --> 00:16:52,120 Speaker 2: others felt that connection, I have to ask you, how 316 00:16:52,160 --> 00:16:57,240 Speaker 2: do you balance work and life to the betterment of 317 00:16:57,280 --> 00:16:59,880 Speaker 2: of you know, your health and well being. 318 00:17:01,640 --> 00:17:05,240 Speaker 4: I am learning that now because I have spent so 319 00:17:05,400 --> 00:17:08,520 Speaker 4: much time focused on building the music side of the 320 00:17:08,600 --> 00:17:11,480 Speaker 4: career that at times I do get lost on the 321 00:17:11,520 --> 00:17:15,080 Speaker 4: family side, which is always the most important side. So 322 00:17:15,160 --> 00:17:18,520 Speaker 4: this going into this year specifically, I found a better balance, 323 00:17:18,880 --> 00:17:21,240 Speaker 4: you know what. I've gotten finally bold enough to say 324 00:17:21,400 --> 00:17:26,120 Speaker 4: to help with that buzz. No. No, it's a crazy word, 325 00:17:26,160 --> 00:17:28,399 Speaker 4: and it's hard to say when you're a kid from 326 00:17:28,440 --> 00:17:31,560 Speaker 4: Antiocht that never had anything. You just say yes because 327 00:17:31,560 --> 00:17:33,600 Speaker 4: you know what I'm saying, because you've never had anything. 328 00:17:34,200 --> 00:17:36,160 Speaker 4: And then you say yes to so much you find 329 00:17:36,160 --> 00:17:37,720 Speaker 4: out that you you know, I haven't been home for 330 00:17:37,720 --> 00:17:40,520 Speaker 4: a daughter's birthday in six seven years, and it just 331 00:17:40,560 --> 00:17:44,080 Speaker 4: breaks my heart, you know So it's things that I'm 332 00:17:44,080 --> 00:17:45,719 Speaker 4: going to try to do better moving forward. 333 00:17:46,080 --> 00:17:49,199 Speaker 3: Thank you for saying yes to being on taking a 334 00:17:49,280 --> 00:17:51,000 Speaker 3: walk on so straight. 335 00:17:51,720 --> 00:17:53,879 Speaker 4: No, these are the easy ones, the nose or whenever 336 00:17:53,920 --> 00:17:55,560 Speaker 4: they get you to do a one off in Seattle 337 00:17:55,600 --> 00:17:57,719 Speaker 4: and it takes three days of your life and you 338 00:17:57,800 --> 00:18:04,040 Speaker 4: still say yes to go do a three hundred person 339 00:18:04,160 --> 00:18:07,840 Speaker 4: club for radio. It takes four days of your life 340 00:18:07,840 --> 00:18:11,040 Speaker 4: to get to Seattle and back on your daughter's birthday 341 00:18:11,600 --> 00:18:13,479 Speaker 4: and you're just like, you know what next time they 342 00:18:13,520 --> 00:18:14,840 Speaker 4: call about that when I'm saying no. 343 00:18:17,440 --> 00:18:19,520 Speaker 3: I'm so grateful, Thank you so much. 344 00:18:19,680 --> 00:18:22,800 Speaker 4: Thank for your time, buzz anytime. Congratulations man. On a 345 00:18:22,840 --> 00:18:27,600 Speaker 4: personal note, you know, I love to see people step 346 00:18:27,640 --> 00:18:31,520 Speaker 4: out into the unknown and take ownership and that's awesome. 347 00:18:32,000 --> 00:18:34,960 Speaker 4: It's so cool. I wish you blessings on these podcasts. 348 00:18:35,600 --> 00:18:38,560 Speaker 4: I hope you do a thousand of them. I hope 349 00:18:38,600 --> 00:18:40,600 Speaker 4: you build a catalog and sell them for a hundred 350 00:18:40,600 --> 00:18:43,159 Speaker 4: million dollars later in life. That's what that's my prayer 351 00:18:43,240 --> 00:18:46,320 Speaker 4: for you. You know, you're an artist at heart, Buzz. 352 00:18:46,520 --> 00:18:48,280 Speaker 4: Artists deserve to own art. 353 00:18:49,119 --> 00:18:49,720 Speaker 3: You're the best. 354 00:18:49,760 --> 00:18:52,000 Speaker 2: I hope I get to meet you down at the 355 00:18:52,040 --> 00:18:53,200 Speaker 2: country radio seminar. 356 00:18:53,280 --> 00:18:54,600 Speaker 3: I'm going to be down there, so. 357 00:18:54,680 --> 00:18:56,720 Speaker 4: Oh well, then you're absolutely going to meet me. I'llell low, 358 00:18:56,760 --> 00:18:58,240 Speaker 4: but make sure we see each other no matter what. 359 00:18:58,800 --> 00:18:59,960 Speaker 3: I hope, so I'm make. 360 00:18:59,840 --> 00:19:02,280 Speaker 4: Sure that happens. I'll come find you. I'm in town 361 00:19:02,320 --> 00:19:02,760 Speaker 4: all week. 362 00:19:03,320 --> 00:19:06,240 Speaker 3: Awesome. Thank you, I really thank you. I have a 363 00:19:06,280 --> 00:19:07,919 Speaker 3: special gift for you that i'm bringing. 364 00:19:07,960 --> 00:19:11,360 Speaker 2: It's a book. It's a little book. It's called how 365 00:19:11,400 --> 00:19:14,840 Speaker 2: to Walk. It's by a Buddhist monk. I give it 366 00:19:14,840 --> 00:19:19,320 Speaker 2: to all my guests. He's his name. He's deceased. His 367 00:19:19,400 --> 00:19:23,639 Speaker 2: name is Teeth, not Han and it's this little book 368 00:19:23,720 --> 00:19:28,320 Speaker 2: of spirituality. And I can either mail it to you 369 00:19:28,480 --> 00:19:29,560 Speaker 2: or give it to you in person. 370 00:19:29,720 --> 00:19:31,800 Speaker 4: But you know what, I'll talk to love, but I 371 00:19:31,880 --> 00:19:34,000 Speaker 4: might get you to mail it to me. Because I'm 372 00:19:34,040 --> 00:19:35,960 Speaker 4: such a book reader, I might read it before you 373 00:19:36,040 --> 00:19:40,040 Speaker 4: get here. I read I probably I'm making a goal 374 00:19:40,080 --> 00:19:44,160 Speaker 4: to read a book a week, sometimes two, every single week. 375 00:19:44,320 --> 00:19:46,520 Speaker 4: And sometimes I have a thing where once a year 376 00:19:47,119 --> 00:19:50,200 Speaker 4: I recycle four books that have helped me the most 377 00:19:50,240 --> 00:19:54,000 Speaker 4: over the years. Right, I recycle once a year I 378 00:19:54,040 --> 00:19:57,280 Speaker 4: read Tuesdays with Morey Again by Mitch Album. I read 379 00:19:57,280 --> 00:19:59,280 Speaker 4: The Five People You Meet in Heaven by Mitch Album 380 00:19:59,280 --> 00:20:02,120 Speaker 4: because they're my two probably favorite books of all time. 381 00:20:03,600 --> 00:20:08,120 Speaker 4: I read The Alchemist once a year, and I pick 382 00:20:08,160 --> 00:20:10,679 Speaker 4: a Malcolm Gladwell book that I've read before. So like 383 00:20:10,800 --> 00:20:14,199 Speaker 4: this year, i read Talking to Strangers. Last year I 384 00:20:14,240 --> 00:20:15,280 Speaker 4: reread Outliers. 385 00:20:15,800 --> 00:20:19,000 Speaker 3: It's awesome. Well, I'd be honored to get it to you. 386 00:20:19,240 --> 00:20:23,840 Speaker 2: And uh, I'm so grateful and tickled and uh and 387 00:20:24,080 --> 00:20:26,240 Speaker 2: thank you for the music that you that you give 388 00:20:26,320 --> 00:20:26,960 Speaker 2: us and for. 389 00:20:28,720 --> 00:20:32,119 Speaker 3: Just you know, kicking ass. And this is going to 390 00:20:32,160 --> 00:20:34,520 Speaker 3: be an even better year for you than last year. 391 00:20:34,920 --> 00:20:38,080 Speaker 4: Okay Waite Thank you so much, Buzz, thanks Jolly. 392 00:20:38,640 --> 00:20:41,080 Speaker 1: Thanks for listening to this episode of the Taking a 393 00:20:41,119 --> 00:20:45,040 Speaker 1: Walk podcast. Share this and other episodes with your friends 394 00:20:45,119 --> 00:20:48,600 Speaker 1: and follow us so you never miss an episode. Taking 395 00:20:48,640 --> 00:20:52,520 Speaker 1: a Walk is available on the iHeartRadio app, Apple Podcasts, 396 00:20:52,720 --> 00:20:55,000 Speaker 1: and wherever you get your podcasts.